The Synopsis

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Erin asked what makes a good story a while back, and there was a good exchange of thoughts on that. I thought we might benefit from a similar discussion on the synopsis. Are you concerned because your stories aren't getting the read counts you think they deserve? Maybe you should take a look at your synopsis.

The synopsis is the hook that is going to draw your reader in, and it is especially vital for those of us who are new to the online writing community. Established authors can afford to skimp on the synopsis, as their name alone will draw readers, but even they will benefit from a good synopsis because new people join this community all the time.

So, what makes a good synopsis? Here are some basics I think are very important when writing your synopsis:

- Take the time to write a synopsis in the first place. I see a lot of stories appear here that have only the ‘Another Big Closet Top Shelf Story’ default for the synopsis. To me, this displays a lack of interest in attracting me as a potential reader. Almost as bad in my mind are those stories that just include a few lines from the story itself, usually the first few lines, or sometimes an excerpt from within. This can be an effective in certain types of stories, but more often than not it simply does not convey anything to the reader, because we have no context to judge the excerpt against.

- Spelling and grammar count in the synopsis as well as the story. In fact, proper spelling and grammar may well be more important in the synopsis. This is the first hint of your writing that the reader will have. Numerous spelling and grammatical errors in a little old synopsis do not inspire much confidence in the reader.

- Don’t cut it too short. I saw the following as a synopsis on a story recently:

This is a story about a man forced to be a woman.

Really? So are ninety percent of the stories on a TG fiction site. What makes this story special? Why should I devote my time to reading it? You need to give readers enough information about the plot to convince them the story is worth reading. Of course here you must be careful so you ….

- Don’t give away too much of the story. Have you ever seen a synopsis like this?

Steve and Michael find an old ring. While studying the ring, Michael is transformed into the beautiful Michelle, who finds her new female body is made for sexual pleasure and dominance. She soon seduces the reluctant Steve and then Steve’s girlfriend Cindy. She sets her sights next on Michael’s former girlfriend Angie. With each new person she seduces and dominates she grows more powerful, and hungers for more. Her friends are torn between their insatiable desire for her and their fear that she will become too powerful. Steve sets out to find a way to undo what the ring has done, and finds himself being pursued by Michelle's lovers, driven mad by her sexual power. He finally finds a ring that allows him to counteract her power.

Hmmm, interesting, now I don’t really have to read the story. Giving away too much destroys the sense of anticipation. Remember the synopsis is a tease, not a book report. The synopsis is the author’s chance to flirt with the reader, offering a promise of what is to come.

Okay, there you have my basic thoughts on the art and science of writing a synopsis. I’m not claiming to be an expert; I just thought we all might benefit from a little discussion on this subject.

Agreed

I made this same point on the FM board a few days ago.

The synopsis is your marketing arm. Some other things to think about.

Be honest. Readers will have a hard time forgiving a misleading synopsis. Make sure you deliver what you promise.

Do not fudge on the rating. Readers don't want to read about incest in a G or general audience rated story.

Sell the sizzle. You don't have to tell the story. In fact, as Scott has suggested, telling the story could ruin your effort. Isolate your main theme and build a synopsis around it. It might help your reader understand your story.

Lately, I have been writing my first draft before I write a single word of the story. As I go through the story writing process I will rewrite my synopsis several times. By including it in my document, I have the benefit of a spell checkers helping me with pesky, hard to find errors.

As with anything else, writing a good synopsis takes study. Read the synopses posted each day from the perspective of a critic. What do you like? Hate? Find interesting?

My last suggestion is to write a good story, so that your synopsis has something good to talk about. Some people say if you're having trouble distilling your story to short synopsis it might indicate a huge problem with your story. Maybe your story has no core message.

"An old man hooks the largest fish he has ever seen. Their struggle reveals the man's soul."

Now that would be a great story.

Angela Rasch (Jill M I)

Angela Rasch (Jill M I)

Teasers

erin's picture

I prefer to write a teaser rather than a synopsis. Most of my teasers are very short and pose an intriguing question or a provoking thought. Sometimes I write teasers for stories that don't have one if I read the story and enjoyed it. I did this for most of the chapters of Angel's "A Life Ever-Changing".

