The Da Vinci Code is Finally Cracked

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Worldwide scoop: The Da Vinci Code, when deciphered correctly, points towards a transsexual as playing a key role in the history of the Middle East.

The Da Vinci Code is Finally Cracked

Part 5

By Somer Knight


 
I know, I know — a lot of you think that Dan Brown is a genius for cracking The Da Vinci Code; and you’re flocking to “Angels and Demons,” the newest documentary based on his work. I also am aware that there is more than one code deciphered by Dan on his way to providing indisputable proof that Jesus died a married man. Or married god, if you prefer. I’m not here to make religious waves; I am here to correct Dan’s one big mistake in The Da Vinci Code. I do so in the interests of science and Truth, and not because I have a desperate need to see my name in print.

I have no horse in the race to learn whether or not God exists or whether or not Jesus is (was) divine. I have my own donkey to flog: my commitment to life, liberty and the pursuit of the almighty dollar. It is out of my love of life and liberty that I have chosen this obscure site on which to post this groundbreaking story. I do hope, however, that the story will spread virally and that some day I, Somer Knight, will be infamous.

As for Dan Brown, he blew it when it came to breaking the single most important code — the one that identified the bride of Christ. (And we’re not talking centuries of nuns.) I believe that Dan allowed his feminism to distort his understanding of the single-most important clue discovered during his research: namely, the hidden meaning of Leonardo DaVinci’s fresco of “The Last Supper.”

Since my own prejudice — transgenderism -- is superior to Brown’s, you, my readers, can be certain that I have a superior interpretation of the hidden meaning of Da Vinci’s flaky, fresco of Jesus and his Disciples celebrating simultaneously the Passover of the Jews, their last meal together, and the first communion mass.

As it’s important for you to read my entire, convoluted Argument, you must tarry with me for a few pages more before I reveal my most important finding. Yet, since I know the value to a news story of an early teaser, I can tell you this now: There is no way, as Brown asserted, that Mary Magdalene and Jesus Christ had a lovechild who founded a Holy Bloodline known for two millennia as the Holy Grail (the latter’s name derives from really old French for “Holy Blood”). Am I able to prove a negative? Why not? As a night editor once said, “You, Somer, are capable of anything.”

Before I tell you the biggest news about Jesus since the Dead Sea Scrolls, let me discard the biggest myth about Dan Brown’s book — that it’s a novel, a work of fiction. Fiction? Hah! Those who have actually read his treatise know that they have read the “gospel” truth.

So why did Brown claim that he had written a novel? Well, the answer is blindly obvious to anyone who has read about Opus Dei, the Priory of Sion, the Illuminati and the Templars. Those are ruthless dudes. It’s worth your life to mess with them. So I figure that Brown decided to take out life insurance: if he were to have an early, untimely death, then everyone would know that he hadn’t written a novel. No one gets murdered for writing a novel, do they?

(Okay, it did briefly concern me when I found out the leaders of the Soviet Union took an exception to some of the novels written by Russians like that Vermont guy, Solznitzn. But they didn’t intend to kill anyone they sent to the concentration camps known as the Gulag. The Gulag was meant to re-educate, not to kill. Or so Jean-Paul Sartre told us. And he was a heavy thinker, as one would expect of a dude from the Leftist Bank of Paris. )

Unlike Dan Brown, I am not pretending that this is a work of non-fiction. Am I, therefore, putting my life in danger? I don’t think so. I sincerely hope not. But I do hope that my plan works: that this story will spread with such virulence that no one will be able to identify the original source of infection until I, my police protection finally assigned, can stand behind a bulletproof barrier (with at least three teleprompters) to take my rightful place in the international dissemblance of knowledge.

Okay, now that you no longer fear for my future, let us get as quickly as possible to the crux of the matter. See the red arrow in the image below (it’s a blow-up of part of Da Vinci’s famous painting, which is remarkably tiny, of the last formal dinner that Jesus ever attended).
 

a_Vinci_The_last_supper_detail_Da_Vinci_code.jpg

 
According to Dan Brown, the arrow points to Mary Magdalene, one of his disciples. As she was definitely a female, it’s contended that she had — like women at a Georgia golf club — had only an associate membership in the ranks of the Apostles. In identifying the prettiest person in the painting as female, Dan may have believed that he was being fairly conventional, but in fact almost every scholar before him believed that the lissom figure was in fact that of John the Apostle, the dude who later wrote one of the gospels and the Book of Revelation.

