Complicit in a Lie Revisited Chapter 43

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Complicit In a Lie
Revisited Chapter 43

By Jamie Lee

Author's Note: When I first wrote Complicit In a Lie, I had no thoughts, or ideas, to write a sequel. But thanks to a few readers, who asked about a sequel, ideas formed that made writing this sequel possible. It is necessary to have read Complicit In a Lie to understand why Charles is now with Jane, who the boy arriving in Kingston is and how he's involved in Charles' Court case. And to understand where Mr. Corporate, George Strom, fits into this story. This story starts off after Charles says, "When do we start," in Complicit in a Lie. So if you haven't read Complicit In a Lie, the beginning of this story won't make any sense. Hint hint!

Chapter 43

When they reached the dinner table, Toby was standing by their chairs, everyone else had been seated. Toby pulled out Sherry’s chair, helped seat her before pulling out Susan’s chair and seating her. He then walked to his chair, pulled it out, and sat down, bowing his head after sitting. Before Jane had a chance to speak, Sherry said, “If I may, Janie,” looking at Jane as she said it, “I have something I’d like to say.” With all eyes on her, Sherry told them, “After meeting with each of you several times, and seeing the progress you’ve all made, I believe it’s time for me to return to my practice. That isn’t to say I won’t be back to speak with each of you, just that I believe all of you are in a better place than before. I plan to come back once a week, or until you three,” and she pointed to the teens, “have gone home. If you need me urgently, I’ll come back sooner; Jane knows how to contact me. Evaluating all of you together, I find you’ve developed a little family, a family deeply concerned for each other. And you, Janie,” Sherry put her right hand onto Jane’s left hand, “have shown those three your heart without losing your authority and their respect for you.” Jane turned her left hand over and intertwined her fingers with Sherry’s. “The memories you have are just that, memories. Good or bad, they happened. They can’t be changed or altered, they are now part of you. Savor the good ones, let the bad ones wash over you, and get on with your lives. Don’t let the bad memories you carry with you rule your lives, all of you have so much to give to others. Now… how about we eat, I’m hungry.”

In the history of Seasons House, Jane’s dining table had always been one of decorum and proper etiquette. Young ladies sat up straight while they ate. They didn’t shovel food into their mouths, but took small bites and waited until they swallowed what was in their mouths before taking the next bite. Polite conversation carried on while they ate, specifically about the lessons they were working on. And for the first time in Seasons House’ recorded history, decorum, and etiquette were thrown to the wind in favor of hurling balled-up napkins at Sherry. Who either deflected or deftly caught them, knowing the meaning behind them and causing her to wipe her eyes. Jane gently squeezed Sherry’s hand, before letting go and beginning the meal by serving herself and passing the dish along. Sherry sat back and watched as the interplay occurred between them. Marie caught Sherry’s eye, nodding to her, silently telling Sherry she highly approved of the work Sherry had been doing while she’d been at Seasons House. The smile on Sherry’s face vanished as she got an elbow in the ribs from Susan, who sat there looking at Sherry with a smile on her lips and holding a plate of fried chicken.

“So, Susan. How are my wards doing with the lessons you’re providing? Have there been any problems?” Jane already knew how fast the three were moving through the lessons Susan was providing, it’s why she smiled at Susan after asking the question.

Susan’s right hand, holding a spoonful of broccoli, froze between the bowl of broccoli and her plate. Putting the spoonful back into the bowl, and setting the bowl on the table between herself and Sherry, she asked Jane, “Problems? What problems could there possibly be with my lessons?” Sherry eyed the bowl of broccoli sitting on the table next to Susan, and then Susan, as Susan spoke to Jane. Knowing it would be impolite at Jane’s table to help herself to the broccoli before Susan, Sherry sat there and stared at the oblivious Susan. “Aside from the fact my overall lesson plans were blown out of the water by the speed those three,” and she pointed to the teens, “flew through each course, and I’ve missed some much-needed sleep and some… um… other things. What possible problems could there be?”

Sherry looked from Susan to the bowl of broccoli sitting on the table next to Susan. She kept this up until Susan got annoyed and asked, “What in thunder are you doing?”

Face-palming herself, Sherry replied, “I’m waiting for you to stop blathering and help yourself to that broccoli, unless of course, you don’t want any.”

Susan’s face dropped at Sherry’s explanation. “Well, why didn’t you just help yourself while I spoke to Jane? And I don’t blather. I speak.”

Sherry shook her head, telling Susan, “Because, at Janie’s table it’s impolite to help yourself to a dish until the previous person has helped themselves or declined the dish. And you do too blather.”

Susan saw the smile on Sherry’s face and realized what she was doing, and decided to go along with Sherry, she answered, “I told you I don’t blather. I communicate, converse with, speak to, but I definitely don’t blather.”

Marie, Toby, Charlotte, and Francis, had a hand clamped over their mouths, trying not to laugh at the antics of Sherry and Susan. All four watched as Jane put her hand to her head, as she looked down while shaking her head from side to side, saying, “My gawd, I have two adult children sitting at my dinner table.” Looking up and dropping her hand, Jane said, “SUSAN, please take a spoonful of broccoli and pass the bowl on to Sherry. SHERRY, please take a spoonful of broccoli and return the bowl to the middle of the table. SUSAN, please take some of the bread sitting to your left and pass the plate to Sherry. SHERRY, please take some bread and return the plate to the middle of the table. Do you two understand my instructions, or do either of you need a detailed flow diagram to help you?”

