When it is written, then shall it be done.

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So, why can’t I finish one of these stories? Is it because of a curse, or the cat threatening my keyboard? (down, down!) No, I don’t think so. It’s all about discipline.

I like to explore and take a character, usually a form of me, to places and see what I’d do. I put him or her into a situation and let him go. Damned if I know why he does the things he does. Along the way he discovers things about himself and through him, me.

But that doesn’t explain why I can’t end a story. Like I said, it’s about discipline. Darkside took five years to write his 2.6meg monster by outlining the whole thing first, then sticking to his outline. I tried, but I just keep finding new paths. Every scene has a plan, but I never know how, precisely, I’m going to do it until I start actually writing it. Sometimes, to stay true to my character, he or she has other ideas.

The story becomes a juggernaut, rolling a way I sometimes don’t want, towards a conclusion I don’t desire. So, I throw obstacles in its path to divert it towards my planned-for ending. That usually works. But it’s a learning experience. It tells me I need discipline.

Anyway, for anybody who is reading this, I have three stories outstanding — all of which I will complete.

The Warrior from Batuk: A Zhor novel about a warrior who is injected with Ruk’s serum and becomes a serum girl, a beautiful woman with the longings of a natural slave. But she won’t give up her freedom without a fight, battling herself and her enemies in a war to save her city. — 90% complete. (really) About 230K words so far, but the end is clearly in sight.

Sample:

“Now you die,” smiled the guard toothily and moved forward.

I shuffled backwards and the King, still on his back, somehow managed to trip me. I fell painfully and lost the spear with a flick of the guard’s sword. From my elbows, I looked up to a blade hovering above my breasts, and beyond, to a cool confident smile. It seemed that it was not my day. And then, from behind me, a well-thrown long spear flashed, penetrating his breastplate and mail with a metallic ‘snick!’ sinking deep into the center of his chest. The spear’s power compelled him backwards to fall across the shrieking woman on the bed, where he passed from the world with a shuddering groan.

His sword, an instant earlier aligned to invade my heart, merely dropped, cutting a deep gash in the valley between softness. I caught the sharp sword between palms before it could fall further. I reveled in my pain, and paid tribute to the fickle God of Luck with the breath I didn’t think I’d have. I rolled over slowly and crawled to the King on my knees. Yanking the spear from his stomach had done him further injury; it was all he could do now to hold his insides in place, but still, his wound, although very serious, wasn’t necessarily fatal with prompt attention, and I couldn’t allow him to survive. Grabbing the King’s jewel-incrusted sword, I held it under his chin, poised for a thrust into his brain. He was too weak to protest, but he was aware, and I bent to his ear.

“You are a brave man,” I whispered. “You deserve to know why you are going to die.”

He glared at me through eyes glazed in pain. “You Gods-cursed Giovannis came early,” he rasped. “I expected you after the Borodins left.”

I shook my head. Grinning, I met his glare. “I’m from Batuk.” I waited a few inches from his face until I saw the light of understanding, and then thrust the sword upwards. The sharply pointed end, capable of penetrating plate armor, had no problem with soft tissue. He collapsed and voided in death, fouling the air around me.

I stood slowly and leaned against the bloody blade, watching the terrified woman on the bed, a pretty girl with auburn hair and blue eyes. She appeared to regret throwing those pillows at me. I smiled. She cringed.

Sappho: The Lesbian Planet: A scout from the far future lands on a lesbian world where there are no men and men have been written into history as vile animals. Rescued by ‘throwbacks’ (hetero women), he tries to get back to Earth, but he won’t leave unchanged. — 80% complete 55K words so far.

Unity: Houston: A VR world where the brain patterns of people can be preserved in a cube and placed in a VR environment, essentially living forever in worlds both mundane and magical. But are they alive, and who protects them? — 80% finished about 150K words so far.


 

Update 5/27/05

Finished putting Debbie Larranti through the ringer in Sappho, but it ended up at about 140k words and well over 800K - much longer than my original estimate. I wasn't completely satisfied with Sappho; it seemed to be a little hurried in the episode around the sun, and the sex scene at the end should and could have been expanded. I also could have elaborated some more when Debbie came out the hospital as a fully functional woman, but overall, I was happy with it. It, like Jayti Singh, was a learning experience. The next one to finish will be The Warrior from Batuk, but I'm taking a month off to learn a bit more about those 3D programs I bought a while ago. I'd like to illustrate some of these stories.

<>I really think that The Warrior from Batuk is the best story I've written so far. The heroine in this Zhor fantasy has a lot of problems and issues coming to grips with her change from a powerful, pleasure slave-owning warrior to a beautiful young woman with the slave gene. The words pretty well rolled into the Word doc. Tyra l'Fay is a very kick-ass girl when she has to be, but feminine (most of the time), and willing to do whatever it takes to save her city from an invasion - and she has to do a lot. The darn thing has blown up to a huge 240K words, but the end is in sight, and then it's back to a sizable editing job. I wrote it with pure entertainment in mind and I hope it succeeds.

Aardvark

 

Comments

I so completely understand!

