![]() The Seasons Manor House
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The Victorian Mansion
of Aunt Jane Thompson Seasons of Change
Story Series Copyright © 1997,2012 Tigger & Brandy DeWinter
All Rights Reserved.
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In 1989, an author naming himself Joel Lawrence published a story called "Seasons of Change" to an electronic bulletin board. The story revolved around this very unique woman and a teenaged boy named Michael.
Michael was the son of one of Jane's college friends, and something of a wild child. He was on the brink of being expelled from his very prestigious, very exclusive Ivy League boarding school because of his inability to behave in a suitably gentlemanly manner. The solution, and Michael's only chance to be allowed back into the school to finish his senior year, is for him to go to his "Aunt" Jane and learn well the lessons she has to teach him.
Just what are these lessons Jane Thompson uses to achieve such significant turn-arounds, you ask? Well, the fact that her home is Victorian in styling is not entirely coincidental. Ms. Jane Thompson's methods involve the use of her own variation of an old Victorian disciplinary practice to strip the boys of their overly macho self images and false pride, so that they can begin to learn a new self worth based on real confidence rather than arrogance. Simply stated, Jane forces her boys to learn to behave and to dress like proper young women of a bygone and gentler era. Fearing the humiliation of discovery more than they hate the public situations she forces them into, Jane's "girls" quickly realize that, in order to avoid being publicly unmasked as boys in dresses, they must learn control, good manners, grace and deportment as self defense mechanisms. Only later do they begin to understand and to appreciate those new behaviors for their own sake.
The original story was left unfinished, and my first major story writing effort (ever!) was to attempt to finish the tale. In so doing, I "discovered" facets to Aunt Jane that I had not recognized in my reading of Mr. Lawrence's story. However, it became clear to me that these "new aspects" to Ms. Jane Thompson had to be there if she really had been operating as long and as successfully as the original story indicated. Clearly, there had to be something more to her purpose than mere, gleeful pleasure over her "girls'" embarrassed and terror-struck reactions to her programs little torments.
Since my first story starring Aunt Jane, I have written five more stories about her and her students. Both she and I have grown and changed over the more than two years of our association. My purpose for this site is to share the Aunt Jane stories that Tiggers like best. I hope you enjoy the ride as much as I have.
warm furry hugs!
Tigger
There are at least as many answers to that question as there are authors writing stories in the Seasons of Change Universe. My own little corner of that Universe began in late 1998 when I wrote "A Losing Season" and markedly departed from the original "Seasons of Change" story. Thus, "my" Aunt Jane has also moved away from that original image of Jane Thompson.
Recently Brandy Dewinter and I compiled a character study/analysis of Aunt Jane Thompson as she appears in the stories I have written including and subsequent to "A Losing Season". If you are interested, you can find the character study of Tigger's Aunt Jane here.
© Date | Author | Student | Title |
1989 | Joel Lawrence | Michelle Beth |
Seasons of Change |
1997 | Tigger | Michelle | A Second Season |
1998 | Tigger | Michelle Beth |
A Losing Season |
1998 | Tigger | Darla Stephanie |
Tales of the Season: Darla's Story |
1998 | Tigger | Kendra Darla |
Tales of the Season: Kendra's Story |
1998 | Tigger | Many | The Christmas Season |
1999 | Tigger | Caitlyn Darla |
Tales of the Season: Caitlyn's Story |
1999 | Ellen Hayes | Charlene Valerie |
Tuck Season, Wabbit Season, Tuck Season! An alternative Tucker story: |
1999 | eidolon90 | Darla Mina Jasmine |
Season of Fear |
2000 | eidolon90 | Darla Mina Jasmine |
Web of Fear (Placeholder Page atm) |
2000 | Tigger | Darla Carol |
Seasons Greetings: A Carol Christmas |
2002 | Tigger | Darla Audrey |
A Time to Every Season (VERY Long) |
2002 | Tigger | Victoria Penny |
Season of Terror (Long) |
2002 | Brandy Dewinter |
Penny Jessica |
Tales of the Season: Jessica's Story |
2002 | Tigger | Kendra Barbie Jessica Adrienne |
Tales of the Season: Ken's Barbie |
2002 | eidolon90 | Many | Season Of Remembrance: Jamie's Visit |
2008 | Tigger | Willa Lora Many Others |
Failed Season: Lora's Barbie |
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Ms. Jane Thompson
by Tigger & Brandy DeWinter
Copyright © 1997,2012 Tigger & Brandy DeWinter All Rights Reserved. |
Jane Thompson is a symbol and an icon in much the same way that Uncle Sam is a symbol and an icon. She is the essence of School Teacher - strict, demanding, uncompromising on principles; and at the same time, deeply caring, assessing her accomplishments solely on the success of her students. She is the teacher everyone remembers with grudging respect ("Man, lemme tell ya about THAT Ms. Thompson - now THAT lady never took any sh**, but I learned more from her than from any other teacher I ever had."), and an ever growing and deepening affection as the years go by.
She comes from a time when people believed in things like personal integrity and honor; a time when a hand clasp between two people meant more than any ink stains on some lawyer's paperwork ever could mean; a time when manners were a sign of mutual respect - given even as it was demanded in return.
She is a woman of great strengths, and complementary weaknesses. Often, the weaknesses are her strengths taken to an extreme.
First and foremost, a characteristic that seems most unlikely in the beginning yet in the end is most obvious, is love for her boys. They are the family children she is physically unable of producing herself. She truly wants what is best for her students, regardless of the real cost to herself or the apparent cost to them - the stripping of false pride, the surface indignities that demonstrate the deeper source of dignity that transcends externals. And so she becomes, "Aunt Jane." It is, in almost all cases, a very demanding, very tough love, but a person does not put herself through what Jane has over a period of over twenty years for any motivation other than love. It is why she never gives up on any student who will try, and so demonstrate a desire to improve. It is why humiliation of her students is never an end in itself, but the threat of humiliation is used ruthlessly to lift a student to a higher level of performance than they could achieve in any other way.
Her second prime characteristic is intelligence. She can see what is going on in a student's mind better than he can, and so knows just how far to push to mold them without shattering - even when the student himself feels shattered. She is the teacher no student could ever, 'put one over on.' Jane is honest enough to admit that she needs help (aids) to gain the required insights, but she also realizes what they are (a senior student, 'spies' like Caro and Marie) and arranges for them.
Third on the list of key characteristics of 'Aunt Jane' is her pride - pride in herself and just as importantly, pride in her boys. The most fundamental basis for her pride is that she never asks anything of anyone that she's not prepared to do herself, knowing that the most difficult challenges are of discipline and self-control, not of cosmetics and clothes. She can, and so she knows that 'they' can as well, but she is still proud of them when they do because she knows precisely how difficult the tasks she set for them were and how hard the students had to work to meet each of her challenges.
Fourth is moral strength - the kind that means doing the right thing even when no one else is watching. Aunt Jane is not a 'do as I say, not as I do.' type of leader. Had Jane been an officer at Valley Forge, she'd have been out there freezing her tush off with the soldiers instead of in the warm cottages that many of the officers used. That doesn't mean she never relaxes, but she does not "let her hair down" when she's "on duty" (i.e., when there is a student under her responsibility who is not himself allowed to relax). Her moral strength is conscious and deliberate, recognizing that she can never falter in her own perfect compliance with her own rules or she will lose forever the respect and trust her position requires, and the proof that her standards can be met.
Jane's life is based on personal commitment, which justifies her high standards. She does not accept less than the best she or anyone she works with has to give. This shows in every aspect of a Jane Thompson program from the development of a long term strategy to the meticulous tactical preparations for each phase or exercise she plans for a student's particular needs.
As stated above, Jane's weaknesses are, for the most part, extremes of her strengths. Her pride can become arrogance, her intelligence can become hubris, her moral strength can become intolerance, and her commitment can become stubbornness and rigidity. The primary control on these is her love, which challenges her always to justify in her own mind that her actions are based on the good of her student and not just her own self-image.
She makes mistakes, but they are most often mistakes of 'too much' realization of those key characteristics, not too little. Her commitment to her standard program may cause her to rely overmuch on expected clues that sustain her judgments, and not enough on contradictions (like with Kendra or Caitlyn) but in the end, her intelligence will not allow her to reject data just because they conflict with her expectations, once the data are available.
The other important issue associated with her downsides is that Jane always learns from her errors and takes steps to correct those failings the next time. She reflects on these problems (typically taking an inordinate amount of blame upon herself) until she understands what went wrong and has a fix in mind.
Finally, Jane is (and is afraid of this aspect of her personality) more than a little playful. Her initial interests in petticoating and feminizing males first took root in that playfulness when she was still in college. This mischievous and sometimes darker side of Jane Thompson is why she enjoys watching her boys when they are most afraid, and why she takes some pleasure in contemplating their reactions to her wicked tests and tasks. However, her fear of this facet of her personality is why she so ruthlessly controls and restrains it even while she relishes it in her heart. It is why she often doubts and questions herself when she is alone in the dark with only her worst fears for companions.
In the event of an unplanned challenge, Jane's reactive response - energized almost without conscious thought - is to control the situation. If she feels things are getting out of hand, she will retreat to the fortress of her castle and rule there with an iron hand. If there is a threat to one of her students, she will take on herself the rear-guard action at the point of attack, controlling the defense while those for whom she is responsible are shepherded to safety. She will not consider a situation resolved until she is again fully in control, regardless of how tired she may personally be.
If her control is actively threatened, she will react like a mother cat defending her kittens, fierce and uncompromising. In her world the worst thing that can happen is the loss of one of her students, and the most likely cause for this would be an interruption in her program while they are vulnerable due to her manipulation. A challenge to her control cannot be ignored or postponed. She is extremely sensitive to them, but also always ready to recognize and deal with them since *every* student rebels at some point.
If her control of the situation is not at risk, then Jane will react in accordance with her principles. What is the disciplined path back to the plan? What is the moral/ethical approach? What will provide the best lesson for her students?
Any situation in the life of Jane or any of her students can be assessed against these characteristics. If she reacts as the person described in these notes would react, then she 'fits' within the universe of 'Second Season, Losing Season, Darla, Kendra, and Caitlyn - and is at least not inconsistent with Joel Lawrence's original creation in 'Seasons of Change'. If not, then the writer has taken the characters in a different and conflicting direction - which is that writer's right but may mean the story is not what a reader expects if they enjoy the Jane of my vision.
~Tigger & Brandy
by Tigger & Brandy DeWinter
Copyright © 2000,2013 Tigger & Brandy DeWinter All Rights Reserved. |
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Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Well, I know I said that Kendra was my last "Aunt Jane/Seasons of Change" derived story, but well, there is another one in the works. Dunno how long it will take because life is happening right now, and the story concept seems pretty challenging to pull off. Already, I've had to trash hours of work because I found myself taking the "easy" way out.
Anyway, I have been corresponding with Brandy Dewinter on the concept and got into a basic discussion of Aunt Jane's character and make up, and being me, well, it sort of got a little silly. Still, it was a lot of fun and we thought we would share the result with you, our very good friends, and hope to give y'all a bit of a smile.
So...
LADIES AND LADIES, GIRLS AND GIRLS
CHILDREN OF ALL AGES
DEWINTER & TIGGER LTD.
PROUDLY (we think) PRESENTS . . . .
A Recipe for Aunt Jane
By Tigger and Brandy Dewinter
Tigger's Caution:
But forget that "Spoon full of sugar that makes the medicine go down in the most delightful way."
Oh yeah, and that tape measure she used on the two kids? The one that when she measured herself and came up with "Mary Poppins - practically perfect in every way"?
Well, whenever Jane measures a new boy he always comes up short... at least until she gets him into his first set of heels.
Editor's Note: After it simmers, place it in the hands of two our best writers.
Serve and enjoy!
~Tigger & Brandy
I. Jane Thompson
A. Introductory Story: Seasons of Change by Joel Lawrence
B. Married to Art Thompson Philips (AKA Diana)
C. Character Synopsis
1. Every story (obviously!)
2. School Mistress of Seasons House
3. Originator of Theme’s Victorian Petticoat Discipline Reform Program
4. Program goal is to force young males to find alternative, better solutions by having protecting cross dressed masquerade at all costs. Knee Jerk reactions endanger revealing the student is secretly male.
5. Has Connections to Police, Judicial and Social Service Groups for Candidates for her Program
6. Has a Tight Cohort of (Mostly) Women who assist/enable her program in public settings
II. Marie (AKA Maria)
A. Introductory Story: Seasons of Change by Joel Lawrence
B. Fiance (unnamed) killed in military training before wedding
C. Character Synopsis
1. Never given a Last Name in any of the currently published stories
2. Every Story. “Origin” covered in Tales of the Season: Lora’s Story
3. Housekeeper, cook, ‘good cop’ when needed
4. Runs Seasons House
5. Make up Expert; helps with new student’s ‘fashion show from hell’ experience
6. Goes by Maria in A Losing Season
7. Secretly softhearted. With the program but sneaks treats and fixes favorite dishes to ease students’ path
III. Art Philips aka Art Thompson-Philips former Artemis (Diana)
A. Married to Jane Thompson
B. Introductory Story: Tales of the Season: Caitlyn’s Story by Tigger
C. Character Synopsis
1. Every Story after Introduction
2. Jane’s college lover whom she played her feminization games with. Birth Certificate name Artemis so Jane named ‘her’ Diana
3. Hated ‘Artemis’ and changed legally to Art. Jane likes to use Artemis to tease him
4. Clinical, Research and Teaching Psychologist. Providence College and Brown
5. Reunited to help Jane with Caitlyn’s issues and prevent having to send Carl (Caitlyn) to Juvenile Detention System
6. Continued Diana persona between Jane-years as a clinical tool and because he liked doing it. Continued after reuniting with Jane to assist as needed at Seasons House (and because they both liked doing it)
IV. Carolyn (Caro) Beale and Sandra (Sandy) Kash
A. Introductory Story: Seasons of Change by Joel Lawrence
B. Caro Married to Sheriff Bill Beale, former Jane student; Sandy no indicated partnerships or lasting relationships - portrayed in early stories as a bit of a wild-child party girl
C. Character Synopses
1. Every story
2. Owner/Operators of Marisha Chalet Beauty Salon Jane brings her students to be in public in highly feminine situations and to impose controlled situation stress.
3. Sandy is abrasive, overtly sexy and likes terrorizing the boy students in her salon chair. Sees herself as Jane’s program’s ultimate bogey-woman. Sometimes goes too far.
V. Brenda Franson (AKA Betty)
A. Introductory Story: Seasons of Change by Joel Lawrence
B. No known partner or relationships
C. Character Synopsis
1. Almost every story
2. Owner/operator of The Style Shoppe (a high end ladies clothing boutique and Millady’s Closet (a high end lingerie boutique).
3. Provides Jane with girl (girlie) shopping opportunities as well as almost-public fittings and lingerie modeling. Another controlled high stress experience. There are hints that Jane is a silent business partner to ensure venues are available for students’ public experiences.
4. Provides most of the students’ wardrobe requirements
VI. Michael Nash (Michelle)
A. Introductory Story: Seasons of Change by Joel Lawrence
1. Most follow-on Seasons House stories follow alternate universe story line introduced in A Losing Season by Tigger
B. Married to Janice
C. Character Synopsis
1. Almost every story
2. Principal student (victim) in original Seasons of Change, A Second Season and A Losing Season.
3. Attempted suicide in A Losing Season. Recovery had Jane taking a different tack with him, still involving the masquerade, but to help him deal with his emotional conflict over appearing and enjoying en femme.
4. Periodically comes back to help Jane with other students when a Big Sister is needed. Has concerns about program in early stories but has come to trust and love "Momma-Jane"
5. Research Psychiatrist after college and Medical School
6. Jane’s go-to for student medical issues in later stories
VII. Darryl Smith, AKA Darryl Thompson AKA Darryl Thompson-Philips (Darla)
A. Married to Audrey AKA Roxanne AKA Rocky AKA GiGi
B. Introductory Story: Second Season by Tigger
C. Character Synopsis
1. Every story after introduction.
2. Jane’s go-to Big Sister when she needs extra support with a student
3. Jane’s Adopted Son and biggest Cheerleader
4. Abuse survivor. Criminal older brother (deceased) forced him into criminal acts and repeatedly raped him before Darryl was caught and sent to Jane.
5. Met, courted and married Roxanne aka Rocky aka GiGi renamed Audrey in A Time for Every Season by Tigger
6. Medical School Student. Profession uncertain
VIII. Kenneth Roberts AKA Kendra; Sometimes nicknamed Barbie
A. Married to Barbara Anne (Skipper)
B. Introductory Story: Tales of the Season: Kendra’s Story
C. Character Synopsis
1. Almost every story after introduction
2. Sent to Jane by his mother under false pretenses to aid mother’s desire to ‘sissiy’ Ken. Faked criminal records and judicial documents to get Ken in.
3. Years of resisting mother taught Kenneth unreal self and emotional control in presence of individuals causing stress. Passively resists Jane’s treatments and answers stress situation with cold rationality. Cries in private so Jane looks for other answers.
4. Jane and Judge Ruth force mother to give up guardianship or go to jail. Judge Ruth becomes fosters and mentors Kenneth through law school.
5. Ellen Hayes had Ken become a body builder in Tuck Seasons; In Ken’s Barbie, he had toned down to more of a swimmer’s build and could again carry off the masquerade albeit as something of an Amazon.
6. Jane’s Attorney in later stories
7. Meets and Courts Barbara Anne in Ken’s Barbie
IX. Edith White
A. Introductory Story: Seasons of Change by Joel Lawrence
B. No spouse, partner or romantic relationship indicated (who’d want her??!?)
C. Character Synopsis
1. Most Stories
2. Stuck up, stiff-necked, vocal, opinionated, prissy, old-money dowager of the ‘higher classes’
3. Jane uses her as a tool to force students to deal with extreme etiquette social protocol situations as a female
4. Provides comic relief in some stories with her antics; provides hyperbole-exacerbated stress in other stories.
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Seasons of Change
Part 1 of 3 Copyright © 1989,2012 Joel Lawrence
All Rights Reserved. |
The scene had changed slightly from that which he had observed the last two hours. Rural surroundings had given way to the rundown environs of this old New England manufacturing village. He knew from experience that just outside the town grand mansions and historic farms still abounded.
Listening to the clack-clack of the rails wind down, he mused about the purpose of this trip. He had left St. Andrews just this morning, complying with his Mother's decision that he should spend this summer with her old school chum (his "Aunt Jane") when she left on her tour of Europe with Clifford Graves, her latest companion. He presumed that this decision was, in no small part, due to the straits he had gotten himself into the last semester at St. Andrew's.
It was clear that he was on very thin ice with the headmaster at St. A's. There had been the minor pranks, of course, but his involvement in the panty raid at Eastmore, and, the worse, being caught at it. During the extremely uncomfortable conference with the deans on Tuesday, he and his Mother had been advised of the suspension. He would be carried on the rolls of the school throughout the summer and Fall semesters, but would not be allowed to return until after the Christmas holiday, and then only if the school received some verification that satisfied them that his demeanor had changed.
His keen obsession his graduation from this highly regarded prep school had, in no small part, motivated his Mother's decision to send him to Westbury. Aunt Jane, she had said, was a certified teacher, which would satisfy state and school requirements that he be enrolled in school. Private tutoring, she had said to the headmaster. To Michael she had declared another motivation which he did not fully understand: that Aunt Jane was imminently equipped to convey refinement and discipline, a trait Mother had emphatically pointed out that he lacked. She had made vague references to "English methods", an allusion which escaped him, but which she said with a wry certainty that it was just what he needed.
He wanted to get back into St. Andrew's and this avenue seemed the only one open to him. But it was all of this uncertainty that weighed on his mind as the train neared the station. He knew nothing of "Aunt Jane", except a vague remembrance that he had met her at the estate in Connecticut one summer. He was to spend at least the summer with her, and, his Mother had said, dependent on Aunt Jane's sole judgement, might have to stay on until Christmas. The uncertainty of time, couple with his ignorance of the allusions his Mother had made about the particular "skills" this woman allegedly possessed, caused him some apprehension. More importantly, two other facts added anxiety; first of all, his Mother had been emphatic he was to submit totally to Aunt Jane's authority, and secondly that except for the small change he had left in his pocket, all his discretionary money had been placed in this other woman's control. Once he disembarked from the train, his options for self-determination would be minimal.
The train finally creaked to a stop, and he clasped his bag and headed for the entrance. The black porter had placed the portable footfall at the base of the stairs, and he stepped down to the station platform.
He was recognized before he noticed the woman. She called his name and he looked up to see a vaguely familiar face. She was an attractive woman, in her early thirties, dressed fashionably and with an air of superiority. Indeed, his first impression was that she purposely hid a softness about herself in the somewhat severe manner in which she wore her auburn hair....drawn back in a French roll. It was apparent that she shopped at only the finest stores, and he was sure he had seen her ensemble in one of his Mother's Bergdorf's catalogues just a month ago.
He was equally fascinated by the young girl he saw at her side, clearly her companion, for she followed Jane as she advanced toward him. The girl was about his own 14 years of age, yet strangely dressed in a style that seemed old-fashioned and oddly pubescent. She was a disarmingly pretty girl with long hair drawn back into a cascading pony-tail which was capped by a straw boater bonnet with a blue bow. She wore a patent shoes and a dress which was flounced out by petticoats evident to a degree at the hem. Her dress was a fancy one, the kind that girls wear only to formal or festive affairs. Her comportment intrigued him most, for she seemed reserved and shy, and clearly somewhat obsequious to the bidding of Jane. He was introduced to her and found her name was Beth. She seemed ill at ease, starting first to curtsy to him, then gingerly proffering her white gloved hand to his own.
The greetings were stilted, though Jane was cloying yet authoritative in her reception. With an air of superiority, she pressed a red cap into conveying his baggage and they set off through the terminal to the expensive car she had imperiously parked in the "No Parking" zone at the curb. His bags loaded, he climbed into the back seat of the car and his gaze alternated between the two females in the front seat and the countryside they emerged into. Jane's comments were few, though she made reference to his trouble at St. A's and the apparent conversations she had had with his Mother about "finding some 'temperance' (as she put it) in one's behavior. Jane concluded that, with time, all problems could be solved. He lapsed into silence and the car moved down a smaller road into farm country.
In time, they arrived at Jane's home, a large white Victorian house situate on many acres. She parked the car near the door and bade him gather his bags and follow her. The girl was no help, though she did hold the doors and steadied him as he struggled up the few stairs to the porch and into the foyer.
Jane suggested (or was it more "directed") that Beth escort Michael upstairs to his room to stow his overnight bag (his trunk was to follow) and then for the two of them to return downstairs to the study. Beth obediently complied, pausing at the foot of the stairs to await him. At the head of the stairs, she opened a white door and he entered, passing the girl and not noticing the room itself. It was only after he was inside that the incongruency of the room hit him.
The room was all pastel blue, but that was not its alarming feature. The four-poster bed was canopied, with a delicate flounce of sheer tiered fabric. Ruffles of eyelet and lace flounce cascaded from beneath the mattress, the bed itself covered by a bedspread of matching satin. Dainty shams of a wispy material sheathed the profusion of pillows at the headboard. The furniture was white and gold French provincial, chest of drawers and nightstands. A petite vanity draped with the same material sat beneath a large lighted mirror. Another three-sided mirror, like those in clothing stores, was implanted into the wall.
He was sure that Beth had directed him to the wrong chamber, but when he queried her about this, she diffidently assured him that there was no mistake. Appalled to be quartered in these dainty surrounding, he nevertheless deposited his small bag and followed Beth downstairs to where Jane waited.
Chapter 2.
Beth left Michael at the parlor door and he opened it and entered to find Jane seated in an overstuffed chair leafing through what appeared to be a sheaf of letters. At his entrance, she peered at him over the half-moons of her reading glasses.
"It is considered polite and refined, young man, to knock before entering a closed room."
"I...I'm sorry. I thought you had asked me to ..."
His words trailed off in response to the gesture of dismissal in the wave of her hand. "Never mind, we'll get to that later," she said, "Sit down," signalling the straight-backed Shaker chair near her own. He sat, chastened by the sharpness of her admonishment.
She continued to flip through the papers, pausing to read here and there, flipping backwards and forwards as though to confirm or recollect some point. The room was silent, except for the rhythmic sound of the clock pendulum and the rustling of the papers.
Finally she laid the papers in her lap and removed her glasses, massaging the bridge of her nose with thumb and forefinger. The sigh that accompanied this action conveyed a sense of exasperation, he thought, and he felt unnerved at the continued stillness in the room. While she still kneaded with her fingers, she broke the hush that pervaded the parlor.
"I have been reading through the material your Mother sent me. It is clear that you have been less than exemplary in your first semester at St. Andrews, "she said, slipping the glasses back on and picking up the papers.
"Dean Hartwick's letter to your Mother is quite specific and equally condemnatory in detailing the circumstances of your suspension. He lists, by my count, some eight infractions in just three months." Removing the glasses again, she gazed at him scornfully.
"Are you hell-bent in being thrown out of there?", she queried reproachfully.
"Not at all, Jane. In fact I want very much to graduate. I can explain..."
She interrupted this unavailing attempt at explanation as though it were inconsequential to her.
"Well your deportment places the likelihood of your graduating seriously in doubt, young man. It says here that absent some documentation of a substantial change in attitude, your access to an Ivy school by way of St. A's is improbable. I know Dean Hartwick, partly by reputation, and he is not one to overstate matters. Perhaps you'd do as well to consider a public high school and a state university."
"Of course not," he protested, "I want to get back into St. A's. I acted foolishly, but I..."
"Ahh, some progress;" she broke in, "accepting even token responsibility is to be applauded. But these acts of yours are juvenile, Michael, and they convey a serious lack of self-discipline and obedience to established rules. Surely you can appreciate a school as old and traditional as St. Andrew's demands and enforces rules for a purpose." She paused, examining the letters again. "Look at these...'absent from dormitory at 3:00 a.m. and later detained by township police'...'open participation in and encouragement of a rebellious demonstration in the dining room'...." She peered over her glasses at him again before she added " 'a "food fight!"' ...participation in an extended course of deliberate harassment of one of the oldest and most distinguished members of this faculty....' My God, it goes on and on.
Doffing the glasses again and using them now as an accusatory pointer directed at him she added "It is in no small measure that your late father's generosity to his alma mater prompts their equally generous offer of a second chance. But I can assure you that the demands laid down for achieving that second chance are not permissive in the least."
His ears burned perceptibly as he sat mutely through the litany and then the commentary on his behavior. Finding it difficult to persist in returning her stare, he averted his eyes in chagrin as she went on.
"Tell me please, what prompted these childish acts? Rebelliousness? Pubescent childishness? Were you attempting some feeble defiance of the authority and the rules through some misguided act of independence? Tell me, Michael, what prompted this asinine behavior?'
"They weren't my idea, Jane." I just went along with..."
Again she cut him off, haughtily and abruptly this time. "Just went along. Good God, young man, it's indecent. Those men at that school are charged with imparting discipline to you young fools every bit as much as they are to teaching you Latin. I trust your Latin skills are superior to your proficiency at self-control."
The comment was gratuitous and demeaning, and he gazed again at the floor as she continued her harangue. She stood above him now, having moved from the chair to be a nearly overbearing presence before him.
"Self control is everything in a young man who aspires to success--true success in this world. Most young men your age seem to realize this in spite of themselves. You must develop a deep and profound respect for the rules of the institution in which you find yourself. Initiative is one thing, but the performance outlined in those letters is moronic and bizarre. Open and willful neglect of convention and tradition will never be tolerated in the circles you aspire to. Do you understand that?"
She glowered down at him and his return of her gaze was fleeting as he meekly nodded assent. She stood silently a moment and then returned to her chair and settled herself gracefully yet seeming somehow domineering at the same time. Again she perused the documents. Finally she laid them down, removed her glasses and spoke deliberately and obdurately.
"I must take it then that your excuse for this insolent behavior is to be excused because you yielded to the "macho" pressures of your crowd, some of whom have been expelled. Clearly you have let your distorted sense of ego and identity get in the way of your common sense."
The lecture was beginning to wear him down. Twice now he had resisted the urge to rebut her insinuations, but he was restrained again by his Mother's insistence that he accede to Jane's direction and possible reproach.
"I suspect," she went on, interpreting his silence as agreement, "that must be the case. And if it is true, it is a trait you must disabuse yourself of. Blindly following the rabble out of a misguided sense of male bonding is ridiculous. More importantly, it is a repudiation of convention that people of breeding hold important. It is not any individual action, but the pattern of them that makes me believe you lack significant sensibilities." She referred again to the top sheet of the Dean's letter and quoted " 'exhibits an insolent disregard of refined behavior....' Would you not agree with that assessment?"
I don't know," he relied feebly.
"You don't know!" she scoffed in return. "Well I do, and my experience with boys just like you compels ME to agree with the observation. Now if you are so intent on graduating from that school, what solution do you propose for a modification of your attitude and conduct?"
He deemed the question rhetorical and knew his only answer would be another lame "I don't know", so he simply shook his head.
"I ask that question," she continued "because I am something of an unwitting player in your betterment. Your Mother is an old friend, and Dean Hartwick's concurrence in you're being sent here indicates he places some importance on my reassurance to him in the Fall that you have become civilized enough to return to classes."
There it was, he thought: the commission for this woman to manage his existence these next few months stemmed not only from the decision of his Mother, but was further endorsed by the Dean. He felt a sense of dread, a feeling in no small part derived by his belief that all this was leading up to something ominous.
"You see, young man, I have had experience with instilling gentility and refinement in difficult children of both sexes. I was, for many years, a headmistress -- coincidentally at Eastmore, the very school where you engaged in your midnight foray through the girls' under-clothing. I have had some small measure of success at cultivating grace and polish. And after meeting you, I believe I am prepared to undertake this task, as a favor to your Mother."
Silence again, leaving him to his thoughts. Her last words drew him forbiddingly further from a retreat from whatever penitential blueprint her mind was now devising.
"Let me put it this way," she said, as if a declaration of finality was beginning to form in her mind. "It is beyond dispute that you will not be readmitted next year without my commendation, and I am not planning to dispense that approval unless I see improvement. Secondly, that approval is not to be forthcoming unless you accede to whatever program I devise and do it with cheerfulness and resignation. Would you agree with that assessment."
With absolutely no comprehension of what she had in mind, he nevertheless surrendered to the inevitable and nodded assent.
"I'm still curious about this so-called "panty raid" at Eastmore. So sophomoric! Did you find it fascinating to rifle through those intimate garments? I have always been curious as to just what is it that prompts a young man to do that?"
His silence lingered and she went on.
"Probably more of 'being one of the boys', eh Michael? Still, it does give me an idea. Maybe that's the key. You know there is a practice prevalent in England for curbing defiance. The English call it petticoat discipline. Have you heard of it?"
He had not, and shook his head. The literal implications eluded him, and he surmised it merely meant submission to a feminine will.
She stared out the window, seemingly deep in thought, while tapping the stem of her glasses against her cheek.
"Yes," she announced with resolve, "that will be exactly it. Michael, I must exact from you a firm promise that you will unhesitatingly obey every command I give you, no matter how unpleasant or disagreeable you may find it to be. It will be, at least a start, to see if we can instill some self-restraint. If at any time I detect resistance, I will not hesitate to wash my hands of this endeavor and advise the Dean and your Mother accordingly. Is that agreed?"
It was an open pit, a solicitation of a promise to comply with her carte blanche. Later he would reflect that it had been his ignorance of what was to come and implicit reliance on her conventions that induced his promise to her. As soon as he had agreed, and re-agreed after a further restatement of her "rules", she told him to wait outside in the foyer and to send Beth in to her. He rose and crossed to the door, finding Beth seated on the Parson's bench outside the parlor. After relaying the message, he, too, sat down and waited.
Chapter 3.
From where he sat, Michael took in the vast walnut panelled foyer and the living room and dining room adjacent. He could barely glimpse the half open door to the huge, paneled library. He looked around, admiring the size and quality of the place. The house, Michael surmised, was really quite large. It was also very old. By standing and glimpsing through the Tudor windows, he could glimpse a pool, what appeared to be a riding stable, and a great deal of wooded property. In the brisk New England winter, he thought, it might be possible to practice cross country skiing in your own back yard.
Michael had been aware that Jane had worked for a time as a school headmistress -- she had told him so -- but he also recalled that his Mother had told him that she had worked as a business consultant before moving to this area. Somehow, Michael thought, she must have been a hell of a consultant to afford to retire to such a big place.
He was lost in the myriad of his thoughts as another drama played itself out in the adjacent parlor.
Jane looked up as Beth entered the parlor, politely curtsied and stood waiting.
"I have given him the ultimatum, Beth, and we will start phase two now. I realize it has been some time and you may have forgotten, but we need time to have him think things over and set the stage for this afternoon. I trust you will be good enough to handle lunch for me. It has all been prepared."
"Yes, ma'am," Beth replied. "Do you think he will be trouble?"
"I think not my dear. In many ways he has more to lose than you did when you came just six months ago." Turning a fond gaze at her ward, Jane continued, "You can be assured that by supper-time our intransigent young man will be accutely uncomfortable in his new metier. Anyway, see that lunch is set and then join us. You will have ample time to arrange things while he sleeps. Remember to use the colored sherry glasses. Oh, and tell Marie she can begin to set things up upstairs while we have lunch. He should be asleep in about an hour and she can finish things upstairs when he is."
Beth curtsied again and left the parlor to begin setting the luncheon table. As she passed Michael still seated on the parson's bench, a sense of deja vu emerged as similar events of half a year before played themselves out. 'How would THIS young man react to what the day held in store for him?' The thought intrigued Beth and an inward smile materialized with the reflection on the feelings of terror and panic that experience brought back to mind. Michael would soon experience those feelings, along with the accompanying sense of defeat and humiliation. In a way, he was to be pitied.
In just a moment after Beth emerged, Jane came out and impassively announced it was time for lunch. Still brooding from his earlier encounter with her, he followed her into the spacious dining room and sat at the only remaining place-setting after she had seated herself. He felt mildly gratified that his momentary lapse of manners at failing to assist her in sitting was not commented on. Indeed, she seemed oblivious of his being there. He was mildly grateful that she did not continue with her diatribe.
The door to the kitchen opened and Beth entered with a tea trolley laden with small sandwiches and soup. She placed one serving before each of them and left the room. The meal progressed in silence.
Throughout the meal, Beth came and went. She poured the tea, served the cake, cleared the table. And she did all this wordlessly, as though she was well trained in such things. Strange training indeed, thought Michael, for a school girl. His hostess seemed to read his mind, for she smiled and pointed to Beth. "Now this girl, she gave her parents quite a hard time. Still, removed from a harsh urban environment, Beth has turned out rather well in my opinion"
Beth seemed to look a little embarrassed by the sudden attention. " Thank you, Ma'am,..." she began to say. Jane softly but firmly interrupted, "Beth, I was speaking to our guest." Michael was surprised as he saw the young girl quickly go silent. He mumbled something polite about what a nice girl Beth was."Ahhh, Yes!", Jane smiled broadly. "She certainly is. Now. Oh, but the trouble she gave her parents over the years. Well! That much is over with at last. We see new improvement every day."
Beth returned with a tray of small glasses, one blue, the other bright ruby. The blue one she set down by Michael.
"It is my custom to have sherry at lunch. I welcome you to my house, Michael, and hope your stay is beneficial," she said, raising her glass ever so slightly.
He sipped the warming liquid, not fully accustomed to the wine.
As Michael sipped the liqueur, tired from his long overnight trip, Jane continued to talk, mainly embellishing the earlier conversation about proper behavior and the need for gentility and manners. Michael noted an occasional reference to Beth, about her earlier demeanor and the improvement she had shown. The conversation was somewhat personal,and he was glad the girl was out of earshot through most of it. It was also lulling, and,along with the wine, causing him to stifle an occasional yawn. Despite his fatigue, he did not object to a second drink, served to him by Beth.
Jane was droning on. "Yes, in time, all problems could be solved. It's so important for young people to curb their destructive behavior. In earlier days -- in Victorian England -- they had stricter standards of behavior. Young men and young ladies then knew their place. And they made out very well. Yes, in those days, society avoided a whole cache of social problems that plague us today."
She made a half gesture towards Beth. "A fine young lady now, our Beth is. Aren't you, girl?"
This time, responding to a more direct question, Beth politely responded," Yes,thanks you, ma'am."
He could no longer stifle the yawns which welled up, and he gave in to a broad yawn which he quickly concealed. He was suddenly incredibly sleepy.
"But enough of this. Michael, you seem tired. You should rest. Go up to your room and lie down."
Michael peremptorily thanked his hostess and Beth, admitting that it had been a long day for him. He carefully did not admit, though Jane could easily surmise, that the potent Madeira wine was also new to him. He did venture to say that Beth seemed a very nice girl.Jane nodded gravely as if confiding in him, after Beth had left. "She WAS quite a problem to her parents. Raucous, disobedient, destructive. A year removed from her previous environment was just what she needed. As I said, Michael, the Victorians knew how to bring up girl's."
Michael simply nodded, trying to figure out what this obviously eccentric statement meant to him or to anything, having difficulty focusing on very much around him.
"Yes.", she continued, " I find that, nowadays, young people need much more supervision. Otherwise they become coarse and unmanageable."
Michael listened, only half understanding. "Well, I guess they do, at that.", he suggested,almost instantly regretting his response. Curiously, the response seemed to greatly please Jane.
"Do you, now?" she asked. "Do you indeed! Well, my dear, I'm sure you and I will get along just fine! This is very good, indeed." Michael was happy that his she seemed so pleased, so little of his existence having done so that day. It boded well for his stay, he reasoned. And, it also seemed, it might indicate a short stay as well and her good offices, as well, both of which suited him just fine.
'This may not be such a predicament, after all,' he mused.
With that, taking up the suggestion, Michael excused himself and headed off to bed.
He climbed the stairs in rickety stance, having twice to steady his progress with a hand on the great maple bannister. He reached the room, opened the door and entered.
The sheets of his bed were turned down, a bedside light was on. Shedding his clothes in a disorderly pile on the chair near the bed, he removed his shorts and slipped beneath the covers. In moments he was deep asleep.
Michael stirred from sleep, confused at first with the unfamiliar surroundings. He gazed upward, and in the dim light he saw first the gauzy haze of the bed canopy, an eerie blue in the deepening afternoon shadows. He did not know it was late afternoon until he had glanced at the luminous glowing letters of the clock-radio and mentally translated the 4:30 into time. It took some moments for his foggy brain to rearrange the recollections of the day, then it fell into place and he recalled falling into the bed and quickly asleep. He had slept for nearly 3 hours.
He surveyed again the delicate furnishings of the room. It was so bloody girlish, he felt alien in these surroundings. He made a mental note to gently request that perhaps some chamber less dainty might be preferable. He hoped Jane would understand.
As he shifted his legs, he became aware of the smoothness of the sheets, and suspected they must be satin, and found another reason to pronounce the room unsuitable. But the silky touch imparted an unfamiliar yet exotic feeling. Childishly, he persisted in the slow motion of his body enjoying the tactile sensation the cool, slippery fabric provided.
His eyes now accustomed to the dim light, he surveyed the room yet again. His first internal alarm bell sounded when he could not see the overnight bag on the bureau where he was sure he had left it. He mentally retraced his first movements when he had entered the room and convinced himself that was where he had left it. It was not there!
Though he had been very groggy when he came up to bed, he was fairly sure that the had either dropped his shorts alongside the bed (as was his habit) or flung them on some nearby surface. Yet they were not on the floor nor on the chair or table. He sat up in apprehension and astonishment, and carefully scanned every object and surface in the chamber. They were not there! Neither, he noted, were any of his clothes. In near frenzy, he leapt from the bed to search beneath it, and in doing so, he upset the lamp on the bedside table. It crashed nosily as he lifted the dust ruffles and both scrutinized and felt beneath the bed. There was no question; all of his clothes were missing.
He was totally perplexed. Where could they be? Hazy as those moments before he fell asleep were, he KNEW that he had come into the room fully clothed and had undressed. His single solution to the problem was that, while he slept, someone had removed the clothes from the bed chamber. The logical next question was "Why?"
He sat on the edge of the bed, puzzled and distraught, and it was then he noticed the gown laid neatly across its foot. He grabbed it and spread it out before him. It was a peach colored satin robe, quilted with a bib-like front that was edged in small lace trim; clearly a girl's robe. In a state reaching panic, he stood and began negotiating the room, in hopes his own clothes were still there. He held the gown in one hand, as if it remained some feeble insurance against his nudity. He opened drawers and closets, but his search disclosed only womanly attire and no trace of his own things.
The sound of footfalls and the knock at the door startled him, and he eyed the distance to the safety of the bed and its covers. Before he could move, however, the door opened, and he was obliged to use the robe as a shield to feebly cover his unclad body. It was Jane, and as she entered, she threw the switch lever which illuminated the room with light from the table lamps. Her first glance was at the bed, and seeing it empty, her eyes quickly found him attempting to secrete himself behind one of the closet doors, the gown still in his hand.
"You needn't hide behind that door, Michael. Put something on and come out."
He was dumbfounded by all this. "My clothes are gone," he said helplessly.
"Don't be ridiculous! I can see you holding something perfectly acceptable to put on. Put it n!" she replied.
"You want me to put this on? I can't wear this. It's a girls robe."
"Of course you can wear it. And you have precious little alternative. I want you to come with me this moment, and you will either go in what you have or nothing at all. It is of no concern to me."
Her tone was indisputably definitive, and he was again bewildered by what was happening to him. She stood and glared at him, waiting. Ridiculous as it seemed to him,he drew on the robe and fumbled with the buttons. They were 'backward" and he found it complicated to fasten them. Nevertheless, he did, and emerged from behind the door timorously feeling foolish in this ruffled get-up.
"You look quite fetching" she remarked with some disdain. "Come with me."
His face reddened at her demeaning comment, but he followed her brisk pace down the upstairs hall and through the door she opened. He glanced furtively from side to side, hoping against hope no other member of the household would see him in this ridiculous outfit. He hoped he would soon be able to persuade Jane to return his own things.
The room he entered was a study adjacent to her own bedroom, he later learned. She made a peremptory gesture indicating he should sit, and he did, facing her over the desk.
"It is time we began your lessons, my dear young man. You have had your rest and time to think about tour conversation this morning. I might add I found your behavior at lunch fairly boorish, but that merely bolstered my earlier conclusions. I am convinced we will have it out of you by Friday..two days hence. That is the last day I will trifle with your conduct. After that, it is, as I said, out of my hands." He chafed again at this condemnation from this imperious woman. Guilt and remorse about the events that brought him here surfaced again. Along with those regrets, he felt a developing apprehension that was, in no small way, reinforced by his feeling of vulnerability sitting there in this ridiculous gown.
"I am going to give you a brief overview of the routine, Michael, and you will hear me out. That promise of compliance I exacted this afternoon is decisive and final. After you have heard me you will choose either to comply or we will be done with all this and you will go home tonight."
Here it was, he thought. This was where he would learn where this absurdity was all going.
"First of all, that garment you are wearing; you didn't like putting it on, did you? "she asked.
"Frankly, no," he spat out. "Where are my own clothes," he replied.
"Gone for some time, I must tell you. Tell me, though, how does it feel wearing that gown? It feels nice, doesn't it?"
"I feel like a fool. This is a girl's robe!"
"How discerning," she said sarcastically, "and now you come to the crux of it. While you are here, and until I deem otherwise, girl's clothes are what you WILL wear! Perhaps you may grow to like them, perhaps you never will. it is of no consequence to me either way. What insignificant to me is that in time, I assure you that you will be as adorable and sweet as lovely Beth."
He felt a surge of outrage mixed with panic at her words. Was this what she had alluded to before? How could she possibly believe he would wear such things. The objections to her suggestion flooded his mind and then, abruptly, ran headlong into the threat she had eloquently delivered that afternoon.
"Moreover," she went on, "we are going to begin in just a few minutes. Within an hour, you will not recognize yourself as the impertinent moron you have been...even so recently as at lunch. Beth is at this moment busy preparing things. Your indoctrination begins in just moments, Michael."
He began to protest. He would not be subjected to this nonsense. He could not be!
She cut him off. "It was just this that you promised, young man! Leave now if you want...dressed as you are. I will not help you. Call someone..your Mother perhaps. Dean Hartwick. This punishment is my choice for you and you will bow to this decision or face the consequences."
He felt tears of rage and misery forming within him and beginning to well in his eyes. He did not want her to see these tears, and he averted his face from her, feigning enraged disgust. He felt both outraged and helpless. The prospect she described was repulsive and detestable to him. How could he possibly submit to such debasement and the servile state she envisioned?
He wanted to run away from this place...flee before it went any further. But as quickly as that thought passed through his mind, he realized its futility, the mental image of a boy in a girl's satin robe hitch-hiking on the road outside was burlesque.
She left him undisturbed in his thoughts, letting the gravity of his situation to sink in. She could see and sense the discomfiture he was experiencing and she smiled inwardly. Thus was it all with all the bold, brazen young men. From experience, too, she knew that the defiance would diminish in direct proportion to the feminization that lay ahead. With some degree of compassion, she walked to his side and softly fondled his tear- stained cheek. He stoically pulled away from her touch, but remained silent.
"You will conform and submit, Michael. You will come to know that it will all be better for you that way."
She cupped his chin and turned his face up to meet her gaze.
"Come now. Make it easy on yourself."
He closed his eyes tightly squeezing the accumulated tears to trickle down his cheeks, then let his head fall as she released her hold. He felt drained and chagrined; his spirit and will incapacitated.
"Come, Michael...come with me."
He sat motionless for a moment then, with passive resignation, he yielded to her exhortation, and followed her out of the room.
Her footsteps led him through his own bedroom and directed him through the mirrored door which separated it from the spacious bathroom. Clouds of steam filled the room as the bathtub was being filled. He glanced into the tub and saw billows of soap bubbles floating on the rising water. Marie, now dressed in a crisp white uniform, was arranging towels on the vanity. The pastel room, being prepared for feminine pursuits, was like a dungeon, and he yearned to be out of this place. He felt servile and embarrassed. He was genuinely fearful.
As he stood there, awkwardly, Marie turned off the flowing water, and Jane's voice behind him ordered him to disrobe and enter the tub. As if anticipating his modesty, Marie turned around and busied herself at the vanity. Concealing his nakedness behind the robe, he slipped it off and quickly sought refuge beneath the concealing blanket of lather and sank into the warm water, burying his body to his neck.
Jane stood over him.
"I need not tell you how to scrub yourself, I presume," she said, tossing a cloth into the tub, "but merely to tell you to do it thoroughly. Impeccable cleanliness at all times is the rule of this house."
She turned to accept the articles Marie had gathered. Holding up a bottle of shampoo, she again advised him to use it, three times, she said, leaving the lather on his head for at least three minutes, showing him the clock on the wall. She set the bottle down on the ceramic edge of the tub.
It was the sight of the safety razor that startled him, for he knew instinctively that she did not intend him to use it in the traditional male fashion. He was correct, for she was explicit in her directions that every single hair on his legs and under his arms was to be eliminated and that his failure would invite the penalty that it would be done for him. The razor was placed beside the decanter of shampoo. Jane spoke brusquely as she issued her initial instructions.
"You have precisely 30 minutes. When you are finished and completely rinsed, there are towels there on the vanity, "she said gesturing. "YOU will also find a pair of underpants you are to put on. If you are chilled, put the robe back on. But be absolutely certain you are wearing those panties. There is shaving cream near the sink. Every facial whisker is to be gone, so make it a very close shave. Come into the bedroom when you are done.
Then both of them left him alone in the steamy bathroom.
"Remember, 30 minutes, or we come in and do it to you ourselves." Jane had said as she closed the door.
He lay there a moment and felt a slight chill in spite of the warm sudsy bath. THe bottle was labelled "Miss Clairol", a brand name that was vaguely familiar, though he could not recall any significance about the product except that it was shampoo.
He felt very alone and depressed. Yet he knew that the minimal time he had been allotted was waning. Gingerly he picked up the pink disposable razor and gingerly applied its blade to the skin of his left leg.
Nearly a third of his appropriated interval was consumed by the shaving. He had some difficulty reaching the thigh areas, and he had been obliged to stand up to execute the maneuver. While standing he also used the reflection of his upraised arms to guide the razor through the thatch of underarm hair, feeling the stinging rasp as he scraped the tender skin smooth. The activity was novel, but not dissimilar to shaving his face, something he had to do twice weekly. Except for the uncertainty of events to come, the bath was a neutral experience thus far.
Likewise the washing of his hair. He poured some of the golden liquid into his palm and massaged it into foam on his hair, rinsing and repeated the shampoo three times as she had told him. He quickly rinsed off with the shower wand and opened the tub drain as he stepped out onto the soft pile of the bath rug. He towelled briskly off, then hurriedly shaved his face, his eyes occasionally straying to the diaphanous garment that sat prominently to his left. He managed to finish the shave without a nick, his beard being sparse to begin with.
The briefs, though made of satiny tricot and without a fly, were not remarkably different than his own shorts, and it was thus not much of an onus to slip them on. He was, however, aware of their silkiness in his groin, a thought that took him back to that moment he had awakened just an hour before. Notwithstanding their lack of frills or lace, he was accutely aware that he was wearing girl's panties. The thought mortified him.
Though he was not cold in the still steamy room, his sense of timidity about being so scantily clad in front of these women prompted him to put the objectionable robe back on. A glance at the clock told him he had completed his tasks with two minutes to spare.
His legs tingled from the abrasive edge of the razor, but they were smooth and bare of any trace of hair. He hoped these efforts passed muster, for he knew her threat to rectify any mistakes in his labors was not an idle one.
With one last glance in the mirror, and a check that he had satisfactorily rinsed out the tub and hung the towels, he reached for the doorknob with a growing sense of dread.
In his absence, the bed had been remade, the shammed pillows leaning against the headboard and a ridiculous stuffed animal lounged against them, facing a delicately dressed doll on the blue satin coverlet. Marie and Jane were both there, busy at the vanity. The room was still bathed in the pastel light that filtered through the dainty lampshades, but a blaze of light streamed from the ring of small bulbs that ringed the vanity mirror, and from the recessed florescent lights above the full length mirror.
"Sit here, Michael," Jane said. "We are about ready."
He sat in the chair she indicated, feeling not unlike a patient awaiting some dread medical procedure. All around him lay signs of the female world that was rapidly taking control of him. Even the chair he perched on wore a skirt! He wished he were a thousand miles away.
He could see them opening drawers and examining the contents. Within those drawers he could see mounds of wispy garments. The top drawer of the dresser was filled with panties. Girl's underpants. In an unimaginable profusion. There were dainty yellow cotton hip-huggers; the waistband trimmed in tiny eyelets. Much more substantial peach briefs with lace side vents. Ridiculous red and white stripped string bikinis. A waterfall of dainty, girlish pastels flowed before him. Michael grabbed a handful of panties. He smiled remembering the panty raid at school that got him in such trouble. A ruefulness hit him again.
Jane turned around to him and said "Stand up Michael and let me see the panties you have on." He stood and shamefully opened the robe to expose the panties with their silver satin ribbon trim.
Jane said to Marie, "Yes, I thought they were white. We'll go with the white things this time."
She gathered up an article of feathery fabric and held it up. It looked like a t-shirt, in a way, though with thin shiny straps. It had a silky look, airy and loose. It was definitely a "non-masculine" garment. The thin shoulder straps were fastened to the with embroidered bows on the front. Also, he hadn't noticed the delicate lace inserts on each side. "This is called a camisole, Michael, and it is worn when a slip is not worn. Please pay attention and learn this, for I don't plan to repeat it."
She set down the camisole and picked up an item which sent chills through him, for he knew precisely what it was before she even began to tell him.
"And this, of course, is a brassiere...a training bra, actually, for a young lady with so little in front needs just the least bit of foundation. You will wear a bra at all times while you are here. Even at night until I say otherwise. If you are caught without the proper attire at any time, you will be dealt with, and I mean it. Panties and bra, regardless of whatever else you have on. Do you understand? Now stand up and take off that robe."
He sighed, it help ease the queasiness in his stomach. He stood on rubbery legs and let the robe fall to the floor. Marie advanced on him bearing the shimmering band of satin which was to be his tribulation and guided his arms through the straps, moving behind him to fasten the back. This activity took some moments, and it was later, when he toyed with removing it, that he discovered that the hooks locked in a way that they could only be released with another's help. She then slipped the camisole over his head, directing again the placement of his arms so she could adjust the straps, and then she pulled and adjusted the smooth, somewhat constricting garment down to his waist.
"You may be seated again, Michael. What I have to show you now demands some lengthy explanation."
At first he thought that the garment she held up in front of her was a set of curtains. As she unfolded it, he could see it was a skirt- like affair, with delicate circles of soft lace and eyelet arranged around a cone of silk, cotton, nylon. It was long, soft and flowing, with a ruffle hem and drawstring at the waist.
"This, young man, is a petticoat. You heard me mention petticoat discipline this afternoon, and it is from this garment that that term derives. I can think of few articles of lingerie that are more girlish and juvenile. This little item is the symbol of your station for some time to come, and it gives me great delight to put you into it. In fact, you are going to be favored with four layers of these tonight."
He was more chagrined, not only at the flimsy skirt she held out to Marie, but at the teasing and abasing words which she had spoken. He followed Marie's request to step into it, and his eyes met the gleeful twinkle in Jane's as Marie pulled the band of the petticoat up to his waist and tied the drawstrings. Three others followed, these pulled over his head, making a rustling sound as they settled into tiers of frilly circumference around his mid-leg. The crinolines flounced outward as the bulk of each rested on the one before it.
He was thankful he could not see himself in this ludicrous predicament, but it was as though Jane read his mind, for she summoned him over to the lighted mirror and forced him not only to look, but to swirl the skirts back and forth. She was clearly not impressed with his manner of swishing the skirts, for she made an off- handed but exasperated comment to Marie about how much needed to be done.
Standing there, the brightly reflection looked back tauntingly at him, mortified and humiliated. He looked like a goddamned girl. He felt lower than he had ever felt. True, there was a strange delight in the touch of these fabrics, and, he had to force himself to admit, an odd sensation of titillation in wearing clothes so obviously feminine. Were it not for the proximity of the two women standing behind him, he might have managed a slight smile of pleasure. But, of course, they were there, and their's was a demeaning presence. Nevertheless, amid this strange mixture of impressions, the overwhelming one was indignity.
The chair he had earlier been seated in was now moved to the vanity and he was directed there. At this point Jane stood to leave.
"I leave you to Marie's expert talents, Michael. You will mind her as if I were still here. When she is completely finished with you, you will come back down to my study." With that she left.
Marie occupied herself arranging items -- some familiar, others foreign to him -- on the dressing table. A he stared at himself in the mirror, he was quite certain that he was not going to like what was coming next.
Marie began with a hair dryer, directing its warm flow over his hair, using a small brush to first dry it and then coax it into a lightly curled fullness. He saw this through half-closed lids, the air flow causing his eyes to water when it touched his eyes. When he did clear his eyes, and the warm air dried his hair, he was startled to see that his hair was a lighter blond than it had been. He could not readily account for this, then concluded that it must have had something to do with the shampoo. And indeed it had, for just that afternoon Jane had selected the proper shade of tint she wanted. The color was now a more golden color, not loud or garish, but a soft amber shade with gold highlights.
Marie busied herself now behind him, at the back of his head. He could see that she was taken hair pins and placing them there. What she was in fact doing, was making a knot of hair in preparation of the next step. When she had done, she moved into the bathroom and returned with what appeared to be a fleece, of a color remarkably...not exactly like his own. He would later learn that it was called a fall, and it had been washed with the same shampoo that his own had been, and Marie had curled and styled it while he had slept.
She inserted the comb of the fall into the knot she had fashioned at the back of his scalp, bring a tear to his eye as it pulled his hair. Some more pins anchored the artificial tresses to his own hair. She then returned to his own hair, and with a hot iron, drew ringlets of it into soft curls.
When she was satisfied with the curls, both real and artificial, she produced a large blue satin ribbon and, wrapping it around the juncture of the fall and his own hair, tied it in a bow.
The image that reflected back to him was a peculiar mixture of familiar and obscure. He knew it to be him, the features were his own. But the cascade of curls which brushed against his bare shoulders, locks (for they had to be so labelled, now), different in color from what they had been that morning...all these cast an alien representation of his true self. Not having lost a bit of the chagrin he felt at his plight, he was fascinated with what he saw, as though he were looking at a distaff twin of himself.
His reverie was interrupted by Marie's voice, and he again assumed a hang-dog look and manner befitting his feeling of distress. She was holding up a skirt (of tafetta, he was later to learn). it was navy blue, and though it had a sheen like satin, this luster was more muted. Marie slipped this carefully over his head and her handiwork and lowered it to settle atop the bollowing petticoats. The skirt fastened, Marie reached into the closet and brought forth a lighter blue, pastel blue garment. This one did have the luminous gloss of satin, and as it was put on him, it fell loosely over the top of the skirt, The cuffs were elastic, so that after Marie had adjusted the sleeves, they blooused out at the wrist. Michael had seen that the collar which dropped down the back was piped with a contrasting color, nautical style. He stood immobile as Marie adjusted the middy blouse and affixed at the neck a ribbon which matched the one in his hair.
The next item was one he could, and, indeed was directed to do himself. He put on the long white stockings she gave him and pulled them to their height to his knees. Unfortunately, this deed was not done to her satisfaction, and as she made him stand, he could watch in the mirror as she folded down the tops of the stockings and let the lace trim form a cuff just below his knees.
The shoes followed next. By this point, Michael was resigned to foloow the taciturn woman's insturctions blindly. He slipped his feet into the patent leather pumps and let her fasten the straps and buckles.
He was dressed. he preseumed this was all of it and he could depart to show tasha what she had wrought. He was wrong.
Marie had him sit once more at the vanity and she brought forth a tray of small jars. Here again was an operation that filled him with foreboding. She was going to make him up. he had been made up before, for the stage in school plays. But somehow, this occurrence imported more than just dramatic requisites. Nearly more than anything he had experienced thus far, the prospect that she was about to paint his face made him queasy.
She began with a thin brown pencil telling him to keep his eyelids as still as possible as she traced a fine line beneath and just above each eye. Next, she took a small spong-like brush and brushed it over a cake of light blue and trasferred the color to his closed eyelids in long, delicate strokes. Again he was bade to curb his fluttering eyelids as she withdrew a bristled wand from a tube and daubed sienna particles of mascara on his lashes, stroking synthetic length and body into them.
When he looked in the mirror again, he was astonished at how the cosmetics had softened his eyes and added to the feminine countenance that stared back.
Marie dabbed spots of carmine rouge on his cheeks and then roughly stroked them until they blended into a faint pinkish blush on his cheeks.
The final significant moment of that queasy, menacing feeling he had felt to a greater or lesser degree this last hour and half, came when he saw the tube of lipstick being uncapped and the ruby shank rise from it as she turned the base. Long after this night, whenever he either had lipstick applied to him or had to apply it to himself, he would reflect on this moment. It was as though it symbolized the finality of the transition and the submission.
He felt a sadness as he mimicked the awkward contortion of the lips she demonstrated, and the color was spread over his lips.
Now she sent him to Jane. He glimpsed himself briefly in the mirror as he left the room and felt like he inhabited another body.
Michael closed the door to the bedroom as he entered the hallway. Although he didn't realize it at the time, he was also closing the door on his past life. A new lifestyle, carefully crafted and controlled by women, was opening for him. In his present helpless condition, he was unable to resist. Gradually, events he was powerless to influence, would shape him into a new, far more pliable young person.
Standing out in the hallway for the first time was a disorienting experience for him. At least, in the bedroom, he was more enclosed; shut off from the outside world. Here in the wide, ornate upstairs hallway, with its rosewood end tables and Persian carpets, he felt naked. The light was much brighter, it seemed out here. Also, inside bedroom, he had been forced to don this costume. At least, much as he hated his petticoated predicament, he had an excuse; a means to rationalize it, this isn't my fault. Now, standing alone in the open hall, what could he say if anyone met him. Here I am, a 14 year old boy, in petticoats, skirts, and a middy blouse. It was terrifying. Terrifying, but also, he hesitated to admit it, a little exhilarating.
Everything felt new. For instance, he immediately noticed the feel of his naked legs. This must be how girls feel all the time when they're wearing skirts, he thought. As he walked, he was embarrassed by an annoying itching on his freshly shaven thighs. He stopped, placed a hand on the wall to steady himself, and rubbed his legs together in an attempt to sooth his itching thighs. It was then that he noticed the pleasing sensation of his smooth tricot panties, the playful tickle of the ruffle hems of his petticoats; all four of them, and the smooth silkiness of his chemise. It was, he had to admit, a sexy sensation. Surely if he wasn't being coerced into wearing these clothes, it might even be fun- for a little while. Alone, in the privacy of his bedroom, with no chance of anyone finding out, it could have been quite arousing. But Jane had not given him any choice, that much was certain. And he didn't even know how long he would be humiliated in this most feminine fashion.
With that thought, he remembered Jane, waiting for him in the downstairs study. After his tense, strictly timed experience in the bathroom, he know he had better be prompt, much though he hated it. He left the wall, half cowering behind an endtable, and walked to the stairs. Almost immediately the sensation of the numerous petticoats surprised him. It was almost impossible to walk with these frilly girlish undergarments tickling his thighs. But far worse was the sound! In the silent hall, with its expensive carpet, polished brass fixtures and heavy furniture, the sound of his own walking surprised him. It was awful! The skirts!--he felt so utterly ashamed, actually swished as he tried to walk. He had never expected anything so demeaning. He was sure everyone in the house would be able to hear him. How could he ever enter a room with other people present dressed like this. With every step, the billowing female garments pulled and bounced and swayed. The sound of all this material pulling over itself made an absolutely sensuous sound. But not with me in it, he thought. Not with me being forced to wear these clothes. He paused and shook his head in dismay.
Everything that had happened so far, he suddenly realized, was contrived to bring him more and more under female control. And each step was far more degrading than the previous one. He wasn't sure how much more he could take. If Jane ever actually wanted him to go outside like this, he was sure he would panic.
He stood at the top of the stairs fidgeting nervously. He squirmed his shoulders uncomfortable in their new restraining garment. To him, the bra, a symbol of utter degradation, had dozens of tight, biting elastic straps. He pulled his arms and shrugged his shoulders trying to relieve the bra straps awful bite. He felt utterly powerless. Still, he reasoned, at this point, all resistance was useless. He knew, with fearful certainty, that he had better submit to Jane's cruel demands, and right away, or face even worse, unimaginable punishments.
With that thought, he steeled his nerves for the awful walk down the stairs. He felt naked as he stepped, with unaccustomed daintiness, onto the huge open stairway. A wave of shameful humiliation washed over his as the multiple layers of petticoats rustled and tickled him with each step. Now, a new embarrassment, as he descended the stairs, his entire skirt actually "Bounced" on the floating petticoats. He wanted to close his eyes. By the time Michael reached the first floor, his cheeks had turned a deeper shade of red than Marie had initially painted them.
He sashayed, shamefully, towards the study. Besides his embarrassment, Michael began to worry what other unpleasant surprises his "aunt" Jane might have in store for him. He felt tears begin to well up in his eyes as he stood before the heavy wooden door of her study. As the tears flowed, he knew that he would have no choice buy to accept whatever Jane demanded of him. He would have to change his behavior, or endure more of this unbearable, girlish torture. Timidly, the panty clad boy knocked on the door. "I'll be with you in a minute," Jane explained after opening the door. "Now, show me that you're going to behave yourself, dear. Sit quietly on that bench until I'm ready." With that, and not a word about his girlish appearance, Jane re-entered the study and closed the door.
Michael surveyed the long, hardwood bench opposite the doorway. It was unusually plain, considering all the elaborate ornate furnishings Jane had selected for her home. The imagery of a young school boy (or, shudder! schoolgirl, for that matter) waiting outside the principal's office was not lost on him. With an unceremonious plop, he heaped himself, and his billowing costume, on the hard wood bench. Michael sat, with his ankles crossed and knees spread wide, in a most un-girlish fashion. He still seemed, despite his lovely long tresses, billowing petticoats and ruby lips, to be very much a boy in a skirt. From the careless way he had seated himself, his lovely petticoats were all bunched up beneath him. The hem of his pretty flared skirt had been creased. Thus it was, seated in this way, with his arms spread along the backrest of the bench, that Beth found him.
"Care for a jellybean?" she asked coyly. The poor petticoated boy was so startled by Beth, he nearly jumped off the bench. In an instant, he realized his plight. He felt so mortified, so embarrassed, so utterly ashamed, at being caught in a skirt, by a girl, his own age. What would she think of him? He turned away from Beth, sliding roughly to the opposite end of the bench. Michael stared at the ground, unable to stand the prospect of her inevitable teasing. Beth remained silent as she approached the shivering panty clad boy. She walked to his side of the bench, then turned, and with a practiced ladylike gesture, smoothed her skirt beneath her as she sat on the bench. The result was that her petticoats fell evenly and her skirt remained unwrinkled.
"If its any help, I think it's a nasty thing she's doing to you" Beth said with genuine tenderness. Michael, his trepidation and shame so great, could only gesture weakly. "Really, I do.", Beth added. "Most of the time, Jane`s not so bad. But sometimes, she can be so mean that I can't stand her." Michael, slightly relieved that he was not being further humiliated, was able to relax slightly. Beth offered a tissue and the skirted boy wiped his tear- stained cheeks. Gradually, he confided in Beth that he felt so utterly humiliated. For her part, Beth tried to be supportive, friendly and understanding. "Did she give you the speech about when SHE was the Head "Monstrous" of a private school?" Beth asked giggling. "Well, from what I've heard," She continued, "She got Bounced out of there. Seems she was too nasty for most of the faculty to stand."
Michael smiled in spite of himself. "How long," he asked Beth eagerly, " do you think she'll keep me like this?" He was still so embarrassed he could hardly look directly at her. Beth tried to reassure him. "She's only doing it to upset you, Michael.Just don't let it get to you. And above all, don't give her any reason to keep doing it." Michael shivered in his skirts. "But what does she want," he implored. "Look, just behave yourself, she'll soon see this is ridiculous. I'm sure she'll lose interest. I bet she's just afraid of you, Michael. That must have been some heck of a report.
In this way, Beth gradually, skillfully drew Michael out of his shell. "I guess I was pretty wild." he finally admitted. "There, you see", Beth responded. "Jane's a just afraid you'll wreck her place. Now, if you just play it cool for a little while, I'm sure she'll stop this nonsense." This last suggestion finally succeeded in gain Michael's confidence, as it was calculated to do.
Jane had learned long ago, through many similar experiences, that constant direct force and threats were an inefficient way to break the spirit of a rebellious boy. Even with prolonged petticoat punishment, the final result was always uncertain and never the complete degree of subjugation she desired. Which was why, in Michael's case, Jane had decided to subjugate him, not merely with petticoat discipline, but also with a sort of good cop/ bad cop treatment. Jane, of course, was the bad guy. She, with Marie's artful assistance, directly threatened Michael. It was Jane who forced the poor boy into panties and petticoats and he knew it. But Jane also planned to use Beth as the "good cop" in Michael's transformation; at least for the present. It was Jane who would force him onto each successive stage of feminization; but it was Beth's job to make him accept it.
Beth, for her part, played her role skillfully. She knew well, from personal experience, what Michael was going through. Still, she didn't let that knowledge mollify her manipulative actions. Beth knew well that her only chance for freedom lay in helping Jane completely subjugate and transform Michael. Besides, she recalled, she would only have to play the role of the good guy with Michael for a little while longer. Beth suppressed an inner smile of vengeful anticipation.
Meanwhile, Michael was anxious to have an ally, a friend, anyone to whom he could confide in. "What does she want me to do?" he asked Beth anxiously. Now was Beth's turn to expand on the treatment which Jane had so forcefully begun. "Just try to cooperate, for a while." Beth explained. Michael just snorted with indignation. Cooperate! after what she's done to me! Ohhh! What I'd like to do to her...", he retorted. "Well then," Beth sighed, "if that's your attitude, you better get used to petticoats, I think you're gonna be wearing them for quite a while. Yes, indeed, my dear," she added, "at least through the summer. Maybe longer." Michael was aghast. Petticoats, for the next TWO months! HE was mortified. He was actually scared at the prospect. It was too degrading to think about. "Please," he was actively pleading with Beth now, "what do I do? I could never stand it! HOW can she be so mean?"
Beth explained to him that if his behavior improved, Jane might relent. For example, she pointed out his unladylike manner of sitting. Under Beth's guidance, Michael uncrossed his ankles, placed his patent shoes flat on the floor, and pressed his knees together. He smoothed down the lap of his billowing skirt and folded his hands in his lap. "Much better", Beth praised him. "still, Jane can't like what you've done to your outfit. After all the trouble she went through to get you dressed up, and there you go wrinkling everything." She then pointed out to the petticoated boy his wrinkled clothing. Beth had Michael stand and helped smooth out his skirt. "The best way to get out of trouble with Jane," Beth explained, "is not to get into trouble in the first place. This is one of the first things she'll check."
Michael stood before his seated companion as she continued to give him pointers, subtle, girlish pointers, on how to behave around Jane if he ever wanted to regain his freedom and his pants. While Beth spoke, she steadied Michael with her left hand while smoothing down the folds of his skirt with her other hand. Repeatedly she ran her hand, delicately, gently, down the skirted boy's rear. Stroking the back of his skirt, ostensibly to smooth the wrinkles. But as Michael stood there, up straight, heels together, toes pointed out, hands folded in front of himself, he was aware of a different effect. The warmth of Beth's hand on his thigh, the gentleness of her stroking, the teasing folds and frills of his petticoats all combined to create a warm pleasing stirring deep within his tricot panties.
"And another thing," Beth explained, "try to avoid getting your petticoats all tangled up during the day. It's just something that happens as you walk around with all this lacy stuff." Michael said nothing but to himself thought that was the one pleasant thing about this situation. The pleasant way the ruffle frilled petticoats worked their way between his legs. "Never, what ever you do, try to fix your petti's by hand!" Beth admonished. "That's all the excuse Jane would need to punish you" As an alternative, Beth stood up and demonstrated a "more acceptable" way to walk. As Michael observed, Beth sashayed down the hallway and back. "We don't walk like this all the time, of course. But when you think Jane is watching you, or you want to unbundle your petti's, this is the safest way to do it." Beth then told Michael to try it. Although he was initially reluctant, he quickly conceded when Beth reminded him about Jane's strictness. With self conscious awkwardness,Michael tried to walk down the lush carpeted hallway outside Jane's study as he had seen Beth do. She made suggestions and had him repeat his attempt several times, "to make sure you can fool Jane." On his last attempt, as Michael walked with his back to Beth, she allowed herself a smile at the sight. Michael was attempting to walk as Beth instructed him; swaying his hips to the left and then the right with each step. Also, she emphasized the importance of taking only little mincing steps. The result was a young boy, a training bra, petticoats, and a skirt, promenading down the hall. She had to admit, he already had an acceptable mince!
He looked so funny, she had to bite her lip to avoid laughing out loud. The time for that, she recalled, would come soon enough. Surely Jane would be pleased with her when she reviewed Michael's progress. And the tape recorder hidden under the hardwood bench would confirm Beth's sincerity and commitment to Jane. Surely Jane would at long last favorably consider Beth's own desire for freedom. But she was afraid of hoping for too much too soon.
When Jane opened the door to her study a few moments later, she was indeed pleased by what she saw. Instead of the disobedient young man she had to endure that morning, she saw the facsimile of a lovely young lady. True, much of that effect was due to her own, and Marie's skillful efforts. But the deportment of the young man in question was also quite improved. This certainly wasn't the way a rebellious 14 year old boy would sit. Michael's hands were neatly folded in his lap, he sat up straight, (showing off the minimal padding of his training bra), his knees and heels were together and his shoes flat on the floor. Beth had done her job well, Jane mused. She admitted the petticoated prisoner. Michael, eager to please, and avoid prolonged humiliation, stood up and sashayed as instructed. He lifted his rear and swayed left and right, taking the little mincing steps he thought would lead to his freedom. How foolish. How little he realized the each step only brought him closer to complete feminized subjugation.
Jane seated herself in a leather bound wing back chair. "Come here, please." she ordered Michael. The bra-clad boy stood before her, trying to win his freedom by enhancing his subjugation. Michael stood with his heels together, toes pointing apart, and back straight. He looked up, pushed his shoulders back (trying not to cringe as the tight elastic of his training bra pulled at his flesh). Finally, as Beth had suggested, he clasped his hands behind his back; palms together, fingers pointing down. Michael felt fearful and degraded by this behavior. He knew how pathetic and ridiculous he must look. But somehow, he hoped, this would be sufficient to assuage this domineering woman.
Realizing exactly what her captive must be thinking, Jane made sure she rewarded the behavior she wished to promote. She complimented him and expressed satisfaction with his appearance. "But remember", she warned sternly, "you must continue this much improved behavior through Friday, or I shall immediately dismiss you." She spent some time reviewing her litany of complaints against him, but she held out the promise that he could be reformed. This greatly encouraged Michael, who assumed this indicated a release from his petticoat discipline. But Jane did not elaborate, preferring to allow Michael to deceive himself. After a short while, he was dismissed and sent to the dining room to await dinner.
Chapter 4.
Michael walked into the dining room to find that the table had been splendidly set and the smells of cooking drifted in from the kitchen. Beth was already there, standing demurely behind her chair. She advised him that it was a rule of the house that neither of them was to sit until Jane entered the room and was herself seated. He stood timorously behind the tall-backed chair, imitating Beth's diffident carriage and pose. Jane entered the room despotically, and sat and placed her napkin in her lap. Following Beth's every lead, Michael seated himself and copied each movement, constantly fearful of committing some error of manner which would incur Jane's wrath. Dinner passed slowly,it seemed,yet he knew when the clock sounded seven times it had not been that long.
Conversation was succinct, most of it limited to Jane's continuing lectures on deportment and good breeding. Michael was grateful that precious little reference was made to him, for he had expected some attention to be focussed on him. He stole an occasional conspiratorial glance at Beth, and smiled gratefully at the girl's apparent concern at his plight.
Supper ended and over the demitasse, Jane finally centered her deliberations on him.
"I think we shall make an early night of this.," she said, glancing at the grandfather clock. "It will take a while for you to be prepared for bed, Michael. You have not done too badly today, after you and I had our little talk. I expect even better conduct tomorrow,for we have a lot of lessons to cover."
"Now say goodnight to Beth, and go upstairs. Marie is waiting for you." With that the was dismissed. He folded his napkin, and flashed a shy smile of thankfulness in Beth's direction as he bid her goodnight. Standing, he painstakingly walked from the room,remembering Beth's exhortation about his bearing and posture. As he passed through the foyer and up the stairs, he was again cognizant of the ruffle of the dainty petticoats and the taffeta skirt with each step. He hoped to himself that Beth's assurance that giving in to Jane's whims was the surest way out of this contemptible dilemma. He entered the forbidding bedroom that had become so symbolic of his exploitation.
AND SO TO BED...
Marie told him to undress, and she watched sternly as he followed her instructions to correctly hang the skirt and blouse and align the shoes neatly alongside the others on the shoe rack. Each petticoat was removed, and with the camisole, neatly folded and meticulously consigned to its appropriate place in the drawers. Marie directed him to the bathroom, handing him a soft powder blue nightgown of sheer material. He was to remove the panties, but to retain the bra and slip this new garment on. The ballet- length gown was adorned with lacy trim and petite ribbon trim and its ruffled-edge flounce fell just below his was knees. He deposited the panties in the clothes hamper as she had told him and returned to the bedroom to find her again busy at the vanity. She left the room only briefly to fill two small bowls with water which she carried back in and set on the table. One had a thin froth of foam atop it, and she brusquely plopped his right hand in it.
She sat along side him and examined his face. Picking up a pair of tweezers, she located some errant eyebrows and plucked them. The yank of the instrument extricating the tiny hairs smarted, but she was oblivious to his complaints. She continued the process,shaping the brow into a more graceful arch. In addition to the misery this operation dealt him, he felt worry that this particular routine imparted more of a permanence than the cosmetics or other indignities he had suffered.
Next she extricated his wet hand, replacing his other hand in the water. With an array of surgical-like gadgets, she manicured each nail. She then took a small bottle of nail polish, and stroked a layer of high gloss enamel on each nail, cautioning him to remain still until the varnish had dried.
As the enamel dried on his fingers, a tingling effect as it hardened tightening against the nails, Marie silently busied herself with removing the wiglet from the back of his head and the hairpins that had held it there, She brushed out the tangles, and then, with a comb, drew out a small strand of his hair, holding it in one hand while she dampened the strand with her other hand. With no waste of motion, she picked up a brush roller and began winding the hair around it, pulling it almost painfully tight against his scalp and securing it with a pin. She worked proficiently,repeating the process scores of times as she covered his head with the small cylinders.
He sat mutely, watching this new indignity being imposed in another purposeful belittlement of his virility. When she had completed her chore, she moistened each rod with a liquid that she dispensed from the nozzle of an aerosol container. She explained to him that the solution set the curls, as she told him he would see more clearly in the morning. In the light from the mirror he could glance down at his hands and see the sparkled that each fingernail gave off.
Almost as if on cue, Jane entered the room as Marie was tidying up the table. She examined her new protege, and smiled approvingly.
"All ready for bed, I see. Well, I want you to get a goodnight's rest, for we have a full agenda tomorrow." Placing her hand on his shoulder and caressing his skin through the silkiness of the nightdress, she went on. "Normally, you would remove your makeup before retiring, but I want you to be very aware that you have it on as you fall asleep tonight. Keep a mental image of that softly painted face you see. That's to be you for the future. Sweet, feminine, pretty little Michael."
Her words and the smile mocked him, and she could see the self- conscious blush spread over his face. She persisted.
"In fact," she said, taking up a lipstick tube, "Let's see you how well you have learned to put this on tonight."
Again he saw the tube rotate in her hands and a column of crimson emerge as she handed the cylinder of paint to him. He hesitated, how he hated this derisive abuse that she seemed to so enjoy. With a sense of disgust and near self-loathing, he took the tube and felt ridiculous again as he daubed the red stain on his lips.He accepted the tissue she proffered and blotted the color as she instructed.
"You're making some progress," she said. "In a while you may even become proficient. Indeed, we'll spend a lot of time tomorrow learning how we make ourselves pretty."
The choice of words irked him. Jane, apparently unsatisfied with his appearance had opened a compact of blush and with a camel hair brush, daubed added color over his face.
"Mind you, there will always be times when you are submitted to Marie's governance and mine. Part of your training it to feel the distress at being subdued by a woman's hand, feminizing and softening that rough exterior, making you appreciate the importance of having that coarse masculinity of yours suppressed under the guidance of a gentlewoman.
She seemed to emphasize each of these points with another whisk of the scarlet powder on his features.
"Such is your fate for the time being, Michael. To be an adorable, winsome little boy in skirts. I shall see you in my study for coffee and rolls at 8:30 sharp."
With that she directed him into bed, waiting at the door after Marie had departed, Once he had settled his head on the pillow and drawn the coverlet up over him, she smiled again and turned off the light and closed the door.
It had just gone 8:15.
Michael awoke and was immediately conscious of the barbs of the curlers again. As it had been the previous afternoon, it took a second or two to become familiar with his whereabouts. Then the realization settled on him and the remembrance of the preceding day began to play itself out like a film in his mind's eye.
He glanced at the clock and was glad to see he had not overslept. Jane had been emphatic the night before that he was to be before her by 8:30. He sat up in bed and picked up the detestable peignoir that matched this gown he wore. His feet slid into the satin slippers beside the bed, and he stood as he drew the second gown over him. The reflection in the mirror of the surrogate maid that he had become watched him as it aped his every move.
As he stood there and contemplated the "girl" in the mirror, he felt a recurrence of a feeling he had experienced more than once the preceding evening. The figure that stared back at him was not he, yet was. THIS was an appealing lass, he thought, an opinion that made him wince at what he was acknowledging!
Still, this odd sensation of coalescence with that figure in the mirror tantalized him. He was grateful he was engrossed in this inspection and these sentiments in private, for the dread of being seen like this still terrified him.
He had been peripherally aware of another sensation, which,as he now focussed on it, excited him in a more customary and familiar manner. He had woken with the usual daybreak erection,and the feathery touch of these wispy garments against his glans caused an electrifying stimulation there. Indeed, every part of his skin was being stimulated by the soft luxury of the material. He swirled the gown in an abbreviated pirouette, feeling self-conscious, but not caring. In spite of his own emotional aversion to all this, he felt both a flush of sensual tingle and an irrational envy of girls who experienced this pleasurable luxury all the time.
Michael entered Jane's study now filled with the more instinctive sense of despondency and embarrassment which was engendered by his costume and countenance.
He sat in the chair before her desk and accepted the strong coffee she offered him.
"This morning will be devoted to some practice with clothes and makeup, Michael," Jane announced. "Your face is a mess!"
He had noticed the dark circles under his eyes while he was cavorting with his mirror image in the bedroom.
"The reason we usually remove our makeup before bed. Though I told you otherwise last night, remember that in future."
She sipped thoughtfully at her cup.
"On the other hand, I don't like my boys and girls running around the house without at least a little color...even in the morning. So plain and ordinary! Therefore, after you wash up in the morning,a touch of color is expected. You will learn how."
He was mentally recording these instructions, for she had said at dinner he was to learn all these arts and would be punished if he deviated from the routine of the household.
"Now, about this morning. As you must be aware by now, this whole process is designed both to subject you to alien and unconventional lessons in attempt to inhibit what I have perceived to be a recalcitrant attitude. It is part of the English method I told you about. But there is more to it than that."
She paused, sipping at the cup and letting this sink in.
"My experience," she continued "(and this is the true essence of the 'English method'),she said parenthetically, "is that boys subjected to the regimen of petticoat discipline gain an insight into the feminine side of themselves, and of the world around them. I personally think that this is a valuable insight, for this world is filled with men who are totally insensitive to feminine things and disdainful of the elevated role of woman. So that is another component of your training."
"But enough of that. Think of it as just another bonus to your education. We shall talk again throughout the coming days about what it takes to be like a young girl of your age."
The colloquy was getting a little ahead of him, and he was attempting to sort it all out. He knew that the underlying theme forecast things that he would not like, but he was in an inferior position to object. She continued.
"So we come to this morning's program. When girls are young,they spend hours practicing with clothes and with makeup. Now while I don't expect you to display that same enthusiasm for the activity, it is a skill that believe to be important to your development. So this morning you are going to practice getting yourself dolled up and darling and precious."
God, he hated her choice of words. This tribulation never seemed to end, nor did it subside with the passage of time. New indignities seemed to spawn from her inventiveness. He speculated in vain about what she had in mind.
"Marie is now laying out your first ensemble. She will attend to your hair, which, I will warn you, is apt to be quite curly this first time. She will also guide you through this first session. She is going to supervise your training this morning and I am going to appraise your progress. I think the first phase will take about an hour. Pay close attention to what Marie shows you, for it will be important to you later."
She stood and refilled the coffee cups, proffering the plate of croissants to him. He selected one and bit into it.
"After she has done with you -- and you will be doing a good bit of it yourself -- you will come back here for my inspection. Looking lovely and proper, I presume. Is that clear."
She noted the subdued nod of his head as agreement, but would not let that affront pass.
"Michael, when I say something or ask a question, I expect a polite and audible 'Yes ma'am' in response Both good little boys and good little girls are expected to display that politeness."
"Yes, ma'am" he muttered"
"A little better; we will work on that. Now, by my reckoning,it should take someone about half-an-hour to get dressed and made-up. So after I have inspected you, you will return to your room and do it all over again. it may be a whole change of costume, or merely a correction of some shortcoming I discover. But in each case, you will cleanse away all traces of the makeup you have on and redo it from scratch. New colors, new cosmetics...whatever Marie decides. Is that also clear?" She knew the time she was allotting to the procedures was scant, but that was part of the indoctrination.
"Yes, ma'am," he articulated this time, equally without enthusiasm.
She glanced at the clock.
"We will be having lunch at 12:30 today. By my reckoning, that will permit you at least four practice sessions. Perhaps you will be developing a little art and proficiency by the end of the morning."
She sat on the edge of the desk, directly above him, and went on, "Now, if you are late, or if you are not properly put together each time, you will be punished. I believe this exercise to be a very meaningful part of your education. Unless I see some cooperation and progress by noon, you may be repeating the lessons well into the night."
As he finished the bun and coffee, ruminating, no doubt on her words, she, too, deliberated on this whole plan. The timed drill she had derived from her brother's reminiscences from his military days,and it was pure harassment. "An inspection every thirty minutes in a totally new uniform" was a way in which drill instructors taught not only uniform assembly but instilled discipline. The frustration that Michael would be augmented by the repetition of the acts she knew he found to be abhorrent. Friday was but one day away and she was certain she was winning the war of wills in this struggle for compliance.
She also knew that her threat of prolonging this enterprise into the evening was an idle threat. Whatever level of competence had been achieved by 11:00 or 11:30 would suffice for today. The finesse of feminine arts and skill would take weeks, not hours. No, before noon she had another devilish scheme in mind.
Whatever measure of competence Michael had achieved by 10:30 would no longer be implemented on himself. Her thoughts had earlier strayed to Beth and the events of the previous evening. After Michael had left, Beth began whining again about having done as Jane had instructed and snivelling about be able to leave here now. In the brief tiff that had ensued, Beth had exhibited a degree of surliness and insolence that warranted some firm correction. Moreover, she could not suspend Beth's management while concentrating on her new protege. She smiled inwardly at her own shrewdness. Beth would know that defiance meant reversion to more childish fashions and appearance, and was probably anticipating at least an hour of that punishment. What Beth could not foresee was that Jane would place Beth at the hands of Marie to effect the transfiguration of Beth into a more infantile appearance. The Shirley Temple outfits, Jane decided. Two little petticoated goldilocks at lunch! Beth of course would be devastated, not only by the retrogression into those clothes, but by the shame at having it done so that Michael would see the humiliation of it. It was delicious!
Lunch would suffice for the punitive period, and afterwards they would be allowed to change -- sundresses perhaps -- for Beth was to take Michael on a tour of the grounds this afternoon. Michael's first outing in ruffles, with the inevitable meeting of the groundskeepers, Hal and old Tom. Jane enjoyed another warm inner smile which spread to her lips as she contemplated the poor young man before her.
Michael had finished now, and Jane noted the time. It was just going 9:00 a.m.
"Get started now, Michael, my dear. Marie is waiting. I'll expect you back here at 10:00."
Michael entered the bedroom and found Marie had laid out clothing on the now-remade bed.
"Miss Jane had me lay these things out for you. But the other times I am to give you just a list and you must do everything yourself. Please do it well, for she gets very upset. Now come here and I will start on your hair."
He sat on the now familiar skirted stool before the mirror and she began extricating the pins and pulling the tight rollers from his hair. He felt a sense of relief to be rid of their prickly barbs. As she pulled each rod away, the tight coils of hair sprang back to his head and remained a taut ringlet. When she had removed all the curling wands, she began combing, teasing and pinning the tresses, fashioning a petite hair style that was, in essence a wreath of golden ringlets about his head.
He was cognizant of the time ebbing as she finished. She showed him the panties and satiny garter belt, showing him how it fit around his waist (outside the panties, Miss Jane insisted). The cami he was conversant with from the previous day, and the half-slip was, in essence a single shimmering petticoat. Marie was, however, most explicit in the manner in which he was to put on the gauzy nylon hose, and, after he had donned the other garments, she coached his rolling them up and letting them glide up his smooth legs. He was sensitive to the silky constriction with which they bound his legs and an odd coolness they imparted.
He felt ill at ease as he stood up and Marie's hands fumbled beneath the skirts while she demonstrated how to fasten the garters to the top of the hose. Marie emphasized the constant need to always inspect the whole effect in the mirror, turning this way and that to ensure everything was in place.
He sat at the makeup table and followed her coaching as he attempted to duplicate her expertise with eyeliner, shadow and mascara. He had a little better luck with the rouge and he had already gained some mastery of the lipstick. The eyes did not look right, but the clock was rapidly approaching 10:00. He still needed to dress.
He put on the blouse he handed him, a white cotton blouse with a petite peter pan collar. AS with the robe the previous afternoon, again he found the buttons to be backward, and he fumbled his way through them. Next he slipped the plaid pleated jumper over his head, careful not to disturb his hair, and slid his feet into the pumps on the floor. He had scarcely half a minute to negotiate the hallway to Jane's study. He smoothed the skirt of the dress and knocked discretely on her door.[Comments and critique, Jane?]
He raced back to the bedroom for the next change. As he burst in, already pulling the jumper over his head, again, trying not to mess the curls, he glanced at the second list. It required he removed the garters and hose, and he did this in the bathroom, dropping them in a heap on the hamper. He spread the cold cream over his face as Marie had told him, rubbed it in and cleansed all traces of the cosmetics from his face. He washed quickly with a soapy cloth, dried and returned to the bedroom.
The second costume called for petti-pants and anklets. Apparently he could keep the slip and cami on, so he must find the lacy petti-pants. He opened several drawers, amazed at the profusion of dainty things laid out in them, then finally found the dainty sateen bloomers slipped into them, experiencing again the thrill of the soft material on his bare legs and against his groin. He pulled the sox on and busied himself again before the mirror. He was more carefully this time sketching the lines below and above his eyes, and he found that the brown mascara wand had a shape which made application easier. A paler rouge this time, then the blush and the ubiquitous lipstick, this one a more peach shade. Marie offered the occasional instruction, and he made what correction she could as she admonished him. In the rush of meeting the deadline, he did not have much time to reflect on the distress of playing the sissy to Jane, though he was not unaware of the unmanly pursuits he was being forced to engage in.
The dress took some time to find, a lacy and very ornate party dress amid the profusion of such frocks in the spacious closet. It had a peach satin sash,and it took a precious four minutes to affix it properly. Mary Janes this time, with the further delay that their tiny straps and buckles consumed. He rummaged through the drawers to find the short white gloves and raced out the door with some five minutes to spare. He ambled more slowly down the hall this time, again keenly mindful of the swish that whispered from the rustling brush of ruffles beneath the skirt and the whirring note that the rubbing nylons made against each thigh.[More analysis/tutoring?]
He repeated this drill twice more. The second costume was not unlike the first. A pinafore (he had to ask Marie for help in locating it, the term being totally alien), hip-huggers, two petticoats this time and he had to squirm back into the garters and gingerly draw the delicate hose back on. The makeup took a little less time, though he was more meticulous about it after Jane's last tongue-lashing. In fact, he felt a sense of achievement as he finished the blush and applied the lipstick in an even margin within his lip line.
It was the shoes that gave him trouble this time. Instead of the flats he was used to, these had a 1" heel, and his pace down the hall was more unsteady this time. Moreover, the pace of the changes had dislodged some of the curls, and despite the neat appearance he thought he presented and the more careful application of the paint, she was less than complimentary about his efforts. Amid the feelings of silliness that pervaded this appearance, he felt strangely disheartened that he had not met her expectations.
And so it was that she directed Marie herself to conduct the last change of apparel, repair the makeup and the coiffure. He resignedly returned to the now-disheveled room and stripped off everything he had on.
The last outfit was a true indignity. The more androgynous underpants were replaced now by very ruffled, little girl's panties. Three layers of petticoats shorter than those he wore last night were draped over these; starched, stiff crinolines which stuck out far from his legs. The anklets returned, embroidered with small roses. Mary Janes again, which Marie charitably fastened. The dress itself was another party dress, this time a princess party frock with a short skirt that allowed the crinolines to peek out from the fringe,and an enormous satin sashed bow that Marie lavishly fashioned in a large bow in back.
She then painstakingly corrected the mass of curls using her combs brushes and the curling iron. Then she added a touch of fresh color to his cheeks, eyes and lips. As he stood before the full-length mirror, watching her affix the large bow in his hair, he observed that the outfit was obsequious not only in its femininity, but in its childishness. He looked like a teenager masquerading as an eight-year old. More importantly, he was acutely aware that he was a teenage boy masquerading as a pretty seven-year old girl. He almost wished he were back in one of the more grown-up styles he had worn earlier. With a profound sense of chagrin, he clacked down the hallway in his patent shoes, petticoats bobbing, and went to lunch.
To Be Continued...
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Seasons of Change
Part 2 of 3 Copyright © 1989,2012 Joel Lawrence
All Rights Reserved. |
Jane smiled to herself as she watched the two be-ribboned moppets struggle to sit in their juvenile frills, perched on their chairs atop billows of ruffled petticoats.
Michael sat quietly and despondently through the meal, clearly ill at ease, while Beth was practically sullen. Michael's discomfort was evident by his constantly shifting positions; he was positively awkward with the layers of satiny slips beneath the short dress and was further troubled by the need for constant concentration on emulating the mannerisms and demeanor that Jane had demanded and about which Beth had coached him the night before. Dressed as he was, though he was nearly loathe to admit it, he almost longed for the more mature ensembles he had worn that morning.
That sentiment was intensified by having to endure Jane's gratuitous comments about how adorable they looked both and how sweet the dresses were. She lavished what he thought were totally unnecessary compliments about everything from the flounce of the undergarments to the curls and ribbons in their hair.
"Michael," she had said at one point, I have seen few young boys in life that looked as pretty as you do dressed as a girl. Those lashes of yours...some girls would envy them; long and full. I think I like your hair that shade, and it's a pity it isn't quite long enough yet for you to have your own lovely curls."
To Beth she remarked, "It's been a while since I've seen you in that cute dress, Beth. Pink is really your color, you know. I think you should wear pink more often. And those bouncy crinolines! Such a lovely little doll."
It was appallingly humiliating to Michael, a teasing, taunting degradation, and he silently endured the hour long lunch in near silence, except for quietly acknowledging one of her "compliments". Jane had made a remark about his peaches and cream complexion and how wonderfully the make-up made his face soft and feminine. When he remained sullen, she angrily harshly scolded him for being impolite in not thanking her for the liberal she was showering on him.) His face reddened as he mumbled a "thank you", but he remained taciturn for most of the meal.
Jane guessed that Beth's brooding disposition stemmed largely from being forced to revert to this immature state. In fact, that was true, but Beth's reticence was not solely due to this reprimand imposed by the domineering grand dame opposite her at the table. In fact, Beth felt an odd mixture of emotions about Michael as well; pitied his condition and knew well how he must feel being disgraced in this manner. Having experienced the early stages of this harassment, it was easy to sympathize with the hapless lad. Beth acceded to a small degree of resentment directed at Michael as well, for it was precisely as a result of her obedience to Jane's order to tutor Michael (on the belief that it would hasten the end of Beth's own discipline) that she had rebelled last night. It was not rational to blame Michael, still it was easier for Beth to direct a degree of anger at him than it was to rebel against Jane. After all, though she had not got into trouble BECAUSE of Michael, she had been chastised over her role in his being here.
When lunch was over, Jane lectured them both on the importance of obedience and that punishments such as these were the automatic consequence of defiance. She asked them each in turn if they had learned their lessons about obedience and respect and if they wished to get out of these darling outfits. Without much pause, they both emphatically agreed.
"Fine," she said, "then you should both change into something spring-like. I think this would be nice day for you to show Michael the grounds, Beth. "Marie is upstairs waiting for you, Michael," Jane said, "and I had her put out an outfit which is an special favorite of mine. Run along now and see to changing at once."
The prospect of going outdoors did not appeal to Michael at all, but if the trip were limited to the grounds of the estate, he felt less fear about it. At least he would not look like Shirley Temple out there. He followed her command to take his leave while Beth remained behind at Jane's behest.
Michael felt a mixture of relief and anger as he left the dining room, conscious of his gait and carriage so as to avoid further disaffection by Jane. As he passed through the foyer and began climbing the stairs, he was conscious of the rustle of the skirts again and the reflection in the mirror at the lower landing. He paused at the mirror, glancing around to see that no one was looking, and looked closey at his face. Turning his head this way and that, he examined the lashes she had praised. With the ginger-hued mascara on them, they did seem longer and curlier than before. He had been teased about his eyelashes before, in words very like those Jane had used. Each time he heard that insipid remark about girl's being jealous of boys with such long, abundant lashes, he winced.
He had to admit to himself, however grudgingly, that the clothes and other adornments did make for a pretty girl. He ventured to himself that any girl who wanted those lashes and that complexion could have them and good riddance. He had no need of those girlish attributes.
The perceptions gave rise to that strange wave of dread mixed with delight that he had experienced more than once since yesterday: the enigma of being so dressed and the peculiar thrill that it gave him. His aversion to this image of himself preempted his thoughts, and the "pleasant" part of the feeling passed. He focussed on just the despondent uneasiness he felt.
Tomorrow was Friday, a deadline Jane had mentioned to him yesterday. Perhaps he had read too much into her statement, but he hoped against hope that the vague promise of respite from this ordeal would come true. He did not know how much longer he could endure this inanity. He knew it was imprtant to go along with her to get a favorable report to the school. He only hoped that he could be rid of these skirts.
As he moped across the upstairs hallway and toward the doorway of the bedroom, his anxiety increased. Behind that closed portal lay the pastel torture chamber he had been forced to endure for nearly thirty-six hours. Beyond the door, he knew, waited Marie, a woman whose faithful execution of her mistress' directions resulted in his continued exposure to silks and satins and colorful pigments that transformed his features into a mockery of his real gender.
The cold lump of frustrated resignation curdled the lunch in his stomach as he turned the knob.
Beth, too, was lost in thought as she mounted the stairs moments later. Jane's last lecture had indicated that the transgressions of last evening had been partly assuaged by the humiliating costume at lunch, but that Beth's management of the afternoon's activities would determine the final disposition.
Beth remembered first coming here six months before as Brian. It seemed odd to think of that name in this context. Just days after he came through the walnut doors dressed in trousers and a blazer last December, Jane had rechristened the crinoline-clad youth as Beth, and so it had been in this house since. Soon Michael would learn he was to stay indefinitely and he, too, would assume a new name just as swiftly as he had been put into skirts. Henceforth Michael would be Michelle or somesuch. Indeed, sad to say, Jane had bestowed on Beth the ultimate task of choosing a name, for Jane's instructions for the tour of the estate emphatically included the condition that their walk include the stables, where Beth was to ensure a meeting took place with the two hired men. A new name for Michael's introduction was needed, and Beth was to make the choice for the new "girl". Beth cringed, recalling her first meeting with them, when, as Brian, the men had been encountered on the lower road, and Brian had turned to jelly inside, praying that nothing would betray to them the true gender of this skirt-clad boy who was not the "girl" they perceived him to be. The men had graciously greeted this new girl and the secret had been preserved until now. Soon it would be Michael's turn, and Beth felt a compassionate pang of sympathy for him.
As the word "him" formed in her mind, Beth paused again. The words "him" and "he" as they applied to Michael would be thrust into limbo this afternoon and hereafter. Janes system of feminization had a profound affect on even simple pronouns. From now on, the choice of "he" and "she" would depend not only on the surroundings, circumstances or persons present, but also upon the diabolic vagaries of Jane's disciplinary schemes. At varying times, the application of either masculine or feminine pronouns could be derisive to her "pupils." Michael might be "she" sometimes, a reference that would further assail his manhood. On the other hand, the masculine pronoun applied to a boy in dresses and ribbons carried with it the unmistakable connotation of sissy, and that was a word Jane was not hesitant to apply with a mocking vengeance.
Tonight or tomorrow, Michael would likely also receive the cruel news that Friday was not to be a parole for him. He would learn that he was to embark on a journey that would challenge his very essence and be an assault on his masculinity until Jane broke all resistance and reduced him to the meek and submissive subject she desired. If he were lucky, he would learn to accommodate the life he was to lead with the boy that he was inside, and learn also to balance his masculine and feminine sides. Only when Jane was satisfied that the lesson had been learned would she be likely to release him from this dainty reformatory.
Such an adjustment was possible, Brian/Beth knew, and one to be hoped for for Michael. It became easier when one yielded. It was never fully comfortable for a normal boy to relish swishing in skirts or engaging in the diversions that girls of his age found so exciting. On the other hand, if one did yield a bit of his inner masculinity, Beth knew that there was some delight to be experienced in pretty clothes and soft textiles, and a mischievous thrill in conveying a winsome pretense of a real girl to the world. This last effect, Beth knew, grew out of an initial sense of survival: to master techniques of femininity to avoid discovery. Though Brian never fully overcame his underlying abhorrence and mortification at being made to dress as a girl, there were times when it was like play-acting.
So she sympathized with Michael, hoping it would not be too painful for him. Perhaps it was last night when Beth had encountered Michael in his first dress outside Jane's study that Beth first felt stirrings of comradeship for this boy who was just started the journey. Brian/Beth recalled the strange emotion he felt during that meeting, himself a boy teaching another boy how to maintain the bearing and carriage of a girl. That, of course, was the Jane's inevitable goal: to force the surrender of the yin to the yan, to achieve a state of perfection in the boys she taught to look and act like girls. That moment last night may have been the consummation of these months of conflict that Brian/Beth had endured. Jane probably knew that already, Beth thought, recalling the conversation that had just ensued. Perhaps unwittingly, by the careful tutoring of Michael, Beth was moving closer to resurrection as Brian; a new Brian, to be sure, but a boy once again nevertheless. When Michael was ready, Brian knew that jane would allow him to leave.
As he stood outside the pink-trimmed bedroom, Brian reflected that the way he felt at this moment, with the prospect of release coming closer, must be the way prisoners about to be released must feel: a new anxiety about returning to a world so long removed and distant. it was puzzling and unsettling.
Brian opened the door and went in to change.
Within an hour, both boys were seated quietly on the love seats in the parlor, looking radiant in their latest outfits. Michael had come down first, and Jane could see that Marie had once again worked her magic. He wore a pinafore-style dress of blue-on-white dotted swiss, with puffed cap sleeves and just the right amount of underslip. The straps of the training bra were not visible on his bare shoulders, and Jane correctly assumed Marie had substituted a strapless version, a fact she confirmed when she saw the creases of the corselet through the fabric of the dress. A wise choice to provide some pubescent curves while ensuring that Michael's lack of a bosom would not have a halter bra slipping down inside the dress. Marie had coiffed his hair in a caplet of golden curls which framed the lightly painted face. Jane was pleased that he had entered after a polite knock on the door and had moved across the room with painstaking steps and daintily seated himself with the correct smoothing of his skirts. He say upright with feet firmly on the polished floor and with hands folded neatly in his lap, looked fetching.
As she was complimenting him on all of this, Beth entered, in a pale yellow sundress and matching pumps. She had taken pains to fashion her hair in a French roll, her neck elegant in contrast. Jane noted with some glee that Beth had unquestionably selected the new bras she had put in Beth's dresser, the larger cups accentuating a more mature girlish figure. That this choce of attire had been volitional by the boy who only an hour ago had appeared to be a rebellious waif in juvenile crinolines gratified the mentor of these two, and Jane again accepted the fact that Beth's tutelage was bearing fruit and soon Brian would reemerge to leave the estate. The seeds of his femininity had been sown and nurtured, and Jane was sure that he would be a better man for the recognition and acceptance of his feminine side. There was some reward from this work.
But Beth could not leave until Michael...soon to be Michelle...was further along in his training. Things would begin progressing more rapidly these next few days, and Jane estimated it would be two or three weeks an she might consider releasing Beth. Meanwhile, she bade the two goodbye and watched as they crossed the veranda and began a slow amble down the path.
The two were gone for about an hour when Jane saw them returning. Even from the house, Jane could see that Michael was visibly upset as he stormed toward the house, Beth struggling to keep up in the heeled shoes she wore. Michael burst through the door and plopped down on the Parson's bench inside the door. Beth appeared a moment later. Michael was flushed and traces of tears filled his eyes. It was the turbulence of bruised masculinity, Jane thought, and she suspected its cause. Rarely did the first expedition outdoors fail to evoke indignation in a new beginner.
"Exactly what is the problem here?" she asked.
Michael fumed with arms folded, not responding. Beth replied that while they were strolling near the stables, they had met Tom and Hal and Beth had introduced Michael to them.
Michael interrupted at this point: "She called me Michelle to those guys. A god-damned girl's name she used. It's bad enough to be embarrassed meeting two guys while I'm in these frigging skirts, but why in hell did she call me that?"
The outburst was not unexpected, but Jane certainly could not let it go unnoticed. She assumed her best scornful expression and let the silence continue as she let her sense of outrage filter across to the angry boy.
"I WILL NOT TOLERATE THAT KIND OF LANGUAGE OR THAT ATTITUDE!", she announced loudly. "You will apologize both to me and to Beth at once."
"Like hell I will. This shit has gone too far." Michael was visibly angered and he stood up and began roughly yanking off the dress in his haste to rid himself of the hated garment. As a result, the buttons broke and the bodice hung ridiculously from one shoulder, exposing the lacy corselet. "I'm out of here."
Jane stepped resolutely forward and stung his cheek with a resounding slap. The action and its pain shocked him and he stopped in mid-sentence, giving way to his frustration and sinking onto the bench, the tears silently flowing. He felt lost.
"That is, I hope, the last time I will ever have to do that, young man. I will brook neither your temper nor your foul language. I made myself clear to you yesterday: that I alone will decide how to direct your life until you develop some manners. If you have forgotten the deal, Michael, then feel free to leave. I will call your Mother and Dean Hartwick at once." She glared at him, and his impudence began to dissipate.
"Do you understand me?" she queried. He nodded and she repeated her question more imperiously, this time evoking a meek "Yes ma'am."
Michael was devastated. At the moment he saw the two men near the stables he had felt an immediate urge to flee, but Beth had caught his arm and led him, unwilling, over to them. Both men doffed their hats at the approaching of the girls, and Beth had greeted them and then introduced her friend "Michelle" who was to be a visitor to the house for a while. At the sound of the word "Michelle", panic erupted inside him. He mumbled something in response to their "Glad to meet you, Miss Michele", and as soon as Beth said goodbye and began to move away, Michael made a beeline for the house.
Beth had called after him to no avail. Michael was angry and humiliated, and he had had enough of this. He would find a way to get the hell out of here today.
His rage overcame reason and he let the fury boil over in the words he shouted. The frilly clothes were a curse, and he tugged and flayed to be rid of them. The slap across his cheek burned, and the tears welled in his eyes involuntarily. The blow startled him, and quenched his temper at once. Brought back to reality so abruptly, and seeing the infuriated woman who had done it brought him back to that reality. He kew that he had blown it. He might as well kiss St. Andrews goodbye. After this, he thought, she's booting me out of here.
"Now you will apologize clearly and correctly."
He struggled with his feelings, a turmoil within of anger and subjection. At last he stammered "I....I'm sorry."
"No," she corrected, " 'I am very sorry to have lost control and offended you both and I beg your forgiveness for my insolence.' "
He meekly parroted her words, staring at the floor in shame. He could never remember feeling so low in his life.
"Now, go into the parlor and wait for me." He obeyed and shuffled into the sitting room, leaving Jane to further quiz Beth about what had happened. In a moment or two Jane came into the room and slammed the door behind her. She was still obviously provoked by the scene that had happened outside in the foyer.
"So this petticoat punishment rankles you, does it Michael? You chafe under those skirts and that pretty facade we've given you. Well that is hardly surprising. It was not meant to thrill you. The operative word, young man, is 'discipline'. All this would have no effect, no meaning if you LIKED it. You might GROW to like it, but for now it is supposed to be degrading and humbling and embarrassing!" She was in high dudgeon now.
"But that scene your just played out there comes close to being the last straw. I'm very close to simply washing my hands of you."
He had no response to this, and sat dumbly. She was going to eject him. 'There it goes.' he thought to himself.
"I thought you had some intelligence, Michael! I told you yesterday that based on what changes you would make by Friday we would take a new look at this. Well, my little smart-mouth, I can well see after that last outburst just what the authorities at that school put up with. I can't see how you can possibly think I could give you an endorsement."
She folded her arms with an exasperrated sigh and stared out the window.
"Don't like the ruffles and bows, is that it? Wish you could be back wearing rough and tumble boyswear. Well, maybe we can arrange that, my pretty little fellow."
He was heartened by this statement, yet perplexed by the sarcasm that permeated the way she had said it.
"Yes indeed. maybe we can find something around here more to your liking. But not before you make up for tearing that dress and shouting profanities at me. I will also tell you that that dress you have ruined was quite expensive and you will pay for it one way or another. Look at yourself, you are a mess!
He sulked under her mocking gaze and tried to hold the torn bodice over the exposed lingerie beneath. It was, he was aware, an extremely feminine pose, and it annoyed him.
The ceaseless clicking of the clock pendulum permeated the stillness of the room as Jane continued her private deliberations.
"Michael," she finally uttered with a faint sigh, "what are we going to do with you? Your mother has been my friend for over twenty years. I am fond of her. You saddened her deeply when you were suspended. It was as a friend that she turned to me for help. I am deeply concerned about helping her, and that is why I took this on. I care about you, as well. But you won't cooperate. I've resorted to this approach because I think it works. As I said, you aren't meant to like it. But you ARE meant to submit to it. There are benefits to be derived that you are not even vaguely aware of right now."
The reference to his mother gave him some pause. He did not want to hurt her. But surely even she would not tolerate this abuse that her "friend" was subjecting him to. He wished he knew how to call her, to talk to her. But she had, for her own reasons, left all information on reaching her in Europe with Jane, and Michael thought it unlikely Jane would allow him to call her.
Jane went on. "Well, I'll tell you this: I am not giving up until tomorrow. We will see by then what is to come of this. In the meantime, you will remain as you are, skirts, curls and all. Now if I am willing to give it another another chance. I will allow you to put on a new dress and clean yourself up. I will expect you to behave. Your eyes are a mess. Go take off that gown and clean your face and come back down here. I want to give you some time alone this afternoon to think about all this. Now get out of my sight until you look presentable."
The dismissal was unmistakable and he quickly left the room, feeling really blue. He ran up the stairs and slammed the bedroom door, falling onto the bed and crying tears of defeat.
Beth came into the parlor.
"Well, Beth," Jane said, "that went about as expected, though I hardly anticipated the degree of his outburst. I think young Mr. Nash has just sealed his fate for the next few months."
Beth made no reply. She knew how Michael felt and sympathized with him. At the same time, being familiar with Jane's techniques by now, Beth knew that there was truth in the conclusion.
"He wants out of dresses and petticoats; I think we might give him his wish. " Jane went on. "I had intended to delay the first trip to town until we could get up to Kingston. I have appointments for you both next week at Carolyn's"
Carolyn, of course, referred to Carolyn Beale who was the co- owner of Marisha Chalet, a posh Kingston beauty salon that was situate in Jane's village of choice for shopping and hairstyling for her wards. In fact, Carolyn and Sandra, the other owner, were both cognizant of Jane's activities and both knew that the pretty young things that came in for adornment were, in truth, young men. Carolyn was quite enthusiastic about her role in these activities, for it just happened that she was married to one of Jane's former proteges and she had often told Jane what a gem he was. Carolyn was a true believer in the results of this method Jane employed and thus was more than willing to go along. Her partner, Sandra, Beth thought, had a streak of disdain for men in her, and relished subjecting boys to the delicate rituals of her craft. Thus, though the motivations were different, Jane had devoted allies at Marisha Chalet.
Though the salon catered to the more elegant style for women, it was unisex in clientele. Beth recalled the anxious feeling of sitting in those chairs before the mirrors, with both male and female customers in attendance, trepidatious that either Carolyn or Sandra might find it a "lark" to let the victim's true identity slip out. That fear, coupled with submitting to the elaborate beauty treatments visible in the reflection was a sublime torture.
Jane went on as she searched for something in the desk. "Michael wants to be out of skirts, Beth, back into something less feminine. And I think we will indulge him a little. Did I ever tell you about David?"
Jane had, in fact, recounted numerous anecdotes about the boys she had taught over the years, but Beth was not certain which tale she had referred to. Jane's question was, of course, only a rhetorical prelude to the new story she would surely narrate.
"David was here about three years ago. He was very rebellious, in much the same way as Michael. He once pulled the same stunt you just saw, so I gave him his wish and let him wear something less frilly. I want you to go up to the attic storage closet and bring down a pair of grey slacks and a tailored white blouse you'll find there. They may not be quite what Michael envisions, but they will suit our purpose. Anyway that is what he will wear if he wants to. I have to pick up a few things in Hampton, and I think it advisable that you both come along too."
Beth nodded acknowledgement.
"He is in for a big surprise, our intransigent guest. I have the feeling that he will be even more malleable when we return. Our time is a little limited, Beth, so we have to move more quickly with Michael. Normally I would prefer to wait until next week, but I cannot afford to have him find out I lied about possibly releasing him tomorrow....and you must NEVER tell him. I need to gain his trust if this is to be successful."
Beth assured Jane she would be discrete, hating the deception she was being made part of, but more interested in her own well- being.
Jane finally found what she had been rummaging for and pulled out what looked like a lipstick, an eyeliner pencil and a compact of eyeshadows.
"You have never seen these before, Beth. I had no reason to use them with you. They are specially formulated cosmetics. They are far more long-lasting than regular makeup and even thorough cleansing leaves faint traces of color. Despite all his efforts to scrub this off, there will be a hint remaining. With those darling curls and dainty eyebrows and a nice glow, our macho friend may find he passes better as a girl than as an effeminate boy."
Beth shuddered imperceptibly at the diabolical twist that Jane was planning. 'Cripes,' she thought, 'I'd die if that happened to me. Michael will be devastated if someone notices.'
"So our rebel will remember the day he ventured out as an obvious sissy. I think he will be fairly begging to be back in petti's after he sees how impossible his situation is." Micahel, meanwhile, had stopped his pitiful sobbing and removed the torn dress. He chose a white blouse and plaid jumper to replace it. He removed the tear-blotched makeup to comply with Jane's command. The curls in his hair still remained fairly neat and he managed, somewhat ineptly, to coax the few wayward strands back into place. He was basically presentable and he returned downstairs.
Knocking softly at the door of the parlor, he was permitted entry and Jane assessed his outfit without comment. Then she said, "Come over here. You look fairly presentable. Why no makeup, Michael?, scrutinizing his fair face.
"I...I wasn't sure..."
She interrupted, "Never mind. You look like you've been crying. Come here and I will fix it and make you pretty again."
He hated when she said things like this. He was keenly aware of Beth's presence as he submitted to this indignity once again. Jane very carefully drew the fine line of light sable pencil inside the lashes of both the upper and lower lid of each eye, then creamed the pale blue shadow on the lids themselves. She used the lipstick as a rouge, daubing spots of carmine and then blending it into his cheeks with her fingertips. Next came the inevitable application of lipstick to his lips. Jane applied the red wand liberally.
"There now," she said, handing him the blotting tissue. "You look adorable. Try to behave."
Jane left the room with the announcement she would see them both at dinner. Beth excused herself shortly. leaving Michael alone. He paced the room for a while and, out of sheer boredom and the need to divert his thoughts, hunted for a magazine or something. Unfortunately, this room., like every bloody room in the house had only outdated copies of Mademoiselle and Seventeen and other insipid girls magazines. Their covers announced articles that must keep young girls occupied for hours, trying "Ten-minute makeovers" and "The 50 hottest new hairstyles." God! What trash.
He picked one up out of tedium and tried to divert his depressing thoughts. But as he turned the pages, all he saw was pages adorned with adolescent girls enjoying the obsessive recreation of clothes and makeup. Outwardly he resembled them in his present condition, but he felt little kinship or joy in any of it. He read therough the magazine, glancing at the illustrated articles of before and after pictures of girls being redone by professionals, then, dusgustedly, tossed the magazine away and retreated into the cavern of self-pity.
Chapter 6.
Jane had entered the parlor just as Michael pitched the magazine aside. She smiled inwardly knowing that his distress continued to bother him. She had thought about the situation and decided that she would not wait until Friday to issue the final ultimatum. She would increase the pressure in the waning hours of this very afternoon, and Michael had given her the means to achieve her end.
"You mentioned that wanted to wear something less feminine a while ago, right, Michael. Well I have decided to let you. How does that sound?"
"Fine," he readily agreed. "I'd like that."
"Mind you," she went on, "our supply of male attire here is quite limited. Your trunk is coming express and I sent your travelling clothes out to the cleaners. But Beth is looking for something now."
She went on. "I have to run some errands in town and I want you to come with me. I suspect you'd like a change of scene. We'll leave right in about half an hour. Alright? That will give us time to get back for supper at seven. I have a dear old friend coming for supper and she will be here by then."
He pondered this offer of hers with some skepticism, but the prospect of getting back into male attire was a welcome change, and he readily agreed, thankful that she had offered this alternative.
"I had Beth find something and put it in your room, so you are free to go and change. Please don't dilly-dally, because we have a lot of errands to do. I will expect you back here in half an hour."
He stood to leave, then pause.
"What about this hair. I mean it....well, you know."
"It is curly. When you have something to say, just say it, don't mince words." She approached him and inspected his locks. They were indeed curly, with glimmering golden highlights. Imagining him dressed as a boy, with these curls and the sculpted arch of his brows, she concluded that he would look very fragile; cherubic, perhaps.
"I can see to that when you come down. Hurry up, now, we'll be late. Mind you, I am simply letting you change because we are going out. I have not yet decided about tomorrow. Now hurry up."
The prospect of getting away from the house and wearing boys attire elated him. He bounded up the steps and found the clothes on his bed.
They were not quite what he had hoped, but they were more or less more masculine than the clothes he had on. The tailored shirt was made of a soft fabric and the buttons were, like always, damnably backward. No one would notice the buttons, and he convinced himself that the light fabric would likewise go unobserved.
No underwear was provided but he logically removed the despicable brassier and cast it into the corner. He kept the panties on and slipped into the shirt. He longed for a broadcloth shirt as he buttoned the blouse. He wondered if he'd been had, then resigned himself to what she had provided. The sleeves seemed a little full at the wrist, but passable. The slacks were soft grey flannel, and the tailoring of both seemed curiously different. He searched through the dresser for some sox, hoping at least the knee-high white ones from yesterday were there, but they had been consigned to the laundry, and he was forced to choose a pair of anklets with lace trim. he surmised that as long as the pants cuffs covered them, they, too, would pass detection. He slipped his feet into the cordovan loafers. They were a style he had always hated as being a little effete: the kind some fools put pennies in. But they were all he had.
Glancing in the mirror he again saw a problem with the makeup. He creamed and tissued his face, but the remnants lingered. He scrubbed again and still wasn't sure if he'd got it all off. He finally convinced himself that it was his imagination from seeing his painted visage these last two days, and that his face was clean or at least nothing would be noticed. If he rubbed any harder, he would simply further redden the eyes, cheeks and lips. He searched for the traces of color; they were faint and he concluded that whatever was there was not that noticeable. His hair was a problem, but Jane had agreed to fix it.
As he was rushing to finish, he heard the car horn. He had to get going. Only as he reached the door did he think about his nails, and holding his hands up to the light saw the shimmer of the polish. He had no time to take it off, and didn't even know how to. He would have to keep his hands hidden. He went downstairs. He caught one glance in the full-length mirror and thought he looked so much better than he had. All of this was, to be sure, a rationalization. He was so grateful about the contrast that this appearance made over that of just a few minutes before that he accepted a self-delusion about how he looked.
Jane of course noted the synthetic appearance, finding him to look quite effeminate. He fussed with his hair, and though she pretended to minimize its curliness, she had, in fact, amplified it. She hustled him out of the house before he could get a good view in the mirror. They got into the BMW, with Beth driving, and went downtown.
Beth and Jane were absorbed in conversation about some people he did not know, and Jane occasionally gave the young girl a gentle admonition about her driving. In less than half an hour they entered a village named Hampton and proceeded to a mid-sized shopping mall. Beth parked the car, and Jane bade him follow them into the mall.
It was moderately crowded for a Thursday afternoon. Like every mall he had ever seen, it was comprised of open interiors and side-by-side stores of all types. Their first stop was a 1 Hour photo developing outlet where Jane left some film and was assured it would be done in sixty minutes. From there they went down the corridor, stopping here and there to look at displays of apparel modeled by expressionless mannequins. Jane was the more animated of the two women, asking Beth's comments here and there about dresses, shoes and other attire. Michael thought it vaguely odd that Beth, though a girl much like those in the magazines he had looked at that afternoon, was not all that intrigued by any of this and certainly did not gush over it. Perhaps the "magazine girls" were the figment of some merchandisers zeal.
Passing through the mall corridor, Michael was vaguely conscious that his eye would from time to time catch another eye staring. When visual contact was made, it was quickly averted. But from the corner of his eye he saw the gaze return. This happened more than once. They were quizzical eyes, and they made him uncomfortable. More than once he had caught someone sizing him up from head to toe. Not that they were hostile, for one woman had smiled amicably. But he was acutely aware that his presence was commanding more attention than he cared for. As if to seek refuge, he followed Jane and Beth into a place called Nicole's. Stretching from the full windows in the front to the very back of the store were racks of all sorts of feminine apparel. There were fewer people in here, and they seemed not to pay much attention. Jane and Beth's meanderings took them finally to the Lingerie section, and Michael saw myriads of those odious garments on display. Jane and Beth were making a few selections, he saw Jane glance his way more than once. He distanced himself from the pair, feigning disinterest and boredom and these most intimate garments.
He was startled then by the voice of a salesgirl who said "Are you being helped." He spun around and felt his face redden as he mumbled that he was simply waiting for someone. The girl's gaze grew more intent, scanning his face and seemingly finding something there that was enigmatic to her. She fixed her eyes on his hair, and cocked her head as if she were trying to assess what she saw and draw some conclusion. Painfully conscious of her scrutiny, Michael turned and sped out of the shop to wait for Jane and Beth in the hallway.
The shop was teeming with mirrors and he saw his reflection with a sense of dread. Even ten yards away he radiated the look of an effeminate teenage boy. On closer inspection, the countenance was worse. Whatever misconception he had about how he looked before was deflated by what he now saw, in the wake of the curious stares. He wished her were a thousand miles away!
Soon Jane and Beth emerged with packages and after just two more stops, where he tried to camouflage his presence from the intruding stares, Jane announced they were about done. The compounding pressure of all this, of being scrutinized and wondering what the minds behind the eyes were seeing and concluding, Michael was relieved to be out of here and back to the safety of the car.
It was while he waited for Beth outside Spencers and Jane was getting the car that the trouble began. He had tried to ignore the stares of the patrons and salesclerks in the stores. Nothing had been said to him, but he was self-conscious that his appearance was provoking the quizzical glances. He felt acutely uncomfortable.
As he stood there, wishing Jane would hurry, he was aware of the gaggle of boys and girls in the small circle a few yards away. He ignored the stares, glancing furtively at the store entrance and the lot seeking either of the women. He ignored also the derisive giggles in the hope he would be soon out of here. Two of the oldest boys and one of the girls detached themselves from the group and walked over to where he was standing. they eyed him a moment, then one of the boys spoke.
"Say there, Tiger, we been having a discussion. Are you a boy or a girl?"
Michael winced and felt the now all too familiar sense of panic take control of him. He looked furtively at the exit to the store for Beth, then surveyed the parking lot again for Jane's blue sedan. Seeing neither, he cast a quick glance at the questioner. His delay in responding and his elusiveness prompted the next comment.
"I think its a boy, but it is the most sissy boy I have ever seen. What do you think, Mark?"
The girl spoke now. "What kind of boy wears crepe shirts and ...hey, did you see those sox!"
Michael remembered that while he was trying to scratch his leg he had pulled the cuff up enough to allow someone to see the anklets. The girl was pushy and pulled at the leg of the slacks, revealing the dainty edging. He brushed her hand aside, another mistake for she now saw the gleam of polish on his nails.
The boy named Mark picked up the taunting dialogue. " I think he's a boy, but he looks like a sweet thing. Maybe he's a fairy." Shit he's wearing nail polish."
Michael felt real panic now. The distasteful term rankled him and he was nearly doubling his fists to react when he realized he was outnumbered.
"Bet he's wearing cute little panties under all that too," the first boy said, fingering the thin crepe material of Michael's shirt. "Maybe we should kick the shit out of him."
The girl again, inspecting his face. "It looks like he wears makeup and he has pretty little curls.... Hey you guys," she shouted to the others, "come see this cute little thing."
Michael prayed this ordeal would end or that either Beth or Jane would come and extricate him from this. He realized now that all of his earlier justifications about how he looked were self-deception, and that what he presented to these people was what they saw. He recalled the facility with which he had been accepted in far more feminine attire by Hal and Tom earlier that day. Clearly, as he now appeared, he could pass as a girl, but he was preposterous posing as a boy. He felt again like this had been set up, he thought, but in the same thought he longed for being attired in a way that would not have prompted this confrontation, whether in true boy's clothes or girl's.
He was about to succumb to some physical act from them when, miraculously, Jane's car drove up and he could dive for the safety of its interior. As they drove away, he could hear the derision of the group ringing in his ear. He felt paralyzed with fear as the adrenalin pumped through him.
Jane either ignored what she might have seen or did not see it. Beth was waiting a dozen yards away, and climbed in as Jane stopped for her. He sat sullenly and quietly in the back seat waiting for his pulse to stop racing as they headed back to the farm.
Michael was still brooding over the incident as he sat on the veranda fifteen minutes later. Jane came out and spoke to him.
"Michael, Mrs. White will be here in half an hour. I want you to be polite to her for she is one of my oldest friends. Edith is quite fond of Beth. We will have cocktails alone, but you and Beth should see to helping Marie."
Michael shot a glance at Jane, remembering now that there was to be a guest for dinner. His mind weighed a real dilemma: a strange woman was coming to dinner. The furtive and fleeting glances of this afternoon would become more studied and intense in the closeness of the dining room. The prospect was a nightmare!
"Couldn't I just skip dinner, Jane. I'm not very hungry."
"Well, of course not. If you're not hungry you can just take smaller portions. But Edith knows you're staying here and I will not make excuses for your absence. Dinner is at seven and I expect you there!"
What was he to do. He could not afford to be seen as he now was. He felt that chronic sense of paradox again, this time in the context of this very bewildering afternoon. Much as he was mortified by meeting the two gardeners in a frilly dress this afternoon, they had accepted him as they saw him. Contrast that, he thought, with what happened at the mall.
Jane had gone back into the house and Michael followed, hoping to plead his case again. He caught his gaze in the hall mirror and carefully examined it. The curls and the delicate arch of the brow...the traces of color that no scrubbing seemed to remove. These were signals of incongruity that were all to easy to be intercepted. He was panicky...what to do, what to do.
He followed Jane into the dining room where she was assessing the table setting.
"Jane can I please stay in my room. I can't meet your friend like this."
"Whatever do you mean, Michael? you look fine."
"You know what I mean. Do you know what happened downtown? Everybody was staring at me. A bunch of kids teased me and made fun of me. I can't go through that again."
"What are you suggesting. Michael? You certainly weren't mocked by Tom and Hal when they met you. Why Hal just told me a while ago he thought you were a very pretty girl."
The dilemma again. He could pass as a girl in the hated skirts, but not as a boy in this altered attire and appearance.
"I frankly don't care what you wear to supper tonight. Mind you, tomorrow will be back to where we were. But it is of no consequence to me whatever what you do tonight. It was your idea to change into those clothes, not mine. I simply made available what we had."
Michael did not know what to do. He knew that there was immediate safety for him to go back to being dressed as a girl, but that loathsome prospect nauseated him. But it was equally certain that he could not carry on as he was now dressed.
As he mused, he knew that regardless of what respite these boyish togs offered him now, he would be back in petticoats in the morning. He bowed to the inevitable.
Before he could say anything more to Jane, she had left the room. After a minute of reflection, he walked into the kitchen and meekly asked Marie if she could help him with something. He went back up to the misery of the bedroom.
It was just after seven, and Jane was in the parlor mixing drinks. She handed the icy Manhattan to Edith White and sat down in the overstuffed chair near the fireplace.
Jane had known Edith for nearly 15 years. Edith was the widow of Jonathan White, the banker and financier whose family's tenure in this valley went back to Colonial days. Edith was a charming, eccentric woman who lived well and lavished almost indecent amounts of money to various organizations and community projects in a veritable eleemosynary crusade. The silver-haired dowager (now in her early sixties, Jane guessed) saw herself as a model of breeding and refinement. Jane had, after all these years, distilled Edith's passions down to three: an obsession with the historical traditions of the area, an abiding obsession with fine arts, and a phobia that modern young people were being reduced to crass philistines by the seduction of cheap rock music and inferior drama on the screen and television.
Underpinning this tripod of zealous endeavor was Edith's abiding infatuation with a faded past, a past of beauty and gentility that spanned the halcyon traditions from ante-bellum through Victorian to the debutante days of her own youth. Edith was a bit of an anachronism, crusading with her time and money to provide young people with opportunities to experience values she deemed eminently preferable to current fads. The woman abhorred the jeans-clad boys and girls she saw daily in Hampton and Kingston and the other townships, and in her longing for these lost qualities, she persisted in funding pageants, theatrical groups and elaborate cotillions. To all of ventures she persistently appropriated funds and recruited her friends. Though the results were mixed, Jane humored Edith and lent her support, for Jane had occasionally found in them opportunities to further her own aims.
Edith was prattling on about her latest activity: A celebration parade and pageant for the upcoming bi-centennial of Kingston County. She waxed eloquently over the Manhattan about the last minute details for the event, and complained about details that still needed attention. Her main grievance, it seemed, was the lack of sufficient participants to round out what was to be a panorama commemorating various periods in local history.
Jane was smiling and nodding politely at this soliloquy, fitting it in with thoughts that were taking shape in her own mind. The conversation was interrupted by a faint knock at the door, and Beth entered at Jane's response.
"Beth, dear girl, how nice to see you again," Edith gushed as Beth came in.
"Good evening, Mrs. White. How are you."
"Well as I was just telling Jane, these galas I get myself into will be the death of me. Anyway, dear, you look lovely tonight as usual."
Beth had, over these last months, become accustomed to these effervescent adulations from Edith White. Jane had always insisted that when the woman was a guest here, the choice of clothing was to be both elegant and dainty, a gesture of deference to the elder woman's taste. Of course, Jane knew well, these very beautiful feminine dresses were equally pivotal to the management of her charges.
Beth looked elegant, in a rose-colored taffeta dress whose full skirt was buoyed on the crinolines beneath; an appropriate coupling of modern and traditional. Most significantly, Beth's whole look radiated innocent girlishness. Jane was pleased, for the events of tonight played a role in her near-term plans, and she had engineered what she hoped would culminate in Edith's own proposal.
She wondered if Michael would present a problem. Beth had told her that Michael had asked Marie for some assistance. Jane hoped this request portended his decision to comply a little more. THe Hobson choice he found himself in, trying to resolve the conflict of his appearance amid this coercive dominance in which he found himself. Jane was taking a gamble that after today's events, and her insistence that he be in attendance at dinner; that he would opt for returning to the governance of the women of the house, and act accordingly would provoke the expected response. She glanced at her watch and hoped Marie's skills were both brisk in their execution and fetching in their results.
She heard movement on the upstairs landing and excused herself, leaving Beth and Edith in polite conversation. She went to the door and saw Michael mincingly descending the staircase. She was pleased with what she saw. As he descended, looking somewhat dejected and crestfallen, Jane motioned for him to follow her into the study. He entered and closed the door, a woeful expression on his face.
Marie had done well in the short time she had had. Michael was once again in the blue middy blouse and taffeta shirt, with white knee sox and patent shoes. Marie had done an exquisite job with the hair, piling the cascading pony tail high at the crown, tied with a shimmering ribbon, and twining the composite of his own hair and the wiglet into pirouettes of tendrils at the neck. A dainty wisp of hair brushed each cheek at the hairline near his ear. Just the right, demure touch of color enhanced his angelic face.
"Michael, you look darling! But what prompted this? I thought you had decided to wear your boy's clothes to supper."
"You know I couldn't do that," he replied, his eyes modestly downcast, "not after what happened today. Especially not in front of a stranger."
"Well, I think that was a wise choice. You make a very pretty girl, and not a very convincing boy...at least not these days. Now, I am going to introduce you to an old friend of mine. She is very fond of sweet young girls, and I know you will make a good impression. She does not know you are a boy, you see, and so we must introduce you as something other than Michael. Do you understand me?"
"Yes", he reluctantly mumbled, his thoughts straying to the stables earlier in the day.
"Well, then. On your best behavior... a curtsy I think when you meet her. And impeccable manners at table. You look very convincing. If you don't want her to wonder about you, I'd suggest some attention to manners as well. Come along, Michelle."
Edith was quite captivated with the new girl, and proffered a bevy of the same flattery she had showered on Beth. Michael endured the debasement her words caused him, and he managed to even force a passable smile and convincing thank you. Polite conversation ensued through the meal, though remarks directed and him and Beth were occasional. Mrs. White dominated the conversation, railing on about some parade.
"Jane," the older woman said finally. "I have a wonderful idea. I need some more girls for the pageant. Why not let Beth and Michelle take part. It would be so good for them and would certainly please me.
"Well, Edith," Jane replied, "We will have to see. I am sure that Beth will be available, but we are not sure how long Michelle is to be here. Her mother is in Europe and I have to confer with her and with the people at Michelle's school about her stay. I shall call you this week about it."
Michael sensed the implied threat in that statement and he remembered again the reason he was here. He dared not look up at either Jane or Beth, fearful his concern would show.
It was nine-thirty when Edith bid them all goodnight, with more cloying sweet talk directed at Michael that burned his ears. A sidelong glance at Jane and the imperceptible blaze of her eyes prompted him to manage a dainty curtsy as they said good night to the woman at the foyer entrance.
Jane took Michael back into the parlor and modestly commended him on his behavior. She sipped at a cordial as she sat expansively on the love seat opposite him.
"I have come to a decision, Michael, and I felt it important you hear it tonight. You recall I told you yesterday that I would wait until Friday to see if I wished to continue with your training. I confess the way that you have behaved and especially that outburst today had led me to a decision to decline this task."
He squirmed a little, anticipating something that was likely to be both auspicious and dreadful at once.
"You were very nearly exemplary this evening, and you redeemed yourself. I have decided to give it a try."
"Does this mean I will have to wear these clothes?"
"If you wish to stay here, yes. It is part of the course."
He grew depressed again, realizing that his hopes of freedom on Friday were dashed. He was equally chagrined that this so-called petticoating was to continue. He did not have great reservations about staying here, but it could be done without this sissy bullshit that he detested.
"You know, Aunt Jane," he ventured, "I don't know if my mother would approve of any of this. Nor the school, I'd bet."
"And you'd tell them, is that it Michael? You'd tell them about this wicked woman who made you dress like a little girl and primp and preen and curtsy and all that?"
He nodded, and this gesture drew a wry smile to her lips. She stared at him a moment, sipped at the cordial and walked to the desk.
"I think not," he heard her say, as he watched her pick up an envelop and return to the settee, placing the envelope on the coffee table between them.
"You see your mother already knows. That is precisely why she sent you. I'll admit it was a last resort, but your mother is perfectly aware that her sweet little boy is sitting here in skirts. She and I spoke of it before you ever arrived."
He gulped, astonished that his mother would allow this.
"As for the school, I would suggest that that is not an admission you'd make to them or to anyone else. How embarrassing it would be to even admit that you had been in dresses. On the other hand, it night be a revelation I'D make if I don't get your continued cooperation. Take a look at that," indicating the envelope.
He picked up its bulk and opened the flap. His hand drew out a sheaf of photographs and it began to tremble as he saw the first one. In vivid color was Michael in various costumes, being made up and wielding cosmetic applicators on himself. There were shots of him in curlers and with Marie affixing ribbons in the finished mass of curls. All in all, there were over two dozen pictures which appalled him.
"Give some thought tonight, Michael, of the effect those darling photos would have on the other boys you go to school with. If you don't want to be totally humiliated, I'd suggest you keep your threats to yourself. I doubt that even if I CAN get you reinstated at St. Andrews you'd want to return under the cloud of being the campus sissy. Think well on that."
Jane dismissed him at that point, sending him back to his room. Michael later lay in the dark room and stared at the canopy. He had undressed and taken a bath. When he hung the dress in the closet, he was somewhat surprised to see that the blouse and slacks were still there. What did that mean?
He had opted for tailored pajamas rather than a feminine gown, but the smooth silkiness of the peach colored coat and trousers, with the little bows and appliques, were a burlesque parody of his intention to wear something more masculine. He was still a sissy in a girl's room. And now, with photographic proof of his dalliance in these girlish pursuits, Jane had yet another lever to wrest his submission. He turned off the light and sank into deeper despondency as he fell asleep.
Chapter 7.
In the frenzied days that followed through the weekend and into Monday, Michael was exposed to more femininity and girlish activity than he had ever imagined possible. The curiosities, sights and smells of living a girl's life were thrust on him at a dizzying pace. There were mannerisms and postures to assimilate. He practiced for hours with rollers and makeup, his arms tiring from the unfamiliar reach required to roll the wands into his hair. He learned about colors and combinations in clothes, shoes and accessories. He practiced curtseys, polite phraseology and locutions that sounded effete to his male ear. Adjectives that he would have shunned at all costs as a boy began to seep into his speech.
Indeed, speech and mannerisms seemed the hallmarks. Inflection conveyed more than anything, Jane tutored, and he chafed as he mimicked the exaggerated intonations she prompted. He practiced gestures and walking and light hints of poise like tidying his hair and the right way to examine his face and dresses in a mirror.
He was ceaselessly being fussed over and busying himself with dainty little detail. He spent what seemed hours perfecting the application of a myriad of colors to his face, his nails. He submerged himself in bubbly baths, shaved practically invisible hairs from his legs and arms. It was a seemingly perpetual routine that started early in the day and ran till late at night.
Not only learning a facile walk in pumps, but becoming nimble at daintily swaying an ankle while balanced on the other foot. The girlish positioning of the hands on hips as opposed to the "arms akimbo" stance of a man. Crossing the legs just right when sitting, exposing just the right amount of leg beneath the hem of the skirt. Care in both sitting and rising from a chair so that the movement flowed gracefully and smoothly.
The subtle and vain fluff of the hair that primped it in place. A winsome manner of correcting makeup when others were watching so that the actions seemed less pragmatic than attractive. All of these subtleties had eluded him when, as a boy, he watched girls. There was so much to learn and master.
He submitted to this drill grudgingly, maintaining an outward facade of equanimity about it, but inwardly astir with emotions. He detested the role he had to play, especially when something he did or the way he looked prompted a comment from Marie or Beth or Jane which emphasized his growing grasp of girlish ways. Some of it, to be sure, had become tolerable because of its familiarity. He confessed to himself an enjoyment derived from the touch of the smooth fabrics on the most sensitive parts of his body. He had to admit that when he viewed the girl in the mirror as some detached persona which coexisted with him, it was a very pretty girl. The fact was, he had to admit to himself, he did present the image of a pretty girl. This realization caused him great consternation.
He began to think of himself as a sissy. If he did these things, and evinced an occasional pleasure in doing it and what he saw accomplished, what did that make him? The thoughts troubled him and he wondered if there were not some subtle internal change taking place. He hoped not, for he knew this must all come to an end and he had no desire for these events to seep into his return to a male world.
Ironically, it was this dualism that preserved his equanimity and kept his panic in check. He could partially detach his boyhood from the repulsive things being done to him and simply go along. That submerged self still felt the distress of every sissy thing he was made to experience and he was demeaned by the results these women forced upon him. Yet another part of him puzzlingly identified with the "girl" in the mirror, and strived to perfect the right characteristics to project her femininity.
This constant see-saw and the alternative and conflicting emotions made him queasy and often disgusted with himself. A more profound torture seemed unimaginable.
Fear motivated him most, even fear of the reaction of Beth, Marie or Jane to what he did or failed to do. When he did his make-up just so, appeared before them with curls in place and dainty girlish garb accurate in every detail, he felt abject embarrassment. If he were chastised for a mistake, or called a sissy for doing it well, that chagrin heightened. He comprehended that even when he made a passable girlish gesture or speech, his competence led to the inevitable conclusion that he was being feminized as a boy, being constrained to act as a girl.
He was most grateful that, at least, these feminizing activities took place within the sanctuary of the house. He dreaded going outdoors like this, but Beth had warned him that such trips were to take place in the near future. He panicked each time he thought about it, and hoped nothing would go awry as it had on his last outing. The realization that he could conceivably deceive outsiders if he handled himself appropriately was the singular motivation in absorbing all the elements of this effeminate pantomime. On the one hand, he worried about discovery, and yet he strongly sensed that if he acted the perfect girl, he would pass. Yet in so doing, he did injury to his male persona. It was a cycling paradox.
And so the prospect of being made to go out again constantly distressed him with its devastating possibilities of shame and embarrassment. Did the trapped animal feel like this, he wondered.
He was made to do things that transcended mere clothing or adornment. Jane had sat him down and suggested that some exposure to dance might improve his grace and movement. Beth was to be his preliminary instructor in this area, though it was conceded by both Jane and Beth that she was merely passing on the lessons she had learned at her own dancing class and that the practice would be very elementary. Beth led him to a chamber that had once been a medium-size ballroom. Here she taught him the elements of dance. He submitted to donning leotards, tights and a short dance skirt, and tap shoes that were like the Mary Janes except that they tied at his ankles with a black satin bow. After several hours of repetitive drill, he had begun to master the heel, toe and shuffle that were the elements of tap dancing. Beth was as diligent in imparting tips on the proper carriage of the arms in a graceful style as she was in teaching the syncopating cadence of the metal taps on the wooden floor. At one point he saw Jane surveying the duo from the doorway and felt a moment of self-consciousness. He was less disconcerted doing these foolish little steps and skips with Beth alone, but the adult presence rankled him.
Ballet steps, too, were practiced, and Jane insisted that a tulle-skirted costume was a necessary ingredient of this routine. He felt really silly assuming the flamboyant poses of that style, especially perfecting the graceful stance that Beth seemed to have mastered.
He frequently felt a dreamlike detachment from his true self. As though he were dreaming and all of this would go away when he awoke. But, in truth, he woke each morning in that same fragile room, reorienting himself to its strange but ever-more-familiar atmosphere. And each morning when he woke, the turgidness of his erection grazed the sheer material of his gown and he savored the sensations it sent through him. One morning he succumbed to the urgency and, with very little effort found, release. In retrospect, that event was unlike any other solitary adolescent autoeroticism he had engaged in. It was as if the sensuous surroundings and titillating feel of the garments themselves conveyed a certain erotica. To the extent that he fantasized about a suggestive figure during the act, he kept seeing the petite reflection of himself he had seen in the mirror.
Jane watched the events unfold with satisfaction, seeing the transformation develop superbly. Michael was assimilating a truly feminine air. Jane knew instinctively that the boy's repugnance of this business was undiminished, but he had begun to display somewhat less resistance to it. Indeed, she had caught him more than once preening in the mirror or fingering the ruffled edge of the dress. She knew that this abandon was, in part, due to the sanctuary that the house itself afforded, a security she would shatter later this week. But each day brought him closer to total submission to the control of flounces and frills.
Perhaps if Michael knew the exhaustive plans that Jane had been making that were sure to affect him, he would have been less hopeful and sanguine about what might happen to him this week.
On Monday morning, as she sat alone drinking her coffee on the veranda, she was musing and making notes while scanning the local paper. She had been mildly pleased by the change in attitude she had witnessed in Michael these last three days, and felt another two days of the same exercises would be in order. But he was growing altogether too comfortable in these surroundings. Not that he was accepting any of it, but the resignation he evinced needed some additional challenge. He needed to be jarred out the complacency and security that the house gave him. The creation of new tensions was indispensable principle of his development.
To this end, she was making a list. She had planned hair appointments for them both, and she had to call Carolyn or Sandra to set the stage for that. She picked up the phone and reached Carolyn, who expressed eager expectation at the arrival of a new neophyte for them to work on. In her excitement, it was she who suggested Wednesday, for that morning she had a charm class scheduled. Carolyn conducted classes for young girls in hair care and makeup. A group was coming in on Wednesday morning, and Carolyn suggested that Michael could be made to act as the model for her lecture. Jane thought this a capital idea, and the date was set.
Checking that item off her list, Jane scanned the paper for the weekly advertisements. Several sales at shops she liked caught her eye, and a note was made of these as well.
Jane next dialed Edith White and caught her at home. Michelle, Jane told her friend, would, in fact, be staying a while after all, and both girls would be available to participate in Edith's festivities. Edith was thrilled. She told Jane that the costumes for the girls were available at Milady's Closet in town, and since the only requirement was that the girls sit poised and pretty on the float in the parade, she left it to Jane to select the appropriate costume. Jane added another item to Wednesday's agenda. In less than half an hour she had scheduled the Wednesday activities, including lunch at the Heritage Inn. Michael would encounter the full range of a girl's day on the town.
Her next call was to Margaret Warden, who ran the dance studio that Beth attended. Jane told her she had another young girl staying with her for the summer, and thought that a few lessons in tap and ballet would be worthwhile. Margaret, of course, sensing the tuition income, agreed. Jane allowed as how this young lady was inexperienced and slightly awkward, but with a dance instructors overstatement, Jane was assured that even a total neophyte could be graceful in just weeks. Jane penciled in Thursday for the first lesson.
Another item in the paper caught her eye. It was a call for auditions at a local children's theater. Jane knew the people who ran the program and decided to call them as well. Another element of fine arts would both do Michael good and expose him to yet another regretful situation. It was a full schedule, fraught with numerous exposures of her young be-ruffled boy to people and places that would prove disquieting to him. The list provided ample appointments for her to demand his involvement in these distressing locales. Jane was sure that she could think of one or two items to add to the list that might even escalate that uneasiness.
The day whose arrival Michael had been dreading most turned out to be Wednesday. Jane had announced the night before that he and Beth would be going into town with her for some shopping and errands. Beth had forewarned him of the upcoming trip to Kingston. But she was reticent and sketchy about the details, and when Michael had expressed anxiety about another trip to town, Beth had offered the reassurance that when he was completely dressed as a girl, and meticulously done up, he was very convincing. It was simply a matter of remembering all that he had been taught and not betraying a single sign of being a boy. Despite that encouragement, the memory of his last appalling trip into town plagued him and he expected the worst on this next venture.
They were all up early on Wednesday morning and had finished breakfast before 8:30. Jane instructed Michael to shower and get dressed. He was to put on the panties and bra that she had shown him the preceding evening, garters and hose, and a full slip with a single net layer between two of taffeta. She had selected a short, slightly puffed sleeved, mauve polyester/rayon dress, it's skirt modestly billowing out over the petticoat, and adorned with a gray ribbon sash. The dress suggested maturity, but at the same time the fullness of the skirt, its narrow lace trim, and the cut of the sleeves suggested a design more suited to a child. He was to simply brush his hair and apply a minimal touch of makeup.
Michael went to his room solemnly. The cold feeling of dread he felt was not even dissipated by the warm jets of the shower. He dried off and returned to the hushed blue shadows of his room, and selected in turn each item of lingerie. The superfluous bra produced satiny busts over his own male nipples. It closed easily in front, although he had by now nearly mastered the technique to fasten nearly every type of lingerie without Marie's help. He tugged on the panties, sensing again their tight smoothness on his buttocks and groin and slipped the hose up snugly and affixed their tops to the four garter straps that dangled from the belt around his waist. As he donned the lacy underwear, he felt the familiar butterflies in his stomach.
The tingling stricture of the nylons brought a different coolness to his smooth legs. He slid the slip down over himself and it encased his body with a soft caress. The dress was the usual problem, its zipper in the back out of reach. With some contortion he was able to slide the zipper to its top, and finally managed to clasp the tiny hook at the top. He stepped into the two inch pumps and sat at the vanity to brush his hair, and inserted the barrettes as he had been taught at each temple. He brushed a light blush over his cheeks and along his chin line and across the brow. A light touch of mascara was followed with a touch of pale lipstick. He did not look nearly as eye-catching as he had on other occasions, but it seemed to suffice. Ironically, as he scrutinized his appearance further, he thought of last week when he was searching for traces of makeup to diminish all traces. Now the situation was reversed, and after some consideration, Michael frowned at what he saw as not projecting enough femininity. He decided that a little more color would be prudent today, dressed as he was in these girlish trappings. Selecting a brighter shade of cosmetics, he reapplied color to cheeks and lips. As an afterthought, he added a small strand of pearls and a bracelet. Michael picked up his small purse and draped its handle over his left wrist as Jane had instructed. He paused in front of the full length mirror to view his image and was torn between his admiration for the pretty reflection, and the revulsion he felt at the acknowledgement that she, was he.
Michael got the usual laurels about his prettiness when he arrived downstairs. Abashedly brushing them aside with a muted "thank you," he steeled himself to departing the security of the house and got into the car.
As the trio approached their first stop, Michael recoiled in shock. His hesitation was momentary, however, as Jane quickly realized his reluctance, and firmly grasped his hand. She brooked no unwillingness on his part as they neared the door. "Let's not have any boyish nonsense now Michelle", she instructed. "Remember, if you act completely and entirely as the charming young lady you appear to be, no one need be the wiser. On the other hand, if you do not, you will either be found out or I may simply trumpet the fact you are boy who loves dressing up like a sissy."
Michael winced at her use of the feminine "Michelle", and the forewarning of misery if he was exposed, but he realized the sense in her advice, even if it was worded in her usual, gratuitous manner. He was so preoccupied with his own concerns that he failed to realize that Beth too seemed subdued with the thought of spending several hours in this environ.
They walked into the Marisha Chalet and Michael's mind reeled with disquiet as he looked about the chic beauty salon. The success of the establishment was evident by the large number of patrons that were there even at this early hour. Michael saw both women and men having their hair done. This setting, especially when he contemplated what well might be coming, made him inwardly shudder.
They were greeted by someone to whom he was introduced as Carolyn, one of the owners. She indicated that she would be doing Beth and that Sandra would take care of Michelle. When she looked at him, Michael could have sworn there was a wry, knowing smirk on her face. She led him to the shampoo basins.
The shampoo girl was the second person he met, a pretty lass of 17 or 18 named Shelly. She worked silently, placing a shiny cape around him, fastening it at the neck and draping its broad folds around him. She turned the chair around and gently lowered his nape to the edge of the basin, mixing the water to proper temperature, wetting and then lathering his hair. After a repeat of this, she wrapped a towel around his head, returned the chair to its upright position and led him over to the place where the operator's booth's were located.
The booths were slight indentations into the wall. They were not fully separated from either the adjacent stations, nor were they invisible from the rest of the shop. He saw that Beth was being worked on in the adjacent booth and on his other side the cubicle was vacant. He hoped it stayed that way.
Sandra came over, told him her name halfheartedly, and started to work without other comment. Michael was content to bear this burden without conversation, and so invited none. She removed the towel and began combing through the wet strands of hair, aligning them and separating them into sectors around his scalp with pins that left her field of work free. She drew wide strands through her fingers and, with scissors, she clipped only a small snip from the end of each strand. Again and again she repeated this, scrutinizing the progress in the mirror, cutting more or less here and there, styling as she went. This aspect was not remarkably unlike any haircut he had ever received in a store such as this. Perhaps he was most surprised by the small amount of hair her snips removed, and the fact that her next act was to use a razor to shave parts of his hairline that had never felt a razor before. She worked silently and briskly.
When she was finished, she shook out the clipped hair from the cape, and replaced the shawl-like garment over him. She next wheeled a circular tiered tray alongside his chair. Each tier held a myriad of pastel-colored rollers of varying diameters. She had just begun to select the implements necessary to give Michael his first permanent wave, when she leaned over and whispered in his ear.
"So you are Jane's latest sissy-in-residence." Her words electrified him and he turned ashen in the mirror. Involuntarily, he started to turn in her direction, but she pressed his shoulders down as she continued. "Calm down, sweetness, or you'll mess up my work, and I just hate that! The last time that happened I told everyone in the place I had a sweet, little femmy boy here getting his hair nice and curled up." It did not take much, at this point, to make him speechless. He glanced around the room with his peripheral vision through the images in the glass searching for someone who might have heard what she said. No one seemed to have noticed. Sandra watched his eyes darting fearfully about the room and smiled.
"I'm glad you learn quickly hon. Now cutie, you just act as sweet as you look, and maybe you and I won't have any problems," she teased. Her words had jolted him and he settled back into the chair paralyzed with fear and a new found submission to this frightening woman. Michael tried to slow his breathing while Sandra asked Caroline over to his chair. She joined them shortly with a large magazine, like a catalogue. Caroline leaned over the motionless boy and spread the book out on his lap. "Here, Michael....", she said in a low voice, which she immediately corrected with a gleam in her eye, "I mean MICHELLE. Why don't you look through here and tell us which style you'd like for your permanent."
Michael mutely gazed at the first page, horrified at both the word "permanent" and the picture confronting him. The girl in the photo had a glorious head of full, luscious blonde curls, cascading beyond her shoulders, the bangs styled and fluffed with mousse. He realized that his hair was thankfully too short for such a style, but was petrified at what the next page might hold. His silent stare continued for several moments, until Sandra leaned over as if to work on his hair near the right ear. But instead, she grasped the lobe of the ear and pinched it fiercely, whispering, "Real girls LIKE to do this, Michelle! So unless you want the people here to know you're a boy in a DRESS," she hissed, "You'd better start to show some girlish enthusiasm! I know you have a girl hiding inside you", she added, her voice now full of teasing enthusiasm, "So let's see her enjoying her trip to the beauty parlor."
Michael winced at the pressure she applied to his ear, no less than at her comments, but realized he was at a make or break moment in his time in skirts, and capitulated. He flipped the page, and without even thinking, turned his head towards Sandra and said, "Oh! Isn't this one simply wonderful? Do you think I could wear it?" Caroline grinned at the forced, yet to the public's eye and ear, apparantly genuine, feminine query from him. Michael blushed and turned his eyes down, and for the first time saw the style he had referred to. It was worse than the first, if for no other reason, because his hair was short enough for the style. The girl's hair was nearly shoulder length, fashioned in tighter curls, yet still with a very full shape. The bangs were again left uncurled, to allow for their arrangement into a variety of shapes, as the upswept style on the model clearly demonstrated. The final touch was a lace ribbon, wrapped from the back of the neck, up behind the ears, and tied in a large bow towards the right side of the head. The ribbon caused the hair to fluff out even further than it might have fallen naturally. Michael was ready to turn the page, hoping to find something less stylized, when Caroline took the book off his lap.
"A perfect choice, Michelle," she said as she closed the book, and turned to walk away. Looking over her shoulder at him, she loudly added, "I'm sure everyone here will want to see how it turns out!"
He cringed inwardly at her words, but managed to smile, afraid that to do otherwise would risk exposure. Sandra then began her work. She stroked her comb again through his hair, once more isolating sectors and clipping them aside. Her actions now were slower and more deliberate. She wetted his hair with a solution whose pungent aroma matched that which permeated the shop and which he had noticed when he came in. The liquid ran away from his hairline in places and she sopped it with the towel. For a moment, the parts of his face that it touched burned slightly, but this passed.
As he watched her in the mirror, he saw that she isolated a strand of hair, held it with one hand as she took a tissue and smoothed it down the end of the strand. Holding this wrapped tress tautly in her fingers, she selected one of the colored rollers and spooled the lock of hair around it, drawing it up tight to his scalp and fastening the elastic device that held it in place. Though she was meticulous and fastidious with each curl she fashioned, it seemed only a short time before she had completed the top of his head and was working down the back.
He was sitting in the chair silently when she softly spoke again. "You're not the first little boy we've prettied up in this place, and I suspect you'll be sent back for more. So just keep calm. Piss me off though and I'll let that guy down on the end know that I have a little boy here who plays like he is a girl. Or maybe that little girl over there. I'll bet she'd want to take you home to play dress up. How'd you like that, pretty little Michelle?"
A renewed alarm surged through him and he fought to retain composure. He was cornered. He could not bolt and yet he had to suffer the abuse this woman seemed to enjoy heaping on him.
He sat stunned as she relentlessly continued. "You have such nice hair, Michelle", rolling another strand into the tangle of curlers that adorned his head. "Nice, golden hair. After I'm finished, you'll be amazed at what I have done. And these curls won't go away. They are permanent and will stay and stay."
Her voice was subdued, and almost husky. Under other circumstances and with different dialogue, it might have been seductive. Her taunting whisper continued as she worked.
"After I'm done, Carolyn has something especially wonderful for you. You'll be a perfect little doll when we're through with you." He trembled with a mix of expectation and dread. "We are going to do a real job on you today. Jane said give him the works, we're going to give you the works." Another wand, another strand affixed itself to his scalp. "So far, I think, the amateurs have had you. Wait and see what the pros can do to you."
He had often sat in a hair stylists chair and listened to the idle banter they made; small talk that seldom evoked anything more than a perfunctory reply. This dialogue was like getting an obscene phone call, a tete-a-tete which communicated flutters of anxiety through his every fiber. He longed to be out of this place. The pointed, teasing barbs continued as he was forced to watch in the mirror as she performed these most feminine procedures on him. He prayed fervently that no one else could hear her murmuring derision. He prayed even harder that she would not suddenly blurt out some revelation to this whole crowd.
She finished rolling up his hair and he saw a profusion of pastel pink and blue curlers doing their work on his hair. Some new solution was applied, its pungent odor a stronger version of what he had smelled on first coming in here. She set the clock for 45 minutes, then moved a table beside the chair and sat down. She seized his hand and with a saturated cotton ball, removed all trace of polish from each nail. Shaping each in turn with an emery board, she applied nearly five layers of clear polish to each finger.
Beth was visible in the mirror, seated beneath the hood of a hair dryer, looking a little melancholy, he thought, as she idly turned the pages of a magazine. Regardless of what Sandra said about "feminine enthusiasm", Beth wasn't showing much more than boredom...and something else he couldn't quite put his finer on.
Carolyn wandered over, her own customer now between procedures. She was carrying a handful of various cosmetics, and she began to experiment idly with lipstick shades and eyeshadow colors, daubing a spot on, scrutinizing it, then wiping it and trying another. She and Sandra discoursed about color. He felt very exposed, knowing instinctively that this experimentation was somewhat unusual and feeling every eye in the place was scrutinizing the discussion.
Amid this seemingly nonessential exercise, Carolyn and Sandra continued small taunts, mocking queries about his petticoats, derisive comments about his sleek legs encased in the sheer nylons. Through it all was the abiding forecast of the detailed feminization that they planned to wreak on him this morning.
Michael felt gloomy and distressed.
The clock showed nearly "time" when Sandra had done with the manicure, and he could see the high gloss her efforts had imparted, appearing much thicker because of the successive layers. Sandra held up one of his hands and examined the nails.
"It's too bad that it's just a neutral shade, but that's what Jane ordered. Maybe someday I'll get to paint those little boy nails a pretty bright red." She spun the chair around and leaned him backwards again, washing away the chemical which she had applied and methodically removing each roller and dropping it into the sink. When she had done, she gently towelled the hair and turn him back around to see the springy curls that lingered in place of the rollers. She played with the little curlicues of hair, drying and styling it into the hairdo he had viewed in the picture. The curls were sprayed and the bangs teased until she was satisfied. Last, she took a lace ribbon, matching his dress, and twined it into the hairstyle, tieing it into
a bow. When she was through, Michael's glance in the mirror confirmed his deepest fears. His hair looked exactly like that of the model in the photo, and would stay that way for months to come. Finally, she pulled away the cape and let him free.
She leaned over and spoke again in her stage whisper. "See you in two weeks, Michael. Always fun to make a boy pretty. Now go let Carolyn get to work on you and make sure you say goodbye and let me see you before you go. Wait till you see what she does! A pretty little fella in lace and curls. And remember, there are still a few guys left in here, like those two near the door that can't keep their eyes off you. So don't forget," and she leaned closer and murmured with a broad smile on her face, "Your a girl now! Now smile, dammit. Make me think that you love this!"
Michael turned to glance towards the door, but Carolyn was there in a flash, leading him toward yet another chair. A group of teenaged girls was assembled in a semi-circle around it. Something was going to happen, he thought, that will make me the center of attention of that group. Despite everything that had happened thus far, he again felt panic. As she propelled him across the salon floor, Carolyn continued the taunts that Sandra had imparted.
"I noticed you had long eyelashes, Michael. Did anyone ever tell you that? We are going to do a real number on those eyelashes and every other feature of your face. God. Those girls you are about to meet would die to have lashes like those!" Michael cringed at her use of a masculine name while she talked and the abhorrent reference to his naturally long eyelashes. His fears were already running rampant without her intentional taunts, and his heart raced as they approached the group. He noted that the girls were dressed comfortably, most of them in jeans or casual skirts. The swishing of skirts and pettis about his knees reminded him that he was dressed more like a girl than they.
Carolyn directed him towards the chair after introducing him with the hated name of Michelle. Michael seated himself with a graceful swish of skirts and was grateful for Jane and Beth's training of such feminine mannerisms. He sat neatly before the girls with hands folded in his lap, and knees and ankles pressed tightly together. "Michelle is going to be our model today and I am going to show you how to make up for something more than regular day wear. Some of you may be in the pageant and parade this week, and there is a different technique for that. Now as I told you last week, make-up is about the most dramatic way that a woman has to project herself.
"We could almost imagine that Michelle, for example, is a boy, given how little makeup she is wearing . . . except for all those cute curls." The girls giggled their disbelief, and Michael trembled that Carolyn was taunting him by suggesting the truth to these girls. He flashed a wan smile at the girls.
As she talked, she had smeared cream over his face and removed all trace of makeup with tissue. Without the faint hue of cosmetic, his face had taken on a more boyish look.
"Well of course she couldn't be a boy. Look at those lashes." Her words drew the girls' attention to his eyes and they obviously approved of this naturally girlish trait.
"Now we want to start with a foundation that highlights that lovely complexion without looking pasty." She daubed dots of the flesh-colored compound over his face and smoothed it into his skin. After setting it with translucent powder, she moved on. "Now we start with the eyes . . . the window of the soul," she said. The girls giggled gratuitously in their excitement at this frolic. He felt like the personification of one of those silly articles in the magazines back at the house.
Caroline pulled a pallet of eye shadows from its case and spread them before the girls for all to see. Then she turned to Michael, and asked, "Michelle, honey, your eyes were really very underdone for such a pretty outfit and your new hairstyle. Tell the girls which colors you think are best to compliment your look."
Michael shot Caroline a quick, imploring look, but her response indicated no mercy would be granted. He turned back to the makeup pallet, now sitting on his lap, and began to consider the possibilities. "What about these blue ones?", he meekly inquired. Several of the girls surrounding him must have thought this girl to be awfully shy. Anyone of them would have gladly traded places, yet they couldn't know that he would just as willingly have agreed. Caroline chided him for his choices, sinking him even lower.
"Girls.... Michelle has just made an all too common mistake.... blue eyeshadows are very overused by you young ladies. You ought to spend more time reading Glamour or Seventeen, Michelle. You'd learn quite a bit. I'll suggest that to your Auntie."
With that one of the girls chimed in about a recent issue, and within moments all the girls were chattering over eye colors, each coming up with new combinations for Michelle to wear. Their gushing enthusiasm had a strange effect on him. His thoughts drifted to the reality known only to Sandra, Caroline, Beth, Jane, and himself..... that here was a boy, sitting neatly, indeed primly, before a group of teenaged girls in his pretty dress and new permanent wave, while they openly discussed his feminization. He felt a renewed sense of the enormous degree to which he had been changed, and seemed acutely aware of the sensations imparted by each item of his feminine clothing... the tingle of his petticoat on his knees, the constriction of the bra and garters, the tension in his calves from the modest heels. These thoughts flashed one after the other in a matter of seconds, and when he finally broke their spell, he realized he was becoming hard inside his panties. Michael squirmed at this unwanted development, acknowledging that at least the full slip would probably conceal his erection from the girls. His fidgeting didn't escape Caroline, however, and she pushed the makeup case down into his lap with a leer as she took it back..... causing him to nearly moan out loud.
Caroline proceeded to apply the eyeshadows, followed by mascara and liner, blush, and finally, lipliner and lipstick. She chose a rose colored lipstick, and made a big show of its proper application, using a fine camel hair brush coated with the lipstick to outline the lips, then telling Michelle to apply the first coat. His erection had, if anything, grown stronger, and it pulsed as he took the tube from her and leaned towards a mirror held by one of the girls. As it had before, and nearly every time since, the act of gliding the fragrant shaft over his lips brought home his plight with force. Caroline touched up his artistry, and stepped back to view the finished product.
She directed Michael to stand and face a mirror so that he could gain the full effect. He was by now used to a feminine visage when he looked in the glass, but, even so, was taken aback by what he now saw. The makeup, in conjunction with his new permanent, formed synergistically to create an astonishingly pretty girl. A "covergirl" was the word that crossed his mind.
Caroline wouldn't let matters rest. "Michelle.... why don't you walk to the end of the salon..... over near that boy near the door, and then turn and walk nicely back so we can see the effects from a distance." By now the other customers had become interested in the group at the end of the salon, and all turned their heads to see the results of Caroline's class. Michael took an imperceptibly large breath, and trying not to appear too self- conscious, slowly walked past the staring customers, mincing with the classicly short strides Jane and Beth had taught. The flutter and bounce of his skirts reenforced his never ending self-consciousness, but he was able to nevertheless exude a sense of some confidence as he approached the obviously pleased lad near the doorway. Michael caught his eye for a moment, and then evaded the gaze, utterly appalled at the thought that a boy would find him attractive. He turned in a swirl of petti's, and retraced his steps to the group, hoping that the swelling in his panties would remain hidden from his audience.
After a few additional moments of effusive praise from the girls, Caroline directed Michael over to where Jane was standing near the front desk. Beth was herself finished, and stood next to Jane with her own crown full of curls.
Michael's renewed journey across the salon was interrupted by Sandra. She was standing near a store room door and called for him. "Oh Michelle! Don't forget.... you're supposed to show me how pretty you turned out." He reluctantly changed directions, and followed her into the store room, where she closed the door. He didn't look forward to any time alone with Sandra, but felt the room would at least provide a modicum of security from the clients' stares in the salon.
Sandra stood back and surveyed the lovely boy. She grinned from ear to ear as he stood demurely before her, hands clasped neatly and properly behind his back at the bow neatly tied in his sash. But his telltale shifting of weight, as well as the knowing glances she had seen on Caroline's face, clued her into his secret. "Michelle, honey, you look absolutely darling! Didn't I tell you how much of a DOLL we'd make you? And that dress is just so sweet. I'll bet that's a petticoat you're wearing underneath it", she coyly inquired. Michael nodded his head, but was unprepared for what she said next. "Let me see it dear..... lift you're skirt up nice and high for me."
Michael hesitated, but knew he had no choice in the matter. He fingered the skirt for a moment, his nails gleaming brightly, and slowly began to raise the skirt, exposing inch by inch the lovely frills of his petticoat. The skirts rustled as he did so, creating a new urgency in the erection which continued to haunt him. Sandra urged his hands higher and higher, until the skirt's hem rested near his waist. Feelings of boyish shame, and arousal, swirled about his head as he stood before her.
"My goodness, but they are pretty," she exclaimed with glee. Michael didn't move as she came closer and stood over him, the skirts staying high, and his penis pulsating with each heartbeat. "I'll bet you really like this, don't you Michelle?", Sandra inquired, her twinkling eyes holding his in a gaze. "You know, being such a pretty girl," she said, thrusting the knife of her words in my deeply, and twisting it. Michael's silence was met by Sandra's outright laugher. "Of course you do, silly! LOOK!", and she swiftly scooped up his petticoats to expose the swelling at the front of his panties. A darker wet spot shone clearly through the thin material of the delicate garment.
"Well, our little sissy is excited! You must get a bang out of being the effeminate little wimp that you are, Michael."
Michael jerked away and dropped his skirts, trying uselessly to find a remote spot in the room to hide. Sandra quickly grabbed his arm, preventing his escape, and he collapsed against her, emotionally traumatized by her discovery of his condition. He was unable to comprehend what or why he felt this arousal, and Sandra stood back to leave him briefly with his thoughts. She took a high stool and sat on it before him. "Perhaps, Michelle, you are beginning to realize the significance of this treatment your Aunt has prescribed?" He finally mustered some words, and spoke more sharply than he had in seemingly weeks. "But I'm NOT a sissy!.... I'M NOT!", he exclaimed in defense of his masculinity. He limply threw his wrist at her as he said it, and instinctively reached next for his head to retrieve a stray curl that had bounced in front of his eyes. His performance was remarkably feminine, and Sandra wouldn't let it pass.
Her words cut to his core. "You can say that all you want, dearie.... but the fact remains that you are the swishiest little "sissy" I've ever worked on." She gestured towards the door, and laughed. "Now go run to your Auntie.... she want's to buy you some cute dresses, doll face!" Michael paused briefly, trying his best to regain some composure, and left the false security of the room for the full salon.
"Oh, and Michael, I'll be waiting to do you all over again in a week or so. Ta-ta, you sweet little pixie."
Chapter 8.
Michael followed Beth and Jane out of the beauty salon and into the passageway of the mall.
We'll do our shopping and try on the gowns first and then have a nice lunch. Come along girls," Jane announced as she swept up the arcade. She and Beth made a beeline toward the far end of the arcade, a determined woman with two young "debs" in tow.
Michael, trying studiously to look and move gracefully in the demi-heels, lagged slightly behind the pair. His separation heightened his anxiety and he struggled to catch up, but he knew that he dare not lapse into a more boyish dash or commit some gaffe that would betray him. As it was, his paranoia interpreted every lingering glance or admiring smile from passersby as a sign of their suspicion that he was not really a girl at all.
It is, of course, not uncommon for a young girl to blush and feel awkward when her appearance attracts attention, but Michael did not know this, and he interpreted his feelings as the sheer embarrassment of being judged by these strangers as a boy masquerading as a girl. He hoped that the store they were heading to would be sparsely occupied and without the throngs that strolled in the concourse.
Jane finally stopped outside a boutique whose marquee identified it as "The Style Shoppe" and in smaller lettering, "Elegant Fashions for the Young Miss." It stood adjacent to a stored named "Milady's Closet", and the open archway that he could see between the two stores behind the display windows suggested common ownership.
In the display windows, several mannequins stared vacantly into space, their manufactured limbs motionless in graceful yet stilted ladylike positions. This immobile tableau stood modelling various lingerie, blouses, and skirts. One was elegantly resplendent in a formal gown which bared the shoulders and then fell from a burgundy satin empire bodice to cascading tiers of organdy and chiffon. Michael could not help but notice that the shiny brilliance of the mannequins' curled coiffures and the exaggerated vividness of their painted features mimicked his own face as he recalled the image which stared back at him back in the beauty salon when Carolyn had finished her ministrations on him. In a bizarre way he felt like one of these fashion dummies: a counterfeit girl, painted and draped in finery.
He caught up to Jane and Beth to find Jane engaged in a conspiratorial conversation with another, older woman. He fretted at the glances that the other woman cast in his direction, and he tried to avert his glance and appear detached. Finally he was summoned over by Jane and introduced (with the loathsome feminine soubriquet "Michelle") to a woman named Miss Brenda Franson. She was near Jane's age, an attractive woman wearing a tailored tan suit but with and elaborate frilled jabot blouse which added much femininity to her working attire. Her hair was carefully styled and she imparted the look of a woman with taste and style who took great pains with appearance. She was, Michael learned, the co-owner and manager of this department. He took in the somewhat wry grin she graced him with, and the tone of her voice and suspected strongly that she, like the girls back in the salon, was one of Jane's intimates in this game of feminization. That suspicion was validated as they waled through the store, and Miss Franson spoke softly in his direction.
"I hope you have learned well from Jane, young man. You wouldn't wasn't to broadcast your real self to my salesgirls or all these customers. Michael blanched, eyeing the half-dozen young women clerks waiting on an equal number of shoppers.
They proceeded through the shop toward its rearmost area. Michael saw a couple of unaccompanied women, probably mothers or aunts shopping for a niece or daughter. Three other women had girls in tow. Some of them were examining the dresses and skirts that hung on the racks and display stands throughout the store. At one brightly lit alcove of mirrors, a girl his own age was holding up a pale rose dress to herself in that way that women have of doing as they visualize how a garment looks before trying it on. This place was, he sensed, a most feminine domain and one that, scarcely two weeks before, he would have been loathe to even be seen in.
The quartet marched toward an arch which separated the main store from a smaller area. There were fewer racks here, but many more mirrors. Two small settees, covered in off-white watered silk thrust their curved feet into the plush gold carpet. To one side stood a circular pouf upholstered in velvet of the same off-white shade. The valances were draped with diaphanous fabric, lending an elegant air to the room. A panel of switches and knobs suggested that the lighting was adjustable. To one side was a small raised platform like a tiny stage, and beneath the shallow proscenium arch were other lights, these with colored lenses. Michael guessed that fashion shows were held here. The room itself was probably a semi- private viewing and selection room where wealthy mothers could have their debutante daughters model prospective purchases. Michael grew a little weak as he realized he was the likely exhibition today.
Jane and Miss Franson were examining the dresses and other garments that were hung in the room, including both casual and formal outfits. There was a large display of diaphanous, dainty gowns. Michael would be made to try them all on, Jane thought. It would be a most absorbing time for her, and an instructional and humiliating one for her young charge.
Jane spent a lot of money in this store, as she would today, and that fact afforded her the near undivided attention of one or two of the salesgirls, or, as today, the manager herself. Not that money was any object or obstacle, for in addition to Jane's own, she had virtually unlimited carte blanche from Michael's own Mother. Michael was about to star in his first fashion show, and Jane would manage to ensure him an excruciatingly uncomfortable time of it.
Michael, resplendent in his elegant curls and professionally made up, sat despondently on the velvet pouf and gazed at his image in the mirror. He noticed to one side that there was a long walnut table on which were arranged an array of lingerie and other intimate attire. He surmised that all the items here had been pre- selected by Miss Franson at Jane's behest. Not that exhausting these items would necessarily limit the length of his ordeal. From front to back of the store were racks of more of the despised female paraphernalia. For the next sixty minutes or more, he was going to be subjected to true abasement. He saw a small zippered case on the table and assumed they had even prepared for the possibility that a touch-up of his makeup might be needed. It would be an agonizing prospect, here in public.
He glanced out through the archway to survey the prospect of intruding glances. Though the shop was off the path of the mall corridors, he was aware that passing patrons could observe what happened in most of the interior. His relief, therefore, at the semi-seclusion of this room, was tempered by that fact. Once or twice he caught the passing voyeur unobtrusively eyeing the women shopping in the store. In addition, several more women and girls were shopping, two with their husbands or boyfriends in tow. As patrons passed the fitting area where he would be trying on gowns and dresses and petticoats, these strangers would easily be able to view him resplendent in feminine finery. The prospect made him wonder if they would notice anything amiss. Would anything about him, he wondered, convey to them that he was not, in fact a girl, but a male masquerading as one: an unfortunate boy condemned to parade as a sissy in organdy and satin at Jane's demand?
The women ended their conversation and Jane beckoned him to come over. As he approached, Miss Franson reached into an alcove and parted the draped curtain which hid the doorway to a small alcove of a fitting room.
"Go in and slip out of your dress and slip, Michael, dear.
Someone will be along in a minute to help you."
Michael prayed that the "someone" would not be some stranger who would further add to his anxiety about all this. To his consternation, however, a girl of about twenty came into the room just as he was removing the slip. He had nothing on but a bra and panties.
"Hi, hon," she said with a smile. "I'm Sally and Miss Franson wants me to help you."
Her words did not clue Michael in as to whether or not she thought of him as a girl or was in on the conspiracy. He decided to play it safe, threw back a wan smile and busied himself hanging the dress and slip he had just removed.
Sally carried a pair of tap pants of brilliant satin and a matching camisole. These she laid down on the bench along with a camisole and petticoat. She exited the room, and Michael presumed that he was to get into these new items. Taking advantage of the solitude of the room, he slipped out of the panties he wore and into the tap pants and cami. The petticoat was just being pulled into place when the curtain parted and Miss Franson came in to observe that he had donned new lingerie and then summoned him back out into the larger room.
Though this area of the shop where dresses and lingerie were shown and modeled was separate from and hidden from the rest of the store, it was brightly lit and adorned with mirrors. Standing there in his petite camisole and petticoats, his shoulders bare except for the spaghetti straps, as Jane and the salesgirl chattered about the dresses on display, he felt exposed and insecure. He was an object on display in these shimmering skirts, and the occasional patron who glanced his way, though they found nothing untoward in seeing a girl in her underwear, made him feel imperiled nonetheless. He remained as motionless and unnoticed as he could, a feat not uncomplicated in this apparel.
One by one dresses and gowns of many variations were brought and he was put in them. Each time, Jane bade him to either stroll around the room or to mount the stage so that the trio of women could observe the clothing on him and chatter about each. From time to time Jane indicated her choice of the garments he modeled, and he knew that that item was being purchased for his future use.
Beth remained peculiarly aloof from all of this and her silence was a bit bewildering to Michael. He reminded himself to ask her about this when they got home.
It then came time to find the costume that he was to wear in some parade they had babbled about. The first gown Jane selected was ante-bellum, like something out of Gone With the Wind. It was a tightly bodiced dress with sleeves that exposed the shoulders. The skirt overflowed in a plethora of layers comprised of sheer organdy over a satin underskirt. In order to wear this dress properly, he was made to don still more petticoats which billowed the skirt outward. In the interest of time, he was not required to don the other undergarments that went with this ensemble: ruffled pantalettes and a chemise that laced with thin ribbons of velvet.
But Sally, the salesgirl, gushed to Jane about the historical authenticity of these wispy undergarments. Instead, she had him temporarily don a strapless bra in the fitting room. This requirement, needless to say, discomfited him greatly, for he feared she would notice some manliness about him that would negate his girlish pretense. He made sure that he fastened the initial clasp, holding the foam pads of his bogus breasts in place, and only sought her assistance in fastening the other hooks he could not reach. he was sure she either did not notice or was too polite to make mention.
He next was put into a satin princess gown of white and silver whose ruffled hem brushed the floor. For this outfit, his feet were thrust into silvery slippers. It was regal and very exquisite. As with each item he modeled, he was made to cavort about the area, prompted by Jane to pirouette the skirts and to strike poses that she found to be most becoming.
After two hours of trying on gowns and dresses and skirts, and array of articles had been chosen and consigned for delivery.
Michael was glad to be back in the less flamboyant dress he had donned that morning and even more relieved when the car finally pulled up at the house.
They carried a profusion of gaily wrapped packages into the house, and more were to be delivered by messenger. In addition to the array of feminine attire that hung in Michael's closets and teemed in the drawers, these new items were to be added.
To Be Continued...
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Seasons of Change
Part 3 of 3 Copyright © 1989,2012 Joel Lawrence
All Rights Reserved. |
In the frenzied days that followed through the weekend and into Monday, Michael had been exposed to more femininity and girlish activity than he had probably ever imagined possible. The curiosities, sights and smells of living a girl's life were thrust on him at a dizzying pace. There were mannerisms and postures to assimilate. He was made to practice for hours with rollers and makeup, his arms tiring from the unfamiliar reach required to roll the wands into his hair. He learned about colors and combinations in clothes, shoes and accessories. He practiced curtseys, polite phraseology and locutions that sounded effete to his male ear. Adjectives that he would have shunned at all costs as a boy began to seep into his speech.
Indeed, speech and mannerisms were the hallmarks. Inflection conveyed more than anything, Jane tutored, and Michael chafed as he mimicked the exaggerated intonations she prompted. He practiced gestures and walking and light hints of poise like tidying his hair and the right way to examine his face and dresses in a mirror.
He was ceaselessly being fussed over by all three of them, and was taught to busy himself with dainty little details. He spent hours perfecting the application of a myriad of colors to his face, his nails. He was required to submerge himself in bubbly baths, shaving practically invisible hairs from his legs and arms. It was a seemingly perpetual routine that started early in the day and ran till late at night.
He was not only taught to adopt a facile walk in pumps, but to become nimble at daintily swaying an ankle while balanced on the other foot. She taught him the girlish positioning of the hands on hips as opposed to the "arms akimbo" stance of a man; crossing the legs just right when sitting, exposing just the right amount of leg beneath the hem of the skirt; care in both sitting and rising from a chair so that the movement flowed gracefully and smoothly.
He mimicked the subtle and vain fluff of the hair that primped it in place, and though he seemed self-conscious with these and other mannerisms, managed a passable impersonation of a girl doing these things. Jane especially liked to demand that he manage that genuinely winsome manner of correcting makeup while others were watching so that the actions seemed less pragmatic than attractive. She delighted in the fact that his self-consciousness was intensified when she made him do this.
All of these subtleties had eluded Michael when, as a boy, he watched girls. There was so much to learn and master and Jane was determined that he would do so.
Without question, she thought, Michael had reached that point where he acquiesced to the demands she placed on him as to clothing and manner. But there lurked beneath his resignation an element of defiance which undermined her aspirations to subdue his will. Something had to be devised that would prompt his absolute subservience to her will and submission to her desire to correct his attitude.
Jane knew that Michael had not totally given in to his fate, and she also knew she needed to find some stratagem that would finally break his rebelliousness. It was this thought that occupied her thoughts that morning.