Brown further argues that the body language of Mary and Jesus (he’s the guy in the orange outfit with a purple bedspread wrapped around one shoulder) proves that Da Vinci, the ultimate insider who belonged to the Priory of Sion (a global conspiracy like SPECTRE or KAOS), was using the painting to reveal his biggest secret -- that Jesus and Mary were an item. Not only were they married, but they had a kid together. Since this conclusion upset the Catholic Church, it must be right, say Dan’s disciples.

So what’s true, and what’s not? This part is true: Dan Brown does prove that Leonardo Da Vinci, a brilliant man who flew the first airplane (in one of the Carolinas, I think), had the inside scoop on Christ’s sex life; and that he used this fresco (a painting on plaster) to depict Jesus as a married man, his spouse being the comely blonde sitting, hostess-like, at his right shoulder. They must have been married for many years by the time of the meal because the spouse of Jesus is leaning away from him to flirt with — let’s be frank — a dude so elderly that they must have been talking about an exchange of money.

Brown, despite his brilliant insight that “The Last Supper” proves that Jesus was married, is surprisingly obtuse — once again I blame his feminism — when it comes to identifying Jesus’s spouse. Brown says that pretty apostle is Mary Magdalene.

Oh come now, Dan! Where is there any evidence that Jesus liked women — you know, liked them that way? He surrounded himself with men, didn’t he? Yes, there was one woman in his entourage, but who else was going to do the cooking, sewing, mending, and foot-washing? I’ve done a lot of research on gender roles in traditional societies, and I can assure you from personal experience that it’s impossible to get by without at least one woman in a culture such as backward as Judaya was in ancient days of yore. Dan disputes Mary Magdalene’s reputation as an ex-prostitute. Again, he’s got it wrong: Who but a whore too old to make a living at her chosen profession would agree to keep house — without there even being a house! — for twelve grown men? These guys had neither donkey cart nor Indian travois. Let’s be realistic -- there would have been less work for her tending to the chuckwagon on a Texas cattle drive!

And why would Jesus have made out with a woman worn out by her endless chores? Think, folks, you’ve got to think -- You’ve all seen portraits of Jesus wearing little more white tissue paper. You know that he had great looks and an even greater bod. If he had been into females, then he, like Mohammed, could have found one who hadn’t even ripened. Why would he have selected a prune in a land with so many cherries to be plucked?

Dan’s biggest mistake, however, was his failure to count the number of people at the dinner party. Of, if he did count them, he got it wrong — which may not be surprising from a feminist. Aren’t they all left-brained and so bad at math? I, on the other hand, have a brain in which nothing is favored. So trust me: there are twelve people in the painting. Rather, thirteen — Jesus and his twelve apostles. They were all born as men, even if the spouse of Jesus does look like a woman, a fact which Dan Brown correctly regarded as the clue to the meaning of the painting and to Jesus’s marital status.

Who then was the spouse of Jesus? (If I had add sound effects, there would be a drum roll here.) Who was the lucky one? It was John the Apostle and Evangelist. John was the only one of the twelve disciples whom Jesus called his “beloved.” How much more evidence do you need?

Yes, Jesus was married to a man! But Jesus was not gay!

We have here a stunning paradox. It’s so incredible that I realize that even the most credulous of my readers (that is, most of you still with me) will want some proof that Jesus could not have been gay, even though he was always hanging out with the guys, one of whom, Simon, a former fisherman, had such rock-like abs that Jesus gave him the nickname “Peter” — from the Russian “petros”, meaning rock. Simon Peter may have been rock-like lower down, but one mustn’t speculate.

Now I appreciate that times have changed. These days when we see thirteen good-looking, buff guys and one homely gal trooping around town, we leap to the conclusion that -- no matter what the guys might be growing limply on their lower lip -- that she’s the real “beard”, i.e., a woman fed the occasional compliment so that she will give some “closet queens” some cover. However, even in these modern, up-to-date times, we often err when we jump to this conclusion, for we forget that it’s hard for penniless guys to get a date.