Marie cracked first with a snort. The teens followed with first a snort then outright laughter. Those four were joined first by Susan then Sherry. And Jane sat there with a stony look on her face. When the laughter died down, Jane asked, “What did I do to deserve all of this at my dinner table?”

The six started looking at each other, a silent message passed from one to the other. At an unvoiced signal, they told Jane in unison, “Because we love you, Aunt Jane.”

As they all watched, Jane picked up her napkin and wiped her eyes, catching the tears ready to slide down her cheeks. It was Sherry who said, “Janie, have you ever read Callahan’s Crosstime Saloon©? If you haven’t, you should, because that’s what you have right here at this table at the moment. He helped a bunch of regulars become so comfortable with each other, they started opening up to each other. You have a group of people around this table, of various ages, who’ve become so comfortable with each other, that they opened themselves up to everyone. And from experience, I assure you, that’s an extremely rare occurrence. Savor it Janie, let it feed you, replenish you. Bask in its nurturing power.”

Reaching toward Jane with her right hand, Sherry took Jane’s left hand and intertwined their fingers. Jane sat silent for several moments, still wiping her eyes. When she was finally able to speak, she said, “We’d better eat, our food is getting cold.” She squeezed Sherry’s hand before letting go and eating the food in front of her. When Sherry looked around the table, Jane wasn’t the only one wiping her eyes. Smiling, she took the bowl of broccoli from Susan, helped herself, and sat the bowl of broccoli in the middle of the table.

When Jane was able to speak without a catch in her voice, she asked Francis, “Francis, I understand you’re taking a math course right now. How are you doing?”

Still chewing a bite of fried chicken, she swallowed the bite, then told Jane, “I’m doing better than I thought I would, Aunt Jane. When I’ve run into trouble with a problem, Susan and Charlotte have been helpful walking me through the thought processes of solving the problem. I’ve applied the same processes with other problems and have been able to work through the math book rather quickly. When I compared the help they provided to the help my high school math teacher offered, I realized my high school math teacher didn’t provide any help. When someone asked them to explain how something was done, because they didn’t understand what had been said, our teacher used the same explanation she initially used. Between Susan and Charlotte, I received two different explanations that pointed to the process of solving the problem.” Francis chuckled before continuing. “It was like the time I had trouble with the math you gave us, Aunt Jane. I didn’t understand factoring, so I asked Charlotte for help. Instead of using the problem itself, she asked me to list every combination that added up to 45. As I listed all the combinations, it suddenly dawned on me I was factoring 45. Once I realized that, I had no further problems working the problems in the book.”

Nodding her head, Jane told Francis, “I’m happy to hear that, Francis. And of the other courses you’re taking, how have they been?”

Jane again caught Francis with a bite of food in her mouth. After swallowing, Francis answered, “I’m halfway through World History, though it isn’t my favorite subject. I learned there was more stupid stuff that happened than good. I mean, why kill thousands of people just to take over as king, emperor, or warlord? Those still alive will hate the person because of what they had done, and will want that person dead. And if that person is killed or when they die, it starts all over again. It’s just so dumb, Aunt Jane. Then there’s the slavery. People are forced to work but treated like they’re nonhumans. Why, Aunt Jane? Those people were worked to death in most cases, causing more slavers to be sought. Again, doing this only angers those in slavery and causes them to plot against the slavers. And what’s the garbage of killing people because they are different in some way? It sounds like black and red ants killing each other.”

Jane was nodding her again, partly with understanding and partly with acknowledging Francis’ complete explanation. “I have to agree with you, Francis. History, no matter its form, can be dull if a person doesn’t have a burning interest in it. I also agree with you on the stupidity of killing thousands just to become the leader. You are also correct in your assessment of the attitude of those left alive. More than one leader was killed after a plot was devised, partly because of what the person had done and partly because the person was a terrible leader. Those who killed the leader didn’t count on a worse leader taking over. It became a vicious cycle, Francis. As to the killing of those who are different? It’s a mindset and a ploy, Francis. Some simply can’t tolerate someone who is different, and they only think of one way to deal with that hate. It’s also used as a ploy to churn up others so that person can eventually rise to power. If a person can get the majority of a society on their side, they have no trouble taking over, and doing whatever they want. What good did you discover during your reading?”

Francis brightened as she said, “Mathematics, science, clarification of the universe, cures for various diseases, a better understanding of the human body, an understanding of genetics, flight, all sorts of things we take for granted today. Many of those who dared to devel into those areas were shunned, arrested, or killed, all because those condemning them were ignorant of the work those people were doing. They also believed those explorers were going against what they believed God created. I wonder if ignorance isn’t more dangerous than someone wanting to take over, it sure seems like it is.”

Sherry spoke up after hearing Francis’ last question. “Francis, ignorance is more dangerous than the most dangerous person wanting to conquer the world. Gregor Mendel is considered the father of genetics, due to his experiments with peas. However, because the church didn’t approve of his work, he was banned from further experimentation and they destroyed all of the data he’d gathered. They believed it wasn’t necessary to understand what God created, it should just be accepted. Even Christopher Columbus was ridiculed when he told the church the world was round, not flat as they believed. Even after demonstrating how a toy ship didn’t fall off a globe of the world, but moved from view around the globe. Francis, ignorance has caused numerous problems throughout history. And it still causes problems today.”