My stories always develop lives of their own. What am I blarging talking about? My darned POEMS often take on lives of their own. I have one that I call "my book length poem". It's absurd. But I did finish it. I finish what I start not because I think it is the thing I should do, etc. but because I'm blarging interested in seeing where they go! They get so away from me and by the time I'm done, I'm as surprised as anyone else. Must be the brain damage :P

I do like that advice above about maintaining a distance from the prime character. I don't know if I could write as well, though, using that technique, and I have such esteem issues, I worry that what I am writing now is not good enough to post!

Anyway, thanks for your thoughts!

DD Weldons

Zhor

I'd be interested to see your take on the world, feel free to forward it on. I started to write a piece myself in Zhor, but then decided I preferred Robert E Howards Hyborea so changed the mechanism of TF to sorcery rather than science. Still the same thing with slave girls and what not, except the hero(ine) has more balls (figuratively speaking of course).

Looks very good

I've had the good fortune to get an advance copy of aardvark's *short* -- uh-hum -- Zhor story and it is very good.

What I like so far are the characters. It may be an alien's version of Earth but these people are recognizable as people. But then Sappho and his earlier work Jayti Singe -- hope I spelled that right -- had memorable characters.

I hope to get back to him with some useful feedback fairly soon.

John in Wauwatosa

John in Wauwatosa

Try this

Hey Vark, know the feeling. Sometimes you need to try two things

-detach from your character- do something mentally so ending the story is not like ending yourself, or a piece of yourself..

-visualize the ending, get it so crystal clear in your mind, so vivid that you have to get there. Challenge new paths and ideas on one thing and one thing alone- do they improve the ending? Do they set up the climax better? Some will, whether by foreshadowing, or enhancing the character growth, and some will just be aimless side excursions.

An author can be Patton or he can be Maclellan, take your pick...

Good advice

I haven't tried fully detaching myself from my main character yet, but I'll give it a shot. I do need to wean myself from that crutch. Maggie Finson and others go into great detail beforehand deciding on precisely who their characters are.

I tend to decide on the fly, picking out whatever characteristics match my imagined story line. I'm finding that the longer the story goes, (around novel length) the more difficult it is to stay true to the plot and maintain the original character.

Your advice about visualizing the ending is appreciated. I've been unconsciously and consciously doing pretty much what you said - deciding whether anything I put down enhances the story in some way, either with character development, advancing the plot, foreshadowing, or contributes to the kick-ass ending we all want. You put it all down rather neatly, though.

Fortunately, there is something called editing. I'd hate to be judged on my first or second draft. ;)

"Happiness is when what you think, what you say, and what you do are in harmony."

Mahatma Gandhi

Looking for reader(s)

I finished the written part of The Warrior From Batuk, at least more or less to my satisfaction. It's an epic, about the length of No Half Measures, and (hopefully) the best long story I've written. Those who know my "type" of story will not be surprised. There's plenty of action, romance, and a few plot twists. This is more of a fantasy than sci-fi: it's in the Zhor universe, so you can pretty much think Gor with a TG turn to it. A young, proud warrior with two wonderful slaves and a bright future is dealt his worst nightmare, becoming a woman -- and a natural slave, his DNA changed to include the slave gene. She struggles to stay a freewoman and find a way to be true to who she was while fighting a secret war to keep her city free, and in the process discovering her true self.

If this sounds appealing, then please read on.

I've been working on this for more than three years, off and on, so long that I've re-written practically all of it twice as my style has changed (improved?).

I haven't used an editor in four years -- I still don't intend to inflict my craft on anyone :) -- and I think that most of the typos and grammar issues have been worked out, but I would appreciate two, three, or even more people to go through it, hopefully enjoying it but with jaundiced eyes, looking for places that seem wrong or off: plot holes, stylistic discrepancies, or anything that jerked you out of the story. I don't think there are that many, but I'm too close to the story to judge. I don't need an editor at this stage, or a proofreader, I think, just a point in the right direction for final adjustments.

I haven't used readers much in the past, and it has showed. :) In fact, I hesitate to ask for readers now because of the length, but I'm looking to put this in the Hatbox, so you can understand why I want it to be quality. If you're interested, send an email to: dbeaton "at" alltel.net and I'll send it to you as an .rtf.

Aardvark

"A man is strongest when he knows himself; a woman, when she sows discord."
Herth Tarr, Philosopher of Zhor

"Happiness is when what you think, what you say, and what you do are in harmony."

Mahatma Gandhi

Zhor me!

Aardvark,

at the moment I am helping out Angela Rasch with a project -- simply reviewing a finished project which I think will be fun for me.

As you may remember I enjoy your work and if you are looking for someone to spot confusing parts in the story or portions that seem off track -- ie readablity or *flow* problems -- I could help.

As you say, you are not looking for a proofer/editor, and I am certainly neither, ask Itinerant, Janet Nolan and Holly Logan who have all helped or offered to help save humanity from my textual horrors.

I can be reached here and I'll send you my email adress as well separately.

John in Wauwatosa

John in Wauwatosa