1950s Photos

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Some interesting photos of 1950 era crossdressers.
Casa Susanna

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This takes me back

Angharad's picture

I was trying to sort out what I was and what I wanted at the end of the sixties and early seventies and made my first social contacts in my late teens through an organisation called the Beaumont Society. In those days it was all cloak and dagger and people would sneak about with small cases of clothes and change at venues or people's homes who hosted such things. Then exposure could cause disaster for the person concerned. Being the youngest, often by far, I felt a little isolated and as I was in denial about my real needs, I always felt unsatisfied about putting my alter ego back into a bag or case to return home.

It was also quite interesting how people used to overdress for the occasion because things like playing scrabble or cards or simply sitting talking became an occasion. I suppose things were slightly more formal back then and these days anything goes.

When I eventually did decide that I was transsexual not just someone indulging their feminine side and I told this to some of the friends I'd made in the Beaumont Society, one of the wives told me she knew that the first time we met. When I asked how she knew or what gave me away, she simply told me that the others were playing while I was doing it for real. I guess she was right but that was forty years ago.

Angharad

Cloak and dagger

"Cloak and dagger," as an idiom, is a layer cake of interpretations. We hid ourselves, disguised, and it was indeed deadly serious business. Angharad, I think we might be near-contemporaries, and I remember the secrecy, the small, furtive groups, the fear that everything in our lives could be ruined by exposure. Nevertheless we did it, risked it, for a little human contact with our real human inside.

What's amazing, in retrospect (in even deeper retrospective?) is how it *wasn't* so deadly serious to me when I was younger still. As a little child and even as a newly-minted teen, I was happily, openly "queer." I cross-dressed and played dress-up and toted my dolls around. I played pick-up baseball, too, and even joined the Scouts for a summer, but I was the fairy of the group.

And then puberty, and then: no. No more of that.

After sex - or even the unexplained, mysterious urges towards sex (and a more defined, sexualized gender?) - it was NOT okay to be me anymore. Not openly. Cloak - and very real daggers. Those photos remind me of the informal gatherings I found during my early college years, of the atmosphere in the change-room of a drag club I found and frequented after high school hours. Very intimate, but with strict isolation from the outside world.

I had a friend who was assaulted after a show. Dressed, very passable, but still an "out" drag performer, she was terribly injured by a casual acquaintance who turned deadly nasty, and never left the hospital, never recovered. More terribly, most of her friends, her family, never visited her while she waited. Fear of being associated, connected, compared, attacked.

Sad, sad times. Cloak and dagger. But I remember the laughs and the glow of, of BEING. Of watching the stupid stage makeup come off and the normal, real girls emerge. They told me I had to be careful, be secretive, never tell. But they laughed and joked like nobody else in my adolescent life. I remember the men and women who met in secret to share their happy for the moment lives with family. They're good memories.

Thanks for the time. Your comments and those pictures brought me back...

Casa Susanna

As someone who, as a young teenager, managed to find a copy of the book ‘A Year Among The Girls’ by Darrel G. Raynor. (1966) these pictures and the locations were both mentioned. The book was mainly about someone trying to find himself in the very secretive world at that time. I found it in Woolworths as a cheap paperback in 1968.

The owner of ‘Casa Susanna’ is mentioned. He was married to the ‘best wig maker’ in New York. The oriental girl in the pictures is Lily from New York. She featured on the cover of ‘Transvestia’ no 48 in 1967. Yes I have a copy. It is one of many editions I collected during the early seventies.

As a young person trying to find myself when Information was scarce the book had been a godsend. As an example of the times, my first attempt to join the ‘Beaumont Society’ was rebuffed. I was too young. A couple of years later I did manage to become a member.
As others have mentioned it was a different world then. One short piece in the book mentions that Police records seemed to show that young homosexuals committed suicide by a gun in the mouth. Young cross dressers hanged themselves whilst dressed. A sad reflection of the times.

Love to All

Anne G.

Back in the day

My dad was a career cop, through WW II and into the early 70s. He told me about the first suicide he ever attended, a young person at a remote farm. She was fully dressed, sitting in front of a mirror. None of the magazines I managed to find here and there, or that my friends shared with me, (Transvestia, etc) talked about that dark side of life, and even hid it the same way the mainstream press did: "Died suddenly" can mean so many different things :-(

On a happier note, I was never turned away for being too young, though I was under the legal age by six years when I found my way into the back rooms of The Black Cat nightclub. I remember the club was attached to a huge tavern. It was a well-known gay bar/hangout, and smack dab in the middle of Montreal's gay village. My dad was horrified when he found out where I'd been going after school ended and before he picked me up at a library for the ride home; he said it was a rough, dangerous part of town. So I didn't tell him about the biker bar I sometimes stopped into to on the same block, to see the huge motorcycles. Or the dark used-book stores I frequented up and down the Main, searching for anything trans. I was an idiot when I was young, but not THAT big an idiot.

But back to why all this is being mashed together, sad death and stupid childhood: when I told Mom and Dad that I needed to explore surgical options, Dad told me to do whatever I had to, whatever made me happy, with all his love. Mom had a harder time, but Dad knew the nitty-gritty truth.

More on Casa Susanna

Here are some web links I was sent from another chat room.
Please check them out.

First up is an article from Time Magazine
http://lightbox.time.com/2014/04/14/casa-susanna/#1

You can read a New York Times article from 2006 at the following link:
http://www.nytimes.com/2006/09/07/garden/07trann.html?_r=0

And finally, an update on Casa Susanna, again from the times.
The New York Times last Sunday reported the opening on Broadway of the play Casa Valentina, a fictional account about the crossdressers who visited the Catskills mini-resort Casa Susanna during the 1960s and 1970s. The play is written by Harvey Fierstein, the performer who has done a number of drag roles on Broadway. Reportedly, it is a sympathetic portrayal of crossdressers at that very closeted time.

To my knowledge this is the first significant portrayal of crossdressers, as against drag queens or transsexuals, in theater or film in the U.S. This is a major step forward, in my view. Interestingly, the play was written by a gay man, not a crossdresser himself. I hope somewhere there is an interview with Harvey Fierstein as to what motivated him to write this play.

The Times article recounts the struggle the actors had in working to play crossdressers. Some are quoted as developing a sympathetic view of our community. I wish I didn't live on the West Coast and was able to see the play.

The Times article is cited below:

http://www.nytimes.com/2014/04/13/theater/casa-valentina-fie...

Don't let someone else talk you out of your dreams. How can we have dreams come true, if we have no dreams?

Katrina Gayle "Stormy" Storm