There was silence around the table, as thoughts ran through the minds of those sitting at the table. It was Marie who noticed how the three teens each started pushing their food around their places. She caught the eyes of the other three women, nodding her head toward the teens. When the other three women looked at the three teens, Marie said, “Toby, Charlotte, Francis, vous trois semblez avoir quelque chose en tête (you three seem to have something on your minds.). Pourriez-vous s'il vous plaît nous dire ce que c'est (Would you please tell us what it is?)? We’re concerned about the three of you.”

They looked at each other, each egging the other on to say what they felt. With three shoulder shrugs, they said in unison, “School.”

“My Aunt Agnus,” Francis said.

“My brother,” Toby put in.

Charlotte remained quiet until Sherry asked, “Charlotte. What is it, sweetheart?”

Charlotte looked at Toby then Jane, but continued shifting food around her plate. It was Jane who then asked, “Are you worried if you say something, you’ll hurt someone, Charlotte?”

Knowing Jane hated her girls to shrug their shoulders, she did it anyway before answering in a soft voice, “Yes, Aunt Jane.”

Pushing her chair back and standing, Jane walked around the dining table, pulled Charlotte’s chair out with Charlotte in it, kneeled before her, and pulled her into a hug. Trying to keep her own tears in check, Jane said to Charlotte, “Sweetheart, we all have learned something about ourselves since you’ve come to Seasons House, even me. You’ve helped others when they needed help. They may not have thanked you, but they were thankful for your help. You’re worried if you say something, you’ll hurt me and Toby, aren’t you?”

Charlotte began crying with her head on Jane’s shoulder. Two more sets of arms went around Charlotte as she cried, those of Toby and Francis. “Charlotte, none of your words can possibly hurt me more than I’ve already been hurt. I’m thankful for the support you’ve given me, even when I felt you shouldn’t have. So just say what you’re afraid to say.” After speaking, Toby reached up and wiped his eyes.

Sniffing her nose as her crying ceased, Charlotte told them, “Being in this whole crappy mess. I’m sorry, Aunt Jane, I don’t mean to hurt you, but I hate being here. I want this whole mess to be over with.”

Jane had to tighten the chains holding her monster back after what Charlotte said. “Sweetheart, we all want this mess to be over,” Jane told Charlotte. “And sweetheart, I’m not hurt or offended by what you said. I want my girls to be ready to leave Seasons House, and the three of you are more than ready. Unfortunately, we have a roadblock and a few decisions to make after that roadblock is removed.” Jane then looked at Francis and told her, “Francis, you may be angry with me, but while you are ready to meet with Judge Ruth again, I’ve kept you here because I think you’re as much help to Charlotte and Toby as they’ve been to you.”

As the three other women watched Francis, she was shaking her head after what Jane told her. “Aunt Jane, I’m not angry with you for not letting me leave. In fact, if you tried to send me back now, I’d break my word of honor and tell you to stuff it. I wouldn’t let you send me away right now, not until Charles and Toby can leave. We are all for one and one for all.”

There was a mixture of snorting, admiration, and a feeling Francis had stepped over the line from the other three women, due to what Francis just told Jane. Jane held Francis’ steady gaze, thinking back to the first time Frank arrived and before Charlotte arrived. Standing before her was no longer the timid young man she first saw or existed before Charlotte. Standing before her now was a very confident young man, willing to stand up for someone beside themselves. With a stern look on her face, Jane said, “You think I’d tolerate someone speaking to me like that, young lady? You think you’d have the right to speak to me in that manner, young lady?”

Jane was pushing Francis to see if she’d back down or stand her ground. Francis did something Jane wasn’t ready for, she bent down, kissed Jane on the cheek, then told her, “You may not like it, Aunt Jane, but it’s what I’d have to tell you. Plus, I’d have to tell you, I love you, Aunt Jane.” She kissed Jane on the cheek again, causing Jane’s eyes to water. As Jane was trying to collect herself, Francis and Toby put their arms around her and held her, causing her watery eyes to release the moisture they’d been holding. Charlotte was no longer crying, but also holding Jane.

The four stayed like that for some time, basking in the love they had for each other. Finally, Jane said, “We’d better finish our meal, girls, Toby. You three still have kitchen duties to deal with, plus we have an appointment at the salon for the three of you.”

Jane’s announcement of the salon appointment wasn’t well received. But it wasn’t because of Sandy or her treatment of the girls, it was the girls’ concern for Toby. “But is it safe for Toby to go there, Aunt Jane?” Francis asked.

“Aren’t people still trying to find him?” Charlotte asked.

Trying to put the girls at ease, Jane told them, “Let’s all return to our seats and I will explain.” The three teens released Jane and the three returned to their seats at the table. “Now,” Jane began, after she was back in her seat. “We are going today because Carolyn told me today is always slow. She only has three clients scheduled and will be finished with them by the time we arrive.”

So concerned with Toby’s safety, Francis butted in with, “But will Toby be safe, Aunt Jane? What if Sandy says something to someone about you being with two girls and a boy instead of three girls?”

Jane and Marie looked at each other, the smiles large on their faces. It was Marie who told Francis, “Francis, votre inquiétude pour Toby est admirable et n'est pas déplacée (Francis, your concern for Toby is admirable and not misplaced.). Sandy has been made quite aware by Carolyn and others, who can deal with her should she say anything, how urgent it is to ignore the boy with Jane. We don’t know what the others said to her, but we are told Sandy may be quite subdued today. So let’s finish our meal and get you three to the salon.”

