The Christmas story...jingling to a stop

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It may well be the magic of the Christmas season, or it may be that my depression has, for the moment, gone into remission. But the story I'm working on for the current contest promises to be not only the most ambitious and complex story I've ever done, but the most ambitious and complex story that stands a chance of being completed. (I even have a tentative title: The Christmas Ivy Bloomed--a title with a double meaning in this story).

I am, as of last night, at the 3500-word mark, and the story will likely be over 10,000 before I get through. It helps that unlike most stories I've attempted over the years, I at least have an idea of what my major plot points are going to be, how it's going to end, and even what the last line of the story will be (thank you, K.T. Leone, for your advice on structure.)

I have an unusual way of working. I'll often start at the middle--or the climactic points in the story--and work forward and/or back, rather than start at the beginning and bull my way to the end. In the process, I've come up with a story very unlike the two possible story paths presented in my previous blog entry. Call it Scenario C. And despite the Christmas theme, I'm afraid the story will not be fluff.

Writing manuals always tell you that once you start writing, don't go back and revise until you're entirely finished with the first draft. I can't do that, unfortunately, and if I see an embarrassing bit of dialogue or an implausible storyline or event, I either revise, or shut down, afraid to move further. I have the feeling the latter is about to happen.

I'm running aground over simple things like this--the main character spends the morning of the last day before Christmas vacation at an ice rink with friends (they have a program for disabled skaters) because they had won a charity drawing. I have the character going back to school for the remainder of the afternoon, which probably doesn't make sense, as it's likely the child would just go home after that. But if that happens, a confrontation with a bully that's the lynchpin of the story can't happen. I can't say too much, but it's caused by an embarrassing Freudian slip the child makes in front of a playground full of kids.

It's times like this--when I'm trying to write a story with a certain amount of realism--when my lack of knowledge of how actual human beings behave in the real world truly becomes an obstacle. I've spent a large portion of my life by myself--not only was I not socialized female, I was barely socialized, period.

However, I'm amazed I got this far. Actually submitting the story for public scrutiny might make me so nervous I'll throw up, but up to now I've managed to make the words flow.

I can only hope it stays that way. I just want to finish at this point, because I've never finished--at least, any story longer than a thousand words. I want it to be good, of course, but it wouldn't help me to have a good story I couldn't complete.

Comments

glad to help

I am glad I can help someone :) I still use my outline on my current story, which might go on forever and be published the day after the world ends. The outline will help stay on track and avoid those rabbit trails that lead to nowhere, just remember, if you have a good idea, you are not a slave to the outline. I find that ideas come to me all the time when my story reaches that moment and it would be a crime not to add it.

I happen to be in the camp that says don't go back. The funny thing, at the end of my novel I have little notes saying things like "(Go back and add wrestling pin to Tony's Jacket)" "(Go back and add scented candles to the Barnes household)" "Go back and make sure Carl is at the first prayer meeting and you make mention of him)". The real horrible thing is I got like 270 pages and I have to wonder, did you add this, or what day of the week did you mention this happening. I don't know what page the information is on and it takes forever to find (another way an outline helps you if you stick to it).

An added trick I found useful, use the highlighter function to mark what you already put in the story and what plot points you already hit. Keeps you from being redundant and it keeps you from being redundant (LOL, I kill me). It also keeps you from wondering down the line if you did that. I hit half my outline points, though I found that things didn't always go in the order I expected them too.

Katie Leone (Katie-Leone.com)

Writing is what you do when you put pen to paper, being an author is what you do when you bring words to life

My method is a bit looser....

Ragtime Rachel's picture

...in that the outline is mainly in my head, but otherwise I do what you do. I started with the relatively simple story of a disabled child with TG tendencies with no time alone to express them. In the course of asking myself why my main character and other characters act the way they do, however, I ended up with three intertwining stories: my transgender main character (Joey/Ivy) and his aide and confidante, the mother and sister and their issues with him, and the fantasy world Joey/Ivy has created to deflect responsibility for his/her trans behavior. He has created a fantasy persona who supposedly goads him into doing girlish things, and a large portion of the story takes place in that fantasy world. Every time the focus changed, I would go back and bring earlier passages in line with the new focus.

The storm that hits affects all of them in a different way, but forces them to deal with the issues they'd been running from for so long.

What it means, though, is that I have a far more complex story now than before, which could run as high as 20,000 words. (I'm closing in on 11,000 as of this writing.) I fear the story may not be done in time for the contest, in fact. But at least I'm going forward.

Livin' A Ragtime Life,
aufder.jpg

Rachel

I'm sorry :(

I tend to be in a very similar boat. My only save is that I'm an almost obsessive people watcher. Lately I've been getting caught at it more and I guess it's starting to disturb people. Maybe subconsciously I'm wanting to be caught? Dunno...

I'm also similar in not being able to move on until I get a scene nigh-perfect. *shrug*

Abigail Drew.

Rachel, I Am

looking forward to reading your story.

    Stanman
May Your Light Forever Shine