Something to Declare 6

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 A Fiddle]

Something
to
Declare


by Cyclist

 Violin Bow]

Chapter 8

Dick Gaughan is a man of passions that burn through a sparse, hard vocal style, and he knows the words that cut through your mind to the soul beneath and leave you in glorious pain. I always get emotional to his music, and now was no exception.

I found myself tearing up again at one song, and felt Kelly take my hand. I gave hers a squeeze back to say thank you, and Geoff nudged my arm. A tissue…where from, I don’t know, but there it was.

Finally, that was all we could have. The curfew was biting for the amplified music and it was time to hit the main bar. There were proper loos here, and the ale was working through me. Kelly saw my thinking and linked arms with me to walk over to the ladies’.

“It’s no biggy, it’s just other girls in there”

I stopped dead but my stomach kept going, and I looked at her. She knew.

Well, of course she knew. I’ve already said I am no fair flower of the West, but I had almost started to believe…to hope. Shitshitshitshit. I started to shake, and Kelly stepped forward to hold me tight as the tears filled my vision. I found myself digging my fingers hard into her back as a flood of incoherent complaint dropped stupidly from my mouth. She pulled my head into her shoulder, and softly murmured to me.

“It’s OK, it’s all OK. You don’t look bad at all, you know, and that can be made even better with a little work. We all knew as soon as we saw you, it was the way you couldn’t get out of your tent in a skirt”

She giggled, and so did I through the tears.

“Just listen. Do you think we really care what you were born as? I’ve been watching you, my parents have been watching you and Geoff…..Geoff has REALLY been watching you. You are a girl, there’s no doubt, I watched you during the Oysterband set, but we also think this is your first time out Are we right?”

“Mmmfyeah…”

“So stay near us and be safe. That is all I am going to say for now, but there’s no way you were ever a man. What you are is a woman who needs a pee and a face wash. Then we have some music to play”

“Mmmdbutyouain’tgotnoinstrument…”

“Watch and learn, Grasshopper!”

I will gloss over the toilets. One block of mobile toilets is much the same as any other, apart from urinals, and it was no cleaner than the male one, but it had running water and I cleaned the mess from my face.

“You don’t use make up, do you?”

“Nope, always been a step too far”

“Further than wearing a dress? Puhleeze! Hold still”

She had apparently decided that some mascara would hide the redness in my eyes, and over my objections the deed was done, with a veiled threat.

“Not waterproof. No more tears. OK?”

I was a subdued and quiet Steph as we rejoined the others and I collected my fiddle and sweatshirt. I hung my head to cover Kelly’s artwork, and so almost missed the nod she gave to her mother, who stepped forward and gave me a wordless hug, followed in turn by Bill and Geoff. Kelly whispered in my ear.

“Not waterproof…”

My world was bounded by gentle arms and what felt like genuine affection, from people I had not known existed until a very few hours ago. I was suddenly far more hopeful of what awaited me at work. This weekend was always meant as a trial run, with the eventual outcome an announcement to those that mattered and edge towards beginning my real life test. I was terrified, and Sally had struggled to help me understand the difference between my self-destructive delight in taking a risk that would harm me and my dread of the risk that could heal.

I kissed all four gently on the cheek, smiling my thanks and struggling womanfully to keep my eyes dry. N.W.

The bar was filling as the marquees emptied, and we found ourselves a small space where the boys set out five chairs in a horseshoe. Kelly had been lugging round what looked like an artwork portfolio, and when she took a pair of wood and leather clogs from her bag I realised what her “instrument” was. Bill pulled out a concertina, Jan a bodhran and Geoff the beautiful bouzouki. I tightened the nut of my bow, gave it a good coat of rosin and checked the tuning. We ran through a list of the pieces we had in common, and Bill said

“Jimmy Allen and then Salmon Tails? In G, Jan”

“Sod you, Woodruff!”

As we got used to each other’s style, driven on by Jan’s impeccable rhythm, we got adventurous. For the second run of Salmon tails, Bill dropped a fifth so that we had almost a bagpipe effect, and by the time we finished there were a variety of other stringed instruments twanging along. Another fiddler shouted “Stool of Repentance in A!” and we were off.

At one point Jan went to get more ale, and I borrowed her bodhran to spare my left-hand fingertips. Left hand stretching the skin, right hand loose at the wrist, my hair hanging down over the whole process as I lost myself in the rhythm and swing of music with spark and soul. My left leg was set under the drum and my right stretched out to the side, straining my skirt as my body wrapped up the sound. The fall of my hair hid everything but my flying right hand and I played in an auburn haze. Sharp ringing chords came from Geoff as Kelly’s feet struck out a rapid percussion and sweat flew everywhere. This was what I was born for.

And “time” was called at the bar. The second fiddler grinned over at me and said

“You can play with me any time, girl. Got a slow one to wind up with?”

“Road to the North and Maurice Ogg?”