It was Francis who voiced Charlotte’s thoughts. “I hope she’s more subdued today. After what she said to me the last time we were there, I’d just as soon not go unless Carolyn was doing my hair.”

With an almost animalistic look in her eyes, Jane told Francis, “Francis, you won’t have that problem ever again with Sandy. Carolyn and I made it crystal clear she stepped over the line, and the consequences should it happen again. However, if we don’t finish our meal, and the kitchen work isn’t completed to Marie’s satisfaction, we will never arrive at the salon to discover how subdued Sandy is today. Will we?”

The three teens knew the current expression on Jane’s face meant business, and wasn’t to be questioned. So they gave Jane the only answer they knew she’d accept, and in unison said, “No, Aunt Jane,” and resumed eating their meals. The three teens never saw the smirks and smiles on the four women’s faces, as they too resumed eating their meals.

When the last bit of cherry pie had disappeared from everyone’s plate, the three teens asked and were granted permission to leave the table. They wasted no time clearing the table and getting on with the kitchen work. While Jane, Sherry, and Susan, were still sitting around the dining room table, the three teens came out of the kitchen and Francis and Charlotte proceeded to head to their bedrooms without being told. Toby, on the other hand, had started walking to the living room, before Jane spoke to the three. “Girls, where are you going?”

Answering for Charlotte, Francis said, “We’re going to get ready to leave for the salon, Aunt Jane.”

A slight smile appeared on Jane’s face before she replied, “Very well, continue.” Getting up from the table, Jane turned to Toby and told him, “Toby, please come with me. I have an idea to adapt your appearance somewhat.” With Toby following her, she went upstairs. At the top of the stairs, Jane turned to her left and walked to the second door on her right. Opening the door, a second set of stairs could be seen. Jane climbed the four initial steps to a small landing, turned to her right, and continued climbing those stairs. Reaching the top step, Jane opened another door that closed off the attic from the stairs. After entering the attic, Toby closed the door behind him before following Jane to a series of storage trunks sitting toward the front of the house. “Now, I want to change your appearance by having you wear different clothing, and an accessory or two. I want you not to be quite dapper, though having a more casual look other than tee shirts and jeans. I think nice dress pants and a sports shirt would do. Also, a pair of used-looking dress shoes, a coordinating belt, and a pair of color-coordinating socks. We’ll recomb your hair to form another style, and I think a pair of clear-lensed glasses should give your face a different appearance. But first, we have to locate everything we need. So, let’s start by opening these chests,” and Jane waved a hand from the chest to her right down the line of the three other chests to her left. “If you’ll start at that end, Toby, I’ll start here and we’ll meet in the middle.”

After walking to his left, and stopping in front of the last chest, upon opening it, Toby found it filled with dress pants of all colors, textures, and types, all enclosed in plastic bags. He moved to his right and opened the next chest, a chest he found to contain dress shirts of all colors, styles, and fabrics, those too enclosed in plastic bags. Stepping toward where Jane was now standing, after opening her two chests, Toby saw that chest contained a vast array of male shoes, neatly arranged by style, color, and size. Glancing at the first chest, Toby could see socks, belts, and other accessories. “Well,” Jane started her question, “did you see any pants or shirts that caught your eye? We don’t want any outlandish combinations, the idea is to make you blend in. And of course, they need to be in your size, but I don’t think that will be a problem.”

They walked to the first chest Toby opened, which contained the dress pants, and upon closer inspection, Toby discovered there were three sizes of each color and style. Sorting through the pants, Toby found a pair of cloud-colored twill pants, a neutral light gray color, in a 28x30-inch size. Carefully removing them from the plastic bag, he held them up at his waist to gauge the length on him. “What do you think, Aunt Jane? These seem long enough, stopping at the tops of my shoes. And with the color, almost any color shirt would coordinate with them.”

Jane had Toby turn to face her so she could gauge the length herself. “I believe you are correct, Toby, both about the length and the ability to combine them with several different colored shirts.”

Carefully draping the pants across the mouth of the pants chest, he then stepped to the chest holding a vast array of colored shirts. He dismissed outright the highly patterned shirts or the brightly colored shirts and settled on a light-brown cotton shirt in a medium size. After carefully removing it from the plastic bag, Aunt Jane took the shirt from him, had him turn his back to her, and held the shirt up against Toby’s back from shoulder to shoulder. “This shirt appears to be a good fit on you, Toby,” Aunt Jane told him. “However, we won’t know if it fits you well until you try it on. So now is a good time for you to undress to your underwear and put on this shirt and the pants you’ve chosen.”

Jane had been mindful of the color of pants Toby chose, and as Toby was getting undressed, looked in the trunk with belts and other accessories, and found a brown patterned belt she felt would look good on Toby. She then stepped to the trunk holding underwear and socks, and eyeing the color of the shirt Toby chose, found a coordinating pair of socks in a light brown. Jane laid the belt across the trunk filled with shirts, and the socks on top of the belt, then turned her attention to shoes. “Toby, what size shoe do you wear?” Jane asked, eyeing a tan pair of shoes in the shoe trunk.

Toby turned to face Jane at her question. “I wear a 7 or 7 ½, Aunt Jane. It all depends on the shoe. I take a 7 in some shoes and a 7 ½ in other shoes, Aunt Jane.” After putting the belt on, Toby sat down and put on the socks Aunt Jane had chosen. “Does everything look alright so far, Aunt Jane?” Toby asked, facing Jane in his stocking feet.

