How Can I Be So Freakin' Dumb

Sometimes you just don’t feel like making all that much effort. You know the feeling — when you know you should look good, but all you can manage is a brush or two through your hair and a little lip gloss. It’s the same thing with writing. You get a good idea for a story, sit down, and finger regurgitate onto the screen.

I’m more likely to heavily research a story before I start writing, but once in a while I’ll just wing it. The first two stories I entered in the Halloween contest were light-hearted affairs that took very little time or effort to construct.

And then the remorse hit me. I ALWAYS feel guilty if I don’t try my best to write a unique, enjoyable story.

I decided to put in the time and write a really good one. I had mentioned in a comment a few weeks ago that I thought Legend of Sleepy Hollow was a great Halloween story, but it had left a bad taste because the protagonist was a different sort of fellow who was picked on by the town bully and eventually driven away by the Meany. That struck a little too close to home, with the wrong people coming out on top. So I decided to change the story around.

I posted my story and sat back waiting for positive comments and tons of readers. Neither one happened. After three days I had three comments, about 700 hits and about 15 kudos. That was way below my expectations in all departments and far less than my two “fluff” stories. So I sent PMs to a number of people I respect who usually make astute observations. Their answers were like a primer on writing and marketing.

They said using Sleepy Hollow as a departure point was my first mistake. While Sleepy Hollow is required reading in most junior high literature courses in the U.S. it isn’t as well-known beyond our borders. Who’d of thunk that great slice of Americana wouldn’t be more well-known. Even the younger U.S. readers seem to have a hard time remembering it.

Several answered that the protagonist can’t be so despicable. I wanted the minister to be a male Cruella De Vil. The most despicable minister I can think of is Fred Phelps, so I used direct quotes from him for much of the dialogue. They reminded me that the reader wants to identify with the protagonist and most people don’t want to think of themselves as a bigot.

I was told in a PM that the mention of a minister character in the synopsis knocks down the number of readers. The religious right won’t read it because they assume the preacher will be treated poorly, and the liberals won’t read it because they have a general dislike of ministers and don’t want to read about them being heroic. Mostly — I don’t care for Bible-thumpers. I love truly religious people of all faiths, but can’t stand those who sell religion like snake oil. Next time — no ministers mentioned in the synopsis.

They suggested that if I wanted numbers I needed to avoid older characters and write magical stories.

Some mention was made of the efforts by several on BC to make the story lines more homogeneous. Several mentioned with chagrin the current ret.con fad which is pushing other efforts off the front page quicker. Some said the only stories that are being read are the serials, because there are so many of them that they're all people have time to read.

Surprisingly several of them suggested that the story being a Halloween story added to its lack of readership. Several of them said they don’t read Halloween stories.

They said I needed a punchier synopsis. My ego tells me that my by-line should be stronger than any synopsis after all these years, but obviously that isn’t so. I hate stories that are ruined by too much given away in the synopsis. It’s an art I haven’t mastered.

Several people told me that the title needed to be shorter. I normally use one to three word titles. This time I went a little crazy . . . and obviously paid the price with so few hits.

There were some technical things mentioned that I did wrong, but in general those discussions seemed to go toward personal preferences. For example, one person wanted me to use multiple POVs. I’ve done that in a number of stories, but really prefer a singular viewpoint.

One person mentioned that I hadn’t included the necessary tags to attract a large number of readers. Over a decade ago a dear friend told me she wrote certain things into her stories just to have more tags — to attract more readers.

They told me quite emphatically that the protagonist has to be the TG person. They said I had written a great story that happened to contain a TG person, which isn’t what people come to BC to read.

It was suggested the ratio of writers to readers was out of balance on BC in that we have too many writers, so everyone is spending their time on their stories and have little time for reading.

They reminded me that many times the success of a story has more to do with how long your story stays at the top of the story list on the front page. Mine was bumped quite quickly.

They told me that quirky stories don’t make it on BC. I’ve noticed this before. A couple of years ago I wrote a story that I think is one of my best “An Affair of the Harte”. Many of the better authors on BC said it was excellent, but overall it didn’t fair well. I posted it on FM and it got no comments.

I’ve received PMs suggesting that maybe this site has swung toward magic and sci-fi, much as FM has. I’ve seen these trends before and things will swing back.

One person told me the story was too cerebral, which I hope is not the case. I understand that BC is a place for escape from reality — and that’s okay.

It was suggested by a dear friend that I suffered from a “perfect” storm of a combination of factors.

I’ve told others many times that the number of hits, comments, and kudos a story receives are no indication of the quality of a story. Intellectually I know that is true, but it still hurts when something like this happens.

The bad part is this — the next time I’m faced with the decision to really give an effort, or to toss out a piece of fluff, where is the motivation going to come from to make an effort? I suppose it will come from those few comments that are meaningful.One of those who told me she enjoyed the story was an author I’ve admired for years. Just that one PM made the effort worthwhile.

I guess what I’m really taking away from this is to constantly ask myself who I’m writing for, not only to make the story relevant to them, but to create expectations that are realistic. I can't force those who want magical stories to read mine, I don't expect them to. I'm just lucky to have an appreciative audience. Sometimes an audience of one should be (and is) enough.

Jill

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