I like to fit the style of the teaser to the style of the story or title. "Sam I Am" is a short cryptic title, so I wrote short cryptic teasers.

The Fairy King (by Wanda) has some intricate plotting and bits of poetry, I wrote the teasers for it with an awareness of the style of the story, too.

I don't usually write synopses, because frankly, I don't enjoy reading them. They frequently give too much away or are misleading without intending to be so. Better a teaser with a little real mystery in it.

Hugs,
Erin

= Give everyone the benefit of the doubt because certainty is a fragile thing that can be shattered by one overlooked fact.

The Agony

I though it over and worked/re-worked the synopis/teaser for my posts of Timeout here for several days until I thought I had it.

It took days as I wanted to strike a balance between being accurate and not misleading the reader or giving away the farm.

I've seen ones where they are different for each chapter in a serial/multipart story or where the same general one is used. Any preferrences?

Oh, sorry about no chapters up this week, my editor was on vacation and her other editing duties came first before she left.

P.S. She had her 45th birhtday on the 25th, take that sis! Damn, that makes me 49 in December, at least I'll be older than Madonna for a few precious months again.

John in Wauwatosa

John in Wauwatosa

Synopses and multipart stories

Breanna Ramsey's picture

I have thought about this too, John. I think for a multipart story it's a good idea to have a teaser for each part that speaks to that part, but at the same time references the overall plot of the story. The reason is simple - by referencing the overall plot again you may hook new readers who may have missed the earlier parts.

Serials can be a little trickier as they are more open ended. I still think it is a good idea to include a reminder of the basic plot for those who may not have seen the earlier chapters.

Sincerely,
Scott

Bree

The difference between fiction and reality? Fiction has to make sense.
-- Tom Clancy

http://genomorph.tglibrary.com/ (Currently broken)
http://bree-ramsey314.livejournal.com/
Twitter: @genomorph

Thanks, makes sense.

That was so simple and logical, so why didn't I think of it?

Doh!

John in Wauwatosa

P.S. I'll think about it, but with my quirky sillyness, giving a feel for the chapter could prove difficult.

John in Wauwatosa

Erin has it about right

Synopsis is probably the wrong word, since some people actually try and write a synopsis of the story. (see Scott's example above...an author that linear usually is not worth reading....)

Angela and Erin are dead on, I view the 'Synopsis' as a space like a movie preview, or poster. It should however, indicate some emotional theme for the potential reader, such as Romance, Adventure, Comedy.

This is best done by a clever one liner which illustrates the emotional tone and indicates the characters...

Since I ran out of clever one liners (need to refill that case...), here's some intentionally exaggerated examples ....

"Daniel discovers danger and delight in the dark recesses of seventh grade..."

"Bob finds exotic dancing beats spreadsheet crunching. Geeks get girly in Vegas!"

A long 'synopsis' usually scares me off, since it implies that the author is compensating....

Just adding some random thoughts

Regarding the term

Breanna Ramsey's picture

I used the term synopsis because that's what many sites, including this one, use for the text that appears on the front page when a story is posted. A synopsis by definition is - "brief outline or general view, as of a subject or written work; an abstract or a summary". That's a pretty broad definition, and can cover anything from a short teaser to grab a reader's attention to a detailed plot outline one might submit to a prospective publisher.

Regardless of what you call it, those few lines can well determine whether a story gets read or not. As I pointed out, this can be especially crucial for a new author like myself, because we do not have an established body of works to serve as a testimonial to the reader.

Sincerely,
Scott

Bree

The difference between fiction and reality? Fiction has to make sense.
-- Tom Clancy

http://genomorph.tglibrary.com/ (Currently broken)
http://bree-ramsey314.livejournal.com/
Twitter: @genomorph

agree

Scott, my comment was not meant to be negative, the term IS used here and on other sites. I enjoyed and agreed with your commentary, and I was merely trying to be additive that the term itself leads to some of the poor examples you highlighted.