“Got them. I’ll let you call the change, but we stand for this. Let them see who’s playing.”

We almost touched foreheads over the clogging sheet, in his smell of beer and tobacco and mine of who knew what, and I led into the first of the two beautiful tunes. The older guy was so much better than me, and as I soared up the E-string he was weaving improvised harmonies around my melody. The bar was absolutely still as the last note of “Air for Maurice Ogg” died with my bow, and I looked up to a round of applause and a grin from someone I immediately recognised.

“Bugger me, you’re Jimmy Kerr! I normally pay good money to hear you!”

“Aye, lass, but this is where the real fun is. Give us a call if you’re ever up my way and we’ll play some more”

He gave me a card. Me Him. One of the gods of the fiddle and he wanted to hear me. I almost forgot the situation with the Woodruffs in my delight. Geoff’s hand fell on my shoulder.

“Earth to Steph…..”

“Uh, yeah, um”

I have no false modesty about my musicianship. I’m good, though no genius, but more than adequate. I can usually get what I want from my fiddle, but clearly my vocal skills are not equal to that. Such eloquence.

With head torches we found our way back to the tents and stashed our instruments. A few awkward (for me) hugs and we were off to our respective beds.

I was just drifting off, the buzz finally gone, wrapped in big knickers, giant T-shirt and down sleeping bag, when I heard the zip opening on my fly sheet, then the one on the inner tent. In the dim light from the toilet blocks I saw Kelly.

“Budge over. You are not on your own tonight. For starters, you’ve probably not got the mascara off”

She efficiently cleaned my face, and slid a mat and sleeping bag next to me. As she curled around my back, she whispered

“You’re on brew duty in the morning. I’ve brought a mug.
And no snoring nor farting”

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Comments

I loved it

I didn't get a single music reference but there is a feeling of honest truth to it. Especially the statement at the end. It's short but captivating.

Bailey Summers

the music

The tunes are all real ones, and favourites (justifiably) in the folk world. Jimmy Allen and Salmon Tails up the Water are both bouncy foot tappers, but very easy to play. Stool of Repentance is one of those tunes where the fiddler has to saw his or her bow from string to string so it looks like the right hand is jumping up and down, and it starts with a shout way up on the E (top) string. Convention in a sessionis to play the (usually two parts of the tune AABB, and repeat as required, till the instigator shouts out "change" or similar and the next tune starts with the end of the "b" part of the first one.

"The Road to the North" and "Air for Maurice Ogg" both come from an album by Alistair Anderson, a concertina and smallpipe (Northumbrian bagpipe) player (virtuoso) from the NE of England. They are the best of slow tunes; linked, simple melodies that are deceptively easy to play and very hard to make your own.

There is a musician's joke in there, in Bill telling a drummer which key they are playing in. I get it all the time with my bodhran, usually followed by "48 bar jig" if it's for dancing.

I'm not a folkie ...

... but I've dabbled in the past and I know people who are. In fact a dear friend who would have known every reference, I'm sure, was killed over 20 years ago by a hit and run drunk driver when she was cycling home with her husband.

So ... I didn't really get the references either and I'm really not very musical (perhaps that's why I enjoy mostly 19th century classical music) but the whole atmosphere generated by this snippet has an authentic feel. I love the last line - it is after an unwritten rule for tent sharing :) Kelly's going to grow into a lovely lass, I'm sure.

Robi

Delightful

Acceptance of the person and what they can bring to the party. What and who they are seems to matter not one jot.

Susie

This Started Out Well

littlerocksilver's picture

... and keeps getting better and better. Music has a way of bringing people together.

Portia

Portia

Its economy of writing is good

Angharad's picture

I can feel the awkwardness of the narrator until we get into the music where it takes over and is genderless. The mix of this passion and the compassion of the others is well balanced.

Angharad

Angharad

It was soooo! good

It felt like I was there, the smell of the crowd, the roar of the grease paint!

This ones a classic Cyclist!

Thanks again for sharing.

LoL
Rita

Age is an issue of mind over matter.
If you don't mind, it doesn't matter!
(Mark Twain)

LoL
Rita

Something to Declare 6

Nice to see that Geoff's family accepts her.

    Stanman
May Your Light Forever Shine
    Stanman
May Your Light Forever Shine

What a brilliant family!

Immediately accepting and accommodating, as well as having a shared taste in music and musicianship. Hopefully they remain in contact after the festival - they could potentially be a valuable pool of support once Steph starts her RLT.

Oh well, only one way to find out - keep reading!

 

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As the right side of the brain controls the left side of the body, then only left-handers are in their right mind!

Brilliant Chapter

joannebarbarella's picture

This one does for folk music what your early chapters in Uniforms did for war. I could hear the fiddles and the fifes as I read.

A great pleasure for someone brought up on Lori Holland, The Chieftains, and Robin Hall and Jimmy McGregor and the like,

Joanne