Looking up from the shoes she’d been picking through, Jane used a critical eye to evaluate Toby’s overall look. She had him turn around to make sure the pants and shirt fit his backside equally well. Satisfied with what she saw, she had him turn back around and returned her attention to the shoe trunk. Finally finding a size 7 tan pair of shoes, she handed the shoes to Toby for him to try on. Sitting down on the edge of the shirt trunk, Toby first put the left shoe on then the right, tying the laces before testing the fit by walking around the attic. “How do they fit, Toby?” Jane asked. “Is there room for your toes as you walk?”

Jane saw Toby think about her questions as he walked. “My toes aren’t bunched up at the toes of these shoes and they don’t feel loose as I walk. I think these shoes will do fine, Aunt Jane,” he told her as he walked up and stood before Jane.

Handing Toby a pair of horn-rimmed glasses in a light brown, Jane told him, “I want you to try these glasses on. They have clear glass in the frames, so you won’t have any problems seeing while wearing them. I think a pair of glasses with help change the look of your face, maybe enough so you aren’t recognized by anyone looking for you.”

When he put on the pair of glasses Jane gave him, the temples were too long, causing the glasses to slide down his nose. Taking those glasses off Toby’s face, Jane found a second pair of the same color and handed those to Toby. When Toby put on that pair of glasses they stayed up on the bridge of his nose, but were a bit loose behind his ears. Taking the glasses off, Toby bend the end of the temples down a bit before putting them back on. “I believe these will fit, Aunt Jane. Do they look alright?”

Jane backed away from Toby so she could see him from a distance. After appraising him from the front, Jane had Toby turn first to the left and then to the right, gauging his profiles. “I believe wearing those glasses gives your face an entirely different look. From a distance, I believe it will be hard for any of your pursuers to recognize you. We are done with your clothes, let’s go sort out your hair.” As they walked to the attic steps, Jane put her arm around Toby’s shoulders and told him, “If I was several years younger, Toby, I’d be pursuing you.”

Toby put his arm around Jane’s waist and told her, “Aunt Jane, if you were several years younger, I’d be pursuing you.”

Laughing as they reached the attic door, Toby opened the door and allowed Jane to descend first. Closing the attic door after taking a step down the stairs, Toby followed Jane to the second floor of the house. Jane was waiting for Toby when he reached the second floor and closed the door to the attic behind him. They walked together to Toby’s bedroom, where Toby again opened the door and allowed Jane to enter first. Jane had Toby sit in the vanity chair, before opening one of the vanity drawers and taking out a brush and comb. Once she was satisfied with the work she’d done, she spritzed a bit of spray on his hair, using that to help hold his hair in the style she just formed. “Alright, young man, stand, and let’s have a final look at you before we go,” Aunt Jane said, as she backed away from the vanity, giving Toby room to stand. After standing, Jane again appraised Toby from the front, sides, and back. Satisfied with the views, she told him, “One day, Toby Camber, you are going to be inundated with young ladies throwing themselves at you. Just make sure to choose the one meant for you. Come on, our appointment is gaining near, and I don’t want our young ladies waiting any longer than has been necessary.”

After leaving Toby’s bedroom, Jane told him about Sandy. “Sandy will likely be trimming your hair. She’s had a rough time a few years ago and still harbors ill will toward men and boys. I allow her to keep my girls on edge by how she treats them but don’t allow her to cross the line. She is likely going to question why you are with me and the girls, possibly questioning why you’re not one of my girls. Our story is that you’re staying with me while your parents are dealing with a family emergency. If she asks about the nature of the emergency, you don’t know, your parents didn’t explain things to you. I give you free rein to verbally, and if necessary physically, handle Sandy. I might suggest subtly delving into her past abuse, causing her to shift her focus off you and onto herself. We’ve seen how you’ve helped Charlotte and Francis, and I believe you can do the same with her. If you must defend yourself physically, please don’t break anything, Carolyn needs Sandy as much as Sandy needs Carolyn.

tbc
Chapter 44

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Comments

This chapter brought back my main issue……

D. Eden's picture

With the whole concept of forced feminization. It is obvious that what is going on is NOT helping Charlotte - her whole break down at the dining room table illustrates that even though she volunteered to be one of the girls in order to help out, she is a victim of this whole process.

Additionally, Toby, who is the only true criminal in the group, is the only one not being force feminized. Yes, he was abused, and yes, there is the fact that he was forced to break the law - but why is the only one exempted from the whole forced feminization program? How is it fair that he is exempted while Charlotte, who has done absolutely nothing wrong, is suffering through it all.

This simply illustrates one of the reasons I absolutely hate the whole concept of forced feminization - and it also puts the lie to the fact that it is being done because they care about the boys.

D. Eden

Dum Vivimus, Vivamus

Hi D Eden

Jamie Lee's picture

As we've discussed before, the boys who are sent to Jane are not feminized. If they were being feminized, they be given hormones disguised as vitamins so they'd start to develop female characteristics. They'd leave Seasons House as girls, not boys.

As to why Toby is presenting as a girl? How would they explain the scars he has on his legs, back and butt? If he became one of Jane's girls, he'd also be required to model at The Style Shoppe, which models everything for the teenage girl. What do you think would happen if those at the show saw his scarred back, legs and butt? Someone would call the police, something Jane wouldn't want to happen because there's still a price on Toby's head. He'd also have to become a model for Carolyn at the salon, filled with teenage girls on the days she has classes for them. How would you keep all of those girls quiet after they saw the scars on Toby's legs? As to presenting as a girl around the house? His body is still healing and can't tolerate any constricting garments Jane would have him wear.