She thought over the highlights of the weeks since that first visit to Marisha Chalet. To be sure, there had been others, but it was the day of the pageant that provoked both the most marvelously distressing reaction and the major turnabout in the boy.
Michael had been quite sullen at breakfast that morning, his demeanor no doubt a direct result of his profound dread over the events that awaited him that day. The day began early, both Michael and Beth were at the breakfast table by 6:45, dressed only on jeans and tank tops. They were both due at Marisha Chalet by 7:30 to be dressed, coiffed and made-up. The pageant parade began at 10:30, and they had to be at the marshalling area half an hour before. That gave Carol and Sandy just over two hours to do their magic and turn the two boys into ravishing young debs.
Marie had seen to the delivery of their gowns to the salon the evening before and was now packing an overnight case with the shoes and other essentials that would complete the ensembles. After a quick cup of coffee and danish, the two were summoned by Jane to join her in the car for the trip to town.
Michael's dread of ordeal of the beauty salon were even stronger today than they had ever been before, for he knew that this visit would be decidedly different than the previous sessions. For one thing, Carolyn and Sandra had always seen him fully dressed as a girl before. Today he had been told to wear only panties, jeans and a tank top. Today, he knew, the two salon owners were going to be more actively involved in his transformation -- a chore that they not only suggested to Jane but which they avidly implored her to allow them. It would be even worse than the first time that Marie had forced him to submit to her feminizing endeavors that first day.
Secondly, he knew that the two women who owned the shop relished their upcoming assignment and would not only outdo their previous techniques on him, but would likely surpass them, and there would also be more of the derisive, teasing prattle that so debased him.
And finally, he knew that when they were done he would have to step out into the summer day and take his place on the Cotillion Float, adorned as a sweet, delicate debutante in a ball gown, to be seen by the hundreds of onlookers that would line the parade route. For several hours, during the parade and after, he would be obliged to appear adorable and feminine, convincingly masquerading with girlish manners and poise.
It would be most humiliating.
They arrived at the salon at 7:10. The shop was not open to general patrons that morning, Carolyn and Sandra having re- scheduled their customers to ensure no one except the pageant participants would consume their time and attention.
Inside, two of the assistant beauticians were busy fashioning curls on two of the other "girls" that Michael recognized from the one brief rehearsal he had attended with Beth. They nodded and smiled casually at him and Beth when they came in. Another girl sat idly reading a magazine, her head enclosed in the clear bonnet of a hair dryer.
Carolyn saw them first and she and Sandra came over to them not hiding their gleeful anticipation. Both of them cast a mischievous smile at Michael. Carolyn turned Beth over to one of the assistants who was idle and then both women led Michael into a small anteroom at the rear of the main salon.
"Michelle can getting fitted and dressed while Beth gets worked on," Carolyn said rather loudly to Jane, perhaps seeking to explain to the other three patrons the atypical practice of using the back room when so many of the regular stations were free. Jane responded that she would be back in about an hour.
Once inside the small private alcove, Sandra drew the curtain that separated the room from the rest of the salon. Michael saw that the gowns that he and Beth were to wear hung from pegs against one wall, their tiered ruffled skirts and satiny bodices a bright pastel contrast against the ivory wallpaper.
Sandra turned to him.
"Well, little man, I have been really looking forward to this," she said with a devilish grin. "We'll allow you a little privacy in here as long as you behave. We don't want those 'real' girls in the next room to see what you have underneath those pants unless we have to. Start getting undressed."
He hesitated at this command as Sandra turned and busied herself opening the overnight bag they had brought with them, and as Carolyn entered the room and re-drew the curtain behind her. Carolyn noted his indecision and added her own warning.
"Come on, Michael, get stripped", she murmured seductively, "unless you want to do this striptease out there," gesturing over her shoulder. "Sandy and I want to watch you change from the skin out. We don't get to do this all the time like Jane does, and you're not going to deprive us of our fun....before i go out and make a very embarrassing announcement."
Michael blushed deeply. Even Jane, Beth and Marie had allowed him a modicum of modesty when they dressed him, but it was clear that he was not going to receive that consideration at the hands of these two. He diffidently pulled the tank top over his head while he considered his predicament.
"Off with the jeans," Sandra insisted, and he loosened the buttons and slid the denim down his legs and over his shoes. The fabric stuck, requiring him to slip out of the sneakers as well. When he was done with this, he stood there clad only in the white briefs.
Carolyn was eyeing him during all this and tapped her foot at his hesitance at removing the underpants. Finally she came over to him and brushed her hand against their fabric.
"Cotton! well cotton is no fabric for a pretty little sissy to have against his butt. Take them off. We've got some darling undies for you to put on."
There was no way out, and as timorously as he could, he took off the pants and stood there, shy and flustered.
"Well look there, Sandy, he really is a boy," Carolyn said tauntingly. "It's hard to believe it, the way he looks when he comes in here."
"Or how he's going to look when we get done with him," Sandy put in.
It was at moments like this that Michael's thoughts strayed back to school and he wished he could relive those errors that brought him to this. That feeling was even more acute as he stood butt-naked in front of these two women who displayed more enthusiasm for what they were about to do than even Jane did.
Sandra walked over to him and rubbed the palm of her hand over his legs, causing a stir of excitement. Obviously not pleased with the faint trace of stubble she found there, she picked up an appliance with a coil like a door spring at one end, turned it on and applied its buzzing, twisting spiral to his legs. Her proximity and his condition had an initial effect on him as he felt the stirrings of turgidity and prayed that his involuntary reaction would not blossom into fullness in front of them.
The needle-sharp stings of the tool she was using as it plucked the soft hairs from his legs had a placating effect on his reflexive reaction and it abated momentarily. Sandra quickly finished her task and his legs stung from the treatment. It did not seem that what she did was that significant, and Michael began to think that it was more a symbolic than a practical exercise. Sandra obviously wanted to go through the motions of subjecting a boy to depilation.
Carolyn came forward with a lacy satin garter belt
"I presume you know what this is for and how to get it on," she said as she handed it to him.
He slipped the belt up over his hips and adjusted the garter straps to their proper locations. He wished she would hand him a pair of panties next so that he could cover the growing mass of his manhood which was becoming visible now. As if they read his thoughts, Sandra came over with a pair of nylons and pushed him gently but firmly into a straight backed chair, rolling one stocking down and inserting the toe of his foot into it, temptingly drawing it up over his calf and thigh. She fastened the front of the stocking, repeated the process with his other leg, then had him stand and bend forward slightly as she drew each up tightly, adjusted the seams and fastened the rear garter. By the time she had finished, he was fully erect.
"Well, Michael! Look at you. Why you must enjoy this immensely to get so big and hard."
He blushed scarlet. He hoped her voice did not carry into the salon. He felt immensely foolish standing there clad in garter and hose with a prominent erection jutting out under the lace of the garter belt. He knew from experience that lately he had been more prone to become stimulated when he put on these kinds of clothes, but it was also due to their presence and the provocative way in which they were both manipulating him.
"If we had more time," Sandra continued, "I might put that doohickey to good use -- but that will have to wait to another time. I hate to cover it up, but it's time to get our little sissy pretty."
She handed him a pair of ruffled blue nylon panties, trimmed in lace and small satin blue bows.
"Carolyn picked these out just for you. If this were a wedding it would be the 'something borrowed and something blue', Michael. But for today they are just the cutest thing for our little boy."
He felt a mixture of relief at being able to cover his nakedness and irritation at their teasing. He pulled the panties snugly onto his hips and swooned for a moment as the soft fabric nuzzled his glans.
"Very dainty," Carolyn said approvingly. They're tight enough to pull in that swelling of yours, but I suggest you try to keep it under control today or you're going to give yourself away. Like Sandy says, maybe we can do this again sometime when we can all have some fun. Now, little sweetheart, we need a little bosom to make you beguiling."
Carolyn took a brush from a bottle she held and applied a liquid adhesive in circles around his own nipples. He felt the chill as the solvent evaporated and when it had become tacky, she carefully fastened a pair of flesh-colored breast forms whose texture and coloration were remarkably lifelike. She molded the breasts in place and then, when the adhesive had set, applied a flesh-toned foundation and blended it to his skin, concealing the point at which the latex met his own skin. The weight of the ersatz breasts pulled against his pectorals and he decided this was what real breasts must feel like to a girl.
Sandy was ready with a midriff-length lace-trimmed brassiere which she wrapped around him and began fastening in the rear. It was strapless and low-cut, and somewhat tight, causing her to ask him to suck in his stomach to facilitate the fastening. The cups of the bra pushed the false breasts upwards slightly, and the slight constriction of the brassiere ensured it would not shift during the course of the day.
"Now this costume of yours is very, very authentic, so we need to get you into the other undies we have for you. Then we can start on your hair,' Sandra said. The two girls fitted him into a corselet decked with ruffles and eyelet, and a pair of pantalettes that matched. The corselet had a laced bodice with velvet ribbons as laces and the legs of the other garment ended just at his knee. In all, it was a somewhat ridiculous garment, but was, he suspected, very authentic to the ante-bellum time that it related. Probably just like Scarlett O'Hara wore, he thought to himself. He hoped the other girls were to be as historically correct in their ensembles, for it seemed that this was what he would wear out into the salon while they did his hair and make-up. Carolyn flung the curtain back and he meekly followed them.
His appearance evoked only the most fleeting of glances from the other girls. Beth's gaze lingered on him for a moment in the mirror in front of her. Beth, too, would be wearing such attire when her hair was done.
Sandy seated him unceremoniously seated in the adjustable chair at the work station and wet his hair. Large and small rollers were coiled into his hair, to shape it into the style that the women felt befitting. She began her usual taunts, whispered into his ears as she worked, as both girls were wont to do as they applied their wiles on him.
"We're going to make you very pretty today, love. Like nothing we're ever done before. You are going to be a knockout!"
She gathered new strands of hair and deftly wrapped them on the rollers.
"Such a pretty little lad," she went on with it. "You are going to be a knockout when we get done with you." Another roller in place, she went on "Gorgeous Michael, all curled and dressed in a lovely gown. Up there in front of the whole town and none of them but a few of us knowing that that captivating young girl is really a sissy boy in skirts."
He tolerated this invective, having no choice. He never doubted that either Sandy or Carolyn would reveal his secret if he gave them sufficient provocation.
"Are you beginning to like all of this Michael? Isn't it fun to have someone work to make you look so pretty and sweet?"
As always, he viewed these taunts as merely rhetorical and he stayed glum and taciturn. But today, Carolyn wanted some reaction, so she persisted.
"We were not just making conversation a while ago about our future plans for you. We have already talked to Jane about 'borrowing' you for the weekend for a trip to New york. Jane thought it was a wonderful idea. We can go shopping, get you some pretty new things, have lunch, and then see what else comes to pass."
Michael shuddered at what these two might have in mind.
"What exactly do you mean, Sandy?"
"Well, honey, someone as pretty as you deserves a chance to show off a bit in the big city. And Sandy and i are just dying to be your guides for a weekend."
The word guides hid some ulterior and more ominous meaning than it implied.
"We though next weekend would be fun. We'll talk to Jane some more and let you know. We'll chat some more after your hair is dry."
Fully arrayed in the pastel rollers, he was directed to the chair beneath to dryer to allow the heated stream of air to dry the curls. He noted the now-familiar smell of moist hair that flowed into his nostrils during this procedure.
As his hair dried, he surveyed the room. Other girls were in varying stages of preparation, some being made-up, some having their hair combed out, others entering and emerging from the back room in costume. All these things awaited him he knew, and he sat docile at his resignation to the ordeals that would befall him in this next hour.
He let her finish in silence and sat demurely beneath the hair dryer for the twenty minutes it took to dry the curls. Beth, by this time, was in the room he had been in before, and when she emerged, she was clad as he was, except that she also wore billowing layers of underslips tiered in sheer ruffles. Carolyn had already made up Beth's face and she wore more makeup than Michael had seen her wear at home. It was as though she was going onstage, which indeed she was, as was he. He fought a flutter of queasiness in his stomach that was both stage fright and outright dread of being in public dressed as he was going to be. Beth disappeared into the small alcove at the rear of the shop with Carolyn.
Sandy came over and slipped her hand under the metal bonnet, and satisfied that the curls were now dried and set, she switched the machine off and led him back to her work station. Seated again, he endured the removal of the rollers and the familiar sight of his hair springing back into ringlets as the plastic forms were removed.
She finished extracting the last of the rollers, and gently fluffed the curls in preparation of the next step.
"I have a lovely fall we're going to try with you today. What do you think of this?"
She held up a lifeless mass of a modelled wiglet that had a braided cap and sausage curls dangling from it. It appeared to be nothing more than that, until Carolyn, not waiting for any answer from him, fastened the comb of the fall into the back of his scalp and busied herself with arranging his own curls into place. The color of the fall was a perfect match to his own hair, probably the result of treatment with the same hair color they had taken to using on him. It all matched, and the effect was most fascinating. In minutes his medium length locks had sprouted into a coiffure of elegance that astounded even him.
"Very fetching, darling. See, I told you we were going to make you glorious!"
She absorbed herself in the finishing touches for another ten minutes, each stage of the process making him more uncomfortable as a new and more feminine visage stared back from the mirror. When she had done, he was amazed at the effect she had wrought.
"Sit still her, now, sweetness. Now I'm going to make you real spectacular! God, you are gorgeous!'
He sat still, abashed in his elaborate lingerie and dangling tresses awaiting the artfulness of this woman who had designs on effecting his total transfiguration.
"Time for some real glamour, Michael. A little color for that drab face of yours. Then into that gorgeous gown and petticoats. God you are going to be a hit. If these other girls knew just how a boy like you can outshine their own natural femininity, they would be jealous to a fair-thee-well."
She began by removing all traces of the meager make-up he had put on that morning. His face clean, she spent a meticulous twenty minutes attaching additional individual false lashes to his own, each glued inextricably in place.
"You have to hold very still while I do this Michael," Sandy ordered. "In a way, your own lashes are lavish enough, but Jane insisted I add some more. These are very hard to get off, though."
The increased abundance was visible even without the addition of mascara. But the mascara came, in three light layers, adding even more fullness and color. Then the faint line of sable below and above his lids, blended and smeared to simply highlight the eyes. Next a burgundy shadow, more intense in color than he usually used.
"Your getting pretty good at this, Michael," she whispered softly. "Isn't it fun having yourself made so stunning and gorgeous? You really do make a lovely girl, you know."
As always, Michael let this pass, though the image in the mirror attested again that she was right. With the right hair style and make-up, he was an attractive girl.
"Now some rosy glow to those flawless cheeks of yours. A bit more than you are used to, but we want you to look just divine in that parade."
She added a scarlet glow to each cheek, again, as she had warned, more brilliant than every-day wear, a crescent of vermillion that covered the cheekbone which blended into a faint ruby shadow at the edges.
"Michael," she said as she worked, "you should let go and enjoy this. Frankly I think you do, but you take some of the fun out of it for yourself and the rest of us when you resist it so much."
Without even expecting a response from subdued recipient or her art, Sandy carefully sketched the outline of his lips in crimson pencil, then filling in the outline with lipstick, blotting it carefully, repeating it and then dusting it with translucent powder.
"This will keep those luscious lips rosy all day, lover," she said by way of explaining this unfamiliar application of cosmetics."
Next a dusting of vermilion blusher capped off his features, and again, the reflection from the mirror was merely a vaguely familiar and very feminine replica of himself.
When Sandy was done, she swept the cape away from him and led him back to the small alcove where he would be put in three layers of petticoats, swathed in the rich crepe of the gown and his feet encased in satin pumps.
When he entered the room, he saw another girl there. It took a moment for him to recognize that it was Beth. He was astonished! Her hair swirled up in a dazzling styles, with interlacing braids and stiff curls, garnished with tiny Steffanoti's, she was resplendent. A lilac gown of chantilly lace over organdy and satin billowed out over buoyant petticoats. She wore long gloves on her arms which matched the gown. As Beth turned and smiled faintly at him, he saw that the colors of her makeup set off the ensemble perfectly. She was truly a beautiful girl!
"You're all done, Beth," Carolyn said. "You can wait for your friend in the reception." Beth swept from the room seeming to float on the skirt which just brushed the floor, giving mere hint to the darker purple pumps she wore. Michael was entranced.
The girls now began on him.
Just short of 9:50 they had finished with him, and the reflection he was invited to view in the full-length mirror bespoke not a boy, but a lovely, graceful girl bedecked in ante-bellum costume. Though Michael felt abused and victimized, yet he was resigned to carry off this charade to the full, and he had to confess to himself that he inwardly delighted in the transformation and the perceptions of stimulation that these clothes and this appearance gave to him.
The dress was a full skirted satin and lace, buoyed out by the layers of petticoats they had secured to his waist. The shoulders were bare, and mere vestiges of sleeves, full and puffed encircled his upper arms. Satin slippers that accented the gown encased his stocking feet. Carolyn positioned a broad-brimmed straw hat whose yellow satin ribbon band dangled fastening strands through the brim, and which she caught up to anchor the flat bonnet beneath his chin in an enormous golden bow near his left cheek. He was, in a word, fetching. Carolyn and Sandra were obviously thrilled with their efforts, and cooing and chattering, propelled him out to the reception area where he and Beth would await Jane to drive to the parade.
He found Beth standing there, somewhat aloof, looking every bit as lovely as she had when he had seen her moments before. Beth took in his full countenance. Michael spoke first.
"Beth, you look wonderful! You truly are a very pretty girl."
Beth smiled, then, glancing out at the parking lot, delivered a soliloquy which Michael would remember for a long time after.
"That's nice of you to say, Michael, but you should be aware that you make a far prettier girl than I could ever be. As I look at you right now, you may be the prettiest girl I have ever seen. Oh, I know, you are Michael, just dressed and done up that way. But you *do* look beautiful. You always do. You need to understand that. What Jane wants, and what you seem to be too dumb to understand, is some delight and acceptance of all this. Until you do, it will not only continue to be an uncomfortable situation for you, but it will have a significant effect on my future, as well. If you can't accept all of this, gracefully, because Jane demands it, then at least think about embracing it for mine."
Michael was totally perplexed by this last, but before he could probe deeper into her meaning, Jane's lincoln drew up to the door and the horn signalled her impatience. The two "girls" hurried as best they might out the door and into the spacious car.
Driving to the parade, Michael reflected on what his friend had just said, for he truly did deem Beth a friend. She said he was beautiful as a girl, a thought that caused him some grief but which bolstered his confidence in the upcoming onus of carrying off this masquerade of the parade. But there lingered a big question as to what Beth meant that his behavior had some influence on Beth's life. Michael made a mental note to pursue this with her as the car sped toward the marshalling area. Michael confessed to himself that clad in these soft garments and knowing that he personified the lovely girl he appeared to be, that he felt a warm, contented feeling. In a way, this was fun!
Michael and Beth were seated on their respective seats on the float. A couple of fussy ladies flounced the skirts of the various girls' gowns into decorous position, and another busied herself with powder puff and brushes rectifying flaws in makeup and hair. Michael fought the sense of his quandary seated on this satin bench dressed as a young damsel with the knowledge that he could "pull it off" and avoid disclosure. The ponderous carriage pulled into its place in the line of floats, and he busied himself with the pantomime and manner to appear the perfect young debutante, smiling and waving to the crowd assembled to view the cavalcade.
Chapter 10.
As Jane sat and pondered further, her underlying problem with Michael, and reflected on the plan which had begun to form in her mind nearly two weeks before took shape she had realized that it was complicated in its inception and diabolical in its consequences. She leafed again through the circulars that she received the preceding two weeks and found the announcement of try- outs for the children's play at the Hampton Theater. The flier indicated that the producer/director of the play was Dierdre Bradley, a woman that Jane not only knew but who was already in Jane's debt because of an incident that Jane had interceded in the previous Autumn. Jane had known that that debt, alone, would be insufficient to carry out the scheme she had in mind, but she knew also that other factors would play a part.
When she first read the flier a couple of weeks before, she had called Dierdre and volunteered her two young charges as potential performers in the production, identifying them as Beth and Michael, two of her sister's children. Beth, she told Dierdre, was a natural for the lead role, and Jane was certain that Dierdre had picked up on the veiled insistence that Beth be given special consideration for the role. Michael, she allowed, was a novice and needed only the broadening experience of the theater. Dierdre was sufficiently compliant to assuage any doubt that she would give Jane's request serious consideration. Jane took that pledge as a near surety that if Beth gave an acceptable audition.
Jane was familiar with Beth's acting ability (she had, after all, had a leading role in a play just the previous Spring). That fact made it at least likely that Beth could get the lead in the auditions, especially with a word from Jane influencing Dierdre.
The play was Alice in Wonderland and the try-outs call had indicated all parts would be open to audition. To aid in Beth's getting the part, Jane had bought a copy of the script and commanded Beth to spend at least an hour a day reading it, memorizing the part. This familiarity with the role would help in insuring Dierdre's choice.
But, of course, Beth's getting the lead role was only a minor factor in the grand stratagem. Michael, too, would be involved in the production, but not in a prominent role at first and not as Michael would basically have liked it.
Jane recalled that the most terrifying and humbling experience of young Michael since he had been here had not been when he was dressed as a girl, but, curiously, when he had been clad in boy's clothing. He could and would carry off to near perfection all of her mandates that required him to be properly attired and behaving as a girl both within and outside the house. However much those experiences might have jarred his equanimity, the had not sufficiently quelled his recalcitrance. Jane recalled vividly that the most appalling experience Michael had endured during his stay was that day he had been allowed to have his own way and go to town dressed in male rather than female attire.
Of course, she thought to herself, he was not really afforded an opportunity that day to totally shed the effeminate trappings that he had assumed; that was why he had had the encounter with the town bullies that so unnerved him. But facts were facts, and Jane knew that as he now was, Michael would look, at best, an effeminate boy if he shed the dresses and skirts which comprised his wardrobe. His arched eyebrows and medium-long curls evoked a Botticellian cherub which, for a teen-ager, bespoke a sissy.
Thus it would be. Michael would join Beth in the theatrical presentation, but he would be involved as a boy. She smiled wickedly to herself as she pondered both the developments and the outcome.
Jane now recognized that she had to have a talk with Michael to apprise him of this new wrinkle in the game plan. She was sure that he would be truly obdurate about the plan to send him out for daily play rehearsals clad as a boy. The memory of the scene at the shopping mall still burned deep within him. But that was the decision Jane had arrived at, and he would do it or else.
She advised Beth of her plans in the early afternoon and told Marie to have Michael join her in her study when Beth had gone. Beth found the whole thing rather vicious, feeling that Michael was being subjected to unusually severe tortures. But Beth had to also admit that Michael seemed to fail to grasp what he had to do to escape this anguish that he found himself in. Beth had been quick to learn the lesson and, in part, had found enjoyment in the elements of feminine life to which Jane subjected her charges. It was a pity that Michael could not learn this lesson.
Michael came into Jane's study in mid-afternoon, knowing that these summonses frequently boded ill for him. He sat demurely in the chair before her desk and waited for her to begin.
Jane chewed deliberately on the stem of her reading glasses as she stared relentlessly at the young man before her.
"Michael, I am disappointed," she began. "You have, to be sure, faithfully performed almost every little demand I have placed on you, but I sense that you have not truly corrected your attitude and that you see this all as something that will all go away in time. That is not what I had in mind. Though your demeanor has changed and you carry off the part rather well, I have come to the conclusion that we need to make a breakthrough here, and I have decided on a way to do it."
Michael felt unnerved at this, wondering what new abuse this woman had in mind.
"You did well in the dance review," she went on, "even though you had little time to get proficient. Nevertheless, as I told you then, you looked delightful in that little wispy satin costume you had to wear. And I am sure that you absolutely detested being up there in front of all those parents pretending that you, too, were one of the winsome lasses in tap shoes trying hard to be a graceful little girl. But I detected a note of resignation mixed with haughtiness about the whole thing. I want a stop to that. You WILL submit to this, in time, you know, if it takes months."
She noted his wince at this and continued.
"Yes, I mean months. I am capable and willing to keep you here indefinitely until I detect from you a surrender of acceptance to this role I have imposed on you. When you can say with some degree of conviction that you enjoy those skirts and petticoats, I will know that I have done my job. When you can accept the better half of yourself - the feminine part -- I will know that I have discharged my duty to effect your reconstruction as a responsible young adult. Until then, I will be relentless in these efforts."
She let this sink in as she hovered over him.
"I spoke to your Mother yesterday and told her of my difficulties. She has allowed me to keep you here a bit longer until I convince her I am satisfied with how you are progressing."
Michael remained speechless, rolling over in his mind both the fact that his ordeal was to continue longer and by Jane's puzzling conclusion that more was expected of him. He thought that he had fully complied with all of her dictates, and he wondered what more she wanted.
"So we have a new program for you. You and Beth are going to be in a delightful little children's play next month and I have enrolled you both in the cast."
Another excursion into the community, Michael groaned to himself. He dreaded these extended forays out of the house. Still, he knew, that he had managed to fool the world thus far, both in the silly Cotillion Pageant and the even more ridiculous dance review that Jane alluded to. He had got fairly used to all the affectations that he was compelled to execute in order to carry off the impersonation.
Indeed, Michael had to admit to himself, he had sort of begun to enjoy the charade a little. He had ceased to wonder if there was something wrong with him in that he had grown fond of the soft touch of silk and satin on his body and the make-believe aspects of these costumes and makeup. Perhaps in part because Sandra and Carolyn, despite their constant taunting, equated a certain sensuality with his condition, his sensual response to this masquerade had increased. The erotic sensations of it all seemed to heighten as each daily repetition of the feminine rituals were performed.
It was a conflict of emotions within him: hating the humiliation, fearing discovery and disclosure, yet oddly thrilled and stimulated when he looked into a mirror and saw himself. Movements and articulations that appalled him a few weeks ago had become almost second nature.
"There is a slight twist to this particular exercise, however, Michael. Beth, of course, will be attending the auditions as she is. But you, my dear, will be going not as Michelle, but as Michael, my nephew."
This cryptic remark took more than a moment to fully register with him. And even then he was not fully cognizant of what she meant.
"I don't understand, Jane. What exactly do you mean?"
"I mean simply this, my young priss. You will be attending the try-outs, and, if you get some part in the play, the rehearsals as well, dressed as a boy. It will be your responsibility to be dressed and as presentable as a boy as you yourself feel necessary each day that I take you there."
Michael's mind inevitably raced back to that scene at the mall -- the last time he had ventured out in male attire. He felt a flush of panic at a repetition of that unfortunate and terrifying incident.
"Have no fear, I will avoid to the degree that I can the problems of that last outing. That time it was your wilfulness that prompted my setting you up for that occurrence. I will get you some less distinctive and more masculine things to wear. It will be up to you to do something with your hair and the like to look as presentable as you can as a boy. Nevertheless, that is my decision and we begin this afternoon."
Michael suddenly wished he were miles away. Bad as it was to sally out in skirts, he was fearful of appearing publicly as a boy, with these curls and plucked brows. He wondered if he could erase every single trace of cosmetics to ensure that no suspicions were aroused among those who saw him. And what if someone recognized him -- someone who had seen him dressed as a girl?
"Secondly, your "disguise" as a boy is only for those limited times you are at play practice. At all other times, and as soon as you return each day, you will promptly and carefully revert to the winsome lass we have worked so hard to cultivate. Is that clear.?"
Michael realized that he had no choice in the matter, as he had no choice about anything she wished to impose on him. Resigned to the inevitable, he told her he understood, and turned his thoughts to the challenge of mastering this duality she had thrust on him.
"Fine, she said. Now, if you like, you may go change. Mind you there is only about an hour before we go. I want you down here in exactly sixty minutes ready to leave. Marie has taken some new clothes up to your room. And another thing: you are forbidden to ask either Marie or Beth for assistance in this endeavor. What you accomplish in this reverse make-over is strictly up to you. Now run along."
Jane watched the troubled boy curtsy, as he had been ordered to do, then mince out of the study. She smiled at the prospect of Michael anxiously restyling his hair and searching zealously for the slightest hint of makeup or nail enamel. Jane suspected he would achieve a passable look, but she was fully aware that even in trousers, the curls and delicate arch of his brows he would achieve, at best, less than the all-american boy look.
Michael returned to his room disconsolate. His first reaction was to check on the clothes that Jane had promised would be there, and he found them in one section of the large closet in the room. They were, indeed, more masculine than the clothing she had foisted him the time before. Corduroys, boy's gabardines and real shirts and pull-overs. The shoes were there too, not the ambiguous penny loafers, but real laced oxfords. There were dark blue sox on top of the chest of drawers, but he saw no male underwear anywhere, and a thorough search of the drawers disclosed none. The "male facade" was to be just that, and he resigned himself to having to wear panties beneath it all, wishing that he had at least one pair of cotton underpants. Such was not the case.
He doffed his skirt and blouse and slipped out of the hose, slip and bra. He decided to take another shower, after he had carefully removed the makeup he had painstakingly applied just hours before. He began by rubbing each nail with a cotton ball heavily saturated with polish remover. He wished he had not selected the pink shade, for remnants of clear nail polish would be less noticeable. He could do noting about the length of the nails. Though they were not overly long, he suspected they were longer than a boy could reasonably get by with. He debated filing them shorter, but remembered the other part of Jane's directive that he had to resume his guise as Michelle when he came home. She would most likely remonstrate him for trying this. Nevertheless, he took an emery board and filed them down slightly.
He applied cream and make-up remover three times before he was satisfied no trace remained. He jumped into the shower and scrubbed thoroughly, removing any trace of scent that would alert a passerby. When he was done, he picked out a pair of the least frilly panties he could find and put on a white shirt and the cords. As he laced the oxfords, he felt an odd sense of deja vu being back in these clothes again.
He sat at the vanity with brush and hair dryer trying diligently to tone down the ringlets, achieving, finally, what he felt was a passable male hairstyle. It was far too curly, and the hot steam of the shower seemed to have intensified that. It would have to do.
With only moments to spare, he arrived downstairs in the foyer. Neither Beth nor Jane said a word to him, but Jane seemed to smile a little ruefully as they marched out the door to the car. He was not particularly reassured. He began to effect a more boyish air, and prayed fervently to himself that he would not forget and lapse into a turn of speech or gesture that would be misinterpreted.
They arrived at the community hall which served as the home of the little theater groups that thrived in the area. Inside, an assembly of over forty boys and girls were seated in the auditorium seats and two adults were conversing near the apron of the stage. Jane told the pair to seat themselves and she strode to the front to speak with one of the women.
Michael and Beth took seats slightly removed from the rest of the group. Michael could see that many of the other teenagers were friends or acquaintances, engaged as they were in affable banter. In age they ranged from 10 through 15, younger in age that either Beth or Michael, but then both of Jane's charges appeared more youthful than their actual years and so they did not stand out in age from this group.
Michael was aware of some stares that were directed his way and could not be sure if they were the mere curiosity toward a new boy or if, as he always feared, some inadvertent sign was communicating something odd about him. He avoided the stares and waited patiently to see what was to unfold.
After a few minutes time, one of the women walked onto the stage in front of the curtain and began to call the group to order. A roster of names was read off, and each youngster responded. When Michael's name was called, he replied "Here" and once again noticed the inquisitive stares now that a name had been placed with the strange new boy in the group.
The woman identified herself as Miss Bishop and then went on to outline the rules of conduct for those who wanted to participate in the play. Today, she said, they would all be given a chance to read parts if they wished. She listed the various roles that were available and assured the gathering that everyone would have a chance to participate in the production.
Miss Bishop called for volunteers who wished to read parts, and Beth, as she had been instructed, raised her hand. Michael was unsure what to do, and since he had not received instructions from Jane on this point, elected not to raise his hand. Those who had volunteered were directed to come down to the front rows, and Michael now found himself alone and apart from the group as Beth walked down the aisle.
The curtains opened to a relatively bare stage where some signs of set construction were evident. Miss Bishop passed out copies of small script books and selected several boys and girls to read assigned roles. In small groups of 3 or three, she had each mount the stage and read the lines of their designated characters.
During the auditions, there were the usual gaffes and stilted deliveries that always accompany first readings. But Beth, who was called on to read the part of Alice twice, delivered her lines as though she had studied them in advance, which of course, unbeknownst to anyone but Jane she had. As a result of Beth's more polished delivery, she stood out from the other girls who read the part, and, to Michael, she seemed a shoo-in for the role.
After all the reading trials had been completed, And after consultation between Miss Bishop and Andrea, the other woman who was assisting her, she announced that the assignment of parts would be announced the following afternoon. Now she had all those who had not opted for speaking parts to walk across the stage. She separated them into various groups, took notes and again deliberated with her associate. Gradually the groups were whittled down to categories ranging from 3 to 8. Then this group, too, was told that the parts they would perform would be announced the following day.
After an hour and a half of this, the assembly was dismissed with instructions to return at 1:30 the following day.
On the way home, Jane bubbled with praise for Beth's presentation and expressed her certainty that the role of Alice would go to Beth. In anticipation of this, and to guarantee that Beth would do a stellar job, Michael was told that he would have to work with Beth at home to assist her in getting her lines and movements down pat.
"Beth," she said, "I think you did splendidly. Now we have to be sure that you carefully learn the part and outshine all the other actors in the performance. I think I will have Michael help you. You'll help Beth, won't you, Michael," she said, looking into the rear-view mirror. Feeling more than a small amount of comradeship with Beth, Michael said "Of course."
"There," Jane said. "It's settled. You will spend some extra time together getting Beth into the role. Besides, Michael, it will be good for you too. Let me tell you, as a teacher, there is much to be said for memorization of things. And despite the apparent nonsense, Lewis Carroll has much substance in his writing."
Michael did not respond. He stared out the window as he thought to himself that he had always excelled at rote memory while at school, quickly and effortlessly learning obscure passages of poems and orations assigned by the school masters to his class. He could probably learn Beth's lines faster than she could, and likely would. At any rate, this new task that Jane suggested would alleviate the boredom that had lately been creeping into the life at the house.
They arrived home and, as he was bidden, Michael bustled to his room to change. He hung the male togs in the closet with a hint of remorse, and changed into the skirt and blouse that were on the day's agenda. With a touch of make-up and some remedial measures to his hair, he returned to the library to find Beth already studying from the little yellow playbook.
"Hi," she said. "Wanna help?"
"Sure," he allowed, and she produced a duplicate copy of the script for him. "Let's start at the beginning, just learning lines for a while."
Within an hour they had finished three pages of the book and Michael knew that by the morning, if he spent another hour alone at it, he would be able to commit all of Alice's lines and cues within those three pages to memory. By the end of the session, Michael was correcting Beth's miscues virtually from memory.
Jane got the call from Dierdre just before dinner.
"Jane, I was quite impressed with your niece today. Andrea and I have decided to give Beth the part. I thought I'd let you know.
"Well," Jane replied, "that's splendid. I told you that you wouldn't be disappointed, Dierdre."
"I will be making the announcements at tomorrow's rehearsal. I'd prefer you have Beth keep this a secret for the time being and act a little surprised. No sense in appearing to play favorites."
"Of course, Dierdre," Jane said as she smiled to herself.
"Are you sure that Michael shouldn't be considered for a part? He really is a darling boy." Dierdre proffered.
"No, Dierdre. I think it would be good for him just to get his feet wet in theater and keep Beth company. There will be time in future. Actually, I think in time he might do well. But it may be asking a bit much of him right now."
"Well, as you see fit. Anyway, I will talk to you later. And thank you, Jane."
"My pleasure, Dierdre," Jane said, realizing that it was, in fact, more her blessing than Dierdre's.
After dinner, and the announcement that Beth had, indeed, got the part, Michael sat in his room setting his hair and preparing for bed. As he twisted his hair on the rods, the seeds of a little game began forming in his mind. He remembered Jane's outspoken praise of Beth's efforts in the car that morning, and her beaming approval at dinner when she announced that Beth had the lead in the play. Michael knew that his ability to master the lines exceeded that of his female friend. What if, he thought, I mastered the lines before Beth and even better than she? It would undoubtedly stick in Jane's craw that Michael, her annoyance, would outshine Beth, the pet, in this rote memory exercise. The old witch would be furious about that, but would be able to say little about it. After all, the suggestion that he assist Beth had come from Jane and Michael could not help it if he had this facility with memorization. The prospect of this little turnabout made him smile to himself.
In fact, Michael thought, I will go one step further. He remembered Beth's admonition to him a few days earlier in the beauty shop. She had called it "giving in to Jane's demands," as a means to evading her continued displeasure with him. That advice had been on his mind constantly since it had been spoken, especially the part that Beth had added that the termination of his exile here would end more swiftly if he exhibited some resignation to Jane's corrective measures.
If he were honest with himself, Michael thought, he had actually grown to fancy the feel of satins and laces on his skin and the rustle of slips in these last few weeks. The sensuality of those fabrics, especially in sensitive areas, was unmistakable. Moreover, the pretense of dressing as a girl and carrying out the masquerade successfully was, in itself, a small drama in which he was the star player. Now that he knew that he could credibly portray a girl, he realized some small delight in the practice.
He still rebelled outwardly, sometimes, in a vain attempt to project his sublimated masculinity. Bit that rebellion, he realized, got him nowhere, and, as Beth had cautioned, only exacerbated his situation. As long as he accommodated the few women who subjected him to all this, he seemed less likely to incur the taunts and new plots hatched by Jane and her confederates.
In fact, he knew that if he displayed more acceptance with Carolyn and Sandra, they would relent in their mocking. He would try that on his next visit.
He wanted this to end, and soon, and to return to his normal life. He knew now that that prospect was his choice to make. He wished that he had realized this earlier. Perhaps then he would not be attending play practice dressed as an unconvincing and delicate-looking boy, and would, instead, be clad in the more convincing girl's attire. For as much as he tried to mask the fragileness he manifested when in boys clothes, the length and curl of his hair, and the plucked arch of his brow and fullness of the false lashes defied camouflage. He knew he was in for a lot of problems with some of the other boys; that day he had seen the mocking glances and heard the muted derisive laughter from some of them today. He dreaded the possible discovery of even the faintest trace of cosmetics or nail enamel, and was diligent in his checking for them. He prayed no one would ever see the panties he was made to wear beneath the trousers.
He resolved to change his attitude.
The next day the award of parts was announced to the assembly and play books distributed. Beth did a credible job of seeming surprised, and accepted the script she was given as though she had never seen it before.
Michael was assigned with a group of other boys to a small part that would require a short song and a dance, and the group was further designated to work on scenery. As the newly assigned speakers mounted the stage to begin practicing, Michael and the other boys were led by Andrea to the workshop backstage and put to work with paintbrushes decorating the scenery flats.
It was here, when Andrea left the room, that the teasing began.
"Does your mommy curl your hair for you, Mikey?" As the other boys giggled at this, Michael saw that it had come from A boy of 14 named Matt Page. He was a leader of the group, though not all the boys deferred to his arrogance. Michael elected to let the slur pass and continued painting.
"You sure are a pretty little thing, Mikey," the taunts went on. "Bet you have more dolls than baseball gloves to play with at home."
Michael suffered these indignities in silence as the chorus was picked up by some of the others.
"He's prettier than half the girls in this show." one said. "C'mon, sissy. Kitty-cat got your tongue?" Not going to cry now are you?"
Michael's lack of reaction to all of this did not quell the taunts, but they changed from direct confrontation to jokes made about him in the abstract, third person. He felt growing embarrassment, but he instinctively reasoned that any retort would prove fruitless and, most likely, provocative. He had no desire to get into a confrontation with any of these boys. He kept working, feigning a sense of obliviousness. Fortunately Andrea came back in the room and her presence muzzled the aspersions. Though the vocal abuse stopped, he could still hear the whispers and stifled titters. He was an outsider who presented a convenient foil to the cruelties of a group of bonded teen-age boys.
Andrea stayed the rest of the session, working on costumes with three of the girls. At 3:30 the group was dismissed, and Michael hurried to find Beth in the theater, avoiding the small gang. Marie was waiting to take them home.
"Why so glum, Michael?" Beth said, as she stood by the vanity in his room and watched him re-apply his makeup.
"I got a little teasing today, Beth. I'm sure it's just the beginning, Jane has really pulled a rotten trick on me, making me go there as a boy. I'm going to have a bunch of trouble with some of those guys, I'm afraid."
"Try to forget it, Michael," she counseled. "You wouldn't find yourself in this mess if you had just gone along with her before. I worry about you sometimes. She's just punishing you because you won't get the message and give in. You have to go along and get along -- both here at home and at rehearsal. I'll help you, but you are the one who has to change before the situation is going to change."
He thought about this and found it reinforced his thoughts of the previous evening.
"I'll try Beth. I really will. But I felt like punching that asshole this afternoon."
"For gods sake! Don't do anything stupid like that. If you get kicked out of this play group she will really come down on you. This play will be over in another 5 or 6 weeks and then you won't have to worry about it. It's only a couple of hours a day. Maybe I can speak to Miss Bishop."
"Let's not just yet. I'll try to work it out. Thanks, Beth. You really are a good friend."
By the end of the third week of rehearsals, the direct confrontation with Matt Page and the more vocal of his cronies had diminished. Michael was still an outsider and subject to occasional verbal abuse, but status had been set, And now that they had bored of continuing to demean him, he had simply been relegated to the permanent role of "Sissy Mickey", the belittling appellation they had hung on him.
In part they had laid off him because he endured the mockery with no response. In no small degree, he also thought, it became increasingly difficult for the group to treat him with derision given the fact that they, themselves, had to don darling little costumes and learn and practice a fetching little song and dance routine that was their part in the play. Moreover, Michael detected a note of sympathy from some of the boys --they were not all as bullying as Page. Once one of Page's flunkies had challenged Michael to a fight, and before things got out of hand, Ted Wyatt had stepped in and told the tormentor to lay off. Michael was more than grateful to Ted.
There was a girl in the cast that Michael was attracted to. Her name was Karen Austin, and Michael thought her to be one of the prettiest girls he had ever seen. Karen was over seventeen. a little older than the other cast members. He went out of his way to talk to her when she was alone and not amid the gaggle of girls, for he knew that if he spent too much time with groups of the girls he would open the door to more torment from the Page bunch.
Nevertheless, Karen was very special. She had warm blue eyes and gorgeous blond curls. She was kind to him and more than once censured the teasing that she knew he received from the others.
"Michael," she had said to him one day. "Don't let them get to you. We are all made the way we are, and I, for one, think you are cute. I don't think you are a sissy like the others. As a matter of fact, I like curly-headed boys." She smiled as she said this, making him feel at ease, as she had intended.
Karen, as it turned out, lived a life not unlike his own, in the sense that she was alone. Her mother was deceased and her Father worked for a large oil company that required him to travel a lot. She lived with a grandmother, had made very few friends since she came to Hampton three months before, and seemed rather lonely. She had tried out for this play in hopes of meeting some new friends, yet Michael, she had said, was the closest friend she had made. The girls in the class were cliquish, and, besides, none lived near her. She was desperately lonely for Bethesda, Maryland where the family had lived before her father's last promotion.
Michael was very sympathetic and solicitous of the loneliness she expressed, for he, too, felt that loneliness that accompanies an uprooting and new surroundings. He felt sad that after the play was over the likelihood of seeing Karen again would fade and they would both be diminished by that.
As the play practice went on, he found himself finding more and more opportunities to spend time with Karen. She was spirited and fun, and she less than subtly conveyed a growing fondness and attraction for Michael which was more than just friendly.
One afternoon she had invited him to go with her for a soda after practice, and Jane had consented. Karen had her own car and had assured Jane she would drive Michael home in time for dinner. Jane, knowing Michael had nowhere to run, had allowed it. Karen and Michael had strolled around town and had sat for an hour in the cafe sipping a Coke. As they had strolled, Karen had taken the initiative to slide her hand into Michael's. They chemistry between them was perceptible, and Michael wished he could see more of her...and for a longer time and in a more personal way.
Karen had a lot of wisdom for a girl her age. For one thing, she professed boredom with the macho attitude of the "babies" as she called the Page bunch. Michael felt almost uncomfortable as Karen went on at length about the unfairness of society's demands on both men and women, stereotyping them into pigeonholes and deriding any deviation from those set standards.
On one occasion, Michael felt a pang of misgiving mixed with curiosity when Karen lamented the fact that boys and men were deprived of the nice things girls got to do. It was an innocent comment, made in no particular context; but considering the double life that Michael was then living, the remark had special significance. Nevertheless, his curiosity was a product of his wondering why she would bring this up, and he had gingerly pursued it.
"Why do you say that, Karen?'
"I don't know," she said. "It just came to mind. Maybe it's just me. I get great enjoyment out of a new dress or a trip to the beauty shop. I don't think a man gets that same degree of satisfaction by a suit or a haircut. Maybe girls are just that way. Still, I think it a little unfair."
He had not pursued it further, afraid his interest might be misinterpreted. But the thought and her words lingered with him. Perhaps this attitude was more widespread among women and girls than he had thought.
The weeks went by, and he and Beth worked diligently at home on her lines and movements, staying well-ahead of the schedule that Miss Bishop had imposed on the cast. Less than three weeks before the dress rehearsal, Beth was fully conversant with the role, and Michael knew it even better than she.
Meanwhile he was the model of supple acquiescence at home,anticipating nearly every one of Jane's whims and keeping himself winsome and sweet at all times. He gradually fell into a totally automatic and unpretentious deportment as a girl, such that his concentration on boyish mannerisms while at rehearsal became the part of him that required careful attention. Having abandoned the obstinacy that had marked the first part of his stay, he found he was more comfortable in this imposed role. He became more fastidious about his clothes, eliminating the need for daily counselling on what he was to wear, a point that Jane noted with approval. His hair and makeup were flawless in execution. Indeed, free of his hostility, he began to derive some satisfaction and even heightened eroticism from the feminine accouterments that comprised his existence. He thought of Karen's remark one morning as he lay in bed, luxuriating in the soft touch of his gown and agreed that there were appealing aspects to this life.
Jane was exceedingly pleased. In fact, she had agreed to let him spend more afternoons and even one Saturday with Karen as a reward for his conformity. He grew to enjoy these liaisons more and more. He was growing exceedingly fond of Karen.
Chapter 11.
It was in late August -- just a week before the play performance -- that everything seemed to come unravelled. Jane had summoned him to her study one Monday morning. "Sit down Michael. I have something rather important to discuss with you."
He seated himself on the settee, careful to smooth his skirts beneath him.
"Beth will be leaving us today. You can say your goodbyes in a minute. Your friend is waiting for you in the garden. Beth's time to stay is at an end. For public consumption outside this house it will be said that there has been a family crisis that caused this to happen. At any rate, the train for New York leaves in just over two hours. I'm sorry I wasn't able to tell you about this sooner."
Michael was speechless. Beth had become an ally, a confidant. Michael was mystified as to how life would go on in this house without her. He felt more than saddened; he felt a sense of loneliness creep over him.
"This event was inevitable, Michael. Or, as I shall consistently call you from this point forward, Michelle. Life goes on, transitions happen. This is a transition, Michelle. You will understand more of this in a little while. This next hour is going to be filled with its share of surprises, even shocks, for you. I suggest we get on with it. Go meet your friend."
Michael left the study and headed to the garden. There was no immediate sign of Beth, but Michael was surprised to see the figure of a young man seated on the wrought iron bench, his back to Michael. Perhaps this young man had come to take Beth to the airport.
Feeling somewhat perplexed, he looked around for the girl he had come to know as his friend, then called, tentatively "Beth?"
The youth turned at the call and Michael saw his face. The resemblance was virtually unmistakable. Michael was sure this must be a brother.
"Hello, Michael," the young man said. Michael was taken aback at hearing his true name. Not only did the youth know his name, but had said it to someone dressed as a girl. Beth must have told him, Michael thought!
"Michael," the youth said, " it's me....Beth."
Surprise gave way to shock. Michael reeled, his legs turning to jelly.
"Wh...what?!" was all that came out.
"It's Beth, Michael, or David, which is my real name."
"I...I....I don't...."
"You don't understand. Of course. Sit down...please." The voice was friendly, calm.
"I know it's a shock, Michael," the youth said quietly, "it always is. But believe me, I am Beth -- or I was until early this morning. Let me explain."
Michael sat down, relieved to ease the shaking in his legs. Even though he gained a measure of composure, he was shaken and baffled by these words.
"I just came from Sandy. She is almost as good at reversing her work as she is in doing it. You see me now as I am. Just be quiet a minute and I'll try to explain all of this to you."
"My real name is David Brost. I came here eight months ago. Like you, I had been in some trouble, but I'm sure my problems were worse than yours. You see, I got into some trouble which could have involved the police. Fortunately for me, the officer who questioned me was a friend -- no, actually a graduate of Jane's school. I got the choice of here or a potential trip to reform school so I chose here. I was as naive as you were when I came here, but looking back at the options, I'm better off having picked here. And once I was here, there was no going back"
Michael's mind reeled over these revelations. David had more information to impart, so Michael remained silent.
"I was like you are just half a year ago. You might want to chastise me for not telling you all about myself sooner, but that is the rule here. Nothing can be revealed without Jane's permission. A part of that is security and part is an element of the process. You would not have come as far as you have if you had known about me."
"And I stress the security! If it were to be discovered what Jane is doing here, it would have a very bad effect on me and everyone who has come through here. You must always keep silent about these matters. I have more to say about that in a minute, but promise me that you will abide by that rule! It could devastate me if it were discovered how I have lived these last eight months."
Michael assured David the secret was safe and waited for him to continue.
"Believe me, Michael, there is something to be learned here. When I look back on what I was when I arrived, I am amazed. I have a new appreciation for things I barely understood then. I have felt a sense of release by letting go of things that were a weight on me. TO be frank, I have enjoyed secret moments of enjoyment being dressed in girls' clothing. I suspect I may do it again from time to time because of that I get a kick out of being dolled up -- something I would have found repulsive a year ago."
"There is something of a revolving door in this place. Perhaps in a few weeks you will find a new "Michael" or "David" here and you will become that person's mentor. One never knows. I heard Jane on the phone last Friday talking to someone, so it is at least possible. For your sake, and mine and the new boy's, you must be Michelle and not Michael. Do you understand?"
Michael did not understand, completely. Yet in deference to his friend he nodded assent.
"Good. Now, as to you. You have made it harder on yourself here than you needed to. I tried to warn you, but you seemed hell-bent on not listening. These last few weeks you have changed, but it came too late, so you find yourself forced to live a double identity, as Michelle here and as Michael at the theater."
"Jane's technique works. You have been one of her most difficult...so she told me. My warnings to you fell on deaf ears, you blockhead. I was a lot quicker than you to pick up the vibes on what it takes to get out of here." This last was delivered with such good-will that Michael did not take it as an insult, but smiled wanly in response.
The play! It suddenly occurred to Michael that with Beth...David gone, what was to become of the play. Michael voiced this concern.
"Michelle, that's part of the plot, don't you see? She planned it this way before we ever went to tryouts. What did she tell you 'death in the family?' 'Family crisis?' She's totally covered as to my departure. She had your school record; I read it. 'Very facile in memorization.' She knew you would have the lines down better than I. She will call Dierdre and volunteer you to take my place. You see, have to reap the consequences of your imprudence."
A new flood of awareness engulfed Michael. Did they seriously believe that he was going to step into the role of Alice? He couldn't. An image of Matt Page's jeering face popped into his mind.
While Michael and David were in the garden, Jane undertook a pressing task. She dialed Dierdre Bishop at home.
"Dierdre, dear," Jane said, when the woman answered the phone, "this is Jane. Dierdre, I'm afraid I have some rather disturbing news to tell you. Beth has been called home on a family emergency and must leave today."
It did not take long for the significance of Jane's words to sink in. Dierdre's concern was clearly over her production, and not the gravity of the 'family emergency' that Jane had alluded to.
"My God Jane, that's terrible. I mean...what are we going to do. That is....well, I hope it's nothing serious?"
"I'm afraid that it is quite serious, Dierdre; I'm afraid that there is simply no choice. Beth will be leaving on the noon flight to Richmond." "I realize that this signifies a blow to the play, and I am most put out about that. I hope that you have someone who can fill in." "No we don't, Dierdre said. There was a short silence as the gravity of this news sunk in at the other end of the phone. With resignation, Dierdre said, "I guess we'll just have to scrub the show. It is going to be a terrible disappointment to the cast."
"I can appreciate that," Jane said with mock sincerity. "It's a real pity that none of the other girls can fill in. I guess these things happen, and always at the worst of times."
Dierdre had felt a sinking feeling that was quickly merging into depression. She dreaded calling all the students and their parents, and, most of all, Mr. Finch, the chairman of the sponsoring committee of the community theater. Royalty expenses and production costs would be totally lost now.
"No, we'll just have to cancel," Dierdre said despondently. "No one else knows the part."
"Surprisingly, Dierdre, Michael knows it thoroughly. He and Beth have been working together since the rehearsals began. I think he knows it better than she did. he surprised me with how quickly he mastered the lines....just helping Beth. But, of course, it would be unthinkable for a boy to take that role."
"Oh, my God, yes," Dierdre agreed. "Why, not even thinking about the devastating impact that would have on the boy, I think many of the parents and certainly the committee would put the kibosh on that."
Jane thought that maybe she had been too clever by half. Dierdre was not picking up on the offer as had been hoped. Well, nevertheless, she thought to herself, the exercise had not all been in vain, for Michael improved dramatically during these last few weeks. The mere subjection to going out as a boy had worked its intended end.
"Again, Dierdre, I am truly sorry about this. I hope that you can work something out."
She rang off. Time will tell, she thought. She saw the two boys engaged in deep conversation through the garden windows, glanced at her watch and made mental note of the time it would take to transport David to the station. They had about an hour and a half.
It was less than an hour later when the phone rang. It was dierdre, sounding more spirited than when she had last spoken to Jane, albeit a little tentative.
"Jane," she began, "are you certain that Michael knows the part?"
"Quite sure, Dierdre," Jane replied. He has coached Beth through the last seven weeks. Why do you ask."
"Jane, would you agree to let Michael take the part in the performance....I know that is a totally preposterous suggestion, but we are really left with no other choice."
Jane paused the necessary amount to feign deep consideration of this, and managed to exude just the right degree of uncertainty when she responded.
"Dierdre, I'm not sure. I mean perhaps it is asking too much of a boy to make him get up on the stage in a dress and act a girl's part. I just don't know."
Dierdre's response sounded a little disappointed, as though she had expected Jane would not be warm to the idea. To avoid a complete flagging of Dierdre's interest, Jane spoke again.
"I mean I could ask him...I don't know what he would say. But you also mentioned that there might be some opposition from some parents and your committee."
"Well, that's the surprising part. I did call some of the mothers and they were not totally adverse to the idea, I mean with all the time that's been put in. Mr. Finch, of course, is most concerned about recouping some of the cost that this performance has incurred. At first he was cool and a little hostile, but then he seemed to rationalize it by saying that it was mere play acting and making allusions to Elizabethan Theater and saying that if the boy did not feel overly antagonistic to the idea he would not object."
"Well, Dierdre, all I can do is ask him. You don't have a rehearsal today, do you?
"No. Today was set aside for costume fittings and lighting tests. But I could spend some time with Michael if he accepted that is, to see how...or if it might work."
Well, as I said, I will ask and get back to you. I have to take Beth to the station. Would...say...12:30 be soon enough to call you?"
"Yes, fine," Dierdre replied. "Call me at the theater."
"Fine," said Jane. "In fact, if Michael agrees, we could just stop by on the way back from the station."
A few pleasantries followed and Jane detected true relief and hope in Dierdre's voice as she hung up.
"Michael, I speak to you as a dear friend. My predecessor her, a guy named Terry, was such a friend. He is a graduate student now in Chicago. I call him from time to time...Jane allows that. You can call me, too. I'll leave the number. But you have to learn that there is no way out of here until you totally give in. When you do, and if you are willing to play by the rules, there is a prospect of going back to where you came from. But in the bigger scheme of things, you will do far better if you relish the experience, taking from it the fun and going along with the requirements. I speak to you as someone who cares."
Michael remained downcast, cognizant of the fact that David spoke the truth, yet worried about what would become of him when his friend left. He especially worried about being made to play Alice in the play. But it was the sense of loss and betrayal that bothered him most.
"Michael, I have to go soon. I hope you will come to understand this and understand your part in it all. I like you a lot and I wish you nothing but good things. Make them good. It's your choice."
David gave him a brotherly hug, and Michael returned it to him, sad to say goodbye to a friend, uneasy about his own future. David left him alone in the garden. That was to be the last time he saw his confidant for a long time.
Michael returned to the study to re-confront his nemesis.
"Michelle," Jane began, " I presume that David has told you about the possibility -- or rather the certainty that you are going to take his place in the play?"
"Yes, ma'am," he replied. "I guess that is what you had in mind all the time."
"Indeed. I have broached the prospect with Miss Bishop and I only just received word that it is an acceptable alternative to canceling the play. You will take the part and you will do it in the manner that I am confident you are capable of. It will, of course, be demeaning and difficult, but then that is the hardship you have brought upon yourself. I am confident that when this is over, you will have graduated to be a suitable replacement for our David now that he is leaving. You understand all this, I take it."
"Yes ma'am:, Michael replied, understanding now that he had truly given in to the woman's scheme and had been recast in the mold she had sought from the outset.
"Good," she answered. "Then after we have said our goodbyes to David at the station, I will take you over to the theater where Dierdre wants to test your mastery of the part. I trust you will do well?"
"Yes, ma'am" came the response.
"Very well, then let us bid adieu to our young friend, Beth, and get on with it."
Chapter 12.
They arrived at the theater the day of the final practice before dress rehearsal just nearing one o'clock. Dierdre asked him solicitously if he was, in fact, willing to do this. he said that he was, and she indicated that she must test his knowledge of the part.
Dierdre assembled the cast in the theater seats and announced that Beth had been called home due to a family emergency. A wave of concern about the prospects for the play spread through the group before Dierdre could interpose her remarks that they had a substitute for the part. Dierdre was careful to lay some groundwork by saying that the prospective replacement had a chance to study the part with Beth, and was able to quickly pick up the lines. Then, at last, she announced that Michael was going to take the part.
A bustle of whispers flooded through the audience, a mixture of astonishment and puzzlement at this announcement. As expected, all heads turned and eyes stared at him. The titters from the boy's section were about as he expected, and Page made a loud guffaw, followed by a loud "Mikey gets to be a girl!"
"Enough!" Dierdre said firmly. "We have but two choices here: either let Michael play the part or cancel this show. Now I let you decide. Do you want all the work you have done these last seven weeks to go for nothing or do you want to give this a try? I know it will not be easy for Michael to do this, but it will be a lot harder if you all give him a hard time about it."
The murmurs continued, but the content of the hushed discussions was now bent toward responding to that choice Dierdre had posed. In a ridiculous bid to seek some democratic resolution of the issue, Dierdre asked for a show of hands, and, as was expected, they all agreed to give it a try. The boys even voted in favor of the proposition, though Michael suspected their motives were less than forthright. Given the choice, they would probably have opted totally out of this ordeal that their mothers had insisted they engage in; they were more interested in witnessing his humiliation.
He caught Karen's eye and saw that she had a warm smile for him. He derived more than mere comfort from this comradely support. He smiled back.
The decision made, and a final run-through was done. Michael mounted the stage and took his cue from her reading of the counter-parts from the script. He executed the lines and movements faultlessly and, he felt, delivered an even better presentation of the role than Beth. Michael endured the occasional snickers as he did his best to deliver a good presentation of the part. Some were impressed by his rendition; those that found humor in it were ignored.
They were all told to be at the theater the following day by noon for the dress rehearsal. Michael reflected that that meant he would be at Marisha Chalet by nine, for Jane had told him that was a necessary prerequisite. He felt the usual uneasiness at what the unholy duo there would have in store for him. God he would be glad when Saturday had come and gone.
Dierdre had seemed pleased with the performance, for she and Jane entered into a spirited conversation with Dierdre clearly thrilled with what she had seen.
He stood like a superfluous witness to this tete-a-tete until Dierdre announced that they needed to check the costume for proper fit. This was the essence of his discomfort, the start of the inexorable ordeal that was to be. He followed the two women to the green room where Dierdre took down Beth's costume and told him to try it on, thankful that, for the moment, the rest of the cast was gone.
He feigned some unfamiliarity with the pinafore and apron, and Dierdre encouragingly helped him fasten it. He donned the stockings and Mary Janes and stood before them chagrined as any boy would be in such attire.
"He'll need petticoats, Jane. Should I get some?"
"Not necessary, Dierdre. We have some of Beth's at home and I can get everything he needs."
'Beth's indeed, 'he thought. He would wear his own petticoats under this costume, unbeknownst to Dierdre.
""I don't know what to do about the hair. We could get a wig, I suppose," Dierdre posited.
"Dierdre," Jane said, "I have an idea. I know some people who run a beauty shop in Kingston. Perhaps they can do something about the hair. I take it you wanted shoulder length, with some curl."
"Yes," Dierdre replied. "Like this," showing Jane a costume plate of a costumed 'Alice'.
"We'll take care of that," Jane said, and Michael resigned himself to further ministrations of Carolyn and Sandy at the salon.
"Well, I think he will do fine. I just hope he feels ok about this. I will make it a point to talk to the other boys, but I am sure that there is bound to be some boyish teasing. I hope it is not too severe."
'Boyish teasing', Michael thought. 'That is an understatement.
With that, they finished and he had only the dress rehearsal and two performances of the play to get through. The minimal number of appearances did not diminish the cold feeling he had about this.
Friday morning he was up and dressed as 'Michael' by eight and down to breakfast. Marie was delegated to take him to the salon, Jane advising she would pick him up afterward. He felt a new sense of trepidation going to the salon dressed as a boy rather than in his usual skirts, and hoped that this particular visit would not contribute to any disclosure of his true self. It would be a new experience, and he hoped that Carolyn and Sandy would understand his predicament and use a private booth to work on him.
Arriving at the salon, Michael felt ill-at-ease, being clad as Michael and not 'Michelle'. He was grateful that he was shown to a private cubicle, away from the stares of the other patrons. Sandy was the operator selected to do him over.
"So, dear heart, you're going to be in a play. Jane said I was to be extra particular about your hair today. God, you really have done a muddle with my work last week. We're going to have to start from scratch."
"I'm sorry, Sandy. But it's tough trying to be Michael when you and Carolyn devise such intricate hair styles for Michelle." "You know, luv, that's just about the first compliment I think I have ever heard from you about what we do. You may be coming along. So lets get with it."
She washed his hair and reset it. The latent curls from the permanents were embellished and a cascading wiglet intermeshed into his own hair. As expected, with a ribbon band at the crown, the style portrayed an enchanting girl's hairdo. That image was somewhat inane given the male trousers and shirt he wore. He was grateful that when he was done, apparently by prior agreement with Jane, he was escorted out the back door of the salon and into the waiting Lincoln.
Arriving at the theater, he felt acutely uncomfortable, positively obsessed with getting into his costume to diminish the dissimilarity between the way he looked and the way he was dressed. He swiftly made his way to the dressing room and found the costume and its accessories hung on racks. His appearance in male clothes and the curly hairdo produced loud guffaws from the boys already there. Taunts of "sissy Michael" and "Isn't he cute?" punctuated the air. His ears reddened. He grabbed the costume and headed to one of the nearby lavatories.
With a dexterity he had learned over the last few months, he quickly got into the underclothes, hose, dress and apron. As each garment was put on, more of the male facade was shed and he began to project a more acceptable feminine pretext. He began to feel more comfortable, notwithstanding the razzing he was sure to get when the other boys saw him.
The boys in the changing room were also dressing in costume. A lot of the burly machismo diminished as they put on these dainty little outfits. As if to abate their discomfort with this activity, they cast the occasional aspersion at Michael bedecked in the petite dress that was his costume.
"Pretty little girl," Page had said. "Very precious. How does it feel to be flitting around in that little skirt, Mikey?" He dropped his wrist in a mincing mimic of scorn. Michael found it easy to overlook this jibe, for attired it leotards and tights, page did not present an image of masculinity, himself.
Michael finished dressing and withdrew to a chair in the green room while the cast was being made-up. He sat watching the line of boys submitting one by one to Andrea's applications from her palette of paints. He found some satisfaction in watching page and his compatriots being subjected to paints and powders. They seemed far less macho with eyeshadow, rouge and lipstick applied to their adolescent faces. Michael felt a mixture of sympathy for them and a sense of reciprocation. Cosmetics had a way of humiliating the most lofty ego. As each boy was subjected to Andrea's brushes and colors, their pluck seemed to mellow, and they became more docile.
He was especially gladdened as he watched Page in his little satin elf's costume submitted to eyeliner, rouge and lipstick and a most colorful shade of eyeshadow. The boy's arrogance gave way quickly to pliable obedience as the rosiness spread on his cheeks.
Of course, Michael was the star attraction, and when his name was called, he stood up and submitted to Andrea as well, the now more subdued sneering still evident. He could visualize the colors and their effect on his face, having done himself it so many times before. He knew that between Andrea and Sandy he would appear very girlish and petite when all was done.
When the dress rehearsal was over, Michael started back to the green room to remove his makeup and change from his costume. Karen stopped him in the corridor.
"You were great, Michael!" she said. "You were a very convincing 'Alice'.
"Thanks, Karen. I was afraid I wouldn't be able to get through it. I feel so damned silly in this dress. I guess you heard Page and his cronies and their comments."
"Oh, just forget them," she replied. "Their opinion isn't worth beans. Frankly I think you make a very pretty girl. It's a shame you can't wear clothes like that all the time. Just kidding."
Karen did not know how ironic that comment really was, of course, and Michael was not about to dwell on it. But he could not resist a comment.
"Between you and me, Karen, they are kind of fun," he whispered. "I remember you once saying how unfortunate it was that boys never get to wear things like this."
"Well, you look great. Of course makeup makes everyone look great."
"Well, I better get changed," he said, as he resumed his walk to the changing room.
"Michael, let me ask you something. Do you think you could get permission to go out with me after the show tomorrow night? There was supposed to be a cast party, but a lot of us aren't going. There's a rock concert in town that a lot of them are going to, so Dierdre may reschedule the party. But you and I could go out and maybe do something."
"I can see. I'll have to ask my aunt."
"Ok, well....persuade her. It may be the last time I get to see you for a while now that the play is over. Maybe she'd even let you stay over at my house tomorrow night."
Michael promised her he would ask, and went into the boys changing room and removed and hung the dress and underthings. He heard the few snickers from the boys remaining there, but Page and his bunch had cleared out of the theater immediately after the show, and Michael was grateful for this. God, he would be glad when this thing was all over tomorrow.
He was leaving the changing room when he confronted Miss Bishop.
"Michael, you did splendidly!" she said. "You don't know how you saved us. I hope it wasn't too embarrassing to play Beth's part. You are a very brave boy to have done this."
"Thank you, Dierdre, I'm glad I could help. Yes, I did get some teasing, but I guess it will be all over by tomorrow, so I'm not going to worry about it."
"Well, dear, I am so very indebted to you." She gave him a tentative hug, and he was glad that somebody took this in the spirit of thankfulness, without mockery or the dubious motives that Jane had had in getting him into this. The chat with Karen and with Dierdre alleviated a lot of his discomfort.
He actually welcomed the sight of Jane, and accompanied her out of the theater. Like Dierdre, though clearly with baser motives, Jane was effusive in her praise. Nevertheless, she could not resist putting in some self-gratifying comments about how her efforts had been the cornerstone of his convincing performance. As was his recent wont, Michael smiled and agreed, and they started the drive home. After some silence, he spoke.
"Jane," he said, "do you remember Karen, the girl in the play I told you about?"
"Yes, Michelle, I do", Jane replied. "A very lovely girl."
"Well, Karen wanted me to go out with her tomorrow night after the show. Would it be OK?"
"Hmmm," Jane murmured as she thought about this. "Go where?"
"I don't know. There was supposed to be a cast party, but I guess it's going to be postponed. It may be the last time I see Karen in a while and I just thought....well, we wouldn't be too late. Well, she also asked if I could stay over at her house."
Jane thought about it a moment and wondering if there there was any harm in agreeing.
"Hmm," she finally said. "I suppose I would have no problem with you going out for a while. But staying over at her house. That does present some problems. Whom does she live with?"
"Her grandmother. She said you could call to check if you needed."
"You realize, of course, Michael," that there are some dangers in that. Not just the proximity, but, well, I don't know how serious the two of you are. I leave it to your own judgmenet, but I don't want any problems."
"No, Aunt Jane. None at all."
"Well, alright," she finally said, "I think it will be ok. But then, Michelle, there is always the possibility that Karen could come over to the house whenever you wanted her to."
"That would present problems, Jane, and you know it. I think that is out of the question."
Jane merely smiled at the answer. They continued the drive in silence.
The following matinee and evening performance were, for all practical purposes, a repeat of the dress rehearsal, except that the audience was present. The presence of audience prompted Michael to be especially convincing in the role, a fact that, while persuading the audience, made his effeminacy all the more pronounced in the eyes of his peers.
He had told Karen that afternoon that he had received permission to stay overnight at her house. She had been gleeful at the prospect, and said they would chat about it after the evening show.
When the evening program was over, he looked for Karen but did not immediately find her. He started back to the green room to finally rid himself of this costume. Karen was at the end of the corridor and waved, beckoning him to meet her in a small room off that corridor.
"Once again, an outstanding job." she said as he entered the small room."
"Thanks, Karen. I'm just glad it's over. I'm tired of all this teasing."
"Well I never teased you. In fact I even complimented you. I think you look great. I don't see anything wrong with a boy wearing those things for a play. Did you see how cute Pagie and his crowd looked." She laughed. Her laugh was infectious, and in a sense of relief, he joined in her giggles.
"All set to go out?' she asked.
"Sure, I just have to go get changed and I'm ready to go." he started to turn when she stopped him.
"Michael, if I asked you to do me a big, big favor, would you?" At this point, Michael was very smitten with Karen and knew that he would do most anything she asked him. It was that infatuation and trust that jaded his answer. He would do just about anything for this lovely girl, and delivered a fairly unqualified "Sure Karen. What?"
"Well...." she hesitated, weighing her words, "would you leave your makeup on and leave your hair the way it is?"
The request startled Michael. How in hell did she expect that he could go out of the theater, out with her for the evening, even spend the night at her house without changing and removing his makeup?
"I don't understand, Karen. Why would you want me to do that?"
"I just thought it would be fun and I would like to play a little trick on my grandmother. She doesn't know that a boy is coming over tonight...not that I lied to her, I just said a friend. Besides, I like you like that. Would you, just for me?"
"But Karen, I haven't anything to wear out of here. I have slacks and a shirt. I mean it would look a little silly..."
She interrupted. "I already thought of that. I brought an extra outfit you can wear. Come on, just for fun. Just tonight."
He hesitated. It was an odd and outrageous request, and she had tricked him into agreeing to her favor in advance. He feared she might even back out of their date if he balked.
"Karen, I'd feel awfully silly going out like this. Is it really that important?"
"I'd really like it if you would. Of course, if you would rather not..." The pout in her voice was evident by the way she trailed off. What the hell, he thought, was it any different than going back to Jane's and getting into a skirt?
"You promise no one will see me?"
"It's dark outside. I hid some clothes in the girl's bathroom by the back door and my car is parked just outside. You can change and we can be out the back door before anyone sees us."
"Well, I'll have to take some of this makeup off. I mean people will be watching."
"Sure, I know. Just leave a little bit on. And then after you've changed, sneak down to the bathroom and I'll meet you. Just make sure no one sees you."
Michael was not at all sure about this, but he mulled it over in his mind as he went into the changing room, removed the Alice costume and slipped into his trousers and shirt. Were it not for the fact that he desparately wanted to spend time with Karen, this exorbitant request of hers would go begging. But in his infatuation, he saw no harm in playing along with her. The underwear and petticoats were to go home, so he left on the panties, camisole and hose and slipped the petticoat into the bag. He took the dress, apron and shoes and checked them in with Andrea, returning to the bathroom on to remove some of his makeup. There were jars of cold creme and tissues, and he delicately removed all but a trace of the color from his face. He peeked into the green room.
Andrea was still was busy checking costumes in, and he noticed that many of the cast had already left. It was not much problem to slip out into the corridor and he hurried to meet Karen.
The hallway was bare, and no one saw him make his way down the corridor and slip into the lavatory. Karen was already there.
"Here," she said, go in here, opening the door to one of the stalls. I hung everything up in there and there are shoes on the top of the john. Hurry up."
It was all there. Skirt, blouse, even a half-slip. He slipped into them quickly and replaced his oxfords with the flats, surprised that everything fit. Karen was about an inch or more taller than he was, but their measurements were the same. He stuffed his own things into the bag with the petticoats and, bracing himself, he opened the stall door and stepped tentatively into the bathroom. Karen was surreptitiously checking the hallway through a slightly open door and, when she was sure it was safe, gave him the signal. The pair slipped out the bathroom and through the fire doors to the outside. A quick dash and they were both seated in Karen's car. Michael's heart was racing.
The car pulled away and Michael breathed a slight sigh of relief, disconcerted, nevertheless, to be out with this girl he fancied, dressed like this. He could not really fathom why Karen had made this request, but since she had never teased him and must have her own reasons, which he trusted implicitly, he decided to view it as a lark and go along with it.
"You kind of messed up your hair when you were changing," she said, "and you took off too much makeup. We may have to fix that."
She turned onto Tow Bridge Road and started toward Knightsbridge. Michael was thankful they were leaving town, it being less likely they would encounter someone he knew in the neighboring town.
"We'll fix that up down the road." They sped on until she saw an Exxon station and turned in. She told the attendant inside to fill the tank and borrowed the key to the ladies room. As she walked toward it, she gestured to Michael to follow her. He was able to get out of the car and follow her before he was even noticed by the attendant.
Once inside the drab cubicle she produced a small brush from her bag and had him turn so she could fuss with his hair. She removed the large satin ribbon and replaced it with a less childish version. Seemingly unsatisfied with his look, she produced a blush and lipstick and added a little of the color he had removed. His eyes, apparently, were alright. He felt a little strange being done up by a girl he had a crush on.
"Golly, Michael, this lipstick color looks a lot better on you than it does to me. Here, put it in your pocket in case you need it later."
He slipped it into the small pocket of the skirt, not knowing when or why he might need it.
"Here," she said, "I brought these, too. Just a little added touch." She placed a strand of faux pearls around his neck and fastened the clasp at the back.
"There," she announced. "You look adorable. And I'm not teasing you, believe me."
He smiled wanly, blanching a little at the embarrassing remark, but certain she meant no insult by it.
"Let's go." He followed her out of the wash room and returned to the car as she paid for the minimal amount of gas that the station owner had managed to get in the tank.
"I'm hungry," she said, as they left the station. "How about a burger."
He was hungry too, but the thought of going into a restaurant did not appeal to him and he hoped that what she had in mind was a drive in where he could enjoy the security of the car. As she drove toward one down the street, he felt secure enough to merely say "Yeah. I am too."
It was when she parked not at the window service but in the parking lot that he became a little concerned.
"I hate to eat in the car," she said. "Let's go in."
Michael was not keen on that idea, but he decided to acquiesce, his attraction to this lovely girl overcoming his trepidation. He trusted Karen, so the fear he usually felt in such situations was replaced by that trust. She would not "reveal" him, and he had no doubt that he could "pull it off". What had begun to concern him was that he was doing it too well, and that she might wonder about that facility. But she seemed to pay no notice and, he knew by the mirthful glee she exhibited, she viewed it all as a lark. A joke they were both playing on the world.
They found a booth and the waitress deposited the menus without comment. After their cursory glance at the fare, she returned, and Michael heard her take Karen's order.
"And you, Miss," the waitress said, pencil poised above her order pad as she turned to Michael. He caught the grin on Karen's face, flushed slightly and ordered a simple hamburger and fries.
When she left, Karen said to him "Those two boys over at that table are taking quite an interest in us." Michael looked and saw the leering looks.
"Oh God, Karen, please."
"Don't worry. love, I will protect you. Actually the blond guy is kinda cute....not as cute as you, of course, but interesting. Anyway, it's getting on to 10:30 and I promised to be home by 11. Let's eat and go."
They finished their meal, bantering lightly about the play, about their life and their hopes and aspirations. Michael was becoming more and more sure that this girl was a real find and he felt the stirrings of sexual attraction. He just wished that their meeting and this date were more "normal", though he was glad simply for the opportunity to be with her.
It was when they had finished that he realized that the pressure in his bladder demanded that he get relief soon.
"Karen, I r-e-a-l-l-y have to go to the bathroom. I don't know what to do."
"Well, Michael, just go. I'd suggest you use the ladies room, but the plumbing is just about the same in there as you are used to."
"God, I can't do that."
"Well you certainly better not use the men's. Go ahead, no one is even going to notice. Just be a little discrete. I'll pay the check and wait for you. Oh, and while you're in there, you better add a little lipstick. It's all gone, you know."
He entered the ladies room and was a little nonplussed to find a woman there fixing her own face at the mirror. He hurried to one of the stalls, did his business, then added an application of new lipstick at the mirror. He found Karen in the foyer waiting to go. As they drove away, Karen said "You know, you're going to need a name when we get home. I can't introduce you to Nana as 'Michael"....let's see.....Michelle seems natural. How does that suit you?"
Michael blanched at the irony of it. 'Play the role' he thought to himself. "Whatever, Karen" he replied.
"Michelle it is then. This is fun. Are you having fun?"
"I enjoy being with you, Karen."
"Well, that's nice. But I mean isn't it fun to wear those nice things and play this big joke on everyone?" As she spoke, her hand came across the seat and rubbed his nylon clad leg, causing the inevitable stir in his loins which only grew more swollen as it met the smooth fabric of the panties he wore. He prayed that he would lose this erection before they reached her house.
They drove into the driveway of a large Colonial. The lights were on in the lower rooms.
"My Nana is going to wonder a bit about your not bringing your own things, so we'll tell her you left them home. She's never seen that skirt and blouse on me, so you're O.K. there. Just follow my lead and act natural." Karen grinned at him. "My Grandmother is a little forgetful, sometimes, but she is a dear. Maybe she won't even notice that you'll be wearing my things while you are here."
The woman who met them in the foyer was about sixty, a pleasant woman that Michael knew he could like. Karen introduced him as Michelle and added she had played the lead in the play.
"Oh I saw the play, Michelle. You were wonderful," Mrs. Grayson said. "I am so glad you and Karen became friends. I hope you will enjoy your stay and that we will see more of you."
Michael muttered his appreciative response, and Mrs. Grayson told Karen there were Cokes in the refrigerator and some sandwiches and brownies.
"I'm going up to bed now, girls. I know it is futile to say this, but I hope that you don't stay up all night talking. Remember, Karen, you have errands in the morning."
"We won't stay up too late, Nana. Good night."
"Good night, Mrs. Grayson," Michael added, as the woman climbed the stairs to her room.
"Let's get some food and Cokes and go up to my room," Karen said. Michael dumbly followed her to the kitchen and took his share of the load to be carried to the upper floor. He wondered what sleeping arrangements were going to be available.
Karen's room was what he expected it to be, not quite as dainty and feminine as the room he had at Jane's. The most noticeable difference was the profusion of posters of male and female film and rock personalities. Otherwise, and perhaps as a result of the poster selections, it was a girl's room in every way.
Rather than a single, large bed, there were twin beds, both delicately embellished with wispy dust ruffles. The room tended to pink in color.
Karen set the tray of cookies on the night table, and Michael followed suit with the sodas he had carried up.
"This has been fun, Michael. Nana didn't even seem the least bit hesitant in seeing you as a girl. You really are quite pretty and very convincing."
Michael was unsure as to how to respond to this, though he knew it to be true. He just smiled diffidently.
"Strange date, though, in a way," she said as she opened a can of soda and sat on the bed next to him. "I like you as a boy, of course, but I kept expecting a kiss, yet knowing it to be a little strange to be kissed by someone so convincingly a girl. Know what I mean?"
Michael did. He wanted more than anything to kiss this lovely girl, but he, too, thought it a little bizarre to be embracing her dressed as he was.
"Still, though, I know you are a boy. Maybe it's just that I have never been kissed by someone wearing lipstick -- not sensually, that is."
With that her hand began to stroke his back, and the sensation of her hand through the thin fabric was electric. She explored his back and sholders in a gentle massage. Suddenly her exploring fingers found and examined the fringe and the spaghetti straps of the camisole he wore beneath the blouse.
"What's that you have on underneath. Sure doesn't feel like a t-shirt."
"It's... what do they call it..a camisole. My Aunt insisted that it might make me do a better job if everything I wore was a girl's."
"And here I thought you just had on tights and those petticoats under your dress during the play. Surely you have jockey shorts on?"
He hesitated, long enough, apparently, for her to draw her own conclusions.
"Panties?"
"Yes," he said, blushing a little, "and they aren't tights, but stockings and a garter belt."
"Well, you really did get the full treatment. Lots of nice undies to make you feel good. Tell me who did your hair."
"Well, my Aunt took me to a beauty parlor. They did it."
"The whole treatment. So tell me, how does it feel to be subjected to all this feminine fashion?"
He chose his words carefully, not wanting to alienate her in any way.
"I did it because I didn't want the play to go down the drain. Actually, it's all a little humiliating."
"You mean you don't get even just a little pleasure out of it?"
"What do you mean?
"I mean don't you get the least little kick out of the feel of the material, the fact that you can get all dressed like you are and fool everybody into thinking you really ARE a girl? Do you get any delight out of playing with makeup? Any of that?"
"Karen, I'm a boy. What do you think. Boys aren't supposed to get a kick out of being made to dress like girls."
"Yeah, I know," she replied. "I'm just asking if you feel differently. Look, I don't think you're strange or anything. As I've said before, I don't care one way or another. I like you as a boy, I like you when you're dressed. To me, it's sort of a gas: a boy I like who I can have fun with as though it were a girl I liked."
"If you're asking me if I enjoy being here with you, of course I do. If you're asking if I feel strange being dressed this way, well, I don't feel strange around you. You're different than those goons at the theater."
"Ok. So what about the rest of it? be honest. I won't care."
He paused for a while.
"There are times when....yes, I like the sensation of the clothes and all of it. I....I wish I could tell you more....but..."
"No. That's OK. Its new to you, I know. We can talk about it again sometime. Let's play some music."
She put on a tape as he sipped his Coke.
"Shall we get more comfortable? I mean I am just dying to get out of this skirt."
What did she mean by that?, he wondered, until he saw her pawing through a drawer of nightclothes, selecting two sets.
"Want to wear these?" she said, holding up a powder blue baby doll with very full pants, like bloomers. "I mean, you can't be all that comfortable lounging around in that outfit."
There was little he could say to object. He was going to spend the night here, he had to maintain the facade of Michelle, and he was not keen on lolling about in panties and hose.
"I guess so," was his conditional answer.
She handed him the outfit and pointed at the door to the adjoining bathroom. He slipped inside, removed the clothing he had on and slipped into the pale blue garment.
He came back into the bedroom to see Karen gyrating to the sounds coming from the tape player. Without missing a beat or movement, she took the blouse and skirt from him and put them in the closet. He put the underwear he had been wearing on one of the chairs.
"Can you dance?" she asked him, still bouncing to the beat of the melody.
"Not too well," he replied. "isn't that a little loud. Won't it wake your grandmother?"
"Nan's bedroom is four doors down the hall and after she takes out her hearing aid an earthquake wouldn't wake her. Go with it, Michael!"
He stood near her and made absurd imitation of her movements until the crescendo and final drum beat of the rock tune. She moved to turn the sound down slightly.
"You really don't know how to dance, do you"
"No," he said, "I go to a boys school. The opportunities are limited.
A slow ballad came on the speakers, and she said "Here, this is easier. I'll show you."
He let her put her arms around him, taking the lead. The proximity of her in her flimsy gown cause the inevitable stirring. She could not help but notice it, and lacking more restrictive male attire, it was more pronounced. She pulled him closer, his penis now against her and held him tightly, her arms now around his waist. His, at this point, were holding her shoulders, but with shrugs of her shoulders, she encouraged him to slip them around her neck. He was overcome by the electricity of their proximity drew them involuntarily into a tighter embrace as she led him through sways and small steps to the love song. Reflexively, he nuzzled his head into her shoulder.
The song ended, and they held the embrace for a few seconds afterwards. His arms still around her neck, and hers sliding over his satin-sheathed fanny, he felt sublime. He glanced up at her and their eyes met and locked. Her glance darted to his mouth and back to his eyes, and he knew that she was about to initiate the kiss that he had longed to happen all evening.
She was assertive, pressing her lips firmly against his own, her hands exploring his back and buttocks. Then, a charge rushed through him as her tongue parted his lips and began a furtive exploration of his compliant mouth. Her tongue drove deeply in and out, playing passionate tag with his own, their breaths coming in gasps. When breathlessness overcame them, the kiss was broken and her lips continued to brush his neck and the lobes of his ears. They were both succumbing to overwhelming passion.
As for Karen, she could not fully fathom why or how this particular kiss so overwhelmed her. She was moving quickly into ecstacy, overjoyed at the prospect of lovemaking in her own room. She was even more mysteriously fascinated by the strange feeling of being in control.
She guided him to the bed. "This one is yours," she said breathlessly, letting him lower himself. She pulled back the coverlet and blankets, and he quickly slipped in. Without hesitation, she slid in beside him.
"Let me show you some real fun. Let me show you what girls really like," she whispered breathlessly as they locked in another kiss more frenzied than their first.
He felt that she had taken total control, dominating the whole direction of this liaison. Partly from inexperience and partly because he was enjoying the vulnerability, he let her proceed, as she masterfully escalated his arousal with her every movement. Either Karen had a lot of experience or she had read a lot of good books.
She guided his hand to assorted parts of her own anatomy as her own hands found the same point on his own. Like a teacher, she demonstrated the technique on his body, inviting coinciding action by him. She fondled his nipples, stoked the inner surface of his thighs, tracing suggestive lines toward his groin,. She moaned as he aped her movements. She teased at his engorged penis as his own fingers surveyed her vaginal lips, but aware that too much stimulation there would bring him to too rapid a conclusion, she stopped, yet holding his had in place to continue its stroking of her most sensitive parts. The lesson shifted, now, for while he continued to fondle her labia and clitoris, she lifted the blouse and began to suck at and play with his nascent breasts. The sensation was odd, yet seductively erotic to him. She continued this activity for a few minutes, as he reciprocated with his fingers at her pubis, then, fearing her own orgasm would be precipitous, moved his hand away and revealed her own erect nipples in invitation to his hungry mouth. He duplicated the actions she had performed on him and he was amazed to see the effect of his passionate playfullness at those breasts. Her pelvis thrust reflexively as lusty groans emerged from her. Finally, she pushed him away, firmly pushed him on his back, and straddled him in a commanding way.
"Just lay back and enjoy, Michelle. Enjoy."
Michael was too delirious with passion at that moment to wonder about why she had called him that. She cast her bikinis aside, pulled down his own briefs briskly, and settled herself on his upright penis. As it entered the warm wetness, they both uttered a gasp of passion. Karen gyrated her hips, and with the movement of her pelvis, propelled his shaft in and out of her, as if it were she invading him, rather than the other way round. The pressure built in them both until they exploded in a spasm of passion. Relieved, Karen collapsed on top of him and they remained locked for a long time as she continued to bestow kisses on his neck.
It had been glorious.
(c) Copyright by Joel Lawrence
End of Seasons of Change
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Seasons of Change
Book 2 Second Season
The Continuing Story of Michelle and Aunt Jane Copyright © 1996,1997,2012 Tigger
All Rights Reserved. |
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Why that bothered her so much she could not say, but it did cause her some consternation. She had felt sad when her girls graduated in the past, but this was different, stronger. Sighing, she castigated herself for the non-productive tail chase her thoughts had devolved into. None of this was getting the letter written. With a physical and mental shake, she set her pen to paper and began the letter to Michael's Mother.
Dear Barb, October 1
How are you? Hope you enjoyed your trip. By the time you actually read this, we will have to make a decision about Michael's future here and at St. Andrews. I am sending this letter now so that you will have the benefit of my current thinking when we talk at the end of this month.
Everything is going well. I know this sounds cliche'd, but it is almost going too well. Don't know why I am concerned, but I am. Michelle, (pardon me, but that is how I think of your child now and I will probably mix my names and genders throughout this letter) is doing remarkably well. Amiable, mature, refined and polite. She now consistently strives toward, and achieves every goal I set for him, without complaint or demure. Just pleasant resolve. As I told you in our last phone call, I was very concerned when the boy I had planned on becoming Michelle's little sister did not materialize for us. Turns out that he went off the deep end and assaulted a security officer at the temporary juvenile lockup facility he was being held at while awaiting his preliminary hearing. The original plan was for the judge scheduled to hear the case (another of our sorority sisters) was going to offer him the choice of spending the rest of his minority at reform school or coming to me. After his attack on the guard, the state's attorney has decided to try the boy as an adult. He will be a guest of the state for the next few years. Frankly, I do not need that type of violence in my home but I was saddened for Michelle's sake. However, her recent progress has been unprecedented in my experience - I have released charges who had shown less progress than he has in these past weeks. And yet, it has been so fast. I would like to believe that his final 'tete tete' with his big 'sister' before he left us in August is at the heart of this maturing, I am still wary. Something has happened. Something that I did not cause and that is outside of my not inconsiderable experience in these matters.
I believe that a major part of his sudden development is his flowering romance with the girl I told you about after the dramatic production last month. You remember her? Karen Austin? She is a lovely girl with a very strong will and personality - reminds me of us when we were in school together. Very smart, very together and Michael adores her. I have been permitting them to date occasionally and to spend some time alone together on most weekends. Michael is permitted to do his courting in male dress, although he still cannot undo all of the little feminine touches I insist upon when he is home. And if his eyebrow lines are a little under-done the morning of a date, I don't mention it as long as he is following the other rules. I think the fear that I might "ruin" a date of his, or force him into some feminine fripperies when calling on Karen acts both as a spur and as a deterrent to our little girl-boy. He must really enjoy spending time with Karen because our little Michelle comes back from these encounters even more determined to excel in her feminine studies and deportment.
I went out with them two weekends ago to spend the afternoon at the historic Plymouth Plantation. Karen's Grandmother was supposed to come with us but had to cancel out due to the heat. She is quite elderly and not very strong. Karen almost canceled out to be with her, but in the end, Michael and her Nana prevailed on the girl to come along. In any case, I was very pleased with Michael's behavior that day. Even without the constraints imposed on him as Michelle, he was a gentleman throughout. He did not even take umbrage when Karen teased him about how he would look in early colonial dress - women's colonial dress that is. I think Karen was amazed at how well Michael carried off his role of Alice and is not above gently needling him about it at times. Michael merely smiled with benign dignity and gave her a hug. No blushes, no stammered denials, just simple acceptance of her little joke. If I did not know him better, I would have sworn he even enjoyed the exchange with her.
Now that I think about it, that may be the largest part of my misgiving about his emotional and mental state just now. With Karen, the Michael I saw is a confident young man, secure in his masculinity and in the regard of the young woman he was with, yet softer and more sensitive in his approach to her and to his surroundings. As I said, truly a gentle man in every sense of the term. And yet, when she is at home with me, dressed in her skirts and camisoles, Michelle comes across as the epitome of genteel young womanhood. Faultless manners, impeccable grooming and appropriate cosmetics combined with a demure and smilingly pleasant disposition. The latter I can accept because nothing less would be accepted and she knows that, but he seems to have jumped an entire phase of my learning process and that has me concerned. Normally, the experienced boy more clearly perceives the benefits derived by his "little sister" when he watches over her as she begins to change during the admittedly harsh days of initial petticoated humiliation. And yet, he has somehow become almost completely comfortable with his femininely-gentled masculinity. If this is an act, it is the best I have ever seen in all my days of petticoating adolescent males. If he is faking this, I don't know what I can do, short of completely exposing him as a sissy, to get his attention back. And I can't do that - the potential harm to both of us is simply too great.
Ah, I don't know. Maybe I have grown too comfortable with my time proven process of character reconstruction. Maybe I have become a creature of habit who wants things to go my way all the time. On the positive side, to give you an idea how comfortable Michelle is becoming with me, last week she played a prank on me worthy of a sorority sister. She slipped into my room one afternoon while I was out and replaced my cosmetics with some of the long lasting ones I used on her early on. Little minx knew I was going on a date that night and that I would be dolling up. Yes, I still use a heavy hand with the eye makeup when I am on the prowl, dear, and who taught me how, hmmmm? Well, I spent the next four days in full war paint until it finally wore off. Of course, Michelle spent those four days and a couple more in her little girl clothes playing with her dolls as punishment, but even that indignity was accepted with grace and good humor. The little stinker even teased me, in a sweetly feminine way of course, about my "high color". I almost choked trying not to laugh out loud because she did it so perfectly. You know, I could almost get used to having her around all the time if this is the way she is going to behave from now on.
The other good report I have for you is that since it is now the school year again, I, as School Mistress, have instituted home learning lessons. Dear? I think that much of Michelle's problem at St. Andrew's was simple boredom. That child is so smart it is scary, and I don't believe she has ever been properly challenged in the classroom in her life. She has been using that nearly photographic memory of hers to regurgitate the teachers' own opinions back at them. Well, I will challenge our little miss, although that will pose quite a challenge for me, as well. Our lessons, of course, have a decidedly feminine bent to them. Besides the obvious (Michelle is turning into a superb cook), we have plunged headlong into some very unique academic investigations. Geometry led us to building our own embroidery patterns, which in the normal course of learning led us to the study of blood chemistry. Getting bloodstains out of white embroidery linen is so difficult, isn't it, but it is better than having to start our sampler over again each time we stick our fingers with the needle. Our history project for the semester involves discovering the forgotten women of the past. I was surprised at the fervor Michelle showed for this effort and became suspicious that it might have been the opportunity to go to the library dressed as Michael and not interest in the project that prompted his dedication. However, Michelle continued the library research after I ordered no more boy clothes at the library. I am not a historian, but I think what she is developing may be suitable for publication.
In any case, Michael will be far ahead of his contemporaries when he returns to St. A's after the New Year. As I write these thoughts out for you, I have reached the conclusion that you can plan on that eventuality now, my dear. Whatever my misgivings, I think Michael will have earned his trousers by then. Well, I have to go and get this in the mail.
With Love, Jane
Jane stuffed and stamped the envelope and sat back in her favorite chair in the study. Outside her window, she saw Michelle, dressed in the soft sweater and skirt set she and Marie had just purchased for her. She was reading something very intently under a shady tree in the garden. Another psychology book, probably. Know thy enemy? Jane wondered if she was still the enemy. Maybe it was "know thyself", instead.
Sighing resignedly, Jane reached for the calculus textbook that a professor friend had recommended as a good review text. Keeping two steps in front of her young miss, academically, was not nearly as much fun as planning her sissy's next little embarrassment. Then she glanced again at the look of fierce interest and concentration on Michelle's lovely face. It might not be as much fun, but it was certainly satisfying in another, deeply personal way.
Michael sighed and put down the book he had been trying to read for the last fifteen minutes. It could not compete with his contemplation of this evening's date with Karen. He would go upstairs and find the male outer wear Jane permitted him for dating, then take the bus over to Karen's Nana's house where he'd change back into Michelle for Karen. The irony of that double switch, and the fact that Jane did not know of his double-double life amused Michael greatly. Here Jane was making this huge concession, letting him be a boy again for his girl, and he would change back to a girl for his girl friend. He chuckled softly at the image of Jane finding out.
Karen had threatened him with something she called a "chick-flick" for tonight's entertainment, whatever that meant. Going out dressed didn't frighten him when Karen there with him. She helped him, encouraged him, praised him and generally kept him out of trouble. She would not expose him to the humiliation and ridicule of being discovered as a boy beneath his skirts as he had once believed Jane would have done. Besides, outings like the one she had planned made Karen very happy. And very horny, he thought. The unfeminine grin curling his mouth was completely at odds with his perfectly made up face.
Later, they would return to her place for more of Karen's lessons in the arts of dancing and lovemaking. Making love to Karen, or having Karen make love to him was about the most affirming things he had ever experienced. His groin tightened in response to the deliciously sensual thoughts and he groaned as his tight satin panties painfully restrained his growing erection.
Michael realized, even if Aunt Jane did not, that it was Karen's acceptance of his feminine side that gave him the confidence he now wore along with his male clothes. Karen liked *him*, enjoyed being with *him*! That made everything else easy to bear. Heck, Karen enjoyed her 'girl friend' so much, he'd taken to working even harder to perfect those little skills and habits. Her pleasure was a much stronger motivator than his own self interest or Jane's increasingly hollow threats. He was even starting to like Jane, although he had been as yet unable to express that. Surprisingly, he'd been disappointed when his "David" had not shown up. That was just as well, though. He could spend more time with Karen.
Sighing softly, he picked up his book, brushing off his skirt as he stood. It was hot and he was thirsty. He strolled toward the house and saw Jane talking on the telephone through the window in her study. Maybe she would like a cold drink, too. He was moving toward her study door when it crashed open. Jane was frowning and looking very concerned about something. "Michelle, Karen is on the phone for you and she sounds very upset. She won't calm down long enough to tell me what is wrong."
Michael broke into as fast a run as he could manage in his calf length skirt and heels. Snatching up the phone, he forgot himself momentarily and used his Michelle voice. "Karen, what is it?"
"Michael? Is that you?" Her voice was breaking on every syllable and he could feel her misery.
Michael deepened his voice and replied, "Yes, luv, it is me. What is wrong?"
"Oh god, Michael, Nana collapsed," racking sobs broke from the girl and she struggled to regain control. Words came out in a rush as she tried to talk faster than her tears. "and I could not get her to wake up. I called 911 and they just took her away. I begged and begged, but they wouldn't let me go with her. I am too upset to drive. Michael... What if she DIES???"
Michael cut in with sharply commanding tone that brought Jane's head up in surprise. She did not think he could speak that way. "Karen. Where are you?"
"Home, Michael. I am home." came the weepy, near hysterical reply.
"We will be there in fifteen minutes. Hang on, luv." Michael hung up the phone and turned to Jane. "You heard?" She nodded. The girl's voice had been loud enough to carry the short distance to Jane. "Let's go. She needs me." He turned and headed purposefully toward the door.
Jane caught up with him at the main entrance hall and put a restraining hand on his shoulder. "Michelle.... MICHAEL!" He turned to her, an impatient glare on his face. "Michael. Look at yourself. You can't go dressed like that. You have to change, first."
Michael looked at himself with a critical eye in the hall mirror and shrugged. He ran up to his room and came down seconds later, still outfitted as a girl, but carrying his matching purse. At Jane's disbelieving splutter, he smiled grimly. "This will have to do." as he headed again for the door.
Jane, however was still concerned for his security and well being, and stopped him again. She saw his determination to go to Karen. "Are you sure you can pull this off? In all likelihood, we will be going to the hospital."
"I have to do it this way, Jane.. For two reasons. One, there isn't time - Karen needs me and she needs me now."
Jane nodded, recognizing the depth of his feelings for this girl. "And the other reason, Michelle?" She asked softly as they hurried to the Lincoln.
"Nana only knows Michelle." He said softly. "She has never met Michael and does not know that I exist as anyone other than her granddaughter's special girl friend." Jane was floored and wanted to ask a thousand questions, but Michael was already buckling himself into the passenger seat of the car. Jane promised herself that she would follow up on these revelations after the crisis had passed.
The trip to Karen's house was passed mostly in silence. Not because Jane wanted that way, but because as soon as they were on the road, Michael pulled down the window visor lighted makeup mirror and began repairing Michelle's face with cosmetics from her purse. Once that was done (and done very well, from what Jane could see out of the corner of her eye), Michael lapsed into a sober meditative mood that she interpreted as his way of dealing with the enormity this action. Never had one of her charges willingly exposed himself to an outsider as a girl boy, before. Jane felt a deep pride in her charge's willingness to make this sacrifice for a friend.
Or was it a sacrifice? What had Michelle said? Nana only knew Michelle? And Jane knew that Michael spent much of his free time with Karen at the grandmother's house. The grandmother spoke with a French accent. When Jane had called her to discuss Michael's visits, she had thought nothing of the name the woman saying "Michelle". Jane had thought she meant "Michel", the French translation of Michael. The imp had been voluntarily dressing outside her house. For Karen, obviously. No wonder he had changed so much so fast.
Another thought struck her. Had the pair been sexually active? She shook her head at the absurdity of that question. Michelle had spent the night the night of that date sleeping over at Karen's. Michelle had said that Nana only knew Michelle, so it had been as a girl that her charge had spent the night. And girls on a sleep over share the same room. Yes, they had been sexually active and if Michael's male confidence was any indication, they had done it quite well. It also explained why Michael had not bridled at Karen's teasing about girl clothes at Plymouth. Contraception? Lord, she hoped so.
They pulled into Nana's drive and a frantic Karen ran down to meet them. Michelle jumped out of the car before it was fully stopped and meet her halfway. Her ward pulled the distraught girl into a comforting hug that was at once masculinely protective and possessive, and femininely gentle and caring. Michelle held her until she had calmed enough to talk to him a bit and then the pair moved quickly to the still running car. Both young people got into the back seat and Michelle told Jane what hospital Nana had been taken to for treatment.
Michael rummaged in his purse and pulled out a hankie which he gave to Karen. Shock showed on her face as she finally realized how he was dressed. Dazed, she blurted, "Michael, you're Michelle!"
Strangely, that broke the tension a little and both Jane and Michelle laughed softly. "You don't know the half of it, Karen dear." Jane said. That made Michelle smile again.
"True, Aunt Jane." He turned back to Karen. "Look, luv. There is a lot you don't know, but I promise to tell you the whole of it later, okay? For now, though, I think you and Nana need Michelle more than you need Michael." Karen looked at the beautifully feminine face that had become so fascinating to her in the past weeks and saw the caring. Nodding, she cuddled closer to her boy/girl friend and let herself be held in silence for the remainder of the trip.
The hospital emergency room was what all hospital emergency rooms are: semi-organized chaos. The two teens were completely ignored by the busy medical staff and Jane saw that Karen was about to dissolve into tears again and Michelle was about to explode. She intervened to prevent both. Jane was not ignored and in short order, the attending physician bustled up to tell them what had happened. The news was positive. Karen's quick action and the fast response of the EMT's had saved Nana. She was weak, and she was in Intensive Care, but the doctor was optimistic about her chances. Karen almost swooned in relief. She would not be able to go home for a while, but she was awake and alert.
The two youngsters sat down in the waiting room to wait for permission to visit Nana. Jane sat across from them, letting Michelle provide what comfort she could. It was then she noticed the surreptitious glances Michelle was giving someone at the admittance desk. Curious, she looked to see what was bothering her. A nurse was pointedly staring at the pair and Michelle had noticed. After closer inspection, she smiled. She knew that nurse, and she knew why the woman was staring.
A month ago, perhaps even a week ago, she would have let Michelle stew, worrying about the woman's marked interest in her. However, Michelle had been behaving impeccably, and moreover, had done something she felt merited a reward. Standing, she strolled over to Michelle and sat beside her. She moved her lips to his ear. "Relax, dear. She is staring because she knows me, not because she has figured out you are not a real girl. She is a friend who helps take care of my little girls when they get sick. She knows what I do to my little boys and she is trying to figure out if you or Karen or both of you are one of my petticoated boys, but she is the soul of discretion. Just take it easy." Michelle gave her a wobbly smile, took a deep breath and began to relax.
An administrator came up and inquired about their connection with Nana. When informed that Karen was her granddaughter and the girl's guardian while her father remained overseas, he frowned. "Well, your grandmother can't go home for several days at least. I am afraid we will have to call Protective Services to come take care of you." He walked away before anyone could say anything.
Karen went very still. "Oh god, what will they do with me?" Then she realized what the options available to that agency and nearly panicked. "No! Not a foster family. I can't take that on top of all this. Being a stranger and alone. Why can't I just stay home? I am seventeen. I can drive."
Michael tried to comfort her, pulling her even closer. He looked at Jane, his artfully made up eyes becoming wide and beseeching. "Aunt Jane, couldn't Karen stay with us?" His voice broke into a sob of his own and he swallowed to regain his own composure. "Please?"
"Well, they are calling Protective Services. That may take it out of our hands." She stopped, considering how Michelle would react. "I do have some contacts there. I might be able to work something out if we catch them early enough."
Michelle smiled at her. "Please, Aunt Jane."
She nodded. "All right, Michelle. I will go make a phone call and see what I can do. One thing, however." Her tone was sharply commanding before she once again whispered into her charge's ear so that Karen would not hear her words. "If we do this - if Karen comes to live with us, even for a short while, it won't change your situation around home, Michelle. Are you prepared to be Michelle with her around?"
Michael smiled wanly at her. "As you have probably guessed, Aunt Jane, I usually am Michelle with her, anyway. Now she will merely learn why I am so good at being a girl." Jane smiled at this, and after giving Michelle a kiss on the cheek, bustled off to find a phone. She was determined to have Karen in her home.
Part 2: Autumn Colors and Other Surprises
Dear Barb, October 20
Things have changed greatly since my last letter to you, and as you are still not available to me by phone, I have decided to send you this note. Karen Austin, the girl I told you about, is now living in my home with Michelle and me. I won't go into the particulars, but three weeks ago, the girl's grandmother had a heart attack and a stroke. Michelle asked me to take the girl in and I did, bending some bureaucratic arms in the process. Subsequently, it was determined that she would need full time care in a nursing home and could not go back home to supervise Karen. The woman is alert, just weak. One thing led to another (your child is a steamroller when he really cares about something, Barb), and Nana prevailed on the girl's father (who is too important and too busy to come home and care for his mother and daughter) to appoint me as Karen's guardian during the grandmother's convalescence. Since a full recovery is unlikely, although more likely than the father coming home, this means I will remain Karen's guardian until she reaches her majority. You might be surprised to hear that I don't mind a bit.
It turns out that Michael had already shared Michelle with this young woman, and that Karen was even more instrumental in your son's rapid improvement than I had first guessed. She now knows everything, and although she was shocked (to say the least) to find out how Michelle lives, she recovered quickly. Now she functions as Michelle's big sister while he is home and petticoated, and as his girl friend and confidant while they are together outside the house. She agreed to this the night we discussed making the guardianship arrangement permanent.
We did have one little blow up. She "tattled" on Michelle last week. Seems Michelle had been less than politic in one of her exchanges with her "big sister". An upset Karen decided to use me to get back at Michelle. That was fine with me, because I had one last little test I wanted to try on our little girl boy. I told her that, since Karen's school was holding a Sadie Hawkins Day Dance (Karen had already asked Michael), I wanted Michelle (NOT Michael) to find a date so that she and her sister could double date. Karen would still protect Michelle, but the little dear would be in a muck sweat from then until he was safely inside my door again after the dance. I even wondered aloud if Michelle would get her first boy-girl kiss.
Karen's response was completely unexpected. She exploded. "He's MINE!" she screamed at me. "Pants or skirts or whatever. I WON'T be a party to that. I won't let HIM be a party to that." Well, I was taken aback. But what really shocked me was Michelle. She told Karen to calm down, that it was okay. Karen whirled furiously on him, "What is this? Do you want to go out with a boy?" Michael calmly told her that no, he did not. The only person he wanted to go out with was her, but recalled that when I had agreed to take her in, he had promised to obey me and to try to trust me. He said he would do it, but would feel better if she would go, too, so he would not be alone with a boy like that. That stopped me. To my knowledge, that was the first time Michelle had exhibited that type of faith in me.
Of course, I relented. She still got punished, but he went to the dance as a boy - but with a new, salon styled, big hair permanent and with frosted highlights. Sandy outdid herself this time. Even there, Karen was one step ahead of me. She had a straw farmer's hat for her hillbilly to wear over his frosted curls.
For all that, I have little more to teach Michael. He is everything I hoped he could become when I took on his case. I will keep him in skirts a while longer, because I like him that way. Selfish, I know, but Karen likes it, too, and what Karen likes, pleases your son. He wouldn't mind much, even if he had a choice in the matter.
What I propose is that you plan to spend Thanksgiving here. You could have dinner with us, and see the lovely young woman your daughter might have been. You will see the fine young man your son has become. You might also want to take a look at the woman I have every expectation will become your daughter in law. I think a graduation party where Michelle gets her trousers back, full time, would be nice. Of course, I will keep this a secret from Michelle, although I may need to include Karen in on the planning.
Please call me as soon as you have read this and my earlier letter to you. Now, I must leave. The girls are going into town to check out costumes for a Halloween Ball at the local country club. I have decided to permit Michael to dress as he pleases. The pair of them have been brainstorming ever since I told him that. They seem determined to keep their plans a great secret - especially from me. I will make sure I have fresh film in the camera.
Sincerely yours Jane
Jane frowned as she reread the letter she had just finished. She had wanted to be far more blunt and order her school chum to attend, but she hadn't. Good manners combined with her growing fear that the problem might worsen helped her to hold her tongue. She was becoming more and more fond of Michelle with each passing day. One of the things she realized was that not once in Michelle's sojourn in her home had Barb initiated any contact with her about her son. Jane had made all the calls, written all the letters. Not once had Barb even asked if she could speak to her son. Of course, Jane had told her, early on in the project, that she strongly recommended against such contact, except for real emergencies. Still, most of her other boys' mothers had conveniently forgotten that request at least one time during their little darlings' sojourns under her supervision.
Frustrated, she readied the letter for posting. Her two charges wanted to go into town looking for costume ideas. Then, a thought struck Jane. If Michelle was going to the party as Michael, why not let them make an outing of it, just the two of them. It would let them connive in secret, and she could do some more work on the planning for her next new charge. Not having a resident big sister was going to make this one difficult. Besides, Michelle had not driven since her arrival, and would enjoy the treat. She would give them the good news at lunch.
It was a tossup who was more flabbergasted - Michael at Jane's offer, or Jane at Michael's response.
"But, Jane, I had planned on going to town as Michelle, so I can't drive. My license shows me as a male. I don't plan on speeding," he hastened to add as her eyebrow shot up, "but it would still be too big a risk in the event someone else caused an accident."
"But, Michelle, I said you could go to the party as you wished. I fully expected you would need to find a costume suitable to your character's gender."
Michelle smiled softly. "Yes, Aunt Jane, but it is just that I thought that, since I still had to stay in character here, I would look for a costume that let me do that while not getting me in trouble here for unfeminine behavior. I thought I would talk to Sandy and Carolyn about how best to do that without ruining all their efforts." Michelle paused, remembering another time Jane had "permitted" him to dress as a male. "That is, if you don't mind me seeking their assistance in this. I know last time you told me I had to do the transforming all by myself."
Still off balance, Jane shook her head. "No... No, that's fine, Michelle. That was to serve a purpose. This is in the way of a real reward for real effort. In fact, I will call Carolyn right after lunch and tell her to go along with whatever you ask. I will also tell you that whatever they do can be undone after the party if that is what it ultimately takes for you to pull off whatever it is you have in mind. You have earned this, Michelle. I really am quite proud of you."
Michelle went completely still. Surprise, then pleasure, and finally pride flashed across her face. Karen simply sat there, beaming at her sister/boy friend. Suddenly, Michelle stood up. "Please excuse me, Aunt Jane" he blurted out in a choking voice, and then ran from the room. Jane rose, intending to follow, but Karen stopped her.
"She'll be okay, Jane. Let her be. He is just so happy, and for all your efforts, Michael is still learning to cope with the softer feelings you have introduced him to. He is embarrassed that his joy reduced him to tears in front of you. He'll be back when he has regained control and repaired his face. You should be pleased. He is becoming quite the lady."
Jane looked at Karen with a sardonically raised brow. "Oh? Perhaps, too much the lady, Karen?" Jane was aware that her charges were still intimate. And had been concerned about repercussions until she had ascertained that Karen and Michael were being careful to use contraception after that first night together.
Karen gave her guardian a thoroughly female look of pure pleasure. "No, Jane, Michael is all man when it counts - just more caring and sensitive than other boys of my experience." The pair shared a look of smug satisfaction.
Michelle returned apologetically to the table, but Jane waved them off, hiding her own emotions under a facade of firmness. "Now, since Michelle can't drive, I will give Karen the keys to the Lincoln. It has more space than her little car, and you might find something today and need the room. Now go get ready. Go on, shoo!"
Both teens laughed and jumped to their feet to leave, but Michelle had one more shock for Jane this day. Before leaving the room, she shyly came over and kissed Jane on the cheek. "Thank you, Aunt Jane." she whispered, before once again rushing headlong out the room, leaving a thoroughly bemused Jane behind.
Karen drove the big car with more caution than she normally used with her zippy little Honda. Once they were on the road towards Kingston, she relaxed enough to talk. "You okay with this trip? I know that this has not been a fun place for you. Seems like all of Jane's feminizer cronies are in that town. They may not be able to resist taking a piece out of you."
Michelle nodded. "It will be okay. I have learned a lot lately. Mostly, they just want to play with me. When I give as good as I get, they just have fun. Besides, they have more to lose than I do. This is area is pretty conservative. Their businesses could suffer badly if it became known what they were doing with Jane."
Karen nodded at the insight. "You don't mind going dressed? I mean, this was a perfect opportunity to be a guy, again. Jane even gave you the go ahead for Carolyn and Sandra to put you back together after the ball. You could have spent a whole week looking like your studly self instead of living in skirts."
"Naw. Besides, are you going to leave me?"
The large car swerved violently as Karen jerked the steering wheel in surprised shock. "Hell, no! I told her and I will tell you, Michael Nash. You are mine! The formalities are just that - mere formalities. You are mine and I am yours. You are stuck with me, Miss or Mister. End of statement."
Pleased by her response, Michael chuckled. "I love you, too, darling. So, getting out of skirts is not an issue with me, anymore. You like them. I expect I will be wearing them on and off the rest of my life because pleasing you is a big priority in my life." His voice trailed off. Karen urged him on, asking him to finish the thought. He visibly steeled himself and after taking a deep breath, whispered. "And I like them, too."
"Oh, Michelle, I am so glad. Really I am. I was worried that once Jane signs off on your return to that damned school, I would never have my girl friend back again. And if you had done it for me like it was some damned sacrifice, I would have known, and I would have hated it."
Unlike Michelle who was fashionably turned out in skirt and blazer set, Karen was wearing her beloved jeans. The jeans had been a minor bone of contention when Karen had moved in - Michael had asked to wear them, but Jane had refused. "Karen already knows how and when to be a lady, Michelle. You are still learning. Of course, to be fair, I could ask Karen to refrain from wearing them until you are advanced enough that I will permit you such liberties..." Michael had not liked that idea at all. First, because Karen loved wearing her jeans, and he would not want her deprived because of him. Secondly, she looked awfully sexy in those skin tight denims and he would not want himself deprived of that pleasure, either.
So, Jane had relented, and Karen continued to wear her jeans for both their pleasure. Jane, being Jane, was unable to resist a few stinging jabs about "who wore the pants in this relationship..", but as long as Karen was happy and looking so sexy, Michael was able to handle those with grace and a smile. What he did not realize was that it was precisely that comfort with her games that Jane had been looking for, and had now found.
Michelle reached across the seat to gently squeeze the denimed thigh, and then rested his hand there. They rode like that most of the way, until the outer limits of Kingston and the university campus came in view. At a stop light, Karen saw Michael staring wistfully at the sign proclaiming pre-registration for the spring term. He merely shook his head when she asked if something was the matter.
They drove toward the business square where Marisha Chalet sat, and Karen carefully parked the car. She shutdown the engine, and turned to face her lover. "You want to go through with this? It could really destroy her, you know."
"Hey, it was your idea, remember? You said it was the right thing to do, that it would bring closure. Now you are getting cold feet? For all my little bravado back there on the road, Sandy scares the hell out me. She has been a lot easier on me since August, but she knows just how to get to me, and she loves doing it. She has a way of getting me so turned on that I get rock hard, and then she cuts me to ribbons with it."
Karen took his hand. "Don't worry about it, sweet. Anything she makes rock hard, I can help make nicely pliable again, and I promise you'll love it." Her voice was a husky whisper that grabbed him by the groin and twisted sensuously. "Seriously, we could do something else and still get the effect you want."
Michelle considered that carefully. It was tempting. Finally, he shook his head. "No, this is the right way. She has to see me as I am, now. Not as she chooses to see me in her mind. We can't get over the past until she does."
Karen smiled. That was the answer she'd wanted, but she'd needed to know he understood, too. "Okay, let's go. I saw Caro at the window looking at us. She must think that Jane is having to drag you in, again. Sandy must be getting out the frosting kit again." she said with a smirk.
The patrons of the shop only noted how lovely the two young women who entered the shop were. Carolyn and Sandra came up to greet them and then ushered them into the back room. Sandy spoke first. "Well, Jane called." she said with a dejected tone in her voice. "She told us this was your show, Michael. What do you want us to do?" She looked very sad and Michael wondered why.
Carolyn spoke. "We know that you are going to the Ball and that Jane said you could pick your own costume. Tell us what you have in mind and we will see what we can do. Frankly, you have become so facile an actress, you could pull off anything."
Michael glanced at Karen, who nodded back. He reached into the oversize shoulder bag he carried and withdrew an 8x10 manilla envelope from it. "Before we go further, you should know that our plans are secret, especially from Jane. If you can't agree to that, we will do something else - try another salon." Determination colored his voice. Both women looked at him in disbelief. He would go to another salon, chancing discovery?
Finally, Carolyn spoke. "We already knew that, Michael. Jane told us and asked that we keep your confidence. We promised her and we promise you that, too. Don't we, Sandy?" The other woman nodded.
"Okay, look at this." He pulled a photo from the envelope and laid it on the table. It was a promotional picture from a famous historical movie. "We saw this and the similarity of our facial structures to these people. And I remembered the outfits you got for Beth and me for that parade float. Now, this is what we want to do...."
The planning took the better part of the afternoon, what with Carolyn and Sandy having to leave periodically to work on their customers. Gradually, both women got into the spirit of the enterprise and all but took over from the two excited teenagers. Finally, Sandy was toting up what to have as they reviewed their lists one last time. "...... cosmetics, hair dye, spirit gum." she concluded. "Okay, I think that does it. While I was out on the floor the last time, I called the costume shop around the corner and told them to expect you soon. Michael, that shop is not, to my knowledge, party to Jane's activities, so be careful while you are being fitted. It might be wise to have Karen assist you instead of their people while you are changing into your costume for fitting and alteration. Oh! I almost forgot." She ran to a nearby closet and returned with a familiar box. "Here, you might need this." Michael took the box and thanked her.
Carolyn smiled. "Thank you, Michael" she said emphasizing the 'you', "for letting us be a part of this. I know we made your life hell, but that was part of the plan. I'd like to think we have become less your enemies, now, and more like friends."
Michael stood and gave each woman a demure kiss on the cheek. "Not like friends, Carolyn. You are friends. It just took me awhile to figure out that not all friendships start out friendly. Now, I have to go or the shop will close."
"Michael? If you and Karen would like, I could visit the afternoon of the party. Help you both get ready. That dye can be messy, even if it does wash out with the special solvent soap."
"If you don't mind, Caro, I think that would be wonderful."
"Miiiiii-chaeeell" Karen wheedled. "Could we go? I am tired and hungry and those fittings will take an hour at least. Especially mine! I am gonna get turned into a human pin cushion. I just know it."
They got home around nine pm to find that Marie had kept supper warm for their return. Jane insisted they take dinner in the study with her on trays as she quizzed them on their day. Michael was mischievously evasive on the subject of where they went and what they bought. "Oh, but I will tell you that Caro promised to come over Saturday afternoon and personally handle my makeover."
Karen swatted him with a lace throw pillow. "Hey, don't forget about me. She promised she would do my make up, too."
Michael put on Michelle's cattiest look, and said sweetly. "Oh, dear, that's right. Well, maybe you should call her, Auntie Jane, and see if she could be here by nine am, instead." Both women fell on him with pillows then, and Jane's formal, Victorian study became a slapstick comedy of screeching laughter, petticoats and pillow feathers. Michael could not remember having a better evening in Jane's house.
The sealed garment boxes with the costumes arrived the Thursday before the party. Michelle and Karen locked themselves away in Karen's room (Jane permitted Karen the privacy of a locked door that she still chose to deny Michael), and tried on their costumes. The alterations were perfect, thus saving the teens from having to ask Marie's help or worse, from trying to fix the clothes themselves.
Caro arrived in time for luncheon on Saturday. After the meal, the three conspirators adjourned to Karen's room for the grand transformation. By tacit agreement, both Marie and Jane avoided the upstairs that afternoon, afraid they would peek if they had the chance.
At five thirty, Carolyn found Jane and told her that they were ready for the unveiling. Jane and Marie hurried to the parlor, both carrying cameras to record the event. Carolyn returned and took her place on the settee beside Jane. From outside the parlor, Michael's voice, a much deeper voice than Jane was used to hearing called. "Ready in there?"
Jane responded tartly. "I was ready two hours ago. Now get in here."
Karen's soft laugh followed. Moments later, Rhett Butler escorted Scarlet O'Hara across the threshold of the room. Scarlet was in a classic reproduction of the famous movie ball gown, its de'collete' bodice showing an expanse of creamy cleavage. Her hair had been darkened with dye and hung in sausage curls around her head. Opera length satin gloves covered her arms, and on her left cheek, beneath her twinkling eye, was a black beauty patch. With one hand in Rhett's, and the other holding her heavy skirt, Scarlet curtseyed low to her royal audience.
Rhett was in black evening wear, complete with tails and a cane. His hair had also been dyed black, while his skin had been artfully darkened and coarsened by Caro's cosmetic artistry. His brows, and upper lip were covered by hair that had not been there at lunch. False brows and mustache, to be sure, but it was a very, very good job. His hands were covered by formal white gloves and gleaming boots adorned his feet. Bowing low to the women, he 'made his leg' with the grace of a Regency Corinthian.
"My God, Caro.... it is like they stepped off the movie screen into my house." She looked more closely at the boy she had worked so hard to make into a girl, and shook her head in confusion. Scarlet giggled, and Jane's head came up in shock.
"Now, you blew it." was Karen's disgusted comment. "We would have made it out of here without her knowing if you could have kept your mouth shut."
"Naow, Rhett-dawlin'," said Scarlet in a terrible Southern accent and in Michael's voice, "Ya'll know I was gonna tell her lil' ol' self befo' we left, anyway."
Jane could not seem to get her mouth to work - it just hung open. Caro was having spasms, trying to keep from laughing out loud. Marie was stunned. Finally, Jane choked out, "Michael? I mean, Michelle, is that you?"
Michael came over to kneel in front of Jane in a swirl of silks and satin. "Yes, Jane." came the soft, incongruously male voice in reply. "It is me."
"But, why? You could have been anyone - anything. Why a female?"
Michael's answering smile was beautiful to see. "Because, dear Jane, this *is* me, now. Or at least, a part of me. You see, two ladies that I have come to care about, like this in me. More importantly, I have come to like it, too. I am still a man,.." he stopped to consider that and shook his head, sending the sausage curls bouncing saucily about his face, "No, I am more of a man, because none of this..." and he swept a hand over the female finery, "threatens me anymore. It is part of me, and I have come to like me quite a bit in the past weeks. I wanted you to know that, Jane." With a muffled "oh, god", Jane wrapped her arms around her charge and clung tightly, tears rolling down her cheeks. Then, she jumped to her feet and ran from the room. Michael made to follow her, but Marie stopped him. She was also crying, but smiling. "I will see to her, Michael. She will be fine. You and your young lady just go and have fun."
Caro repaired the damage to everyone's makeup, and then took pictures with both forgotten cameras. Finally, she ushered them out the door, and went to find Jane. She thought a good drunk and a happy crying jag were definitely in order. Jane had to have some good bubbly in this house somewhere. She would just have to find it.
No one got up for breakfast the next day. Michelle, seeing the problem, mixed up a "hair of the dog" favored by one of his mother's consorts, and served tall frosty restoratives to each hangover victim. A few hours later, when hunger set in, Michelle made omelets and muffins to fill empty stomachs. When his own (the last, naturally) was done and he came to sit at the table, Karen was regaling the women with a recount of their exploits. "You remember Page, don't you, Jane? The boy who made Michael's life hell at the play? He was there as a pirate, and he was so enamored of little Miss Scarlet. He even prevailed on her to dance. God, I was afraid he would drool the makeup off the fake boobs Sandy gave her. Strange thing, though, his pants fell down, and he wasn't wearing any undies. He was quite the spectacle, hopping off the dance floor, trying to hold up his pants with one hand, and keep his dickie covered with the other." Karen looked up to Michael as he set his plate down and settled into his chair. "However did that happen, Michelle, dear?" she asked in the sweetest, most innocent of tones.
Michelle gave an entirely unladylike snort. "He should not have been carrying a real knife on that stupid belt of his. Knives are dangerous." was all Michael had to say for the ladies to howl with mirth. With a satisfied smile, Michael continued, "My only regret is that he went home afterwards and missed the unmasking. Karen and I won first prize for best costume by a couple. I would have loved to see his face when he realized that he had been hitting on a guy. I do hope someone tells him." Then a thought struck Michael and he looked slyly at Jane. "Aunt Jane? There isn't any chance that Page has gotten in trouble around here? You know, you might talk to his mom, offer to help her with him a little..."
Jane spluttered. "Oh, no. None of that. I don't take students from the immediate area. They are too likely to be recognized, no matter how well I do my job. Besides, his father is an arrogant paternalistic idiot and he would never agree, more's the pity."
"Too bad. I would even stay on past Christmas to help with that scene, and I would not feel a whit of guilt about it like Beth did with me."
The offhanded reminder of his approaching departure cast a pall on the impromptu brunch and it broke up shortly thereafter. Caro had to leave for home, Jane went to her study, closing the door and Marie gathered the dishes to clean. The two young people decided to go for a walk.
Things settled back into the familiar routine for Jane's household. Studies and school consumed much of Michael's and Karen's time. Both took the College board exams the week after the ball. Michael went back the next week for further testing, saying only that he was working on several options when it came to college and that the tests were a part of that.
About two weeks before Thanksgiving, Karen heard shouting coming from Jane's study. Concerned that her lover had gotten in trouble again with her mercurial guardian, she peaked in through the open door in time to see Jane slamming her antique phone down onto its cradle. "DAMN that woman! HOW can she DO that to him?"
Jane put her head down on her desk, looking utterly desolate. Karen crept in, and put her hand on Jane's head. "Jane? What is the matter?" When Jane mumbled that it was nothing, Karen disagreed. "No, I have never seen you upset over 'nothing' and you are upset. Now give."
"Oh, it is nothing, really. Nothing I can fix, anyway. That was Barbara - Michelle's mother. She was answering my last two letters." Jane went on to explain her plan for a surprise graduation party for Michael. "She just called to tell me she was going on another vacation with her newest new boyfriend. Seems they will be making a holiday tour of the Caribbean. They leave tomorrow and won't be back until after New Year's. As to Michael's future at St. A's, I am to "do what ever you think best, darling. You seem to do so much better with him than I do." Damned woman. To do anything you first have to try enough to care and care enough to try. When I think of the waste of a fine human being she almost caused with that type of neglect, I want to do bodily damage to her."
Karen moved behind Jane, massaging the stress out of her shoulders. "Well, you care, Jane, and so do I. Matter of fact, there are a lot of folks here who care about our Michael-Michelle, so that is all that matters. If she does not know what she has in him, it is her loss and our gain." she kept on stroking. "He is special to you, too. Isn't he, Jane."
Jane had long since ceased being amazed at this girl's empathy and grasp of human feelings. She merely nodded. "Yes, he is. I have never had a bond with one of my pupils like this before. It is almost as if he was my own. As if he were my son." She laughed a harsh, derisive laugh. "Funny, isn't it. I love him like a son, and I haven't figured out how to show it."
"He knows, Jane. No boy I know does what he did for you at Halloween without loving the person he is doing it for. He knew it could have backfired on him at the party, big time, and he still went through with it because you had given him the choice." Karen became silent. "You know, we really don't need his mother. I think your whole circle of friends would love to give Michelle a proper sendoff. What do you think of this idea..." And with that, the two women began to plan.
Part 3: Restorations and Revelations
The quiet was eerie. It was a little after eight on the Sunday morning after Thanksgiving, and Jane was completely alone in the house. Marie had left Wednesday to spend the holiday with family in Boston. She would return shortly to help with the final party preparations. Karen and Michelle had gone to Providence for the morning. That was part of the plan she and Jane had hatched to get Michelle out of the house long enough to finish the final touches for the day's festivities.
Karen had asked Michelle to go to Church with her for the celebration of the first Sunday of the Christmas Advent Festivities. Michelle had initially been reticent, not wanting to go into Church "wearing a lie". Jane had held back during the exchange, knowing she could have easily have forced his acquiescence, but not wanting to. Fortunately, Karen was well in command of the situation, as she had seemed to have been with so many others. "Is it a lie, Michelle, dear? Really?" Michelle seemed to waiver, and Karen had moved in. "It is not like you are going to take the veil, luv. You are just going to sit in the pew, listening to beautiful music, looking lovely."
Michelle had blushed beautifully, and finally had given in. So early this morning, the pair had dressed in their new holiday finery, and headed off to Providence in Karen's Honda.
Jane could not really remember the last time the house had seemed this empty - probably because since she had purchased it, the house had not been empty. She had taken on her first petticoating project within mere weeks of moving in, and had always had at least one skirted boy underfoot since. And now, she was losing this one without a sure replacement in hand. The mother of the boy she was to take on was uncertain she wanted to inflict Jane's "torments" (the Mother's words) on her misunderstood son. If that one fell through, as had the last, Jane would have only Karen once Michael headed back to St. A's.
Of course, that was not insignificant. Karen had become very important to Jane in the short time they had been together. Jane had all but forgotten the simple pleasures of sharing things with another true female. As competent as her sissy-boys became at acting like young women, and as much as many of them came to enjoy their feminized states, Karen shared things with Jane that her boys could not. Case in point was the shopping trip they had taken to buy the clothes she and Michelle had worn today. It had been fun, and in an entirely different way than when she went shopping with her "girls". When Jane took the boys shopping, she enjoyed their fear of being unmasked, and the little humiliations her friends heaped on their curly heads. But there was that slight chance that something might go wrong, that the boy might be uncovered by someone who was not in on the conspiracy. So Jane had to be constantly alert in those situations and that detracted from her pleasure in the activities.
With Karen, there had been none of that tension. She had actually been able to enjoy the experience of shopping. She had been able to enjoy and share Karen's pleasure in finding pretty things for herself and for Michelle. It had been...... nice.
The real problem, Jane was forced to admit, was that she was already missing Michelle. She had never before let a boy stay after his rehabilitation was complete. They left her immediately to get on with their lives. She was usually a little sad to see them go, and missed them for awhile, but was soon diverted by the next little test or task she had planned for her latest "girl". This was very different.
"You might as well admit it, Jane Thompson." she spoke angrily into the silent room. "You admitted to Karen that you loved Michael Nash as the son you never had, but the real truth is that you love him best as Michelle. And you have no right to keep Michelle at Michael's expense anymore." She savagely swiped at the tears that had welled up in her eyes, infuriated with herself that she could not be happy for Michael's sake that today ..... that today was his last day in skirts.
Well, probably not his last day. Karen liked Michelle, too, and Michael had as much as told her that he accepted Michelle when he had elected to be Scarlet instead of Rhett. But she would no longer see Michelle every day, nor, in fact, should she. Michael would need the next month to reestablish enough of his male mannerisms to survive the last term at St. Andrews.
The door bell's ring broke her reveries. That must be the first of the guests, arriving to help with the final party setups. Good. Jane was tired of feeling alone and lonely.
The Honda pulled onto the estate around two pm. Much to Jane's amazement, everything was ready. The two young people entered to the foyer smiling, and looking to see where Jane might be. Jane opened the door to her study, a stern look on her face. Sharply, she ordered. "Michelle? I want to see you in my study. NOW, young lady, this very INSTANT!"
Michael's face fell dramatically. What HAD he done? He had tried so hard the past few weeks - not on the feminine things, but to show Jane how much he had come to care for and about her; to show that he actually loved her. He had even permitted himself to believe that she cared for him, too. Now he must have done something to upset her, but he could not imagine what it was. Would this mean she would have to delay his planned departure for St. A's?
Jane turned and reentered the study, her back stiff and straight. It was the way she had been those first, horrible weeks. Sighing inwardly, Michael turned to follow her, consciously thinking about his presentation for the first time in weeks. He did not realize that Karen was following close behind him until her white gloved hands came up to cover his eyes just before he reached the study threshold. Michael faltered with the loss of vision, but Karen prodded him on into the room before he could stop or free his eyes.
"SUUURRRRPPPRRIIIIZZZEEE!" The combined yell of several female voices caused the blinded boy to jump backwards into Karen, almost tripping them. Karen's hands came away as she struggled to catch them both. Once he regained balance, stupefied wonder rendered him speechless and motionless. The study looked like a New Year's Eve Party gone wild. Brightly colored pink and blue crepe paper festooned the room and a banner that proclaimed "Congratulations, Michelle - Welcome Back, Michael" hung proudly on the wall behind Jane's desk.
Then Michael took in who was there. Everyone who had had a hand in his journey of self discovery. Carolyn and Sandra, Miss Franson from the dress shop and Mrs. Bedford, the nurse whose stares had unnerved him at the hospital - they were all there. And of course, in the center and out in front of everyone else, was Jane and Marie. Then, a hand tapped his shoulder and he turned to see "David?" the name was a whisper. "David, is that you?"
The fondly remembered gentle smile curved the lips of the young man in front of him. He was turned out in a finely made, charcoal gray suit. Michael did not know what else to do, but hug his friend. "God, I am glad to see you. I have missed you. Karen, come and meet David.."
"Ahem" That single syllable stopped him cold. He turned toward Jane who was looking at him with a cocked brow and a sardonic smile. "I believe I told you, young lady, that *I* wanted to see you."
Smiling now himself, Michael went to stand in front of Jane, and then curtseyed deeply as he had the night of the Halloween Ball. Jane pulled him into a tight hug. She pulled back, and ordered "All right, everyone sing, please..."
The women and David started to sing, "For he's a jolly good fellow..."
Sandy put her fingers to her mouth and blew a shrill whistle, shocking everyone to silence. They turned to her in amazement. She grinned. "Can't sing that, Jane. Not yet, anyway." She pointed to a chair that had been covered with a bed sheet. A table, covered with combs, scissors and a myriad of bottles, stood beside it.
Jane nodded, smiling mischievously. "Quite right, Sandra. Michelle, please sit in that chair." What followed was a complete demolition of what had taken Michael an hour that morning and over six months of learning to accomplish. Sandra moved behind the chair and started to dampen his hair with another foul smelling concoction. Carolyn stood in front of him and began working on his face. Marie and Miss Franson took a position on each side of the chair and began working on his hands and nails. It took over an hour, but finally, the ladies stepped back. Michael wanted to see what had been done, but the room's mirror was covered in crepe. Jane stepped up to him. "Michael, please go to your room and put on the clothing Marie has laid out for you."
Completely ill-at-ease now, Michael slowly left the study and went up to his room. He thought he knew what to expect, but he was wrong. The changes in his femininely appointed room shocked him. It wasn't feminine anymore; it was a young man's room. The light pastel blues of the walls and moldings were still there, but every accessory had been replaced by ones more suitable to a boy's room. Every female touch, every feminine touch of lace and bit of whimsy had been ruthlessly eradicated. The bed's canopy had been removed; a brightly colored hunting lodge quilt replaced the satin bedspread. The tiered fabrics that had upholstered the various pieces of furniture had been replaced with pieces that matched the quilt. Had he felt this disoriented when he had first seen the room in its girl's room decor? New cotton briefs, socks, a dress shirt and tie, and a shoe box sat on the foot of his bed. On his dressing table, no longer a vanity, was a man's jewelry box opened to display, a new wristwatch, new tie clasps and cuff links. The sink counter in his bathroom now contained a variety of aftershaves, men's colognes and other male toiletries. Opening his armoire, he saw that all of his dresses and other things were gone - replaced by several new suits and sports jackets. One was already laid out for him. He changed from the skin out, still careful to properly tend to his lingerie and dress. A near hysterical bark of laughter broke through his confusion when he started to button *this* shirt from the wrong side. Deja vu all over again.
Was that first blouse *really* that long ago? Another lifetime, or perhaps another age.
Only after he had finished, did he let himself look in the three sided mirror where he had practiced so many new and discomforting mannerisms. Nervously, he kept his eyes lowered as he turned to face himself. As he should have expected from Jane, the suit fit him perfectly. Michael took several deep, cleansing breaths before he could lift his eyes to view his head and face. For several heartbeats, he could only stare in stunned wonder at his own reflection. Michael had thought about this moment ever since that last meeting with David in the garden, wondering how he could ever be "normal" again. He wasn't "normal"; he was better. A mature young man calmly returned his hesitant gaze. His hair was no longer curly, or even highlighted. It was longer, fuller than before, but not unusually so. Even the color was back to what it had been when he used to be a boy. "Used to be a boy?" he asked himself. "Where the hell did *that* come from?" No answer was forthcoming. Why, even his brows looked less fine, less arched. Carolyn must have added some subtle coloring to make them look fuller.
Finally, he couldn't delay any longer, so he left the room and headed back down to the party. As he entered, a rousing chorus of "Now he's a jolly good fellow" marked his return. The loud emphasis on the added word "NOW" in the traditional song broke his mood and made him smile for the first time since Jane had ordered him to the study. The party turned into a lovely, loving memory he would hug to his heart for the rest of his life. The food was marvelous, and the company even better. Each woman made a point of speaking to him alone, praising him on how far he had come, and how much they had enjoyed him. "Especially after you finally wised up." was Sandy's semi-caustic aside. "Although," she continued thoughtfully, "You were sure fun to tease early on. I thought you would come out of the chair a couple of times."
"A couple of times, Sandy? Try a hundred times. Your comments on my masculinity or rather, my lack of it, almost demoralized me."
Sandra smiled at him. "Ah, honey, all Jane's boys get like that." she said with a gentleness he had not expected from her. "Just too full of hormones for anything else - not with a bold, sexy female like me challenging everything you think you are." she gave him a salacious leer right out of a grade B movie, and they laughed easily together. "Besides," she continued, warming to her subject, "Wearing nice lingerie, being pampered, getting all dolled up - all that stuff is sexy. It is sexy on women, and it is sexy on men. It is just plain sexy, hon. Your body, especially your penis, knew that even if your mind was fighting it. I just used that fact to dig into your head a little deeper." Then her sly smile became a sexy challenge. "And don't think I have forgotten how .. umm," she licked her lips salaciously, "How well built you are down there, stud. Come back some time when Jane isn't going to have my ass for it and I will keep that promise to put that thing between your legs to good use." With that bomb, she kissed him hard on the lips and sauntered off, hips swinging.
Karen came storming over to him, green fire flashing in her eyes. "And just was that all about?".
"I don't know," Michael said. "I am not sure if it was a promise or a threat." Then he hugged her and gave her a kiss. "Thank you, luv. I would not be here like this without you. In the end, you were my turning point."
The party broke up at about six pm. The women had to work the next day, and David had to catch a train to be back in time for school. Hugs and kisses were exchanged, and surprisingly, each of the women had a special gift for Michael, but he did not have time to open them before they left. Nor did it seem that they seemed to want him to, either. It was all very strange to his mind. Well, he would remember his manners and send a nice thank you to each of his new friends.
"Michael?" Jane called to him. It seemed odd answering her when she used that name, now. "Would you drive David to the train station? I have added you to my insurance policy, and now, your license will work." she added with a teasing grin. Thanking her, Michael led his friend to the car for a long drive and a talk. It was the perfect ending to the day.
The gifts were stacked on his bed when he returned. With mixed emotion, Michael saw that his last dress, as well as the lingerie and accessories, had been removed from the room while he was gone as well. Shrugging against feelings he did not want to analyze at that moment, Michael opened his gifts. He should have known. Smiling to himself, he wondered if Jane had known about the gifts.
Michael was early for breakfast. He had forgotten how much simpler his morning ablutions were as a male, particularly if he was not trying to maintain a double life - boy in the morning, girl in the afternoon - as he had for the play. Jane was already downstairs, too, sitting in her usual place at the head of the table, drinking coffee. A pile of papers and other documents were on the table beside her. She looked up at him, frowned slightly, then forced a smile to her face. "Good morning, Michael. Did you sleep well?" Actually, he hadn't. The room felt alien to him and he had been restless, but he smiled and answered that he had. The oddly strained smile Jane gave him did not reach her eyes. "Good. These are for you." She slid the pile of paper toward him. "There are your checkbook, your credit cards and the report of your trust fund accounts for the period you have been with me. My brokers have taken over the management of your accounts, and you will find detailed reports of their activities. I think they have done quite well, but of course, you are welcome to discuss their performance with them, or to change to someone of your own choosing."
Michael took the papers and set them aside. "I am sure that everything is fine, Aunt Jane. I will look at them later. Perhaps you could help me with going through them? Mother never has, and I have no idea what any of this means."
His simple statement and request for help almost destroyed her. She still did not really believe Karen's assurances that Michael trusted and cared for her. Maybe he did, after all, at least trust her a little, to ask her help with his finances. "Of course," she said with a calm she did not feel. "This afternoon, perhaps?"
"At your convenience, Aunt Jane." At that moment, Karen came into the room, stopping a moment to stare at Michael in his slacks and polo shirt, before recovering enough to chirp a cheerful good morning.
For all the apparant good feeling shared among the threesome over the next few hours, Michael felt an undercurrent of tension swirling around him. Every time he saw Jane looking at him when she thought he did not see her, there seemed to be almost an aura of melancholy about her. If she saw him looking at him, the same plastic smile came. Conversation between them was strained, and the easy banter that had developed over the past few weeks was nonexistent. Only in her study, when she patiently explained each financial document to him, did she seem comfortable with him. Was that because she had fallen into her "School Mistress" role again, and he had become "the student", and as such, someone she could relate to better than she could a freed "Michael Nash"?
Lunch was difficult, with Karen trying, with little success, to involve both Michael and Jane in normal conversation. Finally, at dinner, Michael concluded he understood the problem. Did he want to solve the problem was the question. For Jane and for Karen: the answer was yes. For himself? Insight flared, and he understood that he could not be happy with Jane unhappy. She had simply become too important to him as a person. And, in all honesty, it was his choice this time. That made a difference somehow. He glanced at Karen, cocking a brow as he had seen Jane do so often when she was about to set a fox in his personal chicken coupe. She seemed to understand and smiling at him, nodded slightly. "Aunt Jane, I forgot something important. May I please be excused for a few moments?" Jane jumped at the sound of his voice in the silence that had descended on the dining room, but nodded and gave him leave to go. Michael hurried up the stairs, and after a quick stop in Karen's room, he went to his own. Inside, he pulled out the gifts he had received the day before from each of Jane's circle.
Michael reentered dining room about fifteen minutes after departing. Jane glanced up from her soup, ready to order him to his seat before the soup was inedibly cold. She did a classic, thoroughly satisfying double take before dropping her spoon noisily into the dish in surprise. Michelle was back. Michael had borrowed the outfit, including the flats, that he had worn that first time for Karen after the play. On his head was a softly curling blond wig, that Sandy's note had said was made to match his most attractive styling and color. Miss Franson had given him a complete set of lingerie and hose. Caro's contribution was a set of cosmetics designed to match Sandy's hairpiece and his skin, and Mrs Bedford had given him a set of costume jewelry (earrings, pendent and a bracelet) and a set of press on nails in a suitable color of light pink for everyday wear. "M...mm... Michael?" Jane spluttered out. "But.. But.."
"No, Jane. Michelle." he walked over to Jane and taking her hand, drew her out of her seat, into a hug. "We have come too far, I think, for either of us to be comfortable with Michael. Not this abruptly. Maybe, not in this house, ever. I don't know, but I also don't much care. I do care about you. Let me give you this gift, Jane."
"But you need to remember how to be male! Next month..."
"Next month will be fine. I will do my practicing outside of the house. Karen will help. At home, I will continue as before."
Home? He had said "home". "But Michael... I mean, Michelle, you hated this."
"Hated, Jane. Past tense. You did your work well. I can, as you once told me I would have to, tell you that I honestly enjoy the masquerade. And I have come to love you. So, let me be what you love best in me, for you and me. Okay?"
Jane broke down into racking sobs. Michael, although versed in things feminine, still suffered the male's genetic impotence in the face of a woman's tears. He held her close, casting pleading glances to Karen to come help. Karen merely shook her head, grinning like a loon through her own happy tears.
Jane finally calmed down and wiped her eyes with the napkin Michael handed her. "I won't hold you to it, you know."
"I know, Aunt Jane. It was and is my choice, but I think it is the right one for all of us." Then he whispered in Jane's ear. "Besides, Karen really likes Michelle. Makes her horny."
Jane sputtered a choked laugh and looked back and forth between the two young people. "Okay," she finally grinned herself. She made an attempt to regain her composure and dignity after her outburst. Why, she is embarrassed, thought Michael. I wonder if she would blush if I teased her about it right now? But just as the thought came, he rejected it, knowing that it would be insensitive on his part and might destroy the gain he had made. Michelle seated Jane and then himself. "If that really is your choice, I will have Marie return your dainties and other things tomorrow, Michelle. Your blouse seems to have gotten quite wet."
Michelle grinned. "Thank you, Aunt Jane. You might tell her to bring back only the more grown up fashions. Shirley Temple has retired and I do need room in the armiore for Michael's things, too."
Jane gave him her most sardonic, mocking smile, and his heart stopped for a second. God, she could still do it to him. And she knew it, too, darn her. "Oh, well. If you insist." she said as testily as she could with her heart so full. Her daughter was back now, too. Life was good again - at least until Michael had to leave.
Part 4: Holiday Gifts
Christmas was only two weeks away and Jane was looking forward to her first "family Christmas" since she had left home for school. In the past few years, she would get together with friends on Christmas Eve, and try to do something nice for her charges of the moment that would not set her program back too far. This holiday did not have that imposed restraint. Jane felt like the Grinch after his heart had grown ten sizes. She and Karen had planned gifts for both Michelle and for Michael, so that she could have nice things when she visited, and he would have things that were suitable for his future endeavors outside of the cloister of her home.
Jane looked up as Marie entered the study. She smiled as her longtime confidante, friend and fellow conspirator handed her the day's mail. As always, it was sorted by type, and by addressee. On top, was an official looking letter with a State return address. Jane picked it up and started reading it before she realized that the letter was for Michael. She should have put it down. She no longer had any justification for previewing and censoring his mail, but she could not put that, or the other similar letter aside once she started reading it. Whatever had Michael done? When had he done it? And most important of all - *why* had he done it?
Jane was waiting in the sitting room just off the foyer when Michael and Karen returned from their outing in town. Michael was involving the two women in his shopping for the other, wanting to make sure that their gifts were perfect. She smiled at that insecurity, it had to be a male trait, because as far as she could tell, all of his selections for Karen had been right on target. She called to them. "Michael, please come in here a moment. I need to talk to you for a moment, please."
Michael stuck his head in the sitting room door. "You want me to change first, Aunt Jane?" She shook her head no, and handed him the papers she had gotten in the mail.
As Michael began to read, Jane spoke. "I was not spying on you, Michael, at least not now. It has been my standard procedure to have Marie to open all mail and give it to me, particularly any mail addressed to one of my students. There are good reasons for that. Security for one: I need to know if one of my girls has a correspondence that might be dangerous to him or to me. Another reason is that I do not want bad news to reach one of them without my knowledge, because I make them very vulnerable. Lord knows what might happen if word of a death or serious illness in the family reached one of my skirted boys at a particularly bad moment. None of that excuses this, Michael, I should have remembered to tell Marie to stop opening your private mail, but now that I have seen it, I would like an explanation. Obviously, this was the second set of exams you took in November, but why?"
State Board of Regents of Education December 12
Dear Mr. Nash,
Congratulations. Based on your transcripts from St. Andrews Academy, your performance on the state tests in the subjects you studied in your Home Learning Program under Ms. Thompson, and your exceptional performance on the State Home Learner High School Equivalency Diploma Exam, I am pleased to award you the State Regents Diploma you will find enclosed with this letter. Again, congratulations on a job superbly done.
The letter was signed by the State Regents Chairman. Michael looked up at her. "I am sorry you had to learn about it this way. I meant to tell you sooner, but I am not returning to St. A's, Aunt Jane. I am staying in this area. I will be taking courses at the University in Kingston during the Spring Term as a non-degree student since this and my SAT's were too late for the application deadline."
"But, but, why?"
"Because St. A's, and the Ivy League school are not my dream now, if they ever truly were. If I have learned anything from you, it is to be absolutely sure I know what I want, and to take responsibility for the actions necessary to achieve that." He turned his face to Karen, a gentle look on his face. "I want to stay here."
Jane nodded. "All right, I can understand that, but what will you do? What will you study? The Ivy League schools are the best business schools in the country, you know."
Michael nodded. "I am going to become a research psychiatrist, Jane. I want to go to Medical School. I want to learn what makes people tick, but mostly, I want to understand what makes me tick."
Jane studied him carefully, trying to understand where this was headed. "This is very sudden, Michael, for such a radical change in plans?"
"About as sudden as the changes in me that happened since June. I knew in September that I did not want to go back to St. A's, I just did not want to admit it, even to myself. So, when I sent off my SAT application, I sent another one off for the state exams. Remember? I needed two checks."
"Where will you stay? It would be hard for you here in this house with the new student and all."
"I have not worked that out, yet."
Karen perked up for the first time. "He could stay in Nana's house. It is just sitting empty now, waiting for me to reach eighteen. He could sort of house sit for me."
Jane nodded. "That would work, I suppose, although you won't be eighteen yourself, yet, Michael." she shrugged. "Well, you will be close enough for me to keep an eye on you." He was STAYING, her mind cheered. For now, that was enough. She realized that it was more to be close to Karen than for her sake, but it was still better than she could have hoped for. Smiling again, she said, "Well, now that that is done, would you like to change for dinner, Michael, or are you starving?"
Smiling, he shook his head. "I need a shower. I think I will change, Aunt Jane." making her smile grow wider.
Later, while Karen saw to getting some coffee made, Jane decided to make use of the opportunity, and asked Michael, now dressed as Michelle, what had started him on his new track.
Michelle flushed, but faced Jane squarely. "I am ashamed to admit, Aunt Jane, that it was a desire for revenge."
That was not what Jane had expected. "Revenge?"
"Yes, on you and your comrades in crime." Michelle sighed, thinking of the carefully laid out plans he had not dared commit to writing. "I had decided that I was always going to have these feminine little habits that you had forced on me and that in an all boys school, those little nuances and movements were going to make my life hell on earth. So, I plotted to be here in the area, so I could watch you, and wait for the opportunity to destroy you." Jane blanched at blunt statement. Michelle saw it and nodded. "Yes, strong words, but that is how I felt, and looking back on it, I could have done it."
"Really, Michelle?" Jane tried to sound dubious, but he was so confident.
"Really, Jane. You are vulnerable, and I don't know why something has not already happened to you. All you have to protect yourself with is the threat of using those pictures, and later on, the good will of your former students. If the threat is insufficient, or if the good will is lacking, or worse, is replaced by a will to do harm, you can be hurt. I was going to wait until I saw you want something really badly. Maybe a lover, or a husband - then I was going to drop everything I knew on the desk of some scandal sheet. You would have been the greatest thing since Heidi Fleis or the Mayflower Madam. Oh, you would not have gone to jail - you had permission to do what you did. But your network of supporters and helpers, the judges, the social workers, Caro, Sandy and the rest - they'd be hurt and hurt badly, personally and professionally. How many society matrons would trust their debutante daughters to a beauty salon or dress shop that participated in such perversions on helpless young men?" He stopped as he saw Jane grimace as his words hit home. "But then, Karen happened, and suddenly, I derived some benefit from being..... not quite so manly. And then David, as Beth, asked me to try for his sake if not for my own. Once I stopped fighting so hard, I started to enjoy it more, but then I started worrying that something was wrong with me. That is when I got hooked on psychology."
"When did you stop wanting to hurt me that way?"
"It started when you let me stay with Karen. A lot happened that night that was wonderful, and none of that would have happened if not for Michelle. Which means if not for you. I started trying to be more objective. I came to the conclusion that you were, for the most part, really trying to help."
"Only 'for the most part', Michael?" her voice soft.
Michael wished he had kept his mouth shut. "Jane, let me answer your question with a question. You don't even have to give me the answer. Can you honestly say that every trick and test was purely for my benefit and not for your own enjoyment of my discomfort and humiliation? Did it have to be that harsh a lesson in each and every case?" Jane wanted to tell him that, of course, everything she had done had simply been the best way to help him, that there was nothing needlessly cruel in her program. But she knew that was not true. Part of her reason for doing this type of work was the pleasure of watching her skirted and pantied little boys deal with the embarrassment and terror that her deliciously evil little games roused in them. Michael came over to kneel in front of her. "I've come to love you, you know. You are the first woman who ever cared enough to be hard on me when I needed it. And that is the final reason I put aside plans for revenge. You were right. Right for and about me, anyway."
"Oh, Michael." Jane's call was a sob, and the two of them clutched at each other, sharing tears. Jane, because he had seen the worst of her, and still loved her; Michael, because she was Jane, and he had been forced to hurt her.
Karen returned carrying the coffee tray. "Hey, what is going on here? Why are you both so upset? What happened?" Quietly, still holding Jane, Michael explained what had happened. Karen slammed the tray down on the coffee table. "Damn it, Michelle, I told you not to tell her that. Go to your room, young lady, get your hairbrush, and bring it to me here." Michael looked at her in shock, not believing what he just heard. "Now, Michelle, unless you want to sleep alone for the next two weeks, you will get that brush and then hustle your cute little butt back down here.", Karen added in the sweetest of tones. Michael hurried from the room and returned with the antique, silver hair brush that Jane had given him. He handed the long handled implement to his lover, eyes downcast. Karen took a seat in one of the Chippendale chairs that sat off to one corner of the room. She gave Michelle a dark look. "You know the position, Michelle, I suggest you assume it unless you want me to add to your punishment."
Jane watched, unbelieving as Michelle slowly walked to Karen and then draped herself over Karen's lap. She really should stop this, but lord, Michelle was blushing furiously and it had been so long since she had last seen that. Then Jane's eyes nearly bugged out when Karen carefully drew Michelle's skirts up over her back and pulled her panties down to her knees. The first stroke landed with a loud splat, and Michelle's squeal of surprise. Jane could not have stopped this now, even if she wanted to.
Which she didn't. Michelle was Karen's now, and she had things well in hand.
Jane stood, and strolled over for a better look. Michelle looked over to see her coming and her face became a darker shade of red. "Well, Michelle, I am pleased to see you still wear proper hosiery and not pantyhose."
"Karen...>Owww< ... likes them better than ..>mmmf<.. pantyhose." Michelle managed to pant out between brush swats. Karen was raining a steady pelter on Michelle's round, hairless bottom.
Jane grinned, thoroughly enjoying the exchange and the spectacle. Tears were starting to make Michelle's mascara run in dark rivulets down her face. Karen looked up at her guardian. "Well, Jane, would you please check for color and heat? See if this bad girl is done yet?"
Pleased with the idea, Jane sauntered up and gave the bright pink globes a thorough inspection. When she laid her hand on one, the coolness of her hand made Michelle jump in pained surprise. An evil twinkle in Karen's eyes told Jane the required response. What fun! "Well, darling, that place there," she said running a single nail along the sensitive, burning flesh. My, my, my. she thought, how it quivered. "Is not nearly as colorful or as hot as the rest of her. And of course, no part of her bottom is as colorful as her sweet face."
Karen proffered the brush to Jane, handle first. "Would you like to correct the omission, Jane?"
Jane was sorely tempted, and might have taken Karen up on the offer had it not been for the conversation that precipitated this. It was one thing to be spanked sensuously by your lover. It was another thing entirely for it to come from someone you have just begun to trust after a rough start. "No, thank you, dear, I would rather just watch and enjoy the, ummm, color and pageantry."
Karen began to spank again in earnest, and finished with a flurry of ten strong strokes that left Michelle broken and in tears. Without being asked, Jane again rested her hand on the burning bottom, letting the coolness of her touch bring some comfort.
"Michelle, I want you to get up, now, and go fix your face. Come right back here when you are done." Michelle rose and quickly turned to face away from Jane. This put his front directly towards Karen. Her mouth went open and then she grinned. "Ooooooo, Michelle, what do we have here?" Jane saw Karen reach up to grip something just below Michelle's waist and then heard Michelle's groan of frustration and pleasure. It was Jane's turn to blush. "Well, I am certainly not going to do anything about that right now, you naughty thing, but you might as well leave those panties behind. There is no way you are going to get them on over THAT!"
Blushing furiously, Michelle slipped off the satin bikini and moved towards the door, keeping his back to Jane. Karen called out. "Michelle? Sweetie? You better not do anything about that swelling, either. Its all mine. I've earned it." Michelle almost ran from the room. Both women sat down, laughing giddily.
When they calmed a bit, Jane turned to Karen. "You did not have to spank him over that, dear. Really, I asked him."
Karen shrugged. " I asked him to leave that alone, Jane. He did not have to tell you, even if you asked. Don't worry about it. It is okay. Besides, a good spanking makes him horny as hell." she added with an anticipatory smile.
Jane nodded. "So I gathered."
Karen continued. "And another thing, it will give him back a bit of the humility he's lost lately."
Jane considered that. "He was not being mean, Karen, not really. In his own way, I think he was trying to make me see, without telling me directly, how vulnerable I and my little cadre could be to a really determined student. And Michael would have been very determined, I think, had he not been lucky enough to find you. I think I really needed to hear that from him. If only to reconsider the possible ramifications of what I do with my charges." Jane's pensive look gave way to an almost girlish, conspiratorial grin. "Would you really have denied him your favors for two whole weeks, Karen?" Jane knew that the two rarely slept apart, and had convinced herself that they were that rare breed - a life bonded pair.
"Good thing we don't have to find out, huh?", Karen chuckled.
A thought occurred to Jane, "Dear, suppose he decides that you need some, ummm, not so gentle correction directly to the seat of a problem? He is big enough to do it. Quite well, too, I should think."
Karen thought about that concept for a moment, and then a very feline, very sexy feminine grin lit her face. "Oh, I do hope you're right, Jane, and soon, too." Michelle came back into the room to find his two favorite women giggling helplessly in each other's arms on the sofa.
Christmas Eve dawned with a touch of frost and a promise of snow in the air. Jane had been up and working in her study for several hours, when the phone rang. She answered it, listened, and then began to plan.
At lunch, she told the two teens of the call. "So, Dennis Luchessi will be joining me after the New Year. I suspect I will call him DeeDee." she said thoughtfully. Karen, who knew that this case had been on and off several times in the past month asked how she could be sure of that arrival after so many false starts. "Well, it seems that he lost his control again, this time he struck a teacher and scared her badly. The principal expelled him, but the teacher brought charges against him. It was the final straw, even for his Mother. I put her in touch with a judge who works with me, and he has been given the choice. A few weeks, which of course will be months, with me, or reform school."
Michelle had kept quiet through Jane's explanation, but then bellowed. "He struck a woman, and you are going to have him here? In your home? Alone???" Michael had made no effort to use his 'Michelle' voice, surprising both women with the vehemence of his outburst.
Jane tried to soothe him. "Well, certainly, Michelle. I have had students with a violent past, before. Once they have their little outburst, like you did, they get the faces smacked and they get with the program."
"Suppose he hits you back, Jane? Have you considered that?"
"You did not, dear. Don't worry so."
"I do worry. I nearly belted you when you finger whipped me. Only seventeen years of training as a gentleman stopped me. He, obviously, does not have that training. And another thing. When you pulled that stunt on me, David was behind me, and I guarantee he was ready to jump me from behind if I even looked like I was going after you. Karen is tough, but she is not going to be a match for a young male in a rage, which he will be in at that point."
"Well, I take your point, Michelle, but what do you suggest I do? I have already told the judge I will take him on. I do not go back on my commitments."
Michelle gave a thoroughly unladylike snort. "No. You wouldn't, would you. I guess the only thing for it is for me to stay on as 'big sister' in residence, at least until you get him past the first hurdles. When he is ready for solo, I will leave like David did and go stay at Nana's house. But, you have to promise that you won't do any of the rough stuff unless I am there."
Jane looked at him, unbelievingly. "But what about the University? Your schooling?"
Michelle shrugged. "I got my schedule in the mail today. All my classes are between ten am and two in the afternoon. I can leave as Michelle, change at Nana's and go to school. Then, I reverse the process on the way home." He grinned. "I may need some more wigs so that Sandy can style them instead of me, and some of those fake eyebrows."
"I can't believe you are even considering this." Jane said in amazement.
"I love you both. Did you know that the original meaning of 'husband' was care giver?" His warm eyes fell on Karen. "I have to take care of you two or not be true to that love." He pulled two small, gaily gift wrapped boxes from beneath his chair. " I was going to give you these tomorrow, but now seems more appropriate." He handed one to each of the women. Jane opened her's first. Inside was a ring with three stones, two green peridot gems flanking a diamond in the center of the setting. Jane looked up, tears in her eyes. "That is a Mother's Ring, Jane, with three stones indicating three children. The diamond is Karen's birth stone, and the peridot are Michael's and Michelle's." Jane's hug nearly strangled him, and she held on for what seemed like an eternity.
Karen's cough brought them back. "May I open mine, now?" she said with some asperity. Michael nodded, and she tore open the paper. Another ring, this one with a solitaire diamond in a simple gold setting. Her eyes flew to Michael who knelt down on one knee in front of her.
"Karen, I love you. Please marry me." A shouted yes answered him as she scrambled out of her seat and knocked him on to his back on the floor. When Jane finally helped the pair to their feet, she was chuckling.
"Michael, do you realize, that you just proposed in skirts, to a woman wearing pants? Whatever will you tell your grandchildren?"
"That she said yes, of course." he dead panned.
It was the end of January; DeeDee had been living with Jane and the two teens for almost four weeks. She had made incredible progress. Never had Jane seen a boy work so hard, or perfect the attitudes and intricacies of his new, petticoated and skirted condition so quickly. And not once, even when she had pushed very hard, had DeeDee shown the inclination for violence that had sealed her fate and brought her to Jane. Today, however, Jane had gotten a hint of something that might explain what was going on. She called to Karen and asked her ward to come into the study.
Once they were behind closed doors, Jane asked. "All right, Karen. What did Michael threaten DeeDee with that has her nearly peeing her knickers? She angered me today, and when I told her she would be punished, she burst in tears and begged me not to punish her like I had Michelle."
Karen gave Jane what she hoped was a confused stare. "Michael, Jane? Threats?"
Gotcha, thought Jane. "Yes, dear. Michael. Threats. And don't try to lie. You aren't good enough at it, yet."
Karen sighed. "Oh, all right. Michael did not know if you could resist pushing DeeDee too hard without him here to be your knight in shining satin. So he improvised a little." Jane said nothing, but lifted her brow and gave a "come on" movement with her hands. "He told DeeDee that the reason he leaves the house every day is to go to school because he hit you, and you would not let him stay at home for school anymore."
"I see, and where, pray tell, is he going to school?"
"The all girls school over in Newport." she said quickly. "He also said that he had to take gym classes from a sadistic woman gym teacher who found out he is really a boy, so his life there was pure hell. He told DeeDee that his only other choice was to go to reform school, same as DeeDee, with his face still prettied up and his hair all styled." Karen's voice was low and conspiratorial. "I understand that, at that point, DeeDee turned white and then ran to the bathroom as fast as her skirts would permit."
Jane shook her head. "Oh, lord. And he said I was mean and devious. That stinker. No wonder DeeDee is being so good. Hell, I wish I had thought of it myself."
Epilogue: Five years later
The huge mansion was a show place. Rows of chairs, separated down the middle to make a center aisle had been set up on the lawn. A canopied alter had been arranged at the head of the aisle, alongside a piano that Marie was playing background music on.
Michael, no, make that Dr. Michael Nash, psychiatric resident at Children's Hospital, made his way to the altar. He was accompanied by David, who stood beside his friend as they turned to face the assembled crowd. Marie broke into the opening bars of the Wedding March, and everyone turned to face the rear of the aisle.
A lovely young black girl led Miss Karen Austin toward the altar. Actually, that girl was Jane's first African American student. Before coming to her, Tyrone, now Tyna, Davis had been a smallish boy, who'd been trapped in a gang environment. He'd been forced again and again to prove his toughness, and the violence had been escalating. His mother was a nurse, a colleague of Mrs. Bedford who had referred the mother to Jane. Tyna looked lovely, and only she thought everyone would recognize the black pixie with crown of braided curls, as a local boy. Today would definitely be the beginning of the end for this student. Two birds with one stone - a marriage and a break through - a good days work all around.
The service was traditional, and if *all* the members of the official party were wearing identical lingerie, well, that was a special secret Jane would hug to herself. She knew because she'd been asked to choose the undies. By Michelle, no less. Of course, she might have chosen something a little less..... confining than the lace up, steel boned corselette if she had known that Karen and Michael would give her one to wear. "You will be part of the official party, won't you Auntie Jane?" had been Michelle's response to Jane's near refusal to wear the damn thing.
With the start of the service, she went over to the bride's side of the aisle, and gently helped an older lady to walk down to stand behind the bride and groom. The minister looked up and asked, "Who gives this woman to be wedded to this man?"
Nana answered in a surprisingly strong voice. "I, her Grandmother, do." Jane wished the girl's father could be there, but he had died in a terrorist attack in the Middle East two years ago. But it was wonderful that Nana had lived long enough to be here and share this day. She had taken the transformation of her granddaughter's friend "Michelle" into her granddaughter's fiance' "Michael" with surprising good humor and acceptance. Confidentially, she had told Jane that her Mother had used similar trials on Nana's brother, and that it was too bad Nana had not petticoated Karen's father a few times. "Might have made him a more caring human being and a father instead merely being the source of the sperm that created her."
The minister grimaced, shook his head, then asked. "Who gives this man to be wedded to this woman?" Barb had been invited, but was too busy partying in Fiji.
Jane answered. "I, his Aunt Jane, do."
Michael spoke up, surprising everyone but Karen, "And she is one who is Mother to me in all but the matter of my birth." That did it. Jane spent the rest of the ceremony in happy tears.
A letter from Ms. Jane Thompson....
June 15
Barbara,
Once again, you have proven yourself a fool. The boy you gave birth to, my son, was married today. He was sad that you could not find time in your busy schedule to celebrate his union. Thought you should know that. I find it hard to believe that I ever called you friend. Stupidity of youth, I guess.
You have chosen your life. I wish you joy of it. It won't match what I have, though. You see, Michael and Karen just told me that I am going to be a grandmother in a few months. Of course, they will continue to live here as it is their home. That will naturally curtail my activities with my young men, but I think that the prize is more than worth that price.
Goodbye, Barb. I won't contact you again.
Jane Thompson
Jane knew she would miss her petticoating games, but all good things eventually end. Jane looked up from her letter as Michael knocked on the open door. "Aunt Jane, Karen and I are about to leave." He entered the room and swept her into a fierce hug. A tall, dignified, relatively slender man with gentle eyes and graying hair followed him in and waited patiently while the two embraced. In hitching voices, they promised to be careful while the other was not there to look after them. When they broke apart, Michael remembered his mission. Turning to the man, he introduced him as "Dr. Edwin Markov, my thesis advisor and mentor at Brown Medical School. Edwin, this is my Aunt Jane who taught me everything about, well, you know." Jane's brows shot up in surprise, looking first at her suddenly fidgety Michael, and then at the self assured man in front of her.
His voice was soft, "Yes, Michael, I do know." He put out a well manicured hand which she took in hers. A frisson of heat curled in her belly as she looked again at the handsome man standing beside her son. Something about him pulled at her. "A pleasure, Ms. Thompson. You can be very proud of your Michael. His unique background and training will make him an outstanding research psychiatric physician."
Unique background and training? Confused, Jane tried to read the man, and then, it hit her. His eyes! The brows were fine - very fine, and beautifully arched; the lashes long and unusually full. Someone had spent a lot of time shaping those brows and lashes. Jane's gaze shifted to Michael who blew her a kiss as he quietly slipped out of the room. Then Dr. Markov gallantly kissed the hand he still held. "A lovely room, Ms. Thompson. You have some beautiful antiques in here. Victorian, I believe? I understand from Michael that you are a student of Victorian England and its practices. I would love to discuss it with you, as I have something of an interest in that period, myself.
Jane shivered deliciously, and silently thanked Michael for his not-so-subtle attempt at matchmaking. Maybe good things did not have to end. Maybe, sometimes, good things just grew up and matured into something even better. She was suddenly excited about the future again.
The end?
End of Second Season
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Seasons of Change
Book 3 - Part 1 of 3 A Losing Season
An Alternative Ending to Seasons of Change Copyright © 1998,2012 Tigger
All Rights Reserved. |
Archiving and reposting of this story *unchanged* is permitted provided that no fee be charged, either directly or indirectly (this includes so-called "adult checks") *and* provided that this disclaimer and attribution to the original author are maintained.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989.
Author's Note: This story represents an alternative ending to Mr. Lawrence's story. It is essentially a parallel universe story where things start out the same, but follow a much different path than the one portrayed in the original story.
This is my second inspiration from this story. My first derivative story, "A Second Season" starts where the original author's work stopped. This story takes place following the day described in Chapters VI and VII of Joel Lawrence's Seasons of Change. Essentially, it is a darker vision than the one I wrote of in "A Second Season".
Setting: The lead male character, Michael Nash, has been suspended from his very elite private school, St. Andrews Academy. With the concurrence of the school dean, he has been sent by his mother to live with her old friend, Jane Thompson who will attempt to teach the young man (late teens) control and self discipline.
"Aunt" Jane employs a "Victorian" type training program to tame undisciplined boys. She does this training by means of a delicately balanced regimen of humiliation and enforced feminine deportment. She is assisted in this program by her housekeeper (Maria) and several business women including the owners of a beauty salon (Carolyn and Sandra) and the proprietor of a combination dress and lingerie shop (Mrs. Franson). The other key player is David/Beth, one of Jane's feminized boys who is still living with her and who is required by Jane to "guide" (and setup) the new student.
Michael knows nothing about this, and is slowly "trapped" into Jane's program of petticoat dominance. Jane forces him to accept her program or lose his chance to return to St. Andrews because the dean will only readmit him after Jane certifies that he has been reformed.
As we begin our account, Aunt Jane, David/Beth and Michael/Michelle have returned to Jane's house from Michelle's initial public outing disguised as a girl. They have visited Carolyn and Sandra at the Marisha Chalet where he was humiliated by their taunting and terrorized during a make-up session as Carolyn's training subject, and at Mrs. Franson's "The Style Shoppe/MiLady's Closet" where he had to maintain his tenuous disguise in the presence of the young female shop clerks while dressed only in lingerie.
Each member of this unlikely trio is flushed with different emotions at the end of their long day of shopping for dresses and lingerie, and of feminine primping at the beauty salon. Michelle has been ordered to go up to her room and put away her new dainties, cosmetics and clothing while Jane and Beth retire to her study.
This story departs from the original tale at this point in time. ~Tigger
Sandy had gleefully reported Michael's involuntary erection and spontaneous ejaculation from the humiliating treatment and teasing at the Chalet, and then Jane had seen him try to hide a similar reaction while being exhibited in his cute new undies at MiLady's Closet. From Jane's perspective, if not from Michelle's, both were extremely positive reactions. It meant she now had the opportunity to really get into her charge's head sooner rather than later. As her more direct minded sorority sisters used to say, a hard-on does not lie.
Something deep inside Michelle was beginning to be touched by her unwilling immersion in the feminine condition. More importantly, she was starting to become aroused by her current condition. That gave Jane one more effective tool in addition to humiliation with which to guide her little girl. After all, women had been leading men around by their smaller head since Eve first shined up that juicy red apple and offered it to Adam.
Speaking of Michelle, Jane thought, what is keeping her so long? She should have been back by now. A darkly mirthful grin lit Jane's face. Maybe she was trying on her new things in the privacy of her room. Well, if that was the case, then she'd give her little sissy just a bit of a jab by providing a likely-to-be *very* unwelcome intrusion. Michelle'd be mortified to be caught doing something so femme as primping and preening over new clothes. Even by . . . "Beth?" Her charge looked up from the newspaper she had been perusing. "Go up and see what is keeping Michelle, would you please? Her tea is getting cold."
Nodding, Beth rose and curtseyed before hurrying to the stairs. Jane took in the aroma of the fine aged brandy swirling in her crystal snifter as she plotted how she'd play out this little humiliation scene if, as she strongly suspected, Beth found Michelle modeling her new things in the mirror.
"JANE!!! MARIA!!! COME HELP ME!!! HURRY, PLEASE!!" The scream was not in the least feminine, but it was definitely David/Beth calling for help. Jane was up and running before the word "hurry", but found Maria already ahead of her as she reached the stairs.
The two women followed the sounds of yelling and scuffling to Michelle's room. What they saw momentarily stunned them into immobility. Michelle and Beth locked in a vicious struggle, with Michelle trying to kick or throw the other girl away as Beth grimly clung to one of Michelle's arms.
"Help me, Dammit." Beth screamed at the two gawking women. "He's trying to slit his wrists!"
Jane and Maria leapt to Beth's assistance, Jane grabbing Michael's other wrist and Maria trying to restrain his flailing feet. The furious boy/girl's surprising strength was almost a match for the other three until Maria reared back and slammed a spinning heel kick into Michelle's solar plexis.
Michael collapsed to his knees, wheezing and gasping for air. Jane finally succeeded in getting the blade from a broken disposable razor from his clenched fist. Moving quickly, the threesome bound the now hysterically sobbing boy spread eagle to his canopied bed using nylon stockings from the large bureau.
Only then did Jane get a good look at *him*, for there was nothing remotely feminine about the completely nude figure straining against the tightening nylon bonds. His newly curled coiffure had been ruthlessly hacked away, taking pieces of his scalp in the process. Even the painstakingly tweezed and shaped eyebrows had been shaved away. Blood trickled down one cheek and across his forehead where he'd nicked himself with the razor. His hands and wrists also bled, from his attempts to get the blade to his veins and from whatever he'd used to rip away the lacquered-on fingernail tips.
The room was also bore the ravages of her ward's rampage. Ragged swatches of color were strewn all about the room, as if a confetti bomb filled with shredded bits of brightly hued silk, cotton and satin had exploded. Instead of trying on her new things, Michelle had been destroying them, evidently in the throes of an uncontrolled rage.
Nothing of this day's supposedly successful adventures remained intact.
"David, go call Nurse Bedford. Her number is in the organizer on my desk in the study. Tell her I have a boy-girl emergency. Then go wait for me in your room, please."
Beth started at hearing her "boy-name". "You will be all right, Jane?" Jane knew that was not the question Beth wanted to ask, but she nodded as she looked at the still struggling Michael.
"He's strong, but the nylon is stronger. He won't be able to hurt himself further, but I want the Nurse to make sure he didn't do any real damage. Now go and do as I asked."
Jane turned to Maria. "Get some towels, hot water, bandages and antiseptic, Maria. Let's get him cleaned up as best we can."
Suddenly she was alone with him. Gradually, he stopped struggling, and the soul deep, racking sobs diminished to silent tears. Gathering her courage, Jane moved over to take a seat beside the bed. When she finally spoke, all she could think to say was "Why?"
Michael's hairless brows rose in feigned surprise, and then he turned his head away from her. "You will tell me, Michael." she said with a calm she was far from feeling.
Anger flared in the eyes that turned back to lock on her own. "Or what, Jane? What do you have to threaten me with? I will tell you - nothing."
"Are you so certain of that?" she asked, hoping to bait him into keeping talking.
"When you have decided to die, Jane, there is not much else you have to fear, is there? It's not like your threat to pass around those damnable photos at St. Andrews has any bite if I don't intend to live long enough to return there, does it?" was his emotion-hoarse response.
Jane swallowed, trying to control her fear and give some semblance of her normal command presence and confidence. "They say that suicide is a very permanent solution to temporary problems, Michael. This," and she waved her hand about to indicate the still feminine surroundings of the bedroom, "*will* pass. My little girls *do* graduate and go back to their lives."
"Do. . . they . . . really?" he flashed back, sarcasm dripping off each deliberately spoken syllable. "Are they *really* living *their* lives, Jane? Or are they merely existing in the lives that *you* have dictated for them with your . . . program?" The last word came out with a loathing that made Jane wince. "Well, I don't want that life. I want the life I had, the life I had planned for myself, and today I realized that I never would have it again. Some of your changes are just as irreversible as you promised they'd be and I will *never* be the man I *should* have been. . . because of YOU!" that last word was a shriek of pain and rage. He fought for control and then continued. "So I decided that I would do the only thing you'd left me. I would at least die like a man."
"I take exception to that, Michael." Her voice became hard again as she rose to defend her students and herself. "*Every* . . . *single* . . . *one* of *my* boys have gone on to lead happy, productive lives. I keep in touch with all of them. Most of them even remember my birthday and send me holiday gifts. They have become doctors, teachers, scientists and police officers. Does that sound like they are so diminished by their experiences with me?" Keep him talking, she told herself. Maybe he can talk himself out of this.
"It is not going to work, Jane. I am getting out of this the only way I can. You can't keep me restrained forever. Eventually I will succeed and I will destroy you in the doing of it. Some agency ought to get you for abuse of a minor. Maybe I will even get *really* lucky and some of those bitches who aid and abet you in your vicious little games will go down, too."
"You will hurt Beth, I mean David - that's his real name - very badly as well if you do that." she said softly. "Personally as well as professionally. He cares about you so his unwilling part in this will be emotionally devastating for him. Even if he manages to recover from that trauma, the truth about how he has lived for the past months will destroy whatever professional future he might have had. Not to mention what it might do to the other boys I have trained over the years, none of whom have ever done you any harm."
"Go to hell, Jane. If she or *he* cared so damned much about me, he'd have warned me about what you were planning. Had I known what you were *really* going to do to me, I probably would have actually taken you up on your offer to leave here, even dressed in those damned petticoats of yours."
"He had no choice, Michael, perhaps even less than you had. I hold his freedom in my hands. One word from me and he goes to jail."
"Maybe he'd be better off there. At least there, he'd be treated like a man! Learn how to be a *man* again instead of the wimpy caricature of a man *you* envision." was the sharp retort.
Jane closed her eyes in pain, knowing the boy was really attacking her and not Beth/David. "Even if we undid everything we have done to him to the best of our ability, he'd still be very feminine looking when he arrived at prison, Michael. Do you know what happens to effeminate young men in prison?"
She hoped he would relent under that threat, but he quickly dashed those. "That is your decision, Jane, not mine. Besides, that seems to be the ultimate expression of your so- called method. Why *not* get the kid raped? Isn't that the ultimate feminine humiliation experience?"
Stunned in shock at his words, Jane's mind failed her. She could only stare in helpless confusion at the once again struggling young man before her. Her mouth opened and closed, but no words formed in her mind, no sounds issued forth.
A hand gently shook her out of her fugue and she looked up to see Maria with a tray of medical supplies. "Let me take care of this, Jane. Beth needs you now." she said in her matter of fact voice as she set the tray down on the bedside table.
Slowly, painfully, Jane rose from her chair and went to check on the other casualty of this suddenly terrible day.
Chapter 2. Damage Control
Jane found Beth in her room, sitting rigidly erect on an antique straight back chair, her hands busily crumpling a hankie, her face a frozen mask of fear and worry. Jane moved to the chair and clumsily pulled her up into her arms. Clumsily because, as she suddenly realized in a flash of pain, it was the first time she had ever comforted one of her petticoated charges. Maria or the other sissy in residence had always had that duty, freeing Jane to be the "bad one". Even the young man whose mother had died during his stay at the large Victorian mansion had not turned to her for solace. Fortunately, he'd been at the end of his time with her, anyway.
"David." she said firmly, using his masculine name to cut through his misery. "Come downstairs with me. We need to wait for Mrs. Bedford."
The boy with the girl's face looked up at her use of the name, the mascara and other cosmetics streaming down his cheeks. A trickle of blood from her nostril and the beginnings of a bruise on her cheek bore testament to the physical damage that had accompanied the emotional trauma suffered by this young person given into her care and keeping. "All right, Jane." he said softly, hiccuping back an incipient sob.
The doorbell rang as they reached the bottom of the staircase. Jane opened the door and directed the nurse to her unwilling patient. Then she led her other charge into the study and poured two snifters of brandy, offering one to the slowly calming Beth.
Beth hesitated before taking the snifter. "That stuff is a big part of why I was sent here, Jane." she said uncertainly.
Jane snorted. "That is all you will get, David, so that won't be a problem here, but you need something. I know I do." and she took a swallow of the dark amber spirit. Hesitantly, David followed her example and started coughing as the fiery liquid burned to his stomach. "It is a little strong, dear. Try sipping it until you get used to it." Jane said kindly.
Beth watched her, somewhat warily. While he hadn't heard all of Jane's part of the "conversation", he had heard Michael's end of Jane's abortive attempt to "talk him down". That comment about "learning to be a man" followed shortly by "rape" and "Isn't that the ultimate feminine experience. . " had David/Beth badly shaken. She could only think of one subject of conversation that could have led to that exchange. He really did not want to go to jail, not after already having spent almost five months under Jane's petticoat tyranny. Hadn't he already paid enough for that childish stupidity?