It was even harder to buy some female companionship in days of yore. And we all know that Jesus and his disciples were as poor as beggars. It’s no wonder, then, that the only woman in their lives (other than their moms) was the one they paid for housework. So Mary Magdalene was no beard; she was, instead, the perspiring brow and tired arms of this little band of guys who were more into talk than work.

And yet the fundamental paradox of Jesus’s life needs to be explained — that he, a man as straight and manly as a Canadian Mountie, sailor or lumberjack, could marry someone who was at birth declared to be a man conceived of woman.

Well, would it be “gay” for a man to marry a MTF transsexual, as I can prove John the Apostle to have been? While I have not yet been able to verify that John underwent castration or consumed enough feminizing herbs to give himself the semblance of a female body, the visual evidence of his sex change is fairly conclusive. Every surviving portrait of John is clearly that of a woman!

First, let us remind ourselves of what Mediterranean women looked like in the classical era, the era in which John and Jesus lived in wedded bliss (made possible by neglected, overworked Mary Magdalene). So much time has passed that we can’t expect a priori (Greek always impresses readers) the olden-time women then to have been as beautiful as Jacqui Kennedy or Michelle Obama. This painting (by someone named Botticelli) depicts the typical female of those times:
 

Birth_of_Venus_59.jpg

 
Alas, as before, I haven’t been able to find a large painting for my demonstration of what passed in the first century for female pulchritude (as the most important Ren-Ref artists seem to have been miniaturists.) For those of you unsure of who’s what, that’s the female in the clamshell. Study her FACE and then compare it with two surviving portraits of John the Apostle -- the first being an even bigger blow-up from the surprisingly petite “Last Supper” by Leonardo Da Vinci; the second, a portrait of the young beauty by an obscure Fleming (isn’t that a kind of bird?) named Hans Memmling. (His number gets me wondering whether I spelled Fleming correctly. Is it normally one M or two M’s in French?)
 
johnormary.jpg200px-Hans_Memling_039.jpg

 
Given the portrait evidence, can there now be any doubt that John had become a female by the time that he married Jesus? Consider John’s beardlessness. As John was at least thirty years old on the evening that his image was captured by “Last Supper” and as he lived in a society that, like those in rural Afghanistan and Liberal Democratic constituency meetings, demanded that adult males wear a beard, is it not obvious that John must have been a female — a female in his mind from birth and increasingly in his physique? Consider also the shape of John’s head: it, like that of the typical Mediterranean female of his era, was rectangular. Try as he might, John couldn’t hide the shape of his head and is there anything more feminine, more likely to expose a FTM cross-dresser, than a long, thin face?

The portrait evidence is, in my opinion, so compelling that for the rest of this essay I will call John by her proper name, by the pet name that legend says that she received from her husband Jesus: namely, Doreen.

For those of you who still cannot free themselves from Dan’s intellectual thrall (for it admittedly takes quite a unique brain to perceive the world as I do), I have one last piece of evidence. And it’s a zinger! As everyone knows, the world of the classical people was — as in Saudi Arabia, Greece and Italy today — highly gendered. Men and women lived separatist lives, coming together only as needed to create children.

Thus, crucifixion day was a typical day for the two sexes in ancient Judaya; each was doing its “own thing” in its own separate sphere. The women in Jesus’s life were hanging around his cross, gossiping and sewing, darning and gossiping. All the girls were there: Mary Magdalene, Veronica, Jesus’s mom, and some female relatives who, lacking good literary agents, didn’t get a plug by name in the Bible.

Where meanwhile were the men? They were all in hiding from the Romans! Or so they claimed. Were they cowards? I don’t think so, because they, as typical males, had probably lied to the womenfolk so that they could go fishing. Or else they they were seeking some release from their tension — wouldn’t you be tense if a buddy was being crucified? — at a “gentlemen’s club” on the Jerusalem strip. However, for our purposes it isn’t necessary to establish where the male disciples actually were; it suffices to know that the men in Jesus’s life had better things on that doleful Friday to do than to watch him suffer and die.

So where was Doreen that day? Hiding out with the men? No, she was with the womenfolk. Look it up in the Bible if you can borrow one. It says that Doreen AKA John was hanging out with the women; or to be more faithful to our conclusions, that Doreen was hanging out with the other women. Point, set, match!