As to Charlotte "suffering through it all." She isn't suffering through anything. Jane gave him a choice of continuing to be Charles until the whole shoplifting mess was resolved or experiencing something he would never experience anywhere else. Charles chose the experience and gave Jane his word of honor to do as she asked without complaint. When the shoplifting mess is resolved, Charlotte will leave Seasons House as Charles Thorton, a human male, not Charlotte.

Jane and Marie care very much for the boys sent to them by Judge Ruth. Those boys have gone down the wrong path and using Petticoat Punishment, Jane and Marie change the boys' destructive behavior to a productive behavior. And when they leave Seasons House, they once again become the boys they were when they first arrived at Seasons House.

You seem to believe forced feminization and Petticoat Punishment are the same, when they're not. Forced feminization turns a boy or man into an actual girl or woman through the use of disguised supplements or vitamins or whatever they would be called by the person administering them. In some cases, the man or boy would be drugs and operated on, removing testicles or actually using the penis to create a vagina. When it was said and done, they would be a girl or woman. There'd no longer be any trace of a boy or man about them.

With Petticoat Punishment, the boy starts off as a boy and ends up as a boy, presenting as a girl in between. The whole point of this method is to change the behavior of the boy, not to turn him into a girl for the rest of his life, as forced feminization is meant to do.

Thanks for your comment.

Others have feelings too.

forced

lisa charlene's picture

dictionaly term Petticoating or pinaforing is a type of forced feminization that involves dressing a man or boy in girls' clothing as a form of humiliation or punishment, or as a fetish. While the practice has come to be a rare, socially unacceptable form of humiliating punishment. humiliation A person who suffers from severe humiliation could experience major depressions, suicidal states, and severe anxiety states such as post-traumatic stress disorder. this is not love or caring .this is abuse as i have said from the beginning especially she has forced them to go in public places .model at The Style Shoppe allowing men and boys to watch more humiliation and abuse especially forcing to wear what they forced her to wear on the las turn down the run way. they coerced him to do its especially knowing that Jane would punish him for not doing it. .He'd also have to become a model for Carolyn at the salon. more humiliation and abuse . so D.Eden is right this is abuse.

Hi lisa

Jamie Lee's picture

If you read many of the stories on this site, you'll find men and boys who present as girls or women and are not happy to do so at first. But that doesn't mean they are being turned into girls or women for the rest of their lives, they are doing so for a specific purpose. We are not talking about a dictionary term of a word or concept, we are talking about a process that's been around since the Victorian age, aimed at changing the behavior of boys who have become completely unruly. Those boys need strict discipline, and by having them dressed as girls it forces that strict discipline onto them. Any method used to cause a person to toe the line, to change the way they act, can be said to be abusive since it uses some form of humiliation and/or punishment to make that happen.

As I've said before, and will continue saying, Charles volunteered to become one of Jane's girls. He gave Jane his word of honor to do what she said when she said. He chose to experience what Jane has her girls do and experience. You can continue believing Charles is being abused and humiliated, but that isn't how Charles sees it or how Charles feels. Charles sees it as a learning experience, a classroom unlike anything he'd ever have the chance to experience. At no time has Charles felt humiliated or abused, quite the opposite.

If Jane didn't care she wouldn't be trying to change the behavior of the boys sent to her. Judge Ruth only sends those boys to Jane who she feels can be put back on the straight and narrow. None of the boys sent to Jane have self-destructive qualities about them. In fact, if you find the original Jane Thompson stories, you'll find those boys Jane dealt with, are now men who are grateful for their time with Jane.

This narrow view of what is and isn't abuse and humiliation limits the stories you'd read on this site. Those stories about a boy who lost a bet to a girl friend and ends up spending time dressed as a girl would be, in your view, abuse and humiliation because that boy does have to live for a time as a girl and go out in public, even going to school as a girl. If a woman who holds boys to their word of honor as she has them present as a girl is abusive and humiliating, then we will have to agree to disagree on the subject.

Others have feelings too.

You are splitting hairs to justify your opinion……

D. Eden's picture

Petticoat punishment as you are utilizing it in your story is a form of forced feminization. End of story.

Forced feminization is simply forcing a male to dress and act as a female. It does not require that feminization to be through the use of hormones - that would be a more permanent act, but it is not the only form of feminization. Your character, Aunt Jane, is coercing her charges to dress, act, and live as girls. She uses mental and emotional domination to do so, with humiliation and punishment thrown in to enforce her will.

And your excuse of Charles choosing to go along with the plan wears very thin. Yes, she asked him to do it, and he agreed. However, she did not tell him what was entailed in the process, nor did she alter her process because he was innocent. She still placed Charles in humiliating and potentially dangerous situations, situations where he was forced into becoming and acting more and more feminine. The alternative being public humiliation and castigation.

To all intents and purposes, she treated Charles exactly as she would have any other boy being placed in her forced feminization program. She forbid anyone from speaking with him about what was being planned or what was going to happen to him. The only possible reason for this was to place him in situations where he had no choice but to fall deeper and deeper into the program - or suffer public humiliation and possible physical harm.

Several examples:

The salon - he is brought into a salon to essentially have a makeover. This is done in front of a group of women who have no idea he is not a girl, and if he had refused to go along he would have been outed as a boy dressed as a girl, with the ensuing public humiliation. Not to mention the use of Sandy as a tool to further humiliate the boys.