"I take it, Jane, that you told Michael part of my story?" she asked, very softly.
Jane nodded and moved to the desk where she picked up the telephone. "Yes, I did, and now, I regret having done that." She punched out a number from memory. It wasn't difficult to remember the number she'd called several times in the past few days. "Hello, Caro? Yes, it's me. Look, I need you and Sandra over here immediately. I have a major emergency and I need your help." She paused, obviously listening to the other person. "I understand, Carolyn, but this is truly an emergency. No, I cannot discuss it over the phone, but I am not exaggerating when I say it is life or death." Another short pause followed by Jane saying "Thanks, Caro. Bring your tear down kit, please. See you soon."
Just then, Mrs. Bedford came into the study, her face grim. "I gave him a sedative I am not supposed to have, Jane, and I have patched him up as best I can. He's asleep now with Maria sitting with him for the moment. Now what the hell happened?"
Jane offered her a brandy which the nurse declined.
"Obviously, Michael, my newest project, snapped. We went out today for his first feminine day at the mall - beauty shop, clothes shopping, dodging boys - you know the drill. We got back home and I sent him up to put away his new things and to give him a little time to deal with what had been a very emotional, very humiliating day. Then he did not return immediately and I sent Beth up to fetch him down. She caught him trying to slit his wrists after he had finished the other damage to himself and to the new clothes you saw up there. If she'd been two minutes later, he'd probably be dead now."
No one spoke after that dreadful statement. Then Jane looked over and saw the blood still weeping down Beth's cheek and asked the nurse to check her over.
"She'll have a bit of a shiner by tomorrow morning. Doubt even Maria's artistry will be able to hide it, but otherwise, she'll be fine."
"Thanks, Nora." Jane said. "As to hiding it, by tomorrow, that won't be a problem." she finished with a sad sigh.
Now, Nora did go over and help herself to a brandy before turning back to face Jane. "What now? That boy needs professional help. I have a few more sleeping pills, but what I saw up there is not something that is going to fix itself after a good night's sleep. Unless he wasn't really trying to kill himself and it is just an attempt to get cut loose from here?" The last was a question.
Both Beth and Jane shook their heads. "Maybe he will, after some time, see that as a mistake, but he would already be dead if Beth had not gone up when she did."
"He was serious, Mrs. Bedford. He was fighting me so hard, that if I had let go of that arm, he wouldn't have been able to stop himself from plunging the blade into his wrist. I don't think he was faking it." Beth added somberly.
"Then he needs help, Jane. Where does that leave you?"
"In great trouble, Nora. If I take him to the hospital in that condition, social services will become involved at the very least, and they will surely call in the police. Who knows where it will go from there? I have temporary legal guardianship of him, but who knows what will happen when they see him in that condition and hear what he has to say?"
"Too bad he did not say it to you first." the nurse mused as she took a sip of her drink.
Beth snorted derisively. "As if she'd have listened."
Jane paled at that direct hit, but then nodded her head, her eyes closed against the hurt. "True, Beth. I probably would not have heard her complaints as anything beyond what any of my other students have said for effect and not really meant."
Moving slowly, as if burdened by a huge weight, Jane reached in and pulled out what appeared to be a photo album or scrap book. Idly, she began flipping through its pages, stopping to read a note here or to enjoy some little memory there. When she looked up, she saw the other two looking at her strangely. A weary smile crossed her lips. "My rogue's gallery." she said holding up the book. "My little black book of former students. I will have to warn them of this pending breach of my security so that they can distance themselves from me as much as the press will allow. I will then destroy this book and hope, but the way things happen in the tabloids these days, I suspect that more than a few of my girls will find themselves plastered across the front page of the National Inquirer right along side of me."
She opened the book again, and then set it down. She looked at the entry on one page and then began hastily punching out numbers on the phone. A woman answered. "May I please speak with Dr. Davis, please? This is Jane Thompson calling and it is very important. . . . .Yes, I would say it was an emergency. Please interrupt the Doctor." There was a long pause before "Eric?!? Oh thank God. Dear, I really need your help. . . .Yes, one of my girls attempted suicide and I don't know what to do. She needs help, but you know what is likely to happen when I take her in. You can? Oh thank you. Yes, I will have someone meet you at the airport."
She hung up and said. "One of my students is now a clinical psychologist in Chicago. He is going to come and see if there is anything we can do for Michael short of putting him into a hospital."
"And if he can't help him?" Nora asked.
"Then, Michael goes into the hospital and I, in all probability, will go to jail. He is still a minor and someone will decide that my treatment of him constitutes abuse."
"Even though other students of yours may not agree?" Beth asked, quite surprising Jane with her near championship.
She could only shake her head sadly. "By the time the press is done with this, dear, you will all be brainwashed puppets and I will be the most perverted, vicious bitch this side of the German Gestapo. Nothing any of us have to say will stand against the pictures of Michael that are sure to make the nationwide news services."
Just then, the bell rang and Beth rose to answer the door. It was Carolyn and Sandy. "Damn, Beth" was the irreverent Sandra's greeting, "What the hell have you done to all of my excellent work? You look like hell."
"And that is not half as bad as what Michael looks like, Sandy." was Jane's response to her friend.
"What did he do? I know we were a little rough on him today, but hell, Jane, he asked for it." was Sandy's complained defensively. "Is that why we are here with the tear down kits? You've decided he is a lost cause and are shipping him off home in disgrace? Never heard of you giving up on a kid before, Jane."
"No." was the simple one word answer. The chill in the room brought even Sandy up short. Quickly, Jane told the increasingly horror-stricken women what had happened.
"And he is going to try to force what you do into the open with his suicide?" Carolyn asked, speaking for the first time. At Jane's nod, she wilted into a chair. "It will pull us out into the open, as well. We probably won't have a business after that happens. What Newport society type is going to want such evil people doing up their hair or teaching their daughters?"
Jane nodded. "I know. I have always known that there was a possibility of such a happenstance, but never thought it very probable. The boys always saw public exposure as a far greater threat to themselves, never seeing the threat it could be to me, so I have always discounted this ever happening."
"Until now." Caro responded tonelessly. "Well, you had better warn Betty Franson, too, because I know you were taking him there today, and she enjoys playing her little games as much as we do. Or as much as we did." she added ruefully. "Doesn't seem like much fun, right now."
Jane nodded her agreement and then Sandy asked. "Well, why are we here, then, if not to undo Michael, Jane?"
"To undo Beth, Sandy." Jane said firmly. "He, and my other students, are the really guiltless ones in this debacle. Tomorrow morning, Eric Davis whom you may remember as Erica when he was with me . . ."
"The slim, green-eyed redhead who we punished by turning her hair carrot orange?" Sandy asked gleefully before she recalled the problem at hand.
"Yes, that is her, I mean, him. He is coming in on a flight from Chicago tomorrow morning. I will get David tickets home and he can drive my car up to the airport, give the keys to Eric and make his own escape."
Carolyn nodded her understanding. "Okay, where do we set up? The usual place?" Jane nodded.
"Ummm. . .Jane? Could we do this tomorrow? I am beat and I don't feel well. If I have to face Sandy and her noxious chemicals, I am liable to get really sick." Beth asked plaintively.
Jane shrugged and turned to Sandy and Carolyn. "It will have to be early because the flight arrives at eight am, and it is a one hour drive to the airport."
"I'll stay the night, Jane." Sandra offered. "The tear down is mostly my end of the shop anyway. Caro can come here in time to do the brow thickening and the other little cosmetic touch ups."
"Thank you." Jane said. "Well, since Maria is watching Michael, I will go see about some dinner."
"If it is all the same to you, Jane, I am going to go up to bed. I am not very hungry." Beth said firmly.
"All right, Beth. Please be up by five so that Sandy will have time to do what must be done." The feminized male nodded, and then made his way haltingly up to the top of the stairs and then to his room. The four women heard the door close.
Chapter 3. Acquaintances
The room was dark when the sedative finally wore off. As soundlessly as possible, Michael checked his circumstances and found he was still restrained in bed, although the stockings that had been cutting off his circulation had been replaced with some type of chain and leather cuff arrangement.
As the last vestiges of sleep cleared from his brain and his eyes focused, he saw that he was not alone in the room. A female was dozing quietly in a chair next to his bed. He tried to lift his head to get a closer look and was surprised to see that is was "Sandy?"
The sound of his voice roused the lightly sleeping woman and she sat up quickly. She reached over a cool hand to his brow before turning on the bedside light so they both could see. "Awake, are you?" was the soft reply.
For her part, Sandy did not want to be able to see him any better. She had been shocked and appalled when she'd first glimpsed the ravages he'd inflicted on himself, trying to free himself of the feminine tyrannies that she had helped impose on him. She still had a hard time looking at the hairless face and the scruffy, scraggly patches of fuzz that remained where hours before tight, thick curls had bounced.
"What the hell are you doing here?" he demanded angrily.
Sandra did not answer immediately, instead choosing to sit back down and simply look at him. "Jane called me in to help with Beth. She and Maria were exhausted, but refused to leave you alone so I volunteered to sit with you for a few hours."
He thought about that for long moments before part of what she said caught his attention. "Beth? What is wrong with Beth? Why did she call you? What can you do for her?"
A tired smile curved the woman's lips. "Turn her back into a boy so that she can escape the coming holocaust."
"Huh? What?"
"Jane wants him as far away from here and as safe as possible when she takes you to the hospital, Michael. She figures that her entire setup will come out once social services gets hold of you and she is trying to distance as many folks as she possibly can away from the fallout. Particularly her boys. Tomorrow . . ." she checked her watch and grimaced, "Well, today, actually . . .This morning I will cut Beth's hair, relax the permanent curls, clip her nails and generally undo everything I did to make him into a her. Then Jane will put him on a plane for home where he will hopefully avoid being out-ed in the press along with the rest of us."
"It is only what the lot of you deserve." he snarled back at her.
"I'm sure that from your perspective, Michael, that is only the truth. Although I have to wonder how your Mom is going to take all this."
That drew a snort. "She's the reason I am here. Has Jane even been able to reach her?" Sandy's hesitation was too obvious. "I didn't think so. She's always been somewhere else when I wanted to talk to her. Why should it be any different now?"
They lapsed into an uncomfortable silence that spanned several chimes of the large grandfather clock in the downstairs hallway. Sandy finally broke the uneasy peace. "Michael? What were you really thinking? Surely you know that Jane has done this with many young males. You are smart enough to know that she would not still be doing it if she wasn't successful at helping them find balance and meaning in their lives. At least one of her boys would have found a way to come back and hurt her if they were really unhappy with their lives after Jane."
"As if you care."
"Believe what you will, but in fact, I do care. If I am going to see my reputation in tatters and my business destroyed over this, I would at least like to understand."
"Do you have any idea what it is like at an all male boarding school, particularly an Ivy League level school like St. Andrews?
The question startled her, but Sandy managed to answer. "I can't say that I have, Michael."
"It is a purely all-male, *very* male society. The traditions date back to 19th Century English public schools and those are only a little more civilized nowadays. Reputations made in those schools last your entire life, particularly in the business and financial worlds. Any weakness that might be construed as unmanly, any hint that you might lack the essential toughness, gets magnified and is remembered forever by the people who really count in the business world." Michael's voice broke as he recalled how he'd feared being labeled a wimp because of his small stature. How many of his clashes with authority resulted from carrying "manliness" to extremes?
Grimly, he fought back the tears and glared at the woman who had humbled and humiliated him mere hours ago. "Today, when we got back, I came up to put away those damnable clothes Jane forced on me. I actually caught myself holding one of the dresses in front of me while I examined myself critically in the mirror." Michael's voice then dropped, very low. "And I knew."
Sandy waited for him to finish, but he showed no signs of going on. Finally, she could stand it no more. "You knew *what*, Michael?"
Despite his best efforts to the contrary, tears began to flow unchecked down his cheeks. "That I could never go back to St. Andrews. Jane would never let me go until all her little lessons were second nature, instinctive. Shaking hands with a loose wrist, curtseying without thinking, making extravagant hand motions, batting my lashes or tossing my hair coyly. I would be a pariah within the first week back because by then being male would be the masquerade. Hell, even with only the short time here I don't know which is the mask and which is me. Preening before a mirror in my new finery." the words came out dripping with a savage self disgust before Michael was able recover his control again. "The life I had planned for myself is over."
"And so you decided to end your life for real?"
The honestly incredulous disbelief in Sandy's blurted out question stopped him for a moment, making him more pensive. "I can't say it was really a decision. Everything just seemed to go red and next thing I know, Beth is on top of me, screaming for help."
Motion from the doorway interrupted the interlude. Both turned to see Maria, still clad in her nightgown slipping into the room. "Sandra, Beth is up and ready for you downstairs."
The sun was up when Michael next woke up, this time finding Jane seated in the bedside chair. He had to relieve himself and was surprised when Jane produced a bedpan and helped him aim without any snide remark or disparaging comment on his male parts. She then produced a glass of orange juice with a straw and some breakfast bars which she silently fed him until his hunger pangs had been dulled.
"What happens now, Jane?" he asked quietly.
"Well, a great deal of that is yet to be determined. Someone is coming to talk to you today. I guess we will need to hospitalize you, but I promise you this, Michael. We will do what ever is best for you, regardless of the consequences for me."
"Right. Like I believe that."
Jane did not rise to the bait of his impertinence. She simply shrugged. "Whatever. Believe what you will."
"If that *is* true," he challenged her in a tone of strident disbelief, "Then tell me what has changed? The fact that I tried to slit my wrists and bleed all over your pretty satin comforters?"
"Nothing's changed, Michael. As I've told you before, my methods have had, until you," she amended quickly, "an unblemished record of success in helping boys with problems and bad attitudes become productive, upstanding young men. You may not like my methods - you may not even choose to believe me, but my commitment to helping you remains unchanged."
This was a very different Jane, one that Michael had never seen before. Gone was the innuendo-laden, sarcasm and derision that, up until now, had cut him down at every turn. All he heard and saw was a quiet determination that seemed to buttress every word she'd said.
"From what I can gather from Sandy, you feel that my vision of masculinity gentled by your feminine side would serve you ill at St. Andrews." Jane became quiet and introspective for a few moments as she tried again to absorb that alien concept. She visibly shook herself and turned back to Michael. "Perhaps that is true. I have never considered anything like that before. You are the first student I have ever had who was so committed to that Ivy League old-monied aristocracy business world." She frowned tiredly as she lapsed into thought again.
"Sandy said she was here to change Beth?"
"Hmmm? Oh, yes. Beth is once again David and he is now on his way to somewhere west where none of this can touch him further."
They heard the doorbell ring and Maria hurrying to open the door. Voices spoke, but the words were not intelligible in the upstairs bedroom.
Moments later, a person entered the room. The first thing Michael noticed was not the tall, slender elegantly turned out redhead, but rather was the disbelieving look of shock on Jane's face.
"E. . .E. .Eric?" she stuttered out.
The female looking person standing in the doorway smiled gently and opened her arms to Jane who ran jerkily to her. "I still go by Erica when I am all done up like this, Jane." was the softly inflected answer.
Michael watched with growing envy at the tight, loving embrace shared by the woman and by the person he strongly suspected was another of Jane's "boys". When had anyone ever hugged him like that? Another question that did not bear asking, he reminded himself, but the answer still slipped through.
Never.
The two finally separated. "Is this the lad you told me about, Jane?"
Jane took the redhead's hand in her own and led her over to Michael's bed. "Erica, this is Michael. Michael, this is Dr. Davis. He. . .ummm. . She is the one I told you was coming to speak with you."
"Jane?" the light voice suddenly deepened causing her to turn in surprise. "Go for a walk and let us talk. I think we need a little guy-thang time, okay?"
A bubble of laughter escaped from Michael. "Right, like you can hold up your end of that?" he asked sarcastically.
Dr. Davis grinned cheekily at him before shoo-ing Jane out of the bedroom and closing the door. "I see she still has these doors rigged so they can only be locked from the outside. I guess some things just never change, but I don't think we will be disturbed." said the incongruously male voiced female.
He returned to the bed and pulled off the auburn wig to reveal an equally bright, but masculinely trimmed head of hair. From his bag he removed a ragged Chicago Bears T-shirt, a pair of faded jeans and a pair of running shoes. The entire transformation took minutes, but in the end, the person in the room with Michael was obviously a male, albeit with the unusually fine eyebrows of the true redhead.
After carefully laying out his femme clothes, he took the seat Jane had just vacated and looked at Michael. "You see, it does come off, Michael. Eventually. Life goes on, provided one is still alive to live it." He reached down and unsnapped the closest wrist restraint. "Now, why don't you tell me just what the hell went on, okay?"
Chapter 4: Reflections
Michael was again asleep, this time freed of the restraints. Maria was again watching him as Jane entertained a now masculinely dressed Eric. "Well, changing from Erica to Eric in his presence seemed to help him."
"What happened, Eric? I have never had anything remotely like this happen with any other boy."
The lithe psychologist took a sip of his coffee as he considered his answer. "Part of it is exactly what he said. There is a great deal of research that indicates the private school environment he wants is exactly as he describes it. I think it is unlikely he could manage the transition from your program back to St. Andrews with any degree of success. Another aspect was his desperation at finding himself falling into your feminine world with no way out. His whole world, his entire self image were crumbling around him and there was nothing he could do about that because he was partially responsible. The conspiracy had won, and the Michael he thought he wanted to be was dying, anyway."
"It never affected any of my other students like that. Look at you. You went to Harvard and you did not run into any such problems."
"True, but Harvard is a university renowned for its eccentricities and moreover, I was a psych major. We're supposed to be weird. As Michael was quick to point out when I tried to make the same point, if I slipped up and gave a little swish, most folks wouldn't even notice, and the rest would figure I was just another off-the-wall psychology student. St. Andrews is another story altogether. Its as conservative as Harvard is liberal and Michael wants, or rather, wanted to go into Business Administration."
"Oh." was Jane's defeated response.
"Even showing off pictures of my wife and kids did not satisfy that there is virility after skirts. He is quick, this lad of yours, Jane. He asked me, point blank, if I would want one of my boys going through your program. I am afraid I was caught somewhat off guard and hesitated." he said sheepishly.
A tired grin curved Jane's mobile mouth. "So, I am not good enough for your sons, Eric?" she asked with a touch of her usual caustic tongue.
"What I should have said was that I hoped my boys would grow up with the type of family and support that would make a shock treatment like yours unnecessary. I am afraid Michael is convinced that I would never condemn my poor babies to your evil clutches under any circumstances."
"I don't suppose he'd believe you if you pointed out I am Eric Junior's Godmother?" His rueful grin was all the answer she needed. "Forget I asked." she muttered dejectedly. "You said that was only part of it."
"Well, not knowing all his background, he seems to be . . . I don't know, playing a role. He wants to be tough, to act hard, and yet, he'll ask if "Jane's other victim got away all right." That is really not very consistent."
Jane nodded wearily. "No, actually. That dichotomy is completely consistent with what I was told by his counselors at the prep school and from others. What he said earlier tonight, about the school essentially being an entre into the good old boy network of high finance, that evidently exacerbates his behavior. The school psychologist wrote that, in trying to be one of the gang, he was overdoing the macho act and was actively repressing anything behavior that might be construed as gentle or sensitive in nature."
"Yes, that *does* fit." Eric murmured as much to himself as to the others in the room, then he forced an encouraging smile on his face. "On the bright side, I don't think he is really suicidal anymore. That was his initial rage and desperation talking. The rage is over, and for whatever reason, he no longer considers himself hopelessly trapped in a situation beyond his control. Right now, he is more depressed than anything else, as well as humiliated. That's not a good combination, either, but it is not what almost drove him to take his own life."
"So what do we do? What *can* we do?"
"My recommendation is that his parents come in and take him off someplace quiet and nonthreatening to heal. Get a good therapist in on the program and help him find a new way in his life. I don't think institutionalizing him will help him."
Jane's face contorted in an emotion that might have been sorrow or anger, and was probably both. "I finally reached his Mother in Europe last night." Jane chose her next words with great care. "I do not believe that is an option."
"Well, that does put a different face on it. He can't go back to that school, Jane." Eric said emphatically. "He's too raw and wounded. Besides, he's already started responding to your training program. I could see the femme mannerisms for all he tried to control them. Those high born, arrogant little bastards would crucify him inside of two weeks. What he might do to them or to himself in retaliation does not even bear thinking about."
Jane stood and walked to the window. "Hospitalizing him won't help. His Mother isn't a solution. And now you say he won't survive back in the school he supposedly wants to return to more than life. What the hell option does that leave us, Eric?"
"Have him stay here, with us." came a soft voice from the doorway.
Jane spun on her heel to see David entering the room. David, once again in his skirts as Beth. His hair was nowhere as intricate since Sandra had cut much of it off to remove the permanent curls that refused to lay flat. He wore only the barest minimum of makeup, but it *was* Beth.
"What are you doing here, David? I sent you away from here." was Jane's furious demand.
"And I came back. You need me, as does Michael although he doesn't know it and certainly won't admit it, yet."
"We don't even know what to do, yet. We can't proceed as we were before. Even if it might have worked before, he knows too much now. He's met Eric, and he knows I was sending you back to your life as David."
"Jane, I talked with Sandy while she undid my Beth persona this morning. I think another very big part of Michael's problem is that he was starting to *like* parts of the game. Sandy got him aroused and excited, even though she was being absolutely cruel to him the whole morning. Then he got home and started mooning over Michelle's new clothes. He likes it, but he doesn't *want* to like it."
Jane looked to Eric who nodded. "That fits with what I learned, Jane. If that is the case, he is going to have to confront that internal self-conflict between his need to be superman and his enjoyment of being feminine in order to get past this."
"And just *how* do you propose we do that?" she asked, throwing her hands up in exasperation. "Do you really think she is going to just give in and let us put her back in skirts so we can help her confront a problem she refuses to admit even exists? And it is not just me at risk here. Everyone in my little cadre of helpers stand to lose a great deal if she goes off the deep end again. He's already decided that my threat of exposing her as a boy doesn't have any teeth, and not because he knows about what lengths I go to in order to prevent such an occurrence. No, he's decided that it simply doesn't matter to him anymore."
Jane realized she was shouting and took several calming breaths. "And several very good, very nice people stand to lose their reputations and their livelihoods if he decides to run to the nearest social worker. It would be like juggling a time bomb."
Beth looked Jane directly in the eye. "Is sending him away to a mental care facility any safer for any of you. . . errr. . any of us?" Both looked at the slender psychologist.
He shrugged. "No. He needs support he won't get in a hospital. Everything will eventually come out and it may not even help him all that much. Let me talk to him some more when he wakes up. I need to explore what . . .Beth? yes, what Beth just told us. That bears a deeper look. And Jane?" she turned to face him. "Go get some sleep yourself. We'll figure out something."
Chapter 5: Reflections Two
Michael wandered about the locked bedroom listlessly. The house was cool and he had put on the least offensive things he could find - the terry cloth robe, a pair of white cotton panties and some white socks. That doctor-student of Jane's had made a careful sweep of the room, and had removed several things that might be used as a weapon before removing the restraints. They'd even turned off the water to his bathroom so he could not try and drown himself.
The second interview had been much more uncomfortable for Michael than had the first. He'd been at least partially in control during that exchange. This time, however, Dr. Davis had a clear idea of what he wanted to talk about and it was something that Michael preferred not to discuss.
He did not even want to *face* those questions. Did he really like dressing up and pretending to be a girl? Even though he knew it was wrong? Even though he knew it was dangerous, if not fatal to all of his future plans? Here, in the dimly lit room, alone with his own thoughts, he could admit that parts of it were . . . . well, not *too* bad. But he could never admit that to anyone else in a million years, and he had tried very hard not to let that on to Jane's psychologist.
He opened the door to his closet and found all the dresses and shoes were also gone. He wondered why but decided that a high heeled shoe or a coat hanger could be made into nicely lethal little weapons. Of course, there was one weapon that no one thought about because it was so obvious. Michael hefted one of the books they had given him to read. It was heavy and would do the job just fine, he mused. He could be dead before they got the door unlocked.
It just did not seem that important now.
Nothing seemed all that important now.
Chapter 6: Options
"Well, Beth and Sandy were right." Eric reported later to Jane, Maria and Beth. "He tried to con me in the interview, but a part of him is fascinated with the masquerade, even though it is diametrically opposed to his public, super- masculine persona. It's not so much that he hates it as he hates *not* hating it." Then the young man grinned faintly. "On top of that, he's also competitive as hell, and there is a part of him that, if he is going to do it at all, wants to be able to do it very well. Your little digs really bugged him, Jane, because he thought he was trying as hard as he could."
"He was, actually, I just felt I needed to press my advantage when I had one to press. So where does that leave us? What do we do?" Jane asked.
"Convince him to stay, somehow, and give him into a less trying version of the program." Eric started to say something, but hesitated. Jane caught it and gave him a "give it to me straight" motion of her hands. "We talked at length about what he has been through here, Jane. I have to tell you that I think you may have pushed too hard, too quickly with this one. With his over emphasis on being perceived as a 'man's man', you did not give him enough time or distance to allow him to deal with what your program was making him feel."
"It was the timing of it all, Eric. Unlike boys like you and like David/Beth who came to me knowing there was no time limit on your stay, he thought he'd be leaving after only staying for a relatively short period of time. I felt I had to get him broken down quickly so that he would stop thinking of escape, so that he would feel that escape was not possible. He had to believe I would carry through with my threat to expose him or to abandon him still in his skirts. If he did not believe my threat, he would have been gone in the first two weeks, and damn the consequences." Jane shrugged. "Water over the dam, I guess. Do you have any ideas how to get him to stay and how to structure a program for him?"
Eric shook his head and then yawned. "Not just now, but then, I don't think there has been a whole lot of basic research on the behavioral advantages of forcing recalcitrant young males to cross dress. Lets go to bed and get some sleep. We are all shagged and we will think better in the morning." He rose and gave both Jane and a surprised Beth a hug and a kiss on the cheek. "Rest well, you two."
Beth looked at Jane after Eric had gone up to bed. "Has Michael had his dinner?"
Exhausted from the stress of the past thirty six hours, Jane seemed to wilt under the weight of one more task. "No." she said resignedly.
"I'll take care of it, Jane. You are feeding him those diet bars, sliced fruits and juice, right?"
Relief flashed across Jane's worn features. "Yes, and use the unbreakable plastic cup for the beverage."
"Get some sleep, Jane." Beth said with gentle affection.
Beth got a second surprise when Jane pulled her into a tight embrace, kissed her on the cheek and whispered, "Thank you for coming back." Thoroughly bemused by the unprecedented show of affection, Beth wondered what, if anything, she could or should say. She was saved by the timely chime of Jane's private phone.
Jane answered the phone, and sighed. Beth wasn't sure if it was in relief or resignation, and momentarily hesitated to see if Jane might need her. Jane noticed and waved her out the door. "Beth, please close the door behind you." she said, holding her hand against the phone's mouthpiece.
Chapter 7. Confrontation - First Contact
Michael was back on the bed reading one of the books Maria had brought him. Conan-Doyle's Sherlock Holmes was not his usual choice in reading material, but it wasn't a teenage fashion magazine and it wasn't a romance novel. Still, he was immediately alert to the first scratch of a key being inserted into the door lock.
"Hello, Michael." was the oddly familiar, yet unfamiliar voice.
The face was the same, but the hair and the voice were oddly different. "Beth?!?"
A smile lit the feminine face as Beth carried a tray into the room and set it on the night stand. She saw him staring at her, and grinned broadly. "It's a wig. My own hair was too short to pass muster after Sandy finished with me earlier." She swept a hand down to show off the smart knit skirt and sweater combination. "The color is not quite right but it is the only hair piece Maria had available on such short notice."
"But. . .but why??"
Beth's voice dropped back into the more familiar, more feminine range as she laughed softly. "Why what, Michael? Why am I here? Because I told Jane I would bring you your dinner. You are hungry, aren't you?" Beth teased.
"No, I mean, yes, I am hungry." and Michael matched deed to word by snatching up one of the candy-like diet bars, the cup of orange juice and then stuffing the bar into his mouth. "But why are you here, dressed in those. . . those damned clothes?" he choked out as soon as his mouth was able to form the words around the food. "Jane told me she'd set you free and sent you away as . . .as David? For God's sake, David, why aren't you as far away from here and from *her* as you could get?"
"Don't talk with your mouth full. It is impolite." Beth chided primly before smiling at herself. "Well, given where you sit right now, I can see how that might surprise you. I am here because I want to be here. However this comes out, Jane is going to need someone and I have discovered that I care about her."
At Michael's look of stunned disbelief, Beth became very earnest. "Whether you personally like her or not, Miche " and here Beth started to call him 'Michelle' "I mean, Michael, the simple fact is that she stood up for me and gave me a chance when no one else would. Without her, I would be in prison for what was a stupid juvenile mistake made when the law said I was too old to be treated as a juvenile. Okay, so maybe her methods and her lessons were tough, even harsh - especially with you - but they helped *me*. I have learned self control and I have gotten myself sober. As for why am I dressed like this? Well, that is because I am Beth here, and this is how Beth dresses." and then her voice became very soft. "And also, because I have discovered that I enjoy it."
Michael nearly choked on the chunk of the apple he'd just bitten off. "You *like* being forced to dress like a girl? Being a sissy? Putting up with all of Jane's sadistic little games? What is wrong with you? You are a man. You were out of here, away from *her*."
Beth picked up the napkin from the tray and handed it to Michael. "I am not being forced now, Michael. In fact, I have discovered that I really enjoy having that special secret inside my panties and fooling everyone from horny teenage boys to starchy old ladies with my disguise. More than that, I really like the way women's clothes feel. The silky underwear against my skin, the sleek tight grip of the hosiery, the taste of lipstick and the smell of perfume - they are pleasurable to me in ways that I never experienced before coming here to live and learn with Jane."
"I don't understand. You are giving up being a guy?"
A hearty male chuckle answered him. "No, stupid. For one thing, I like girls and have no interest in boys, apart from teasing the hell out of them from time to time. I am David, but I am Beth, too. Both are part of who *I* am, and I will find a way to live my life so I can have and be both. As for Jane, I am past being bothered by her games. I'll let you in on a secret, Michael. She can't expose us without exposing herself and her friends. If she is exposed, she won't be able to do it anymore. She might even get arrested. Besides, no one will ever believe her girls aren't guys after that and she'd lose the fear factor that forces us to try to learn her little lessons. Not to mention the world of hurt it would bring down on folks like Mrs. Franson, Caro and Sandy. She needs the anonymity as much as we do. Her threats are and always were empty."
"You *really* like it? You're not just saying that because Jane ordered you to? Like when you set me up those times?" Michael asked again, feeling stupid.
"Don't *you* like it, Michael?" the boy-girl responded in Beth's voice. "Really, down deep in your heart, don't you feel special when you are all dolled up and pretty?"
Open mouthed, Michael could only shake his head from side to side in denial. Beth shrugged, a funny little frown on the delicate features of her face, and then stood. "Well, only you can answer that question, my friend. I think you really do, but what do I know? I just hope you are not letting the biases of other people - small minded people at that - influence you. Dressing like this hurts no one and if it is something you enjoy, why shouldn't you do it?"
Then she picked up empty tray and walked to the door. She knocked twice and left him alone when it opened.
The key turning in the lock was the last sound he heard for the rest of the night, but it was a very, very long time before his racing mind calmed enough to permit sleep to take him.
Chapter 8. Abandonment
Maria had just taken away his breakfast dishes, more of the funny, dry bars and a cup of chocolate flavored something. She had remained rigidly formal with him, and had refused any overtures he made at conversation. The only remotely personal thing she had done was check him over to see that his injuries were healing and were not infected. Her fingers did linger on the bruise that stained his mid drift, shaped like her foot. A very sad look crossed her eyes as she ran gentle fingers across the blue black mark, but she had said nothing.
Alone again, he'd picked up the discarded detective novel and tried to pretend he had not already figured out the ending when the key scratched the door again. This time the door opened to admit Jane. She was carrying a telephone which she placed on the bedside table and hooked into the wall socket. She then pressed a button on it and spoke into the speaker on the phone. "Barbara, are you still there?"
Michael went instantly alert. Barbara was his Mother's name. "Yes, Jane." came the sound of his Mother's voice, made somewhat tinny by the distance of the overseas call. The utter lack of interest those toneless words conveyed was her responsibility alone.
"Barb, I have Michael here. Would you please repeat what you just told me?" Michael heard and then saw the barely restrained emotion rippling beneath Jane's reserved and autocratic facade.
"Oh, very well, but you could have told him." was the bored reply. "We are late for the opera. "Michael, Jane has told me that you have not responded properly to her treatment. I don't want you to end up like your father, a hard-driving bastard who died of apoplexy while furiously bullying an overworked underling for some trivial error. I have told her to do as she feels she must. Put you in a hospital, send you to a military school, whatever. If you have any brains at all, you will do what Jane says. She knows what's best."
Michael's face became a mask of pain as his Mother's voice became cold. "This time, you have gone too far and endangered the family name. I will pay for whatever Jane deems necessary since you cannot possibly go back to St. Andrews now - not in your current condition. But you won't see another cent from me beyond that, Michael. Your trust fund won't be released until you reach twenty one. I suggest you get your head screwed on and stop making a nuisance of yourself." She paused a moment for effect. "Jane, is that all? I really am frightfully late."
Jane's control snapped and she slammed both hands down hard on the night table, causing the phone to bounce. "No, God dammit, it is NOT enough. Don't you want to hear *your* son's side of this? Don't you think you owe it to him to hear what he has to say?"
Michael merely rose and walked away from the phone, and stared out the window. The response to Jane's query was "Jane, I am late and I have no time to deal with this. If you don't want to be involved, you know what to do. Good bye."
The phone clicked, and for a long time, Jane could do nothing but stare at the buzzing speaker. When the phone began to chirp "If . . you . . wish . . to . . make . . a . . call. .", she finally pressed the disconnect button and turned to look at her ward. He had not moved a muscle since leaving his seat.
Jane quietly moved over to stand behind him. "I am sorry about that, Michael. As badly as things have gone between us, I did not think you would believe me if I told you that." she paused momentarily trying to gauge his response. "And . . I had hopes that talking to you might remind her that you are her son and that maybe you are more important to her than hearing Luciano Pavarotti at the Vienna Opera."
He gave a bark of humorless laughter followed by what might have been a sob before flinging himself back onto the bed, staring at the ceiling. "Why should she change now? She almost got her fondest wish - no son. She hasn't been interested in me since my father died. It's as if she looks for reasons not to be with me."
Stiffly, Jane returned to the chair, apparently uncertain what to do next. Turning back to face his guardian, Michael noted her worried expression and smiled darkly at her before saying softly. "I won't try to kill myself over this, Jane. I will live if only to deny her what she really wants."
"Eric assures me there is nothing in here you could harm yourself with, anyway, Michael."
Michael reached for the heavy volume of the complete works of Conan-Doyle and hefted it. "He's wrong, Jane." and tossed the book at her.
She caught it awkwardly and examined it closely before tossing it back to him. "Doesn't seem very deadly to me." she said with a forced lightness.
"No, but those windows are old glass, as old as this house. Old glass shatters really easily and that book is heavy. I could heave it through one of those windows and impale myself on one of the shards before any of you could have stopped me."
Jane paled at the thought, but forced herself to ask. "When did you figure that out?"
"Last night, after Dr. Davis left the second time." he said diffidently. "I don't think anything could ever make me that stupidly angry again. Now, I have to figure out how to deal with what is left of my life." He thought for a moment more and then looked at Jane. "I guess that means starting with you since my maternal parent abandoned her parental responsibility to you, just as she has always abandoned me."
"Maternal parent?" Jane asked with a bubble of semi-hysterical laughter.
"She sure as hell hasn't been a Mom to me in years." Jane had to agree with that, but held her silence. "And something else before you decide, Jane. I won't turn the cops and the press loose on you, regardless your decision. I don't think you have any more reason to trust me than you said I have to trust you, but you have my word of honor on that score. I don't want to hurt Beth, or any of those other men you have. . . treated?" He could not bring himself to say 'helped'.
". .yes, *treated* over the years. I wouldn't cry if something nasty happened to Sandy, but I can't get at her without possibly hurting others."
"Or me." Jane added.
"Or you." Michael added with grim finality. "So, do you have contacts in some nice concentration camp style military school? Or am I going to become a ward of the state as a patient at one of the mental hospitals?"
Jane thought she heard a touch of dread hiding behind the bravado, and so she took her time answering. "I really don't know, Michael. The Doctor said a home environment would be best for you, but obviously," she said, looking pointedly at the now silent phone. "Your Mother won't be providing that for you any time soon."
A knock interrupted their conversation and Dr. Davis stuck his head in the door. "May I come in?" he asked. When Michael shrugged, the slim doctor glided in. The graceful, almost feminine walk reminded Michael of his first glimpse of the man, rigged out in his Erica outfit. He'd been striking in that severely tailored, forest green skirt power suit that had perfectly complimented the flashing auburn tresses and lightly freckled complexion. Striking, if not precisely pretty - and certainly not as pretty as Beth, or even as Michelle, he thought smugly. Then he realized just where that line of thought was heading and almost groaned.
"Michael," Jane's firm voice called him back from that shocking thought. "Eric does not want me to say this, but I have decided I will tell you anyway. He is here right now because I had him listening in on that phone conversation with your mother. ."
"Maternal parent." Michael corrected angrily.
"Ummmm. . . yes. Well, he was listening in on what *Barbara* had to say to you. He's here because we felt you might want to talk to someone who understood what you've been through here. . . what *I've* put you through here, and who is otherwise a disinterested party."
Michael considered that for a moment. Obviously, the Doc lived, how did Beth put it, with both identities as part of his life. And he was a psychologist. He nodded. "Thank you." he said tiredly.
Jane rose. "Then I will leave you two to do just that." she said a tad too brightly, and then hurried out the door.
Michael looked up at Eric and offered him the chair. The words were out before he realized he was going to say them. "Do you really dress up still? By your own free choice?? With a wife and kids?!?"
Chapter 9. The Plan
"It has the advantage, Jane, of killing two birds with one stone." Eric offered earnestly.
"Please, don't use that metaphor, Eric."
"Sorry." he grinned. "But seriously, Jane, of the three options open to us, it is the only one that would get him to confront his festering inner conflicts about cross dressing. Also, given his intensely competitive nature, being very good at it would give him a goal to focus on."
"But what can we possibly use to motivate him to choose that course of action? Even though he has promised not to go to the authorities, I cannot take the chance of trying to force him back into skirts against his will. Not again, by God. I won't endanger my friends like that again."
The young psychologist grew very serious. "No, I agree that it must be his own choice. Well, as I said earlier, he is very intelligent. Maybe he would buy into the resolving his internal conflicts as a motivator." At Jane's disbelieving glare, Eric shrugged."I didn't say it would be easy, only that it was the best solution to all of his problems."
"I agree with you that he needs to accept his more sensitive self and get rid of that macho-chip he carries around on his shoulder. But how do we get him to recognize that?" Jane complained. "When he has already nearly killed himself because of his experience in skirts?"
"It is not at all the same thing, Jane. It wasn't only the cross dressing that did him in, it was realization that the life he had been planning on wasn't possible for him anymore." The psychologist thought for a few moments. "The only other thing that is nearly as critical to his emotional and mental makeup is his utter ambivalence toward his Mother. Not too surprising after her little performance on the phone. Maybe you could find a way to make that work to your advantage."
"What? Tell him getting into skirts will help him get back at his Mother? For heavens sake, Eric. She *sent* him here, and he knows she is fully aware of what I do to my young men."
"Its just a possibility. Unfortunately, we don't have a lot of time to pull this off."
"I think it will work, too, Jane." Beth added quietly. "You can be very persuasive when you care about something. Michael will respond to that. I think he is looking for something, some*one* to fill some very big holes in his life."
Jane scanned the small circle gathered in her study. "All right. We can only try. Maria?" she looked at her long time friend and co-conspirator. "Go upstairs and get him a complete, skin out set of his male clothes including shoes and underwear. I want him to make this choice on his own, fully understanding what he will be giving up as well as what he might be gaining if we proceed down this path. He will eat with us at dinner and we will discuss his future afterwards in the music room."
"Jane?" Beth asked as they rose to leave the room. "What will you do if he doesn't make the choice you want him to make?"
The older woman sighed. "Exactly what he chooses, Beth. I don't see how we can chance trying to trick him, or changing our minds about what we will do with him. No, I will scrupulously abide by whatever decision he makes."
Chapter 10. Choices
After three days of finger foods, Michael found the simple pleasure of feeding himself with such civilized implements as fork, spoon *and* knife deeply satisfying. Maria's food wasn't bad, either, and included just about every dish she'd seen him particularly enjoy during his stay with them. It made for an odd meal, but if anyone thought it curious to have Maria's authentic fajitas served alongside her spicy Chinese stir-fried vegetables and candied sweet potatoes, no one commented on it. Beth did give him a very sly grin and a wink when the German chocolate cake was served for desert.
All of this was made all the more special because he was eating the meal in the dining room wearing his own *male* clothes again. Earlier that afternoon, shortly after Eric had left him, Maria had arrived to tell him his bathroom water had been turned back on. She'd offered to try and do something with what was left of his hair, but the damage done was beyond even her ability to repair. In the end, she'd shaved him bald.
Michael privately thought he looked like a young Yul Brenner. Beth, however, disagreed and had called him Uncle Fester when she'd checked to see if he needed anything before dinner. When he'd finished his shower, he'd found his clothes laid out on the bed - an open collared sport shirt, slacks, shoes and real men's jockey shorts - complete with a *fly*.
For a brief moment, he wondered what the catch was, but in the end decided that there was not much else they could do to him and had put on the clothes. Precisely at six, Jane had arrived to escort him to dinner.
Now that the meal was over, Michael wondered if he had slipped into one of those classic Rod Serling Twilight Zone episodes. Had aliens from another time and place kidnapped Aunt Jane and taken her place. My God, he thought grimly, she'd actually been pleasant to him. She'd even *smiled* at him, more than once, without looking like a hungry shark ready to pounce.
So it was with more than a bit of trepidation that he now walked with the rest of the "family", including Maria who had been told to leave the dishes, to the music room. Was this where the other shoe fell on his innocent head? Had he just been fattened up for the slaughter?
Inside the classically decorated room, a coffee service had already been laid out. Jane walked over to the small sideboard that served as a bar and offered after dinner drinks to Maria and to Eric. Then she turned to Michael and Beth. "Would either of you care for something? Some wine, perhaps, or something stronger?"
Beth accepted the wine, but Michael, already nervous, decided that he should try to keep what wits he still had. "No, thank you, Aunt Jane. Some coffee would be fine, though." He must have been mistaken, he thought. Was that actually approval he saw in her eyes?
The drinks were passed out and then Jane had every one settle on the various couches and chairs, but she was particularly careful to seat Michael and herself directly opposite of each other.
Thoroughly spooked now, Michael's mouth engaged. "Is this the time, the walrus said, to speak of many things?"
Everyone chuckled, but Jane's brow went up in that frightening way she had. "Am I to assume that you think I look like a walrus, Michael?" Then she laughed at his comical, open mouthed look of terror. "Oh, calm down. Yes, we have to talk, but nothing will happen tonight or as a result of tonight that you do not agree to enter freely and of your own will."
Now she quotes Bram Stoker to me. Is she Vlad the Impaler, or Van Helsing?
"We have to make some decisions about your future, Michael. You have some choices to make. First, let me say that I cannot, in good conscience, let you return to St. Andrews. At least not now. Maybe in a year or so, if you still want to return there, that can be arranged, however, Dr. Davis feels that is not a good situation for you just now."
Michael made a noncommittal shrug, but said nothing.
"I have also, again with Eric's concurrence, decided that you are not going to be sent to a hospital or to another boarding school. What you need is stability and people who want to help *you*. We are afraid that you won't get either as just another patient or just another student. The best solution would have been for your Moth. . . that is, for Barbara to take you away to a nice private home and let you deal with this in a supportive family setting, which simply isn't going to happen." Jane let her voice become icy-cold. "If she even thought about it now, I would contest her revocation of guardianship in court to keep her away from you."
Michael was astounded to see the anger in Jane's eyes, and more, to see that it was directed at his Mother, not at him. "So, here are the options you have, Michael. First, Eric has said that you can live with him and his wife in Chicago. His wife is familiar with my program and although she is a supporter of my methods, she understands you have had a particularly bad experience. While you are there, you will be free to live as Michael. More importantly, Eric will be there to help you deal with whatever you need to resolve in order to get on with your life."
Jane took a sip from her wine glass. "Your second option is to stay here with me, living as Michael. I would enroll you in the local school system this fall instead waiting until after Christmas as your Mother and I had originally planned. For your part, you will allow me to act in loco parentis. I will expect you to agree to follow my rules and regulations, *which*," she said firmly with a hand raised to forestall Michael making a comment, "I promise will be neither out of the ordinary nor unfairly enforced. In return for this agreement, I will promise to defer any future . . .er. . .special students" and here her eyes fell on the elegantly dressed Beth, "until you reach your majority and can move out on your own."
"Your third option is also to stay with me, but living as Michelle." At the shocked look in his eyes and the coiling of his legs to bolt, Jane held up a restraining hand, and Eric caught him by the elbow, effectively keeping him in his seat. "Hear me out, Michael, please."
The soft entreaty in her voice did more to stay him than anything she had ever threatened him with. "First of all, Eric and I both think the experience would be good for you from the perspective of personal growth. Thanks to your . . . to Barbara's sending you to all those male-only, all year boarding schools, you have had an almost complete lack of the feminine influence and outlooks in your life. Michelle might give you some balance in your perceptions."
Michael could keep silent no longer. "But that would mean taking the chance I will be exposed publicly as a sissy. And the probability of that happening sometime in the next four years has to be nearly one hundred percent." He shot an angry glare at Beth. "You said she couldn't, wouldn't do that." he accused hotly.
Intervening, Jane resumed. "I know what Beth told you, and she is correct, as far as that goes. All my little ploys and lessons are *always* aimed at protecting my girls from real discovery all the while making them feel as vulnerable and as threatened as possible. However, experiences such as that would not be *our* objective for you. *Our* goal would be to make you, while dressed anyway, indistinguishable from any other young woman your age. To make you into a *lady*, not a sissy."
Michael was no longer able to contain his fury and disgust. "Little ploys and lessons? *Little* PLOYS? Is that what you call what you do to people? What you did to me? And just what the hell good do you think that cockamamie idea would do for me, anyway? Besides, the very last thing I want in my life is to give you that kind of power over me again, to suffer your sadistic "little ploys" again." Raw anger spewed from him, and furious tears ran down his cheeks. "Do you think I am crazy? Or just stupid?"
Jane quietly struggled to keep control of herself. When she finally spoke, Michael could see the pain apparent in her face. "You are neither of those things, Michael. Just someone with a far more resistant masculine self image than I anticipated, someone I pushed much too hard, someone I did not read correctly, someone I hurt very badly. A great deal of what happened to you must be laid at my door, and I am suffering from my errors in judgment, my failures. That is part of the reason that I am willing to forswear any new students during the term of your stay with me - I, too, must deal with this before I can once more take on the responsibility of tearing down a personality in order to build him back up again."
She paused to take a shaky sip of her wine. The interview was going much as she expected with Michael not willing to give an inch. She'd give him his pound of flesh if that is what it took to get him to stay here and let her help him. It was time to try another tack. "Michael, those failures are my share of what ultimately has brought us to this point, but another important piece of the puzzle is inside you. You know that your reaction was completely beyond anything in my experiences with the nearly fifty other young men who have come to me over the last twenty years I have been . . . treating them."
"I still don't see where this is going, Aunt Jane." Michael snapped, impatience dripping from each clipped word.
"Simply this. If you decide to try living as Michelle, I will in turn promise to forgo my "little ploys" and, as I said earlier, to teach you how to be a real lady, not a sissy."
"Michael," Eric gently broke in, taking the pressure momentarily off Jane. "You have some deep seated issues that Jane's humiliation games and her program of enforced femininity ignited. You have to deal with those problems or this episode will haunt you for years to come. What this option will do for you is to permit you to deal with part of the problem, your mixed feelings about feminine dress without the humiliation aspect of all this."
"Mixed feelings, Eric?" Michael asked, turning to glare at the older man. "And just *what* is that supposed to mean?"
"Simply that a part of you really does like the dressing, the masquerade, and another part of you is afraid, and maybe ashamed to like it. Be honest with yourself right now, Michael, as you were with Sandy that morning. You knew that you were accepting Jane's training, and in part, because you were enjoying some of it."
Michael did not want to admit his own misgivings on that subject. Damn Eric for confusing him with his infernal questions. "And you think dressing as a female for Jane will help me deal with those "mixed feelings"?" Michael asked skeptically.
"We shrinks call it "confrontation", Michael. Make a reasoned decision to face, on *your* terms, whatever it is that frightens you. Understand it so that you can, in turn, understand why it frightens you . . .so that you begin to desensitize yourself to that fear."
"That sounds kind of fishy to me, Eric." And then his eyes became very suspicious. "Does she still have something on you? Are you supporting her because you have to? Just like Beth supported her against me before?"
Green eyes burned furiously. "Michael, you may choose not to believe me, but do not *ever* insult my personal and professional ethics. You are my *patient*, and I would *never* recommend something that was against my patient's best interests. Not for *any* reason. If you feel that this option is too much for you," and here Eric's voice became subtly challenging, "Then don't do it. Take either of the other options Jane has offered you."
Michael was stung by the anger in the therapist's tones, and sat back both to think and to gain some distance. Finally, he asked, "If I go with Eric, will he be my guardian?"
Jane shook her head. "No, your Mother signed your custody over to me. I do not have the authority to transfer it to Eric, and I don't suspect your Mother will oblige us. However, for whatever good you consider my word, I *promise* not to force myself into your life if you go to Eric."
Not knowing what to say or think, Michael took a sip from his rapidly cooling coffee. He really wanted to be away from Jane, away from here, but he did not really know Eric all that well and he did not know his wife at all. Except that Jane said the woman approved of Jane's methods of treating problem boys.
"But suppose I agree to that third option, Jane, and discover that I really do hate it. That, even with you not playing your games with me, that it simply makes me miserable? What am I agreeing to, time wise, in that option? You gave it to me separately from the one where I live with you as Michael until I reach my majority and gain access to my trust fund. Is it all or nothing? Do I live out the remainder of my teenage years as a female with no option for parole?"
Jane did not know quite how to answer that question. If Michael became Michelle, she did not want a time limit other than staying with the program until Michael got better. However, she knew that response would make Michael reject the third option, which she was absolutely convinced was the best for him. Still, he *was* asking, and not rejecting the Michelle option out of hand.
"If you are going to be Michelle, it would be best to commit to being her. Particularly if you are going to overcome your private demons on this score. If you are going to do it, I think you need to make a commitment so that I can coach, and yes, correct you without fear of you changing your mind on me every day."
Michael obviously did not like that answer and was on the verge of refusing to try that route when Beth spoke up for the first time. "How about a trial period, Jane? Suppose Michael commits to a specified period of time, regardless how he feels about the masquerade. During that time, he would promise to do his very best to be the best Michelle he can be. At the end of the trial period, you sit down, discuss the situation, and he makes a decision whether to continue as Michelle or to revert to being Michael without consequences."
"How long?" Michael and Jane asked almost in unison, and then both answered. "One month!" "One year!"
Giggling at the two of them, Beth again intervened. "Jane, if you aren't going to send Michael back to school until after Christmas, you have time in hand for a reasonable trial period. It is early July. Why don't you agree to three months. That way, you will have time for Michael to completely undo Michelle, like growing back eyebrows, working the curls out of his hair and relearning all his male gestures and speech patterns. If he decides to stay with Michelle, that will give you time to figure out what to do to get her into school somewhere."
The responses were predictable - from Michael's "Three *whole* months?!?" to Jane's "*Only* three months?!?" Beth gave a dainty shrug and let the two antagonists try to stare each other down.
A piercing whistle made both jump back in their seats and turn their glares on the cause. Eric simply laughed and made a 'time out' signal with his hands. "Why don't you sleep on it, the pair of you. Michael has not even agreed to be Michelle yet. Heck, he might even decide to live with me, although. . ." and he batted his eyes at the young man, "It *would* be nice to have company for Erica at times." Michael's blank look set Eric off again. "Just kidding, Michael. Trust me, if you come live with me, you can set up a "no-dress" zone around yourself if that is what you need. Go to bed and think about it, okay?"
Michael was still struggling with Jane's obvious preference. "Suppose I goof up, Aunt Jane - get unmasked as a sissy boy in girl's clothing?" He knew he'd never be able to hold up under the humiliation of such a calamity.
Something of the old, hard Jane came back into her eyes. "So don't goof up." she ordered caustically. "Besides, you've already told me that such an exposure no longer threatened you. Right?" She said silkily as she cocked her brow at him in challenge. Let him remember *that* statement, she thought. Then she gentled her tones. "And I will say this just once more, Michael. You won't *be* a sissy, subject to and molded by my carefully orchestrated lessons in humiliation. I will teach you to be a *real* lady who will pass muster anywhere, in any company and under any circumstances."
Before Michael could find the wit to respond to that, Jane's stern look incongruously softened, and then, wonder upon wonder to Michael, Jane *actually* blushed and stammered. "Well, maybe not quite *all* circumstances. You will still be. . . ummmmmm. . . entire, as dog breeders speak of their fully male animals."
Michael quickly understood precisely which circumstance Jane could not guarantee his disguise would pass muster, and blushed furiously himself. Well, he was NOT going to go to bed with a guy. Nor was he going to become . . not entire, either.
No one spoke for several moments, and just sat quietly, warily watching the emotions flit across Michael's face. Finally, he shook his head. It was just too much to absorb all in one sitting. "All right. Maybe Eric has the right of it. This has been an awful lot to take in and I am bushed. May I be excused, Aunt Jane?" She nodded and he rose to leave.
"Michael?" It was Aunt Jane's voice. He turned around just in time to catch a large brass key that nearly clipped him on the nose. "That is the only key to your door. Make sure you don't lock yourself in tonight. We'd have to take the door apart to get you back out."
Michael clutched the key in his hand, its implications running wildly through his head. No more locked doors. And he had his male clothes again. There was nothing to keep him here anymore. He was, for all intents and purposes, free. Dazed, he looked back to his Aunt Jane. "Go to bed, Michael. We will talk in the morning."
He left the room quickly as the others quietly watched his retreat. "About as well as we could have expected, Jane." Eric said softly.
"But suppose he doesn't choose Michelle, Eric, what then?"
"You already answered that question, Jane. We will keep our promises, and try our best to help him within those limitations. We knew coming into this that his tough-guy, "man's man" persona was going to resist strongly what his more sensitive side might prefer to try. And I think Beth's idea of a trial period is a good one. It will give you a chance to get him into skirts and gentle him for a bit. It will also give a chance to just enjoy the feeling of wearing nice feeling clothes and being pretty without worrying about your "little ploys". I think that, if he takes that option, by the end of three months he will be likely to choose Michelle for the long term."
Chapter 11. Deliberations in the Night
In fact, sleep was a long time coming to Michael. Any thought of sleep had been squashed when he'd gone to his closet to hang up his precious male clothing. Inside he found all of his male outfits hung out and arranged . . . side by side with what was left of his Michelle-clothes after his rampage. Even his suitcases were there.
The message was not very subtle. He could leave, or stay - and if he did stay, he could be either Michael or Michelle. The choice was purely his.
Therefore, he was more than a little bit surprised to realize he did not know which choice to make.
Michael spent several unproductive moments trying to resolve his confused thinking, but to no result. He finally resorted to writing down the pros and cons of his options on paper. Certainly, the easiest way out was to stay Michael. Live with Jane or Eric until he got control of his trust fund and then go live his life as he chose to live it from then on. He could work or not, travel or stay in one place, whatever best pleased him. His trust fund represented more money than he could spend in four lifetimes.
Of those two options, Eric's wife was the unknown. He did not like the unknown very much anymore, and he certainly did not *trust* the unknown - especially since that "unknown" named Jane Thompson had met him at the train station.
Would Eric's lady really let him be Michael, or would she, as a believer in Jane's methods, try to push him back into living as Michelle? At least Jane was the devil he knew. Besides that, for some odd reason, Michael felt he could trust Jane's word, *if* it was given to him and not to his Mother.
That left the third option, and God only knew why he was even considering it at all. Probably because he had come to trust Eric and because the doctor really seemed to think it was the best way for him to go. Still, that did not seem to be a very strong reason to put himself back in Jane's clutches *and* back into skirts. God, how his Mother would laugh at that.
Or would she? A random thought wound its way through his fatigued, overactive mind. Obviously she did not want a son. She had not shown him a whit of attention or affection since his father died. Was that why she had sent him to Jane? Was it a daughter his Mother *really* wanted? It would really show her, Michael mused, if he gave her what she seemed to think she wanted. He could do, for all intents and purposes, what he'd tried to do after that abominable day at the mall. "Kill" her son, and replace him with a daughter instead of a ghost. Maybe *then* she'd pay attention to him. . . err. . .her. Maybe *then* she'd find out what she had been missing out on all these damnably lonely years.
For this to work, though, he'd have to be *very* good at being Michelle. Moreover, Michelle would have to be completely convincing and utterly beautiful. Refined, too - can't forget manners and deportment. Could Michelle regain the love and attention Michael had lost, if he ever had really had it? Did he want his Mother's love that much?
The answer was probably yes. He'd have to show her, then, and when she saw Michelle, maybe, just maybe, she'd regret the loss of Michael.
Still, he sighed to himself, the price was probably more than he could bear to pay. Once it came out what he'd done (and it would come out if he knew his Mother), he would never be able to show his face in society again. Not only that, in order to accomplish this goal, he'd have to let Jane put him back in girl-clothes again. *And* give her the authority to, how did she put it? Oh yeah, correct him. He'd had just about enough of her corrections for one lifetime. Particularly if he was going to give her almost four years, until he turned twenty one, to "correct" him . . . only it would have become correcting *her* by then. There would be, very probably, damned little left of *Michael* after all that time living as Michelle.
On the other hand, he'd never been out in society anyway - he'd always been at one all male boarding school or another. What would he really be losing if his Mother's society cronies snubbed and shunned him? Nothing he'd ever really had.
And hadn't he already taken Jane's worst? If nothing else, she had promised him that she'd leave all her nasty tricks in her bag. He would need her help to pull this off, and besides, hadn't she promised to be fair? Or was that promise only if he chose to be Michael and not Michelle?
Which leads to another question, he thought. What about *real* girls, as in potential *lovers*? Based on what Beth had told him about Caro and her husband and what Eric told him about his wife, there were women out there who found Jane's students attractive. Like David and Beth, Michael and Michelle were both committed girl lovers, and he wanted to enjoy being a man with a lovely woman. Caro was gorgeous, and could have had just about any man she wanted, so she must really love her husband to have chosen him. And what about a family of his own?
God, he was so tired, and no closer to an answer.
"Michael?" he looked up to see Jane standing in his doorway. "Can't you sleep?"
"No. Too much to think about."
"Any conclusions?" Michael looked down at the pages of scribbled notes he'd spent the last few hours writing and could only shake his head. "Then let it rest for now."
With that, she closed the door and left him alone and even more confused. She had said nothing one way or the other about his choice. No little attempts to influence his decision? No barbed words to shame him into making the choice he knew she favored? Jane?
Chapter 12. Decisions
Michael slept late the next morning, and it was almost lunchtime when he made his way downstairs. The house was quiet, but he knew his guardian's habits and made his way to her study. The door was open and he slipped in without announcing himself.
Jane was there, seated at the desk where she had planned so many torments, so many tests and humiliations, asleep with her head resting on her forearms. The chair that Michael had come to think of as "his chair" was still in front of that desk. He repressed a shudder as he took his seat in that chair, remembering each painful session of "instruction" received from Jane while sitting there.
A random sound broke the silence and Jane jerked awake. Momentarily confused, she did not immediately realize she was no longer alone. Then she saw her guest for the first time. "M. . . Michael?" she asked, still sleep dazed.
"Michelle, Aunt Jane." he answered in the soft inflection so painfully learned at this woman's decree. Jane looked across the desk and saw her ward decked out in one of the skirt and blouse sets that were still intact, and wearing a skull- hugging, close-cropped auburn wig. He'd obviously borrowed that from Eric. With or without his permission, she wondered.
"So you've decided?" she asked, unable to keep a quaver of hope from her voice. When, she wondered amazed, had his decision - this particular decision - had become so very important to her?
"Yes and no, Jane. If we can agree on a couple of items, I am going to go with the three month trial period as Michelle option."
"Things, Michelle?" Jane prompted and then gestured for Michelle to continue.
"I don't think I can do this, all or nothing - Michael only or Michelle only." He frowned as he realized what he'd just admitted. Michelle evidently *had* become a part of him, just a Beth was part of David, or Erica a part of Eric.
He pushed that realization back and pressed on "I will do the three month trial as Michelle, living the entire period only as Michelle provided that, regardless of my final choice, I can still have both in my life if that is my choice. How we do that may take some planning, but perhaps if I choose Michelle, we could plan some short vacations where I could be Michael. Or the other way around."
"All right. I can understand and agree to that stipulation. May I ask why you have decided to try out Michelle again?"
"Because I think I am going to go after my Mother as Michelle." was the calm reply.
"What did you say?" Jane asked in a hoarse whisper. "Go after your Mother? As Michelle?"
"If she wanted Michelle badly enough to send me to you, then I am going to kill her son by becoming Michelle. I will show her precisely what she seems to want, become what she seems to want. Maybe Michelle can have the Mother that Michael was denied. At least, maybe it will show her what she has missed and will be losing."
"And you want me to train you to that end? She is my friend, Michelle. Don't you think that is just a little cruel?"
"I have more than a passing acquaintance with cruelty of late, Jane." he answered with heavy irony leaving no doubt as to who had made that introduction. "*Cruel* would be if I may unmasked myself and let her social circle know what she'd done to me. She'd never be able to hold her head up in society again and that would matter to her." the boy-girl frowned pensively for a moment. "I don't think I want to go that far, but it is an option."
Michelle seemed to steel herself and looked Jane squarely in the eye. "In any case, Jane, you said you would teach me to be a lady. What I do with what knowledge you impart to me should not concern you. Or will you withdraw your offer now that you know why I want choose Michelle? In that case, I will go to Chicago with Eric as Michael."
Jane sat quietly, watching the feminine creature seated opposite her. She knew that the boy resented his Mother, almost hated her with a fervor that led Jane to think he had once loved her almost as much. She'd just never considered him wanting to Michelle in quite that way or for such a purpose.
"Suppose your plan does not succeed, Michael? Suppose she doesn't react the way you hope? Suppose Michelle doesn't make a difference to her?"
"Then I won't have lost anything, Jane, because I have nothing of her as Michael. Maybe it will show her what she's lost, maybe not. Right now, this seems the only option that will let me reach her at all, and I am still angry enough, and hurt enough that I need to take that opportunity. Now, are you going to help me or not?"
"I won't withdraw my offer, Michelle, even though I find your stated goal demeaning to both of us. However, you do realize that your commitment in all of this is even greater than it would have been if you had simply decided to live with me as Michelle? You want to be beautiful enough, feminine enough and refined enough to carry off this masquerade under very demanding circumstances. You have to understand how difficult, how demanding achieving and sustaining that level of perfection will be for you, Michael." she said using the masculine name intentionally.
"I understand completely, Jane. I will do, with one exception, whatever it takes, short of actual surgical or hormonal modification, to become what I need to be."
"And what is the exception, Michelle?"
The finely featured face went crimson. "While I know that this is a huge commitment that will require my full attention and best effort, I still want some things as Michael, too. Like a family. I'd like to meet girls as a guy from time to time. And while I don't think you'd have too much trouble with Michael trotting out Michelle from time to time, I am concerned about how you would react the other way around."
That was a fair evaluation, Jane thought. Above and beyond the program she laid out to humble then mellow each new student, she liked having her boys in skirts. She could see herself resisting Michelle wanting to be Michael from time to time. "How about one weekend a month and a whole week during major school holidays. We can go somewhere Michelle is not known, but you must recognize that if you do, in fact, give this project your best effort, you will go on these holidays as a very effeminate young man."
Michael nodded. "Understood, Jane. I'll just have to find a girl like Caro or Eric's wife who like men like that." He paused before continuing. "College is the other thing. How would Michelle go to school? I don't want to spend the next four years vegetating."
"I have contacts who can help, depending on where you want to go and what you want to study."
"I'd like to stay locally, and live here so I can continue my studies with you. As for the course of study, I have begun to think about pre-med with an eye towards maybe becoming a research psychiatrist."
Ah, Eric has been more a role model than we had originally thought, Jane mused to herself. "The local university has a good program, and I know several women in the administration who should be able to help. Is that all? If I agree to these issues, do I get Michelle back?"
She could practically see *him* become instantly more feminine, see him become *her*. "We do, Aunt Jane."
Jane was out of her chair in an instant and Michelle was suddenly enveloped in the first maternal hug he or she could ever remember since the death of Michael's father. "Welcome home, Michelle." then Jane pulled back to look down at her ward. "And your first lessons will be on how to select your own natural colors. Trust me, darling. You were not meant to be a redhead."
Chapter 13. First Challenge
Michelle sat in Jane's library mesmerized by the telephone as if it were a snake waiting to strike. Jane had already assigned to him his first girl task, and he was struggling to find the will to get on with it. Truth to tell, *she* was a little overwhelmed at the response that *her* (Jane had told him to start working very hard at thinking in the feminine whenever dressed - it wasn't easy) decision elicited from the other members of Jane's household. Demure, feminine Beth gave her a thoroughly *guy-thing* thump on the shoulder and a high five, nearly knocking Michelle off her still-not-quite-steady high heeled feet.
Eric, on the other hand, talked to him that confident, quietly supportive way of his. He wanted to make sure Michael understood the full ramifications of that choice, but he also wanted to assure Michelle that *Michael* would always have a safe place to turn to with his family in Chicago.
Maria had surprised everyone, including Michelle, by breaking down into tears and nearly crushing the young boy/girl in a fierce hug, all the while apologizing in at least two languages. Not for her part in the original cross dressing treatment which she told him had been absolutely necessary, but for having to kick him so hard to subdue him. Maria was distraught over the size and tenacity of the bruise across Michelle's midriff. Michelle, although looking quite female on the outside, still was a young male on the inside. He'd been helpless in the face of Maria's tears, but Jane just chuckled and shook her head as he begged for help with his eyes.
Michelle shook herself slightly to refocus her mind on the task at hand. It would not get any easier if she waited. She picked up the phone, took a deep, cleansing breath, and punched out the number Jane had made her look up.
The phone was picked up on the third ring, dashing Michelle's hopes that they had already gone for the day. "Marisha Chalet, Carolyn speaking."
Fighting the incipient tremble of fear that threatened to make her voice crack, she responded, "Hello, Carolyn, this is Michelle Nash."
"Mi. Mi. . miCHELLE???" There was surprise, uncertainty and perhaps even a touch of fear in that stuttered response. Michelle stifled a grin of pleasure at the thought, but it *did* give her back a feeling of self control. She gave the affirmative. "Ummmmm. . .well.. .this is a surprise. Wh. . What can I . . we do for you, Mi. . you did say this was *Michelle*?"
This time Michelle did allow a slight laugh to bubble through, but it was not malicious. "Yes, Carolyn, I have decided to stay with Aunt Jane for the foreseeable future."
"Oh!" The relief in that one syllable was almost palpable across the phone line. "Well, then, what can we do for you, Michelle?" There was considerably more confidence in the voice now.
"Well, you are aware that my recent . . .illness . .resulted in the temporary loss of most of my hair, including my brows and nails?"
Carolyn had not seen the boy, but Sandy had and her vivid descriptions of what he'd done to himself, after *she* had been so rough on him at her shop, had made Carolyn physically ill. She swallowed loudly enough for Michelle to hear it over the phone. "Yes, dear. Sandy told me."
"I can't very well walk around looking like "Aunt Fester", Carolyn, and Aunt Jane doesn't have any wigs suitable for my coloring. I was wondering if you might have something appropriate, and if I could come in and have you show me how to wear it and care for it. Maybe we could fix my nails and you could show me how to hide my lack of brows until they grow back?"
"I have a couple of nice wigs that should work for you, Michelle. When would you like to come in?"
"I'd like to come as soon as I can, Carolyn, but if its possible, could I come in very first thing, so that your other customers don't have to see my hairless head? I'd really like to be under a dryer or off in the corner before anyone else can see me." she paused. "Aunt Jane said that was okay with her." Michelle injected a hopeful note.
Carolyn consulted her appointment book. In the past, she might have toyed with one of Jane's students. She might even had someone who could be trusted there at the shop when Jane's student arrived, but that was before a boy had tried to kill himself after a session in her shop. "Michelle, unfortunately, I am booked every morning this week right at opening time." She heard the sigh of disappointment in her ear. "Tell you what. I will open an hour early tomorrow, to work with you so that the worst of it will be over when my other girls and customers arrive. Be here at 8:00 A.M. and we will go from there, okay?"
"Thank you, Carolyn. Very much. Oh, can I bring Beth? She needs a little help, too."
A chuckle answered her. "Sure, tell her to come, too. I'll tell Sandy to get up early and be here. See you then."
As the two hung up, both feminine creatures felt greatly relieved - one for having survived a difficult first test, the other for having been granted a reprieve.
To Be Continued...
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Seasons of Change
Book 3 - Part 2 of 3 A Losing Season
An Alternative Ending to Seasons of Change Copyright © 1998,2012 Tigger
All Rights Reserved. |
Archiving and reposting of this story *unchanged* is permitted provided that no fee be charged, either directly or indirectly (this includes so-called "adult checks") *and* provided that this disclaimer and attribution to the original author are maintained.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989.
Author's Note: This story represents an alternative ending to Mr. Lawrence's story. It is essentially a parallel universe story where things start out the same, but follow a much different path than the one portrayed in the original story.
This is my second inspiration from this story. My first derivative story, "A Second Season" starts where the original author's work stopped. This story takes place following the day described in Chapters VI and VII of Joel Lawrence's Seasons of Change. Essentially, it is a darker vision than the one I wrote of in "A Second Season".
Setting: The lead male character, Michael Nash, has been suspended from his very elite private school, St. Andrews Academy. With the concurrence of the school dean, he has been sent by his mother to live with her old friend, Jane Thompson who will attempt to teach the young man (late teens) control and self discipline.
"Aunt" Jane employs a "Victorian" type training program to tame undisciplined boys. She does this training by means of a delicately balanced regimen of humiliation and enforced feminine deportment. She is assisted in this program by her housekeeper (Maria) and several business women including the owners of a beauty salon (Carolyn and Sandra) and the proprietor of a combination dress and lingerie shop (Mrs. Franson). The other key player is David/Beth, one of Jane's feminized boys who is still living with her and who is required by Jane to "guide" (and setup) the new student.
Michael knows nothing about this, and is slowly "trapped" into Jane's program of petticoat dominance. Jane forces him to accept her program or lose his chance to return to St. Andrews because the dean will only readmit him after Jane certifies that he has been reformed.
As we begin our account, Aunt Jane, David/Beth and Michael/Michelle have returned to Jane's house from Michelle's initial public outing disguised as a girl. They have visited Carolyn and Sandra at the Marisha Chalet where he was humiliated by their taunting and terrorized during a make-up session as Carolyn's training subject, and at Mrs. Franson's "The Style Shoppe/MiLady's Closet" where he had to maintain his tenuous disguise in the presence of the young female shop clerks while dressed only in lingerie.
Each member of this unlikely trio is flushed with different emotions at the end of their long day of shopping for dresses and lingerie, and of feminine primping at the beauty salon. Michelle has been ordered to go up to her room and put away her new dainties, cosmetics and clothing while Jane and Beth retire to her study.
This story departs from the original tale at this point in time. ~Tigger
"Oh, she told us to just come and have a good time, Sandy." had been Beth's smiling response. "We're big girls, now." she teased.
"But. . but. . .but how will we know what to do to you without Jane here? Unless," and she turned to face her partner. "Did Jane call you with orders for these two, Caro?"
Carolyn's and Michelle's "No." came out in unison. Both shop owners returned their eyes to face the two young women at their door. "What you will do *for* us, Sandy, is what you would do *for* any other regular paying customer." Michelle said with only a hint of smug arrogance. "That is, what we ask you to do and what will make us look our best."
"Jane agreed to that?" the disappointed Sandy asked. She'd hoped that Michelle's return to the fold meant that everything was back to normal. Of the two partners, she'd always enjoyed her little games with the helpless boys far more than Caro who felt like she was dispensing bad tasting, but necessary medicine.
Both Beth and Michelle nodded, smiles splitting their lips.
Excerpt: Michelle's Diary 16 July - Day 1
Dear Diary
God, I don't think I am ever going to get used to writing that, but Aunt Jane says it is part of the drill. I have never been much of a journal keeper, so this may be a bit spotty. Eric says that good psychological research starts with good self reflection and that journals are a useful way to do that. Jane says I might want a record for the future, so I can remember more clearly and more objectively what happened in this oddball period of my life. I also think Eric wants some sort of reference as to what was happened if I trip off the deep end again. Anyway, I promised to try.
Well, I am sitting here, rigged out in one of two new blond wigs. The one I am wearing is the shorter of the two, falling only a bit below my shoulders. It is long enough for dress up and short enough that I can be active and athletic in it. The other one is almost waist length and is suitable for braiding, or for as Sandy said in one of the evil teases she still can't quite resist, for "big hair". She looked much too pleased with that idea. I don't think I want more than an intellectual acquaintance with "big hair".
My nails are and will continue to be a problem for some time to come. I did such a number on the last ones that a couple of them may not have enough real nail for the acrylic to bond to. Caro thinks I may have to come back soon for another treatment. And they are shorter than last time. Still longer than Michael ever wore, but not so long and sharp that I might have to register them with the police as lethal weapons. But, they still catch on EVERYTHING. I have ruined two sets of nylons since returning home to Jane's today.
Tomorrow, Jane is taking me back to Mrs. Franson's place to replace the clothes that I, or rather, Michael destroyed. This time, however, I will be treated like a customer, and not like an impromptu lingerie model. Jane already has that set up since she needed to pick a time when the girls who helped us last time won't be working. Hard to explain two such blowout shopping trips in less than two weeks.
Eric is looking for a dressing-friendly psychologist in the area for me. Not to deal with dressing aspects of this since he thinks I will respond well on my own to whatever decision is right for me. No, he's worried about the fallout from Michael's breakdown, and helping me to learn to deal with such anger before ever it gets to that point again.
Well that's about it for tonight, I guess. Except to say that this thinking of myself in the feminine tense is a bitch. . . oops. . .pardon me. This feminine self perspective is highly unnatural and I am having a great deal of difficulty with that dictum of Aunt Jane's at this time. Sigh. . .she also told me I needed to "feminine up", as in clean up, my language. She is going to keep track and assign demerits for each failure to speak in "a pleasing feminine voice and with feminine sophistication" 100 demerits and yours truly gets 10 minutes sucking on a soap bar and I won't be able to rinse for the remainder of the 100 minutes. I tasted Aunt Jane's soap tonight, just as a precaution.
It is not an insignificant threat on her part. Unfortunately, I figure it won't be the last time I taste the vile stuff. I have lived in all male environments far too long, dammit. Ooops, I mean, Golly!!
Somehow, "golly" lacks for something in expressing my feelings. This is going to be REALLY hard.
Michelle Nash
Chapter 15. Fond Farewells
Eric stayed on for a couple of more days after the second great shopping expedition and his quiet good humor helped to ease the transition for both Michelle and for Jane.
Michelle was upset by his imminent departure when she, Jane and Beth accompanied him to the airport, but Eric promised to visit. "I will even bring Sylvia, my wife, the next time. I've told her about you and she is very anxious to meet you." then he gave that quirky grin of his. "Although, if you want to meet her as Michael, you'll have to come to Chicago to visit us, but bring some Michelle clothes if you do, please? Erica's stuff is too mature for you, dammit, and the coloring is all wrong."
The comment bothered the girl, he saw. For all her strength of will and commitment to the goal of becoming Michelle, of going beyond a mere masquerade, *this* Michelle was still essentially Michael in skirts. He had a long way to go before *he* became the *she* that he needed to become, and Eric did not want to make these first days any more difficult than they needed to be for her. "Michael," he said very softly, "My wife *will* welcome you as Michael, and she won't press, but she *would* truly like to meet Michelle. But that is and will remain your choice. No one will try to pressure you one way or the other, nor will you be made to feel guilty about whatever decision you make. Sylvia is not the Aunt Jane you had to deal with your first few weeks here, okay?"
"Okay, Eric." Michelle responded, unwilling to make any more commitments so soon after the one that had him back in skirts and wondering about his sanity. "I will miss you."
The young psychologist reached into his wallet and pulled out a calling card. "My home, work and emergency phone numbers are on that card. So is my email address, although you don't have a computer here."
"Jane said she'd get one since I will be going to school for real and will need one for school work." Michelle giggled at the memory. "I think she is a bit cyber-phobic. Jane turned a lovely color of puce at the mere thought of having such a technical monstrosity invade her lovely Victorian home." They both glanced over at Jane, who did look just a little ill at that. Michelle dropped her voice down to a conspiratorial whisper "I promised to hide it in my room and to keep it covered in a pretty chintz throw when it's not in use."
"See how well you are progressing, Michelle? How many boys would even know there *was* a color called puce or a material called chintz, let alone know what either one actually looked like?" teased Eric.
She did a fairly good job of blushing that color herself. Eric stood and pulled the resisting boy/girl into a hug. He just held her against her instinctive reaction to pull away, surprising her with his strength. "You are going to have to get used to things like this, if you are going to pull off the grand plan, Michelle." he whispered softly. "It's just a hug between friends. Now, kiss me on the cheek like a good girl and wave good bye as I board the plane."
He wondered, as Michelle pulled back and stared at him in wide eyed disbelief, if he had pushed just a little too hard. Then she scrunched up her face, closed her eyes, leaned over and planted a very brief, very prim peck on Eric's cheek. Because her eyes were still tightly shut, she couldn't dodge when Eric returned the compliment. "Be well, Michael-Michelle, and be sure to call me if you need to or even if you just want to."
Jane and her two wards waved as Eric entered the jetway and boarded his flight. When she turned to look over at Michelle, she saw a single track of mascara, marking a dark rivulet down her flushed cheek. She nodded, pleased with the response, and handed her ward a tissue.
"Thank you, Aunt Jane." she whispered as they turned back toward the main terminal.
As they walked down the corridor, Jane spied a sign, thought for just a moment, and decided that an opportunity not taken was an opportunity lost. "Beth." she said aloud, thinking that the first such lesson should not be *too* daunting. "Take Michelle into the ladies room so that she can fix her face. She looks two-toned where the mascara streaked across her blusher."
The look of abject horror on Michelle's face was only slightly more terror-stricken than the matching one on Beth's. She grinned, thinking that this was a lesson she had never really dared pull on her students before, but this was a special case and Michelle would need to learn her way around what Jane thought of as the "Secret Society of the Powder Room."
They made no motion toward the open door, so Jane gave them both "the look" she'd used to such effect in her days as a petticoat disciplinarian. Shoulders drooping, the unhappy pair slowly turned. Jane caught Michelle's arm and put her lips to the girl's ear. "Now, just fix your face, dear. Don't let that crude boy Michael try and peak at any of the ladies who might be, shall we say, en dishabille in there? It is so crowded here today, there might not be enough stalls for all the women who want to get out of their travel clothes."
She almost laughed at the color that flamed her ward's face, but the little jab did the trick as Michelle started moving more resolutely toward the ladies room. Jane only smiled, and hoped that there was at least one reasonably attractive lady changing where her girls could see her. They'd be so disappointed otherwise.
When the twosome exited the restroom, Jane thought they might be walking just a bit funny, as if something was making it difficult for their upper legs to move quite as freely as normal. Well, one took lessons and rewards for jobs well done where one found them.
Chapter 16. First Discipline
Excerpt: Michelle's Diary 21 July - Day 5
Dear Diary
Less than one week into the trial period and I have already achieved my first 100 demerits for unladylike discourse and language. Seems like every time I turn around, there is Jane with that blasted green pocket notebook, noting down some indiscretion or miss-speech, (perhaps that should be mister- speech on my part). Today, she caught me cursing when I ran yet another set of hosiery with these damned, err. . . darned fingernails. So tonight, after dinner, I will present myself in her master suite, wearing my nightgown, for correction.
As far as the rest of it, the new clothes are okay. Beth is absolutely jealous about one of the new dresses, or at least she says she is since for the most part she is still wearing the stuff that Jane bought during the punishment phase of her stay. I tried loaning it to her, but she is just enough different in size and coloring from me that it does not work for her.
Its odd, but I am beginning to recognize when something, like a dress or a make-up job, are wrong, but I have trouble visualizing ahead of time what would be right. I wonder if the other women in Jane's little circle would work with me, too. Sandy would, if only to get her clutches on me, again. Caro is a little more reserved, but I think she'd let me into her Wednesday group once I know enough not to mess up with those other real girls around. Maybe I can be her make up dummy again, just to get in with the other girls. OMIGOD. . . did I just say *other* girls? Oh my.
Mrs. Franson is another story altogether, and one of those frightening unknowns that I have learned to approach very cautiously. She is still very reserved around me - did not say even a single unnecessary word to me the entire time Jane and I were there. Guess she was afraid I would shatter all over her shop if she teased me in the slightest.
Another downer, for me at least, is that Jane gave Beth, or rather David his acceptance letter today. Evidently, she had been holding it until the last moment. He is going off to college at a university in Illinois in the fall semester. I am going to miss my big sister, and I am more than a little nervous about being the only sissy in the house. Jane has promised to tone down her games, but what if she starts feeling deprived? Oh, well, I will have about a month and a half without David before I have to make the final decision after Michelle's trial period.
I am also getting antsy. It's summer and I really feel the need to go out and get some exercise, to run and go play some tennis or something. Most of these early lessons in the feminine mysteries have been pretty sedentary, unless you count high heeled endurance walking as exercise. It hurts like exercise, especially in my arches and in my shins, but I don't think it does much for my cardiovascular fitness. Guess I need to talk to Jane about this. God. . .err, goodness knows what she will come up with this time.
Michelle Nash
Excerpt: Michelle's Diary 21 July - Day 5
Dear Diary
SHIT! GODDAMN HER! BITCH!! SLIME GODDESS OF THE WESTERN WORLD!!
There.
All the things I wanted to scream at Jane but did not deem wise given the circumstances of our meeting.
The god damned soap was in the shape of a man's cock! And it was HUGE - half again as long as Michael's and almost twice as thick! I could barely get my mouth around the thing. Jane was at her very best at being her very worst, too. Telling me how this particular discipline was also practice for when I started going out with boys. "A girl who can't let a boy in her panties needs other skills, dear. Now see how deep you can get *him* before you gag too much."
She even made me touch up my lipstick before she started the punishment, telling me that I would always be properly made up and coiffed for correction. "To emphasize and affirm our goals, dear even in your times of greatest stress."
Right.
And it had absolutely *nothing* to do with the fact that she took a picture of me with that damn thing in my mouth with her instant camera, either.
Did I mention that the thing tasted absolutely vile? Even worse than the bar soap? The ninety minute wait was awful. I must have used a half a bottle of mouth wash and most of a tube of toothpaste getting the taste *almost* out of my mouth.
When I told Beth, the little bitch *laughed*. She nearly fell off her chair and when she finally stopped laughing for a few seconds, she actually had the gall to ask if she could see the picture. I have only one thing to say to that, which of course, I did not say to her.
Pay backs are hell, sister.
As for the root cause of my problem, I am going to start keeping track of my own little curses, just as a reminder to myself not to do them. Also, to make sure that Jane isn't padding the count. I think she enjoyed my little trial just a bit too much tonight. Its not that I don't trust her, but I guess I don't trust her. Not when she is plotting her little tests, I don't.
I am going to brush my teeth again and go to bed. It has been a long day and a longer evening.
Michelle Nash
Chapter 17. First Confrontation
As if the previous night's punishment had not been humiliating enough, Michelle awoke to find her panties soaked from a very heavy nocturnal emission. Not wanting that fact known by Maria, which was the same as telling Jane directly, she hurried into her bathroom and carefully rinsed the sodden mass free of the thick, viscous fluid. Michelle decided that, if asked, she'd claim she'd had an "accident" during the night. It had the advantage of almost being the truth - she certainly hadn't done that intentionally - but hopefully anyone hearing it would assume she'd gotten urine on them.
"A fine thing when you'd rather folks think you pissed your pants than know the truth, Nash." she said with a touch of humor.
What was worse for the boy/girl, was the dream she'd been having that precipitated the involuntary climax. Aunt Jane had been "correcting" him again, only this time with a real penis - a real penis that had been connected to Aunt Jane. A real penis that had been *part* of Aunt Jane. Throughout the dream, he'd felt again the strain of keeping his jaws open to admit the phallus, and had heard again the ringing taunts of his Aunt. But *this* time, he'd been excited, and the onset of Jane's orgasm had triggered his own.
Michael had still been a virgin on his arrival at Jane's home over a month ago. Young men at all male boarding schools do not get much opportunity to deal with young girls except in very tightly controlled situations. And unlike his peers, Michael did not have real vacations in which he could have dealt with them in anything remotely resembling uncontrolled situations. Oh, he'd learned to masturbate, and he'd had a fairly active relationship with "Merry Hand and her five sisters" since he'd turned thirteen. He also understood the mechanics and the societal expectations of sex. But Aunt Jane with a penis? And in the dream Michelle had enjoyed it? That was scary.
Did that mean Michelle *wanted* to be a girl, or at least, to assume the feminine role in the sex act? Did that mean she wanted to be with another guy? Michael, and here it definitely *was* Michael thinking, did not think he could handle that. Maybe this was one of those times he should call and talk to Eric. He decided to wait until later, when Eric would be home. This call might take a while.
Michelle spent the rest of the day in isolated, melancholy thought, often frowning, looking disturbed. After a couple of attempts to involve her in conversation, Beth had finally given up and had gone off without her. Jane kept an wary eye on her ward for several hours and finally decided she needed to do something.
She caught up with Michelle in the English Country Garden where the girl was sitting on a bench under the arbor, staring at a rose bush. "Do you want me to apologize?" Jane asked.
Michelle started at the unexpected voice and then gazed up at her aunt in surprise. "Whatever for, Aunt Jane?"
"For the way the correction went last night, of course. I realize now that I may have gone too far with that particular soap toy. So, do I owe you an apology?"
She watched as Michelle seemed to consider that, before she shrugged. "Probably not. I wasn't expecting it, but I suspect that the experience will help me clean up my language all the quicker for it."
"Then what is bothering you, girl?" Aunt Jane asked in some exasperation. "We agreed that we would be honest with each other throughout this trial period so that no unexpected or unintended slights would fester to affect your final decision. If that wasn't the problem, what is?"
"It's not that, Aunt Jane." Michelle answered with a deep sigh. "Well, maybe part of it, but not the whole of it."
Jane thought about what Maria had told her earlier, and suddenly put it all together. "Does this have anything to do with the stains that Maria found on your bed sheets this morning, Michelle?" The girl's eyes went wide with dismay and then she turned away, her face flushing with heat. "So, you came in your panties last night after we finished." Jane said with certainty. She got her answer when the girl's complexion took on an even darker shade of red and then tried to leave. Jane caught her and eased her back down. "Do I have it all, now? C'mon, now, give me the whole of it, girl. Don't let this fester."
Still, Michelle could not bring herself to say anything.
"Please."
That was the most shocking word Jane had yet spoken to her, and it opened the floodgates. Slowly, haltingly, Michelle began to speak. She told of the dream, of the hermaphroditic Jane and of Michelle's willing compliance and Michael's orgasm. She spoke of her fears about her sexuality and how this little play might affect it in the future.
Understanding now, Jane nodded, swallowing just a little bit hard herself. The child did have some . . . very interesting dreams. "All right. I am calling a trial period time out. Michael and I need to talk, Michelle. Be in my study in thirty minutes. If Michael wishes to be dressed in male clothes for this, he has my permission to do so without penalty." With that, she turned on her heel and walked back to the house.
Chapter 18. Interlude - Jane and Michael
Unsure what Jane had in mind, Michael took her hint about male clothes, up to a point. He did not really feel like going through struggling back into all his girl clothes again, particularly that instrument from hell, the body shaper. So he merely stripped off his skirt and blouse, pulled on a Nike exercise suit over his lingerie before pulling on white socks and sneakers over his stockings. He barely remembered to remove his wig, and saw he still had cosmetics on when he went to straighten the fuzz that had started to grow back on his skull. For a moment, he considered not cleaning that off, either, but in the end, decided to wash it all off. Besides, it didn't take him all that long to do up Michelle's face from scratch in any case.
Jane was waiting in the study with a pot of tea and some cakes. She was not behind her imposing desk, either. Rather, she had set the tea up at the little conversation grouping. near the fire place. He would not be seated in "the chair" looking at her across her desk of power.
Jane personally poured the tea, and Michael wondered if she'd done that was because he was Michael and not Michelle. She'd always made Michelle pour, and expected her to know exactly how each of her guests took their tea, so it came as a further surprise when, without asking, Jane added his preferred amount of honey and lemon before offering him his cup. Jane knew something so inconsequential about him? He'd have sworn she never paid any attention to him, or rather Michelle, during these little tea ceremonies.
His face must have conveyed that because Jane chuckled softly. "I make you remember how those you pour for take their tea, Michael. Do you think me less genteel in my decorum than what I demand of my girls? Of course I know the proper way to serve tea. I *am*, first and foremost, a *lady*."
She sat back and sipped her own tea. "I have never done this before with one of my boys, Michael. Pulled them out of their feminine finery for a few minutes in order to speak with them without the barriers of the masquerade on their part, and without the persona of the harsh taskmistress on my part to inhibit the free exchange between my student and me."
"So why is this different with me?"
"Because this whole situation is different, Michael - very different, and I don't want to mess it up before we even get started. First of all, I want you to understand that Maria was not intentionally invading your privacy when she found the semen stains on your bedding. Checking the sheets for such things is something we have always done with our little girls. That is the reason we never made you make your own beds."
"Why?" the incredulous tone in Michael's voice made her smile.
"Michael, silk, satins, fine lingerie, all those pampering little feminine rituals are really very sensual experiences. They look nice, and more importantly, they feel nice. My young men are, like you, young *men*. Virile, potent, and excitable. One of the key signs that I am finally starting to reach inside the heads of my students is when the sensuality begins to overwhelm their reticence and repugnance. Young men being what they are, they need relief from such pressures, either by . . . ummm, taking things in hand, or by having wet dreams. In the past, I have always needed to know when that happens so that I could adjust what I am doing. Ergo, Maria made the beds."
"And in my case, she just did it because she always does?"
"Yes, because it has become a habit." Then that wicked grin returned and Michael felt a cold chill run up his spine. "In your case, I already knew Michelle had been reached because Sandy told me about you ejaculating spontaneously at the beauty shop." She became serious again. "But that is not what happened last night, is it? The dream you had? It was just as you described it?" He nodded. "And now, you are worried about your sexual orientation? That your experience in skirts might make you want boys and not girls? Because you dreamed of having me force you to suck a penis and you had an orgasm because of it?" Michael nodded, again, his eyes firmly focused on the floor.
Jane stood and walked over to her window before turning to face Michael again. "Are you a virgin, Michael?"
She had her answer in an instant, but held back, hoping he would speak first. "When would I ever have gotten the opportunity, Jane? Dad is gone. Mom keeps me imprisoned in all boy schools and camps. The closest I have been to more than one girl my own age in the past year was at Caro's, during the make up lesson, and then I was *one* of the girls."
"Not much you could do to plight your troth in that situation, was there?" she said cheerfully. "Michael, I don't think you need to worry. You reacted to a highly charged, highly sexual situation that I forced on you last night. Now, if you'd dreamed about a guy in your mouth, well, even that wouldn't mean anything, but you dreamed about me, a woman, doing it. That I had a penis was probably just a reaction to what I had done to you. If I had stuck a soap carving of a woman's vulva into your mouth, you probably would have dreamed of me in a more realistic form, but just as dominant over you." She considered for a moment if she really wanted to take this any further, and decided it was necessary. She'd promised honesty to him, just as he had to her. "Have you ever heard of bondage and discipline? Sadomasochism?"
Michael surprised her by nodding almost immediately. "At school. One of the guys had a father who sent him bootleg copies of Penthouse and Playboy. The readers letters sections were full of that stuff."
"Liked those magazines, did you? Well, in their milder forms, those variations can be a very exciting way of having sex, or if you prefer, of making love. As long as the participants really care for one another, there is really nothing very wrong with acting out those games, and certainly nothing wrong with having fantasies about them. Instead, if they excite you and your partner, you should try to enjoy them as you would any other mutually pleasurable games. If it doesn't hurt anyone, why not?"
She saw him mulling that over and decided to continue. "Michael, last night, I probably went too far. My original goal, as you surmised, was to make the correction so embarrassing that you'd work all the harder to avoid a recurrence. Unfortunately, my darker nature got the better of me and I said and did some things that were over the line. For that, I am sorry."
"Thank you, Jane, for that. I am okay with that. The dream did bother me, and I spent a great deal of time today trying to come to grips with that dream and what it meant. What it implied about me. I am still not sure I do understand all of that, but one thing I am surer of today than ever before. Even in skirts, I still like girls. I still *want* girls."
"Well, if you spend four years as Michelle, you may find that many little feminine touches are creeping into your mind set. I expect that you will continue to like and want girls, but you can expect to be in the company of men as a very attractive female on a fairly regular basis, and they will respond to you as they would any pretty girl. Don't be surprised if you start responding back. It is neither wrong nor evil, okay?"
Michael considered that and then shrugged. "I am going to have to do a lot more thinking about that, Jane. At this point, I cannot even imagine being physically attracted to another man."
Jane smiled, a strangely gentle smile that Michael had never seen before. "I know, but then, many of the things you will face and do are going to require and impose major changes in your thinking. Just keep your mind open and keep on thinking." That earned her a smile and nod. Jane wanted to cheer, but contented herself with a little smile of her own. "Now, anymore questions?"
"Just a couple. You did say that the soapy vulva thing would have been more realistic? I mean, you . . . ummmm. . . aren't like Michelle? You, yourself, I mean." and this was Michelle asking, and in such an sweetly curious voice that Jane was momentarily speechless.
Then she burst out laughing. "You . . . you . . ." words momentarily failed her. "That was the bitchiest, cattiest thing I have heard in weeks." Then she fought to regain control. "Well done! And if you *must* know," she said in measured, aristocratic tones, "The only way a penis is ever inside *my* panties is when one is attached to a male I *choose* to invite into them. Does that answer your impertinent question, Miss Nosy-britches?"
"Yes, Aunt Jane." was the prim response. "Thank you *very* much. I am sure I won't have *that* bad dream again."
Excerpt: Michelle's Diary 22 July - Day 6
Dear Diary
The time-out thing worked well. It helped to meet with Jane as near equals. She even apologized to me for going to far last night. Oddly, after the dream last night and the talk with Jane today, it doesn't seem all that bad. Actually, thinking about it causes certain male parts of my anatomy stand up and be noticed. A very uncomfortable experience in this too-small all-in-one body shaper. Erect cocks are not meant to be bent that way.
Still, I am glad Aunt Jane saw the problem and cared enough to try to fix it. Almost makes me believe she meant what she said about really wanting to help. And it gives me a whole new perspective on what she calls her "dark side". Aunt Jane is a very attractive lady, in a mature sort of way. Kind of like that woman, Joan something or other who was a star on that old late night soap opera. What was it called? Destiny? Dynasty? Can't remember. The dorm senior would turn off the TV whenever we tried to watch it back in seventh grade.
What was it she said? As long as it feels good and doesn't hurt anyone, eh? Well, I suspect that Aunt Jane is going to play a role in the dreams of the part of me that remains Michael for quite a while to come.
On another issue, she understood my need for some exercise, and will look into it. Her concern is that I not build up too much muscle mass, so that I can continue to look slim, elegant and feminine. We are not trying for Cory Everson here. I hope we can do something. She says she has a friend who is a dietitian and a fitness instructor who might be able to help and who knows about Aunt Jane's . . .hobby.
I am tired, and I am going to go to bed. Who knows? I might dream again. Just in case, tonight I won't wear the bottoms of my sleep set. The stains from this morning don't seem to want to come out of the gusset of the ones I tried to clean.
Oh well.
Michelle Nash
Chapter 19. Stripped Down
Not much happened for the next few days. Michelle and Beth spent a great deal of time together with Beth helping impart what she'd learned over her time with Jane to her friend. Of course, she'd tried to do that before, but the key difference was that this time, Michelle had become a willing student.
Neither Jane nor Michelle brought up their 'time out' discussions. Perhaps just as well, Michelle mused, since parts of that had been as embarrassing as anything Jane had done to her in their earlier dealings. Still, she *really* wanted to burn off this excess energy. Walking back and forth, up and down the long front hall, wearing progressively higher heeled shoes (she was up to two and half inches), while balancing Conan-Doyle on her head was NOT enough exercise.
It still came as something of a surprise when, at dinner two weeks after Michelle's commitment to the trial period, Jane said that they had an appointment the next day. "She is a certified nutritionist and personal trainer, Michelle. Nora, that is, Nurse Bedford, found her for me. This lady works with gender dysphoric men who are considering sex reassignment surgery . . you know what that is?" she asked.
"Is that what they do to guys who want to become women, Aunt Jane?" Michelle had asked wide eyed with anxiety.
"Close enough for our purposes, Michelle. Anyway, this woman helps them with diet and exercise programs designed to help them sculpt their figures and still keep healthy. Evidently many such people do really stupid things, like starve themselves to fit into their idealized concept of womanhood. The result is that they become very ill, lose bone mass, and sometimes need medical care."
"What will she do to . . .I mean . .for me, Aunt Jane?" was the somewhat quavering question.
"She will look you over, Michelle, and come up with an initial program of diet and exercise for you. She will also evaluate you physically. Whatever we do in this, Michelle - and I am telling you this as Michael, too - I *insist* that we not damage your health in the process. If we can't make you over into the drop-dead gorgeous creature that you wish to present to your Mother in lieu of her son, well, that is something you need to know so that you can make an informed decision at the end of our trial period."
Michelle considered that and finally nodded. "What will we tell her? About me, I mean?"
"Excellent question, Michelle." Jane said approvingly. "Keep thinking like that, dear. I think we will play this by ear for now. I think she will probably believe without being told, that you are another man thinking about SRS. If she doesn't ask, we won't tell. If she does ask, I will try and lead her to the conclusion that you wish to live as femininely as possible, but won't be making any other permanent changes in the near future. Later, when we know more about her, perhaps we will bring her in on the scheme. All right?" she asked, watching her charge very closely and smiled inwardly as Michelle finally sighed, and nodded agreement.
Excerpt: Michelle's Diary 31 July - Day 15
Dear Diary
Well, I met Sonja Bjornson today. Only one word adequately describes the impact of this woman on the unsuspecting.
Wow.
This is one very big lady. Not unattractive, but BIG. . . and TALL! Everywhere. VERY big. Overwhelming, even. I am not used to looking up at ladies, even one as lovely as this Viking warrior princess. Not that much, anyway. She was wearing heels, which my now-trained eyes put at about three inches tall, but then, my own heels were that high, too. She still topped my own relatively-short-for-a-guy-5 feet 5 inches by a good five or six inches.
And every part of her is just as big. Not fat, god no - she is shapely and has a very nice smile to go with long, almost white-blond hair and stunningly blue eyes. Still, I bet she is pushing two hundred pounds and is not a tenth of a percent over the minimum recommended percent body fat for women.
She was very nice and very professional. The first part of the consultation involved me having to strip.
Naked.
In front of Brunhilda, queen of the Valkyries.
I resisted - she insisted. I still resisted - she still insisted and finally, Jane ordered it.
I sort of embarrassed myself during the examination because I had one of what Jane refers to as an "uncontrollable male physiological response". Sonja's only comment to that was to say to Jane, "Well, you weren't lying when you said she was not on hormones, were you?" That made us all laugh and that helped ease the tension a bit, if not my physiological response.
She proceeded to measure me all over, in places I have never been measured before. She took callipers and pinched skin on my arms, belly, thighs, calves, buttocks and my back. She asked me what type of physical activity I was used to and I told her long distance running, tennis and swimming. She asked when I had gone through puberty and I told her almost six years ago.
Her only response to that was that I wouldn't need to worry about a growth spurt so long after the onset of puberty.
Great!
Then she let me dress before she began the interview phase. She asked what types of things I ate and what I liked to eat. She approved, mostly, of the diet that Jane had me on, but was appalled by my preference for that fine French cuisine, burgers de junk a la McDonald's. Whereupon, I was told, quite firmly, that there were sacrifices that must be made to be beautiful. Jane was listening, too, dammit.
Anyway, Maria is now clucking over the new diet plan, and I have been given the go ahead for an exercise program that will not prevent me from accomplishing my goal. It involves some swimming (breast stroke preferred so as to not build up the pectorals) power walking to build up the pelvis, a very special kind of crunch that will tighten the tummy and help give me a figure, and dance - both aerobic for cardiovascular fitness and modern dance - for flexibility and grace.
She also recommended that. . "Since she is still. . . excitable around other women, Ms. Thompson, you might want to invest in a gaff for her?"
Jane laughed aloud at that, and it was NOT one of her nice laughs either. I tried to get her to tell me what a gaff was all the way home, but she'd just start laughing again before telling me that I'd find out soon enough. That, and the fact it has something to do with my "male physiological reaction" does NOT make me happy.
Tomorrow, we go shopping for exercise clothes and bathing suits. Since I cannot wear the body shaper in a bikini, I suspect that means one-piece suits. That is fine with me. One of those women's racing suits that goes up to the throat is even more better!
Michelle Nash
Excerpt: Michelle's Diary 1 August - Day 16
Dear Diary
I know what a gaff is now - the jockstrap from hell, only its purpose is not to protect me from injury as to protect me from discovery. It is designed, as Jane so succinctly put it, is "To give you a nice smooth feminine profile, dear. After all, you can't very well exercise in petticoats."
My immediate response to *that* was "Thank God!", which brought out Jane's damned green book. However, now that she and Maria (it took BOTH of them) have shoe-horned me into this 'ahem' unique item of apparel, I'm not quite so sure if I want to thank ANYONE.
Basically, it is a belt affair, that forces my dick and balls between my legs and then pulls them up, hard. My balls have retreated into the cavity from whence they came, and that HURT when it happened. Jane assures me they will come back down where they belong. Eventually.
There is no way I am going to get hard wearing this thing.
Gotta run. Time to go shopping. Oh Joy.
Right.
Michelle Nash
Chapter 20. Pain is Good, Coach
Excerpt: Michelle's Diary 1 August - Day 16
Dear Diary
I am back from shopping, and if there is any part of this masquerade that is going to send me screaming into the night, it is too many more of these "little shopping trips" of Jane's.
We went to Ms. Franson's place for the swimsuits and we bought two one piece suits, both with relatively high necklines so that I can wear the breast inserts I use with regular clothes (good thing they are plastic and therefore water proof). I am almost embarrassed to say that even the A-cup bikini tops bagged on me - so much for bikinis. Jane has that martial look in her eyes, however, so I don't think the bikini has faded into the sunset just yet.
That was the easy part. Work out clothes are as much a pain in the rear as regular clothes. I cannot believe how many different outfits Jane insisted were absolutely necessary. I even asked her to come into the dressing room with me and swear to me that this was not another of her evil little games and she gave me her word that every single item was required.
I now have six or seven different outfits for aerobics (they remind me of my old wrestling singlet from junior high school, only they are even tighter and much more brightly colored)as well as four or five running outfits - all with matching hair ribbons. I swear there are even different types of shoes for different types of aerobics. Finding room for all this stuff is going to be difficult. I guess some of Michael's stuff goes back into the attic. Sigh.
It sure was easier for Michael, though . . . pull on a pair of shorts, the oldest t-shirt he could find, a ratty old pair of running shoes and then hit the gym. Just getting ready for my first aerobics class tomorrow is probably going to take at least three quarters of an hour. Jane said I even need to put on make up so I will look my best with all the other women. Which reminds me, we also bought some special cosmetics designed for working out. It is not supposed to run when I break into a good sweat. . oops, I mean when I begin to gently glow.
What was it Linus used to say in Peanuts? Oh yeah.
AAAAARRRRRRGGGGGHHHHHH!!!!
Michelle Nash
Excerpt: Michelle's Diary 1 August - Day 16
Dear Diary
Small postscript here. I just reread the previous entry and I realized that I talked about Michael in the second person throughout. Does that mean I am getting closer to thinking as Michelle and in the feminine tense? I wonder what that will mean for me in October if I decide that I can't or don't want to proceed with the plan? Will I have to work just as hard to be Michael again? I certainly HOPE not, but neither am I willing to bet the ranch that I won't.
Michelle Nash
Chapter 21. Exercise Aftermath
Jane entered her home by way of the garden door at the side of the house. She'd been meditating in her favorite spot of the garden, beneath the grape arbor, overlooking the small pond garden. It was about time for Michelle to return from her first aerobics class, and Jane wanted to be there in case anything had gone wrong. She'd really wanted to go along but both Sonja and Michelle had rejected that idea. A non- participant watching over one particular student simply drew too much attention. And, unlike Michelle, Jane had *no* interest in participating in such an exercise in masochism as a step aerobics class.
The first thing she heard was laughter, then an outraged voice raised in furious, if somewhat breathless denial. She located the sound as coming from the front parlor and slipped quietly to the room door.
"Dammit Beth!" came the out-of-breath voice. "It is not funny!"
The answering chuckle Jane heard was much more "David" than "Beth". Actually that was a good sign. David was sensitive enough to the situation and to its dangers that he would not be reacting this way if Michelle's problem was truly serious. In that case, she thought, I'll just listen in for a bit. She pulled out her little green book, carefully documented the "Dammit", and then settled down for a little productive eavesdropping.
"That woman Sonja is a sadist, I tell you. She damn near killed me in the first half hour and that was only the warmup. I thought I was in shape, but I guess all of this time spent being dainty for Jane must have done me in."
Another peal of laughter. "And what did you call it? Jiggling? Tell me, Michelle, did you get to enjoy watching the other women jiggle?"
A different laugh answered that. Jane was pleased to note that Michelle had still managed to laugh in her feminine voice. She'd forgive the "damn near" as a reward. "Heck, Beth, after the first fifteen minutes, it was all I could do to keep up without tripping over my own feet."
"Damn, I wish I could have seen that." Beth laughed heartily.
"Well, sweetie," and Jane heard that sly, catty voice that Michelle had picked up somewhere and held her breath. "Jane did buy me two gaffs, and I do have so many outfits, I am *sure* that at least one of them could fit you. I would be more than happy to take you with me tomorrow, then you could see it all, first hand. Besides, darling, it would do you good - a girl does need to keep her figure."
"Bite me, Michelle." was Beth's sharp retort.
"No need to be crude, darling. But in that case, I'll just eat your desert tonight, so you won't be tempted."
Deciding enough was enough, Jane walked into the room. Michelle was sprawled over the fainting couch looking very much like she *had* fainted. The pastel patterned workout suit was dark with perspiration, and the ponytail she had worked her wig into was looking very frazzled.
"Aunt Jane!" she yelped as she jumped into a more lady like position.
"Michelle, Beth." she calmly acknowledged the pair. "And what, pray tell, was the cause of all that unseemly laughter?"
Beth swallowed, and looked sheepishly at Michelle who just shrugged. "Beth was just teasing me a little about the aerobics class, Aunt Jane."
"Did it go well?"
"Not as well as I had hoped; not as badly as it could have gone. You did not tell me that Sonja herself taught that class. She is an animal!"
"I believe I heard you use the word 'sadist' earlier." Michelle flushed bright red at being caught. "Too tough for you, Michelle?" she challenged deliberately.
She fought a grin as the girl/boy's spine snapped straight, her shoulders went back and her stomach sucked in. "No, Aunt Jane, she's not. Besides, if she leads the class, she knows I am in it and I expect she will tell me when an exercise is not appropriate for me."
"I am glad you realize that, Michelle. In fact, as I understand it from Sonja, there are at least four more of her special students in that class. She told me about that one because she tailors it for men who are working at maintaining feminine figures through exercise."
Michelle thought about that bit of news, and recalled one particular woman at the class - a tall, slender redhead - who kept looking over at her throughout the class. At the time, Michelle had thought it was just because she was new to the class, but now. . . Well, if that redhead was a male, he was very, very good at the role. Maybe Michelle should make a point of watching her a bit more closely next time. She must might learn something useful.
"Beth?" Jane's voice broke into Michelle's revery. "Please go out and weed the flower beds around the grape arbor before dinner."
"All right, Jane. See you at dinner, Michelle. If you aren't too stiff to make it back down the stairs."
Michelle threw a pillow at Beth's retreating back, for which she earned a scowl from Jane. "Michelle, I was listening in on your conversation with Beth before I entered the room." Michelle's face fell as she recalled a few curses that would now have to go into her diary. Jane smiled her dangerous smile that still chilled Michelle's blood. "Calm down." she ordered. "For the most part, you did quite well. David broke character, but you did not. Yes, I heard the "Dammit's", but you kept your feminine tones throughout. Now, why do you think I am bringing this up?"
Michelle thought about it for a long moment and then sighed. "Because there is never going to be a time when I am not on stage?"
Nodding her approval, Jane continued. "As long as you are dressed, you need to stay in role. You never know who is going to be coming around the corner, or who will be listening just outside of your field of vision. If you are going to pull this off, you must *be* Michelle whenever you are *dressed* as Michelle. A slip up like Beth just made, in the wrong place or at the wrong time, and it is all over. When you were here for my regular program, I very carefully selected where you were seen and who was in a position to see you if your cover was broken."
Jane paused to let that sink in. "But I can no longer do that for you, Michelle, because you are going to have to live a normal life, at least normal for a young woman, and go places that are not preselected for your safety in the event you slip up. You will have to do all that, my dear, and the only way you can hope to pull it off without being discovered is not to let Michael slip past Michelle's guard. You cannot let down, even here at home because if you get sloppy here, with Beth for instance, you might forget and get sloppy at the mall in response to the same type of stimuli from Beth. Do you understand?"
She watched as the girl mentally chewed on that before nodding slowly. "Yes, Aunt Jane, I do understand. It is going to be very difficult, though. I am just beginning to understand how difficult."
"Still game, kid?" Jane asked cockily.
"Yes, Aunt Jane. I am still game." Michelle answered demurely. "And thank you for this lesson. I had not considered things quite that way."
Slowly, painfully the girl rose to her feet to leave. Her obvious discomfort made Jane wince in empathy for her. "Please excuse me, Aunt Jane. I am going to go soak in a hot tub so that I don't get any stiffer. No way am I going to let Beth have the last laugh on this."
Jane managed to hold her own laughter until she heard Michelle's bedroom door close behind her.
Excerpt: Michelle's Diary 5 August - Day 20
Dear Diary
Jane has asked me if I would consider working with her circle of confederates on this project. As Jane pointed out, Caro, Sandy and Mrs. Franson are really the experts in their part of the game, and Jane has always relied on them for the complex stuff. Maria is pretty good at the day to day makeup and dress up, but when Jane wants something special, like when she wants a boy to pass in close quarters, she gets out the big guns.
She went so far as to hint, and not very darned subtly, that since she is not going to be taking on any of her "special students" while she is supervising me, the least I could do was let her "dear friends in on the fun."
Yeah, Right! Like being nice to that pack of . . . .I don't even want to think of a word for them because it might slip out. I am just a too close to the magic 100 curses again. Anyway, to state it elegantly and with proper feminine restraint, I do not believe that the pleasure of those upstanding members of Jane's acquaintance stands very highly on my list of personal priorities.
On the other hand, I guess I will probably need the big guns to help pull this off. Which means I am eventually going to agree to this proposal of Jane's, but I can't say I much like the idea.
I wonder how they will really feel about working with me, now that I think about it. Since the start of the trial period, my relations with them all have been a bit strained. Mrs. Franson was very reserved with me the two times I have been in her store. As for Caro and Sandy, I just don't know. Sandy was just so evil to me before and she was still pretty rough the other day when I went in for my first voluntary treatment. Caro was better, but she was very wary around me, like she was afraid something was going to go badly wrong any second.
That is probably it. They are afraid because of the suicide attempt. They don't want to be around if I lose it again. Heck, they might even be feeling somewhat responsible and guilty about it. Plus, they have to be worrying for themselves about the potential repercussions for them and their shops if word got out about: A. what they were doing and B. that one of the boys attempted to kill himself after one of their sessions.
Its odd that I am writing about that . . .event now. Odder still, it *feels* like I am writing about someone else or writing ancient history. I can't even imagine doing what I most assuredly tried to do. I can't seem to remember what I was feeling or what I was thinking then, either. All I can see in my minds eye is like something out of a dream - out of focus and indistinct.
I am seeing a therapist in Providence now, twice a week. Eric referred me to her. She, like Sonja, works with a lot of gender dysphoric people. I don't think that is what I am. I am not confused about who and what I am. I am a male who is working to perfect a disguise as a female to achieve a distinct and specific purpose.
Still, Dr. Spinelli understands the conflicts I feel, and she seems to be able to get to the heart of things that bother me a whole lot quicker than I can on my own. She hasn't been at all judgmental about my reasons for doing this, either. She sure does ask a lot of questions, though. Problem is, I don't much care for a lot of the answers. Well, if what I do with my Mother is wrong and a mistake, I am just going to have to learn to live with it.
Well, I guess I will go tell Jane to bring on the Committee on the Feminine Arts. Of course, if Sandy gets too nasty, we can always get into a cat fight now that I am not quite so terrified of Jane. Heck, if we get into a hair pulling contest, I will win that one hands down. Mine's still too short to pull and the wig will just come off in her hands.
Michelle Nash
Chapter 22. The Committee
"More tea, Carolyn, or perhaps another cake?" Michelle asked as she reached for the elegant Limoges tea pot on the tray in front of her. She was in the front parlor of Jane's house, seated in an antique, straight backed chair. She was under the microscope, knew it, and strangely enough, was beginning to enjoy it.
"No, thank you, Michelle. I am fine for now." said Carolyn. She, along with Sandy, Jane and Brenda Franson were seated across from Michelle on the large sofa and love seat. Michelle had spent the last thirty minutes acting as hostess for this small tea party, as Jane explained the purpose of the meeting and what she proposed for them to do for her ward.
Brenda set down her cup and looked first at Jane, and then at Michelle. "Well, that is a remarkable story, Jane. As to what you want us to do, well, I am not sure about that. I have some concerns about this undertaking and I think I need to talk to you privately about those."
Before Jane could respond, Michelle interposed herself into the conversation. "You are worried, Ms. Franson, about me . . .about the fact that I tried to kill myself." she said flatly. It was not really a question, but Michelle got her answer when the woman went white and looked away. "It is something I am trying to face myself. In all honesty, I don't know what to tell you, except that I am getting professional help in that arena, and that my therapist does not think I am at risk. If you like, I will call her and tell her to discuss my case with you openly, the same as she does with Aunt Jane."
Brenda stared at the person her mind told her was a seventeen year old boy, but whom every sense told her was a beautiful, elegantly turned out and poised young lady. Finally, she spoke. "If you don't mind, Michelle, I would still like to talk to your Aunt, but I will say that your offer has relieved me somewhat."
Michelle nodded, smiling her understanding.
"Well, I for one, don't see the big deal, Jane. Aside from playing such a dirty trick on another woman, getting this one to pass that way shouldn't be any trouble at all as long as she doesn't hit a growth spurt. I told you I thought she was the prettiest, most passable sissy you ever brought in to the shop."
"*Not* a sissy, Sandra." was Jane's quelling response. "We are going far beyond the simple disguises that were enough when the goal was to tease and torment an overblown adolescent male ego. Michelle is going to become a female impersonator who can pass in any company, any situation."
A lascivious smile crossed Sandy's lips and she slanted a thoroughly mean look at Michelle. "*Any* situation, Jane? I know some guys who. ."
"Sandra!" Jane snapped. "If you cannot or will not help with this then you may leave. We are here to help. I asked you here because you are the best at what you do, and because we might have gone too far and contributed to what Michelle went through that night. Do you want to help or not?"
Sandy looked disappointed at the no-nonsense tone of Jane's rebuff, but finally agreed. "Although I cannot promise not to forget and slip in a little jab every now and then. I'm gonna know who you are under all the satin and lace, and my teasing is just something I've always done." She sighed.
Michelle thought about that and nodded. "I can handle that, Sandy."
Jane spoke up. "As long as they *are* only slip ups and only every now and then, Sandra. Too many, too often and we will have to reconsider the project. Now, can Michelle count on you?"
"All right, count me in. Just smack me along side my head if I get out line, Chellie."
Eyebrows lifting in surprise at the nickname, Michelle grinned. "Why I would absolutely *love* to, Sandy." and then her voice slipped in the sly tones she had learned by mimicking Jane at her sweetest and most insincere. "Almost makes me wish you do slip up every now and then."
All of the women gawked at the femininely garbed young man. Caro almost choked on a swallow of hot tea. Sandy, however, burst out laughing. "Well, I guess that shows me, girl. I think I will be even more careful around you now than I would have after Jane's threats."
"Oh, don't bother to go to any trouble on my account, Sandy." Michelle responded sweetly.
"Well." Caro interjected, trying to regain her composure. "I am in, too. And I have a suggestion. I think Michelle should become a regular at my Wednesday classes for the local girls on grooming and cosmetics." Michelle's frown as she recalled her last experience with that little gathering. Regardless of the fact that she herself had been thinking this might be a good idea, returning to a situation that had been so. . . frightening was more than a bit daunting. Still, she settled herself to listen with an open mind and said nothing. She just kept her full attention focused on Carolyn.
"Well, I think it would have several positive effects. First of all, although you have learned that last lesson very well, that particular style is not always appropriate. You need to know how to tone it down for looking professionally competent, or how to lay it on without looking cheap when you are going out on a date or to a party."
Now it was Michelle's turn to gawk. "Date?" her voice rose an octave. "Party? Who said anything about dating and parties?!?"
"Males are a very big part of any near-adult female's life, Michelle. If you avoid them, that will be noticed. You won't be cloistered in Jane's house any more; taken out only on specific excursions that are carefully planned to help you remain undetected as a cross dressed male. You will, as I understand it, be learning to be a lady, a woman. That means functioning on your own, among other people who are not in on the game. And people *will* notice you. As Sandy tried to say, you make a very attractive girl and I suspect you will be beautiful before we are done. If you don't seem to do the things that girls your age do, it will start gossip. The kindest of which would be that you are repressed and frigid. They might even decide that you and Jane have a same sex relationship and that could make life very difficult, particularly if someone calls in social services since you are still a minor."
Jane nodded. "Girls do tend to make friends with other girls, and girls date boys, Michelle. Men are something you need to learn to deal with if you are going to present yourself to your Mother. When David leaves, we can have him come back as himself by times to give you an "older man" boyfriend so that you don't have to get *too* intimate with the boys you date. You can always claim you are in a committed relationship.
Caro nodded. "That works. One thing we need to deal with is why our young miss is not in school when we get into the fall."
"I have been thinking about that, Carolyn." Michelle said quietly. "I have an idea that should explain both that as well as why I wear wigs, in case I am ever seen without one until my hair grows back. Suppose I was ill before I came here. I don't know, some type of parasite that required a treatment like the chemotherapy they use for cancer. Right now, I am on a carefully managed program of diet and exercise to help slowly get my stamina back, but it looks like I will return to school after Christmas. That way, it can be Michelle leaving for boarding school so Michael can come back, or Michelle going to school here."
"That will work." Jane said, a touch of admiration in her voice. "And I can make the cover story even better. I know a couple of doctors and someone in social services who will help us with such documentation. I have had to do something like this in the past to keep my girls out of the truant officer's clutches. And since I am a certified teacher, we can home school you during the remainder of your "recovery"."
Everyone seemed pleased with that solution, although Michelle remained a little dubious about the dating-boys thing. Still, she had to agree with Caro's and Jane's rationale, as much as she would have liked to be able to punch holes in their arguments.
Defeated, Michelle shrugged and forced a smile on to her face. "Guess I will see you Wednesday afternoon, Caro."
Chapter 23. Making Up with Caro and Sandy
Michelle hesitated outside the door to Marisha Chalet. The odors of shampoo, hair coloring and hair dressing assailed her nostrils. It was not a pleasant smell and it brought back even less pleasant memories.
Michael really wondered if he really wanted to try to pass in the company of a gaggle of real girls. Michelle cursed softly under her breath. This was the first time in weeks that she had slipped up, even in her mind, and thought of herself as Michael, or in the masculine tense. It probably had a lot to do with knowing that all the girls in there have been girls since birth, while Michelle had not. Unconsciously, she was comparing herself to them and finding herself lacking in some way - hence the backslide in self imaging. He'd. . . .dammit, *she'd* have to watch that in the future - particularly here.
And she had decided it *was* important to come here, although her reasons were not precisely those given by Jane and Caro. Michelle needed to observe girls her own age so that she could learn to act more them. On careful reflection, she'd come to the conclusion that her Michelle persona might be too mature for her age, given that Jane was her principal feminine role model. That was certainly all right for tea parties and formal events, but not for being out and about in less structured situations.
A gentle hand came down on Michelle's shoulder making her jump away, ready to scream. "Easy, Michelle." came the quiet voice of Carolyn. "I saw you standing outside as I was returning from my lunch." She guided the girl away from the door and walked her down the street a few blocks. "Having second thoughts?" she asked kindly.
"Try third, fourth and fifth, Carolyn." Michelle answered with a self deprecating laugh. "I did not think it would be so hard, but I keep thinking that if anyone is going to see through my masquerade, it is likely to be another girl."
"That's probably true, but I think I can help there. Last time I put you in the spotlight. Of course, before I did that to you, I made very sure you were looking very feminine *and* feeling very submissive. You were so terrified and circumspect that was never any real threat of exposure. I won't be putting in the spotlight today."
"Thank god!"
Carolyn laughed. "I will have to tell Jane about that little outburst for your green book, darling. Now, what we'll do is let you just be in the class, around the edges. You won't have their attention focused on you. You'll be able to get used to them and they will get used to thinking of you as a girl. Once they've accepted that mental image of you, you will be able to take a more active role . . . . . again." she added with a wicked twinkle in her eyes.
Shaking her head, Michelle refused to rise to the bait. "Sounds like a plan, Caro." she answered with a relieved sigh.
"Ready, now?" the kindness was back in Caro's voice and that was what decided Michelle as much or more than her other arguments. She nodded, her eyes closed, making Carolyn chuckle. "Okay, c'mon. They really are a good bunch."
Michelle fervently hoped so as she let the older woman lead her into the shop.
Excerpt: Michelle's Diary August 19 - Day 34
Dear Diary
Well, I have survived my first *voluntary* class on feminine grooming at the Chalet. It was . . . okay. I guess. Actually, what it was . . . was damned uncomfortable. For a variety of reasons.
The first is the most obvious. Regardless of Caro's help and comments to the contrary, I was still certain that I'd be unmasked at some point during the afternoon. That does not tend to make one feel very serene.
The second reason is that Caro was not quite square with me when she talked me into the shop. You see, while she did in fact let me sit in the background during the demonstration phase, she neglected to tell me that she had added a practice session. So I got to make up another girl after she made me up. Which means that I spent the better part of an hour in very close quarters with Anna, a very striking girl of Italian descent. And the lovely Anna was looking at me, practically through a microscope, trying to find the slightest of imperfections. I suspect that since she was concentrating so closely at my face, she did not notice the *key* imperfection.
Which is the third reason. These are all very pretty girls, and the part of Michelle that is definitely Michael wants to date (among other less gentlemanly behaviors) them.
sigh. . .I guess this means wearing a gaff to Wednesday make up class. Ouch.
Still, on the bright side, once we got to the show-and-tell portion of Caro's session, Anna and Michelle and the rest of the group had all become friends. We got to laugh with each other as Caro pointed out our little failures and helped us fix them. The other girls loosened up when they saw Anna take to me. I think that, up until then, they thought I was more than a bit snooty because of the way I did not chat or stick around after that first time when Caro used me for a demonstration dummy.
Actually, I did quite well on Anna. Caro only pointed out a couple of minor things that needed to be fixed. I don't think that it will be quite that easy to put on myself, however. But I will practice and I will master this, too.
I wonder, though, if that was the truth or if Carolyn had another motivation.
You are sounding suspicious and paranoid, again, Ms. Nash.
Yup. I am.
Michelle Nash
"You're kidding me, Carolyn. Tell me you did not really do that." Jane said into the phone, a gleeful smile on her face.
"I most assuredly did, Jane. There was absolutely no way she was going to be read in this group, so I decided to help her get past this shyness around other girls. Thought the poor dear was going to jump out of her panties or make a mad dash to the door when I told them to split up into twosomes and practice this style on each other."
"I don't doubt it for a minute. How did you keep Michelle from bolting?"
A smug chuckle came across the line. "Paired her off with the prettiest girl in the class. Michelle was quite enamored of her, too. I think she got uncomfortably excited by having Anna so close and fussing over her."
"Any ramifications? Did she give you hell afterwards?"
"No, not really. I think she was still too smitten by Anna to be very angry or upset with me. And she did hang around the shop for a few minutes after everyone else had left. Personally, I think she was dealing with some unsightly swelling and had to wait for it to go down."
"Poor Michelle." Jane chuckled. "So, besides your little victory over her shy reticence, how did Michelle do in the class?"
"Very well. Surprisingly well, in fact. She has a knack for being able to physically reproduce precisely almost any technique once she has seen it done, so she got the basics down quickly. She also has an unusually good eye for color and made some substitutions more suitable to Anna's skin tones than the ones I had used on the girl I demonstrated on. And she did not even ask if she should."
"A natural, eh?"
"Well, I don't think we will have to show her how to do anything more than once. Jane, I have to run. See you later, okay?"
"Bye, Carolyn, and thanks."
Excerpt: Michelle's Diary August 21 - Day 36
Dear Diary
I just get my pulse rate back to normal after Caro's little stunt of putting me nose to nose with the lovely Anna, and now this.
Anna just called. Seems she is having a party tomorrow night at her parents house, and she wanted to know if I could come on such short notice. Sort of a last fling before school reopens. She even tried to entice me by promising that some of the best looking guys in the area would be attending.
Joy, oh Joy.
I didn't think I could say no, but I did dutifully ask Aunt Jane hoping for assistance from that corner. Of course, she let me down and told me to have a "wonderful time".
Joy, oh Joy, again.
Well, fortunately, Anna's parents will be home, which means that things should not get out of hand. Ought to be a safe first introduction.
Oh, and this reminded Jane that I was supposed to be getting dance lessons. So next week, I am enrolled at a dance studio downtown to learn ballroom style dancing. Cripes, I don't know how to dance like a guy leading the girl, and now I am supposed to learn to dance the female part.
This has not been one of my better days. The one bright side is that I don't need to go shopping. I already have a very nice party dress that will work just fine.
I wish I had thought to ask if Beth could come, but it is too late now. Besides, she probably would not want to go anymore than I do, and Jane would side with her on this. Jane has really eased up on Beth since the incident and the acceptance letter. I am not looking forward to being here alone with Jane, either.
Darn.
Michelle Nash
Jane stood in the front foyer, all but tapping her toe in impatience. Where *was* the girl, she fumed silently. They were going to be late getting her to this party.
And Jane was determined that Michelle was going to attend. She needed interaction with people her own age. More than that, she needed to learn how to deal with young men her own age if they had any prayer of achieving their aims. It would not be a much of a problem except for one small point. As Sandy had said, Michelle was the prettiest student she had ever had. Although she might wish to deny it, the girl was, quite literally, a head turner, and she was going to attract boys. This party, particularly since it was going to be tightly chaperoned (Jane had called to check), was a relatively safe first step.
Another check at her watch and Jane was striding up the stairs. She came to Michelle's room and was about to knock when she noticed the door was open. Upon entering, she saw no sign of her ward, other than the fact that the light summer weight party dress was still hanging on the door of the armoire. A quick check of the hallway revealed a light peaking out from under the bathroom door. As Jane approached the door, she heard a gagging, retching noise coming from the bathroom.
Jane had learned early in her career of reforming young men that locks on the doors of her students' rooms and bathrooms were a nuisance. Particularly when one of the little dears would lock themselves inside and refuse to come out after or before one of Jane's little scenarios. She could always get in, of course, but that often required tools and time. The easiest solution had been to reverse the doorknobs, so that the rooms locked from the outside, but not from the inside. This had the additional benefit of keeping a recalcitrant sissy where Jane put him until Jane was ready to deal with him.
Although Jane had given Michelle back the privacy of her own room, she had neglected to do the same with the bathroom she shared with Beth. Another bout of retching noises had Jane opening the door and rushing in. There was Michelle, outfitted in her party lingerie, kneeling in front of the toilet trying to vomit. "Trying" being the operative word because it was patently obvious her stomach was empty and she was suffering from a bad case of dry heaves. The spasms passed and Michelle's body relaxed. She sat back on her heels and then realized she was not alone. "Oh, no!" she moaned. "On top of everything else, I have to deal with knowing you saw me like this."
Without responding, Jane filled a glass with water and handed it to her. Michelle started to rise, but Jane stopped her. "Stay there a minute. Rinse your mouth and then sip the water slowly. Even if it doesn't stay down, it will give your poor stomach something to send up."
Cautiously, Michelle did as Jane had bid and tried to rinse the foul taste out of her mouth. It took almost half the glass before she was willing to try a tentative sip. "Thank you, Aunt Jane." she said after that first sip had made it all the way to her stomach without bouncing.
Jane settled on the edge of the bathtub and reached out a hand to gently stroke her ward's hair. The girl had not even gotten her wig on yet, Jane mused. It must be worse than I thought. Michelle sighed and leaned into the soothing caress.
"Nerves, dear?" Jane asked finally. "Butterflies in your tummy?"
"More like B2 Stealth Bombers, Aunt Jane, only they're not being very stealthy."
Grinning at that, Jane tousled the soft fuzz on Michelle's head. "Well, if you can make a joke, you are feeling a bit better. Time for another little time out, Michelle. Meet me in your room as soon as you collect yourself."
Her ward arrived moments after Jane had seated herself on the bedroom chair. She motioned her over to the bed. "All right, Michael." Jane began. "Is it the party itself, the danger of discovery, or the danger that you might not be discovered and have to deal with horny teenaged males as a lovely teenaged female that has you trying to heave your intestines into my toilet bowl?"
"All three, Aunt Jane, but mostly the third. This is very different than anything I have done since I came here. There won't be anyone there to help me. I will be alone at that party. Heck, even at the makeup class the other day, Caro was there to make sure I didn't foul up too badly. As for the last two reasons, well, those are pretty obvious. I just don't know what I'd do if some guy got fresh with me. My inclinations are to knock his head off, but that would be out of character for Michelle."
As she had thought, Jane mused, but it was obviously much worse than she had thought it would be. Maybe it was too much, too quickly. How long had Michael actually been giving his best effort towards being Michelle. . . Just over a month, actually. Of course she'd be a bit anxious. "All right, Michael. We can do a couple of things. The first is that you don't go to the party. I will call Anna's mother and tell her that you are ill - unable to keep anything down - and I am keeping you home. That has the advantage of almost being the truth."
"Okay," Michelle murmured, "What is my other option?"
"You go to the party, of course." Michelle started looking a little green again, so Jane hurried on. "Look, you don't have to do anything at the party other than make a little small talk. If you don't want to dance, beg off. Act shy and uncertain. Tell Anna you are having cramps and don't want to dance. That will be a non-confrontational way to avoid that aspect of the party. Make sure you are always with several other people so no boy can get to you one on one. Go home early. I can be back there at eleven. Blame me. Tell them I have you on a curfew because I don't want to be out driving late."
She watched Michael consider all these things. "Okay, obviously you want me to go. What would I gain if I went and avoided the guys the way you say?"
"I did not say avoid them, dear. I said avoid being alone, one on one, with any of them. As to what you'd gain? Maybe some friends. And you could watch the other girls there deal with the boys. Maybe find some strategies that you could borrow to help you deal with them. So, Michael, what do you want to do?"
"I want to pull the covers over my head and make it all go away, Jane." came the reply in Michael's voice. "But," and now it was Michelle speaking, "what I am *going* to do is get dressed and go to the party."
Smiling, Jane rose as Michelle did. "Good girl. I will wait for you downstairs." and then her face became stern. "And *don't* dawdle. We are already late."
Excerpt: Michelle's Diary August 22 - Day 37
Dear Diary
Well, I don't feel like singing "I could have danced all night" like that woman in the musical, but I have survived my first party as a girl.
Anna was all solicitude when I hinted that I was in a very feminine condition and did not know if it was wise to go bouncing around on the dance floor. I don't know what she said, but that was sufficient to keep all but the densest of the male set from pestering me for dances.
Actually, once I had been there for about an hour, I figured out that no one was going to see me as anything other than "one of the girls". After that, I was able to relax and even began to enjoy myself. I liked chatting with the girls I had met Wednesday at Caro's. Most of them are pretty nice people although a couple of them seemed to want my blood. I didn't know what I had done, so I asked Anna. Turns out neither of them currently have a steady guy, but saw the guys they wanted giving me the eye. God, I never even noticed, but Anna thought that the boys had been pretty obvious in their attentions.
I think that is one of the things I learned tonight. Girls are much more sensitive to what is happening in the periphery about them. Guys are more direct and focused, and tend to see what is directly in front of their faces. Whereas women, or at least these women, just soak up information from all around them. I don't know if I can learn to do that effectively as the real girls do, but I am going to make an effort to see more than just what is right in front of me.
As Jane had suggested, I watched the other girls handle the guys. Most of it I have been on the receiving end of, but never recognized before. The half smiling, gentle retreating brush off, the "aren't we friends?" deflection all the way up to the "looking down my nose at something yucky stuck to the sole of my shoe" disdainful departure. I saw them done to great effect, but somehow, I don't think doing them myself will be quite as easy as a couple of the girls made them seem.
I also met a guy - his name is Dennis. He's about six feet tall, and athletically built with black hair and grey eyes. Yeah, I know what I said to Jane, and I meant it. Its just that this guy sort of snuck up on me. He never pressed, and he always let me move off when the group we were in dwindled to the pair of us. It did not help at all that he was funny and was able to make me laugh. Before the night was out, I was happily chatting with him and never even realized we were alone on the couch.
When it came time to go home, he asked if he could call on me at Aunt Jane's, which caught me completely by surprise. What the heck could I say? In a short lived burst of rationality, I told him I would need Aunt Jane's permission and he should call me first, so I could ask her. He *promised* that I'd hear from him.
Then, he took my hand in his and *kissed* it. I got all flustered and basically *ran* out to where Jane had the car waiting for me.
Dammit, I promised myself that I'd be honest in this damn fool diary if nowhere else in this crazy life of mine, so . . . .
My hand tingled when he kissed it. Hell, *I* tingled - I even started getting hard, for heavens sake. I *don't* like this. Not one little bit do I like this.
And to make matters worse, Anna called me today to congratulate me on hooking the guy most of the other girls wanted for themselves. Evidently, good ole Denny has not been very easy to land, but he is very good at nibbling at the bait without getting caught on the hook.
Great. Just what I need - a guy, that every other girl wants. Maybe I need to practice those "make the guy go away" maneuvers I saw last night? Wonder what Anna will say if I just toss him back into the sea, or just cut the line and let him swim off?
Michelle Nash
Michelle Nash Excerpt: Michelle's Diary August 25 - Day 40
Dear Diary
Well, Jane was as good as her word. Dance classes started today - two evenings a week - Tuesdays and Thursdays.
And guess who else is in my class? You got it - Dennis. He's also my practice partner, although I cannot figure out quite how he managed that. So now, I spend about 2 hours twice a week up close and personal to him.
Fortunately, when you are simultaneously trying to count and remember where to put your feet without falling down, you can ignore other things. What will happen if I ever actually start getting good at this stuff is another matter.
He kissed my hand again at the end of class. Same reactions as when he did it to me at the party. I had hoped that first time had only been a one time thing because the sensations was completely new to me and because he'd caught me unawares.
Nope. Definitely not one time only.
And I am scared to death.
Michelle Nash
Excerpt: Michelle's Diary August 26 - Day 41
Dear Diary
I went to make up class today and saw Anna. While we were chatting, she asked how things were going with Dennis. I shrugged and told her that I wasn't trying to push anything, but had been surprised when he'd been in the same dance class as me.
Anna had burst out laughing at that. It took me several minutes to calm her down enough to find out what was so funny. Then she told me that Denny's mother *owns* that dance studio, and the last thing he needs is dancing lessons.
It does not feel quite that funny to me. In fact, while I am not sure quite what I feel, it definitely is not amusement.
I am all jumbled up inside. Oddly, a part of me is rather flattered that he would pursue me quite like that. Another, larger part, however, feels something like what the fox must feel like during the bugler sounds assembly for the hunters and hounds.
What next?
Michelle Nash
Chapter 24. Fond Farewell
Excerpt: Michelle's Diary August 28 - Day 43
Dear Diary
Well, tomorrow we drive to Providence to put David on the plane for Illinois. God only knows why, but he's decided he wants to go to the University of Illinois at Urbana. I know this is right for Beth/David, but I am going to miss him.
Sandy just left. She undid most of David's "beth-i-ness" - at least everything that can be undone. It was easier and more effective *this* time since Jane hasn't made him get a permanent since before. . .well, since before he left that earlier time. Anyway, most of the curl came out when Sandy cut his hair this time. It seemed very strange looking across the dining table and seeing this male stranger with the shadow of Beth's face. My first instinct is to call him Beth, and I know that I have to school myself to stop that. Particularly anytime in the future if and when we are around anyone who knows or knew Beth.
Since David does not have any family to speak of, he's asked if he can come visit here at Jane's home for holidays and such. Jane said that since she wasn't taking in any new students for the foreseeable future, she'd love to have him come visit. Then she added that, perhaps, I could use David as my "away at college boyfriend" for after the New Year when I go back to school, assuming that I do that as Michelle. Having a college age boy friend may help deflect a lot of the unwanted male interest.
Unfortunately, I don't think that ploy is going to discourage Dennis. He hugged me today before he kissed my hand again.
I *don't* want to think about that now. I am too busy being sad about losing Beth.
Before he goes, there is something I have to do, something I should have done a long time ago.
Michelle Nash
No one in the house slept well that night. David was excited about starting his new life and going to school. Jane, Michelle and Maria contemplated the loss of someone who had become to Jane and Maria more than just another student, and to Michelle the sister neither she nor Michael ever had.
They were all up before dawn since David's flight departed Providence at seven am. Breakfast was a somber affair with none of them having very much to say. The sun's first weak rays were peaking over the horizon as they got into the Lincoln for the trip to the airport.
The paperwork at the check-in desk went without problem, and soon they were in the waiting area of David's departure gate.
"Damn, David, but I am going to miss you." Michelle said when the call came for his flight to board.
"I am going to miss you, too. You have my new address, Michelle, and I will call you just as soon as I have a phone number so you can reach me that way, too."
Michelle reached out to take his right hand in hers. "David?" she said, her voice rough and shaky.
"Yes, Michelle?"
"Thank you for saving my life all those weeks ago." Michelle's grip on his hand tightened spasmodically. "I know I'd be dead if you had not come in there and fought me for my life. And thank you for coming back when you had every reason to run as far from me as you could get."
"I'm . . I'm glad I was there in time, Michelle." David choked out against the emotions welling up in him.
The two young people stood transfixed, their hands together, their eyes locked. This moment would almost have been funny, Jane thought, if it wasn't so sad. If they had both been here as males, they could have shaken hands, thumped each other heartily on the back, perhaps even hugged. If they had both been here as females, they would have hugged, and maybe shared a kiss on the cheek. But this situation was neither of those, and they did not seem to know how to get past the gender roles they were both fighting against.
Suddenly, Michelle shuddered. "Oh, Hell!" she growled and moved in to wrap her arms around David and hug him fiercely. David's arms came around Michelle and the two friends held one another until Jane had to intervene.
"David," she said, putting a hand on each young person. "They're almost done loading the plane." Reluctantly, David and Michelle broke apart. David turned and went into Jane's arms for a hug and a quick, awkward kiss. For all the progress they had made in the past month and a half, Jane still had trouble showing affection to one of her students, and just now, she deeply regretted that.
"Thank you, Jane, for everything. I love you." David said through his tears. Embarrassed, he turned to the gate, only to almost run over Michelle.
Michelle went up on her toes to whisper in her friend's ear. "Be safe, David/Beth. I will miss you, big sister." and then planted a kiss of her own on his cheek.
"I have to go." was all David could get out.
Michelle and Jane watched in silence until the plane with David disappeared into the western skies. "Ready to leave, now?" Jane asked.
Michelle dug about in her purse and pulled out a pair of tissues. She handed one to Jane. "I guess, Aunt Jane, although if I look as raccoon-eyed as you do, I think we both need to make a quick trip to the ladies room.
Jane nodded and then led the way. She paused just before entering, and turned to Michelle. "By the way, remind me to add two more demerits to the green book, dear."
"Two?!?!?" she sputtered, before beginning to laugh softly. "Yes, Aunt Jane. I promise to remind you."
"Always on stage, pet." Jane reminded gently. Michelle nodded and then moved past Jane into the restroom.
Excerpt: Michelle's Diary August 29 - Day 44
Dear Diary
David just called to let us know he got there safely. I am glad he's safe, and happy for him that he has made it through Jane's program. As I understand it, the Judge will now seal all of the records and it will be as if he had been tried as a juvenile, effectively giving him a clean slate. He deserves it. He is a wonderful guy and Beth was a wonderful sister.
I've even forgiven her for helping Jane to set me up all those weeks ago. Before the incident, that is. It is not like Jane gave David/Beth any choice in the matter.
Dinner was strange. Must have been a half a dozen times one of us turned towards Beth's chair to say something to her. Heck, Maria even forgot and set a place for her, just like always.
I don't know what possessed me today, to hug him like that and then to plant one on his cheek. It just happened. It was like that I simply *needed* to express the depth of what I was feeling for him and those were the only things that came close to expressing that.
As I said, I don't know why I did those things, but I am glad that I did. I know now that I would always have regretted not doing them.
It is going to be hard without Beth. I am still afraid about developing really close friendships with any of the girls at Caro's, and Denny is making me increasingly nervous. I feel more isolated and more alone than I have in all the days since I left St. Andrews.
Another downer is the two demerits Jane assessed me at the airport. By my count, that puts me somewhere over the magic hundred, so I guess I'm a little surprised Jane did not tell me to report for my well earned mouthful of soap tonight. Maybe she has just decided today has been bad enough and is letting it go until tomorrow.
At least I lasted longer this time than last time.
Yuck.
Michelle Nash
Chapter 25. Just Showin' Off
Michelle had hung back after the other girls had all rushed out of the Marisha Chalet following Caro's class. She really needed to talk to someone and after a great deal of thought, had decided that Carolyn might be the best person to start with. She could have tried Jane, but it was just so embarrassing and Michelle still remembered her times with Jane before her thankfully unsuccessful suicide entirely too well to completely trust the other woman with something so personal and so potentially humiliating.
Having finished collecting her cosmetics and cleaning up after a dozen girls, Caro looked up and noticed Michelle was still in the shop for the first time. They had been working on eyes today, complete with false eyelashes. The girl's eyes looked huge, haunting - it was just incredible. She had to stifle a momentary spurt of envy, and wished that such sexy eyes had not been wasted on a boy. She sighed and began arranging the tubes, bottles and boxes on their storage shelf. "You waiting for Jane, 'Chell?" Caro asked, using the nickname both she and Sandy had taken to using.
For her own part, Michelle could not decide whether she liked the nickname or not, but now was not the time to quibble about something as minor as that. "Not until I call. . . ummmm, . . Carolyn, could I talk to you for a few moments . . . out back?" Out back was the private room behind the main salon. Out back was where Sandy and Carolyn worked their evil magic on Jane's boys, at least until the lads became sufficiently lady-like to pass the scrutiny of the outer salon.
Surprised by the request, Carolyn nonetheless agreed since she had no appointments the rest of the afternoon. Once they were behind closed doors, Caro asked, "What's up? Problems? One of the girls looking at you too closely?"
"No. . .nothing like that. Caro. . . your husband,. . . ummm, he was one of Jane's students, wasn't he?"
"No harm in telling you that. Yes, he was. And since I knew him before Jane and loathed him as a real jerk, that is one of the reasons I elected to help Jane."
Michelle nodded. That was what Beth had said. "Carolyn, forgive me for asking this, and don't answer if it offends you, but I don't know who else to ask. Did your husband ever mention. . . feeling really feminine. . " and here the girl's face went scarlet under her new makeup job. "Ummm feminine, around guys." it all came out in a rush.
Momentarily taken aback by both the question and the manner, Carolyn could only stare at Michelle for several agonizingly long moments. Then she cleared her throat. "Not that he ever mentioned to me, dear. Am I to infer from this that you are feeling . . .or have felt feminine that way?" There was no mockery or sarcasm in Carolyn's voice - only concern.
"Last night. . . after dance class. Jane was a little late and Dennis walked me to the door. When Jane wasn't there, he . . well, he pulled me into a corner, away from the front window. . and . . .and" tears started to form little black rivulets down her cheek.
Fear clutched at Caro's throat, afraid of what she might learn. "What did he do, Michael?" she asked firmly, hoping the use of his male name would bolster him.
"He kissed me. . . with his tongue, Caro. . . and I *let* him. How could I just let him do that? I mean, I am a guy, too. Aren't I?"
The relief that it had not been worse washed over Carolyn and she was hard pressed not to laugh. "I take it that the experience was not unpleasant?"
"No." was the soft response. "I actually got . . .well, excited."
"As in you became erect?" she asked, already knowing the answer. Michelle nodded again. "Okay, luv. Look, we need to talk to Jane about this, and probably to that psychologist you are working with. I don't know if my darling hubby ever felt that way, but then, Jane never allowed him to be in uncontrolled situations where something like that could happen. Until you, Jane was always scrupulously careful to protect her girls from things like boys and sex. Even when it didn't seem that she was."
"I am so scared, Caro. It is all . . . so outside of anything I have ever had to deal with before."
"I expect that it would be, dear, but then, isn't *everything* you've experienced with Jane outside of anything you've ever had to deal with before?"
"Well, yes., but. . "
"But, nothing. Look at yourself. You are totally immersed in an intensely feminine experience. I don't think it is unrealistic to expect that you might respond to many situations the same as a born female would." At the darkening of Michelle's face, Carolyn held up a hand in restraint. "Let me ask you something, dear. What does Michael think of Anna?"
The answer was immediate. "She's the prettiest, nicest girl I have ever met."
"And what would *Michael* like to do with her?"
The smooth forehead above the finely shaped brows wrinkled in concentration. "I'd really like to get to know her better. . .maybe go out together. . .that sort of stuff."
"What does Michael think about maybe kissing Anna."
She almost laughed when a look of sheer masculine anticipation flitted across the very feminine face. "Oh, yeah." he breathed, and it was definitely Michael who'd responded.
They sat there quietly for a few minutes as Carolyn gave Michelle/Michael some room to deal with these new and uncomfortable ideas and emotions.
"So, this is part of being - really being Michelle?"
"Maybe it is part of *you* being Michelle, dear. I don't think you have to worry about it, dear. Just talk about it with Jane and the doctor, okay?" and she reached over to help the girl to her feet and begin walking to the door.
"Okay, Caro. Thank you. You have helped. A great deal." and she stopped and planted a soft kiss on the older woman's cheek. "Thank you very much." she said again.
"My pleasure." she replied, showing Michelle back into the main salon. A chiming bell caught their attention and they turned to see the shop's outer door opening to admit Brenda Franson - a very harried looking Brenda Franson.
"Caro. . . are any of your girls from your Wednesday class still here? One of the models for tonight's fashion show is ill, and there are just too many outfits for the others to handle in the scheduled time. I need someone else."
"Only Michelle, Brenda. The others were out the door like my place *was* school and not a beauty salon."
The other woman's face fell. "I don't know what to do. This is a very important show. Several of the Newport matrons are bringing the daughters to see gowns for the fall Harvest Ball."
"Well, then, how about Michelle?" Caro offered. Both Michelle and Brenda just gaped at her. "Well, she is the prettiest of the lot, you know." she added defensively.
"But she is not very tall, and besides. . .*she* is not really a she." Mrs. Franson protested.
"And how would I change, Caro. . .all the other women would see that I am wearing falsies, and I couldn't take off my panties. . .they'd see the gaff."
"That's no problem. . . we could say you are very shy, and since you agreed to help at the very last minute, Brenda is going to let you change in her office. We'd have to pick outfits that are not cut too low in the bodice, or that are designed not to show a lot of cleavage, but I don't think Brenda would be showing too many outfits like this to the royal mamas anyway. Would you, Brenda?"
The other woman's eyes became pensive as she weighed the options and considered the possible consequences. "How are you in heels, Michelle?"
"Okay in anything three inches or less, but who said I would do it?" Michelle asked indignantly.
"Would you? Please?" Brenda asked softly. "I really am in a bind, and it would be a great favor."
Having this woman owe her a favor appealed to Michelle. "I could use your office to change in?" she negotiated. Brenda nodded immediately. Then Michelle turned her eye on Caro. "And since *you* got me into this mess, it is only fair that you come with me and make sure that my makeup, hair and disguise are all perfect, don't you think, Carolyn of Marisha Chalet?"
"I'd give your shop a plug during the show." Brenda added quickly to the other woman. "All those women with all that money to spend on their darling daughters." she cajoled. "You could even come out and take a bow afterwards."
"Okay, okay." Caro laughed. "Let me get my tools and we'll be there in a few minutes, Brenda. Meanwhile, you select the right dresses for the second coming of Miss Christy Brinkley here and get them into your office."
Michelle was shocked speechless when the formerly cold Brenda Franson pulled her into a tight hug, saying "Thank you, Michelle, I really appreciate this." She just stood there, staring, as the dress shop owner hustled back to her store to do as Carolyn had directed.
"Oh my god. What have I gotten myself into now?"
Excerpt: Michelle's Diary September 2- Day 48
Dear Diary
My feet are *killing* me. Unfortunately, when I said I would help Brenda Franson at her store tonight, I didn't know that I would have to choose between only two sizes of shoe. Too large and too small. And since I probably would have walked right out of the larger ones, we had to use the too small pairs. They were only a half size too small, but when they are high heels, that half size is quite a bit. And oh by the way, I measured the heel on those darn things after the show. Four inches, easily. Every frippin' one of them.
Still, it actually turned out to be a lot of fun. I got quite a bit of teasing from the professional models, over my "shyness". I mean, they just rush into the main room, pulling stuff off as they run to where the next outfit has been laid out for them. Since they did not know my "shyness" is spelled p. .e. . n. . i. .s, they did not realize what kind of show they were putting on in the dressing room. Good thing I have been wearing that damned gaff to Caro's classes. It *hurt* like a . . .. well, you get the idea.
And the dresses were neat. Having Caro come to help was inspired on my part, even if my initial motivation had more to do with fear than with a desire for success. Caro made getting into each outfit a lot easier and her skill with makeup gave me a whole lot more confidence than I would have had if I'd had to do up my face all by myself.
Brenda let me miss the first rotation and just watch what the professional models did when they strutted down the walkway in front of the assembly. When that first set of dress showings was about half done, I went back into the dressing room and tried to mimic some of their movements and gestures while having Caro critique me. Moving like that is NOT easy. I think the too small shoes may have helped, though. It is practically impossible to over stride when your toes are screaming.
Caro literally had to push me out onto the stage that first time. God, I was as scared then as I ever can remember being. The funny thing is that I was not really afraid of being unmasked. Somehow, I knew I was beautiful and all anyone was going to see was a pretty girl in a lovely dress. No, I was just afraid of messing up. Like tripping over my feet in those infernal heels and ending up in the lap of some society matron.
Finally, Caro whispered at me to "MOVE!" and I moved. I am still surprised my legs did not give out on me during that first pass down and back. All I could think of was keeping my head erect and steady so I would not drop Conan-Dolye on my toes. I was shaking all over, but once I made it back to the top of the runway, I started feeling a little better.
By the finale, I thought I was actually doing a rather good job of it. I was certainly moving more freely, more confidently, and so what if my hand movements and presentations were not quite as practiced as those of the professionals. Caro said I was the perfect little exhibitionist. I don't know about that, but it sure was fun struttin' my stuff and showing off - frantic, but fun.
In fact, after the show, Caro said she'd overheard one of the audience tell Brenda that the "little blond one was perfect. Now I know just what my daughter will look like in that dress and won't have to worry that what I liked was the professional model and not the dress." Made me feel pretty good inside.
What made me feel even better was having Brenda come running into the office and practically squeeze the stuffing out of me after the show was over. She had gotten several immediate orders from the show's attendees, and three of them were for dresses I had modeled. She *even* offered to pay me - and then was offended when I told her she did not need to because I already owed her for her help on the Committee.
She finally told me that was okay, but the next time, she was paying me at the going rate for models.
The *next* time? Well, I guess there will be one. . . maybe more. Brenda is thinking of having the girls from the Wednesday afternoon class take over a lot of her modeling work. Particularly if it involves teenage fashions. I sure would have liked to see Anna in that low cut, off the shoulder blue satin sheath one of the models wore.
I have also talked to Jane about Dennis. She said she'd speak to his Mother if I thought that might help, but she felt that my feelings about being kissed were natural and not a problem. Like Caro, she pointed out that I still was aroused by girls. I am relieved, but it is as much for that almost hard-on through the gaff when those models went down to bare skin in front of me as for anything else. Hard physical evidence, don't you think?
I am beat.
Michelle Nash
Jane sat in her garden, enjoying the silence of the warm September night. Brenda had called to ask Jane to thank Michelle again for stepping in and helping her, and to see if Jane could not convince the child to accept at least a modest payment. Jane wondered idly if Michelle fully understood what she had done this day. Probably not. She was probably glowing over the compliments and the attention, and pleased that she had managed to pull off the deception under those conditions.
First, the girl had begun to learn real poise under pressure today. Carolyn had said that it was like you could see the girl's confidence in her personal power growing with each new dress and with each trek down and back on the runway. That confidence would pay real dividends in a month or so when her girl had to decide which path she would take - Michael's or Michelle's.
But it was the second aspect of today's rite of passage that pleased Jane the most. Even as afraid of being quite so publically under the microscope as Jane knew she was, her girl had been willing to help Brenda. The old Michael, the troublemaking instigator of St. Andrews Academy, would not have been so willing. He certainly would not have turned down payment for his help afterwards. Hell, he would have held her up for every cent he could squeeze out of her, even though he had absolutely no need for the money. No, she had simply decided to help a person that she had reason to hold a grudge against, and had not given the matter another thought after making the decision.
That made Jane very proud of her Michelle.
Chapter 26: Just Deserts
Excerpt: Michelle's Diary September 30- Day 76
Dear Diary
Well, it is less than a week until yours truly must make a decision - whether to stay Michelle and proceed with my plans vis a vis my Mother. Or to let go of that anger and hurt, revert to Michael, and simply get on with my life.
I'd rather expected this to be an easier choice, but that is not the case. I feel very at odds with myself over this.
For starters, one thing that I thought would push me towards abandoning this charade was living *as* Michelle. I figured it might be difficult and humiliating. With the exception of my three bouts of soap in the mouth syndrome, my life as Michelle has been neither of those things. I guess I have a talent for the role, because I seem to have picked up on most things pretty easily.
And of course, I must admit that confronting my Mother with the loss of her son as Michelle still holds a great deal of appeal. I am not so sure I particularly *like* that little home truth about myself, but it remains a fact that I want to do . . . something to her. What Jane and I have planned seems somehow less malicious than showing her up in front of her friends.
On the downside, if I stay as Michelle, I am going to have to do something about good old Dennis. The guy will simply not give up. I have tried everything, short of endangering his ability to father future generations, to discourage him, but he just keeps coming on to me. Even when I showed him the "pre-engagement ring" Jane gave to wear, saying it was from David, he still tried to kiss me in the dark corners at his Mother's studio. When I told him that was not very honorable, making a move on another man's girl when he was not around to protect what was his, he just laughed. Said that David was a fool, and a pre-engagement ring is not an engagement ring, so I was still "fair game".
Makes me sound like a damned rabbit trying to scurry away and into my rabbit hole.
Part of the problem is that I really do like him. He makes me really laugh, and I enjoy laughing. Never did much of it before I came here - not real laughing, that is. Mostly at St. Andrews, the laughter was *at* someone else's expense, and that cheapened the pleasure of it, although I did not know it then. Now I do know, and that is in part due to Dennis.
He calls me on the days we don't have dance class. We just talk about stuff, and before I quite know it, we've been at it for almost an hour. It makes Jane smile - one of those smiles that makes the hair on my neck stand on end.
For the past few days, he has been bugging me to go with him to his school's Harvest Festival Dance. The dance is in October, a few days after Jane and I are scheduled to be back from Nevada on my "end of trial" holiday as Michael. The scariest part of all this is that my first inclination is to say *yes*.
If I went back to being Michael, none of this would be my problem anymore. Michelle would go back to her "home" and Michael would come to stay with his Aunt Jane. Or maybe it would be safer to stay with Eric. Michael is going to look a lot like Michelle for several weeks, and I suspect that my new friends, particularly the Wednesday makeup class, will see through Michael to Michelle instantly.
Well, I have again filled pages arguing with myself, and still have come to no conclusion. If this keeps up, I may just stay Michelle because I don't know what else to do. Not a very good reason for a life altering decision, is it?
On another issue, by my count, I should have been eating a soap bar days ago. Now, my numbers are usually a bit higher than Aunt Jane's , since I count all my verbal foul ups and she counts only the ones she hears. Still, she should have hit one hundred over a week ago.
When Aunt Jane does not hold true to form, that usually means she is up to something. And *that* always makes me very nervous. *VERY* nervous.
Michelle Nash
Jane sat at her study desk, and stared at the calendar on her desk. October third was circled in wide red marker - the day when Michelle's trial period closed. Only two more days before she found out if she was going to have a niece or a nephew staying with her for the foreseeable future.
Jane wasn't sure she knew what she wanted the choice to be, any more than her ward knew. On one hand, it was probably best for the child to see this thing through to the very end, no matter how painful its consequences might be for everyone concerned. And for herself, Jane admitted, she *liked* having this Michelle around the place. She *liked* Michelle.
Conversely, Michelle would be showing a great deal of maturity if she abandoned her spiteful quest against her Mother. *If* she abandoned it because she had decided that she no longer wanted or needed to get even.
Jane's fear was that Michelle might decide to abandon the game because of the continued attentions of Dennis. She had to hand it to that young man, he certainly was tenacious. It was a good thing he lived locally or Jane's monthly phone bills would be whoppers given all the time the two teens spent talking with each other on the phone. Jane's little Michelle had developed quite a crush on that lad, only she was afraid of what she felt for Dennis and therefore refused to admit or acknowledge her feelings. She might just become Michael again to end that fear. And that would be the worst possible reason.
Jane had already made preliminary inquiries on a scheme she had developed to help Michelle and Michael get some needed emotional distance and balance. Unfortunately, they needed to be on their vacation for her plan to work, and again unfortunately, that came after Michelle's decision date.
"Aunt Jane?" The quiet voice shook Jane out of her reveries, and she looked up to see Michelle peaking around the cracked open study door. "May I come in?"
Jane beckoned her in, and then was somewhat surprised to see that Michelle was wearing one of Michael's exercise warm up suits. "Aunt Jane, I'd like to call one our timeouts, please." her ward said in the deeper tones of Michael's speaking voice.
Jane did not want to grant this request because she was afraid she knew what he wanted to say. Still, she motioned him to one of the easy chairs and came over to join him. "All right, Michael. What is it you wish to discuss?"
Michael opened a book that Jane recognized as the diary she had given Michelle at the beginning of their trial. "Aunt Jane, according to my figures, which have been running only a few counts ahead of yours until now, you are overdue in calling Michelle to accounts for unfeminine language and behaviors."
Momentarily speechless, Jane could only stare at her ward. "You. . .you want to be disciplined? You want me to wash your mouth out with soap like a naughty bad mouthed little child?"
"Hel. . . I mean, heck no, Aunt Jane. I hate that, but it was part of the deal we made, and a reminder I have decided I need if I am going to learn to overcome Michelle's bad case of potty mouth."
"Why should you care, Michael? Two more days and you can take off the skirts without breaking your word, and then it does not matter, beyond basic courtesy, what you say."
Michael sat very still at that moment, his grey-green eyes locked on Jane's. After a few moments of this, Jane found she had to consciously refrain from fidgeting under her ward's intense gaze. "So that's why." he finally said in a very soft undertone. "You aren't doing it because you don't want my mouth filled with soap bubbles at the moment I have to open it to tell you my decision."
Jane broke eye contact with Michael and looked away. "Isn't that the reason, Aunt Jane?" Michael pressed.
Finally, she sighed deeply, and then nodded. "You might still have demons, Michael, that only Michelle can help you exorcize. I did not want you making a poor decision because you were reacting angrily to one of my disciplines. Whatever decision you make, I want it to be made rationally, not emotionally."
"I understand now." Michael looked down at the book and Jane thought he might be reading some passage in the book. She wished she knew what it said and what he was thinking at that moment. "Suppose, Aunt Jane, I told you that I have already made my decision - that I am absolutely certain what I am going to do. What would you say to that?"
His aunt gave him a resigned smile. "I would say that it is completely in character for someone with the iron will I have seen in both you and Michelle. Knowing you both, I expect that there is no way your mind is going to change?" Michael only shook his head, his eyes firm. "Well, why don't we just end the trial here and now, then. I don't think there's any sense delaying for another two days. If you want to discard your skirts, I will have Maria go up and move all the fripperies out this afternoon."
"You mean that, don't you?" he asked wonderingly.
"I gave you my word, dear. I don't see much point in continuing another two days just to keep you as Michelle for that length of time. I am going to miss having her around, but I look forward to getting to know my nephew, too."
"Well, that is a shame." Michael muttered. "Because I am going to stay as Michelle. I haven't finished what I set out to do three months ago, and I am not ready to give up on that goal just yet. I am not so sure of what I am going to do as I was back then, but one thing I do know - only Michelle can do what must needs be done."
Jane rose and went back over to stand by her desk. "I see. You are sure?" Michael nodded. "Very well, Michael. We will continue as we have, then. Are we finished with this timeout, then?" she asked.
"Yes, Aunt Jane, thank you." and this time the voice that responded was Michelle. She rose and turned to leave the study.
"Oh, Michelle?" Jane called as her ward reached the door. Michelle half turned back to her aunt, a single brow lifted in silent inquiry. Jane lifted a familiar notebook and glanced at the pages. "You have accumulated sufficient demerits since your last discipline for two sessions. I will expect you in my room at 9:30 tonight for the first session. We will take care of the second one tomorrow evening at the same time."
She watched, amused as first surprise, then anger and finally resignation flitted across Michelle's mobile features. "We still do need to smooth out your rough edges, dear." Jane said softly, but without a hint of apology.
"Nine thirty. I will be there, Aunt Jane." she turned away only to stop one last time. "And thank you." She left before Jane could even frame a response.
Excerpt: Michelle's Diary October 3- Day 79
Dear Diary
I am sitting here, my mouth full of suds, waiting for the final minutes to tick by so that I can go rinse the soap out of my mouth. Aunt Jane told me she trusted my sense of honor to follow the rules and not to cleanse my palette before my sentence is completely served. So now I am the instrument of my own punishment. And all I need to do in order to get relief is to break my promise. Sometimes, honor stinks - or as in tonight's case, leaves a very bad taste in your mouth.
sigh.
In the end, I made the decision to stay Michelle because it is the only choice that leaves my options open. Frankly, I cannot decide what I want to do. Once I reach that decision, I will know what path to take. All I know is that changing back to Michael permanently ends the plan. I cannot quit and then go back and say, I want to do it again - let me be Michelle again. That is not fair to Jane. Besides, if I am going to do this thing, I need all the practice, all the learning that I can get. And if I finally decide that I no longer want to show my Mother the error of ignoring Michael and then creating Michelle, then having lived another few months as Michelle, or even a few years as Michelle will not have hurt anyone. The only one who loses anything by that decision is Michael and he. . .that is, *I* don't mind being Michelle all that much any more.
I mean, I have more friends as Michelle, in the girls at Caro's, and especially Anna, then Michael could have laid claim to in his entire life B.J.T. (Before Jane Thompson). Real people who like *me* and not the size of my father's fortune. And it is not as if I cannot go to school as Michelle, because Jane assures me that I can - We just have to find a way around the School Nurse and physical education. Both of which Jane has promised me are not really obstacles.
I am relieved to have that decision done and over with. Now if I could just figure out what I am going to do about Dennis and that infernal school dance.
I guess this is where I play Scarlet O'Hara and say I will worry about it tomorrow. Or more correctly, after I get back from Tahoe. I really need the break!
Michelle Nash
Chapter 27. Vacation in the Mountains
Michael and Jane slipped out of the house before dawn for the trip to Providence where they would catch their flight. Jane had decided on the early morning departure primarily to ensure that her ward was not seen by any of the locals as Michael now that he was well known as Michelle. The return flight was also chosen to have them arriving back home well after dark for the same reason. She also wanted to arrive in Reno in time to rent a car and still arrive at their rented cabin on Lake Tahoe during daylight. Jane had been in the desert mountains at night and did not relish doing it again.
As she maneuvered her Lincoln up US Route 1 towards the interstate, she considered her passenger critically. He was, as they had both anticipated, somewhat effeminate in both manner and bearing. Although Caro had worked on his face, hiding the finely arched brows and shadowing the smooth soft skin, other things were more difficult to disguise.
Michael had to consciously remind himself to swing his arms and not his hips when he walked. After all his recent experiences wearing mostly high heeled shoes, he also tended to walk toe to heel instead of heel to toe. His body language, which was even harder to control, was extremely feminine and Jane knew she'd have to keep a close eye on him so that he would not give too much away when they were out in public. Additionally, he had a tendency to slip into Michelle's voice whenever he forgot that he was supposed to be Michael on this trip.
All things considered, it was just as well that they were going to be almost three thousand miles from home in a relatively rural area during the off season. October was not Tahoe's best season. Too soon for the skiers, and too cold for the campers and boaters. That, along with one other aspect of their vacation location, made the place perfect for Jane's purposes. Michael would be able to relax and let down his guard without the danger of being recognized, and hopefully, he'd learn some important lessons that would stand him in good stead later on in his life.
They arrived at the airport at just the right time. They were able to go directly to their loading gate without having to wait outside the security area. The less time spent in open parts of the airport where someone might recognize her and come over to chat, the better.
The loading onto the airplane, the flight and the arrival in Reno went off without incident. Shortly after ten in the morning, local time, Michael was happily behind the wheel of the four wheel drive sports utility vehicle that Jane had reserved. Driving was a pleasure that he could not afford to do as Michelle because for all Jane's many judge contacts, getting a driver's license for her ward in his feminine persona had been impossible. And Michelle could not take the chance of being stopped by a police officer. Even a routine safety stop by the police would require Michelle to present her license, which showed a young man, not a young woman.
They arrived in Tahoe around two pm and went immediately to the realtor who managed the rental cabin in which they'd would be spending the next week. After obtaining the key and directions to the cabin, they stopped at a supermarket for supplies.
Jane carefully watched the people who came in contact with Michael. He slipped up in his masculine behaviors several times, but no one seemed to take much notice. She expected that vacation escapees from San Francisco had inured the locals to differently behaved people.
The cabin was beautiful, and the surrounding vistas were even better. Located up a mountainside, they only had a short walk through a forest of mountain trees to be able to see the lake. The only drawback was the temperature, which was topping out at fifty degrees F during the day, and dropping into the thirties and twenties at night. They would not be doing any swimming on this trip, which was actually all to the best. Michelle's bathing suit tan had not yet faded from Michael's torso.
Night comes early and dark in the mountains, but both travelers were exhausted from the travel and from the eighteen hour day they'd had in two time zones. Nine p.m. local time saw them both in their beds, sound asleep.
Excerpt: Michelle's Diary October 5 - Day 81
Dear Diary
It feels strange to be writing in this thing and not be dressed in Michelle's finery. Still, I think I am going to keep up with these entries. Mostly because if I ever do become a research psychiatrist, these observations, untrained though they are, might be of value some how.
The second reason is kind of funny, really. It has become a habit to write things down in here. Little victories and little defeats. Things that make me feel good or happy, and things that make me feel low or sad. I actually picked it up to start writing without even thinking about it.
Come to think of it . . .I don't remember packing it. I wonder if I did, or if Maria did it for me? No matter. I am glad it is here.
Wonder if I should lead off entries with something other than "dear diary". The sounds awfully "Michelle-ish" for Michael to be doing. What would I call it - a journal? Ahhh, what's the point? Surely I am too far along to feel threatened by how I write in my diary.
Sure feels almost uncomfortable to be wearing cotton jockey shorts instead of Michelle's dainties. As for my other clothes, well, let's just say the Sonja has had the desired effect. I have lost about 10 pounds and have tightened up what's left. And on my small frame and height, that is a significant amount of weight. I had to punch extra holes in one of my belts just to keep my jeans from falling off me. A fashion plate or a candidate for a GQ cover I am definitely NOT.
That's probably all right, since I keep slipping up and putting on Michelle without even thinking about it. Sometimes I caught myself; sometimes Jane pointed out my little femme habits. At least if no one particularly notices me, they won't look at me long enough to realize that my movement, body language and attitudes can shift to those of my female persona. Of course, I saw several folks at the market who were far more gaudy and swishy than I.
It is just a little annoying that now that I do not have to worry about being on stage as Michelle, it is Michael that is becoming the role that requires conscious thought to pull off.
I am beat. Gonna go to bed.
Michael Nash.
Jane set down the phone well pleased with her arrangements. They'd been in Tahoe for three days, and it was time for the other part of her plan. She'd waited this long because she wanted Michael to become just a little more natural in his male role. Now the arrangements had been made for tomorrow morning. Actually, it had gone better than she had hoped.
In the kitchen, she could hear Michael humming to himself as he prepared their evening meal. One thing was certain, if Michael was to be Michelle for any length of time, Jane would have to insist that she take Home Ec when she returned to school. It was all right for Jane not to be able to cook, but Michelle needed to learn. Especially if she was going to feed Jane.
After their meal, Jane helped with the cleaning up and then motioned Michael into the small living room. "Michael, tomorrow I have planned a surprise for you. We need to be on the road bright and early, so you might want to get to bed early tonight."
"A surprise, Aunt Jane?" the young man wheedled. "What is it?"
"It's a surprise, silly. One you will find out about when we get to where we are going. Now, go to bed."
Michael's grousing was good humored, and he surprised Jane by planting a small kiss on her cheek before he went up to his bed in the cabin's loft.
Excerpt: Michelle's Diary October 8 - Day 84
Dear Diary
So Aunt Jane is planning a surprise for me. A few months ago, the mere hint of an "Aunt Jane's surprise" would have terrified me. Now, I'm looking forward to it with pleasant anticipation - like I know it is going to be a *good* surprise.
It's a good thing that this high, thin mountain air tires you out so much. I would have hard time sleeping if I wasn't so beat from Jane's and my hike around the surrounding landscape today.
God, but it is beautiful up here. Seems so very far away from my life and problems. I like it.
Michael Nash
Somewhat to his disappointment, Jane insisted on driving them when the departed the cabin. "I know where we are going, and I don't want you to know until we get there." she said teasingly.
Michael had spent the greater part of he morning mulling over what Aunt Jane had planned. It wasn't a day at the casinos. He wasn't eighteen yet, and so could not even play the slots legally. Besides, he knew the route they had taken from Reno, and Jane had not taken that turn.
The trip took about two hours, and by the time she made the final turn onto the access road of their destination, Michael was in a high dudgeon over her refusal to tell him anything.
They reached a sign that read "Mustang Ranch" and then came to a gate with a small guard shack next to it. A portly man in a generic security uniform stepped out and came to the car. Jane rolled the window down and announced, "Jane Thompson. I believe your employer is expecting me." The man quickly checked a clipboard, nodded Jane a quick salutation, and opened the gate.
"Mustang Ranch, Aunt Jane? Am I going to learn how to ride?" Michael asked.
"In a manner of speaking, Michael." was Jane's faintly amused response. Michael smiled at the idea. As surprises went, this one was at least different. He might have preferred something else, like taking in a Vegas-style floor show, but this could be fun, too.
Jane parked the car in front of a huge, rambling house that looked like it had seen many spur of the moment additions over its lifetime. Spires, dormers, octagonal towers were seemingly thrown together haphazardly in whatever place that might have had room for the addition. The result was a place that looked like a white clapboard combination castle and ranch house.
Michael started to get out, but Jane caught his arm. "Michael," she said firmly, "When we go inside, I want you to do exactly what you are told because if you are going to learn, you ought to learn well. However, secondly and most importantly, I want you to have fun. This is supposed to fun for everyone involved." Confused, Michael nodded his agreement but could not help wondering how much fun a horse could have when dealing with an inexperienced rider.
As they exited the car, a petite woman with gray shot black hair came out on the porch. She was dressed in a fine blue linen business suit and beckoned the pair of them to come up onto the porch. "Hello there, folks. I'm Jean. You'd be Ms. Thompson?" she asked with a welcoming smile on her face.
Jane took the lady's hand and returned the smile. "Yes, and this is my nephew, Michael." She offered her hand to Michael and he also shook her hand.
"Well, c'mon in. Everything's ready." and she took them both by their arms and walked into the strange house.
Inside the front door was an unusually large sitting room with seating all around the periphery of the room, as well as several small conversation groupings in the center of the room.
A door on the wall opposite the entry way opened. Michael turned to see who was entering and did a classic double take.
The woman who entered the room was very tall, easily five inches taller than his own five feet six inches if she had been bare foot. She wasn't. In her spiked heels, which Michael guessed had to be more than four inches, she stood almost a foot taller than he did. The rest of her was in perfect proportion to her height.
Physically, she was a very pretty woman. Her hair was long, and a deep golden blonde. She wore some light cosmetics, but she had a lovely complexion that really did not require much in the way of artificial enhancement. She wore a one piece mint green sweater dress that suited her and showed off her incredible legs.
My god, Michael thought, his mouth going dry. Change her hair to silver blond and she is a dead ringer for Sonja. Aware of her effect on the young man, the woman sauntered over to where he stood with the other two women.
"Michael?" Jean said. "This is Karen. She will be your instructor today. Now, you have the entire day, thanks to your Aunt's generosity, so pay attention and enjoy yourself."
"How do you do, Karen." Michael said with a lump in his throat. Was she going to change for the lesson?
"And howdy to you, too, Michael." She answered, a small smile on her lips. Her voice was low, husky and had just a touch of a western accent. Michael was entranced by her. "Well, shall we get started?" she asked, as she took his hand and began to lead him away.
"I will be here when you are finished, Michael." Jane called to him just before they disappeared through the same door Karen had entered from. "Have fun, dear."
The two women stood there for a moment before Jean turned to Jane. "Y'know," she drawled. "As I told you on the phone, Ms. Jane, Karen isn't exactly my first choice for a cherry picking. Don't get me wrong - she's good at what she does - very good, in fact. Your boy will have a great time, but she isn't likely to get much out of it. That is usually a part of this type of thing - lettin' the boy know when he's done it right."
Jane smiled enigmatically. "Well, I hope you are wrong, but Michael has a huge crush on a lady back home who looks very much the same as your Karen, which is part of the reason I picked her from your brochure." And I can't tell you the other reason which is that I wanted her all the more once Jean had explained why Karen was not her first choice. She really rather hoped Michael was up to the task. And if he wasn't, he'd still have a very nice experience if the lady was as skilled as Jean had promised. Probably, even if she wasn't that skilled, given the volatility of youth.
Michael was a little confused when Karen led him up a long flight of stairs to a sumptuously furnished bedroom in one of the octagonal towers. His first thought was that there certainly enough mirrors in the place.
He turned to see Karen regarding him levelly, that little half smile still curving her mouth. Unnerved by her scrutiny, Michael began to blather. "Ummm. . . did we come up here so you could change?" he asked.
The smile widened a bit. "Sounds like a good start to me, Michael."
"Okay." he answered her as he turned away from her to find a place to wait for her to go off and change. "Is what I wearing suitable? Aunt Jane did not tell me what she'd planned so I did not ask what to wear."
"Oh, I think we can do a bit better than that, lover." she crooned. and then almost stopped Michael's heart as she pulled the sweater dress up over her head and then stood before him in nothing but very slinky, very black lingerie.
"Ummmm. . . K.K.Karen. .. " Michael he stuttered. "Have you forgotten I am in the room with you? You are undressed."
A soft laugh bubbled up from her, as she began slinking towards him, her eyes fixed on his. "Well, darlin', it is pretty difficult for you to make love to me with all those clothes on. Now. . let's get you out of yours."
"Out of my clothes? HERE???"
She had her hand on his belt. "Well, it is usually best to do it in a bed the first time, but if you want, we can try some other places once you get the basics down." and then she pulled his much smaller frame into a tight embrace as she gave him his first tongue kiss from a woman.
It finally dawned on Michael that the only mustang on this ranch was painted on the sign outside the main gate. Aunt Jane had hired this lady to make love with him. . .no, not quite. . .Karen was supposed to teach him how to make love.
Michael was not quite sure how it happened, but the next thing he knew, he was nude and lying on the huge bed with Karen's long, lovely body curled around him. Her fist had his cock in a firm, yet gentle grip as she stroked him to full erection while her mouth did incredible things to secret places behind his ears and the pulse points of his neck. Caught up in a wild maelstrom of feeling and emotion, Michael felt the sudden tightening in his guts and the uncontrollable twitching that heralded the onset of his climax.
Karen felt it, too. "Well, if we're going to get anywhere today, we have got to get you a little less. . .jumpy." she whispered throatily as she sat up beside him. Michael expected her to continue the exquisite hand job, but instead, she bent over his dick and then inhaled him whole.
The sudden wet, sucking heat felt so incredibly wonderful, Michael's eyes crossed in pleasure. But the immediate pleasure was only momentary for within moments of her taking him in her mouth, he was jetting his seed into her mouth.
Michael simply laid there on the bed with Karen stroking him as he gathered his shattered wits. Then, he was disappointed because it had been so wonderful, but so short. Karen saw him frown. "Hey, whatsamatter?" she asked softly.
He felt like crying, but managed to control that. "It didn't last long enough. I barely knew what was happening and then it was over."
A knowing smile lit her eyes as she began to stroke him more seriously. "Honey," she told him as she kissed him again, "It isn't over 'cause it hasn't even started yet."
This time her kiss was oddly salty, but certainly not unpleasant. In fact, it was *very* pleasant. It was not until much later that he realized the source of that saline flavor, and by then, it simply did not matter.
She soon had him fully aroused again, and after showing him how to protect himself and her, guided him into her body. As great as it had felt when she had taken him into his mouth, it could not begin to compare to this.
They spent the next two hours making love in a variety of ways and positions. He let her guide him, let her teach him how to stroke into her slowly, and then pull out so that he rubbed against her clitoris. She set the initial rhythm, but slowly let him take charge. He learned how to use his hands and mouth on her as both foreplay and as part of the actual intercourse.
To Be Continued...
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Seasons of Change
Book 3 - Part 3 of 3 A Losing Season
An Alternative Ending to Seasons of Change Copyright © 1998,2012 Tigger
All Rights Reserved. |
Archiving and reposting of this story *unchanged* is permitted provided that no fee be charged, either directly or indirectly (this includes so-called "adult checks") *and* provided that this disclaimer and attribution to the original author are maintained.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989.
Author's Note: This story represents an alternative ending to Mr. Lawrence's story. It is essentially a parallel universe story where things start out the same, but follow a much different path than the one portrayed in the original story.
This is my second inspiration from this story. My first derivative story, "A Second Season" starts where the original author's work stopped. This story takes place following the day described in Chapters VI and VII of Joel Lawrence's Seasons of Change. Essentially, it is a darker vision than the one I wrote of in "A Second Season".
Setting: The lead male character, Michael Nash, has been suspended from his very elite private school, St. Andrews Academy. With the concurrence of the school dean, he has been sent by his mother to live with her old friend, Jane Thompson who will attempt to teach the young man (late teens) control and self discipline.
"Aunt" Jane employs a "Victorian" type training program to tame undisciplined boys. She does this training by means of a delicately balanced regimen of humiliation and enforced feminine deportment. She is assisted in this program by her housekeeper (Maria) and several business women including the owners of a beauty salon (Carolyn and Sandra) and the proprietor of a combination dress and lingerie shop (Mrs. Franson). The other key player is David/Beth, one of Jane's feminized boys who is still living with her and who is required by Jane to "guide" (and setup) the new student.
Michael knows nothing about this, and is slowly "trapped" into Jane's program of petticoat dominance. Jane forces him to accept her program or lose his chance to return to St. Andrews because the dean will only readmit him after Jane certifies that he has been reformed.