Now you have it all: First, Jesus was not gay. He liked women even though he spent most of his time horsing around with other guys. Second, he did marry. Third, his bride was his “beloved” Doreen, who’s gone down in history as John the Apostle and Evangelist. Fourth, physically, Doreen was neither male nor female, inasmuch as she was a transsexual, born in a male body but still woman enough for Jesus. Fifth, there can’t have been any kids from the marriage of Doreen and Jesus because, despite the highly dubious claims by some scholars of transgenderism, a MTF transsexual cannot get pregnant. Not even if he’s got breasts like Arnold Schwarznegger’s! Heck, it would take a miracle for a male to get pregnant, and miracles are not something that we associate with Jesus. Hence, there has been no Holy Bloodline for the Priory of Sion to protect. If it or any other group has turned murderous, don’t blame Jesus and Doreen!

What are we left with after correcting the one big error in Dan Brown’s Da Vinci Code? A lot if you ask me. As a middle-aged, transgendered person myself, it gives me enormous pride that Jesus, who reportedly was so charming that he could have seduced almost anyone living in the eastern Mediterranean time zone, that Jesus chose a transgendered mate of his own age. Maybe Doreen was a couple of years younger than Jesus, but that’s sufficiently close to prove that Jesus was neither a lookist nor an ageist.

Even so, the discovery of a transsexual in Jesus’s life is not really all that surprising. After all, we T-girls have been around since Adam had to divorce his first wife, Lilith, because she lacked the internal plumbing needed to bear his children. Eve, his second wife, may have been matriarch of nations, but Adam never loved her as much as he did his one true love, the transsexual Lilith. (I suspect but cannot yet prove that Cain internalized Eve’s rage at being second best, with tragic results for Abel.)

While my discovery of Doreen may not be earth-shaking, it is, nonetheless, an important finding worthy of government financial support. It does, for example, suggest a new take on Judas Iscariot. Indeed, I have already initiated an investigation into his sexuality, for which I shall be appealing to the usual suspect Foundations. My working hypothesis is this: that if Jesus was comfortable with having one transsexual in his entourage, then the ranks of the apostles could easily have included another. Two out of twelve is a far from an impossible ratio, right? And if there were a second transgendered disciple, why couldn’t it have been Judas, who betrayed Jesus with … get this … a kiss?

A kiss? Why are we told that detail? Is it not possible, nay likely, that Judas, a transsexual tragically less attractive than Doreen, did in Jesus out of jealousy? Did empires fall and oceans rise simply because one T-girl, acting like a real bitch, was intent on messing up the marriage of another? Fascinating questions, right? I promise you that I will find the answers as soon as I have found someone to finance my research trips to Honolulu, Nice and the Virgin Islands.

I appreciate that some readers, those unduly influenced by the media and academy, will doubt the veracity of my conclusions. They will accuse me — correctly but unjustly — of timing the release of this essay to coincide with the hype over Angels and Demons, the second documentary based on Dan Brown’s extensive research into religious malfeasance. Sure, I’d like to get a piece of the pie; but greed doesn’t invalidate my work, which stands on its own merits, just as I stand on the shoulders of such great scholars as Dan Brown and Indiana Jones even as I look down upon them.

 © Somer Knight, 2009, who demands her rights.

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Comments

Such a tremendous contribution to scholarship...

Puddintane's picture

...shouldn't go unrecognised. We've already discovered that the Virgin Mary was probably a (CAIS) feminised man, so this news, coming so quickly on its heels, surely suggests that the early apostolic community was remarkably diverse and tolerant for the times.

Cheers,

Puddin'

-

Cheers,

Puddin'

A tender heart is an asset to an editor: it helps us be ruthless in a tactful way.
--- The Chicago Manual of Style

Mislead by Artists Who Painted Pics Long After the Events

Alas for poor Somer Knight, it has already been proven conclusively by Profeessor John Allegro, in his book "The Sacred Mushroom and the Cross", that "JESUS" was actually a code name for the sacred mushroom, a fungus species used by the Apostles and by the Essenes, a Drug-taking hippy sect who composed the "Dead Sea Scrolls", and that there was never an actual person of that name.