The fashion show - he is set up to model women’s clothing, and is placed in a position with other young women who do not know that he is a male. If he refuses, once again he is outed publicly and humiliated. It goes even further as he is then forced to model not just clothing, but lingerie - in front of a large group of not just women and girls, but also men and boys. Think of the humiliation and potential harm if he doesn’t go along or if he fails to fool them by forcing himself deeper into the act of feminization.

The makeup tutorial - again, the same situation, only in front of a group of young women his own age. What could be more humiliating than to be outed to that group?

And you don’t consider this to be abuse? Or forced feminization?

The force is there. Certainly he is not being beaten, but the harm is just as real - it is mental and emotional. The force is just as real, even if it is coercion and the threat of punishment and humiliation rather than chemical or physical. The abuse is just as real. Especially as it is being done to an innocent - and your main character is fully aware that he is innocent and has even sworn she would never allow this to happen again!

As to the reason Toby is excluded from the program - there are plenty of women’s outfits which would cover his back, arms, and legs. As I previously stated, the one true criminal in the group is the one boy not being force feminized. Just what does that say about your story and your character Aunt Jane? She professes to be troubled that she was used to feminize an innocent boy by his mother, and swears it will never happen again - yet she is obviously doing it to the innocent Charles, and not to the guilty Toby.

What purpose does this serve? How does she justify her actions? How can her friends, a physician and a therapist justify what is happening and not object to it?

D. Eden

Dum Vivimus, Vivamus

Hi D Eden

Jamie Lee's picture

You are under a misconception that Jane Thompson is MY character. The Jane Thompson character was created years ago by Joel Lawrance and added to by Tigger. And it isn't my opinion about the difference between Petticoat Punishment and forced feminization on this site. On this site, there is a vast difference between the use of Petticoat Punishment and forced feminization. When forced feminization is used on a boy or man, the goal is to turn that boy or man into a female. Petticoat Punishment doesn't have that as its goal.

Point number one: Jane would never 'out' any of the boys she has dressed as girls or let them be outed. She uses the threat of being outed to make the boy modify his behavior.

Point number two: When the boy is taken to the salon or the Mall or models, there are others keeping an eye on that boy to keep him out of danger. That fact is stated in one of the original stories you should read.

Point number three: This site has a different perspective on the meaning of forced feminization than what you're arguing. In those stories where forced feminization takes place, the boy or man is given drugs and subjected to surgery to turn them into a girl or a woman. Jane does none of that.

Point number four: Charles is at Season House because George Strom threatened to take him to federal court if Judge Ruth didn't find him guilty of the crime he was accused of. It was the only place Ruth knew to send Charles other than juvenile detention, a place Charles didn't belong. Yes, Jane vowed not to have another boy like Kenneth at Seasons House, but Seasons House is the only place Charles could wait until the shoplifting mess is resolved. You may not like to hear me constantly bringing up the fact that Charles volunteered to become one of Jane's girls, but that is what has occurred within the story.

Point number five: Someone is killing the teens still on the street who were involved in the shoplifting spree. Toby has a price on his head, and someone has already tried to kill him, so he must keep a low profile while he's at Seasons House. Having him wear the fashions you suggest would make him stand out compared to what other teenage girls in that area are wearing, thereby causing talk to occur which could reach the wrong ears. No one knew Toby was another Kenneth or Charles until he stepped off the train. They also didn't know what he'd been going through until Marie completely undressed him while he slept that first day at Seasons House. What they don't know yet, because it's coming up in another chapter, is that Toby becomes a material witness to the shoplifting spree, so Jane is actually guarding a material witness.

Point number six: We have had this discussion before and it continues to be cyclic. This is a story, nothing more. It isn't meant to mimic the real world, where coercing is an everyday part of life. I understand how this site doesn't equate forced feminization with Petticoat Punishment, with the former being used to turn a male into a female for life. So as I have stated before, you and I will have to agree to disagree about the meaning of forced feminization.

Others have feelings too.

You may not have created the character…..

D. Eden's picture

But you are the one writing this story - hence in the usage within this story, she is your character. Whether created or borrowed, since you are the author of this story the characters within it are yours.

Additionally, unless I am mistaken, there is absolutely no rule or distinction that states a specific definition of forced feminization or petticoat punishment in use only on this site. That is simply your opinion - an opinion not born out by definition. See below for definitions from multiple sources:

Petticoating - A very effective form of child discipline, such forced feminization is usually employed by stepmothers to dress unruly boys as girls.

Petticoating - As a form of child discipline, such forced feminization is employed, usually by mothers or stepmothers,to dress unruly boys as girls.

Petticoating - Petticoating or pinaforing is a type of forced feminization that involves dressing a man or boy in girls' clothing as a form of humiliation or punishment.

Petticoat discipline stories are a sub-genre of erotic literature that primarily deals with the forced feminization of men via dressing up in girls' clothing.

Petticoat punishment is when the male is coerced or forced into dressing in female clothing as a form of discipline; it is a psychological form of female domination and discipline.

Every one of these definitions basically describe it as a form of forced feminization - the sole exception does not specifically call it forced feminization, but rather refers to it as “coerced or forced” and “a psychological form of female domination”. I think that spells it out pretty plainly as what it is - forced feminization, and in your story a totally innocent young man is being forced feminized through coercion and threats of humiliation and punishment.