As we begin our account, Aunt Jane, David/Beth and Michael/Michelle have returned to Jane's house from Michelle's initial public outing disguised as a girl. They have visited Carolyn and Sandra at the Marisha Chalet where he was humiliated by their taunting and terrorized during a make-up session as Carolyn's training subject, and at Mrs. Franson's "The Style Shoppe/MiLady's Closet" where he had to maintain his tenuous disguise in the presence of the young female shop clerks while dressed only in lingerie.
Each member of this unlikely trio is flushed with different emotions at the end of their long day of shopping for dresses and lingerie, and of feminine primping at the beauty salon. Michelle has been ordered to go up to her room and put away her new dainties, cosmetics and clothing while Jane and Beth retire to her study.
This story departs from the original tale at this point in time. ~Tigger
So this is what they mean by afterglow, Michael thought to himself. And it really was a thoroughly unique experience, feeling so mellow, eating finger foods while laying naked in bed cuddled up next to a living Goddess. He felt great - never better, except. . .
Except what, he asked himself, aware for the first time that something did not feel quite right. Somehow, something niggled at him at the back of his mind. There was something wrong. No, not wrong, rather there was something missing, but he couldn't seem to pinpoint what it could possibly be. Hadn't they just spent hours making love to each other, giving pleasure to each other. . . .
He looked at the woman nibbling delicately at the hors d'oerves beside him. She did not look like he felt - there wasn't any glow about her.
That was IT! *He'd* received pleasure. He had reached orgasm, but he could not recall anything like that happening to Karen. Didn't women have orgasms, too? Surely, they must or else the human race would not be overpopulating the planet. So why hadn't she reached her pleasure with him? Was he really *that* inept? She hadn't said so, but then again, would she say so? She might be concerned about the reputation of the house if he did not go away feeling like *the* man.
Dammit, that pleasure had been too wonderful not to share with the person who had given it so selflessly to him. Michael wanted, *needed* her to enjoy being with him, not endure being with him. Step one, he thought, was to find out why. "So, Karen . . " he started off handedly, "What do I have to do to give *you* pleasure."
The bite of food stopped midway between her plate and her open mouth. She slid him a look beneath her lashes, before setting the tidbit back down. "What makes you think you didn't?" she asked with a bit of a tremor in her voice.
Gotcha, he thought. "Oh, the fact that you didn't immediately deny it." Michael said in what he hoped was a reasonable semblance of Jane's equanimity. "That and the fact that I don't recall any reactions from you that remotely approached what you produced in me. So, Karen, what did I do wrong?"
Karen's face fell, and she bounded off the bed. Michael was after her immediately and had caught up to her before she could make it out the door. He was shocked to see tears streaming down her face. Gently, he pried her fingers from door knob and pulled her back to the bed.
"Okay, Karen. what is the matter?"
She just shook her head. "You did nothing wrong, Michael. Its just that. . . well, this is your first time, and it is supposed to be wonderful. . .*perfect*," she said just before the tears came harder. "And if you are one of those special guys who needs to give as well as take, you won't find that with me. Please, let me call Jean. She'll get you another girl and you'll see. You are easily one of the most considerate young men I have ever been with, and you will see how well you do once she is here instead of me."
"And if I want to be with you? If it is you I want to pleasure?" Michael asked quietly.
He watched as her beautiful strong body was racked by sobs. He wanted to comfort her, but needed to know the facts. Finally, she regained control and looked him in the eyes. "Look, Michael. You've learned very quickly and you're really quite a cute guy - but. . ."
When she hesitated to go further, Michael pressed. "But, what?" Karen shook her head, her lips compressed tightly, like she was trying to prevent the words from escaping her mouth. "Please, Karen - tell me - so I will at least know the truth."
Her shoulders slumped. "All right. You are really cute for a guy, Michael, but that is the problem. You *are* a guy. I enjoy making love with guys. I find pleasure in giving them pleasure, but I can't seem to reach orgasm with a guy."
It was not the strangest thing Michael had ever heard. It surely did not even come close to a house where boys became girls so they'd become better men. Or where a boy became a girl to wreak retribution on his Mother. "So, tell me. What does get you off, darlin'?"
She gave him a very disgusted "what do you think" look. "Girls, Michael. Pretty, petite girls in frilly, slinky lingerie. I guess it is because I am so gigantic,. ."
Michael interrupted her. "Tall, stacked, gorgeous. I don't want to hear you put yourself down like that!"
Surprised by his outburst, she gave him a momentary, shy smile before continuing, ". .since I am so *tall*, I like the little ones. They make me very hot."
Michael could see her bracing herself for a putdown. He only smiled. "So, tell me, Karen. Any of your girlfriends got some stuff that would fit me?"
Her stunned, unbelieving stare was just about as satisfying as anything else he'd experienced yet today. "You mean. . . girl things? You want to dress up and see if that would help get me really aroused?" Michael nodded, and then watched the emotions flit across her face as she considered that.
"Have you ever tried it like that with a guy? Dressed as a girl, I mean."
"N. . n...no." she said, a considering look in her suddenly intensely dark eyes. "And you would qualify as petite next to me." She thought about it some more. "But I don't think any of the girls would like it very much if I let you borrow any of their dainties, but there is the stuff down in the dungeon." There was just a touch of "put up or shut up" challenge in her demeanor now as she stood to her full height and fixed her eyes on Michael.
Not quite sure he had heard her correctly, Michael swallowed hard. "What did you say? The dungeon?" Michael was a little less certain, now.
Karen laughed for the first time since they'd started lunch. "We have a couple of girls on staff here at the Ranch who sexually dominate guys. You know, tying them up, spanking their bare butts and generally teasing the hell out of them before they finally let the guy get his rocks off. It has gotten pretty popular, particularly with the one time trade, so Jean converted a big part of the cellar into a dungeon. One of the games a lot of guys really like is to be forced to wear girl clothes and being then to be treated like a sissy- slave, so there is a big closet full of man-sized female clothing down there. Jean said that for what your Aunt is shelling out for today, we could have the run of the place. You ready to put her money where your mouth is, Michael?" she challenged.
He just grinned. She hadn't said that *she* was one of those dominating women, so he figured he'd be safe down there. Hopefully.
Standing up, Michael offered his hands to her. "Lead me away, Ma'am. I am ready."
Fifteen minutes later (Michael'd had no interest in staying in the aptly named dungeon *any* longer than necessary), they were back in Karen's room, loaded down with everything from a gaff to a corset to breast inserts to fine hosiery to press on fingernails. One small problem was the selection of shoes stocked in the dungeon closet. Unfortunately, the only shoes they'd had that fit him had spiked heels at least five inches high. Michael wasn't all that sure just how much walking he could manage in those stilts, but decided that he'd at least give them a try. If this worked, he did not expect to be on his feet all that much anyway.
Karen helped him into the corset and gaff, lacing both up tight, and was getting ready to help him with the rest of his transformation when Michael shoo-ed her into a chair. "Just watch." he grinned at her.
And Karen *did* watch - stared at him, in fact, in open- mouthed amazement as he went over to her vanity and began his practiced transformation into Michelle. In very short order, he had teased his still short hair into a sassy, close cropped arrangement of curls. He put on a show for her when he slipped on the smokey stockings, trying his best to imitate the teasing pose he'd remembered from some lingerie shoot in a magazine. Extending his leg to the fullest and pointing his toes, he slowly unrolled and then smoothed the silk hose over each of his legs in turn. As he stood to attach the corset's garters, he stole a peek at his soon-to-be lover's reflection in the vanity's mirror and understood for the first time the phrase "Smoke coming out of her ears".
The look on her face was . . . interesting - very interesting. Her wide open eyes were fixated on his most subtle movement, and a light sheen of perspiration made her face seem to glow in the sun dappled light. She couldn't keep her hands still, and was ringing them in an effort to keep them in her lap. Every little bit, her nose would flare and the tip of her pink tongue would slip out to moisten lips dried by her deep, almost panting breathing.
Michael smiled, very pleased with himself as he sat down again, and began expertly applying Karen's cosmetics to his face. The colors weren't quite right for him, but they'd do in a pinch. Michael wasn't after a particularly classy look in any case.
When he stood and stepped into those incredible heels, Karen's eyes looked glazed as she took in the entire picture. "My god, Michael. . " she breathed. He was surprised her breath did not singe him with the fire he saw in her eyes.
The need in her voice and on her face made Michael shiver in delight. "No, Karen." Michelle's voice answered softly as she sauntered over to where Karen sat, transfixed on the bed and offered her lover her red nailed hand. "My name is Michelle, and I think you still have a great deal to teach me, lover."
With an almost anguished moan of desire, Karen pulled Michelle down onto the bed beside her and ravaged her young lover's mouth with a hungry kiss.
It was well after six in the evening when the two lovers made their weary way back down to the main reception area. There were more people there now. . .men as well as the women mingling, getting to know each other a bit before going up (or down, Michael mused thinking of that dungeon) to the rooms. Michael noticed one relatively short, very voluptuous redhead decked out from head to toe in a electric purple latex body suit that seemed to have been sprayed onto her all over her body. Handcuffs, a paddle and a multi-stranded whip swung loosely from a belt around her waist, obviously ready for immediate use.
Michael wondered idly if he should thank her for the loan of the lingerie, but decided against it. She might get the wrong idea and while he found her to be. . . . unexpectedly sexy and very intriguing, he knew that he was NOT ready for that. Maybe someday, though, he thought taking one last sideways look at the domination specialist. Maybe someday.
They found Jane reading in parlor room of the house's private living quarters. Both of the older women took in the looks of absolute satiation on the faces of both young people. "I take it you both had a good time?" Jane asked.
"Mmmmm. . ..Oh yes." Karen purred. "This man is very, very good," and she almost leered at Michael who was blushing profusely. "Very, *very* special." Jane almost laughed at the stunned look on Jean's face because there was absolutely no doubt that Karen meant every word.
"Ready to head back to the cabin, Michael?" Jane asked with a smile. He nodded. They exchanged farewells, but not before Karen swept Michael almost off his feet with her good bye hug and kiss. Jean could only stare at him, a mixture of disbelief and awe on her attractive features.
"Michael? Sweetie?" he looked up into Karen's sparkling eyes. "Let me know when you are in town next, and I will take a day off to show you around some. Among *other* things."
"You bet, Karen. It's a date." Michael called as he hurried to catch up with Jane.
As they walked out the door, Jane handed him a packaged, pre- moistened towelette. "You missed a bit of your eye shadow, dear." she teased. "Wouldn't do for it to be there when we stop at that truck stop for dinner, now would it."
Michael was in complete agreement on that score.
Excerpt: Michelle's Diary October 9 - Day 85
Dear Diary
Curiouser and curiouser. On the way home, Jane told me what was behind all this. Since I had decided to stay Michelle, she wanted me to know the male side of the equation before I go back to skirts. She wanted me to have something to compare against if I ever slip up and get hot and heavy with a guy.
She has *got* to be kidding.
Strangely, Jane was not surprised at all when I told her about Karen's orientation and how I had switched to Michelle halfway through the day. I know she saw the traces of my cosmetics, but somehow, I don't think that is the whole of it. It is the same kind of feeling I got when I intuited that Karen was not getting the same pleasure out of our lovemaking before Michelle arrived on the scene. There is something here, some little tidbit of information that I don't quite know and that Jane does. So what else is new?
Oh man, the *look* of on Karen's face as I started putting on Caro's special heavy "stalking makeup" like I knew what I was doing was absolutely priceless. Wish I'd had a camera. I will have to tell Carolyn that I used that cosmetics lesson after all. She'll be so pleased to be able to tell me "I told you so." Of course, I don't think she meant for me to use it to stalk a woman.
Okay. . . so how do I feel about losing my virginity and then having to shift to Michelle before my partner got any satisfaction out of my lovemaking? How do I feel about being the submissive partner during Karen's and my afternoon of lovemaking? It is really strange. If I had thought about this situation in advance, I would have thought I'd be upset that I wasn't "good" enough for her, and maybe even a little ashamed that I couldn't get her off "like a man".
Well, as that Jim Croce song that Jane is always playing goes "But that's not the way it feels."
It feels pretty damned good. I was right that something was missing - the pleasure wasn't mutual - it was all one sided. Once I became Michelle and surrendered to her (admittedly, dammit) greater strength, Karen became very excited. The loving was infinitely better. The feeling that I held her total pleasure, her entire being on the tip of my tongue or in my fingers is . . . empowering.
And if I truly gave her that kind of pleasure, how can I be not be a "man"? I wasn't diminished by giving her Michelle. I think I would have been diminished if I had continued only taking and not giving in return as Michael.
It felt good. How can anything that feels that good between two people, that harms no one, be anything but good? Answer: It can only be good. Better than good.
I don't think I would ever hesitate again, to do what it took to pleasure my lover.
Umm. . . well, thinking of that gal with the cuffs and whips, decked out in that latex thing? I might have to think once or twice or even thrice about that one. I think there would need to be a foundation of serious trust there before I could let someone take that kind of power over me. I wonder if that is a leftover reaction to my first experiences with Jane when she was so domineering and so intent on my humiliation? Maybe.
Maybe with Karen - that would be different. Wouldn't that gorgeous, leggy woman look dangerously sexy in one of those shiny latex full body suit things? I wonder if she does that stuff from time to time?
In any case, it is time for Michael/Michelle to go to bed. I am *beat*. But it is a very nice kind of beat.
Michael Nash
Jane sat in front of the fire, a very self satisfied smile lighting her lips. Her boy/girl had taken a big step towards being a real man this day. He had opened himself to ridicule and embarrassment in order to help meet the special needs of another person, putting that person's needs and desires ahead of his own. And in doing so, had received even more in return. A very good day, indeed. She was very proud of her boy. Very proud, indeed.
A Losing Season: Chapter 29.
Excerpt: Michelle's Diary October 14 - Day 90
Dear Diary
Well, we got home late last night, and Michael's clothes were back in the attic closet before bedtime. That's okay, I guess. I missed my bubble bath in that rustic cabin. Showers are all right for Michael, but Michelle likes lounging in a hot froth of water and bubbles.
I have decided I am going to go to that dance with Dennis on Saturday. First of all, because I cannot think of anyway to avoid it, and not call real attention to myself. This one of those times that it would have been nice if David was going to school somewhere closer to New England than Illinois.
Secondly, because I have decided that, just as Jane and Caro have said, I need to learn how to function in these situations as a female.
And finally, because after Michael's *and* Michelle's time with Karen, I am no longer as confused about who I am and what I want. I want what Eric has and what Caro's husband has - a loving relationship with a woman who knows Michael and Michelle, and who enjoys both sides of me. I want children who I will ensure grow up certain of their parents' love. And that leaves out Dennis or any other guy, even if I do find being with them erotically exciting (which I have to admit to myself that I have), because they cannot give me kids.
I am going to wear everything I can think of that will make it difficult for me to get groped. Don't know what Dennis will think of if and when he tries to get cute, but that's his problem. Mine is getting through that shindig without being discovered.
Michelle Nash
Jane hung up the phone and sighed sadly. She'd hated not being able to commit to her friend, a judge in a midwestern city. Unfortunately, the case in question would require her to take charge of the boy early in the New Year which posed two problems. First, if Michelle was still with her at that point, which was still a definite possibility, it was highly unlikely that the girl would tolerate, much less assist Jane's program of petticoat-humiliation discipline.
"Jane?" came a soft voice at her open door. "Are you all right? Is there something wrong?"
She looked up and saw a concerned Michelle peering in at her from the front foyer. Jane shook her head. "Not really, Michelle. Just a call from a friend asking for help I cannot give her."
Michelle walked across the room and sat down in the hated chair on the other side of the desk. Oddly, it did not seem to have any power over her any more. "What kind of help?"
You really don't want to know, dear, Jane thought wryly. "Oh, she just wanted me to take on a project for her, and I could not commit to anything more as long as your training is in progress." she said, attempting to sound positive about the situation.
However, Jane had not counted on the almost empathic intuition her charge seemed to have developed over the past few weeks. She simply looked at Jane for several moments, and then she understood. "That was one of the people who sends you boys." Michelle said flatly. "She wanted you to take on another rehabilitation project."
Nodding wearily, Jane affirmed what Michelle had already divined. "Yes. Judge Ruth is another of my sorority sisters who now sits the bench of a juvenile court in a small city in Ohio. She has a boy she thinks would be ideal for the type of retraining I have specialized in for many years. But the boy needs to be here sometime between mid January and the first of February, and I just don't see how I can do it then."
"I see." Michelle said stonily. "And this woman thinks you can help him? Has she worked with you before?"
Jane smiled. "Of course. In fact, she is the one who sent David to me. He originally was supposed to go to her court, but the local DA was on a law and order kick, and wanted to try David as an adult. Ruth intervened, and with the help of another judge, got David sent to me. He either came to me by way of Ruth's order, or the DA would have him in regular court. They had enough evidence to convict - mostly because David had confessed."
"Is this the same type of thing?" Michelle asked tonelessly.
"You mean jail or here?" Jane raised her hands to her eyes and tried to massage the tension away. "Appears so. Ruth thinks he could be salvaged, but not if he ends up in the state prison."
"So why didn't you take him on? I mean, it is what you do, isn't it?" Michelle's tones were aggressively accusatory.
"What I used to do, Michelle. You are here, and even if you were not my first priority - which you are - I could not bring a young man in here for my usual program with you living here. At best, you'd be sullenly neutral, and at worst, you could undermine everything I was trying to do with him. I know you don't think much of what I do, Michelle, but having you here trying to thwart me at every turn would do the boy far more harm than good." Jane shrugged, trying to consign the feeling of failure away. "Now, that is enough on that subject since it is not going to happen. Were you looking for me?"
Pensively, Michelle replied. "Mmmmm yes. I wanted to tell you I had decided to accept Dennis' invitation to the Harvest Festival Dance at his school, and wondered if you and Maria would like to help me go through my closet and pick an outfit."
"Of course, dear. How about after dinner?" Michelle nodded her agreement and quietly left the room. Jane wished that the girl had not walked in on the end of that conversation or had not figured out just what the "project" had entailed. In any case, her initial response seemed to support Jane's worst fears. Too bad for the boy, she thought sadly, but her commitment to Michael had to come first.
Excerpt: Michelle's Diary October 15 - Day 91
Dear Diary
Jane's going to refuse to take on this student because of me. I guess I should have expected that she'd be asked to accept new soon-to-be-sissies while I am in residence, but it never even occurred to me. Jane's assessment of my reaction, I am afraid, was dead on the mark. I probably would have tried to thwart her - especially now that I know just how hard she worked to make those terrorizing outings of hers safe for us. And if the boy knew that there really was *no* danger, Jane's power to accomplish anything, bad *or* good, would be severely limited.
Only now, I am not so sure what I think or what I would do. Heck, I wasn't sure when I walked out of the study. Jane was too depressed, and it did not seem to be the "oh darn, I won't have this boy to humiliate for my pleasure" type of disappointment. I think she is honestly sad that she won't be able to "help" this guy turn his life around. One thing I have come to believe without question is that Jane *believes* what she does with "her boys" really does help these guys.
The question I have had to ask myself is "Am I the only one who, having been through her treatment, feels the way I do about Jane's little program?" I turned to the only three sources I know - Bill, Caro's husband, Eric and David.
Evidently, I am. David, who knows this judge, said she was a square dealing lady who really tries to help the kids she has to deal with to the limits of her power. And he's already told me that he is grateful to Jane for taking a chance on him and helping him get past his problems. Bill, of course, is one of Jane's biggest fans. He'd have to be, or he couldn't live with what Caro does to help Jane.
By the time I got through to Eric, I was more confused than ever. He just said, "Michael. Jane's program did not work for you. You had issues she did not expect and very firm plans for your future that were completely incompatible with the person Jane wanted to make of you. Not only that, but because of your attempt to take your own life, you never completed the program. So, even if you had completed her training and it still did not work for you, all that says is that you are the exception among us who proves the rule. She *has* helped the rest of us. Just as she is helping you now that she better understands what you need. She may come on like a stone cold bitch, but that is necessary for what she does, and covers, as I believe you are beginning to discover, a very concerned and caring spirit."
Yes, Eric, I have figured that all out.
Okay. . .so what do I do? I am obviously a problem. This judge, who thought enough of David to send him to Jane, thinks the same about this guy. If she can't send him to Jane, it is almost one hundred percent certain that he will go to jail, which statistics say is not going to help him. Everyone _else_ who knows about Jane thinks her evil games are useful and beneficial, at least they think that after the fact.
If I do nothing, the guy goes to jail. I just don't know if I can do to another person what Jane made David do to me!
I do _not_ need this in my life.
Michelle Nash
When the evening meal was complete, Michelle spoke up. "Jane, could I please speak with you and Maria both? Not quite a time out, but almost?"
A hint of a smile shadowed Jane's drawn features. "Well, that certainly is clear. What does that mean? You don't shift into Michael-mode?"
Michelle nodded. "That's about it."
"All right. Maria, get the coffee and join us in the sitting room."
They sat on opposite sides of the coffee table, Jane and Maria on one side, Michelle on the other. Well, Jane mused, at least I can tell the players on each team. Us against her by all indications. Oh well. "All right, Michelle. This is your conference. What is on your mind?"
"How important to your program is the senior student?"
Whatever Jane had thought might be bothering her ward, that question had been completely unexpected. "Well. . . I am not really sure. I have only had two or three boys, including my very first, of course, who were here for their entire stay without an experienced girl to help guide them and to play good cop to my bad cop."
"But Maria could do that "good cop" thing if it was necessary, couldn't she?"
"As I have done in the past, I'll have you know, Ms. Nash" Maria answered pertly.
"Jane. . . I don't really know if I can help you like. . . like Beth helped you with me, but I am willing to try. I figure I will be going back to school during the day while he's, . . . . or rather while *she's* being indoctrinated," Michelle decided not to say what she was really thinking, "So I wouldn't be here to hinder your efforts. If you plan it carefully, you could schedule the harshest of your little games so that my "good cop/guide" would be available afterwards. I could help him with his petti's and with his other girl things, like Beth did for me, too. I just don't think I could set him up the way you made Beth set me up."
Jane had been completely unprepared for this type of compromise offer from her one failure, from the one she had almost driven to suicide. "You think you can do that, Michelle?" she asked softly. "Because if we accept this boy, he cannot have foreknowledge or nothing good will come of it."
"I don't know, Jane, and that's the God's honest truth. If I don't see the really . . . nasty stuff," Michelle saw Jane wince at that, but had to give her the unvarnished truth, "I think I can help without hindering in the type of limited role I just proposed."
Considering the possibilities, Jane nodded. It just might work. She could schedule most everything that really tore down the male ego and shattered his overblown sense of pride for times when Michelle was in school. There was only one thing.
"It seems like it might be workable, Michelle. Except one of my most effective exercises that helps the new student realize I am serious is to punish the senior student. Recall Beth going into her Raggedy Anne little girl clothes, and being forced to play with little girl toys. Normally, I don't have to tell the senior about that - I just do it to them and both students get the object lesson. Could you, or maybe it is closer to *would* you let me do that to you? For some manufactured failure on your part, in order to guide my new student? I won't be able to tone it down. It will be as real as if I were really intent on punishing you, and you will have to take it like that for the lesson to be effective."
Maria piped up. "It wouldn't be so bad, chicka. I promise to sneak you a snack after the junior goes to sleep when Jane orders you into your little girl jammies and sends you to bed without your supper."
Michelle smiled at that. "I can handle it, Jane, just like I can handle going to a dance with a guy, or any of the other things I have done in the past months. I guess I have trusted you this far, I need to trust you again." And then a glimmer of a mischievous smile tilted her lips. "But I will be watching you, Jane. *Don't* enjoy it *too* much."
Everyone laughed at that. "All right, I promise to try and hate every minute of it. Don't think I will succeed, but I promise that I will try." she took a breath. "And now, I think we should go up and go through your closet. We may need to go to Mrs. Franson's if you don't have a suitable outfit for the dance."
Excerpt: Michelle's Diary October 15 - Day 91
Dear Diary
I agreed to do my best to help her, and not to hinder her. Best I can do on this. Maybe, as an observer, I can be more objective about the process. Who knows?
Jane told me that the harvest festival dance is actually sort of a "barn dance". Most of the girls go in jeans and plaid work shirts. That suits me just fine. My one concession to fashion will be a low pair of heels, since I do not have any feminine boots. The jeans will work just fine, since they will make it much harder for Dennis to take liberties.
Michelle Nash.
"Michelle?" Jane called to her from the front parlor. "Please sit down. I have a question for you. From our conversation last night, you have evidently decided to go back to school here as Michelle and not to return to St. Andrews?"
"Yes, Aunt Jane. I will never again fit in at St. Andrews" and here she swept a hand down her very feminine presence, "now. And if I stay here, we've agreed I need to stay as Michelle."
"Very well. I will arrange for appropriate physician's orders for you not to participate in gym class or have to go to their school nurse for medical examinations. Other than those two situations, I believe you are up to the task. Do you know what you will study?"
"College prep - I am mostly done. One thing I did not do at St. A's was mess up academically. I could probably pass the equivalency tests right now, taking them cold." and then a bright smile lit Michelle's face. "And it seems to me, I was told I needed to take Home Ec."
"Smartie. All right, I will arrange everything right after Christmas. In the meantime, I will do what I can to fix your records so that no one will question why you are showing up as a female."
"Thanks, Aunt Jane. I really appreciate all your help."
Jane watched her young charge sail out of the room with just a touch of melancholy. She never would have believed that Michael would be willing to meet her halfway on the subject of another student, and he had come more than halfway. Now he was blithely planning a life with her into the future. It sounded surprisingly nice to Jane. It had been a very long time since she'd had a family. Oh, she had Maria, but Maria did not *need* Jane. Michelle did. Jane hoped that in the fullness of time, she still would.
Excerpt: Michelle's Diary October 20 - Day 96
Dear Diary
I survived the dance, and Dennis survived his attempt to neck with me after the dance. But it was a near thing. Oh, the kissing was okay, and yes, it did make me hard again. However, when he got a little too cute, like trying to pull down the zipper of my jeans and then pulling my hand over onto his own hard-on, well, that ticked me off.
I put my hand on his crotch all right - right where it would do the most good and squeezed rather hard. Then I just smiled, and asked him very sweetly to take his bloody hands off me, and to take me home. Which he did, lucky for him.
He failed in his obligations as a gentleman to see me safely to my front door, too. Could not get the hell out of dodge fast enough once I was out the door and out of range of his family jewels.
Jane would probably call this an "object lesson". Michael would probably have tried much the same stunt half a year ago. Would have tried to make the girl feel guilty that she had "teased him" and then not "followed through on her promises"
Well, I did neither. Any "promises" were *only* in his fevered little brain.
I cannot say I like the comparison between Dennis and Michael being quite so close.
And I am NOT going out with that jerk again. I noticed tonight that there were several of the other girls from Wednesday's classes who arrived unescorted. They danced to their hearts' content, but when it came time to leave, they did not have to deal with any overactive male libidos. Hopefully, they will let me tag along with them next time. I think there is another dance a couple of weeks from now, and I really enjoyed the partying with the other kids.
Live and learn. Being Michelle does have its little pitfalls.
Michelle Nash.
A Losing Season: Chapter 30. The Future and Decisions
Excerpt: Michelle's Diary November 14/15 - Day 120/121
Dear Diary
God, what a mess. I don't even know what to do or who I can turn to. Jane would just go ballistic, but there isn't anything she can do without exposing me. And nothing *really* happened, it was just the intent. That was more than enough.
It just pisses me off that those two slugs are going to get away with it.
Just the facts.
I went to the Saturday dance with a bunch of the other girls from Caro's Wednesday class. Everything was fine - I was getting a few dances in and having fun. At about 10 pm I went to the ladies room. When I came out, I was ambushed and dragged off into an empty classroom by two guys in ski masks.
I am 99 and 44 hundredths percent sure that one of them was Dennis. The other one held my wrists and forced me to my knees, while "Dennis" undid his jeans and pulled out his cock.
They told me I was going to suck them both off, or they were going to have to hurt me. The one behind be was very strong, and I could not free my wrists from his grip, and the one I think was Dennis just started shaking himself in my face.
I tried to turn away, and so the one behind leaned down so that he could make his threats in my ear without having to speak loudly enough to be heard outside the room. That was his big mistake.
I snapped my head back so that the crown of my skull smashed right into his chin. He grip relaxed enough for me to free my wrists. Then I brought both of my forearms up into each of their groins as hard as I could. "Dennis" got the worst of it because his testicles were out hanging free where I could see them well enough to aim. The other one was wearing tight jeans that I think shielded him a little, but he still went down like a rock.
I was out of there, running as fast as I could go, only to be met by Anna and the other girls who had come looking for me. They saw the state I was in, and took me back into the ladies room to clean me up and fix my face.
I didn't tell them the truth. Only that two guys had shanghaied me, and pulled me away to steal kisses and to cop a few feels. One of them told a chaperone, but by the time he got there, the boys were long gone. Just as well, I guess. As I said before. What could we possibly do.
Anyway, I managed to convince everyone that it was not really a problem - just one of those stupid adolescent things guys do. There was no harm really done, so could we just forget it?
No harm. Right. Bullshit. I'm not bleeding and I did not *actually* get raped. It just *feels* that way.
This *does* however constitute another of Jane's object lessons. At least, that is what I keep trying to tell myself. As Michelle, I am perceived to be weak and vulnerable in ways that I never would have been as Michael. Never mind that Michael and Michelle are just the same size, and just the same strength, Michael would *never* have been attacked this way.
And Michelle *is* vulnerable. I have to deal with that, somehow. I can't sleep because every time I close my eyes, I see that boy waving his penis at my face. I wish I had marked the sons of bitches somehow, so that I could find them later on. I can't even be sure it *was* Dennis, and I have no idea who the accomplice was.
So I cannot get even on my own. I seem to be spending a lot of my time worrying about getting even. If this was Dennis, that may have been his motivation, too. Getting even for my threatening and humiliating him after the Harvest Festival Dance. Guess that is an object lesson, too. Being on the receiving end of an "I'll show you" ploy is not very nice.
Michelle Nash
Jane watched Michelle covertly from the entrance to the sitting room. Something was bothering the girl and had been bothering her for several days, now. A spark had died in her, and Jane did not know why.
"Michelle?" she asked, moving into the room. "Are you all right?"
A sad smile answered her. "I am okay, Aunt Jane. Just feeling a little under the weather."
"Do you want me to call Nurse Nora, Michelle?"
Shaking her head, "No, thank you, Aunt Jane. I will be fine."
"Do you want to talk about whatever is bothering you?"
"Nothing's bothering me!" Michelle snapped with far too much vehemence.
Brows lifted, Jane looked at her charge. "I see. Well, if you change your mind, let me know."
The girl moved so quickly, Jane was not ready to find herself locked in a fierce embrace. "Thanks for caring, Aunt Jane." she whispered, and then ran from the room.
Whatever was bothering her, Jane mused, it was definitely something she wanted to try to deal with alone. Jane had to respect that, but she hoped that the girl would be able to do so on her own.
Excerpt: Michelle's Diary November 19 - Day 125
Dear Diary
Jane is worried about me. I don't know what to tell her. Last night, I slept without nightmares, although Michelle does sometimes get lost in thought thinking about it. Even that has happened fewer times today. I don't know why I am coming out of it so quickly. That is not the way my books on psychology say women recover from this type of experience. So, maybe it is the part of me that is mostly Michael that is responsible, but I think I am coming to grips with this incident, and starting to put it behind me.
Or is it just that Michael is able to ignore how he feels and that is, to some extent, shielding Michelle who is feeling very used, dirty and frightened? Maybe both. Of course, if Michael ever slips and is forced to confront these feelings, it could really get ugly.
God, I was *so* scared!
Still, Michael was able to protect himself, and in the process was able to protect Michelle. That means a lot to me, when I allow myself to take a "male" view of the incident. That was pretty hard to do for a couple of days when the memories were so overwhelmingly fresh. But Michael "helps".
Maybe this is part of becoming Jane's better balanced personality - in some situations the male side of me is better able to cope, and in others, the female is the stronger one. It is a matter of being both, and relying on both to see me over the rough spots.
Each to his or her own strengths and abilities? Makes sense to me, but I still think this is going to bother me for a very long time. Hell, I even bought a can of pepper spray yesterday, not that it would have been of any benefit the way those two assholes got to me. Still, as long as I can let Michael deal with the worst of it, I can move on and I can function as Michelle.
Wonder what Eric or Dr. Spinelli would have to say about all this? Probably say I am rationalizing and internalizing and that it is going to bite me in the butt eventually. Well, it is my butt, and one thing Jane has taught me. I have to try to do things as best that I can.
In any event, I am not going to any more of those damned dance classes. Good ole Denny's mom might object to seeing her little darling writhing in the fetal position on her nice pretty dance floor trying to find his balls.
Michelle Nash
Jane kept casting looks across the breakfast table where *Michael* was sitting, calmly eating his preferred morning meal of yogurt and cereal. She did not mean to be rude, it was just that every time she glimpsed the young man out of the corner of her eye, it surprised her. She simply wasn't used to having Michael at her table instead of Michelle.
The day was Thanksgiving, and Jane had planned a huge holiday feast with all of her local friends attending. After reviewing the guest list, Jane had realized that everyone of her invited guests was someone who was already in on her and Michelle's secret. That being the case, and since no one else was likely to visit on a family holiday, Jane had offered to let her ward attend as Michael.
Michael pretended to be unaware of the looks he was getting from both Jane and Maria, just as he pretended not to notice the lack of their normal breakfast banter. Maria, who usually found something to tease Michelle about, had only set Michael's breakfast in front of him. She hadn't even asked him if he wanted anything different for a change. As for Jane, she kept her nose buried in the paper when she wasn't trying to avoid staring at him. She did not read him a single amusing line or share any of the comics with him as she always did with Michelle.
It was a bloody uncomfortable experience. It had not felt like this in Tahoe, but then, Tahoe was neutral ground. This house was Jane's private world, and while Michelle was a part of that world, Michael was not. After finishing his breakfast, Michael excused himself, received only a nod from Jane, and went into the sitting room to read.
Unfortunately, the entire morning went that way, with everyone who showed up. The only exception was Bill, Caro's husband. Sandy and Brenda Franson had stared at him in open mouthed disbelief when Michael had met them at the door. Caro had wrinkled her brow questioningly, but at least she had broken down and given him a greeting hug.
However, the absolute worst part of the morning had been in the kitchen when he'd offered to help with something. He had been very graciously and very firmly rebuffed and told to go watch football with Bill. Michael had not felt so alone since David had left for college.
A very moody Michael sat stolidly in the recreation room, staring at the television and seeing nothing.
"It's not you, you know." an amused Bill said gently. "It's them."
Michael snapped out of his fugue to look up at the older man. "I don't know what you mean."
"I saw the look on your face when Caro did not immediately hug you as she does when she greets Michelle. And I saw your dejection when they chased you out of the kitchen just now." Michael turned his head away, afraid he would lose control and begin to cry. "Like I said, it's their problem, not yours. While they have all become very fond of Michelle, they just don't know how to relate to Michael. I don't want to hurt your feelings by saying this, but they've forgotten that *Michael* is no longer the insensitive clod who originally arrived here. They don't realize that their unthinking rejection of you has hurt your feelings."
"How do you see that so clearly?" Michael asked, unnerved by Bill's perception.
"Been there, done that, got the bra and the pantyhose to prove it." he quipped, drawing a laugh from Michael.
"*They'd* be hurt if I pointed it out, or told them how I was feeling. And I don't want to do that to them."
"So don't. It is their problem. Don't let it ruin your holiday."
Michael became silent at that point, as he ran through what Bill had said, over and over in his mind. He did not want to hurt any of them, but this *was* going to ruin his holiday. And probably theirs as well, he conceded.
"Excuse me, Bill. I need to go get something."
Bill gave him a wave, and then smiled broadly at the retreating back of Michael Nash.
"I think I am going to have to leave before dinner, Jane." Brenda Franson was saying as the women sat around Maria's table, finishing up the hors d'oerves for today's feast. "I really need to go to the shop and finish the last minute details for my After Thanksgiving rush crowd."
Jane was about to protest, when another voice spoke up first. "Please don't, Mrs. Franson. At least stay for dinner, and then, if you really need to go work at your shop, I will go with you to help you make up for the lost time."
The women all turned to the kitchen door to see Michelle standing there wearing a green and red dress that Jane had bought her for the holidays. "Michael?" she asked, "but what are you doing in . . "
"Michelle, Jane." her ward corrected. "Do you see any Michaels around here? How about it, Sandy? Do you?"
Sandra burst into laughter, and was soon joined by the other women. "Hell no, girlfriend. Not a sign of one."
Michelle then entered the kitchen from which Michael had so recently been banished, rubbing her hands together theatrically. "*Now*, is there any way I can help?" she asked plaintively. Five sets of hands reached out to drag her to the table.
It was a great holiday, the best Michelle *or* Michael could ever remember.
Excerpt: Michelle's Diary November 28 - Day 134
Dear Diary
What a wonderful day. After I made the switch back to Michelle, anyway. Bill was right. They weren't prepared to deal with Michael's presence. Brenda almost left, but she stayed the whole day once I was Michelle again.
Just another thing I would never have believed back in July, but today it was important to me that all of Jane's friends relax and have a good time. And for that to happen, I needed to be who they expected me to be. Actually, I gained far more than I lost on the deal. Michael could have watched *every* football game, but he would never have been accepted into Maria's kitchen domain. That was special. Besides, Brenda is one of those people who puts the word "fan" in "fanatic". I got to watch all the football I wanted once we'd eaten and finished the cleanup.
So I guess I am a different person than I was. Even as Michael, because the BJT (Before Jane Thompson) Michael would not have cared a fig for the comfort of others. Most especially, he would not have given a damn for the comfort of Jane's little cadre and *certainly* would never have willingly become Michelle to ease their tension.
And, I also guess that, strange and impossible as that may have seemed in July, these women have become Michelle's friends, too. Which was the primary reason that I changed.
The only real down-check on my day is that Michelle still wears that darned body shaper and *that* tool of torture most *definitely* makes Michael's eyes bigger than Michelle's belly. Oh well, everything tasted wonderful - what little I could get down. And, I am not as likely to get assigned extra crunches and extra minutes on the StairMaster by Sonja after my weekly Monday weigh-in. Every silver lining has a cloud. Or something like that.
It was a grand day!
Michelle Nash
Jane sat in her den, sipping a brandy and watching as the flames in her fireplace danced and flickered. She was so incredibly proud of that boy. She'd realized far too late that it had been a mistake to allow Michael attend the party instead of Michelle. However, once she'd given her okay, it would have been churlish to order him back into skirts just because her circle of friends did not know what to do around the boy they'd all had a hand in making over into a girl.
But the young man (not a boy any longer, Jane reminded herself sternly) had sensed what was wrong and had cared enough to do something about it. He had come so far in the past months; had learned so much more than he'd ever known, had matured so far beyond the juvenile delinquent who had been suspended from his school and then deposited on her doorstep by his Mother.
She just wished he had come far enough to turn away from his stated goals as Michelle. But it was probably too late for that now, anyway.
Chapter 31. Attack Imminent
Jane stood outside the door of her front parlor, knowing that this had to be done, but wishing she could just forget the whole thing. She sighed unhappily. She *had* given her word, she thought. At least twice, and it all came down to this. Steeling herself, Jane moved into the room where Michelle sat reading yet another book. Probably psychology again, she thought.
Michelle looked up from her book, a blank expression on her perfectly made up face. She looked so completely feminine, Jane mused not for the first time. In all of her years of training young men to look and behave like young women, not one of them had approached the level attained by this one. Which made it all the sadder that her motive for achieving all this perfection was the accomplishment of so base a goal.
The Laura Ashley sweater and skirt combination were set off by opaque white stockings and low heeled black pumps. Her jewelry was tastefully selected and was completely appropriate to her age and her apparel. Her manner was refined and gentle. She looked like a young lady who had just returned home from Sunday services. Which, with the exception of truly being a lady, was exactly what she was. It had amazed Jane when Michelle asked if they could go to church to celebrate the start of the Christmas season, but she had given her assent. They'd both had a lovely time.
Indeed, she *was* perfect.
"Yes, Aunt Jane?" Michelle finally asked, breaking the odd silence between them.
Jane shrugged inwardly, and pressed forward. "Michelle. I know it is still very early in your training, but I have what may be a once-in-a-lifetime opportunity here that you should consider." She handed Michelle a piece of gold-gilt parchment and then stood by in silence as the girl read it.
"This is an invitation to my Mother's engagement party next month. So, she has finally managed to get one of her boyfriends to come up to scratch." Jane watched her pupil, and was surprised to see that, although her words had been harsh, her face had reflected no such emotion. Either Michelle had become very good at masking her feelings, or the girl did not actually find the concept of her Mother remarrying as distasteful as she let on. "What has this to do with me, Aunt Jane?"
Jane took a seat on the chair next to Michelle. "I should think that it would be obvious, pet. We could both attend that party together and you would have your chance to get even with her Mother. Many very powerful and influential people will attend this event. Her fiance will be there. What better time could there be for you to face down your Mother and force her to acknowledge what you've become and what she's lost." Jane had spoken in very calm, very reasoned tones, as if she had absolutely no doubt that Michelle could accomplish such an end.
Michelle stared at the mentor she had recently found herself caring about deeply. Could she really mean that? Could they really do something that . . . that total? Michelle shook her head, trying to clear her thinking, and failed. It was all too much, too soon. "Too soon." she repeated those words aloud, hoping to convince Jane and herself. "I am not ready for that type of event, Jane." Her voice held a touch of panic. "Maybe a year from now. . .Maybe. I mean, really Aunt Jane, I have only been doing this for a few months. I could never hold up under such demanding scrutiny as I'd have to face at that party. No, I need to learn much more."
Jane chuckled at her young friend's panic and prevarication. "Now, Michelle," she soothed, "You've held up just fine at any number of dances and parties with the local teenage crowd. I assure you that none of the people who are at that party will be quite so forward as a seventeen year old male in heat." Michelle blushed at that reminder of a recent party where she'd been forced to threaten to knee one suitor in the groin before he finally backed off.
"Wish I'd never told you about that one." Michelle muttered under her breath.
"Well, you did, but that is beside the point. What is to the point is that, with the exception of a few of the young men at the party, no one is going to look at you twice. The women are going to ignore you because you are far more beautiful than they, and the men will ignore you because their women will be watching them. You can mingle or dance or even play wallflower, as you choose, but you will be there and your Mother will see you. You could tell her that her son is dead to her when we make our final good byes to her."
Michelle wasn't sure how she felt about that idea just now. It was one thing to think about, to fantasize about, but to actually go out and intentionally hurt someone? Even if his Mother surely deserved everything he could do to her? But isn't that what you want??, her mind screamed, only to be answered by another part of her brain - I *don't* know! She needed time. Time to think. Time to get her priorities back in order. "I don't know, Aunt Jane. I just don't think I am ready."
Jane simply shook her head. "You are never going to be any better than perfection, Michelle. You *are* ready. If we are going to go through with this, it would be best to do it as soon as possible. Furthermore, your Mother will never be more vulnerable than she will be on the day of her engagement party, particularly if she really does love that man."
Michelle considered that. "Do you think she really does? Love him, I mean."
"I don't know, Michelle. I do know that your Mother has had any number of affairs over the years since your father died with men who would have been more than delighted to wed her. If she is marrying this one, then either she does truly love him, or she is broke and needs the money that marrying a wealthy man will bring her."
"No." Michelle responded firmly. "She is still wealthy beyond anyone's needs. The annual income on her share of the stock from my father's company alone is in the seven figure range."
"Then I think she must have genuine feelings for the man." Jane said with great finality. "So. Do I RSVP accepting, or tendering our regrets?"
"Aunt Jane? Speaking of finances, I won't come into my trust fund for another three years. What if she cuts me off after this? I won't have any income and likely no place to live."
Jane squelched that argument quickly. "I told you, Michelle, that I would take care of you until you reach your majority and can take charge of your trust. That promise has not changed - will not change. Please trust me on this. I won't let anything bad happen to you because I care about you. Okay?"
Wonder shown in Michelle's eyes as she absorbed Jane's last words. The girl/boy was so hungry for simple affection that it made Jane hurt. Dammit, she thought, regardless of what Barbara wanted or had to do, this child needed love. Well, she'd just have to see that he got it in the future, wouldn't she?
A tear cut a path down Michelle's cheek, and she flew into Jane's arms. "And .. .and I care about you, too, Aunt Jane."
Before the shocked older woman could react, Michelle jumped to her feet. "Aunt Jane, please excuse me, but I need to go somewhere and think." She was out the door before Jane could reply.
Once she was certain the girl was not returning, Jane allowed herself to relax for the first time since the engraved invitation had arrived. And remembering the surprise hug, she also allowed herself to smile.
Excerpt: Michelle's Diary November 30- Day 136
Dear Diary
Well, my chickens have come home to roost. My Mother is engaged to be married and is holding a gala society ball at the South Hampton house as an engagement party. Jane was invited, which I guess means that I have been invited, too.
This wasn't supposed to happen for months, years even. I mean, it's always been the back of my mind, but I never thought it would be so soon. I thought I would have much more time to prepare myself for this, and now, it is almost upon me.
I cannot understand how I feel right now. I should be excited about this, gleefully anticipating the scene I would make as I told her of her son's demise. I mean, it is the perfect opportunity for the maximum possible effect, to really show her just what she condemned me to suffer when she sent me to Jane last spring.
But am I ready for this?
God, I don't even know why I am so confused!
And as for passing at the party, Jane was right about that as well. Actually, Jane does not know the _real_ story. How could I tell her that I was not merely groped by two Neanderthals instead of one, and I was nearly raped. Since that Dennis, that son of a female dog, is a homophobic idiot, I have a damned good notion just how well I am passing as a female these days.
So fear of not passing is just an excuse, exactly as Jane said.
Well, I guess all this means I have to go. There may never be another chance like this, and I have to open the door when opportunity's knocking this loudly. Because if I don't do this, then everything I've done for the past five months, everything I've endured from that damned gaff to the actual abdication of my masculinity, would have been for nothing.
So, it appears I must go to my Mother's engagement party.
Shit. I bet this means another shopping trip.
Michelle Nash.
Chapter 32. Battle Planning and Logistics
Actually, it was several shopping trips. Mrs. Franson's store, The Style Shoppe, carried a nice selection of very smart dresses and gowns, but she had nothing really suitable for a New York society débutante attending her first ball. At least, not in Jane's or Mrs. Franson's estimation. Oh, no. *This* gown had to be perfect - one of a kind. It had to be hideously expensive and a designer original.
Jane swept her unhappy student off to Boston where a well known fashion designer fitted her a ball gown. Fortunately, the glued on prosthetic breasts and Caro's special cosmetic blending compound held up through that ordeal; Michelle looked completely passable, even in her lingerie. The strapless bra gave her support and the special gaff designed to look like a g-string panty kept Michael in check, as well.
The designer was a little miffed that both Jane and Michelle steadfastly vetoed every one of her attempts to tease them into a lower neckline that would "properly show off your lovely bosoms, dear."
Which, of course, was one of the few things that the dress could *not* show off. Caro's body paint worked just fine in the relative sedentary, cool world of the fitting room, but it would not be so effective over several hours in the body temperature heat at Michelle's Mother's ball. At some point during that long evening, whether it was in the middle of a crush of other guests, or when pulled tight against some male's body, pretending to waltz, the stuff would probably melt and get rubbed off onto her dance partner's tux or some woman's bodice. Jane and Michelle had too much respect for the whimsies of Mr. Murphy to permit the designer to have her way.
Finally the designer surrendered, and instead proposed a dress with a high neckline designed to show off Michelle's lovely long throat. That worked very nicely. Michelle even modeled the five stranded pearl choker with antique cameo she intended to wear with the dress during that initial fitting.
The initial fitting went off without incident, and even better than Jane had dared hope. However, the long period of standing absolutely still, while under the close scrutiny of the modiste, had been a nerve racking experience for Michelle. Thus it was a very relieved Michelle who finally scurried away from that shop as quickly as Jane would let her.
Amused, Jane permitted the headlong flight for about a block before she reined in the girl. "Stop worrying, Michelle." Jane chided gently. "The worst is over. She'll even be coming to the house for the other fittings, and you will be able to change into the gown in the privacy of your own room. Now, Betty Franson can handle the lingerie and hosiery for us, and you already have your jewelry, so we don't have to worry about those. Let's see. . . ah yes, the shoes." she all but sighed with pleasure at the thought of their next stop.
Excerpt: Michelle's Diary December 2 - Day 138
Dear Diary
I wonder if I need a tetanus shot? After the fifth or sixth time we told that bitch that I was not going to be showing off "my lovely bosoms", those damned pins of hers started sticking me more than they did the darn dress.
As for the dress - well, I just don't know. I still can't tell what the thing is going to look like at this point - but Jane can and she is positively rhapsodic over it.
I just hope it works for me.
I need sleep. Jane has had us both on the move since before seven this morning, and we finally finished what we could at about six tonight. Another thing I don't want to think about is what is it that we couldn't get done. How could there possibly be any more?
Michelle Nash
Jane smiled happily to herself in her room of the large suite she had rented in Boston. Michelle was sound asleep in her own room, exhausted from her ordeals. Still, she'd held up well, and had only come close to panic once - when she'd had to strip down for the modiste. Even then, she had only behaved like a shy, well bred, if somewhat sheltered young woman asked to undress in front of a stranger.
Jane had thoroughly enjoyed their day of shopping. She'd almost forgotten the simple pleasure of just shopping for pretty things with another female. Oh, she went on innumerable "shopping" expeditions with her sissy boys, but those excursions were intended to scare the panties off the little darlings. The problem was, Jane could never relax her vigilance during those jaunts, because although she only frequented the establishments of women who were in on her secret, there were usually other people in those popular stores who were not. Jane had to be constantly on the lookout for *real* danger while Betty or Caro or Sandy worked on and worked over her little sweeties.
Not so today. Michelle was so close to actually *being* a woman, that sometimes Jane found herself forgetting that her ward was physically a male. Today had been just such a time, and although Michael would deny it with his dying breath, Jane and Michelle had had a wonderful time. The little minx had even teased the hell out of that poor shoe salesman with her lovely legs as he fitted her for a pair of hand made pumps to match her gown. Yes, today had been great fun, and Jane had almost been able to forget the disaster that was looming in her future.
Almost.
Excerpt: Michelle's Diary December 5 - Day 141
Dear Diary
I had my first home fitting of the new gown, today. I have to admit that Jane had it right. My dress is going to be gorgeous. The only downside is that the darn thing has to be white, since this is my "coming out" and débutantes are always arrayed in white purity when they are first presented as "virgins in society". Some stupid tradition left over from Regency England, I'm told. *I* wanted something festive and bright, maybe jewel tones selected to match my eyes, and to knock the eyes out of whoever sees me in it.
My god. . . .what did I just write?
Oh hell. Honesty time again. Yes, I *love* the dress. It makes me look and feel pretty, and that makes me feel good. Certainly better than I ever felt about myself back when I was a male.
*When I _was_ a male?* What the hell do I think I am *now*?
Interesting question, and one I am not entirely certain I want to or even *can* answer. However it is abundantly clear that Michelle is no longer just a disguise or an means to an end. I really do not know where Michael ends and Michelle starts. I guess that is what Eric and David meant by saying they were both themselves and their feminine alter egos.
Which begs another question. If next month at my Mother's party, I do finish what I started so many months ago, what happens then? In particular, what happens to all the planning Jane and I have done so Michelle can go to school? What about my little "sister"?
Or do I go back to being Michael? Or even *mostly* Michael? I don't really know anymore. I really have never given any thought to anytime or anything beyond my giving my Mother what she seemed to want of me. Jane has said I will always have a home with her, but it goes beyond that.
I've said I want to go to college, and Jane has said that she could arrange that for me as Michelle. But that was when we thought the masquerade would go on much longer than a mere five or six months.
Well, the first thing I will do once this is over is take charge of my life and figure out what *I* want to do with it.
The strangest part of all this is that I am more excited about the dress than I am about achieving my six month goal.
And I don't even want to think any more about that little concept.
Michelle Nash.
Excerpt: Michelle's Diary December 18 - Day 154
Dear Diary
Well, tomorrow is the point of no return. The party is the day after so tomorrow we will take a ferry from somewhere in Connecticut down to Long Island's Montauk Point where a car will pick us up. We will be spending the night with one of Jane's friends (not Mother) because Jane does not want to take the chance I will slip up and expose myself to my Mother before the party. "If you are going to do it at all, dear, then do it where and when it will have the greatest effect."
Jane would have made a hell of an army general.
The dress is done, and is packed away lovingly by Maria, ready for transport to our destination. Maria cried when I modeled the full outfit for her, and wasted an entire roll of film. She had me parading up and down the stairs, doing the "Scarlet O'Hara gliding down the front hall grand staircase at Tara" thing, or slinking down the runway like some kind of high fashion model showing off the latest Bill Blass creation. Well, at least I learned how during my part time job as a model for Mrs. Franson.
Well, maybe it's not entirely a waste - the dress is absolutely gorgeous.
I wonder if she will let me have some copies of the better shots? Just for souvenirs.
As to what I will do the night of the party, my mind is no clearer than it has been since Jane first told me we were going to face my Mother.
In my darkest heart, I have to say that I really am looking forward to seeing the look on her face when I unveil myself as the person who *used* to be her son, and when I tell her precisely what I mean to do in the future.
And yet...
God. And yet, in my less evil moments, I have to ask - does she really deserve this? Well, for neglecting me, yes, maybe somewhat. But on the other hand, her "abandonment" of me to Jane - in the final analysis, was that really such a bad thing? Haven't I ultimately gained Maria and Jane from that?
My stomach is really churning. I don't think I am going to sleep a wink between now and the party. I don't even know why it is still bothering me this way.
Wait, that is not quite right. I do know something of the reason. I am frightened. The thing I don't know is precisely what it is that frightens me.
Sometimes I think it is the confrontation with my Mother, and its subsequent fallout, assuming that there is one. Other times, I think it is the uncertainty of my future beyond that confrontation.
And some times, during those really dark, lonely times when I don't seem to know quite who or what I am anymore, I am pretty sure it is *me* that I fear the most.
What I am planning is not a very nice thing to do to anyone. Isn't that a gross understatement? Some might say my plans are the complete opposite of the Golden Rule. In "killing" Michael to give her Michelle, I have, in a very real sense, abandoned her as she abandoned Michael. I will do unto her as she has done unto me.
I read something the other day that described revenge as a blade that cuts both ways. As I approach the culmination of my plan, I have come to understand that concept only too well. My little "I will show *her*" plan is starting to sound a great deal like revenge, and I am not happy about that. After a great deal of reflection on all the possible outcomes of this enterprise, I have concluded that I will not come out of it unscathed. Will the outcome be worth what I have already endured, and what I will have to endure after the fact? I just don't know.
Six months ago, heck, three months ago, I would have simply gone off and done this thing without a qualm or a second thought. Now, I have many of each, and yet, do I really have any choice? I mean, if I don't do this thing, will I ever be free of this. . .this hurting inside me?
I wish I knew.
I seem to be saying that a lot, lately.
Michelle Nash
Chapter 33. Storming the Castle
The extended body limousine pulled around the long circular driveway and rolled to a stop directly in front of the red carpeted entrance to his Mother's house. Michael Nash had not been inside that house since his Father's funeral; since he'd begun his gypsy life of going from one boarding school to another, from one more camp to the next. Michelle was certain that Jane must be able to hear the pounding of her heart as she stared at the familiar stone pillars of what should have been home.
Oh God, Michelle thought bleakly. I am *not* ready for this.
Jane sensed rather than saw the hesitancy in her charge's demeanor, and rested a single gloved hand on Michelle's wrist. The lovely vision spun to lock eyes with her Aunt. A strange sad little smile played across Jane's lips before she nodded toward the doorman stepping up to open the car door for them.
Months of training snapped into control and Michelle acted on what was now pure instinct. Offering her gloved fingers up to the gaudily uniformed man, she permitted him to hand her up and out of the car. Michelle bestowed a blinding smile on him and watched with quiet amusement as he almost stumbled getting back to help Jane.
"Ready, my dear?" Jane asked softly as she took her place beside Michelle.
Hell no, Michelle thought before answering "As ready as I will ever be. Lets do this and get it over with, Jane, before I do something stupidly female - like faint."
The entrance foyer was just as Michelle remembered it - rich with red velvet, polished hardwoods and gilt edged trim. As she turned to give her wrap to the butler, she saw the huge, curving grand staircase with its brightly polished banister. An old memory tugged at her just then, of a young boy caught sliding down that banister by an angry father who turned him over to his Mother for punishment.
Only, she hadn't punished him. Instead, she'd swatted a sofa pillow and told him to scream loudly. Then the pair of them had snuck into the kitchen to filch cookies from the cook. Her only admonition had been to tell him to make sure his Father was not around the next time he felt like sliding.
Odd how he'd managed to forget things like that - his father always finding fault with him, always finding reasons to "discipline the boy and make a man out of him." And it had always been his Mother who had taken his side, or softened the punishment. What had changed, Michelle's mind cried. When had things changed between Michael and his Mother? Wasn't that the memory of a loving Mother protecting her child from an unjustly harsh punishment?
"Michelle?" Jane's voice broke in on the flood of unanswered questions in Michelle's mind. "Are you all right?" was the solicitous question.
Taking a deep breath, Michelle fought off the memories and nodded to Jane. "I'm all right. I was just remembering. . remembering something."
"A happy or a sad something?" Jane asked gently.
"Both." was the curt answer. "And neither. Let's go in."
The ballroom of the mansion was filled with people engaged in the fine arts of flirtation and small talk. The orchestra was not scheduled to start for another couple of hours, and so the guests made free with the light buffet of savory gourmet finger foods and the open bars laid out in the small rooms about the periphery of the ball room.
Neither Jane nor Michelle had eaten that day, but both were so nervous that the mere thought of eating made their stomachs roil. Jane went to one of the bars and returned with two wine flutes filled with a clear, sparkling liquid. Michelle's brows went up in query as Jane handed her one of the chilled glasses.
"Perrier, darling. I think we will both need our wits about us before this night is over. Now lets go mingle."
Somehow, they managed to avoid Barbara in their wanderings. Whether that was intentional on Jane's part, or simple serendipity, Michelle did not know. She was, however, grateful for whatever brought that to pass. Her ambivalence about confronting her Mother seemed to be growing with each passing minute.
At some point in the evening, the orchestra began to play a rousing little ditty to get everyone's attention. Barbara and her fiance walked hand in hand to the makeshift podium and greeted their guests.
It was the first time that Michelle had ever gotten a good look at Michael's soon-to-be stepfather. He was a very slender fellow of medium height - actually shorter than his Mother since she was wearing fairly tall spiked heels - who moved with unusual grace for a man. He was handsome, in an almost pretty sort of way - much like an older Leo DeCaprio - with his light blonde, somewhat long hair and eyes that were probably blue. He was also, if Michelle was any judge of it, more than a decade younger than Michael's forty two year old mother.
As Michelle watched the pair, her Mother's true feelings came through to her with crystalline clarity. Michelle's mother was deeply in love with that man. The sheer emotion that lit up her Mother's entire face made Michelle blush and want to turn away.
After the remarks and the many toasts to the happy pair, the orchestra began to play a waltz, and the betrothed couple led off the dancing to the applause of all the guests.
Much of what happened thereafter was mostly a blur to Michelle. She had been offered and had accepted dance invitations from several men. A couple of them were old enough to be her grandfather, and they had enjoyed the opportunity to take a turn around the dance floor with such a lovely young woman. She had glowed under their genuine compliments and had dutifully giggled at their gentle, fatherly teasing. Her other dance partners, with the notable exception of two boors, were pleasant young men who danced well and who made an effort to put her at ease.
She even managed to fit in with the other women guests as well. The grand dames wanted to introduce their sons to her, and the younger girls seemed to want to emulate her. On one occasion she heard one woman point her out to another matron. "That one has been well trained by someone. She'd have been acceptable in our time, dear, unlike so many of these hoydens." It had made her smile.
One of her few real smiles that night.
The only difficulties she'd had to face, with the exception of her Mother, were two young preppie males in the St. Andrews Academy mold, who obviously thought they were God's gift to women. Michelle had vainly tried to ignore the wandering hands of the first one, but he would not be deterred. As the dance thankfully ended, the hand he rested behind her tugged at her zipper. Fed up at last, Michelle stopped, and with a dazzling smile on her face, went up on tiptoe to whisper something to the young fool.
Jane wondered if anyone else saw the look of surprise followed by stark terror on the man's face as Michelle got her message through to him. Or if anyone saw the hand taking a fistful of something down around his groin and start squeezing. Jane did not think so, since Michelle had been very careful to keep her skirts between her quarry and the rest of the assembly.
The second incident occurred an hour or so later. This young buck managed to muscle Michelle out onto the terrace during their dance. Although the air was unseasonably mild for December in New York, it was still quite chilly for a young lady in a silk gown and not very much else. Having seen what the churlish young man had done, Jane had immediately hurried over to the terrace door just in time to see Michelle's dance partner trying to force his mouth onto hers.
Suddenly, the man jumped back, his hand flying to his mouth. Jane could not hear what was said, but she recognized the stern, down-the-nose glare Michelle fixed on her erstwhile suitor as the one she herself employed with her more recalcitrant sissy boys. And with much the same effect, too, she was pleased to note. Then Jane only barely missed being knocked over by a furiously blushing man holding a bleeding lower lip as he all but ran from the scene. Jane watched as her ward took a few moments to compose herself before walking with sedate poise back to the ball room.
The girl had learned far more than Jane had realized in the past months. God, but she was proud of this student. If only things were different, she thought yet one more time.
For her own part, Michelle had had just about enough "society" to last her a lifetime. She was heartily weary of the entire thing and wanted nothing more than to leave this place with its painful memories and its myriad ghosts. She started scanning the room for Jane, only to have her gaze fall on her Mother, still dancing with her husband-to-be. The pure unadulterated joy on Barbara's face took Michelle's breath away, and she simply stood there spellbound, watching them dance as one.
The spell broke when the song completed and the orchestra leader announced an intermission. Michelle again looked about for Jane, this time locating her off to one side of the ballroom, over near the door to the terrace that lout had pulled her off to. Purposefully, she moved through the throng of milling guests and upon reaching Jane, took her elbow and led her to a quiet corner.
"Jane, I have had enough. I want to leave. Could we please go home? *Now*?"
Jane lifted one thin, finely lined brow. "Now? Before we complete the mission to which you have dedicated the last six months? What about your Mother?"
There were tears in her ward's eyes, now. Whether from frustration, anger or sadness, Jane did not know. She wished she did.
"No, Aunt Jane. This is her night. She is happy and in love. No matter how much I hurt, no matter how much I think she deserves to hurt, I just can't do it."
"Does this mean we will be coming back at some later date to finish the job?" Jane probed gently.
"No." Michelle shook her head in defeat. "Not now. Not ever. It is over. I am going to move past this. Somehow. Try to figure out where I fit into the world. I guess I will need to take you up on your offer to stay with you, at least for a while." and here she sighed deeply. "Which means I will be staying Michelle for the foreseeable future. Too many people around your house know Michelle and would probably recognize me if I suddenly showed up as Michael." She looked at her reflection in the glass terrace doors and gave Jane a wan smile. "That's okay, I guess I kinda like being Michelle. Heck, I don't think I'd know how to be Michael around you, Aunt Jane."
"You could learn, dear, if that is what you truly want."
"That's okay. Right now, I probably don't know how to be Michael - period. Can we go, now?" she asked again, plaintively. "*Please*?"
"All right. Look, you go into that little sitting room off the foyer while I go to the powder room and then call for our car."
Michelle nodded and let herself be led away by her aunt.
Chapter 34. The Final Confrontation
The little room had a small love seat and several chairs clustered into a cozy little grouping in the center of the room, with a small antique writing desk off to one corner. Wearily, Michelle settled onto the love seat to wait for Jane. Her mind drifted until she noticed her reflection again, this time in the glass fireplace screen. With detached interest, she studied the picture she made. Hands resting demurely on her lap, her knees together and her ankles crossed. "God, I look like one of those Regency Misses from the novels Jane is always making me read." she muttered to herself.
"Yes, you do at that." came a soft voice behind her.
Michelle's head slewed around to a door she had not noticed when she'd first entered the room, and her blood froze. There, backlighting emphasizing her proud stance and tall, slender frame, was his mother! And at her side was Aunt Jane.
With a grace Michelle now knew had once been learned over hours of long practice in her youth, Barbara Nash moved over to the chair directly opposite Michelle and sat down.
"Jane told me you were leaving." she said with a smile. "And before we had the receiving line. Since I did so want to meet you, I thought I would come here to keep you company while your car is brought around."
Stunned by the sudden arrival of the woman he had decided not to face down, Michael was momentarily speechless, and could only nod. At least, he thought, she hasn't recognized me. Thank god for that much.
"Jane said there was something you wanted to tell me?"
Waves of shock rolled over Michelle. What had Jane done? Hadn't she just told Jane that Michael no longer wanted to carry through with his ill-meant plan of confronting his Mother with the "death" of her son? That he wanted nothing more than to put this all behind him and get on with whatever life he'd have in the future? Why in the name of God had Jane said *anything* to Barbara? Swallowing his roiling emotions, Michael tried to brazen through as Michelle. "No, nothing really, Mrs. Nash. But I would like to thank you for having me to your party."
"Are you sure?"
"Yes, I'm positive. Shall we go, Aunt Jane? Please?" All three of them heard the thread of growing panic in that plea. Yet, Michelle managed to rise from her seat gracefully, her nervous tension noticeable only in the stiffness with which she pinched her skirt to rearrange it for walking away.
Then his Mother said, "Don't go just yet, please." Her eyes were soft with entreaty. Astonishingly, she added, ". . .Michael."
Bile started to churn in Michelle's stomach, and he searched for an escape route, but there were none available. With a calm she was far from feeling, she answered. "My name is Michelle, Mrs. Nash. Michael is a man's name."
The smile returned, a bit brighter and strangely, a bit darker this time. "Oh, I think I know precisely who you are." she said firmly. "You are my son."
Michael's heart and breathing stopped as he stared in horror at his Mother. This could NOT be happening. There was NO way she could see Michelle and recognize Michael. Grimly, she tried again to brazen it out. "I really don't think I am anybody's son, Ma'am."
Barbara's smile did not waiver in the slightest. This is what a deer feels like, Michael thought, as it stares into the lights of an onrushing car. She knew. Somehow, she knew.
And then, that "somehow" became clear to her. Jane had said nothing throughout this entire exchange. She *should* have come to Michelle's aid, should have helped her parry this unexpected attack. She should have, that is, unless *she* was her Mother's source of information.
The pain of this betrayal, after she had told Jane she cared for her, was almost too much to bear. Furiously, the femininely disguised young man blinked against the tears that burned at his eyes, trying to salvage at least some small scrap of his pride.
"Yes. You are Michael." she finally said with equanimity. "You've turned out even better than I'd dared to hope."
Michael felt his world tilt crazily on its axis, but still forced himself to remain steady, erect and dry-eyed before this woman.
The game was well and truly up, he realized. The pair of them had played him for a fool.
Again.
"Why?" he finally asked, looking from one woman to the other before fixing his burning eyes squarely on Jane. "Why this . . . this game? Is this just another of your damnable "little ploys", Jane? The biggest, most humiliating of them all? DAMN YOU, I'd started to care for you, and now you do THIS to me?"
Jane quailed visibly at Michael's thrust. She started to answer but was restrained by Barbara's hand on hers. "I am the one responsible for every decision concerning you and your welfare since the day you were all but expelled from your precious St. Andrews, Michael. Therefore, your answers should come from me. You've earned that much with your efforts to get here tonight." With a quiet dignity, Barbara composed herself.
"Michael, you don't really remember your father. The reason for that is, in part, because you were very young for your age when he died. But another, more significant factor is that he never allowed you to know him. I know that you've always admired your father as tough, strong, manly - a paragon of all those qualities that *real* men are supposed to admire in other men. Because of that, you've wanted to be like him and in a way, he was making you like him, even from his grave."
She paused for a moment, steeling herself for what she had to say next. "But Michael, he wasn't tough, strong, or manly. Instead, he was a heavy-handed, imperious bully, a vicious and mean spirited, small-souled man; an immoral coward who enjoyed kicking the weak when they were down because that made him feel more powerful. I don't have words foul enough to describe or name him."
Barbara cast a speculative look at her child. "Did you know that he'd left special instructions with the Head Master and Dean at St. Andrews regarding your upbringing? They were to see that you grew up emulating your father in every way. They'd have done almost anything for the endowment your father promised them. Ever wonder why you weren't punished when you played all those dirty tricks on boys smaller and more vulnerable than you? That's why. You were becoming his vision of a man, and they were being well rewarded for it."
"Then why did that damned Dean suspend me? If he was getting rich from satisfying my father's wishes, why am I not still there?"
Sighing, Barbara acknowledged the question. "You simply left them with no other choice. They suspended you only after you'd gone too far with your unruly undisciplined ways. Several wealthy families with long histories of sending their young scions to that school were going to pull their boys out to protect them from you."
"Unfortunately, your suspension precipitated other actions about which you were and remain unaware. Most specifically and seriously, that suspension put you in serious danger of losing your inheritance.
She paused. "When. . . when your father died, he left you, upon you reaching your majority at twenty one years old, controlling interest in his companies."
Confusion showed in Michael's tearful eyes. "So what? That is nothing new. How does that explain why I have not seen you for barely more than five minutes at a time in over six years?!?"
For the first time, indignant anger flashed in the eyes so much like Michael's own. "Michael, your father, that egocentric, manipulative, miserable excuse for a human being, had a secret codicil written into his will. Basically, he directed that you be made over in his image if you were to inherit. Why was St. Andrews the only acceptable school for you? Your father decreed that in his will. Why didn't I visit you, and try to be a part of your life after his death? Your father decreed that, too. *I* was a bad influence on you; *I* made you weak. And *any* failure on either your or my part to comply with that codicil would cost you your inheritance."
"And then you were all but expelled from St. Andrews, after everything you and I had already sacrificed to get you this far, this close to attaining your patrimony. I couldn't just stand there and watch as you lost everything. I had to at least attempt to turn your life around."
"So, I turned to Jane. My fiancé is one of her graduates. He's the one who reminded me of how well all of her students turned out. Jane and I conceived a plan. We would attempt to restore your other self, that decent, gentle self that your father wanted exorcised from your soul. Then, and only then, could you decide the kind of person you were, and then make an informed about who you would become."
"How, Mother?" Michael rasped over the emotion churning in his guts. "What possible choice could I make? I was a prisoner in Jane's house, and if you think my father was vicious, well, Jane could give him lessons. My father never taught me to love him, and then turned away from me. He never promised me honesty and then betrayed me. Not ever. No, it was *Jane* who did that. And you!"
A sob from Jane made Barbara's eyes flash in controlled fury. "Jane is *nothing* like that bastard. As to what choices she gave you? You can be anyone you choose. Our fondest hope was that you would choose to become strong, but gentle; ruthless when necessary, but merciful when possible - a *real* man, Michael, the kind of man others can count upon when times are difficult."
No longer able to restrain the tears, Michael was openly crying now. "How was I supposed to achieve this miracle, Mother? By being stripped of my identity and my dignity? By being forced to live as a girl? Ashamed because I wasn't strong enough to stand up for myself and leave Jane as I should have done that very first week, regardless of her threats? Afraid that, sooner or later, I would be discovered and have to live with that public humiliation for the rest of my life?"
Barbara shook her head frantically. "By giving those finer qualities inside you a chance to emerge as Michelle's traits. Jane had experience bringing out that part of troubled and troublesome boys, helping them to find far fuller and richer lives than that narrow, twisted man I married could have ever dreamed possible. It was never my intention for you to become a girl, ashamed that you're a boy. But neither did I want you to grow into a man who felt somehow diminished or shamed by anything soft, caring or tender in yourself; a man who would be afraid that such feelings made him girlish and unmanly."
"Well, trust me," Michael snarled petulantly. "I was totally ashamed and completely alone."
Barbara's demeanor changed, becoming fierce. "I didn't want you ashamed or afraid of *anything*, my son! If I abandoned you *this* time in turning your over to Jane, it was to take that shame and fear away from you *forever*!"
"But you fooled us and yourself. You had even more sensitivity, refinement and gentleness still locked up inside you than we'd imagined possible. When Jane thought she was humiliating Michael the bully, she was also tormenting Michelle the compassionate and caring. The internal conflict between your father's Michael and our Michelle grew until it became intolerable for you, and you tried to end that pain by destroying yourself."
Suddenly Jane spoke up. "When you . . ." Jane choked, then continued, "When you attempted suicide, I was devastated. Not because I was afraid for me, but because I had somehow failed you. I had not recognized what was happening to you. I did not know who to call, or where to turn, and so, I called your Mother."
"*Why* should I believe *anything* you have to say *now*? You said she couldn't be reached." he accused again before turning his hot burning eyes on his Mother. "Besides - you CALLED me and told me you were too busy."
Barbara sat stone still, then resumed speaking. "Michael, you have no idea how terrified and desperate I was when Jane phoned to tell me what had happened to you. At that moment, I wanted to rush to your side more than almost anything else in this life. I yearned to protect you and to help you get well, but for several reasons, I knew that I couldn't, that I didn't dare! Above all, knowing how you felt about me, I was deeply afraid that my presence would only make a bad situation even worse."
"That is only *one* reason, Mother." Michael growled. "You said there were several."
"Remember what I said about that cursed codicil, Michael. Staying away from you was an unbreakable condition of that damnable will."
She paused and then swallowed hard. "Unless I wanted to deprive you of your patrimony, I could *never* see you, or at least, not see you any more than absolute propriety dictated. And never alone - always in the presence of one of his trusted cronies who would "judge" my compliance with your Father's wishes. And then, when Jane told me she had called in one of her students who was a psychologist. At that point, we decided to wait until we were sure I would be a help and not a hindrance to your recovery."
"Why was I never told about this codicil thing?" he demanded roughly.
"Because telling you about it is also on your Father's forbidden list and is grounds for you being disinherited. I am telling you now because you are old enough to understand your own best interests. You need never admit that you are aware of those provisions of your father's will."
Michael's sneer clearly registered his disbelief. "I have a copy of the codicil. I will give it to Jane and you will be able to see for yourself."
"Why are you telling me all this now?? Are you trying to tell me that you *cared*? That you were only trying to protect me by staying away from me? Why bother at this point? Because I tried to kill myself?" He demanded, his voice choking on his pain wracked sobs.
Barbara wilted a moment under that charge, but then drew herself up. "I have always loved you, Michael. I wasn't heartless when I sent you to Jane. I was desperate. Jane called me every night with a progress report, and much of the time she found me frightened and inconsolable. I love you, Michael. I adore you, Michelle. There is nothing in this world that would have made me happier than to tell your father's lawyer to go to hell and come for you. But I could not cheat you of your inheritance. You could, yourself, choose to turn away from your father's past, and accept that loss, but I could not make that choice for you. And you could only make such a choice as a mature, rational and caring person. The question was, how could we help you become that person?"
"You unwittingly showed us how to help you. In your resentment at my seeming aloofness, in your desire to hurt me for hurting you, you decided to become a complete, fully accomplished and yes, even sweet Michelle. A person who epitomized everything your father wasn't and hated."
"So our plan worked! Now, if you choose to be Michael, any kind of Michael, it will be based on a profound understanding of everything you are or can become. But you had to become a complete Michelle if you were ever to become a complete Michael. Michael without Michelle could only be only half a person. And that half would be as flawed as your Father.
Michael's face twisted. He was confused, and bitter, and fighting to hold back his tears. "How can you just sit there and justify what you've done? The pair of you? You've tricked me time and again, lied to me time and again, and manipulated me. How can I ever trust either of you ever again?"
Barbara's composure finally broke. "We had to trick you; you had to keep working at being Michelle so that Michael could continue learning from her. And you would not have worked at that so diligently without the motivation you yourself provided."
"And yes, Michael, I did not abide by my promise to you." Jane added, holding her friend close, keeping her back straight and her eyes steady, "Because we knew what was best for you. I cannot, will not deny that I kept some of the truth from you. I did attempt to be completely honest with you about everything else, but you were beyond reach, convinced that your Mother had completely and willfully abandoned you. What we did, we did because we wanted you to live. More than that, we wanted you to live well." She said soberly. "And I know you can't believe this now, but it's true nonetheless. Because we both. . . love you."
Now Barbara was crying openly. "But, Michael" Barbara pleaded softly, "Can't you see, *won't* you see? There was no other way, at least none that we could think of. I know you must feel that this was all a base betrayal. Perhaps it was. Only time will tell if I was right or wrong in what I did. But at least now, you have *real* choices about who Michael Nash is and how he will live his life."
"I refuse to believe that forcing me into skirts, and turning me into one of Jane's wimpish sissies is an approved alternative to my father's grand plan, Mother."
Barbara sighed. "No, it wasn't, and as long as you were successfully following his program, there was nothing I could do for you that would not have cost you your legacy. But when you got yourself suspended from Saint Andrews, I decided that I *had* to take this terrible risk in order to give you back choices about your life - to try to save you."
"Save me? SAVE ME???" Michael's voice broke. "Whatever did I need saving from? Other than from the two of you, of course."
"From yourself, Michael. I've already told you what your father had done to you. When you were sent down from St. Andrews, the lawyer was ready to cancel your inheritance! After I conferred with Jane, I went to the lawyer and told him that I knew of a program that would improve your self discipline so that you could return to St. Andrews and complete your father's educational program. I am afraid I was not very honest about what the program really entailed." she said with just a faint smile on her sad face.
"So you've known since the very beginning what I intended to do, why I let myself be pulled back into this damnable masquerade." The full scope of his Mother's and Jane's duplicity was now clear to him and his guts seemed to burn. Oddly enough however, in some small, still barely rational part of his mind, he wondered why he wasn't angry. The old Michael would have been - would have gone nearly insane with rage at having been toyed with in this manner. All this Michael felt was hurt, sorrow and bewilderment.
"Yes, Michael, she did know." Jane took up the tale. "Your Mother and I spoke almost hourly during those first few days after your . . . your incident. Eric and I agreed that you *needed* to be back in skirts, as much for the training we had yet to finish as for the facing down your inner conflicts about dressing. That was necessary, Michael, for your mental health."
"Moreover, you yourself said, less than an hour ago, that you liked being Michelle. Which is understandable. Michelle is a lovely person, but more importantly, Michael, *you* are Michelle. Everything good in her is also an intrinsic part of you."
Michael could not take it all in. He was becoming numb, and he couldn't seem to think clearly anymore. He just stared at the two women.
"Michael?" Jane's voice was softly entreating. "As Michelle, you are like Liza Doolittle in Pygmalion, or My Fair Lady. You've grown beyond the limitations that others would have imposed on you. Now *you* can choose to live as a woman, full time or part time, or as a man. If you do choose to live as a man, then your Mother and I both hope that you will do so as a sensitive, self-aware and *strong* person who's more man than that insufferable clod from St. Andrews could ever have become."
Barbara sighed sadly and stood up. She turned one more time to face her son. "I'm sorry I had to seem uncaring and cruel, that I felt I *had* to leave you with Jane. I believed it was necessary for your own good. I don't know if you can ever forgive me for manipulating you this way. Or if you can ever forgive Jane. I hope you can, and will. . . someday. We did the best we could. For you! And you have to know that regardless of what choice you make, there will be a price extracted which only you can pay."
"What price?" he asked, but in an exhausted tone that had lost all of its earlier emotion.
"There is always a price, Michael. One choice is, to turn your back on everything Jane has taught you these past months, to become once again the person you were when you left St. Andrews. Haven't your found contentment, even happiness as Michelle, Michael? Would that old Michael ever find those gifts at St. Andrews? I don't think so.
"Or you might choose to go back to St. Andrews as the person you've become, an infinitely more worthy individual than the one who left that damnable place, but one who won't fit in anymore. You'd become the outcast you expected to become the night you attempted to take your own life. But you'd also keep your patrimony.
"Or you can decide to reject your father's path completely, and thus lose your inheritance from his side of the family. You would still have your trust fund from my Mother's family, but that is a mere pittance beside your father's vast wealth."
Michael's tired, red rimmed eyes slid significantly down his body, taking in the sleekly feminine figure gowned in a designer's masterpiece. Then his gaze returned to his Mother, a look of sardonic disbelief on his face. "I don't think the first choice has much chance, Mother, so I think you have effectively forced my hand there."
Refusing to take the bait, Barbara shrugged. "How you look and behave at this moment is irrelevant. If you want to return to St. Andrews, Jane will certify your behavior and self discipline to that idiot Dean. You've amply demonstrated those attributes tonight. Even now, your grace and self-restraint are being tested to the fullest extent. As to your ability to fit in there if that is what you really want."
Barbara paused, and went over to the small desk on the other side of the room, returning moments later with a glossy piece of folded paper which she negligently tossed at the rigidly contained figure of her son.
"If that *is* what you want, the place described here will assure you aren't too nice or too feminine for dear old St. Andrews." She indicated the brochure with a tired wave of her hand. "It's a sort of "boot camp for rich wimps" run by a couple of former Marine Drill Instructors. They specialize in toughening up the sons of rich fools who are afraid that their sons don't have the right stuff to swim with the corporate sharks. Just six weeks of hell and your father's Michael is back again."
"Why are you giving me this?" Michael asked quietly, holding the brochure in his hand. "Why are you making it possible for me to undo everything you and Jane have worked, lied and schemed to accomplish over the past months?
"Because now that you know there is another, better way, I will see that you get whichever life *you* freely choose. They'll teach you to swing your shoulders again instead of your hips. And to glare menacingly at anyone you don't like instead of just smiling down your nose and then turning away in disdain. If that is truly your choice, that is what you'll be - all boy, but never a *man* in the finest sense of that word; all swagger, but with no true substance to you at all. Just like your father."
Her voice changed again, dropping the sarcastic inflections. "I have always believed you were more than that. But now it becomes your choice, and yours alone. And it's a real choice. You can be a vulgar delinquent or a delicate feminine spirit shamed into learning feminine ways."
"But the simple fact of the matter is, Michael-Michelle, this Ball has been your true coming of age. Jane and I will make no more decisions *for* you after tonight because we won't need to. Tonight you have become your own person. Whoever and whatever *you* want to be! Whenever you want to be that person! Whatever school you may wish to attend."
She paused, and then continued in an almost defeated tone. "I want you to know this, however. I love you. I have always loved you, and I will continue to love you as long as there is breath in my body. Regardless of which path you choose or how you decide to live your life. I may not like you or your choice very much, but you are my son and I will always love you."
She turned to leave.
Suddenly the door crashed open behind them. A tall, lithe, beautiful young woman stood there. "Barb," she snapped impatiently. "Jamie has been looking all over for you so that we can set the reception line and get the pictures taken."
Then she saw Michael and gaped. "I don't know you, but you are the very image of Barbara. I'm the sister of Barb's fiance, Janice. And you are?"
Now came the moment of truth. In that moment, Michael saw clearly one last opportunity to turn the tables on the Mother who had so basely manipulated him. He had denied himself earlier because he had chosen *not* to hurt her as she and Jane had hurt him.
Just a few words and his Mother's perfidy would be all over the ballroom in moments. She'd become an outcast from the society she loved. It was all there for him. All he had to do was tell this girl who he really was and why he was here dressed as he was.
But then, he just sighed softly. He felt, rather than saw, both Jane's and Barbara's eyes on him. What was the point anymore? He had needed the rage and now, there simply wasn't any rage left inside him.
"You'll have to forgive me." Michael's Michelle voice replied, as he brushed at the tears still tracking his mascara down his cheeks. "But Aunt Jane and Aunt Barbara were just breaking a little bad news to me. Someone very close to me died earlier tonight."
A part of me certainly had, he thought, but which part? Then he held out his hand to the girl, his wrist limp and supple, just as he had been taught by Jane. "My name is Michelle, and Barbara is my Aunt." A soft sighing breath was the Michelle's only indication that his Mother understood that he had, once again, turned away from the old mean-spirited Michael.
"Pleased to meet you, Michelle." the dark haired, dark eyed beauty replied. "Say, if you are family to Barb, we should get you into the receiving line, too."
"No. . ." Michael let his voice hitch. "I have to leave. I must get home as soon as possible. You understand, don't you?" Janice reluctantly nodded and he turned back to Jane. "Aunt Jane, could we please leave *now*?"
Nodding solemnly, Jane took her ward's arm and led the her out the door and into the waiting limousine.
Chapter 35. Flashback
The days immediately following Jane's and Michael's return from Barbara's party were hell for Jane. She had hoped, apparently in vain, that her young ward had developed enough maturity, enough perspective to understand that they had only done what they thought was best for him. She had also dared to hope that there was now sufficient "Michelle" in Michael for him ultimately to forgive them both. Maybe there was, but it was just barely enough, because there was still no obvious victor in the internal battle her ward was fighting with himself.
Her charge had completely withdrawn from Jane since their return, refusing to do more than respond monosyllabically to any question that he could not pretend to ignore. Rather, he isolated himself, sitting alone in Jane's garden, hiding in his room or taking long walks along through the woods that were near Jane's house where he pretended not to notice that either Maria or Jane was always nearby during these outings. Jane had nearly lost him once, and regardless of the final outcome of the debacle at Barbara's, she would not let him. . . harm himself.
Christmas had been a disaster - the tree remaining undecorated, the presents unopened. In the past, Christmas had always been one of the few respites Jane had given her girls, letting them, for one day at least, simply enjoy themselves without fear of Jane springing one of her games on them. For that reason, the holiday had always been a remarkably pleasant day in the old Victorian manor house.
But not this year.
The phone beckoned to Jane. She'd nearly called Eric a hundred times in the past days, but each and every time she'd stopped herself - hoping that Michael would see past the hurt she'd inflicted on what remained of the "old Michael's" ego, past his resentment of being tricked and manipulated, and begin to soften towards them, again - at least a little.
Maria burst in to Jane's office. "Jane! Have you seen Michael?"
"No." was the uncertain reply. "Maybe he slipped out early to wander the woods alone. We have not been very subtle about shadowing him." God, please don't let him hurt himself the moment my vigilance slipped.
Maria looked uncertain. "Jane. . .one of his wigs is missing. I mean, he hasn't tried to dress up since you two returned." her voice dropped off. "Why would he take a wig on a walk?"
Was that the first break, Jane wondered, was he accepting Michelle again? Then her guts froze. Michelle was a perfect disguise. She could not go to the police and describe her without explaining what had been happening over the past months. "Check his wardrobe, Maria, and where his luggage is stored."
Michael's large shoulder bag was missing. They could not be sure, but it also looked like some of his male casual clothes were missing. A quick check of his bedroom revealed that his body shaper, a couple of dresses and the basic cosmetics were also missing.
"But where could he go? He doesn't have any money to speak of." Maria's eyes went wide and Jane's heart fell. "Or does he?" she asked in a small voice.
"He knows where I keep the petty cash funds now. I mean, Michelle was just always around, and being so good. I never even thought about that."
"How much was in there, Maria." Jane asked as the two women moved as one toward the stairs.
"I just replenished it from the housekeeping account, Jane. There is a little over 500 dollars now."
Only there wasn't. The hidden envelope in Maria's desk was gone.
"Come on. The only places he could go would be the train station and the bus station. Without a car, there's no way he could get to the airport from here."
Twenty minutes later, they had their answer. A boy answering Michael's description had boarded the early-bird train for New York City at five a.m. that morning - a train that had subsequently arrived at New York's Grand Central Station over an hour ago. Their hopes of finding him plummeted. In one hour at the busiest train station in the United States, Michael would be able to lose himself completely.
They rode home in dismal silence. "We have to call Barbara." Jane said finally. "He may be going back to the house in South Hampton, and in the state he is right now, I don't know what he'd do."
"Michael would never hurt a woman!" Maria defended immediately.
"What do you think he was planning to do all these months, Maria? Oh, I agree he wasn't planning to harm her physically, but he was trying to do her emotional injury. And right now, I don't know the person he's become, and I will not take the chance that he might attack her in another of his old rages." Jane sighed. "Even if he is not planning that, she has to know that we've. . . that *I*'ve lost her son."
"Shouldn't we call the police?"
"They won't do anything for the first twenty four hours anyway, Maria. But if we have to, we will go to them withholding nothing, and devil take the consequences."
"He has Michelle with him, doesn't he?" Maria asked quietly.
"Yes, he does, which means that he can board a train as Michael, and exit it as Michelle. We can provide the authorities a description of him as Michael, but when we do that, we will also have to tell them to be on the lookout for a young woman with short, close cropped blonde hair . . . Well, let's just say that will hurt *everyone*, including Michael. If they ever find him."
"Do you think he might go to David?"
"We'll call him, Maria, but no, I don't think so. David was here when Barbara and I began this scheme. Even though Beth knew nothing about it, Michael will not trust easily again. Beth set him up for me on several occasions before Michael tried to kill himself and Michael will remember that."
"Doctor Davis' office." the perky young voice piped. "May I help you?"
"Yes, please." was the pleasingly soft feminine response. "Is Doctor Davis available?"
"May I ask who is calling, please?"
"One of his patients, and I want to talk to him now!" the voice changed radically, no longer soft or pleasing. The receptionist had been warned that things like this might occur, and did as she had been taught. "One moment, please."
"This is Doctor Davis speaking." was the quick response. "Who is calling, please?"
"Hello, Eric." Michael answered in his own voice. "Tell me, *Doctor*. Am I still your patient?"
"Michael! Where the hell are you, man? Everyone is frantic looking for you!"
"Never mind that!" Michael snapped. "Am. . .I . . .still. . . your. . . patient?"
Uncertainly, Eric decided this was somehow important to the boy. "Well, I'd say so, Michael. May I ask why?"
"Because you once chewed me out for not respecting your professional ethics, Eric. As your patient, I am entitled to the benefit of those ethics, including confidentiality."
"I see. And that is important to you?"
"Eric, unless I have your word, right now, that you will call no one, that you will talk to no one, that you will tell no one that I have been in contact with you, I am gone. I don't know where I will go, or what I will do, but I will not stay where people keep lying to me."
"All right, Michael. You have my solemn word. I promise I won't contact or inform anyone that you are here until you give the go ahead. What's next?"
Eric heard what might have been a sob quickly choked back. "I need to talk with someone. I need a place to crash. I haven't slept in almost forty eight hours."
"Where are you? I will come get you and take you home."
"Oh, no!" there was panic in the young man's amplified voice. "Not to your wife who is a fan of Jane's. She probably won't feel bound by your word."
"Michael, Sylvia is out of town, visiting her Mother. My house is empty. If, after she returns, you still insist on allowing no contact with Jane or your Mother, we can deal with that then. But I hope you'd feel a bit of compassion and at least let them know you are all right."
"Why the hell should I?" was the sharp retort. Before Eric could try to answer that question, Michael was giving him his location.
"I will be there in fifteen minutes." Eric promised.
It took several minutes to get his secretary to cancel the rest of his day's appointments and to reschedule the next day as well. The downtown Chicago traffic was even worse that usual, so Eric's fifteen minutes was closer to half an hour when he pulled up in front of the Greyhound terminal. But the boy was no where to be seen.
Fearful that the boy had decided not to wait, Eric got out of his car to search for Michael, but without luck. Eric got back into the still running car, and pounded the steering wheel, cursing fluently.
"I am surprised that Jane didn't wash such language right out of your mouth, Dr. Davis." came an amused voice from the back seat. Eric had been so furious with himself that he hadn't even looked in the backseat when he'd reentered the car. A startled glance in his rearview mirror revealed the smirking face of Michelle, dressed like a typical college coed on holiday in jeans and a wool sweater against the cold.
"We need to talk, Eric." was the flat, male voiced statement.
"Yes, Michael, we do. But first, lets get you something to eat. I know a private little place nearby, and you look like you could use some hot food in your belly."
The food took the edge of the boy's temper, and he began to talk - becoming freer as the meal went on. Jane had been right. Michael had been changing identities each time he boarded a train so that the person buying the ticket was not the one who detrained at his next stop. He'd even gone beyond Chicago and then doubled back on the bus to throw off any hunters Jane might have sent out.
"You realize, Michelle." Eric asked, using the feminine name since they were in public, "That Jane has professionals searching for you? They are sure to notice that you have contacted me, and they will get the word back to your Aunt."
The slender shoulders shrugged at that. "Figured as much. I just needed to get away. Even for a short time." A look crossed his femininely made up face, and he gave Eric a considering stare. "I have to ask you a question, Eric, and I really need an honest answer. I am sick to death of being lied to."
Eric raised his right hand, putting his left hand across his heart. "I promise."
The girl said nothing for several minutes after that. Eric let the silence go, knowing that Michelle would not say anything until she was sure. Psychologists had to be patient, particularly with patients. Eric had learned to do this - it was unnatural for him and he hated it, but he could wait for Michael.
"Did you know? About what my Mother and Jane had planned? How they tricked me? AGAIN?" Michael was starting to get upset again and Eric reached across to put a soothing hand on the girlish shoulder.
Catching her eyes, Eric answered. "No, Michelle, I did not. Not until Jane called me after she'd discovered you were missing. I only knew what we all agreed to do - to let you go on a trial run, and decide if you were going to go after your Mother as Michelle. It never crossed my mind that Jane was not being completely honest with the either of us."
"If you'd known, would you have told me? Let me know the *whole* truth? The *real* truth? Without leaving anything out?"
Eric looked at the miserable boy/girl for several moments, feeling his pain and trying to form a response. Shaking his head, "I don't honestly know, Michelle. Right now, I wish I could look you in the eye and tell you, hell yes, I'd have spilled the beans, but the truth is that I just don't know what I would have done back in July. Hindsight is always twenty-twenty, and right now, I'd say their plan was an unmitigated disaster. Back then? Remember what I said, Michelle. I would never do anything or support anything that was detrimental to my patient. I don't know how I would have reacted if Jane had come to me with this plan back then."
"She does have a way of making things sound so very reasonable." was Michael's teary laughing reply. "Hell, look what I let her talk me into."
The emotions and the lack of sleep suddenly caught up with Michael, and he reeled in his chair. Eric steadied him and then helped him to stand. "C'mon, kid. Let's get you into bed."
On the way to his house, Eric managed to talk Michael into letting Jane know he was all right. "She'll find out sooner or later, and wouldn't you rather be the one to tell her?"
Whether it was some stubborn part of Michael that still refused to hate Jane, or just a chance at one-ups-manship, no matter how small a one, he finally agreed. Of course, Eric had been silently hoping for something more than he got. Michael's terse, "Jane? I am all right. I am at Eric's for the time being. Leave me alone or I will go where you will never find me.", left something to be desired, but it was consistent with the way the young man must feel.
Eric put Michael into his guest bedroom, and he was asleep within moments of his head touching the pillow. Anyone but Eric might have thought it a bit odd that an almost eighteen year old male put on an old fashioned granny nightgown to go to bed, but then, Eric had a couple of those of his own.
Excerpt: Nash's Diary December 29 - Day 165
Dear Diary
God, I don't know what possessed me to pack this thing during those last few frantic moments before I took off from Jane's house. It was just suddenly there in my hand and I put it back down. Imagine my surprise to find it in my suitcase. Guess I put it down there.
I almost threw it away when I saw it onboard the train when I went into the bathroom to take off Michael and put on Michelle. The reason I gave myself for not pitching the damn thing was because I did not want it found. Now, I am just glad I have it. Putting things down on paper seems to have a way of helping put things back in perspective.
Eric took off from work yesterday and today to talk to me. . .with me. He isn't so much asking me questions or demanding answers as much as he is just listening. Well, he does try to keep me talking. He probably doesn't think I notice that, but I have read a whole lot of psychology books in the past few months, so I recognize the tactic. Only it doesn't seem like one when Eric does it. Maybe he really is interested in how I feel about things.
The thing that keeps burning in my gut is that I had started really caring for Aunt Jane. Hell, Nash, be honest for a change - at least with yourself - I had started loving her. And I *thought* she loved me back. How can *love* be expressed by manipulation and deceit?
As for my Mother, how am I supposed to feel about her? She tells me she loves me? Has always loved me? And she did everything - abandoning me first to my Father's world, then to Jane's petticoat prison and finally manipulating me into that abysmal scene in her front parlor room?
I've tried to pin Eric down, trying to have him tell me why they did what they did? Trying to get him to explain to me what possible justification could they have for what they did? Of course, he doesn't give answers except in the form of more questions. Damned frustrating.
Okay, so I'll concede that I was a nasty little son of a bitch at St. Andrews, and becoming nastier everyday. And maybe, my time with Jane, *particularly* after my suicide attempt has made me feel differently about myself. Couldn't they just have left it like that? Why did they find it necessary to force the issue of a confrontation I was not even sure I really wanted anymore. I could have happily gone on as Michelle until my twenty first birthday, and I am all but positive that I would never have gone to confront my Mother.
Hell, Jane practically had to push me to go through with that stupid plan this time, and I was a helluva lot closer to the nasty son of a bitch at that point in time than I would have been in the future.
I know that I have changed. Twice during that damned evening, I passed up taking my shot at my Mother. The first time because I did not want to ruin her happiness, but it is the second time that is really the proof of the change. Michael of St. Andrews Academy would have destroyed her had he been in control when the full measure of their infamy became clear.
And I, whoever the hell *I* am anymore, couldn't or wouldn't do that.
M. Nash
Michael wasn't exactly sure how he'd done it, but Eric had him outside in a park near his home, playing catch with a football.
And freezing his ass off.
Well, Michael thought to himself as he launched a perfect spiral at Eric, at least I don't throw like a girl. Of course, this little outing had precipitated as switching back to Michael-mode. He did not want to run with his inserts bouncing.
After they had run each other out, they began the walk back to Eric's house. "Michael?" Eric opened. "You know that tomorrow is New Year's Eve?" Michael nodded, wondering what that had to do with anything. "Well, my wife Sylvia is coming home tomorrow. Which I think means that we need to make some decisions."
"Such as?"
"Whether you want to stay here. I told you that you were welcome. That still stands. Sylvia knows you are here and she knows why, and its cool with her."
"It is okay if I stay here as Michael?"
Eric laughed. "Yes, of course it is. She'd still like to see you togged up as Michelle once, but if you can't do that, she will understand."
"You said there was a choice, Eric."
"Yes, there is, my fine young psychiatrist-to-be. The other choice is that you go back and work through your feelings for Jane."
"WHAT???!??"
"Hey, calm down. As I said, it is your choice and you are not going to hear another word about it once we get back to my house. But I do think it is something you need to consider."
"But. . . but why?"
"Michael, one reason I wanted you to stay at Jane's as Michelle, at least for that trial period, was so that you could confront your true feelings about dressing. I think you've done that. You are as comfortable being Michelle as you are being Michael. And I think that self acceptance has brought you some peace. Without your sensitive, or feminine side, your focused, aggressive or male side would have been incomplete. Unstable. Particularly after you had been given a taste, no matter how bitter that first taste was, of expressing your feminine side."
The younger man became silent as they walked down the snow edged walks. Finally, he nodded, but then looked up at Eric. "Okay. I guess I accept that. But how does that relate to Jane and my Mother?"
"I should think you have figured that out. You have *always* had very strong feelings about Jane. You hated her, then you tolerated her and then, you loved her. She's hurt you - quite badly, and the fact that you loved her made that all the worse for you. Now you are confused and at odds with yourself again, this time about your feelings for her. You are angry with yourself for opening yourself up that way and letting her hurt you like that. And of course, you are angry with her."
"Don't you think I have the right to be angry and hurt? Wouldn't you be, too, if they had done it to you?" was Michael's ragged reply.
"Probably so, Michael. The ones we love are the ones who can hurt us the most. Jane and your Mother could never have hurt you this way if you did not love them. You need to deal with that, Michael. Either now or some time later, you will have to face them and your feelings for them. It might get easier if you wait, and then again, it might get harder."
"I don't know if I can do it, Eric."
"I can understand that, Michael. Only you can decide when and how you will deal with this. Only you can decide if it simply hurts too much to face it now. But you need to think about it, and then make the best decision you can for yourself. And another thing you should think about, Michael."
"What's that, Eric?"
"That plan you had of getting even with your Mother? Of showing her just what she'd lost when she had first given you up to St. Andrews to protect you inheritance, and later when she gave you over to Jane in hopes of saving your soul?"
"Is that what they were doing? Could have fooled me." Michael snorted derisively.
"You *know* that is what they were doing, Michael. You just don't want to accept it because it makes you feel foolish that you were taken in by them, but that is beside the point. What is to the point is that your plan was born of sheer, malicious spite and it would have been a pretty small thing to do to someone else. You didn't do it. You could have, by all accounts, without too much trouble."
"I still got my bloody confrontation, Eric, only it was on my Mother's and Jane's terms."
"I understand that, too, but *you* didn't do it. I want you to know that *I* think that was a helluva fine thing you tried to do. Okay, so Jane and Barbara felt that they had to force the issue to the very end. But you took it like a *real* man, and not like the spiteful boy who had originally wanted to cause as much pain as he could in retaliation for his own pain."
"Are you trying to suck up to me, Eric?" Michael asked suspiciously, his eyes fixed on the older man.
"Nope. I have no reason to suck up to you. I am just telling you square and to your face that it took great courage and greater compassion to turn away like you did. I really like the person you've become, Michael. You should like that person, too."
They walked the rest of the way in silence until they reached the door. "Michael, one last thing. You did not like hearing what I had to say just now, about how you need to confront Jane and your true feelings toward her. However, I said it anyway because as your friend and as your therapist, I thought it was the best thing I could do for you. It did not feel good, and I would rather have let the entire thing slide, but because I care about you, I did the hard thing that I felt was the right thing. I hope you will take it in that vein."
Excerpt: Nash's Diary January 1 - Day 168
Dear Diary
Happy New Year.
Sylvia's home, and dammit, Eric should have warned me. I thought Eric had put on his femme identity when this auburn haired lady walked in the door. Only, then Eric entered in right behind her.
They could have been twins, and they thoroughly enjoyed my dumbfounded reaction to them.
After they finished enjoying their little joke, they told me a little more about themselves. Turns out Sylvia met Erica first, and was so taken by their resemblance, that she introduced herself. Erica and Sylvia became good friends and then, Eric fell in love with Sylvia. It was hilariously funny the way they explained it, but evidently the courtship was a little bit like an old style slapstick comedy. Eric taking Sylvia out; Sylvia confiding in her friend Erica how she feels about this guy; Erica pumping Sylvia for information that Eric could use to his advantage while plighting his troth.
Evidently, Eric managed to carry it off, because she had not yet caught on when he finally let her in on the masquerade. When she didn't kill him, he asked her to marry him. Since then, she has changed her hair color slightly to increase the resemblance since they both get a kick out of it. Besides, when the neighbors see a redheaded female leave the house, they assume it is Sylvia.
She was very nice and very understanding. She even said she thought the thing that Mother and Jane did was a little cold and underhanded.
I won't say that admission was the only reason why, but I finally introduced her to Michelle. Erica showed up for the party, too. I actually had fun. Sylvia - or was it Erica(?) - made me laugh.
But that was last night, and this is now, and I have been thinking about what Eric said about confronting Jane. He's probably right.
The reason I *know* he's right is that I cannot bring myself to work up even a moderately good hate for her. As I think back to the night of the confrontation, she was upset, too. Was that because she did not want to hurt me again, either? I wish.
One thing I know is that I need closure. One way or another, I need to move on past all this. I need to get on with whatever my life is going to become. I need to finish school so I can apply to a pre-med program.
It is odd, that Mother was right. I really could go back to St. Andrews now, without going to her boot camp program. So what if I won't fit in with my old gang - fitting in with that crowd is no longer important to me.
One thing I am sure of right now - maybe in part because of what Eric said about being proud of me - I have decided that *I* am proud of the new me, too. He was also right about the spitefulness thing. Regardless of how this all turns out, I am still glad that I did not strike out when I had the chance. I am *not* my father's son, and moreover, I am *not* going to become my father's image. I can expect to take quite of bit of harassment over that decision, to become an outcast but one thing about living in skirts - you tend to think you can handle almost anything. Maybe I can, at that.
No, if I go back to that school, it is going to be to *my* purposes, not my father's. St. Andrews still has, deservedly or not, an excellent academic reputation which will stand me in good stead in going to a good medical school.
Of course, my decision to go pre-med instead of Harvard Business School will kill off my chances of inheriting from my father. And I am *not* going to business school, so keeping my inheritance no longer has any bearing on my decision of whether or not to return to St. Andrews. That is, of course, assuming my Mother was telling the truth. And I have no reason to believe that she was lying about that.
As I said, I can't do anything else until I put this past year behind me, and that means dealing with Aunt Jane. Guess that means I am going home.
Isn't that strange. I wrote "home", and after thinking about that, I meant it. For all that has happened, and despite what has been done to me, Jane Thompson's house has become "home". Like I said. Isn't that strange.
M. Nash
Chapter 36. The Future and Decisions, Again.
Jane looked at the woefully lonely figure sitting alone outside in her cold, desolate, January garden. Somehow, the man and the setting fit together, she thought sadly.
Michael had been like this since his return from Eric's home earlier in the month. He had not said more than six uninterrupted words to her at one time since he stepped off the plane in Providence.
Well, except for that late night confrontation the day after his return. Jane had been sitting in the music room, pretending to read a book, when Michael had entered the room, obviously upset. In very short order, both their short fuses had flashed and a shouting match had ensued.
Michael had demanded to know why they had kept the provisions of his father's will from him. Jane had responded that she had been concerned that, after his near death, he was not ready to know the real reasons his Mother had put him under her care. When he'd started down the path he chose in retaliation, it became even more clear that he was not ready to hear the truth that his Mother *did* in fact love him, and regretted what she had done in trying to preserve his inheritance.
"And just who gave you the right to make that decision for me?? How on earth can you *ever* rationalize the fact that you promised me honesty and gave me lies?"
Jane's tenuous grip on her composure had cracked and then broken on that one. "The fact that I *LOVED* you gave me that right. You were not ready to know the truth, mentally or emotionally, and I was afraid *that* particular truth might tip you over the edge again. So, I kept the truth from you. When you decided to get even with your Mother, I had to keep more from you, because I was afraid of what you might do if you found out she was still involved in your rehabilitation."
Jane had sprung from her seat and stormed over to get nose to nose with Michael. "Rationalize?" she'd all but screamed. "I don't have to rationalize. I love you, Michael-Michelle Nash, and I felt that, as your guardian, I had to try and find a way to help you past the remnants of your rage against me and against your Mother. All right, I meant well, but the road to hell is paved with good intentions. Well, Michael, when I took you to South Hampton, and then walked into that parlor with you Mother, I went into that fiery pit by way of a four lane super highway of my own making."
"I don't understand that kind of love." Michael had screamed back, making the word 'love' into a four letter curse.
After her tirade, Jane had regained control. "I am sure that you don't, Michael, but it was love nonetheless. And I still *do* love you, young man. I just pray that one day, you will be able to say that to me and to your Mother."
Michael had then stormed out of the room and up to his bed chamber. Except for sporadic meals, he had not come back out for almost five days.
When he had finally left his bedroom, he had been then as he was now. Quiet, taciturn and moody; a man locked within himself, or perhaps a man locked in a fight with himself.
Michael sat in the cold January sunlight, once again reviewing his only extended conversation, well, screaming match, with Aunt Jane. Telling him that she had done it for his own good. Garbage, he thought, pure and simple garbage. He asked himself again for what had to be the thousandth time, how could lying to someone *ever* be for the good of the one not being told the truth. Oh, he could understand how a lie might be to the advantage of the person telling the untruth. He'd done more than a bit of that in his time.
Well, when he had kids, and he was determined he was going to have them, if only so he could prove to his Mother, to his Father's ghost and to himself that he could do correctly what they had not, *he'd* never lie to his kids. Not ever. He would never convince himself that less than the truth was "in their best interests".
Wouldn't he?
The phone rang, breaking her line of thought. Jane sighed, picked up the receiver and spoke into the phone.
"Oh. Hi Barb. No, nothing has really changed. He just sits out there and stares at my garden wall.
"What's that? Of *course* we're keeping a close eye on him. *We* love him, too, you know. I *won't* lose him again, Barbara.
"Oh, yes, he is eating all right, as long as Maria or I drag him to the table and threaten to hand stuff him.
"No, his dress hasn't changed either. He is still wearing whatever he pulls out of the closet first, whether that is jeans, a running suit or a dress. He doesn't wear any lingerie or inserts now, so he looks pretty androgynous. Eric thinks that is precisely how he feels, neither male nor female, but some kludged together, imperfect combination of both.
"No, he hasn't said anything more about what his plans for the future are, but I did find that boot camp brochure torn into confetti in his room, thank god. Nor has he mentioned St. Andrews Academy at all.
"Yes, he did read the codicil, but he hasn't talked about that, either.
"What? No, he hasn't written in Michelle's diary, either.
"How do I know? I peek, of course - regularly - but he has not touched it since he returned from Eric's place in Chicago. I'm at my wit's end, Barb. I think it is time to ship him off back to Eric in the hopes that he can help Michael where you or I cannot. I am feeling pretty damned useless right now.
"Okay. I'll try to stay more positive, but it is so bloody difficult when I see him so . . . empty day after day. Okay, talk to you then."
Jane put the phone back in its cradle and returned to her desk. It was such a god-awful bloody mess. She turned back to her window and saw that Michael was no longer in her garden. Worried at this unexpected and radical change in his recent behavior, she started for the door of her office intent on finding him and assuring herself he was safe. "Not *again*. Please, please, let him be all right," she begged under her breath as she hurried off to find him.
She never made it out the door.
The two of them arrived at the door of Jane's office at precisely the same moment. Unfortunately for Michael, Jane was nearly at a full run. Their collision knocked him sprawling to the foyer floor. "Are you all right?" she cried, kneeling down to check him over and then help him back to his feet.
"I'm okay." he said before repeating the reassurance as much to convince himself as to answer her. "I'm okay. What the heck were you doing, Aunt Jane?"
She started at his use of 'Aunt Jane' . . . he had not called her that since asking her if they could leave Barbara's house that last time. Perhaps that was why she gave him the unvarnished truth without thinking about it. "I lost sight of you. I was worried that you might . . " she stopped and then recovered, "Well, that you might be hurt."
"You thought I might have tried to kill myself again." Michael retorted sourly. "I told you I am not going to do that again. Besides, why should you care?"
A ringing slap to the side of his head had him seeing stars, and holding a hand to his smarting cheek. "Because I love you, you damned thickheaded male. You are my masterpiece - the one I molded into the perfect daughter in hopes of finding a more perfect son. Don't you *ever* insult my feelings like that. You may not be able to love me after what I felt I had to do to you - hell, you may even hate me - but I'll be damned if I will let you doubt my feelings for you. You hear me??"
"I'm sure Maria heard you and she's off in town buying groceries." he responded, a smile lighting his face for the first time in more than a month.
Before Jane could react to the smile, she found herself wrapped in a hug, being held tightly against him. "God, Jane, I have been so lonely. I love you, too."
Suddenly weak kneed, Jane carefully led him into her office and let him sit in one of the chairs of the conversation group. "What's happened, Michael? What has changed?" she asked softly.
He gave a watery chuckle. "That is the stupid part of it, Aunt Jane. Nothing *really* has. I just had to get some distance. Far enough beyond the hurt, humiliation and resentment caused by you and Mom turning the tables on me before I could begin to remember some other, more important things."
"Such as?"
"You fighting to save me from myself when I would have hurt myself badly, maybe even killed myself. Mom caning the couch instead of my butt and telling me to scream so that my father would think I was being "properly" punished. You taking me to the Mustang Ranch when we were in Nevada."
"You *would* remember that." Jane growled, averting her face to hide her blush.
"Yup. First times are special. Anyway, it all sort of came together for me today when I asked myself what I would do with my own children if I knew something that might harm them if they knew it. I wanted my answer to be that, of course, I'd always be perfectly honest with *my* kids. Only, as I very quickly figured out, that was a pure and simple lie. My honest answer, after a great deal of reflection, was that I would lie through my teeth to protect what was mine. *And* it would be my responsibility to decide if and when they needed that kind of protection." He looked up at Jane through eyes that no longer held the pain she'd seen for the past month. "Am I yours to protect, Aunt Jane?"
There were tears in her eyes as her hand slipped across the small coffee table to squeeze his tightly. "Damned right." she said huskily.
"Am I going to have to get out that green book for you, Aunt Jane?" he teased.
"Why the hell not?" she said in the same tone. Then she became serious. "Michael, what about Barbara? She loves you, too. She has been calling me at least twice a day ever since the night of the party."
"She's next, Jane. Maybe we can go down there, or perhaps it would be better if she came here?"
"Either way, although it will be easier for you to be Michael there than it would be here. Everyone up here in this area still knows you as Michelle."
"That's not a problem, Aunt Jane. Another thing I have figured out is who *I* am. I am both Michael and Michelle. I have a masculine drive and ambition that has been tempered by a very feminine sensitivity and caring. Mom was wrong. It's *not* a choice. It's not either/or. I can and will have both in my life because both are part of what and who I am. When I visit Mom down south, I can be Michael. When I visit my other Mom up here, I will be your Gallatea - your Michelle."
Jane's heart filled. "Your *other* Mom?"
"It's what you are, you know." he replied as Michelle's gentle smile softened Michael's male features. "Barbara gave birth to Michael, but it was you who brought Michelle into the world. I would say that gives you a claim to motherhood, wouldn't you? And all without having to go through labor. Such a deal, right?"
"More like going through a seven month labor, smartie." she growled.
The peeling of the front door bell interrupted their interlude before Jane could take that thought any further. "Who ever could that be?" Jane asked disgustedly.
Michael gave her a 'how would I know?' shrug and went to the front door. He was astonished to find a happily grinning Janice standing on the other side of the threshold. She was every bit as lovely as he remembered her, but different, too. Instead of the society sophisticate, this was a country girl with her long black hair floating freely down to the small of her back and decked out in jeans, a sweater and western boots.
"I thought I would *never* find this place. It sure is out of the way, but I guess Jane would need that kind of privacy, wouldn't she. May I come in?" she asked after Michael had stared at her for several heartbeats.
"Oh, of course." he said apologetically. He got out of her way, and then looked at Jane who looked as perplexed as he felt.
The girl took one look at the older woman and offered her hand. "You must be Jane. Jamie has told me so much about you and the good things you did for him here. He was such an *jerk* before Mom shipped him off to you. I liked him a whole lot better when he came home." Jane's mouth fell open as she realized what the girl had said, but before she could say or do anything, Janice had swung back to face Michael.
"Hmmmmm. . . I think you make a better girl, but you're still pretty cute. Maybe it's the way you are dressed - makes it hard to tell. Don't you have any real male clothing? Or is Jane still keeping them locked away?"
It took quite awhile for things to calm down after Hurricane Janice made landfall on Jane's doorstep. The girl was a force of nature, moving from one topic to another without seeming to breathe, but eventually she slowed down enough for the other two to give her monologues at least a pretense of being actual conversations. She really was a very sweet young woman who had an unswerving sense of purpose, as Jane and Michael discovered when the three of them were sitting around Maria's kitchen table enjoying a light tea.
"So, anyway, I finally wormed the whole story out of Jamie - he can't keep anything from me that I really want to know. You trained him very well, Jane. So, then I figured out why everyone had been moping around since the party and weren't happily anticipating the wedding. Your Mom is a lovely lady, Michael, you are so lucky to have her. But anyway, I figured something had to be done, so here I am."
Dizzy from trying to keep up with her rapid-fire changes of subject, Michael managed to lock onto the last thing she said. "So here you are. . .why?"
Janice looked at him as if he were somehow mentally deficient before tossing a commiserating look at Jane. Jane did not have any better idea what the girl was getting at, but nodded sagely at her anyway. "Silly. To get you to come to her wedding, of course. So she will know you've forgiven her and that you aren't going to anything so stupid as go to that hell hole boot camp thing she told you about."
"When is the wedding?" he asked.
"Saturday after next, Michael, on Valentine's Day."
"Are we going to the wedding, Aunt Jane?" Michael asked with a twinkle in his eye.
"I suspect we are, Michael."
"There's just one more little thing." Janice said with the air of someone who is about to solve a huge problem.
"Okay, give, but just remember I have been manipulated by experts in the past months."
"As if I would try." Janice's nose went into the air and she gave a very unladylike snort. "It's just that one of your Mother's attendants broke her leg - she insists on going to Aspen every Christmas even though she is the worst klutz - and since everyone at the party has already *met* Michelle. Why, that means you might be discovered if you tried to attend as Michael, so I was just thinking that it might be a wonderful surprise if you were to take my place as her substitute attendant. As Michelle, of course." she added quickly.
Michael wondered how she could say so much, so quickly and not run her words together. He found her. . . fascinating. "Oh, of course." Michael agreed laconically. "But she strongly implied that she would prefer me to live full time as a guy." he teased, winking at Jane since he'd already told her how he planned to live his life.
"Oh pooh. She had to say that because she had you as a son. I don't think she'd mind in the least. Besides. . ." she trailed off.
"Besides. .? " Michael prompted, thoroughly enchanted and already half in love with this vivacious girl.
"Then she'd know you have really, really forgiven her for what she had to do to you . . . to help you become a better person." she looked at him entreatingly. Then she got a mischievous grin on her face. "And, I am almost positive that Michelle would fit perfectly into my bridesmaid dress - I really regret that part of this because it is really a great dress, but hey, I really like your Mom and this will make her very happy."
"Welllllll. . ." Michael drawled before slipping into Michelle's voice. "I really have to see the dress first, darling. I was not very impressed by that *shroud* you were wearing at the party. Didn't do a *thing* for you."
Both women simply stared at him, and then burst out laughing with him. Janice recovered first. "Meeee-ooowww, you nasty cat. I will have you know that *shroud* was chosen by my Mother who wants me to be eternally thirteen years old. Something about she can't grow old if I don't grow up, I guess." she said disgustedly. "*YOUR* Mom picked this one out and she has much better taste." Then she jumped up from the table. "It's in the car. I'll get it while you . . .do whatever it is you do to become Michelle."
Michael and Jane just shook their heads as she rushed off. "So, my son and daughter," Jane asked, "Are you going to do it?"
Michael frowned as he considered the possible benefits along with the potential dangers of Janice's plan. "You don't think it will hurt her? Mom, I mean?"
It really had worked, Jane thought. He is thinking of others now as well as himself. Even *before* he thinks of himself. "I think Janice is right. She'll love it. She might cry a bit, but those tears will be the happy kind."
Nodding his understanding, Michael grinned broadly before saying airily. "Then I guess I better go do whatever it is that I do, eh?"
"Where is that girl?" a silver haired woman asked to the room. "She knows the procession is supposed to start in five minutes."
"She said she'd had too much to drink and needed to go to the bathroom or she'd never make it down the aisle." Barbara said with a grin on her face. "She'll be back. It just takes awhile to get through all this frou-frou when nature calls."
The matron harrumphed at that. "Silly girl should have seen to it before she got dressed. And *you* were the one who insisted on real period lingerie to go with these dresses."
Just then, there was a commotion as a someone entered the room wearing Janice's dress, only it wasn't Janice. "I hope I haven't held you up." came a strangely familiar voice.
Barbara turned and saw first the blonde locks done up in a set of old style ringlets that went beautifully with the Victorian style gowns Barbara had chosen for her second wedding. "And just who might you be, young lady?" furiously demanded the same silver haired woman.
And then Barbara knew. "Michelle?" she whispered, not quite willing to believe her eyes. And then she found her child in her arms, hugging her close.
"Hi, Mom. Just couldn't wait to get me back into petticoats, could you?" Michael teasingly whispered for her ears alone before pulling back and saying in Michelle's voice. "Hi, Aunt Barbara. Janice and I thought we'd surprise you since I was able to get away for your wedding after all. And don't worry, Janice has been drilling me on my part in all this. I'll do just fine."
Barbara pulled her son/daughter close again and whispered. "Thank you. Now my day is perfect." before also adding aloud. "I think you'll do more that just fine, darling . . . I think you'll be just perfect."
End of Seasons of Change - Book 3 - A Losing Season
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Seasons of Change
Book 4 Tales of The Season
Darla's Story Copyright © 1998,2012 Tigger
All Rights Reserved. |
"Bonjour to you, too, Madamoiselle Maria, Comment allez vous?"
"Michael?? Is that you, dear?" Maria asked delightedly. "Where are you? What are you doing? Why have you called?"
"Yes. Still at St. Andrews. Talking to you. And since when did I need a reason?" was the immediate response. One thing living with Jane Thompson taught a fellow was the value of quick repartee.
"Oh you," was the affectionately exasperated reply. "Of course you don't need a reason. So you are still at school? I thought you were done several days ago."
"Plans changed, Maria. I had to finish up a couple of things before I go to Southhampton. How are you doing?"
There was a momentary pause before. "Oh, fine. You know how it is." she said airily.
"No, I don't. Why don't you tell me? And start with why you had to catch yourself before you told me how fine it was." Michael's voice was filled with the warmth and determination of a concerned friend or fond nephew which was precisely how Maria thought of this particular former student of Jane's.
She sighed. "It's been a little difficult around here of late, love." she said in a more subdued voice. "We lost Stephanie earlier this month just when Darla needed her the most."
"Steve graduated?" Michael asked.
"No, not quite. He was doing very well and would have graduated as soon as Darla was ready to proceed with her training on her own, but he . . . . left early."
"C'mon, Maria. Don't make me play twenty questions. What happened? Steve didn't make a break for it, did he?"
"Oh, no! Nothing like that. It's just that. . ." Maria paused, not used to discussing Jane's business over the phone. Security be damned, she fumed. This was Michelle. "You know that Stephanie was not under any other legal obligation to be here?"
"Yeah, I remember. Her Mom, like my Mom was an sorority chum of Jane's. So?"
"Stephanie's father surprised his ex-wife by showing up to take the boy for his annual two week co-custodial period - first time he's done that in the four years they've been divorced."
"And Steve wasn't home." Michael finished.
"Yes. Well, to make a long story short, the court custody decision did not give Jane any authority to hold the boy."
"Why do I think it is worse than that?" Michael probed, anger beginning to tinge his voice.
"The father threatened Jane with exposure and legal action if she tried to keep the boy. He also has threatened the Mother with reopening the custody case if she sends him back after the two weeks with the father are up. He will claim abuse of a minor at the Mother's behest."
"Shit." Michael said disgustedly. "How long had Darla been with you?"
"A little more than a week."
"Barely enough time to be terrorized by Mrs. Franson, Caro and Sandy for the first time and now, no big sister. Poor kid."
"It is even worse than that, dear, but I cannot talk about that."
"Okay, I know it's late, but is Jane still up?"
"She's in her office. I can transfer you into her, dear. She will love hearing from you. Just a second."
"Maria?!?" the boy's voice cut in before Maria could put him on hold.
"Yes, Michael?"
"Do you think she'd rather hear from Michael or Michelle?"
Maria considered that for a long time, her teeth worrying at her lower lip. "Michelle, I think, dear, but play it gently and be ready to slip back into Michael if it sounds like you should."
"Got it. Love you, Maria. I have missed you a lot."
"Same goes, dear. Now let me transfer you. I think Jane needs you this time."
Jane looked at the ringing phone and curled her lip in disgust. Working with Darla under the very unique conditions imposed on her by the manner of Stephan's removal was physically and emotionally demanding. She was completely exhausted and did not want to talk to anyone. Unfortunately, Maria knew that so if she was putting the call through, it was probably important. "Jane Thompson." she growled into the handset.
"Hi there, Momma-Jane, can't you at least talk nice to your nephew/niece-almost-daughter/son? When I specifically broke into the Dean's office after lights out just so I could call you?"
"Michelle? I mean, Michael?"
"Michelle, I think, Momma-Jane."
"You broke into the Dean's office?" her head was spinning from the unexpected call from one of her boys calling under his femme name. "I thought you were going to your Mother's place last week when exams were over. Didn't you and that little motor mouth, Janice, have some plans for the summer?"
"We did, and we still do. It is just that the Dean wanted me to stay another semester, supposedly to make up for the one I lost staying with you. The real reason is that I have been such an exemplary, trustworthy fellow since I returned that he wanted me to come back next year as a Dormitory Trustee. His rationalization is that I'd be an embarrassment to my oh-so- beloved alma mater if I did not do well my first year at university because of that. He was going to try to withhold my diploma until I made up the work."
"Why that sanctimonious old fool!" Jane was now furious. "You are so far beyond their curriculum after your time with me you could *teach* their damned teachers in most of your courses." she all but sputtered.
"Exactly. So my extra time up here after finals was to take "special exams" designed to prove my mastery of the material I "missed"." a thoroughly male chuckle, at odds with the very feminine tones, sounded in Jane's ear. "Blew their socks off for the past four days. One more exam tomorrow afternoon and then the Dean can take a hike."
"I am so proud of you, dear."
"So, should I change my reservation to Kingston, Momma-Jane? I understand you need a big sister for a few weeks."
"How did you . . . " Jane *was* sputtering now. "Maria has a big mouth."
"I can be there by noon day after tomorrow, Jane, and I am still going to go to university there, too. I could be around all summer and most evenings once school starts - at least until Darla is ready to be a big sister herself."
"Now I know I am dreaming. Michelle, offering to be a big sister and assist me in my nasty little games?" There was a real smile in her voice for the first time. *Nasty little games* had been Michael's evaluation of Jane's humiliation- based training exercises. "My, how things have changed."
"I've changed, dear, and that is not the point. I've decided. I *will* see you day after tomorrow."
"Michael. It is *not* necessary. Yes, it has been rough, but that is because Darla is a special case. We'll be fine. You go camping and hiking with Janice like you planned. You can't very well do your courting if you are here, dressed in skirts."
"Courting? Who the heck said anything about courting?" Michael accused hotly.
"I did." Jane answered equably. "And don't tell me you have not already decided that she is going to be your wife just as soon as you can manage it. I saw the way you looked at her after your Mother's wedding to her brother."
"Have I no secrets from any of you women? Mother has twigged to it, too. So has Janice because her letters have started talking about things like where we will live, how many kids we'll have and division of household labor. Good grief, I am barely seventeen."
"Going on thirty, dear. I appreciate your offer, but after tonight, I believe that neither Darla nor I will require your sacrifice."
"You're sure? I mean, I understand that you lost Steve right after the Marisha Initiation."
"Well, I can see you won't let go of this and leave me alone until I tell you the whole of it. Make sure the Dean's lights are off, dear. No sense getting caught in there and this will take a while. As you said, we were just getting home from the mall when. . . "
Jane pulled the Lincoln around the circle and stopped at the sidewalk up to her front door. Maria would park the car later. Right now she wanted to get her charges inside and finish what had been a highly successful first trip to the Mall for Darla. So far, anyway.
Things got off to a rousing start when the girl was practically bowled over by a daydreaming young man. Jane had seen panic in her student's eyes for the first time as the apologetic fellow offered her his hand to help her back to her feet. For a moment, Jane had been worried that the girl would not accept his chivalrous offer, but finally she did. Jane had intervened at that point, not wanting the outsider to get too close to her still very-new-to-his-skirts student, and had hustled both Stephanie and Darla to Caro's and Sandy's.
Darla had been even more reserved than most of her boys on their first beauty shop experience, but in the end, everything seemed to go well. She looked over at the slender, femininely turned out boy. Sandy had turned his chestnut locks into Irish Red to match the boy's relatively light complexion and green eyes. He'd shown remarkable composure under Caro's and Sandy's pointed attempts to put him on a fine edge of terror. Jane wondered how the boy had managed that.
Was it that he had already gotten as much of a fright as his system could handle when he'd been forced to cope with that male bulldozer out on the mall? Certainly, Sandra had toned down her first trip-to-the-beauty-shop teasing routine, thank goodness. They had all learned their hard lessons with Michael - and none of them ever wanted to taste that terror again. Her students' buttons were still getting pushed very hard, Jane mused, but now she and her band of confederates took a little longer to made sure they knew how those buttons were wired.
Which was why Jane was going to escort Darla up to her room and "help" her put away her new clothes and dainties before bringing her ward back down stairs to the music room for a restoring cup of Maria's tea. Jane was concerned about this one, because not unlike Michael before his near tragic episode, she did not yet have a good read on her newest student.
None of Jane's "first-week-in-petticoat-hell-tricks" had seemed to phase the boy. Not when Stephanie had renamed Darryl as Darla, nor when Maria and Jane had double teamed the boy through the day of rapid outfit and make up changes. He had simply done what he was told without comment or hesitation, regardless of how humiliating the lesson should have been for his young, fragile male ego. Unlike almost every other young man in her experience, Darryl had neither fought her nor resisted her direction during the week he'd been with her. Not *once*!
"Stephanie?" she called as she opened her own door. "Help Darla with her packages, dear. I will be up as soon as I let Maria know we are home."
Stephen's height made for an unusually tall girl, but he'd learned to carry himself with a certain style and grace that made Stephanie look like a runway model. While Jane had had prettier students, none of her other girls had possessed the presence and impact of this ebony-tressed laddie. And he'd come a very long way in his months with Jane. In fact, if it wasn't for the fact that she was so unsure of Darla, she would have begun thinking seriously about transitioning this student back into his trousers in a few more weeks. She had a few more lessons to teach Stephanie, and a couple of those would be hard ones, but after all her years of petticoating young men, she had an instinct about some things. This one would do fine. She would soon be entering him into her rogues' gallery as a complete success.
Jane watched the pair move up the walk, one gracefully, the other still awkwardly fighting the moderately high heeled shoes. Satisfied, she reached back into the car to get her own purse, when she saw the other car parked in her drive for the first time. Cars were not a major interest of hers - so long as they were comfortable, started when she turned the key and ran properly, Jane did not give them much mind. She did, however, recognize a very expensive Jaguar when she saw one. She also could not think of any of her acquaintances who owned a car like that one.
"OH MY GOD! DAD?!?!?" The scream of distress had Jane moving up the walk at a dead run before she had consciously put a name to screamer. Stephanie. All she knew was that one of her boys was in distress, and that *Jane* had not been the one to put him in that condition.
Four people were huddled about her front door. Darla was standing away from the door, trying to look small. A tall, well dressed man Jane did not recognize was shouting at a cowering Stephanie while a furious Maria was trying to push the man away.
Then it hit her what she'd heard Stephanie scream - Dad. As she got closer, the resemblance was obvious, although the elder seemed much harder than her ward. And he was furious.
Jane stepped between the father and Stephanie and attempted to take control. "Mr. Evans, my name is Jane Thompson. We did not know you were coming." Jane greeted in a gracious if breathless voice all the while thinking of what an understatement that was. "Maria, help the girls get their parcels inside, please." she said trying to get her students out of the line of fire.
"Yes, Jane." her long time friend replied as she motioned the two youngsters to follow her.
"Not so damned fast, Stephen." the elder Evans said sharply as he latched onto the boy's arm causing him to squeak in pained surprise. "You are going nowhere except with me."
Moving to the defense of her chick, Jane got into the man's face. "Now you see here, sir. That child is here by her mother's consent. I have a legal contract to provide boarding school education and training to her, and to act in loco parentis. You have no authority to remove Stephanie from my home. If you try, I will have you arrested for kidnaping."
Without relinquishing his grip on Stephanie, her uninvited guest pulled a legal document from his suit pocket and tossed it at Jane. "Your agreement with my ex-wife is meaningless. That is our divorce decree awarding me co-custody of my *son* which obviously predates any contract she signed with you. Simply stated, I get him for two weeks a quarter and *today* is the first day of my two week custody period. Deirdre has *no* authority to send him anywhere during my custody time without my express permission. Which she sure as hell does not have."
Evans turned his attention back to his cross dressed son. "Get out of that. . . that *outfit* and wash that shit off your face. Get some real clothes on and get back here. We are leaving." Stephanie did not move, instead looking to Jane imploringly. "Now, Stephan, or else."
"I don't have any other clothes." Stephanie finally said.
"You *came* here dressed like a wimp ass sissy? What the hell was your mother thinking of!?!" Evans screamed.
"I have his clothing." Jane calmly deflected the man's angry attention. "Please follow me." and then led the way into house and then to her office.
Jane pressed a button on her desk. Maria arrived almost immediately. "Get Stephanie's suitcases and put them in her room, please. She may be leaving today."
Evan smashed a fist down on Jane's desk. "*STEPHEN* is a *HIM*, not a fucking *HER*, woman, and *HE* is DAMN-SURE leaving this . . . . this. . . this *place* today. IMMEDIATELY!"
"Yell at me again in that tone of voice, sir, using that type of language and I will see you in our local jail within the hour. Trust me, I have the contacts to do it."
A malevolent grin lit the features that seemed to be a negative of her student's own. "You just go ahead and try it, *Ms* Thompson. I will be free within that very same hour, I will have papers charging you with abuse of a minor served on you within two hours and I will have every tabloid reporter within five hundred miles of here on your doorstep within three hours. Try me, bitch. Go ahead, try me - please."
Knowing when a strategic retreat was called for, Jane moved back to her desk and dialed a number from her organizer. Stephan's mother answered on the second ring. "Ms. Thompson?!?" the woman said as soon as Jane had identified herself. "I have a terrible problem. Stephan's father has decided to claim his custody rights for the first time in four years. I called my lawyer, but we can't do anything about it. If I don't surrender Stephan to him, he can reopen the entire divorce settlement, including the custody agreement."
Jane spoke with the mother for several more minutes, and finally hung up. She looked at Evans, smirking at her in smug triumph. "I don't suppose it would do any good to tell you that this is a very successful program that has helped many young men who, like your son, were headed for big trouble, turn their lives around? And that this is a very bad time to pull him out of the program? That when he comes back after you return him to his Mother a great deal of the good we've accomplished will be undone?"
Evans sauntered back over to Jane's desk, and leaned over to get down into her face. "First, my son is going to grow up to be a *man*, not some damned skirt wearing wimp. Two, your definition of success and mine are obviously *light-years* apart, and any *damage* I do to what you call "good" is just *fine* with me. And third, there is no way in *hell* that boy is coming anywhere *near* this place ever again. If he does, I will take his mother and you to court, claiming abuse of a minor, and I guarantee, I will win. I own several judges, lady. Even if you should overturn any judgement against you on appeal, you will still be finished."
"What is to stop you now?" Jane asked quietly.
"Because I don't want the world to know how my son has been forced to live with you, bitch. However, if he comes back, I won't have any choice. There are places I can send him once I have full custody where all this sissy shit can be burned out of him. He'll just have to become all the harder to overcome what you and his damned mother have done to him."
"I see." And she did. Not that Jane had any real choice. The last thing Stephan's mother had done was order her to release the boy into his father's custody. "Very well, Mr. Evans. His Mother has directed me to release Stephan into your custody and to permit him to leave with you. Unlike many of my other students who are here at the direction of the court, your wife is the one has the ultimate say in all my contractual dealings relative to Stephanie. Therefore, I will acquiesce." Jane left the office in search of Maria.
Twenty minutes later, a very downcast Stephen came into the office. Maria had tried to undo most of the physical aspects of his Stephanie persona. Unfortunately, they *had* just returned from the Chalet where Stephanie's color and set had been refreshed, her eyebrows reshaped, and her nails sculpted.
Evans took one look at his curly headed son and cursed. "I hope you like the Michael Jordan look, Stephen, because you are going to be shaved until your natural hair grows back. Come on, let's get out of this castrating bitch's house."
Stephen, however, did not immediately follow his father's orders and instead threw himself into a shocked Jane's arms. "Please, Jane, I don't want to leave with *him*!!"
Tears were flowing. "I can't keep you, dear. I have no legal standing, only moral ones. You'd only be hurt worse if he carries out his threats."
Evans reached over to grab the boy and drag him away from Jane's embrace and toward the door. Maria had already brought Stephen's bags down and put them in the foyer. Evans grabbed one case and ordered Stephen to get the other since he refused to relinquish his grip on the boy's arm.
Jane moved to the doorway to watch the pair move to the Jaguar. "Mr. Evans." she called. He turned to face her. "Hurt that boy, and no power on earth, no threat of yours, no hazard to myself will protect you. I, too, have powerful friends, sir, and if I cannot destroy you, I can make myself very annoying."
Evans just laughed, a very nasty and cold laugh, and then shoved the still struggling Stephen into the car. Jane watched in helpless rage as the car raced away from her home at a dangerously high speed.
Part 2:
Maria came into Jane's office with a pot of tea and some finger foods. "I put Darla to bed for a short nap." she said quietly. "She is very upset by all this. I gave her a gentle tranquilizer."
"Thank you, Maria. With everything else, I had not even considered Darla." Jane said in a dull voice as she stirred her tea.
"Bad day, Jane. One of the worst that I can remember. We've never lost a boy like that before."
"Worse than you might think, dear. We may have lost two boys from this fiasco. Darryl now knows that Stephanie was actually Stephan, and it is much too early in his progression for him to have learned that. At least, if we are to continue following our regular program."
Maria helped herself to a sandwich. "True, but we've had single students before, Jane. We've gotten them through." she replied confidently.
"With the exception of Michael, we've never before had one of our boys understand *our* vulnerability early enough to fight back effectively. Darryl is an exceptionally bright young man, and as a former city gang member, he is also very street smart. He is going to put this all together and start thinking instead of just reacting. Off hand, I can see two outcomes. Because of the jail sentence hanging over his head, he will complacently follow our orders, and do everything we ask. Except now that he knows that he is perfectly safe from being exposed publicly as a crossdressed sissy, and we won't be accomplish anything."
"And the other possible outcome?"
"He just refuses to go along with anything we tell him to do and we send a perfectly good, redeemable kid to jail for six months to three years. Damn! What a mess."
Maria sighed, and stared into her teacup, as if looking wisdom. "Which one do you think is more likely?"
Jane took a thoughtful sip from her teacup. "I don't really know." she admitted softly. "I can't seem to get a feel for him. He is simply not reacting - not to me, not to *any*thing. He just keeps on doing exactly what he's told, no matter how humiliating, no matter how seemingly pointless. I don't think he has complained or taken issue with a single order since he stepped off the train."
"Could it be that he doesn't want to give you any excuse to send him to jail, Jane?"
"No." Jane sighed, shaking her head. "We've had other boys who had a jail sentence hanging over their heads as you well know. Even the most even tempered of them eventually reacted to the very arbitrary nature of my orders and decrees. Darla is days overdue for a hissy fit over our little feminizing tyrannies and she has not shown the slightest inclination towards throwing one yet. I don't know what is motivating that child to work as hard as he obviously is on his feminine behaviors, and until I do, we have to watch him very carefully, Maria."
"You're frightened." Maria said finally.
"After Michael? I am terrified." Jane rasped, just above a whisper.
"I've never known you to be so uncertain of yourself or your abilities, my dear. You made a mistake with Michael, but even that came out well in the end. Darla is *not* Michael."
"I just wish I could figure out why he is so . . . so damned agreeable!" Jane caught Maria's look and had to laugh at herself. "Hell of a thing to be upset about, isn't it. My little girl is working too hard to do what I tell her to do." She took another sip of tea and shook her head at her own foolishness. "Well, I am going to have to call Judge Ruth, I guess. The boy is a ward of the state since the only family he has is his criminal older brother. She may want to pull him out of here and put him into another program. Or into jail."
"Like *hell* we will let him go to jail." the normally soft- spoken Maria snarled. "We have to try, Jane. I like this one. He is sweet, really, underneath that shell of his. Do you know that he helped me with the dishes the other day when I cut my hand? Didn't even have to ask him. He just walked into the kitchen, told me I shouldn't be putting my hand in the dishwater, handed me the dishtowel and dug in."
"Judge Ruth thought he was worth the effort and she hasn't been wrong yet, has she? Are Darla's new things put away, Maria?"
"Yes. I did it after she fell asleep."
Jane nodded and then looked at her watch. Lord, she mused, it wasn't even noon yet. "Let her sleep until about three and then get her up and dressed in time for tea. We will postpone, at least for today, her fashion show. I don't think I can find the will to be disdainfully picky about her dress and such. In the meantime, I am going to try and see if I can come up with some way to salvage this mess." Jane looked out the window in the direction of her driveway, and a tear trickled down her cheek.
Maria instantly understood. "Stephan will be fine, Jane. He is a very intelligent young man, and under your tutelage, he has matured a great deal. He understood what you'd actually done for him. He told me so. He'll be able to see his father and his lifestyle for what they are."
"He deserved so much better than that, Maria. I hope you are right. I wouldn't put it past that animal to send him to some military style boot camp/prison camp to beat some of *his* kind of manhood back into the boy."
"If he does, then you can help his mother bring Evans up on abuse charges against *him*."
"Everything we do would still come out in the courts, Maria." Jane cautioned. "We'd be finished afterwards. Something of a pyrrhic victory, don't you think?"
"Since when do we worry about anything other than the kids, Jane?" Maria asked with a good deal of asperity.
A watery chuckle answered her friend's challenge. "Since never, dear. Thank you." Jane took Maria's hand in her own, and squeezed it gratefully. "Why don't you go take a nap, too? I need to do some hard thinking."
Understanding her friend's need for privacy to fight these demons, Maria picked up the tray and left the room. But she wouldn't nap, she told herself. Jane was not as tough as she made out, and she must might need a shoulder before this day was out.
Darla awoke slowly, and happily burrowed back down into the soft, clean sweet-smelling bedding, but he was about slept out. Consciousness wormed its unwelcome way into the young person's head, and with that, came the memories.
Why hadn't he had not realized before the confrontation with Stephanie's father that the "senior girl" was also a guy? It all made so much more sense now, having discovered that one key fact. Why the "girl" was also so much under Jane's thumb, and why the "girl" was not more snotty about Darryl's own surrender of his masculinity. Originally, Darla had thought that Jane took in guys *and* girls, and shoe-horned both genders into the very exaggerated feminine lifestyle he'd experienced since his arrival. Certainly, the "Raggedy Ann" little girl-clothes punishment of Stephanie had seemed real enough, and humiliating enough to have been actual discipline. Steph had truly seemed to hate having to go through it.
So, Darla mused, this whole setup was something that Jane did regularly. It was just too well planned, too smooth an operation to be something that she only did now and then. Which raised another question. How many folks knew the truth about "Jane's girls." The two females at that beauty shop and the woman who owned the lingerie and dress shop obviously were in on the secret. Did anyone else in town know?
Darla tried to remember the reactions of the people who had seen Jane, Stephanie and herself moving through the mall. Try as he might, Darla could not remember anyone reacting to the trio in anything other than a natural, if standoffish manner. Even the high school age guys. No, Darla corrected herself, make that *especially* the high school age guys. Like the guy who nearly knocked her block off while they were walking towards the Marisha Chalet. He'd certainly been tongue-tied and fumble-fingered as he'd stumbled all over himself trying to help her to her feet. Just like he thought she was a real girl.
That had to be it, Darla thought with complete certainty. If it was generally known around town that Jane's girls were actually "sissified" boys undergoing "punishment". . . . Well, teenage males being teenage males, it would have gotten nasty there in the mall. Therefore, the knowledge *had* to be pretty much a secret except for a select few, probably all women, who helped Jane with her games.
It now became clear why Judge what's-her-name, the lady with the name that ended in "ciez" but sounded like "check", sent him here. Jane obviously had a reputation for working with young males who were, in some way or another, social problems.
So, that meant when Steph's father showed up here and started making threats about revealing Jane's activities to the press, Jane had reason to be concerned. She needed her games to remain a secret from the world at large. For example, just like at the mall earlier, *if* the teenage males *knew* about the things Jane did and that any girl she had with her was likely to be a guy in drag. . . . Well, as he thought before, that would be pretty ugly.
The "girl" would be immediately unmasked and would be hounded mercilessly whenever she came to town. Darla wasn't entirely sure what Jane sought to accomplish with her little games, but it was pretty clear that the threat of exposure was a big part of her hold over her students. Particularly after her experiences that morning at the mall, the Chalet and the dress shop.
But that threat was really a bite without teeth. Real exposure would remove that threat for good.
How would he react if he'd really been exposed today? Probably would have been really pissed, and anger generally displaces fear. Jane stood to lose a great deal of her power and stood to gain an intractable, very angry male who felt he had absolutely nothing left to lose. Jane would, in all likelihood, be unable to continue her program.
What would that mean to him? What would happen if Steph's father *did* attack Jane by turning the press loose on her? Her program would go down in flames is what, Darla told herself. No program, and I am headed back to Illinois and the Department of Corrections.
Or worse.
Quietly, the femininely turned out young man slipped out of the warm, comfortable bed and onto the vanity stool. With increasingly practiced hands, he took up the brush and comb and tried to restore some semblance of order to his new coiffure. It wasn't perfect when he finished, but it wasn't too bad. He cleaned off the remnants of Carolyn's make up lesson and tried to reproduce the effect himself. Again, his efforts were not up to Caro's standards, of even Maria's for that matter, but they were improving steadily. Soon, they'd be good enough for Darla to do what had to be done.
Satisfied, Darla rose and went over to the armoire and removed a simple skirt and sweater set. At least he was beyond the super frilly, electric pink, Little Lady Fauntleroy "fashions" of his first few days here.
A last check in the mirror and she was ready to go downstairs. Darla hoped that he would be here long enough to learn what he needed to know, but sooner or later, he was going to have to leave this place.
He'd really hate leaving here. For all of Jane's efforts to be nasty, she gave him a warm bed, a full belly and clean, nice smelling clothes. So what if they were girl clothes. And Maria, when she wasn't doing Jane's dirty work, was a really nice lady. And deep down, she figured that Jane was pretty nice, too. Actually, Darla was certain of that because she had a great deal of experience with people who acted nice but weren't.
Yes, this was a good place, a *safe* place, all things considered, but he wouldn't be able to stay. When he did have to leave, he wanted to be able to disappear. What better way to do that than by being Darla when everyone was looking for a Darryl?
Afternoon tea was a strained experience. Maria joined teacher and student for the light meal, but even the normally buoyant housekeeper was quiet and restrained. Jane almost canceled the meal, but then she recalled that Darla had not eaten since the very light breakfast Maria traditionally served on a salon day.
Finally, Maria cleared the dishes, leaving Jane and Darla sitting silently in the music room.
Jane watched her student, and realized the girl was watching her closely. Several times, Jane thought Darla was going to say something, only to reconsider. Something was on her mind. Jane thought she knew what it was.
"Out with it, Darla." Jane ordered gently, trying to smile. "You've had time to think about what you saw today, and you have something you obviously want to talk about."
Darla did not respond immediately, only worried her teeth on her lower lip as she regarded the older woman warily.
"Well!" Jane said with a rush, slapping her hands on her lap. "Why don't I start by stating what you have probably already surmised. Stephanie was just like you. His name was Stephan and he was also here to learn some manners and some self control."
"But he left, without your permission."
Jane grimaced. "I don't know how much of this I should really discuss with you, Darla." This was precisely what Jane had been afraid of, and even after thinking for the entire afternoon, she had not come up with any other answer than the truth. And she still could not predict this student well enough to know how he'd react. "Not all of my students are sent to me by the courts, Darla. Stephanie was sent to me by her Mother who is an old friend of mine. He was running wild after his parents' divorce and was heading for a bad end."
"And his father knew nothing about what you two had planned for his son, at least, until he surprised the Mother by showing up wanting to exercise his paternal responsibilities and privileges."
Jane did a double take at the boy's language. She'd never heard him use anything but relatively simple words and phrases. "Yes. . . well. . ." she sighed. "He had the law on his side and he, well, was not best pleased at having his darling boy learning the types of lessons I teach."
"And he certainly doesn't want the world knowing that his son was in skirts?"
"I think so." Jane smiled wanly. "At least it gives me some hope that he won't expose my little enterprise. A number of very good people, including all of my old students, stand to lose a great deal if I suddenly become a tabloid celebrity."
"So, you don't think he will really turn you over to the reporters?" Darla asked, barely able to breathe.
"Basically. Oh, he can make life difficult for me in other ways, but he won't do anything that might result in his cronies finding out how his son lived while he was with me."
"And I can stay here, with you?"
She heard the almost prayerful hope in Darla's question. Was that it, she wondered? Had she really been wrong and the girl was that afraid of being sent to jail? Could she use that fear to her advantage with her student? Fear was a powerful tool, if tempered by hope. "Are you that afraid of going to prison, Darla?" Jane asked softly.
The girl's finely etched brows rose in surprise before she recovered herself. "Jail? . . . Oh, yes, Jail." Darla cleared her throat. "Of course I am afraid of that, Aunt Jane."
Are you really, Jane thought. Then why did you have to think about your answer. I *wish* I could read your mind, child. Jane steeled her features into her stern, Victorian Governess mask. "You *may* stay, Darla, so long as you do as I ask. You stay until I decide you are rehabilitated and certify that to Judge Ruth, or until I decide I cannot do anything with you and send you back to her. In that case, you will immediately begin serving your term in prison."
Darla let herself breathe again. Jane did not think Steph's father would let the cat out of the bag, and she was going to let him stay with her. She was still safe. At least for a little while, and so were Jane and Maria. "Thank you, Aunt Jane." the feminine boy replied with deep feeling. "I will be the best student you've ever had."
Nonplused by the evident emotion in her student's voice, Jane did not respond immediately. Finally, she was able to engage her brain. "Yes, well, see that you do, dear." I am not in any mental or emotional condition to play games with a male ego tonight, Jane told herself. "Maria will bring you a dinner tray in your room tonight, dear. We will resume your training tomorrow after we have all had a good sleep."
Recognizing a dismissal, Darla rose and gave a quick curtsey, and quietly left the room.
She has nearly mastered that uniquely feminine gesture, Jane realized, and so early. None of her boys had ever managed a graceful curtsey until they had started to give in to her, usually after several months under her thumb. Jane used it as one of the key indicators that a boy had begun to turn himself around because perfecting that skill required them to practice on their own in front of their mirrors.
That brought up another question. When had Maria had time to do the girl's hair and make up after her nap? She'd been cooking when the girl got up and the work was very well done - too well for it to have been a touch up of Caro's work from the morning's outing. Which was all Darla should have been able to do that well at this point in her training.
Wasn't it?
"You didn't make him up?"
"Darla was already downstairs when I started out from the kitchen to wake her up. I thought you'd gotten her up and supervised her toilette."
"No." Jane said amazed. Another skill nearly mastered. Obviously, he was practicing *everything* she demanded of him. That was not unusual. All her boys did - eventually, *but* they always had to be broken down first.
What in heavens was motivating this child?
"So, you couldn't read Darla any better than you could read me, Momma-Jane?" Michelle asked gently.
A grumbling sound answered that impertinent question and was followed by a sigh. "No. I have never had a child so determined to do everything *perfectly*. Even when I set her up to fail so I could discipline her, she just nodded, accepted the rebuke and the punishment, and kept on trying."
"Poor Momma-Jane." amusement rippled across the lines. "Must be hell for you, having to punish someone who was really was trying to do her best at whatever you told her to do."
"You don't know that half of it, Michelle. I hated it, and Maria even told me I was being to mean to this one."
"I guess one thing your program never accounted for was a student who didn't give you any trouble and was committed to being perfect for you."
"Forgive me for repeating myself, darling, but once again, you don't know the half of it. Let me tell you. . ."
"Jane?" Maria asked as she entered her friend's den. "Have you been reprimanding Darla about her make up and presentation? I thought we agreed to ease off her for a few days while we all got our equilibrium back after Stephanie was taken from us. She has given us no real trouble and I don't like picking on her any more than absolutely necessary."
Jane looked up from her desk planner. She'd been trying to set out a new program from Darla to accommodate the loss of the big sister factor in her student's life. "Darla's cosmetics? Why no, Maria. I think I even complimented her on how she looked at breakfast this morning. Why?"
"Because she cornered me after breakfast when I went up to change her bedding. Wanted me to give her some pointers on different styles of make up, and on how to do it differently if her coloring was different. I thought you might have told her you were going to change her hair color or something like that."
Frustration with this unpredictable student blossomed anew. "You know we never tell the girls if we are planning to do that to them. This makes no sense. Why would she want to know that?"
"Stephanie's father had different colored hair than she did when he came for her. Maybe Darla thinks we changed her color and wants to be ready for it?"
"And we did, which is one of the reasons why her father threatened to shave her head, but we've already changed Darla's hair color. That red color almost glows in the dark. Did she ask you about any specific colors?"
"The usual since you had Sandy turn her into a carrot-top - blond and brunette."
Jane wanted to pull her own hair out. "What *is* motivating the girl? Why is she trying to anticipate us? It makes no bloody sense."
Maria shrugged. "I still think she is afraid, Jane. You don't frighten this one nearly as much as what waits for her outside your walls.
"You are convinced that was is behind all of this is her fear of being sent to jail?"
"A sweet, gentle-natured child like that would be eaten alive in a place like that."
"And while I am forced to agree with your evaluation of the girl, *that* makes no bloody sense, either. He was convicted of charges involving the possession of a deadly weapon during a crime. He has admitted, in court, to having been a member of one of the most vicious street gangs in Ruth's city. Does *that* sound like someone sweet or gentle, for goodness sake?"
"You are not normally one to question yourself, Jane. Why can't you trust what you have in front of you?" Maria asked softly.
"But he was sent to us to be rehabilitated, Maria. And right now, I don't know what to do with him." Jane admitted softly.
"We have time, Jane. He's not leaving for several months at the earliest. Let's find out what is really going down inside that curly head before we press too hard and go down the wrong path with this one. Because we very easily could go wrong. I do agree that there is something that does not fit about Darla."
"I take your point, dear." Jane replied. "I will plan a slower than usual program until we find something that the child reacts to."
"What about her requests for make up lessons?"
"I can't see that it hurts anything, unless. . . you don't think he is a transvestite, do you?"
"There aren't any stains on Darla's sheets or undies, Jane. He hasn't reacted to the sensuality of the experience yet. Not that finding them proves anything along those lines, in any case."
"Yes. As we both know, all that proves is that we've started to reach into his head, which by all accounts, we haven't. Sandy even remarked that he did not seem to be at all aroused during any of her games at the Chalet, either. I just don't understand him. All right. Do the make up lessons, and I will try to tease him about it gently. Maybe being caught doing something so swishy as *asking* for lessons will open him up to me. Oh, and use some of the wigs to change his hair color when you change his face. Drill him on color matching. And please, Maria, no matter how hard you find do it, at least *try* to act a little condescending about his efforts. I don't want this one becoming too confident of his skills."
"For goodness sake, why, Jane?" Maria asked, once again exasperated.
"Because he is smart enough to recognize that escape from here *is* possible, and a boy who can change into several different and believable female identities would have an excellent chance to do just that." Jane said solemnly.
"You really think that is a possibility? We've never had a boy take off before."
"Michael did, and in his own way, this one is just as different and just as intelligent as Michael."
Maria considered that and nodded. "All right. I'll teach him, but I'll try to make him think he's not making as much progress as I am sure that actually will make."
Part 3:
Darla sat demurely in the "hot seat" in front of Jane's massive antique desk. The child had to be a natural mimic and actress, Jane thought. *No* one would ever think that the person seated there had been, no more than three weeks ago, a rough and tumble young male. Even his most subtle gestures were becoming noticeably more feminine.
In the days since Maria had begun the girl's requested cosmetics training, Jane had done her level best to get a rise out of the child, but not even her best, most pointed, male- ego-deflating jibes elicited any real reaction. When compared to a blond bimbo, the girl merely became more calm. When teased about her sudden "interest" in girlish activities such as make up and hair care, she brushed it aside as just one or two more things she needed to do in order to satisfy Jane.
Which it didn't. Satisfy Jane, that is. How could she rebuild him into a decent, mature man if she couldn't find the key to taking apart his obviously overblown adolescent male self image? Darla had been in her care for almost three weeks and Jane had yet to get a single reaction from the boy consistent with her plans or her experience. It was maddening.
It was also frightening.
"I asked you in here, Darla, to discuss your future with you." Jane said somewhat sternly. "Frankly I am not sure I am going to be able to help you. A great deal of my program has always involved the assistance of my senior student while the junior student did not know that the senior was also a petticoated boy. You are now under two distinct disadvantages, so far as my program helping you. First, you know that Stephanie was a boy and two, you no longer have an older sister to help me guide you along."
Darla repressed an urge to swallow and schooled her features not to let her inner fear show. "Surely, Aunt Jane, you have had single student situations before. There had to be a first student, after all."
"Hmmmm, yes, just so, and we've been trying those strategies since Stephanie left us so precipitously. However, over the past few days Maria and I have been trying that particular program variation with you with little or no effect."
Darla thought about the last week and wanted to scream. There had been the tea party with that society matron who all but rapped his knuckles with her cane whenever she saw the slightest departure from feminine gentility. God only knew what the old lady would have done if he'd slipped up and shown himself as a male. Then there was that guy who had come over for dinner with all his snide little innuendos and nasty teasing "compliments". As much as Darla had longed to retaliate, at least in kind, he hadn't dared because he might be forced to leave, and it had still been too soon.
Here Darla had spent the past week using every ounce of will power and control to do precisely as he was told and to be the best girl he could be, and now after all that effort, here she was telling him it somehow wasn't good enough for her?!?
"Does that mean you are going to send me back to jail?" he finally managed to get out in a shaky voice.
Interesting, Jane thought. *That* was a reaction. Is Maria correct? Is she *that* afraid of jail? "We need to talk about that, dear."
"I've been doing my very best, Aunt Jane. Really I have. If you could just tell me where I am falling short, I will work ever so hard to correct that." Darla said in a very feminine rush. "I *really* do want to stay here."
Jane pinched the bridge of her nose against the tension headache that was building behind her eyes. "I *know* that, Darla. Still, I must tell you that I am not sure that you are going to benefit from my methods."
Real tears cut black mascara swathes though the carefully applied foundation and rouge. "If you could just tell me what I am doing wrong, Aunt Jane, I would do anything to correct myself for you."
What a coil, Jane thought dejectedly. How do you tell someone that what she is doing wrong is that she is doing everything much too well? What am I going to say to her? Start screwing up a bit more, and oh by the way, if you could just manage a bit of male boorishness so that I could correct and embarrass you? Oh, and don't forget to be properly humiliated when I try to humiliate you.
And yet, none of that was Darla's fault. There was no question that she was doing everything she could to follow Jane's many rules. Goodness, during their latest trip to the Marisha Chalet, the girl had all but badgered poor Caro into showing her more of her cosmetic tricks to improve the skills she had already learned from Maria.
She closed her eyes hard against the steadily worsening headache. The failure was hers, not Darla's, and sending her back to Judge Ruth was, just as Maria kept haranguing her, patently unfair. But how could she convince herself the child was reformed if none of her tried and true methods and indicators worked with this student?
"Darla, I truly want to help you growing into the kind of person you have shown every potential of becoming. And I know that sending you to jail won't do that, but thus far into the program, you are unique in my experience. I just don't know if I *can* help you."
"So what will you do, Aunt Jane?" Darla asked in a quiet, breathless voice.
"Keep you. For now, anyway. We will continue with your lessons in deportment, manners and presentation." Even though you could practically teach each of those disciplines, Jane mused. "And we will see what we will see." She began to dismiss the girl, and then halted herself. "Darla? Why are you trying so hard?"
Surprise flickered on the feminine young face. "Don't all of your students? Try hard, I mean?"
Usually, Jane thought, but only after they have been through the hellish first weeks and are more in touch with the gentler, more feminine side of their personalities. "You are particularly determined, dear. I'd like to know why. Is it really the fear of jail?"
Another look of surprise slipped past Darla's guard, and she hesitated momentarily. "Well, yes, Aunt Jane, of course I am." she said with overly dramatic emphasis. Then, as if realizing that had been an error, she rushed on to add. "Remember, I was in a gang, and several of the older members had spent time in prison. I have heard all the horror stories. They really do scare me."
Of course they do, Jane repeated mentally, except if that is the problem, why did you have to think about it? "All right, dear. Please go change into your ballet shoes and tutu. Maria will be overseeing your practice at the barre today. I want you to work particularly hard on the basic positions. Hopefully, we will have you en pointe in a couple of weeks.
Darla rose. "Thank you, Aunt Jane." she said emotionally, gave a quick curtsey and hurried from the room.
Darla made an expansive movement with her free hand as she steadied herself by gripping the long railing that went the length of Jane's dance parlor. She looked for all the world like a young girl fully into the intricate steps and presentation of ballet, but her mind was a million miles away.
Jane was thinking of sending her away - back to where . . to where he came from. To jail. Or worse.
At a sharp command from Maria, Darla slid gracefully into a deep plie, and held it for a five count before rising slowly and shifting into the first position.
It was time to begin preparing for that eventuality, Darla decided. Whatever else might happen, he could not face what would be in store for him if Jane gave up on him.
DAMN Jane, Darla fumed. Wasn't she trying hard? She was staying *up* late every damned night practicing her cosmetics, her movements, her mannerisms, her voice inflections. Why couldn't Jane simply come out and tell her what it was that she wanted from Darla that she wasn't getting. He could do it. He *would* do it because he *had* to do it.
If it could be done at all.
Why couldn't things stay as they were? Jane and Maria made him feel safe. If only they knew what a rare and wondrous gift that really was. Darla would do almost *anything* not to jeopardize that.
Which was exactly the danger Stephanie's father posed for them all - he threatened the anonymity Jane required for her program to function. Which was doubly a problem for Darla. If Jane was exposed, and he was still here, he'd be exposed, too. And a story like this would go national, very quickly. It would be just too juicy, to easy for TV reporters or guys like Leno to make snide little one-liner jokes about. Within days, everyone in the country would know about Ms. Jane Thompson and her girls' school for wayward boys.
Another reason to get ready to leave, he told himself. It wasn't just his skin anymore.
"Wow, Momma-Jane. And that was just a few days ago? You really were in a pickle. She is really that good, that quickly? And she really doesn't react to your games at all?"
"No, Michelle, not at all. The only things she's reacted to was the threat of going to jail and being run over by the clod at the mall, and the result of that was she gained an unusually high degree of confidence in her disguise and in her ability to carry it off. She *knows* she can pass under very close scrutiny now. You are the only student I have ever had who was better at the masquerade than she is, and it took you months to get where she has gotten in just a few weeks."
"Maybe she really *wants* to be a girl." Michael offered.
"You mean as in SRS? I had not considered that, but it might explain a great deal. How do you embarrass someone with their chosen self image and sexuality?" Jane pondered it for a moment. "Still, I don't think that is it - at least not quite. Some part of the puzzle is still missing."
"And the only time she reacts at all negatively is when you discuss her leaving?" A soft teasing chuckle caressed Jane's ear and warmed her tired soul. "Maybe she has decided she loves you and wants to be with you. That is why she's working so hard."
"Right," was Jane's sardonic response. Keep on believing such winsome thoughts, love. Well, I guess I have to keep her. If she is playing a game, trying to convince me she is already reformed, she is doing an excellent job of it."
"Maybe Judge Ruth made a mistake and she does not really need to be reformed at all."
That drew a chuckle from Jane. "Right. Well, darling, I have to go. You are leaving St. Andrews tomorrow morning?"
"Day after tomorrow, actually. A little after ten in the morning. You sure you don't want me to stop by? Janice's and my schedules are pretty flexible. I could easily spare a few days for my favorite Evil Stepmother."
"Oh, you!" Jane laughed. "Just be here in time for college to start in the fall, okay? And have some *fun* with that delightful chatterbox you fell in love with."
"MOMMA JANE!!!" Michael complained loudly.
"Yes, darling? Don't worry, Michael. Have a wonderful time with your Janice. Ta, love. I have to run. Thank you for calling and for caring."
"Jane?" Maria's voice cut through Jane's fatigue-fogged mind as she tried to think of yet some other new way to deal with Darla. Since her talk with the girl three days ago, Darla had, if anything, become even *more* determined to be perfect in her role as one of Jane's girl students. It was getting to the point where *Jane* had to remind *herself* that Darla was actually a boy. "Jane?" Maria said again, louder as she tried to get her friend's attention.
"What is it, Maria?" she finally asked.
"Have you done something with a couple of the wigs? The long, blond one you use when you want them to play Heidi in braids and the short black pageboy? I was going to brush them out and put them back in storage but now I can't find them anywhere."
"I don't have them." Jane replied, still distracted. "When did you see them last?"
"A few days ago, when I was giving Darla lessons in hair care and makeup."
"Did you check Darla's room?"
"Of course. They aren't there."
Jane shrugged. "Well, they are around somewhere." What Jane was going to say was interrupted by the ringing of her phone.
"Hello? Oh, hello, Mrs. Evans, how are you? Good. What can I do for you?"
"Ms. Thompson, I should have called you sooner. I am sorry I did not warn you that my ex-husband was coming after you. I do apologize for that. I was actually hoping that he'd understand that what you were doing with Stephan was something our son needed."
"He didn't." Jane said flatly. "More than that, he threatened me and everyone who has ever been a part of my program."
"I know." The woman paused audibly, and then pressed on. "And that is why I am calling you. Stephan called me last night, Jane, and he thinks his father has decided to expose you publicly regardless of the consequences to Stephan."
"For god's sake, why??? I thought he understood the potential damage to his son's reputation? Didn't he say he wanted Stephanie to succeed him?"
"*Stephan* told me that his father is so disgusted with his gentle and caring behavior - my words, not his - that he has about decided his son is a lost cause. He can't go after me because I still control a significant piece of the voting stock in his company, but there is very little I can do to stop him from going after you. You evidently did your job very well, Jane. Stephan is exactly the gentle man you promised he'd be. Unfortunately, his father wanted a shark."
"So he is going to sacrifice his son to get to me." Jane said with evident disgust.
"That is Stephan's belief. For what it is worth, Jane? He told me he did not care about himself because he doesn't want what his father has. He *did* want me to warn you so that you could be prepared for what is likely to happen."
"Thank you for that, Deirdre. Anything else?" Ice literally hung from each word.
"N. . . no, Jane. That is all, except. . . I am sorry for this. I never even considered he'd want his custody rights this year. In truth, I had actually forgotten he even had those rights from the decree."
"Guess we both know he does now, don't we." Jane replied acidly. "Deirdre, I have to go and do what I can do to protect my friends and students. Thank you for calling. . . . . . . .This time." and she slammed the phone down onto the cradle. "Bitch!" Jane growled.
"I guess that means it is all over and I go back to start my jail sentence." came a soft, not-femininely inflected voice.
Jane's head snapped up and saw Darla standing in the doorway to the office. One look at the chalk white face told Jane that her student had heard more than enough to know what was going down.
Everything inside Jane rebelled against this young man facing prison. Regardless of what the evidence presented against him in court *proved*, there was now absolutely no doubt in her mind that the conviction was a miscarriage of justice. And Jane was going to see justice was done. "No, you're not." Jane said emphatically. "Maria, call Caro and Sandy. Tell them I want them here tomorrow to do a tear down on Darla."
Maria nodded and left the office. "Tear down?" Darla asked.
Smiling sadly, Jane gestured Darla over to the cozy conversation grouping next to the fireplace. "It sounds worse than it is, dear. That is our little phrase for undoing all the little feminizing touches that made Darryl into Darla. Sandy and Caro are almost as good at undoing as they are at doing."
"What happens next?"
"I tell Judge Ruth that I consider you completely rehabilitated and then I find someone, probably one of my former students, to take you in and see to your education for me while I deal with the fallout from Mr. Evans' attack."
"I don't understand. You told me that you didn't think you could help me just a few days ago. And today you are setting me free?"
"Sounds strange, doesn't it? You just didn't fit my preconceptions, Darla. . . I mean Darryl. You were here because you had been convicted of felony with a deadly weapon, but your behavior didn't fit. Instead of being argumentative, you were reasonable. Instead of being combative, you were cooperative. You listened and you always tried your best. Your composure is almost inhuman. None of which matches with the aggressive, violence-prone personality that your conviction indicated. When you did not respond to my humiliation ploys, and in fact, seemed to thrive, I was afraid you were immune to my program. I have just now reached the conclusion that you are actually immune - not because you are beyond my help, but because you don't need my help. Not that way in any case."
Jane stood and went over to the small wet bar and poured two snifters of brandy. She handed one to Darla. "I know you are under age, but I think we both need a medicinal draft. Sip it, dear. It is a little strong if you aren't used to it."
They sat in silence as they sipped the strong amber liquid. "Darla?" Jane asked. "Could you tell me the real story? What happened? Why were you there at the bank with a weapon?"
Shock registered on the girlish face. "You know, that is the first time anyone has asked that question that way. Thank you, Aunt Jane." Darla took a fortifying sip of the brandy and then looked at Jane. "You know that my brother is my only living kin, right?" Jane nodded. "You also know that he is a thorough-going son of a bitch. He has killed at least three people that he has admitted to me, and has injured a dozen others. He's raped members of both sexes. He never went down for any of those, although he did some time early in his career on a B&E conviction."
"And that's really where you got your fear of jail?"
Darla had the grace to blush as she recalled her earlier, hasty answer to that question. "Mostly. Several of his rapes occurred inside and he delighted in telling me all the grisly details, all the while making comparisons between his victims and me. Anyway, as to how I ended up at the bank, he was short of money and decided to knock over the bank. He needed a helper and I made the mistake of being available. It was either do as he said or get killed." Jane's heart stopped at the matter of fact way Darla stated that belief. "The robbery went sour. Someone got out a silent alarm and the place was lousy with guards and cops before we could get away. My brother used me as a diversion and made his own escape."
"I see." Jane rose and took the two empty snifters. "Maria will get your bags and boy things out of storage later today. I suggest you go and get some rest. Tomorrow will be a rough day for all of us."
The house was very still and quiet as Darryl crept from his room. One of the few semi-useful skills bequeathed to him by his brother was the ability to pick just about any lock with only the most minimal of tools. In this case, he had used the materials at hand - hair pins.
The return of his male clothing by Maria the previous evening made his plan much simpler. Trousers, shirt, a ball cap to hide his still curly locks and soft soled shoes were much better for what he had to do than a dress and heels. He also now had a carry-all for the things he would need in order to disappear.
Reaching the decision to leave had been the hardest thing Darryl had ever done because he really did not want to leave. There was a lot to be said for good hot food, a warm clean bed and people who cared about you and for you. Darryl believed that Jane cared, even when she was doing her level best to humiliate him to the depths of his masculine soul. She'd been pretty good at it, too, he admitted to himself wryly. If he'd been a normal guy, he'd have long ago been reduced to a quivering mass of jelly by her tricks.
But, thanks to his brother, he'd long ago ceased to be a normal guy.
No, Jane's bite was pretty good and her bark even better, but it was tough love from a soft heart. Which was why he had to leave. Tomorrow could be too late. If Stephan's father loosed the dogs of the media on Jane and he was still here, even as Darla, there was a near certainty risk that he would be seen. That would pose an unacceptably high risk that he might be recognized as Darryl, even if he was rigged out as Darla. If that happened, Jane and Maria would be in danger of their lives.
That could *not* be allowed to happen. They had taken him in, cared for him and had protected him. Now it was his turn to do the same for them. Since he couldn't stop what Evans planned to do, this was the only other way he could think of that would ensure their safety.
Silently, he crept down into Maria's pantry where he knew the petty cash was kept. That had not been his reason for helping her in the kitchen, but it was now a side benefit. He was going to need enough money to get away. He hated this most of all, but he had to have money if he was to get *far* enough away, quickly enough that they could not find him and bring him back. There was two hundred dollars in the till, and Darryl put in an IOU back into the box along with a promise to repay them as soon as he could. They wouldn't believe it, not after his apparent betrayal, but he would pay them back. He could do that much at least.
There were tears in his eyes as he made his way out of the kitchen towards the front door. He stopped at the door and made one last sweeping look of the first real home he'd had since his Mother died, and then reached for the door.
Bright light flooded the hall foyer, momentarily blinding Darryl. Stunned, he spun around and saw two ghostly figures standing behind him among the exploding starbursts of his dazzled vision.
"I am very disappointed in you, Darryl." Jane said softly. "Didn't you believe me when I promised to send you to safety? Do you doubt my word so much that you feel you have to escape like a thief in the night?"
His vision cleared enough to see the pain on both Jane's and Maria's faces and it broke him. Wrenching sobs burst forth from him, and he fell to his knees his head buried in his hands.
And then both Jane and Maria were there, pulling him to his feet, leading him into Jane's study.
Holding him as he cried. Holding him until he'd cried himself out.
"I have to leave." he finally got out. "I can't be here when the reporters come, Jane. You've got to let me go for *your* sake."
Jane tried to understand, but couldn't. Maria came back into the study with a glass of juice. "Here, cheri." she soothed. "Drink this. After all those tears, you need the fluids."
Obedience to her orders was almost second nature by now and Darryl drained the glass before continuing to plead his case. "You have to let me go, dammit. I am a danger to you if I . . if I . . " Darryl's voice was getting steadily weaker and his movements more languid. "If I stay." he finally whispered before his eyes closed and his body went limp.
Maria and Jane worked with practiced efficiency to get him onto the couch and covered with an afghan. "Good work, Maria." Jane congratulated.
"He'll be out at least until mid morning. Why don't you get some sleep. I will stay with him until seven or so, and then you can sit with him until he wakes up."
"All right." Jane turned to go back to her bed and then stopped. "What do you think he meant when he said he was a danger to us?"
"I don't know, but he also said he had to be gone before the reporters come. They haven't shown up yet so perhaps whatever he is afraid of hasn't either. Still. . . . ." Maria walked over to Jane's desk, opened a drawer and withdrew a nine millimeter automatic pistol. She competently ejected the magazine, worked the action to ensure there wasn't a round chambered and then reloaded the magazine. Looking Jane squarely in the eye, she chambered a round and set the safety.
Nodding, Jane left the room.
Four hours later, Jane came back into the study. Maria greeted her and smiled. "Well, one mystery is solved." she said tiredly. "Look in the suitcase."
Curious, Jane padded over to the open case and looked inside. Her head immediately snapped back up in surprise. "I don't understand." she whispered. Inside the case were both missing wigs, an assortment of dresses, skirts, blouses and shoes, and almost all the cosmetics from Darla's vanity. "He was escaping, but he was going to switch back into a female identity once he'd made his getaway?"
"Looks like it, Jane. I don't understand either and it is going to a few more hours before we can get any answers from him."
"Go to bed, Maria. I'll watch him. I am going to have to call Judge Ruth anyway to tell her that Darryl has passed and is a free man. There will still be some paperwork to clean up on her end before we can send Darryl off to Wyoming."
Solemnly, Maria handed the weapon over to Jane. "Round chambered, safety on, Jane." she said parroting the police officer who had taught them both to shoot the weapon.
Jane took the gun, checked the safety, and then went over to the chair next to Darryl's makeshift bed, and took up her vigil. It was still a couple of hours before she could call the Judge. Hopefully, the reporters would not be on her doorstep before she could get her latest child out of harm's way.
Part 4:
Interlude:
>>One Oscar Romeo, LoJak detection. Suspect stolen vehicle has stopped at corner of First and Church. Has not moved in almost five minutes. All night liquor store in that area.<<
The fifteen year veteran of the Danville PD picked up the microphone. "One Oscar Romeo, Roger. We are approaching that location. Sirens and Lights off. Request backup do the same. Over."
"Roger One Oscar Romeo. Two Oscar Romeo and duty sergeant en route your location. Will advise them of covert approach. Over."
"One Oscar Romeo - Out." The cop looked over at his partner, a rookie fresh out of the academy and sighed. This would be her first liquor store. "Okay, Watson." he still had to smile over that name - as if he was Sherlock Holmes. "Let's talk about how we are going to handle this."
Second Interlude:
Harold Smith was feeling pretty good about himself. Better than good - he felt terrific. What more could a man need out of life he thought to himself as he took another healthy swallow of Johnny Walker Black. Good booze, money in his pocket and someone who was afraid of you.
Harold looked at the shuddering shop keeper whose own eyes were fixed on the large black handgun in Harold's meaty fist. He could see the man's terror, could smell his fear and that was power! What more did a man need, indeed?
Then Harold recalled the reason for this cross country jaunt. He didn't have his bitch. Somehow, that little pipsqueak had beaten the rap. He didn't get his scrawny ass sent to prison and there hadn't been any report of the trial in the papers. That had bothered Harold because the kid was supposedly going to be tried as an adult which meant that the jury trial proceedings would not be sealed.
A midnight trip to the public defender's office hadn't been very helpful. The little punk lawyer he'd caught in there hadn't been able to tell him what happened, except that things like that happened from time to time, particularly when that cunt judge was handling cases.
Too bad about the lawyer, but he'd seen Harold's face. He'd had a right cute fuckable little ass on him before Harold had blown it away for him. Well, soon enough he'd have his own private piece back in his possession. The court reporter hadn't seen his face, but she'd seen Maggie, his bad assed gun well enough. She'd told him about this Thompson bitch and her mini-reform school.
Harold hadn't killed her, but they'd be a long time finding her in that boarded up shack he'd left her tied up in. Maybe she'd live, he mused, but that made no never mind to Harold Smith. In a couple of hours, he'd be in that Kingston burg and he'd just take back what was rightfully his.
Or else the little bitch was going to die right along side anyone else who got in his way.
"Come on, mac." he said silkily as he fanned the handful of bills under the store ownner's nose. "I know there's more money than this around here. If I don't have at least five hundred in my hands in thirty seconds, you won't ever have to worry about being robbed again." Harold waved the forty four magnum in front of the man's face. "Understand?"
"Yes sir!" the man all but squealed. I'll get it, just don't shoot me."
The man went down on his knees behind the counter and Harold took another pull on the open whiskey bottle. Once he saw the cash, he'd take this sucker out and be on his way in style. Stupid of people to have such nice cars and not put alarms in them - not that it would have stopped him. Harold had been disabling car alarms since he'd been eleven years old.
Third Interlude:
One Oscar Romeo was parked just down the darkened street from the liquor store. "I am going to approach, Watson. I want you to cover me. He's been in there too long. We can't wait for the backup any longer. We have to make sure he doesn't hurt anyone. And Watson?"
"Yes sir?" the young voice cracked from the tension.
"Don't shoot unless it is to protect the civilian or me, and then be damned sure of your target. Got that?" She swallowed hard and nodded. This one was going to be a good cop, he thought again. Nodding his approval, the veteran cop drew out his service weapon and began making his way toward the storefront, keeping in the shadows, all the while praying that this time he wouldn't be too late.
Fourth and Final Interlude:
<<BOOM!>> <<BOOM!>> <<CRACK>>
Even before the large body crashed through the storefront window, the cop had recognized the sound. A double barrel shotgun had unloaded both barrels and a heavy caliber weapon had returned fire.
He was running now. His streetwise eye told him that the bleeding mess on the street was no longer alive so he raced into the shop to find the clerk on his back unconscious, bleeding from a three inch long gouge in his scalp, right above the temple. The sawed off double barrel shotgun was still clutched in his hands.
Sirens sounded nearby and soon, two other cruisers were outside, blocking off the street. Watson had done the right thing, he thought, calling in shots fired and requesting immediate backup. She'd kept her head when the bullets started flying which meant she just might make a good cop.
The sergeant was first on the scene. "I've called for an ambulance, Allyn." he said in a tight voice. "But whoever that is outside is not going to need it."
Officer Allyn stood. "This one does although I think it probably looks worse than it is."
"Thank god for those auto tracking systems." the sergeant said quietly. "You would never have been here without it."
"I did nothing, Sarge."
"That one may live because you were here and you know it."
"If you say so, Sarge. Hey, where's Watson?"
The sergeant smirked. "In the alley losing her last three meals. Your bad guy is about cut in half. She took one look and turned green."
"Hey, don't pick on my partner, Sarge. She did good tonight and I seem to recall you telling me that you puked your guts out the first time you saw a shotgun victim. You told me that when I had done it myself."
"Forensics will be here in a few minutes. Looks pretty cut and dried to me. Must be someone new. I don't recall ever seeing that guy working around here before."
"The lab boys will know soon enough. I just hope homicide gets here and takes over soon. I need to get Watson out of here." The older man nodded his agreement and Allyn made his way out of the story in search of his partner. She'd be in need of a little praise just now and she'd definitely earned it.
Part 5:
"Hello, this is Judge Ruth." came the firmly in command voice on the phone.
"Don't you know staid old officers of the court are supposed to use their last names? More dignified that way."
"And listen to everyone who calls me mutilate my family name? Not likely, dear. How are you, Jane? And how is young . . . what did you decide to call her? Darla?"
"I'm okay for now, Ruth. Darla is why I am calling you. He's okay, too."
"Well, it's just as well that you called because I was going to call you. I don't know whether this is bad or good news. I'll have to rely on you for that. Darryl's brother Harold, who is his only living relative that we know of, attempted to rob a liquor store last night and was shot and killed in the attempt. He was in Danville Connecticut which is pretty strange since he has never operated outside this city before."
"He's really dead, Ruth?" Jane asked quietly.
"Confirmed by the Coroner this morning. They called our police department for confirmation of the FBI fingerprint data. The officer who took the call is one of us. In fact, she was the one who arrested Darryl. My own opinion is that the world is a better place without that rabid animal on two legs prowling about."