Allegro was an Oxford linguistics scholar who analysed ancient semitic languages, and deciphered from the Essenes, the Sumerian, and the ancient Babylonian scrolls, clay tablets, etc that were littered all over the "fertile crescent", following the constant theme of the sacred use of an halucinogenic mushroom species, by a subculture of those seeking information by exploring the inner workings of the mind, rather like a much later, American Psychologist, Timothy Leary, who used a Lysergic Acid Ester to do the same kind of thing.

This researcher, Somer Knight's mistake was to rely upon illustrations that were prepared by artists living many years after the events described, and to have overseen the trail of WRITTEN evidence that the much later developing Churches of the Christians had done their best to suppress in favour of their myths based upon the failed Uprising against Roman Occupation by the Jews and their expulsion from Palestine as a result, the Roman suppression of the Mushroom Cult, and the resulting garbled messages in code that their scattered followers totally mistranslated after their cyphers were lost to them.

Briar

Briar

But John Allegro...

Puddintane's picture

...himself relies on pictures, and fails to note that many "mushroom" pictures use them as potent symbols of danger, often associated with demons or the devil, and redolent of decay and death, which happens to fit quite nicely into the traditional Christian story of Adam and Eve and the "Tree of Life" / "Tree of the Knowledge of Good and Evil" story. They're opposites, and represent a dichotomy, with the promise of the one tree matched by the dreadful menace of the other.

Here, for example, is a reproduction of the anti-Semitic book for children called Der Giftpilz (The Toadstool), in which the "dangerous Jew" is represented as the same poisonous Amanita mushroom:

http://www.calvin.edu/academic/cas/gpa/thumb.htm

Note the cover:

It's extremely unlikely that the Nazis were here encoding the fact that the only way to know God is through Judaism.

The rest of his text relies on linguistic analysis, much of it unfortunately grounded in an era in which little was actually known about the languages he explored.

The entire argument, I think, owes rather more to the exact time in which is was written, the Late Sixties, when many learned and/or articulate people -- Timothy Leary, Ken Kesey, Allen Ginsberg, and so on -- were spreading the "new gospel" of psychedelic drugs. Allegro's terminology (entheogenic) owes much to Leary's Neo-American Church, and many religious figures, including Lao Tse, Jesus, Buddha, amongst others, were roped into his generalised enthusiasm for "turning on, tuning in, and dropping out."

Leary and his fellow-enthusiasts saw psychedelics everywhere, often without objective evidence, so it's hard (at this late date) to argue the point either way, but what we have of early Jewish thought, as preserved in the two Talmuds and elsewhere, and the apocalyptic fixation of early Christian eschatology, doesn't seem to suggest that the Rabbis were in the habit of licking toads, rubbing cannabis ointments on their bodies, or ingesting "trip-inducing" mushrooms. It's hard to imagine them as fellow travellers on Keysey's Magic Bus.

Puddin'
-----------
Timothy Leary's dead.
No, no, no, no, He's outside looking in.
Timothy Leary's dead.
No, no, no, no, He's outside looking in.
He'll fly his astral plane,
Takes you trips around the bay,
Brings you back the same day,
Timothy Leary. Timothy Leary.

Along the coast you'll hear them boast
About a light they say that shines so clear.
So raise your glass, we'll drink a toast
To the little man who sells you thrills along the pier.

He'll take you up, he'll bring you down,
He'll plant your feet back firmly on the ground.
He flies so high, he swoops so low,
He knows exactly which way he's gonna go.
Timothy Leary. Timothy Leary.
--- The Moody Blues

-

Cheers,

Puddin'

A tender heart is an asset to an editor: it helps us be ruthless in a tactful way.
--- The Chicago Manual of Style

Interesting supositions....

Interesting supositions.... For the record, the WRIGHT brothers flew the first airplane... Da Vinci just designed it many centuries before.... Your work is extensive, but In my view.... based solely on the word of a novel. If you were to find supporting litterary refferance... It would sway me more :)
Impressive non the less...
I would also watch when you call jews backward....
Alyssa

Actually the Wright brothers ...

... flew the first powered aeroplane able to take off under its own steam. It had, and needed, the benefit of a strong headwind to generate sufficient airspeed. Lots of people had successfully flown gliders of various designs, including the Wrights, who learned to fly by launching themselves of the huge sand dune known as Kill Devil hill. For example, Percy Pilcher, in England, successfully flew (and, in 1899, was ultimately killed by) a craft looking very much like modern hang gliders.

