Extremity of characters' reactions to others coming out

I started to post this as a comment on a specific story, then decided it makes more sense as an observation about tg fiction in general than a criticism on a specific story, because the problem I noticed (if it is a problem) is pretty common.

Namely, an awful lot of characters in tg fiction, when they find out about another character being transsexual or gay or both, have one of two extreme reactions -- total, instant acceptance, with displays of affection (if the author wants us to sypathize with the character) or extreme bigotry, very vocal and possibly violent (if the author wants us not to sympathize).

Sure, those are the most dramatic reactions, and story is built on drama; but intermediate reactions are not uncommon in real life, though much less common in fiction. For instance, being somewhat squeamish or even squicked out by the idea of sex change, or gay sex, yet not disapproving of gays or TSs in principle. Or conversely, disapproving on principle but trying to be nice about it, -- not being mean or loud about their disapproval. Or neither disapproving nor particularly squicked, but still having a lot of annoying misconceptions that make a relationship awkward until they're cleared up.

For a decent fictional example of the former reaction, look at Buffy's reaction to Willow coming out in Buffy the Vampire Slayer -- though there her embarrassed reaction is played for comedy in a way that's not suitable for all genres. I can't think of any fictional examples of disapproving-but-polite, but there are certainly people like that in real life; how common they are I'm not sure, but I suspect they're more common than the vocal, violent bigots that are such a staple of tg fiction. They're less noticeable, of course -- if you don't go out of your way to ask their opinion, or put them in a position where they have to speak up or imply approval by their silence, they may never tell you how they disapprove of you. Or they may say so once, as politely as they can manage, and then shut up about it. That can still be hurtful -- or outright traumatic, depending on the closeness of the relationship and the emotional fragility of the person they're talking to -- but we should try, at least as authors working on characterization, to get in their heads and realize they don't intend to hurt.

Another possible reaction is a "meh" -- "Oh, good for you. Yeah, I know several gay people, being transsexual's not all that different, is it? Fine, but don't expect me to be all vocally affirming and stuff."

Thinking about those, and other possible reactions, could help us work out more nuanced characterization for our stories.

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