"He was shot in Danville? In Connecticut? Not in your town?"
"No. He must have been on his way to find Darla. Apparently he'd found out your address by kidnaping and threatening my court clerk - she escaped from the broken down shack where he'd left her and turned up here half-hysterical only an hour or so ago. Right now she's sleeping off whatever the doctors gave her to calm her down. We also have reason believe he's behind the murder of one of our public defenders last night, too.
Jane put two and two together and went cold. "He was coming here, Ruth? After Darryl?"
"It fits the data, Jane. The Public Defender who was murdered didn't know anything about your connection to my office, but the clerk had to know since she wrote up the plea bargains.
"God, Ruth, I hope she is going to be all right."
"Looks that way. She'll get counseling to help her deal with the aftereffects.
"I think it is likely that Harold is also the one who got young Darryl into the situation that led to his conviction." Judge Ruth continued, "I personally believe Darryl did it under extreme duress, but the DA, who is up for reelection, wanted to believe otherwise. Easy conviction. It took some fancy footwork to get him to release Darryl to you, let me tell you."
Jane recalled Darryl's confession the previous day and decided that it *was* good news. She just wasn't sure how her young charge would take it. "I have some things I need to talk to you about, Ruth, in regards to Darryl."
The smells of breakfast were the first thing that pierced the veil of Darryl's sleep. A soft smile played at his lips as he thought of Maria puttering about her kingdom. Darryl came awake and upright with a start. Maria! Jane! He had to get away. Had to protect them from his brother. Harold *couldn't* be allowed to find out where he was and who he was with.
A strong hand gripped Darryl's arm to stop his flight. "Not yet, young man." Jane said sternly. "You will eat your breakfast and then, if you still must go, I will help you. Now, come along before I drag you by your ear, boy."
Undone by his hunger and by his need to spend just a few more minutes with Maria and Jane, Darryl let himself be led by his arm to the table. Maria set a steaming plate filled with all Darryl's favorite foods in front of him. "Eat." she ordered.
Jane took her place at the head of the table and Maria, unexpectedly, took the seat next to Darryl. "I have some news for you, Darryl, while you eat. First, I spoke with Judge Ruth while you slept."
"While I slept off that drug you fed me in that glass of juice." he accused around a mouthful of waffles.
"Don't speak with your mouth full, young man. Just because you are no longer in skirts does not mean you may dispense with good manners at my table." Jane snapped. "And don't interrupt. It was for your own good. Now that Judge Ruth has expunged your conviction from the court records upon my recommendation, your slate is clean and you are free to go. . . that is, as free as any underage ward of the state."
The tears started again. "I can't stay, Aunt Jane. I can't be seen here or worse, photographed here."
Maria put one arm about his shoulders and used his napkin to dab away his tears.
"I don't know for sure, but I think the other thing that Judge Ruth told me may have a bearing on that decision, Darryl. Your brother was killed last night. He tried to rob a liquor store and the owner took exception. He had a shotgun at hand and used it on your brother."
Darryl stilled, becoming completely motionless, his face devoid of any feeling. Jane reached across to take his free hand. With haunted eyes, Darryl looked up at Jane. "He's really dead? Truly?" His voice was barely a whisper, but the emotion in his words yelled.
"My word of honor, dear. He cannot hurt you anymore."
The young man's resolve shattered "Oh God." the boy wept. "Oh God, its over. Thank you, God." And then both women were there, holding him again as they had the night before.
"So when I figured out what you did here, I realized that knowing how to disguise myself effectively as a girl might be my ticket to freedom. My brother would be looking for Darryl, not Darla. Harold thought he owned me - *really* owned me. He was crazy and I knew that one day he was going to kill me. Then I got sent here. The first time Maria decked me out in full girl clothes . . . well, I looked so real, so believable even to me. I thought I might be able to pull it off well enough to live a fairly quiet life, finish school and go to college. I hadn't figured out how I'd do that - getting accepted to a college as a female - but I thought there was time to solve that problem. Anyway, I figured that if I could drop out of sight for a few years, my problems with Harold would take care of themselves because he'd be dead. Someone would decide he needed killing." Darryl said quietly.
"So when Mr. Evans threatened me with exposure, you decided you had to escape to protect us from your brother?" Jane still couldn't get over that part of the plan. He wanted to stay with her, and yet, he had been willing to leave her to keep her safe from a danger he himself posed for her.
"If Harold ever saw a picture of Darla and recognized Darryl, he would have come after me. Like I said, he believed that he owned me." the boy said quickly, hiding his face. "You would have tried to protect me and he would have killed you. I couldn't let that happen. Not when you have been so good to me."
Jane threw her hands up in mock despair. "Good to you?? Lord, every boy I have ever had in my little charm school believes I am the female personification of the Devil Incarnate, at least for the first few months, and *you* tell me I was good to you? I knew my little humiliations and such were not reaching you, but *Good to you*???"
"I've been in and out of the foster care system for five years now, Aunt Jane. Most of the folks who take in kids for social services are okay. They see to your basic needs, but a lot of them can't let themselves really care anymore. I saw you were different right from the start and Maria is an open book. She wants to mother me and had to stop herself several times a day. And besides. . ."
Darryl drew a deep breath. He owed her this, and maybe, she could help with that, too. "Once someone has been . . .raped, over and over again, it takes a great deal to humiliate that person any more than he already has been."
Fire flashed in Jane's eyes. "That . . .*scum* . . . *raped* YOU?!?!?" Jane had to stop herself when she realized she was screaming. Furious, she swung away and stormed about the room cursing like a longshoreman as a wide eyed Darryl could only stare at the vengeful Valkyrie. This was for him, he thought in wonder. She looked ready to kill and it was for him.
With obvious effort, Jane finally managed to compose herself and went behind her desk. "One of my students," she said with great deliberation, "is a highly respected psychologist. I am going to ask him to talk to you. He recommended a therapist for another of my boys once, but his issues were different than yours. However, whatever you need, whatever will help you, I will see that you get it."
"I don't want anybody digging around in my head!" Darryl shot back.
"Tough." Jane said as she returned to his side. "You wanted to take care of me? Wanted to protect me? Same goes. Live with it. Until Ruth orders otherwise, you are still legally my ward and in this case, young man, you *will* do what I say."
Darryl looked like he wanted to say something more, but was interrupted by the doorbell. "Now who could that be?" Maria asked worriedly.
Jane rose and walked towards the foyer. "If it is the first of the reporters, I will deal with it." and she disappeared around the corner.
"MICHELLE??!?!" Maria and Darryl heard Jane's exultant shout of delight followed by "What in heavens name are YOU doing here?"
Darryl watched as Jane was escorted back into the study by a young, very pretty blond. His now experienced eye recognized the sweater and skirt ensemble as deceptively casual, very expensive Laura Ashley fashions.
"I heard you might need a big sister, Momma-Jane." the girl said before Maria all but tackled her for her own greeting.
Jane began to recover and looked back and forth between once and current students as they gave each other a thorough going over. "Well, I believe introductions are in order. Darryl, this blond scamp is my honorary daughter, son and former student. Michelle when she is rigged out like this, and Michael most other times. Michelle, this is Darryl, formally Darla."
This is a guy? Darryl thought in amazement. No way! Jane has to be pulling my leg on this one. Stephanie was good and she fooled me when I first started here, but this one beats her all to hell. No way.
"Pleased to meet you." the blond vision said as she offered her hand, wrist bent just so.
"Same here." Darryl responded, wondering for a moment if he was supposed to kiss the girl's hand like someone out of an oldtime movie.
"Now." Michelle said, his voice dropped almost an octave, becoming decidedly masculine, shocking the other boy, "Could someone please tell me just what the hell is going on here?!?!?"
Michelle was okay, Darryl thought to himself as he rested in his room. And it was obvious that Jane adored her. . . errr him.
Oddly enough, Michelle found herself thinking much the same things about Darryl, and then grinned at her use of the feminine pronoun. When rigged out as Michelle, Michael often slipped into referring to himself in the feminine tense. Sort of like learning to think in a second language.
What a mess, Michelle thought. What to do? Maybe Janice would have an idea. She'd managed to get him and his Mother past their little rough patches with her enthusiasm, wit and ready mouth. She'd just give her a call.
Besides, it was an excellent excuse to make the call, and he missed her terribly.
A very surprised Jane watched her two girls descend the stairs an hour later for afternoon tea. She'd rather expected to see Michelle change into Michael, now that he understood she did not need a big sister for Darla, but she obviously hadn't. So why was Darryl back to Darla instead?
"So Janice figured that the best way to nip through this is not to admit anything, and since everyone in town knows Darla and not Darryl. . ."
"Michelle and I figured it was best that Darla make a comeback since I don't plan on leaving here anytime soon. You made the mistake of telling me I could stay, Aunt Jane."
Her head spinning, Jane looked from blond head to red head and back, trying to make sense of this. "And Janice figures this is the best way to muddle through all this?"
"Well." Michelle said with a twinkle, "I have to admit it made a great deal more sense when she was telling me to do it, but then, many things tend to sound much more reasonable while Janice is talking than after she stops."
"I have got to meet this woman." Darla put in.
"Back off, little sister." Michelle growled. "She's spoken for."
The pair of them shared a giggle and then turned their attention back to Jane. "I'm not sure it will protect you and Maria, Momma Jane," Michelle continued. "But we may be able to insulate the other members of your group, and certainly the other students. After all, we're just two silly sissies who like wearing skirts. All of your other students were real girls, weren't they?" Michelle said equably.
Jane felt like someone had just put her world into a food processor and turned on the motor. It *definitely* had all the markings of a "Janice Plan". "And you would do that? Let the world think of you as sissy-boys, just to help me and my friends?"
"Your friends, mostly, Momma-Jane. In all honesty, we tried, but we just can't think of a way to save you and Maria, but if we become the focus of the reporters' interest, that might keep them off Caro and Sandy and Mrs. Franson. They might even be able to deny knowing we were boys since you had brought so many other real girls to them over the past years."
"That might work," Jane mused. "But no, its out of the question. You two are blameless, and I don't want your lives getting messed up by this."
The two faces opposite her became ludicrously male under their cosmetic masks. "We'll be here, Momma-Jane." Michelle said in a low growl.
"Count on it." added Darla in Darryl's hardest tones.
"I don't want you hurt, dammit!" Jane screamed. "I love you two idiots!"
"Same goes." said the two boy-girls in unison. "And if we can help at all, we are going to stay and do just that." Michelle added.
"We've decided." Darla added flatly.
Jane could hardly believe this was happening. Two of her boys just sitting there, prepared to accept public exposure and humiliation? Moreover, determined to do so? "I see."
"I just wish," Michelle said thoughtfully, "That we could save Stephanie while we were at it."
"Too bad dear old daddy Evans doesn't have a sissy-boy girlfriend of his own squirreled away in some love pit. We could sneak in and get some nice blackmail pictures to hold over his head." Darla offered with an evil smile.
"Darla!" Jane said with trenchant disapproval.
"That only happens in stories on the Internet, Darla. I can't see that being very likely from everything I've heard about Stef's father. Man sounds like my father. A pathologically homophobic, excessively macho, manipulative son of a bitch."
"Your father." Jane said, her eyes going unfocused in thought. "I had not thought of that, Michelle, but you are correct." A glimmer of an idea began to spark inside Jane's head. Would something like that work? What had Deirdre said? About why her husband could not afford to hurt her?
"Michael?" Jane said, so absently she did not even realize she'd used the masculine name. "Do you know anything about Evans? About his business affairs?" Then her wicked smile flickered. "Since I seem to recall you had a detective agency check Stephanie out when I told you he would be here alone without a big sister."
Michelle went white. "How did you . . .? When did you . . ?"
Now the smile became brilliant. "When your Mother called to ask me about it when the bill showed up on your credit card bill. Sloppy, Michelle," Jane teased. "Very sweet, but sloppy."
"It's not like you gave me a heck of a lot of time for subtlety when you took Stephanie on after I went back to St. A's." he grumbled at her reproach. "Okay, I have the file packed away somewhere, but what I recall about the father is that he is a hard nosed business type who made his bundle as a corporate raider during the hostile takeover days of the early eighties. Currently, he is president and CEO of a nice, profitable multinational company specializing in high quality electronic components. That's all I remember. Is that what you had in mind?"
"It's a start. I wish we had more information about his company. Damn, there is just not enough time to collect it."
"Mom might know, or she might know someone who knows. Want me to call her?"
Jane brightened. "Excellent idea, Michelle. Do call her and then come back. We have some brainstorming to do."
"Well, I will say one thing for those lawyers my father hired. They are quick and they are thorough." Michelle mused in grudging admiration. He was riffling through a small stack of papers that had been faxed to Jane's home just a few moments earlier.
"So what did they say?" Darla asked. "And more to the point, is there anything we can use?"
"Well, it seems the company went public right after he bought it. At the time, he kept a voting majority of the stock and sold off the other forty nine percent. Unfortunately for him, Stef's Mom caught him with his pants down, literally, and took him to the cleaners at the divorce proceedings. She now has a total of seventeen percent of the voting stocks. Most of the rest is held by the members of the four man board of directors. What they don't own, they vote by proxy."
"May I see that?" Jane asked holding out her hand. Michelle handed it to her and watched Jane go through each page carefully. "Oh my God!" Disbelief rang in Jane's voice. "This is just too much of a coincidence. It cannot be the same person."
Michelle and Darla were up on their feet in an instant. "What?!?!?" they both asked.
Jane did not answer, instead reached over and pulled out the heavy scrap book that Michelle recognized as her Rogue's Gallery of Graduates from her infamous charm school. She flipped through its pages quickly until she found what she was looking for. "Goodness," she murmured before lifting her eyes back to her rapt audience. "Darla? Go find Maria, please. Michelle? Please get your Mother on the line for me while I make a couple of phone calls on the other line. If we are going to do anything, we need to move quickly."
Part 6:
Samuel Evans was not a happy man. One reason for this was that one of the most powerful board members had summoned him to a meeting. Summoned *him* like some damned lackey when *he* was the power in this company. He'd have to break that pompous ass during the next major board meeting. That pompous old fool might own almost twenty percent of the stock in this company, but so long as Samuel still voted his ex-wife's stock shares, he could overturn any board action and oust any member.
The second reason for his bad mood was that there appeared to be a major move on the publicly available stock in his company. Someone or some organization had recently acquired nearly four percent of his stock, and while that had pushed the value of his company's stock steadily upward, not knowing who was doing it and why they were doing it were cause for concern. There wasn't enough stock available to threaten him, but it was disturbing that he did not know where the move was coming from.
The biggest reason for his current fury, however was once again his damned son. After all the trouble he'd taken to rescue him from that bitch, he had turned on him - his own father! The pansy-ass wimp told him, just the other day, that since he was now over 16 years of age, he was old enough petition the court to change the custody agreement to suit his own wishes. Further, the ungrateful little bastard was going to do just that as soon as he got home to his bitch of a mother. How the hell was he going to undo the damage done to his son's masculinity if the damn kid wasn't ever around? The answer was that he couldn't and given the kid's current attitude towards his *father*, it was probably already too late anyway.
Samuel Evans was not going to let them get away with ruining his son, his *heir*, . . .his *SUCCESSOR*! He'd stop them, he swore, and he knew just how to do it, too. If she was out of business, *Ms. Jane Thompson* wouldn't be able to do any more harm to Stephan.
Tomorrow, he'd start fixing that Thompson bitch's wagon, and he was going to enjoy every damned minute of it. Just thinking about her picture plastered across every newspaper and tabloid, or about her being dogged by TV cameramen and reporters with microphones to jam in her face improved his outlook on life. And if his brat of a son got splattered with the same muddy brush in the media, well, that was just too damned bad. It was Deirdre's fault, after all, not *his*. She could be the one who had to live with it just like that Thompson woman was going to have to live with the hell Samuel Evans was going to make of her life.
A knock sounded at the door to Evans' office. "Enter." he called out.
His executive assistant stuck his head in the door. "Mr. Evans, you have that one o'clock meeting in the boardroom with Mr. Johnson and his party."
"Thank you." Evans answered curtly. "I will be there straight away."
After making sure that his unwelcome guests had cooled their collective heels for almost fifteen minutes, Evans breezed into the boardroom, a patently false smile of welcome on his lips. "David, good to see you. I am sorry to be late, but I was on the phone with the Tokyo office and you know how early they have to get up to talk to me."
The two men shook hands, giving Evans a chance to survey the rest of the room. Surprise momentarily brought him up short when he recognized his ex-wife sitting beside another very attractive woman of middle years. Additionally, there were three young women who might be anywhere from teenaged to early twenties. And then he saw a third older woman, standing at the window, her back to the main room.
"Glad you could make it, Evans." the older man said with a hint of sarcasm in his voice. "Just a minute while I get the last member of our little meeting."
Samuel took his seat at the head of the table while Johnson left the room. Moments later, he returned escorting *Stephan* into the room.
"What is the meaning of this?" Evans growled. "What is he doing here?"
"He is here at my request." Deirdre said softly "Since in two years *he* will be voting my shares and since this meeting affects him."
"We'll just see about that, Deirdre, darling." Evans said with exaggerated solicitude before his face hardened. "All right. Let's get this over with. What the hell is this all about, Johnson. You were bloody secretive about this and I am much too busy to play kids' games."
Johnson smiled. "Very well. First let me introduce the other members of our little party. The lady seated by your wife is Mrs. Barbara Davis whose late husband was the president of Nash Enterprises. Next to her is her daughter, Michelle Nash and her companion, Darla Smith. And I believe you already know this lady," he said softly as he offered his hand to the woman still standing at the window.
Jane Thompson turned and Evans felt his mouth drop. "YOU!!!" he yelled, completely out of control.
"Hello, Mr. Evans, we meet again."
Evans was out of his seat, advancing on Jane, raw fury in his eyes. "I am going to destroy you, woman, as you destroyed my son. You won't be able to show your face anywhere in the world when I finish with you."
Johnson interposed himself between Jane and the other man. "Sit down, Evans, and shut your mouth." he ordered coldly. "I am not finished with the introductions yet."
"You can't talk to me that way!"
"Yes, I can. Now sit down and listen, or hear it tomorrow at an extraordinary board meeting I will call to review your removal as president of this company. Even if I cannot pull it off, the attempt will make the papers and wire services. You know what that will mean to your precious company."
For long moments, the two men stood toe-to-toe, staring at one another, until Evans smirked, shrugged and strutted back to his throne. With a regal wave of his hand at the older man he said "Please, do continue, honored sir."
Jane took a seat at the table next to the as yet unnamed female at the table before Johnson continued. "It has come to my attention, Evans, that you intend to retaliate against Ms. Thompson by slandering her in the press. You do not want to do that."
"It is not slander if it is the truth, old man. What the various. . .supermarket newspapers make of that is their concern, not mine. And I most certainly *do* want to do precisely that."
A slow smile lit the older man's face. "Do it, and you will be out of this office and on the street in twenty four hours. Mrs. Davis has had the executor of her husband's will buy up all the shares of the company that could be had. You currently control how much, Mrs. Davis?
"About six percent, Mr. Johnson, perhaps a little more."
"I control twenty three percent, Evans. Twenty of my own and three percent by proxy."
Evans stood. "Why don't you just stop while you are ahead, Johnson. As long as I vote fifty one percent of the stock, you can't do anything to me and you know it. So, if you will excuse me?"
"But you *don't* vote fifty one percent anymore, Samuel." Deirdre Evans said in a very quiet voice. She slid an envelope over to her ex-husband. "In there you will find a legal document revoking your authority to vote my seventeen percent of the company by proxy."
Johnson smiled ferally at the stunned company president. "With Deirdre's and Mrs. Davis' stock, I now vote forty six percent of the stock. I figure you have pissed off enough of the other shareholders to give me that last four percent I need to toss you out on your ear."
For a long moment, Evans could only stand there, at the end of the table, his mouth open in utter bewilderment. "What do you want?" he finally asked, already knowing the answer.
"You will leave Ms. Thompson and her school alone. If any word of her activities, and I mean *any* word leaks to the press, I will have you removed within twenty four hours. I don't particularly care if *you* are really behind the leak or not. So long as you keep your mouth shut and forget your petty little vengeance, you can keep your position as president."
Nothing was said as every eye in the room fixed on Evans. Slowly, he lowered himself back into his seat. "No one can run this company better than I can."
"True enough. But we'll get by."
"And as long as I don't go after *her*" his finger pointed at Jane accusingly, "You leave me alone?"
"As alone as we have left you up until now. You will be the president, and as you said, no one can run this company as well as you. We will still be the board of directors, responsible to our shareholders to ensure that the company remains profitable. Nothing changes."
"Ha. Except that I no longer have the power to tell you all to go to hell and you now have the power to tell that to me. You win, Johnson. You have my word that I will take no retaliatory action against Ms. Thompson." Evans said in a subdued voice.
"As someone said, trust but verify, Evans. By noon tomorrow, I will have proxy authority in hand for Deirdre's and Mrs. Davis's shares. Be very careful."
A spark of the old anger flared in the man's eyes, only to be quickly tamped down. He nodded and watched as everyone else rose from their seats to leave. "Johnson? One moment. Why? What does that. . .that *woman* mean to you? Why are you doing this?"
Johnson looked at Evans, and then to the young woman who still had not been introduced to Evans. She nodded slightly, and the old man smiled proudly before turning back to face the defeated man at the end of the long table.
"Let me tell you a little bit of family history, Mr. Evans. Without going into any of the dirty details, I can tell you that my only grandson got himself mixed up in some deep, deep trouble. He was involved with some bad people and was heading for a very bad end. His parents and I were at our wits end - we'd tried everything - or thought we had. It was only a matter of time until he ended up in jail or in the morgue."
The old man smiled over at Deirdre who returned it. "Then your ex-wife saw me at a board meeting, looking particularly low. She teased the entire story out of me, and told me of an old friend of hers who might be able to help us help my grandson. Simply stated, Mr. Evans, Jane Thompson saved my grandson's life. My daughter sent him to Jane. He was a tough nut, and it took her the better part of a year to finally get through to him. Eventually she broke him of all that macho stupidity and built him back into a man I am proud to call my grandson. More than that, a man I am pleased to call my friend."
The old man held out his hand to lithe, young brunette. With easy grace, she rose and glided across the room to stand beside Johnson.
Smiling up at the old man, she reached up and pulled off her hair.
The short haircut beneath the wig looked ridiculously incongruous atop the perfectly made up face. "May I present to you my grandson, Mr. Evans?" Johnson said with steel in his voice, and was pleased at the look of disbelieving shock on the other man's face.
"If you attack Jane Thompson," Johnson continued in a softer yet intensely threatening tone, "You attack *my* grandson because it may well come out that he lived as a young girl for that year he was supposedly abroad at a European military boarding school. Attacking my grandson, Mr. Evans, makes you my blood enemy. Do you understand now, sir? More importantly, do we understand each other now?"
Evans could only nod, his eyes wide.
"I thought you would." He turned back to his femininely turned out grandson who was patting the wig back into place under Jane's watchful eye. "I think we are through here. Good day, Mr. Evans. See you at the next regularly scheduled board meeting. Unless you do something to force me to call one before that."
With that threat still hanging in the now silent boardroom, Johnson shepherded the women, Stephan and his grandson out the door.
Maria was waiting at the door when Jane's beloved Lincoln pulled into the driveway. She smiled happily as she ushered Michelle, Darla and Jane into the house. There was a high tea already laid on the sideboard of the breakfast nook and the two young ones fell on the food with ravenous appetite.
"Ladies!" Jane admonished with a happy grin. "Manners, please, unless you would both like some remediative training? You'd think they haven't seen food in days, Maria."
Smiling sheepishly, Darla swallowed hard and put down her plate with an obvious effort. "Well, I've sort of been off my feed the past few days, even after we fixed things out at Stef's place, I was always just a little nervous at playing Darla in front of quite so large an audience."
"You did great." Michelle offered, barely remembering to swallow first. "It gets easier and you have a great look anyway."
"Well, I would rather have switched to male stuff after the confrontation with Evans."
"I told you when you asked to be involved, dear, that I couldn't leave with a girl and return with a boy without raising a lot of questions we'd rather not answer." Jane gently reproved. "You knew from the very start that you'd have to stay Darla for the duration of the trip. And I agree with Michelle. You did very well. You stood up to some very tight scrutiny, particularly at the airport, and passed easily."
Darla flushed bright crimson as she recalled the incident. They'd been waiting in the lounge for their flight when Jane and Michelle had needed to use the Ladies Room. Darla wasn't quite up to that and had told them she'd wait for them. By the time Jane and Michelle had returned, Darla had been trying to fend off the attentions of three young lotharios, all determined to talk her into a short walk about the terminal. And Jane, the dirty sneak, had just stood there in the shadows and let Darla sweat until it looked like one of her suitors was going to get a little physical. Well, at least Jane had come to her rescue when Darla had *really* needed it.
Calling upon the control that had so frustrated Jane for the past four weeks, Darla forced a smile onto her lips. "Yes, I guess that's so. They never knew they were hitting on a guy, did they?"
Jane chuckled. "No, they didn't." Jane took a sip from her tea and let herself relax. "So, Darla, what do we do with you now?"
The girl stopped in mid-bite and looked up at Jane in surprise. "I don't understand, Aunt Jane."
Thoroughly amused, Jane savored the picture before her. "My goodness, child, have you gotten that comfortable with the masquerade? What I meant, dear, how are you going to live - as Darryl or as Darla?" At her student's still blank look, Jane relented a bit. "I have already formally reported to Judge Ruth that you were rehabilitated, dear. There is no longer any reason for *me* to keep you in skirts."
Darla put down the fork and thought about that. "I could go back to being Darryl now, couldn't I?"
Jane smiled. "Yes, you could, and in fact, you probably should. It will greatly simplify getting you into school and then later into college. There's only one small problem with that idea. As you pointed out once, Darla *has* been seen around these parts. Not very often, but you have been out and about as Darla and you *do* make a very striking, memorable girl. I don't think anyone outside of my little cadre has seen enough of you in skirts to look at Darryl and see Darla."
"But it is a possibility, isn't it?"
"Yes, it is possible, but not likely. You haven't been in the masquerade so long that your mannerisms are truly entrenched."
Darla's eyes dropped to the hands she had demurely put into her lap and consciously moved them to rest on the arms of her chair.
"Hard, isn't it?" Michelle asked gently in his normal masculine voice. "Don't let Jane fool you, Darryl. You are going to have those little gestures for a very long time. They'll just slip in. Maybe you'll be the only one who notices them, maybe you won't, but they are a part of you now. Same with Darryl in Darla. You're gonna do something masculine if you continue to dress and you'll be absolutely *positive* that everyone in the room will have seen it and *know* you're a guy. Trust me, I've been there. Most of the guys at St. Andrews are convinced I'm gay now. But it doesn't matter to me anymore - what *they* think just doesn't matter any more. I am beyond that now."
Michelle stopped for a moment, as he pinned Darla with a hard stare, then nodded to himself. "I think you are, too, Darryl- Darla, so why don't you just make the decision that works best for you?"
Darla thought about that, and had to agree the Michael was in the right of it. Numerous times while they'd been out of town, he'd caught himself forgetting some little feminine gesture or movement or intonation. It had been terrifying when it happened, but nothing had come of it. And just now, he'd instinctively done a very feminine movement of his hands and it had nothing to do with being dressed as a girl. It had just seemed. . . . natural somehow.
"I guess so, Michael." Darryl said in his own voice. Then he turned to Jane. "So, who is better for Aunt Jane?"
"Oh no, dear. Don't put that decision on to my poor old head. I don't want you regretting your choice and blaming me for it later."
Darla shook her head. "Okay, then, how would I go to school as Darla? More importantly, how could Darryl go away to college if *his* records from high school say "f" in the gender box?"
Jane considered that for a moment. "I have a friend at the local high school. I think it could be arranged for you to go as Darla, but have your private records, the ones that get sent to whatever college Darryl applies for, indicate your real name and sex. Failing that, I know I can arrange that at the local girls' boarding school, except you'd live with me as a day student."
"And I could still go to college as a male?"
Jane nodded. "I don't see why not."
"And I would stay with you, regardless of my decision?"
"Yes." Jane said simply.
A thought occurred to Darryl. "Could you take on more students if I was here as Darryl?"
"I don't know. I've never tried before. Maybe, but it would be difficult in many ways, and I don't know how it would work out for the boys. Part of the program is to immerse them in an unrelenting feminine environment. Your presence here as a male would likely have one of two impacts. Either you will be seen as a male lifeline, as something to help them center themselves around their male self image, or being seen *by* you will drive them over the edge more quickly."
"You sound hesitant, Aunt Jane." Darla noted.
She smiled wanly. "Because I am, dear. I hate to admit this, but I am something of a creature of habit - particularly habits built on a foundation of success. I don't like deviating from what I know works. Most boys walk a very fine line in their first few weeks under my tuition. I have a very good idea how most of them will react to my little tyrannies *in the environment I usually work with*. Your presence here as Darryl changes that environment in unpredictable and potentially dangerous ways. I do not know if I could bring a new student into such an uncertain situation."
Darla considered that. He thought about where he'd be right now if Jane had not taken him on and made his decision.
A loud knock ended what the feminine young man was about to say. A disgruntled Jane started for the door only to be headed off by Michelle. "I've been practicing my Janice-talk, Aunt Jane. I'll get rid of whoever it is."
Only he didn't, and returned to the breakfast nook with a huge smile on his face. "Look what the cat dragged in."
Stephan walked into the room, a brightly smiling Michelle hanging on his arm. Moments later, Jane and Maria had the boy in their arms, hugging him tightly. "When did you get in?"
"An hour ago, Aunt Jane. I missed the flight you were on and caught the next one."
"But why? You were free, dear, and by the way, I am very proud of the way you handled yourself with your father."
The tall boy blushed, and grinned. "Thanks. Having you there for me helped a lot. I came back because I wasn't done. *You* hadn't released me and when my Mom sent me to you, I promised to stay the course until *you* said I could leave. Besides," he grinned looking at Darla. "I thought you still might need a big sister for Miss Priss over there. I figured that was only fair trade for all you've done for me. Each-one-teach-one, right?"
"And you came back." Jane said softly.
"And I came back."
Jane felt like heart was going to burst, she was so happy and so proud. "Thank you, dear." she said softly. "Except, Darla graduated, too. She doesn't really need a big sister. In fact, we were trying to decide whether she was going to go to school as Darla or Darryl."
Stephan grinned widely and offered Darla a hand to high five. "Way to go, little sis!" he cheered.
"So." Darla spoke up for the first time in a while. "How am I going to go to school, Aunt Jane? I've got plans for my life." She preened in a caricature of the movie femme fatale sexpot. "After all, I am not going to be beautiful forever."
And was immediately buried under a barrage of pillows wielded by screaming, giggling friends.
Jane let the giggling pillow fight go for a few minutes before laughingly breaking it up. "Enough, you lot!" All three young faces had a lovely red flush and bright, mischievous grins. Jane turned her attention to Darla. "So, do I take that as your decision to finish school in skirts, young man?"
She watched as her ward composed himself, and could literally see him becoming increasingly feminine with each passing second. Finally, Darla nodded. "If there is any chance my living here as Darryl might cause you not to take on another student like me, or might keep you from helping someone else in your care. . . well, I just cannot be responsible for someone else not getting the opportunity for a new life that you gave me. Besides," and here the grin became gamine, "I want to be the big sister."
Jane sniffled once and by force of will, stemmed the tears burning behind her eyelids. She was just so very proud of these three youngsters. "You'll be a great one, love." she assured him softly. "One of the best. Thank you."
Before Jane could say another word, Darla was in her arms hugging the breath out of Jane. "Thank you, too, Aunt Jane, for everything."
End of Tales of The Season - Darla's Story
Aunt Jane faces an uncommonly difficult test - a boy who simply will not break under her tests. Oddly, he is the most well-mannered and polite student she's ever taught, although his records say differently. Will anything break through his wall of control or will Jane be forced to send him back where three years of state confinement await him?
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Seasons of Change
Book 5 Tales of The Season
Kendra's Story Copyright © 1998,2001,2012 Tigger
All Rights Reserved. |
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989.
With sincere thanks to (in alphabetical order), Brandy DeWinter, Denise Em and Vickie Tern, for slogging through this story several times each, and finding myriad ways to make it better each time. ~Tigger
Darla, or Darryl (which was her ward's given name), was turned out in true debutante style in her knee length white dress and coordinating hat. Old fashioned petticoats made the dress stand out prominently from her opaque-white stockinged legs. Modestly heeled patent pumps and a matching shoulder purse completed her costume.
Jane herself was dressed in her most austere black business suit, with her hair swept back ruthlessly into a tight chignon and her cosmetics subtly harsh. She was rather pleased with the look. Such little power game tricks were just the thing to put her new guest immediately on the defensive. Which was just where Headmistress Jane Thompson wanted him.
It had been too long, she thought, far too long since she'd had a student upon whom she could bring to bear the full dimension of her program methods. By all accounts, this one was going to require just that to turn his life around and Jane was anticipating the challenge. As ever, there was also that familiar, tiny, niggling frisson of shame telling her she really shouldn't enjoy the fear and humiliation her training method imposed on her students quite so much.
That did not change the fact that she *did* enjoy watching her boys quiver fearfully with their hair all but standing on end. And since it was always ultimately to their benefit and betterment, she felt her small pleasure was not *too* bad of her.
Of course, her recent experiences with her last few boys had given Jane cause for more caution than she might have exerted with past students. Michelle's suicide attempt and Stephanie's father threatening her with public exposure and humiliation had given pause to reflect, and had made her doubt herself more than she had in the past.
Jane steeled herself against the emotions those memories evoked. She'd always thought she was so fully in command of her boys and their situations, always felt that nothing could go wrong as long as she adhered to her tried and true formula. In truth, she'd become too complacent and had forgotten just how close to their psychological edge she pushed the boys in her keeping. The result of her inattention had been two near tragedies, one falling right upon the last.
Never again, she firmly told herself for what was most likely the millionth time. This time she was better prepared for surprises because she had learned that she needed to expect them. Over the past few months, Jane along with Marie had carefully reviewed and analyzed every detail of their program. As a result, Jane had specifically included more careful attention her charge's mental and emotional states, particularly during the most intensely emotional times immediately before or after any of her more stressful or humiliating exercises. She'd also planned on stretching out the early lessons a little more so that she had more time to get to know her new student's foibles and reactions better before she began in earnest.
Of course, that planned "slowdown" did nothing to change her standard program for her new student's first two days with her. That intentionally and necessarily hard indoctrination was when the boy was stripped (quite literally in some cases) of everything familiar and masculine, and then cast adrift in the alien, feminine world of skirts, makeup and petticoats. Those first forty eight hours were critical to the final success of her curriculum. Jane *had* to establish herself as the "bad cop" to Marie's and Darla's good cop with this student right from the start.
For just a moment she started to reexamine the problem one more time, trying to find some other way, but caught herself. No, Jane Thompson told herself firmly, it had to be done that way. There simply wasn't another kinder, gentler way to impose the necessary mind set on the student. He had to be taken completely off-balance, emotionally and mentally, as quickly as possible. Jane needed him to be reacting, not thinking when faced with her stern, seemingly-arbitrary orders.
Or else nothing good or positive would come of the other torments she was going to inflict on this teenager.
Be honest, she chided herself. The real problem was that she was just a little afraid to do what she knew had to be done and that was something new and unwelcome in her experience. Jane had always needed to deal with her charges' fears and anxieties - hell, she was the one who fostered those emotions - but she'd never had to deal with fears of her own about how to proceed with a student before.
Until now.
Jane had very nearly refused to accept this student for that very reason. In fact, she had eventually consented to take on this project only because *two* of her oldest friends, Judge Ruth and the boy's mother, were involved.
There was absolutely no reason that this all-important phase of her program could not go on as before without any real danger to her student. For one thing, she was better prepared than she had been in the past. If he reacted as all her experience indicated he would then there was no problem. If he did not react as she expected, well, she knew how to recognize and deal with that contingency better than she had in the past.
Particularly in the *recent* past.
And she *would* rediscover the joy of her long time mission in life again with this student. Everything would fall back into place again. There was nothing out of the ordinary about this student. Surely, he'd fall into her traps like so many had before him.
Before Michael, Stephan and Darryl, that is.
So many things had been out of kilter for her of late, thoroughly disrupting her efforts with her young men. Michael had reacted very badly to his first experience of being "out" in skirts and had nearly succeeded in taking his own life. Stephan's father had stormed into Jane's home and had dragged his son out of her control, threatening her and her boys with nationwide media exposure and public humiliation. Worst of all, Darryl had been ready to run off into the night to protect her from his murderous brother. *After* he'd told her she'd been *good* to him.
Jane still wondered at that.
The train's occupants began to disembark from their respective railcars. Jane made another quick check of Darla's appearance and smiled softly. Her mind flew back to the day her old friend had called to ask for her help.
"You're actually dithering, Aunt Jane." Darryl, wearing his Darla masquerade had accused. "Is it because I am here? Am I an impediment to you helping this mother and her son?"
She'd had to think carefully before she'd answered. "Only minimally if at all, dear. Mostly, the problem is me. My little program has not gone all that well of late."
"That's garbage and you know it. You've had some oddballs lately and things haven't gone as you've expected. How many times had that happened before Michelle?"
Jane had smiled at the pugnacious, determined look on the perfectly made up face. "I think we've had this discussion before, dear. I have only lost two boys in some twenty years of this work."
"Okay, of us oddballs, are there any of us you are ashamed of having had as students? Do you believe that you failed with any of us?"
"But . .but . ."
"But nothing, Aunt Jane." Darryl's voice snapped with Darla's mouth.
"Okay." she smiled. "So I got lucky with you guys. Nothing really disastrous came of my failure to deal with you and those other wise guys properly."
"Maybe it was luck, maybe it wasn't. I don't think so, but that is beside the point. What is to the point is that now you are more aware. You won't miss those danger signs and clues again and you will be able to adjust your program in time to prevent the crisis. So, what other problem could there be? You don't want to do it without a big sister and you don't think I can do the job?"
"You've not been through the whole program, dear. You've only seen the barest beginnings of what I put my boys through. Not only that, but you got a very mild taste because" Jane said sourly, "you were just so damned biddable. I couldn't find anything that I could seriously discipline you for. . .not legitimately, anyway."
"And your point?"
"By all accounts, dear," Jane sighed thinking of her friend's son, "this one is going to be a very tough nut. He will either shatter quickly, perhaps within the first few hours of starting his indoctrination, or he will require some of my harsher treatments before he makes the turn."
"And you're afraid of how I will react when the going gets tough?" Jane closed her eyes and nodded. "You *honestly* believe this is what you need to do to help the kid?" Jane nodded again, with more certainty this time. "Then explain to me what needs be done, and we will do it."
"You're sure?" this time it had been Darla's turn to nod her agreement. Jane had started to say something, hesitated, and then, unbelievably, blushed brightly. She'd coughed to clear her suddenly tight throat. "I have been told, Darla, that I might enjoy tormenting my girl-boys a little too much. Will that bother you?"
"Sounds like Michelle." Darla had opined softly. At Jane's abashed, affirmative response, Darla had grinned broadly. "Given her experiences, I might agree, but I don't share those experiences so I don't share her opinions, either. Might as well enjoy your work, Aunt Jane. It's not really malicious on your part, is it?"
Fierce joy had warmed Jane's whole person at that point. "No, it isn't." she had breathed to herself in wonder. "It really never has been. Even Michelle called it 'tough love' once."
"Then what do we need to do to help your new student, Aunt Jane?"
Darla's acquiescence had slipped just a little bit when the prissy, fussy petticoated little-girl doll-dresses had reappeared in her wardrobe and her few boy clothes had disappeared into storage. She'd recovered quickly enough, Jane smiled at the memory, once she had understood the danger of the new student finding boy clothes in Darla's room when he needed to feel completely alone as he faced Jane's feminine prison. Darla had to be completely convincing as a female until it was time for the boy to learn the whole story of his new existence under Jane's regime.
A slender boy of average height and fashionably long black hair stepped down from the train carrying a large duffel bag over his shoulder. Jane recognized him immediately as her new latest project from the pictures his mother had express mailed to her. She took the opportunity to watch him for several moments as he scanned the small station for some sign of the woman he'd been told to expect.
Taking a deep breath, Jane schooled her features into her strict Victorian Schoolmistress persona. Looking to Darla, she whispered, "It's show time." and then strode out toward the young man standing quietly in the center of the windblown train- landing.
"Kenneth?" Jane said firmly by way of introduction. "I am your Mother's friend, Jane Thompson. You may call me Jane, Aunt Jane or Ms. Thompson. This is my niece, Darla Smith. Darla, this is the young man I told you about, Kenneth Roberts."
The two young people silently shook hands with Darla making a graceful curtsey while holding the boy's hand. Pleased, Jane decided to get on with the real work. "Is that all the luggage you have with you?"
"No, Ms. Thompson," was the soft, courteous reply. "I have two larger bags in checked baggage."
"Very well, give me the claim checks. I will arrange to have them delivered to my home later on, Kenneth. For now, we have much to accomplish today and your train was late." Jane spun imperiously on her heel and began to stride away towards the rustic New England station house. "Come along, children. I insist on prompt compliance." she shot over her shoulder without a backward look.
Still, she was pleased to hear the rhythmic tapping of Darla's heels against the concrete of the train loading platform, knowing that meant Kenneth was following her instructions.
For now, at least.
The drive from the train station back to Jane's home was passed mostly in silence which suited Jane. Silence, in her experience, was a most unnatural state for the type of young male sent to her for help. Normally, a lack of audio stimulation set them on edge which in turn made them even more susceptible to her frontal barrage once she had them safely in her house. For that reason, Darla had been directed to avoid most conversation with the lad. She could answer his questions as quickly and concisely as possible, but she was not to initiate anything with him until it was time for her to "help" the boy with his first experience with petticoats.
But Kenneth hadn't asked any questions nor had he made any attempt at further conversation. Jane had expected him to begin to fidget at some point during the drive and to attempt to fill in the void of silence with his own voice, but he hadn't. Instead, Kenneth had sat quietly the entire trip, keeping his own counsel. Odd, Jane thought, but so far the boy has displayed excellent manners. He obviously knew *how* to behave properly, so his acting up at home and school must be by choice on his part. Still, he had done better than most of her students. Holding doors for her and Darla, asking Darla whether she preferred to ride in the front or back seat and then deferring to her wishes, responding to Jane's own carefully planned and worded probes politely and respectfully. Not at all what she expected. Kenneth's unanticipated behavior since his arrival had effectively defanged several of Jane's favorite and most effective opening gambits against a new student.
Most boys preferred to ride in the front seat of a car or reacted boorishly to her senior student because of her admittedly prissy and fussy outfit. Ordering the new student to ride in the back seat or reproaching them sharply for their lack of basic courtesy typically made the boys feel juvenile which in turn further opened their fragile little egos to her psycho-dramatic games.
Jane decided that she'd have to take another look at the boy's records before their initial confrontation. If he was going to be this mannerly, she'd have her work cut out for her getting him into sufficient "trouble" to justify her taking the already- planned first steps into femininity. Jane had learned long ago that a young man who felt he was being unjustly punished fought her all that much harder. One of her two failures had been one who had never trusted her again after she had used a patently false accusation to start her campaign.
She wouldn't make that mistake again. She'd just have to be patient, that was all.
Stopped at a traffic light, Jane surreptitiously assessed her newest charge in the Lincoln's rearview mirror. A quiet frown of extreme concentration marred his otherwise smooth facial features. He wasn't happy to be here, but that was to be expected when the choice was here or incarceration. Jane could already see that he was intelligent which meant he knew his experiences with her were bound to be unpleasant given the alternative. She might have wished for a little more obvious anxiety, but that would come soon enough, she told herself. That would come.
He had good bones, she mused, pleased with the observation. A clear though dark complexion and a nice slender frame, too. From a purely physical standpoint, he'd be able to carry off the masquerade without any difficulty. That meant she'd be able to put him into some of the more public and therefore more humiliating of her special training situations. Some of her boys could never have "passed" under the closer scrutiny associated with those games and therefore had never been exposed to them. This one would pass easily, although he'd be terrified every daintily shod step of the way. Jane would see to that!
Too bad about that lovely black hair, but it would back out after she had given him his release from her silken prison. With that olive toned complexion inherited from the Italian side of his Mother's family, he'd look a little exotic once they'd bleached him into a blond, but not so much that he'd draw too much notice. Just enough to frighten the poor darling into nearly wetting his, soon to be her, panties. Besides the obvious and humiliating male stereotype of the "dumb blonde", bleaching a dark haired boy had other advantages from Jane's point of view. Not the least of which were black roots, the control of which would require regular trips to that bastion of feminine mystery and male terror, the Marisha Chalet beauty salon.
It was going to work this time, she told herself as she began to accelerate away from the intersection, just like it had all those times before. She was going to help this one and he was going to hate every bloody minute of it until he understood what it had really been all about.
Kenneth Roberts looked around the rose pink room. He'd nearly asked the girl who'd shown him up here if there had been some mistake, but he'd managed to restrain himself. Whatever this Thompson woman, his mother and that Judge friend of theirs had planned for him was going to be bad enough. No way was he going to add to his problems by making waves right from the start. There would be much more important battles to fight before this was all over and he'd learned the hard way that it was better to conserve your ammunition and other resources for when it really mattered. He had his mother to thank for that painful little life's lesson, too.
A bitter smile crossed his face as he caught a whiff of the cloying rose fragrance that thickly pervaded the room. It would not be long before he and everything he owned would smell like that, too. Not long at all.
Sighing against the inevitability of whatever was planned, he decided to take a few moments to put away his things. He especially wanted to find a secure place to hide his wallet. He might need it in the days to come.
Kenneth opened the large, ornate armoire and instantly stilled. It was filled with feminine attire and only feminine attire. He stood there, trying to make sense of what he saw when he heard a soft knock at his door.
Moving quickly, Kenneth did his best to hide his wallet and closed the armoire door. "Please come in." he called out politely.
In response to his invitation, the pretty young female who had accompanied the Thompson woman to the train station stuck her head inside the room. "Aunt Jane would like to see you down in her office now. It's the room just off the stairs to the right."
"Thank you." he responded. "I will be right down." Kenneth went over to the chair where he'd hung his suit coat, slipped it on and headed for the door where the girl, Darla was it? Yes, that was it, Darla. Where *Darla* waited for him.
He allowed her to lead the way as they silently descended the ornate stairway. It occurred to Kenneth that the clothes might well belong to this girl. She was certainly turned out to the nines in that obviously expensive, but unusually frilly white ensemble. If all of her things were like that, she'd probably need extra storage. The outfit seemed a little young for a girl of her age, but then, what did he know? He decided that the issue of closet space was another question he could hold off asking, at least until his own baggage arrived.
At the foot of the stairs, she motioned him to a closed door. Kenneth took the hint and stepped up to the door. He almost opened it, but caught himself at the last moment. This wasn't his home and he was a guest. He rapped sharply on one of the hardwood panels of the door. There was a moment's pause before his knock was answered by a very authoritative command to "Enter."
Taking one last deep, calming breath, Kenneth took the antique door handle in hand and turned it to open the door. Maybe now, he thought grimly, he'd find out just what the hell he'd gotten into *this* time.
Well, that merely meant that Sheila, his mother, had trained him properly in polite behavior and good manners. Which made his failure to behave properly at home and at school all the more inexcusable in Jane's opinion. It was one thing to be ill trained for society as indeed many of her former students had been; it was quite another thing to know how to interact acceptably with other people and refuse to do so. This one *knew* better and that was all the more to his discredit.
Jane waited a bit longer, hoping the boy would at least fidget, but was again disappointed. Finally, she sighed at the momentary setback, and then gestured toward the painfully uncomfortable "chair of honor" at the front of her desk. "Please be seated, Kenneth. We have much to talk about."
"Thank you, Ms. Thompson." he replied quietly as he unbuttoned his jacket and then seated himself before visibly giving her his full and undivided attention.
Jane began to flip through the detailed dossier that Sheila had express mailed to her the previous day, pausing several times to glare at Kenneth over the top rim of her half-lens reading glasses. The third or fourth time she thought she might have seen a tiny flinch on his part and decided that was as good an opening as she was likely to get from this one. The boy's composure was beginning to alarm her.
She slipped the gold-rimmed spectacles from her nose and stared at Kenneth for several moments. "Do you really want to spend the next three years of your life in an institution for delinquent young males, Kenneth?" she demanded.
Kenneth jumped at the sudden sound, but quickly regained his composure - too quickly for Jane's tastes, and considered his answer. She was about to demand an immediate answer when he finally spoke. "If I wanted to do that, Ms. Thompson, I would not have agreed to come here and put myself under your control."
The voice Jane heard was soft, yet controlled, betraying none of the emotion she would have expected after her aggressively worded question. "Well, everything in this record indicates that you are very likely to end up there if you don't turn yourself around, Mister. Notes from teachers, letters from your principal, even police reports all point to the fact that you are a boorish, out of control and ill behaved lout. And *yet*, you have exhibited superb manners since I first saw you earlier today so it is *not* as if you can't behave properly. No, you must *choose* to behave the way that these," and she waved a hand over the thick folder, "prove that you do."
Jane stopped, waiting for him to try to defend himself against her charges so she could really lay into him, but was again chagrined as he said nothing. "WELL???" she finally snapped. "Have you nothing to say for yourself?"
Kenneth sat there, wondering how he should answer that challenge. He desperately wanted to swallow back against the threat of nausua, to wipe at the sweat he felt beading at his forehead, but he knew from painful experience that showing any sign of weakness to someone like this Thompson woman would lead to disaster. "I am not sure that there is anything I can say, Ms. Thompson, other than that I have done nothing wrong."
Finally, Jane crowed to herself. Now she had caught him in an out and out lie. Now she had the wedge she needed to start splintering that male ego like an old dead tree. An almost feral smile crossed her face as she prepared to unleash her assault.
"Nothing wrong? Oh, really?" Jane scoffed with heavy sarcasm. "Am I to assume that this police report for vandalism is incorrect?" Jane asked holding up stapled sheaf of paper. "Or this suspension record for continued disrespect and abuse of a female teacher? Or this one for what is practically sexual harassment of one of the young ladies at your school? *Those* are 'nothing wrong'? If such things are 'nothing wrong', what in your mind constitutes something wrong, young man?"
The boy's face momentarily clouded in anger, but he quickly controlled it. "I have done nothing wrong." he reiterated firmly.
"This," Jane snapped, holding up the thick file, "Says otherwise, Kenneth. Am I to presume that these incidents are just "boys will be boys"-type acts of mischief in your mind? Your Mother obviously doesn't think so, and neither do I. And this record shows a continuing pattern of increasingly unacceptable behavior on your part. I suspect," she said with a mocking half smile, "that you are likely trying to prove your . . .manhood," and the word dripped cold derision, "in light of your, shall we say, less than manly stature and handsome, almost pretty looks?"
Kenneth stared at the file and then at Jane, not saying a word. He was so bloody tired of fighting, but he couldn't let himself give up; couldn't let himself give in. Why couldn't someone believe him for a change? He knew, however, that this woman, this friend of his mother, would *never* be that someone.
Finally, Jane spoke again. "How do you conclude you have done nothing wrong when faced with the facts in this file, Kenneth?"
She watched in fascination, then admiration and finally concern as her student considered her question and then drew himself upright in the hardbacked wooden chair. Cold grey eyes locked on her own. "Perhaps because nothing you have read to me from that file is true, Ms. Thompson. If that really matters to you."
He's not going to admit that he was and still is in the wrong, even in the face of the overwhelming evidence of this file, Jane thought in wonder. Well, he would eventually confront that lie as well as his other many failures before she was done with him. She'd seen cases like this before. Sometimes they were hard to break, but when they finally did break, they broke quickly and completely. In many ways, such students were the easiest to turn around.
"I see. So I am to believe you and not the records provided by your own Mother, my friend, and a court judge who is also my personal friend?" A challengingly cocked eyebrow showed exactly how likely the former schoolmistress thought of that leap of faith occurring. "Tell me, Kenneth, do you fully understand what your alternatives are? What options you have left if you do not enter into my program?"
She saw him begin to shrug and catch himself. Such control, she thought yet again, for a fifteen year old male. "My mother has arranged with your friend the judge to put me into a home for delinquent boys until I reach my eighteenth birthday."
"And a slightly built," Jane exaggerated for effect, "young boy like yourself would suffer greatly in such an environment, don't you think? You'd be an outsider, the one who didn't fit in and likely the one least able to defend himself." Jane looked down at the record open on her desk. "Given your loutish behavior towards the women and young girls at your school, I would say that might almost be poetic justice, in and of itself."
This time Kenneth did shrug, trying to set aside that especially dark fear that had taken seed when his Mother had first told him of the unholy choice he had to make.
Although Jane could see her new student growing uneasy as the full implication of her words became clear to him. Of course, Jane knew that such goings-on would never be tolerated at any institution used by her friend Judge Ruth, but the boy did not know that. The threat, however, would help ensure his ultimate submission to Jane's will.
"Nothing to say? I am still curious, Kenneth, as to what prompts a young man to do such things as are in this file. You obviously know better as you have amply demonstrated since your arrival." At least she wouldn't have to drill him too hard on basic manners, she mused, and could get down to the hard lessons more quickly.
As Jane had expected, his silence lingered permitting her to press on with her favored opening gambit of this little chess game. Time to start making this pawn/would-be king into a queen.
"Well 'boys will be boys' and proving false manhood at the expense and pain of others are no longer acceptable excuses, Kenneth. Still, the pattern begins to give me an idea. Maybe that's the key. There is a practice in England for curbing defiance such as yours called 'petticoat discipline'. Have you heard of it?"
If she had any doubts that the boy did understand from the look of resigned disgust on his face his next words removed them. "So that's why she did it." He said resignedly.
Jane set aside her reading glasses and stared out the window, trying to look contemplative as she worked to make some sense of what was going on. She was absolutely certain he fully understood that relatively archaic term, but that was absurd. How many young American males could conceive of such a thing, let alone instantly understand the implications? Most of her boys initially concluded that it mean some type of submission to a feminine will and none had ever understood at the first confrontational interview.
She decided to press on. "Yes," she announced with a resolve she was far from feeling, "that will be exactly it. Kenneth, if I am to help you avoid being sent to that delinquent's home, I must have your word of honor that you will unhesitatingly obey every command I give you, no matter how unpleasant or disagreeable you may find that activity to be. Our goal will be, at least at the start, to see if we can instill some self-restraint in you." As if this boy needed to become more self controlled. "If at any time I detect resistance, I will wash my hands of you completely and advise the Judge and your Mother accordingly. Is that agreed?"
"No, it's not." Kenneth said quietly.
"All right then, we will be. . . .*What* did you say?" Jane goggled, so amazed at his response that her voice broke two octaves.
"I said that don't agree to your terms. I have a fairly good idea of what awaits me if I leave here and take my other option. You are the devil I don't know, Ms. Thompson. I won't be bound indefinitely by my word of honor until I understand better what you intend and what those 'unpleasant or disagreeable' orders might entail."
Jane could only stare at him as he watched her intently. *This* was a fifteen year old boy??!? She'd faced down corporate CEO's who had shown less reserve than this . . this child. With some effort, Jane managed to regain some of her own composure. "So, where does that leave us, Kenneth? Your Mother is a long time friend and I told her I would try to help you and her, but I cannot do that if I do not have your cooperation."
The solemn faced young man sat quietly as he considered that. "Very well, I agree to your terms." Elated, Jane started to rise and end this difficult interview before anything else unexpected happened, but Kenneth raised a hand to stop her. "I am not finished. I agree to your terms, up to and until I decide that the boys' home is the lesser of the two evils. At that point, I will stop and you can, as you say, wash your hands of me. Until I reach that conclusion, you have my word." The boy stood and offered her his hand.
Still stunned by this fifteen year old going on fifty, Jane instinctively took his hand. Why did she feel that she could rely on his word completely? The record said he was a skilled liar who folded, spindled and mutilated the truth to suit his own ends, and yet, Jane's every instinct told her his word was as firm and as solid as the handclasp that sealed their bargain.
Jane excused her charge to go back to his room and clean up for the midday meal. One last time, she was struck by his manners as he acknowledged her direction, thanked her and then left with quiet dignity.
"That," she said aloud to the empty room, "has to be the most unusual first interview I have ever conducted, and I am not sure just which of us is on the defensive."
Jane called Darla into the office to go over one last time the plans for her to serve and act as hostess for the very formal meal Marie planned for a student's first day. Normally, such a meal provided Jane with endless opportunities to pick at the new student's table manners, but somehow, Jane figured that she'd have to be extremely vigilant and extremely picky to find fault with this one. So much for enjoying her own meal, she grimaced. She'd just have to ask Marie to fix her a plate for her to eat while Kenneth was sleeping off the sedative-laced after-dinner wine. Desert, too. Jane really felt the need for some sugar after that quietly fierce battle of wills.
Kenneth sat on the frilly, overdone canopy bed, staring into the open armoire. He had his hands locked together in his lap to keep them from shaking. He felt so very cold - whether that was from fear or anger - Kenneth wasn't quite sure. He'd known going into this that this was a setup, but the full scope of his Mother's plan was just becoming clear to him.
He had not all that surprised to find that his extra baggage had not been delivered to his room when he returned from his talk with Jane Thompson. After all, his Mother was the one who sent him here, leaving him with only two choices, neither of which was particularly palatable.
*What was that trial in Homer's Odyssey called?* he asked himself. The one where either choice was bad, but one of the two was unacceptably horrible? Scylla and Charybdis? That was it. One was a monster that would catch and eat some sailors if the ship ventured too close, but the other one was a huge whirlpool that would kill everyone onboard if they tried to avoid the man eating monster.
Which one of his two options, Kenneth mused, was the whirlpool and which one was merely a bloodthirsty monster? He didn't know, but he would definitely find out soon enough. Kenneth only hoped he didn't find himself being flushed down the porcelain throne before he could make the other choice.
One way or another, he promised himself grimly, he was walking away from all this when he reached eighteen, and he was walking away still a man.
A knock on his door broke through his somber mood. The younger female opened his door when he called for her to enter. She was still rigged out in that frilly thing that made her look like a satin church bell with the way her skirts flared out from her legs. She dropped him a quick curtsy and said. "The noon meal is ready to be served. Would you please accompany me to the dining room? Aunt Jane is a real stickler for being on time."
Kenneth again slipped on his suit coat, straightened his tie and checked his hair one last time before moving to follow the girl. As he closed the door, he noticed that the "keyed" side of the door lock was on the inside of the door whereas the "knobbed" side of the deadbolt was on the hall side. Doubly odd, Kenneth mused. He'd never seen bedrooms with security throw-length dead bolt locks before, either. Well, so much for privacy he thought with some resignation.
The meal had gone precisely as Jane had feared. The extensive, formal table ware setting had not bothered Kenneth a bit. As Darla had served each course, he had unerringly chosen the correct implement each time, without once looking to see which fork or spoon Jane picked up. He'd even skipped the provided shrimp fork when no shrimp cocktail was served.
Worse, he'd politely seated Darla after she had served each course and had waited until she had served herself before he began to eat each new course. Had someone sent this boy to a summer camp run by Emily Post and if so, why hadn't she been apprized of that fact?
As Jane had expected, she had not been able to do more than nibble at her own food before it was time for Darla to clear away and serve the next course. They were on a schedule and they needed Kenneth asleep in very short order if they were to have him arrayed in his first dainties by dinnertime.
Finally, the desert course was finished. Jane made her typical spiel about how deeply in trouble Darla had been before coming to Jane and how she was now the epitome of genteel ladylike behavior thanks to Jane's tuition and to the strict Victorian code of behavior that Jane demanded of all her students.
Darla returned with a tray containing several small glasses and a crystal decanter filled with a dark, richly colored liquid. Kenneth watched with some interest as she filled the three glasses and then offered one to Jane and one to himself before placing the third in front of her own seat. Yet another oddity, Kenneth thought. Why is the stem of one of the glasses blue and the other two red? Whatever else he could say about this Jane Thompson, friend of his Mother, she was extremely well off financially. Why would she permit that Darla to use such an obviously mismatched set? Well, he wasn't going to call Jane's attention to it if she did not see it. No point in embarrassing the girl in front of her Aunt and making an enemy he did not need on his first day.
"I enjoy a nice glass of sherry after lunch, Kenneth." Jane said, recapturing his attention. "I bid you welcome to my house and offer the hope that together we can help you find your true path."
Kenneth picked up his glass, raising it in answer to Jane's and Darla's offer of the toast. Then, he watched as the two women sipped their wine before setting his own glass down untouched.
Oh no, Jane almost groaned. "Is there something wrong, Kenneth? Do you object to my toast?" she demanded aggressively.
"No, Ms. Thompson," he hastily reassured her, "it's just that I am underage - for drinking alcohol, that is."
*He's afraid I am trying to set him up by having him drink.* Jane concluded. Which of course was precisely what she was trying to do though not in the way he had supposed.
"Kenneth," Jane said soothingly. "I will never discipline you for accepting something I freely give you. It is not abnormal for young people to take a small glass of wine at the family table. In fact, many families do that so that their children grow up with an appreciation of fine wines. Go ahead and taste the wine. I am sure you will find it quite nice." And quite fatiguing, she added in her mind.
"Thank you, Ms. Thompson, but I don't drink. Not at home and not here."
*Damn*. "Come now, Kenneth, we both know that is not true." she chided gently. "At least three of the entries in your file document your underage abuse of alcohol. One of the things we may accomplish here is you learning not to abuse such beverages."
"And since it is in that file," Kenneth flared, showing signs of angry emotion for the first time, "then it must be true. Well, I have already told you that I have done nothing wrong which includes *not* having . . . how did you put it? Oh yes. . .not having abused alcohol. I don't like the taste and it tends to make me nauseous."
"I see." Jane said, frustration rippling through her from this yet another unexpected barrier to her goals. She was trying to find an alternative when Marie entered the room and whispered to her that one of her business clients was on the phone and was very upset. *Damn again!* "I have to go to my office, children." Jane said as she stood. "Darla, please clear the table and help Marie with cleanup. Kenneth, you have had a long, stressful trip. Perhaps you would like to go lay down for a while, maybe take a nap" *Please take a nap*
"Yes, Aunt Jane." Darla replied as she too stood.
Kenneth followed suit and then remembered. "Ms. Thompson? Any word about where the rest of my things are? From the train?"
Jane stopped at the door. She knew precisely the disposition of Kenneth's luggage. Marie had put his bags into the locked attic just before lunch had been served. "I will make inquiries, Kenneth, and let you know. In the meantime, I think we can provide you with something suitable. That suit has seen better days." With that, she bustled off to try to calm her client.
Kenneth found himself momentarily alone in the dining room. He looked at his untouched glass of wine and decided there was no point in wasting what was probably a very expense spirit. Carefully, he removed the stopper from the decanter and began slowly pouring his glass back in.
He was just about finished when the woman Jane had called Marie reentered the room and came to complete halt. "What are you doing??" she demanded.
Kenneth gave her a sheepish grin. "I didn't drink any of it and it seemed like a shame for it to go to waste. I figured that since the glass was clean, there was no reason not to put it back."
"I see." the older woman said in a very soft voice.
"Do you need any help before I go up to lay down, Ma'am?" he offered.
"No. . . I mean, no thank you. Darla and I are just fine. You go on up and rest. You have a full day ahead of you."
He smiled, excused himself and then left the room thinking that at least one person in this mausoleum had some innate warmth.
Marie stood there, watching Jane's newest project stroll off, obviously not under the influence of Jane's sedative. Shaking her head, she picked up the decanter and went to pour its drugged contents down the sink. Despite Jane's wealth, it felt obscene dumping one hundred twenty five dollars worth of wine down the drain like so much dirty dishwater.
And Marie had just decanted that bottle yesterday.
Then it hit her. How was she going to raid Kenneth's room to make off with the last of his boy clothes if he wasn't out cold from Jane's little potion??
The hall clock was striking three p.m. when the three conspirators gathered in Jane's office for a short breather.
"So, you were able to get the last of his male things even without him having taken the sleeping draft?" Jane asked, relaxing for the first time since she'd gotten out of bed that morning.
Marie sipped her tea and gave her long time friend a devilish smile. "The little darling was just plain tuckered out, Jane. Travel fatigue."
"Yet another benefit of having them take the train instead of more rapid forms of transport. He was on that train for most of eighteen hours by the time he arrived and Sheila wouldn't pay for a first class seat or for a sleeping compartment." Jane smiled over her own cup.
"First boy we've ever had who turned down the chance to try drinking with the grown ups, Jane." Marie observed, still somewhat surprised.
Jane paused to consider that. "Yes," she said pensively, "that was a surprise. What concerns me is his adamant refusal to concede the truth of those files. His supposed "not drinking" is another case in point. I went back and checked - he's been punished several times for underage drinking, one time spending the night in a jail cell. And yet, he steadfastly denied that he drinks, just as he refuses to acknowledge the other charges in that book."
"Is there any chance at all that the records aren't true, Aunt Jane?" Darla asked, entering the conversation for the first time.
"I don't see how." Jane's answer was immediate and unequivocal. "If I were working with anyone other than Judge Ruth, I might have doubts. He is just so . . . so convincing, isn't he, dear?"
Darla nodded emphatically, making the intricate hairpiece adorning her head bounce wildly.
"A little less enthusiasm and a bit more decorum in your gestures, Darla. We need him to think you, like Marie and I, are fully female for the next couple of weeks. Dainty young misses do not nod their heads like a jack in the box." Jane smiled to soften the criticism of this special child, "Still, it does pose problems that he won't admit his crimes. Until he confronts them openly, we are not going to make very much progress with him."
"You going to have Darla work on him tomorrow?" Marie asked.
"Hmmmm. .. Yes, that is the normal plan." Jane said, almost to herself before focusing on the youngest participant. "Tomorrow, after her first skin-out dressing up, you will go in and coach her on the finer points of dealing with the vicious Ms. Thompson."
"Like Stephanie did for me?" Darla asked with a soft smile.
"Just so. Play it straight with her, dear. Help her all you honestly can, but it won't be enough. She'll be too emotionally mixed up and mentally off balance to absorb more than the smallest fraction of what you will impart. There will be more than enough real deportment failures for me to get into her head with. What she will need to remember is that you tried to help her and that everything you told her was true."
"So what does that have to do with him not admitting to having done all that stuff his Mother told you about?"
"Ah, therein lies the challenge for you, Darla. In the mental state we should have her in by then, you should be able to get her to admit things that she wouldn't otherwise. If we can get a recording of her confessing to the contents of those records in her own voice, we will be able to take away that defense mechanism. She will then be forced to deal with her actions and their consequences."
"And the biggest consequence of all is you, right Aunt Jane?" the pretty teen teased.
"Just so." Jane replied smugly. "Marie, if he isn't awake by then, wake him up at four thirty. That will give us a couple of hours before dinner to give him the final ultimatum so that what happens tomorrow can be laid at his door as if he had really had agreed."
Kenneth took down the robe to see if his own clothes were hanging behind it, but of course they weren't. There was no sign of the suit inside the armoire, either. Only the same girl clothes that he'd originally thought might belong to the Thompson woman's niece. At least his wallet was still in the pocket of that skirt where he'd hidden it before going to bed. Perhaps they'd unpacked his duffel and put his other clothes into the bureau, he thought with little hope of that being so. His fears were confirmed when he opened the various drawers and saw that these were filled with feminine clothing items from lingerie to sweaters to stockings in a veritable rainbow of colors.
"Well," he told himself grimly, "suspicions confirmed. Now what am I going to do?"
Just then, a knock on his door was followed immediately by the sound of the deadbolt rasping open. Jane walked into the room without another sound and reached over to turn on the lights.
Kenneth instinctively hid his nudity behind the only barrier he had to hand. . . the pink robe.
Jane smiled with satisfaction at the sight of her new student cowering behind that satin robe, and moved in to press her advantage. "Stop hiding, Kenneth. Put that on and come out. I wish to talk with you some more."
Kenneth looked at her for a moment, then stepped behind the armoire and donned the garment. The slick feel of the fabric felt strange against his skin - like it might slide off him at any moment. He belted it tightly and then moved back into the center of the room to face the woman he was coming to think of as the warden.
*Remember,* Kenneth told himself, *losing your temper never works in situations like this. You cannot give a woman like this that kind of edge. Control, remember you have to stay in control!*
"You took my clothes." he accused in a quiet, direct tone. "I would like them back. I need them to wear."
"Don't be ridiculous!" Jane snapped, following her time proven script although he did not seem to be nearly as angry as she had expected him to be. "What you have on is perfectly acceptable. Aren't you covered completely? Yes, you are. Is your so-tender male modesty in anyway endangered? Of course not. Why, I can't even tell you are a boy you are covered so completely."
"You want me to wear this girl's robe?" He asked, still without any display of emotion.
"Of course. That's why it was laid out for you, so you could wear it. Now, come with me, please. No, don't bother to look for anything else. Button that up and come with me or go as you are. You won't be the first underdeveloped male body I have had to look at. Suit yourself, but you will come with me."
He stood there, staring at her for several moments and for one frozen moment in time, she feared that he was going to balk before she even had given him the final ultimatum. She had to remember the conditional nature of the promise he'd given her. She needed to get him past that quickly, force him to surrender or it would cause her major problems later. Then, his face seemed to relax and he began buttoning up the top of the robe, only once fumbling because the buttons were on the "wrong side".
"Very nice, Kenneth. You look lovely." she told him when he finished, her voice taking on that too sweet tone often used by a grade school principal when falsely praising an erring child. "Now, come with me."
Moments later, Jane had him inside her upstairs study. As planned, neither Darla nor Marie had been in sight during the boy's first walk across the fiery coals of semi-public sissy dress. Time enough for that once he was well and truly caught in Jane Thompson's satin and silk web.
"As you may or may not know, I have been and still consider myself to be a teacher, Kenneth. I just teach different subjects now and it is time for you to begin to learn the hard lessons I have to teach you. I hope you have thought about our conversation today while you rested. I must tell you that I am *not* at all fooled by your display of gracious manners since your arrival and especially during the noon meal. All you've done is exasperate me because it is patently obvious that you do not have even the unacceptably feeble excuse of not knowing any better for your past activities."
"I will now lay out the program of studies I have planned for you and I will remind you that you gave me your word to obey my directions."
Kenneth held up his hand. Frowning fiercely at him, Jane acknowledged him with a sharp nod of her head. "I gave you my word, Ms. Thompson, to obey you until I decided whether you were Scylla or Charybdis - whether you were the lesser of the two evils my mother and her judge friend have imposed on me. Rest assured, if I think you are the whirlpool, I will feel no guilt whatsoever about ceasing to obey you."
*Scylla or Charybdis?* Jane thought in amazement - a fifteen year old male comparing me to the monsters of a classic Greek epic? Jane visibly shook herself back to the task at hand. "So be it." she growled. "Until such time, you are bound by your honor - *if* you have any, to comply with my wishes."
She had him there, Kenneth realized, as much as he'd wish it otherwise. Other than putting him in this absurd robe, she had not yet done anything to him other than taunt him and make a few threats. Surely, he'd see that an more at that boys' home. Kenneth decided he'd continue to bide his time. Grimfaced, he nodded his concession on that point and it was all Jane could do not to sigh in relief.
"All right, let us begin then. You didn't like putting on that very lovely garment just now, did you?"
"Not really." Kenneth responded in the same, even tone that was beginning to really grate on Jane's nerves. *As if that is any great surprise to you, Ms. Thompson.* "I would like to know where my own clothing is, please."
"Gone until I deem you fit to wear them again." Jane said airily and was pleased to see at least a quick flash of hot anger in the normally icy grey eyes. "What's wrong with that pretty robe? As I said, it looks quite lovely on you."
"It is not mine." was the flat response. "It is a girl's robe."
"Just so," Jane said triumphantly. "Your boorish, disrespectful behavior, particularly towards the female sex, has cost you the right to dress in male clothing. While you are here, under my tuition and supervision, girl clothing is all you will be permitted to wear. By the time you have finished my program, you will as sweet, as adorable, as courteous as my lovely Darla."
Jane waited to see the time proven reaction, but she waited in vain. "I see." was all he said.
*Bloody hell!* Jane fumed. *Where is the outrage, the anger, the accusations, the _threats_. I know I am pushing all the right buttons, but except for short spurts of anger that he's quickly put under control, he hasn't reacted at all.*
"Not only that," she pushed on, trying to undermine his seemingly unnatural composure, "but we start your indoctrination immediately. Darla and Marie are preparing your first steps to girlhood even as I am speaking to you. By dinner, the boorish lout who terrorized that young girl by dragging her into the boys' lavatory will be nowhere to be found in the cute, winsome little doll we will make of you."
"And if I refuse to play along?"
Jane made a slashing motion with her hand, precluding any further protest. "We just reminded ourselves that you have promised to obey me, young man! If you refuse to follow my orders, then leave now if you that is what you think you want...but you leave here dressed as you are. I will not help you. Call someone...your Mother perhaps . . .I am sure she will happily come to your rescue out there on the roads. This punishment is my choice for you and you will bow to this decision or face the consequences."
Jane's heart nearly stopped as the self possessed young man stood and made his way to the door of her study. "And just where do you think you are going, young man? I have not dismissed you yet. Marie will not be ready for your makeover for another few moments."
He stopped at the door and turned to face Jane. "Pardon me, but I believe you just said I could leave so long as I left dressed in this thing. I choose to leave."
This had *never* happened to Jane, not in over fifty students strung out over the past fifteen years, and she *wasn't* prepared this time! In the early days, Jane had always ordered Marie to be ready to stop a boy who took her up on that offer, but she'd never been needed in that capacity. Now, Marie was on the other side of the house getting ready for a boy who just not might show up.
This was *not* supposed to happen! The entire purpose of this gambit was to force his unconditional acquiescence to her program, to gain at least the semblance of consent from her charge, by giving him only one acceptable course of action. It was *not* intended to actually be a *real* choice for him.
Jane *had* to stop him. Whatever it took, whatever she had to do, she had to stop him from trying to leave. After all, she *was* responsible for the boy and first and foremost, she *had* to see to his safety. The court order from his mother appointed Jane as the boy's legal guardian and she had just put him in danger because she hadn't been prepared. She'd gotten complacent and now this boy stood to get badly hurt because of her negligence.
*Oh, God, please let the front door be key locked.* The deadbolt lock required a key to unlock it from both the outside and the inside. Why hadn't she remembered to ask Marie to lock the front door and pocket the key while she conducted this interview?
Unfortunately, the key was still in the lock and the front door was standing open by time Jane had reached the head of the stairs. Terror gave her feet wings and she ran down the stairs, reaching the front door just as the barefooted figure in ankle length pink satin made it to the driveway. *Thank goodness it is June* she thought. *His feet would be frozen if this were December.*
"Kenneth!" she screamed. "Stop right there, young man." To her relief, he did, turning to look up at her standing on the raised porch. "You have no money. Where do you think you will go?"
"The police will eventually pick me up. Dressed as I am, they'll have to. After that, who knows. Child protection services perhaps? Surely telling me to leave without anything more than this on constitutes some type of child abuse or abandonment on your part."
Where did the boy come by his unreal control and composure? How was it that he was thinking rationally about all this? What had she done wrong? *no time to worry about that* she thought. "Well, you might wish to know that the local police are fully aware and supportive of what I do here." It wasn't quite a lie. Caro's husband, one of Jane's former students, was a deputy in the local sheriff's office. Hopefully he'd be on duty if she had to make a panicky call. "And have you considered just how dangerous it is for you to be out dressed like that?" Which was the absolute truth and what Jane truly feared.
Jane moved down the stairs to where her almost-lost student stood. Cautiously, recalling that one of the reasons he'd been sent to her was a propensity for violence, she put her hand on his shoulder and squeezed gently. "Trust me on this, Kenneth. If you do leave, one of three things will happen. You will either be brought back here to me or you will be sent off to your home for delinquent boys, or you will end up hurt or worse. It could happen, Kenneth. We've had several cases of sexual assault locally the past few weeks. You really could get badly hurt. Whatever else happens in my house, I promise you that you will not be physically harmed in any way. If not for yourself, reconsider for the sake of your mother."
The boy went rigid at the mention of his mother. At a loss, Jane continued massaging the tense muscles. Finally, he turned to face her. "So, was your statement that I could just leave a lie?"
Jane shook her head, thinking very quickly. "No, I will allow you to leave, and wearing what you are wearing, but I will have Marie drop you off a good ways from here so that the local attacks we have been experiencing are not a risk to you." *Please, please, don't take me up on that. I don't know if I could really do it and live with myself afterwards. Who are you kidding, Jane? You know you couldn't do it. Please, give me a chance to help you, Kenneth!*
"You're saying the threat of assault is real?"
"Yes, very real." Jane affirmed. "I cannot promise you will not be attacked, even well away from here, but the risk should be less. Of course, it will also mean that there will be no turning back for you; no returning here for the safety of my house. And it will mean that anyone who finally takes you in will be very unlikely to believe any stories you may try to tell about me. I will, of course, deny ever having seen you. Eventually, you might get someone to believe your wild stories. But most will not."
The frill-dressed boy stared at Jane for several moments, considering her words. Finally, he shrugged and turned back towards the house. "Very well. I will stay . . . .for now, under the same conditions as before. However, if I find out you've lied to me about this assault story, I am leaving if I have to walk out of here naked in a hailstorm."
Jane steeled herself to match his hard-eyed look without flinching, but her guilt made it difficult. "I haven't lied to you about that, Kenneth, and I will try to find the articles to prove it to you. There are and will be some things I may choose not to tell you during your stay with me, but I promise you that I will not deliberately lie to you." *And I will pray that I can keep that promise now that I've made it because I've never had to make it to a student before.*
An hour later, Jane was busy in her office, digging furiously through the newspapers she'd retrieved from Marie's recycling bin. It had taken a while, but she had finally gotten the boy back into his room for his thirty minute bath from hell as one of her students had described the floral-scented experience. She'd have to be heading back to his room soon as the time she allotted for the bath was nearly over.
A sharp knock was followed by her door swinging wide and a very upset Darla sticking her head into the opening. "Jane, Marie needs you. Now."
Jane was running down the hall before she realized just how frightened she was. Memories of another boy - one who tried to end his life because of his reaction to her treatment - flashed vividly in her mind's eye.
What she saw in the room brought her up short and all she could do for several moments was stare. Kenneth's luxuriant hair was gone, down to bare stubble - almost white stubble. "What happened?" was all she could ask.
"What does it look like?" Marie blurted, her wildly gesticulating hands filled with locks of fine blond hairs; her normally imperceptible French Canadian accent coloring every syllable she spoke. "He shaved his head after the shampoo solution had done its work."
*Now what do I do?* Jane wailed in her mind, but in the end, all she could come up with was to ask, "Why?"
The sardonic look she got in return was of the "you have got to be kidding" variety. "I asked you a question, Kenneth." she tried again, her voice firming as she strove to regain control of the situation.
"Your nasty little trick with the shampoo made me angry, so I decided that whatever you planned to do with that mess, you'd have to find another way."
"You are forcing me to make a decision I'd rather not make, young man." Jane fumed. "Do you *want* to go to that delinquent's hall? You are about five minutes from that."
Acid burned in Kenneth's gut, and he almost regretted the rash act. He'd been so damned angry, he'd nearly pulled it out by the roots instead of merely attacking it with the razor. Should he apologize, he wondered. *No, can't do that. Can't afford to give her any advantage she doesn't already have.*
"That is your decision, Ms. Thompson, and doing this," his hand raised to brush across the peach-fuzzed head, "was my decision. I knew there was that possibility when I did it."
For one of the few times in her adult life, Jane Thompson was speechless. Every time she opened her mouth to say something, words failed her. She couldn't find any word, any phrase that was adequate to express her emotions at that moment.
She'd have to deal with this later, she decided, and continue with the plan as best they could for now. "Marie, do what you can to dress him properly. Have him at my study door in thirty minutes." she ordered in a low, angrily intense voice before striding out of the room.
The wig Marie had put on him was a little too sophisticated for the delicately little-girlish, petticoated, taffeta sailor outfit she used as her students' first full dressing, but it was all she had brushed out and ready to wear. Per her standard script, Jane had ordered him to seat himself on the parson's bench while she "finished" her work when he'd knocked at her study door.
Now Jane was sitting quietly at her desk, contemplating the small speaker that was connected to the hidden microphone carefully secreted beneath the bench.
"Hi." Darla's voice came through clearly on the box as the second phase of this recurring drama in many parts began anew. "You missed afternoon tea. Would you like a lady finger? They're very good, even if Jane did make me bake them myself." Jane could easily visualize the sweetly smiling face, the small pastry and the boy in girl's clothing sitting awkwardly on the bench, wrinkling her petti's and skirt.
"Didn't Jane tell you to sit while you waited?"
"She did, but I decided I would stand. If I am any judge of women, Ms. Thompson plans to stand me up and put me through an inspection that would do a Marine general proud." Damn the boy, Jane fumed. She *had* ordered him to sit down for precisely that reason - so she could subject him to just such a humiliatingly intimate and *thorough* inspection. And now she couldn't even take him to task for disobeying her because that would compromise Darla in her role as the "good cop" in this little farce. Worse yet, Darla would have to continue his instruction so that he would learn the lessons anyway, but without the fault finding.
After that, Jane listened with only half an ear as Darla instructed her "little sister" in the fine arts of sitting in a skirt, of mincing delicately and other such feminine mysteries. Then Darla went into her "Oh, Jane's not that bad once you get to know her and learn to follow her rules." speech. One thing Jane did notice, to her increasing frustration, was that the recording device was picking up a near monologue by Darla. Kenneth was adding almost nothing to the conversation other than affirmative noises at key points in Darla's explanations and to ask a few polite if uncomfortably pointed and insightful questions that Darla managed to sidestep for the most part. Fortunately.
Jane decided that she needed to call today's exercises to a quick end. She needed time to regroup, time to figure out just what the hell to do to get past Kenneth's wall of composed control. She had obviously failed to put him on the defensive and he was still thinking rationally instead of emotionally; he was analyzing instead of reacting - a state of affairs that did not bode well for Jane's immediate plans.
"Did you really tell Aunt Jane that you didn't do any of that stuff in that record?"
"Yes, I did." was the Kenneth's curt reply.
"You have to admit that it's kind of hard to believe. . . I mean, Judge Ruth and Jane are very good friends. I mean, what do you have to gain by lying? You're already here and she has that file."
Jane's senses went on alert as she awaited the answer. "I have nothing to gain by lying."
"Well, then why did you? I mean, all Jane has to do is call Judge Ruth to confirm those records. And trust me, you don't want to make Aunt Jane angry."
"A better question is why would your Judge Ruth lie about me. Your Aunt Jane's not the only one who knows her. My mother is friends with her, too." Jane's hand slammed down hard on the polished hardwood desktop. How *dare* he accuse Judge Ruth of lying. Raw fury colored her vision. That damned delinquent's school was looking better and better to her every minute.
No, she told herself, she couldn't make such a far reaching decision after only one day with the boy, and most especially not when she was this furious with him. Deciding that they had learned all they were going to from this episode, Jane strode to the door and opened it. The two girlishly attired boys looked up at her.
"Kenneth, please come in. Darla, go see if Marie needs help with dinner. Tell her I want it served on individual trays tonight. You and Kenneth will dine in your respective rooms."
Jane saw the surprise in Darla's face at the unexplained change of plan, but she hurried off to comply with Jane's direction none the less.
Inside the study, Jane gestured Kenneth back into the wooden seat before sitting down herself to glare at him over her desk. She tried to make all the snide, embarrassing little "compliments" that reduced her feminized young men to near tears, but it quickly became apparent that they were having little or no visible effect on Kenneth and that her mind was not in the game.
"That is enough for today, Kenneth. Go to your room. Marie will serve you dinner there and then assist you in getting ready for bed which will, I am sure, take much longer than you might expect."
"Yes, Ms. Thompson." he responded before standing and mincing out of the room. He did it so well Jane nearly screamed.
"He already had his make up mostly cleaned off and his dress hung up when I brought his dinner in, Jane. I don't think we've ever had a boy who came to us who was this. .. fastidious."
Jane removed the glasses she had been wearing as she continued to scan the papers and pinched the bridge of her nose. "Except when he shaves his head." She shook her head, still amazed at that. "How did he react to the dressing and making up?" Jane finally asked.
"That's something else that was really spooky. He was absolutely deadpan throughout, Jane. He did not smile, frown, grimace or anything. He just sat there staring at himself in the vanity mirror as if it wasn't anything out of the ordinary for him. Almost like he was bored with the routine of it all."
Shaking her head, Jane smiled ruefully at her old friend. "Sometimes, especially after these latest students, I think that maybe we have been doing this too long, Marie. Do you think something fundamental has changed in young men that we don't know about or am I just getting too set in my ways, and unable to react when things don't go perfectly according to plan?"
"I don't know, Jane. We have had some strange ones recently, starting with Michelle, but this one? He scares me because I don't know what he is thinking, what he is feeling. Normally I can read them pretty well, but not this one."
"So where does that leave us? I won't call Sheila and Ruth and tell them we don't think we can help this one, but Lord above, Marie, if all he is going to do is follow orders precisely, without feeling any humiliation or any other emotion from the experience, there's not much we can do with him. We need him angry, humiliated, uncertain, and so far, he's not showing any sign of those emotions."
Marie considered the amber liquid in the crystal snifter she held in her hand before looking back up to Jane. "I know. So what do we do with him? Usual plan for tomorrow?" she asked softly.
Jane thought about it a moment and then gave a very unladylike shrug of her shoulders. "Might as well. I don't think it will make things worse, and who knows, maybe the furor of the rapid change drill will trip him off so we can start doing something with him. You did force him to wear cosmetics to bed?"
Marie nodded in reply. "Wasn't much I could do to put the hair rollers on him, though. He really couldn't wear the wig to bed and there just isn't enough left to roll."
"All right, then, we will go ahead with the morning quick change drill, followed by lunch in little girl party clothes and finally Darla introducing him to the staff as Kendra."
Her longtime friend nodded her agreement. "Just one thing, Jane." Jane regarded her dear friend attentively. "Let's make sure that all three of us are close by after Darla does that first outing with him. He seems much too cool about all this, but as I said earlier, I can't read him. I am really afraid he is going to explode and tomorrow is one of those hellish experiences that has turned some of our young men violent. I want to make sure there are enough of us close by to take him down if he really loses it and goes berserk."
"You think that's likely?" Jane asked wearily.
"He's too quiet, Jane, too blase about all this. And that file says he is prone to violence if given what he considers sufficient cause."
Sighing softly, Jane nodded her agreement. "Which, of course, is precisely what we are trying to give him. Lovely. Very well, then. We'll start with him getting the "this is why we don't wear cosmetics to bed" object lesson at breakfast in my study and start the real program by nine thirty. Plan lunch for immediately after the fourth change and we'll go on from there."
"I am going to go up to bed, Jane. You should, too. Tomorrow's going to be another very long day."
"I'll be up in a few minutes, dear." Jane said with real warmth in her voice.
She sat quietly until the door clicked shut behind Marie. Once she was certain she was alone, Jane eyed the phone on her desk, thinking about what had happened that day one more time and about what might go wrong tomorrow. This one felt wrong - very, very wrong. All it would take, she reminded herself, was one phone call to Ruth and she could stop feeling like she was carrying a flaming torch into a room filled with dynamite to take inventory.
None of this made any sense. Kenneth's records described a young male who would attack, perhaps physically, when his male ego was challenged or attacked. Males, especially fifteen year old males, like the one in that file, had no reason to develop the kind of control he'd demonstrated today. Still, those records had come from an absolutely unimpeachable source.
Jane felt drained, and just for a moment, thought about calling it quits. It would be so very easy . . .so very, very easy. Judge Ruth was probably home already. Just one little phone call and the purchase of a plane ticket.
Except she'd never given up on a kid before. She'd failed a couple of times, but that was because one boy gave up on her and another lost trust in her when she'd been caught in a stupid little lie, but she had *never* given up.
Jane finished the last of her drink and stood up, stretching her long, tense body as she rose. No, she hadn't ever given up on a student, and she damned certain wasn't going to start with this one.
Making that decision lightened Jane's mood considerably. With a new spring in her stride, she moved quietly over to her own room and prepared for bed. Marie was right. They would all need rest to get through the next day.
Had he made a critical mistake by stopping when the Thompson woman had called to him? He wished he knew. God, but he felt alone. It would be so much easier to handle this if he did not feel so completely alone.
Maybe it would easier just to give in. Give her his word that he'd put up with whatever nasty little lessons she had planned. That would certainly simplify things. He honestly did not want to go to that damned home. The woman had been right about his size and his vulnerability in such an environment. Physical abuse by the larger inmates was a surety - sexual abuse was nearly as likely. What it really came down to was whether he was going to forced to dress as a girl, or was he going to be used physically as a girl?
Scylla or Charybdis? Which of his options would merely take a bite out of his soul, and which one would destroy him utterly?
*That assumes, of course, that at least one of my options _won't_ destroy me.* he thought morosely, and finally lost his day long battle to control the tears. *At least that _woman_ isn't here to see me cry. I won't _let_ her see me cry! She's dangerous and would be even more so if she thought she had reached me this way.*
Kenneth rolled out of the bed and padded over to the vanity table and looked at his reflection in the mirror. His tears had cut wide tracks down his thickly coated cheeks. *Have to take care of that or she'll know.* he thought, and began looking for that stuff his mother used to clean off her makeup. Some kind of cream, came in a little jar shaped like a tub.
After finding none of the special cream, Kenneth had scrubbed his face as well as he could with just soap and water. *Well, it's not all gone, but at least the ravages I just inflicted hide the ravages of my little crying jag. . . .better get some rest. No reason to believe tomorrow's not going to be worse than today. I will need every resource to stay in control.*
It still took many hours for sleep to come to the lonely, depressed young man.
Jane regarded her newest protégé as he consumed his light breakfast of dark tea and fresh muffins. He had been up when she'd gone to wake him. So much for her plan to get him up barely in time to start the day so that he would feel harried and rushed in addition to dealing with her little feminine tyrannies. Evidently among his other talents was an internal alarm clock which had gotten him awake in time to shower and remove most of the cosmetics from his face. She hadn't provided him with a decent cold cream or make up remover as yet, so he still had an oddly colored face, but he was clean.
And he was rigged out in the frilly gown and peignoir set that Marie had left out for him. He'd even put the wig back on, without being told or upbraided for not wearing it. She was going to have to do something about his hair. At this rate, it would be months before he would have enough hair to style if she waited for it to grow back out, and caring for attached hair and caring for a wig were entirely different prospects.
Jane waited to begin her script for the day's planned events until Kenneth had finished reading through the articles she'd found, proving her claim that it would have been dangerous for him out on the streets.
"Thank you, Ms. Thompson, for giving me those. I will be more careful in the future."
*I am not going to give you the chance to do that again, young man!* "Well, Kenneth, if you are finished, let us begin today's program of studies. Today we are going to concentrate on clothes and cosmetics. Your face is a disgrace. You have smudges of old make up making a most . . .interesting abstract artwork of your face. You should clean your skin more thoroughly in the future."
She watched as the femininely turned out young male continued chewing the bite of food he'd taken just before she'd spoken to him (intentionally, hoping he'd try to swallow it whole or respond with his mouth full) before swallowing. Only then did he attempt to answer her. "Yes, ma'am, I know. Unfortunately, the soap did not clean it all away and I did not want to keep you waiting. I thought I would ask Marie for something better. I seem to recall my mother buying some special cream by the case for just that purpose."
Despite her years of control, Jane momentarily goggled at the boy. "Umm. ..yes. . .I see. An . . .unfortunate oversight. Now, as to our lessons for today." Jane said quickly to regain control.
"My 'English method' is designed to put recalcitrant boys such as yourself, young man, into new, alien and uncomfortable situations as a means of deterring that recalcitrance. I use petticoat discipline to force them to learn to appreciate their feminine side, and before you say anything, psychologists have shown that every person has both feminine and masculine sides to their nature. I contend that you, and other boys like you, ignore that finer aspect of your personalities. If left on your own, boys such as you grow into men who are totally insensitive to feminine things and who are disdainful of the elevated role of woman. That is unacceptable in our modern world."
"Our first lessons today, and those we shall work through in the coming days, are all about what it takes to be like a young girl of your age."
Jane paused at this point to take stock of her student and of his reaction. Nothing but attentive curiosity. How many times had she given this little speech, or one very much like it? Between her time at Eastmore working with boys whose mothers wanted them petticoated and forced to attend an all-girl school as punishment and her work here in her own home subsequent to Eastmore, easily over a hundred times. Invariably at this point, the boys had horrified looks on their faces, or were fidgeting uncomfortably about in their seats. Some even had the temerity to talk back to her which aided her cause. Such behavior gave her the opportunity to become truly scathing about their lack of deportment and manners.
But never in her experience had a student simply sat there, listening to her as if she was explaining some new and unusual scientific experiment in chemistry class. Jane's bad feelings about this whole project came back with a vengeance and she again found herself staring at the phone on her desk. Finally, she looked back at Kenneth and tried to finish the session.
"So we come to this morning's program. Young girls spend hours practicing with clothes and with makeup. Now while I don't expect you to display that same enthusiasm for the activity, it is a skill that I strongly believe is important to your development. So this morning you are going to practice getting yourself dolled up all darling and precious."
Again, no reaction. *My God*, Jane thought grimly, *what is it going to take to get through to this child and would I even have the nerve or the right to go that far if I do figure it out??*
She had to get him out of her room. She needed to think, to reflect. "Marie is now laying out your first ensemble. She has also obtained several wigs that will be appropriate to the age and style you will be wearing. She will guide you through this first session."
Jane took a sip of her tea. "Today, Marie will be your teacher. However, I am going to be the one who appraises and grades your progress. I think the first phase will take about an hour. Learn well what Marie shows you the first time, for it will be important to you later."
"After she has done with you, I will expect you to come back here for my inspection. Looking like a perfectly lovely little lady. Any questions, Kenneth?"
"No, Ms. Thompson. I understand what you are doing."
*Why do I think that you do, young man? I really do think that you do know. Oh, God* "Very well, then," Jane said briskly. "In my experience, it takes someone about half-an-hour to get dressed and made-up. After I have inspected you, you will return to your room and do it all over again. You will cleanse away all traces of the makeup you have on and redo it from scratch. New colors, new cosmetics...whatever Marie directs. Do you understand?"
"Yes, ma'am," he relied softly. "Your directions are very clear."
She glanced at the clock.
"I want to have lunch at 12:30 today. That will permit you at least four practice sessions. Go back to your room, Kenneth. Marie is waiting for you."
Lunch was late that day and Jane was very unhappy about it. First, she was hungry having had only a croissant and a cup of tea since rising from her bed, and hunger always made Jane irritable. The second reason for her displeasure was the reason lunch was late. The only part of the morning that had gone at all well had been the two transformations Marie had done personally.
Nor had the morning's exercises gone as well as Kenneth had wished. Kenneth had been very quick to note that Marie had needed every minute of the hour Jane had allotted to her to achieve a feminine appearance that first time. It was then that Kenneth had understood just how impossible complying with Ms. Thompson's orders truly was. There was simply no way he could replicate in thirty minutes what it had taken a very good, very experienced cosmetic artist almost sixty minutes to achieve. He'd just have to do his best and refuse to let her demands compromise his own self-image.
That resolution was much easier to make than to accomplish. Despite Kenneth's willing compliance with Marie's demands, Jane's sarcastic comments had found fault with every detail of his appearance. It wasn't his fault that his eyebrows were not slim and arched. It wasn't his fault that his fingernails were trimmed closely. It wasn't his fault the dress did not hang on his boyish figure like it would on a real girl. Yet Jane made it seem as though all these, and a host of others infractions as well were deliberate defiance on his part, soon to send him packing to the unimaginably evil reform school Kenneth's mother had selected.
The screaming, adrenaline-fueled demand within his body for action to fight this unfair attack on his dignity had no outlet from behind his rigidly calm exterior. Instead, his stomach began to churn with turmoil that would cause an ulcer if it continued. That sent discharges of excess acid into his bowels, which began to cramp and spasm. No sooner was he out of the Thompson woman's lair after his first inspection than his stomach lurched and he'd barely made it to the safety of his bathroom in time to lose his breakfast, mercifully without too much loss of dignity. Once he'd emptied his stomach, he'd had to drink some water just to hold off the dry heaves. That necessary detour had cost him almost ten minutes while repairing the ravages to his face had taken the other five. An effort which had been to no real purpose since the first thing Marie would make him do was clean off his make up.
By the time he'd left the safety of his bathroom, there was no way he could meet the half hour time limit, so he hadn't bothered to try. It was during that particular dressing that it had occurred to him that the only ones who would see him already knew what was going on. Regardless of what they said or did to him, it really didn't matter. Hadn't the Thompson woman promised that he would not be harmed here? All that left her were her sharp tongue and her "little lessons", and he had been through worse - much worse - in the past.
So he'd just played her game, albeit a little differently than what Ms. Thompson had likely anticipated. Being late instead of being sloppy left her having to ad lib her little tirades which blunted their impact - at least somewhat.
Standing up under Jane Thompson's scathing diatribe about his lack of courtesy in keeping her waiting, his willful disobedience of her orders, and his incredible insensitivity in using that "women are always late" stereotype had stretched his control to the limits. God, but the woman didn't just chew him out, she chewed all around and let it fall out.
Then Jane had gotten really creative. "If you are going to continue to be late primping, young man," her words in the sickly sweet tone Kenneth already recognized as bad news, "then we will see to it that you have something worthy of the effort!"
Jane had accompanied him back to his bedroom that time and had huddled with Marie while he'd hurriedly cleansed his face. When Marie returned to the vanity, she had a small box and a tube of something that looked like and smelled like modeling glue. In very short order, Kenneth was sporting a set of fingernails only a teenage rock singer could love.
Those damned inch long nails had been impossible. He couldn't touch anything without snagging the bloody things on something. He'd destroyed the stiff laced collar of a Victorian blouse when he'd tried to button the thing, and broken off one of the nails in the process. After that had been replaced Marie had finally been forced to help him into his hose after he'd managed to run the first four pairs with those claws.
Upon entering Jane's study for his third inspection of the morning, she'd immediately set him to work doing some filing for her in her relatively simple file system. Simple that is, if a person could get the blasted drawers open. Which Kenneth had been completely unable to do, breaking two more of the seemingly fragile nails in very short order. Jane had really lit into him for that, after making him replace each one under the daunting stare of her basilisk eyes.
The terrible unfairness of that attack, when they both knew he had no chance at all of succeeding, had nearly set off his temper. Restraining himself had cost him another lengthy trip to the bathroom to vent his anger by trying to rend one of the towels with his bare hands as he unsuccessfully fought back against a desperate bout of tears.
Worse, Kenneth had poked himself painfully in the eye with one of the nails as he'd tried to take off the makeup. He'd been nearly blind in that eye for that entire dress-up session The only positive to that was that Marie had concluded that his eyes were tearing so badly because of the eye poke, and not because he'd been reduced to tears by the Thompson woman's vile tongue.
Kenneth was late arriving at Jane's study for his fourth examination, this time struggling not to keel over and break an ankle on the stilts Jane had insisted he wear for that presentation. The damned things had to be almost three inches tall. He just couldn't find his balance in them, and felt like he was always just one slight misstep away from falling. Jane had been at her very best during that session, berating him constantly for his lack of grace and for his inattention to learning any. She'd had him walk about her study for what seemed like hours (although the hall clock indicated he'd been inside her lair for less than fifteen minutes) with a large dictionary balanced on his head.
Well, almost balanced, Kenneth admitted to himself, since the thing fell off his head numerous times, twice falling onto one of his exposed toes and nearly toppling him. Only Jane's quick action on each of those occasions had saved him from serious injury.
Now he was sitting at the formal dining table, feeling incredibly foolish in this refugee-costume from a "Through the Looking Glass" production. Marie had been waiting to rig him out in that particularly frilly outfit after his escape from the high heeled session. At least he hadn't been made to present himself in the study for a fifth inspection while wearing that dress. Jane had wanted her lunch more than she'd wanted to chastise him.
Kenneth was trying to appear interested in his food, but he wasn't. The morning's trials combined with the effort put forth to hide his reactions from Jane and Marie had left him a very uncertain stomach. To compensate, Kenneth had carefully selected the blander offerings while pushing the less digestible morsels around his plate. Jane had noticed, of course, and had taken that opportunity to compliment him on his dainty appetite "So very necessary for keeping your cute girlish figure, dear.", but that had been her only really pointed dart of that meal. Ms. Thompson had been far more interested in her own meal than in sniping at her new student.
Thank God.
Jane recognized that lunch had been an unusually quiet affair for a training meal at the Thompson table, but she'd simply been too hungry to keep up her normal banter and social corrections. By the time she'd taken the edge off her own appetite, the meal had been for all intents and purposes complete and she had to shoo the children back to their rooms to put on their sun dresses for Kendra's introduction to the groundskeeper staff.
*Well, at least he has not exploded like Marie had feared he might, but as she also said, what comes next is the most likely trigger for such an eruption. I will have to make sure Marie knows when they make the turn back towards the house.*
"What happened, Marie?" Jane asked as soon as the two girls were out the front door. "Why did you let him change the schedule?"
The other woman snorted and gave her friend a little shrug. "He spent the first ten minutes after each of your sessions in the bathroom. I checked and the odor was unmistakable. Either you were reaching him to the point of nausea or he was fighting some type of stomach ailment."
"Which do you think it was?" Jane asked excitedly, hoping that this was a sign her program had worked better than she had first thought.
"I'm still not sure, Jane. At first, I thought it was his reaction to you, but then he ate so poorly at lunch - like every bite might come right back up. You weren't badgering him at lunch, so wouldn't he have wanted to eat if you had been the cause of his upset?"
*Damn* "Perhaps. Or perhaps he hadn't fully recovered by the time we sat down to table. So, that is why he was late? You gave him the full half hour after he exited the bathroom? Because he was sick and you knew he couldn't make the half hour under any circumstances?"
"Not quite, Jane. I actually tried to press him on time, to get him to hold to the original half hour regardless of his time in the bathroom. I hoped that if he was particularly unacceptable, you might be able to really cut him down, might finally begin to reach him." Marie's shoulders drooped, "It didn't work. He just continued on with his dressing and making up as if I had not said a thing to him. He just stayed focused on what he was doing and left when he thought he was ready. Jane, I have never had a boy do that before. By the time we get to this point, they are so terrified of you and the browbeating you will give them, they just panic when the time limit approaches."
"As you well know, that panic is much of the intent of this exercise. So, even if the boy did have a nervous attack, he did not show any of it to me, and he refused to be panicked into rushing." Jane shook her head. "Lord, Marie. Why in heaven's name does a boy of fifteen need that kind of self control? More to the point, how ever did he develop it in the first place?"
"I don't know, Jane. I just think it is odd that he shows it here with us when there is no indication of any such control in the records from Judge Ruth."
"Good point." Jane wondered what to do next. "Of all the exercises this morning, I think the physical discomfort of the high heeled session bothered him the most. Certainly, it was physically difficult for him. I may do an evening session with him, Marie, to see if I can use that discomfort to weaken his resistance."
"Discomfort? You know very well that those heels rapidly become much more than merely uncomfortable. That is why you always work the boys up to them slowly. Not only that, but that pair is brand new and very stiff."
"I am not going to let him be hurt, Marie. His feet will ache a little in the morning, but I won't press him beyond his threshold of real pain. You know I don't work like that. I just want something to distract him enough that he loses some of that control."
"How long?"
"For as long as he can go without real pain or for as long as it takes, which ever comes first."
"I'm betting this one will drop first." Marie muttered darkly.
"I hope you're wrong, dear." Jane murmured back. "I am not sure I don't agree with you, but I do hope you are wrong."
As they'd agreed the night before, both Marie and Jane were waiting when the two students reentered the house. Jane searched Kenneth's face for any sign of the fury that should be there after having been introduced to men as a girl using a girl's name. Once again, however, as had been the case from the moment she'd first laid eyes this boy, Jane found nothing of what she sought to see in him.
"Thank you, Darla, for showing me around. That was a very nice walk. Perhaps we can do it again tomorrow?"
"Of. . .of course." Darla stammered. "At least, as long as Aunt Jane doesn't have other plans for us." She added recovering quickly.
Kenneth, now Kendra, turned to face Jane. "Are there any more lessons scheduled for today, Ms. Thompson?"
Jane swallowed hard and shot a worried glance to Marie. There was no way she was doing anymore with this boy today. She needed some time to think. "Not immediately, my pretty, probably after dinner. You may assist Marie in cooking the evening meal. Knowing how to properly prepare and present food is something every young girl should know."
"Yes, Ma'am." he responded. "Ms. Marie? What can I do to help? I must warn you that I haven't had much time in the kitchen, but I would like to learn how to cook."
"Certainly." Marie rasped out. "Please follow me."
Jane and Darla silently watched the pair go into the kitchen, and then Jane beckoned the girl into her office.
Once the doors were closed, Jane rounded on Darla, "What in the bloody hell happened out there?" Her language was a measure of just how rattled Jane truly was.
"He introduced himself." Darla replied flatly, "Or at least he tried to."
"What do you mean by 'he tried to'?"
"Just what I said. He walked over to old Tom, held out his hand and said, "hi, I'm Ken."
Jane groaned, her eyes closing tight as she fought to stave off the invasive tendrils of an incipient migraine. "Ken?" was all she could manage to say. What was she going to do? If those men put two and two together and came to the conclusion that if *one* of her 'girls' was actually a boy, it would not be all that great a leap of intuition for them to decide that many if not all of her students had been skirted boys. At the very minimum every new student would be under dangerously closer scrutiny during those introductions at the very earliest, most inept moments of their masquerade. It would only be a matter of time before the entire community knew all or part of the truth. Which would be the end of everything.
"I think I saved the day, but it was too darned close." Darla continued in a very tight voice. "I said, loudly enough for both men to hear, something to the effect that "Now, Kendra, you *know* that Jane doesn't like you using that nasty boy's nickname and remember, you *did* promise to go by your given name while you are here." Anyway, I think they believe she is just another of your charm schoolers, but one who doesn't yet have the nose- in-the-air arrogance your students are known for in town. They just figured she was an unusually friendly girl who had always been called "Ken"-short-for-"Kendra" before she came to learn at your feet."
"Hopefully, that will be enough." Jane shook her head. "Good job, Darla. Go up to your room and rest, dear. You look exhausted."
"Thanks, Aunt Jane, I think I could use a nap." and Darla turned towards the door, but then stopped. "Jane?"
"Mmmm. .. Yes, dear?" she answered absently.
"She's not acting at all like that file of yours said she would. He's been nothing but perfectly polite and courteous to Darla. If you'll recall, even I threw a tantrum when Stephanie named me Darla for Old Tom. He just lets it all flow off his back. It just doesn't get to him or matter that much to him."
"And it definitely should be getting and mattering to him." Jane replied emotionally. "Every bit of experience I have in this type of psycho-dramatic event tells me he should be a face- slapped quivering mass of human clay right now, ready for me to start molding and refining him, first into a girl and then into a decent man."
"It would be getting to him, Jane," Darla said in a very soft voice, "If he was what that file says he is. If he's not what the file says he is, then the important question is what is he really?" And then she made her way quietly out of the room.
Jane stared out her window watching the setting summer sun in the west as she held the phone to her ear. The buzzing ring sang four times until -{buzzzzzz} You have reached the Roberts residence. I am not available to take your call. Please leave you name, number and a short message at the tone. I will return your call as soon as possible. {ding} --
"Sheila, this is Jane Thompson. Please call me immediately, whenever you get in. It is vitally important. Thank you." and then she hung up.
"*DAMN*!" she snarled before punching in another phone number. The phone on the other end only rang once before it was picked up and a bored female voice answered. "County Courthouse. How may I direct your call, please?"
"Judge Ruth's chambers, please."
Moments later, another woman picked up the phone. "Judge Ruth's chambers, may I help you?"
Jane recognized the voice of Ruth's long time law clerk who had been kidnaped by Darla's criminal older brother during her ward's early days in her keeping. "Hello, this is Jane Thompson. I need to speak with the Judge, please."
"I am sorry, Ms. Thompson, but the Judge is out of town at a retreat. I expect her back on the day after tomorrow.'
"I see. Look, it is very important that I reach her. Could you please give me a number where I can reach her?"
"I am sorry, Ms. Thompson, but this is one of those places that pride themselves on being isolated and unreachable. The only phone is in the main office and they normally refuse to call in guests. She has her cell phone, but it doesn't seem to work up there in the mountains."
"Blast. All right. Please leave her a message to call me. I consider the matter to be quite urgent."
Jane hung up the phone, knowing no more than she had half an hour ago. Should she keep trying for a break through with Kendra and work her tonight as she and Marie had planned earlier? Or should she back off until she could discuss this with Ruth and Sheila? On one hand, she trusted Ruth and her judgement implicitly, and yet, she found herself agreeing with Darla's assessment that everything they had seen of the boy was at odds with what had been written about him. Not only that, but Ruth had never before been far from the phone during the first critical days of one of her referral's tenure with Jane. Just in case she had to sign the papers vacating the suspension of sentence and sending the miscreant to jail.
Perhaps it was nothing, but still . . . that did not feel right. That was not at all like Ruth. Lord, hadn't she delayed one boy's arrival at Jane's until she could be available to Jane? As for Sheila. . . well, she'd probably get back to Jane as soon as she got in for the evening.
"Can he really be that good at putting on his company manners?" Jane asked the empty office. "He must be - there's just no other explanation. If I am to believe his file, he is a superb liar and wouldn't this behavior be just another kind of lie?"
And if that was the case, what could she possibly do that would break through his web of deceit?
He'd probably elect to stay on here, despite her so-called "petticoat discipline" program. It was dead certain that the physical amenities at this prison would beat the ones at the home all to hell. The bed was comfortable, the food was great and the bath water was always hot. Heck, even the clothes were always clean, even if they weren't his first choice in attire.
Besides, something in the way Jane Thompson had promised him that no physical harm would come to him while he stayed with her made him want to believe her. There was no doubt in his mind that no one at that boys' home could or would make a similar commitment to him.
Not that her other little games weren't effective. She could probably give him Mother lessons and Kenneth had always thought she had such pointed little torments perfected. Jane had definitely reached him on numerous occasions that day. He'd almost snapped back at her after one too many of her unrelenting and condescending compliments.
Except he'd managed, by the barest of margins, to control his temper each time and that was when he saw the first signs of frustration in the woman. He'd correctly deduced that her intention was to make him angry, to make him stop thinking. Which made him all the more determined to keep a cool head and a rational outlook.
That, however, was far more easily said than done. As much as he knew everything he'd faced that day was all just a setup, as much as he knew there was nothing he could do, one way or another, to ever satisfy the woman, *not being able to do so* still made him feel like a failure. . .made him feel somehow inadequate.
Which was just plain stupid, but that was how he felt.
His instep, toes and ankles still ached a bit from his forced perambulations about the study in those damned heels. That was another sore spot since his ineptitude in the damn things had provided Ms. Thompson with plenty of opportunities to denigrate his performance. That patently unfair attack had nearly made him lose it, but he'd almost fallen on his face when he'd tried to spin around to confront his tormenter. Just as well he'd been in the heels, he mused, catching himself had given him the break he needed to bolster his control. The fact that Jane had been truly concerned for him until she saw he was mostly all right had also helped.
That was something totally unexpected since Kenneth knew this woman was his Mother's friend. Maybe Jane Thompson wasn't quite the bitch he wanted to believe she was. He'd have to think on that one, too.
The trip outside had been another kettle of fish altogether. There were other people outside. That was very scary, but he'd given his word so he'd gone along. Kenneth had come as close to a panic attack as he had in his life with that Darla female had maneuvered them over to where that old gardener and his helper were digging in those flower beds. Only the girl's surprisingly strong grip on Kenneth's elbow had kept him from heading for the hills. It immediately became clear that little detour was intentional, and that for whatever reason, Darla was going to force the issue of introducing him to those men.
At that point, Kenneth concluded that the gardeners where either aware of what was happening to him or that they too were unwitting pawns in Ms. Thompson's little game of chess. He'd introduced himself as Ken deliberately. If the men knew about the masquerade, he expected that they'd be very surprised to hear him use a male name. If they weren't aware of what was going on, their reactions would have been completely different.
In fact, Darla had jumped in with her little diversion, insisting that Kendra stop that tomboy nonsense and start using her 'real' name. That, along with the forced confrontation with the men, while clearly protecting Kendra's male identity, also proved beyond a shadow of a doubt that Darla was in on Jane's little conspiracy. She was not an innocent dupe as Kenneth had originally thought. Nope, that stunt of forcing the introductions put dear, sweet little Darla squarely on the side of the gals in the black hats in Jane Thompson's little melodrama.
Which seemed odd now that Kenneth had time to consider that. Why would Jane use a young girl in this escapade? Everything he knew about girls his own and this Darla's age was that they had a very difficult time keeping secrets from other girls their age. Which did not fit the facts as he knew them at all. Kenneth was fairly certain that not many folks knew what was going on here. For one thing, security was just too good. They were miles from the nearest neighbor and there had not been any visitors. That might not matter all that much, given that he'd only been here two days, but he'd watch for that in the future.
The second thing was that he found it hard to believe that a "program" like the Thompson woman ran could last any length of time if the general populace knew about it. Too many macho-guy- crazies and religious right-wingers would go right over the edge if they had even a glimmer of what she did here. She'd be lucky not to be run out of town on a rail after those groups got done with her.
So either Darla was an unusually good secret keeper for a girl her age or Jane Thompson had something on her that guaranteed her silence. Kenneth wondered what that something could be as he scratched the tender skin on his shoulder that had been irritated by that damned bra strap.
A thought occurred to him and Kenneth's hand stopped in mid- scratch. Could that be it?, he asked himself as he craned his head to look directly at the brassiere. Could it really be that simple, that Machiavellian? It would all make sense if Darla wasn't a girl at all, but was just another, further along victim/student of Jane Thompson's charm school for wayward males. Good old Darla had to zealously guard Kenneth's secret because it was her secret, too. Very interesting. That also meant he was not quite as alone as he had initially thought he was in this house.
Kenneth quickly reviewed his few direct interactions with the girl. In the end, he was forced to admit that nothing in her looks or behavior disproved her apparent gender, one way or the other. However, at least now he knew to look, carefully, for any anomaly that pointed to Darla's real sex. At least that would be no particular hardship. Girl or cross-dressed guy, the lovely Darla was eminently watchable.
Even if he was wrong, just concentrating and thinking about what was going on had helped calm him, helped him regain his control. *Now, if I can just hold out a little longer. Maybe she'll run out of dirty tricks*
*Suuurrrre she will," Kenneth sighed *NOT!*
"So, you've been unable to contact either woman?" Marie asked.
"No. Only the investigator got back to me. He'll be in Kenneth's home town late tomorrow afternoon and will start making his inquiries as long as the public buildings remain open. I don't know what has happened to Sheila so I've asked the investigator to check on her whereabouts in case something has happened to her. As for Ruth, she won't be back until after tomorrow, which raises the question of what do we do next."
"How so?"
"Normally, our little miss-to-be would be completely cowed by now - willing to accept my program without question in order to avoid being revealed publicly as a sissy-boy, or worse, as a boy masquerading as a girl. Whatever Kenneth is feeling right now, cowed he isn't. His male pride is not broken. . . it's not even showing any cracks. In some particularly tough cases, when the boy was resisting me fiercely, we'd get out the long wearing cosmetics, curl his hair, put him in some very feminine slacks and a blouse and take him off to the mall. Let the young rowdies of the town come down on him for his sissy looks and manner."
"But you don't think that would work on him, either?"
"He's not resisting, Marie. He's not demanding his boy clothes back. He's just going along with whatever we tell him to do and not letting it bother him, somehow, or acting like it doesn't bother him. I've seen this in boys before, but usually only after they've been here long enough to start getting comfortable the masquerade and begin to feel safe here around the house. Then they think they can out-patient me without making any real changes in themselves. Again, we put those boys in a public situation as very feminine, sissy boys."
"What are our options, then? Write him off as a lost cause and send him to that house-thing?"
"I am not yet considering that, not when I have at least two other options. One is that we do nothing until we talk to his Mother and Ruth. The incredible disconnect between the way he behaves and those records is beginning to seriously bother me. Couple that with the fact that Ruth has *never* been unavailable during a student's first week and *that* feels very wrong to me. Waiting until we can talk with those two has the advantage of resolving our uncertainty about his observed behavior versus his recorded behavior. Unfortunately, that solution means we don't do much in the way of effective training tomorrow which means a lost day during that normally critical first week of the program."
"As you just pointed out, it's not as if he's into the swing of things, Jane." Marie scoffed. "The first week is only critical if we are accomplishing anything. We aren't. What is the other alternative?"
"Try another tactic to break him down. Obviously he feels safe and in control here. He willingly introduced himself to old Tom. All I can think of is to take him out of this apparently safe haven and try again. I am thinking of taking him to the Chalet tomorrow and turning Caro and Sandy loose on him. *Really* turning them loose on him. He needs hair anyway. Wigs don't give him any practice with hair care and it will be months before he has any of his own to play with. Let Sandy have her little hand restraints ready to go if she needs them and really attack his male self image."
"That could be very dangerous, Jane, if he really is as prone to violence as those records say he is."
"I know. That's why I said for Sandy could use the restraints on him. If we go, we'll be started before normal working hours and I'll explain everything to Caro and Sandy first so that they can bow out if they feel they can't be involved with something like this. Besides, *nothing* we've seen so far shows anything like that kind of violent behavior."
"Caro and Sandy were both quite devastated over Michael's suicide attempt immediately after they had given him such a hard time that first visit. Besides, if he does lose it, you are going to have to free him eventually. Its not like we can keep him tied in that chair for the next five months." Marie reminded Jane who did not really need the warning. "I am not at all sure Caro will want to help with something like this. Sandy maybe, but I don't think Caro will like it very much."
"Lord, Marie, *I* don't like it very much, but I just can't quit trying - that's not fair to the boy or to me. Waiting a day before doing anything is *certain* to accomplish nothing. At least this has a chance, however minimal that chance may appear given what we have seen of Kenneth, of accomplishing something." Jane wound down and saw Marie's highly skeptical frown. "Look, I am going to call Caro and talk to her. If she says no as I suspect at she very well might once she knows the situation, then I will wait until Ruth gets back before doing anything new with him. We can keep him busy doing the clothes/make up drill again, but we won't press him beyond that. How does that sound?"
"Like you had best take your cannister of pepper spray in your purse if you take him to the Chalet tomorrow."
"Think I might need it, Marie?"
"I don't know and that is what bothers me. Anything is possible with his one, Jane. At least until we can begin to predict what he'll do next with any degree of success we need to be prepared."
Jane sat quietly for several moments, not saying anything more. Finally she stirred and reached for the phone. "Well, we won't know until we ask. As I recall, this is Caro's night to work late at the shop." she said as she began to type in a number."
"Jane, wait." Marie called. "Isn't there anything else we can do? Anyone we can call to at least partially confirm or refute that file?"
"The only people I know in that town are Ruth and Sheila. I have no other official contacts in that town who would be willing to discuss a juvenile's case with me over the phone. Calling the investigator is all of I can think of on that score. Now the question is whether we should go forward with the salon visit or should we wait until we have a definitive answer?"
Marie shrugged. "That's up to you and Caro, Jane. You two will be the ones on the hot seat if everything he's shown us to this point is an act. If it isn't an act and those records aren't true, what would be the danger of doing the salon trip?"
"If the records are false? After what we've already done to him today with those inch long fingernails and those ridiculously high heels? Only that we will have put an innocent young man through our program which a court of law might mistakenly call abusive. Oh well, I can't see that we'd be any more open to legal action than we already are. Being sued is being sued. If it comes to that, I can probably protect Caro and Sandy."
"They need to know the truth, Jane, and the possible dangers before they agree to take him on."
Nodding her agreement, Jane picked the phone back up and pecked out a number.
"Marisha Chalet, Carolyn Beale speaking. How may I help you?"
As was her habit, Jane knocked on Kendra's (*have to keep reminding myself to use that name now. Its never been this difficult to remember that before*) room and walked in before being given leave to enter. She'd almost argued herself out of this evening exercise period since she was now planning a salon trip for the next day. Jane still wasn't sure that her planned session was all that good an idea. There was no reason to think it would work tonight any better than it had during their morning session. On the other hand, he, or rather *she* would be all the more susceptible to Sandy's caustic tongue and Caro's devastating complements if he was already tired, edgy and irritable when he walked through the door.
She found her student laying sprawled on top of her bedspread, attired only in bra and panties, staring at the top of her bed's canopy. "Do you think that your attire is appropriate, Kendra?" Jane demanded sharply.
Kendra turned to face Jane as if realizing for the first time that she was no longer alone and slowly rose from the bed. Without a word, she walked over to the vanity and picked up the robe that hung neatly across the back of the elegant little chair and donned it. "I was not expecting visitors, Ms. Thompson, and I thought that I would have time to put on the robe before anyone who knocked would actually enter the room."
Jane had to admire the austerely polite, chilly tone the girl affected to let her obviously unwelcome visitor know she had invaded Kendra's privacy without permission. *Well, Sheila was the Mistress of the cutting set down. It's not too surprising that her child should also have developed the technique. Sad, since it means she has seen and perhaps been on the receiving end of her mother's ire, but not too surprising. I wonder if dealing with Sheila is at the heart of her unusual maturity and control? Still, I can't let her get away with that kind of behavior.*
"Be that as it may, Kendra, you are not some rough boy to lie about in your underwear. Underwear is only to be seen in transition in my home, that is, while taking off one outfit and putting on another. Otherwise, you will be appropriately covered at all other times. Do you understand?"
"I see." Kendra said. "I had thought I was in compliance with your direction to always wear the brassiere."
"Don't get snippy with me, young miss!" Jane snapped. "You *know* that my intentions are for you to live and behave as a proper young lady at *all* times. Lying about in your unmentionables is not proper, regardless of the circumstances. Making such fine distinctions that follow only the absolute letter of a law or direction while ignoring their intent is a large part of why you find yourself here under my tuition."
The unfairness of it all finally began to reach the girlishly dressed boy. "But I have done everything you told me to do." he flared back.
*At last* Jane thought. "NO. . . YOU . . . HAVE . . . NOT!!" she said in a loud, commanding voice. "You have only done those things that you were specifically ordered to do in blunt terms, but you have not done what you know I wanted done."
Shock at her tone flashed across the girl's make up-free face, followed by anger and then the return of that unbelievably mature control. "Then perhaps, Ms. Thompson," she replied in incredibly soft, demanding tones, "You could more clearly layout your wishes and directions, so that my poor male intelligence can grasp them."
Jane glared at her student for several long heartbeats, waiting for her to flinch away. *But you won't, will you?* she mused. *What is the matter with your face, Kendra? What am I seeing or not seeing?*
Shaking off the question, Jane returned to the attack. "I want you to become a sweet, biddable, courteous young woman. You've proven you cannot behave like a gentleman, so your only chance to avoid the delinquents' home is to comply with my wishes, young miss - not just the letter of them, but what you know to be their intent, as well. Your lack of the most basic courtesy, manners and deportment must be remedied or else; and I see the constraint of skirts, petticoats, lingerie and feminine behaviors and rituals to be the only path to that goal."
Jane saw a deep disgust pervade the girl-boy that not even Kenneth could control, and yet, she knew in some way beyond the norm, that it was not self disgust. When he spoke, his voice cracked from the emotion he was trying almost successfully to repress. "You say, Ms. Thompson, that I have to become more courteous. . that my deportment needs improvement. Tell me, please," he asked with heavy sarcasm, "what I have failed to do properly since I have arrived. How have I been in any way impolite? To you, whom I have every reason to detest, or to your housekeeper. . . . . . " Kendra decided to take a chance, "or to your other skirted sissy boy out there?"
Jane's momentary speechlessness gave Kendra the answer she had expected. "What. . .what ever. . .What other skirted sissy boy?"
"Darla." Kendra said in flat conviction. "It is the only thing that makes any sense. You could not do what you are doing to me with a real girl in the house. Too complicated."
Jane's mind raced, trying to figure out some way to convince Kendra otherwise, but she couldn't. No other boy had ever figured out the truth about his big sister before Jane was ready for him to know it. She had no pre-existing plan for this contingency. "Believe what you will, Kendra, it makes no difference to your own situation. As to your behavior since your arrival here, it has been adequate - barely. You will improve in all areas of your new feminine existence - behavior, mannerisms and conversation, deportment, personal presentation in both fashion and in make up."
"You will comply with my standards, Kenneth." Jane added in a much quieter, almost conciliatory but no less commanding voice. "You will become what I make you. You will do it perfectly *and* you will enjoy doing it or you won't leave. Except to go to that home, and let me warn you, Kendra. If I decide you are beyond redemption in my program, when you leave here, you will leave here as you are right now. You will face all those young toughs with shaved legs, red fingernails and fine plucked and shaped brows. Think on that one for awhile."
For several long moments, the two antagonists stood there, staring at each other. Finally, Kendra spoke and in a hard, very male voice. "Then I will be here until I am 18 years old when you and my mother cannot keep me here any longer. Then god help you both *and* that judge friend of yours. Until then, I will do my best to be what you *intend* me to become."
Jane stared at the robed figure in front of her, and came to a decision. She had to keep pressing this one. She simply had to do something to reach the fragile, vulnerable spirit everything she'd learned in the past twenty years told her was hiding beneath the surface.
"Very well, if that is your plan, then we may as well get started. Go to your vanity, young miss. I want to see you reproduce the "afternoon high tea" make up job that Marie showed you today." Jane ordered as she went to the armoire and rummaged about its base. When she stood, Kenneth saw the three inch open- toed heels in her hands, and groaned inwardly. "When you're finished, put these on and report to my study."
Jane stopped to watch her student's surprisingly deft movements with brush, pad and tube. He was starting to make up his eyes when Jane suddenly realized what she has seen wrong in his face earlier. Without making another comment, Jane slipped from his room and went to her study.
Sitting down at her desk, Jane considered the ramifications of what she'd just seen. Kendra's eyes had been red-rimmed, and the only thing that did that to a young person's eyes were tears. Lots of tears. Jane had not noticed that redness before was because this was the first time today that she'd seen the girl in anything less than full make up.
But when had she cried? She certainly hadn't cried in Jane's presence, and Marie would have remarked upon it if she had seen the girl in tears.
That meant that Kendra had been crying when Jane was not there to see it, that she *had* in fact reduced the girl to tears, and not just once or twice by the look of those eyes. One of her girl- boys crying was not unusual, in fact, it was one of the reactions Jane strove to evoke, particularly in these early days of a student's tuition with her. Crying meant that the boy had been forced to find some way, other than violence, to deal with his more negative emotions. That was one reason she tried to provoke her boys to near violence early in the program so that she could brutally put down that response, thus leaving her emotionally charged subjects with virtually no other release except tears.
Kendra had been crying - not in front of witnesses - but she had been crying. That *really* did not fit the profile. Kendra should have needed to be slapped down hard for attempting something physical in retaliation before she should have broken into tears. Perhaps she'd gone after Marie or Darla? No, that didn't make sense - either of them would have told Jane if she had.
That meant Kendra was dealing with her dark side nonviolently, that she had been doing so since the moment she'd stepped off the train, despite everything Jane had done in her attempt to provoke her to violence. Not only that, Jane knew from long experience that once a boy began to cry for her, he almost never responded with physical violence again.
This is, Jane told herself grimly, just one more thing that flies in the face of everything in that damned file. Could someone, somehow have mixed up Kenneth's records with someone else? That made no sense, either, especially since so many of those records had his name on them. Jane shook her head in frustration. She could either believe the evidence of her own eyes and conclude that sending him here had been a dreadful mistake; or she could believe the evidence of the records, and conclude that his behavior here had been an Oscar-winning performance.
*No* one is that good an actor, and how could he have known to cry as part of his "role"? Something was seriously wrong with this whole scenario and *none* of the people who could help her untangle things was available to her.
A rap on the door stopped her circular mind chase. "Enter." she called sternly, and then watched as Kendra minced into the room, still fighting the heels, but much improved since earlier that day. *I am going to press him harder* she decided. *I will keep on him until late and then wake him up early for tomorrow's day at the mall. A little sleep deprivation should help bring the *real* Kenneth Roberts just a little closer to the surface. Whoever that real person really is.*
Jane made a note to warn Caro and Sandy that Kendra would be very tired tomorrow, and to take special care when really pushing hard on her buttons.
"Get your dictionary, Kendra. Your performance this morning was unacceptably graceless. We will spend a few profitable hours helping you learn to move properly in your pretty heels."
*A few hours?!?* Kenneth thought appalled. *It's already after nine p.m., and she wants to practice for a few more hours? Oh, my feet will never recover.*
"Yes, Ms. Thompson." Kenneth replied dully as he made his slow, painful way over to the bookshelf.
It was after midnight when Jane had finally called a halt to what Kenneth had titled high heeled extreme powerwalking. He hoped he'd be able to walk - period - in the morning. *God* he prayed, *Please let me make it to my room with the door closed before I collapse. Just not in front of _her_!*
For her part, Jane knew that the boy was in severe discomfort, (*more likely she's in real pain, Jane Thompson, for all your high minded promises to the contrary*) and thoroughly exhausted but not once had he whined or complained. Jane certainly would have complained by this point in time.
Jane walked over to her charge and put a gentle hand on his cheek. He flinched but did not pull away. "I will win in the end, Kenneth. You will make your time with me so much easier on yourself if you just give me my way. Life here can be almost pleasant if you will just let yourself relax and try to enjoy the experience, but it can also be hell on earth. The choice is yours."
She waited for the boy to respond in some way, but he said nothing. He simply stood there, letting her touch him, but refusing to even look at her. Jane sighed wearily. "Very well. As you wish it. Go to your room, clean off your make up and go to bed. I need you to be up at 6:45 tomorrow morning so that Marie can prepare you for the day. We will be going into town to have you fitted with a semi-permanent hair piece to replace what you destroyed. I expect you to be on your best behavior and to give me no cause to think I am the wrong person to help you. Now, go to bed. It will be a very tiring day for you. Good night, Kendra."
For a long moment, Jane wondered if he would refuse to do her the courtesy of returning her good wishes, but finally he stepped back breaking contact with her hand and looked up at her. "Good night, Ms. Thompson. I will see you in the morning then."
Jane watched her turn, and then slowly, deliberately make her way to the study door. For a moment, Jane thought to follow, but at the last minute did not. If the boy wanted to take those heels off in the hall, she would not be out there to stop him. Kenneth/Kendra had performed magnificently for Jane tonight and Jane would not lessen that performance by looking for any more reason to berate the girl.
As she'd thought before she'd embarked on this night's exercises. Those records simply did not describe the young man Jane had in her home.
>From the start, Jane had done her best to treat this excursion the same as she had for all of her previous students first trip to the Marisha Chalet. She'd "oo-ed" and "ah-ed" over Kendra's outfit, complementing her profusely on her dainty good looks and had received a quiet, gracious "thank you" in each instance. When she'd warned him that as long as he behaved himself properly no one would see the boy for the lovely young girl his response had been complete unconcern.
The biggest worry, besides the one that had caused her to bring the pepper spray, was that they were making this excursion much earlier in the program than was normally advisable. Kendra had not had the days of repetitious training that would change her gestures, mannerisms, even her gait, from masculine to those expected from and appropriate for a girl of her apparent age. Of course she'd made her usual threat to expose him loudly as a sissy who just loved wearing girl clothes if he failed to act properly while in the salon. Not that she could or would do that to him - it would destroy her whole program of instruction and would endanger everyone who had ever been her student or had helped her.
Not that it mattered in any case since her threat had apparently fallen on deaf ears. She might as well have threatened to take away his broccoli (when he didn't like broccoli) for all the response she elicited.
She'd been on guard for the least sign that Kendra was being "read", but that incredible composure of hers saw her through. True confidence shows, and for whatever reason, Kendra moved confidently, if somewhat gingerly on her sore feet and calves, through the early morning pedestrians as if walking out in public wearing a dress was something she'd done all her life.
WHY WASN'T THE GIRL TERRIFIED OF BEING DISCOVERED??!?
Sandra came over, spoke to Kendra and then led her into the back, closed in cubicle she preferred when dealing with a potentially obstreperous boy-girl. Once she had him in the chair, Sandy removed the wig and gawked. The nearly white stubble was less than a quarter inch long, and still did not show even a hint of his real black hair color. "Jesus, hon, what did you do to yourself?" she breathed.
A very tired grin lit Kendra's face. "I liked it better this way than I liked it after an unfortunate incident with some hair coloring."
Sandy took a few seconds to digest that, but regained her equilibrium quickly. She didn't care how "different" Jane thought this one was. He was just another overblown, adolescent male ego who needed a good puncturing. And Sandy was just the lady to do it.
"Well, Jane wants you to have hair, sweetie, so that you can learn to take care of it. Good little girls just *love* playing with their hair and we wouldn't want you to be deprived." Sandy told her as she rolled a working cart over beside Kendra. "This is similar to what that hair club does, hon, only they use a stronger bonding agent. Once I've woven this in, it'll be like your own hair until I use the solvent to dissolve the adhesive. Why, you'll be able to shampoo it, style it, get permanents - even go swimming in it although such a pretty little girly boy like you should wear a bathing cap. Won't that be fun, sissy?"
Kendra almost smiled at that, too tired for any more reaction. She could have predicted something like this. Naturally the women who ran this place were in on the scheme. They had to be because they were experts on women and their grooming. They'd spot a boy in girl's clothing right away.
Frustrated by the lack of reaction, Sandy got down to ear level. "You better start playing with me, fag-boy, or the whole shop is going to know I have a pretty little wimp-ass boy in my chair, all decked out in pretty skirts. And you'd better start smiling, too, because girls just love being at the beauty salon. Start loving it, femmy boy!"
The boy with the girl's face only looked up into Sandy's smirking eyes. Kendra saw the disdain that Sandy rarely bothered to hide from her young victims.
"I told you to smile, cutie, or else. Don't think I won't tell everybody within earshot that I have a sweet, little femmy boy here getting his hair nice and curled up."
"Kendra!" Jane's voice sounded from just outside the cubicle. "Remember our agreement, Miss. This is part of what you've agreed to do, so do it well if you don't wish to face the alternative."
*She wants a smile?* Kendra thought darkly, *I'll show her a smile*
The smile Sandy got from the boy in her chair might have been seen on a hungry shark just before it took that first bite. Her own smile faltered just a little, but only a little.
"I'm glad you learn quickly, hon, but I think we will have to work on that smile." Sandy chucked Kendra under the chin as if she were a little child. "Now cutie, you just act as sweet as you look, and maybe you and I won't have any problems," she teased.
The weaving of the hair piece was time consuming and just painful enough to keep her awake in the salon chair. Since Kendra had no hair of her own to speak of, Sandy had to glue anchors to her scalp. As the amount of hair in the weave increased, the harder it was to add yet more which meant Sandy had to pull harder. Once, she pulled hard enough to wring a pained squeak out of Kendra.
Jane's senses went on full alert since this was the first time the girl had actually been hurt since coming to Jane's home. Would she try to retaliate, give pain for pain? It would not be an unexpected reaction given what she had been told the boy was capable of doing.
"Could you take it just a little easier, please." Kendra asked softly. "It feels like you almost tore my scalp the last time."
"Stop whining, sweet-thing." Sandy said jovially, "I am almost done with this part." But she did try to be a little gentler as she finished with the last sheaf of hair.
Kendra attempted to relax while Sandy moved that cart away and moved another into it's place. Then Sandra asked Caroline over to Kendra's chair. She joined them shortly with a large magazine, like a catalogue. Caroline leaned over the motionless boy and spread the book out on his lap prepared to follow through with a time proven double team. "Here, Kenneth....", she said in a low voice, which she immediately corrected with a gleam in her eye, "I mean *Kendra*. We need you to tell us which style you'd like for your permanent."
Kenneth stared at the magazine, trying to focus his bleary eyes on the pictures. Was he was really expected to make this choice on his own? Why wasn't the Thompson woman over here making her wishes known? This was her scene, not his. Fixing the hungry shark smile back on his face, Kenneth stared back up at the two women. "I am sure Ms. Thompson has something in mind for me, ma'am." he replied softly to Carolyn. "She was the one who told me I needed my hair done to her standards."
Actually, Jane hadn't said anything specifically about this outing. However, just last night she had said he would be doing things her way for as long as he stayed with her so it wasn't actually a lie, either. Expectantly, he waited for one of the women to leave the cubicle and ask Jane for her desires on the matter.
But they didn't. Instead, Carolyn bent down to eye level with Kendra, grasped her face in both hands and turned her head from side to side as if carefully checking the shape of her head and the lay of her hair. What she was really doing was getting into Kendra's face, whispering, "This is fun for girls, Kendra. Girls always want to choose their own hair style and they never defer to an older woman unless they are forced to do so. You'd better start acting like a girl or I won't even have to announce the fact that we have a boy back here hiding in skirts. They will know it because you *aren't* playing the game."
Sandy chimed in, a little too loudly for Jane's taste although no one else seemed to hear her. "I know you have a girl hiding inside you, Kendra-dear", she added, her voice now full of teasing enthusiasm, "She had better start enjoying her trip to the beauty parlor."
Kenneth shook his face free of Carolyn's grip and considered his options and capitulated. He was too tired to fight them, and besides, nothing they did to him here would really matter in the long run, anyway. With a casual lack of concern that surprised both women, he opened the glossy photo-book to a random page, and without hesitation, positively gushed, "*This* one - definitely. It even leaves most of my hair in place in case we decide later it doesn't work for me. I think it is perfect, don't you?"
Caroline grinned wickedly for effect at the boy in Sandy's chair. She knew his choice was made unwillingly, but no one else, especially those not in on Jane's secret, would ever have taken his response as anything out of the ordinary for a young girl at the beauty shop. At least this one had the wit to hold up his fair share of the masquerade. She also noted that he was correct in his assessment of the permanent. The shoulder length style would soften his strong facial features, while the blonde curls would frame his olive complexion and grey eyes.
"Excellent." Carolyn said as she closed the book, and turned to walk away. Looking over her shoulder at him, she loudly added, "I'm sure everyone here will want to see how it turns out!"
Things seemed to be progressing quite well, Caro mused as she headed out of the cubicle, and yet, Jane had told her to be careful with this one. Moreover, Jane was hovering like a mother hen with a sick chick when she usually had nothing to do with the boys once she'd turned them over to Sandra and her.
More concerned now, Carolyn stopped to take one last look at the boy in the chair before returning to her own client. What she saw made her cringe inwardly. Every boy in her experience had been rigid with dread at this point in the process, once they'd sentenced themselves to one of the overdone, hideously girly styles from that permanent catalogue (there weren't any other kind in that book which was why only Caro's 'Jane customers' would ever be caught dead in any of them). This one looked perfectly relaxed - actually more than relaxed. He looked like he was about to take a nap in Sandy's chair while she worked on him.
Grimly, she gestured to Sandy, her face showing her unease. Sandy's answer was a slight shrug followed by pointing to the hidden velcro restraints secreted on that particular chair. Carolyn nodded and left to find Jane.
Sandra then began her work. In the mirror, Kendra idly followed the process with some interest. Clearly, the woman was highly skilled at her craft. Meticulous, too, if he was any judge, and very efficient. In short order, she had most of his new hair wrapped up into a variety of different sized rollers and then soaked with the foul smelling liquid.
He was sitting in the chair, half dozing, when she softly spoke again. "You're not smiling again, sissyboy. I told you to keep smiling. Piss me off and you really won't like the consequences. Got that, Cutie-Kendra?"
Kendra's smile looked completely unforced, as if she knew a secret that no one else did. Sandy frowned, but still she relentlessly continued. "Its really too bad you messed up your real hair. This stuff is okay, but you'll be amazed at what I can do with hair like that picture of you Jane showed me. I have this great new hair color treatment that can make even the darkest hair in a lovely strawberry blonde. You'll just love it. Best of all, it won't wash out. Only way to get rid of it is to cut off all your hair."
Surprisingly, that earned the startled stylist a giggle from her current subject. "Nothing new, ma'am." Kendra said lightly. "Been there, done that."
Sandra could only shake her head and concentrate on getting the curling done quickly.
Kendra had often sat in a hair stylists chair and listened to the idle banter they made. His mother had always dragged him along when she went for her beauty treatments. This was different. They were doing this to him and trying to force him to go along with the gag.
Sandy finished setting his hair and set a small electronic timer before going to work on his nails. Kendra was just about ready to get the hell out of this place. The sarcastic, nasty little comments were starting to annoy him, as were Sandy's repeated threats to expose him to the other clients as a boy dressed in girl's clothes. More because she kept waking him up than for any other reason.
As the minutes dragged, his mind kept slipping back to those constant threats of Sandra's. There was something wrong about that. . .something that did not quite ring true, but his sleep fogged mind could not quite work it out.
Why did she keep harping on it? Perhaps because the threat was all she had and she needed him to fear it? A quick look over his shoulder revealed a fairly full house now that the shop had opened for regular business. He considered for a moment what would happen to this small town business if what Jane and her friends were doing became generally known. They'd become infamous, that's what.
How would that affect their business? Probably poorly. If this place was in a big city and the story hit of how they did this crap to young guys, why, they'd probably overrun with guys who wanted that type of help. But here? In Smallville USA in the heart of Puritan New England? Kendra would lay down long odds that they'd be out of work in a week's time.
Sandra moved over to work on his other hand when Caro came in with a make up kit and started testing color combinations on him and making small notes in a small green book. The two women made a good effort to keep zinging him, commenting about his swishiness, the impossibility that anyone could ever have seen him as being masculine and so forth.
*When in doubt, smile. The bad guys or girls won't know what you're thinking and it'll confuse the hell out of them* Kendra's smile grew wider and brighter with each barb and slur. About half way through the exercise, Caro's grin left her face and she grew very quiet. Finally, she finished her spot checking and hurried back to finish her own customer's procedures.
Kendra wondered how Darla was doing. He couldn't see her, or as he was now positive, see him because of the wall panels surrounding this station.
The bell sounded on the small clock and Sandy moved back to work at his hair. She washed his fake hair as she removed each roller before hand drying the sodden mass. Finally, with a look of triumph on her face, Sandy spun the chair back around so that Kendra could see the full impact of Sandra's art.
Neither of them spoke for several heartbeats. Sandy, because she wanted Kendra to say something she could twist against him. Kendra, because she was watching Sandy. In very short order, Sandy couldn't stand it any longer and was about to order him to say something. It was then that Kendra struck back.
"Hmmmm, Yasss. Nice. . . not quite a perfect match to the catalogue, but then, I suspect *that* model's hair was done by the best in the business. One should take such things into account when evaluating the performance of . . .other technicians." Kendra was doing his level best to mimic his Mother's "lady of the manor to the serf" voice and by the look of Sandy's face, he wasn't doing badly. "Yasss. .. quite adequate. You may tell Jane that we are pleased and that we have said that you deserve a tip for your efforts. I take it I am now to go to Caro's chair?"
Sandy was so shocked she couldn't speak and instead just nodded her head in dumbfounded amazement. Kendra stood, gave Sandy an imperious nod of her head, and sauntered off in the direction of the main salon.
Kendra saw Caro in deep conversation with Jane and wondered what that was all about. He approached them, still wearing the cape Sandy had put on him when she'd started messing with his 'hair'.
". . . and that's final, Jane. I'll finish the appointment, but I am not doing the rest of it. Not this time. Not with this one."
At that point, Jane saw her protege and her eyes went wide. Caro turned and saw who was standing there and flushed bright red. Then she pointed in the direction of one of the chairs and ordered Kendra over to it.
Jane watched in confused fascination as Caro worked her cosmetic magic on Kendra. The new hairdo was extremely attractive on the boy. . .unusual for a first permanent for one of her girls, but then, most of them did not have enough hair for that kind of style. An almost hysterical giggle nearly slipped past her stern schoolmistress-ly reserve as she realized that the only reason Kendra had enough hair was because she essentially had no hair.
The conversation that Kendra had nearly overheard was yet one more setback in this student's program. Carolyn had flatly refused to use him as the model in her Wednesday afternoon cosmetics class for local teenaged girls.
"I just can't risk it, Jane. You yourself warned me that he has a history of problems with girls, and while we've done this with bad actors in the past, we've already had those guys utterly broken down into submission. This one is not at all broken. I won't have him around the girls until you have him in hand better than he is now."
Jane had not been able to give a counter argument and had finally given in to the inevitable. From her seat in the waiting room, she saw that same dispassionately interested look on Kendra's fine features. As if this were all some research project where she and her friends were the experimental subjects and Kendra was the principal investigator.
As she sat there, Darla joined her after having finished her own ministrations. "How's it going?" she whispered into Jane's ear.
"It's not, dear. Not at all. She's just taken every trick in Caro's and Sandy's repertoire in stride. I wonder if there is any purpose at this point to going over to MiLady's Closet."
"I don't know, Aunt Jane. Miss Franson is pretty frightening in her own right, but in all honesty, Sandy is your big gun. If she hasn't reached him . . ."
Jane nodded, her own fatigue weighing heavily on her shoulders. "Then I guess we will just go home as soon as Caro finishes with her." She shook her head. "I had hopes when I realized that she had not been quite so indifferent to my lessons as I had first believed. Her crying seemed very encouraging, but so far today, I haven't seen any of that surrender in her. So far I have failed with this one, Darla, and lord help me, I just don't know what else we can do to reach her."
Darla reached over to rest a comforting hand on Jane's own tightly clenched fists, and waited for this morning to end.
Caro was rushing to finish her work on Kendra, having at least two reasons to finish making Jane's new student up as quickly as possible. The most pressing reason was that her cosmetics class was due at the Chalet any minute. Caro had planned to use Kendra as demonstration model and so she had scheduled the start of the meeting to overlap the end of Kendra's appointment. Caro did not need a dozen unsupervised teenaged girls bouncing around the shop when she had to keep her full attention on finishing Kendra.
Her other reason was the root cause of the first problem. She did not want Kendra interacting with that group in any way when she wasn't sure how the girl would react to them.
She finished up and gave her work a critical assessment. Not bad, Caro thought. Not her best by any stretch of the imagination, but not bad. Certainly better than when she came in the door. "Okay, Kendra. You're done for this time. Be a good girl for Jane and no one will have to know who you really are under those lovely curls and sweet dress."
Carolyn had made that last crack almost out of habit, but she very quickly realized that the boy-girl was once again not reacting as she expected.
Finally fed up with these stupid games, Kendra decided it was time to turn the tables on the proprietors of Marisha Chalet. She recalled watching one of the young girls at her Mother's salon who'd been particularly pleased with the results of her appointment. Smiling broadly, Kendra went up on tiptoe and planted a very dainty kiss on the older woman's cheek before pulling her into a hug.
"You and I both know you can't unmask me, Carolyn." Kendra whispered into Carolyn's ear as she held the hug. "Your business would never survive in this burg if your little sideline came out to these fine upstanding people. How about we call a truce? I don't unmask *you* and you and Sandy cut out the Don Rickles routine when you have me in your salon chair. Okay?"
Then she went back down off her toes, waved to a frowning Sandra and walked over to where Jane and Darla waited. Five minutes later the trio was back in Jane's car, heading toward the big house.
Since Jane had tentatively planned on spending the afternoon at Milady's Closet, there was very little to do once they'd gotten back home. Which was just as well, Jane admitted to herself, because she was mentally and emotionally exhausted. Yet another phone call to Sheila had gotten her damnable answering machine. Jane had told the woman that she had to be available to Jane during these critical first days and she had promised Jane that she would be. Well, that last one had been Jane's fourth call in the last eighteen hours and still no return call.
Marie slipped into Jane's office with a steaming tea pot and a bottle of cordial. "Sorry about lunch, Jane." she offered as she poured the tea and the cordial and set both on her friend's desk.
"I should have called. I knew an hour before we left the Chalet that I wasn't going to go dress shopping. There just wasn't any point in it. Kendra, or rather Kenneth for that is who we are still dealing with, wouldn't have gotten anything out of the shopping trip. He'd just have tried on the clothes as if it were the most natural thing in the world, that damnable composure wrapped around him like armor, not bothered by it at all."
Marie took a healthy sip of her own drink. "At least he didn't lose his temper and try to hurt anyone - even if he did threaten Caro's business."
"He did WHAT??!?" Jane yelled coming out of her chair in dismay.
Frowning, Marie sighed. "Caro called just before you arrived home. Evidently Kendra decided that it would do the Chalet far more harm if they exposed him than it would to him. He told her he'd keep their little secret if they'd lay off their comments and teasing when he was in there in the future."
Jane slowly, almost painfully sank down into her chair. "If there is a future for him here. Sad to say, he's right about Caro and Sandy as you and I have discussed before. Do you know that's his second leap of insight since his arrival? Last night he told me that he figured that Darla was probably also a crossdressed male which severely limits her usefulness in the future. Now, he's effectively declawed Caro, Sandy and Betty Franson."
"What do you mean by "if there is a future"?" Marie asked softly. "It's not as if he is resisting you or defying you."
"I almost wish he was fighting me. I know how to deal with the ones who fight me tooth and nail. I don't know how to deal with what little reaction this one gives me. Marie?" And Jane turned haunted eyes at her best friend, "I am beginning to think that there is nothing I can do for this one."
"So what now?"
"Nothing for now. At least until I can talk with Judge Ruth and decide what the best course of action which probably means that we ship him back home."
"Isn't it a little early for that? I mean, he hasn't done anything bad."
A sad smile flickered in Jane's tired eyes. "He hasn't done anything we expected him to do, either. Not once since he arrived. Oh, I know I told you that I believe he's been crying in what privacy he can manage, but that's based on his eyes being red. For all I know, he may be slightly allergic to something - perhaps eye make up. The fact remains that he has not truly broken down under any of my lessons. Since the very first day, he has consistently blunted most of the impact of each of my thrusts."
"I still don't like giving up on him, Jane. Not this early."
"You know as well as I that the first forty eight hours under feminine control are the most critical hours in the program." Jane continued, "It's somewhat like setting the explosive charges that make one of those old buildings collapse in on itself so that something new and stronger can be built in its place. Well, this morning, I just twisted the plunger on the detonator and instead of a boom, I got a barely audible pop. I am not omnipotent, Marie. I have always known there were boys I could not help. Kenneth appears that he may be one of those boys."
"If that's true, I think it is very sad." Marie said as she refilled their glasses.
Jane could only agree.
"You've really surprised Aunt Jane, you know." Darla said as the rounded the house and headed off into the large back lawn.
"Really?" was Kendra's noncommittal answer.
"Really. I mean, nothing seems to get to you. Take today. You just walked from the car to the salon, bold as anything, as if nothing mattered."
"Nothing of that did matter." the other girl-boy answered with an unconcerned shrug.
Amazed, Darla could only gape at her companion. "But, you could have been exposed as a boy. People would have laughed at you, called you a sissy. Doesn't that matter??"
Kendra laughed, but it was not a pleasant sound. "The people here, laughing or otherwise, would not have mattered to me. Listen Darla, regardless of what your aunt does to me, whether she keeps me or sends me off to that bargain basement Boys Town, in less than three years it all ends and I get the money my father left me. Then I tell your aunt, that judge friend of hers and my damned mother to go straight to hell so that I can get on with my life. If I have to, I can stand on my head for that long if that is what it takes to get out from under those damned women."
Darla let the last comment pass. "But how can you just go out there, dressed like a girl and have it not matter to you?" She had to get this guy to tell him something that Jane could use.
A sly look came across the beautifully made up face. "How do *you* do it, Darla?" Kendra asked very softly.
"M. . . m . . .ME?!? What can you possibly mean by that?" Darla sputtered in surprise at the unexpected attack.
"Oh, I bet if I tossed your skirts up and had a close look under your pretty panties, I am sure that I would find you are definitely an "outie" and not an "innie", and I am not talking about navels, either."
As Jane had the night before, Darla tried to come up with some way to protect his disguise, but he lacked Jane's experience and her self possession to carry it off. "How did you guess?" he finally asked, depressed.
"I just figured that if you were a real girl, you'd be in real danger from a guy like those records say I supposedly am. One thing I have figured out about our Ms. Thompson - she is not a lady to take too many unnecessary or dangerous chances. She's a control freak and she makes sure she is well in control of the situation before she puts anyone else into it."
Darla gave a very unladylike snort. "That's Aunt Jane," he said affectionately. "Right down to her always perfectly shined designer shoes."
The pair continued their walk, a companionable silence growing between them. As they made the final turn along the path back towards the house, Darla thought of another question. "Why do you refuse to acknowledge what you did to get sent here? I mean, it's not as we don't have the goods on you in that file."
Anger flashed in grey eyes and Darla instinctively took a step back. "Because everything in that damned file is a dirty rotten lie, made up by my mother because I refused to play along with her damnable schemes."
"But Judge Ruth concurred. . . she set it up so you could come here. . .the records. . .?"
Kendra came to a dead stop in the lush green back lawn. "Listen, blondie, listen *really* good. Everything in that damned file, with the exception of my name, my social security number and my birth date are out and out lies. As for the esteemed Judge Ruth, she is just like my mother, a goddamned no good liar. I believe that your aunt honestly believes that pack of lies because she trusts that Judge. Which makes Judge Ruth *much* worse than your Aunt, even worse than my damned mother, because she abuses her office and the trust of the people she is supposed to protect as an officer of the court."
Darryl, and it was *definitely* Darryl, saw red. "You can't say that about Judge Ruth." He growled. "Not in my presence and get away with it."
"Why not? It's true. Everything in that record, including the so-called court documents are fakes and lies. So, she has falsified government records on top of everything else. Trust me on this one, Blondie. The first thing I do when I get my freedom in three years is to cut my bitch of a mother off from the income off the principal of my inheritance. The second thing I am going to do is take that damn judge down and drag her through the mud. What is in that file is sufficient to get her sorry ass impeached and convicted. And once she is not Judge Ruth, but rather Citizen Ruth? I will sue her until she has to live another lifetime just to pay off the interest on the debt. I will destroy her career, her reputation and her financial security. And God help your Aunt if I find out she was a knowing conspirator in all of this because then I will go after her next. If that means my little sojourn in skirts becomes public knowledge, so be it. I'll be wealthy enough to ride through that storm, but Ms. Jane Thompson's little torture chamber gets shutdown forever."
Fourteen years of living on the streets and running with gangs snapped to the fore as Darryl's temper erupted like an erupting volcano. Without any warning, the enraged teen was on the other boy, trying to beat his brains in. "God damn you, bitch. You're going to leave Jane and Ruth alone!" Every syllable was punctuated by a punch or a kick, or even a couple of bites. "They helped me, *saved* me, you sorry bastard, when no one else would or could. I'd be in the state prison right now if not for them."
Caught unaware by the suddenness and the savagery of Darla's attack, Kendra was momentarily unable to defend herself, but years of training with her father kicked in. She parried several blows and kicks until she got into the position she wanted and then neatly hip-tossed Darla to the ground. Darla landed hard on her chest, knocking the wind out of her. Kendra did not give her a chance to recover and was on her immediately, tying up the other girl-boy's arms and legs with his own.
"Calm down, Darla. I've got leverage on you. You're only going to hurt yourself." Her voice was soft, but Darla continued to struggle and to curse at Kendra until she eventually began to tire. "Now, I will say this once more since I have no reason to lie to you. The records are false. I didn't do any of that stuff."
Darla started to draw breath to respond but never got the chance.
"What is the meaning of this?" a coldly angry voice demanded.
*oh shit* Kendra thought bleakly. The jig was up. Maybe they'd let him have his own things back before they sent him off to Boys Town's Basement.
"I *asked* a question, ladies, I *expect* an answer."
"Just a friendly little debate, Ms. Thompson, that got a little too heated for Darla here. Everything is fine now." Kendra answered.
"Oh, is. . it. . . really? Kendra, I want you in your room, NOW! Marie will lock you in until we decide what to do with you. If you are not in there when I come for you, I will call the police, have them pick you up and put you on the next plane home. AS . . . YOU . . . ARE! Now get out of my sight."
Kendra momentarily thought about arguing with her. After all, all he'd been doing was defending himself. And he hadn't even tried to hurt the guy. But then again, why should he expect to be given a fair shake in this place? Very deliberately, he released his grip on the no longer struggling Darla, stood slowly and headed off into the house with Marie following close behind.
"Are you all right, dear?" Jane asked as she helped her ward to his feet before pulling him into a hard hug. "I am very sorry you got hurt. I should never have relaxed my guard. I *knew* he had a history of violence, but he hasn't shown it here and now you are the one to suffer." Jane's eyes and voice both went hard and dark. "That's it. He's through. He is out of here as soon as I can arrange it with Judge Ruth in the morning."
"No . . .Jane. . ." Darla was still trying to get her breath back as Jane slowly walked her back to the house. "Not his fault. . .at least, not directly. I jumped him first. Lost my temper when he started telling me what he'd do to you and Ruth after he reached eighteen."
"He threatened us with violence?" Jane asked quietly, fear clutching at her guts.
Darla shook her head. "No. No violence. He still claims those records are fakes, forgeries of government documents and he says he is going to come after you by revealing what you do to the world. Judge Ruth he wants impeached for falsifying those legal records and then he will sue her into the poor house."
"I see. Well that explains how the fight got started, but I still will not tolerate him hurting you."
Darla winced and then knew she had to tell the truth. "He didn't try to hurt me, Aunt Jane. He just tossed me to the ground and then held me there until I exhausted myself. He never threw a single punch."
"That's it?" Jane was dumbfounded.
Nodding her head, Darla managed a weak smile. "All he did was try to control me so I did not hurt him. That and say that he was not guilty one more time. That is what he was doing when you came on the scene."
Once inside the house, Jane headed for the peace and isolation of her office with Darla trailing behind her. *None of this makes any sense at all*, Jane thought yet one more time. Darla had attacked first. Kendra had been given a free shot, so to speak, and her new student hadn't taken it.
"Aunt Jane?" Darla's voice broke into Jane's thoughts. She looked at her ward, standing in the doorway to Jane's office, grinning sheepishly. "I . . . ah. . . think I am really starting to believe Kendra, Jane. . . at least part-ways. I know I said this before, but something is definitely wrong here. I don't know what it is, but most everything that's happened since Kenneth arrived just does not jive with the person we were told to expect."
It was just all too much, Jane fumed to herself. "I will agree about nothing making sense, dear. Look, I need to think. Why don't you go see if Marie needs some help with the evening meal. Please close the door on your way out. Thank you, Darla."
Much later that evening, Jane sat alone in her front parlor, watching a fire dance and flash in the old Victorian hearth. The night was a little warm for a fire, but Jane found the chaotic movement of the brightly colored flames relaxing. Besides, what was the point of being wealthy if you couldn't crank up the air conditioning at times.
None of this made sense she told herself yet one more time since Darla's revelations of the afternoon. Who *was* Kenneth Roberts? How could he be both the person in that record and the one she'd been living with for the past three days?
An egotist without any apparent ego? A violent young man who fights not to harm his attacker, but rather, only to protect himself and then contain his opponent? An overly macho boy who releases emotion through tears in the privacy of his room? A resentful young man who plots retribution, not revenge, and who thinks not in terms of violent acts, but in terms of justice? A hothead who thinks calmly and rationally enough under stress to deduce some of Jane's most closely guarded secrets in less that three days?
And until the fight this afternoon, Kenneth had not displayed a single one of the dangerously antisocial, ill mannered or boorish behaviors so painstakingly and lavishly documented in those records. Jane could almost believe that the records *were* fakes. Darla said she was certainly beginning to believe that. If you accepted that premise, everything else that had happened in the past three days made sense. . .somewhat anyway.
But that meant that Judge Ruth, one of the few people that Jane Thompson believed without question had betrayed not only Jane's trust, but that of her constituency as well.
None of it made any sense at all. Still, she had the evidence of her own eyes when it came to Kendra. Particularly after the incident with Darla, Jane was ready to believe that Kenneth was *not* aggressively violent and that his courtliness and polite behavior were *not* an act.
Ruth was due back tomorrow, Jane mused. Tomorrow, she'd get to the bottom of this, once and for all.
Kendra sat on the bed, leaning against the headboard. There had been no sleep the previous night. Odd how *Kenneth* had begun thinking of himself as Kendra at least part of the time so quickly. A great deal of that was probably the clothes. Kenneth's boy clothes were still not in evidence, so Kendra had slipped on one of the long, granny-gown nighties Jane had provided.
A grim smile crossed the lightly made up lips. She was also wearing the bra, panties and light cosmetics that Jane had ordered her to wear at all times unless given specific directions to the contrary. That was probably pretty pointless since there was no doubt in her mind that her hours at Jane's house were rapidly coming to an end. It was pointless except that Kenneth *had* given Jane his word to be Kendra, and a bra was a big part of how Jane defined Kendra.
*Probably ought to stash some cold cream and nail polish remover in my purse just in case Jane does carry out her little threat, although where I'll get boy clothes I have no idea.*
The turning of the deadbolt drew his attention to the door. *Probably Marie with breakfast.* A very stern, tight-lipped Marie had brought Kendra's dinner the evening before. She'd walked in, set the tray on the vanity and had walked right back out - without so much as a word or a second look. At least the meal had been as good as every other meal here had been. He'd half expected to be put on bread and water - or worse.
Maybe it had been Marie's idea of the condemned man's last meal.
The door swung open to admit a very disheveled Jane Thompson. Kendra couldn't help himself. . .he stared at the older woman carrying a cloth napkin-covered tray into his room. She looked positively unkempt. This was the first time in his admittedly short residence, but he'd never before seen her without some makeup or with her hair uncombed.
Jane settled the tray down and took off the napkin. Kendra was surprised to see two cups, two juice glasses and two covered plates. Jane busied herself setting out the food and then pulled the chair she and Marie used during their "lessons" on grooming and makeup. "Come, Kenneth." she said quietly. "Eat your breakfast before it gets cold."
"Kenneth, Ms. Thompson?" he asked carefully. "I thought I was only to answer to Kendra while I am under your tuition?"
Jane watched the femininely attired figure carefully sit on the vanity's stool and take the napkin she offered. She took a fortifying sip of Marie's dark, rich coffee before turning her attention to her student. "And so I did. However, one way or another, Kenneth, you will most likely cease being my student by noon today."
Kenneth reached behind his back and unfastened the bra that was digging into his back. He slipped the straps over his shoulders through the sleeves of his gown before pulling it out and flipping it towards the hamper. "I guess in that case I no longer need to wear that thing."
"No, I guess you don't." Jane agreed as she buttered a warm croissant.
"You said one way or another, Ms. Thompson. I thought there was only one way out of this for me. You and your friend the Judge, what's-her-name, are going to send me off to that delinquent boys' home?"
"Eat your breakfast, Kenneth, and I will tell you what I have decided to do. I spent the whole night reviewing everything I was told about you and everything I have observed about you."
"And you concluded?"
"You are either the most accomplished actor I have ever met or a very serious mistake was made in sending you to me. If the former is true, then you are even worse than that record says, and there is nothing I can do to help you. You just don't respond to my treatments in a way I can predict or deal with effectively. If that is the case, then yes, I will send you to the boys' home. Today, in fact, on the four o'clock flight out of Providence."
"You said there was another possible answer - that a serious mistake had been made. If that is your final conclusion, what happens then?"
"I won't know that until I know how the mistake was made. Until I do and can decide what is best for you, you will live with me as Kenneth. Marie will be up after breakfast with your bags and other male things."
"How are you going to find out what the truth is?"
"I have two lines of investigation planned. I've called an investigator friend. . . a former student of mine, in fact. He is heading to your home town even as we speak. He will talk to the police and to your teachers directly, while I carry out my own investigations over the phone. If that file is a fake, then someone I trust has lied to me and might very well continue lying to me about this. In that event, then my investigator will surely find contradictory evidence to that effect. He may even be able to identify the person responsible for that "mistake"."
Kenneth sat, quietly eating, waiting for Jane to continue. "Judge Ruth is scheduled to be in her office by nine a.m. her time, ten a.m. our time. We are going to call her and ask her to explain what is happening."
"*We* are?" Kenneth asked in surprise.
"We are." Jane confirmed. "You will be there in my office when I call her. We'll all hear what she has to say in response to my questions over my speaker phone."
"Why would you let me out of here if you don't know if I am that person in those files yet or not? Why not just keep me safely locked away in this bedroom until you do know?"
Jane dabbed her mouth with her napkin and pushed away her still- untouched breakfast. "Because you did not hurt Darryl when you had the chance and the excuse of self defense."
"Darryl? Oh! Is that Darla's real name?"
"Yes it is. He is my ward and former student. You twigged to that disguise quickly enough. Anyway, you obviously have some martial arts training and you could have hurt him badly when he tried to attack you. You didn't do that. Every instinct tells me you don't belong here because you don't *need* the type of therapy I provide. So I am going to let you face your accuser, so to speak."
"Darla, I mean Darryl is all right? I tried not to take him down too hard, but it's hard to judge such things."
"She and he are fine, Kenneth. Now," Jane sat up and became the steely eyed woman of power he'd seen so many times since his arrival. "Do you have any idea why you were sent here in the first place?"
Momentarily nonplussed by the question, Kenneth only stared at Jane for several long moments. "You want to know that? You mean, you are actually willing to listen to me?"
The incredulity in the boy's voice stabbed at Jane. "Yes, Kenneth." she said steadily. "I definitely want to hear what you have to say about what is going on here."
Jane watched as emotions flashed across the boy's face as he considered what to do next, and then, finally, Kenneth slowly nodded and began to speak.
"This is Judge Ruth, may I help you?"
"Ruth, it's Jane. . .Jane Thompson." Jane said in the loud tones people tend to use when using a speaker phone.
"Jane!" the tinny voice grew several degrees warmer. "How are you, my dear? And to what do I owe the pleasure of you calling me so early this fine rainy day?"
Jane chuckled. "Well, it is bright and sunny here, Ruth. As to why I called, well, I am having a great deal of difficulty correlating the behavior the young man you sent to me with the records you sent me. If he is really as bad as your file says he is, my experiences with him lead me to believe that he is beyond my help and we will need to vacate his sentence to the boys' home."
The phone line went completely silent for several seconds before, "Jane, I haven't had my second cup of morning coffee yet, and I can't handle strange humor in this condition. Just what the hell are you talking about?"
Jane shot a look to Marie and Darryl before fixing her gaze on the now boyishly attired Kenneth. "Why, I am talking about Kenneth Roberts. You know, Sheila's boy - you remember our sorority sister Sheila Martini, now Sheila Roberts?"
Again, silence answered Jane's question. "Jane." the Judge said with an air of great control. "I have not sent you any boy since Darryl. Yes, I remember Sheila, but I have not talked to her since our last college reunion two years ago."
"Damn." Jane said under her breath. "Ruth? I have a problem and I am going to need your help. I have been had, and the person who did this to me and to Kenneth did it using your bone fides. More than that, she provided me with a file of records to document his problems and bad behavior. Some of the most damning of those records are printed on your letterhead."
"WHAT!?!?" hot anger rolled through the phone lines. "You are telling me someone conspired to put this boy under your program and used *my* office to do it?"
"That's what it looks like, Ruth."
"Fax me the pertinent documents, Jane. Use my private fax line, not the office one. I have got two hearings scheduled for this morning, but I will be free this afternoon. I will look into it myself and get back to you."
"Thank you, Ruth."
"I hope you have that young man out of skirts, Jane. As an officer of the court, I hereby inform you that boy. .. what's his first name again, Jane?"
"Kenneth, Ruth. Kenneth Roberts."
"Yes. All right. I hereby inform you that Kenneth Roberts is not under any court directed program originating in this office and that you have no legal authority originating from this office to discipline him. Do you need that in writing, Jane?"
"Understood, Ruth, but I have already taken him out of the program. He's sitting here right now, Ruth, listening in on my speaker phone while exquisitely turned in a ragged Chicago Bears t-shirt, a pair of threadbare bluejeans and as decrepit a pair of running shoes as I have ever seen in my life. The pinnacle of male teenage haute couture as I'm sure you'll agree. And no, I bloody well *don't* need it in writing, your Honor."
A warm chuckle rippled from the speaker box. "All right, Jane. Obviously, you've had time to figure out something wasn't right and stopped what you were doing." *not nearly soon enough* Jane told herself, *I knew something wasn't right before I took him to Caro and Sandy, but didn't believe the evidence of my own eyes and ears.* "Since you've had time to figure out something wasn't kosher, have you come up with any idea of just what the hell is going on here and more importantly *why*??"
Jane sighed. "Yes, I think we do. Let me give you the quick version of it and you can get the long version after you've finished your hearings."
"So, Sheila's behind this?" Marie asked softly.
"She has to be. She is the one who first introduced me to the concept of Victorian petticoat discipline all those years ago when we were sorority sisters."
Jane winced as Kenneth pounced on Darryl and both of them disappeared under the surface wrestling. Boys were just so. . so . so . . . boyish. Except for that mop of hair Kenneth was trying to keep out of his face. She reminded herself to get Sandy to come over and undo the long blond mane she'd given him and then dye his remaining hair black again. She'd been right about the blond hair and his dark coloring, though - striking and very attractive.
Sighing at the thought of not having any of her girls in residence, Jane turned back to Marie. "She had all the Victorian erotica classics on the subject . . ."Gynecocracy", "Miss High Heels", "The Petticoat Dominant" and a few others I can't remember anymore." Jane gave a self deprecating smile. "The first boy I ever petticoated was her boyfriend after she'd talked him into going to a costume party as a girl. I think she kept him in skirts on and off for the rest of their time together."
"Is he the one she married? Did she keep him in skirts after the wedding?"
"No. By all accounts, Sheila went a little wild after she graduated. I heard that she even worked as a professional dominatrix in California for a while. Care to guess what her specialty was?"
"Boys into girls?" Marie asked with a hint of resignation in her soft voice.
"Yes indeed. As I understand what happened, she went too far a couple of times and put a resistant client into the hospital with her "encouragements". The last one almost landed her in jail. That's when her father stepped in and basically ordered her to marry his handpicked successor unless she wanted to cut off from his financial support. One of those patriarchal "do it or else" type marriages of convenience. Evidently, she didn't really give up her little hobby - just didn't charge for it and kept her liaisons very discreet."
Jane sipped at her glass before continuing. "Still, she lucked out. He was a very good man, from what I saw and heard of him. Masculine, yet refined - by all accounts a gentleman who was truly a gentle man. Now that I am no longer prejudiced against Kenneth by that damnable file, I see a lot of the father in the son. Both of them have very clear pictures of themselves as men. Very unusual for a young man Kenneth's age."
Marie smiled. "He does seem to be quite a fellow. I find it hard to believe he wasn't overwhelmed by his treatment here. I don't imagine there are very many young men his age, bad boy or not, who would not have been fully under your power by now."
"I know what you mean." Jane said as she relaxed in the sun. It felt so good to let herself go limp for a change - something she hadn't been able to do that since she'd begun to have reservations about her treatment of Kenneth. "He was determined not to surrender to me because that is how he has learned to deal with his mother. Sheila evidently sees every crack in his composure or control as an opportunity to attack. He's learned that incredible self control as a self defense mechanism. If he didn't give in to her, she couldn't hurt him further, I guess."
"Well, it was certainly effective against us. I still can't believe he wouldn't let what we did or threatened to do to matter to him. Maybe what is really amazing is that he went along with us at all."
"As I said, he understands himself very well. He did not want to go to that home, decided I was the lesser of the two evils he had to choose between and did what was necessary to stay. But it was very obvious we weren't getting the responses we wanted and expected from him. He couldn't have understood that part of the program because that is not why he thought his mother sent him here."
"His mother is really the beginning of the Jane Thompson Home for Wayward Boys Who Become Winsome Girls?" Marie asked, using the joking, private name the pair of them had come up with to describe the school.
"Well, she and her boyfriend certainly fired my curiosity about that type of thing, although I will admit that it was more the intense thrill of dominating and feminizing a male that interested me at first. Then, during my senior year I took a course in behavioral psychology given by this ardent feminist. It may be hard to believe in the times we live in now, but back in the mid to late seventies, this professor's course and her views were considered pretty radical. Anyway, one of her course requirements was to do a study/research project on some type of behavioral modification process. In passing, I mentioned Victorian petticoat discipline to the woman. To my utter surprise, she positively loved the concept and told me I should get right on it."
"I always wondered where you had gotten the basis of your program. It was just too clearly designed to attack the boys' psyches to have been something you stumbled on by chance."
"Believe it or not, there are still organizations in England that train governesses to use that type of discipline with their male charges. It is not something they advertise, but it is not much of a secret in various circles, particularly among the women of the old aristocracy. My professor put me in contact with one such organization. I spent my semester break studying with the Head Training Mistress of that Governess Training School."
"They really do that? Like we do here now?"
"Not entirely like you and I do. I brought back what they taught their governess students, which was mostly technique, but their goals for using petticoating were much more limited than what we try to achieve. In their view, petticoating was a particularly intense, very humiliating punishment for rowdy boys - classic negative reinforcement. If you were bad, you went into skirts until you behaved properly, but I saw potential in using those methods in a different way. I spent the whole semester working on that project, combining the techniques and methods I had learned in England with bits and pieces from other psychological theories, primarily Skinner's operant conditioning theory. The resulting paper was actually the first draft of the blueprint for much of what we do here."
Jane stole another glance at the two boys who, evidently having exhausted one another, were sitting by the pool sipping their own lemonade, talking quietly - completely relaxed. Maybe she'd have to make sure her girls got some type of intense exercise in the future if that utter calm was a result. She had always made them study dance, but that wasn't intended so much as exercise, but rather as feminine reinforcement.
A picture began to take shape in Jane's mind. Some high impact aerobics, perhaps, in skin tight exercise leotards, with other real girls their age and led by a particularly demanding instructor. Even better if she could find an instructor she could trust enough to bring into her little conspiracy. The possibilities of what that woman could do to work the girl-boys over mentally, emotionally and physically were very intriguing.
Jane Thompson smiled at the short movie playing before her mind's eye - it was a smile that more than fifty young men would recognize instantly and probably still shudder slightly on seeing it. Jane Thompson concocting yet another way to terrorize her wayward would-be lasses. The poor dears would feel utterly exposed, completely inept and if she chose her instructor well, thoroughly exhausted by the end of that first session.
It offered tremendous potential for sissy humiliation (*you couldn't keep up with the other girls? How tough does that make you, miss? Better learn to be more graceful or the _real_ girls in the class will figure out you are a boy beneath that lovely tutu.*) while they burned off some of that excess adrenalin and aggression. Multiple birds with one stone. What a delightful concept.
Very happy with that little innovation, Jane returned her attention back to Marie and her story. "I actually got to try out my entire program while I was at Eastmore. The old Head Mistress had died early in the fall term and I was appointed to her position. It was then that I found out that several of my "girl" students had really been petticoated boys, sent to Eastmore for a variety of reasons. The reasons are the same ones we most often deal with here and now - for being too aggressive, too violent, too disrespectful of their primary female care- giver. To make a long story very short, I contacted the parents and guardians of the boys involved and found out what their goals were for the boys. I took over their program personally, seeing it as an opportunity to test my own theories."
"Those poor boys." Marie smiled, her eyes twinkling mischievously.
"Those poor boys, indeed." Jane replied with a soft chuckle. "I wasn't as laid back then as I am now nor did I fully understand just how hard I truly was pushing them. I am afraid their year at Eastmore was emotionally and mentally devastating for them. I kept them on for "summer school" at the end of term, and that's when I put them back together. That's also when I realized that I could not be both the "bad guy" and the "good guy" in the equation. The school nurse stepped in and filled that role, but it was not as successful as what we do right now. She was still an adult and someone who worked for me."
"Just like when we don't have a senior student and I have to step into that role? Those students seem to take longer to figure things out even though I try very hard to help them along."
"Precisely." Jane affirmed. "And besides, I need you to do all the really evil transformation stuff so that I can be the terrible Inquisitor who judges their performance and finds it wanting." Jane's overblown, pompous tones set them both giggling.
Regaining her control, Jane continued. "For a while, I thought about using one or two of the real girls as my little darling's mentors, but discarded that idea. Girls that age don't understand and are often not fully in control of their power as females. There were just too many possible problems and I didn't have as strong a lever to keep the girls in line as I did my sissies. All it would take is choosing the wrong girl for the job, and it would be all over for me and my program."
"So that is the origin of the "big sister" concept?" Marie asked.
Jane nodded. "As it happened, one of my darling young men did not perform well enough to graduate back into his trousers and had to repeat his year in an Eastmore uniform. Since he knew what I was doing, I ordered him into the "good cop" role as a condition of his own ultimate release. Not knowing he was also a be-skirted boy, the same as they were, my poor prissy darlings flocked to him when the awful Mistress Thompson abused them so basely and so sorely."
"It was a great success." Jane continued. "As you just noted, the boys learned the masquerade much faster with his help so they could begin to learn the other lessons that can only commence after they could pass adequately. Most boys finished the program in the allotted one school year and went back to their homes much better for the experience, but there were always those who did not get the message the first time. In my time at Eastmore, I always had at least one big sister in residence."
"If it was working so well, why did you leave?"
"The restrictions placed on me as Head Mistress that had nothing at all to do with school, but that affected the rest of my life very negatively. The school board chairperson was a woman who could have been Edith White's more conservative older sister. She delighted in lecturing me on my responsibility to always be the ultimate paragon of feminine virtue and morality one too many times. I *was* a good role model for the girls, but I wasn't going to live like some saintly, cloistered nun just to suit that sanctimonious old bat. I left the school and started my consulting business. That got boring after a while and I started looking for something else. One of my clients, a woman, was having problems with her son. We got a little drunk together one night and I told her about the skirted boys of Eastmore. Despite the alcoholic haze, she remembered that conversation the next time her son got into trouble."
"And the rest is history."
"I suppose, but things have certainly not been going according to plan of late."
The harsh, electronic tone of the portable phone Jane had set down on her side table ended the conversation. Jane picked it up and greeted her caller.
"Jane? Ruth here. There are no records here that in any way resemble the ones you faxed to me. Not on file anyway. Of course, none of the clerks would admit doing something like that since it is a criminal act to falsify such records and court orders."
"So we don't have anyone we can use to bring Sheila into line?"
"Not right now. We could confront her, but if I recall her well, she's a cool customer. I don't think she'd break unless we really leaned on her hard, and right now, I am not sure we have enough evidence to be able to do even that much."
"I see." Jane said wearily. "Well, where does that leave us?"
"The only paper in that whole damn file that is in any way legitimate is the one she signed giving you custody of her son until such time as you deem him to have satisfactorily completed your program. Regardless for her reason for making that guardianship change, that particular record is a completely legal and binding document."
"So, I could keep him here with me until we can decide what to do about Sheila?"
"Or until his eighteenth birthday, Jane, if that is what it takes. That would put a real crimp in your activities with other students, but it would keep him out of that bitch's hands."
"True. Unlike Darryl, I don't believe Kenneth could or would play the female while I break in a new student."
"Or you can just send him home. I can try putting the fear of God in her."
"No, she is sufficiently well off financially that she would simply move out of your jurisdiction. No, Ruth. I will keep him. It will take some getting used to, having a boy running around the place. Blast!," Jane burst out. "That means I will probably have to redecorate his room, but there is no way I am going to let that bitch have him back. She tried to use me and my program for her own perverse purposes, Judge, potentially endangering my boys' reputations and quality of life at the same time if things had gone badly wrong here. I am not going to let her win or get away with it. Somehow, someway, I am going to fix her."
"So long as it isn't too illegal, dear, I will be right there with you. She soiled my reputation too, remember. I didn't get to be a judge by letting people wipe their feet on me like a doormat. Hey, I have got to run. I will call you if I hear anything or think of anything."
"Same here, Ruth. And thanks."
Jane broke the connection and set down the phone. For several minutes she simply sat there, watching the boys and mulling over what she knew for the thousandth time. Finally, she turned her eyes back to Marie who'd been watching her longtime friend very intently. "Well, Marie-dear." Jane said lightly. "How do you feel about raising a couple of boys for the next few years?"
Marie set down her lemonade and stood. She watched the boys for a few moments and then bent over to kiss Jane on the cheek. "Just fine, cherie. I think we will both like it just fine. Maybe, as you said earlier, we have been in the petticoating business a bit too long. Or maybe for too long without a real break. This will give us a time out of our own."
"*I* don't really think we've been doing it too long, Marie, but I will agree with you on one thing. With those boys over there? We will do just fine."
Marie nodded before standing back up. "I will go start dinner. Tell those two heathens that I don't feed anybody who isn't properly dressed for the evening meal. Just because they are out of skirts doesn't mean they can forsake good manners and behavior."
"I know." Jane laughed. "Or we'll put 'em both back into the Shirley Temple line."
"Right!" Marie asserted with a high five to Jane before heading into the house to start meal preparations.
Darryl was laying down in his bed staring up at the frilly canopy, thoroughly pissed off at what Kenneth's Mother had tried to do to her own son. Not an asshole type son who might actually deserve it, but her own very nice, very well behaved, very gentlemanly son. That a mother could do such a thing to her own child infuriated him.