It's interesting that subsequent designs didn't mimic the Wright flyer with a pitch control at the front but most looked much like modern aircraft. Development was very rapid. My favourite WW1 fighter, the SE5a, was aerobatic and provided a stable gun platform was in service in 1917 only 14 years after that inspiring 'first powered flight'. Terrible what war can do and sad that it so quickly turns engineering ingenuity into more efficient means of killing.

Somer, your contribution to the knowledge of mankind is outstanding. It can only be a matter of time (hopefully a very long time) before its validity is confirmed. Truly, the DaVinci code is cracked. Ask anybody.

Geoff

>> flew the first powered aeroplane

Puddintane's picture

Uhmmm, that would be Sir Hiram Stevens Maxim, in 1894. His machine was tethered, probably unstable, and no one was crazy enough to ride in it, but it flew.

http://en.wikipedia.org/wiki/Hiram_Stevens_Maxim

The Wright Flyer was the first powered and piloted aeroplane in 1903.

Their achievement was meeting the requirements of steering a set course in free flight, not just heaving a flying machine into the air.

Puddin'

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Cheers,

Puddin'

A tender heart is an asset to an editor: it helps us be ruthless in a tactful way.
--- The Chicago Manual of Style

Da Vinci worked from original photographs of The Last Supper...

...and the moon is made of green cheese.

OK, so Da Vinci was a pretty clever guy, who had lots of innovative ideas, covering almost everything with which he came into contact.

But his version of The Last Supper is exactly that. It was painted one thousand five hundred years after the event, in a different country, in a culture dominated and indoctrinated by the Catholic Church.

So unless you accept Brown's theory as a fact, DV's painting means absolutely zilch. In other words, this painting only proves Brown's theory, if you already accept Brown's theory - a circular proof with no beginning.

It's extremely unlikely...

Puddintane's picture

That the story, and its psychedelic refutation, were meant as anything but elaborated "shaggy dog" jokes. My own elaborate response, although every word is "true," was also a joke. Word nerds have their own sub-culture, and have been known to place their tongues firmly in cheek before. So here we have three competing "theories" not one of which amounts to much of anything in the real world, each of which contains more-or-less "covert" clues that let the careful reader in on the joke. In my own poor offering, you'll note that I've "refuted" the Wright Bros objection by reference to the "astral plane," which would "obviously" have been accessible to the early hippies and their gurus, many years *before* the Wright Bros.

Puddin'
-----------
Here, for example, is a scholarly "controversy:"

http://www.freethought-forum.com/forum/showthread.php?p=697879

It might just as well have been used as a source text for the original story posted here, although I seriously doubt that it was, since the probable sources are cited.

Word nerds tend to think that stories like this one are just as funny as those that begin, "A Rabbit, a Rabbi, and a Tortoise walked into a bar..."

P.S. >> the moon is made of green cheese
I think the Apollo Moon landings pretty much proved that it was made of white cheddar, a fact suppressed by the authorities out of fear for the beleaguered US dairy industry should the facts be discovered, with the un-stated worry being that the Soviets had managed to put one over on the USA, slyly suggesting the the whole enterprise was a cheesy set developed for a show on television.

-

Cheers,

Puddin'

A tender heart is an asset to an editor: it helps us be ruthless in a tactful way.
--- The Chicago Manual of Style

A Rabbit, a Rabbi, and a Tortoise walked into a bar

Puddintane's picture

A Rabbit, a Rabbi, and a Tortoise walked into a bar looking for a good time, so they all ordered beers and then turned around to look at the crowd. To their amazement, the entire Swedish Women's Snow Board Team was in the bar, buxom Scandinavian beauties all, and they were the only males there. As they sat staring, three of the most beautiful separated themselves from the group and walked over to where they were sitting.

"Hi, boys," one said, in a voice as warm and sultry as a tropical breeze, "Are you looking for a good time?"

The Rabbit gulped, looked down at his lap, and then excused himself to go to the loo.

The Rabbi thought for a while and then said, "Well, I'm really only interested in marriage, and we'd have to be properly introduced." Saying that, he took another swig of his beer just as the Rabbit sidled back to the bar, the tails of his shirt now dangling down over his pants.