You can disagree all you want, but you have still written a story where two innocent young men are being abused through forced feminization, while the guilty party is not.

D. Eden

Dum Vivimus, Vivamus

Puzzled

Jamie Lee's picture

I'm puzzled how you can get all worked up over a fictional story with fictional characters that takes place in a fictional location. If the story bothers you so much, stop reading it. If what the characters are going through bothers you so much, stop reading the story. You have not had one fresh idea or comment based on something you haven't said numerous times. Unless you have fresh ideas about the story, please, don't rehash the same worn-out diatribes you've been using.

Others have feelings too.

exactly you are right

lisa charlene's picture

D. Eden you hit every point correctly and the same thing i have said several times . and on top of that the tag forced has never been used even this this is forced. I keep coming back to this story try to find any redeeming quality to this story but there is none that i can find .

Nothing has changed

Jamie Lee's picture

The story is what it is and will stay as it is. If you can't find any redeeming qualities to the story, please, do yourself a favor and stop reading the story. Nothing you or D Eden have been saying has been anything but cyclic rhetoric. You believe you both are right and can't entertain the idea you might be incorrect in your assumptions about the story. If this story bothers you that much, stop reading the story instead of continuing the circle of nothing new being said.

Others have feelings too.

positives

lisa charlene's picture

im sorry i did react too strongly to what i consider abuse .i read these storys . fiction or not i start to care about what happens to the ones in the storys. the kids are getting the schooling that they desperately need . they are also learning how do deal with each other . Toby is getting the medical and support he needs even though the healing of the scars are going to take a very long time to heal . also emotional healing is taking place for everyone in the house .there are still issues i dont agree with but i have voiced those and i will do my best to move on from those with out bringing up again .the story is well written .you are a very good story teller .the things that happed in the past chapters are just that in the past and should be left as such .
Lisa C

Hi lisa

Jamie Lee's picture

Thank you for your comment, it's very much appreciated.

Others have feelings too.

As I have told you several times…….

D. Eden's picture

In my comments, it is a very well written story. Your talent is obvious, and the story has kept my interest. My comments as to the petticoating aspect at this point in time are more because I don’t see a continued value to keeping either of the boys, but especially Charles, feminized. You have repeatedly pointed out that both boys are already where Jane would wish them to be - and that Charles already was when he arrived.

Of course, you are the author and I do not know where you are planning to go with the story from here. Perhaps you have a further intent for keeping them in dresses that isn’t obvious. I cannot know that.

But my biggest point is that if I were either Frank or Charles I would be somewhat perturbed that I was being kept in a feminine state while another person (who is the only one truly guilty of criminal behavior) is not. Yes,there are possible reasons he is not - but again it would annoy me if I were being required to live and present as a girl when another was not.

Yes, Charles being sent to Jane was for his own protection rather than facing worse charges in a federal court - but again, the very person who caused that issue is right in front of him and not subjected to the same treatment.

That is my point. How fair is it to force punishment on two, and not the third who is guilty of crimes?

Either way, I applaud your talent. I just question the content of the story and can’t help but wonder where this is going and how Jane’s feminizing of Frank and Charles will contribute further to their growth as human beings.

D. Eden

Dum Vivimus, Vivamus

Hi D Eden

Jamie Lee's picture

To tell you a truth, even I don't know where the story is going until I start writing. One idea leads to another and to another and so on until a chapter is finished. I have an idea how the story will end, but it's getting there that's the question.

I don't know how to answer your thoughts on Frank and Charles being perturbed because Toby isn't Tabatha by now. I can only think that they realize the trauma he's suffered and are more concerned with his welfare rather than being angry he is presenting as a girl. I think if someone goes through what Toby experienced, and ends up almost looking like raw hamburger, a person would feel sympathy rather than anger.

In the original stories, Jane keeps the boys as girls until she feels they have progressed to the point where they are ready to leave Seasons House. I'm trying to stay true to that aspect of the original stories. However, in the chapter where Charlotte blows up at the dinner table, after going to her bedroom, she was about to change back into Charles until Toby talks with him and made him see he doesn't have it so bad being Charlotte compared to what Toby endured.

Many of the boys who are sent to Jane lack the basic decency most boys have. That is, they don't respect others, they're rude, and only care about themselves. And they have a problem doing what they're told to do even if they don't want to do it. When Jane feels the boy has achieved these qualities, she knows he's ready to leave Seasons House.

Yes, Charles could return to himself if he wanted, but he gave his word of honor to Jane to do what she asked and told him to do. Jane puts a lot of stock in a person's word of honor, she sees it the same as if a person signs a contract for something. And in holding a boy to his word of honor, she's trying to make the boy take account for the things he does and says. I'm not sure saying she is trying to get him to grow up, but she is trying to get him to be more responsible for his actions.

I understand your point on having two boys presenting as girls but not the third boy. To answer your point, remember someone is killing those still on the street who were involved in the shoplifting. Two men came looking for Toby to kill him. Given all the scarring he has on his body, even the best girls clothing would make him stand out compared to what teenage girls around him would be wearing. The last thing needed is word getting out that some girl is dressing in the strangest clothing ever seen. Because Toby now has a price on his head, talk of a strange girl could lead those looking for him to put 2 and 2 together and realize the girl is actually Toby. This was my rationale when writing that part of the story. However, in chapter 44 he does go to the salon, though dressed a bit differently and with a couple of angles watching over him none of them, except Marie, know anything about.

Thank you for your comments, I do appreciate them.

Others have feelings too.