Intuitively, Darryl knew this feeling of rage derived from his own mother trying so hard before she'd died to make things better for her younger son. Moms were supposed to be special! *This* one did not *deserve* to be called Mom. She just happened to be a female someone who got pregnant but who did not bother to get an abortion.
Christ, he fumed before remembering what Jane would do if she heard that epithet slip out in normal conversation. Still, sometimes even the best behaved, most well mannered guy in the world had to curse - it was the only way of expressing the anger and fury he was feeling.
Christ, that bitch is like Stephanie's father. Only worse. Kenneth's mother was doing this because she got her rocks off on seeing males publicly humiliated by wearing women's clothing and maybe getting caught. At least Stephanie's father thought he was doing the right thing by his son, rescuing him from his Mother's and Aunt Jane's program.
Well, at least they'd fixed Stephanie's father's wagon. He'd been so shocked to see that old guy's grandson in full female regalia he'd acquiesced without much of a fight. It had been great.
Too bad they couldn't do the same to Kenneth's mother.
An idea began to flicker in Darryl's mind.
Maybe they could at that.
Quickly, the young man jumped to his feet and headed out to find Aunt Jane. She'd know how to make this work if anyone could. And there was very little doubt in Darryl's mind that Jane would be motivated to find a way to make his idea work.
Although she might prefer to phrase it more delicately, Darryl knew that Jane was thoroughly pissed off, too.
As his guardian thought over his idea, Darryl took the rare opportunity to look around Jane's private sitting room. He'd bet that few if any of Jane's young men had ever been admitted to this special place. It was clear to Darryl that this was where Jane went to get away from the prison of her own making, if only for a little while. Even the furniture in this room was markedly different than anywhere else in the Victorian mansion. The furnishings in this haven of Jane's were overstuffed, broken in to the point of being shabby and most of all, comfortable. In Darryl's experience, very little of the furniture in the rest of the house had been selected for comfort and in many cases, the selection criteria seemed to be just the opposite. If it was uncomfortable, overly showy and difficult to sit upon gracefully, Jane had probably used it to decorate the students' quarters and the public rooms.
Lord, he thought amazed, Jane was practically sprawling on that lazyboy recliner, her left leg dangling over one of the arms, her right leg tucked up under her bottom. She wasn't even wearing her trademark blouse and instead sported a faded, hole worn Winnie- the-Pooh t-shirt. And, *omigod* Darryl goggled, *are those really BLUE JEANS she is wearing??? Aunt Jane???*
He knew he'd never seen her in those before. A smile flitted across his face as he made a quick mental list of every little comment Jane would direct at a student who she found in a similar position of inelegant repose.
"What do you think you're smilin' at, mister?" a softly amused voice cut through his ruminations.
She even talks differently in here, Darryl thought amazed. "Umm. . .I was looking at . . .at . " he stumbled for something other than what he was actually looking at, "your chair." he blurted out.
"Uh huh. Sure you were, Darryl, sure you were." Jane's familiar wicked smile coupled with her change to a more dignified position brought bright color to her ward's face. "All I will say, dear, is that for the first time since your arrival here, you are really in my home. Before this, you were merely in my house."
"I think I had already figured that out, Aunt Jane." he said with some pride at the obvious honor she was giving him. "So, what do you think about my idea?"
"It would be very difficult to pull off, dear." Jane said carefully. "First of all, we'd need to have everyone, us, Sheila, Ruth all in the same place at the same time, and it would be best if we could be in Ruth's jurisdiction when we do it."
Her ward nodded his understanding. "But all that means is that we have to go to her. Ruth already lives in the area."
"True, but don't think for a minute that Sheila is going to willingly put herself in the same room with both Ruth and me since she has been using each of us to manipulate the other. I might decide to ask Ruth more about Kenneth's case and that would ruin all of her plans."
"But it could work, couldn't it?"
"It might. We would need some specialized electronics so that we can constantly monitor her interactions with Kenneth, particularly when she is alone with him. Remember, she is still avoiding me. I don't think she wants to talk with me about her son for fear I will figure out her nasty little game."
Jane became silent again, her teeth worrying at her lower lip as she worked through the possible scenarios in her mind. "No, we will need something to smoke her out, and there's only one lure that is certain to work. That would also solve the other big problem, too, but. . ."
"Well, let's go do it." Darryl enthused, his anger about what Sheila had done to her son still burning hot and hard.
"We can't make that decision, dear." Jane said reprovingly, "because we are not the person most affected by it. You and I are both outraged, and I promise you, I will make that bitch pay. Someday, some how, she *will* pay both for what she tried to do to Kenneth and for using me to try to do it. But to make her pay now, using your plan, we'd need Kenneth's active participation which he may not want to give. If he refuses, or is even reluctant, we can't press him on this."
"But I don't get it. I've talked to him, Aunt Jane. He is even more pis. ." Darryl's face flamed bright red again as he caught himself, "I mean, upset about what his mother did than I am. Why wouldn't he want to take part in this."
Jane chuckled at his discomfort and said easily, "I've heard and said 'pissed off' before, Darryl, and although I try not to use such a phrase in polite company, I agree that it fits here. I am indeed, pissed off." She shrugged. "As to why Kenneth might balk at my plan? Think about it, dear. I am sure it will come to you."
He did, for several long moments and then he saw the problem. "Oh shi... I mean, darn. You mean . . .?"
"Quite so." Jane chuckled. "Go to bed, Darryl. Let's think about this over a good night's sleep. Maybe we will think of something else that will work. If not, we will put the idea to Kenneth *and* we will abide by his decision."
Darryl didn't much like that. Why couldn't Aunt Jane be . . well, _Jane_ about this and make it happen. Sighing, he rose and gave Jane a kiss on the cheek before leaving for his own room.
Jane sat unmoving for another half hour working the plan over in her mind. "Well," she finally said aloud. "I think it will work if Kenneth will go along with it. Now, I just have to figure out how to market the concept to him. Good thing I have a lot of experience selling things that people don't think they want or need to buy anything.
Knowing she wouldn't be able to sleep herself with Darryl's concept nagging at her, Jane went down to the kitchen and brewed a pot of tea. Soon, she was settled in her study, furiously scratching notes onto a yellow legal tablet.
Two hours later, the half full pot of tea now cold, Jane reread what she'd just written for the third time. It could work, she thought. All she needed now was Kenneth's complete and willing cooperation, and Ruth's go ahead.
**brrrrrrinnnnnnng! brrrrriinnnng!**
A hand emerged from the covers, and blindly fumbled for the source of the penetrating noise. Finding the alarm clock, the hand bashed the snooze button several times to no effect. The noise continued.
Unable to sleep through the unremitting clatter, Judge Ruth finally roused enough to realize it was her phone and not her clock. Moreover it was her "home line" instead of the business line ringing. *If this is some cop who's somehow gotten my private number and wants a warrant approved, it had damned well be for some heinous capital crime like a mass murder or I may just kill him.*
"This is the Judge," she growled into the phone.
"Ruth? It's Jane."
Her eyes really open now, Ruth glanced down at the brightly lighted numerals on her clock. "Jesus, Jane, do you know what time it is?"
"Of course I do, Ruth," was the tart reply, "It's an hour later here and I have not been to sleep myself yet."
"What's the matter? Is something going on with that boy, Kenneth?"
"Yes and no, Ruth. Look, I think I may have a way to do something about Sheila that won't hurt Kenneth, but I am going to need your help and his to pull it off. Before I take it to him, I need to know if you can and will help. It's not quite illegal, but it definitely falls under the category of unethical."
"I promise nothing." was the very lawyerly reply. "But if it does something to and about that bitch, well, lets just say that I am disposed to help you already."
"Okay, this is what we are going to do. . ."
Kenneth, Darryl and Marie sat around the small coffee table looking expectantly at Jane. Each of them had a cup of tea and had helped themselves to pastries and snacks from the low tea Marie had prepared at Jane's direction. Finally, Jane cleared her throat and looked directly at Kenneth.
"Kenneth, Ruth and I have been looking into what action can be taken against your mother in retribution for her crimes against you and me. Clearly, we have a solid case of falsifying documents and making a false sworn statement. Unfortunately, if we do take her to court for that, it means everything comes out in the open. What I do here, but more importantly, what happened to you and all my other young men here. In recent months, I have had to face the possibility of public exposure at least twice. I would regret that, because I honestly believe that I can help certain young men turn their lives around."
"We know we've helped the boys who have been here before you, Kenneth." Marie chimed it. "Jane has the files to prove it."
Jane waved that off. "Be that as it may. As I said, I would regret the end of my program, but I have had to prepare myself for that eventuality and I am quite certain that I would be able to get on with new things in my life once the furor died down. The real reason we cannot take her to court is you."
"Me? How so, Aunt Jane?"
The familial name on Kenneth's lips warmed her. He'd begun using that name instead of his extremely formal "Ms. Thompson" once he had been absolutely sure she was on the level - before he'd even gotten his boy-clothes back. Jane's willingness to finally listen to him, and more importantly, to believe him enough to unlock the bedroom door that morning had gone a long way towards bridging any gap that remained between the pair. Trust and affection had quickly followed.
"Because you will become a media _thing_. A thing of pity for some, a thing of revulsion for others, but in all cases a thing and not a person. You won't have a life. Every time you turn around, someone will expect to see you swish, or they'll check you for panties when you go to the gym. I, Ruth. . ._none of us_ want that for you."
"So she just gets away with it? This isn't the first time she's done something like this. Before I learned I could stand up to her, it was girl costumes for every Halloween, or girl parts in plays at the local theater. She once even found this summer camp for boys who want to play at being girls and tried to send me there. Fortunately, the ladies who ran that camp insisted that the boys had to want to be there. As soon as any boy decided he'd had enough of skirts and dolls, he was allowed to go home." Kenneth's face flashed a dark smile at the memory. "I was home thirty minutes after my mother dropped me off for the first day."
"Yes, Kenneth, she gets away with it unless we can do something outside the law. Ruth and I have come up with a plan, but we are going to need your help to pull it off."
Kenneth studied the look on his temporary guardian's face. She was hesitating, he realized, and Jane Thompson never hesitated about *anything*. What on earth, he asked himself, could involve him in such a manner as to make this forthright, self confident woman hesitate?
Then he knew. "You want me to face her as Kendra." he said flatly. "Okay, explain the plan to me, Aunt Jane, and be sure not to leave out the part about why it can't be done as Kenneth."
The days leading up to this little drive had been very demanding. Darla, Marie and Jane had spent hours every day drilling Kenneth on the finer points of being Kendra. Every evening either Sandy or Caro or both had come over for two hours of make up and hair care lessons. Even Brenda Franson had gotten involved in the act, spending both Sunday afternoons refining the girl's gestures and movements, and fitting her with specially selected outfits designed to enhance Kendra's boyish figure.
The results were spectacular, Jane smiled, stealing a glance at her ward. She was rigged out in a version of the "senior student meets the train" outfit - a light grey-green dress, complete with three petticoats for fullness, hosiery, two inch pumps, a hat and matching gloves. Marie had thought the second and third petticoat were overkill, but Jane had overruled her on that score. Sheila would be ecstatic at the excessively prim and prissy look of her feminized son.
Jane's former student had kept Sheila's house under surveillance so that they would know when she'd returned. They also knew where she'd been - at the old house in the city where she and Kenneth had lived while her husband had still been alive. During her time there, a young man had been observed entering the house, but not leaving it. Instead, the watcher had reported the departure of a very bedraggled-looking and upset female in a very short skirt and incredibly high heels who limped away from the house just before Sheila herself left for the airport to return here. The house appeared to be empty following the departure of the primary subject.
Ruth and Jane were convinced that the precipitous move to this town was part of Sheila's overall plan. It made the threat posed by Ruth seem all the more real. That she hadn't sold her old house probably meant she would return there to her old life once her aims for Kenneth had been achieved. A life that evidently still involved forced feminization of young men and then driving them out into the public to face humiliation or worse.
*That unspeakable . . . unspeakable. . .* For all her classical training, Jane Thompson, Schoolmistress, could not come up with a sufficiently vile epithet to describe what she thought of that female.
"Easy does it, Aunt Jane." Kendra's soft voice chided as she touched a gloved finger to Jane's white knuckled hand gripping the steering wheel. "It will be fine." she smiled under the incredibly long lashes Sandy had spent an hour applying, one lash at a time, the last night before the trio had left home. They'd been in town now for three days, staying with Judge Ruth, waiting and getting ready for the final act in this horror drama.
On the bright side, Ruth and Kenneth/Kendra had hit it off famously. At first, Ruth had been concerned that the boy would blame her for all that she'd also been an unwitting pawn in his mother's plan. Kenneth was too smart for that, and besides, he'd seen just how badly that particular "pawn" wanted Sheila's blood. Well, this pawn was about to become a queen and wreak havoc on Sheila's little war game of strategy.
A soft smile crossed Jane's tense features as the memories of those first few hours at Ruth's home. Poor Ruth had never had children of her own and was quite at a loss as to what to say to the teen, so she'd started talking about her career both as a lawyer and as a judge. To Jane's utter bemusement, her ward had been fascinated. Soon, the pair of them had become all but inseparable as the young man constantly pumped the older woman for every bit of information about her career.
"This is the street, Aunt Jane. Third house down on the left."
Jane parked the car at the curb and turned to face the beautifully made up young man. "We don't have to do this, you know. You are welcome to stay with me as Kenneth. No one will think the less of you for not going in there like this."
Kendra smiled grimly. "I would, Aunt Jane. I know this is going to be difficult, but not because of all this." she said running her gloved hand down her dress. "This is just a game, that's all. Playing it doesn't really change anything essential in me and it definitely doesn't threaten me. With her," and she inclined her head toward the house occupied by his mother, "It would not have been a game. She truly wanted to change me - mentally, physically and permanently. What makes this so tough is that she's my mother, and I can't find it in myself to love her. In fact, I really believe that I hate her." Kendra's voice hitched and Jane fished for a tissue.
"Calm down. We don't have time to fix your makeup. If you need a good cry, do it after we leave, okay? Damned overemotional males." Jane muttered, just loud enough so she knew she'd be heard.
It worked. A chuckle bubbled up from Kendra, who then nodded. "Thanks. I am under control now."
"Is it show time, young lady?" Jane asked one last time.
"Lets do it, Aunt Jane."
Sheila Roberts was already thinking about taking another sanity- trip back to the city. There just wasn't anything worth doing in this backwards burg. Certainly none of her more . . .esoteric pleasures were to be had around here.
She thought about Horace, the male slave she was currently training back home to be the slut maid she had named Whorish.
And about what she wanted to do to him the next time he attended her in her private little dungeon.
Sheila had just read about this person who performed voluntary surgeries neutering male humans. Sheila shuddered in barely suppressed sexual arousal at the thought of watching the scalpel slide oh-so-very-delicately into that ugly sack of skin. Yes, Whorish was going to "volunteer" for that little operation when she got back home just so Sheila could watch and see it done. Maybe she could even get the man to do it to her slave without using any anaesthetic. After all, didn't she have the goods on him? What was a couple of useless balls of male flesh compared to going to prison and losing everything?
Sheila was getting god awful tired of this place. She'd only moved here because good old Ruth presided over the local court that seemed to be a regular first stop for so many of Jane Thompson's bad little boys. Bad little boys who, by everything she had been able to learn, found themselves sent to Jane to be changed into girls. Another ripple of arousal lanced into Sheila. Just how far did Jane go in turning bad boys into good little girls? Maybe Jane would like to know the address of that man who provided the neutering service. Better yet, she'd just keep that bit of information as a surprise for her old sorority sister. It would be Sheila's little contribution to the program when she ultimately took her rightful place as Jane's partner.
Sharing a drink with Barbara Nash at that reunion two years ago had been the best piece of luck she'd ever had. That was when she'd found out about what Jane was doing with herself these days. Some discreet inquiries by a very expensive investigation service had turned up the connection to Ruth. From there, it had been child's play to buy a house here in this town, find and bribe that clerk who liked the ponies too much for his paycheck and build that apparently damning file on her "crime-hardened" son.
*How would that clerk look in skirts and petticoats?* Sheila wondered. She certainly had enough on him to win his "willing" compliance to a little playtime. She'd even worry about all that safe and sane crap when she played with him. At least at first, anyway.
*Losing your focus, Sheila* she chided herself. As to her son, well, the only thing hardened about that boy was his resolve not to let her turn him into the girl she really wanted him to be. Just like his father in that regard. Oh, they'd both played along with her at times - Halloween, costume parties, special evenings from her husband, but neither of those damned males had ever taken her and the transformation seriously. She'd tried very hard with Kenneth after his father died, but he was just too certain of himself for her to make any headway in her goal.
Until she'd learned of Jane and her little alternative to jail for the bad boys. Who'd have thought Jane would be the one to create something like that. Oh, she'd helped Sheila that time at school, when they'd first dressed old what-his-name up as a streetwalker for the sorority costume party, but for her to come up with something like that operation?
Amazing. Well, Jane had selfishly kept the fun all to herself long enough. Kenneth was by way of a test to see just how good dear little Jane was at her craft. If she was good enough, then she'd be getting a new partner in Sheila or else. Sheila shuddered in almost orgasmic delight at the thought of the file the investigator put together, along with the names of the boys who'd been in her keeping, appearing on the desks of eight major gossip columnists, and into the hands of five tabloids and three talk show hosts in forty eight hours.
And if Jane didn't succeed with Kenneth, then she'd have to pay for her failure. She wondered how Jane would look on Hard Copy, or how her boys would feel about being hounded by the Springer Show?
Sheila cursed as the annoying buzz of her doorbell intruded on her lovely dream of skirted little boys scurrying around in fear, doing her bidding.
She could not believe her eyes when she opened the door. "Jane? Jane Thompson?" *What the hell was she doing here? And who was the young blond in the 1940's church dress? I didn't know anyone even made hats like that thing anymore.*
"Hello, Sheila. May we come in?" Jane asked. Sheila couldn't think of any reason why not and stood aside to let the two women enter.
She guided them into her ornate living room and bid them to make themselves comfortable. "Would you like some tea? Some coffee?"
"Some tea would be wonderful." Jane answered sweetly. "Why don't we have this little darling prepare it for us while we talk? She won't have any difficulty finding the makings?"
"N.. no. . I keep everything except the milk on the counter beside the stove." Sheila answered, still wondering what the hell was going on. She had to be careful. She couldn't afford to anger Jane. She might decide to drop Kenneth from her program and that would mean she'd have to call Ruth. Sheila had to prevent that from happening for as long as she possibly could.
"Dear?" Jane turned to her protege. "Please prepare a light tea for three? I would also like you to serve."
"Yes, Ms. Thompson." The girl actually curtseyed, Sheila thought in wonder, before moving gracefully into the kitchen. For just a moment, she wondered if Jane's companion was one of her boys, but immediately discarded the thought. Too feminine entirely. Sheila herself had never managed to get a male to pass that well, so surely little Jane Thompson couldn't. *Too bad those heels aren't higher. The girl has great legs and a cute butt.*
"What brings you out here, Jane? Aren't you a long way from your school?"
"Not so you'd notice, Sheila. As you know, my program involves forcing my pupils to face and come to grips with their gentler sides by making them live that way until they do."
The smile that lit Sheila's face was one part hunger, one part triumph and one part something else much darker and evil. "Yes, I know. You were our last hope, you know."
"I could tell." Jane replied equably. "As to our purpose here, Some," and Jane put steel into her voice, "of our students resist and require much stronger measures to break their silly macho self image. Sometimes, we have to make them face their worst nightmares before they see the wisdom of compliance and submission. For some young men, that is being made to appear in public as a male, but seriously feminized - a true sissy. Others have to face the constant threat of exposure by putting them in tenuous circumstances where their slightest miscue would give them away, knowing that I will abandon them to their fate if they fail to carry off the masquerade."
Jane was lying, but Sheila wouldn't know that her boys were *never* truly in danger of being truly exposed. This was, as Jane well knew, the other woman's greatest fantasy since she'd first read of Victorian petticoat discipline almost twenty years ago. "I see." she breathed, her breathing becoming noticeably shallow and quick.
"Yes, and some very rare, hard core, testosterone challenged male animals require even harsher treatment."
"How are you coming with Kenneth, Jane? Is he giving you a hard time?"
The smile Jane gave the other woman was just a bit triumphant. "Oh, he's become quite the she, darling, a true sweetheart. He was very difficult the first few days, but we've got that turned around." Jane's voice became low and confidential. "You should have seen the look on his face when he realized that first shampoo was heavily laced with a bleaching agent. For some reason, being made into a blond just destroys the little dears. Must be some silly male stereotype."
Sheila closed her eyes against the rush that image induced in her. "You know, Jane, I am quite jealous of what you are doing. In many ways, it has long been the type of work I wanted to do with my life."
*I am sure of that, you amoral strumpet.* Jane growled deep in her mind. "Well, I have been very lucky, Sheila. I mean, my work is deeply . . ." Jane let her lips curl into an intentionally sensual smile, "satisfying." she purred throatily.
The other woman literally squirmed in her seat, and Jane could see a fine sheen of perspiration forming on her upper lip and forehead. "Oh, I can believe that." Sheila breathed.
"Yes, verrrry satisfying. Of course, a great deal of that satisfaction comes from overcoming each challenge posed by one of my girlie-boys, from finally crushing their pathetically overblown adolescent male egos so that I can then rebuild them according to my own _personal_ requirements and standards." Jane moistened her lips with the tip of her tongue and winked salaciously at Sheila.
A sharp, visible shudder shook Sheila's body, her eyes and mouth closed tight. *My God*, Jane thought in disbelief, *Did she just have an orgasm?*
"I would just _love_ to dedicate my life to that kind of plea. . uummm. . . work. Have you ever thought of taking a partner?"
Jane was saved from having to answer by the timely return of Kendra carrying the tea service on a silver tray. Deftly, she set the tray down on the small coffee table and sat down. "Shall I pour, Ms. Thompson?" She asked in her soft, deceptive voice.
"Please do, dear." Jane said as she turned back to Sheila. "Do you still take yours with sugar and a squeeze of lemon?"
"Yes, I do." was the curt reply. *Not happy at having your little opening ignored, are you, Sheila? Tough!*
"Your tea, Ms. Roberts." Kendra offered the saucer and cup, filled with the steaming brew.
"Thank you, . . .Jane?" Sheila's voice had a hard edge to it.
"Yes, Sheila?" Jane smiled as she accepted her own cup of tea.
"I cannot properly thank your young lady since you have not introduced us." Sheila's tones were chidingly reproving.
Her eyes all wide with feigned surprise, Jane set her cup down. "Oh, _do_ forgive me, please, Sheila. I just never thought you would need introductions."
"And why not?!?" was the sharp return. "She is a guest in my house and I have never met her before in my life. Of course I need an introduction."
"Well, if you insist." Jane said before turning to Kendra and ordered sternly. "Kendra, make your curtsey to your Mother."
Kendra stood and made the classic movement with her petticoated skirt - very well, too, Jane noted with pride - then remained standing, head slightly bowed, hands clasped in front of her, her legs straight and together. Jane almost laughed at how well Kenneth was presenting Kendra to his Mother. The picture of classically demure, slightly embarrassed girlhood.
"That's really you, Kendra?" Sheila whispered, a fierce, not altogether clean light burning her translucent eyes.
"Yes, Mother." the girl-boy answered in a soft, sweet voice.
"Didn't I tell you, Sheila, that some of my boys require particularly harsh rites of passage when they refuse to submit to the inevitability of the feminization? In this case, Kendra finds herself forced to function as a female in the outside world, instead of the relative safety of my home, knowing that the least misstep will have disastrous consequences." Jane's voice dropped back into the "two-girls-sharing-a-confidence tones. "But the harshest lesson of all is having to present herself to her own Mother. Quite devastating to the dear girl. Isn't it, Kendra??
The girl's eyes dropped even lower as she avoided looking at either of the two older women. "It is really awful," she responded, letting just a hint of a sob crack her voice, "You didn't have to do this. I was learning." she accused.
Jane had been paying more attention to her old sorority sister than she had to Kendra when she made that little revelation. Sheila was unable to conceal her delight at her son's transformation and complete humiliation. It was time to dangle the bait a little closer.
"Not nearly quickly enough," Jane retorted with all the hauteur of a Regency Dame, "At least you weren't before you found yourself out and about in your lovely skirts. I will admit that things began improving as soon as you knew that we would not return to my house until you made _significant_ progress towards your inevitable girlhood. In fact, Kendra-darling, let's demonstrate for your mother just how well you have or have not learned your lessons."
For the next fifteen minutes, Jane put Kendra through a carefully choreographed display of feminine movements, gestures and behaviors. She made her sit, stand, glide about the room, simulate entering and leaving a car in a short, very tight skirt, powder her nose and refresh her lipstick and a myriad of other, more subtle examples of the "total girl".
"Excellent. My, Kendra, but aren't you quite the sweet, polite little girl, now?" Sheila cooed and was delighted at seeing a red flush color her feminized son's face.
Jane saw Kendra color rise, too, but she knew that it was rage coloring her ward's face and not humiliation as Sheila was assuming. *Don't blow it darling. Time for phase two.* Jane thought.
"I have been trying, Ma'am." Kendra offered submissively. Jane wondered if the poor dear was choking on her obsequious persona.
"And very well, too. I must say, Jane, that this is definitely an improvement over the rowdy young brute I sent to you. And what else have you planned to help my poor boy over his unacceptably male natures?"
"Oh, I have some plans for _her_," Jane said, emphasizing the feminine pronoun and bringing a broad smile to Sheila's face, "Some she knows about, some she doesn't. For example, she will be appearing at a cotillion that will be held near my home dressed as one of the old time debutantes. Of course, she will be expected to dance with anyone who asks her."
"Oh, how delightful. Dancing with boys? In a lovely white formal?"
"Just so." Jane said equably. "Dancing the waltz, tightly pressed against a strong male body is an excellent way to suppress those male natures you're so concerned about, Sheila. And more importantly, our little Kendra knows that failure to be perfectly sweet and biddable means more such experiences in her life until she does."
"More boys? Maybe having to go steady with one?" Sheila asked, her eyes alight with pleasure.
"Dates are likely. Going steady is only a last resort if she truly displeases me." Jane turned a hard glare at her protege. "Young boys do expect certain . . .. favors from their steadies these days, don't they, Kendra? Isn't that why that poor girl was dragged into the boys' lavatory at school?"
The ruddy flush of fury on Kendra's face deepened, and for just one second, Jane was afraid she might have gone just one step too far with that last remark. *Please, don't lose that control of yours, now - not when we're so very close.* she begged silently.
"As you say, Aunt Jane." Kendra finally got out, her voice harsh with the effort to control his fury.
Part 10:
*Time for phase three,* Jane decided, *but do I dare leave him alone with her as furious as just being in the same room with this woman has made him?* She contemplated that for a few moments, pretending to glare at the still red-faced girl standing between Sheila and herself. *There's no other choice. Only Kendra can take the woman to the next step. We need her too excited to remain cautious.*
"Sheila, we will have to be going if we are to catch our plane and be home in time to pretty up little Kendra for her night out with the boys. May I use your powder room? It is a long drive to the airport."
"Of course. It's just down the hall over there."
Jane rose and then looked down at Kendra. "Be a good girl for your Mother, Kendra. I will be right back."
Moving quickly to the small bathroom, Jane closed the door and pulled the earphone to her miniature receiver to her ear. Fortunately, the tiny transmitter hidden on Kendra's person was working perfectly.
"So, I have won at last, Kenneth." Jane heard Sheila's self satisfied tones in her ear, remembering at the last minute to check the other device hidden in her suit jacket. Her receiver was also attached to a small tape recorder in case the equipment in the van failed.
"I guess you have, Mother." was the patently male response.
"I told you I would, miss, and don't use that crude male voice around me ever again."
"You wouldn't have won without that pack of lies and false records you put into that cursed file, or with that Judge of yours lying for you." Kendra accused.
"No one else needs to know that those records are all forgeries. As a Juvenile, your records are sealed. No one will know they weren't true for your stay at Jane's, and then they will be returned to me and destroyed without a trace. Only Jane, Judge Ruth and I will ever know they were fakes."
"So that means that Jane was in on your little conspiracy, too?"
"Of course she was." Sheila said heartily as Jane's fury flared at yet one more malicious lie, "You are really becoming quite the stereotypical dumb blond, Kendra. I gave her those files in case you did something stupid like try to escape. Jane would have been able to use those records to get the cops to bring you back. Only the order sending you to Jane's lovely little delinquents' home was real. And I *thought* I told you to stop speaking to me in that disgusting masculine voice. You are NOT a man or even a boy now, nor will you ever be again!"
"Yes, Ma'am." was the more softly inflected response.
"You have forced me to tell Jane how you just misbehaved," Sheila said in exaggeratedly disappointed tones. "But, I am sure she will find a suitable punishment for your insolence. Perhaps she will make you ride home with one of the boys after the cotillion."
"She wouldn't do that!" Was the horrified reply.
"Oh, but I am sure she would." Jane could hear the smirk in Sheila's voice. "In fact, I am going to insist that she do just that. Hopefully, she knows a real Don Juan-type for you. Oh *HO*, but you don't like that idea, do you, Miss??!?"
"He'll find out." was the soft, tear-choked reply. "He'll find out that I am not really a girl. . . .at least down there."
The laugh that came through the earphone made Jane's blood freeze. "Why, that won't be a problem for long, darling, because as soon as you are finished with Jane's little charm school, we will say good bye to good old Kenneth for good. I will have you back in skirts within an hour of Jane releasing you. Then, as punishment for resisting me for so long, I am taking you to a doctor I know of down in Mexico. You will be a girl *every* where within the year and you will never have to worry about being found out as a boy 'down there', again."
"That can't be legal. I am still a minor. They can only do that to boys who get badly hurt . . . down there." Jane could hear the hard swallow.
"So what? There is nothing that cannot be accomplished if you have enough money. Until then, however, I suspect you will have to learn what most girls do when faced with an amorous male trying to get into their panties. Better learn to like using your mouth on a man, little girl, otherwise, they might be tempted to seek . . .other pleasures."
There was a pause in the exchange until Jane heard Sheila speak again. "It will be a suitable posthumous revenge against your father, don't you think, for having resisted my intention to feminize him all those years. Having his family line die out, - because his son is no longer able to father children. Do you know what the best part of all this is, Kendra-darling?"
"No, tell me, please."
"Why, I am going to be doing this all the time from now on. Jane will have no choice but to take me into her little group. Only, I will want to make those nasty little boys into delicious little girls - permanently. Just like I will you."
"You are a sick woman, Mother."
"Sick? Don't be silly, Kendra, I am not sick. I am just a woman who knows what she wants and who knows precisely how to get it. You, however, are a very naughty little girl. I think you had better find something to practice sucking on between now and that cotillion, darling. I can practically guarantee you will need to know how."
Jane had heard enough. She walked back into the sitting room to see Sheila looming over a cowering Kendra. Jane wondered if that emotion was entirely an act on Kendra's part. Jane suspected that there was a good deal of real fear and revulsion coursing through her student. True evil does that to good people.
Sheila heard her coming and spun around to face Jane. "You have avoided me long enough, Jane. What you've done with this _girl_ is truly remarkable. I want to join you in your work . . .maybe eventually open a second house under my supervision, say in Chicago or perhaps California."
*The woman is has absolutely no conscience. She has just spent five minutes threatening and terrorizing her own child and she is almost giddy about it.* Jane thought disgustedly. *How could I ever have thought of that miserable piece of human excrement as a friend?*
"You really think so? Well, I will have to give that a good deal of thought before I make such a major change of direction."
Something dark and perhaps evil, flashed in the other woman's eyes. "I really must insist, Jane dear." Her voice all cool, confident persuasion. "I just know I could add so much to their eventual development into fine young women. So much better than being disgusting men."
Jane gave every indication of considering the proposal, but was in fact watching the tense anticipation grow steadily on Sheila's face. "Well, Sheila, I confess I never thought to take on a partner. Besides, my methods and purposes are probably different from yours, and I am not certain we would be compatible either way. But for the sake of argument, whatever do you have in mind for my "girls" - what are you so certain you could _add_ that I would want in my program?"
Sheila might have been giving a sales pitch to the board of directors at a major corporation. "Why, I have _vision_, Jane. I can see what we could make of this thing of yours, with just a little drive on our part. We could practically franchise your process, have houses like yours all over the country, turning disgusting males into perfectly lovely young women. . .or almost women."
"Do you really think there is all that big a market for such services, Sheila? After all, we are not talking about a mainstream program here. I cannot imagine that most American fathers would see the value of putting their son in skirts."
"Oh, I am sure that we will be very busy. If not, we can go out and get students if that is required. So many boys living on the street today. Who'd miss one or two along the way? We'll consider them research and development, or product demonstrations."
"We're just going to go out and pluck young men off the streets and spirit them away to our little Victorian houses of transformation?" Jane was absolutely enthralled by this woman. How could she just *say* such things and seem so matter of fact; how could she sound so eminently reasonable about this abominable concept? "And you think that street hardened young toughs will simply fall in line the way my boys have in the past? My students have always had some type of motivation to comply with my demands - be that jail or expulsion from school or forced enrollment in some type of military school. We wouldn't have that to hold over such young men."
"Oh pooh." Sheila said airily. "Of course we will have something on them. They'll need food, won't they? They'll hate pain, won't they? They comply or they don't eat. They submit, or they will be hurt. I have become quite skilled with the single tailed whip in recent years, Jane." A thoroughly frightening smile darkened Sheila's features as she chuckled softly. "My, I almost hope that they *don't* comply and submit - at least not at the beginning."
Jane struggled not to let her revulsion show in her face or her voice. "I see. Sheila, I have always promised that my young men would not be permanently harmed or marked while in my keeping."
"Have to change with the times, Jane dear. Trust me, hearing the little darlings scream will make your juices flow. A wonderful rush. Not only that, but I was just reading about this man who fixes things for people like your young ladies, very effectively, too. I think a merger between him and us would be highly beneficial to both parties. And especially beneficial to all the young hooligans we can get our hands on as we remove the root cause of their problems once and for all, at their masculine root. Maybe I will start collecting their testicles as mementos of their time with us." The last came out on a dreamy sigh of anticipatory pleasure.
*I don't believe this!!* Jane's mind screamed. *She _has_ to be talking about that bastard who was brought up on charges for performing male castrations without a medical degree or medical supervision. I just read about him this morning over breakfast. And she really _is_ drooling! God, I don't believe anyone could be that mad or that evil.*
"But Sheila, there will be older students. One reason they assist me with the newer students because it is in their best interests, although late in the program they begin to see the benefits. I don't think any of them would willingly support us if they knew about *that* idea."
"Don't be naive, Jane, of *course* they will still help us because we will leave them no other choice. Otherwise they will be made to regret their obstinance very, very much."
"Naturally," Sheila continued, completely oblivious to the horror on the faces of her two guests, "we'd have to put a stop to taking referrals from Ruth. The legal system isn't ready to accept the rightness of taking that step." Sheila concluded with every sign of rationality that made her all the more frightening to Jane. "But just like the parents we will have to convince using our little R&D projects, once we have evidence of our successes, perhaps even the politicians will see the value of such changes."
*She isn't mad.* Jane realized, *I almost wish she was out of her mind because that would be easier to accept than this cold blooded, carefully thought out plan to physically emasculate the young men who are sent to me.*
Holding on to her fury by the barest of margins, Jane tried to answer the other woman. "Well, I will give it every due consideration, but I am disinclined to do anything like that, Sheila. After all, how would I ensure that all my girl-boys get the treatment they truly deserve if someone other than me is overseeing their rehabilitation. Not only that, but the wider the circle of people who know about what I do, the more likely public exposure or a failure becomes."
Sheila's eyes became cold. "Oh, but you really need me as a partner, Ms. Jane Thompson, Victorian Schoolmistress." She said with a strangely frightening calm, almost reasonable voice. "You need me to keep the files I currently have on you and your former students out of the national press.
"Do I *really*, Sheila." Jane's control finally slipped and the full measure of her fury bubbled through, "Do I really?"
Jane moved to the house door and opened it wide. "Jane, come back here, damn you! I am not through with you yet. You do not want to make me angry with you, not while I can put you out of busi . . . . ?" Sheila stopped as she noticed what Jane was doing. "What are . . ?"
Sheila's question was lost as she saw who was entering through the open door. "Ruth??!?"
"Hello, Sheila. Fancy meeting you here. Hello again, Jane, Kendra."
"Hi, Aunt Ruth." Kendra responded, a smile on her lovely face for the first time since she walked into her Mother's house. "Did we get it all?"
"Every self incriminating word, darling. The wire worked perfectly." Ruth affirmed. "Darryl is in the van right now making duplicates. Good job."
"What is the meaning of this?" Sheila hissed. "What are you doing here?!?"
"Putting a stop to your abuse of this young man who, in the eyes of the law, is still a child." Ruth said in a low, dangerous tone, "And to end your lying manipulation of Jane and me for your own perverse purposes."
"You cannot prove anything." Sheila blustered.
"Oh, but we can. First of all, I have in my possession that file you gave to Jane along with all of your correspondence with her. You know the file, Sheila. It's the one that could get you charged with about fifteen counts of forgery and twice that many counts of falsifying legal records since you admitted to forgery when you gloated at Ken here, confessing that you made them up. Oh, and before you start claiming your word against ours that the tape is real? Jane is a witness since she watched you from the powder room."
The other woman seemed to shrink momentarily before something brought her back. "You can't charge me." she retorted confidently, "Charging me would bring Jane's little enterprise out into the public light. It would destroy her silly little charm school. Besides, I will guarantee that result by releasing my records on her mini-reform school to the press and the tabloids. You can't threaten me. You don't *dare* charge me let alone bring me to trial."
Kendra stood and stared at the woman who was his/her mother. Jane, doing her level best to keep her own fury under control, saw the deadly rage and intent flashover in those grey eyes. "Kendra, no! Don't do that." Jane barked as she reached over to grab her student's arm and pull him back, out of reach of his mother.
The moment's respite helped, letting Kendra regain her composure. Nodding his thanks for the timely respite, Kendra turned back to his mother. "Trust me, mother, if you don't do exactly what Judge Ruth tells you to do, I will go to the police right now, dressed as I am, and press charges against you. Are you so stupid as to think I would let you get away with what you just proposed to do to me and countless other guys? In your dreams, you sick fool."
"No, it would be your word against mine. None of them would dare corroborate your claims. Jane has too much to lose."
Jane stepped up and stood beside Kendra. "Perhaps I do have a great deal to lose, Sheila, but I will be right there beside Ken every step of the way. At the police station, at the arraignment and at court on the witness stand. In fact, Ruth already has my signed, sealed deposition detailing my entire operation and in particular, my dealings with you to use against you should you ever pull any more of your nasty little tricks with your son or with me."
"You can't do this to me. We could have had so much together, Jane, playing with those boys together."
"You really don't understand, do you? You are blinded by your own evil desires and fantasies. What I do to my students, Sheila, I do in order to help my boys grow into fine young *men*. My goal is *always* for them to leave my keeping improved, enhanced, and *never*, in *any* way, diminished by their time with me. Do you think I would continue my school if there was the slightest, most minute chance that a vicious, amoral monster like you might become involved in my work?"
Sheila was becoming agitated now, tears wear forming in her eyes. "Its not fair!" she shouted. "I just wanted to be in on the fun, too. After all, I showed you all about this game first. You should have to share with me in return."
For a few moments, Jane could only stare at the other woman. "Fun?," she whispered hoarsely, "Did you really say 'fun'??" she said, her volume growing with each syllable until her final words were a screech of raw fury.
Before anyone in the room could react, Jane was in an all- consuming rage the like of which she would have sworn was beyond her. She was on the smaller woman in an instant, her hands closing around her antagonist's throat before letting go and bucking Sheila's knees with a vicious backhand slap to the face. Not satisfied with that, Jane pulled her foe to her feet by the hair and slapped her again, this time with a forehand blow that sent Sheila reeling backwards to the floor.
Jane strode over to drag the defeated woman to her feet so she could knock her down again, but was intercepted by Kendra and Ruth, each taking one of her arms and pulling her back.
"Enough, champ." Kendra teased.
"Enough? ENOUGH? Hell no, it's not enough." Jane yelled, still struggling to get free so she could destroy the other woman's evil once and for all, her feet kicking out, trying to reach the face her restrained arms could not. "I haven't even *begun* to share the *fun* with that piece of garbage."
"Calm down, Jane. We've won." Ruth said soothingly even as she pulled with all her strength to pull her friend away from her intended victim. "She can't hurt you or Kenneth anymore without going to jail for a long, long time."
That finally broke through the red hot fury fogging Jane's mind. She relaxed and felt the grips on her arms relax also. Relax, but not release. Just as well, she thought.
"So you want to *play*, do you, Sheila. You STUPID bitch. . .do you want to know what I really do with my young men? Of course you don't. You *want* to think that I *play* with them. Well, let me tell you that *play* doesn't begin to describe what I do to those boys. I have to *break* them, damn your unfeeling, black soul, really shatter them psychologically before I can begin to help them. When you start out with a warped piece of wood, sometimes you have to break it before you can begin to straighten it out again. But you, you damned fool, you sent me your son, who is not warped at all, but rather is as strong, straight and true as a young oak tree."
Jane's voice broke and she felt a comforting squeeze on one of her arms. *Kenneth*, she realized through the haze of her rage, *trying to support me.* "Do you know what happens when you break things, Sheila? They *never* go back together perfectly. That's okay when you start out with something that isn't straight and true to begin with, if in that breaking, you have a chance to make it better, but that wasn't how it was with your son. You tried to make me break a fine, gentle human being for nothing other than your fantasies and pleasures. Only his incredible strength and good nature let him survive what I tried to do to him and come out of it still whole and not warped. And you DARED to USE *ME* to perpetuate that evil."
The grips on her arms immediately tightened, but Jane only shook her head. "I am done, Ruth. Beating her bloody, though satisfying, won't accomplish much and I can't find it in me to kill even a worthless slug like her. I just wish someone would hurt her as badly as she wanted to hurt my boys, but I won't be the one to do it. Someone should do it to her, though, someone really should, but it won't be me." She nodded her head sharply. "No, it won't be me."
The hands holding Jane finally slipped away. "The Hell it won't!" Jane bellowed as she moved too quickly to be stopped and drove a hard right hand directly under Sheila's sternum. The blow had every bit of power Jane could muster behind it and literally drove the other woman careening into the wall where she ignominiously crumpled to the floor, wretching and fighting desperately to get air into her lungs.
Her self defense teacher would be appalled, Jane mused. No skill, no finesse, no art, but, goodness, it had certainly felt good doing it.
Jane smiled down at the wide-eyed, thoroughly frightened woman with a great deal of satisfaction, even if her knuckles felt like she'd just punched out a brick wall. It was worth it! "Pronounce sentence, Ruth." the calm, controlled Jane had returned from the momentary madness of her fury. "Tell her what happens if she violates her parole, and then lets get out of here."
"Very well. Sheila Roberts. This is what you have to do to avoid being charged with child abuse and multiple counts of forgery and falsification of government records. . ."
"She'll hate living in that town permanently, you know." Kenneth mused. He still had the long, blond hair, but he had changed in male slacks and a pullover as soon as they'd returned to Ruth's house, and had been out of skirts ever since. "She told me we'd move back once I'd been "reformed"."
"All the better." Jane said with grim satisfaction. "And having her report to that women's shelter for three hours a day and for ten hours every weekend ought to keep her out of too much mischief."
"I knew she was bad, especially when she sent me here with that pack of lies, but I never understood just how truly evil she had become until I had to sit there listening to her plans for me and the other boys who fell into her power." Kenneth mused. "Do you think the threat you and Aunt Ruth hold over her will be enough to keep her off your backs?"
"On one hand, it is almost sad that your Mother is not mad, Kenneth, because there is a chance that someone might be able to help her. However, in regard to your question, I think it is to our advantage that she is sane. Her entire motivation is her own self interest. The case against her is iron clad so long as you and I are both willing to drop our masquerade and testify against her. She doesn't want to go to prison any more than you wanted to go to that nonexistent boys' home. She'll keep her mouth shut. After all, there are no men to abuse in a women's prison."
Judge Ruth had sentenced Sheila, albeit quite illegally, to twenty five hours of week of public service until Kenneth reached his twenty fifth birthday. The threat of the depositions, records and tapes were her parole against taking retaliatory action against Jane or Kenneth.
"I know all that, Aunt Jane, but there still is a chance that she will release those records. She may be sane and self interested, just as you say, but I am not sure she is completely rational on the subject of you and me. For me, I don't care, but I worry about all the boys you might not be able to help."
"Don't worry, dear. I'll find a way to help them, whether I can continue in my current fashion or not. But I won't stand by and let her get off without seeing justice done - for you and for me. If need be, I will face her in court."
"As will I."
Darryl gave both Jane and Kenneth a very dirty look. "Aunt Jane, if you were going to punch her lights out, couldn't you have given me a little warning? How am I ever going live it down when I have to tell my grandkids that I missed out on seeing their great step-grandmama play John Wayne?"
"John Wayne? Me??" Jane burbled, highly amused.
"Sure." Darryl replied. "I *heard* everything through Ken's wire, mainly a really loud *thunk* followed by the sound of Sheila tossing her cookies. That "I won't do it - the hell I won't" line is right out of one of his Maureen O'Hara movies. McClintock, I think. And YOU had to do it when I couldn't see it, darn you Aunt Jane!"
"Smile when you say that, pilgrim." Jane retorted in a horrible John Wayne imitation.
"Ummm, Aunt Ruth? Wrong cowboy." Darryl observed with a sly grin, "I think it was Gary Cooper who said "Smile when you say that." Although maybe the Duke did say "pilgrim" . . . sometime."
They were still enjoying the tension release of laughter when the patio door opened and Marie hurried. "Jane? Judge Ruth is on the phone. She says it is important."
Jane picked up the portable phone beside her deck chair and answered it. "Jane? I've got a live one for you. He reminds me so much of David before Beth that it makes my heart ache. Tell me you'll be able to take him on now that Kenneth isn't in the program. Please?"
Jane looked over at Kenneth, smiled just a little sadly and shook her head. "It won't work, Ruth. I have made a commitment to Kenneth that includes retiring Kendra for good. Having a male around would just encourage the new student to believe that he wasn't completely alone in that frightening new world of feminine behaviors and fripperies. That early feeling of isolation is critical to what comes later."
"I have an idea on that score." Ruth plunged on, "Kenneth could stay with me. You know he's been talking about being a lawyer like his Aunt Ruth." Jane smiled at the pride in her dear friend's voice. "I could get him a part time job interning here at the courthouse so he can see how things happen in the real world. An internship like that would go a long way toward getting him into one of the better law programs, too."
"Ruth? I have to speak with Kenneth, first, and I also need to think about it. I have been thinking I might need a vacation from all this after the last few. I haven't been exactly successful of late."
"Jane, this boy *needs* you!"
"He may need something I can no longer give him, Ruth. I need to think about this. I will get back to you in the next day or so, all right?"
Reluctantly, Ruth finally agreed and hung up. Jane returned her gaze to the young men seated next to her. They were both staring at her intently.
"I am sorry, Aunt Jane, if you feel that you failed with me."
"Kenneth. . I . ."
"But you *didn't* fail with Kendra, Aunt Jane!" Darryl said intensely. "In fact, you succeeded far beyond what I thought was possible."
Jane turned her schoolmistress glare on her ward. "And just *how* did you come to that conclusion?"
Darryl grinned, not at all bothered by her look. "In about two weeks, you took him from being Kenneth to being Kendra, and Kendra was so perfect, so . . .let's see, what did you threaten me with? Oh yeah. . .so adorable, winsome and sweet, that his own mother did not recognize him. That's about as good as it gets, and you pulled it off in less than three weeks."
"But it wasn't the same." Jane protested.
"No, it wasn't." Kenneth said quietly. "It was better. Remember I told you it was a game, Aunt Jane? That it did not threaten or change the real, essential me?" Jane nodded. "That was the truth. Another truth is that now that I am no longer being threatened with lifelong dressing, I have found that I can actually enjoy the game . . . in moderation of course."
"Oh, of course in moderation." Jane retorted, laughing softly.
The gamine grin on Kenneth's face was pure Kendra. "Of course. Not only that, but the looks on Sheila's face when you told her who I was, and when you knocked her on her butt were priceless, memories I will cherish forever. I would never have had them if not for you and Kendra."
Jane did not want to discuss it further. "Ruth wants to send me another boy. I told her we'd have to think about it. She said you could go live with her, Kenneth, since if I do take him on, the only way you could stay with me would be as Kendra. Darryl?" she asked the other boy.
"Same answer, Aunt Jane. Count me in. I believe in you one hundred percent."
Tiredly, Jane rose to her feet. "I need to go for a walk and think a bit, boys." Both boys rose and kissed her on her cheek.
It was a very introspective Jane Thompson who strolled aimlessly around her home. The simple truth was that she was afraid to take on this student. Just as she had been before Kenneth had arrived on the scene, only more so.
That time she was simply afraid of failure. This time she was afraid she might lose her own soul.
Jane had always known that there were people who played dominance and submission games or sexual games using the props and tools she used with her young men. Having thought about that a great deal since leaving Ruth's house, Jane could understand how it such games could become an obsession, and how an obsession could go beyond the pale and become an evil, twisted thing.
A thing that could consume a person's soul, leaving nothing but the evil behind. As it evidently had with Sheila. Seeing that evil, up close, had given Jane pause. Could *she* fall into that abyss, too? Could Jane end up as evil as Sheila?
Great God above, but she did not want to *ever* become like Sheila. Yes, she enjoyed her games with the boys, enjoyed watching their fearful looks and embarrassed poses, and if she was being completely honest, some of those games even excited her. Is that what finally ate away Sheila's soul? That excitement that fed upon the harsh emotions her program was designed to spark in her young men?
How could Jane continue to put her young men through her program of terror and humiliation now that she knew what was possible?
Jane couldn't seem to find the answer, so she kept on walking, kept on trying to find a solution she could live with.
Jane made her way around the grounds, and found herself thinking of all the be-skirted young men who'd made a similar trek on their way to being given their femme names. She walked into her little English garden and saw Old Tom lovingly pruning one of her climbing rose plants. He saw her and instantly, his old lined face broke into a smile.
"Missus Jane! How are you doing, Ma'am?" he asked in his usual pleasantly gruff tone.
"Hello, Tom. I am fine," she answered pasting a smile on her face. "And you?"
"Doin' fine, Ma'am. . just fine." Then he looked at her more closely. "But, maybe you don't look so very fine. You look like you're carrying a lot of weight on your shoulders."
"I'll be fine. I just have to decide if I am going to take on a new student or not."
Tom returned to his pruning. "I surely do respect what you do here, Ms. Jane, helping those young folks like you do. Must be hard, too, deciding what boys to take in and what boys not to take in."
Jane felt as if someone had just upended a swimming pool filled with ice water over her head. "Tom, I teach girls." she said carefully.
"So it seems. But I have been here since the very first, Ms. Jane, and I have eyes. Every time the young one brings her new friend out to meet me and my boy, well, that new friend almost always has a fit. One of them slipped up once. Not too badly, but badly enough. I started looking more closely then and I think I've figured out what goes on here. By the time one of your lads is far enough along to make the introductions, well, if I didn't know already, I would swear he was a girl, but the new ones. . . well, they do try, but they don't have it all down yet."
Stunned, Jane could not even find the wit to try to dissuade him from his unfortunately correct conclusions. "Why haven't you said anything? Does any one else know?"
"Because it really wasn't any of my business. Still, I figured out pretty quickly that those boys were here to learn manners. I suspect they must need a whole lot of learning if you have to get them into girl clothes before they'd learn anything. They do seem much nicer, more mannerly, when it's their turn to make the next set of introductions. And no, I haven't told anybody - Like I said, it isn't anybody's business but yours."
"Does. . .does your son know, too?"
"That one?!?" Tom snorted. "He's too young to notice anything other than the young missus having pretty legs, or that she smells really good or that she looks very nice in her pretty dresses and make up."
"You've known all this time?" Tom nodded. "And you don't think it is an evil thing to do to those boys?"
The old man gave a bark of laughter. "You aren't an evil woman, Ms. Jane. I've seen you watching over those boys when you think they don't see you for a lot of years now. You're right careful with them and you seem to keep getting new ones so somebody must figure what you do is important. I remember that time the little red haired one fell down and broke his leg. God, he was pitiful, laying there in the driveway just screaming his lungs out. An evil woman would have thought of herself first. You had that little fella in the hospital before you even took the time to wash the makeup off him."
Still amazed, Jane could only shake her head in wonder. She remembered that boy, too. It had taken some mighty fast talking. Fortunately, she'd already enrolled that boy in Deirdre's children's theater so she'd been able to explain the cosmetics that way. Her nurse friend had cut the girlish undies off the boy before anyone else had seen them, but that was as close as she'd ever come to having a boy publicly revealed. "I see." she said softly.
"You worry about being evil, too. The really evil folks I've seen, well, they just don't worry about being evil. They just are and you aren't. I figure it would be a real shame if you thought you could help that young fellow, but didn't try because you worried too much about being evil. Awful lot of bad things out there for boys these days. Too darn few good ones. You're one of the good ones, Missus Jane." he said with a sharp, emphatic nod of his head.
Jane's heart warmed and tears prickled against her eyelids at the words of this old man who had evidently been more a friend to her and her boys than Jane had ever realized.
"Tom?" The old gardener looked up from his pruning at Jane. "What happened to your homey, down east New England accent all of a sudden?"
A wide grin split Tom's face. "Oh, it's still there, Missus, when I need it. When you first came here, I decided to give you a bit of show during the interview. Then, the young'uns started coming along and I just kept using the accent. They just kept coming, each one expecting me to sound like I had when he'd first been introduced to me. I was sort of stuck."
"You are a very sweet man, Tom. I really do appreciate your support and loyalty all these years, even though I never knew until now just how supportive and loyal you truly were." Carefully, so as to avoid the sharp thorns of the trellised rose bush, Jane bent over and pressed a kiss to Old Tom's grizzled, whiskered cheek. "Thank you, Tom. For your silence, your help and your kind words." And then she briskly left the garden in search of Marie and the boys. Her family had some big decisions to make.
"Boys, I've decided I want to try to help Ruth's new candidate. Kenneth?" Jane asked. "I made a promise to you, so the final decision is really yours. Stay with me as Kenneth, stay with me as Kendra and help me work the new boy, or stay with Ruth."
"I'd like to stay with Ruth, Aunt Jane. So long as I can come visit you periodically."
"You know you are always welcome, dear. Just make sure any new students are fully indoctrinated first." Jane said warmly before turning to Darryl. "Marie?"
"Bring him on, Jane. I think I am ready for anything after this pair of clowns."
Jane smiled at her friend's joke before turning to the final player in her little play. "And you, Darryl, are you willing to be Darla again for a new "little sister".
Darryl fidgeted in his seat. "Out with it, Darryl. I won't mind if you say no." Jane prompted, even as she held her breath against the disappointment she knew she'd feel if he did say no.
"Oh, it's not that, Aunt Jane. Of course I will help with the new girl, it's just that . ."
"Darla." Jane ordered.
"Could you ask Judge Ruth to *please* make sure we get a *real* one this time? I don't think any of us could handle another one like the last few. Just a nice, average, normally obnoxious-bad boy delinquent you can turn into a good girl, okay?"
"Darryl, my friend." Kenneth put in with an air of great indignation. "Are you perhaps implying that I am not normal?"
"If the high heel fits, sweetie. . ." Darryl replied in Darla's dulcet tones.
"Why you . . ." Kenneth theatrically lunged towards the other boy, but Darryl was prepared for such a maneuver and kept just a step ahead of him.
Jane and Marie watched in tired amusement as the two boys went tearing off, laughing like loons.
"Darryl did say a "normally obnoxious bad boy", didn't he?" Jane asked Marie with a soft chuckle.
"It would be nice." Marie agreed, taking a sip of her drink. "It definitely would be nice. What say we go ask Ruth if she's got one?"
The old, familiar Jane-smile flashed. "Let's go find out, partner."
End of Tales of The Season - Kendra's Story
Or is she?
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Seasons of Change
Book 6 The Christmas Season
Copyright © 1998,1999,2012 Tigger
All Rights Reserved. |
Essentially, the principal character, Jane Thompson, is a woman who uses her "Victorian Method of Petticoat Training" to deal with hardcore young males who are in serious need of civilizing. She usually keeps two cross dressed students at a time - a senior student ("big sister") who helps with the indoctrination and initial training of the junior student (little sister).
This story asks the question: how does such a woman pass her Christmas holiday?
Every one of her boys, except for the lad she'd graduated only a short week ago, had remembered her with a card. She hadn't really expected anything from Shelly - Sheldon Harris the Third was too close to his admittedly harsh experience with Jane to feel very fond of her. Perhaps in the future, he'd come to recognize Jane's version of tough-love for what it really was, and find it in himself to think fondly of her.
Shelly had been through a particularly hard four months with Jane. First because he was as arrogant, snotty, overblown young male animal as she had ever had to deal with, but secondly and more importantly, because he'd been too close to his majority. Soon after the New Year, Sheldon, or Trip as he preferred to be called, was going to turn eighteen whereupon his mother's wishes ceased to have any hold on the young man. So he'd been treated to the full Jane Thompson course of studies. It had actually been fun to get one she could really cut loose on, really put the fear of Jane into, and initially, he'd fought her. He'd lost, of course, Jane simply had too much experience and he was the ideal subject for her method, but it had been an extremely trying and painful rite of passage for him.
If she'd had more time, she could have taken things more slowly, more gently, at least a little bit, and taken longer in breaking him down. Only she hadn't had more time, so she'd been forced to be quite brutal with Trip. Even towards the end, when she'd seen all the signs she looked for when one of her girls "turned the corner", he'd never become at all that close to Jane. Part of that was that he had not gone through the experience of being a big sister and working with Jane as they indoctrinated a new student.
Not having a new junior student move in when Shelly's big sister had graduated had been a conscious decision on Jane's part. Whether Jane deemed him finished or not, Shelly was going to be leaving Jane's home only two short months after his big sister had left. Either when Jane would "graduate" Shelly back into Trip's trousers or when Sheldon's birthday removed him from his Mother's and therefore Jane's power. No big sister was better than one who disappeared too soon in her little sister's indoctrination period. That would raise questions that Jane could not answer and still proceed with the little sister's training.
A week ago, Jane had admitted to herself that there was little more she could accomplish with him. The improvement in him was startling and it had been days since she had honestly found something in his deportment and manners that was in anyway unpleasing. Jane just hoped it was real and not an act, but keeping him with her and in skirts over the holidays would have accomplished little. Such an action might even have upset him enough to make him reject her teachings out of hand and revert to his old habits. So she'd freed him from her petticoated prison.
Trip had not said a single word to Jane after she had told him she was graduating him. He'd submitted in silence to Caro and Sandy restoring his masculine appearance, had ridden to the train station without saying a word and then had boarded the train without so much as a wave or a backward look.
The utter lack of any feeling from him that day had hurt Jane badly. Even the memories still hurt.
Well, she'd been tough on students before, and they had eventually come to appreciate what she had done for them; even coming to care for her. It just was just so painful when they left - particularly this time since there was no one else in the house to focus her attentions on, to help her ignore the feeling of emptiness, of loss, and yes, of hurt.
How come the evil, manipulating, feminizing bitch-women of so much of the TG fiction on the Internet never seemed to feel like this, she wondered sadly to herself. Life would be so much easier if her feelings were so remote, so plastic. She was so very good at putting up the mask of indifference to their fears and humiliation, and she honestly had to admit that she enjoyed inflicting those emotions on the little darlings, but it was only a mask. A woman did not dedicate her life to helping, and she really was helping, *dammit*, young men and not have a caring side to her. She just was never able to show it to them.
It was just the holiday season, she told herself yet again. Everyone is depressed about something and this time of year just amplifies that feeling. At least her other boys remembered her fondly, she mused, smiling as she scanned the row upon row of greeting cards one more time.
If only she wasn't alone, dammit. She could get past the melancholia that had closed in on her when Marie had left for church and to spend the day with her family in Providence if she had someone to spend the day with.
In the past, Marie and Jane had always done something special with the girl-boys they had with them at the time. For a few days, they were allowed to relax and enjoy themselves, albeit still in skirts, but without the constant mind games and verbal torments that were part and parcel of Jane's method. A couple of times, Mothers had come to share the Christmas feast with Jane's little group. That had worked well once (the boy had been well along in his rehabilitation and the Mother had been effusive in her praise) and disastrously the other time (the boy had not yet turned the corner and the Mother had teased him mercilessly setting Jane back weeks with that one).
This was the first time in almost twenty years Jane had not had at least one skirted boy in her home over the holidays. The huge Victorian house seemed so empty, so devoid of life. She'd thought to invite some of her friends over to share the holiday, but that had not worked out. Carolyn and her husband, Bill were celebrating the holidays at a mountain lodge in Vermont. Marie, Sandy and Betty Franson were out of town visiting with their families. None of her purely business colleagues were all that close with her.
The brandy decanter beckoned to her, but she resisted that. She would not meet Marie in the morning with her eyes bloodshot and falling out of her head from a hangover. It would just make Marie feel bad for having left her friend alone on the holiday and besides, Jane hated surrendering like that. Quietly, Jane walked to the door, took one last look at the tree and other decorations and then turned off the lights. The door closed behind her with a loud, echoing click.
Jane tried watching television, but everywhere she turned was something that reminded her of what she was trying to forget. "It's a Wonderful Life" was the final blow and she'd turned the television off and tossed the remote across the room. The radio was even worse - every damned station was "Joy to the World"ing or decking the damned halls. She found she couldn't concentrate enough to read or to work.
"Bloody hell." she fumed. "I'm almost to the point of screaming "Bah Humbug" just so Dickens' Christmas Ghosts will pay me a visit. Oh, what the hell. I am going to go take a nap. Maybe I can sleep most of the day away."
The house was dark as a pair of dark clothed figures furtively crept up to the back of the house. "You sure she's here?"
"*SHHH*! Where would she go?"
"Lots of places. She's rich, remember?"
"Even if she is out, we'll get her when she comes back, so lets move in, okay? We're not going to let her get away. Now be quiet and let me work this lock."
"All right. You sure you can do that?"
The back door unlatched and swung open silently on its well oiled hinges. "Okay, lets make sure we know where she is, before we do anything else."
A quick check of the downstairs revealed no sign of life. "Lets check her room." Whispered the shorter of the two. "Be careful of that step. It squeaks."
"Wonder which time you fell down them you found that out." was the amused response.
"Damned heels." was the quick, whispered response. "You wait here, I can move more quietly alone."
Moments later, they were slipping down the stairs. "She's sound asleep."
"Helluva way to spend Christmas - sleeping. And alone, no less."
"Lets get busy. We have a lot to do in the next hour. Help me with this electronic stuff."
"You sure this is gonna work?"
"The techno-wizard at my dad's company said so. Just get it set up right and after that, it works like a computer game with that joystick. Oh, and go unlock the front door before we get started."
Something tickled at Jane's consciousness. Jane stretched and tried to burrow deeper into her covers. She knew it was still Christmas and she did not want to wake up.
(aaannnnnneeeee. Jaaannnnneeee Thommmpsssooon. Wake up, Jane.)
Jane's eyes snapped open at the eerie voice calling her name. Had she been dreaming that?
(Wake up, Jane.) the voice repeated, coming from outside her door.
"Marie?? Is that you??" she managed to ask, her heart beating a mile a minute.
(No, Jane, I am not Marie. I am the Ghost of Christmas and I am here to show you the true meaning of Christmas. Come to me, Jane.)
I don't believe this, Jane thought. And I didn't say bah humbug, dammit. Someone was in her house and she was alone. And her gun was in the study. Jane slipped into her shoes and found her keys before getting a black-iron poker from her bedroom fireplace. Maybe she could get to the garage and her car.
Slowly, she opened the door, poker raised.
(Hello, Jane. You won't need that.) the voice said gently from above her head as she looked out the door.
Jane's head snapped up and she gasped, dropping the poker. A semitransparent shape floated above her - a young male dressed in a red tunic and green leggings.
Finding her voice, Jane managed to squeak "You're a ghost?"
"Indeed. Now, follow me, please." He directed and then began to float towards the stairs.
Not sure what was going on, but no longer feeling threatened, Jane made to follow. "Aren't you supposed to offer me your hand, or tell me to touch your coat so I can fly with you?" she asked flippantly.
"Only for long hops." the voice said cheerily from the head of the stair. "Have to conserve energy these days."
"Oh, all right. But I don't understand why all Christmas spirits have to be male."
"Leave it to you, Jane Thompson, to complain about that. I wasn't planning to do this quite yet. Oh well, the best laid plans of mice, men and ghosts." the spirit sighed. Suddenly, the leggings became red and the tunic became green and lengthened; the shape of the ghost shifted subtly, becoming feminine as did the facial features and hair. "This better?" asked the now very female ghost decked out in a green dress and red stockings.
At Jane's open mouthed nod, the spirit began to float down the stairs. Jane followed her slowly, eyes blinking against the otherwise darkened house.
At the foot of the stairs, the spirit gestured towards Jane's parlor door. "You will wait for me in there," the feminine voice ordered, "While I prepare your Christmas experience."
With that, the spirit disappeared.
Thoroughly bemused, Jane decided to do as directed. She opened the door carefully and slid her hand around the doorjamb to find the light switch. It clicked loudly and the flash of light momentarily blinded her.
"MERRY CHRISTMAS, AUNT JANE!!!"
The shout almost knocked Jane backwards but she found herself swept up by many hands and pulled into the parlor.
The very *full* parlor.
Jane shook her head, trying to clear her dazzled eyes, not quite willing to believe what she saw.
Her boys. The room was full of her boys, and they had decked themselves out as their feminine alter egos. Each and every one of them looked like one of the cute female "Santa's Helpers" at the mall in red, velvety mini dresses with white fur piping and matching stocking hats. There was Beth(David), Charlene (Charlie), Erica (Eric), Darla (Darryl), Valerie (Eugene) and Joan(John), and . . . . and . .so many others. How in heaven's name did they get here?? Jane's head was spinning and she feared she might do something really silly. . . like faint.
Before Jane could quite form words or decide what to do, she was being passed from one student to another, being thoroughly hugged and kissed at each stop.
Finally, she found herself near the tree and came to a stop. There, kneeling beside some type of computer was . . "Sheldon?? I mean, Trip?"
The winsomely made up face beneath the floppy red 'Santa-hat' looked up from the screen. "Shelly, Aunt Jane." she said as she leapt up into her arms.
Jane pulled back from the hug and saw Sandy and Michelle beaming at the pair of them. "But what? I mean, who? HOW??" she stuttered.
Michelle grinned. "Marie told me you were going to be alone. I was going to come up, but then, I got a better idea. I called the guys in your rogues gallery and asked if they could come here for the day."
"And I," Sandy cut in, "Spent the whole day fixing them up." she snorted inelegantly. "NEEDED the whole damn day, too. Forgot every blessed thing we taught 'em, Jane, the lot of 'em."
"But the ghost, I mean, how did you do that?"
"Holography, Aunt Jane." Shelly answered. "Charlene and I setup a small infrared network with a bunch of holographic projectors around your bedroom and staircase. A few speakers and microphones so that I could carry on a little discussion with you and voila, instant ghost." Shelly's face became mischievous, "I even planned the petticoating of the ghost for you although I did plan to do it myself before you asked for it."
Jane dazedly made a quick head count. More than half of her boys were here - to be with her. "And you all came?" she asked, her voice just above a whisper.
Michelle took Jane's hand. "Well, everyone who could come at such short notice. Some had family commitments they couldn't get out of. Shelly's got a conference call set up for later tonight so those who couldn't come will still be here, at least in spirit. I got everyone airline tickets. Shelly handled those that I couldn't get tickets for by sending her father's company's corporate jet for them."
"You all came." Jane said again, still not quite believing it. "Even Shelly."
Shelly hugged Jane again. "Even me." The very feminine vision went up on tiptoe and planted a kiss on Jane's cheek. "Thank you for what you did for me, Aunt Jane." she whispered. "And Merry Christmas."
A piercing whistle cut through the happy babble and made Jane nearly jump into Shelly's arms. She spun to see a grinning Sandy, her fingers still at her lips.
"Okay, you girls. Let's get into the kitchen and get out the good china. Michelle's caterers will be here in a half hour or so, and we need to be ready. I, for one, am HUNGRY! Worked my fingers to the bone on you, today." she complained loudly.
"First things first, Sandy." Michelle interrupted raising her hands high into the air. "Ready everyone??" Instantly every eye in the place focused on Michelle. "Sing!" she ordered giving the down beat.
"For She's a Jolly good Fellow, for she's a jolly good fellow. ."
"Wait-a-minute!" Jane yelled in laughing protest. "I am not any type of fellow!"
Shelly lifted a single finger to Jane's mouth to shush her. "If *you* can make *us* into honorary ladies, then we think *we* can make *you* into an honorary fellow. Right, Girls?"
"RIGHT!!" was the overwhelming response. Followed by "For She's a Jolly Good Fell-ell-low, which NOBODY can deny! YAAAYYYY! Merry Christmas, Aunt Jane!"
The tears she had been fighting all day began to flow, only now they were spurred by joy and not loneliness. With a strength born of love, Jane pulled Shelly and Michelle tightly to her side. "Merry Christmas to all of you, darlings. Thank you for making this the best Christmas of my life."
"Don't thank them yet, Jane." Sandy warned. "You haven't seen the presents yet."
Jane's eyes swept the room one more time, taking in the bright, laughing faces and turned back to Sandy, her lips curled into what felt like a permanent smile. "Oh, but I have, Sandy, and I've never seen their like before."
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Seasons of Change
Book 7 - Part 1 of 2 Tales of The Season
Caitlyn's Story Copyright © 1999,2001,2012 Tigger
All Rights Reserved. |
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Jane Thompson was an austerely handsome woman, not quite pretty, but her classic features were the type that did not change significantly with the passing years. When she admitted her age she was nearly fifty, but she looked at least fifteen years younger than that. This night, the still dark auburn hair that she ordinarily wore in a severe bun or a perfect chignon was unusually mussed and hanging down loose about her elegant face. The finely etched wrinkles lining her normally smooth forehead gave mute evidence of the steadily building headache behind the icy blue of her eyes.
The room suddenly seemed to close in about her, becoming stifling, almost airless. Jane stood and walked over to the door that opened onto her beloved English garden and flung it wide open. For several minutes, she simply stood behind the screen door, letting the still mist-dampened breezes cool her. "If only all my problems were so easily solved," Jane sighed aloud.
How many times, Jane reflected as she returned to her seat, had she found herself sitting up alone in the darkness like this? How often had she been the only person awake in her huge old Victorian mansion planning the next trial or excursion for one of her students? How many nights had she lain awake, unable to sleep because she had been worrying if she had pushed some boy too hard or too quickly, or if she had not pressed another one far enough? Probably at least a dozen times for each and every one of the nearly sixty young men she'd taken into this very house as her students.
Her students, Jane thought with a slight ghost of a smile, only *left* her home as "young men". With rare exception, they had all been little more than obstreperous boys when they'd arrived at her house as prospective students. Boys she'd subsequently forced into learning to behave like proper young ladies so that she could then help them learn to become fine young men.
*The Jane Thompson Winsome Girls Home for Wayward Boys,* she thought to herself, *the name Marie and I have jokingly given my little program over the almost twenty five years I've been doing this.* She remembered yet again that the big FIVE-OH was looming very large on her personal horizon - only a little more than two years in the future. *Where have the years gone?*
"Spent making money and building young character," she told herself. The financial games helped to assuage Jane Thompson's not insignificant competitive drives. Profit and loss statements were the scorecards that clearly showed who won and who lost in that type of sport, and Jane *liked* winning - a *LOT*. In fact, Jane won quite regularly at the game of high finance - so much so that only the most reckless of the financial high rollers dared crossing entrepreneurial swords with her anymore.
However, those pleasures paled into insignificance when compared to her other avocation. She had become a teacher so that she could be close to and work with children. Eventually she had focused on a very specialized curriculum - petticoating wayward boys. Jane's unique program had a long history of success with her students, helping them to turn their lives around and to grow into productive, caring human beings - *men* in the finest sense of that overused and often misused word.
The truth was that her boys filled a basic, deeply seated need within the complex woman who was Jane Thompson - a need for family. Jane's be-skirted young men, along with Marie and a few carefully chosen and completely trusted co-conspirators, were Jane's family, and she had come to love each and every one of them. *Even if some of them never quite believe that I do until after they've left me.* she thought wryly.
Jane Thompson's love was often a very tough brand of love, but collectively, her little circle of friends and students filled a ragged bleeding hole that had been torn into Jane's life that day over twenty-five years ago, when a viral infection had attacked her ovaries and fallopian tubes. The resulting fever had left Jane delirious for more than four days, and she had very nearly died. Jane had survived, thanks in large part to the heroic efforts of some superb doctors, but her dreams of ever holding in her arms a child of her body had not.
And Jane had come to view the words "sterile" and "barren" as being the foulest words in the English language.
She'd only lost two young men back to the system - spectacular failures to be sure - one to a life of violent crime as a drug runner and the other to a life of "legal crime" as an unscrupulous corporate robber baron.
Those failures haunted Jane, particularly on this dark, airless night, because tonight Jane had finally forced herself to confront the growing likelihood of a third failure. Carlton Everett Jeffries the Fourth, known for the past five months as Caitlyn, seemed no closer to "graduation" now than he had at the end of his first month in her program.
"DAMN!" Jane exploded. Everything about this boy should have been a perfect fit for her regimen. Deprived of parental attention. . . getting in with the wrong crowd . . acting out to fit in. Eventually, he'd gone too far, had found himself in Ruth's courtroom and under Jane's special tyranny shortly thereafter. She'd been almost gleeful at the thought of working and playing with this boy. But as Robert Burns said, the best laid plans of mice, men and petticoat disciplinarians oft times go a' glee. Or something like that. Suffice to say that things began to go awry.
Several unanticipated problems cropped up once Caitlyn had begun to settle into what passed for Jane's routine. The worst of these problems was Caitlyn's lack of coordination. Simply stated, the girl was an absolute *klutz*!
Putting the girl into a pair of high heels was an invitation to disaster. No amount of reluctance or recalcitrance could fake the badly swollen ankle that had laid Caitlyn up for over a week. *Twice!* Even Jane's trick of forcing a student to study ballet to improve her grace and poise had been a complete flop. Jane did not even like *thinking* about her charge's performance at dance school.
For the first time in Jane's long experience, and despite her large and continuing financial contributions to the dance studio, the ballet instructor had actually asked Jane not to bring Caitlyn to class anymore.
"She tries hard, Ms. Thompson, really hard, but with our spring performance coming up, it just wouldn't be fair to the other girls. I promise all of my ladies that if they work for me, I will find a place for each of them on the stage, but . . ," she shrugged sadly at Jane.
The instructor had been right, of course. Even aside from the risk of additional injury to her charge, Jane couldn't have Caitlyn falling in the middle of performances the other girls had worked so hard to make beautiful. Unfortunately, Jane also saw Caitlyn's effort and wanted to see that continue, too. Ultimately, the two women had compromised. Caitlyn's recent ankle injuries were used as reasons to keep her out of the shows, but she would continue to take class with the dance mistress, working on her floor-work, basic positions and at the barre.
Then there was the not-so-small problem of make-up. If Caitlyn's gross physical coordination was abysmal, her fine motor skills were even *worse*. Her hands shook visibly whenever she tried to execute the delicate movements of brush and pad needed to apply cosmetics properly and subtly. When she attempted anything but the lightest, simplest "at-home" look, the girl came out looking like a circus clown at best and a five-dollar-an-hour streetwalker at the worst.
Unfortunately, both problems were far more serious than they might sound at first blush. Jane's program required a certain degree of "near-exposure" to work. Fear of being discovered as a boy in girl's clothing served as "incentive to succeed" for her students. Once that fear of discovery effectively diverted the boy's attention, the other, more important elements of Jane's program demolished his false, angry pride so that a sounder, more positive self-esteem could grow in its place. Only after they'd made that leap forward could they begin to see themselves and their surroundings in a new light.
For the first time in her memory, Jane couldn't take any pleasure in her excursions with one of her students. With the all the others before her, Jane's carefully orchestrated dances on the edge of exposure had terrified them but given Jane a delicious thrill of power. With Caitlyn, though, the risk of exposure was just too real. Her garish makeup (when Jane forced the issue of having the girl do her own) drew unwanted attention.
Worse yet, there was always the very real possibility that her clumsiness might cause her to fall and hurt herself badly enough to require treatment at an emergency room. Jane had gone to the hospital with an injured boy-girl once before and had just barely managed to get away without revealing her student's masquerade. Jane knew she could not count on being that fortunate again. The moment some orderly or nurse discovered the secret currently hidden in Caitlyn's delicate lace panties, all of Jane's previous students would be compromised as well.
Jane felt cornered by this decision. Caitlyn was obviously trying as diligently as than any student she'd very had in her program. Yet Jane knew she would shortly have no other legal option but to send her back to Ruth and a more traditional juvenile correction program, however ineffective that might be.
She snorted derisively to herself, *Yeah, like my program is any better. At least in this case.* It seemed . . . no, it WAS patently unfair, but Jane was caught up in a horrible moral and ethical dilemma - with serious legal overtones.
The court order required Jane to provide training that would rehabilitate Carlton into a polite, law-abiding citizen, but as yet she'd been unable to do that. Lord knew she'd tried, but so much of Jane's program had been stymied by Caitlyn's inability to master the skills of passing unread as a girl in public.
If she couldn't help the child to learn to behave properly, she was legally bound to return Carlton to state custody. Unfortunately, to date, Jane could provide no hard evidence of the sort of radical, extremely obvious transformation in attitudes her methods required. Jane had to be able to certify that the improvements were *real*, and that the student wasn't putting up a very convincing act during the relatively short time frame she had him under observation.
*God, what a coil* Jane fumed. *If only he wasn't one of the court order-referred cases. If he'd been sent here by his family, then I could just keep him with me until I found *something* that worked for him. Only he *is* a court case and soon I will have to answer to Ruth for his progress. What do I do then? Lie to her? DAMN!*
Tomorrow, she told herself. She'd look at the whole situation again tomorrow before she made any permanent decisions. "Playing Scarlet O'Hara now, are you, Ms. Jane?" she chided herself aloud, "And besides. It already *IS* tomorrow." In her heart, she knew she was only postponing the inevitable and that soon, all *too* soon, she would be legally required to start the process of making Caitlyn back over into Carlton so that she could then send Carlton back to Judge Ruth and the boys' home.
But not tonight - she wouldn't . . . couldn't do it tonight.
Jane's beloved antique grandfather clock chimed twice for two AM. Wearily, she pushed out of her chair to go to bed, not that she expected to sleep, but she had to try - no matter how badly she felt about failing Caitlyn.
"Face it, Jane Thompson, that boy is part of *your* *family* now - one of your boys to help and to protect - and you cannot stand facing that you have failed him," she told herself sternly.
Rationally, she knew the situation wasn't entirely her fault. There was more than enough fault to go around to all the key players, but knowing that did not do much to lighten Jane's own guilt and feelings of inadequacy. Jane *knew* that Carlton would not rehabilitate at that juvenile detention facility. Certainly her other two failures had not been improved by that experience, unless you believed in negative improvement. Still, she couldn't think of anything else she could do with the child at this point. She tried every sneaky trick and humiliating stratagem she'd accumulated in over twenty-five years, but all to no real effect.
With a heavy heart, Jane made her way silently up the stairs to her room. Only force of long habit made her glance down the hall towards the student rooms. Instinct told her that there was something wrong an instant before she could put her finger on what that something was.
There was a faint halo of light arcing onto the hall rug from beneath Caitlyn's door. *Why is she up at this unholy hour?* Jane wondered before her icy fear clutched at her heart. *Is she planning to run away? Or maybe she already has run off, but left the light on?*
Jane turned and ran down the hall to her upstairs study. Inside, she slipped in behind her desk and turned on the surveillance monitors and selected Caitlyn's room. These new devices had seemed a prudent way of keeping watch over her students in their early days, especially after her experiences with Michael and Kendra. She could set tasks for her boys and then watch to see how they reacted in what they presumed was the privacy of their room or bath, so that she could intervene in time if something went seriously wrong.
The gray image coalesced into the color picture of a figure moving about in the intensely feminine room. For several long moments, Jane could only stare, unable to credit the evidence of her eyes. It was not possible. There was simply no way that figure on her monitor could be Caitlyn.
But it was. Amazingly - almost unbelievably - it was Caitlyn, but it was a Caitlyn Jane had never seen before.
Caitlyn was dancing. There, in her oppressively feminine room, in the middle of the night, Caitlyn was dancing.
Jane took a few moments to absorb the scene. Her student's appearance was like nothing Jane would have believed without seeing for herself. Caitlyn had outfitted herself in one of the dance leotards, completing her outfit with the classic ruffled skirt of the ballerina's tutu. Her hair was up in a perfect dancer's knot and her face, Jane thought in amazement, her face was beautiful. The student who could not seem to create anything but the most garish cosmetic presentation, even after months of makeup instruction, had achieved just the right effect for the role she was dancing.
Even without the music, Jane recognized the choreography - Caitlyn was practicing one of the lead dancer's solos from "Sleeping Beauty", the ballet that Caitlyn's dance school was currently planning for their spring performance later that month.
Only then did Jane realize that Caitlyn was not only dancing, she was dancing en pointe. *None* of her boy-girls had ever achieved that level of proficiency before - mostly because it wasn't necessary. Jane's purpose in having them practice dance had always been twofold. First, the exaggerated arm and hand movements, along with the steps improved her students feminine presentation and grace, and of course, her other reason for such a girlish activity was that it gave her plenty of opportunity to tease and humiliate the little darlings. *Still, I have never before had a student stay in dance class long enough to develop beyond that goal. Klutzy-Caitlyn,* she thought using Darla's disgusted nickname for her little sister, *has been in that dance class far longer than any of my other students.*
Perhaps it was Jane's fatigue-fogged mind, but it took several moments for her to realize precisely how well Caitlyn was dancing. Her steps and positions were precise, her spins balanced and flowing, her leaps powerful yet graceful. Moreover, she was obviously working to perfect her interpretation of the dance routine. Every once in a while, she would stop, go back and then repeat a sequence of movements over and over again until Jane saw her nod her satisfaction and then proceed to the next steps.
*This does not make sense,* Jane thought over and over again. *Kicked out of the upcoming performance - almost kicked out of the dance class entirely and NOW the girl was dancing like THAT!?!? How is this even possible?!?* Jane fumed as she watched the screen. *This is not the clumsy, stumble-prone child I see falling all over the dance floor three times a week at dance class. This is a talented, proficient young dancer. Maybe even a prodigy.*
Jane sat glued to her monitor, watching her student move confidently through the entire dance solo one last time. Just as she finished, her alarm clock buzzed. Caitlyn turned off the alarm and than sat down to undo her hair and clean off her makeup. *Does that efficiently and well, too.* Jane noted.
Caitlyn carefully gathered up the disposable items she'd used to clean up and hid them in the pocket of her bathrobe. She folded her leotard and slipped it into her dance bag along with the toe-shoes, then she shrugged into her nightgown and got back into bed.
Jane continued to sit and stare at the monitor long after the room had gone dark.
A student who still cannot put her hair up without tangling it or put on makeup or dress herself without looking like a clown - an ungainly, uncoordinated accident waiting to happen on the dance floor or on the sidewalk.
A lost cause.
A *Failure*!
That is what everyone had concluded about Caitlyn over the past few weeks, and yet, Jane had just seen how well her student had really absorbed her teachings.
A key question in all of this was why was she hiding her light under a bushel? A student who could make herself look as pretty as Caitlyn just had done, who could move as beautifully as Caitlyn had been dancing, had certainly mastered everything that Jane wanted her to learn about the masquerade. Surely, the girl knew that life around the Thompson household became much easier once Jane saw both effort *and* progress on the part of her girls. Darla had become so exasperated with her seeming intransigence that she'd come out and told the girl that, but to no apparent effect.
The other question that begged an answer was where and how had Caitlyn learned to dance like that. Jane was not an expert, but there was little doubt in her mind that what she had just witnessed far outstripped anything the current soloist was capable of doing in both skill and maturity of presentation. *Maybe her male ego is still so rigidly inflexible that it won't let her do something so femme as be even considered for the part of the prima donna dancer in a ballet.*
Perhaps that was what she was dealing with here. Was Caitlyn sufficiently motivated to passively resist Jane's program and, just as importantly, skilled enough as an actor to simulate effort to comply with the program? Well enough to fool even her, with all of her experience with boys pretending to get the message?
Then again, perhaps that was not the case with Caitlyn. Again the grim question assailed her - was Caitlyn intentionally tripping over her own feet just to defy her? Would even the most rigid, gender-phobic male ego be able to justify practically crippling herself with clumsy falls whenever she was made to wear heels?
She still did not have an answer. Perhaps, more honestly, she did not really want to *know* the answer.
Who was she really dealing with at this point? An implacable, bad actor in Carlton, or a very unusual Caitlyn? And if it was Carlton resisting her method so much more effectively than any student Jane had ever taught, why in god's name would he get out of bed at two o'clock in the morning to dress and make himself up so beautifully and then dance? Why would he chance his deception being discovered?
Ejecting the tape cassette from the recorder, Jane pondered her next course of action. *What to do, what to do? Should I go in there and confront her with the proof of this tape?* Shaking her head, she put the tape into her desk. *No, that might change her behavior if she knew about the hidden surveillance cameras. There is more to this than meets the eye. Obviously, there are things about Carlton Everett Jeffries IV that his parents have not told me.* Jane considered that line of thought for a moment. *Perhaps because they don't know themselves?* That made as much or more sense as anything she had just witnessed over the past hour.
Jane evaluated that theory for a moment and then pulled out her planner. She found the number she wanted and dialed it. The office was closed, of course, but Jane left a voice mail message asking for an immediate phone conference.
Once that was completed, Jane made her way back downstairs to her office. She had plans to make and she would not be able to sleep after that performance anyway. Her mind was too full to relax, so she might as well try to figure out what to do next.
Part 2: Confrontation and Disaster and Unexpected Strength
The morning breakfast table found Jane exhausted - mentally, physically and emotionally. Only her own superb cosmetic artistry gave her any semblance of a decent night's rest. Darla, with her own skills honed over the past two years as Jane's ward and assistant, could tell that Jane had used a much heavier hand with her makeup than was her normal preference for breakfast at home. Marie saw the same thing, but with her longer experience with Jane also took in all the signs of a sleepless night and moreover, she thought she knew why.
Caitlyn only knew that Jane seemed more irritable and sharper-tongued towards her than she had been for quite a while - since her first few weeks under Jane's supervision. *I wonder what she has in store for me, today* she thought morosely. *God, I am so tired of feeling helpless.*
"Girls," Jane's firm tone broke through Caitlyn's thoughts, and she looked up from her plate to the older woman. "We will be doing some more walking practice today, Caitlyn. I am determined that you will attend Edith White's ball next month wearing those lovely white sling-backs we purchased for you last week."
Darla groaned inwardly, wishing Jane would just give up. Walking practice meant yet another morning wasted trying to keep Klutzy Caitlyn from breaking a leg or worse. Still, she had promised Jane that she would help. "All right, Aunt Jane. What time do you want us and where do you want to do it?" she asked, pasting a forced smile on her lightly colored lips.
Jane gave her ward an approving smile, but shook her head. "Not you today, Darla. You have that appointment with Caroline this morning. You may use the car. Marie will be assisting us. Perhaps you would clear the table and take care of the dishes before you leave?"
While post-meal KP was definitely *not* Darla's favorite chore, it was infinitely better than yet another session of fighting to keep Caitlyn from killing herself in high heels. "I'd forgotten, Aunt Jane. I'll be happy to take care of the clean up." She rose and began to collect the dishes.
"Thank you, Darla," Jane approved before turning to Caitlyn and Marie. "Marie will oversee you putting on make up suitable for evening wear, and then you will come down to my office. We will practice in the main hall today."
Caitlyn nodded, a weary look on her face. "May I be excused, please, Ms. Thompson?"
"You may," Jane responded. The girl rose from the table and prepared to leave the room when Jane lifted a hand to halt her. "I expect you to give me your *very* best effort today, Caitlyn," she said in a tightly controlled voice. "Your future depends, in large part, on how you handle yourself today. Now is the time to put your best foot forward. Do I make myself clear, young lady?"
Caitlyn felt her heart start pounding and had to fight to keep from squirming under Jane's stare. "Yes, ma'am. I understand," she replied with only a slight tremor in her voice before curtsying and leaving Jane's presence as quickly as she could.
Jane watched in silence as the girl walked out of the room. Then, with a sigh, she reached for the coffee pot to refill her cup. She desperately needed the caffeine.
"Is this in the way of a last chance, Aunt Jane?" Darla's soft question made Jane jump. "I mean, didn't you say just the other night that there was no way you could let her go to a deserted park in heels let alone to something with as much visibility as one of Edith's debutante monstrosities? Do you really think you can get her up to that level in the few weeks you have left when you've already spent months working her with nothing to show for it?"
"I can't tell *her* this is her last chance, Darla. She just might give up on me and I can't have that. However, I suspect you are right on that score. Ruth's probation officer will be meeting with me soon to review the girl's progress, and I just don't have much of anything to report that's positive. She hasn't done anything bad while here, but neither has she successfully made any of the usual transitions that demonstrate changed attitudes and outlooks. She's no more ready to be a big sister now than she was when we first met her on the train, and as you well know, *that* is when her real training occurs. My time with her is running out, Darla."
"I'm sorry, Aunt Jane. I know how badly you feel about this."
"Thank you, dear. By the way, I put Darryl's boy clothes into the trunk of the car earlier. You can change down at the gatehouse and go up to Providence for the day. I understand the Paw-Sox are playing this afternoon," she said with a teasing grin. One thing Darla had never quite managed to control was Darryl's love of baseball. Jane had never quite broken him of going for the sports page instead of the fashion or business page first. Except when Darla was playing big sister, of course. Then she would smuggle the sports page to her room.
"Thanks, Aunt Jane. I need to meet with the Registrar folks up at the university anyway. I want to make sure that everything is all set for the fall term. I can still be at the ballpark in time for the game. It will mean I'll be getting home later than I would if I was going to Caro's, though."
"Don't worry about it. I don't think Caitlyn will notice or remark upon your arrival time. Have a good time, dear. See you at supper." Jane finished her coffee and stood. She was starting to leave the room when Darla intercepted her and hugged her close.
"You've done your best, Aunt Jane," she whispered in Darryl's voice. "It is not your fault that you have run out of time with this one."
Suddenly weary beyond words, Jane let herself cling to her ward's strong young body for several moments, fighting the tears of frustration, anger and sadness burning behind her eyelids. "I know, but it still hurts." Jane broke the embrace and strode out of the dining room, leaving a worried Darla staring at her retreating back.
Jane was furious - with herself more than with Caitlyn and she was becoming steadily more incensed with each passing moment. In truth, for all her acting out for her students, Jane rarely lost her temper with or around one of her boy-girls, but she certainly had lost it in the face of Caitlyn's continued clumsiness. For the past hour, Jane and Marie had walked the main hall, flanking the struggling student as she made her painfully slow, awkward way on yet another lap up and down the long, central hallway. And Jane still couldn't tell for certain precisely what was happening with this student - which further stoked her already burning temper.
The exercise could scarcely have gone more poorly. Since the moment a very sheepish-looking Marie had escorted their latest project into Jane's office, they had been served up one failure after another.
The child's make up was as bad as Jane had ever seen it. Except for the foundation, nothing else had been properly applied. Lipstick and eyeliner applications were uneven and jagged, distorting the shape of the mouth and eyes. Mascara seemed to clump at one end of the eye, making her lashes seem to travel only half of the eyelid. Her rouge application wasn't quite two red dots on Caitlyn's cheekbones, but it was close. *Well, at least her hair looks adequate,* Jane consoled herself, *but that is probably Sandy's last permanent that doesn't require anything more by Caitlyn than a good brushing out.*
The walking exercise in the dainty, nearly three-inch heeled shoes had been a series of near disasters. Jane and Marie had each caught a falling Caitlyn at least a half dozen times, and that was before Jane had given up counting in disgust and disappointment.
*DAMN the boy!* Jane's mind shouted. *What do I have to do? Tell him that if he doesn't start moving like we BOTH know that he can, he is out of here within the month? Where is the grace, the elegance of movement I saw last night? Those heels are as nothing compared to what he was doing last night in ballet shoes.*
As her temper became ever more volatile, Jane did not realize she had not kept her position next to her charge until the disaster she'd always feared struck.
Catching Marie in the crossfire.
Caitlyn came down awkwardly on the heel on Jane's side, and it began to roll under her. Marie immediately saw that Jane was not going to be able to catch Caitlyn in time and leapt to the rescue. She caught the toppling boy-girl and tried to brace her own feet to stop the fall. Unfortunately, she had planted her right foot on one of the small, colorful accent rugs that decorated the ceramic tiled hallway. Marie got a first-hand insight why those scraps of color as sometimes called slip rugs. Her right foot slid forward, out from under her and under the body of the still falling Caitlyn.
Marie's scream of pain as she took Caitlyn's full weight on her extended knee tore Jane from her ruminations and sent her scrambling toward her friend. Caitlyn was there first, having spun on her knees to get off Marie and help her to lie down on the floor.
"What happened!" Jane yelled as she fell to her own knees beside Marie.
"My. . my knee," Marie rasped through gritted teeth. "I couldn't catch Caitlyn in time and she fell onto my knee. Oh, God, Jane, it hurts."
Jane made a quick examination of the injured leg. "Call 911, Caitlyn. I don't think it is broken, but she may have ligament damage. We need to get her to the emergency room."
Caitlyn nodded and raced off to the parlor, only to return moments later. "There's been some kind of massive accident up towards Providence, Ms. Thompson, and the remaining rescue units are on other calls. They asked what the problem was and told me that since this isn't life threatening, we may have to wait a while before they can get to us."
"Like hell we will," Jane snarled, shocking Caitlyn with her curse. She stood and stalked into her office. On returning she tossed a ring of keys to Caitlyn. "I am going to immobilize that leg. You go to the garage and bring around the estate wagon, then come back here. I will need your help getting Marie down to the car."
"Right," Caitlyn answered as she hurried to the garage.
Getting Marie down the long walk to the driveway was not easy, but Jane and Caitlyn managed it. Jane drove while Caitlyn sat in the back with Marie, trying to give what comfort she could, even if it was only providing one hand for Marie to squeeze and another to hold an ice pack against the rapidly swelling knee.
Fortunately, there was more than enough help available when Jane squealed to a stop at the emergency room entrance. Once inside, Jane noticed how perspiration and tears had ravaged Caitlyn's face. She handed the small necessities make up kit she carried for her students to her. "Go clean your face, Caitlyn. They will think you are a potential patient. I will wait here for the doctors to finish with Marie."
She watched the boy-girl walk off in search of a lady's room and then turned back to stand vigil on her best friend.
Several hours later, the good news was that Marie would not require surgery. She would, however, be required to stay off her feet for up to a week before she could even begin to think about moving around, and then only with crutches for perhaps another few weeks.
Caitlyn had been very quiet during Jane's long vigil, as the doctors had worked on Marie. Nor had she said very much during the drive back to the house, not wanting to disturb Marie as she dozed in the back.
When Caitlyn did finally speak, her voice gave Jane a jolt. "Ms. Thompson?" Jane fought to calm her heart and nodded to the girl who then continued. "Marie sleeps upstairs, doesn't she?"
"Actually, she sleeps on the third floor," Jane responded, wondering what was going on in that bleached blond head now.
"Well, that might be a problem. First, it will be very difficult for her to get up there, even with us helping her, but more than that, if there was some type of emergency, like a fire, we might not be able to get her downstairs safely."
"Oh, lord," Jane sighed. She was so bloody tired. The adrenalin that had sustained her throughout this crisis had waned long ago, and nearly thirty-six stress-filled hours without sleep was catching up with her. "You're right, of course, but there aren't any bedrooms on the ground floor," she said with a defeated tone.
Caitlyn looked at her for several moments and then decided to chance it. "Ummm. . . isn't that sofa in your office a pullout bed? I know you like your privacy, but maybe we could move that into the parlor? The downstairs powder room is close by, too."
Relief rolled through Jane as she acknowledged the intelligence of the solution. "My privacy compared to Marie's comfort and safety? Nonsense," she said, before quickly adding when she saw Caitlyn's face fall. "Your idea is perfect, dear, but we won't move the bed. We will install her in my office. Once we get her inside, you run up and get some linen and then make up the bed. Good thinking, Caitlyn."
Marie was soon settled in relative luxury in Jane's office. "I can't be laid up for as long as the doctor said, Jane. Who will take care of you, the girls and the house?"
"I will take care of the house for you, Marie," Caitlyn firmly cut in before Jane could come up with an answer. "*YOU* will stay put and get well. You took care of me when I fell, and now I will see that you take care of yourself." At Marie's mutinous glare, Caitlyn smiled. "If you don't stay put like a good girl, I will sic Ms. Thompson on you."
That earned Caitlyn a chuckle. "Jane does make a good threat, doesn't she, chicka?" Marie said.
"Works for me," Caitlyn said pertly. "Now, I am going to go make you a nice cup of tea and see if we still have any of those cookies that you watched me bake the other day. I'll be right back."
Jane stared in fatigued bemusement at her hopeless student taking charge of Marie.
"What has gotten into *her*?" an amazed Marie asked her friend.
"I have no idea," Jane said with a weary smile. "But since I am too tired to do you much good right now, and since Darla is still not back from her excursion, I am glad whatever it is has gotten into her right now."
Caitlyn came bustling back into the room with a loaded tea tray filled with cookies, pastries and some fruit. She efficiently moved a coffee table over near Marie's makeshift bed and set the tray upon it. "Shall I serve, Ms. Thompson?" She asked.
"Yes, please pour, Caitlyn," Jane replied knowing she would probably spill the hot liquid if she tried to serve.
Soon, Jane and Caitlyn had taken seats near Marie's couch, and each of them had steaming cup of tea and a small plate of food. The food and tea were greedily, albeit daintily consumed. Jane noted with a hidden smile that the tea was not her preferred Earl Grey, but rather a soothing herbal blend. Obviously Caitlyn intended that Marie would not be kept awake by too much caffeine.
Soon, the medication caught up with Marie and she was once again sleeping deeply. The sounds of her friend's gentle, rhythmic snoring combined with exhaustion to lull Jane to sleep as well.
A gentle hand taking the empty cup from Jane's lap startled her back to wakefulness. Caitlyn put a finger to her lips to stifle a cry of alarm. "Ms. Thompson," she whispered. "You are dead on your feet. Why don't you go up and take a nap yourself. I will sit with Ms. Marie if that will ease your mind."
For long moments, Jane only stared at her student, eventually causing her to squirm under the hard scrutiny. "I won't run away," she told the older woman disgustedly.
"No," Jane agreed thoughtfully. "I didn't think you would. You've had ample opportunity today and did not take it. Heavens, I even gave you the keys to the wagon twice - once to bring it around to pick up Marie and once at the hospital to take it to the parking lot. As focused on Marie as I was, you could have been hundreds of miles away before I realized you'd run."
"Ms. Marie needed both of us, Ms. Thompson," Caitlyn said simply. "Besides, I figured out a long time ago that I really have nowhere to run to if I did manage to get away from here."
The two sat quietly for several minutes after that, each regarding the other with cautious, yet curious eyes. Finally Jane nodded and rose from her seat. "Darla should be back in two or three more hours. She can relieve you if Marie and I are both still asleep. Call me if you think there is anything wrong." She pointed to the small speakerphone on her desk. "Intercom 2 rings in my bedroom."
"Rest well, Ms. Thompson," Caitlyn offered quietly.
"I will, now," Jane replied as she headed for the door. Just before she crossed the threshold, Jane turned back to face her charge. "Caitlyn?"
"Yes, Ms. Thompson?"
"Thank you for your help today. Marie is very special to me and when she was hurt, well, I was not at my best."
"She is a very special lady, Ms. Thompson. She tries to be tough, but she cares too much for it not to show through some times. I like her a lot and I really do want to help you take care of her."
Jane nodded. "Then, I must thank you again. I will see you later." And then Jane left the room and went up to her own bed, her mind a-whirl with the day's happenings and surprises.
She'd worried that she might still be too keyed up to sleep, but that fear lasted only until the moment her head touched the pillow.
The house was dark and quiet once again. Darla and Caitlyn had both long since gone up to their respective beds. Jane, however, was savoring the relative peace of her office. A fire burned cheerily in the fireplace, and soft classical music played in the background.
Seated behind her desk, Jane kept a silent vigil - watching over Marie as she slept, her injured leg cushioned 'just so' by Caitlyn. The sleep was the student's work as well. She'd seen Marie trying to fight the pain and had demanded to know if Marie had taken her latest dose of pain pills yet. Jane had known the answer even before Marie's negative response - Marie hated taking drugs of any kind as much as Jane did. This time, she hadn't been allowed any choice in that matter. Caitlyn had gently and sweetly browbeaten Jane's longtime friend until Marie had swallowed the pills out of self-defense. The strong muscle relaxer and painkiller soon knocked Marie out. Only then had Caitlyn been willing to go up to her room and rest after their hectic day.
Who would have ever believed that Jane's awkward little chick could be so ferociously determined to take care of Marie? She'd been a clucking broody hen one minute and a growling tigress the next. Just another amazing bit that did not seem to fit anywhere in the increasingly complex and confusing mosaic that was her Caitlyn.
One thing was certain, however. As long as Marie was laid up, and Caitlyn was taking such excellent care of her, Caitlyn had a home with Jane Thompson. They would see what happened after that, but for now, any thought of returning Carlton to the juvenile justice system was put firmly aside. One way or another, Jane would keep the probation officer at bay for at least another month. There were simply too many unanswered questions about Miss Caitlyn Jeffries, and Jane was not about to give up on this child until she had answers to all of them. She now *owed* this child, and Jane Thompson always paid her debts - in full.
Marie gave a little moan of pain as she tried, unsuccessfully, to turn over in her sleep. Only now could Jane let herself look backward and honestly admit to the terror that had gripped her in those first few moments following Marie's injury. Marie was such a big part of her life - her family - that to have her hurt was hard for Jane to bear.
In the dark silence of her sleeping home, Jane felt so very alone and so very inadequate. At times like this she yearned for someone to hug her, to hold her and pet her, and to tell her she was doing fine - that everything would be all right. Someone to guard *her* during the long, cold night when the dark dreams and the darker fears came calling as she was guarding her best friend.
But there was nobody like that for Jane Thompson.
Jane knew that many of her young men suspected that her relationship with the vivacious Marie was of a far more intimate and physical nature than it truly was. Some of her circle of co-conspirators had, at one time or another, hinted that they thought that, too, but nothing like that had ever come of Jane and Marie's friendship. It wasn't that Jane was any more adverse to a sexual relationship with another woman than she was to having one with a man. In fact, she had experimented with lesbian lovemaking in college and had found it a beautiful experience when it was done well.
She smiled at those old memories. *Another of what passed for a 'radical act' back twenty-odd years ago. Naturally, that just made it all the more exciting for a finely bred young debutante from *the* Hamptons like Miss Jane Anne Thompson.* She'd been so naively fearless in those days.
However, she had never even considered such a relationship with Marie. Marie was, in every way that counted, Jane's sister. They were family, but they were not lovers. They cared for each other, supported each other, *loved* each other, but not in the physical sense beyond the normal affectionate hugs and gestures of one sister to another.
Perhaps it would have been easier for them both if they had been lovers, Jane mused. Lord knew that both of them wished for someone special in their lives. Jane had had affairs in the past, and she was fairly certain that Marie had as well, but each of her own relationships had sputtered out and died after a few months. In her youth, Jane's innate honesty about her inability to conceive a child had ended at least two promising romances cold. More recently, at an age where her role as the progenitor of the next generation was no longer a significant issue, other problems, such as who came first in her life, had cropped up.
None of the men recently in her life had been willing to accept the short notice cancellations when one of her boys needed her immediate personal attentions, or her sudden departures (once just before the "consummation of the act") when a girl-boy had a crisis experience. Simply stated, her lovers had been unable to accept not being number one in Jane Thompson's life, and Jane had not yet met the man who could become more important to her than her boys. So, Jane Thompson slept alone, contented herself with what she had with Marie and her boys, and faced the demons of the night on her own.
Part 3: Investigations, and a Cry for Help
The next afternoon, Jane and Marie were chatting together while Jane changed Marie's bed linens and the two girls prepared lunch. Jane was recounting the full story of their mad rush to the Emergency Room and Caitlyn's major role in that adventure. Marie shook her head in disbelief, and then began giggling as the image painted by her friend struck her funny bone. "Lord, Jane, but she must have gotten some very strange and pointed stares, wandering around the waiting room and hospital halls in her bare feet and her face looking like a four-year-old's finger-painting project."
"She wasn't barefoot," Jane said off-handedly.
"Oh? I guess she had time to change into flats before we left?"
Distracted by stuffing Marie's pillow into a fresh pillow case, Jane responded off-handedly, "She didn't cha . . . " then Jane's eyes went wide and her mouth formed a disbelieving 'O'. "My god, Marie, I just now realized. Caitlyn spent the entire day moving effortlessly in those heels once she focused on you."
"She didn't," Marie asserted staunchly until she took a good look at Jane's face. "Did she?"
"She did," Jane replied thoughtfully. "And now that you mention it, her face was completely passable, too. Once she came back from redoing her face in the hospital's lady's room, that is."
The two friends said nothing for several minutes before Marie asked in a slightly nervous tone. "Jane? Just what is going on here with that child?"
Jane only shook her head. "I don't know, Marie. I really don't know, but now I wonder what will happen tomorrow morning when we try the walking practice again."
The next morning after breakfast, Jane and Darla found Caitlyn happily spoiling Marie with the patient's very favorite breakfast.
"Caitlyn?" Jane called as she came into the room.
"Yes, Ms. Thompson?" The girl answered, looking at Jane more than a little warily.
"Put these on, please," she said tersely as she handed the girl a white shoebox. Jane saw Caitlyn's face go white, and the easy manner that had been so evident with Marie dissolve. *It is as if she is turning into a flesh-toned statue or life-sized mannequin right before my very eyes,* Jane thought.
They worked on Caitlyn for the next hour, nearly getting her killed twice. The three inch heeled ankle boots helped a little. The extra ankle support from the stiff leather uppers kept Caitlyn's ankle from rolling, but she still fell regularly. Jane even had to modify the "course" to keep Caitlyn away from Jane's antique desk and its sharp corners that could easily crack a skull.
At the end of the hour, Jane let Caitlyn slip back into her flats and sent her off to see about lunch preparations. Darla stayed behind with Jane and Marie.
Closing and latching the door, Jane turned back to face the woman and the boy dressed as a girl. "Well, that was certainly as inept as I have ever seen her."
Darla snorted indelicately. "Did you expect anything else, Aunt Jane?"
"Yes, as a matter of fact. Yesterday, when Marie was injured, there was suddenly no sign of our Klutzy Caitlyn," Jane answered, staring directly at Darla who had the grace to blush.
At Darla's disbelief, Jane laughed softly. "It's the truth, dear."
"She just walked? In heels? Without falling?"
"Yes, yes and yes," Jane replied in the tones used by Mothers of adolescents for thousands of years.
"The question is," Marie interjected, "Why is she faking like we just saw? Doesn't she believe that you will send her back to Judge Ruth if she doesn't shape up?"
Jane came over and took the seat next to Marie's makeshift bed. "I am not sure of much of anything right now. Yesterday, I would have been positive that the child knows what will happen. Today? As I said, I am just not sure."
"Then, there are a couple of possibilities. A - he really *doesn't* believe you when you say he could get shipped back so he is simply finding a way to make life around here difficult," Darla said ticking off her points on the fingers of her right hand. "B - he thinks he is going back regardless and is trying to make you think he isn't learning so you'll keep him as long as possible."
"Or C," Jane said, "None of the above. Marie, did you notice the change in Caitlyn when she realized what was in the box?
"Now that you mention it, I did. It was like the life drained out of her. One moment she is fussing over me with this huge smile on her face, and the next, she was literally shaking. I could feel the change in her because she had one of her hands on my brow."
"Interesting. I saw her entire demeanor change when she realized what I intended for her to do," Jane added thoughtfully. "It was as if every muscle in her body became rigid. Small wonder that she could not move about in them in that condition."
"But, Aunt Jane," Darla cut in. "You said she did just fine yesterday, and those sling-backs don't give near the support that those ankle boots do. How come she could walk yesterday and not today?"
"Marie's injury, Darla," Jane replied. "The moment Marie was down and screaming, something changed in Caitlyn - physically and mentally. She's the one who settled Marie and then went for the station wagon when the local ambulance wasn't available."
"Weird," Darla said, "And just a bit scary."
"Scary?" Marie asked. "How so, chicka? Our Caitlyn evidently has a cool head in an emergency."
"Scary in that, no matter how cool you are under pressure, if you are clumsy for real, you are clumsy in an emergency. I could see her kicking off the shoes if she was cool and collected, but suddenly being able to walk in heels? It doesn't work that way. What that has to mean is that she *can* walk in heels. So what is scary is why has she been falling all over herself whenever Jane tries to get her into a pair?"
"Oh." was all Marie could say.
Jane considered the videotape still hidden in the drawer of her upstairs study. "So, we are back to the question of why would she fail intentionally, and why did she break character?"
Marie looked smug. "She broke because she cares for me."
"True," Jane said. "That much is obvious given how hard she has worked at looking after you, but that is not the entire answer. As Darla points out, given the emergency, she could have slipped off the heels without me noticing. Goodness, I did not even realize until this morning that she *had* worn them all day yesterday."
"Then she forgot," Darla said with some finality. "But that still leaves the nasty fact that she has been faking it ever since she arrived."
"Do you think, Darla, that even the most determined boy would intentionally injure himself to thwart me? Maybe the first time was an accident - he didn't realize that it would hurt that much, but then to turn around and do it again, injuring his other ankle even more severely than the first? Before Nurse Nora arrived, I was certain he'd broken his ankle that time and I don't ever want to go through *that* again. If he *is* that determined, then I agree, the boy is frightening and moreover, he needs help that I cannot give him."
"Why not, Aunt Jane?"
"Because to a certain extent, my program relies on a student's basic self interest and instinct for self protection to work. At least in the early stages it does. For the most part, that means that my little precious is afraid of being caught out in his petticoats and skirts, but if a student is not afraid of that, it ruins everything. A student who would willingly accept public discovery would leave me completely impotent because I could not take him out in public. There'd be too many repercussions to my other boys."
"But that is not the same thing here, Aunt Jane. Caitlyn is just as terrified as any other student when you drag us down to the Chalet or to the mall."
Jane smiled ruefully. "But it *is* much the same thing, dear, if Caitlyn is a student who willingly accepts serious injury to resist me. Such a child has issues that need to be dealt with by an therapist experienced in dealing with such self destructive behaviors. Neither my program nor I are equipped to deal with that."
"You've had boys with destructive pasts before, Aunt Jane."
"Ah, but their destructive urges were always aimed outward, away from themselves. Part of the benefit of putting them into skirts is that they cannot freely vent that destructive fury without giving themselves away, which is the one thing they find worse than swallowing their anger and obeying me. If Caitlyn has inwardly directed destructive inclinations, then my program is worthless to her."
"But she's been such a good child here, Jane," Marie protested. "I know she hasn't learned very much about some things, but she has always been ready to help in the kitchen or to clean up the house. And now, she is taking care of me."
"I know, Marie. That is why I am baffled. Those behaviors don't ring true with a boy who is willing to break his leg to avoid doing what is expected or desired from him. I just wish I could confront him on it. Catch him in the act, so to speak."
The threesome sat quietly for a few moments considering that idea, and then Darla's finely featured face broke out in a mischievous grin. "How about this idea, Aunt Jane?"
Jane and Darla watched Caitlyn again fuss over Marie. Darla's plan had worked perfectly. Now all Jane had to do was figure out how to deal with the results.
Following a superb lunch - the kitchen truly was one aspect of her masquerade that Caitlyn had mastered - Jane had again ordered her student into the ankle boots. This time, in accordance with Darla's scheme, Jane had Caitlyn walking around the room such that one leg of each lap was close to Marie's bed.
It had only been a matter of time until Caitlyn had lost her balance near Marie. Acting her part to perfection, Marie had made a seemingly instinctual lunge to catch the falling girl-boy.
And had screamed!
In the passage of a heartbeat, Caitlyn had been at the bedside, cursing herself for being responsible for Marie's renewed pain while trying to resettle Marie comfortably. She'd moved about efficiently - puffing a pillow, repositioning and immobilizing the injured knee, finding Marie's pills and getting a glass of water.
All while still wearing the three inch heels.
Caitlyn finally satisfied herself with her patient's condition, and only then remembered Jane. Shyly, she turned to face her teacher and tormenter and became instantly aware of Jane's focused scrutiny.
For several moments, she simply stood there, waiting for Jane to say something. When she didn't, Caitlyn felt like fidgeting, but knew that would only earn her a scold for unladylike behavior. Finally, she could stand it no more. "I. . . I am sorry, Ms. Thompson, but when Marie hurt like that, I forgot the exercise," she offered hesitantly.
The half mocking smile that curled only one side of Jane's mouth did little to reassure the young man in feminine dress. Jane gave a half snort, half laugh and replied. "That is evidently not all you forgot, Caitlyn."
The sardonic tones confused Caitlyn as much as the words. "I. . . I am afraid I don't understand, ma'am."
Jane did not immediately answer, choosing instead to simply watch the girl. At long last, however, not even Jane could stand the quiet any longer. "Your shoes, Caitlyn," she said in a dangerously gentle voice. "You have forgotten you are wearing that pair of high heels. Sufficiently to move quite gracefully in them."
Shock rippled through the girl as she stared down at her own feet in mute disbelief. When she looked back up, Jane was again smiling that awful half smile. "Just as you did yesterday when we took Marie to the hospital."
"Oh. . . my . . . god. . . " Caitlyn said, recalling the previous day.
Jane lifted a single brow in high challenge. "Indeed," Jane's voice was coldly curt and commanding. "Why don't we go up to my study and discuss this. . . .miracle in private, Caitlyn. Darla, see to Marie, please."
Spinning on her heel, Jane headed for the door, only to spin back at the sound of Darla's inarticulate scream, just in time to see Caitlyn's headlong fall to the floor. A sickening thud resounded as her temple hit hard against the ceramic floor tiles.
With Marie on Jane's sofa, the best that Darla and Jane could do for Caitlyn was to stretch her out on the floor. For long minutes, the threesome kept a grim watch on the teenaged figure. Once again, Jane found herself caught between the jaws of a dilemma. She was, by this point, more than half way convinced that Caitlyn was putting on an act - with the shoes, with the makeup and now with this fall. What the girl hoped to gain by this charade was beyond Jane's comprehension, but she must have some goal in mind.
Unfortunately, Jane was not *completely* sure that her charge was pretending to be unconscious. She had certainly felt like dead weight when Darla had assisted Jane in moving Caitlyn. If she *was* unconscious from that fall, then Jane had to get her to medical attention.
In the end, there was really no dilemma at all, Jane realized, if Caitlyn wasn't acting and was actually hurt, she'd been out too long. *And so my life of helping young men ends today, because I stupidly failed to use that tape as reason to ship him back to Ruth two days ago when I first found out,* she thought as she picked up her phone to dial 911.
Jane had pressed the "nine" key and was shifting her finger toward the "one" when Caitlyn moaned and began to lift a hand toward her head. Setting the phone down, Jane moved back to her student and knelt beside her. "Easy, Caitlyn," Jane said softly.
"Oh. . my head," the girl whined as she tried to rub at her temple.
Jane caught Caitlyn's wrist and pulled it away. "Let me see, Caitlyn." Jane ran gentle fingers along the smooth forehead towards the golden hairline. . . . and froze.
A lump, already large, had formed where Caitlyn's head had impacted the floor. "Darla, get some ice, please," Jane ordered.
Caitlyn opened her eyes and looked up into Jane's dark green orbs. "What happened, Ms. Thompson?"
"You fell when you tried to follow me," Jane said neutrally.
"The heels," Caitlyn said softly as she squeezed her eyes shut against the pain. "I am so confused about all this, Ms. Thompson."
"You are not the only one, Caitlyn. Once we make sure you are not badly hurt, we are going to have to talk. I think we have a great deal to say to each other."
Nora Bedford walked into the Jane's downstairs office bristling with barely contained emotion. She'd been called on when Caitlyn kept slipping in and out of consciousness after going back to her room.
"What would you do if I told you he has a slight skull fracture and needs to be in the hospital?" The nurse asked quietly.
"Does he?" Jane asked as she reached for the phone.
Nora regarded Jane for several moments before shaking her head. "No, it's just a bad bump. I am just angry with this whole shtick just now, Jane. That *boy* hurt himself trying to obey you when you have evidence that he cannot walk knowing he is in heels."
"He'd walked just fine when he thought I was hurt, Nora," Marie interjected.
"So what, Marie? There is a large body of incidental evidence about people who do many things in a crisis that they cannot do when they are thinking about what they are doing. You were a psych major, Jane - you told me that when I agreed to be part of your little team. How do you know that he's faking? What have you done to find out if his problem is real or something he is putting on? What just happened here is NOT a test! This makes. . .what? Three times he has injured himself?"
Jane had said nothing during Nora's quiet tirade, but nodded when she finished. "It is the third time, Nora, and you are right. I made the simple assumption that it was an act. Maybe his injuries have been an accident, or maybe he has willingly sacrificed his body in fighting me."
Nora shook her head. "You know what concerned him the most? It wasn't his own condition, I'll tell you that much."
Jane could only shake her head. "Who was going to bully Marie into taking her medication, since I told him he was on bed rest for the next day or two," Nora said tartly. "I had to promise him that I would see to his "Ms. Marie" before he'd relax and rest."
"Doesn't sound like a real hard-nut case, does he?" Jane mused sadly.
"No, he doesn't, Jane. And there is no doubt in my mind that his concern for Marie is very real."
"I don't doubt it either, Nora. So, what do you think I should do next?"
"You're the expert, Jane, but if it were me, I'd figure out whether she is fighting you and taking the risk to her body, or if there is something else at work here."
"You're right, of course," Jane answered. "What about Caitlyn? What does she need tonight?"
"Like I said earlier. It is just bad bump. Except for a headache, she'll be fine by tomorrow. She'll sleep the night away, but you may want to keep an eye on her. If she wakes up and needs to go to the bathroom, she may be dizzy or disoriented. She might fall again. Whatever it is with her problem, Jane, I don't think it is intentional or something she does consciously."
"I don't know, Nora. I really don't, but at this point, even subconsciously it poses a significant danger - both to Caitlyn and to everyone else who has ever been associated with my program. I am going to call Eric and ask him what to do next."
"The early student of yours who became a psychologist? The one who came when Michael tried to kill himself?"
"The same. I'll call him in the morning after I sit up with Caitlyn tonight."
"I'll sleep in her room tonight, Aunt Jane," Darla offered immediately. "So you could try to get through to the doctor right away and then get some rest yourself. You look really shagged out."
Shaking her head, Jane smiled at her ward. "No, dear. She is my responsibility. She was hurt because I made the assumption that she was acting out. I will watch over her tonight, but if you would stay with her while I make the phone call?"
Darla returned the smile, and walked over to Jane. "Sure 'nuff, Aunt Jane," she whispered and then kissed her on the cheek. "We'll take care of this one, too."
The phone buzzed in Jane's ear. She felt, rather than saw, Marie's concerned gaze. On the fourth ring, someone picked up. A feminine voice offered, "Davis residence."
"Sylvia? Is that you? This is Jane Thompson."
"Jane," the other woman's voice warmed, "And how is Eric Junior's favorite Godmother?"
"Troubled, I am afraid, dear. I have a boy-girl problem and really need some help. Is Eric home?"
"Sure. . .just a minute, Jane. I will get him for you."
Jane closed her eyes as she waited for her former student to come on the line.
"Jane? What's up? Syl said you had a problem with one of your boys? What can I do for you?" A familiar voice came on.
"Oh, god, Eric. It is such an abysmal mess."
For the next fifteen minutes, Jane briefed Eric on Caitlyn and her antics. "I have never had a situation like this before, Eric. I mean, she danced beautifully, and then when Marie was hurt, she went from a walking disaster to completely competent even carrying extra weight in an instant. She's either faking, and has intentionally injured herself no less than three times, or there is something else happening. *Is* there another explanation?"
Eric was silent for several moments. "Well, I would say it is something to do with the program. . . ."
"Tell me something I don't already know, dear."
"As I was saying," Eric interrupted in exaggeratedly pompous tones, "regardless of which of your two broad options it is, it is something to do with how she is reacting to the program, and apparently, something to do with how she reacts to being public in the program."
Jane considered this before replying. "But *what* is it?"
"I don't really know, Jane," was the equable reply. "But then, my specialty is crisis intervention."
"This *IS* a crisis, Eric," Jane almost yelled into the phone.
"To you, yes, but not in the sense that I mean, Jane. She hasn't attempted suicide or something as drastic as that. Even if she is allowing herself to be injured, that is not an act of desperation so much as an act of defiance. No, something about this whole thing is tied up in your student's self image. I think you need to go to a specialist on this one."
"But I can't do that, and you know it. It was one thing for Michael - he was no longer in skirts unwillingly when we took him to the psychologist in Providence. Caitlyn is, and she might very well expose the whole program if I took her to that therapist."
"How about Doctor Art?" Eric asked quietly. "He knows about the program because he is the one you sent me to see when I wanted to go into psychology. He works with people dealing with gender and identity issues as the main part of his practice and I know for a fact that he thinks very highly of you and what you do with your boys. We talked about that when he was feeling me out for my motivations in studying psychology."
Momentarily, Jane's mind seemed to stop and then flew back to those days at school, more than twenty-five years ago. Art Philips had been very special to Jane back then. So special, that Jane herself had broken off with him when it became clear that she could never hope to give him a family. "I. . .I don't have his number," Jane almost stuttered.
"Got something to write with? I have it right here on my desk. It's his office number, but you might try information and see if his home number is listed."
Moments later, the number was indelibly inked into Jane's address book. "Good luck, Aunt Jane. If you think I can help, give me a call. Any time. Gotta run. Eric Junior needs a story. Love you!"
"I love you too, dear. Thank you for the help."
Jane hung up the phone, only to sit staring at it. Art Philips, she mused, after all these years. *You are procrastinating, Jane Thompson. You have a child who needs help and if Art can provide that, then that is who you need.*
Grimly, she reached for the phone and dialed the number. Art was not at his office, but he did have an answering service. The operator on the other end dutifully took Jane's name and number, and that it was vitally important that she speak with the Doctor at the earliest possible time.
Part 4: A Voice and Face from the Past
All too quickly for Jane's peace of mind, the phone shrilled its electronic summons. "Hello? Thompson residence."
"Jane? Jane Thompson? Lord, it is good to hear your voice. This is Art Philips. I just got your message and returned your call immediately. What can I do for you?"
Grimly, Jane again recapped the Caitlyn experience, up until the most recent injury, and then summarized Eric's reading on the situation. "I should have packed him off to the juvenile lock up facility ages ago, Art. He's just not getting any of the benefits of the program since he can't go out in public, and I could never trust him as a big sister. The new student would likely read him in the first week or so."
"So why haven't you done that, Jane?"
"Because it feels wrong," she sighed. "Every instinct tells me she is trying her best, and then, there is the way she took on caring for Marie. She's quite the little nurse."
"But you're concerned about the dancing and the sudden ability to walk in heels?"
"Shouldn't I be?" Jane retorted, getting tired of Art's Socratic style of conversation.
A low, pleasant chuckle sounded over the phone. "Sorry about that," Art said, not sounding at all sorry. "Answering questions with questions is one of the little occupational hazards of my trade. For what it is worth, however, I agree with Eric. You say he suddenly went completely stiff when you pointed out he was still in heels? Interesting."
"But what do I do, Art?"
"Get him together with a good therapist, Jane." Jane started to argue but was cut off by her old friend. "I *know* that would ordinarily endanger your program, but there won't be any problem with the therapist I have in mind. Completely trustworthy and discreet, I assure you, and a very big fan of yours, too."
"Oh really? And who have you been talking to about my program, Art?"
The chuckle was back. "Aren't you lucky I don't have anything planned for my two weeks vacation that starts tomorrow? I will be on the first plane to Providence. I should be there by tomorrow evening."
"You? You're the therapist you were talking about? You'd come here? Just like that?"
"Of course. You have always been special to me, Jane," was the soft reply. "Now," the voice firmed and became business like. "Who should I show up as? Art or Diana?"
"Diana is still with us?" Jane asked, surprised.
"Yes indeed, and quite often, actually. I can be my own best example of overcoming emotional/physical obstacles for my patients, and frankly, Diana helps some of my gender-dysphoric patients be more at ease with me since they see me as someone who understands their feelings better. Besides, I enjoy being Diana."
"I see. Then I think, at least for the beginning, it might be better for you to arrive as Diana. With few and intentionally uncomfortable-for-her exceptions, she's been without obviously male contact since she arrived. Artemis would be a new variable, perhaps causing her to react unpredictably," Jane snorted. "As if she had been at all predictable to this point in time."
"All right. Diana it is, but the guy name is now just plain 'Art'. I legally ditched Artemis years ago," he paused. "Okay, I will be there when I get there. I will rent a car, so don't worry about having anyone meet me."
Jane closed her eyes, the relief of no longer feeling quite so alone in her battle almost orgasmic in its intensity. "Thank you, Art. I really, really do appreciate this."
"No problem. I am already looking forward to it. Get some rest, Jane. It sounds like you have had a hellish couple of days." The line disconnected, and Jane gently returned the phone to its cradle.
"Okay, Jane. I am dying of curiosity," Marie broke into Jane's reveries, "Just who is this Artemis who is evidently also a Diana? I don't remember any boy named Artemis and I would have. I always loved that show "Wild, Wild West" and Artemis Gordon in particular."
"Someone I knew a lifetime ago, Marie."
"You remember I told you that the first guy I ever helped put in skirts was Sheila's boyfriend? Yes, well, that wasn't all that great an experience once it was done. Not that anything particularly bad happened to the boy, but there was just this feeling that I did not want to be around them. At the time, I decided it was that I did not want to appear to be poaching on a sorority sister's guy. Now, after what we learned from Kendra's sojourn with us, maybe it was something else that was bothering me about Sheila even then."
"But it had been great fun. Not just the dress-up and make up games, but the dominance aspects of it. I found that I really enjoyed the one giving the orders and having them obeyed, no matter how silly they might actually be, or watching the darling blush bright red at a teasing comment or observation. Anyway, after I separated myself from Sheila, I decided I wanted a boy like that of my very own. I found Artemis Philips, or perhaps, Artemis Philips found me. I was never quite sure."
"Maybe it was a little of both, Jane?" Marie asked gently.
A smile softened Jane's worried face. "Perhaps it was. We just sort of kept bumping into each other. At first, he was just a nice guy who took a few of the same classes I did. The first thing that caught my attention beyond that was his slender build since I was thinking about the games I had played with Sheila's boyfriend. I started gathering information about him. Where he lived, who he'd dated, what his old girlfriends thought of him. I was planning my campaign when he suddenly started showing up at the oddest places. The club I went to for dancing, my favorite corner of the library, the park where I went running in the mornings before school. The more I saw him, the more I liked him. I ended up liking him a very, very great deal."
"Sounds like you weren't the only one gathering data and planning something, Jane."
"No, it doesn't, does it? Suddenly, we were quite the item - dating, going out walking together, studying together. When I started teasing him with the dominance games, he just played with me as though they were nothing out of the ordinary. Shortly after that, I had him fully rigged out in one of my most feminine outfits from the skin out and he was marvelous. Took a bit of doing to tease him into going out in public with me, but even he saw he looked so good that he'd pass on even the third of fourth look. Besides, " and here Jane's smile became quite feline, "I rewarded him very well for those little outings."
"I'll just bet you did, Jane Thompson," Marie said haughtily before breaking into giggles. "Lucky guy."
"Lucky me, you mean. He never made me feel odd for liking that type of play and always seemed to enjoy it as much as I did, yet I always knew that he was a man in every finest sense of that word. I think the biggest surprise was that I could dominate a guy and still respect him *as* a guy. Sheila never respected her boyfriend, and I think that may have been one of the reasons I backed off from them. I think in many ways, I have tried to teach my boys the special characteristics I found in Art, both as Artemis and as Diana."
"I guess you chose the Diana name as a play on Artemis, both of them being Goddess of the Moon and the Hunt?"
"Sort of. This all happened before I learned the value of having similar sounding names for my boys when they are en femme. I had an awful time getting Art to answer to Diana without hesitation. Of course, I think part of that was pure pique on his part. He has always hated being stuck with name Artemis in the first place. The name was one of those Old Boston "first son gets named after some distant ancestor" family traditions. Art always contended that it was a girl's name, so I chose to name his feminine alter ego Diana as a tease." Jane sighed. "Those were some very special times."
"Whatever happened to that relationship, Jane?"
*A hospital happened,* Jane thought as a wet warmth prickled behind her eyes. "Life happened, Marie," Jane answered softly. "We both needed to move on." *He needed and deserved the family I couldn't give him after my illness.*
"Well, it's nice to know he still cares enough to come to your rescue like that."
Feeling very grateful, Jane could only nod her agreement. "I need to go up and relieve Darla. I will send her down to help you get ready for bed. I'll leave Caitlyn's door open. Yell if you need anything. I don't expect I'll get much sleep in any case. The chair I put in her room is the most uncomfortable antique monstrosity I have ever found. Hoist by my own petard."
"Good night, Jane," Marie said softly. "Try to rest."
Contrary to her expectations, Jane managed to fall asleep while watching over Caitlyn, but her fears about the comfort of the chair proved painfully true. Jane awoke with a start and a groan of pain when Caitlyn began to stir. She'd managed to put a severe crick in her neck and shoulders in the course of her long night's vigil.
Her groan finished waking Caitlyn, who sat up in surprise when she found that she was not alone in the dawn-gilt room. "Ms. Thompson?!? What are you doing here?"
Jane tried to arch her neck and shoulders, but the pain stopped her short. Grimacing, she looked at her student, her head cocked to one side. "You had a mild concussion, Caitlyn. Nurse Nora said you should not be left alone until your head cleared. How are you feeling this morning?"
The sleep rumpled boy-girl considered that for a moment, taking a quick mental inventory. "Okay, I guess. I only see one of you," she said with a gamine little grin, "But my head does ache where I banged it. No dizziness, and I am too hungry to be nauseous."
"Teenagers and their stomachs," Jane said softly.
"I'd say, Ms. Thompson, that I feel a lot better than you look right now. What is wrong? Why are you holding your head that way?"
"This chair," Jane answered ruefully. "is not designed for overnight sleeping. My neck and shoulders are painfully stiff."
"I can fix that," Caitlyn perked, getting out of her bed with a decidedly unladylike bound. Before Jane could chastise the girl for it, however, Caitlyn was helping Jane gently out of the chair and onto her bed. She arranged Jane on her stomach and used pillows to prop Jane's head so as to take the strain off her neck and shoulders. "This might hurt a bit at first, so let me know and I will go a little easier until you loosen up."
To Jane's utter surprise, Caitlyn began a very careful, and apparently very knowledgeable massage of the distressed muscles. Momentarily taken off guard, Jane stiffened. Feeling that, the girl-boy stepped back. "Am I hurting you, Ms. Thompson?" she asked solicitously.
"N. . no. . .you just surprised me is all. I am not sure this is a very good idea, Caitlyn," she said. Jane moved to rise, but a stab of pain to the back of her neck stopped her the instant she tried to lift her head off the pillow.
"Let me try, Ms. Thompson," the girl entreated softly. "If it doesn't help, you won't be any worse off than you are right now, and it should help. I will be ever so gentle with you."
Jane wanted to argue, but couldn't. Her neck and shoulders were becoming stiffer every moment. "All right. But be very careful where you put your hands, young lady," Jane warned darkly.
"Like I said, you just tell me if it hurts too much and I will back off." And with that complete misunderstanding of Jane's warning against trying to cop a quick feel, Caitlyn resumed her massage. "This silk is great for this type of work, Ms. Thompson. It makes my hands slide on you without massage oil and it holds the heat, too."
Almost miraculously, Jane could feel her muscles warm, and become pliant under Caitlyn's touch. *I can't believe I am letting her do this,* Jane thought. *I can't believe she is doing this without prompting and is actually working to make me feel better. Why would she do that??*
"Why?" Jane asked in a drowsy tone.
"Why what, Ms. Thompson?" Caitlyn asked as she began kneading at a particularly tight knot of muscle.
"Why are you helping me? After yesterday? One way or another, a great deal of the blame for your own injury yesterday is my fault, and I have given you little cause to like me in the past months. Why would you even think of helping me?" The last sentence was slurred on a moan of near bliss as the knot relaxed under Caitlyn's fingers.
"Because you hurt," she responded indifferently. "I hate seeing anyone hurt - and I knew I could help you."
*That makes no sense either. If Carlton felt that way, why is Caitlyn here with me?* "But your offense involves assault. You fought with other students regularly. And you hate seeing anyone hurt??"
Caitlyn's fingers stopped momentarily. In the vanity mirror, Jane saw her student's eyes close, almost in pain, before she shook herself and continued her massage. "I hate hurting most of all, Ms. Thompson, but sometimes there just doesn't seem to be any other choices. My father has this Kenny Rogers' tune he always used to play called "Coward of the County?"
*Kenny Rogers,* Jane thought smiling, *Doesn't that bring memories.* A very young Jane Thompson had loved listening to "Kenny Rogers and the First Edition" - so much that she had even forgiven Kenny for moving into the Country and Western world. "I know the song, Caitlyn," Jane told her student.
"One of the last lines in the song is . . "Sometimes you've got to fight when you're a man. . " - Dad sure did play that song a lot - especially when he thought I wasn't spending enough time with the guys."
"You fought because your father wanted you to fight?" Jane asked, her drowsy somnambulance broken by the bitterness she heard in Caitlyn's voice.
"He never said so, Ms. Thompson," Caitlyn said briskly and then stood back up. She offered Jane a hand. "I think that about fixes you up, Ms. Thompson."
Jane took the proffered hand and stood. "My, that is much better," she said, meaning it. "Thank you very much, Caitlyn."
"It was my pleasure, Ms. Thompson," the boy-girl answered formally.
*Why is it that I believe you mean that?* Jane wondered thoughtfully. "Where ever did you learn to do that?"
Normally, the diffident shrug that answered Jane would have earned a student a scolding, but she held her tongue this time, hoping for a real answer. She got one.
"My mom used to be a dancer - ballet - good enough to have danced lead in some smaller companies if she hadn't met and married Dad. She still works out at a dance studio and sometimes she comes home with a sprain or a stiff back. I learned helping her."
"I see," Jane replied, although she wasn't sure she really did. "Well, I must go dress for the day. Are you feeling well enough to help with Marie today?"
A bright smile lit Caitlyn's face, making her as beautiful as any student Jane had ever taught, even without a trace of make up on her face. "Oh, yes. I will be fine, Ms. Thompson."
"Very well, then. I will see you at breakfast, then," Jane moved across the room and slipped out the door. Once outside Caitlyn's room, Jane came to a complete stop and simply stared off into space. *I think I actually believe everything she just told me, even though it makes absolutely NO sense at all.*
Well, she certainly had something else to tell Art when he arrived later that day. Maybe *he* could make some sense of all this.
The day passed quietly into mid-afternoon. Jane had tried to keep up her usual banter on manners and decorum, but that had been the extent of her efforts with Caitlyn. Jane was still tired after her night in that abominable chair, and she knew her judgment was not at its best when she was this tired. Besides, there did not seem to be much point in the game until Art arrived. Maybe he'd be able to help Jane figure out how the rules had been changed with this student.
The sound of a vacuum cleaner starting in the parlor caught Jane's attention. Except for taking time out to prepare lunch, Caitlyn had been caught up in a massive cleaning frenzy all day - ever since Jane had announced at breakfast that she was expecting a visit from a dear school chum of hers. The main public rooms - the entry foyer, front parlor, living room and dining room - literally gleamed, and Jane was positive that Caitlyn was carrying over that same dirt search-and-destroy attitude over into readying the best guest room.
Jane had not ordered the girl to clean like that. In fact, what cleaning Jane demanded of the girls was more to emphasize their feminine condition by having them work at stereotypically female "maid-ish" tasks. Dusting with a feather duster, plumping pillows, setting out flowers, doing dishes and other such dainty tasks were part and parcel of their indoctrination, but heavy cleaning was done by a service Jane brought in every two weeks or so.
When Jane had cornered Caitlyn to find out why she was doing this, her answer had been direct. "Because I promised Ms. Marie, Ms. Thompson. I don't want her fretting over the house and trying to do too much too quickly." Jane was trying to find something to say about that, when the girl-boy had continued. "You will tell her I am doing a good enough job at it, won't you, Ms. Thompson? Even if there are places you think I need to go back and fix? Otherwise, she's going to think she needs to get back into it."
"Of. . of course," Jane had stuttered. "I. . . I will come back later to inspect your work to show you what you need to correct." *After I find a pair of white gloves to inspect with since that is the only way I am going to find anything to criticize in this room. What has gotten into the boy?? Is his word *really* that important to him?!?*
Art called Jane a little after 3:00 P.M., telling her he'd landed at Providence and would arrive within the hour. When Jane had told this to Caitlyn and Darla, intending to have them go clean up to receive visitors, Caitlyn had gone pale. "Dinner, Ms. Thompson, I forgot all about dinner."
"I've already arranged for dinner to be delivered," Jane said with her fingers crossed. "I did not want Marie to be fretted either. We will dine at eight tonight, but if you could have a low tea prepared, Darla, for when our guest arrives?"
"Yes, Aunt Jane," Darla had replied. "That won't be any problem at all."
Nodding her approval, Jane had shoo-ed them both up to change while she made a semi-frantic phone call to a local restaurant. That little white lie, told to preserve Caitlyn's feelings, ended up costing Jane a great deal.
But the girl had worked so hard today, Jane told herself by way of rationalization. Even Marie at her best would have been hard pressed to deal with such an unexpected arrival of company.
Part 5: Jane's Old Boyfriend - Diana.
Darla answered the doorbell's summons. "Hello, young lady. I am Diana Philips. I believe Jane is expecting me?"
"Yes, Ma'am," Darla answered with a curtsy. "I am Darla, Jane's ward. Won't you please come in?"
The woman barely got in the door before Jane swept out of her office and gathered the other woman up into a warm affectionate hug. "Diana! How wonderful to see you again!" she cried, as much from relief as from pleasure.
They held each other just a moment longer than might have been proper, but Jane felt somehow buoyed up by the presence and support of her old friend. When they finally pulled apart, Jane caught the glimmer of a smile and a wink before she turned to introduce her little band. "Diana, I believe you have met Darla? Darla, this is my old school friend, D. . . Ms. Diana Philips." Jane had only at the last minute remembered not to use Diana's professional title of "doctor". At least, not until after Diana had formed an impression of the girl.
Jane gave her old friend a thorough once over as her foster child made a "Miss Manners"-perfect greeting to Diana. Diana made a very attractive woman. She was still quite slender, with a nicely shaped, subtle figure. The skirt of her dark blue travel suit went to knee level and showed off a very nice pair of legs. Her skin was smooth, and except for laugh wrinkles about her eyes and mouth, unlined. Only her hair gave away anything of her age. Done up in a complex French braid, her hair was a shimmering silver. A touch of color, and it would have looked like that almost white tone of Nordic blond. Still, the impression was one of a younger woman in her late thirties, early forties, who had gone prematurely gray.
Diana finished her pleasantries with Darla and then turned her head expectantly towards Caitlyn. Picking up her introductions, Jane continued, "And this is my newest student, Caitlyn Jeffries. Caitlyn, this is my dear friend, Ms. Diana Philips."
"Pleased to meet you, Ma'am," Caitlyn said softly as she, too, curtsyed. Not as well as Darla, but a good effort nonetheless, Jane mused.
Caitlyn had obviously dressed carefully, keeping well within her limitations in the arts of dress up and make up. She wore a casual, but nice sweater and skirt combination, with white stockings and a pair of smart flats. Her cosmetics were very light, in one of the few styles she had managed to master and her hair was pulled back into a simple ponytail. All in all, she looked like a very young teenage girl who had just recently been given permission to wear a *little* bit of make up by her mother.
Diana smiled at Caitlyn. "My, aren't you lovely. Let me get a closer look at you, girl." An elegant, finely fingered hand reached up to cup Caitlyn's chin. The girl went very still, her whole body taking on that nearly frightened, "doe-in-the-headlights" tension that Jane recognized from the previous day's second "walking practice".
Diana tilted Caitlyn's face this way and that, cooing happily at her, and complimenting her looks. Caitlyn, for her part, could do nothing but stand there and take it, seemingly unable to move even her lips enough to make a suitably pleased or grateful sound.
She only relaxed after Diana released her and had turned back to face Jane. "Well, I must say I am happy to be here, Jane. I am sure we'll have a great time."
Forcing a smile, Jane nodded. "I do hope so, dear. Why don't I show you to your rooms? Darla? Caitlyn? Would you have tea ready when we come back down? Say, about twenty minutes?" Jane then led her friend toward the stairs. "I will get Tom and his boy to bring in the rest of your luggage, Diana, but let's at least give you a chance to freshen up after your trip."
Darla and Caitlyn watched the two older women leave. "Let's go finish making the tea, Caitlyn," Darla ordered. "I've got the sandwiches and pastries already finished."
"Does she *always* freeze up like that when someone touches her?" Diana asked as soon as the door closed behind them.
Jane shook her head. "Not that I've ever noticed, Diana, but then I don't let people other than my immediate little circle just touch my girls with such familiarity. Actually, the only other time I have seen her freeze up like that was yesterday when I surprised her with that second exercise in heels."
"The same exercise that you called her attention to her walking in them without difficulty when she responded to Marie's apparent re-injury?"
"Yes. However, Marie tells me she often freezes like that when she oversees Caitlyn's cosmetics training."
"Neither of which she does very well," Diana said thoughtfully, "except when she was fully focused on an emergency?"
"Yes, and also at two o'clock in the morning, when she thought everyone else was asleep."
"When you saw her dancing?" Diana asked. At Jane's emphatic nod, she frowned. "I'd like to see that tape, Jane. Later tonight. In the meantime, what do you know about her home life?"
"Only what is in the files provided to me by her parents and Ruth. Her mother doesn't work, but is involved in many charities and committees. Dad is a fast-track business type who doesn't have as much time to spend with Carlton as he might wish. Nothing all that unusual. Certainly nothing that would explain the problems he has had with me," Jane admitted. "However, I have dispatched an investigator to check things out a little more deeply. He was scheduled to arrive in her hometown around noon today, in fact."
"Excellent. Well, that about covers everything for now. I am starved. Wearing this infernal corset limits how much I can eat, but I still get hungry. Anyone who believes that "I'm never hungry in a corset" garbage hasn't worn one. I still get hungry - I just get hungry a lot more often because I can't stoke up the fire as well as I can when I am in my corset-less male skin."
She caught the worried look on Jane's face. "Don't worry so much, dear. My first reading of your problem child is that Caitlyn is essentially a pretty nice kid. There is something else at work here. We just have to figure out what it is."
Diana watched, her eyes glued intently to the small TV screen, as Caitlyn's screen image completed one last graceful spin, held her final position for a full ten count and then dropped into an incredibly low curtsy.
"Remarkable," she repeated for what had to be the hundredth time since she'd joined Jane in the upstairs study after everyone else had gone to their beds. "No wonder you thought she was defying you, Janie. Lord, but that was incredible."
"Yes, it was, and you know that I *loathe* being called Janie, Artemis," Jane said in her most intimidating "teacher-to-student" voice.
"Sure I know it, Janie," Diana answered unfazed, her amber eyes twinkling with mirth. "Why do you think I use it? For the same reason you call me Artemis."
Choosing not to pursue the argument, Jane waved a tired hand toward the now-blank screen. "What do you think?"
The laughing eyes immediately became serious. "I am not ready to make a diagnosis, if that is what you are asking, Jane. However, I am beginning to see a pattern. She's completely alone in that video, and because of the hour, she expects to stay that way. After the way she reacted to me giving her the "grandmotherly" going over and complimenting when I arrived, I decided to try other, similar types of contact - which I did, numerous times over the course of the evening."
"And you learned?" Jane asked with great patience.
"She doesn't react like that simply from being touched or addressed. I don't know what makes the difference, but it is very obvious when it does happen. I have seen dress shop mannequins with more flexibility."
"You think that is significant?"
"Have any of your other students reacted that way? If I had to hazard a guess, I would say that for almost all of your boys that kind of contact - a friendly touch, an honest compliment, a hug - would be like a manna from heaven to a starving man."
"No, now that you mention it. At worst, they might be very suspicious of any contact or attention of that nature, worried that it is something I have instigated to cause them more humiliation, but for the most part you are right, Diana," Jane admitted wryly. "They don't get much in the way of simple affection in my keeping, especially in the early days, and they relish whatever they get."
Diana reached over to pat Jane's hand. "Understandable. Such life changing experiences are almost never easy rites of passage. Yours is far kinder and gentler, and much more effective than others I have seen."
"Thanks, Diana," Jane said softly. "So, what do we do now?"
"Well, I'd like to stay in here after everyone goes off to bed and see if she dances again tonight. I want to observe the entire affair from start of finish."
"She may not dance tonight," Jane cautioned. "I only saw her do it that once."
"Then I will keep coming back each night." A teasing smile lit Diana's face. "I *am* a woman of leisure for the next two weeks. No one will notice if I sleep past breakfast."
"All right, darling, but why don't you do your waiting in my private rooms? I assure you that you will be far more comfortable there than you will be in here, and I do have the same monitoring systems in there as you see here."
"Offering to show me your etchings, Janie?"
"Maybe at some point, smartie, but for now I am just offering you a place to sit that will be far more comfortable than anything in here."
Grinning widely, Diana rose and offered Jane her hand. "Comfort is good - very good, in fact. I really was not looking forward to sitting on . . . " her nose wrinkled delicately in disgust as she looked down at the settee she'd been occupying, "*that* antique monstrosity for any longer than absolutely and unavoidably necessary."
Jane laughed softly at her friend's obvious discomfort. "Antiques of that era were built to *look* pretty, Diana, not to be comfortable. Not only that, but they were designed in an age when women wore bustles and ungodly corsets. So, of course, no normal human being could sit comfortably or naturally on any of them. Besides, why do you think I bought them? They are an acid test for my girls. When one of my laddie-ladies can sit down gracefully on one of these instruments of gluteal torture and still look sweet and winsome, I know I have made real progress with that student."
"But on the downside, *you* have to sit on them, too, and get sore, stiff necks in the bargain," Diana said slyly.
"True, dear. I believe the appropriate slogan is 'No pain, no gain'. But there are advantages to everything. Sitting in one of those abominations puts me in the perfect mood to terrorize my little darlings."
"Every silver lining has a cloud. I am sure that those things must qualify as cruel and unusual punishment, Jane," Diana giggled softly as they made their way into the hallway leading to Jane's apartment.
"Well, if you don't tell Ruth, darling, I won't. Besides, I am not technically a penal institution. It's true that many of my boys come here as an alternative to incarceration, but they are not actually under a sentence. At least, not formally under sentence."
"Only because you don't really exist as far as anyone knows, except for Ruth and a few other trusted officials like her."
Jane opened the door into her rooms and motioned Diana to enter first. "God willing, it will stay that way, too. Now, do you still drink brandy, or would you like something stronger?"
"Brandy is a fine idea, Jane. Something aromatic to the nose, smooth going down, with just a touch of a bite would be just right for talking the whole night, remembering the good times we shared together."
Surprising both of them, Jane and Diana managed to wake up in time for the normal Thompson breakfast hour of 8:30 A.M. The meal itself was plain - just coffee, fresh fruit and pastries, but tasty and nicely presented.
"Thank you for seeing to this, Darla," Jane said as she refilled her coffee cup.
"Oh, it wasn't me, Aunt Jane," Darla replied. "I was going to do it, but Caitlyn already had everything just about ready when I came down. All I did was make the coffee."
"I see," Jane murmured. *That girl was up for almost two hours last night doing the equivalent of a high impact aerobics class and she still gets up in time to fix breakfast? Not just fix breakfast, but in time to make up individual plates and flower arrangements? Why isn't she drooping from pure exhaustion?* "Thank you, Caitlyn. Everything was lovely."
"I'm sorry we didn't have a hot breakfast, Ms. Thompson, but yesterday was market day, and with Ms. Marie laid up and Ms. Philips coming to visit, I forgot to remind you we needed to go shopping."
"Don't worry, dear," Jane said with a touch of warmth for the girl's evident - and to Jane's mind, quite real - concern. "We'll get Marie to help us with a shopping list and take care of it today."
A momentary frown clouded Caitlyn's face. "Umm. . Ms. Thompson, today is class day. If it is all right, and you don't think Ms. Marie will need me, I would like to go."
Diana watched the interplay between the two with keen interest. *So, she likes going to dance class, but Jane says that she performs as badly there as she did beautifully last night. One would think, at first blush, that her intent at failing there was a ploy to get out of the class. If one had not seen her dance in the privacy of her room, that is."
"I would like to see the dance studio, Jane," Diana interjected. "I just love watching young people move so freely and elegantly. Are you preparing for a show soon, Caitlyn?"
Caitlyn's head drooped and she broke eye contact with the older women. "Yes, Ma'am. Sleeping Beauty, only I won't be performing." *Was that the merest sigh of regret I heard in her voice,* Diana wondered. "I am not yet able to dance in public."
*What a clanker,* Jane thought. *Yet, if she wants to go, then there is hope we can find out what is really going on here. "All right, Caitlyn. I will drop you and Diana off at the studio while I go to market. Darla will remain here in the case that Marie needs any assistance."
The smile that lit Caitlyn's face momentarily stunned everyone else around the table. "Oh, thank you, Ms. Thompson. I will go change as soon as I clear away and clean up from breakfast."
"No, you go get ready now, Caitlyn," Darla broke in. "You got up and did all the hard work. I will take care of the clean up."
Caitlyn rounded on her "big sister". "You're sure? I mean, it won't take but a minute. I could help," She offered quickly.
"Caitlyn!" Darla all but growled.
"Yes, Darla?"
"Go . . . Get . . . Ready!" Darla ordered. When Caitlyn still hesitated. "NOW!"
Another of those blinding smiles lit Caitlyn's face as she stood to leave. "Thank you, Darla," she said, and then leaned over to kiss her shocked mentor on the cheek before hurrying from the room.
No one said anything for several long moments. Darla simply held her cheek and stared at Caitlyn's exit door, her eyes wide and her mouth round. "She's never done *that* before," Darla finally managed to rasp out.
"Another puzzle piece, Jane," Diana said with admirable reserve as she took another sip of her coffee.
"Yes, it is," Jane agreed, her own expression mirroring Darla's. "But she seems to be getting each new piece from a different box. Just when you think you're putting together a landscape puzzle, the dratted girl hands you a piece from an abstract art rendering." She shook her head. "Now what?"
"She wants to go to dance class. I will try and observe her behavior there without her realizing it."
Diana watched the class warming up at the barre. It was a mixed class - if you could call a grouping of twenty teenagers, only three of which were boys, mixed. At least one of the boys seemed quite talented. Probably why the dance mistress was willing to take on a ballet quite so advanced as Sleeping Beauty for their performance.
Something of a ballet buff, Diana watched the class unfold with growing respect for the dance mistress. She drilled her students hard, but always with encouragement, always finding something positive to balance each correction. She showed extraordinary patience with Caitlyn, who seemed ready to fall on her bottom anytime she had less than both feet planted flatly on the floor.
Caitlyn stayed in the warm-up room while the rest of the class went onto the studio's mocked up stage to practice the actual choreography of the ballet they would be dancing. Most of the girls seemed to have something encouraging to say to Caitlyn as they passed by her. *Evidently she is at least liked here. Is that the reason she wants to attend, even though she seems determined to be inept? Is it friendship and acceptance she finds so seductive about this place?*
Diana took a position in the main studio that afforded her a covert view of Caitlyn in the warm-up room while still giving the appearance of watching the performers on the stage. Soon, the wonderful music of Tchaikovsky filled the small theater and everyone was caught up in the master composer's magic.
Including, Diana suddenly realized, Caitlyn. Obviously oblivious to anything except the rapture of the music, Caitlyn's exercises at the barre suddenly became fluid, graceful and to Diana's eye at least, highly proficient. A quick glance at the soloist on the stage showed that Caitlyn was following each movement and step. Lost in the music's spell, Caitlyn had again 'forgotten' to be clumsy.
"So," Jane said reflectively, "Once again she is distracted, this time by the music, and forgets herself. Did the dance mistress see any of this?"
"No," Diana replied, taking a sip of her tea. "And I didn't call her attention to it. Something is happening there that I don't think we can afford to lose at this point. For one thing, she is accepted and apparently well liked there."
"She is? Even as poorly as she dances there?"
"She isn't a threat to any of them now that it is known she won't be in the performance, and she goes out of her way to make herself useful. She gets drinks, or she'll play the piano to accompany someone who wants to work a little extra on a part. I even saw her partner one of the soloists as she warmed up before going on stage. Nothing very elaborate, Jane. She just held the girl's hand and balance points while the girl did her extended movements."
"So, as yet another puzzle box opened and its contents scattered onto our already full table. Is this making *any* sense to you, Diana? If she hates the feminine touches here, she should hate them - period. If she is really uncoordinated, she should be uncoordinated all the time."
"I think it is fairly clear after this afternoon, and after watching her both on tape and live last night, that she neither hates the feminine touches nor is she uncoordinated - quite the opposite in both cases, in fact. Having established that fairly firmly in my mind, I am at a loss to explain the other things I have observed about her."
"Be sure to let me know when you figure it out, then," Jane said in mild disgust. She started to say something else, but was cut off by the phone.
Sighing, Jane picked up the phone. "Thompson residence."
"Jane? Hi, this is Reggie Walters." Jane smiled as she recognized the name and voice of her former student who had gone on to become a security specialist. Reginald (Gina) had been sent to Jane because the combination of his very inquisitive mind and his skill with computers had gotten him in trouble. Several very large companies objected to fourteen year olds hacking their computer systems and helping themselves to free samples of whatever the company happens to be selling. Now, Reggie used his skills as a private investigator/security systems expert - often fighting the same type of kid he used to be. Two of Jane's more recent students had been "caught" by Reggie who had then referred the distraught parents to Ms. Jane Thompson.
"Reggie, so good to hear from you. What have you found out?"
"Well, don't ask me how you knew, but you were right. I talked with Carlton's mother and he has had formal ballet training. She used to dance professionally herself at one time - quite well, in fact - and continued taking classes when she retired to get married. She used to take him to class with her all the time. It was a regular thing with them from the time he was old enough to walk, right up until about a year and a half ago."
"Why did it cease to be a regular thing?" Jane asked as she put the phone on speaker.
"His mother doesn't know. He just refused to go with her anymore. She is still a little upset about it because evidently, the boy was talented, if perhaps not quite in the way Mom might have liked."
"How so, Reggie?"
"Evidently, he was really graceful and very dedicated to improving his skills. Unfortunately, even by the time he was almost fourteen years old, he wasn't developing much in the way of upper body strength. He could dance the child parts, but he wasn't strong enough physically to partner a ballerina, even as just one of the chorus."
"They don't call it a chorus in a ballet, dear, but I understand your meaning. So he stopped taking lessons well over a year ago?" Jane wanted to reaffirm.
"As far as his Mom knows, Jane. Is there a reason you are concerned about that?"
Jane looked over at Diana who nodded her assent. "Yes, there is, Reggie. He's been dancing here, and far too well for there to have been a long layoff before coming to my home. At least, I think that he is too adept not to have been taking lessons. Could you check around, maybe go to the studio or any other local studios and see if they have any information about that?"
"Sure, Jane. No problem." Reggie paused. "Jane?"
"Yes, dear?"
"I think you should expect a call from the boy's mom. She was very concerned that her son hasn't made more progress in the time you've had him there."
"She's not the only one, Reggie, but thanks for the warning. I will expect the call. Bye now."
Jane hung up the phone and looked at her old friend. "Well, at least we know that he *used* to study dance. That's something."
"We know a good deal more than that, Janie," Diana said softly. At Jane's raised brow, Diana gave her a wan smile. "We know that something happened in his life - something sufficiently important to change the habit of a young lifetime rather abruptly. A habit, I might add, that we have graphic proof that the young man still enjoys, albeit in private."
"Traumatic?" Jane asked warily.
"Perhaps yes, perhaps no. We will have to wait and see. Right now, we just know that something made him feel he had to quit."
"I take your point." Jane rose from her seat and stretched. "I need to take a walk before I settle down to fixing dinner. With Marie still on bed rest, someone needs to cook. The girls have done their part so tonight is my turn."
"Need some help, Janie?"
An evil grin that more than one hundred boys and young men would have instantly recognized and feared lit Jane's face. "Certainly, Artemis. How are you at chopping onions?"
"Makes my mascara run, and I told you, my name is Art, now. If you *must* call my by a masculine name. I do prefer Diana when I am dressed, dear."
"Well, come along. We have plenty of cotton balls and cold cream for fixing your face later. I buy the stuff by the caseload since my boys need to fix or change their faces so very often. Surely *you* remember that, even if you weren't really in my program."
"Bitch," Diana retorted affectionately.
"Just so you keep *that* firmly in mind, darling," Jane gave back sweetly. "I think salads and French Onion soup will make just a perfect dinner, don't you?"
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Seasons of Change
Book 7 - Part 2 of 2 Tales of The Season
Caitlyn's Story Copyright © 1999,2001,2012 Tigger
All Rights Reserved. |
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Happily engrossed in the competitive world of business, Jane lost track of time, so she was somewhat surprised to see her desk clock read 10:45 P.M. when a knock on her door jolted her back to reality. "Come in," she called, expecting to see Diana, only to surprised to find a very wary-looking Caitlyn peeking around the barely opened door. "Yes, Caitlyn? What is it?"
"I'm sorry to bother you, Ms. Thompson, but could I please talk to you for a few minutes?"
*Well, this is new,* Jane thought. *First time the girl has ever approached me like this. Wonder what is that important to her?* "Of course, Caitlyn. I am finished with this anyway. Please, come in and have a seat."
She watched as the girl-boy entered and moved to take a seat in *the* chair. After several silent moments, Jane prompted, "What can I do for you, Caitlyn?"
The girl cleared her throat once, and then again before looking up to face Jane directly. "Ms. Thompson? Darla says you work with a lot of big companies - consulting with them and stuff like that. Is that true?"
Intrigued by this line of questioning, Jane decided to answer. "Yes, I do, Caitlyn. At one time or another, I'd say I have worked with or for many of the Fortune 500 in some limited capacity or another."
Caitlyn brightened. "Do you know any of them with foundations? You know, the kind that do good works and things like that?"
"I am not sure where this is going, but I do know several people who head up such organizations. Why do you want to know, Caitlyn?"
Excitement evident in her very posture, Caitlyn shifted subtly closer to Jane as she began to speak. "It's about Tasha - Tasha Pederov - she's the lead dancer at dance school?" Still confused, Jane could only nod and hope that the girl would get to the point. "Well, she is really talented, and very, very smart. She's been invited to try out for this big science camp for high school seniors this summer, and she's just so smart, I just know she'd get accepted. . .only. . . "
"Only what, Caitlyn?"
"Her folks are not very well off, Ms. Thompson. What extra money they have goes to help some of their family who are still in Eastern Europe. She wouldn't even be able to take classes with us except that Dance Mistress gave her a scholarship."
*Ahh. . .wonder what Caitlyn would say if she knew that I was actually the source of Dance Mistress Allison's discretionary funding?*
"So, what do you want me to do, Caitlyn?"
"Could you check with the people you know and see if there is a way to get her a scholarship or a grant or something, so that she can at least try out? Even if she couldn't go, being accepted might help her get a scholarship to college next year and she is a very, very special person."
"She must be for you to beard me in my den this way." A touch of amusement colored Jane's tones.
Caitlyn lowered her head and broke eye contact. "She is the one who stood up for me when everyone else at class was afraid I was going to mess up the ballet. She got the others to accept me after it was agreed that I wouldn't be performing. She made me her friend when I was feeling very alone and very down on myself."
"Oh?"
Jane saw dark spots start to bloom on Caitlyn's blouse. "I know I am not doing well enough here, Ms. Thompson. I have tried, impossible as that may be for you to believe, but it's like those heels. I am just not getting it. I figure I am on borrowed time as it is. Tasha, and the other girls, well, they've helped me forget all that for a few hours every week. They like me and that amazes the heck out of me, but they don't let me feel alone, and they won't let me get down on myself."
"I will see what I can do for her, Caitlyn. I can't make any promises," *at least until I confirm all of this with Allison,* "but I will look into the matter and do my best."
"Thank you, Ms. Thompson." The girl started to stand, but Jane stopped her with a gesture.
Standing, Jane came around her desk and took a seat next to her student. "Caitlyn, you are right about your time here. I don't want to send you back, but I have obligations to the court. Please, can't you help me to help you?"
"How?" Caitlyn sobbed, the tears flowing faster now.
Jane handed the girl a box of tissues from her desk and waited for her to blow her nose. "Can't you at least explain to me what is going on? I mean, there you were - falling with every step in the high heels one moment, and then stepping out in them like a runway model the next? And then when I called you on it, you were like a puppet whose strings were suddenly cut. What is happening?"
"I wish I could explain it, Ms. Thompson. I mean, I truly don't want to go to that juvenile detention place. The day before yesterday, when you told me I was walking in those heels?" Jane nodded encouragingly. "Well, the only thing I can describe what I felt like was Wile E. Coyote."
A shocked burble of laughter escaped Jane. "Whhhhaaaat???"
Caitlyn hung her head. "Stupid comparison, I know, but it was like one second I was walking around just fine, and the next second there was nothing under my feet but air and a yawning chasm. Next thing I remember is waking up with an awful headache."
Even Jane chuckled at that. "I take the analogy, but don't you have any idea *why* it happened?"
There was a moment's hesitation, giving Jane some hope, but then Caitlyn shook her head. "If I knew the why of it, Ms. Thompson, I would fix it. I really don't want to go to that other place."
*And once again, I am inclined to believe you, regardless of the fact that what you said makes very little sense.*
Jane stood and pulled her student to her feet. "Run along to bed, Caitlyn. I will make inquiries about your friend tomorrow. If it is as you say it is, I will try to find the resources she needs to attend that camp." *Even if I have to pay it out of my own pocket.*
"Thank you again, Ms. Thompson." The femininely dressed boy seemed to hesitate again, but then turned toward the door. "Good night, then."
"Good night to you, too, Caitlyn. Rest well."
The door closed behind her, and Jane moved back to her desk. *Well, I wonder just what I am supposed to make of that? Maybe Diana will know. She's supposed to be the specialist in these matters.*
The following day, two phone calls profoundly changed Jane Thompson's view of her little world - one that she initiated, and another that she received.
About mid morning, Jane called the dance studio mistress to follow up on her promise to Caitlyn of the night before. Allison confirmed everything that Jane had been told. "Honestly, Jane, it is so sad because the girl is so talented and so sweet. She's been very adult about the summer science camp thing, but its obvious she was very disappointed. Her family is trying to get more of their people away from that awful Serbian situation so there's just not any money to be had for something like that camp."
"Do you know when she has to appear for the tryout in order to be selected?"
"Hmmmm. . . seems to me she said something about having to go to the Boston Science Museum any Monday or Friday before the end of the month."
Jane checked her calendar and did a quick calculation. "That means that there are less than two weeks left, and besides, aren't you performing over that last weekend?"
"We are, but I don't think it is going to be a problem, Jane, not for the play anyway. Although, for her sake, I almost wish that it was going to be a problem. I am just glad you endow us generously enough that I can have her here at all. If this place had to make money to stay open, I would be hard pressed to take her on."
"Well. . . of course, Allison. I am glad to help," Jane said with a grimace. "I have to run, dear. I'll see you when I bring Caitlyn in for her next class."
"I look forward to it, Jane. She's a perfect sweetheart. I just wish she could dance."
*You don't know the half of it, Allison.* Jane thought as she hung up the phone.
"You're frowning, Jane," Diana said softly from her seat on the other side of the desk. "Cait's story doesn't checkout?"
"No, nothing like that," Jane said with a sigh. "In fact, Allison just confirmed everything Caitlyn told me."
"So, why the long face, darling?"
Jane turned tear-bright eyes towards her friend. "She thanked me for my patronage - telling me that it was my support that permitted her to take on students like this friend of Caitlyn's."
Diana was out of her seat and pulling Jane up into her arms. "C'mon. . . I would think that would make you feel good. What's with the tears?"
"Because that's not why I do it, dammit! She is giving me credit for it, and the only reason I do it is for my own little agenda," Jane said around the tears. "Something like that never entered my mind. I just wanted to make sure the place was there as a torment for my boys."
Diana pulled back from Jane, giving her a piercing look. "And of course, your entire purpose is just that, isn't it? You'd never waste your money on something so insignificant as a neighborhood dance school if it did not fit in with your devious, malevolent little schemes," she said with heavy irony. "Torment those little bastards. Make 'em suffer. Terrorize them and break them. Turn them into perfect little wimps any way you can, right?"
"Of course not!" Jane nearly shouted. "Everything I do is to the ultimate purpose of helping the boys, of moving them . . . for . . . ward. . . " her voice started to lose its power and her eyes went wide before narrowing. She stood there in the circle of Diana's embrace, her body unmoving. Then, she relaxed and rested her head on her old lover's shoulder. "Bitch."
"That's better," Diana said as she led Jane over to an antique love seat and settled them both on it. "I think it is wonderful that in having found a way to help these boys, what you do allows other folks to benefit, too."
Jane rested her head on Diana's shoulder and closed her eyes. "Thanks, dear," she said softly. "I guess I am feeling just a little fragile right now."
"Caitlyn matters to you, Jane. You love her, and you are worried that you won't be able to help her. We both know that you aren't the iron-hearted witch you want them to think that you are. And I agree with you about Caitlyn. She's an enigma and you are afraid to give up on her before you've solved that enigma. Well, at least she did not lie to you about that girl."
"You know something, Diana?" Jane asked softly. "Over the years, I have gotten very good at spotting my boys' lies and evasions. I'm almost as good as a lie detector, but I can't remember a time when I felt that Caitlyn was intentionally lying to me. Oh, there have been a few times when I thought she hasn't really known the whole truth, like yesterday when she told me she couldn't explain about the high heel incidents, but I don't believe she has ever really tried to deceive me."
"That says a lot, I think. Either that was an honest kid when he got here or you have turned him around."
"But the only evidence of that is my instinct, dear. Not something I can take to the probation officer."
"Why not? Aren't you a professional consultant? You must be or the court couldn't turn the kids over to you. Do you doubt your own judgment?"
"Yes. . .No. . .I mean, . . .Oh, I don't know. This is a helluva lot easier when they follow the plan."
"Life's like that, dear. Trust me when I say that I understand perfectly, but it's when the therapy doesn't follow the plan that I really earn my pay. Trust your instincts, dear. I think you are right on with this child."
The two femininely turned out friends, only one of whom was really a woman, sat in silence, simply enjoying the close contact of holding the other.
"Diana?" Jane finally said, her head still resting on his shoulder.
"Mmmmmm?"
"How did we end up cuddling on the settee?"
A very male chuckle answered Jane, followed by a hard hug. "I only regret it has taken this long to get here. I've been trying to figure out a way to get my hands on your elegant self since the moment I knew I was coming here."
"You WHAT??" Jane tried to jump away, but found herself held firmly in place. "I thought you came here to help Caitlyn!"
"Oh, I did, I did," Diana answered with a self-deprecating chuckle. "But I can do more than one thing at a time, dear, and helping Caitlyn is not the only item on my personal agenda."
"You came here planning to . . .to . . .what, . . .seduce me?" Jane asked, with a very unwelcome quaver in her usually strong voice.
A gentle finger pressed against Jane's lips silencing her. Diana moved very suddenly and pressed her mouth possessively against Jane's before standing up and offering the stunned woman a hand up. "That's only part of it, Jane, and the seduction will be verrrrry nice, too. *When* I eventually get to that. However, what I really came here to do, my lovely Jane, is to court you."
With that, Diana turned on her heel and sailed from the room, leaving a disbelieving Jane Thompson bobbing in her wake, staring after her retreating friend.
"Court me?? Court ME?? I don't *believe* this. I don't have *time* for this kind of distraction right now," Jane all but moaned. "I *really* don't have time for this."
For the better part of the next hour, a thoroughly confused Jane Thompson sat in the sunlit silence of her study. So many things, she railed inwardly, so many things on top of yet so many more, and she still had very little idea what to do about *any* of them. First there was Caitlyn, not to mention her probation officer, then Marie's injury and now, she had to deal with Diana declaring her semi-honorable intentions? Lord help her, but she couldn't think of what to do next.
Jane rose from her seat, intent on finding Marie and asking for her thoughts. She had just reached the door when her private line rang. For the first couple of rings, Jane seriously considered not answering and letting her service take a message, but then she remembered that Caitlyn's mother had said she'd be calling.
Sighing, she returned to her desk and picked up the phone. "Thompson Residence, Jane Thompson speaking."
"Jane!" an excited male voice called. "This is Reggie. I think I have found something important."
"Good news, I hope, Reggie," Jane said quietly.
"I don't know about that, Jane, but I did finally got a lead on what your student's been doing since he stopped going to class with his mother. According to the fine arts and drama teacher at his school, he found a dance club at the local "Y". I went down there and talked to the woman who runs the club. Evidently, he's been attending lessons there for over a year."
"His mother did not say anything about that, did she?"
"She didn't know. According to her, he's been taking martial arts classes that happen to meet at the same time at the same place. My suspicion is that he actually did take the martial arts classes for a few months until he discovered the dance club."
"What did he do at the dance club?"
"Not much outside of attend the class, according to the dancing teacher. He still didn't have much upper body strength, but he worked on the male parts anyway. One odd thing, Jane? The female dancers thought very highly of him, but not as a partner. They liked him because he was so good at helping them perfect their own dancing."
"Odd, but that seems to be the rule with this child. Oh well, thanks, Reggie."
"Oh, but Jane, that is not the only reason I called. I got some information on the incident that put him in court. According to his fine arts teacher, it may not have been quite what came out in the court."
"Oh? The police thought it was fairly cut and dried."
"Well, he went after that guy with a baseball bat, all right. However, the teacher said there were some circumstances that did not come out during the court case. Evidently, this guy he took out and his buddies have been really on your student's case all school year. They decided he was . . . well . . That he was not very masculine and just rode him hard about it. According to that teacher, they really did their level best to make him into a real laughing stock at school. She also said that she saw them corner him on at least three occasions. Since all of them were physically much larger than Carlton, they really intimidated him."
"And the ringleader of this little gang is the one that Carlton supposedly went looking for with a baseball bat?"
"Interesting thing about that, too, Jane. There is some question as to whether he was looking for them with the ball bat, or whether it was handy when he felt he needed it. Oh, and take three guesses who the only eyewitnesses are - but only the first one will count."
"The other members of the gang?"
"Bingo. After talking to that teacher, I talked to the police detective who did the investigation and he is a loser. Got his supposed witnesses, submitted the case and moved on to clear the next case off his quota. Never questioned anything. The DA decided that Carlton's conviction would make for an easy win in his campaign-promised war against school violence and pushed the issue with the case."
"Any idea what their problem is? The gang of jocks, that is."
"Not really. The teacher I spoke with thinks it is just that he is different. She says he always moved very fluidly and had some fairly exaggerated gestures," *Like a dancer*, Jane thought grimly, "That those macho assholes decided was effeminate. Easy meat."
"Find out what else you can about the case and any extenuating circumstances and I will take it to Judge Ruth. It may not be enough to get him off, but it may be enough to get that probation officer to back off for a while longer."
"Another thing, Jane? As nearly as this teacher recalls, almost all the trouble your boy has been in over the past year has been either instigated by or in retaliation against this group. Now, that's an opinion and not really backed up by the records or by the school administrators. All the official record shows is that he's been disciplined a lot in the past eighteen months or so, but she sounds convinced that if those clowns had left him alone, Carlton would have been fine."
"I see. Well, let me know else you find out, Reggie. At least now I have a possible explanation as to why he hasn't shown all that bad an attitude here. Thanks, dear."
"See you, Jane."
Jane set the phone down and rose from her chair. She needed to clear her head. *A walk,* she mused, *that is what I need right now - a little fresh air and exercise.*
Part 7: The Courtship of Ms Jane Thompson
Although Jane herself did not realize it, dinner that night was unusually quiet. There was none of the social banter, manners corrections, or business questions and answers that typically spiced almost every meal at the Thompson house. For her part, Jane could not seem to keep her mind on any subject other than Art/Artemis/Diana Philips.
Several times over the course of the meal, she actually caught herself staring at the silver-tressed vision at the other end of the dining table. Once, Diana had caught her, and quirked an eyebrow at Jane in silently laughing challenge. Jane had torn her eyes from Diana's, but not before she felt the heat of a fiery blush coloring her face.
They'd been good together all those years ago. Jane had forced herself to forget just how good when she'd made the decision to break things off with him. A part of Jane Thompson that she did not want to acknowledge was quietly wondering if they could be that good again. *Surely not,* she growled mentally. "We're both much older now, much more staid. Surely those fires have long since been reduced to embers.* Which momentarily relieved her anxiety, until she remembered just how her guest was dressed, and *that* in turn, reminded her of other games that a young Jane Thompson and Art Philips had played together. Memories which made her blush all the harder.
Jane had excused herself as soon as she possibly could without appearing too rude, and had fled to the privacy of her own apartment. She'd been about to pour herself a stiff brandy when she heard her door open.
"Have I driven you to drink, my love?" an amused voice said from behind Jane.
With great deliberation, Jane removed the stopper from the decanter and poured a perfect inch and a half into the crystal snifter. "May I offer you a drink?" She asked with what she thought was commendable control.
*What IS this??? I am not some green girl to go all fluttery when a man tells me he is pursuing me.* Jane thought as she held up the decanter in offer. *Lord, but I don't even know what -Art- looks like because Diana's the only "one" I've seen.*
"Thank you, Jane. That would be very nice," the lovely, very femininely turned out male replied.
Diana took the proffered snifter and walked over to take a seat on one of Jane's overstuffed chairs. She sighed with obvious pleasure and snuggled into its cushiony depths. "*MUCH* nicer than those stiff backed, rock hard seated things you have in the outer house, Dear. Now, why don't you tell me what's bothering you?"
Jane could not recall when she had last been so physically aware of another person. That alone was enough to make her glare in repressed fury at the smiling source of her distraction. "Damn you, Art," she finally exploded, "Why are you doing this to me? What is it? You want a lover who knows about your little dual identity and you figure I won't freak when you come to bed in makeup and lingerie? Is that why you are supposedly 'courting me'? Because you know what I do here, putting my little boys into frilly undies and skirts? Does that little facet of my persona make me somehow more convenient for you as Art and as Diana?"
The laugh that outburst elicited from Diana oscillated between a feminine giggle and an uncomfortably sexy masculine chuckle. "Ah, Jane," he rasped when he'd finally regained control of himself. "You, my love, are about the most inconvenient woman I have ever met. Nope. I simply intend to correct the single biggest mistake of my entire life, that's all."
"And just *what* may I ask does that mean? What mistake?"
"Lord, woman, but you do the haughty lady of the manor perfectly." Diana set her snifter aside and rose to her feet. Slowly, she began to move towards Jane. "My great mistake, dear heart, is symbolized by the continued nudity of your left ring finger."
To her intense embarrassment, Jane found herself rubbing said nude finger while stepping backward, trying to keep distance between herself and Diana. Diana's grin only widened when Jane's bottom came up hard against the solid, unyielding mass of her desk. Before she could say or do anything else, Jane found herself being thoroughly kissed. Her last rational thought for the next several dizzy minutes was that she'd forgotten how nice lipstick on lipstick felt.
When Diana finally broke the kiss that damnably satisfied male grin made Jane want to slap him - and she would have - if her corn mush brain could have found her hands at that moment.
"Letting you walk out of my life without a fight. Stupidest damned thing I have ever done. Don't expect to escape this time, Darling. I intend to make you Mrs. Philips, or is that make myself Mrs. Thompson? Or maybe Thompson-Philips. Or is that Philips-Thompson perhaps?"
"Would you please STOP that?" Jane *did* scream that time.
"Okay. For now. We can pick it up tonight after the girls are in bed." Diana planted a quick kiss to Jane's cheek and then returned to her seat. So, now that we've dealt with my evil designs on your lovely, delicate and nubile self, I guess that it is Caitlyn that is still bothering you?"
"Not so nubile anymore, Diana, and it's both you and Caitlyn. I don't know what to do to solve the problem posed by either of you."
"Well, since I refuse to work against my own interests, and since I *know* you are going to fight me tooth and nail as long as one of your cubs is in jeopardy, Momma Bear, why don't we sit down and try to catalog what it is we really know about," and here Diana dropped her voice by octaves, "the Caitlyn Enigma."
"You make this sound like Robert Ludlum mystery thriller."
"Just so. You want to write or shall I?"
For a very long time, Jane stood very still. "I am serious about that, Jane," Diana finally said to break the impasse. "I think it is time we tried to put down everything we know that makes her unique. Maybe we can start pulling things together and making connections." When Jane still did not move, Diana sat forward and ordered, "Sit! I promise not to jump your bones tonight, if that is what you're worried about."
Jane seemed to shake herself and then nodded. "Very well. Okay, Doctor," she said, assuming a seat on the opposite side of the coffee table from Diana. "How do we start?"
"At the beginning. We know that he was tried for assault."
"Yes," Jane murmured, "but something I learned today has bearing on that." And Jane reviewed her earlier call from her investigator student.
"So, he quit dancing for no apparent reason, tried to do something else, i.e., the martial arts, but then was back in a dance class within a few months. Covertly. Okay, let's put that together with what else we know about dance."
"He evidently was quite talented in both of his classes before he came here, and obviously, he does very well in his private, late night recitals, but is hopelessly inept at the class he takes here."
"Except when he's lost in the music and alone," Diana added. "Also, we know that he likes going to class, well enough that he would ask you to take him."
"That just may be a result of the fact that he is well-liked as a person by the other students."
"Perhaps. I'll note it down. All right, let's move on to other anomalies."
"Cosmetics and moving about in heels," Jane offered.
They spent a good twenty minutes going over Caitlyn's history in those two areas, carefully revisiting each time that the boy had been able to perform effectively in either.
"So, the only times you've seen him put on relatively complex make up was on those videotapes of him dancing."
"He did a relatively nice job at the hospital, but that wasn't all that difficult. Actually, it was quite subtle."
"Very odd," Diana said. "No other issues with clothing or grooming? I mean, I have watched her and she seems to be quite comfortable in the skirts and dresses she wears. She sits and moves like quite the lady."
"She's been in them for over five months, Diana," Jane said with some disgust. "I would hope she would have learned to wear them correctly by this time."
"She doesn't move in heels or wear cosmetics yet, Jane. It may mean nothing. So, other than the make up she has to put on herself, there was no problem with hair or anything like that?"
"No, not rea . . . ," Jane stopped in mid sentence. "You know, there was an incident, although at the time I simply put it down as the expected, if somewhat more obstinate, reaction of a boy being put into curls. The second month he was here, I took him to the beauty parlor. I was starting to get unhappy with his progress and wanted to do something that would really get his attention."
"Ah, the metaphoric 'two-by-four' in the face rule of leadership?"
"Yes. Well, you see what relatively long hair she has? Well, I was going to have Sandy turn it into a mass of curls - really "Shirley Temple" her. Sandy started to cut her hair and Caitlyn just lost it on me. I arrived there and saw her, still with the white protective sheet about her, standing in the corner facing off with Sandy. Nothing we could do or say would get her back into that chair, and short of restraining her to the chair once we got her there, we couldn't have gone near her safely with a sharp implement. She simply would not agree to cooperate or move from that corner until she had extracted my word that Sandy wouldn't cut her hair."
"Evidently you kept your word." Diana said with approval.
"I learned early that you can never tell a direct lie or fail to keep a promise with these kids. She still got a very "big hair" set, but she looked more like Farrah Fawcett than Shirley Temple. Unfortunately, that did not bother her very much, even when every adolescent male within twenty yards of us at the mall gawked at her."
"So, her hair being long was important to her - Important enough to dare your wrath, again. Interesting. That's it?"
"As far as clothing and grooming goes. Betty Franson reached her at the Dress Shoppe, but then, putting on fifteen or twenty dresses in a semi-public room is daunting even if you don't have something odd hidden in your panties. Other than that, she does most other things passably - quite well, in fact. She cooks and cleans up without a fuss, keeps her room neat and doesn't mind helping Marie keep the place dusted and the like. Oh, and she nurses Marie like a cross between Florence Nightingale and Hypolyta, Queen of the Amazons."