Then the Tortoise finally said, "Gosh, ladies, I don't know. It takes me a good hour to really get started...."

With a whoop, the three women called out to their team mates, lifted the Tortoise onto their shoulders, and carried him out of the bar with all the women cheering and yelling behind them.

The Rabbit and the Rabbi looked at each other, eyes wide in amazement, and then said in unison, "Wow! He's fast."

Cheers,

Puddin'

-

Cheers,

Puddin'

A tender heart is an asset to an editor: it helps us be ruthless in a tactful way.
--- The Chicago Manual of Style

Novelists Do Get Killed

joannebarbarella's picture

Or at least threatened seriously enough to have to go into hiding. Just ask Salman Rushdie. You should be careful too, Somer. Someone might put a fatwah on you,
Joanne

Charming Tale

Somer, I very much enjoyed your little essay.
Hugs, Wendy Marie

Wendy Marie

Somer, I Have To Admit One Thing,

Tell this in any church, and watch the fireworks! I am a Christian, not one of those fundamentalists though. Thanks for your insightful liik aat the truth. :)

    Stanman
May Your Light Forever Shine
    Stanman
May Your Light Forever Shine

A clever literary device.

Robyn B's picture

Having read all of Dan Brown's books so far published and watched the two movies released, I can only say that I enjoyed the narratives presented and enjoyed many hours of musing afterwards on the conspiracies suggested in the books.
Some will claim that my Christian beliefs will skew my interpretations of the stories, but my own personal conclusions are no less valid than any other.

Somer, your title and opening stanzas piqued my interest and I read on, thoroughly enjoying your approach and humour in laying out your case and conclusions. Very well done, very clever and I wait to see your take on Angels & Demons.

As the movie has only recently been released, I realize that Somer will need some time to develop her ideas and get them "on paper" for us for us to enjoy.

Robyn B
Sydney

Robyn B
Sydney

I am about confused about certain parts of this.

Thank you Somer for sharing your insights. I really hope you can garner some funding from the sorts of bodies that back such research. And it sounds like it would be highly beneficial work, at least for yourself, since much traditional study on these subjects has happened in hot dusty places, but you would be able to conduct in-debt analyses in air-conditioned galleries.
Perhaps this very prejudice for what is true archaelology is the reason your sources have been overlooked until recently, with breakthroughs in the late 20th Century into the importance of the codification existing within the compositional motifs used by painters such as Da Vinci and Poussin. Wasn't it Da Vinci who is credited with having developed measured perspective? And that's precisely what is needed here on behalf of the research community. I truly hope that pettit jealousies don't hold your research back, but rather that people bound forward to your side with enthusiasm.

One of the messages here, above, seemed to pour some doubt on using renaissance painting as a source for understanding events that occured earlier, but such criticism flies in the face of the proven verisimiltudes that have been maintained by optical traditions. Remember that graven images were forbidden in Judaism, but with Christianity, it's as if the clouds burst and images showered from the heavens. It's not only the uncanny consistency of representations of John, which you point out, but also the consistent picturing of Christ with long hair and flowing robes, yet painted in a time when the fashions of the biblical middle east were not going to be researchable as easily as today, and when they didn't have the benefit of the remarkable imagery and realism stemming from such up to date scholarship evident in the work of modern masters such as Franco Zeferelli. Indeed St Paul himself cast aspersions on men who wore their hair long and he thought it shameful, and yet Jesus is always represented with long hair and flowing robes, not Roman costume as surely would have been worn through much of the Christian world, not the smart short pudding-bowl hairstyles of Rome. Yet now we have greater access to long lost literature and to archeology, we know that Gallilean men indeed dressed this way; but how did a dreamer from hicksville Vinci realise this? Visionary insight, a contact with his unconscious muse, and clearly other sources of a more hidden tradition.

And the persistence of vision which exists in the artistic eye of the collective unconscious is not yet more equal than the persistence of the gender-slipperiness of the name, John. While modern English seems to want John as a very male name, the French variant, Jean, some European versions such as Johann, or Latin versions such as Johannes, or even Celtic (which may be traceable back to pre-Christian Greece) where Sean and Sian exists in both valencies, seem to fail as male names to a modern ear. The name seems also to maintain a certain persistence in the collective unconscious as a site of gender conflict, a point of meeting, a moniker of the interpenetration of male and female.