"Quite a conundrum your Caitlyn, Jane. You know, it seems to me that an awful lot of his troubles date back to when he suddenly stopped going to dance class with his Mother. At least if your investigator's source - who was that? The fine arts teacher?" Jane nodded and Diana continued, "If her account is accurate."
"She is only one person, Diana, and she is the only one who mentioned anything of the kind."
"True, true," Diana agreed. "Still, I would sure like to know why she quit dancing as abruptly as she did."
"Well, I can ask. In fact, I am still expecting a call from her Mother."
Diana nodded, and then looked at the clock on Jane's mantle. "My goodness, look how late it's gotten. I must be off to my bed. We'll think more clearly about this tomorrow after a nice hot bath and a good night's sleep." She rose and blew a coy kiss in Jane's direction. "Nightie-night, sweetheart. Dream lovely hot and sexy dreams about me." And with a saucy wink, she was gone.
For the second time that day, a speechless Jane Thompson watched as her former lover sauntered out the door of her rooms. "I really, really don't *believe* this," she said again in great exasperation. "And I *don't* have *time* for this right now."
Morpheus refused to visit Jane and grant her repose. Her every nerve was on edge; every muscle was wire-taut. She'd given up laying down and was prowling her quarters like an enraged lioness. "How *dare* he do this to me?" she snarled more than once.
"I refuse to let him get to me this way," she told herself and headed back to her bedroom. On her way to her huge canopied bed, Jane happened to glance and see herself in the mirror, and stopped dead in her tracks.
Jane was not a vain woman, but what she saw in that mirror at that moment was certainly worthy of vanity. A lifetime of horse riding and keeping up with energetic teenagers had kept her body trim and firm. The filmy nightgown and peignoir hugged her tight curves and small waist. Her long auburn hair hung loose and free. Her eyes were wild and her mouth was open. *My god,* she thought, *I am literally panting.*
"DAMN the man!" she spit out as she stormed out of her bedroom toward the hall doorway. "He's not getting away with this. There is simply *no* way he is going to get the better of me!"
Diana hadn't been able to sleep either. The supposed remedy for what was currently ailing him, a freezing cold shower, had twice failed to cool his blood. So he'd slipped on a silk robe and had taken a seat by the bed to read. Without much more success.
"That has to be the fifth time I've tried to read that page," he sighed. Just then, the door to his room slammed open. His head snapped up in time to see a wild-haired valkyrie in black satin and silk bearing down on him, raw fire burning in her eyes.
He started to stand. "Janeeeee??" was all he managed to get out before his mouth was being ravished. For her part, Jane never even slowed, all but tackling her prey and carrying him bodily to the bed where she followed him down onto the thick, satin-slippery comforter, her mouth still locked with his, her hands running wild over him.
A long time later, they lay entwined, their bodies damp and replete from their loving. "Next time," Jane murmured, "I want you properly made up. I like the way you taste with lipstick on."
The chuckle that answered her was pure male. "Glad you know that there will be a next time, sweet Jane."
"I am stubborn, Artemis/Diana, but I am not stupid. The only way you are sleeping alone anytime from now until the end of your vacation is if you fall asleep in the sun by the pool."
Jane gave a soft, throaty giggle that would have amazed any of her boys, and then shimmied herself to get a little closer to her lover's body. His instantaneous male response pleased her greatly. "Hey, Janey, be careful, or I won't let you go to sleep for another hour or so," Diana warned.
Jane repeated the movement, more slowly and deliberately this time. "Oh, promises, promises, old man," she teased.
"OLD MAN??" he growled pulling her closer. "I'll show you who's old, missy."
Well over the aforementioned hour later, a sleepy voice sighed. "Tomorrow night, sweetheart. I will make myself up for you tomorrow night."
Only a soft, purringly feminine snore answered.
Jane managed to slip back to her own rooms just before dawn so no one in the house knew where and how she'd spent the night. Of course, when she couldn't quite keep the goofy smile off her face at the breakfast table, she figured she'd given the game away.
Actually, all *that* did was terrify Caitlyn and unnerve Darla. Neither be-skirted boy could begin to imagine what newly devised terror of Jane's would make her smile like *that*, and all the time, too.
Jane would have been pleased to know her reputation was still working for her, if she'd been at all concerned such minor matters, but Jane was too caught up in the throes of rediscovered love. As a result, the day, for the most part, passed uneventfully. Marie had to go to the doctor's office for a checkup, and Caitlyn was due at dancing class. Jane took Marie in the station wagon and Diana drove Caitlyn in Jane's Lincoln.
Dance class went much as the last one had with nothing new noted by Diana's keen, if covert, surveillance. The day's best news was that Marie had been given permission to get up and move around on crutches. The only admonition had been to take it easy when her knee started to hurt too much.
It was still too soon for her to be able to resume running the household, but Caitlyn once again had a solution. "You can sit in the kitchen or where ever, and supervise me. I'll be your legs until you are moving around more easily."
"*You* just want to be close by so that you can nag me back into a chair when ever *you* think I am overdoing, cherie. You don't fool me for an instant, Miss," Marie had accused, waggling an admonitory finger at the unrepentant Caitlyn.
"It'll work," was Caitlyn's pert retort.
"And an excellent solution since I know you all too well, Marie," Jane had interjected with a stern look at her best friend. "I think I can count on Caitlyn to keep you on the short leash you need just now."
"HAH! Short leash?!? More like keeping hold of the scruff of my neck." Under the power of Jane's unblinking stare, Marie finally subsided. "Oh, all right, but just you wait, cherie, until I am on my feet again. I have had all this time to study glamour magazines and I have found some make up tricks that will look just *wonderful* on you. I can't *wait* to show you off all fixed up like that."
The threat had been made in a teasing tone with a wide, cheerful smile on Marie's face. No one in the room could possibly have taken her words as a threat of actual retribution. No one except Caitlyn, who again went rigid and lost all the color in her cheeks. "I . . . I'm sorry, Ms. Marie," she managed to choke out. "I . . I didn't mean to impose."
Marie immediately hobbled over to the girl and took her in her arms, crutches dangling. "Ah, cherie, don't worry. I was just fooling with you. I promise, I won't do anything like that, okay?"
Jane watched as her student slowly relaxed under Marie's ministrations and promises. Finally, she nodded roughly. "Okay, then," Marie said more brusquely. Now, into my kitchen with you. You haven't done *too* badly in my absence, but I want to cook my own dinner tonight."
"All right, Ms. Marie," Caitlyn said softly.
Marie nodded as she began moving toward the kitchen. "And Caitlyn?"
"Yes, Ms. Marie?"
"My friends have the privilege of using my given name. I would be pleased and honored if you would call me Marie.
Only Jane saw the look of utter disbelief during the barest instant before an explosion of joy that lit her student's face.
*And another unfitted piece of the puzzle becomes visible.*
The house was redolent with wonderful smells and aromas, indicating Marie's return to power in her kitchen-domain when the phone in Jane's office rang.
Jane answered the phone. "Ms. Thompson? This is Eleanora Jeffries."
*Well, I knew this was coming.* "Good afternoon, Mrs. Jeffries. I am glad you called."
"Perhaps you won't be so very glad after I have my say, Ms. Thompson." Jane could hear the suppressed emotion in the other woman's voice. "I want to know what is happening with my son. I was given to understand that most of your students are all but finished with your program after five months. I have been expecting you to get in touch with me regarding travel plans and such for his return home, but I have not heard anything from you in over a month when you told me he was having problems, but trying."
*And there's not much more I can say at this time, either,* Jane thought. "Yes, Mrs. Jeffries. That is true, however, I have had students stay much longer than five months as well."
"Ms. Thompson, I am not talking about other students. I am talking about *my* son who has a sentence to juvenile hall hanging over his head. Now, I have this private investigator saying that he is representing you asking questions about my son. I want to know exactly what is going on, Ms. Thompson."
*Remember to call him Carlton, Jane,* she reminded herself. *The Jeffries only got a very sketchy idea of what it is that I do here because Ruth wanted to make sure they'd accept the bargain.* "Carlton has shown some improvement since last we spoke, Mrs. Jeffries. Not as much as I would like, but I am definitely not displeased with he. . .him."
"Ms. Thompson." and now Mrs. Jeffries voice became icy cold. "What . . . is . . .my . . . son . . .failing . . .to . . do?"
*Damn. How can I tell her that her son doesn't walk well in high heels, can't seem to put on make up properly and oh by the way, seems to be hiding the fact that *he* is a very accomplished and skilled _ballerina_!?!?!* "If you will recall, I told you that my program was aimed at developing grace and manners under pressure."
"My son, except for when he has been forced to protect himself from a vicious attack by those bullies, is a perfect gentleman, Ms. Thompson. As for *grace*, my son has studied dance for almost ten years and he was superb at it. Unless he has had a late growth spurt, I cannot believe that there is *anything* deficient in his grace of movement."
"No growth spurt, Mrs. Jeffries," Jane responded honestly. "But he has not shown any of that grace in public."
"Mrs. Thompson. I am ticketed on the next flight to Providence. I have reservations with the hotel in Kingston. I will expect you to call upon me there tomorrow morning at ten. Unless you do, I will be on your doorstep by eleven."
"That violates your agreement with Ruth, Mrs. Jeffries. I could vacate his suspended sentence and ship him immediately off to that juvenile hall." Jane hoped she'd believe that threat because there was no way Jane would ever do it - at least not until she had solved the Caitlyn Enigma.
"So what? According to that probation officer, my son is mere days away from that happening anyway. This way, I will at least know what was so unacceptable about my son that the woman who Judge Ruth praised to the heavens as the savior of countless boys has been unable to help him."
"I see," Jane said very quietly and then sighed. "Very well. I will see you tomorrow at ten, but for the sake of your son, Mrs. Jeffries, please stay away from my house. Whatever chance I still have to help your son could well go down the drain if he sees you in his current situation."
"Then I will expect you to be there, Ms. Thompson. And I would suggest you explain to me in some detail exactly what this so-called situation of his is all about. Perhaps it just might be better for him to be in juvenile hall. At least there I could keep an eye on his keepers and hold *them* to account for what they were doing for and to my son."
"I will see you tomorrow," Jane repeated stolidly. "Good bye."
Jane set the phone down, her knuckles white under the strain, her eyes stinging and burning from repressed tears. That was how Diana found her. "Jane, what is the matter?" Diana asked as she moved to her lover's side.
"Oh, God, Diana," Jane said, her voice little more than a harsh whisper. "I am going to lose Caitlyn before I even get the chance to figure out how to help her."
"Settle down, dear. Come over to the sofa and tell me all about it," Diana said gently as she moved Jane firmly away from her phone.
"That was Caitlyn's Mother. . ."
Part 8: Caitlyn Breaks and the Puzzle Fits
A knock on his door brought Darryl out of a lovely daydream. He'd been thinking about college, and more importantly, college girls. One problem with being schooled at home and living as Darla in order to help Aunt Jane with her program was the lack of *real* girls in *Darryl's* life. The few times he had been out among girls as a guy, he'd done rather well, even if he did say so himself. Jane's program had given him a very unique view of the feminine outlook and the ladies seemed to sense that about him . . . and to *like* it about him . . . a LOT!
So, he was not in a particularly good mood when, after checking his appearance in the mirror to ensure that Darla looked adequately 'winsome', she opened her door to "Caitlyn?"
"Hi, Darla," Caitlyn said quietly. "I am sorry to bother you, but I need some help and I don't know where else to turn."
"What can I do for you, Caitlyn?"
"I want to work on walking in heels some more. Maybe if I can do that, Ms. Thompson will give me more time to get past the make up thing, but I know I will need help to do it without killing myself."
*Uh oh.* "Ummm, why not ask Jane? She'd be tickled that you were willing to try without being told to do it."
Caitlyn shook her head sadly. "No, because of the two times when Marie was hurt, she thinks I am faking this." Suspiciously glittering eyes looked up into Darla's own. "I'm not, though. HONEST, Darla. I don't want to go to that prison for underage males."
*Lord, why do I want to believe her?* Darla silently lamented. *No, it's more than that - I *do* believe her. The question is, why do I actually believe her?* Sighing at her own gullibility, Darla began to open her door when she remembered the sports pages strewn all across Darla's bed. *Ooops.*
"How about we do it in your room, Caitlyn? Then we can try all your shoes and see if a particular style makes any difference." *Don't know why it would, but hey, try anything in a crisis.*
"Oh, thank you, Darla!" That blinding smile was back. "Can we do it right now?"
Shrugging, Darla smiled in return. "Sure. Let's do it and surprise the heck out of Aunt Jane for a change."
"So, you have deceived the parents in all this?" Diana asked in a very flat voice.
"Strictly speaking, I suppose you can say that. We, that is, Ruth and I, just did not explicitly tell them what my program really entailed. We've had problems before with . . . non-voluntary parents in the past. They have a tendency to show up at awkward times in the boy's rehabilitation, interfering in the program, and in general, making a difficult job much harder. In one case, one woman loudly chastised me in front of the child. Such nonsense encourages a child who is already inclined to be rebellious to continue fighting me. The mother who chewed me out in front of her son finally had to be put on a restraining order to keep her away from my home. The next time she contacted her child without my express permission, the boy was to have been dispatched to juvenile lockup until his eighteenth birthday. And at that, her interference literally cost the boy almost half a year. Ultimately, I had to keep him in skirts for over a year before we achieved a turnaround with him."
"So, you don't believe in your own program strongly enough to be able to sell it to parents who are already in a situation where they are willing to accept almost anything to avoid court ordered incarceration?" Diana asked in sardonic tones. "Please, Jane, don't take me for a fool. We both know that's not why you've elected to keep the parents in the dark about the specifics of what it is you do to these boys."
"Well, what is your opinion on why *I* do something *I* know works, Doctor." Every word dripped in ice that belied the angry fire in Jane's eyes.
Diana shrugged. "You just said it, dear. You know it works. It is easier for you to do it this way. Not easier for the parents, especially for caring parents, but you get off more easily."
Stung by those words, and not wanting to admit their validity, Jane struck back. "I can't risk my other students. If those parents don't already have a stake in keeping my secret, how can I entrust my other boys' lives and reputations to them? And what about the boy in question, eh? At least my way, it is his choice to tell his parents what happened here with me and why it happened, but *only* after he has graduated and understands what the experiences did for him as a person."
"Your other boys are safe, Jane. Ruth can easily protect them by forcing a pre-indoctrination agreement on the prospective participants. They simply have to sign a contract never to reveal anything about the program, regardless of whether they accept the deal or not. If they refuse to sign, they aren't told anything substantive about the program and their little darling goes behind the metaphoric cold steel bars of juvy. As for the current boy, your argument is valid *if* the boy graduates, but suppose you fail, as you seem to think you will with Caitlyn. *Then* what do you do? Explain to his parents that your program consists of a very heavy dose of petticoat discipline and all that entails? Or worse, that your best efforts did not work with their boy?" Diana's voice became low, gravelly-rough and stereotypically redneck male in tone, "Well, o'course my *boy* didn't get nothin' outta your stupid program, you idjit woman. My boy is a *man*. Damn fool stupid females."
"Diana!"
Diana resumed her normal light alto voice. "And in that case, you *won't* be able to protect your other boys or Judge Ruth or anyone else who has ever been involved with you because you have no legal or emotional hold on the boy or his parents."
Jane went very still as she digested Diana's words. "I have never thought of it like that before."
"You've never had to deal with court directed psychological therapies. Trust me, we head shrinkers have learned these lessons the hard way."
"So what do I do tomorrow with Mrs. Jeffries?" Jane asked wearily.
"I go with you, as Art, and let my sheepskin and research experience support you. We argue for more time with the boy, and then, we do whatever it takes to get that probation officer off your back for at least another three months."
"Oh, I don't know, Diana. Short of lying, I don't know what I could do to keep him."
"So lie," Diana said with ringing conviction. "Your first responsibility is to the child. Do you believe that the alternative is better for that boy than what you do here?" Jane hesitated, uncertain how to respond, her personal ethics and legal responsibilities warring inside her. "Do you really believe that, Jane?" Diana repeated very gently.
Taking a deep, heaving breath, Jane shook her head. "No," she replied in a barely audible voice. "That sweet child would wither and die in that place."
"So what are you going to do?"
Jane walked back over to Diana and weakly hugged her, resting her head against her lover's shoulder. "I guess I'll lie."
Darla was doing her level best not to scream out her frustration at Caitlyn. For the past hour, they had been trying to find a pair of heels the girl could walk in. Now, she was standing by watching Caitlyn lace up a pair of high-heeled calf-length boots that Darla had loaned to her.
*If I hadn't seen her walking - hell - *running* in those heels when Marie acted like she was hurt, there is no way I would believe this person could ever walk in these things.*
"Ready?" She asked, trying to keep the resignation out of her voice.
"I. . .I think so." Caitlyn answered with a quaver. "Here goes." She pushed herself off the bed with her hands and struggled momentarily for balance.
Darla waited for Caitlyn to manage the two steps to where she was standing so that they could try one more time.
Caitlyn never made it. The heel of her right foot went out from under her as she made that crucial second step, sending her toppling over backward. Darla was just a step too far away to catch her and Caitlyn crashed the back of her head against the edge of her mattress.
Momentarily stunned, it took Caitlyn a few moments to clear her head sufficiently to realize that Darla was yelling at her. "I'm o. ..okay," she managed to get out. "Just hit my head on the mattress is all."
Relief washed over Darla like a cold shower. Slowly she stepped back, intending to offer Caitlyn a hand up and saw her position. Caitlyn was sprawled on the floor, her back resting against the bed, her legs spread-eagled on the floor with the pointed toes of the high heeled shoes pointing to the stars. Darla thought she looked for all the world like some character out of a children's cartoon. All that was missing were images of stars and planets spinning about her head. The combination of adrenalin-drop, the situation and her own terror did Darla in. She began to laugh, almost hysterically, in her relief that her friend was actually unhurt.
"What are you laughing at?!?" Caitlyn yelled. Darla couldn't seem to stop and could only gesture helplessly. "ME? You are laughing at ME??" Caitlyn began scrambling to her knees, her face a mask of fury and hurt. "Damn you! Stop laughing at me! I thought *you* at least my friend! Ms. Thompson said other people would laugh at the boy in skirts, but I thought *you* were different. I thought you, at least, cared about me! DAMN YOU!!"
An open hand slap to her cheek rocked Darla back on her haunches. Suddenly, she was being pelted by flying missiles as Caitlyn launched lipsticks, powder pots and bottles of all sizes at her adversary, all the time screaming for her friend to stop laughing at her.
Not knowing what else to do, Darla launched herself at Caitlyn to try and restrain her, grateful for the fact that she, at least, was in flats. She just wished she had paid more attention when Kenneth, or rather Kendra as she was known in Jane's house, had offered to teach her the basics of that martial art thing that Kendra had once used to restrain an enraged Darla.
"JANE!! DIANA!! HELP ME!"
Instantly recognizing both the terror and the fact that it was Darryl, not Darla who was calling, Jane was heading for the stairs before the words had finished reverberating about the house. *Oh, God, not another one. Not another Michael* she prayed as she ran.
Diana reached the bedroom door just behind Jane. There was Darla, her arms and legs wrapped around a wildly struggling Caitlyn from behind. "Help me. I can't calm her down and she's damnably strong."
Almost immediately, Diana left the doorway and ran down the hall. Jane moved towards the bed, oblivious to the brass and broken bits of ceramic and crystal that littered the floor. "Easy, Caitlyn," She said, trying to relax the girl. "It's all right now."
Before she could say anything else, Diana returned to the room and pushed in front of Jane. In swift, practiced movements, she daubed Caitlyn's arm with an aromatic pad and then plunged a hypodermic needle into the just sanitized skin.
"What was that?" Jane asked as Caitlyn began relaxing almost instantly.
"Sedative. We use it with some of our more violent penal system patients when they lose it for some reason during therapy. Very fast acting with no side or after effects." Diana told her briskly. "You can let her go now, Darla. Here, let me help you get her up onto the bed."
"What happened?" Jane finally asked. Tearfully, Darla reviewed the events leading up to Caitlyn's break.
"So, it was the laughter that set her off?" Diana asked.
Darla nodded shakily. "It was like an electrical switch got thrown."
"Okay. Jane? One of the effects of that drug in some folks is that they become very suggestible - almost like sodium penothal.
"You mean truth serum?" Darla asked, her eyes wide.
Smiling gently, Diana replied, "Not quite, but she might answer some of the questions that are bothering us if we can phrase them properly for her almost sleeping mind. Now, you two, get out of here. The fewer things to distract her right now, the better."
Darla went, but Jane hesitated, not wanting to leave her boy like this. "I will take very good care of her for you, Janey, I promise. You can watch in your study, but this is something I should do alone."
Finally, Jane nodded, and without another word, left the room.
An hour later, Diana came into Jane's study and walked straight to the bar. She poured herself a brandy before turning and silently offering up the decanter to Jane. "I'll take one, too, dear," Jane said softly.
"Well," Diana said after a bracing sip of the fiery liquid. "I would say that our visit with Mrs. Jeffries just became critically important."
"Oh? Why? I could hear you, but I could barely make out what it was that Caitlyn said to you."
"His mother is why he dropped out of ballet the first time."
"WHAT?"
"Evidently he decided that he was hurting her by continuing to go to dance class. It seems that the dance teacher began paying a lot of attention to him at some point in time, and he saw his mother appear to react negatively to that attention a few times. He also has convinced himself that her reaction had to do with dance movements that he was capable of performing that his mother no longer could."
"You think he quit because he believed he was hurting her feelings?"
"That's part of it. Unfortunately, he fell completely asleep before I could get all of it out of him, and what I did get is a little confused. Jane? According to your investigator, what parts did Carlton dance?"
"Hmmm. ..let me see." Jane rummaged around for the faxed copies of Reggie's reports. She ruffled through them until she found what she was looking for. "Well, it doesn't really say for the period when he was dancing with his Mother. When he went to the Y, the report is that he worked at the male parts, but wasn't strong enough physically to partner as a soloist. Oh yes, and it says that he refused to participate in performances anyway."
Diana sat down and closed her eyes in deep thought. "There is something there that I am just not seeing."
"Yes, I know what you mean. It is strange though, that the earlier dance teacher at the dedicated studio thought so highly of him when the second one at a club at the Y said he wasn't strong enough."
Diana's eyes went wide. "Oh. . My. . .God."
"What is it??" Jane demanded.
"He thought his performance was hurting his mother's feelings. Why would he think that? A male dancer is not a threat to a ballerina."
"Oh, Diana, you aren't thinking that he was dancing . ."
"Female roles?" Diana asked, certainty growing by the instant. "Yes, I think that is it. That would explain why the boy is so proficient en pointe when boys are never taught to go on tiptoe."
"Heels?"
"Remind him subconsciously of going on toe point. Vivid cosmetics remind him of stage make up. Short hair can't be styled into a dancer's knot."
"He's protecting his Mother? But what about the fighting? The ball bat and his reaction to laughter?"
"I am not sure about those. They may not be entirely related. I mean, look at the way the boy moves normally."
"Like a dancer," Jane said flatly.
"Like a very good dancer. That's instinctual - it is how his muscles know how to move. It certainly isn't the ponderous tread of the testosterone poisoned adolescent male animal. He'd stand out, be different. He's also small in stature and naturally quiet. He'd be, as your investigator friend put it so succinctly, easy meat for the bullies of the world."
"Sometimes you have to fight when you're a man," Jane quoted.
"Just so," Diana added, then caught the pensive look in her friend's face. "Is that significant?"
"Might be." Jane replied before she related the discussion she'd had with her student during her impromptu massage.
"Parental pressure to defend himself? That fits. He's trying to please them even when it is against his own desires and feelings."
"What was that? I don't understand."
"Look at all the evidence, Jane. Except for the very specific activities that might relate to or remind him of dance, how does he behave?"
"Very well. Caitlyn is quite the perfect lady."
"Exactly. I have watched her. She is happy doing the little feminine rituals you impose on your students. She cooks wonderfully, presents food like a chef, doesn't mind cleaning up and loves mothering Marie. Have you tried her on any feminine crafts?"
Jane nodded. "Water colors and embroidery. She thoroughly enjoyed them. That's why I stopped doing those. They relaxed her and I needed her to feel stressed."
Diana chuckled softly. "Which you will probably never achieve with that one. Girls don't get stressed out doing girl things, Janey."
"But he's *not* really a girl," Jane retorted. Diana said nothing. "Oh, no, Diana. I have had transvestites before and the act of dressing up excited them. Carlton hasn't had a single nocturnal emission since he arrived. Marie checks."
"I did not say transvestite, Jane. I said 'girl'. Except when you've stepped on the dance landmine, every time I have seen that girl she's been happy."
"But . . .but. ."
"But nothing. This is only a working hypothesis, Jane. That's why we need to talk to Mom tomorrow. She can help us reach some conclusions about what to do next. One thing I am sure of, Jane, is that there is *no* way that child belongs in a juvenile detention institution. It must have taken a helluva lot to push him or her over the edge like that. It *had* to be self defense."
"All right. I can accept that. Now, what about Caitlyn for now?"
"Darla is sitting with her. She wants to be there when the sedative wears off so that she can apologize. That's okay - Darla needs the closure, but in reality, the whole incident has been fortuitous. At least now, we have some idea of what is driving that child. Now, we can begin to help her confront and deal with the real problems in her life."
"And if you are right, those problems are huge."
"Depends on how Mom reacts. A loving family can help smooth many a rough road. Based on how she chewed on you yesterday, I am inclined to think this Mom is quite the bulldozer." Diana rose and held out her hand to Jane. "C'mon. Let's go help Marie with dinner. Caitlyn will have all three of our collective asses if we let her beloved Ms. Marie overdo because we were wasting time fretting over Caitlyn and not over Marie."
Part 9: Caitlyn's Mother
A groan and a whimper roused Darla who had been dozing in the same chair that Jane had used only a few nights earlier when she had kept watch on the sleeping Caitlyn. Caitlyn stretched and then started fully awake. "Who's there?" she asked into the darkness.
"It's me . . . Darla."
"Oh, you," and the voice went very dull.
"Caitlyn, I want to apologize to you for laughing like I did. I wasn't laughing at you, really I wasn't. I was just so scared that you had really hurt yourself when you fell, and then you were all right . . .." Darla's voice broke and she took a deep breath to control her own emotion. "Well, when you were all right, I was just so relieved and happy that all I could do was laugh. I am sorry I hurt you."
There was a long, very uncomfortable silence that had Darla squirming before Caitlyn finally responded. "That's the truth? You aren't just saying that because Ms. Thompson told you to apologize?"
"Please trust me, Caitlyn, I would *never* laugh at anyone who came a cropper trying to follow one of Jane's orders," Darla said fervently.
Caitlyn again went silent, and for a moment, Darla wondered if she had fallen back to sleep. "You are very strong, Darla, for your size. You held me down quite easily."
"Not so very easily, girlfriend," Darla replied, just a hint of a laugh in her voice. "You are tough!"
"That's why you really wouldn't laugh at someone like me, even though Ms. Thompson told me anyone who figured out that I really was a boy all this stuff would laugh, because you are like me, aren't you? You are really a boy under that make up and nightgown." There was no question or doubt in Caitlyn's voice, simply quiet certainty.
Darla thought about trying to lie her way out of it, but in the end, decided there was little point. "My real name is Darryl," he said simply. "And everything you've been asked to do, I have been asked to do as well. That's why I was not laughing *at* you this afternoon and why I would never laugh at you - period. I was laughing at the situation and from an overdose of relief."
"Thank you, Darryl. I accept your apology even though I now understand that none was owed."
"Thank you, Caitlyn, and it might just be best if Aunt Jane did not know you know I am a boy. She's under a lot of pressure right now about your progress in the program, and one of the main ideas of her method is an older sister who is really a boy helping the new kid. If she thought you had figured out I am a guy, she might decide there wasn't any point in continuing you in the program. She wouldn't want to, but she might feel legally obligated, you know? In this case, what Aunt Jane doesn't know won't hurt you, okay?"
"Okay," Caitlyn said, a smile in her voice. "*Darla*."
"Great. Are you going to be okay? This chair really stinks and my back is begging me to go find my own bed before I'm crippled by the thing."
"Sure. Sweet dreams, Darla, and thanks again."
Somehow, without either boy-girl being precisely certain what motivated them, the pair shared what could only be described as a sisterly hug. They broke apart with shy smiles, but without really feeling any embarrassment, again surprising both of them.
Darla stepped back and moved to the door. "No problem, little sister, and don't worry about Aunt Jane. I will figure out a way to keep you around until she can honestly tell Judge Ruth that you are all better. Even if I have to break my leg so that *I* need little Miss Nurse Caitie. 'Night, Caitlyn."
Jane and Diana stood in the hotel lobby, waiting for the elevator. "Are you really sure that Art wouldn't be a better advocate?" Jane asked for the twentieth time since Diana had appeared for breakfast announcing that *she*, not Art would accompany Jane that morning.
"As sure as I can be, dear. We may still need Art, but in this context, having Art spring forth from Diana may help our position. We will have to play it by ear."
The elevator door swooshed open and took them rapidly to Mrs. Jeffries' floor. Pushing back any uncertainty, Jane strode over to the appropriate door and knocked.
Jane recognized the petite, slender brunette who answered the door. In many ways, she strongly reminded her of Caitlyn, except for Caitlyn's currently blond colored locks. The same facial bones, the same eyes, the same basic body type, and yet, Jane could feel the power burning inside the other woman and knew that Mrs. Jeffries had come ready for battle.
Femma e femma for her son's well being.
"Hello, Mrs. Jeffries. May we come in?"
Without a word, the shorter woman stood aside and let Jane lead Diana into the suite's sitting room. Jane stopped and indicated her escort. "Mrs. Jeffries, may I introduce Dr. Philips who is a practicing psychologist-therapist and my very good friend? And Diana? This is Mrs. Eleanora Jeffries, Carlton's Mother."
Both women mumbled a polite pleasantry and soon all were seated, looking uncomfortably at one another. Finally, at a prod from Diana, Jane spoke up. "I feel, Mrs. Jeffries, that I should begin by telling you more about how I undertake to rehabilitate boys who are put in my keeping. I was intentionally vague when we first met. I had reasons, but I have recently been given to understand that they are not valid, and besides, you need to understand the program so that you can begin to understand the problems I have been having with your child."
Over the next twenty minutes, Jane laid out the history of her program, starting with her experiences at Eastmore through her work with "Caitlyn". Jane concluded with a discussion of the problems she had been having with Caitlyn.
For her part, the steadily rising color of Mrs. Jeffries' face gave grim testament to exactly what she thought of Jane's revelations. Finally, she asked, beginning in a very quiet voice that rose steadily in volume with each spoken syllable, "So, let me see if I have this correctly. I am to understand that my son has been living with you, trying to learn to behave and act like a teenage girl for the past five months?!?"
"That is what I just said, Mrs. Jeffries. Your son Carlton has been living as Caitlyn since within twenty four hours of leaving the train in Kingston," Jane replied steadily.
"And in the course of this . . .this . .*program*, my son has been injured no fewer than four times because *you* in your infinite wisdom decided that he absolutely *had* to walk in high heels? Do I have this right?" Jane started to reply, but was cut off as the outraged mother lurched to her feet and began pacing about the room. "Who the hell made you God, Ms. Thompson? What gives you the right to put my son physically at risk? And I haven't even begun to tell you what I think about your stupid idea of cross dressing my son to - *HA* - rehabilitate him."
Diana chose that moment to stand and put herself between Jane and the furious woman. "Mrs. Jeffries," she said firmly. "First, let me tell you that there is both historical and research based evidence that experiences such as the one that Ms. Thompson provides her boys are effective in helping the young men in trouble to learn self control and good behavior. In general, boys forced to masquerade as girls have to restrain aggressive, obviously macho behaviors or risk being discovered. In societies such as ours and that of the United Kingdom, being a "sissy" is among the worst things one can say about a boy."
"Which is precisely what this . . . this . . . woman has done to my son."
"The boys only become known as "sissies" if they are unmasked publicly during the masquerade, and that has *never* happened. Jane goes to incredible lengths to ensure that, while the threat of exposure seems frighteningly real to her boys, the actual probability of discovery by someone not already aware of the masquerade is all but zero. That is why she was working him so hard on the high heeled walking. Girls your son's age wear heels, and he couldn't be taken out and about for many of those learning experiences until he had mastered them."
"With all due respect," Mrs. Jeffries interjected in a tone that implied very little respect, "I fail to understand how that supposedly helps, Dr. Philips."
"They have to learn new, more socially appropriate ways of expressing themselves, Mrs. Jeffries. They must develop better tools to help them deal with their anger and frustration, while learning more acceptable ways to interact with other people. In Jane's program, once they've learned those lessons, they are given the responsibility for the next student's early indoctrination and see first hand how those experiences improves the new student, and by extension, how the older student himself benefited by them. The young people learn manners, polite speech and basic courtesy because failure in any of those areas draws undue attention to them - something they wish to avoid at all costs."
In spite of herself, Mrs. Jeffries found herself nodding in understanding, if not total agreement with those last points. "You said Ms. Thompson has historical evidence on her side?"
"Jane?" Diana said, resuming her seat.
"Over my career, Mrs. Jeffries, I have worked with nearly one hundred boys. I won't lie and tell you it has been one hundred percent perfect, but all but two of my boys have gone on to happy, productive lives as doctors, police officers, attorneys, social workers and a variety of other occupations - all well above minimum wage, I might add," Jane said with considerable pride.
"What Jane did not say, Mrs. Jeffries, is that a goodly number of those boys were in the same situation as your son, only much worse. Many were living in and perpetuating violence for a variety of reasons, but Jane was able to help them. Most of them now think of her as an honorary aunt. One drawer of her desk if full of cards, letters and notes from her boys."
*Why the little sneak has been snooping around in my desk! Just wait till I get him home!*
"I see," Mrs. Jeffries said in a much calmer and less confrontational tone of voice. "So, why hasn't it worked with my son?"
"Wellllll. . . ."
"Mrs. Jeffries," Diana interrupted Jane, "Your son has issues that directly conflict and interfere with what Jane has been trying to teach him about passing as a female."
"What issues, Doctor?"
"Well, maybe you can explain to us why your son stopped taking ballet lessons with you?"
"WHAT???" she asked in disbelief, "What has ballet to do with anything we've just spoken about?"
"Please, Mrs. Jeffries, just bear with me for a few more moments and answer my questions. Then I will tell you a little story and show you a video that Ms. Thompson has brought with her today."
The tape was playing for the third time, and still Eleanora could not move from her seat or take her eyes off the screen. Finally, she sat back and looked at her two guests, "Lord, Diana, Jane, if I did not know that I was *never* videotaped dancing that particular choreography, I would have sworn that was me dancing in a blond wig."
"It is Carlton, Eleanora," Jane told her. "Truly."
"Oh, I believe you, Jane. As hard as it is to take in that my son dances *that* well as a girl, that my son *looks* that good as a girl, her. . . I mean *his* resemblance to me is unmistakable. And you say that he can't dance or walk in heels or appear noticeably made up unless no one is watching or unless he forgets because of a crisis or something?"
"Well," and here Jane allowed herself a sly grin. "He wears make up well enough when someone else puts it on him. When someone is watching him when he tries to put it on himself, his hands shake very badly, and well, the results are rather appalling."
"And you," Eleanora directed her attention back to Diana, "Believe this is due to anxiety brought on when he thought I was jealous of his abilities? Diana, he told me he was quitting because he was taking a lot of heat at school because of the dancing. Since I knew there was no future for him either as a male or female dancer, I agreed and then encouraged him to study the martial arts as a way of building up his self-confidence and his self-esteem. The martial arts teacher at our local Y was very highly recommended to me."
"The Y is where he found the dance club and joined up, this time as a male dancer," Diana told her. "But based on what we just saw, I would say he continued to practice the female roles on his own. His teacher did say he was very good at helping her female students perfect their own routines. Probably because he knew them better than they did."
"So, what must we do to help my son find out who he, or if as you believe, who *she* really is, Dr. Philips?"
"Well, step one is acceptance and love, Eleanora. All issues of gender and self-image aside, your child is currently repressing an essential aspect of his or her personality because it hurt you, or rather, because he *thought* it hurt you. That is a very deep love on your child's part and you must give it back in the comparable measure if you are going to help her or him get past this."
"That is a given, Diana. Girl or boy, my child is my child and *our* child is well and truly loved by both my husband and by me."
"Then it would really help if we could somehow get him past this emotional block about being seen dancing. So far, only things outside of her own self and needs have gotten her past that when in public - like when Jane's housekeeper was injured. It is really too bad that we couldn't create a crisis that would force her to dance instead of walk."
Silence fell over the room as all three brooded over that observation, until a thoroughly wicked and mischievous grin familiar to and feared by almost one hundred boys and young men began to form on Jane Thompson's lips. "Darling?" she cooed over at Diana. "Get that tape out of the VCR for me please. We need to go talk to some people. Eleanora? Would you care to accompany us?"
Part 10: Confronting Caitlyn's Past
Caitlyn fought to keep herself from shaking outside Jane's upstairs studio. Fear had been clutching at her heart ever since Darla had come to tell her that Jane wanted to see her immediately.
Taking a deep breath, she knocked on the door and was told to enter. Jane and her friend Ms. Philips were both inside waiting for her. Surprisingly, they weren't sitting at Jane's huge desk, but rather in the small conversation grouping near the hearth. "Come over and sit down, Caitlyn," Jane ordered.
Caitlyn gave a quick curtsy and then took the chair Jane indicated.
"Well, Caitlyn, I have some good news for you, and sadly, some bad news."
*Oh god, it's too late - she is going to send me away.*
"The good news is that I have been able to arrange a full scholarship for your friend Tasha so that she will be able to attend that summer camp. Provided she is accepted for the program, of course."
"Oh Ms. Thompson," Caitlyn burst out, "Thank you so much. That is wonderful news. I am sure Tasha is over the moon."
"I am afraid, dear, that this is where the bad news comes in. To be accepted for the program, she has to go to Boston for three days this weekend for tests and interviews with the organizers."
"But, Ms. Thompson, that is when the troupe is dancing Sleeping Beauty. Won't they give her another time?"
"They can't, Caitlyn. The organizers have to finalize their plans next week in order to have everything ready to go. I am afraid that they are adamant that she has to go this weekend, and therein lies the problem. Your troupe doesn't have anyone else who can dance the lead. The performance can't be delayed because the auditorium won't be available again until after school lets out and several of the troupe have plans with their parents."
"And Tasha wouldn't dream of leaving the others in a lurch, even for this wonderful, once in a lifetime opportunity," Caitlyn added, obviously near tears.
"I am afraid that is so, but there is, perhaps one other solution." Jane turned to Diana. "Diana, would you please run that video tape?"
A small television flared to life, first with a test pattern that then coalesced into the picture of a room and a figure. Caitlyn quickly recognized that the figure was dancing, but it took several moments for her to realize who the dancer actually was.
"Oh, no! That's me! You know. . I mean . . ."
"Easy, Caitlyn," Jane said moving over to sit beside her student and offer her support. "Yes, we know it is you dancing there. That is our solution. You must dance the part for Tasha so that she can go to the interviews."
"But I can't dance in public, Ms. Thompson. You know that. You've seen me try and I really was trying. Honest, I really was." The tears were flowing freely.
"I believe you, sweetheart," Jane said quietly. "But that," and her she pointed to the gracefully moving figure on the screen, "Says that you are capable of doing it. Your friend Tasha, and the rest of the dance troupe, needs you, dear. They have worked so hard for this and you are the only one who can step in and save their show."
"Real men, Caitlyn," Diana interjected, "*And* real women stand by the people who stand by them. Your friends need your help, sweetheart. Won't you at least try to help them?"
"How long have you known?" Caitlyn asked, her head hanging.
"Since the night before Marie's injury." Jane replied.
"I am not faking, Ms. Thompson," Caitlyn said again, "Really! I have been trying to figure out for myself why I can't seem stand on two feet if you or someone else is watching when I *know* I could dance like that. I just get so. . . so . . . And what happens if they figure out I am not really a girl?"
"It's called an anxiety attack, Caitlyn. Something about dancing in public upsets you. I think it is why you have trouble with heels and makeup, unless you are alone or distracted," Diana cut in. "Caitlyn, the other night, I sedated you with a drug that acts much like a truth serum. I questioned you about your dancing then. Why do you think that it hurts your mother when you dance?"
"It just does."
"How do you know that, Caitlyn?"
"Because, when the instructor asked me to dance mother's part, she looked sad and hurt."
"What makes you think so - did she tell you she was sad and hurt?"
"No, but I saw it on her face."
"What did her face look like? Was she angry?"
"No, she was sad."
"Is there any other reason she might have been sad?"
"No."
"Are you sure?"
"Well, yes. Why else would she be sad?"
"Suppose I told you another reason she might have been sad."
"Like what?"
"What if she was sad because she thought you couldn't dance ballet since you don't have the right physical body-type for a male dancer?"
"Well, I don't," she snapped back, almost petulantly.
"So?"
"So I can't dance ballet."
"Caitlyn, that tape says you can dance. The person on that tape dances ballet beautifully, and Caitlyn?" The gentle voice demanded and ultimately was given the boy-girl's full attention. "You *are* that person."
"But it will hurt Mom if I dance as a girl. And hurt Dad, too."
"Do you love them?"
"Of course!"
"I believe you. You love them enough to give up what you want most in the world, to dance the only way you can - as a graceful ballerina. Why don't you believe that they could love you, too? Even enough to want you to have your dream."
"They could? They do??"
"I showed your mother that tape recently, and she was so thrilled at your skill that she cried. Not tears of sadness, or jealousy, but tears of soul deep pride she couldn't contain and the tears of an artist in the presence of true beauty."
"She did?"
"Yes, Caitlyn," Jane reentered the conversation. "She did. You know you can trust me on this."
"My Mother really liked my dancing?
"She *loved* your dancing, silly, and she loves you - without any reservation," Jane said with quiet intensity. "Now, my dear, your friend Tasha needs you. No one else except the two of you could dance that part. As you just pointed out, she won't leave her friends in the lurch."
"But. . .but, I am a boy. It's one thing to do barre exercises or to do single floor exercises. It's a whole different matter to dance real solos, or a pas de deux. There's no way I will be able to hold up the masquerade in such situations."
"*No* one is going to read you as a boy," Diana told him. "Believe me, I know."
"How can you know that for sure?" Caitlyn asked suspiciously.
Diana reached up and pulled off her wig. "Because I don't get read and you are a thousand percent more believable than I am. Carlton?" he said softly using his "boy" name to get his attention. "It is all right to enjoy this if that is who you really are. No one here will think less of you. Especially since you do it so very well."
"You're a *man*?!?" the boy-girl gasped in surprise and shock.
"Yes, I am," Art said quietly, his voice dropping into the deeper ranges he used when appearing as a male. "However, I happen to *enjoy* dressing as and appearing in public as a woman. And Caitlyn? There is *nothing* wrong with that."
"There's not?" Art could here the quaver of uncertainty in the boy's voice, and perhaps a plea for reassurance on this point.
"Why should there be?" he asked reasonably. "My dressing hurts no one. I certainly would never do anything while dressed as Diana to hurt or embarrass anyone else."
"You wouldn't?" Caitlyn asked softly.
"Certainly not. No more than you try to hurt anyone when you dance late at night."
"But that is different," Caitlyn affirmed.
"No, it's not!" Jane and Art said, almost in unison.
"I don't know if I can do this, Ms. Thompson," Caitlyn cried, turning her attention back to Jane. "I don't want to let Tasha down, but I just don't think I can do this."
"Call me Aunt Jane, dear," Jane ordered as she swept the sobbing teen into her arms. "Of course you can do it if you will but give yourself permission to try. The important question is do you want to try? Try to help your friends who have worked so very hard for this? Madame Allison Jarvis has seen the tape, and she was *very* impressed. I assure you that she is *more* than willing to try if you are."
"You mean I can dance?"
Jane said nothing, but rather used the remote control she still held to restart the tape of Caitlyn's midnight dancing one more time. Once again, the three of them stood transfixed, caught up in the beauty of the lithe dancer moving in time to music only she could hear.
Shakily, Caitlyn turned her eyes up to meet Jane's. "The girls there have all been pretty great to me, even when they were afraid that I would bungle their show."
"They'd be very disappointed if the show could not go on, dear." Jane offered quietly.
"I know." Caitlyn sighed. Jane thought that, for the very first time, the girl was almost willing to be convinced, so she pressed home her advantage.
"Are you willing to at least try, Caitlyn? They need you, perhaps not as badly as Marie needed you, but you are their only hope of being able to perform."
Caitlyn said nothing for a very long time, her teeth worrying at her lower lip as she fought the demons of her own mind. Finally, she gave a shaky nod of her head. "Could we go over, now? Just you, Marie, Diana and me, and try with Madame Jarvis? Oh, and Darla, too if she can make it. A sort of closed-door rehearsal? If I fall all over myself, no one else has to know."
"You'll have to rehearse with your partners, Caitlyn," Jane reminded her. "You and your partners will have to learn each other before you can perform together during the actual production."
"I know. .. but. . .but, one step at a time. IF I can do it with just the six of us, then we can bring in the male lead and try the pas de deux. If that works, we go for it all."
"Sounds like a plan. Go get your things. I will call Allison and tell her we are on our way."
"Yes, Ma'am. I'll be right back," Caitlyn said as she rose to leave. "My Mom really did say she was pleased with my dancing?"
"Over and over and over again. And Caitlyn?" Jane said with a smile. "I am very proud of you. We all are. Your Mother would be proud of you if she knew what you were going to try to do. Trust me on that, too."
"I will try my very best, Ms. . I mean, Aunt Jane."
"I know you will do well. Your friend needs you just like Marie needed you."
"Thank you, Ms. Thompson."
"What did you call me?" Jane demanded, a small smile playing on her face.
"I mean, thank you, Aunt Jane."
"Much better. Now scoot. We've got people to surprise today."
As the door closed behind the teen, Jane turned worried eyes to her lover. "Well?"
"We wait and see. I think she wants to believe us, as much because of her burning need to dance as for not wanting to cause her Mother pain."
"Did we make a mistake by having Eleanora stay away from this? She could have been the final nudge that pushed her over the top."
"Or she could have been the shove that pushed Caitlyn over the edge for good. We still have her in reserve, Jane, if this doesn't work. At least Caitlyn is questioning the basis of her fears now. Her nurturing instinct is helping, too. It's not quite as immediate as Marie's injury, but Tasha is very important to her. At the very least, she'll likely do better than you've ever seen her at that studio which is progress."
"Please let this work," Jane said fervently.
"Amen, lover. Amen."
Part 11: Fearful Dancing; Dancing Free
They were met at the studio by Allison, and by Tasha Pederov who immediately went and pulled Caitlyn into an enthusiastic hug. "Thank you, Cait, for going to bat with your Ms. Thompson for me. Even if I can't go, I won't ever forget you for going to bat like that for me with your Aunt Jane."
Jane saw Caitlyn's eyes narrow momentarily, and then harden in determination. *Well, I bet I know what she's decided. If force of will can get her past this block, Caitlyn has all she needs now.*
"I'll do my best, Tash," Jane heard her whisper in the other girl's ear. "I promise, I will do my best so that you can go to those interviews."
"Is it all right if I watch? I mean, Ms. Thompson showed me that tape of you dancing because I didn't believe you could fill in for me."
Caitlyn hesitated noticeably, but in the end nodded her assent.
"Caitlyn? You can change in my office and then use the practice room for your warm-up," Madame Allison Jarvis put in, "Donald will be here in an hour to practice the pas de deux with you if we get that far."
"I'll come with you, dear," Jane said. "To do your face. So you will look as lovely as your dancing."
It would be nice to say that everything went perfectly, that Caitlyn danced as well or better than she had when Jane had videotaped her, and that everyone in attendance was awe-struck by her artistry. However, reality is rarely so obliging, and the sad truth of the matter was that Caitlyn fell off her toe point numerous times. In fact, for the first several minutes, she couldn't even seem to move - at least not gracefully. The harder she tried, the less graceful she became, to the point where she ran off the floor and into the warm up room in tears.
"Caitlyn?" Diana said quietly, having followed the distraught dancer into the little room.
"Oh, go away!" she sobbed. "I tried, and I can't. Now, Tasha won't go to those interviews and it will be all my fault."
Diana moved closer, and put her hand on the girl's shuddering back. "Easy. Now, listen to me, Caitlyn Jeffries," she snapped out, drawing Caitlyn up short. "That's better," she said, her voice gentle. "First of all, if Tasha elects not to go to those interviews, that will be her choice. Madame Allison is certainly aware of how important those are and is willing to cancel a performance. I know you feel badly right now, but this is NOT your fault. You are the solution, dear, NOT the problem."
"But I can't dance out there," she sniffled. "Tasha needs me and I can't do it, Diana, not with all those people *watching* me."
"Then close your eyes for me. Close them, I said! Better. Now, listen to the music," Diana's voice slipped into a strangely haunting, dreamlike register that rose and fell with the music itself; a voice unlike any Caitlyn had ever heard before. "The music is all that matters. Let it take you, dear. Now, move to the music - that's it."
Diana watched as the movements which moments before had been so hesitant, so jerky, began to smooth out, began to gain confidence. "Feel it, sweetheart?"
Caitlyn came to a stop, momentarily shocked by what she'd just done. "Y . . yes. . .at least a bit. But no one was in here so it doesn't count," She added, just a bit pugnaciously.
"I was here, wasn't I? But this time you concentrated on the music and not on me. My presence no longer bothered you once it was the music that mattered."
"Oh my." Caitlyn's eyes were wide with surprise and wonder.
"Let's try it out there now? All right?"
"Will you be there to help me - like you just did?" Caitlyn asked timorously.
"Of course, sweetheart. Let's go try."
The second attempt went better. Under Diana's almost hypnotic support, Caitlyn closed her eyes and let herself forget everything but the music. The natural grace showed through more brightly with each passing step, every passing position and movement. Except that even the most accomplished dancer needs to be able to see at certain critical moments - such as when she is airborne and needs to judge where and when she will land. With her eyes closed, Caitlyn couldn't and repeatedly stumbled, often falling.
The turning point came after about twenty minutes of only partial success, when Caitlyn just broke down, sobbing on the floor after falling yet again. Jane and Tasha had each hugged the girl, telling her that they *knew* she could do it.
"I've tried, dammit. I can't dance with my eyes open and I can't dance with them shut, either. The only way I can fill in for Tash is if no one else is in the auditorium. Now that makes a lot of sense, doesn't it?" she wailed.
"Stand up!" Tasha snapped with a forcefulness that made Jane start momentarily. "Stand up, I said."
Slowly, Caitlyn stood. "Now, you will dance for me, Caitlyn. You will dance *with* me. Come on, I know you can do it and so do you. Let the music take us both and let us be beautiful together." Tasha let Caitlyn stare at her in confusion for several moments, before she smiled and added. "Please?"
Swallowing hard, Caitlyn gave her own smile, and nodded.
"Great. Let's play follow-the-leader. I lead, you follow, okay?"
With a flourish, Tasha led off the first few steps of the solo they'd been working on. Caitlyn watched her for a couple of moments, then took a deep breath, and stepped out herself.
And then, she did do it - all the way through the main solo - without incident, without a misstep. Midway through the piece, Tasha stepped off the dance floor to watch her friend. Caitlyn was so caught up in the music and in the sheer exhilaration of the dance that she never even noticed that she was performing the solo alone.
By the time the male soloist arrived, Tasha and Allison were working with an ecstatically joyous Caitlyn, fine-tuning her dancing.
There was something intensely satisfying, Caitlyn thought to herself, about that look of stunned disbelief on the male soloist's face when he recognized that it was Caitlyn who was working with Madame Allison.
"Ready for the gruesome twosome?" Tasha asked her friend with a gamine grin.
That was the moment of truth, Jane would think much later, the moment when Caitlyn's block disintegrated in light of her friend's support and regard and in the heat of her own passion for the dance.
The pas de deux itself was anticlimactic. The first time through Caitlyn performed flawlessly - the only missteps caused by the understandable lack of experience of each dancer working with the other. The rest of the time was spent fine tuning Caitlyn's and Donald's timing and stage positions, and went without any real difficulty.
"I think that's enough for today, kids," Allison said, finally calling an end to the practice. "Let's not risk an injury at this point."
Coming down from the emotional high of being able to share dance with others again, Caitlyn turned toward the small gallery with a huge smile on her face.
And stopped cold.
A petite, slender, dark haired woman was striding purposefully across the dance floor, a brilliant smile lighting her face.
"M. . m . MMmomMM???" Caitlyn got out just before she was swept up in her Mother's exuberant embrace.
"God, darling, but that was so lovely. I am *so* very proud of you. I can't believe how well you did that, and I can't believe you'd be brave enough to do something like this for your friend, but I think. . .no, I know that you're wonderful." The hug somehow tightened further. "You make me so proud, baby."
Caitlyn finally broke away, tears streaming down her face. "I am so sorry, Mom. I did not know you would be here. I know Diana said you weren't really sad about my dancing, but you were so upset when the dance mistress started complimenting my dancing, saying that I was doing things better than you. . ."
"No, darling. I was upset because I stupidly thought you would never be able to show off your talents. I know how hard it is to have a gift and have to choose. I thought that you would never even be given the opportunity to make that choice. I am glad that you showed me to be wrong, my love. I was devastated, darling, that's true, but it was *for* you and what I thought you could never have. Never for me."
"Oh, Mom," Caitlyn bawled as she stood sobbing in her mother's shoulder, held tightly within the safety of Eleanora's arms.
"There, there, baby. You were wonderful," Eleanora crooned over and over. "I thought you were so beautiful. You made me cry you were so beautiful."
For several minutes, the pair stood there, locked in their mutual embrace, warmed and healed by the surety of love. Finally, Caitlyn's emotional release ran its course, and her tears gradually slowed. Eleanora pulled a tissue from her purse and handed it to her child. "Blow your nose, sweetheart. Better now?"
"You really mean it, don't you? You really are happy about me dancing?" Caitlyn asked as she wiped tear reddened eyes.
"Of course I am, silly. My only regret is that you won't actually be dancing the lead in the show."
"I won't???" Caitlyn squealed, before spinning to face Tasha who was grinning sheepishly at her friend.
"Your Aunt Jane asked me to pretend that I had to choose between the camp and the dance so that you would have a reason to try. Like when her friend got hurt, you know? Actually, she fixed it so I get to go to the camp without the interview. Just the test and they sent that to me. Isn't she great?"
Caitlyn turned very slowly to face where Jane stood, watching her. Putting a blank look on her face, Caitlyn strode over to face Jane.
"It was all just a trick," Caitlyn stated.
"You needed some help to get past those memories. Dance is important to you and we wanted you to be able to enjoy it fully and freely again."
"I see," Caitlyn said noncommittally. "You know what I think, *Ms* Thompson?" she asked, taking yet another step toward Jane until the pair was bare inches apart.
"No, but I am sure you will tell me," Jane said, steeling herself for an eruption.
Suddenly, Caitlyn was in Jane's arms, hugging her tightly. "I think you're pretty great, too."
Eleanora was standing beside Jane and Caitlyn as they held each other. "Caitlyn, dear?"
"Yes, Mom?"
"You need to go fix your face, sweetheart. All those tears have destroyed your eye makeup."
Cold shock burned down Caitlyn's spine as she remembered for the first time just how she was garbed. "Oh my God! You saw me! Dressed like a g. . ."
"Like a dancer? Of course, dear," Eleanora said lightly as she led Caitlyn into the privacy of Allison's office again, closing the door behind them. "Still, that is no excuse. No daughter of mine is going out in public with tear tracks in her mascara."
"Daughter?"
"Oh, dear Caitlyn, don't you think I want your happiness more than anything in the world? If what makes you happy is being the most beautiful, most graceful, most feminine ballerina in the world, then that is what I want for you!"
"But. . .but, I am a boy, Mom. You *want* me to be a girl? To wear makeup?"
"Dear, I love *you*. If Caitlyn is who you *really* are - inside - then you must maintain your appearance as the lovely girl Caitlyn Jeffries is - the way I expect *my* beautiful daughter to present herself to the world. You need to decide who you are, right now and either repair your makeup or take it all off and dress as Carlton. Or you can defer that decision until you are more certain, in which case you still need to repair your makeup so that you can continue as Caitlyn until you can decide," and a gently teasing grin lit Eleanora's face, "At least until you leave this place where your friends only know you as Caitlyn."
Somehow, choosing to become Carlton right then and there sounded far worse to the boy-girl than anything Caitlyn had endured or been threatened with during her season in Jane Thompson's petticoat prison. Still, it was not only her or her mother who would be affected by this decision. "Daddy will hate me."
"Stuff and nonsense, young lady. Name one time he has ever acted as though he hated you."
"Uh, well, but . . . "
"But nothing. He loves you, too. If this is who you are, who you *need* to be, then this is who he will love. I promise you that."
Jane knocked on the door and stuck her head in to call to the Mother and daughter pair. "Come on, folks. You, too, Eleanora. Let's go home."
Part 12: Breaking the Chrysalis
Eleanora herself escorted her daughter/son to dinner that night. Caitlyn was made up beautifully, with colors that called attention to her natural good looks - and she was in heels. Every one saw and smiled as "Clumsy Caitlyn" sailed into the room with the same confidence and grace in her delicate sling-backs that she had demonstrated on the dance floor earlier that afternoon.
If Diana looked particularly smug when she saw Caitlyn, no one who knew the whole story would have begrudged her the right. She'd taken Caitlyn aside shortly after they'd gotten back to the old Victorian mansion with the specific intent of getting her to confront her problems with high heels. It had been another rapid-fire verbal exchange; similar to the one they'd had earlier dealing with the dance anxiety, if a little less stressful. As she told Jane later on, "The telling argument was that she had just spent three hours on her toes without the benefit of any heel. I swear, Jane, I think I could hear her eyes snap open as she realized what that meant."
Jane had chuckled over that, and mused privately how Caitlyn's movements did have more of the ballet dancer than the runway model to her gait. She still moved beautifully in any case.
Even her makeup was perfect. "And she did it all by herself," Eleanora said to anyone she could corner. The obvious maternal pride in her voice made Caitlyn blush every time, but Jane was sure she saw the girl stand a little more erect, and take on a more maturely elegant bearing, each time her mother gushed. One thing was certain, Caitlyn no longer worried that her accomplishments somehow diminished or hurt her mother. In fact, Jane was amused to note that Caitlyn was unconsciously mimicking her mother's social behaviors and mannerisms. *Lord above,* Jane thought with a mental chuckle, *she is even holding her teacup the same exact way Eleanora does. Talk about 'like Mother, like Daughter'.*
At dinner, Caitlyn finally felt brave enough, now that she knew she had her Mother's approval, to address Jane. "Thank you for today, Aunt Jane. I am glad that I have put all of that anxiety stuff," and here she leveled a grateful smile at Diana, "behind me, but I am also very happy Tasha will get to do both the performance and the summer camp. She has worked so hard and she deserves it."
"Aren't you sorry that you won't be performing, dear?" Jane asked. "Diana felt, evidently quite correctly, that you needed today's experiences, but I simply couldn't deprive your friend of her place in the show. As much as I would have liked to reward your courage that way, she had already worked so hard for that privilege herself."
Caitlyn sighed. "No, I would have enjoyed dancing - Sleeping Beauty is a wonderful ballet - but you are right - she's earned that role and I haven't. It's rightfully Tasha's part and I am very happy for her."
"Couldn't you dance with the Corps de Ballet, dear?" Diana asked. "At least then you could share the experience with your friends."
Shaking her head, Caitlyn smiled sadly at her other savior. "No, Diana, because I have not practiced with them so I don't have the timing down properly, and there just isn't enough time before the show date for me to learn it. It's more important that the corps seem to move as one than for one person to stand out. That is the job of the soloist. No, I will be satisfied to help behind the curtains and cheer them on. Maybe I can dance in their next production," she said wistfully, before her eyes went wide with dismay. "That is, Aunt Jane, if I will still be allowed to stay here and complete your program . . . now that I am past the clumsy part."
Jane saw the touch of fear behind the girl's eyes. "I think, dear, that is up to your Mother. I think you have well and truly learned everything I would have taught you about the masquerade, and you could easily move on to the next part of the program, but you don't really need to stay here any longer. As far as I am concerned, you've graduated. Besides, I think if the police had been half as diligent as my investigator, that you would never have been convicted since I now am certain you were telling the truth about self-defense. So don't worry, all right? I promise you that juvenile lockup is not in your future. As for the rest, we will talk about that later."
Part 13: Loving Well is the Best Living
Later, Jane had Eleanora, Caitlyn and Diana as guests in her rooms. "You look very lovely tonight, Caitlyn."
"Thank you, Ms. . .I mean, Aunt Jane," she responded shyly.
"And tell me, how do you feel? Sitting here among women as a woman? Pretty, winsome, demure? The picture of elegant young womanhood? How do you personally feel, right now, as you think about yourself that way?"
No one spoke for what seemed to be a very long time, as they gave the young teen an opportunity to digest and answer the question. Finally, she looked up, her face worried. "I feel . . comfortable, Aunt Jane. . .Happy."
"At peace with yourself, dear?" Jane prodded gently.
After several moments, the girl nodded slowly.
"Let me ask another question then. Suppose I tell you that tomorrow morning Caro and Sandy will be here to change Caitlyn back to Carlton, so that your Mother can take her son home with her."
"But. . but the performance. . ." she stuttered out in surprise.
Jane smiled. "All right. After the performance. Monday, Caitlyn becomes a memory and Carlton gets on with his life."
The three women watched intently as emotions flew across the girl's expressive face. Finally she nodded. "I guess I have to, don't I?"
At that point, Eleanora moved over to kneel in front of the daughter she thought never to have. "No, you don't," She said quietly.
"But what about Dad?" Caitlyn asked through a sob.
"As I *told* you, sweetheart, your Father will love *you*, Carlton or Caitlyn or both. Your Dad loves you, not some male icon, but you, the person that you are." Caitlyn started to protest, but her Mother put a finger to her lips to stem that. "Let me ask you one question. Is it only the dance? Is that what is so important about Caitlyn to you? If we could find a way for Carlton to dance as Caitlyn, would that be enough for you? Not for me, not for your father, but for you?
Again, the silence grew oppressive. In the end, Caitlyn shook her head. "I don't know, Mother. For all the grief I have caused Aunt Jane, I have been . . .well, happy here. The kids at the dance school have become my friends, and Carlton never had very many friends. I like the clothes and all that, but that isn't what's bothering me. . .not really. I feel good doing the homey things that Aunt Jane and Marie have taught me here, but I also feel good about going to a ball game with Dad and things like that."
"That's fair, dear," Diana interjected. "You've only had Caitlyn for a few months and you've a lifetime of experiences as Carlton."
"I don't want to hurt anyone," Caitlyn said, rubbing mascara-blackened tears from her cheek.
"And we don't want that anyone to include you, dear," her Mother said quietly.
"Suppose, Caitlyn, that Jane and her cronies do come here next week and bring Carlton back for a while. You've lived here, utterly immersed in a deeply feminine experience for five months, and as you just said, you've been happy," Diana offered gently. "Now, you can go back and reacquaint yourself with Carlton. There's no reason Carlton can't cook, or help your Mother with the house or garden, and my goodness, Rosey Greer does needle point. Carlton doesn't have to lose anything that he gained by being Caitlyn."
"Except dance."
"If you want to dance, dear, and still want to live most of your life as Carlton, then we will find a way for that," Eleanora interposed. "Trust me on that. I still have some connections in the world of dance, and I will use them now that I know how important your ballet is to you."
"Excellent," Diana approved. "And Caitlyn, there is no reason that you have to lose those things you like about Carlton's life if you choose to live full time or most of the time as Caitlyn. It may surprise you to know this, but women *do* enjoy sports, too. The very aristocratic, sublimely elegant Ms. Jane Thompson used to be one of those football fans who put the "fan" in the word "fanatic"."
"I *did* not," Jane said in stilted tones that drew forth the intended chuckle from everyone, albeit a watery one from Caitlyn.
"I promise you this, my son and daughter," Eleanora said with quiet authority. "No one. . . . and I mean *NO* one will ever force you to make a choice between Carlton and Caitlyn. That is your business, your *life*, and your father and I, as well as these other folks who *love* you, will support you and continue to love you."
"Oh, Mom," Caitlyn cried as she threw herself into her Mother's arms.
Later that night, Jane rested in the embrace of her lover, who had finally kept her promise to come to bed in full make up. Spent, the two feminine creatures were cuddling gently - a touch here, a kiss there, a hug - and talking softly about the evening.
"Do you think she will choose to remain Caitlyn?" Jane asked.
"In my experience, love, it is rarely something so voluntary as a choice. For people like Caitlyn, her gender is simply who she is inside, not how she's built outside. But to answer your question, I think it will not be long before Caitlyn returns. She has a lot going for her - much more than many of my patients."
"Oh?"
"Her mom," Diana said simply. "Her support will not inhibit Carlton/Caitlyn the way most parents and family members do to their children with gender identity issues. If Dad is half as open as Eleanora makes him out to be, then I suspect Caitlyn will be back sooner rather than later. Her father's opinions and feelings matter to her as much as her Mother's feelings do, and we already know what she tried to give up for her Mother."
"No wonder I couldn't do much with that child."
"Like I said, it is hard to humiliate a girl by making her be a girl."
"The one thing I don't understand is how someone as gentle natured as Caitlyn ended up charged with assault with a deadly weapon. That makes no sense to me."
"Oh really? Look at her Mother's defense of her child against your evil, uncaring self, darling. See the daughter in the Mother."
"She didn't come after me with a ball bat."
"If you'd continued to threaten her child, and that is precisely how Eleanora saw things, I suspect she wouldn't have hesitated for a moment and might have found something more dangerous than a bat."
"I guess, but that was for her child, and that's not Caitlyn's situation."
"I suspect, dear heart, that when we know the whole story it will it will turn out to be self defense. Those bastards have been working Carlton over for months. Over time, their ability to get a satisfactory rise out of him with their less malicious tricks waned. They needed that rush they got from his fear, anger, humiliation. .. whatever, so their cruelty gradually escalated. Top that off with his father trying to "help" him by encouraging him to take care of himself. . ."
"Sometimes you've got to fight when you're a man?"
"Precisely. Eventually, they'd have to start ganging up on him. That last time, they made the mistake of letting him get his hands on weapon - and paid for it."
"Unfortunately, Diana, so did Carlton."
"Oh, but he gained far more than he lost, dear. First of all, he got you and your family on his side - a prize of inestimable value, I assure you. He came to understand Caitlyn and in so doing, began to face who he, or rather, who she truly is. And he regained his gift of dance. If you asked her, I think you'd find that Caitlyn is more than happy with both the prize and the price."
"Well, if that's the case, then I can happily move on in my life. I will miss the boys, though," Jane sighed.
"Pardon me?" And the voice that spoke was pure Art.
"Well, I can't very well run this program where you live. I won't have the support of folks like Caro, Sandy and Betty who help me set up those terrifying yet safe be-skirted brushes with the general public. Whither thou go-eth, beloved-man." Jane said softly. "After all, you *are* marrying me, aren't you?"
"Now you listen to *me*, Jane Thompson, there is NO way you are giving up working with your boys." Jane started to speak but was cut off by Art. "I told you I was at loose ends. That was because I was getting ready to retire from active practice. I still have some cases to transfer to another practitioner, but I am all but done with that phase of my life. My house is already up for sale. I told you that I came here to fix the biggest mistake of my life, and YES, we are getting married, but I am not going to let *you* make an even bigger mistake by depriving yourself of the life and children you love."
"But, Art, a vital part of the program is that the boy thinks he is alone in a house of women - a great, unyielding tsunami of femininity without the slightest masculine safe harbor."
"I don't think anyone except you knew of Art before I revealed myself to Darla and Cait."
"But you'd have to live most of your life as Diana!" Jane pointed out.
"Oh Really? Why didn't *I* think of that?" Was that a hint of mockery in Diana's voice? Jane wasn't quite certain.
"You mean wearing skirts and makeup, and having my hair done up? Go to the beauty salon with you? All that kind of thing?"
Diana's perplexed tone had Jane wondering if she'd misread the first response. "Well . . . Yes . . . of course. We can have only *women* here when there are students about the house. At least during those first critical weeks of a student's tenure here."
"Oh. Well, that's different. I'll really have to think about that . . ."
Jane stifled a sigh of disappointment.
"Janie?" Diana returned, bearing an impish countenance, "Is that a promise?"
"But . but. . but. . "
"I can live as either Diana or Art as long as I have you, and I think helping you with your boys would be a wonderful way to spend our life together. So, what else is the matter? Afraid to be known as a lesbian?"
"Oh, you," Jane growled, feeling as exasperated as she was exultant. She made a snatching grab for a pillow, but was too slow.
Diana was on her before she could get a grip on her fluffy weapon, and was kissing the breath out her. When the kiss finally, reluctantly broke, Art/Diana looked into Jane's eyes. "Are you really worried about such things, Jane?"
"No, I guess I am not. All right, we'll try it. All I ask is that when you reach the point where you cannot handle it anymore, you go on a trip until I finish with whatever boys are in the program. I don't know what damage it might do to them to discover that Dr. Philips is a male during some of the more. . .difficult phases of the program.
"I think it's more "if" than "when, darling, but all right, I promise. Now, will you marry me, Jane Thompson?"
"Who gets to wear the wedding dress?" She asked pertly.
"We'll get married twice so we can take turns. Although I think you'll need a corset to fit into my dress, darling."
"WHAT???? Why you. . ." Precisely what Jane would have said will never be known as her unpredictable mate started beating her with the very same down pillow that Jane hadn't quite managed to get to first.
Much later, basking in the warm afterglow of the loving their play had sparked, a voice said drowsily, "Yes, my darling, I will marry you."
Only a soft, purringly feminine snore answered.
Epilogue
Caitlyn was in her normal place off stage, watching enthralled as her best friend in all the world glided about the stage in the final solo of the next to the last act of this, the last performance of Sleeping Beauty. More than once, Caitlyn caught herself mimicking the dance steps or the hand movements and would blushingly look about to see if anyone noticed.
The curtain closed, and Tasha rushed off the stage for her final costume change when disaster struck. She slipped while running at full speed, her right leg going out from under her, but with her left leg pinned under her body.
Everyone clustered around the fallen dancer as she writhed on the floor. Caitlyn rushed up to her friend who saw her. "Madame? Caitlyn must finish the last act. My knee. . "
"Meeee? Screw the dance, Tasha!" Caitlyn yelled, forgetting herself in her concern. "We have to get you to a doctor."
"I will see to Tasha, Caitlyn," Madame Allison said firmly. "She's right. Some of our troupe are only on stage in the last act. If we stop the show, none of them will get to perform for their families and friends. Would you deprive them?"
Her head a whirl, Caitlyn did not know what to do when Tasha's hoarsely whispered, "Please, Cait?" burned through her confusion.
"All right, but you go get that looked at!" Caitlyn ordered as she and the wardrobe mistress ran down the hall to the dressing room. "I just hope I can wear Tasha's outfit."
Moments later, Caitlyn was center stage in position one as the curtain rose.
Later, Caitlyn would not be able to remember much between that first ringing note and the wildly joyous crescendo of the finale. Her first clear memory was of Donald grinning down at her as she held her final position before rising to take her bows.
Three curtain calls later, Caitlyn rushed off stage looking for Tasha. "Better be careful, girlfriend," a very familiar, laugh-filled voice said. "That floor seems to be really slippery."
Caitlyn spun to see a very unhurt Tasha grinning at her. "You were great!" she said as she launched herself into Caitlyn's suddenly very unsteady arms.
"You're all right," Caitlyn said stunned. "You aren't hurt."
"Nope. We all decided that you deserved to dance. So, all of us, including Madame Allison and the wardrobe mistress hatched this little plan. You dance as hard as I do when you watch from backstage anyway, so we knew you'd be all warmed up."
"No wonder your costume fit me so perfectly," Caitlyn mused. "It had been altered to fit me."
"Actually, dear," another voice entered the conversation. "I purchased a new one just for you so that, in the event that you couldn't go on, Tasha would still have her own to wear."
"Aunt Jane?" Caitlyn spun toward the voice only to see Jane was not alone. Jane was flanked by a petite woman and a tall, well built man. "Mom?? and DAAADD???"
"Hi, Caitlyn," her father said, a shy, uncertain smile on his face. "You did great. I am sorry I didn't know that you could dance like that, but I am very proud of you."
Suddenly, Caitlyn was in her father's and Mother's arms. Tears flowed freely from everyone's eyes, bringing glitter to the sunny smiles worn on every face.
"Still the manipulator, eh, Jane Thompson?" Diana whispered into her betrothed's ear.
"Well, once I spoke with her father, it was a relatively simple matter to put just a bit of a bug in Tasha's ear," Jane answered, well pleased with her little machination. If she hadn't gone for it, I would never have pressed the matter. He's a good man, isn't he."
"A worthy match for his wife, I think. I'd say that support we talked about the other night will be there for our Caitlyn in ample supply."
"Well, I guess I know where I am going to get attendants for our wedding, darling. I am sure that Michelle, Kendra, Darla, Beth and Caitlyn will be very happy to stand up for me with Marie as my Maid of Honor. Who are you going to have as best man and ushers?"
"Who says I need 'em in this family, sweetheart? Whoever stands up for me can dress anyway they damn well please. That's not what matters."
"And what does matter then?"
"Love. Commitment. Sharing. Nothing that you don't have in full measure, Ms. Jane Thompson. And getting *my* ring on that still sadly nude left ring finger of yours. Come on, let's go to the cast party. I know one of the stars and she'll get us in."
"Odd, but it happens I know one or two of them myself, darling. I am just a little sad you are here as Diana and not as Art. Suppose there is dancing?" Diana gave her love a very lascivious wink, making Jane blush. "Well, I guess we'll dance, then, won't we?"
"No doubt about it, Jane my love, none at all."
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Seasons of Change
Book 8 - Season of Fear Seasons of Fear
Book 1 Copyright © 1999,2012 Ediolon90 (Eido)
All Rights Reserved. |
Reader Caution: Season of Fear, Web of Fear, and Season of Remembrance, written by Eidolon90, represent a different view of the universe of Miss Jane Thompson. It's darker than my own view, but are still compelling, thought-provoking stories. However, readers are cautioned that there is a particularly bloody and violent scene in Season of Fear that requires "Aunt Jane" to react in ways that have not occurred in the other stories. Her reactions are not always consistent with my own view of Jane, but hopefully she'll never face an equivalent level of stress in my stories, either.
The second Seasons Story by this author, Web of Fear, is the source of some of the characters in the Remembrance story. Sadly, the story is lost to a series of hard drive crashes and web-site/BBS-demises. It was a very good story. However, Eidolon90 does have the notes he had written it by, and through Sephrena's efforts, has agreed to possibly rewrite it sometime. ~Tigger
Admin Note: Eidolon90 has give Tigger permission to host his stories within Tigger's Story Arc of Aunt Jane. His permission was also written to myself pertaining to this and is duly noted. All credit to the three books of "Season Fear Series" by Eidolon90 belong solely to Eidolon90 (Eido).
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989, and further expanded upon with Joel Lawrence's permission by Tigger ~Sephrena
Author's Note: It has become my habit, if writing a note after 5 or 6 stories can be called a habit, to put an afterword at the end of the story. I like to talk about the things I write and also the things I read.
The first time I 'ran into' Jane Thompson, I hated her. I don't remember which story it was or who wrote it. I just remember not even finishing the story. My loss, I guess. Later, I would try again, and I discovered a character deserving much more than just blind, reactionary loathing. I liked her. She was human.
For a character in a piece of fiction to seem human is a real achievement, in my opinion. I found that I wanted to build add to her character, add to the whole milieu of Seasons stories and basically add to Jane Thompson's humanity. 'Season of Fear' is my shot at that. I know it lacks some of what faithful readers of tg fiction have come to expect and I won't go into detail on what I see as the shortcomings of the work. I hope I have accomplished what I set out to do and that the Seasons will continue to come and go in their eternal dance. ~Eido
At Jane's side, Darryl could not decide which of the two to watch more closely. Finally he decided to watch Jane, since she might need his help when they returned home. Darryl, he had come as Darryl today in a last effort to get James to yield even slightly, sighed quietly. He could see the wetness of incipient tears in Jane's eyes. How many times in the past two or so years had Darryl provided what comfort he could to his guardian, teacher and trusted friend, Jane Thompson?
"He'll be fine, Aunt Jane. I know that this isn't the ending you envisioned, but he'll go far in life and he'll owe it, at least in part, to you."
Jane smiled at her young ward, the young man who had inextricably knitted himself into her household, her school and her life. "I'm going to miss you when it is finally time for you to leave the nest, Darryl." Jane smiled again, though her smile could not hide the solitary tear that slipped past her careful guard. This thought brought a moment of unease to the young man.
"I'll still be able to help somehow, even when I can't be the emergency big sister anymore. And, you know, it's not like I'm going to outgrow all my clothes in two months, the way James did."
Jane smiled again, with real humor in her eyes. Darryl had a lion's heart even if he would never have a lion's stature. She shook her head with wry humor.
"As long as I've been doing this and I still get complacent. Even after you and Michael and Kenneth, boys still arrive with their own special surprises for me. Almost sixty young men now, and James is the first whose body decided to sprout five inches and thirty pounds in two months." She chuckled, and Darryl could see the healing process start in his beloved Aunt Jane. Darryl wished he could tell her everything he now knew about James, but a promise was a promise and someday, hopefully soon, James would tell her himself. They walked to her car, shoulders close, each pondering how they had come to this day.
"You're what?" Jasmine barely whispered, she could hardly think, her mind spun in confusion.
"I am, or at least was, a student here like yourself. Sent to Jane Thompson as an alternative to juvie hall. I was a bigger hellraiser than you were, in fact, and this was my punishment and rehabilitation," the young man spoke confidently and quietly, the product of months of hard work by both himself and the staff of Jane's school. "My name is Mark and I'll be returning to the real world soon, and someday soon you will be big sister to a new student here." Mark studied Jasmine's face, her lips quivered and her eyes watered, but something was subtly amiss in her expression.
"And Darla? Is she an imposter too? No, never mind, of course she is. No one in their right mind would put a 'girl' like that around two guys like us, right?"
Confusion threatened to overwhelm Mark. Jasmine should be happy, not angry. Her best friend had earned his release and she would follow soon.
"Jasmine, I don't..."
"DON'T CALL ME THAT! You LIED to me! You lied to me and you pretended to be my friend and you helped trap me into this." Jasmine shouted at her companion, raising her arms to point at the pale blue sun dress she wore today, but her motion was too sudden and her adolescent growth spurt too recent for the dress. A seam ripped with loud complaint. "Son of a BITCH!" Jasmine shouted. With that, she bolted for the house, kicking her sandals off in the process and reveling in the momentary freedom that accompanied her flight from Marla's revelation.
Mark sat in stunned silence, aware that something had gone terribly wrong, but uncertain exactly what. Finally, he stood and walked back to the mansion, dreading the upcoming conversation with Aunt Jane.
And that, Jane reflected, had been the beginning of the end for Jasmine/James. He resolutely refused to speak to Mark or Darla after that, so great was his outrage at having been taken in by their femininity and at their complicity in Jane's training program. After that, Jasmine simply quit. Whether her decision resulted from her big sister's perfidy or whether it came from some renewed masculine confidence aroused by his sudden growth, Jane never found out, but she would never forget the conversation.
"I must say, Jasmine, I am profoundly disappointed at your pathetically juvenile behavior. Your truculent attitude toward Marla and now toward Darla signifies a lapse that can only extend your stay here, if you are even allowed to remain here at all. I have developed serious doubts about my original estimation of your progress into greater sensitivity and refinement.
"Only the intervention of your mother prevents me from bundling you off as-is to the school of your father's choice. I understand he cannot decide whether you should spend the remainder of the summer in a 'boot camp' or whether you should get an early start at your new school."
Jane finally paused to get Jasmine's reaction. The girl- boy did not move from her uncomfortable pose in the chair Jane reserved for these interviews. She held her head high and her back straight. Her gaze remained level and focussed on some distant point through Jane's entire diatribe. Jane would have laughed at the caricature created by the combination of bearing and attire had she not realized that such laughter would place Jasmine forever beyond her reach. To punish Jasmine for her intractable behavior, Jane had arranged a shopping trip to Betty Franson's Style Shoppe, where, after hours of measurement taking and sessions of modeling, four identical sets of clothes had been purchased for Jasmine. Jane had raved over what an adorable figure Jasmine made in the little navy blue party dresses and patent Mary Jane's. And since Jasmine so disliked wearing stockings she received several pairs of white tights, the kind any six-year-old girl would wear. Ten days in those dresses had not changed Jasmine's attitude and now here she sat, considering Jane's ultimatum.
"I think I would prefer the boot camp, but whatever my father decides will be fine with me," Jasmine said, eyes unwavering. Finally she relented, but only slightly. "Ms. Thompson, I'm through here, and we both know it. Whatever it is you need me to be, it's not going to happen now. And to be blunt, I would prefer the honesty of boot camp to the mind games that you employ." A faint hint of a smile played across Jasmine's face, giving Jane hope. "Besides, in two more weeks, I'll have outgrown these dresses."
Jane repressed the desire to lick her lips and reflected on the changes that she had made to the program after Michael's attempted suicide and Kenneth's brief, unwarranted, tenure. In short, Jane listened.
"Perhaps you are right, Jasmine. Please return to your room, I must think about what is best for all of us. I will have Marie bring your dinner." Jasmine left, turning on her heel and practically marching from the room, concentrating on shedding as many feminine gestures and habits as she could.
Darryl stared out the window, wishing he could do more for Jane and wondering how long James would hold him to his promise. Darryl could not understand how James could be so heartless in the face of Jane's care and affection for her young charge. Of course Darryl could not know that, in the seemingly distant future, the occasional card or note from James would alleviate the ghosts of today's pain. Even if Darryl had known what the future held for James and his relationship to Jane, it certainly did not help the pain she felt now. Darryl was hardly aware of the pain he felt himself. The silence with which James had treated him since his discovery had cut deeply and had only been broken once.
"Darryl. Darryl, wake up."
"Hunh, what? Oh, Aunt Jane...Aunt Jane?! What the hell are you doing in here?"
"Hush, you little menace, everyone else is still asleep. Get up so I'll know you're really awake."
"You were calling me Darryl, Aunt Jane," the boy noted quietly.
"Yes, Darryl. I need Darryl to run some errands for me today and to try to mend fences with James."
"James?"
"He's going home soon, or wherever it is he goes from here." Jane shuddered. Imagining one of her students in the testosterone soaked environment that James willingly sought nearly made her sick. "But he's outgrown all his male clothes. I need you to go to one of those superstores that's open at this hour and get him some things. I have a list right here." Jane pressed the paper into his hand. "Get a move on, Darryl. I want him in something besides a dress when Sandy and Caro do the tear down."
"Right away, bwana," Darryl replied as he hustled out of bed and straight into the bathroom for a quick shower. A short while later, Darryl was hauling James' bags down from the attic while Marie painstakingly removed all traces of makeup and nail polish from the boy. James felt oddly tense and out of place in a pair of gray sweats and white cotton jockey briefs. The black ankle top Reeboks on his feet were the only familiar touch, being similar to the shoes he had worn to aerobics class.
I'd like to get out of boot camp and kick that bitch's ass, he thought. The viciousness of the thought startled him. It was precisely those kinds of thoughts and the actions they preceded that got him sent here in the first place and that was a mistake he had resolved not to repeat.
"Thank you, Ms. Marie," he said when she pronounced him fit to be seen in public as a male. Darryl handed him a baseball cap to hide his long, wavy, honey blonde tresses under and they both went to the car that Jane had just pulled around. Once again she had imposed upon the proprietors of the Marisha Chalet to open early and tend to one of her students. She had, of course, warned them to expect a pair of young boys with her today and that Jasmine's tear down was to be the most thorough they had ever performed.
Jane watched the two boys walk out to her car. Darryl had a grace combining the best features of his masculinity and femininity. When dressed as a boy, Darryl's movements were flowing and almost feline in economy and composure. Jane searched in vain for a slight hint of James' feminine side in his bearing. Without remorse James bent to the total eradication of Jasmine and all her influences in him. Jane knew it was probably necessary, considering the boy's future plans, but she greeted the end of Jasmine with tight lipped pain and the faint fear that James would miss something, thereby bringing down the wrath and ridicule of his future classmates.
"Good morning, James," Carolyn said with reserve. She too was nervous about this young man, especially in light of her own recent experiences with Jane's students. Jane nodded to Carolyn to proceed, trying to reassure them all that everything was as it should be.
Carolyn reached for James' chin, but then paused, "May I?" she asked quietly. James could only nod his assent, fearing that the anger he still felt toward these conspirators in Jane's torment of him would spill out.
"Well, someone did a good job of getting you cleaned up. I assume Marie? Yes, she even got your eyelashes clean. We'll have to do something about your eyebrows though, they are a bit too fine for a young man like yourself."
"Just shave them off," James requested firmly. Carolyn twitched, startled by his request, but James continued. "If you put something on them to make them look fuller, someone is probably going to notice, but if they aren't there at all, people will just look at my face and try to put their finger on just what is wrong with me. If they do notice, I'd rather it be for no eyebrows than for a disguised girl's eyebrows."
"Suit yourself," Carolyn said after seeing Jane's nod. Carolyn nervously wiped her hands on her jeans before accomplishing the deed. Swallowing loudly when she finished, Carolyn held out her hand to the boy, who took it automatically and shook it firmly. "Good luck, James."
"Thank you, Mrs. Beale," he replied with a small smile, then walked over to where Sandy waited. Jane walked with him, pausing to reassure Carolyn with a friendly hand on her shoulder.
"Well, I'm sorry to see that Jasmine couldn't hack it. You made a real looker, kid," Sandy just could not resist getting in a few more digs.
"Sandy..." Jane intoned threateningly.
"It's okay, Ms. Thompson," James said, looking Sandy squarely in the eye, "she can't help the way she is. Maybe if you have no other students for a while, you could spare Darryl to come over and give her some lessons in charm and deportment." As he spoke, James' gaze transformed from benign to venomous. Sandy looked as though she had been sucker punched in the gut.
"James!" Jane said sternly, but Sandy interrupted her.
"No Jane, I deserved that one." She spun James in the chair so that they were both facing Jane. Placing her hands lightly on his shoulders she said, "I guess considering as much as he's grown lately, I'm getting off lightly." James saw it as a signal, an opening to bury the hatchet with Sandy, but his anger with her was still too raw.
"Where else am I going to get a crewcut at this hour of the morning?" he finally said.
"A c-c-crewcut?" Sandy spluttered, pain suddenly forgotten. "Like hell I will..."
"Sandy." Jane intoned for a second time.
"Besides, it will spare you having to get this ridiculous color out of my hair," James said reasonably.
"Ridiculous? It's a lovely color, even for a boy. Why, the right style and you'll have to use a stick to keep the girls off of you. Hell, you could leave it long and they'd still be all over you." James recognized Sandy's outrage as professional and not personal. He caught her gesticulating hand with his own and squeezed lightly.
"Sandy," he said gently, "where I'm going, there aren't any girls. Please make it a crewcut."
With a deep breath, Sandy relented, though she nearly cried when she saw the pile of shorn hair at her feet.
By the time they were done in the salon, the mall was open. Jane watched, remembering again with small amazement, the way James shopped. With brutal efficiency he selected blue jeans, khakis, a small selection of shirts and a supply of socks and underwear.
Back home, Jane directed Marie and Darryl to see to the redecoration of James' room, since it would be a week before he left for home or wherever. James, however, pre- empted her again by announcing that he would prefer to sleep outside for the next week and that he would need only some blankets and Jane's permission to build a small fire as needed. A slightly heated argument ensued before James finally explained that it was not mistrust of Jane that prompted his decision, but a desire to completely divorce himself from the Jane's School experience before heading for his next destination.
Eventually they compromised. James would camp out for a week, but take showers at least daily in his former bathroom and he would take at least two meals a day with Jane, Marie and Darryl. That was the end of the matter, except that he still had not said one word to Darryl.
Three days after the tear down, James caught up with Darryl near the stables. James admired Darryl's composure. Had their situations been reversed, he might have run like hell.
"Darryl," James paused, uncertain of how to continue, "I have something I want you to know, but only if you can keep it a secret. I will only tell you if you promise me that no one else will here it, especially not Ms. Thompson."
Darryl studied James for a moment. "As long as you're not about to reveal your grand scheme for destroying Aunt Jane and all her associates." Darryl looked up calmly at James' startled expression. "You see, I've heard all that before."
"No, no ...I mean, I wouldn't, I'm not planning any such thing Darryl. Do I have your word?"
"Yes, I promise," with that, Darryl extended his hand and James shook it.
"I had to tell someone before I burst, but I don't want to talk to Ms. Thompson or Ms. Marie about it. To be honest, I'm still pretty pissed at you too, but I'm getting over that." James paused, but Darryl gave no reaction. James continued, "I know you wouldn't be here if you hadn't had your own problems. I'm not trying to get sympathy from anyone here. Someday, maybe, I'll thank Ms. Thompson for straightening me out, even though she probably doesn't think her 'technique' has been a huge success. I'm not afraid anymore, Darryl." This last came out in a quick stream of words that took Darryl by surprise.
"What?" he finally asked.
"I'm not afraid anymore. All my life, I've been afraid. Afraid that I would fail my parents. Afraid that I would fail my father or not measure up to his expectations. When they split, I was afraid of having to choose between them, his way or her way...As I got older, I was afraid of everything new, afraid I'd show weakness or afraid I'd screw something up. But now," James shrugged, "I feel excitement at the prospect of being challenged. If I blow it, well, at least I tried without fear."
"Why are you telling me this?"
James paused for a long minute before answering. "Because it was this place and what you people did to me that chipped away the fear. Maybe I've used my allotment of pure terror for my lifetime," James smiled, "or maybe the things that happened here taught me something or reached something in me that has nothing to do with good manners and refined behavior.
"Darryl, I'm going to be a soldier someday and an officer and maybe even a gentleman. I'm going to be a leader and I'm going to be good at it, but I wouldn't be able to do that with a fearful heart. That's all I wanted to say."
"It would help Aunt Jane a lot if you told her this, or let me tell her," Darryl entreated.
"I'll tell her, sooner or later. Maybe letting her stew is my petty revenge, but I think maybe the time considering what it is she does here would help her too."
"Oh, she thinks about that all the time, believe me."
"Really? I wouldn't have guessed. I will write to her soon then, just not now. Darryl, this is goodbye for us, even if I will be here for a few more days. Do you understand?"
"Not really, but I don't guess it matters."
"Maybe we will meet again in the future, in better circumstances than this."
Darryl could think of nothing to say to that. He liked his current circumstances much better than anything his past life had offered him. Finally, he just nodded. James turned and walked away.
A few pleasant weeks passed as summer tightened its grip on New England. Marie took a short vacation to visit her family. Darryl swam and sometimes helped old Tom with the grounds keeping.
Upon her return, Marie provided the three of them with hours of amusement by teaching Darryl French, Acadian style, complete with demonstrations of the accent she had when she first started working in America. Jane already knew French and would often pretend outrage at Marie's Canadian twisting of the language. When not engrossed in Marie's language lessons or some other mundane chore, Jane rode.
During one of these horseback rides Jane stopped by the road to retrieve the mail. She could not believe her eyes as she tore the envelope open and started reading:
"Dear Ms. Thompson,
I meant to write this sooner, but I have been much busier than I expected. There are a few things I wanted you to know before too much more time passed..."
Jane blinked, trying to hold back her tears. One of my boys, she thought, in the army someday. She was as proud and as apprehensive as if James had been her own son. He was making his own way and if that way was not the one Jane would have preferred for him, well, what more could she want than to be a contributor to his success. She hurried to the house to get clean and to make a call.
Chapter 2: A Brief Interlude With Friends Old and New - In Which The Past and Future Are Examined
"Judge Ruth's chambers please," Jane informed the somewhat bored operator at the courthouse where one of her closest compatriots presided.
"Judge Ruth's chambers," the clerk announced when the connection was made.
"This is Jane Thompson. Is Judge Ruth available?"
"Yes, she just got back, I'll connect you."
"Hello Jane, please tell me this is not an emergency," answered the judge, humor apparent in her voice.
"No, no, I just got a wonderful letter from a former student. One that I thought I had lost forever," she proceeded to share the details of James/Jasmine's stay at the school.
Jane finished with "I don't know how many more of these I can take."
"Well, the two before James were pretty much classic cases Jane."
"Yes, I'll admit they were and it was most gratifying to find that I remain able to instill in these children the right combination of emotions to guarantee their pliability, but these last two years have been unprecedented."
Judge Ruth remained silent for a while before responding. "Jane, I've been thinking about this since Darryl. The boys are not the same as they were when we started. In the last few years I've sent you boys that I would have rejected without hesitation fifteen years ago. The last one, Mark Calchek? He had an assault on his record, but that just doesn't seem as serious nowadays when I get to see eleven year old murderers in my court."
Jane recognized that Ruth was unburdening her soul to her, so she waited for her friend to continue.
"I guess we save the ones we can and when one doesn't turn out exactly the way you plan, you re-evaluate and go on. James sounds like he has his head screwed on straight, even if I don't think he'll be visiting you at Christmas in an evening gown."
Jane laughed at the image. "You should have seen him march out of my office that last day he was in petticoats."
"You see Jane, you are adapting too. You would have made that boy sorry he'd ever thought of defying your program if he'd tried that even five years ago. But now you pay closer attention to your wards. You recognized that graduation time had arrived whether you liked it or not."
"I know. We've made a lot of changes since Darryl. We are much more careful to know the detailed backgrounds of our students and to try to determine the causes of their behaviors. But I guess you already knew all that. I'm just running on at the mouth."
"Not at all, Jane, not at all. By the way, here's a little something to brighten your day."
"Hello Aunt Jane, are you well?"
"Kenneth!" Jane nearly tipped her chair over. "It's good to hear your voice. Yes, I'm well, just a little blue over a recent student. You'd like him, Kenneth. He practically marched in here one day and announced that he was done and anxious to get to military school." Kenneth's warm laughter resounded over the connection.
"And did he leave in a dress or stark naked?"
"Neither Kenneth, you know me better than that. He left like the model of the soldier he wants to be, after getting a few parting shots off at us," Jane described the tear down and subsequent shopping trip.
"Poor Sandy, she's probably looking forward to retirement by now."
"Well," Jane replied, "sometimes she does ask for it, and as much as James' comment stung her, I think it was the haircut he wanted that really brought her close to tears."
"Jane," Kenneth said cautiously, "have you considered that what James said to Sandy may have been meant for you and your other co-conspirators as well?"
"Yes Kenneth, I have given it considerable thought."
"I'm sorry, Aunt Jane, but I just wanted to make sure you weren't hurting, too. Do you think James will succeed in his quest?" Kenneth adroitly changed the subject, but Jane still sounded troubled.
"Oh yes. The power to do so was always within him. We just helped bring it out. One of my boys is going to be a soldier, maybe even a commander someday...or a killer" Jane paused, unsure of her words and suddenly unsure of her feelings.
"Sometimes we need killers," Kenneth said softly, believing he recognized the root of Jane's distress.
"No, Kenneth. Sometimes we need soldiers who will kill when necessary, sometimes we need protectors and God help us, sometimes we even need executioners. By a killer, I mean someone who doesn't count the cost or who even likes it."
"I think I understand, Aunt Jane, but from what I've heard, your work with James was successfully finished. Don't worry overmuch on his account." Kenneth spoke with confidence, trusting Jane's experience and dedication to produce complete human beings in her graduates.
"This is getting morbid. You two get back to work. Come and visit when you get a chance. Darryl is getting a little lonely, I think."
Chapter 3: Ghosts From the Past - In Which the Scene is Set for Future Conflict
Another few days passed with little to note, except that Jane and Judge Ruth discussed the possibility of another student. The judge had become aware of a boy whose case was currently working its way to her. When the phone rang, Jane answered, certain it was Judge Ruth.
"Hello?"
"Hello. May I please speak to Darryl Smith? This is Keith Belmont of Child Protective Services," the unctuous voice asked.
"This is his guardian, Jane Thompson, is there a problem?"
"No ma'am. I have a few routine questions for Darryl as part of our follow up review."
"One moment." Holding her hand over the mouthpiece, Jane called Darryl, who she could hear nearby, to the phone.
"Hello?" the boy answered.
"Hello Darryl, do you remember me?"
The blood drained from Darryl's face even as he asked, "Who is this?"
"It's your old bud Keith from the bad old days, Darryl, wantin' to know if you still have that bundle of money your big brother promised us. I'm thinking about coming to collect, Darryl."
"There is no money you moron. I took the fall for that job and Harold got away with nothing but the car he stole." Jane sprang to her feet and reached for the phone, cursing herself for not realizing quicker that something was amiss.
"I'm calling the police," Jane announced to the unknown caller.
"Go ahead. Cops need to practice filling out those forms, you stupid bitch. See you around." The line went dead even as Jane reached for the button to disconnect the call.
"Who was that, Darryl? What did he say to you?" She asked the visibly shaken boy.
"That was Keith. He must be the leader of the gang I was in now. He wants the money that Harold promised the gang and he thinks I still have it. He's coming here, Jane and he's worse than Harold ever was because he's smarter and in better control of himself."
"Oh God, it's happening again," tears threatened to overwhelm the young man, "I've got to go away, Aunt Jane. I've got to go away or he'll do something..." the sentence went unfinished, interrupted by wracking sobs as Darryl buried his head against Jane's shoulder.
Jane held the boy for a while, letting his tears subside. "Nonsense, Darryl. If he found you here, he'll find you elsewhere and then you'll be alone. He'll eventually come here anyway as long as he believes there's money to be had. I'll hear no more of it," then with a smile she added, "and don't you even try to sneak off in the middle of the night again. Do you understand me?"
Darryl nodded, then could not resist an impish display. He stood straight in his best imitation of James and saluted. "Ma'am, YES MA'AM!"
Jane arched an eyebrow at him, trying not to burst into giggles when Darryl added a further display.
"Oh, I forgot. You prefer this." Darryl made an exaggerated curtsy while holding imaginary skirts, "As you wish, Aunt Jane," he said softly in Darla's voice. Finally both of them dissolved into laughter.
"What is all the noise in here?" Marie's question brought them back to reality and Jane let Darryl bring Marie up to date while she called the police.
When the police were done with her and Darryl, Jane closed the door to her office, connected the speakerphone and called Judge Ruth, at home.
"Jane! I was just going to call you. I think I may have found your next student." But when Jane explained the day's events, her friend grew quiet.
"This is an unfortunate turn of events. I've been keeping an eye on that one and he is a dangerous man. He's been smart enough to stay out of direct trouble with the police since he was about thirteen, but he's steadily built his position as leader of that gang, especially after Harold was killed."
"That's worse than I had hoped, Ruth. Is there any chance he was just playing with our heads? Would he really come this far out of his usual territory just for some possibly imaginary money?"
"Yes, he would. If he actually thinks there's money to be had. I don't think revenge is a motive here because the story is he never liked Harold and Harold's elimination cleared the way for his rise to the top."
"Well, the police determined the call was not local, so he's not here yet, but there's not much they can do unless they catch him in the act, and I don't think increased patrols around here are going to do that."
Ruth considered this then asked, "What are you going to do about the school, Jane?"
"Well, I've thought about that and I'm just going to have to suspend operations for a while. I will not endanger my students like that," Jane replied adamantly.
"I had a feeling you would feel that way, but I'm not so sure. Of course, I'm not the one who has to decide, but if you shut down until Keith screws up and lands in jail..." the sentence trailed off, but Jane realized its implications.
"Dammit," Jane swore, startling Darryl nearly out of his seat. "He wins even if never comes close to Westbury. Ruth, I see your point, but how am I going to keep the school open and keep my kids safe? I don't think hiring a couple of rent-a-cops is going to help the situation much, even if I could find some that would understand what we do here."
A tense silence held the line for a moment, then Ruth said, "Jane, I may have the answer. I know a, uhm, man. He's a security consultant. He is the soul of discretion and is basically the best person I can think of for your situation. I would suggest you contact him and at least set up an interview if you plan to keep the school open.
Which leads me to two other points. The boy I was telling you about. I think he needs you, Jane. All the signs are there, though I'm a little concerned about some of his peculiarities. He's bright, well read in a random sort of way and he can be very friendly. I've spoken to him in person. He's also moody, undisciplined, combative, resistant to authority and occasionally violent."
Jane looked up to see Darryl roll his eyes and silently mouth the words "Here we go again."
"What else do you know about him, Ruth?" Ever since Kenneth, the background checks on their perspective students had become more intensive.
"His name is Benjamin Peyton. His mother and father are dead. He's been bounced around foster homes and institutions since he was six. He'll be fifteen in three months. He has a long history of confrontations with authority, petty theft and vandalism. His behavior has only recently taken a turn for the worse. He struck a teacher, a female teacher I might add, for taking away his portable CD player during class one day. While he was in custody after this incident, another boy taunted him over something. I never did find out what. Anyway, despite their differences in size, Benjamin exploded on this boy and beat him so severely he had to be hospitalized. The first guard to grab him got a broken nose for her efforts, too. The strange thing is that when he realized what he had done, he apologized to the woman. Of course, apologies don't count for much in that situation. He's been given the full treatment, psych evaluations, confinement in the juvenile detention center until his trial. There are a few other things Jane." The judge ended somewhat hesitantly.
"You mean it gets worse?" Darryl blurted before realizing what he had said.
"I was wondering when you'd pipe up, Darryl, or is it Darla today?"
"It's Darryl until we get a new student."
"Well, mind your manners young man and don't interrupt your elders," Judge Ruth ordered with mock severity. Darryl snorted at this, but kept quiet.
"Jane, do you want to hear the rest of this or have I scared you off yet?" the judge asked.
"Well, he doesn't sound much worse than a few of the others we've had, so continue."
"Okay, mind you now, I detest this jargon that the psychologists use, but in their report they claim he has a very low self esteem. They have established that he has not been abused or molested, but that the lack of positive role models in his life has led to a lack of appreciation for his own life.
Personally, I think this is a load of garbage, although it is useful to know that he has not been abused. I'll even admit that he seems to have a poor self-image. When I talked to him, he came across at times as friendly and inquisitive and then at others as hard and uncaring. He is trying to be a hardcase, perhaps to avoid the pain that attends being a whole person. He's brittle, Jane, and that's what really concerns me. Push this one the wrong way and he might try to hurt you or he might try to kill himself. However, if he goes into the custody of the state and survives until he is eighteen, he will probably come out as a predatory animal with no compassion at all."
Jane rubbed the bridge of her nose. The headache that had threatened all day was about to make an appearance. Ruth was right, this one needed her, but how could she make it all work out.
"Ruth, you said there was something else?"
"Oh yes, Kenneth wants to take you up on your invitation to visit, especially if you are about to take on a new student. He'd like to see you and Darryl and wear out his welcome before the new arrival."
Jane looked at Darryl and at the hope that his eyes showed. Aside from being fast friends, Darryl believed that Kenneth was the smartest person alive. Doubtlessly, Darryl thought that Kenneth could provide valuable insight into the problem they faced.
"Okay Ruth, tell me when Kenneth's flight will arrive and I'll pick him up, or have Marie do it. Also, give me the information on this security guy and I'll check him out. If I can arrange security to my satisfaction, then I'll take your new student, provided he doesn't go berserk on anyone else."
"Very good, Jane, that's the spirit. I'll fax the details right over to you."
"Thanks, good night." They hung up the phone and Jane waited for the fax. Moments later the fax machine purred to life and began printing. First came Kenneth's flight details. He must really be anxious to see Darryl, Jane thought. Then came several sheets regarding Allen Sullivan, Security Specialist. The pertinent phone numbers, fax numbers and email addresses were all printed out along with a suite number for a mailing address. Jane thought that curious. Were they so paranoid they kept their office location a secret, she wondered? A brief description of Sullivan and his agency followed. Jane discovered he had a sizable staff with wide experience. His agency had been in business for eleven years. At the bottom, Ruth had scrawled a handwritten note: 'Jane, call me if you decide to interview him, there is still more to tell about Mr. Sullivan.'
Great, Jane thought, more complications.
Chapter 4: Grand Reunions - In Which the Best Things in Life are Found to Be Close at Hand
In the end, they all went to the airport in Providence to pick up Kenneth. There was plenty of room in the Lincoln and no one wanted to stay at the estate alone. Jane used the time to poll her associates about accepting a new student and about meeting Allen Sullivan.
"I think Judge Ruth is right," Marie spoke quietly, her usually absent accent the only sign of her emotions. "We can't let fear of some punk stop the work we do."
"I keep thinking of what James said about not being afraid, Aunt Jane. He might be a little too macho for your tastes, but he was right about how fear can paralyze you."
"You know, I never did understand his reaction to you and Mark, Darryl," Marie added, "what was the deal with that?"
"Ahhh, that was my error, Marie," Jane said quietly. "Years ago I lost a student over a stupid, bald faced lie I used as a pretext for his treatment. Although I learned my lesson about using blatant falsehoods, some people are equally offended by less obvious subterfuge. Apparently, whatever else his parents might have instilled in James, they both contributed highly to his sense of honor and his attitude toward dishonesty. I'm learning the hard way that even when people value the same things, some value certain things more than others. It puts a whole different spin on evaluating a boy for the program."
"So he was fooled by Marla and Darla? I still don't get why he acted the way he did toward them," Marie frowned, still slightly confused.
"Well, in his mind, I think they were the same as spies or traitors. I think Marla's revelation as Mark may have spurred his sudden resistance more than anything else. In fact, now that I remember, Mark told Jasmine that she would be a big sister someday too. To James, being a big sister would not be an honor, but a breech of honor. It would be a low and traitorous action. Deception is the kind of thing you use on an enemy." Jane looked in the rearview mirror to see Darryl sinking lower into the back seat.
"Darryl, I think James understands that there is an issue of perspective here. Judging from his letter, I would say that he bears you no grudge."
"Oh, I know that Aunt Jane. I just never thought of it from that point of view. I always thought I was helping my little sisters, not betraying them."
"You are helping them, Darryl. Darla and Marla, and I could have choked when Mark got tagged with that name, were instrumental in helping James, just not the way we usually plan it. The funniest thing is, if he had bothered to articulate his feelings or his position about honesty, he could have saved himself ten days of petticoated prison. He takes his attitude as much for granted as we take ours, and that is one of the reasons why Marla's outing hit him so hard."
Marie frowned, obviously she needed to chew on this for a while.
Darryl broke the silence. "So are we going to meet this Sullivan dude?"
Jane shot him a look in the mirror. "That's Mr. Sullivan dude to you, young man and when did this operation turn into a 'we' thing?"
Snorting, Darryl replied, "Well, I kind of thought I had at least been promoted to faithful sidekick? Kind of like Robin, the boy-girl wonder."
"Now there is an idea, Darryl. All our little femmes can dress in tights and capes and domino masks and pretend to be superheroes."
"Wow, Aunt Jane, I didn't think you even knew what a superhero was," laughed Darryl. "Do I need to turn my back when you duck into the phone booth?"
"Where have you been, Darryl? Even Edith White knows there are no phone booths anymore." The three had a good laugh, though not meaning anything mean about dear old Mrs. White.
"To answer your question, I am going to call Judge Ruth when we return, after I've had a chance to spend some time with Kenneth before you get him filthy dirty. I'll ask her what else it was she wanted to tell me about Allen Sullivan and then, unless my mind is changed by whatever Ruth has to tell me, I'll try to arrange an interview with the man."
"From the fax, he sounds like a tough customer," Darryl said, not without a little admiration. Jane rolled her eyes.
"Yes, he does sound like the pinnacle of manly virtue and machismo, Darryl. Try to imagine what having someone, or several someones, like that underfoot will do to our little training program."
"Hmmmm, I see your point. He'd become a source of resistance for boys that need to embrace girlishness."
"Not exactly the way I'd put it, but you have the idea."
"What about the people in his agency?" Marie asked, "There were a number of women..." Marie stumbled over the right choice of word, "agents? working with him?"
"That is one of the things which I noticed about his operation and the main reason, aside from Ruth's high recommendation, that I'm considering him."
As they approached the airport, excitement gripped the passengers of the big Lincoln. Each of them looked forward to Kenneth's visit for different, but still loving, reasons.
The reunion of Darryl and Kenneth was exactly the boisterous, noisy event that Jane expected. So different from the meetings and departures she usually attended at the train station. Kenneth hugged Jane so hard she felt her ribs creak.
"A little daintiness would not be entirely out of order here, Kenneth," Jane said, rubbing her side. Kenneth just smiled and gave Marie an equally bone crushing embrace.
"Sorry, ladies, all that boyish energy has to go somewhere."
"Hmpph," Jane tried not to laugh, "I'm sure I can find some way to channel such enthusiasm. Perhaps that shopping trip to Milady's Closet that you never got to go on, Kenneth?" Finally Jane could hold her mirth no longer, but she did manage a polite, ladylike chuckle.
"Does she carry cleats? Darryl will need a new pair to go with this." From one of the bags they had just retrieved, Kenneth produced a soccer ball with a ribbon and bow taped to it. "Don't worry, Darryl, I've seen college girls playing soccer on TV these days." Only the presence of the airport security guards prevented Darryl from leaping at his friend.
"Seriously, it's a great lot of fun and much safer than football, American football, that is. But wait, there's more," Kenneth said, his imitation lost on Jane.
"Thank you, Kenneth!" Marie exclaimed, then planted a quick kiss on his cheek. She turned the box set of CD's over in her hands, "How did you know? No, wait, there is a spy among us," she said, looking at Darryl who remained the picture of wide-eyed innocence.
"And last, but not least," Kenneth handed a heavy volume to Jane, followed by a large envelope.
"Fashions of the Victorian Era," Jane read the title aloud. "Are you sure you want this information to fall into my hands, Kenneth?" Jane asked coyly.
"As long as you use your powers for good and not evil, Aunt Jane. Open the envelope."
Jane did just that and barely suppressed a squeal when she saw what it contained. Jane pulled a number of cardboard cutouts from the envelope, embossed with photographs of several of her former students. Then she pulled out a number of sheets of paper, printed with cutouts of the fashions contained within the heavy book that she had handed to Marie to hold. She looked at the paper doll dress up kit with growing amazement.
"You are a rascal, Kenneth, how long have you been working on this?" Jane asked, looking at the pictures of Kenneth, Darryl, Eric and David. There were still others in the envelope as well.
"A little while. You know, Aunt Jane, there are some perfectly good computer applications that you could use to model your graduates with, but I've heard you prefer the old-fashioned methods, so I thought you'd rather have a real paper and plastic set of toys to play with."
"You included yourself in here, Kenneth," Jane noted.
"Yeah well, someone has to be the before example."
"Well, thank you very much. This is very thoughtful of you." Jane smiled warmly at her young friend.
Kenneth waited until they were in the car on their way back to Westbury before asking quietly, "I hear you may have a bit of trouble in the offing."
Gradually and with an occasional question or interjection, the whole story came out.
Back at home, Jane dialed Judge Ruth yet again. In the background she could hear the two boys yelling like maniacs and Tom's admonition to keep that blasted ball out of the roses. Jane was afraid to look out the window. For all she knew, Marie might be chasing with them as well. She waited while the clerk made the proper connections.
"Hello Ruth, it's Jane again. Tell me the terrible things about Allen Sullivan."
Ruth paused for longer than usual before replying, "So you're going to call him?"
"I am going to try to get him to fly out here to meet me, unless you tell me he's a cannibal or something."
"Hmmmm. I think it's safe to say he's not a cannibal. However, he is just about everything you dislike in a man, Jane, except that he no longer has that snotty attitude you so enjoy eradicating."
"Oh joy," Jane said, settling in to her chair. "I'm comfy now Ruth, I have a feeling this is going to take a while."
"In short, he's about the best person I can think of to protect you. I've had occasion to refer him before. He's smart, thoughtful, well prepared and extremely discreet. He trains his staff to be the same way."
"So, what is wrong with him that you still won't tell me about?"
With a sigh, Judge Ruth finally got down to business. "He's the antithesis of everything you stand for, Jane. He's vicious, cunning, violent and basically without real compassion. I think of him as a tame, and barely so, sociopath."
Jane felt a spark of irritation and it showed in her voice, "You wanted me to hire this man?"
"Jane, it's not as bad as that, although I know I'm making him sound terrible. But he can be terrible, sometimes. Oh, not with a client. With you and anyone else who is under his protection he is everything you like: polite, courteous and well mannered. But God help anyone who tries to hurt you. He's like the world's best-trained and meanest attack dog. He'll play with the kids, let them pull his tail, but when the intruder comes over the fence, the big teeth come out."
"You are being a little confusing, Ruth. Should I meet him or not?"
"I think you should, but be prepared. I wanted to warn you without coloring your opinion too much."
"I know this doesn't matter, but I'm curious now. How'd he get this way?"
"Twenty or so years ago, he could have been one of your students, Jane. Though I doubt I would have referred him if his case had come to me. Of course, back then you weren't in business yet anyway. He finally did something, participated in an armed robbery I think, that landed him in a juvenile facility. While there, something happened to him. He showed all the signs of becoming a full fledged felon when he got out, but instead he learned to read." Ruth paused to let that soak in. "I know this sounds like some kind of made for TV movie, but I think that is what happened. I'm not saying he suddenly turned into a saint. In fact, the opposite is true. He discovered that knowledge is power and that with knowledge and discipline you can get almost anything you want without crossing the law. That is what I think happened.
"If you ask him about it he's quite open about his past, but he won't volunteer anything. That's pretty much all there is to know."
"Okay, thanks. I'll give him a call." Jane hung up and dialed the number from the fax. As luck would have it, (good or bad, Jane would later wonder) the Sullivan Agency was between big jobs at the moment. Allen Sullivan would be in Westbury in time for dinner tomorrow. Jane began to plan.
Chapter 5: Actors and Actresses - In Which the School Becomes Crowded
The doorbell rang at precisely 4:00. Marie answered the door and found an impeccably dressed man of just under average height waiting there. He gave the impression of looking at her, but it was hard to tell since he still wore darkly tinted sunglasses.
"Mr. Sullivan?"
"Yes. I have an appointment to see Ms. Jane Thompson."
"Please come in. She will be with you momentarily." Marie walked away to get Jane, who waited in her office for Marie's report. The whole charade, similar to tactics Jane used in business dealings, gave Jane time for any unexpected occurrences and made her guest wait just a bit.
"And?" she asked Marie.
"He's not rabid. He's handsome in a distant sort of way. I didn't see any extra eyes or horns."
"Thanks Marie, you are a big help," Jane noted wryly.
Marie smiled, taking no offense. "I'm not saying that he's perfectly normal, Jane. Maybe the build up that you and Judge Ruth gave him is coloring my impression, but there's something about him." Marie frowned, uncertain of the words to describe their guest. "He's got a nice suit though. Oh, lay off the ethnic jokes around him. He looks like he has some really mixed ancestry."
Rolling her eyes, Jane went to meet her guest. As she approached, she could see that Marie was right as usual. Sullivan wore a nicely tailored conservative gray suit with a dark blue tie. Jane thought the gray was too dark for his complexion and hair. Marie had been right about other things as well. This man possessed a quality that Jane could not name, but that gave him a decidedly alien air. Sullivan extended his hand and introduced himself.
Jane shook his hand. "Pleased to meet you, Mr. Sullivan. I am Jane Thompson. Would you mind removing your sunglasses please? I find it distracting when trying to converse." There, she thought, my arm isn't on fire and I gave him an order. He can't be all bad.
A ghost of amusement flickered on the man's face, leaving as fast as it came. He removed his sunglasses and looked Jane directly in the eye. Jane's momentary lapse of speech and faint intake of breath was the opening he needed.
"The mark of Cain, Ms. Thompson. So I may go into the godless lands without fear." Jane barely heard, she still looked at his eyes. They were a pale aquamarine or maybe turquoise color that was almost luminescent in the dim interior of Jane's foyer.
Jane recovered quickly though and his statement registered belatedly in her brain. "I don't think that is exactly the purpose of the marking of Cain."
"Liberal interpretation," he replied.
"Does that mean you killed your brother?" Jane could hardly believe she had asked the question, it had just blurted out.
"All are my brothers."
Jane stopped abruptly. "Mr. Sullivan, this interview is not starting out as I had envisioned, plus, I have had about all the male weirdness in this house that I can stand. Shall we start over?"
"Fine with me."
"Very well. I know this is rude, but I can't help asking, those aren't contacts, are they?"
"No ma'am, they aren't."
"Well, let's go to my office and break the ice."
Once in Jane's office, they sat and Jane described the problems she faced while Marie provided tea and a light repast. After finishing her narrative, and she had left out the exact nature of the school and her students until she was certain she would hire Sullivan, Jane watched his expression carefully.
Watching a sphinx would have been more informative, Jane thought. Sullivan sipped his tea, actually seeming to enjoy its cooling flavor.
"What would you like me to do?" he finally asked.
Jane managed not to splutter, but only barely. "Well, you are the recommended expert. I was thinking you could tell me."
"You have received a threat. You have acted quickly to provide protection for yourself, and more importantly in your eyes, your students. What I need to know is how you want to deal with this threat?"
"For example," he continued when Jane remained quiet, "we could locate this gang leader and convince him to leave you alone." Jane shuddered at the implied threat this simple statement carried. "No? Well, we could turn your school into a fortress with such formidable defenses that only a lunatic would try anything here. Or, we could provide a very low profile arrangement, something that would not necessarily deter them, but would be designed to stop them, preferably outside your home."
"I see what you mean, Mr. Sullivan. I think that I lean towards the third, though it sounds like the option entailing the most personal risk. Maybe a tour of the house and grounds would help us decide. Also, I'd like you to stay for dinner and meet one of my students."
"As you wish." With that, they began a tour of the house. They examined each room in turn, including the attic, basement and the personal rooms of Jane and Marie, rarely seen by outsiders. Jane watched Allen inspect each room, noting that his expression betrayed nothing of his thoughts. Even the dichotomy between Jane and Marie's personal spaces and the stiff formality of the rest of the school went without comment, though Jane suspected it did not go without notice.
Out on the grounds, the pair paused briefly to converse with Tom, then moved on toward the stables.
"You should stable these horses elsewhere for the duration."
"Why?" Jane asked, already dreading the answer.
"Setting fire to this building while the horses are in it would be a perfect way to lure the entire household out into the open," Allen replied without seeming to notice the horror that the idea evoked in Jane.
"I see," Jane said, struggling to suppress the revulsion she felt. She could not decide what bothered her more: the fact that someone would do such a thing or the offhand way in which Allen mentioned it. "I believe we will have volumes to discuss at dinner. We should return to the house and freshen up."
In the dining room, the table was set with a formidable array of utensils. Kenneth, waiting patiently by his chair, noticed the similarity between this setting and the first meal he had endured at Jane Thompson's hands. He watched the impassive man who also waited next to a chair, trying not to stare at the man's unusual eyes. Darla entered and took the place next to Kenneth, smiling politely at the two men then pointedly gazing somewhere else.
As Marie brought platters to the table from the kitchen, Jane entered and took her seat without ceremony. Allen watched Kenneth seat Darla, then they each sat down.
"Kenneth, Darla, have you introduced yourselves to our guest?" Jane asked.
"No ma'am," they replied almost in unison.
"This is Mr. Allen Sullivan of Sullivan Security. He is here to consider the job of providing us increased security in light of the recent threat we received. Mr. Sullivan, across from you is Kenneth Roberts and beside Kenneth is Darla Smith."
Polite greetings followed, then Marie brought a last tray out and seated herself at the end of the table opposite Jane. If Sullivan was surprised by the inclusion of the cook at such an elaborate dinner, he did not show it.
Jane noted with some curiosity that Allen seemed to pause for a brief prayer before eating. After a few more moments of small talk, Jane got down to business.
"Mr. Sullivan. I've been considering your earlier question and I am inclined to entertain the third option you mentioned, if the risk to my students can be reduced to an acceptable level. I don't think my students will thrive in a fortress environment."
"Risk is difficult to quantify, Ms. Thompson, especially when the threat is not specific. What is the nature of your school here and how many students attend at once?"
Jane smiled, "I was wondering when you would get around to that question. We are something of a finishing school for unruly teens. Children with discipline problems are referred to me by their parents, their schools or sometimes the courts. We employ a variety of techniques to replace bad habits with good ones and instill respect, courtesy and self-control. We are better suited for just one or two students at a time. In rare cases there have been three children here."
The whole time, Jane watched as Allen correctly identified which utensil went with which course. As Ruth had assured her, his manners were perfectly refined, though Jane was unsure how that would matter in the long run.
"This is delicious, ma'am," he said to Marie, adroitly changing the subject. "Have you been with the school long?"
"Yes, nearly from the beginning."
"Marie is more than just a cook, Mr. Sullivan, she practically runs this place. She is a close friend as well as a valued assistant." Marie smiled widely at the compliment.
Dinner progressed. Long silences were broken by short flurries of small talk. Allen carefully observed the interactions between the other diners. Finally, Jane felt the time had come to return to business.
"Are you interested in the job, Mr. Sullivan?" she asked directly.
With some deliberation, Allen wiped a large piece of bread across his plate and took a bite. Darla stared wide-eyed at this act, certain it would provoke her Aunt in some way. Jane recognized the gesture as signifying that the rulebook had just been tossed out the window.
"Yes," he said, swallowing a mouthful of bread. "Do you test all your employees like this?" He looked at Jane, taking another bite of bread.
"Sometimes," she replied.
"Usually the game playing is directed at reducing my fee or testing my competency. But here...I'm still trying to determine if I passed." He looked at Jane, then pointedly glanced around the table.
"You may speak freely here, Mr. Sullivan. We are all involved in this problem to one degree or another."
"Why is that young man wearing a dress?"
No one moved. For a moment, no one even breathed.
"Excuse me?" Darla finally asked indignantly.
"Darla, wait a moment. Why do you say that, Mr. Sullivan?" Jane asked evenly.
"Observing people is my job."
"Then you have come to the pivotal issue here, Mr. Sullivan. Darla, or Darryl, is wearing those clothes for precisely the reason you surmised. However, for my usual students the process is not voluntary, but rather a disciplinary measure to curb the overly macho behavior that got them into trouble in the first place."
The man nodded, appearing thoughtful. "Why me?" he finally asked.
"You were recommended by a friend of mine. She said you were discreet."
Allen continued to clean every morsel and crumb from his plate, biding his time while he thought. Darryl finally broke the silence.
"Better watch your manners, Mr. Sullivan, or she'll stuff you in a dress too," Darryl said nervously.
"Darryl!" Jane exclaimed, coloring in spite of herself.
With no real expression, Allen looked up from his plate and fixed Darryl with his stare. "Been there, done that." Jane's mouth fell open and Kenneth dropped his fork with a loud clatter.
"Excuse me?" Jane asked, regaining her composure. "I would be interested in hearing about that." Jane said, speculating wildly in her own mind.
"I was a decoy once, about eleven years ago," he said, without indicating that further details were available.
"Excuse me, Mr. Sullivan, but I'd really like to know more. Could you give us the whole story?"
Allen looked at Jane with a 'you asked for it' expression and began. "It was during the time of the Stanton Heights Stalker. I was just starting out and trying to make some inroads with potential clients. One day the state attorney general calls me up and asks if I would be interested in a job in another state as a favor to his friend, the Governor.
"Seems that this stalker, a serial rapist who was becoming increasingly violent, had avoided every trap the cops had set for him. They had begun to think the guy might be a cop or an ex-cop or someone very familiar not just with procedure but also with personnel. They needed an expendable, unknown decoy. I flew out, got measured about 50 different ways. They sent a bunch of female state troopers on a buying spree, I spent a couple days with a drama coach and presto, I become Ms. Cynthia Lewis. For almost two weeks, I went about as this lady. I had an apartment, an office in a building near where another victim had worked, and sometimes I went shopping.
"We were about to give up on the whole idea. Then one night, this guy puts a knife to my throat as I get out of my car after work. Now, I was being watched by some back up, but not closely, because we didn't want to spook the man. So I was on my own. I pretended to get all weak in the knees. He moved his knife hand to gesture and I killed him."
Not unexpectedly, silence greeted the end of the story. Kenneth broke the quiet, "Weren't you supposed to capture him?"
"Yes."
"But..."
"Kenneth," Jane said, "let it rest."
"So, if you are still willing to have me arrange security here, I'm still willing to take the job. Just no dressing up for me this time. I have an idea or two that I think will work just fine, however."
"Mr. Sullivan, I would like to consider this further tonight. Could you come back tomorrow morning and go over your plan with me?"
"Of course. About 9:00?"
"That would be fine, thank you."
With that, Allen excused himself and left the house with characteristic abruptness. The remaining diners looked around at each other and then at Jane. The obvious question went unasked, 'what are we going to do now?'
"Who wants cake?" Marie asked, knowing that at least three servings would be required. Jane had a slice of cake as well, then excused herself and went to her office. She talked on the phone until quite late that evening before calling Marie and her two young students in for a conference.
The next morning, she conferred with Allen Sullivan for about an hour. By dinner that evening, three women had arrived at the school. None of them let Kenneth or Darryl take their bags. Introductions were made at dinner.
"This is Linda Nichols," Allen said as the petite brunette nodded her head. "Rene Fuller," he indicated another brunette, somewhat older looking than her associate. "And Maxine Moss." The matronly redhead grinned broadly at the rest of the table.
"Linda will be playing the role of student here and Maxine will be the night watchman. She does a great rent-a-cop impersonation. Rene will either be a student or a housekeeper, depending on how she looks in the appropriate student attire. I will be joining the staff as an extra gardener. The rules are very simple. We are to blend in until there is trouble. If and when trouble comes, we are in charge until the trouble is gone. Ms. Thompson and I have discussed this at length and I know she has conferred with the rest of you. With these arrangements and a few other precautions, I think we can provide an acceptable level of security without compromising your mission.
"We have tonight to get acquainted and then tomorrow, the show begins." With that, Allen sat and ate. When he finished, he excused himself to go into town to buy needed clothes and other supplies, leaving the three women to get acquainted with Jane and her associates.
"Well, he certainly knows how to move quickly," Jane said, starting the conversation. She was not surprised by the solid front the three presented regarding Allen Sullivan.
"He's a good boss," Rene said, and the other two echoed the sentiment.
"And did he inform you fully about what we do here?"
Again Rene answered, "He told us everything he knows. Why, is there something more?" A trace of hostility crept into Rene's voice and Jane immediately recognized it as disapproval of her methods. The other two women watched intently, betraying nothing of their own feelings.
"Since he told you everything he knows, then there are no secrets remaining," Jane chose her words carefully, not wanting to suggest that Allen had held anything back from them and possibly offend their loyalty to the boss.
Rene seemed satisfied with this and resumed eating, signaling that the conversation should pass to someone else. Kenneth caught Linda looking askance at him and Darryl.
"Yes," he said firmly, "but only for about three weeks. That was long enough to get revenge on my mother."
"I see," she said, perhaps slightly bothered that her question was so obvious. "Allen said that Darryl would be taking up the role of Darla as part of your new student's program. Will you be staying here as well, Kenneth?"
"No. I am just here to visit and renew my old friendships. I am an intern at the courthouse in the city where I live now."
"Ahhh, would that be Judge Ruth? We have worked for her before."
"Yes," Kenneth smiled, pleased to be reminded of his mentor and mom away from mom. The conversation lapsed again while everyone finished dinner and dessert.
"I apologize for being so direct, but I would like to know how you feel about how we work with our boys here?"
"We're not supposed to have opinions, Ms. Thompson. That would be unprofessional. And when we do have them, we keep them to ourselves, don't we ladies?" Maxine answered, looking at her fellow agents.
"I understand that, of course, and I don't mean to pry, but I am curious about how you feel. I also don't want any misconceptions or speculation to develop..."
Maxine interrupted, "Ms. Thompson, if a judge will send boys here as an alternative to juvenile detention and you have nearly 60 graduates and no one has sued you yet, then we don't have a problem being here and that's all there really is to say about it."
Jane was quite certain that would not be all there was to say about it, at least not if the three women were here for any length of time. She would wait and allow their familiarity to grow, something that was unavoidable in such a situation no matter how unprofessional it might be.
"Well, then I guess that's everything. How about a little dress rehearsal? Our new student arrives in three days." With that, the group adjourned upstairs, except for Kenneth, who cleaned up the table and kitchen.
Once upstairs, Jane sent Darryl to his room to become Darla. Maxine went to her room to put on her uniform while the other four went to Linda's room to get her outfitted for student life. Marie assisted Linda with her makeup while Jane selected an ensemble for meeting the train.
"At least you can wear hose if you want. When we give a boy the full treatment we put him in stockings and garter belts," Jane remarked as she laid the clothes out. Linda looked skeptically at the outfit and then returned her attention to the mirror.
"I don't think we'll be able to pass you off as a student, Rene. You are too mature in both sound and appearance. Would you mind being cast as Marie's helper?" Jane did not think the woman would hesitate. Though she controlled her expression perfectly, Jane could sense Rene's discomfort with the proposition of playing dress up.
"Whichever you think would be the most effective, Ms. Thompson." The answer surprised Jane, but then she remembered the woman was a professional.
"I think you should stick to street clothes, Rene. One of us in the house should always be ready for anything," Linda suggested as the first of only two petticoats was settled around her. "I'm not exactly sure where I'm going to hide my gun in this."
Jane froze. Guns did not frighten her, she had an automatic and had been prepared to use it to defend her students, but the idea of an armed stranger, even a professional security specialist, in her home made her nervous.
"I think we can have alterations made. Also, as a rule you won't be wearing clothes quite this extreme. Although you are young and quite petite, I don't think we should try to pass you off as a fourteen-year-old. I was thinking you could be an eighteen-year-old, here for poise and polish. That way you could wear less formal dresses and some suits as well."
"Good idea, Ms. Thompson. I was thinking along those lines myself. I just didn't know what would fit here."
"I'm going to go downstairs and familiarize myself with the house," Rene announced.
Jane appreciated the opportunity to talk to Linda without her associates around. "I don't think she approves of our methods. You know her better than I. Am I right?"
Linda stuck to the company line. "Our opinions are unimportant, Ms. Thompson. We accepted this assignment without reservation, knowing that your activities here are legally sanctioned."
"Ms. Nichols, I don't mean to question anyone's professionalism, but I am concerned that Ms. Fuller's apparent hostility toward our school may color her judgement."
"I suggest you take that up with Mr. Sullivan," Linda said as she stood. Her shoes added barely an inch to her height. Jane winced as she watched Linda walk to the mirror.
"I'm afraid you still walk like a cross between a soldier and a panther, Ms. Nichols."
Linda smiled at Jane in the mirror. "Thank you, though I guess that needs a little work. By the way, unless you call your students Ms. and Miss, you better get used to calling me Linda."
"Very well. You may call me Ms. Thompson, Aunt Jane or Jane as circumstances warrant. I suppose I'll need to develop enough of a curriculum for you to blend in without distracting you from your duty. Also, I don't want you to go out of your way to avoid our student, but at the same time, I think you should minimize your contact." Jane studied the petticoated woman for a few more minutes. "I'm sorry, Linda, but I just don't think that look is right for you. We will find you some more mature attire."
A soft knock sounded at the door. Marie opened the door to let Maxine and Darla into the room. Jane and Linda both gaped, though each in response to a different tableau.
Jane stared at Maxine in amazement. As someone familiar with radical transformations, Jane realized she should not be so surprised. Maxine was the picture perfect image of a low quality rent-a-cop. Her uniform appeared to be solid blue polyester, with a variety of cheap patches sewn on. Her belt was of scuffed and worn leather, holding an equally battered nightstick. Only her gun and her radio looked of any quality. To top it off, Maxine had put something in her hair to change her highlights from just red to brazen red.
"I see my disguise is working," Maxine smiled broadly and gestured with the extra large metal flashlight she carried. "You look like a debutante, Linda. Are you guys going to dress like that all the time?"
"I don't think so," Linda said, staring at Darryl. "I don't believe it. You are Darryl, aren't you?"
"When I'm rigged out like this, I go by Darla," she said softly.
"I don't believe it," she repeated. "I think I need a new outfit sooner instead of later." She turned back to the mirror. "I'm not going to compete with a teenage boy for best dressed honors."
A quiet cough out in the hall warned them of impending company. Dressed in worn green coveralls and battered work boots, Allen surveyed the scene.
"How do we look, boss?" Maxine asked.
"Women. They make the highs higher and the lows," he paused for effect, "more frequent." He turned and walked out as Maxine laughed.
"What the hell did that mean?" Marie beat Jane to the question.
"It means we look perfect," Maxine replied.
"How could you tell?"
"If we didn't, he'd have made suggestions. We do, so he just threw out one of his little word bombs as a way of making conversation."
"Word bombs?" Jane finally got a word in.
"It's what we call the quotes he tosses at us," Linda said with a note of finality. Jane pondered this, wondering what kind of man she had let into her house. Jane recognized the signal to change the subject as well.
"I think I know exactly what sort of clothes you'll need, Linda. Are you accustomed to wearing heels?"
Kenneth watched from the kitchen as Allen moved several trunks into the basement, where he was apparently making a room for himself to stay. He knew he should offer to help, but he also knew that Sullivan probably did not want him messing with his stuff, even just to carry it.
As Kenneth watched Allen hoist the last trunk to his shoulder, Allen looked up, right at the window and directly into Kenneth's eyes. Kenneth congratulated himself for not jumping. Instead he waved. Sullivan nodded his head and appeared to say something, but Kenneth could not tell what.
"Probably just as well," he said aloud to himself.
"Just as well what?" Marie asked from behind him. This time Kenneth did jump and he barely contained the string of curse words that were his second reaction.
Marie smiled, "Were you thinking about a girl Kenneth? I can't imagine what else might distract you like that."
"Not hardly, Marie. So how does everyone dress out?" Kenneth asked, wanting to change the subject.
Marie told him while they finished cleaning up from the meal.
The next day, Rene took up her cover as assistant housekeeper with Marie showing her around. Linda worked on her student persona and Maxine slept in the apartment she had rented in a slightly rundown area on the outskirts of town. Darryl and Kenneth went riding together after packing a picnic basket with enough food for four young men to eat. When they told Jane they were going to go somewhere quiet and talk about girls, she just laughed and told them not to gallop on the lawn.
Jane called Tom into the house to explain their new circumstances. Tom, who admitted he could use the help, no matter how temporary, looked at the younger man.
"I think he'll do fine, though it's not too late to pick a new disguise, Mr. Sullivan." Then Tom thought, "Say, do you know how to run a backhoe?" Jane smiled. Tom had wanted to expand the gardens for some time now.
Chapter 6: Arrival and Departures - In Which a New Student Arrives and Takes Center Stage
The day had arrived. Kenneth's bags were packed and neatly arrayed in the foyer. The space that had been made by his giving of gifts was now full again, only this time with gifts received. Kenneth could see Rene in the kitchen, taking inventory of the various pantries. He tried to spot her gun, which he knew was hidden under the beige blazer she had adopted as her uniform.
"Ready?" Marie asked. Today Marie would drive him to the airport. Jane, Darla and Linda would meet the new student at the train station.
"I guess. Sometimes it's as hard to leave this place as it is to come here," he commented, trying to put his feelings into words and not being very successful.
"Is it that hard to come back here, ami?"
"Sometimes it is, Marie. I don't mean this the way it sounds, but I don't think you or Jane can ever really appreciate what the sight of this place means to me or to your other former students."
Marie just nodded and helped load his belongings into her car. Jane and Darla came down to bid him farewell.
"Don't spend all your time in the courthouse, Kenneth. Try to have some fun this summer."
"Oh, I don't think that will be a problem, Aunt Jane," Kenneth grinned up at her. Darla chuckled quietly to herself. The lights went on inside Jane's head.
"You are seeing someone? You little rat, keeping a secret like that from me!"
"Not yet, Aunt Jane, but I'm going to ask her out when I get back. I promise to tell you all about her if we actually get together. If I need any advice on how to treat a lady, I'll be sure to call you."
Jane hugged her young friend, whispering, "Be sure you do Kenneth."
"Keep practicing your soccer, Darla, I have high hopes for you." Darla's handshake changed from delicate to firm and Kenneth drew his hand back. "Ouch. What have you been feeding her, Aunt Jane?" Kenneth looked serious for a moment. "Watch your back, D, I have precious few friends in the world, so you be careful."
"Hey, you are the one that hangs out with all the criminals," Darla replied, "so you be careful too."
"I'll call tonight," Kenneth shouted as the car headed down the drive to the road.
Jane led Darla and Linda back into the kitchen, where Marie had left tea for them.
"We don't have to leave right away," she said. "Take a look at these photos." Darla took one of the pictures and Linda the other. Darla's showed a tall but thin boy with a somber expression. He wore jeans and a sweatshirt, which though bulky, did little to disguise his basic gauntness. The other picture, which Linda studied carefully, showed Benjamin's head and shoulders. In it, he smiled broadly, almost dazzlingly. He wore his dark red hair long, apparently below the collar if not longer.
"Sandy will be happy to have a boy with some hair," Darla remarked, when she examined the picture.
"He almost seems like two different people in these pictures," Linda added. "They don't look like they were taken too far apart either."
"Yes, that dual element of his spirit and his sometimes violent temper are the two things that concern me the most. I'm afraid I'm going to be playing this one by ear a little, Darla. I prefer to have a program firmly in mind at the outset, but Benjamin will have to be handled differently. We will start in the usual fashion and gauge his reaction and the effectiveness of our actions," Jane explained.
"This is secondary to my function here, but just so I know, what do you do when a boy first arrives here?"
Jane pondered this request and decided it would be best if Linda was not caught off guard by their methods. "We basically try to disorient and confuse the boy to hamper his resistance. We present our course as the only reasonable and sensible alternative, no matter how distasteful it may seem on the surface. Once he takes the first step, defiance becomes the least tenable option. All the while we are forcing the boy to discard the overly macho attitude that brought him to us and adopt a more balanced perspective in order to survive his ordeal.
"On the first day, we set him up in a very girlish room, relieve him of all his male clothes while he is asleep and present him the choice of covering himself with a dainty robe or being naked. Usually he acts out and I am 'forced' to declare that he will stay in girl's clothes until I see some improvement. Of course, the implication is that I will relent in a few days or a week," Jane smiled wickedly and Linda realized that Jane did not regret one little bit the humiliation inflicted on her charges.
"Every time he becomes comfortable with his situation, we throw out another hurdle. The first trip into town for a makeover and hair styling is one of my favorites. Gradually, he yields, adopting and relying on feminine traits to maintain her charade and prevent disclosure." Jane paused here, uncertain just how much she could safely tell this woman.
"Fear of disclosure is one of our most effective tools, but it cuts both ways. Although we hold that threat over our young boy-girl's head, we can never follow through with it, or we, and everyone who is associated with us, will be ruined. Does that make sense?" Jane concluded.
"Yes," Linda replied, not wanting to comment any further. Jane looked at the young woman's face, which was unguarded for the first time since her arrival. Her expression reflected a broad spectrum of emotions before she regained her composure and professionalism.
"Well, let's go round him up," Jane said cheerfully.
Benjamin Peyton wandered the station, waiting for his connection. Somehow, the train he was supposed to board here either had not arrived or had already left. The clerk's explanation had seemed interminable until Benjamin asked the question in a more direct fashion. When and where should he meet the train to Westbury? The answer left him with nearly an hour to spend.
His stomach growled, but he ignored it. If he ate now, feeling as he did, he knew he would be sick. Uncertainty gripped him tightly as did apprehension if not outright fear of the unknown future. The Thompson Academy, he thought to himself, what the hell kind of place would that be? The judge who had given him the option to go there instead of to juvenile had been unwilling to reveal more than the school's years of success at helping troubled teens mature into upstanding adults.
The small taste he had gotten of incarceration had been the deciding factor in accepting this alternative punishment. It would be a military style school, Benjamin speculated. He caught his reflection in a darkened window. His eyes were a soft, pleasant brown. Benjamin worked hard to make his gaze piercing or ominous. A few freckles splashed his naturally pale skin and his hair was in disarray. He stared at his hair, which he thought was long even by the more liberal standards of the day.
"It's just hair," he said aloud when he realized what was going to happen to it. Then an idea sparked in his head and he set off for the barbershop he had seen earlier.
"Can I help you, young man?" the barber asked, happy to see a customer. Nothing in the shop had been new in 30 years, but the place was still neat and tidy.
"Uhhh, yeah, just a second." Ben struggled to remember the name one of his many foster brothers had given the haircut. "I need it cut real short. I think it's called high and tight."
The barber looked at Benjamin for a long moment. "You're kidding, right?"
"Ummm, no. I want it really short on the top and practically shaved on the sides. Did I get the name right?"
"Oh yeah. Have a seat." In short order, Benjamin watched as handfuls of his hair fell to the floor. The sight caused him no particular dismay as it might have in other young boys.
"You look a little young to be running away to join the army," the barber asked over the hum of the electric clippers.
"I'm not. I'm on my way to some special school for no good kids."
"If you're a no good kid, why are you loose in the train station and in here letting me practically shave you bald?"
"I guess someone thought I could be saved," Benjamin shrugged, feeling uncomfortable with the conversation. In no time, the barber finished and Benjamin looked at himself in the mirror. He could see that even without hair, the essential Benjamin was still present in his reflection. He shuddered.
"You be careful out in the sun now," the barber advised.
"How much do I owe you?" Ben realized he had come in without counting his remaining money. He knew there was less than $20 in his pockets.
"Well, the price for that haircut hasn't changed since the last time I did it, so that'll be $1.25."
As he thankfully fumbled for the money, Benjamin asked, "When was the last time you did one of these?"
"About 1970 I think. Three boys from around here heading off to Viet Nam with the marines."
"Did they make it back?" Benjamin asked, suddenly chilled by the portent.
"I don't know."
Benjamin walked out, wondering what it would have been like to be one of those marines. Benjamin had read a lot about Viet Nam. War, or at least modern war, fascinated him. He had read dozens of books on the wars of the twentieth century. The rest of history bored him, only the wars struck a chord. Sinking into melancholy, Benjamin searched for his next train's embarkation point.
Jane, Darla and Linda waited patiently, each of them deep in their own thoughts. Jane reflected on all the boys she had met at this very place. Some had been tired, and some scared, others had been openly defiant while others had thought they could conceal their attitudes. In the end, almost all of them had come around to her way of thinking. Jane hoped this one would as well.
Every time Darla came here, she could not help but think of her own arrival. Memories of fear and uncertainty were gradually being crowded out by the loving, if slightly skewed, home that Jane had provided. Darla wondered what secret fears or hopes this boy would carry with him.
Linda watched everyone and continuously checked the location of the two people under her protection. She felt it unlikely that there would be trouble here, but she knew that letting her guard down was unthinkable. A part of her mind also concentrated on maintaining some semblance of the refined prep school veneer that the last three days had introduced to her.
"He should be on this train," Jane said, glancing at the picture she held. It was Linda who noticed the tall boy with the nearly shaven head.
"Oh not again," Jane muttered when Linda pointed the boy out to her.
Benjamin looked up. Someone had just called his name. He looked around as he kept walking, then heard his name again, sharply, from right in front of him. He stopped just in time to avoid colliding with the woman in front of him.
"Benjamin Peyton," the woman said, making his name a statement and not a question. When he only nodded, the woman gave him a tight-lipped expression of disapproval. "Answer properly when spoken to," she commanded.
"Ummm, yes. I'm Benjamin Peyton," he replied, taking a closer look at the woman. Severity was stamped all over her, from the tightly coiled roll of auburn hair to her perfect posture. She was taller than Benjamin, but a lot of that height came from the black pumps that she wore with her black business suit.
"Pay attention child!" The firm, yet quiet command snapped Benjamin back to reality. While he had been looking at her, she had been talking and he had not heard a word of it. "You are not making an auspicious start here, Benjamin. I suggest you save your woolgathering for some other time."
"Sorry," Benjamin replied, already disliking the woman.
"Barely sufficient. I'm Jane Thompson. You may call me Ms. Thompson for now. I am the head of the school to which the task of improving your attitude has fallen. This is Darla Smith and this is Linda Nichols," Jane said, gesturing to each girl in turn, "they are also students at my academy." Benjamin looked at the two, he had not even realized they were with Jane.
"Hi," he said, his puzzlement clearly written on his face. The first girl, Darla, looked barely old enough to be a teenager, at least at first glance. Benjamin realized that her clothes had given him a mistaken impression of youth. Darla wore a green dress more fit for a tea party than meeting a train. Benjamin could see layers of material pushing the skirt out away from Darla's legs. Benjamin noticed the girl's hair was a much richer red than his own had been.
Linda looked more like a woman and less like a mere girl. She dressed as one might expect Jane's understudy to dress. A straight black skirt, black hose and black heels, lightened by the cream color blouse on top, with accents of lace. Linda's hair was also not so strictly confined as Ms. Thompson's. Finally, Benjamin became aware of the awkward silence that had fallen while he gathered his impressions of the trio. He stuck out his hand.
"Benjamin Peyton. Are you sure I'm the one you are meeting here?"
Jane and Linda eschewed his handshake, but Darla took his hand so lightly Benjamin was not sure what to do with it.
"I'm quite certain of it, Benjamin. If you have all your bags we will depart for the school now."
"This is all I have," he said, tugging the strap of the gym bag.
Jane nodded and led the way to a large black Lincoln. She clucked softly under her breath and favored Benjamin with a look of derision when he clambered into the car as soon as the doors were unlocked. Darla sat in the back seat as well, though there was so much room in the car that there was no danger of a tight fit. Benjamin sank down into his seat, contemplating his new circumstances.
Obviously, Jane Thompson did not like him and apparently neither did the other two, whose names had already escaped him. Fortunately, Benjamin did not care, for he did not like himself much either. He imagined that Thompson did not usually meet students at the station. If she was the boss, then she would have a flunky or two do it. Benjamin breathed a sigh of relief when he calculated that the head of a school probably did not do much teaching. No wonder she's so pissed, he thought, probably interrupted her budget meeting or something.
Mercifully, the trip passed in silence. Benjamin even took a brief nap, awakening when the car stopped at the front door.
"Whoa," he said upon seeing the mansion. He turned his head in all directions, looking for the tents or the camp or the shed where students like him would sleep. Finally, he began to walk toward the back of the house.
"Benjamin," Darla hissed from nearby. "This way, Benjamin, don't give Aunt Jane another reason to be upset with you."
The girl signaled him to follow her as Jane and Linda exited the car.
"Darla will show you to your room," Jane said before walking into the house.
Benjamin looked around. Where were the work details? Where were the instructors and their harsh and pointless commands? For that matter, Benjamin wondered, where the hell were the other boys? The only men in view were two gardeners a few hundred feet away, marking the ground with chalk lines and spray paint.
"Benjamin," Darla spoke again, "this way."
Benjamin followed Darla through the dim interior of the house, past furnishings that defied Benjamin's image of a reform school. The only sound to be heard was the soft swishing of Darla's legs. Benjamin watched her legs as she led him up the stairs. When he realized what he was doing, he looked away, cursing softly. Girls confused and confounded him and the recent surge in his awareness of them and the mysterious transformation that overtook them as they passed puberty only worsened his discomfort. If Darla heard him, she kept it to herself.
"Here you are Benjamin," Darla gestured through an open door.
"Ummm, thanks." Benjamin entered the room and shut the door before looking around. He did a double take and then focussed his concentration in a way he had not yet done since meeting Jane Thompson. Slowly he looked around the room, moving only his head. His nose sampled the air while his ears took in the near complete silence that filled the immense house. Finally, he convinced himself that nothing was amiss, other than the fact that he was in a girl's room. He inhaled again, tasting the soft but full scent of whatever perfume had been applied to this room.
"Don't make any waves," he told himself. "Either that little red-head is playing a nasty trick on you or they were fresh out of boy's rooms." He breathed deeply again, feeling the calming effect of the exercise. The bed, a huge canopied affair done in a rosy color that was not quite pink was out of the question. Even the chairs looked too fine to use. Finally he settled himself against the wall and removed the CD player from his bag. His small and eclectic collection of music was wedged into the bag with his few clothes.
"Something especially soothing," he said aloud, though nearly any music was soothing to him, even the furious pounding of the so-called industrial sound. He extracted two discs and looked between them. Vivaldi or Enigma, he questioned himself. Then he laughed, certain he would have time to listen to both of them repeatedly before the Thompson Academy finished with him. He slipped the earphones on and let the music wash over him.
Jane sat in her office, reviewing the files that Judge Ruth had sent regarding her latest project. Aside from his air of distraction, he seemed typical of the breed, ill- mannered American teenage boy, that she had seen so often in the past. She resisted the temptation to breathe a sigh of relief and assume Benjamin would fall right into her trap. After all, he had surprised them once already with his haircut, but there was also something about him. Jane wrestled with the concept when the knock sounded at her door.
Darla entered at Jane's invitation, still wearing the lovely green dress that so complemented her complexion.
"What is it with boys and their hair these days?" she asked, sounding more like a parent than a teenager.
Jane smiled, "Well, it does fit, if I'm reading him right. I think our new student expected a real reform school, maybe even one of those charming little boot camps. I think he had his hair cut on impulse, maybe as a gesture or maybe as a real effort to fit into his new circumstance."
"Well, we can't fault him for that, I suppose. Does that mean that he will try to fit in when the real school starts, do you think?"
"That's the key, is it not? How will young Benjamin react when he finds out that his male self is taking a vacation? Darla, don't forget that one of the key words used to describe him is 'brittle'. That may be good and it may be bad. If he breaks down and accepts our tutelage with no more than the token resistance than most boys put up when we lay out their options, then this will be fine. On the other hand, he might turn sullen or he might become violent. In either case, we know what to do.
"Ultimately, if we pay close attention and observe and properly interpret the signs and signals that he puts forth, we will succeed once again."
The idea of being part of the successful education of another difficult boy appealed to Darla, though she was unsure why it excited her. She did not enjoy the little psycho-sexual and melodramatic games and humiliations that made part of Jane's arsenal, so why should the prospect of another graduate fill her with pride and hope? Darla shook her head, gently, as befitting a young lady.
"I sure hope you're right, Aunt Jane."
"It's time for you to summon our new ward, Darla," Jane said confidently.
Darla knocked on the door. Then knocked again, louder, before opening it. A feeling of dread blossomed in her stomach and when she saw Benjamin on the floor she nearly vomited. Then she realized that Benjamin's hands and feet were gently moving, responding to some rhythm that Darla could not hear. The full picture unfolded before her and she recognized that she faced nothing more tragic than a teenage boy engrossed in his music.
She tapped the toe of her low heeled patent pump against Benjamin's outstretched foot. His eyes opened slowly, registering Darla's presence. He turned off the CD player and stood.
"Ummm, hi?"
"Aunt Jane would like to see you in her office, right away," Darla instructed with all the poise and grace she could muster. The effort was lost on Benjamin.
"Sure." Benjamin followed her down the stairs and to Jane's door. Darla winced when Benjamin just opened the door and walked in.
Jane looked up, fixing the boy with a glare. "I see you have not even mastered the simple skill of knocking."
This caught Benjamin off guard. All but the most basic of manners were foreign to him. "But, ummm, Darlene said you wanted to see me...I thought, I mean," finally he just stopped and took a breath. "I didn't mean to be rude, Ms. Thompson."
A wave of pleasure and confidence filled Jane. The boy was a walking rules infraction. She had her choice of miscues to nail him for and she wasted no time doing it.
"Darlene?" she said, removing her reading glasses. "How hard is it for you to extend the simple courtesy of remembering a young lady's name that is comprised of only five letters? Tell me Benjamin, do you mean to be an ill mannered lout or do you just not care enough about other people to exercise even the simplest manners?" She paused to let him try to reply. Asking the question for which there was no correct answer was one of her favorite tactics, a quality she shared with drill instructors the world over.
As Benjamin started to work his mouth, words obviously failing him, Jane put her glasses back on and consulted the file.
"I have your file from the judge that sent you to me. This and a host of other pertinent records paint a disturbing picture for me. Did you really break a woman's nose in some kind of jailhouse brawl? And what about the incident with the teacher that landed you there in the first place?
"You have a long history of minor troubles with authority, Benjamin. This is not entirely unexpected in a boy with no apparent self-control and a complete lack of respect for those around him, but it is your attitude toward women that bothers me the most Benjamin. Do you see us as some kind of punching bag for your pent-up hostilities?"
"No," Benjamin replied, half focussed on Jane it seemed. "I didn't mean to hurt that guard either."
"Be that as it may Benjamin, you seem to have problems that are uniquely suited for our English discipline program here. Petticoat discipline has been an extremely effective tool in the past, especially with respect to an aggressive young male's difficulty with females and appreciating the role of the lady in modern society." Jane stopped to let the boy absorb her statement and to gauge his reactions to her references to petticoats.
Not surprisingly, Benjamin displayed no reaction. Jane thought he might never have heard the word 'petticoat' before.
"So what are you going to do to me?" Benjamin finally asked.
"We are going to help you, Benjamin. Help you find the path to complete balance within yourself." Jane watched as Benjamin seemed to sink deeply into reflection. His apparent inability to devote his complete attention to anything concerned her. "Benjamin, I want your word that you will obey me without hesitation during your stay here, no matter how peculiar or unpleasant you may find my orders to be." Jane paused while the words sank into Benjamin's head.
"I'm a fourteen year old criminal, lady, what good is my word going to be?" Jane listened to Benjamin's response with some amazement. At least this time she was not wholly unprepared for difficulty during this phase of the program.
"I am Ms. Thompson, young man, not 'lady' and giving your word and keeping it is the first step toward getting your life in order."
"What kind of word are you giving me?" he asked.
"This is not a negotiation, Benjamin. It's my way or back to juvenile detention for you. I can assure you that you will be much safer with me than you will be with a bunch of truly hardened criminals."
"So what good is my word if I have to give it under dress?" Benjamin asked and this time Jane was caught by surprise, at least until she determined what he really meant.
"The word you mean is 'duress', Benjamin," Jane said, suppressing a chuckle at how close the boy was to the truth about how dress and duress worked together in Jane's school. "It is not duress to give you a choice in the matter."
"Don't say I didn't warn you."
"What?" Jane demanded.
"I give you my word, which is no good, and remember I told you so when I screw up," Benjamin said, rather loudly so he could hear himself over the roar in his ears.
"I believe you will discover the wisdom of your decision," Jane said as she offered her hand to seal the bargain. Benjamin took her hand and squeezed. As the pressure continued to build Jane realized that the boy was looking right through her.
"Benjamin!" she nearly shouted and the boy jerked as though he had been entranced. He looked down and dropped her hand as he would have dropped a poisonous snake. Fixing her with an accusatory glare he shook his head sadly.
"You may return to your room and freshen yourself a bit. Lunch will be served shortly." The boy turned and left the office, leaving Jane to contemplate the encounter. When Jane was certain the boy was safely back in his room, she turned on the hidden surveillance monitor for Benjamin's room. The boy was seated on the floor, engrossed in the music pumping into his brain from the small stereo.
"That is how he was when I went up to call him to your office, Jane. When I saw him on the floor like that..." Darla had not experienced first hand the trauma of Michael's suicide attempt, but she had relived it through Jane and Marie often enough to have developed an acute fear of any such recurrence.
"Hmmm. The question is, is he just a lazy, slothful teenage boy or is there a deeper issue here? If I had not already survived others stranger than Benjamin, I might have found our first interview a bit unnerving. I think it is a sign of the times, Darla. Children are becoming wise beyond their years in some ways while in others their development is grossly stunted. What is your impression of our new ward?"
"He's nice. A little flaky, like his mind wanders a lot. He didn't try to paw me or anything. I guess I'll learn more tomorrow, if sitting outside your office and commiserating about how terrible you are is still on the schedule," Darla finished, leaving the unspoken question hanging in the air.
"I plan for it to be. We need to get him started right away. Once that is accomplished, we can slow down a little as need be." Jane paused, tapping a pen against the notepad on her desk. "I need to check on how our new security has settled in. Which reminds me," her head ducked down as she pulled something out of her desk drawer. "Try to keep this handy, it's basically a panic button, even if it does look like one of those infernal beepers. I think it's a tiny cell phone or something that only dials one number, don't ask me to explain. The main point is, push the button if you even think you see Belmont or any of his gang." Darla took the device and turned it over in her hands. "Now scoot, go see if Marie needs any help in the kitchen," Jane said as she rose. Darla curtsied gracefully and left to comply with Jane's wishes.
Outside the day was growing hot. Jane shielded her eyes with her hand while she looked at the progress being made on Tom's garden renovations. The men stopped work as she approached.
"Well, you certainly look busy enough," Jane said as she studied the various lines and paint marks marring what had been a stretch of lawn.
"We're getting there," Tom said, keeping the accent that he had once admitted was really for show.
Turning to Allen, Jane asked, "And your other project?"
"Everything is in place here. I have additional people coming in to keep an eye on things around town and also to find and track Belmont. I contacted that computer specialist you mentioned, Reggie Walters, he'll gather information on our little friends from that angle and also, I suspect, keep an eye out for any unusual electronic transactions in our area." Sullivan smiled briefly when he said this and Jane recognized that her former student would stop at nothing to protect her and the school.
"Don't get him into any trouble, Allen."
"That's out of my hands now, Ms. Thompson, but he struck me as both highly skilled and dedicated. I expect I'll be subcontracting him again in the future if he'll work with me."
"Please keep me informed."
"Of course, ma'am," Allen replied as they went back to work.
The remainder of the morning passed without event. The smells emanating from the kitchen told Jane that lunch would be a memorable experience today. Jane wondered how Marie was handling all the extra help in the kitchen. She liked her elbow room when it came to cooking.
Darla paused outside Benjamin's door, thinking. No reason not to befriend the boy sooner rather than later, she thought. Again, she had to open the door herself and rouse Benjamin out of what appeared to be a deep sleep. Instead of just shepherding him downstairs to the dining room, Darla tried to help him a little, knowing that there was more than enough about the poor boy for Jane to pick apart.
"Lunch will be ready in a few minutes. Let's get you presentable. Aunt Jane is terribly picky about such things."
"Thanks, Darla," Benjamin replied, putting strong emphasis on her name.
Darla looked up sharply, momentarily afraid that the inconceivable had happened.
"I'm sorry," Benjamin said, "that didn't come out like I wanted it to. Ms. Thompson chewed my ass for forgetting your name once today. I just wanted you to know that I have it down pat now," Benjamin smiled, but the expression made him appear sad somehow.
Darla relaxed, "That's okay Benjamin. I understand how hard it can be to remember half a dozen new people in so short a time. Tuck your shirt in and go wash your face and hands or Aunt Jane will have a tizzy when she sees you. Oh, and watch your language around her too, she's usually death on swearing."
"Okay," Benjamin nodded and made his way to the bathroom to follow Darla's advice.
Lunch proceeded as Jane had anticipated. Refined manners were obviously a foreign concept to Benjamin, and although she did not fault him entirely for his shortcomings, they did make convenient fodder for her opening ploys in the boy's training. Jane had intuitively scaled back the formality of the lunch, and now she was glad she had done so.
Darla winced when Benjamin just plopped into the chair she indicated and looked around for the food. Jane entered the room and icily corrected his error before Darla could get his attention and do it herself. As the meal continued, Jane peppered the conversation with corrections and criticisms of the boy. Occasionally she interspersed a lighter comment to one of her girls, mostly to keep up the illusion of three students instead of just one.
Following a particularly biting critique of his behavior, Benjamin cocked his head and stared at Jane.
"Yes, child? Do you feel I am being too hard on you?" Jane asked. She was being hard on him, but unlike a typical boy, he showed little reaction. Many of her statements seemed to slide right past the boy, who seemed more engrossed in the food than anything else.
"Yes, but I suppose you have to be, don't you?" Before Jane could reply to this unexpected question, Benjamin continued, "Do you keep a library here?"
Jane smiled, and allowed a trace of warmth to enter her voice. "Oh yes, we keep a library here Benjamin. Once you are fully involved in your course of study you will become very familiar with the library."
"Okay," Benjamin replied, almost cheerfully.
Jane rolled her eyes. "That's 'Thank you, Ms. Thompson' Benjamin," Jane said just as the boy took a huge bite from his fork.
Swallowing loudly, Benjamin answered, "Thank you, Ms. Thompson." Jane rubbed the bridge of her nose. Although the boy did not possess Kenneth's quiet composure or Darla's eagerness to get everything just so, he seemed to possess an almost equally formidable defense, an uncaring attitude. Jane pondered how she would handle the next and all-important interview with Benjamin.
As the meal drew to a close, the traditional glass of sherry was served to each person at the table. Jane resisted the temptation to cross her fingers, though she was certain Marie had crossed hers.
"It is my custom to offer a toast to the success of a new student in finding an appropriate course for their life," Jane said as she raised the glass. Benjamin looked around the table to see what everyone else was doing, then picked up his glass and smiled almost timidly. Jane examined the expression, so out of place with everything else she had observed about the boy. Finally, he questioned Jane with the directness she was growing to expect from him.
"Is it okay? I mean, I don't want you to get in trouble or anything." Benjamin looked at the glass, then at Jane and Marie.
Remembering Kenneth's steadfast observance of the laws regarding drinking, Jane replied, "There is nothing wrong with you drinking a small glass of wine in a family situation like this."
Benjamin looked confused. "I wasn't worried about me, but when I was in foster homes the state was very strict about giving me alcohol. And then there's my case worker or parole officer or whatever she is."
"It's okay, Benjamin, but thank you for your concern. Concern for others is often the first step toward enriching our own lives."
As Jane watched the boy, his expression of concern faded away with a shrug. "Whatever," he said as he put the glass to his lips and sipped, imitating the others at the table. Well, Jane thought to herself, Ruth warned me about his mercurial temperament.
The boy managed two or three sips of the wine before his face could no longer contain the building grimace. "Aggh. I'm sorry, this is awful," he said tactlessly in a slightly rasping voice.
"It is an acquired and refined taste," Jane remonstrated.
"Well it does taste like something that's been refined," Benjamin shot back, his first attempt at sparring with Jane.
"Benjamin! It is the height of rudeness to ridicule and disdain what you are offered as a guest." Again, Jane watched as Benjamin's demeanor underwent another quick change. His budding laughter stopped before it really sounded. His whole body went tense and his attention focussed entirely on Jane. Even from her seat, Jane could see the boys pupils dilate and his respiration rate increase. Here it comes, she thought, preparing to defend herself.
"Maybe sometimes a guest isn't used to nice things and rich people," he said acidly as he shoved his chair back and stood, forgetting the napkin on his lap. Benjamin walked, slightly unsteadily, back to his room and Jane let him go, though she did not like letting a student's act of defiance go unanswered. This time, however, his defiance played into her hands and he had apparently drank enough of the drugged wine to effect him.
Jane looked over to Marie, "Keep an eye on the monitor and we'll take care of him as soon as he's fast asleep. The girls can clean up."
Darla chose that moment to remember that she was still holding her breath. All eyes turned to her as she exhaled deeply and noisily. "Is he always going to be like that? I was sure he was just going to jump over the table at you, Aunt Jane. That is one moody kid."
"I guess we'll all know soon enough."
Back in his room, Benjamin fought the tide of sleepiness that threatened to overwhelm him. He looked again at the bed and it's fine covers. The bed that looked too nice to be used by someone like him.
"Fuck her," he slurred, plopping down on top of the bed without bothering to take his shoes off. In a few minutes he was fast asleep.
"Well great," Marie muttered. Of course this boy would be the one who slept with his clothes on. She did not entirely trust that three sips of drugged wine and his natural fatigue would keep him asleep while she relieved him of his clothes. She studied the screen further. She could see his one bag, still mostly packed and lying next to the wall where he had been sitting most of the day.
"Jane," she said as the other woman walked in, "he hasn't even looked in the drawers or closet yet. He hasn't unpacked much either. Isn't that a little odd?"
"I'm afraid this boy is going to be another trial for us, Marie," Jane said as she studied the monitor. "Do you think you'll be able to get him undressed?"
"I don't suppose we could give him a shot of something?" Marie asked hopefully, already knowing the answer would be no. "Well, I think I'll be able to. After all, he's not just drugged, he should be exhausted as well."
In the end, getting Benjamin's clothes proved to be no problem at all, at least at first.
Chapter 7: Benjamin Revealed - In Which We Learn That Some People Are More Touchy Than Others
Benjamin rolled. The dream he was having abruptly altered course, incorporating the strange tactile sensations his body transmitted. In his dream, Benjamin felt the gorgeous woman rub her satin covered body against him. Feminine perfection reached to embrace him and his eyes snapped open.
The dream evaporated in the almost instant transition to wakefulness. The woman was forgotten, but her silky embrace remained. Benjamin shook his head to clear it and for the second time that day he froze.
He was naked. He shifted his gaze around the room. He was alone. He inhaled deeply. This was the same room he fell asleep in. His bag was gone. His music was gone. His muscles became completely taut, practically quivering with rage. Then a truly horrible idea occurred to him.
The little alarm on Jane's desk told her the boy was up and moving about. She resisted the temptation to turn on the monitor. She stripped so much from her students that she felt some basic courtesy must remain. By itself, nudity did not offend her and she was far beyond the age where a fourteen-year-old boy's body might have any attraction for her, but still, it seemed proper to maintain this small illusion of privacy. She gave Benjamin a few minutes to stew before she started up the stairs.
The knock had barely registered before the door was flung open and Jane Thompson walked into the room. Benjamin stood in the middle of the room, head down while one hand inspected his crotch and the other groped around behind him. Jane had not expected this scene.
"What are you doing, child?" Jane asked, deciding on an outraged school marm persona.
"Someone touched me." Jane shivered at the dead, emotionless sound of the voice. "Someone touched me," he repeated and when he looked up, Jane saw the tears streaming down his face. "Was it you? Are you some kind of freak?" Jane saw his legs tense and knew that violence was imminent.
"Absolutely not!" she exclaimed as she tried to regain control of the situation. She snatched the blue satin robe from where it had been laid over the back of a chair and held it to him, averting her eyes as an expression of modesty. "Please, cover yourself. I assure you that no one has molested you or will do ANY SUCH THING in my house. Do I make myself clear?" Jane looked back at the boy again. Instead of holding the robe in front of him, as most boys had done, he clutched it in both hands, wringing it like a towel. It barely concealed him.
"You just took my clothes? You took my music?" Benjamin demanded, but Jane let the accusations pass and prepared to launch her own demands when Benjamin cut her off. "You FUCKING THIEF!" he screamed.
Jane's arm shot out, practically of its own accord, but instead of ringing the boy's face with a resounding slap, Jane felt her arm deflect against something solid. Benjamin had blocked her slap almost without thinking. Her wrist slid along the boy's angled arm, finally being caught by the crook of his wrist where his hand angled back.
They both stood perfectly still, each aware of the precariousness of the situation. For Jane, the loss of a student at this stage of his treatment was unthinkable. She felt a glimmer of hope for the boy, since he had stopped with just blocking her blow and had not escalated the situation further.
Benjamin studied Jane. Was she afraid, he asked himself? She had not moved since trying to slap him, nor had she called for help or run away. She did not seem afraid. Benjamin could not decide whether that was foolish on her part or hopeful on his own.
"You took my stuff," he repeated dully.
"Yes," Jane admitted, shouldering the full blame so that maybe he would trust the rest of the household a little bit more. "I took your belongings, but it is for no other reason than to start your lessons."
"You are still a thief. You could have asked and then I would have to obey or break my precious word to you."
Jane thought quickly. She refused to be semantically outmaneuvered by a teenage boy. "Your belongings are safely in storage, Benjamin. They are a hindrance to your proper development. You will get them back when you graduate."
Benjamin still resisted. "I have to have my music. I'll go crazy without my music."
Jane paused. A naked boy demanded a handful of CD's and a player for them instead of his clothes back. Jane had paused for too long. She could feel the boy tensing for what he had to know would be a futile assault.
"Don't," she commanded simply. "I have handled violent students before, Benjamin, I think I can handle you."
Benjamin's mouth opened, but before he could accept her invitation to fight another voice called from the hallway.
"Aunt Jane," Darla called sweetly, "Marie is going to the grocery store, may I go with her?" Benjamin darted backwards and into the bathroom, unwilling to be seen naked by the girl.
Jane speculated that either they had known downstairs that something was amiss or they had watched it on closed circuit TV. "Everything is fine here, Darla. If you are caught up with your work, you may go."
"Thank you, Aunt Jane," the girl called back.
After a moment Benjamin looked out of the bathroom. "Is she gone?" he asked softly, presenting a whole new face to Jane.
"Yes. Put this on and follow me." Jane tossed the robe toward the bathroom door. Benjamin caught the robe easily and stepped out of the bathroom, not bothering to conceal himself from Jane. Looking her square in the eye and gripping the robe tightly with both hands he pulled. The satin resisted Benjamin's adolescent strength, but the seams were not so fortunate. The garment ripped loudly in half. Fury rose within Jane, but she quickly contained it. As she fought to control her own temper, she contrived and discarded several responses.
"Are you breaking your word to me so soon?" she asked reasonably. "If not, you have a strange way of showing obedience."
Benjamin nearly threw the robe at her, but then, and for no apparent reason, he chose to play along. "Oh. I forgot what with the trauma of being stripped naked in my sleep and having all my belongings stolen. Is this obedient enough for you, Ms. Thompson?" he said coldly as he wrapped half the robe around his waist like a beach towel and tossed the other half over his shoulders like a shawl.
"It will have to do for now," she said, turning to lead the boy to her office. "Come along." Jane wondered if she was making a mistake in turning her back on the boy, but the half-expected assault did not materialize. She stopped at a large wardrobe situated in a corner of the hallway and removed a light pink robe from inside. Pink was not the boy's color she thought, but that was just too bad.
The pair made it to Jane's office without incident, though Jane had another moment of uncertainty when the boy had been behind her on the stairs.
"Sit down," Jane ordered, pointing to the chair in front of her desk. She sat down in her own, considerably more comfortable, chair and took a minute to examine some papers. The events of the past half-hour had not shaken her badly, but they had injected an element of uncertainty into her prepared remarks.
"You seem to have difficulty with authority, Benjamin, especially female authority," Jane started.
"You took my stuff," he repeated, his voice having returned to an emotionless monotone.
"Yes, I did, Benjamin. You must accept that as one of the unpleasant orders you have pledged to accept. I have your clothes and your other belongings and I will keep them until you are ready to get them back." Jane wondered if his personal goods would make an effective bargaining tool.
"You don't understand. If I don't have my music..." He left the sentence unfinished and slouched back in the chair. "What do you care."
"Silence," Jane ordered firmly. "Your opinion of whether I care is not important. Your obedience to me is. Now, tell me why you destroyed that beautiful robe."
Benjamin looked at the robe as if noticing it for the first time. He fingered the slick fabric inquisitively. "This is a girl's robe," he stated matter of factly.
"Is that why you tore it in half, Benjamin?"
"Is this some kind of test? I've already looked at all the inkblots and the other pictures that doctor had."
"No, Benjamin, it's not a test. I want to know. And when I ask you something I expect a prompt reply, not a debate."
Benjamin shrugged. "I don't know," he said, being at least partially truthful. "I guess I was mad."
Jane looked over her glasses at the boy. She saw him as a tangled knot of emotion and sensation bundled together with the frenetic energy that only teens possessed. "I am not unsympathetic to your original fears, Benjamin," she said softly, hoping to rebuild some element of respect or trust for her. "However, I will not tolerate being screamed at, sworn at or having my property destroyed because you cannot or will not maintain control of yourself," She paused to let her words sink in. "Here is another robe, put it on properly and we will continue this discussion." Jane handed the robe across the desk to the boy.
"This is another girl's robe," he stated as Jane spun her chair to give him a moment of privacy.
"It is perfectly fine for you to cover yourself with," Jane stopped before she asked if he would prefer nudity to the robe. He had already demonstrated that, under certain circumstances anyway, he did not care if he was naked. She made a mental note not to offer him the choice of leaving the estate dressed only in the robe.
"How does it feel?" she asked as she turned the chair back to face him.
"Stupid."
"Too bad. I've given the matter great consideration, Benjamin. Your behavior since your arrival here has been atrocious. You have no concept of courtesy, you treat my property as if it had no value and you seem to have severe problems understanding the proper treatment of ladies. I think a little time living as a lady would do wonders for your attitude." Jane planted her elbows on her desk and steepled her hands. "Yes, you will remain quartered in that frilly room and with only girls clothes to wear until I see some improvement in your attitude."
Benjamin erupted in laughter, surprising Jane yet again. The sounds of a thousand hurricanes blasted in his ears, darkness surged behind his eyes. A moment of pure hatred engulfed him and he barely managed not flinging himself across the desk to destroy both his tormentor and himself in a final frenzy of blood and terror.
His laughter subsided as he regained control. Through his watery eyes he could see Jane studying his face. He wondered what she saw there in that brief moment of insanity. Then his earlier fears returned and he froze.
"You are sick. I knew it," he said softly, heart hammering.
"Benjamin, if I swore on a Bible or on my mother's grave that I have no such intentions toward you, would that help?" When he did not answer she continued, "Benjamin, if you truly believe that and if you truly believe that I do not have your best interests at heart, then you may call the Judge now and she'll send someone to get you." Jane slid the phone across the desk to the boy. "Here's the number," she said as she pushed her personal phonebook to him. Jane knew she was gambling with more than just one young man's future, but it was not the first time.
Benjamin breathed deeply. He needed to concentrate. He needed to think. Which course to take? Finally, and for reasons that had nothing to do with Jane's oath, he assented.
"I don't like you. I don't trust you. But I think you are telling the truth. If you aren't though..." and for a moment Benjamin's friendly brown eyes burned with fury.
"Don't presume to threaten me, child," Jane said, concealing the faint twinge of fright she actually felt. "I'm three times your age and I have seen and done things that would send you screaming. Do we have an understanding here?" Jane watched him carefully. The fires in him were banked, not extinguished. She would have to exercise supreme caution with this one.
"Very good. When Marie returns, she will see to your first lessons in dressing and cosmetics. I expect you not only to simply comply with her instructions, but to embrace them cheerfully and graciously. Do you understand?" Jane asked as she looked at the boy's face. The face looking back up at her was profoundly different from any expression she had seen on him before. Instead of pique or even rage, a terrible sadness shone from him.
"I don't know how to be cheerful," he said. Jane's brain froze. She had been prepared for almost any kind of outburst save that one.
"Then you will learn that as well," she finally replied, and for a moment her maternal instincts demanded that she hold the boy and tell him all would be well. But that could not be, for she had cast herself as the 'heavy' in this drama. Aside from that, the boy would probably misinterpret any such physical contact from her. When Jane heard the estate's station wagon pull into the driveway, she nearly sighed with relief.
"Let's get you back to your room, then Marie will be with you momentarily," she said as she led the way back to the second floor. Once her young boy-girl had been passed to Marie, Jane hurried to the kitchen.
"Are you alright?" Darla immediately asked. Rene looked at Jane for an instant, then returned to putting away the few remaining items they had bought. Jane was sure she had seen the other woman smirk.
"Yes," Linda asked, "we heard his scream all the way down here."
Jane fixed herself a cup of very strong tea before answering. "He misinterpreted the removal of his clothes. I don't know why none of us ever thought of that angle before," she shook her head. "Just so you know, he thought he'd been molested in some way, so be very careful of your physical contact with the boy. Marie is up with her now, getting her started in the finer points of dressing and make up."
Linda stared at her client. "You just changed pronouns in mid-sentence."
Irritated, Jane replied, "Well yes. That is the point of the whole exercise, so be careful how you talk about or address our new student during this transition period." Taking a few cookies and refilling her cup, Jane left the kitchen to seek solace in her office.
"Well," Rene remarked, "that was enlightening." Linda shot her a look that spoke volumes and then they started making preparations for dinner.
There seemed to be plenty of time, and Benjamin did not have any hair to speak of, so he was allowed to soak in the tub. Of course, the bath water was scented and full of bubbles, but if he noticed, he said nothing about it. Marie knocked on the door and waited for permission to enter.
"I hate to make you start working, dear, you seem to be enjoying your bath so much. But you must shave yourself before we can proceed."
Benjamin had slid under the suds until only his head and shoulders remained visible. "Shave? Shave what?" he asked.
Marie looked intently at the boy's face. "I see that you probably have little experience at shaving, there isn't even fuzz on your face yet. What about your legs and under your arms?" Benjamin remained motionless. "Come, Benjamin, just raise your arm for me and then show my your calf, I need to see nothing else."
Reluctantly, Benjamin complied. A sparse growth of hair fuzzed his armpits and legs. When she looked back at the boy's face, she noticed that his gaze was locked onto the safety razor she still held in her hand. Marie shivered involuntarily.
"This is a little tricky the first few times, especially if you have not shaved your own face yet. I will let you try yourself, if I sit here and keep an eye on you, or I can do it for you." Marie tried to sound reasonable and logical.
"I'll do it."
They both breathed a sigh of relief when that ordeal was finally over. Marie pocketed the razor to insure it did not stray. She left Benjamin to rinse and dry while she laid out his clothes.
Marie made something of a fuss over her selection of Benjamin's first dress, even though she already knew what she would choose. Benjamin looked at the closet full of girl's clothes. He rose from the stool in front of the vanity and opened every drawer in the room.
"They are all pretty little girl's clothes, Benjamin," Marie said. She was doing her best to be nice to the boy. Although strictly speaking, it was Darla's job to be the boy's friend and confidante, Marie knew that Jane had removed herself from any real possibility of gaining the boy's affection or even trust. So she smiled and she let her normally absent accent come out to give herself an exotic air and she used the kindest and gentlest words and manners she possessed. It barely worked.
"This was all a set up from the start," he said, wondering why he was not angry at the revelation.
"Non, we thought being stuck in a girl's room might shake you up a little though. Now isn't this lovely," Marie gushed as she pulled the taffeta sailor's dress out of the closet. She had to deflect Benjamin from thinking too analytically about his predicament, lest he tumble to the truth as Kenneth had.
"How do you know it'll fit," the boy asked, still believing, and correctly so, that his circumstances had been planned from the start.
"It won't fit, you are a tall, lean boy, but I know some tricks," she winked at him. "With a little work I can fix you so Jane doesn't even recognize you. Now let's get started. Put these on." Marie handed him a pair of cotton panties, not so much different from the briefs he usually wore, except much softer.
"Why can't I wear my own underwear? At least that will fit for sure. These hardly feel like anything at all," Benjamin said, rubbing the fabric of the panties between his fingers.
"Jane wants you to feel like a lady, Benjamin, and ladies don't go about in heavy cotton shorts with big holes in the front."
Benjamin nearly smiled at the image which came to mind, Jane Thompson wearing his briefs, scratching herself and belching loudly. The more he thought about it, the closer he came to laughter. Finally had to sit down.
"That's the spirit," Marie smiled. The boy's laughter died out as she watched him, but a faint smile remained.
"Turn around, please," he asked.
Later, seated on the stool as Marie performed her artistry on his face, he had a thought. "I don't understand how this is supposed to help me."
Marie paused both to answer him and to review her work on the budding girl's face. "It has something to do with the way every person has a masculine and a feminine side to them. Emphasizing the recessive one for a while restores balance to the whole person." Benjamin looked skeptically at this statement. "I'm not a psychologist, someone else will have to explain this to you."
"I'll bet Ms. Thompson's a psychologist, isn't she?"
"You will have to discuss that with her directly, mon petite. Now, let's finish getting you dressed. I will show you today how to put on all these new things, tomorrow you will practice yourself."
Benjamin balked immediately at the garter belt and stockings. "Only hookers wear things like that!" he exclaimed.
"Benjamin! Many ladies still wear these instead of hose. For one thing they are much cooler during the summer heat than those tight pantyhose."
"Oh right. Tell you what, next time you are in a dress you can show me yours," he replied bitterly. He regretted the words even before he saw the reproachful look on Marie's face. "I'm sorry, that was a stupid thing to say," he said as he took the silky feeling scraps of material from Marie's hands.
"You are learning already," Marie answered, wondering if perhaps she had gotten too friendly with the boy. Ultimately she still had to buckle the garter belt around his waist and show him how to put the stockings on. She watched him carefully, boys almost always reacted strongly to the completely new sensation of wearing stockings. However, Benjamin showed neither sexual excitement at the unusual sensuality nor disgust at his situation.
"You must be careful with your fingernails," she pointed out, deciding not to make any comments about his attire. "Yours have not been trimmed in a while. In fact, if we have time after you are dressed, I will give you a little manicure. It is very relaxing, many people, men and women, enjoy getting them."
"Whoopie," he replied with waning enthusiasm.
Marie finished dressing the newly minted girl and had time left over to spend on the girl's hands. Mindful of Benjamin's previous reactions to physical contact, she tried to make the experience pleasant but not overtly sexual. Finally, she coated Benjamin's nails with several layers of clear polish. She had briefly considered various colors for them, but the child was cooperating and Marie saw no reason to hit her with too many changes at once.