It seems to me that you have identified important signs in our cultural heritage and postulated with fascinating aplomb what they are signposts to. Let us hope some worthy institution or otherwise will see fit to sign a fat cheque for you to check out what is really pointed to by all of these signifiers.

My confusion, however, lies in where the connexion lay with mushroom-powered flight, psychadelic jews flying SE5s and Timothy Leary. No mention of Ginsberg's habit of smoking Sopwith Camels, despite the biblical connexion. And surely no relevance to the research at hand, just a whole lot of luft waffle.

Let's keep it on topic, ladies. There's sponsorship to be won.

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It's a question of faith

I think that if you believe in a Christian God, then your logic is inescapable. The problem is that this is just as much a circular argument as that propounded by Brown.

But taking a faith of any kind means accepting that not everything will have a logical argument: some have faith in the Christian Church, and some have faith in Dan Brown.

I have faith in mankind in that there are always some who have the ability to produce a good book.

Can I Throw A Grenade In Here?

joannebarbarella's picture

Somer's documentary here is great and her reasoning is superb. One problem. Dan Brown's book is absolute crap and I have immense problems understanding how it ever became a best-seller. Good luck to the man, but it says volumes for the public taste,
Joanne

There's a programme ...

... on BBC TV called 'I've never seen Star Wars' in which well known people are challenged to experience aspects of popular culture they've never experienced before. I recently watched an episode with John Humphrys, a presenter on the daily Today serious news programme. He was required to read the 'DaVinci Code'. His verdict? He gave it 0/10 for literacy because it really is very badly written from the odd excerpts I've seen but he gave it 10/10 for storytelling because once he'd accepted the poor writing he enjoyed the story. I've never been tempted to read it but perhaps I should.

So that's it. It's crap but entertaining crap. No-one but an idiot would take it seriously but then, there's a lot of people believe all sorts of fantastic crap, I guess. You do realise that Somer's pulling your plonker, don't you?

Geoff

I can't read Dan Brown

erin's picture

The first book of his I picked up was about the NSA. I used to work for the NSA. In the first sixty pages of the book, the only things he got right was that the headquarters is in Bethesda, Maryland and that the NSA has people who specialize in cracking codes.

I suspect that the man is a storyteller, though. Such books can make very good source for movies. It's kind of like the pulp writing that used to be done. A movie is such a very different thing than a book that the producer and director are basically creating a new thing. I've heard good things about Angels and Demons.

Hugs,
Erin

= Give everyone the benefit of the doubt because certainty is a fragile thing that can be shattered by one overlooked fact.

= Give everyone the benefit of the doubt because certainty is a fragile thing that can be shattered by one overlooked fact.

Pulp, pap, and pendula

I found the Da Vinci Code a Page turner of a fairly low grade - but a page turner nonetheless. Sometimes pulp can raise it's game, but with Dan Brown one feels that here is an intelligent man lowering his game rather cynically. Oh well.
I had to read it to be sure it was as bad as I imagined it would be. The detective story pulp side was fun. The version of the world it was set in was a distorted one - fair enough - but it's the pretence it resembles reality which rankles. The first word in the book is "Fact:" and while that can be a jolly way to start fiction, it was deliberately misleading to the more gullible souls out there in this case; and it was hyped to suck them in.

Much more fun, in a similar vein of conspiracy and mystical intrigue is Foucault's Pendulum, by Umberto Eco. It doesn't aim at the credulous but at the reasonably well-read who want to relax their bodies and stretch their minds. Eco is something of an expert in matters mediaeval and has a brilliant turn of wit. It's a very funny, very informative and very challenging book which, if I remember rightly, puts the Magdalene myths in their place as just one of many old chestnuts bobbing around the liminal world of the occult-credulous.

I've heard bad novels make good films, and of course, Dan Brown is quids in on that count. They did make a film of Eco's The Name of The Rose, which was in a detective story format, but it inevitably lost a great deal.

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Plonker

joannebarbarella's picture

I would be seriously insulted if you think that I do not realise that Somer is pulling our chain, but Dan Brown!!! Yeccchhh!
Joanne