"Let's present you to Ms. Jane now," Marie said. The protest she expected did not materialize and she wondered if Benjamin even realized he might run into someone else in the house.
"Wait, I want to see," Benjamin said anxiously. Marie cheered mentally as the girl-boy carefully examined her reflection in the mirror. But Benjamin made none of the gestures that indicated an acceptance of her new condition. She just stared as though she might bore a hole in the mirror with only her eyes.
Benjamin noticed Marie fidget slightly as she waited for him to finish his self-examination. The blonde wig startled him initially, but as he stared he could see his essential character still present. No amount of clothes and makeup would ever hide that, he thought.
Chapter 8: Dressing Out - In Which Things Seem To Start Normally But Soon Diverge
Benjamin sprawled on the bench outside Jane's office. When Marie had tapped on the door and announced them, Jane had commanded Benjamin to wait and Marie to check on the progress of dinner. Benjamin softly repeated the words to a song that had comforted him in the past. In her office, Jane strained to catch the child's mumblings, but the girl-boy spoke too softly.
"Hi Benjamin," Darla said sweetly as she approached from the kitchen. Benjamin noticed the girl still wore the fancy green dress that she had on earlier. Darla smiled impishly as she produced two cookies from behind her back.
"Fresh from the kitchen," she said. "I had to bake them so I don't see any reason not to test them. You may have one if you like."
"Thanks." The cookie disappeared with such speed Darla wondered if her new little sister had even chewed.
"If you are waiting for Aunt Jane, you had better not let her see you sitting like that," Darla said, employing her opening gambit. Benjamin just looked at her, blinking occasionally. "Benjamin," Darla said, dropping her voice conspiratorially, "do you want another one of Jane's famous lectures?"
"It doesn't really matter."
"Okay. Just trying to help. I hate to see her rake someone over the coals for things that aren't their fault. She's really not so bad, as long as she gets her way," Darla sighed. "I have to see her after dinner, so do me a favor and don't get her too worked up."
Benjamin looked up at the girl, "Why?" Inside her office, Jane winced. The boy could give taciturn lessons to New Englanders.
"Why do I have to see her? I smarted off about having to go to the train station today. So, not only did she pick out this dress and petticoats to wear, but I have to demonstrate for her later that I've kept myself proper and tidy all day. That's what I was going to warn you about. You keep sitting there like that and you'll wrinkle your skirt and your petticoats. She won't miss it and she'll chew your..." Darla stopped and smiled slyly. "Well, let's just say she will call your attention to it."
"This is a petticoat?" Benjamin asked, fingering the layer just beneath the skirt.
"Yes," Darla responded, silently giving thanks that the feminized boy was finally showing some interest, even if his voice did not reflect it. "And there's two things you must be careful of when you have to wear them, wrinkles and tangles." Darla proceeded to show the new student how to sit, walk and properly straighten petticoats. Benjamin seemed to absorb everything she said.
"Why don't you try it?" Darla suggested.
"No."
"Well," Darla hesitated, "I warned you." Benjamin looked up sharply when he heard the words that he had spoken earlier that day. "What?" Darla asked.
"I'll remember that you warned me."
"Listen, Benjamin, I'm just trying to help you. I think it's a pretty rotten trick she's doing to you, but the fastest way out of those clothes and back to your boy's clothes is to give her what she wants. If you fight her, you'll only make things worse."
"Thanks."
Jane saw that the 'accidental' hallway encounter was at a close and that the time had come to launch the next attack.
"Benjamin," she called from inside, "you may enter."
"Good luck," Darla whispered, before getting herself out of range of the door.
Benjamin walked in and stood so close to the desk that his skirt and undergarments were crushed in towards his legs. The petticoated boy cocked his head to one side and looked at Jane with faint curiosity. Jane decided that the best defense was a good offense.
"Although you seem to have learned not to be seated until invited, I think your current posture leaves much to be desired in the way of poise and grace," Jane started. "Step back to the center of the room and stand up straight."
Benjamin complied, managing the few steps with a shambling stroll so graceless that Jane nearly winced. The child's shoulders slumped and his head came forward and down. His feet scuffed the floor as he walked and when he finally stopped, his arms hung limply at his sides, fingers slightly curled. The comparison to a prisoner of war or a zombie leapt into Jane's mind. Jane realized then that if the boy had simply given up completely, there would be little she could do.
"Stand up straight Benjamin, and look like you have at least a spark of life in you." Jane watched as the child complied, at least with her order to stand up straight. His face was completely slack and his eyes fixed on a point somewhere on the floor.
Jane turned from the petticoated boy and pressed a switch on the intercom box. "Marie, come to my office for a moment please."
When Marie arrived, Jane simply asked, "Was this child running a fever earlier or showing any other signs of illness?"
"No," Marie answered, looking at Benjamin with some distress. She put her hand on his forehead and then tilted his head back to look at his eyes. "Benjamin, are you feeling ill?"
"No," he answered dully.
"Then what is wrong with you?" No answer was immediately forthcoming. Nor did his usually mobile face change expression in the slightest way. Jane thought this might be the longest stretch of time in which the girl-boy's expression did not change.
"Benjamin, answer the question," Jane ordered. "What is wrong with you?"
Anger boiled up in Benjamin, but this time there was no sudden pressure or roaring in the ears. Benjamin recognized his anger, but he ignored it and in doing so, he cancelled its power over him. He ignored it in part because he was too busy thinking. The words to describe what he considered wrong with himself piled up against the back of his teeth. The whole awful truth was moments away from being spewed out all over the room. Benjamin considered that if Jane knew, if she understood, she might lay off of him. He never even considered the possibility that she might really be able to help. In the end though, he let those words fall into the same chasm that had swallowed his anger.
"Nothing is wrong with me," he said without looking at either woman.
"Then why are you acting this way?" Jane asked, determined to reach the boy.
"I'm not acting."
"Benjamin," she said sharply, resisting the urge to grab his chin and force him to look her in the eye. "You know exactly what I mean. Why are you behaving this way?"
"I surrendered."
Only years of working with troubled boys kept Jane's growing exasperation at bay. "Benjamin, give me a complete explanation as an answer or you will find yourself standing there for a long time."
"Darla said I should give in, give you your way. So I surrender, I give up. Do whatever it is you are going to do because I can't change it by fighting back."
Jane groaned inwardly. This boy had a gift for putting brand new interpretations on familiar situations. A new understanding dawned on Jane. For her technique to work, the boy had to have some defiance for her to transform. The revelation also sparked an idea for igniting some spirit in Benjamin.
"I don't think you understand, Benjamin," she said, drawing closer to the boy and speaking softly to force him to pay attention. "It's not enough for you to just turn into a ragdoll for me to bend however I wish. You must consciously accept your situation, embrace it fully and ultimately come to love and enjoy it. Only when you have achieved that level of understanding and sensitivity will you be able to return to your masculine state. Then, you will have the perspective that will enable you to be a complete person."
You are out of your fucking mind, Benjamin thought. For a moment he was afraid he had spoken the words aloud, so thick was the silence in the room.
Jane watched the parade of emotions cross the boy's face. She felt that she had finally reached him. "So do you start to comprehend now, Benjamin?"
Words tumbled out of Benjamin's mouth before he could stop them. "If you think I'm going to stand here like some kind of queerbait waiting for you to chew my ass because I don't shake it like Darla does, and then try harder so you can chew my ass for something else, then you are the one who needs the fucking help." Benjamin braced himself for the storm.
Jane just smiled and straightened out an imaginary lock of errant hair on her new ward. "You can relax, Benjamin. I'm not going to strike you, though you richly deserve it for speaking to me like some gutter-born lowlife. There is plenty of time to attend to your language." Jane stood behind the boy and put her hands gently on his shoulders. She could feel the tension in them, and so was careful not to do anything suggestive of unwanted intimacy. However, she felt that all the boy's problems were interconnected and to try to isolate and address each in turn would not help. Thus, she intended to continue establishing incidental physical contact with him until he came to accept that the threat he feared did not exist in Jane. Carefully she turned the boy until he faced the full length mirror Jane kept in her office to assist her inspections.
"I don't know if you looked lately, but what I see in front of me is a young woman, not some kind of 'queerbait' as you said. She needs some help, of course, the kind of advice any good aunt or big sister or other mentor would give a budding young female. She needs refinement and grace and poise and composure as well, but all those things can be learned here."
"Now, let's get you straightened out here," Jane said mildly. As she smoothed skirts and rearranged petticoats and gently corrected posture and bearing, Benjamin took it all in with stunned amazement. The last thing he expected at the hands of Jane Thompson was mothering.
"There. Accompany Marie to the kitchen and assist her with finishing dinner. Remember to take small, dainty steps. Perhaps if you hold Marie's hand she can guide you. I read in your file that you enjoy and have some talent for cooking. I expect dinner this evening to be memorable," Jane smiled gently and dismissed the pair. A stunned and dazed Benjamin walked out arm in arm with Marie, his mind still trying to sort the events of the last thirty minutes into a semblance of logic and order.
A few moments later a genuinely puzzled Marie walked back into Jane's office, where Jane sipped a small brandy in celebration.
"Did you hypnotize him? Or drug him somehow?" Marie asked.
"No, Marie, although I wasn't sure I'd be able to do that after all these years of being the strict disciplinarian. How is he?"
"Fine Jane, he's just fine. Darla and Linda are with him. He does seem perfectly at home in the kitchen, by the way."
"Good, maybe that will calm him down a little. I hope this works Marie. If it doesn't, I'm fresh out of ideas."
"Are you going to tell me what you did to him," Marie asked again.
"When he said he had surrendered I realized something about our program. We can't accept complete surrender and still get results. At least we can't accept the kind of surrender I think Benjamin was offering. If he won't fight us, I won't fight him. Instead I'll nice him into willing compliance," Jane said as she finished her brandy. "He came here expecting a reform school or a boot camp for juvenile delinquents. Obviously he didn't find one, but mentally, I think, he had prepared for one. This may not be making a lot of sense. After all, I'm essentially winging it right now. What I hope I've done is go back to our fundamental strategy: present the boy with a situation which has no viable alternatives. He can't fight the way he was prepared to if he is not being pushed."
"But he could still fight back, he'll just have to change tactics." Marie said.
"Yes, that's true. But now we return to the similarities between her and one of our more typical students. He'll go along and become more enmeshed in his feminine side because there are no reasonable alternatives. By the time he comes up with an effective counter to our management of him, it will be too late," Jane finished sounding hopeful if not confident.
"I hope you are right, Jane. He seems a nice enough kid when he's not being weird."
Jane watched Benjamin closely at dinner. As she feared, whenever she was not distracted, she sank deep into thought. Jane did not intend to give her time to think her way into more trouble. She complimented them all on the fine dinner they had prepared, singling out Benjamin for personal attention and praise.
During the course of dinner, she kept up a constant but gentle pressure of correction on the boy. Often, she would have Darla and occasionally Linda demonstrate the proper posture for a young lady or the proper utensil to use. Sometimes these corrections would come with a slight touch by the person demonstrating. Jane scrutinized every such contact to evaluate Benjamin's reaction. By the time dinner was over, Benjamin was clearly exhausted. For her part, Jane was pleasantly tired as well, but she planned to continue Benjamin's instruction as far into the night as possible. She wanted the day's lessons fixed in his mind.
After dinner, while Darla, Linda and Rene cleared the table, Jane and Marie escorted a still dazed Benjamin upstairs.
"Pay attention, Benjamin. Almost all of my students arrive with some fundamental knowledge of wardrobe and attire, but with you we must start from scratch." Jane pulled dozens of wispy articles from various drawers and piled them neatly on the bed.
"When you dress, you will either be standing or seated at your vanity. Maintain your proximity to a mirror at all times. This will enable you to catch any mistakes you make sooner rather than later," Jane instructed patiently.
"This is a camisole," Jane began and proceeded to identify each article in the pile and when it should be worn. Jane had the lace covered boy try on many of the garments, then showed him the proper method for storing them. Sometime during the lengthy process, Benjamin was introduced to the training bra.
"You must keep this on at all times, except when you are bathing, of course. We will put something in the cups to give them a little heft. Also, you must wear your panties at all times, just like your bra. If you are relaxing after a bath or at the end of the day, it is not proper to lay about in your underwear. Cover yourself with a robe. I had Marie find another blue one. Blue goes much better with your coloring than pink does."
"There, you are about to drop. Let's get you tucked in." To Jane's practiced eye, the boy seemed exhausted. But as she climbed into bed, Benjamin's eyes came to life again. Though fatigued nearly to the point of sleep, Benjamin found the energy to question Jane.
"What do you want from me?"
"Why Benjamin," Jane said softly, "the same thing I want from any of my students. A refined and winsome young lass, full of confidence and energy. Of course, once you reach that goal you will have a little further to go than the typical young lady, but you will find it so much easier."
"Won't help," Benjamin said tiredly, "have to fight it."
"Don't fight me, Benjamin," Jane urged sensibly. "You are already making progress. Don't you feel better now than this morning? This is good for you, if you fight you'll lose no matter what the outcome." Benjamin smiled, one of the first genuinely bright and happy smiles Jane had seen from the boy.
"Stalingrad," he said before sleep took him.
Jane stood and looked at Marie, signaling her to turn out the lights. For a moment they stood in the doorway, looking at their sleeping charge. His breathing had already settled into a deep, regular rhythm.
"What did he say to you?" Marie asked as they shut and locked the door.
"Sounded like 'Stalingrad'. As I recall that is a city in Russia now named Volgograd. I remember a huge monument there memorializing the Russian victory over the Nazis." Jane looked at her watch. She had time before she was to meet Allen in his basement headquarters. "Go see to Darla and Linda, they may want to talk to someone. I'm going to go look this up in the encyclopedia, I think it's important."
Marie found Darla, Linda and Maxine in the kitchen, having a snack. Maxine washed her glass out and tipped her hat at Marie.
"Duty time. I'll be around the house and grounds," she smiled broadly.
Apparently her arrival interrupted a conversation between Darla and Linda, because the moment the kitchen door swung shut, they turned to each other and began talking.
"In a way, I do," Darla said, "it's like a grand game or joke to go out to the mall dressed like this. Hi, Marie," Darla interrupted herself. "I was just giving Linda the lowdown on dressing."
Marie fixed a cup of herbal tea and grabbed a few cookies before joining the other two at the small table.
"That wasn't exactly what I was asking, Darla." Linda struggled to find the right words. She also appeared slightly discomfited by Marie's presence, a fact that Darla quickly picked up on.
"Marie's okay, Linda. This is old hat to her."
"Thanks. I just can't seem to find a polite way to ask this," she said. At that, Darla immediately knew exactly what Linda wanted to ask and she blushed furiously at the thought.
"I'm sorry, Darla, I didn't mean to upset you," Linda quickly added.
"No, that's okay," Darla smiled. "To answer your question, no, not really. I guess it gets that way for some of the students, but it was always more of a big acting job to me. Marie might have a better idea of the percentages." Darla looked over at Marie who had been politely minding her own business. She had still followed the conversation and knew exactly what the recent addition to the household was asking.
"That's hard to say. A very few enjoy dressing just because it arouses them. A larger number will do it just to make Jane happy or because they find a woman who enjoys that particular game. Most of our graduates recognize that, contrary to popular opinion, it's harmless fun." Marie paused, taking stock of the security agent. "Why do you ask?"
Linda thought for a moment, chewing her lip in a manner most unladylike, "To be honest, I'm fascinated by what you do here. Don't worry though," she said, raising her hand, "I'm not going to let that interfere with my professional obligations," Linda finished earnestly.
"I'm sure Jane would be happy to discuss the subject with you, when she has time."
Linda laughed lightly. "I don't think she'll have the time until your new student is safely away somewhere else. I don't see too many kids these days, but I doubt there are too many more like him."
Jane entered the kitchen, deep in thought. She almost did not see the three women at the table.
"Ah, there you are. I'm going to get a cup of tea and go get the daily report from Mr. Sullivan."
"Did you find anything in the encyclopedias?" Marie asked.
"Just enough to jog my memory, there was not a lot of detail in the article. There was an important battle there during World War II. A river runs through the city, which is some kind of industrial center. Not much else." Cup in hand, Jane made her way to the basement door.
Linda looked questioningly at Marie. "Benjamin said something odd before nodding off. Jane is trying to figure out if it means anything. You two better turn in soon, we have a busy day tomorrow."
Darla and Linda recognized a dismissal when they heard it. They cleaned up and exchanged pleasantries with Marie, then headed for their own rooms.
Jane marveled at the transformation her basement had undergone in the last few days. Allen had set up a mini- command center in the space, complete with tables, computers and several phones. Several of the tables were arrayed with maps of the surrounding area. Allen and Rene were looking at one of those maps when Jane walked in.
"Good evening Ms. Thompson. Welcome to our little home away from home," Allen said, his strange eyes shining in the low light. "Rene and I were looking at possible approaches to your house. Are you ready for our report?"
Jane nodded her assent and pulled up a chair.
"Tom and I installed a number of sensors on your grounds today, along with considerable maintenance work performed, I might add. Although we won't rely on these sensors to warn us of intruders, they are nice to have around. We have two additional agents in town now, checking up on the new arrivals and keeping an eye out for possible gang activity. We have another one trying to track Belmont from his home turf. Apparently they have left the city, or they have gone so thoroughly to ground that we can't find him. Reggie said he would check in tomorrow. He's currently searching the databases as I mentioned earlier. That is it for today."
Jane paused before responding, studying the strange man, comparing his unusual appearance and presence to his normal sounding words. "I see you have wasted no time, Mr. Sullivan. I have passed out those little panic buttons to everyone else in the house except Benjamin. He won't be out of sight much anyway, so I don't think that will matter. I have heard nothing more from Judge Ruth or the local police," Jane concluded.
"If that is everything then, I will finish up here before turning in."
"Wait, what do you know about Stalingrad, Mr. Sullivan?" Jane asked, feeling slightly foolish as she did.
"Stalingrad? There was a pivotal battle there during the Second World War."
"Anything special about this battle? Feel free to be detailed."
"It was one of the fiercest battles of the war. The Soviets fought for every inch of the city and that delay allowed reinforcements to arrive. Those reinforcements subsequently inflicted a major defeat on the Nazis and their allies." Although his eyes never left hers, Jane noticed a slight change in his attitude; as though he admired those long dead men and women in some way.
"I see. Thank you." Jane left, still pensive. She had little daily need to recall facts about battles that occurred 50 years ago, but her memory soon dredged up the detail that disturbed her most. Stalingrad was synonymous with bitter resistance in the face of impossible odds. As Jane left, Rene looked at her boss.
"I think she's had a tough day," Rene said, with little sympathy.
Silence claimed the vast house at last, or nearly so, since no house that old is without occasional creaks and groans. Maxine Moss absorbed the silence and the near darkness as she moved to a new observation point. For her, they were signs that all was well. She heard a new creak from the floor above. She detoured to the stairs and listened, but the quiet had returned.
In Jane Thompson's room, a quiet alarm chimed and a bedside lamp illuminated, shining on the head of her bed. The light contributed more to rousing Jane than the small chime. Jane flipped a switch on a small monitor, which also silenced the chime. Not surprisingly, Benjamin was seated before the vanity, staring at his reflection in the mirror. Jane felt a surge of hope. Would he try to fix his makeup or perhaps examine more thoroughly the soft, feminine undergarments that gradually entrapped him?
That hope flickered and slowly faded as Jane watched the scene. Benjamin only stared, barely moving. For a moment Jane could not distinguish the reflection from the real boy. She shook her head fiercely to clear it and to dispel the fanciful notion. After thirty minutes she was ready to go to the boy's room, but as she debated the merits of the idea, Benjamin stood and returned to bed, turning out the light as he went.
Chapter 9: Siege - In Which the True Essence of Resistance Comes to Light
"Benjamin," Marie said firmly. "Benjamin," she repeated with increased volume, causing the boy to finally stir.
"Urrrrrrrr," the boy muttered, turning his face away from her.
"Benjamin!" Marie nearly shouted and this time she placed her hand on his shoulder. The effect was instantaneous. Benjamin shot out from under the covers on the opposite side of the bed. When his bare feet touched the floor, he froze, eyes locking on to Marie. "Time to get up, Benjamin," Marie informed him as though nothing unusual had happened.
"Good morning, Benjamin," Jane called cheerily from the doorway. "Breakfast is nearly ready. We would have gotten you up sooner, but you simply refused to wake." Jane made a face at Benjamin's smeared makeup. "I'm sorry Benjamin. We kept you up way too late last night. I forgot to show you how to clean your face before retiring for the evening. Well, it's a lesson every young girl learns sooner or later," she said as she pointed to his unusually colorful reflection in the mirror. "Henceforth we will not neglect to be certain your face is clean when you go to sleep. I will show you how to do that now and then you can just slip a robe on and join us at the table."
Benjamin sat quietly as Jane applied the cold cream to his face and then wiped away the residue of yesterday's makeup. Jane watched his reactions carefully. The tension that was present in his muscles every time she came near him had abated. Jane thought that was good, but she also noticed that the pliable, semi-dazed expression that had dominated Benjamin's face for much of the previous afternoon was also gone. He stared intently into the mirror as she cleaned his face.
"What do you see when you do that, Benjamin?" she asked gently.
"Myself."
"Everyone sees themselves when they look into a mirror."
"Not like I do."
Jane turned him away from the mirror as she finished his face. "Do you want to talk about it?"
"What's to talk about, Ms. Thompson? It's just a reflection." Benjamin sniffed the air, "Mmmm, what's for breakfast?"
Jane did not think the change in subject was accidental, but she felt she still had time to consider the matter.
"Let's go downstairs and find out," she said.
The rest of the household was already dressed by the time breakfast was served, but Benjamin received only a brief look from the other students.
"Benjamin, don't wolf your food," Jane said gently. "Follow the examples that are set before you." Darla looked at Jane with an expression of bewilderment, but quickly returned to her plate.
As breakfast ended, Jane made her morning announcements. "Linda, don't neglect your piano practice today. Plus, selections must be made from the summer reading list by dinner tonight. If any of you venture outside today, stay away from the groundskeepers. They will be operating heavy machinery as they expand the rose and spring gardens. Darla, you will assist Marie and Benjamin with this morning's dressing and makeup drill after she has showered and cleaned up." Jane noted the lack of protest to the feminine pronoun, but assumed Benjamin had not even heard the word.
The table emptied as Rene and Marie began collecting dishes. Darla waited by her door as Benjamin came up the stairs.
"Benjamin," Darla whispered loudly, "come here." She motioned him into her room. The boy cautiously entered. "What did you do to her yesterday?" Darla smiled and hid her face behind her hands to stifle her giggles. "She forgot all about giving me the third degree and she's been so nice! This is too weird."
"I don't know, Darla," Benjamin answered with a small smile.
"Well, whatever it is, keep it up. I could use a break with Aunt Jane. Don't get me wrong. I love her to death, but sometimes she gets a little carried away with her whole school mistress gig."
"Is she really your aunt?"
"Technically? No. She's been taking care of me since I was fourteen. I think of her more like a mother than an aunt. You go get a shower and when you're done, just knock on my door. I'll come in and help you dress." Darla thought for a second, then added with mock seriousness, "As long as you stay decent in front of me."
Benjamin left, wondering if Darla could be trusted or if she was a pawn of Jane Thompson. Benjamin would wait before he decided. It looked like he would be staying for a while so time was not yet of the essence. He thought hard as he showered. Benjamin usually reacted to situations instead of planning for them, but this situation clearly required a plan. Where should I start, he asked himself?
Unbidden, the answer came to him. Can I be saved? Despite the heat of the water streaming down on him, Benjamin shivered. Was it possible, he asked himself for the first time in years? He experienced a surge of hope unlike anything he had felt in years. After a few moments of thought, the hope faded. Jane Thompson wanted to change him, to take something out of him. That could not be allowed. No matter how bad he was inside, that was his fight to fight. He would fight the darkness within and he would fight the external forces that wanted to take yet another piece of his life from him. Someday he would lose one fight or the other. He knew it in his heart, but the battle would be glorious.
Benjamin stepped out of the shower, feeling invigorated. Then he remembered that he still needed a plan.
Someone had been in his room and selected an outfit for him. A green dress, darker and with more lace then the one Darla had worn yesterday was laid out on the bed, along with an assortment of underwear and some of those petticoats that Benjamin knew would become a major annoyance in his life.
He remembered something he said to Ms. Thompson as he fell asleep last night. That magnificent battle, he thought. What better model for fighting a desperate rear-guard action? Benjamin concentrated, trying to map out a strategy to counter Thompson's psychological restructuring program.
A quiet knock on the door interrupted Benjamin's contemplation.
"It's Darla," the voice called.
"Come in. I can't really stop you anyway, the lock's on the outside," Benjamin replied. Darla entered the room, slightly downcast.
"What's wrong, Darla?"
"Aunt Jane remembered that talk she wanted to have with me. I got it while you were up here draining all the hot water. Although, it still wasn't as scorching as some I've gotten here. She seemed to be a little distracted. Still, she told me to help you do four wardrobe changes before lunch. Fortunately, Marie will be here to help as well," Darla finished. She studied the boy, and despite all the pronoun games they had played in the last day there was no mistaking Benjamin for a girl. Darla also hoped that Benjamin would let slip some inkling of what he was thinking. Jane had asked her to observe and even prod a little if she could do it without arousing his suspicions.
Outside in the garden, a diesel engine roared to life, interrupting the conversation. Darla moved to the window to look out. She could see Allen deftly manipulate the controls of the yellow earth mover.
"Whew," she said to Benjamin, "that's going to stink the place up for a while. I wonder if they thought about that when they planned their work."
"I always liked watching those machines," Benjamin said quietly. Marie walked in through the open door just as Benjamin opened his mouth to say more. His mouth snapped shut and he turned to the housekeeper.
"Good morning, Benjamin, Darla. Ready to work?"
"I guess so," Benjamin offered with a sickly smile.
"Great, sit down and let's get you some hair first. That will make the illusion more effective sooner." Benjamin sat as ordered and immediately became absorbed with his mirror image. Darla had not yet seen this particularly odd habit, so she watched as Benjamin stared. Darla shivered as she studied the boy. There was no trace of vanity, narcissism or even curiosity in his self- inspection. He looked into the mirror expectantly, as though searching for fish just below the surface of a clear pond. The more Darla watched, the creepier she felt.
"Benjamin!" Marie repeated loudly, snapping both of them back to reality. Obviously she had called his name several times. "Benjamin, we are racing the clock here. Jane is going to check out your work after each change and give you pointers, so you must pay attention."
"Of course, Ms. Marie. I'll try to do better," he said quietly. Marie almost did a double take. If this was how the boy planned to fight back, she really wanted to see what his full cooperation looked like.
"Okay, let's get you dressed." Benjamin had little to do but watch and remember for the first session. Marie and Darla had him outfitted in record time, even as they carefully explained what they were doing and that next time he would have to do most of the work himself. Marie went slower with the makeup, often demonstrating on one side of his face and then letting him attempt to apply the cosmetics on the other. This method yielded a slightly odd look that Marie had to correct before sending the boy down to Jane's office.
"Enter," Jane called when Benjamin rapped on her door. "You look lovely Benjamin," she said as stood in front of her desk. "I know that Marie and Darla helped you out this time though, so I'm eager to see how you fare on your own in the next change." She rose and came around the desk to get a better look. She was trying to split the difference between supportive mother and inspecting drill sergeant.
"Hmmmm, I can see Marie let you try your hand at the makeup. Your technique will improve with every session though, but you must concentrate. Do you know how to curtsy? Make sure Darla shows you when you go back upstairs. Also, tell Marie that your next shoes should have the tiniest bit of heel on them. Very well, back to work with you, young lady."
Benjamin left as silently as he had entered and without taking exception to being called young lady. Jane noticed that the boy-girl's walk could stand some training as well. She seemed to have forgotten Jane's advice regarding short, delicate steps.
As he climbed the stairs, Benjamin briefly touched the middle finger of his right hand to his mouth. Smiling widely, he returned to his room.
"Well, one down," he said to his team of supporters.
"That was the easy one, Benjamin," Marie said, regretting it when the smile faded from Benjamin's face. "What did Ms. Thompson have to say?"
"Ummm, she wants Darla to teach me how to curtsy and I am to wear shoes with more heel next time."
Benjamin began to dress on his own. Accidents quickly piled up.
"I'm sorry, Ms. Marie," the boy said as a run developed in yet another stocking, "I don't know what I'm doing wrong." Benjamin peeled the ruined stocking off his leg, the sixth of the session.
"Let me see your toes," Marie asked. She inspected the boy's toenails and found no sharp nicks. "Now your fingernails again." Marie had checked his fingernails when he ruined the first stocking, but found nothing.
"OW! That hurt," he shouted. Marie felt the tension come over him. A whole morning's work ruined by one hangnail, she thought.
"I'm sorry, Benjamin. You have a hangnail here where the skin comes up over the side of the nail. Do you bite your nails?"
"No."
Sighing, Marie retrieved and then applied ointment and a bandaid to the now thoroughly irritated finger. Benjamin needed assistance with the remainder of his preparations as he tried to hold and manipulate clothing and makeup applicators without using the tip of his sore finger. His lessons in curtsying yielded little promise of developing grace.
Jane observed the almost wooden curtsy Benjamin demonstrated with a hint of impatience. She resisted the temptation to return to her typical manner with such boys, though she hoped to ease back into that role.
"Benjamin, since it appears that you will be unable to achieve four changes in the allotted time I would like you to practice your curtsy for me. It is a fundamental and most basic expression of manners for a young lady," Jane concluded, wondering if she saw a hint of calculation in the boy's eyes.
"Yes ma'am," he answered. He proceeded to execute curtsy after curtsy, entering the room each time to repeat the action. Jane could almost see him mentally recalling the steps and performing each one in a jerky sequence instead of a smooth flow.
"Benjamin, I don't think you are giving me your best effort," Jane scolded. "You realize that your remaining here in these safe, comfortable surroundings hinges on not only your efforts but upon the results you achieve." Jane paused to allow her warning to sink in, but Benjamin just stared back at her.
"Benjamin, let me spell this out for you. If I am forced to call the Judge and return you to the custody of the state, you will leave here immediately. There will be enough time to clean your face and to retrieve your clothes. Therefore, you may appear, at least to some, as a rather sissified boy. Especially if you do not shed any little unconscious gestures you have picked up." Jane looked for some reaction in the boy's face, but there was none. "Do you have nothing to say for yourself?" Jane asked, but she could see that Benjamin had sealed himself inside that aura of uncaring.
"No."
"Then let us be direct, Benjamin. Would you prefer to return to a state facility, a correctional institute for youthful offenders?" Jane asked. She wondered what she would do if he answered yes. She loathed the idea of losing a student and she knew if she could just find the key to Benjamin's heart and soul she could help him.
"No."
"Then you have only one choice remaining, Benjamin. You have given me your word that you will cooperate. First, that means you say 'No ma'am,' or 'No Ms. Thompson' when you need to address me so. Second, that means that you actually attempt to meet the standards set for you here. Do you understand?"
"Yes, ma'am."
"Then have you changed your mind about staying here with us?"
"No, ma'am."
"Then your work is cut out for you, Benjamin and your first task is to enter my office and curtsy ten times. You will smile even if you are not happy to see me and your tenth attempt will be an improvement on your first. Now, get started." Benjamin turned and walked out, forgetting again any attempt to mince.
By his fourth try, Jane despaired of teaching the boy anything. His smile held no warmth and his motions, though executed somewhat faster, were still performed as a sequence of steps and not as a complete and self-contained action. After his seventh repetition, Jane stopped him.
"Benjamin, are you even trying?" she asked somewhat testily.
"Yes I am! This is hard for me. I don't dance and I don't play sports and I've never done anything like this before. You go put on a pair of jeans and some boots and reach your masculine side and tell me how easy it is!" the boy finished with apparently genuine anger. Jane inwardly applauded the boy's outburst. To have finally generated some emotional reaction gratified her and gave her renewed hope. She studied his face. No tears threatened, a key step in a boy's journey at her school, but there was time enough for tears.
"You didn't seem to lack for coordination when you intercepted my hand the other day. Perhaps you feel that so dainty a movement doesn't merit your full concentration."
Benjamin's mouth opened and then shut with a snap as he bit back his angry words. Jane could see the muscles in his jaw working. Although some emotion was better than none, fury was not Jane's first choice.
"Benjamin, don't fight against me. I'm on your side. Fight together with me." Jane watched a multitude of emotions pass across the boy's face. She realized that if Benjamin planned to wage a spiritual Battle of Stalingrad against something else besides her, then she had just enlisted.
Finally he smiled wistfully. "I don't think it works that way Ms. Thompson." Benjamin closed his eyes, remembering his vow to fight for every inch of his soul and determined not to yield the slightest bit of it without exacting a terrible price. He curtsied fluidly then for Jane, eyes closed and with a sad but genuine smile etched on his face.
"There you go Benjamin, that was much improved. How did you do it?"
"I imagined it was the only move I could make that would keep you from stabbing me," he replied, the expression on his face never changing. Jane's heart plummeted. If this boy could only perceive the world and it's requirements of him as a series of threats and battles, then she how could she prevail?
"It's a start, Benjamin. Now enter and repeat the move and try to concentrate on a more pleasant reason for performing it so beautifully," she managed with more warmth than she actually felt. Benjamin did as she requested, with his eyes open, but the sad smile never left his face.
While Benjamin returned upstairs for his next wardrobe change, Jane sat and pondered the future. Her head hurt terribly and her stomach roiled and churned. Should she call Eric and seek professional insight into the boy's psyche? Whether deliberate or unintentional, the boy whipsawed Jane's emotions the way she ordinarily would have done to one of her students. It could not possibly be intentional, she thought. That would take a diabolical streak and a level of emotional control and acting ability that only Kenneth might have managed. As her mind worried at the problem that was Benjamin from every conceivable angle, she heard a terrible thudding clatter from the hallway. Instantly, Jane rose and hurried out the door to find Benjamin in a crumpled heap at the bottom of the stairs.
Benjamin endured Marie's newest selection, a cream colored dress with copious amounts of lace and three petticoats underneath. He snagged a stocking with the bandaid before Marie simply put them on for him. During the makeover, he moved automatically, letting Marie and Darla guide his hands as much as possible while he searched his reflection. His shoes were the same color as the dress, with a full inch of heel underneath and a couple of difficult buckles each.
Mechanically, he made his way to the top of the stairs and looked down. The high ceilings of the mansion made for high staircases as well. Benjamin stepped down one step. He could not see his feet for the dress. He could not even see the stairs. Benjamin stepped down again, feeling for the step. A fall from this height could kill him, he thought, stepping down again and letting the sole of the shoe slide along the edge of the tread. So what, another part of him thought. It's too soon for anything so drastic, the more sensible part of him argued. He stepped down again, turning his ankle slightly to let the side of the shoe slide against the edge of the step. He imagined how the rush of the air would feel as he fell, the clatter that his heavy shoes would make and the sensation of having the very breath knocked out of his body. He stepped down again, turning his ankle and letting the outside surface of the shoe slide against the stair, then he put his full weight down on thin air.
Chapter 10: Respite - In Which We Learn A Little About What Goes On In Benjamin's Head
Jane and Marie breathed a collective sigh of relief. Through the years, they had learned that teenage boys bend and bounce in ways that defy the adult imagination. Fortunately, Benjamin must have received a double share of this teenage blessing, Jane thought.
The fall had sounded terrible and Benjamin's nearly unconscious form had looked dire when the women converged on the scene, but he was not seriously hurt. His legs, bottom and back had taken the brunt of the fall. He had received a small bump on the head when he had finally fetched up against the bottom of the staircase.
Now the boy lay stretched out on his bed, icepacks cooling various bumps and bruises. He protested their nursing more vehemently than he had his recent modeling session. The swelling on his head had subsided already, though when he had tried to get up, he had laid back down before Marie could push him down.
"You will take dinner in your room tonight, Benjamin; nothing too heavy in case you should feel some nausea. One of us will stay with you tonight for a little while at least," Jane said, noticing the way the boy bristled at the possibility of unwanted company. "I'll have none of that! Everything I do here is for your own good, even nurse-maiding boys who try to break their necks on my stairs."
"I slipped," Benjamin said earnestly and not for the first time. Jane reflected on this. Self-destructive behavior had occurred before at the school, but falling down the stairs was not exactly classic suicidal behavior.
"I must check on my other students. I'm afraid I have neglected their progress today. Marie will sit with you for a while." Moments later Marie entered, carrying a large book, and took a chair by the window.
"Unless you want to talk to me about something, I'll just sit here and read," Marie said.
Jane used the time to check with Linda and to actually approve her summer reading selections so she would look more like a student. Next, she cornered Darla and dissected every memory and observation the young woman had made of Benjamin.
"Aside from his thing with mirrors and the fact that he does not like to be touched, he seems pretty normal," Darla concluded. "At least for a teenage boy who has been sent here," she added. "When he's nice, he's very nice. It's almost like being nice is his normal state, but he's gone to great lengths to build a facade of toughness."
"Have you caught him looking at you or maybe at Linda or Marie?"
"You mean lusting after one of us, Aunt Jane? Don't forget to include yourself on that list," Darla smiled. "No," she continued, "if he is checking any of us out he has been very sneaky about it. You don't suppose...nah, that's too easy."
"That he's gay? Well, it would simplify things wouldn't it? If that were the case, I can think of ten or twenty therapists that could help him work through his feelings better than we could." Jane sighed, "Somehow, I don't think that's the case."
"It's almost your turn as Benjamin watcher," Jane continued briskly. "Take two trays up to his room and see if you can get him to open up a little. I'd like to spend my time helping the boy through his transformation, not trying to find the key to unlock his mind."
In Benjamin's room, Marie looked carefully over the top of her book at the boy. He stared off into deep space, fully awake and occasionally twitching as though to some unheard rhythm.
"Hello Benjamin," Darla called from the door, arms laden with dinner trays. "Hello Marie, how is your patient?"
"He seems fine, although very quiet for a teenager, don't you think?" She smiled at Benjamin. "Eat and then rest, Benjamin. By tomorrow you'll be as good as new." Darla walked Marie to the door and then watched her walk down the stairs. She closed the door and walked slowly back to the bedside.
"Okay, spill," she said, uncovering the tray and setting it up for Benjamin to eat.
"Did that once today, I think. Don't remember too much about it to tell the truth."
"That was a good one, Benjamin," Darla chuckled, "but I was referring to whatever you've done to get them acting so weird."
"I don't know what you mean," Benjamin said, remembering that Darla called Ms. Thompson 'Aunt Jane' and that the girl owed more allegiance to her guardian than to a reform school student. Darla caught the gist of Benjamin's feelings in the look she received from him.
"I'm not going to get you in any trouble if that's what you are worried about. It's kind of cool to watch Aunt Jane wig out. None of the stuff I ever tried on her got so much as a raised eyebrow out of her," Darla said, but Benjamin remained silent as he dug into his meal.
"Okay, can you at least tell me why Aunt Jane is suddenly reading encyclopedia articles about Russian history?" This brought a smile and then a laugh to Benjamin. He had to choke the laughter back to avoid spewing food all over the room.
"It's just something I said one night before I fell asleep," he finally managed.
"What?! What did you say?"
"Stalingrad."
Darla knew that was the word Benjamin had spoken to Jane barely 18 hours ago, but she acted dumb.
"What?"
Benjamin looked carefully at Darla's face. Was she a spy or just a teenage girl, curious about the new and disruptive element in her social life.
"Stalingrad," he repeated. Darla stared blankly at him.
"You did all that with just one word? What does it mean?"
"It was a city where a terrible and inspiring battle took place during World War II."
Darla absorbed this, looking thoughtful. "You like history?" she asked, trying not to make the conversation sound like an interrogation.
"Just the wars, really," Benjamin shrugged.
"Still, there's been a lot of wars, right? Probably all the way back to the beginning of time."
"True, I really only study the ones that happened this century, they are much more interesting."
"So what's so special about one battle?" Darla asked, trying to steer the conversation back to the subject she really wanted.
"Do you really want to know, Darla?" Benjamin asked suddenly, shifting his weight in the bed so that he was nearly face to face with the nearby girl. Darla resisted the urge to step back from the bed. "If I tell you, are you going to run off to your Aunt Jane and spill your guts? If she really wants to know, she can come up here and ask me."
Darla did not have to act hurt. Benjamin's words were delivered with caustic emphasis. "I'm just curious, Benjamin. I'm the only person around here that is in the running to be your friend and in fact, Aunt Jane expects me to help with your schooling in the 'ladylike arts'. That means that whether we like it or not, we are probably going to be seeing a good bit of each other.
"So I can try to get along with you or I can treat you like the furniture. It's up to you in the end," Darla finished with an emphatic hmphh and took her tray to the vanity.
Benjamin picked at his food for a minute, but his appetite had deserted him.
"I'm sorry, Darla," he said quietly, "I'm not used to nice people. Thank you for trying to be my friend."
"I haven't given up, Benjamin. At least, not if you don't want me to." Darla waited, holding her breath.
"That would be nice, I think. I'm not much of a friend, though, just so you know." Benjamin ate, feeling better, then remembered, "Ummmm, is it okay for you to be in here with me and have the door closed? No one around here seems to worried that I'm going to, ummm, you know, try something or something."
"I have learned to trust my own judgement as far as who is going to 'try something'. Besides, I've learned a few things about handling unruly boys and as a last resort Jane, Marie and Rene are in the house and Tom and Allen are just outside," Darla said, gesturing toward the window. The diesel shut down just then, perfectly accenting Darla's gesture and causing her to chuckle slightly at the coincidence.
"Looks like they are calling it a day," Darla said, looking out the window at the two men.
"That's a big pile of rocks," Benjamin said, startling Darla, who had not heard the boy get out of bed. "Which one is Tom and which is Allen?"
For a moment, Darla feared that Benjamin would want to go down and meet the two, as is. "Tom is the older one and shouldn't you be in bed?" Darla asked archly, changing the subject.
Benjamin shrugged. "I feel fine now, though I suppose if they see me up I'll have to resume my lessons," Benjamin rolled his eyes expressively.
"My lips are sealed," Darla replied. "That stuff must be getting on your nerves."
"I haven't paid much attention. It is kind of stupid and I feel pretty dumb standing here with one of your hand- me-down bras on," Benjamin said absently, still looking out the window.
Darla was dumbfounded. She probed further. "When I first heard what Aunt Jane had ordered and then saw you sitting there outside her office...I thought you'd be pretty mad. You don't seem mad," Darla frowned.
"Well, don't start thinking I like dressing up like some damn Barbie doll. I'll get my stuff back before long," Benjamin replied resolutely.
"But Benjamin, you look sooooo lovely," Darla mimicked her Aunt perfectly, "you're the picture of '90's femininity." Benjamin rounded on Darla with anger, but stopped at her wide-eyed expression of innocence.
"1890's" Darla said, holding back more giggles. Benjamin had no choice but to laugh as well and soon the two of them had dissolved into a gale of laughter.
After they had finished eating, Darla chattered away, still trying to determine whether Benjamin really detested his current state or if he was secretly enjoying it. As they talked Darla concluded that Benjamin was not a secret cross dresser, but she was at a loss to explain what inner reserves he possessed that made his situation merely stupid instead of outrageously intolerable. If he didn't hate it at first, how was Jane going to help him, she wondered?
Jane rapped softly on the door before entering. "Well, I see your appetite has not faltered in the face of today's tribulations," Jane said, observing the empty plates. "Darla, go down to the kitchen and fix three small slices of the pie Marie made to go with dinner."
"Yes ma'am," Darla said as she hurried away.
Jane looked carefully at Benjamin as she sat in the chair Darla had recently occupied.
"I'm feeling much better, Ms. Thompson," Benjamin answered before she could ask. "May I get up now? I could use a trip to the bathroom."
"As long as you don't feel dizzy when you rise." Jane need not have bothered with the warning. Benjamin was up before the third word had left her mouth. He returned just as Darla arrived with still another tray.
"Marie recommended milk to go with this. Saved me another trip down those stairs, too," Darla grumbled good- naturedly. They ate in silence, though Darla could see that Jane had something on her mind. Benjamin appeared oblivious, as usual, to the currents swirling around him.
"Mmm, that was good," he said with an almost impish smile.
"Darla, would you please clear the dishes away and then help Marie finish up in the kitchen." While Darla attended this chore, Jane inspected the various lumps and bruises decorating Benjamin.
"Well, you seem none the worse for the experience. Please exercise more caution in the future," Jane said as she watched Darla leave the room. "I'm glad to see that you are getting along well with Darla. It is nice to have someone close to your own age around during difficult times." Jane sat and composed her thoughts. Talking to this boy was like navigating at night along a rocky coastline.
"I was coming up to check on you a little while ago and also to remind Darla to leave the door open. I overheard the two of you arguing and I thought it best to let you work things out without any interference from me. But I did hear you say that if there was something I wanted to know, I could just come and ask you." Jane saw that she had the boy's attention now, but his face reflected curiosity instead of hostility.
"You know, I have a scrap book you should see sometime. Back in the '80s, before Russia came completely unhinged, I visited the city that used to be named Stalingrad. I went up to the hill where all the memorials are, Mamayev Hill, I think it's called. There is a statue representing victory. It's over 150 feet tall and is about the only thing of beauty I remember from the city, but it was a grim beauty," Jane looked at her student's face. Her quiet narration had an almost hypnotic effect on Benjamin. His eyes focussed on some distant point. "I know a fair bit of the history of that place, some of it more recently acquired, but I don't know what it means to you, Benjamin. Will you tell me?"
Benjamin's eyes cut right to her own, but still without fear or anger. Strangely, he seemed on the verge of tears. "I've always admired the way they fought, from the very first time I read about it." Benjamin paused and Jane feared he might have finished. Silently, she willed him to continue.
"The Red Army had been retreating all summer. Stalin finally figured out that he needed professional advice and that the army needed something more to fight for than world communism. They fought, street to street, house to house, maybe even doorjamb to doorjamb. At times, the two contesting forces would be fighting back and forth in the same building. I don't know why they fought individually, maybe they were just tired of running, but I'd like to think that they'd each found something worth fighting and dying for. In the end, they were wiped out, but they bogged down the Germans for so long that the whole offensive stalled and when reinforcements came, it was the Germans who found out what it was like to defend the rubble that had been a city. They fought too, until only 7500 of them were left to surrender.
"I've read every book I can find on every battle anyone ever bothered to write about. Some of the books were so thick and tough to read that I could barely read the captions on the photos. They all touch me somehow, but that one...I can't really explain it." When he stopped, Jane thought she would get no more on the subject, but he continued. "I don't know anything about what war is really like, Ms. Thompson. It must be terrible in ways that I can't imagine- the pain, the stink, the numbness of constant loss, the fear. It's not the war that I admire, it's the fact that it can strip a person of everything they have and everything they are and yet, sometimes, that person fights on anyway. Now do you know what it means to me?"
"I'll have to think about it for a while, Benjamin. Why don't you get some rest? Maybe Marie can come stay with you for a little while." Jane rose and left, mind full of the possible meanings of Benjamin's story. Maybe she should just ask him a few more direct questions, if she could think of what questions to ask.
Benjamin listened to Jane's footsteps recede, then got up and sat at the vanity. Motionless, he stared at his reflection. His mind whirled with possibilities. He knew he must concentrate and focus on his actions. He missed his music terribly. Darla confounded him, Linda intrigued him and Marie and Jane scared him. Briefly, and almost as an afterthought, he studied his appearance. Laughter bubbled up again, but he contained it. He turned out the light, threw off the robe and climbed into bed. If anyone is going to watch over him tonight, let her do it in the dark, he thought. Concentrate, he added to himself, concentrate. Then he fell asleep.
Marie carefully opened the door, peering into the darkened room. She convinced herself that she did really hear the soft breathing of a sleeping boy. She moved to the chair she had occupied before. Faint light seeped through the heavy drapes and the chair creaked as she settled into it. As her eyes adjusted, she could barely make out the outline of the Benjamin's sleeping form, covered by sheets and a comforter. Even asleep, he created currents in the old house. Marie considered the terrible speed with which the currents that enveloped the house had been moving lately.
In the basement, Jane listened to the brief report of the day's activities by Allen Sullivan and his associates. Linda was present tonight, listening attentively and adding details as required.
"Still no sign of them, but the city is too large for us to say with certainty that they have left. Still, better for us to assume that they are nearby or soon will be."
"Thank you both," Jane said tiredly. "Linda, when you get a moment, stop by my office." Jane climbed the stairs back up to the kitchen and poured a cup of tea.
Once back in her office, she took two aspirin and then began to make notes on a legal pad. Jane was deep in concentration when Linda knocked on the door. Jane sighed and turned the pad over and admitted the woman. Silently, she asked herself how so many riddles had come to inhabit her home.
Chapter 11: Movement - In Which We Take a Brief Digression To Check On the Progress Of Other Key Players
Keith Belmont surveyed the collection of guns spread out on the table. Then he surveyed the people who would be carrying some of those weapons, mentally separating them into the competent and the wannabes. Keith held on to the fear he had just heard in Darryl's voice. He wanted it to last. In a way, he enjoyed that power much more than the money he expected from this job.
"Take those automatics and those three shotguns, we'll stash the rest. And get the fucking ammo, too. Do I have to hold your fucking hands?" At least there was no whining about leaving their few machine guns behind this time.
"Cars are all gassed up, and I tossed that phone in the dumpster like you said," the short, nervous looking boy said from beside Keith.
"Good job, CC. You ride with me. We need to talk. Put Davvy T and Juice in the other cars to keep an eye on the dumbfucks." Keith turned back to the assembled gang, numbering only eleven teenage boys. "Who wants to go on a little trip and get rich?"
Predictably, there was whooping and yelling, mostly from the least capable of the group. Harold was a sick, psycho motherfucker, Keith thought, but he had something that kept people around. A lot of the old gang had split for greener pastures when Harold got himself wasted.
"First we are going to go visit some of my cousins out in the sticks. We'll camp out, screw around with the local girls and whip your asses into better shape. We got a big score coming up here and I don't want it fucked up because you were stoned that day. So if you can't cut it, get the fuck out of here now." No one moved. "Get with it then."
The four cars moved out of the ruined garage and into the streets. In the lead car, CC looked expectantly at Keith.
"You're thinking again, Coke Can, that's what I like about you. What are you thinking now?"
"$50,000 is not going to divide well by eleven," the boy said, thin hands fluttering.
"Right to the point. I think by the time we are done, we will have more than 50k and less than 11, if you get my drift. I took a little trip about a month ago, when we finally got word of where Darryl was holed up. She's rich, rich, rich and lives way on the outskirts of a little hick town. I think we'll do okay."
"You have a plan already?"
Keith smiled viciously. "Do I have a plan?" CC's admiration grew as Keith outlined his idea.
Chapter 12: Becalmed - In Which a Little Quiet Time Passes
Jane had stayed up too late the night before, talking to the energetic young woman masquerading as a student. Linda had questioned and probed relentlessly. To Jane, it was a mixed blessing. Another supporter of her work, especially one so young and skilled, could come in handy. On the other hand, she hoped Linda remained attentive to her true duties at the school.
Rousing slowly from her bed, Jane looked at the notepad she had left on the nightstand. As if she needed reminding, she thought, looking at the scrawl of notes that covered the pages. She flicked the monitor on. Darla and Marie were already helping Benjamin, who had apparently taken another one of his marathon showers this morning. The boy reminded Jane of Murphy's Law. What would go wrong today, she wondered?
"And it's only his third day here," she said to her reflection. "Great, talking to my reflection. The boy is rubbing off on me." Jane showered and dressed, hoping that Rene had not spiked her breakfast with ground glass and arsenic. That woman, despite her professional air and attitude, grated on her and vice versa she supposed.
Upstairs, Marie watched as Benjamin tried to reproduce her efforts at adding color to his face. He actually paid attention this morning and put forth effort. Marie wondered what ulterior motive lurked behind Benjamin's placid exterior.
"How's this?" he asked, looking uncertainly at her. Darla looked up from where she had been laying out the day's first outfit. Benjamin had awakened this morning and showered without any prodding. Of course, he'd put the same underwear back on afterwards, an error Darla had gently corrected. Darla felt Marie's tension from across the room, because it resonated with her own. They were walking on pins and needles around the boy simply because he cooperated.
The remainder of the day passed in similar fashion. Jane, Marie or Darla would cautiously and gently prod Benjamin in the desired direction. For his part, Benjamin applied himself without resistance, though his wandering mind presented the occasional misstep. And if Benjamin navigated the stairs slowly and with a death grip on the banister, no one took him to task for it.
Jane considered the possibility that the boy had decided to kill himself at the earliest opportunity. His serenity certainly mirrored that of someone who had come to grips with their own imminent mortality. Between herself and Marie, the boy was not alone for more than two minutes the whole day. He chatted with Darla when they were alone, but spoke only when spoken to in Jane or Marie's presence.
Linda and Rene received a break from kitchen duties so that Jane could observe Benjamin help prepare dinner. He demonstrated that he could concentrate and pay attention to detail as he followed recipes, Marie's verbal instructions and his own experimentation where allowed. Not only did he work something akin to magic in the kitchen, but he seemed to do it with a minimum of mess and dirty dishes and utensils.
"You have a deft hand at this," Jane said, as she placed her hand over his on the large spoon. As she raised the spoon to her nose to catch the scent of the sauce, she could feel the tightening of Benjamin's muscles. Oh well, she thought, now I know.
"Thank you, Ms. Thompson," the boy said stiffly. She noted his approval that she did not actually taste the sauce from the spoon, even though it was a common practice in kitchens around the world.
"Where did you come by all this talent, not to mention your strict standards of food preparation hygiene?"
"Here and there. I guess I've been in a lot of kitchens," he said as he considered which of the spices on the counter to add to the sauce.
"A good chef is in high demand, Benjamin," Jane said, trying a new tack. "Your talents could take you far in that field."
His shrug roused a flicker of ire. "Benjamin, although you can not be expected to have your future charted to the smallest degree, it is still important to consider where your talents and aspirations lie."
"I don't expect to amount to much, Ms. Thompson," he stated flatly as he moved across the room to the oven, effectively ending the conversation. But Jane would not let the topic be dropped. She followed him and firmly placed her hand on his shoulder. Marie stopped in mid- step to see the confrontation.
"All of my students matter to me, Benjamin, and not just because a student's failure reflects poorly on me. It matters to me because I hate to see anyone fall short of what they can achieve in the world. It matters because I care and if you learn nothing else during your time in my home, you will learn that I care more about any of my students than I do about anything else. Don't you even think about giving up on me."
Benjamin fought the rising darkness. He felt the warmth of Jane's hand through his dress. It revolted him, confused him and compelled him, all at once. He barely avoided yanking the door off the oven.
"The bread is done, Ms. Thompson. Let go of me or it will burn."
Jane withdrew her hand. "Of course, Benjamin." But what will burn, she asked silently, and am I reading something into that statement that isn't there or are you trying to warn me?
That night, Jane, Marie and Darla took turns watching over the boy's sleep via the hidden camera. Fear gripped all three women. Jane reflected that fear for her students was no stranger to her, but that never made it easy.
In his room, nestled in the soft bed and scented sheets and blankets, Benjamin slept a deep, dreamless sleep.
The next day brought the same focus and attentiveness from Benjamin. Jane and Marie felt the effects of their all night vigil, so much of the morning banter came from Darla.
"There you go, Benjamin, that's nicely done," Darla said as she examined the results of Benjamin's attempt to apply makeup. "You need more practice, but you have got the basics."
Benjamin's lack of enthusiasm did not escape Darla. He did as instructed, without fighting, but also without real animation. Darla had spent yesterday watching him and now again this morning. She knew from past experience with Jane's program not to confuse willing participation with acceptance. Benjamin's attitude and behavior worried her in a vague sort of way.
Later, she discussed the topic with Jane. "Benjamin does what he's told, true, but he doesn't seem scared or mad or excited. He's definitely not excited. I have not caught him once giving himself a second look or trying to get something perfectly right without being told."
"I know," Jane said simply. "And he still has much of the peculiar behavior he arrived with; the staring into the mirror, or staring right through one of us. When he's alone, you can see him keeping time to some music that only he can hear." Jane tapped the notepad idly. "We need to shake him up somehow. Do something that makes him more pliable without sending him back into buttoned up mode. I think it's time for the walk outside."
"But," Darla started to object, but Jane would not hear it.
"I'll talk to Tom, make sure the backhoe is not running tomorrow. Darla, he'll either try to pass or not. If he does, then he's in the game, if he doesn't even try then there's not much point in going on. I'll try my best to get Judge Ruth to put him in some other therapeutic program. Also, it will give him an opportunity to get angry without having one of us to immediately take it out on or go silent with."
"He'll still have me to take it out on," Darla mentioned pointedly.
"You're his friend, Darla," Jane said cheerfully. "Besides, Tom will be there to protect you. Try to pick a time when Allen isn't close by though."
"Great."
Makeovers and modeling occupied the rest of the morning. Darla praised Benjamin's efforts moderately. Jane and Marie gave gentle critiques of Benjamin's appearance, particularly his bearing. Unless reminded, Benjamin walked, sat and stood like a teenage boy, a lacy, color coordinated and somewhat frilly boy, but definitely a boy.
"Benjamin, you must concentrate on your mannerisms. I have an idea that might help," Jane said. Inwardly, Benjamin groaned, he did not want more help from Jane. From the closet Jane extracted a pair of modest pumps. The low heeled sort that a student or office worker might wear.
"These will force you focus on your stride length and posture. These heels are not narrow little points, so I don't think you will totter on them, but the slight elevation will help you get the hang of it."
Jane watched Marie guide the boy around the room. As she predicted, the shoes definitely adjusted the boy's stride. She examined the dress he wore. Benjamin wore no petticoats under his skirt today, just a slip. How far did she dare push him?
"Benjamin. I want you to try something for me. We're going to help you go down the stairs to the dining room. It's time for lunch anyway."
"The stairs?" Benjamin swallowed. The blood drained out of his face and fear swelled in his heart. He had forgotten that falling down the stairs was his idea in the first place.
"We'll be right beside you, and in front of you and behind you. You'll be able to see the steps if you need to. I think it would boost your confidence, but if you'd rather not," Jane left the challenge hanging.
Exhaling loudly, Benjamin accepted the challenge. "I hope your insurance is paid up," he joked feebly.
The stairs proved anticlimactic. With one hand gripping the banister, the other firmly on Jane's arm and Marie and Darla to the front and back, Benjamin descended without the slightest misstep.
"Very good, Benjamin. You three go sit down and eat. Rene and Linda prepared a sandwich tray. I have to stop by my office for a moment."
In her office, Jane sat down with relief. Her arm hurt where Benjamin had gripped it. But he had held onto her willingly and without the usual trepidation he displayed. Of course, fear probably had a lot to do with his behavior, Jane told herself, but a small success was better than none. Jane quickly jotted a few notes. She still considered calling Eric Davis for consultation, but the morning's success inclined her to delay that call.
Lunch passed with no unusual difficulties. Jane found herself correcting Benjamin repeatedly for the same problems. His grosser manners had improved drastically, but the smaller things such as proper posture, handling of utensils and table courtesy still lacked finish. Jane pondered how to correct these things without endless repetition of her commands. Hopefully, their first ventures out into public would attend to the problem without her intervention. Although the boy did not seem uneasy about his situation, the threat of public exposure might provide the motivation to 'pass' under any circumstances.
"Darla, take a break this afternoon and show Benjamin the library. Benjamin, make a selection from this list and read it thoroughly. You must discuss the work in casual conversation as well as give me an oral report when you finish."
Benjamin looked at the list. "I've never heard of any of these?"
"Well that's the point, dear, to broaden your horizons and to facilitate your growth. If there are no questions, you may resume your daily activities," Jane finished. Benjamin turned to Darla who motioned for him to follow.
"You haven't really had the chance to explore the house," Darla said as they walked out of the dining room and into an unfamiliar hallway. "Of course, Aunt Jane doesn't want the new arrivals running amok about the place, but it's nice to get out and stretch the legs. Are your feet bothering you? We could go change your shoes, no one said you had to stay in them."
"It can wait," Benjamin said. He sniffed the air gently as they walked. He definitely smelled the distinct and pleasurable scent of many books gathered in one place. They entered the room through a pair of large, French doors. Benjamin stopped suddenly to survey the place and Darla nearly ran into his back.
"Wow," Benjamin said, not even noticing Darla's near collision with him. "This is great. Library of Congress organization," he noted to the astonished Darla. A brand new transformation had overcome Benjamin as he prowled along the high shelves.
"Yes," Darla said uncertainly. "It's nice."
"Nice? I've been in schools that didn't have so many books. I don't suppose I can just come here whenever I want, right?"
Darla did not reply immediately. Ordinarily, the answer would be no, but if the library created such a positive response in the boy, Jane would have to decide. "I'll talk to Aunt Jane. Usually, by the time summer rolls around, we're a little tired of books, but perhaps you are more comfortable here."
"My comfort isn't the high priority here I think," Benjamin said as he kicked his shoes off and began climbing the ladder.
"Benjamin..." Darla began.
"I know, Ms. Thompson will have a tizzy fit if she sees me without my damn shoes, but I want to see what is up here and I want to do it without breaking my neck."
"Actually, I was going to say be careful. I don't like climbing on those things. Ladders weren't meant to have wheels."
Stopping in mid-step, Benjamin turned and looked down at Darla. "Is that really what you were going to say?"
"Yes."
"I'm sorry I snapped at you then."
"That's okay. If you like, drop your list down to me and I'll help you find something."
Darla looked at the list, already wrinkled and smudged by Benjamin's grasp. "Did you see anything on here that interested you?"
"I didn't see anything on there I even recognize," Benjamin said, surveying the history section. "Not much up here that I like."
"How about this biography of Clara Barton? I think I read that one, she founded the American Red Cross if I recall."
"Let's get it and look at it. Who is the author at the end of the list with the multiple suggestions?"
"Edith Wharton," Darla shuddered, "I think she's a Victorian novelist." Darla remembered wrestling with one of those novels as an assignment. Time vanished quickly as the pair examined the considerable collection.
"Hmmmm, maybe I'll try the biography to start with. I wonder if Ms. Thompson will let me borrow any of these others?"
"That depends," Jane announced from the doorway. "If you can keep up with your assigned reading and other tasks, I see no reason why certain library privileges should not be extended to you."
"Thank you Ms. Thompson," Benjamin replied earnestly. Jane hid her amazement at the genuine happiness showing on Benjamin's face.
"Benjamin, I applaud your concern for safety, but young ladies in my house do not clamber about on ladders while they are wearing dresses, so there's no need for your shoes to be," Jane looked around the room, "wherever it is they are. Retrieve them and let's try to get a little work in before dinner. I don't think you realize how long the two of you have been in here."
Benjamin scrambled to find his shoes. "Ummm, no, not really. We started talking about these different authors on the list here and well..." Benjamin trailed off as he looked at the antique clock on one of the library tables.
"You seem quite at home among the books, Benjamin," Jane remarked, still a little surprised at this facet of the boy's personality. Judge Ruth had said he was well read in a random sort of way. To Jane, a love of books and libraries suggested an unexpected level of sensitivity in Benjamin.
"A library is a good place to get away from people," he said.
"When we return to your room, we will work on retouching and repairing your makeup," Jane stopped short of mentioning that repair was usually done while a lady was out.
Ben's attention flagged as Jane and Darla repeated demonstrations on his face. Jane watched firsthand the manner with which Benjamin handled such a typically humiliating situation. He sat, dressed in panties and bra, slip and stockings, wearing a dress and moderately heeled shoes, and it did not appear to bother him at all.
Jane chalked part of his comfort up to his growing acceptance of the immediate circumstances. She also thought that evaluation might be overly optimistic, but boys often displayed lower resistance to their attire after they had lived in the house for a week or two and no longer felt threatened by the environment. She had a feeling that tomorrow's walk would stir things up a bit with the boy. Time to grit teeth and pray, she told herself.
Dinner passed as lunch had, without confrontation or further battle, though the running tally of Benjamin's manner's infractions grew. Jane did her best to gently remind the boy, soon to be girl she realized, of the proper posture and speed to eat with. He absorbed such critiques with no reaction except a seemingly half-hearted attempt to comply.
Jane pondered this state of affairs. If it continued after his meeting of Tom and trip to the mall this weekend, she might have to change tactics again.
Benjamin sat down at the vanity with a sigh of relief. Jane and Marie remained downstairs and Darla went to her room to get something, giving Benjamin the opportunity to be alone for the first time in days it seemed.
He stared into the mirror, feeling his mind stir. Consciously and subconsciously he had worked on his problem for the past several days and solutions were forming. Jane Thompson would reshape him to her own specifications, this much he knew for sure. Benjamin regretted this realization without really understanding why. But he needed to stay until the threat of jail or its youthful equivalent no longer hung over his head. This ruled out confrontational resistance and premature escape. He must wait until everything was certain.
"Benjamin," Jane said from his doorway. He avoided jumping and screaming by a narrow margin.
"Yes," he replied, deliberately without turning.
"You said once that if I wanted to know something about you, I should ask. What do you see when you do that?"
"Myself," he answered, recalling that had been the answer he gave the last time she asked.
Jane smiled, remembering also. "Everyone sees themselves when they look in a mirror. I think you see something more." She walked forward and sat on the stool next to Benjamin. There was hardly room, but it brought her into close contact with Benjamin, who reacted by shuddering slightly. She looked at their side by side reflections, "Does it bother you that much to be this close?"
The question fell on deaf ears. Benjamin stared at their dual reflections, completely absorbed by them. Jane watched his eyes dart back and forth between the images.
"Yes, it does," he said belatedly.
"Why?"
"I don't want to talk about it."
"Then will you talk about why you look in the mirror the way you do?" Jane asked, trying to stay on her mental toes.
"I see me, Ms. Thompson, every time, just me. It doesn't matter whether my hair is long or short or whether I have a wig on and this stupid shit on my face, it's still me and as long as I have anything to say about it, it always will be me." Benjamin's voice turned slightly hoarse at the end and for a second Jane thought he might cry. The vulgarity he used had not escaped her either, but for the moment, she let it pass.
"Look here," she said and pointed at the mirror. "What do you see?"
"Nothing," he replied, looking her in the eye through her reflection, "just your reflection."
"I see," Jane said. "This has been very informative, Benjamin. I hope to assist your continuing education with these little talks. Speaking of which, I believe you know to keep a civil tongue in your mouth when speaking to me. Tomorrow after breakfast, remind me to think up some punishment for your unfortunate breech.
"Get cleaned up and ready for bed. I'm sure Darla will want to bid you goodnight as well."
Jane left the boy to tend to his ablutions and returned to her office. She stared at her desk for a moment, perhaps procrastinating, perhaps gathering her thoughts. Finally she picked up the phone and dialed.
"Hello."
"Hello Eric, this is Jane. I need your advice on a student of mine."
"Need any help with anything?" Darla asked, poking her head into the room. Benjamin had resumed staring.
"No. I'm fine."
"Benjamin? You still have your wig on," Darla pointed out. Benjamin started a little and then grimaced.
"Oh God, I'd forgotten all about the damn thing." Reaching up, he yanked the wig from his head and flung it at the closet.
"Whoa there, Benjamin," Darla said, quickly shutting the door behind her. "Don't let Aunt Jane or Ms. Marie catch you doing that." Darla stopped short, seeing that Benjamin ignored her. "Benjamin?"
"Yes."
"What are you looking at?"
"Myself."
"Oh," Darla said, approaching closer. "Is something wrong?"
"Maybe."
"I'd like to help you, Benjamin, but you're going to have to turn around and talk to me for it to work."
Darla sat down on the bed as Benjamin turned to face her. The rage apparent on Benjamin's face nearly caused her to run or at least yell for help.
"I don't think you can help me, Darla," Benjamin said evenly.
"What are you so mad at? I don't think it's me so it must be Aunt Jane."
"No," he said, his anger relaxing slightly, "Ms. Thompson means well, I think. It's not her fault, but then again, it is her fault."
"What is her fault?" Darla questioned gently.
"I forgot I was wearing the wig," Benjamin answered, his face still slightly contorted and his voice tight.
"Big deal. I thought this stuff wasn't bothering you. You would have remembered when you went to lay down."
"I can't explain, Darla. I think you should go now. I need to get some sleep."
"Okay Benjamin. Good Night."
Darla left the room and shut the door, heaving a sigh of relief. After she composed herself, she headed for Jane's office.
Jane admitted Darla even though she was still on the phone with Eric Davis. She motioned Darla to take a seat and remain quiet.
"No, I don't think you need to come out here, although that is subject to change, just like everything else with this boy. I do appreciate the offer Eric, I just wanted someone else's insight into this child's mind."
Jane listened and smiled. Darla strained to catch any stray words coming from the earpiece.
"Thanks, Eric, interesting does not quite tell the whole story here. I'll keep you appraised of the situation. Good night." Jane sighed as she returned the phone to her desk.
"I was going to call you when I finished talking to Eric. Did you say good night to Benjamin?"
"Oh yes, once I pried him off that mirror and got a few words out of him. There's something wrong with him. Something no one knows about, so it's not in any file or profile." Darla related the encounter to Jane, who grew more apprehensive with each word.
"I don't suppose Eric had any helpful advice on this?" Darla asked when she finished.
"Some, but I wasn't calling him for a clinical diagnosis. I really wanted a fresh perspective."
"I'm worried. He acts like he might explode any minute now." Darla looked to Jane for comfort and advice, but Jane stared at her notes, deep in contemplation. "Don't you start zoning out on me too, Aunt Jane."
"I'm sorry dear, I was thinking about our student. I'm developing a theory. Perhaps he has not had a safe, reliable outlet for his emotions. He reacts negatively to physical contact, seems to have more than his share of adolescent confusion about women and he's prone to angry or even violent outbursts. Part of our method is to force difficult boys to express their frustration, humiliation and hostility in some way besides anger or aggression." Jane held up her hand, cutting Darla off.
"I know you know all this already, Darla, I'm talking as much for my sake as yours. How does he view himself and how does he view his emotions? I think those questions are crucial to getting through this impasse."
"Didn't Judge Ruth say something about low self-worth?" Darla remembered.
"Yes, and there have been a few times when I've heard him express it, but he's never been vehement about it."
"Well, all I know is I'm supposed to go to the garden with him tomorrow and I don't want to be around if he blows his top."
"Maybe the first outing will be the event that turns the corner for us," Jane replied hopefully.
"Just stay close, please."
Benjamin dreamed. A hall of mirrors surrounded him, leaving no portion of him unexposed. He studied the reflection, tilting his head at the gently smiling young woman staring back at him. No, he realized, he looked out from inside a reflection. Benjamin stood before him, separated somehow from everything that had defined him before.
"No!" he pounded on the glass, "NOOOOOOOO!"
The alarm and the light woke Jane. Blearily she looked at the clock, which read 3:30 A.M.
"I can't take much more of this," she said to the clock. When she turned on the monitor, a slightly new scene appeared. Benjamin, seated at the vanity, turning this way and that as he peered, stared and inspected. He actively searched his reflection, touching his face and neck as he looked at the mirror.
Jane's practiced eye detected no trace of makeup on his face, nor did he wear the wig. Clearly, he was not inspecting his transformation skills. Jane watched as Benjamin's motions became frenzied, more like a twitching than a smooth self-examination. Finally, he stopped. His arms hung limply, hands resting on the stool to either side of him. He continued to stare. When Jane glanced at the clock, she saw that almost an hour had passed. She searched for her robe and had opened the door when the monitor turned dark.
The faint reflections from the room's ambient light showed a boy getting under the covers. Jane considered her choices, awash in unfamiliar uncertainty. Finally, she went back to bed, thinking how she might broach the subject in the morning.
Chapter 13: A Walk in the Park - In Which We See Still More Oddity Revealed and Battle Lines Drawn
If Benjamin felt any fatigue from his early morning ramblings, he did not show it at breakfast. In fact, he performed nearly every aspect of his new morning ritual with competence, if not enthusiasm. He even concentrated on obeying all the rules of proper behavior at the table. Jane even complemented him on his efforts and found little reason to fault him.
"Benjamin, I'm pleased with your efforts this morning. When such manners become ingrained, they make every meal a pleasant occasion for togetherness with friends, family and business associates," Jane praised effusively. Maybe a little too much, she thought to herself. Silently, she wondered if some psycho-emotional breakthrough had occurred last night while everyone slept.
Benjamin only smiled and his smile still contained an air of melancholy. "Pass the butter, please," he asked Marie.
The previous night, during her nightly meeting with Allen Sullivan, Jane requested that the backhoe not be run today, so that the girls might enjoy some time outside. Now seemed like the time to plant the idea.
"Tom informed me there is a problem with the heavy equipment and they won't be running it today. If you ladies would like to take advantage of the beautiful weather we are having by walking about and enjoying the grounds and gardens, I highly recommend it."
Predictably, Benjamin stiffened, immediately alert. Darla also came to attention, but with an entirely different reception to the idea.
"That would be great! I've been dying for a chance to get outside. I'm not even sure I remember what's blooming right now. Benjamin, Linda, say you'll go walking with me."
"Ummm, a little problem here," Benjamin noted with rising panic. "Guy in girl's clothes? Ummm, outside? Not happening, no way."
Darla caught herself before she said 'have you looked in the mirror', instead she replied, "Don't be silly, Benjamin. No one knows you're a guy and as long as you watch what you say and do, no one will. Your hair and your face would pass anywhere and your behavior is good enough for a little walk around the grounds. Please? We get to change into something without petticoats and heels," Darla nearly sang to the boy.
Linda smiled, "It would be nice to get out, and I have some things I haven't had a chance to wear. They'd be perfect."
Benjamin grew wary. Intuitively he knew the time for action drew near.
"Okay," he said, "but you'd better be right about no one recognizing me." He turned his attention back to breakfast and practically gulped it down.
"Excuse me," he said. Not waiting around to make sure he had permission, Benjamin hurried from the table and back to his room. A short while later Darla and Marie arrived. Darla had already changed into a pretty cotton print summer dress, white, lace top anklets and canvas deck shoes. Together they rummaged through closets and drawers until they found exactly the right combination. The resulting outfit left Benjamin bare legged, bare shouldered and practically barefoot. He almost asked to return to the dress and underclothes he wore for his ill fated trip down the stairs. Even more disconcerting were the soft plastic pads Marie slipped into his bra.
"You can't wear a dress like this without a little something to help," she said cheerfully. Benjamin bore it all without verbal complaint, though his expression conveyed his feelings without a doubt.
"You two ready?" Linda said from the doorway. Benjamin stared openly at her. He had not imagined Jane Thompson allowed such casual clothes at her school, but Linda wore a comfortable looking peasant dress, floppy hat and calf high hiking boots.
"I know this is last summer's look Benjamin, but you don't have to stare."
"I, ummm, no, I mean...you look fine. I didn't mean anything by it."
Darla watched with interest. Benjamin had displayed little interest in girls or women. In a way, such normal behavior from so unusual a boy provided some comfort to Darla.
"Then let's go! This'll be fun."
Once outside Darla remembered the things she had been missing since Benjamin's arrival. She did not hold a grudge against the boy, but the new student had prevented her from swimming or playing soccer or baseball. The July air felt pleasantly hot on Darla's face. Benjamin breathed deeply, noticing the paleness of his skin.
Together they walked for a bit, then Linda decided to hike to the far stone wall bordering the estate.
"I'm not really dressed for that, Linda," Benjamin protested.
"Well, if you two don't mind, I'd like to go anyway. We can split up for now I guess. This won't take long." Linda marched off, covering ground quickly. Benjamin watched her walk away.
"Don't say it," he warned Darla.
"Who? Me?" Darla laughed. "I didn't see a thing." They made a circuit around the house, stopping to look at the pool. Darla kept a sharp eye out for Tom and Allen. Finally she spotted him near the stables, and Allen was not nearby either. She angled in the direction of the now vacant stables.
"Do you like horses?" she asked, trying to keep Benjamin's attention off the gardener.
"I've never ridden one. I see cops riding them every once in a while in the city."
"Aunt Jane keeps several, she really loves to ride. Let's go see them," Darla said excitedly. Benjamin had to lengthen his stride to keep up with the girl, and consequently he did not notice Tom standing near the building right away.
"Darla," Benjamin hissed. "There's a guy right there. I can't go over there."
"What? Oh, it's just Tom. He's okay. And I doubt he'll notice. You look fine. Heck, for a minute I kind of forgot myself."
"I'm not going over there," Benjamin said desperately.
"We're too close now. It would be rude for you to turn around and go back now. Come on, I swear you'll pass without a trace." Darla held Benjamin's arm with a surprisingly strong grip.
"Hi Tom," Darla said sweetly. "Where are the horses?"
"Miss Darla," he greeted her. "Don't you remember? Ms. Thompson had them moved to the Fitzgibbons farm last week."
"Oh, you're right. I forgot all about that," Darla turned to apologize to Benjamin, who stood stiffly at her side. "Where are my manners? Tom, this is," Darla paused just long enough to give the appearance of quick thinking, "Mina, Mina Peyton our newest student here."
Mina froze, but Tom remained unperturbed. "Pleased to meet you, Miss Mina," he said.
"Ummm, nice to meet you, too," Mina mumbled when she regained her composure. Darla was about to lead Mina away from the scene before she lost her nerve completely when Allen Sullivan rounded the corner of the building. He paused, apparently not expecting to find two young women idly chatting with Tom, but he was too close to turn around without being rude, so, like Mina, he was trapped into the encounter.
"I don't think you've met the new help, Miss Darla. This is Allen Sullivan," he nodded to the approaching man. "Allen, this is Miss Darla Smith and Miss Mina Peyton."
"Pleasure to meet you," Allen said mildly. Darla turned to collect Mina and make their escape, but Mina stood motionless, staring at Allen.
"Mina?"
"Miss, are you okay?" Allen asked at the same time.
"How do you do it, Mr. Sullivan? How do you do it?" Mina stared at the man with an expression bordering on awe. She recognized in Sullivan some sort of kindred spirit and possibly an alternate path than the one she had long presumed was her destiny.
"I'm sorry, I don't understand," the man said.
"Mina, I think you've been out in the sun too long. Come on Mina," Darla coaxed, finally resorting to taking the stunned girl's hand and pulling her along.
Once they had moved away from the stable, Darla tried to wake the girl again. "Mina! Hey, wake up in there!"
"I'm sorry," the girl replied, "I just had the most amazing idea." She shook her head sharply. "Why the hell are you calling me Mina?" she asked as she remembered the details of the encounter.
"I couldn't very well call you Benjamin, could I? To tell you the truth," Darla lied, "I had forgotten for a second you were a boy. I had to make up a name on the spot."
"I am a boy, Darla, not was a boy," Mina proclaimed angrily, "don't you forget that ever! Did your Aunt put you up to this? That's it, isn't it?" she accused hotly without giving Darla a chance to reply. Her anger slipped quickly into fury. "This was a put up job from the very start. I can't believe I thought you were my friend." Darla moved to calm the angry student. "NO! You touch me and we'll both be sorry. Get the fuck away from me!"
Mina stormed toward the house, her vision blurred by red rage. Now is the time, she realized as she strode toward the house. Immediately, a coldness came over her, and her raw, seething anger channeled itself into thought and plan. Yes, she thought, now is the time to defend. Inch by inch, day by day, she thought to herself.
Jane watched the fireworks from just inside the house, suppressing the urge to go to Darla's defense. She knew that would only complicate the situation and she thought Darla could handle herself. When Mina stormed away from the girl, Jane hurried to her office.
As she approached the steps up to the front door, Mina paused, allowing the coldness to seep into her every fiber. The last of her fury flared as a temptation to rip the door from its hinges. Quickly and quietly she entered the house and moved down the hall.
"Good morning, Ms. Rene. Is Ms. Thompson in her office?" she said to the stunned housekeeper who had just stepped from an adjoining hall with a load of towels in her arms. The woman nodded her assent, clearly taken aback. She watched as Mina swayed gracefully along the hall, the picture of poise and femininity, combined with an ominous element of sinuous danger.
At the door to Jane's office, Mina knocked softly.
"Come in," Jane called, expecting Marie or Darla. She drew a quick breath when Mina entered and made her way across the room with the same effortless, almost majestic, grace she displayed in the hall.
"Good morning, Ms. Thompson," Mina said as she curtsied perfectly, somehow managing to make the gesture look vaguely threatening. Jane evaluated the girl's perfect posture and manner. She resembled a spring, tightly coiled, waiting for the unwary to unleash its pentup energy. Jane ignored the girl's vastly improved performance for the moment.
"I thought you had forgotten about me this morning," Jane remarked. She realized she could not use the girl's masculine name without undermining her transformation, but she also could not use the feminized name without pulling the rug completely out from under Darla. A knock on the door alleviated that uncomfortable impasse.
"One moment please," Jane said to Mina. "Enter."
Darla entered the room and stopped cold when she saw Mina.
Mina turned toward the shocked girl. "Ah, the spy returns to her master."
"Darla?" Jane questioned.
"We ran into Tom by the stables," Darla blurted, determined to tell the story first. "I couldn't introduce her as Benjamin, so I just said 'Mina'. I guess I remembered it from one of those books we were looking at the other day." Darla turned to the other girl, who stood relaxed and ready. Before she could address Mina, Jane interrupted.
"And you took exception to being called Mina and that is the source of the shouting I heard a few moments ago. You were already supposed to see me today about your language, Mina," Jane emphasized the feminine name for effect. Mina did not interrupt or even bristle at Jane's continued use of her name. She simply waited.
"Despite your sudden and considerable improvements, you will remain Mina and you will remain in feminine attire and accoutrements until I am sufficiently convinced that all your behavioral problems are corrected." Jane rose from her chair for emphasis and continued. "To have come as far as you have in so short a time, and then to throw it away in a fit of annoyance indicates there is considerable work yet to be done. Do you understand me?"
Mina remained unperturbed. "I would like the chance to give my side of the story. I believe the circumstances as I see them may reduce my punishment."
Jane considered the girl's request, though she had no intention of reducing her so-called punishment.
"Very well, proceed."
"I stand by my accusations, Ms. Thompson. Darla betrayed my trust and friendship by deliberately forcing me to be introduced to those men. I also believe she acted at your request. I believe she has reported our every moment together to you, her Aunt Jane.
"Yes, I lost my temper with her and yes, I used foul language in her presence and I understand that those are punishable offenses. But, I did demonstrate control and a cool head, things that I learned here.
"Return my clothing, belongings and identity to me and stop this masquerade. Then punish me as you see fit. I will dig rocks out of the garden by hand if that's what you order," the girl finished.
Jane considered and analyzed the persuasive oration. Where was this sudden growth spurt of maturity coming from? From the look on Darla's face, Mina had wounded her deeply with her completely accurate accusations. Coming so soon after James' expression of his own opinion would only reinforce the terrible things Darla must be feeling.
"Impossible," Jane finally decreed. "I think you overstate your improvements. I think that the moment you return to your masculine identity you will forget everything that you are painfully learning now. I also think the process must continue until we are all quite certain that your improvement is genuine and not simply a response to get your way."
"Ms. Thompson, I insist my belongings be returned," Mina asked emphatically.
"Mina, I have made my decision. There are other reasons, more practical reasons, as well. Most of your clothes I have sent away for cleaning and repair. So even if you did convince me, I can not do as you ask. But there is a more pragmatic reason than that. You have absorbed a certain number of expressions and gestures that are clearly feminine in nature. It takes some time to replace those gestures and mannerisms with your usual behavior, and since I was planning an outing into town tomorrow for us all, I can hardly have you dressed as a boy and acting like a girl. Better for you to dress as a girl and act like one too," Jane sprang the trap, "but if you insist, I'm sure something can be found that will at least look androgynous on you. We even have a short hairpiece so you won't look like some kind of GI Jane."
"If that is how you want it, I will try it, Ms. Thompson." The unspoken 'you'll be sorry' hung in the air.
"Then you are dismissed. Return to your room and clean up for lunch. After lunch, Marie will show you some new makeup techniques."
Mina curtsied elegantly, then strode from the room as though it were her own office. Jane looked at Darla. The girl was a wreck.
"Darla, go to my private rooms. I'll bring us a snack and we can talk there."
"Okay. Thanks, Aunt Jane," Darla said, leaving Jane to ponder this new turn of events. At least having a boy demand his clothing back was familiar territory to Jane. Though Mina would no doubt put a unique twist on the situation. Jane flipped on the monitor for Mina's room and checked in on the girl. She reclined on the bed, legs stretched out in front of her and arms folded across her chest. She stared at the door as though waiting for someone. Did she need to be watched, Jane asked herself? She did not seem at all inclined to kill herself, especially not after that display in Jane's office. Jane resolved to check frequently on the girl, but not to mount a full time watch of her. Then she headed for the kitchen.
By the time Jane arrived at her sitting room, Darla had either already cried or had staved off the tears that plainly wet her eyes.
"Tough day," Jane said, placing the platter on the low table.
"I don't know if I can do this again, Aunt Jane," Darla said, picking over the fruits, cookies and crackers before her.
"Pepsi or lemonade? That was all Marie had, unless you want some milk or tea."
Darla looked up at her more-than-aunt, "I must look pretty awful for you to mother me like this."
"I knew you'd snap back quickly, Darla, but I'm still concerned. Especially now. Let me guess. After the ringer James put you and Mark through, the last thing you needed was your new little sister to accuse you of being my spy and co-conspirator. The fact that the allegation is exactly true and denying it or defending yourself makes you a liar is even more disheartening. Am I right?"
"Right on the money. I don't see how I can be their friend anymore and also give my word that I'll never lie to them or spy on them. That's part of my job. I don't know why I never saw this before," Darla concluded.
"I had this discussion once before with Michael Nash, a bit before your face graced my halls. We discussed the telling of lies and revealing of truths in great detail. Finally, after excoriating me for lying to him, Michael realized that he would lie to protect his own children and he would lie to them as well, in order to keep them safe.
"So, I still have guilt pangs when I resort to a lie with one of my kids, but I try to put it in perspective and to judge my actions on what comes out of them."
"There's another thing to remember here. Good people are easily unbalanced by accusations of duplicity. Mina accused you of terrible things today, but one of the reasons her statements struck so hard is that you really want to be her friend, and you would be an honest and trustworthy friend as well and that is what really hurts."
"That's the problem, Jane, I can reconcile the two sides in my head, but in my heart or my guts...it just all comes to pieces," Darla paused to sip her drink. "This would not be as big a deal if my feelings weren't topsy- turvy right now. It doesn't help that she seems to know exactly the thing to say to really get to me."
Jane smiled wryly. "Yes, our Mina has a talent for cutting straight to the heart, even though I don't think she knows what she's doing. Could you imagine that ability in someone not fundamentally good natured?"
"So what do I do now? I have been rejected. Should I try to worm my way into her good graces again?"
"I think we can skip that part. Let Mina decide for herself that you care for her. Since she set herself up for it so well, I'm going to give her a dose of the heavy duty cosmetics and a trip to the mall. Our main problem is that Mina is right about her mannerisms. I don't think she'd have any trouble reverting back to Benjamin and vice versa when she wants to. That is scary. For now, let's go eat some lunch and let things sort themselves out a little bit."
Lunch passed in almost complete silence. Jane noted that Mina had indeed repaired her makeup and fixed her hair. She also cultivated an icy hauteur that would have done a princess proud. Who was this protean child, Jane thought, would the real Benjamin Peyton please stand up?
"Mina, return to your room with Marie. She will give you some more makeup tips. Darla, you are behind in your piano work, so spend some time in the conservatory reacquainting yourself with the instrument. Linda, help Rene in the kitchen. Dismissed."
As they each moved to their respective duties, Darla remembered something else he meant to tell Jane earlier. Darla caught her as she walked to her office and related the story of Darla's reaction to Allen Sullivan.
"Great," Jane murmured. "I knew he would have some kind of effect on our students. Thanks for telling me this, Darla. I guess I need to talk to him."
Jane returned to the kitchen and asked Rene to get Allen's attention and call him to his basement headquarters. Minutes later, Allen entered the cool basement through the outside door.
"Ms. Thompson," the man said, removing his sunglasses.
Jane noticed that they were alone for a change. Except for the interview in her office, they had not been alone together since she hired his agency. A moment later, Linda came down the stairs with lemonade for them all.
"Rene asked me to bring this down to you," the young woman said. Jane smiled to herself, wondering if perhaps Rene had staked a claim that even she was unaware of. That would explain a great deal, Jane thought to herself.
"Allen, Darla tells me that Benjamin, or Mina as we call her now, spoke to you rather oddly out by the stables today. Tell me what you heard and what you thought, please."
"Well, she stared at me in a very penetrating manner, then she asked me 'How do you do it?' twice. I really don't know what she was talking about. I hadn't planned on interacting with your students, but when I rounded the corner on them, there wasn't much I could do about it."
"No, I guess you did the right thing by speaking to them. If you have any ideas on what Mina was trying to ask you, let me know."
"Certainly," Allen replied, his own thoughts spinning.
Marie spent hours showing Mina every cosmetic trick she could remember. In that time, she successfully coated nearly every surface of Mina's face with the long duration theater makeup. The girl was in for a big surprise in the morning.
"Put something a little less casual on for dinner, Mina. Then straighten out your hair and join us in the dining room."
Dinner passed much the same as lunch, except that Mina spent considerable time glancing out the window. Jane recognized the search for Allen and wondered what the girl possibly wanted with the gardener. Jane pondered the girl, remarking several times about her improved manners. Mina showed no reaction to these comments, nor did Benjamin surface to protest them.
Jane pondered the new and latest transformation in her student. A girl capable of grace and charm who also possessed a viper's tongue and the cold blood it took to use it. On top of that, she maintained Benjamin's air of indifference with even less effort than he had. A plan to unnerve the child had been developed, though, and Jane looked forward to implementing it in the morning.
Chapter 14: First Blood - In Which the Attempts to Unnerve Mina Bear Fruit
"Up and at 'em, Mina. You're running late now. I guess you didn't hear Marie calling you." Jane's forced early morning cheer roused Mina from her slumber.
"Ms. Thompson? What are you doing?" Mina asked icily.
"Laying out your things for today. They are the best we could do on such short notice, but they should fit. Do you prefer to be called Mina or Benjamin while you are wearing them?" Jane asked sweetly.
"I shall decide that once I see how I look in them," Mina replied carefully. Inwardly she wanted to jump for joy, but at the same time she searched for the catch. Jane had laid out a pair of tan slacks, neatly creased with cuffs at the hem, a white shirt, a pair of loafers and a pair of white socks. Mina inspected each article in turn. The pants looked acceptable, though barely so. The shirt turned out to be a blouse, though not much else distinguished it from a boys white shirt. The socks were short and the fabric was thin, but Mina did not think anyone would be looking at her socks. The loafers were those idiotic brown penny loafers, complete with pennies. Mina had always thought they looked stupid. Sighing, she began to dress. Finally, she looked at the cap of dark blonde hair that had also been laid out and sneered, disdaining to put it on. Then she sat on the familiar vanity stool and stared.
Jane watched the girl dress from her office, waiting for the change. She noted the curled lip as Mina examined the hairpiece that had been selected for her. When the girl sat down at the vanity, Jane leaned forward toward the small screen, searching for detail. Mina sat for nearly fifteen minutes. Jane saw instantly that although Mina had sat down at the vanity, it was Benjamin that arose from it. Questions flooded into her head. Could Benjamin be so gifted an actor? Could he possibly have some undiagnosed mental disorder? Or was he so deeply embroiled in combating her that he did whatever necessary to protect whatever he defended by instinct? Jane made more notes on the pad and turned off the monitor.
"There you are, Mina. You better hurry or you'll miss breakfast entirely."
"Thanks Ms. Thompson. Could you call me Benjamin, at least once we get wherever we are going? It's bad enough that I can't seem to get this color off my face. I don't know why, I guess I never noticed it before," he said as he walked to the waiting breakfast table.
Jane watched him walk. Gone was the snakelike grace of Mina. Back was the devil may care posture of a young teenage boy. No, Jane thought, he's not going to have any trouble losing his 'swishiness' because he never had any in the first place.
Benjamin barely gobbled a piece of fruit and some toast before they packed into the big wagon. Everyone but the gardeners headed into town.
"Oh hell," Benjamin murmured softly as he examined his fingernails. "Darla," he asked the girl sitting next to him, "do you have a coin I could borrow for a few minutes?"
Darla looked at Benjamin, who waited patiently for her to reply. Is this the same boy who had spent the last several days apparently hating her guts?
"Sure, just a second," Darla answered as she rummaged around in her purse. As she handed the quarter to Benjamin she asked, "I didn't think you were speaking to me anymore, Benjamin?"
The boy sat up straight, suddenly tense. "We did fight, didn't we? I was wondering why you are being so quiet."
"You don't remember?" Darla asked incredulously.
Benjamin bit his lip, "Ummm, I called you a spy for your Aunt, didn't I? Ouch..."
Darla noticed Jane watching them in the mirror. She looked for some hint of what to do next, but Benjamin beat her to it.
"Are you a spy?"
"Of course not," she replied, color rising, "but if I see you doing something that's going to get you hurt, I'll tell Aunt Jane so fast..."
"I'm sorry, Darla, if I hurt your feelings."
"Thanks. Now, why'd you want that quarter?"
"Oh shi...ummm, I mean uh-oh," he yelped. Instead of telling her, Benjamin immediately bent to scraping at the pink nail polish still covering his nails.
"I don't think it's working," Darla observed. "Didn't Marie put some kind of topcoat on them?"
"I've seen cars that scratched easier than this. I don't suppose you have a knife or a blowtorch in that purse?" Darla shook her head, feeling momentarily sorry for him. "Oh well, I guess I'll tough it out with my hands in my pockets."
A short while later they arrived at the mall. Jane watched Darla chat with Benjamin as they walked to the entrance. She would need to separate the two of them for this trip to produce the desired results.
"Linda," Jane said to the watchful young woman. "Stay close to Benjamin when we separate. Let the locals pick on him a little but don't let things get out of hand."
"Ms. Thompson, we should all stay together," Linda pointed out.
"I'm aware of that, and that's why Rene is here with us today instead of just yourself. I'm afraid this is necessary for Benjamin's sake. We won't be far."
"I really don't like this, Ms. Thompson. I must confer." Linda moved over to Rene and they spoke together for a few moments. Neither of them took their eyes off of the surrounding cars and customers. Finally, Linda walked back to Jane.
"Rene thinks it will work okay, as long as we are not too far apart in the mall."
"Excellent."
Once the group entered the mall, Jane pointed to their first destination, Milady's Closet. Then she handed Benjamin ten dollars.
"You may not wish to accompany us Benjamin, and I know you have no money. In case you are still hungry, use that to get something," Jane said charitably, mentally adding 'and wave your cute little pink nails around as well.'
"Thank you, Ms. Thompson. I think I'll just sit down over there while you shop."
The party entered the store and a few moments later Linda came back out and sat down next to Benjamin, drawing a curious look from him.
"The sachet they use in there made me sneeze," she said, dabbing at her nose with a tissue. "Do you mind if I wait out here with you?"
"You don't have to, I wasn't planning to run away."
Linda smiled, "I don't know that I'd be able to stop you if you did." A few more silent moments passed, then Linda spoke again. "Benjamin? Do you always go by that or has anyone ever called you Ben or Benny or whatever?"
"I like my name just the way it is. Just the way my folks gave it to me." Ben decided not to recount all the times someone had tried just that. Many arguments in his past had arisen over just that issue. They sat in silence for a while longer. Benjamin sniffed the air frequently. The smell from the food court was getting to him.
"I can't take it anymore," he said aloud, then to Linda, "Can you help me?"
"What's wrong?"
"I want a pretzel and a coke, but I still have this damn polish on my fingernails. Would you take my money and go get them for me?"
Linda almost groaned. "How about you give me the money now and we both walk over together? No one will see your hands," she suggested. Benjamin agreed and off they went to stand in the short line.
"Aw, isn't that cute," jeered a voice from behind Benjamin. "Is that your mommy? Did she dress you up so pretty?"
Benjamin turned to see a boy of about sixteen standing maybe four feet away with several friends, both girls and boys.
"Is that a faggot boy or a really ugly butch dyke, Sammy?" the girl asked.
"Why don't you kids get out of here before I call security," Linda threatened. They were unimpressed at this threat and at Linda herself. Her disguise worked against her in this scenario.
"Why don't you find yourself a real man to play with, bitch?"
Benjamin had not moved since turning around. As he stared at the belligerent teen, time slowed to a crawl. His mouth opened to tell the creep to fuck off, but the other boy moved first.
"I think you should get out of here you little homo, before someone gets hurt," the boy threatened, jabbing his finger at Benjamin's chest for emphasis. As the finger, slightly dirty, Benjamin noticed, with grease under the nail, came back for another jab, Benjamin reached out and grabbed it with his left hand. Then he twisted his whole arm downward.
The boy screamed and dropped to his knees, but Benjamin continued to twist, threatening to break the bone.
"Hey you little fuck!" the girl yelled and jumped at Benjamin. He didn't even look at her as his foot lashed out and connected painfully with her hip. Even though the blow did not land on her abdomen, it still sent her sprawling. The other two boys started to move. Linda restrained the urge to go for her gun, slipping easily into a fighting stance instead.
"Stop," she told the boys simply. They regarded her for a moment. Although her stance appeared at odds with the attractive red and yellow dress she wore or the sweep of her dark hair, the boys saw she meant business.
"Benjamin," Linda urged calmly, "Benjamin! Let him go, Benjamin."
But Benjamin heard not a word. As the kneeling boy's screams increased in pitch and intensity, they also attracted attention.
"Benjamin, let go this INSTANT!" Jane commanded. Benjamin, whose thoughts were awash in darkness and rage, heard this order and reluctantly let go. He continued to stare at the sobbing teen and his stricken cohort. The girl he kicked managed to pull herself to her boyfriend's side.
"You're sick," she accused through her own tears. "What is wrong with you?"
She received no answer as Jane and Marie physically hauled their eerily silent ward through the food court and into Betty Franson's store.
"Betty, may we borrow your office for a moment?" Jane asked, not really stopping for permission.
"Of course Jane. Is he alright?" Betty fluttered, not sure she wanted this kind of incident in her store, but unwilling to inconvenience her best customer.
Jane and Marie dropped the still unresisting boy in a chair.
"This time you have gone too far," Jane started immediately. "You have proven that all your meek and mild behavior to date is a sham, a charade to fool me into thinking you are fit to rejoin society. You will remain Mina until I am convinced you are reformed. You will remain Mina until I believe you like it! Only then will I consider the possibility of returning you to your former identity," Jane knew she had come full circle, reverting to the form she usually used with difficult boys. She gauged Benjamin's reaction.
"Shields up," Darla whispered to Linda as they watched from the doorway.
Darla's observation proved accurate. Benjamin looked in Jane's direction, but his eyes focussed on some distant place. Her words and the emotion behind them had absolutely no visible effect on the boy.
"Betty, I must ask one more favor of you today. Do you have a service entrance here? Some quiet back door we can slip out through?"
"Certainly Jane, I receive stock and shipments through there. It opens into a loading area concealed by a large wall and some greenery," the woman replied, anxious to have the disruptive young man out of her establishment.
"Marie, bring the wagon around to that door. We'll meet you there. Betty, are any of your clerks in the back, or can we get out without being seen?" Jane asked, turning to her.
"Oh. I'll make sure no one is back there. Give me a moment." Betty hurried from the office. She returned moments later.
"All clear."
With that, the whole group hurried from the store. Jane still tugged Benjamin along, haranguing him all the way to the service door. They waited uneasily, with Linda and Rene warily scanning the area, until Marie pulled the wagon around.
The ride back to the estate passed in uncomfortable silence. Benjamin scanned the passengers once or twice, then folded his arms across his chest and leaned back into the seat.
"Linda, escort our young pugilist to my office. I will be there momentarily," Jane said as she exited the vehicle. "Marie, come with me please."
Darla let herself out of the car and looked around, unsure of what she should do. Tom and Allen were nowhere in sight and the dirty yellow backhoe sat idle amidst several piles of dirt and rock. She stood there until everyone else had gone into the house, appreciating the moment of solitude. Finally, the groundskeepers walked into view from behind the house. They each carried a bundle of stakes. Tom waved to Darla when he saw her looking.
"Gotta go in sometime," she said softly to herself, breaking the reverie.
Inside the house, Jane consulted with Marie in the kitchen while Linda and Benjamin waited in Jane's office. Jane fought her growing anger, both at herself and at the boy. Finally, she succeeded in attaining the calm, head mistress demeanor that had proved effective in the past, but would likely be wasted on Benjamin. Still, she would not give up on the boy. He had shown too many flashes of warmth and grace and compassion to be written off.
"Linda, wait outside please. I'll need to talk to you in a moment," Jane said as she entered her office. She noticed Benjamin slouched in the chair in front of her desk. "Stand up," she ordered.
Benjamin rose, making the effort look more like a haphazard arrangement of limbs than a milestone of human evolution. Jane recognized that something was absent from Benjamin that she had not expected. He had no apparent hostility toward her, yet. Nor was he tensed up like a spring about to pop either. She passed close enough to him to brush him with her arm, but he did not react. Interesting, Jane thought, hoping it was a sign of progress. It would be nice to salvage something out of the past week.
"You have no arguments to present, Mina? No threats to make?" Jane asked, walking around to her chair.
"Not really, Ms. Thompson," he replied, showing no reaction to the name Mina either.
"Are you even sorry that our trip was disrupted by your inexcusable behavior?"
"It was only a matter of time before someone decided I looked weird, Ms. Thompson. You knew that when we left this morning," Benjamin said, without anger or accusation.
Jane almost froze, where did this boy get his insight, she thought. "Yes, that was the test, Mina. Not whether you could change effortlessly from Mina to Benjamin, but whether you could use some other method than violence to defuse a confrontational situation. You failed the test."
"He was about to attack me, Ms. Thompson. Linda was there, ask her. If he'd jumped me things would have gotten a lot uglier."
"I intend to ask Linda in detail about the whole incident. But you forget, I was standing in the door of Ms. Franson's shop, watching the whole sorry affair transpire. I have the distinct feeling that you wanted him to attack you. You wanted an excuse to do violence to that boy. Can you deny that?"
Benjamin started to speak then stopped, shrugging.
"I see. Well, despite your articulate plea to the contrary, I believe my original program must be reinstated in full force. You will learn how to be a lady. In doing so, you will also learn how to control those baser impulses toward violence and aggression. Then you will return to your male identity vastly improved for the experience." Jane studied Benjamin's face, but could see no trace of reaction there.
"Very well. Return to your room, remove those clothes and put your robe on. Marie will be up to see you shortly."
Benjamin left without a word, leaving Jane to wrestle with the question of what the hell is going on. She reflected, starting from scratch and throwing away all assumptions about the boy. She sat in that fashion for a few minutes before a quiet cough interrupted her concentration.
"Linda! I'm sorry, I entirely forgot that I asked you to wait. Please, close the door and have a seat."
"Benjamin, I take it?" the woman asked.
"Who else? I wanted to hear your observations of the incident at the mall," Jane requested. Linda needed only a few minutes to complete her narrative, which Jane absorbed without question.
"More mystery. Thank you Linda, return to your duties."
Jane began a new page of notes, considering the things she had observed as she went along. Benjamin fought at the drop of a hat it seemed, but why did he fight, she asked herself. The answer, she concluded, was whenever he felt threatened. She listed the times when Benjamin had acted out or been close to it: when he discovered his clothes were gone, preceded, she remembered, by the incident at the table over sherry. Then Jane remembered the other incidents surrounding that first, terrible misunderstanding, the ripped robe and his threat to her.
Jane stopped, tapping the pen against the blotter. "He ripped the robe," she said aloud. He cut his hair, apparently on impulse, but what if that was done in anger rather than as a gesture of compliance. He also ruined at least half a dozen stockings before Marie discovered the hangnail. But a boy this smart should have realized that his fingernail was ripping the stockings.
Shivering slightly, Jane recalled the fall down the stairs. That had come right after the closest they had come to having a heart to heart talk. Could that have been deliberate? In a flash, Jane understood that virtually every action Benjamin had taken served to oppose her in some way. Even the appearance of Mina, with her icy airs, served not to transform Benjamin, but to resist something.
"He's been fighting his precious battle, his Stalingrad, since he got here," Jane said aloud, "but if he's fighting me, what in God's name is he defending?" Jane looked at the clock and wondered where the morning had gone. Before she could rise, Marie knocked on the door and announced lunch. Jane resolved to observe Mina during the meal and then to gather her troops for a session of analysis before anything else went wrong.
Chapter 15: Fact Finding - In Which Jane Makes a Serious Attempt at Unraveling an Enigma
Mina waited patiently by her chair. Though Jane had not given Marie any explicit instructions in how the girl should be dressed, Marie had accurately gauged Jane's wishes. Mina wore a pale blue dress with one petticoat beneath. Sheer white stockings covered her legs and dainty closed toe flats with narrow ankle straps rounded the ensemble out. Mina would blend perfectly at any summer garden party, Jane noted.
Jane also noticed Mina looking attentively out the window. "The work proceeds apace," Jane probed.
"Ma'am?" Mina asked.
"The work on the garden additions. It is coming along nicely, don't you think?"
"Oh. Yes, ma'am. How long before they are finished?"
"A few weeks I imagine." Jane watched the girl's expression become speculative. Remembering Mina's initial encounter with the gardeners, Jane knew that Mina looked for Allen. But why, Jane asked herself? Another subject for reflection she noted.
Marie, Rene and Darla entered bearing trays and pitchers. In deference to the growing heat outside, lunch consisted of light sandwiches, fruits and raw vegetables with either iced tea or lemonade.
Mina ate sparingly, conversing with Darla between nibbles. Darla had reached some accommodation with Mina's changeable nature. She simply accepted whatever persona Mina projected without question, reacting accordingly. Consequently, Darla no longer concerned herself with the fact that Mina had bitterly accused her of treachery and then apparently forgotten the entire incident. Maybe, Jane wondered, Darla had stumbled onto something.
"Ms. Thompson, may I take a walk about the grounds after lunch?" Mina asked as though permission were a foregone conclusion.
"Provided Darla or Linda accompanies you and you stay away from the groundskeepers," Jane answered. "You still have a great many lessons to take with us, Mina, so don't assume you will be strolling about at your leisure whenever you feel the urge.
"Also," Jane continued, "we need to something about your hair. I've arranged an appointment for you at the salon that Darla uses. They are accustomed to working with younger women. I expect that you will be on your absolute best behavior. Am I clear?"
"Of course, Ms. Thompson. When is the appointment?"
"Early tomorrow morning. That way you can get some hair extensions and look more like their typical patron before their regular appointments arrive," Jane concluded. She watched Mina carefully for any fear of being revealed as a crossdressed boy. She showed no reaction at all.
"I will help clear the table, then I would like that walk I requested," Mina spoke with an attitude just short of commanding.
"Linda, please accompany Mina. Darla, I would like to see you for a moment after the dishes are done."
Her small chore finished, Mina headed for the kitchen door with Linda close behind. Together they exited the house and strolled past the pool then out onto the vast lawn. Mina's thoughts spun slowly in her head. She needed to understand what Jane Thompson wanted of her in order to gain her release and avoid the renovation of her soul that she knew Jane intended. Mina knew that passing unscathed through this process and gaining the official stamp of government approval would benefit her in the long run. But the more she examined the problem, the more she believed that Jane Thompson would not be fooled, that she would hammer Mina until she had wrought the changes she desired.
Mina considered escape as a real option for the first time since arriving at the school. Escape presented an array of problems that required detailed planning to solve. Planning did not come easily to Mina.
"You planning to walk into town?" Linda asked quietly. Mina looked up. Her distracting thoughts allowed the distance covered to pass unnoticed. They were within a few yards of one of the stone walls that crisscrossed the countryside here. This wall separated the school grounds from a narrow road. The road in turn separated the wall from a thinly wooded tract of land.
"Not quite," Mina replied, as though she had actually meant to blunder into the wall. Mina turned to lead the pair in another direction and spotted Tom and Allen crouched in freshly dug earth near the house.
"Now you mean to camp here all night?" Linda asked with a smile, trying to lighten the question.
Mina whirled on the older girl, then stiffened, regaining her haughty composure. "I wondered what they are doing," she said. In fact, the men were doing something peculiar, spooning small amounts of dirt into various tubes and adding liquid to them.
"I'd say they are doing a soil analysis of some sort. I'm sure they don't want to plant a prize winning flower or something and have it die because the soil pH was wrong," Linda explained.
"Thank you," Mina said simply, then began walking again, but she did not take her eyes off the two men.
"Surely, they are not that fascinating?" Linda questioned.
"Maybe they are. Do you know them?"
"Only by name and in passing. They are likeable and polite, not much else to say about them."
Mina did not share Linda's opinion. She watched the two men until she could no longer stare without turning her head. By that time, they were nearly to the door.
"Thank you for your company, Linda," Mina said.
"Thank you, Mina. Next time I will be better company if you choose to actually converse."
Mina offered Linda only a tight-lipped smile, then headed to her room to wash and maybe change. Even as she approached the staircase, her mind returned to its previous track. How could she be rid of this place and this idiotic charade? As she passed the closed door to Jane's office, she could hear the voices from inside. Mina considered eavesdropping for a moment, then discarded the notion. She returned to her room and showered, thinking and humming while the hot water scoured away the morning's sweat.
Jane convened the impromptu meeting, "Anyone have any dramatic insights into our young martial artist?" Marie and Darla remained quiet. The speakerphone on the desk remained quiet as well, where Dr. Eric Davis waited on the other end of the long distance connection.
"Eric, is it possible that this boy has some kind of mild or undiagnosed personality disorder?"
"Hard to really make an evaluation of that sort without working directly with the boy. On the surface I'd say no, considering that he's been evaluated by professionals already. It seems you've come across a boy who has something else to defend than the kind of overblown male ego that leads boys to become your students, Jane. I think you are on the right track by trying to figure out what motivates his behavior."
"Let me lay out my line of thought regarding motivation. I think you'll see, Eric, that I have not interrupted your busy day for nothing." Jane proceeded to outline the various shifts in Benjamin's behavior and personality since his arrival at the school, including her speculation about his possibly self-destructive tendencies.
"Now are there any ideas?" Jane concluded.
"I'd like to point out how he's behaved around me," Darla added, "and how he seems to be entirely without fear of Jane's petticoat methods. He's said he feels stupid and thinks it's a waste of time, but he's never hinted at any fear of being dressed or at being revealed. I'm not saying he's not afraid, just that if he is, he doesn't show it."
"That suggests that there is something he fears more," Eric said.
"Or something he is protecting so fervently that all else pales in comparison," Jane put in. This theory grew in her estimation with each passing moment. In her mind she pictured a hurricane, swirling violently, curled around a calm center. She knew the analogy broke down quickly, since hurricanes did not protect anything, but the image seemed appropriate. She pictured Benjamin and Mina together, back to back, tightly defending something unseen.
Marie finally spoke, "The question to me is, are we doing anything to help the boy? If he does not respond to this treatment, are we qualified to do something else with him? I'd hate to see him in the custody of the prison system, even the juvenile system."
"That is the heart of the matter," Jane said, beating Eric who had started to say the exact same thing. "I think our best chance to uncover the better Benjamin is through Mina. We have more experience doing it that way and it may keep Benjamin off balance enough to open his heart to us."
"I guardedly agree with you, Jane," Eric put in quickly. "I think you've been through enough recently not to just assume your way is the best and I trust your judgement. I am concerned about the child's apparent self-destructive behavior, though and that is specialty of mine. If you need me to visit, in any capacity, or if she should have any more mysterious accidents, please call me," Eric said, voicing his major worry.
"Thank you Eric, your continued support means so much to me. Well, if no one else wants to speak, I think we're finished." Jane clicked off the phone and turned to her cadre. "Okay then. I want the all out overdrive feminization effort. If we can't embarrass, humiliate and just plain scare this boy, we can possibly make such a lady out of him that he will trust one of us to the point that he admits someone to that guarded place inside him. Let's work out a few details."
The meeting continued for another thirty minutes as Jane, Darla and Marie developed a real program for turning Mina into a lady. There would be ballet, piano, various outings and some form of exercise, lest the whole school fall out of shape. Jane felt a renewed surge of confidence as her conspirators left the office to begin the new plan. How could Mina fight back if Jane did not directly threaten her? But another doubt nagged at her, wriggling into her tightly woven plan. What if the person we need to break through to Benjamin is outside right now, working in the garden?
"Or what if I only think he is the right person," Jane asked herself quietly.
Mina turned the water off. Whatever else you could say about Jane Thompson and her school, the hot water never ran out. She had reflected and searched in comforting isolation, and now, singing quietly to herself, she dressed, ready to face the enemy. She recognized that her thoughts had wandered far and wide since her first day at this school. Her feelings had been battered and torn and that had distracted her. She knew the goal, but until now the method remained unclear.
She had to talk to the strange gardener. He offered hope for something other than a future of annihilation. She had to fight Thompson's attempts to change her, while at the same time leading her to believe she changed. Or, Mina thought, fight until she could run away, preferably after a chance to talk to the man.
Looking in the mirror, Mina felt a pang of anxiety. What if she was failing even as she planned her fight? Was she not already looking and behaving like the perfectly prissy little girl that Thompson wanted? Mina examined the mirror carefully, pushing the darkness away once again. The darkness wanted her to believe she was losing this battle, the darkness wanted her to give in. Mina fought the darkness, the rage that threatened to consume her, but she would not give it up either. It remained a part of her for better or worse.
"You are thinking of yourself as a girl," Mina accused the mirror, worried that some corruption of her being crept in unnoticed. "Or is that bullshit about having two sides really true? You are me, whoever you are. You are who it's going to take to get the hell out of here, because if you aren't," Mina paused, finger stabbing toward the mirror the same way the bully's finger had stabbed at Benjamin, "you're dead already."
A knock on the door put a hasty end to Mina's threatening behavior.
"Mina? Darla and Marie here. May we come in?" Darla called through the closed door.
"Enter," Mina said, consciously imitating Jane Thompson.
"We are to help you dress," Marie said. "Ms. Thompson wants to introduce you to more formal attire. We will perform several changes between now and dinner and also work on walking in a higher heeled shoe."
"I see," Mina exhaled loudly. "Lead the way then." Darla exchanged a brief glance with Marie before asking Mina to sit at the vanity. As she worked with Mina's wig she tried to analyze the newest and subtlest shift in Mina's outward appearance.
"I know you'll be glad to get rid of this thing tomorrow," Darla said cheerfully. "I've heard extensions are a pain to start with, but they'll be so much cooler and more natural than this thing," she continued as she styled the artificial hair. Mina said nothing, so Darla tried a new approach.
"Are you mad at me for something, Mina?" she asked bluntly.
"Of course not Darla. I was angry with you earlier, but that was my own mistake. You have been very kind to me and I am grateful for your assistance," Mina said evenly as her eyes met Darla's in the mirror. Marie paused in her wardrobe search, looking over her shoulder at Darla.
"In fact, I've been thinking about that unfortunate incident. If there is anything I can do to make up for my behavior, please let me know, and if you are willing, I'd like your company next time I get to walk outside."
"Why, thank you, Mina," Darla stammered. "That is very thoughtful of you." Darla noticed Marie's study of them, but could make no signal that Mina would not see.
"Here we go," Marie said triumphantly. "Your basic black. This dress will require a number of petticoats beneath it, but this one," she said, holding out her left arm, "is more like a grown lady's dinner dress, you may not even be wearing a slip beneath it." Marie deliberately chose the two opposite extremes of dressing to gauge Mina's reactions. Each presented an opportunity to arouse various senses and possibly stimulate a sensual reaction. As Benjamin, their student did not seem to even notice the various sensations associated with his attire, but perhaps Mina would be different.
"I will let you help pick out shoes Mina. It is not enough to just wear what you are told. You must be able to organize your own appearance," Marie added. "Why don't you start by selecting the appropriate foundation for this dress." Marie expected Mina to ask what a foundation was, but instead the girl calmly began sorting through the various items of underwear in the chest.
"Excuse me for a moment," Darla said, leaving the room abruptly. While Mina discussed underwear with Marie, Darla crept down the stairs to Jane's office.
"I think you should see this if you're not watching already," Darla said quietly. Jane looked up from the column of notes scribed on the paper and powered up the monitor.
"Oh my," she voiced softly. "Marie is going all out, isn't she. Mina doesn't look happy but she doesn't look like she's putting up a fight either."
"I guess that depends on what you consider a fight. She apologized to me for that 'unfortunate incident'. Do you realize that so far she's been furious with me, forgotten we ever fought, remembered only after I reminded her and then graciously, if somewhat condescendingly, apologized for the whole event. Now she's up there letting Marie play dress up and although she's not making a big stink out of it, she isn't exactly full of joy to be there. I can't tell where the Benja-Mina ends and where the act begins." Darla fairly fumed.
"Is that why you left?" Jane asked.
"Not really. She had to change underwear and I thought I should leave. It made a good excuse anyway," she grinned sheepishly.
"Maybe I should go up and make a surprise visit," Jane wondered aloud. "But I don't want to interfere with Marie's plan. I think I know what she's up to."
"What? Trying to see if Mina will get even slightly aroused by having all that slick satin and silk wrapped around her? That reminds me," Darla suddenly remembered, "I did catch her looking at Linda a few days ago. I should have told you right away but it slipped my mind."
"Looking how?"
"Openly and appreciatively. Like he'd never noticed how pretty she is," Darla replied trying to remember the details. "Linda even said something about it but I don't remember what it was. Something like Benjamin was staring because Linda was wearing last summer's fashion. She didn't jump his case about it."
"Thanks Darla. I know this one has been tough on you. You are doing a wonderful job," Jane said as she glanced at the monitor. "You need to get back to Mina though, she'll probably want your help to get down the stairs."
Darla kissed her aunt on the cheek and returned to Mina's room. She stopped in her tracks at the sight of the new girl.
"I leave you two for five minutes!" Darla exclaimed, staring at the transformed Mina. The tight bodiced black dress outlined her lean figure perfectly while the layers of petticoats buoyed the skirts airily, somehow lightening the dark color. Black stockings and black, lace-up ankle boots with at least three inches of heel added to the overall effect.
"I take it you approve?" Marie asked sweetly. "I was going to throw in a pair of gloves, but I thought that might be overdoing it, but wait until you see what I have planned for her hair. Come, sit down Mina."
Mina complied as quickly as her shoes allowed, taking the short, mincing steps valued by Jane in her pupils. Marie immediately began to gather and manipulate Mina's dark blonde hair.
"This would look even better with your natural red color," Marie noted. The hair that had fallen past Mina's shoulder was now pulled up and back, exposing her pale neck. Mina looked at her reflection. Darla waited for the weirdness to start, but Mina actually seemed to be looking at her dress and hair. Darla's silent cheer died quickly though.
"Now what?" Mina asked Marie. Her voice contained more than a hint of the chill that Mina used so effectively.
"You do your makeup and then go see Ms. Thompson," Marie answered, giving no hint that she had caught the chill from Mina. The girl reached for a bottle but Marie interrupted.
"Not that one, Mina, it's too dark," Marie corrected. "Do you remember our discussion of color the other day?"
"No."
Here it comes, Darla thought, convinced she could feel cold fury rolling off the girl in waves.
"If you don't help me," Mina said evenly, "all this will be for nothing," she gestured at the dress. Darla could not decide whether her statement contained a threat or a plea for help.
"Okay, but you must pay attention so you can do this yourself," Marie relented. Marie selected the proper combination and coached Mina in its application.
"There, time to present yourself," Marie said cheerfully. Darla's admiration of the woman's composure jumped a notch. Mina rose and walked to the door.
"Do you need some help with the stairs?" Darla asked.
"That would be nice," Mina replied, apparently unconcerned about the coming descent. Darla walked beside Mina, holding her hand and arm while Mina lightly touched the banister.
Mina looked down from the top step, thoughts whirling. A slip now and they would both tumble down the long staircase. She carefully planted her left foot on the next step, then moved the right one down beside it.
"Mina?"
Her grip on the rail remained light, just a faint touch as her foot lifted and dropped softly to the next stair. She felt the heel of her right boot catch slightly on the step as she moved it to match the left.
"Mina?"
Her left foot dropped again. Only the faint whisper of fabric could be heard as she moved, like the rustling of a breeze. Her right heel caught on the corner of the step as she moved her foot. The familiar roaring sound filled her ears.
"Mina!?"
Mina planted her weight on that tangled foot, snapping the boot heel and catapulting her forward. Her brief flight was interrupted as Darla's free arm whipped behind her to catch the banister, tilting them both at a crazy angle. Darla's muscles strained as she refused to give up her hold on the other girl. Seeing no other way to stop them both from hurtling down to the floor, Darla planted her feet and wrenched hard. They both sat down with a thud.
Mina saw the tears on Darla's face and the painful arch of her back. "Marie! Ms. Thompson! Somebody come quick!" she yelled. Instantly the stairs were crowded with people. The muscles in Darla's back hurt like fire. Mina awkwardly got out of the way as Jane and Marie examined the girl.
"She saved me," Mina explained. Darla's teeth were clenched tightly and she did not seem able to explain for herself. "She grabbed me when I fell, my shoe broke, see?"
"Okay Mina, get back up the stairs and let us look, okay." Jane tried to calm the child. Rene and Linda looked up from the bottom of the stairs.
"Is someone hurt?" Rene called.
"Darla hurt her back," Jane answered. Jane got up to call the nurse and found herself face to face with Rene.
"Let me see. I was an EMT before this," she said, kneeling beside the girl. Linda returned, holding the icepacks Rene had told her to get even before she saw what was wrong.
"Try to relax, Darla," she said as she gently felt along the girls back. The muscles between the back and shoulder were knotted and tender.
"She's strained some muscles back here, maybe even torn something. Give me that ice and get some of that Advil from the kitchen drawer. Darla gritted her teeth even harder as the ice pressed against her abused muscles. Finally the pain abated enough for her to speak.
"Mina? Where is she?"
"Linda took her to her room. She seemed quite distraught," Jane answered.
"Keep an eye on her. S'no accident," she slurred.
"What?" Jane struggled to keep her voice low.
"Don't think this was accident," he repeated as Rene returned with a small black suitcase.
"I'm not a doctor, Ms. Thompson, but I have had a lot of training. I can give her something for the pain and I don't think the vertebrae are involved, but we will need to be careful moving her until an x-ray can be taken."
"X-ray," Jane said, realizing that Darla would have to become Daryl again.
"Yes ma'am. If you want to be absolutely sure that the injury is just to the muscles and not the spine, she'll need an x-ray...oh damn," Rene swore, realizing for herself what Jane had a moment before.
"Do what you can and I'll get Tom to bring a board in here to move him the rest of the way down the stairs." Jane walked away, trying to sort the multitude of impressions and accusations in her mind. Marie followed her long time friend.
"Get his clothes and do the fastest teardown you can without hurting him. Make sure Linda keeps Mina in her room. We'll take Darryl out through the kitchen door, put him in the wagon and get him to the doctor."
"And Mina?" Marie asked, having heard Darla's accusations.
"We'll deal with her when we get home. Linda stays here with her. You and Rene go with me to help Darryl. Tell Linda to keep both eyes on that girl. I can't believe she'd deliberately try to hurt Darla, but I can't believe Darla would make something up like that," Jane shook her head.
Within minutes Darla had turned back into Darryl, though with rather long hair. Carefully, the two men loaded him into the wagon and Jane pulled away. Jane benefited from her fairly high visibility in this small New England community. Although doctors did not just drop everything to see Jane's ward, their staff exhibited a certain helpfulness in getting a spot scheduled immediately with someone. This resulted in Darryl being put on a gurney and wheeled directly into an examining room upon arrival at an orthopedist's office.
A short while later, Jane sat with the doctor and discussed Darryl's injury. Darryl himself was in the next room, receiving praise from various nurses and technicians for saving his cousin from a nasty spill down the stairs.
"Ms. Thompson," the doctor began formally, "your young man has suffered a mild strain to the muscles that connect his back to his shoulder." The doctor paused to show Jane the appropriate location on a wall chart. "The good news is there is no damage to his spine or any other connecting structures. Ice and anti-inflammatory medication for the swelling, something else for the pain if necessary and plenty of rest should fix him up in short order. And no rescuing damsels in distress for at least three weeks."
"Thank you Doctor Perkins," Jane said as she nodded and the doctor gave her a card with his various numbers.
Marie walked over to the nearby pharmacy while the nurses loaded Darryl into the car.
"Darryl," Jane began, trying not to show her anxiety.
"No, I'm not sure," he answered, knowing what the next question would be.
"Then why'd you say it?"
"Because I thought she did it on purpose, but now that I think about it some more, I just don't know."
"Tell me everything from the very start," Jane commanded softly.
"Well, she was on her way to present herself to you. I went with her because I thought she had a thing about the stairs now. I asked her if she wanted help and she said yes, a little nicer than her ice princess mode. I held her hand and she held the rail, but she didn't seem scared at all. Then she just kind of tuned out. I said her name, but she just kept going, then she put her foot down kind of funny and toppled. The next thing I knew is she was sitting on the step below me yelling for you and trying to help me.
"Maybe it was the pain talking, but I just can't shake the feeling that she fell on purpose," Darryl finished. Jane pondered his words while Marie walked back to the car.
"Well?" she asked, apparently perfectly aware that something extraordinary was going on.
"Do you feel up to being Darla again for a while?" Jane asked the sleepy young man.
"As long as we stay out of the dance studio. I suppose it's that or tell her I'm in the hospital while I stay somewhere else?"
Jane nodded, thinking furiously.
Chapter 16: Questions and Answers - In Which We See Some Wishes Half Fulfilled
Tom and Allen watched the wagon pull away with the stricken boy inside. For a moment, they looked curiously at each other, wondering how the other felt about all the unusual methods and lessons employed by Jane and her associates. Neither voiced their questions.
"We made a mess," Allen said, looking back through the open door and into the foyer. In the rush to help, no one had noticed the dirt they tracked into the scrupulously clean house.
"All the help left with Miss Jane," Tom said. "Guess we should clean it up. Good thing it's dry dirt and not mud," he grinned. Both men untied their boots and left them on the steps, then brushed loose dirt from their coveralls.
"I'll get a broom," Tom said, walking toward the kitchen. Allen walked carefully through the foyer and to the stairs, surveying the extent of the mess. He walked carefully to avoid grinding the dirt into the rug or scratching hardwood.
"I thought I heard you and Tom prowling around down here," Linda said from the top of the stairs.
"We thought we should clean up the mess we made before Ms. Thompson gets back, or more importantly, before Rene gets back," he said without a smile.
Mina appeared beside Linda, moving quietly on her stocking feet.
"Mr. Sullivan, can I talk to you?" Her words came out in a rush. Linda put her hand on Mina's arm.
"You're supposed to stay in your room, Mina," Linda said, but Mina did not hear her. For Mina, there were only two people in the world at that moment.
"Mr. Sullivan, please, I have to know. You have to tell me."
Allen caught a warning look from Linda. "I'm sorry Miss Mina. I'm not to have much to do with the students. It's not proper."
Linda caught Mina before she could launch herself down the stairs at Allen. "Mina, stop that this instant!"
"But he knows! You know! You have to help me..." Allen did not hear the rest since he walked outside and shut the door. He put his boots on and waited for Tom.
"I'm sorry Tom, I couldn't stay."
"That's okay, I heard most of it. What do you suppose she means?" Tom asked curiously. Life was never dull at the Thompson Academy, he thought, even for old gardeners.
"No idea," Allen replied, wondering the same thing himself. "I'll have to talk to Ms. Thompson when she returns." Allen rose, feeling uneasy. There was something in the boy's plea that gave him an odd feeling. "Let's get back to work."
"That's the spirit," Tom said, clapping the other man on the shoulder. They walked together to the site of the expanded gardens. The rocks near the surface had been dug out of the earth and replaced with rich soil. The whole area had been plowed and disked again. Now Allen marked the spots for individual plants and beds while Tom held the drawing and directed him.
They watched the wagon return and pull around back. The two men walked to the house, expecting to carry Darryl up to his room, but the wagon was empty. Later they learned that Darryl had insisted on walking for himself. Jane appeared at the kitchen door before they reached it.
"Thank you for cleaning up the dirt in the front hall. Rene just made a pitcher of lemonade and I think you should have a glass. Allen, I need to see you for a moment please." Jane turned and led the way to the basement door. Linda waited for them at the table.
"I understand Mina had more words for you today when you were in the house," Jane said once they were all seated.
"Yes," Allen said simply where other men might have protested their innocence.
"Do they mean anything to you?"
"No."
Jane sighed and leaned back in her chair. "If I thought it might help her to talk to you, would you be willing to do it?"
Allen did not answer immediately, an action which told Jane all she needed to know. "If you thought it would help, but I am no counselor, Ms. Thompson. I have no idea what has gotten into the child's head."
Jane sensed the tiny unease present in the otherwise unflappable Sullivan. She wondered what could make a man like that so wary of a teenage boy.
"I will think about it," Jane said.
"If you will, wait a moment, we can cover our other business as well," Allen suggested. He checked the computer, fax and voice mail, quickly digesting the information they presented. "That gang is on the move. Between Mr. Walters and my investigators, they've located a farm in Ohio where the gang laid up for a while. My guess is they are in New England already, if they are still coming at all," he said as he handed a sheaf of faxes and printouts to Jane.
Jane did not need to ask the question. Allen quickly said, "We tighten our lines move people into the area. Leave Mr. Walters and one of my men following the trail, bring the rest of them into Westbury where they may do us some good. Is there any reason why we couldn't bring a little more help onto the grounds?"
"I would rather not, Allen. I expect they would just delay their plans or maybe quit them altogether. That is almost as bad as facing them. Call me if anything else develops." She walked back up the stairs for a heart to heart with Mina. She doubted that she would learn anything.
In another town nearby, a group of men and boys met in a cheap motel room. They studied photographs and maps. Four of them sat around another table, listening to Keith explain their role in the plan.
"There won't be any police, at least not right away. I made sure this bitch knows were coming and the police will be a lot closer to her mansion than to a little piss ant bank on the opposite end of the town." The four nodded at the logic, gratifying Keith with their stupidity. It would be a miracle if these four idiots managed to rob the bank.
"But when the alarm goes off at the bank, after you're gone," he emphasized, "the police will come running. Then we pick this rich whore clean and meet to divide the money." This time Keith fed them half the truth, their main job was to draw the police to the bank and get killed. Of course there was a small chance they would actually escape with some money, which was fine with Keith.
"Okay, study these maps and photos and come up with a plan. I gotta talk to these guys," Keith said warmly. He caught CC looking at him, trying to erase the slight tinge of mistrust that colored his expression.
"What do you think?" he asked the crowded table. They looked up from maps and notes.
"Looks like a picnic," Davvy said, "especially after all that bullshit army training you put us through."
"Making you run across a field until you could do it without seeing black spots wasn't bullshit. I want to be ready, just in case. They have one fat rentacop watching at night. Who's to say they haven't got one or two stashed in the house. Fuckin' place is big enough..."
"Okay, okay man. Can't make a fuckin' joke..." Davvy said.
"When are we going?" CC asked quietly.
"In a few days. Got some things to check out first." That ended the conversation and the group split back up and headed to separate motels in twos and threes.
Mina lay on her bed, looking over the edge at the floor. So close, she thought. He stood right in front of her, but it never occurred to her that he might not want to talk. A knock sounded at the door.
"Enter," Mina said, feeling foolish. She would have to pile furniture in front of the doorway to actually keep anyone out.
Jane Thompson strode into the room, trying to feel energetic. In truth, she wanted to lay down and take a nap.
"I suppose you know by know that Darla will be fine, after a few days rest," Jane tried to project warmth in her voice.
"Yes, Ms. Marie told me. I'm so sorry Ms. Thompson," Mina said sincerely.
"Yes, you seem to have terrible trouble with the stairs. What were you thinking?"
"What?"
"Darla said she called your name several times, but you continued down the stairs as though dazed. What is on your mind could possibly distract you under those circumstances?" Jane asked again.
"I wasn't distracted. I was being careful. I was only moving one foot one step at a time, then the heel caught and that was that. I don't know how Darla managed to catch me, but I am glad she did." Mina turned away, "But I'm sorry she's hurt on my account."
"Is the gardener causing your mind to stray like that, Mina?" Jane asked, deliberately changing her approach. Mina remained absolutely motionless, even her breathing seemed to stop. "Well?" Jane repeated. "I heard about your strange conversation with him and I want to know why you find a man you don't even know so fascinating."
"Conversation?" Mina snorted. "He wouldn't even talk to me," she said, still not turning toward Jane.
"What is so important that you must discuss it with a total stranger?"
"No."
"No?" Jane echoed. "Really, Mina? I think that given time, you will tell me. Why don't you just do it now and save yourself the trouble?"
"Or what? Send me back? Maybe put me in baby clothes next? How about a cow suit? I can stay outside in the field all day getting in touch with my cow side."
Neither Benjamin nor Mina had displayed such biting sarcasm before, but Jane took in stride. She appeared to be considering the options Mina presented.
"No, I don't think a cow suit is going to work. You would make a lean cow and I simply don't know where to find diapers in your size. But I do know where to find dresses and high heels and maybe a corset or two. I'm not doing this for punishment's sake, Mina. I'm doing it to help you. But if you don't want help then there's really not much more I can do for you or even to you. Think it over and maybe you'll decide you can talk to me after all." Jane left the room with one backward glance. The girl was the picture of misery and confusion. Jane took no joy in Mina's predicament, but she did feel glad to see her expression. She hoped it would lead to a resolution soon.
Mina felt so low that she barely touched her dinner and was excused early for bed. Jane thought that letting the girl ponder her own thoughts would bring about the opening she needed.
Jane visited with Darla, Linda and Rene. She actually managed a pleasant conversation with Rene. Jane could see that the woman did not approve of the activities of the school. More importantly, Jane realized she was right about her estimation of Rene's attraction to Allen Sullivan and her viewing of Jane as a potential rival for his affections. Subtly, Jane signaled her non- participation in that particular contest and silently wished the other woman luck. A stone might be more responsive than Sullivan.
Finally, and with Maxine in attendance, Jane met with Allen for the second time that day. He had no news. He had been in contact with the local police and sheriff's department though, for what good it might do.
"Any other thoughts on our young charge?" Jane asked. She had considered the same question for most of the day and had finally concluded the answer was somewhere in Allen. Something about him attracted Mina's attention. What did Mina want, Jane wondered? The answer to that question, Jane realized, would be something within Allen himself.
Chapter 17: Bad Hair Day - In Which An Unfortunate Misunderstanding Occurs
Yesterday had been so eventful that Mina had forgotten all about the promised, or threatened, visit to the salon. At least she forgot until Marie cheerfully woke her up at 6:00 in the morning.
As before, Marie put her hand on Mina's shoulder when the girl would not wake up. Mina rolled out of the bed with amazing speed.
"Good morning Mina," Marie said with a smile. "You must get dressed for your hair appointment today."
"I wish you would stop doing that," Mina replied.
"I wish you wouldn't sleep like the dead, Mina," Marie retorted. Marie turned to the wardrobe. "Let's see. We've tried black. And green. I don't think red or pink are your colors and we've tried blue as well. I think we'll go back to this one," Marie said as she pulled the lacy cream colored horror out of the oversized closet.
"Thank you Marie. I can dress myself," Mina said hopefully. Marie looked carefully at the girl, almost studying her.
"I'll be in the kitchen if you need me," Marie answered. Mina smiled back at the woman and then watched thankfully as she left the room. A dark tide surged up in Mina and she barely resisted the urge to shred the obnoxious dress and set fire to the room. Instead she took a shower.
Mina descended the stairs without concern and made her way to the dining room.
"Mina," Marie met her in the room, "carry this up to Darla please." Mina took the tray from the woman and returned to the second floor. She knocked on the door.
"Please let that be breakfast," Darla replied from inside. Mina carried the tray in and set it up. The other girl carefully made her way up to a sitting position.
"I'm sorry," Mina said, still avoiding Darla's eyes.
"What happened?" Darla asked.
"I fell, but you saved me," Mina replied dully. Her eyes began to fill with tears and she blinked, thinking the hard thoughts that had always kept her from crying before.
"You should have let me go," Mina finally finished. "I don't deserve friends like you." With that, Mina quietly left the room. Darla sat in stunned amazement for a moment.
"Oh shit," she said, stabbing at the intercom button.
Mina pushed her food around the plate and looked up as Jane hurried into the room, dressed only in a robe and with her wet hair hanging down her back. Jane stopped so fast she nearly tipped over.
"Where have you been?"
"I took Darla's breakfast up to her. Marie asked me to do it," Mina replied, not really wanting to deal with another lecture from Ms. Thompson.
"And is Darla feeling better this morning?" Jane asked.
"I couldn't really tell. She sat up in bed to eat though. I suppose that's an improvement." For an instant, Mina hovered on the edge of telling Jane everything, starting with her apology to Darla. The moment died quickly though.
"I'm sorry Ms. Thompson. Seeing Darla like that, because of me...I just don't feel hungry right now. May I be excused?"
Jane sighed, "Of course child, go lay down or maybe read. We'll be leaving for town shortly." Jane watched the girl leave. She knew they had been close, if only for a second.
"Marie," Jane called into the kitchen, "I need your help for a moment."
"Good morning," Marie greeted her long time friend.
"Good morning," Jane replied. "Can you come upstairs with me for a few minutes?" When they reached her suite, Jane explained Darla's fear that Mina might hurt herself. Marie settled in to watch the monitor while Jane finished showering and dressing.
Mina had returned to her room by the time Marie began her watch. Marie felt the same sudden nausea that Darla had felt weeks ago. Mina was stretched out on the floor. Before Marie's heart had a chance to really stop, she noticed the girl's foot twitched, keeping time to some music that played only in Mina's head. Mina did not otherwise move the entire time Marie watched.
"Well, how is she?" Jane asked as she entered from her bathroom.
"Look for yourself," Marie said, shaking her head.
"Dammit! That is almost exactly the way Benjamin was on his first day here. Don't tell me we've been chasing our tails in a circle!" Jane paused for a moment to calm down. "Okay, we go ahead with the plan. Go into to town and try to have a nice time, maybe loosen her up a little. I'll take Linda. You stay here and tend Darla if she needs it." Jane left to round up her girls.
Mina remained quiet and withdrawn during the drive to Marisha Chalet. This gave Jane time to think and Linda time to watch every passerby without distraction.
The mall was closed when they arrived, but the shop's private exterior door was unlocked. Carolyn Beale greeted the small group near the door, looking carefully at both Linda and Mina.
"Let me see what's left of your real hair, Mina," Carolyn asked. Mina glanced at Jane.
"It's okay, Mina. Carolyn is an old friend of mine," Jane said. Mina quickly interpreted that to mean that Carolyn knew that she was actually Benjamin stuffed into an increasingly annoying silk, satin, taffeta, linen, lace and jacquard shell. Mina tugged the wig from her head.
"Could you trim this up a little?" she asked. "It's grown out some in the last few weeks." Mina stared at the woman defiantly. Jane laughed softly at her joke, figuring it was the last reaction Mina would expect from her.
"We need to go the other way, Mina. At least for a while," Jane replied.
Carolyn smiled politely and said, "From what I can see, you have a very nice color. Why children are hacking their hair off these days, I have no idea. Anyway, we should be able to match it without difficulty. My partner," Caro gestured at the woman who had just entered the room, "will take care of attaching the extensions and styling you. I will do a little makeover on you to match the new color. Unless, you want to keep this color," Caro asked skeptically.
"I don't really care."
"Now that's no way for a lady to act," Sandy spoke up. "Your hair is terribly important to you. You might spend hours trying to get it to look just so."
"Mina, this is Sandy. As I said, she'll be doing the extensions and the style."
"And she has a bit of a mouth," Jane warned, her comment intended more as a reminder for Sandy than a warning for Mina. She had talked to Sandy already about the special and possibly dangerous nature of this case, but old habits, and pleasures, died hard.
"Don't worry," she winked, "I'll be gentle. Come along Mina, we have work to do." Mina took one more look at Jane before following the stylist.
Sandy studied the girl-boy carefully. In the past, she had enjoyed slamming home the reality of their feminized state to Jane's students. She possessed a seemingly endless supply of caustic wit and barbed comments, all designed to terrify the poor boys into complete submission. Recent and bitter experience had forced Sandy to reassess her role in these little dramas and to be a little more selective in her taunts and methods.
Even without Jane's report on this boy, Sandy could tell that Mina was an odd bird. She felt an unfamiliar moment of uncertainty.
"How do you like it so far?" she asked, probing. "Kind of sexy, I think. The feeling of those soft, slippery fabrics and all the time you get to spend playing with your hair and skin care."
Mina looked at the short-haired woman in her blue jeans and comfortable blouse. "Trade you," she offered. Sandy smiled, she liked the scared ones a lot, but she really liked the lively ones.
"Are you sure? Sometimes a guy gets a taste of the other side and decides to stay. You don't exactly look uncomfortable in those clothes. I thought you might be a natural sissy boy."
Jane listened warily from a nearby chair. Sandy was only warming up, but Jane could see the caution or maybe uncertainty she exercised. Sandy finished washing and drying what was left of Mina's natural hair.
"You are going to look fabulous with this hair. I have to glue it to your scalp, but once it's on, we'll be able to style it and play with it just like it was real. By the time I'm done, you'll turn the head of every boy in town." Sandy nodded with satisfaction when Mina went rigid in her chair. "I don't think you like that idea, my little swishy boy. I've heard about your problems with women, Mina. Doesn't seem so funny now that the high heel is on the other foot."
Mina barely heard Sandy's last comment. Her head had filled with a single sound, the sound of all the keys being pressed at once on the biggest pipe organ in the world. Mina tensed, trying not to explode on the sadistic woman. Jane might not be sick, she finally concluded, but this one surely was. Sandy's words drifted down through Mina's consciousness.
"I never treated a girl that way! Never!" Mina said through clenched teeth.
"Whoa there, studly girl. You telling me you don't look at girls? That's kind of hard to believe, unless of course you like being one instead."
Mina fought with herself. She wanted to fly at the woman, fists and feet swinging. She knew she could not, must not, if she ever wanted to get out of here with her soul intact.
From her chair, Jane watched the tension and rage drain from Mina's face. She saw Mina whisper something to Sandy and then she watched as Mina shifted into indifference. She seemed to no longer be acknowledging even her own presence in the room. Jane's gaze shifted to Sandy's face. Sandy wore a look of slight consternation followed by an uneasy smile that reminded Jane of whistling in a graveyard. Jane found these observations enlightening, since she had not had the chance to simply observe Mina before.
Sandy peppered her conversation with increasingly inflammatory remarks, all to no avail. She also pulled the hair extensions a little harder than needed, which was the only thing that stirred Mina from her trance.
"You're hurting me," Mina said dully.
"Beauty always has a price, Mina. Another lesson the young ladies learn early in life," Sandy remonstrated.
Mina thought about telling Sandy just what she thought of her and her stupid commentary when she saw the pin. Wedged between the bar holding the arm of the chair and the seat was a straight pin. Without any real plan or purpose, Mina worried at the pin until she pulled it into her hand. Then she hid it, pushing the pin into her sleeve.
Sandy finished attaching the extensions. Looking at the mirror, Mina could not believe what she saw. Her hair, full, long and deep red, cascaded down past her collar. When Sandy and Caro returned with a large book, Mina still stared into the mirror.
"I think she's in love," Sandy said loudly. Carolyn plopped the book down on the girl's lap, but she still did not respond. They both looked at Jane, who gave them no advice. Finally, Sandy spun the chair around and Mina looked up with a jerk.
"Mina, you need to pick a style from the book. Sandy and I are going to perm your hair," Carolyn said as the girl looked up at her.
"I don't care what you pick," Mina said.
"Listen hon, this is fun for a girl. So you can either smile big and try to have a good time looking through this book, or I just might let it slip to those young ladies coming in over there that I have a little sissy boy in a dress in my shop. I'll let them walk around and try to figure out just who it is," Sandy threatened.
"I don't like you," Mina answered and started to get up from the chair. Sandy and Carolyn each grabbed for an arm, but Mina was too quick and slipped through their grasp. She did, however, run directly into Jane.
"Stop right there Miss Peyton," Jane said curtly. Mina did stop and for a moment Jane thought progress was being made. "You aren't finished yet. I can't have you leaving here looking like a half-drowned Irish setter in a dress. Try asking politely for assistance and maybe you will be receive it." Jane watched the expression shift on Mina's face. The ice queen returneth, she thought to herself.
Mina curtsied fluidly, raising an eyebrow or two in the salon. She belatedly realized she had been set up. Sandy provided the same provocation that the bully had given earlier.
"Forgive me, Ms. Thompson. I grow tired of this woman's base and vulgar humor." Mina sat down and looked at the book for a moment before pointedly turning to Carolyn. "Ms. Beale, this is all so new to me. Please help me make an appropriate selection," Mina said this loudly enough for a few nearby patrons to hear, effectively trapping Carolyn into not only helping her, but helping her in a way that did not make Mina look ridiculous when she was finished. Jane looked at the girl incredulously. Did Mina even realize what she was doing, Jane asked herself?
Staring at Mina as though she had transformed into a venomous reptile, Carolyn nodded. The resulting selection was fairly mild as perms from that particular book went, and actually would complement Mina's tall, lean frame. Sandy started to work.
"Vulgar and base, little Miss Priss?" she said with genuine irritation. "You have no idea just how nasty it can get. I can always shut my mouth, but you're still a boy dressed up like a French whore. Notice that you have already attracted some attention here today. Look at those two over by Caro. I saw them watching your Miss- high-and-mighty routine. They might think you're cool for being such a bitch, who knows? I wonder if they'd like an introduction."
"Maybe they would Sandy," Mina said without looking up, "I've heard some women think it's sexy." Sandy's mouth shut with a snap, but the seed of curiosity was planted. Mina used the mirror to look at the two teenage girls. They were pretty. The taller one had blonde hair, apparently with some help from Carolyn. Her friend had dark brown hair cut in a short, perky style to match her stature and personality. Mina found herself looking at the two whenever she could. Then she quit being coy and practically stared at them. Luckily, the pair was deeply absorbed by whatever Carolyn was explaining to them.
The combination of watching the girls in the mirror and Sandy's nimble hands continuously touching her head and neck as she worked finally had an effect. Mina squirmed in her chair, trying to shift panties and petticoats, but Sandy had seen this before.
"My, my, what big...eyes you have Mina," she said softly into Mina's ear. Sandy's hand clamped down on Mina's thigh as she rested her chin on Mina's shoulder. "Are you hiding something down here, Mina," Sandy whispered. The sound of her voice and feel of her breath only heightened Mina's excitement.
"Let go of me you sick bitch," Mina finally managed. "They put people like you in jail."
"Yes, they do. Right alongside people like you. Imagine the possibilities," Sandy said as she let go of Mina's leg and stood up straight. Sandy finally felt like she had earned her pay, though it had taken long enough to find something that really got to her latest femme-boy toy.
Mina sat in cold fury. The woman had touched her like that and had suggested worse. Mina carefully worked to keep the expression from her face. The bitch was going to pay if she could just figure out how to do it without ruining everything. Then she saw the wasp. Somehow it had made its way into the store, probably from the outside entrance, and now it buzzed lazily along the ceiling, near the wall. Mina watched it carefully as it bumped along. It was probably already dying from whatever pesticides the overzealous exterminators saturated the mall with.
The idea gelled all at once, as they so often did for Mina. This time though, she did not simply act on impulse, but thought and planned as she rarely had. She even felt a moment of reluctance or remorse before the fact, but it did not last long. As she waited for the wasp to come toward her, she slipped the pin out of her sleeve.
Eventually, the wasp did draw near, approaching in a haphazard manner. Mina carefully checked the mirror to see if Jane was watching her. The wasp came closer. Mina shifted her feet and looked again for Jane. As the poor insect passed right by her face, Mina checked the mirror to see where Sandy was.
Screaming, she flailed her arms. "Get it off me!" Mina shrieked. She planted her feet and pushed up with her legs, lining the back of her head up just right. As Mina's head crunched into Sandy's face, additional screams sounded in the salon. Jane appeared almost instantaneously, but too late.
"It stung me. It stung me," Mina repeated, pushing the sleeve of her dress up to reveal a welt with a tiny red dot at the center. Then she noticed Sandy sitting on the floor holding a towel to her face and moaning.
"Oh my God! Sandy! Are you okay?" the girl shouted, immediately forgetting her own injury and moving to the injured woman's side. Jane looked at the scene and immediately took charge.
"Mina, go sit over there." She pointed at an out of the way chair. "Get me some ice, right away," Jane ordered one of the stylists who had come to Sandy's aid. The stylist moved quickly for the door and as she opened it, a wasp flew out too. As Jane tended Sandy and waited for the ice, Linda looked appraisingly at Mina, wondering if she had seen what she thought she saw or what the girl wanted her to. Another employee, looking around for something useful to do, picked up a straight pin from the floor and threw it in the trash before anyone had any other accidents.
A shaken Carolyn appeared and bent to examine her partner. Mina looked around the shop. Everyone looked at the unfortunate woman sitting on the floor. That is, everyone except Linda. She watched Mina.
By a fortuitous arrangement of mirrors in the shop, Linda could look right at the girl. Linda noted the change in Mina's expression when Mina saw her staring. She got up and went to the younger girl.
"You okay?" Linda asked.
"Yeah," she said shamefacedly. "I'm unlucky to be around I guess."
"Well, accidents happen, but it's important to pay attention to your surroundings too." Linda hugged Mina and returned to her chair, looking around the shop for video cameras as she did.
Jane held the ice to Sandy's face. Fortunately, Sandy's nose did not appear broken nor had she lost any teeth, but her nose was bleeding and so were her lips.
"Hold still, Sandy," Jane ordered. Sandy quit squirming.
"Is the girl alright?" she asked.
"Mina? She's fine," Jane looked to the chair where Mina sat, talking to Linda.
"What happened? I was just about to zing her good and then I was on my ass seeing stars. Did she deck me?"
"Would I be sitting here so calmly if she had," Jane replied. "She got stung by a bee or wasp and jumped up out of the chair." Jane wondered at the curious coincidence now though. "Did she say anything to you? Make any threats?"
"Threats? No. Though I'd say she was pretty pissed. She got a little excited watching those two high schoolers over there and I let her know that I noticed."
"Did you touch her?"
"You mean did I grab her crotch? Of course not. I put my hand on her leg though," Sandy explained.
Jane sighed, already thinking the worst.
Mina had gone to the restroom when Linda approached Jane.
"Do you think they'd let me have the tapes from those two security cameras?" Linda said.
"You think Mina purposely antagonized that wasp into stinging her so she could ram Sandy." Jane stated.
Linda studied the woman. "You're quick," she said admiringly. "But I don't think the wasp ever got close enough to sting her."
"I'll ask Caro. I doubt if she'll mind."
The conversation ended as Mina returned to her chair. Sandy actually finished cutting the girl's hair so that Caro could continue her makeover lessons to the now sizeable group of girls in the other room.
Jane observed Mina closely. She sat still with her hands folded in her lap underneath the bright cape that kept hair off her clothes. Her expression was sad, not exactly what Jane would have expected from a coldly calculating attacker. Mina noticed Jane's attention and gave her teacher a wan smile.
No, Jane thought, this would not be easy to sort out. Sandy finished Mina's hair and the girl rose, turning to the stylist. Jane could not quite hear what she said, but it appeared to be some kind of apology. Mina even touched Sandy on the arm, a very feminine gesture Jane noted.
Mina went with Jane and Linda to the car, not even noticing the videotapes in the bag Linda carried. "You okay, Mina? Want to stop for an early lunch?" Jane asked. "I just want to go back and lie down. My arm hurts and my head hurts," she lied, then added a little truth. "I don't feel very well."
Back at the mansion, Mina went straight to her room to lie down. Jane and Linda watched the tapes.
"Well, that was a bust," Linda said. "Sorry to waste your time like that Ms. Thompson."
"No, not at all. I didn't even think of them and if the cameras had pointed in a different direction we might be singing a different tune right now. I guess we'll just have to watch our little Mina very closely now. She sure isn't acting like someone who enjoyed bloodying Sandy like that."
Chapter 18: Tortured Souls - In Which We come Very Near to the End of the Story
Mina woke the next day, feeling miserable. She looked at the sky and saw that the day had barely begun. Sleep eluded her, so she got up and showered and dressed in the clothes Marie had helped her pick. She was still not trusted to dress herself. Not so much for any nefarious reasons, but instead because she still had difficulty coordinating her attire.
She started for the door, even though she knew it would be locked. As she reached for the knob, someone knocked softly on the door.
"Come in," she said, retreating to the middle of the room. Jane entered, looking not at all like herself. This was deliberate, of course. Jane wanted to get the girl as relaxed as possible. Jane wore a modest robe, tied at the waist. Her hair was still damp from the shower and she had even skipped putting on slippers.
"Good morning Mina. I thought I heard you stirring around in here. Are you feeling any better today?" Jane asked.
Mina shook her head. "I feel pretty rotten."
"Head still hurt?"
"No ma'am, my head is just fine. I feel bad about what I did to Sandy. Will she be okay?"
"She'll be fine," Jane answered, thinking furiously. She could feel a confession brewing inside her student. She just did not know exactly whether to push for it or let it come out on its own. "You want to talk about it?" Jane finally asked.
"No."
"You'll need to, eventually," Jane told her.
"Then let eventually happen sometime later," Mina replied.
"That's when it usually does," Jane answered with a smile. "Why don't you come help me fix breakfast. We'll give Marie and Rene the morning off."
"Okay."
Mina became a little more animated in the kitchen, orchestrating every detail of the meal with amazing dexterity.
"That smells delicious." The voice startled the two cooks.
"Maxine, not nice to sneak around like that," Jane chided. "Would you like some coffee?"
"Love some. You wouldn't happen to have an apple or banana lying around would you?" Maxine winked at the two. "I try not to eat when I'm on watch, that way I stay awake better."
Marie and Rene came in just as Maxine finished her snack. They noticed the reduction in work for the morning and smiled.
"Bonjour," Marie said cheerfully. "Thank you for cooking such a nice breakfast."
"Mina did all the work," Jane praised the girl, who just looked back at the items on the counter.
"Why don't you two sit down and we'll serve this. I'll take a tray up to Darla," Marie suggested.
"Gladly," Jane replied. "Come along Mina. Our work here is complete." Mina followed Jane into the dining room. When Marie entered, bearing a tray, Mina stopped her.
"Ms. Marie, may I take Darla's tray up to her?"
"If you wish," Marie said, handing Mina the tray. Mina ascended the stairs without difficulty and knocked on Darla's door.
"Come in," Darla called back to her. When Mina entered she saw that Darla had already dressed and was reclined in bed with a magazine.
"Hi Mina. I thought I smelled something good cooking this morning." Mina set up the tray so Darla could eat and then sat down on the stool by Darla's dresser.
"Are you feeling better?" Mina asked quietly.
"Yes. I told Marie I could dress myself and come down to the table, but she wouldn't buy it. I tell you though, I'm not staying cooped up in here tomorrow too."
"Darla," Mina hesitated, uncertain of how to begin. "I know you love your Aunt, but do you trust her? Could you talk to her about anything?"
Darla paused, suddenly serious. She had known something was up just by the way Mina had acted.
"I trust her, but I get the feeling I'm not the one who needs to talk to her. Mina, is something wrong?"
"Yes, I think so. Ummm...I don't want to talk about it now. I was just wondering...well...if I wanted to later or something. I like to work things out for myself." Mina quickly excused herself and left. In the hall, she composed herself. Outside, she could hear the workday starting for Tom and Allen. Mina paused, looking through the window. She watched for a moment, thinking furiously. Finally, she turned back to the dining room.
Mina forced herself to eat and talk and attempt to be cheerful, but she fell short of her goal.
"Okay Mina, today you are to work with Marie on coordinating colors, textures and accessories. Report to my office after each change," Jane ordered. "And mind the stairs," she added as an afterthought. Jane headed for her office as Linda and Rene cleaned up the breakfast table.
"You girls stay out of trouble," Maxine grinned as she left to catch some sleep. Linda pretended to throw a grapefruit rind at her.
"There, that's a much better selection, Mina," Marie appraised the girl's dress, shoes, handbag and jewelry. "Do you see how the shoes you picked first clash with the rest of the outfit?" Marie asked the quiet, almost sullen, girl.
"Yes ma'am."
"Good. Now, go show Ms. Thompson and then return for another change." Mina bit her tongue to hold back a sigh. This would be her third trip down to Jane's office of the morning. Her feet hurt, her back hurt and her stomach hurt. She knew that her stomach hurt because of a sudden onslaught of conscience, but if she told all to Jane Thompson, things would only get worse. And where was this feeling coming from anyway, she asked herself? It was not like she had never hurt anyone before.
But somewhere down inside, the argument had already been answered. You meant to hurt that woman, he heard himself say.
"She deserved it!" Mina answered, not realizing that she had spoken aloud.
"Mina?" Jane called from within her office. "What is all that noise about?" Mina opened the door, looking grim.
"Just thinking out loud," she said
"I see. What were you thinking about so loudly?"
"Something that's bothering me. I just don't know what to do." Mina looked close to tears. Within her head, the arguing voices were lost in the sound of hurricane winds. Mina realized that she was lost. "I...I..." She never finished the sentence. The door crashed open.
"Something's going down," Rene said, "Get everyone together."
Mina looked at the housekeeper incredulously. A wire dangled from one ear and a large, ominous automatic filled her right hand. Linda appeared behind her, shoving an identical earplug into her left ear. The group moved to the foyer near the front door. Linda and Rene looked out the windows, watching their boss even as he and Tom conversed with a young man at the far end of the driveway.
"Shit," Rene suddenly yelled and turned and ran for the back of the house. "Clear out, now!" she yelled at Jane and Marie.
Allen heard the car before he saw it. It sounded like a prime candidate for recycling. He spotted it easily as it sputtered along the road that ran past the mansion. The window tint prevented Allen from seeing any passengers. The road dipped about 100 feet before Jane's driveway and the car was out of sight for a moment. That was the moment it chose to give up the ghost.
Allen motioned to Tom and they both started walking toward the wall. Tom started to drop the shovel he carried, but changed his mind. They had gotten about halfway when they saw the boy.
"Hello," he called, "My car died and I need to use a phone." Allen angled for him, trying to keep an eye on the house and the spot on the wall near where the car had stopped. The boy was skinny and nervous looking. His feet shuffled and his hands twitched and wrung. Allen pressed a button on the remote in his pocket.
"Look alive in there," Allen said at the button on his coverall pocket, transmitting the words to the earplugs that at least one of the women should have in by now.
The boy was chattering mindlessly now. "Should have known better than to take the thing on a long trip like this, but I wanted to see the ocean. If you know anything about cars, I'd appreciate it if you took a look." Allen removed his sunglasses and looked at the boy as they approached. Allen kept glancing at the wall between them and the car, but no attackers appeared there. The boy's nervous movement grew even worse. Just as Allen reached the boy, he saw the boy's eyes cut to the house. Allen glanced, already understanding he had been fooled. He saw the boy run behind the house and realized they had hidden in the woods on the other side of the rode.
The boy realized he had blown it and reached for his pistol even as Allen kicked him in the stomach. He went down hard.
"Back and to the right," Allen said into his mike as he broke into a sprint. "Back and to the right." Behind him he heard a shovel connect with something hard and a single shot that did not come anywhere near him.
Inside the house, Mina saw the gardener kick the boy, who still managed to get his gun out before Tom clubbed him with the shovel. By then Allen had already covered nearly thirty yards. Even at this distance, Mina could see the pale blue-green flecks of color that made up Allen's eyes. She broke and ran up the stairs.
"Dammit no!" Jane yelled, but Mina was not listening. "Darla's room," she said to Marie as they both rapidly climbed the stairs. Marie thought to open the front door for Allen before she fled.
The first two boys crashed through the French doors into the conservatory, pistols in hand. One of them died when he exchanged shots with Rene, who crouched behind the slight protection of the doorjamb. The other dove for cover out of Rene's line of sight and began firing at the door. Rene could hear the sound of gunfire and breaking glass in other parts of the house. She made a quick decision. "One down in music room, one behind cover. Pulling back to find Linda." Then she noticed the blood on her arm. The surviving boy emptied his clip on the door before realizing no one was shooting back.
In doorway to the laundry room, Linda had only one window to cover. She heard other windows breaking in the house as well, but did not let them distract her. The boy smashed into the window without hesitation, another gang member close behind him. Linda shot the first while he was still in the window frame. He fell backwards, discharging his gun several times. The second boy had ducked to the side when the first shot hit his partner. He looked down at the bloody wreck on the ground and ran.
Linda saw the boy running, but by the time he crossed her sights, he was too far away for a pistol shot. "One down in laundry. One running away. Jane and company ran up the stairs. At least one more in the kitchen."
Keith and K-zone heard the shots as they hit the kitchen door. The door was unlocked, but they did not bother with the knob. The door was also pretty solid, but the frame it was in had seen many years. The whole thing flew apart when Keith slammed his shoulder into it at full speed. They tumbled into the kitchen and ducked for cover as they heard the flurry of gunfire inside. Keith motioned K-zone to advance.
The two agents had heard Jane, Marie and Mina go up the stairs. Linda remembered that the huge house had three staircases up to the second floor.
"Upstairs," she said as she rejoined Rene in the hallway. An old servant's stairway led from the laundry all the way to the attic. The treads squeaked when Linda walked on them.
Allen stopped on the porch and eased up to the door. During his sprint, he had slipped on the headset and so knew the disposition of his people inside. He listened for a moment and then slid around the door into the foyer. Plenty of movement could be heard in the house, but he could not sort it out.
"I'm in the house, give me your positions."
"The school is in Darla's room. I am in a doorway in the main upstairs hall. Rene caught a fragment or a ricochet in her arm, she's in Darla's room."
Allen moved on, stalking. Anything on the first floor was his.
Tense silence gripped the inhabitants of Darla's room. The unreality of the situation left all but Darla's mind a little numb and uncomprehending. Darla had seen and heard the sounds of gunfire before. She was scared.
Jane and Marie hefted Darla out of bed and laid her down on the floor, so the bed was between them and the door. Mina crouched behind the massive wardrobe, mind spinning. She knew that this would be her best chance to get away from the school, but could not really concentrate. Rene cut the blood soaked sleeve of her jacket away from the wound. An ugly gash decorated her forearm. The injury was quickly bandaged, but was beginning to hurt and stiffen her arm.
Keith and K-Zone leapfrogged out of the kitchen and into the large dining room. Keith knew there had been too much shooting and it was too quiet. If his guys had shot a bunch of unresisting kids and teachers, they would have made some noise by now. No, he thought, there were other guns in the house and they were good enough to have taken one or two of his guys out.
Keith exited the dining room into the main hallway on the first floor just in time to see the one of the gardeners slip around a door into another room. He motioned K-Zone to follow him as he moved to the stairs.
In the conservatory, the gang member gathered his nerve and moved for the door. The house had turned quiet when the shooting finally stopped. The boy crouched in the splintered doorjamb and looked. The house was huge and it seemed anyone could be anywhere. He rose to his feet, ready to tackle the hallway.
"Drop it," a soft voice called. He whirled, thinking to get back into the music room and out the window, but a searing pain erupted in his side and he fell, not thinking anything anymore.
"One down, downstairs hallway," Allen told his team.
"I don't see anyone else, but I think I heard something on the front stairs," Linda said. She stuck the mirror out into the hall again and moved it back and forth.
At the top of the front steps, Keith and K-Zone crouched. They had been studying the number of doors at the top of the climb, plus the two hallways leading away from the stairs when the heard the shots. Keith thought he saw a flicker of light down one hall. He motioned K-Zone to the other side of the doorway and he peered around the side of the opening. There it was, a mirror on a little handle, like a dentist would poke in your mouth. He fired his entire clip at the wall covering the mirror holder's position.
Linda fell back from the door as chips of plaster and dust flew. No slugs penetrated the wall. This house was made of tougher stuff than gypsum wallboard and wooden studs.
"Upstairs, at least one," she said and the room exploded with more shots. She threw herself across the bed and onto the floor behind it and fired back, hoping to make the gunman pause. She felt a stab of pain as she landed, but ignored it to get into position. The gunman was outlined in the door frame and she fired, just as he moved. The bullet smashed into the opposite wall.
"Upstairs, two, I think," Linda gritted her teeth. Her knee throbbed and she realized her leg had struck the old radiator as she landed.
"Did you see anyone in there?" Keith said. K-Zone shook his head. "Fuck! Where are these assholes coming from."
From several doors down the hall, Rene looked with her own mirror. Having the advantage of knowing exactly where to look, her action went undetected.
"Two, backs to the wall, in the hallway, facing each other. There just outside your door, Linda."
"On my way, main stairs," Allen replied. He could hear police sirens wailing in the distance.
"Linda, are you okay?" Rene said, but Linda did not reply. Rene turned the corner and fired, determined to drive the remaining gangsters away from her teammate's door.
"Shit!" Keith screamed as K-Zone slumped to the floor. He vaulted the rail guarding the staircase and dropped straight down on to Allen Sullivan. The pair tumbled down the stairs and Keith landed on top of the man, gun still in hand. Allen kicked Keith in back with his knee and sprung to his feet, reaching for his gun, as the boy crashed into the wall behind him. Keith was as quick as Allen though and was on his feet before the man could turn and fire.
"Don't try it boy," Allen said. "Give up now and at least you'll live."
Keith stared at the man's bizarre eyes, barely hearing a word. Wordlessly, Keith spun, trying to beat the man. He shot first but missed. Allen shot back and hit. Allen stood, looking down at another corpse. Allen's coveralls were slightly scorched from the close range exchange, but the boy had fired too soon.
"The mark of Cain, boy," he said, looking out the door into the yard where squad cars screeched to a halt.
"Linda?" Rene called from just inside Darla's door. "You okay?"
"Yeah, I screwed up my leg and I don't think my radio's working, but I'm okay."
"Stay put. Allen, is that all of them?"
"I don't know. There could be more in the house. Sit tight, let the police sweep the house and then we'll get the women out." Allen took no chances. He stayed in the house near the front door and waved at the approaching cop cars. He saw Tom talking to the sheriff and pointing to the door.
The cop keyed his mike, "Mr. Sullivan, come on out. Nobody move yet." When the man was out, he spoke quickly to the collected officers. In moments, the house swarmed with police and deputies. A few minutes later, Linda came out, limping and leaning on a burly deputy. Following her and surrounded by cops of all varieties came Jane, Marie, Darla and Mina. Rene brought up the rear.
"Sheriff Beale, what a welcome sight!" Jane exclaimed when she saw her former student.
"Who's hurt, Jane?" he asked as the ambulances and fire engine pulled into the yard. A news van followed in the fire engine's wake.
"Rene is bleeding and Linda hurt her leg. Can we move Marie and the kids around to the back of the house or something? I don't want them on TV if I can help it."
"We'll do something about that," he replied. "Get that damn news crew back up to the road and out of the way," he shouted at one of his deputies. "There, but you'll still need to move your people. Those cameras won't have any trouble spotting you from the road."
"Jane scanned the area. Bodies were coming out of her house on stretchers. EMT's were dressing Rene's arm. Linda sat on the back of cruiser with her leg propped up and a large ice bag covering her knee. In another cruiser, two deputies questioned a boy. Tom was walking toward Jane, still carrying his shovel."
"Whoa Tom," Sheriff Beale suddenly said. "You should be more careful with that thing." Tom stopped, looking puzzled for just a second before remembering.
"Hell, I'm getting too old for this insanity," he muttered as he gingerly pulled the nine millimeter automatic from his pocket. "Take the damn thing. Seen enough of them when I was in the army anyway. Melt the damn thing down into something useful," Tom turned away, suddenly unable to keep his eyes dry.
"Tom," Jane said gently. "Thank you."
"Ahhh, don't mind me, Ms. Thompson. Make sure those young'ns are okay."
"Sheriff," Jane repeated as she noticed the live broadcast crew setting up their antenna from out by the road.
"I hear you, Jane." He had another deputy put the two students in a car and drive around the back of the house. With the house cleared out, the collected law officers spread out over the grounds, searching for the one that Linda told them got away.
Mina sat in the car, looking around. Darla had taken some pain medication for her back and had quickly fallen asleep. She had welcomed the feeling, not wanting to watch as the bodies of former gang members were rolled out of the big house.
The idea came to her suddenly, as they so often did. Mina wrote quickly on a scrap of paper and tucked it into Darla's hand.
"I think I'm going to be sick," Mina announced, fumbling for the door handle. She got the door open and vomited loudly. "I feel light," she told the deputy as he came around to her door. "I think I'm going to faint."
The deputy wasted no time driving back around to where an ambulance was parked, but the EMT's were all busy.
"Wait right here. I'll be right back," he said. Mina nodded and waited almost five seconds before slipping out of the car and into another ambulance.
Chapter 19: Aftermath - In Which We See That Not Everyone Who Needs Jane's Help Is a Student
Jane was frantic. Sheriff Beale was annoyed. Allen was just quiet.
"Where could she have gone?" Jane asked, not for the first time.
"The only vehicles to leave before we found out were ambulances and fire trucks. She's not at the fire station, so she either hopped off somewhere in between or she's at the hospital. She can't have gotten far."
Jane's mind spun. How could she have let this happen, she asked herself? Responsibility rested only on one set of shoulders here, she reminded herself.
The police had their hands full. One boy had escaped the bloody shootout at the school and driven away in the car that had carried the gang to the school. Two gang members had escaped the botched bank robbery attempt, fleeing on foot as soon as they heard the sirens. The other two had been taken into custody. So now the authorities searched for at least four teenagers, including one whose true identity was not known yet, except by the Sheriff.
Jane read the scrawl Mina had left with Darla for the hundredth time.
'Ms. Thompson, I can't stay here any longer. I don't want to hurt anyone else, but I don't think I want to die yet either.'
Mina waited in the ambulance, feeling it navigate through traffic. When the vehicle stopped, she grabbed a spare pair of coveralls and what looked like someone's gym bag, opened the door and jumped out. She landed on a city street, cars all around. Mina wasted no time, running as soon as her feet hit pavement. Surprised shouts erupted from the ambulance and from surrounding drivers. She was free.
As soon as she turned a corner, she stopped running. Instead she matched her pace to those around her and ducked into the first fast food restaurant she saw. Quickly she stripped out of the dress and underwear and into the coverall. The gym bag contained a change of clothes, including some basketball shoes that were too big for her, some pens, a watch, a baseball cap and twenty dollars and change.
Shoving the mass of hair under the cap, she looked into the mirror. Benjamin stared back. Benjamin exhaled deeply, a huge sigh of relief, and inspected himself, finding not exactly the same Benjamin who had rolled into Westbury on that train. He tensed, momentarily afraid. What had this experience stolen from his life, he wondered? He searched the mirror until someone pounded angrily on the door. With his last look, he realized that although he was different, it was because something had been added, not taken away.
Benjamin hurried out of the bathroom, past a young woman's angry glare and into the uncertain future. He hummed as he walked.
The day never seemed to end at the Thompson Academy. Darla had fallen asleep again. Rene and Linda had returned to the mansion, but Linda could not walk without crutches. Rene's own injury turned out to be messy, but not incapacitating. The phone had finally stopped ringing.
"Here you are, Jane," Marie said softly as she put the tray on the small table and shut the door. Jane's apartment seemed to be the only part of the house without broken glass or bloodstain, though Jane attributed that perception to her own overactive imagination. Marie dished out sandwiches and pie with milk, even rousing Darla so she might eat something.
"Where's Allen and his people?" Jane asked.
"Linda is in her room, resting. She'll return home tomorrow, but I think she wants to talk to you before she leaves. Rene and Maxine are in the basement with Allen, monitoring incoming reports. I gave Rene a tray to take down with her."
"Hmmm," Jane thought aloud, "I don't know why they didn't just pack up and leave. Looks like the shooting is over." She had discussed this with Sullivan and he explained that they had already been paid so they would stay for a while longer or until the last boy had been picked up.
Marie did not voice her own opinion. Jane was too distracted and besides, she had only the barest germ of a theory. She looked at the television.
"Recapping tonight's top story: a running battle raged through this historic mansion today. For reasons yet unknown, a youth gang invaded this mansion, the site of a girl's finishing school, but were fended off by the school's security personnel. School personnel declined to be interviewed. No students were hurt in the exchange of gunfire. Five gang members were killed and one captured. We'll bring you more as the story continues to unfold."
The next morning brought a small horde of workmen to repair the damaged windows and walls. Allen continued his work in the garden, mainly to avoid sitting in the basement all day. Other agents replaced Linda and Rene, agents who did not need to blend into the school's environment.
"Ms. Thompson, I'm sorry things did not work out better," Linda apologized as she prepared to leave. "I've never seen a gang act so organized before..." she shook her head. "What I really wanted to talk to you about was your work here. I've talked to Darla and Marie a good bit and I support your efforts. If you ever need someone like me again or if you have a position open full or part time, I'm sure we can come to an agreement."
"Thank you Linda. It's been a pleasure having you around. I'll consider your suggestion when we are back to normal here." Jane shook the woman's hand and turned to leave.
"Ms. Thompson," Rene said, surprising Jane, "could I have a moment?" At a look from Rene, Linda limped away.
"Yes, Ms. Fuller, what is it?"
"Keep an eye on Allen. Something's bothering him," Rene said simply. The last thing Jane wanted was to get involved in someone else's love life, especially a possibly unrequited love.
"We all have a lot on our mind Rene. I'm sure he'll be fine."
"No, Ms. Thompson. Something is really bugging him, I can tell. I won't say I know Allen, but I know him about as well as a person can. I've seen him shrug off bigger, bloodier messes than what happened here yesterday like they were nothing. Please help him if you can."
Jane realized that Rene had come as close to baring her heart as she would probably ever and it moved her. She extended her hand and the surprised woman took it.
"I'll do what I can, Rene."
"Thanks." Rene smiled genuinely for the first time since Jane had met her. Linda waved as the two women drove away. Jane walked the grounds, looking at the empty stables. The horses could come back now, she realized. The hammering and banter of the repairmen and the assorted noises coming from the garden provided a peculiar backdrop for Jane's reflection. She thought about the last few weeks. What had gone right and what had gone wrong. How might she have helped Benjamin sooner or better?
Jane's meandering path took her nearly to the road. She turned and looked back at the school, her home. These things had to be considered, she thought, because there would be no quitting.
When Jane returned to the house, Marie was waiting with the phone.
"Sheriff Beale wants to talk to you," she said.
"Hello."
"Hello, Jane. We talked to the ambulance crew that carried Mina out into town. I don't know how this happened, but their first report got lost somehow and no one interviewed them until today. Anyway, Mina apparently jumped out of the ambulance while it was stopped, stealing some spare clothes and a gym bag as she went. A few witnesses recall seeing a nicely dressed girl with long red hair walking around here yesterday, but no one has seen her today.
"I've got officers at the bus station and the train station and I've got some just cruising the highways that lead out of town. I've also got the usual bulletins going, for all the good that will do. Have you talked to Judge Ruth lately?"
"Not yet this morning, but I was going to as soon as you checked in."
"Well, we'll keep looking. Sorry I didn't have better news. Good bye."
Jane returned he phone to it's cradle and stood up. She needed to fortify herself with some strong tea before making her next call.
When she returned, she picked up the phone and dialed from memory.
"Hello, Jane," the judge said when they were finally connected.
"Hello. Still no luck finding him," Jane said, getting straight to the point. "I'm sure he shed his Mina identity as soon as he could and hitched a ride with Bill Gates right after he bought a winning lottery ticket," Jane said with a small trace of bitterness.
"You're saying the boy has amazing luck then, Jane?" Ruth said warmly, trying to comfort her friend. "Jane, don't be too hard on yourself. By your own account, the boy was not exactly prime material for your program that we though he was. Add to that the presence of total strangers at your school and not just the threat but the occurrence of terrible violence and I'm amazed you came through as well as you have.
"I'm disappointed in Benjamin, not you. He's a sharp boy by all accounts, I don't understand why he would run when he was on the verge of getting the help he plainly needed."
"What will happen to him if he's caught?"
"When he's caught, Jane," the judge corrected. "Lucky or not, the boy can't stay on the run forever." Judge Ruth sounded certain, but Jane would have bet heavily on Benjamin if anyone had offered. "I'll do what I can for him Jane, but the truth is, it doesn't look good for the boy. I'll make sure he gets a decent education and whatever help the counselors and therapists can provide."
"Let me know if there's anything I can do," Jane said.
"I will. I've caught a few news reports out here. They make it sound like a small battle was fought there. Did Sullivan and his agency work out alright?"
"We're still here and the bad guys are dead. Well, most of them anyway. Three got away. Allen and a few of his personnel are sticking around in case they come back this way."
"Really?" Judge Ruth asked. "I wouldn't have thought he'd stick around once the dust settled. Let me know if there are any problems. I send a good bit of work his way, when it's appropriate, and I want to make sure they are performing up to spec."
"I will. Thanks Ruth, you've been a big help."
"Nonsense. You're a big, tough girl Jane. I didn't think this would get you down for long. Call again soon."
"I will, good bye." Jane took a long sip of her tea and pondered.
"You okay?" Tom asked Allen as they patted the earth around freshly planted rose bushes.
"Yeah."
"I was just wondering. You haven't said your two words for the day yet."
Allen squinted at the sky. "Gonna rain."
"Whew. I feel much better now. Anything else you want to say?"
Allen looked at the man. His face and hands were weathered by exposure and his eyes had a permanent squint with webs of lines around them.
"You wouldn't squint like that if you had some sunglasses," Allen said mildly. Tom laughed. "Thanks for decking that kid."
"I couldn't just let him shoot you."
"You should have. That'll teach me not to turn my back on them, even is someone is standing around with a shovel to guard them."
"That what's eatin' you?" Tom asked. Allen shrugged, wanting to change the subject. "Well, if you need to talk to someone, I'm usually here. Of course Miss Jane has a better ear for it than I do and you don't look like the sort she'd hang a dress on."
"I think Miss Jane has enough on her plate already." Allen said, then he ended the conversation by changing the subject. "Should we be planting this stuff in the middle of the summer?"
Tom chuckled again. "Not really, but I've forgotten more tricks for keeping a garden green than most folks know. We'll be fine."
A few more days rolled past. Outside the new gardens took on their final shape. The horses were returned to the stables and Jane gratefully began riding again.
She also kept an eye on Allen Sullivan. First out of curiosity, then out of genuine concern. But she did not know how to approach the man. Since Benjamin's escape, he made even less of an effort to seem normal. Jane had seen him restlessly prowling the grounds. Benjamin finally brought the matter to a boil.
Five days after the shootout, a note arrived in the mail addressed merely Jane Thompson, Thompson Academy. It had been mailed locally with no return address. Jane tore it open.
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She found him on the front steps, perched gargoyle fashion and looking over the side of the step at something in the grass. She did not doubt that he heard her coming, but instead of the warm, compassionate opening she had planned, she said something else.
"Do you have any idea how creepy that looks?"
Allen stood and turned. "Yes, actually I do. Is this better?" he asked, putting on his sunglasses.
"No. It's not." Jane's temper was starting to get the better of her. "I'm not scared of a little unusual eye color. Now, what's behind the eyes is a whole different story. I suppose with eyes like that and coloring like you have, you were destined to stand out wherever you went, but I'm not here to discuss your personal development," Jane said tartly, then waited a few seconds. "I want to hire you for a new job."
"No," Allen replied.
"No? You haven't even heard what I want you to do."
"Find Benjamin."
"Well, that wasn't too hard to figure out. Why won't you do it for me? There's something about that boy you never liked or trusted, isn't there? I should have let him talk to you when he was here. He saw something in you that he thought would help him, but I didn't want to let him near you."
Allen considered this and finally asked the obvious question. "Why?"
"I was afraid he'd turn out like you," Jane said with equal parts of embarrassment and determination. Allen did not flinch. His expression remained unchanged. For the first time since meeting the strange man, Jane felt genuine fear of him.
"Allen, I'm not the kind of person who thinks everyone should be in therapy. I have heard some of your history and I think you've done a great job getting your life together, but you need something else. You are missing something...you need some kind of help to be whole and complete. The people around you are more than just your assignments or potential threats to your assignment. You need my help and I need yours."
"What do you want?"
"Find Benjamin. Find him and help him." Jane struggled to keep her eyes dry. "You promise to work on that and I'll find whatever person or resource we think will help you. In addition to your fee," Jane added as an afterthought.
"That won't be a problem," Sullivan said, "your bill has been paid already."
"What?"
"An anonymous foundation contacted my accountant back home and arranged to pay for our services."
"Anonymous my..." Jane stopped short, feeling the unseen yet not so subtle hands of her former students. "As long as you are paid, I'll work the details out later with this...foundation. Are you in or out?"
"In," he said without hesitation, surprising Jane. "I'd like to stay here a few more days to start the search from this end. I'll need pictures and whatever other information you have on him," Allen said, noticing Jane's raised eyebrow. "I'd also like a chance to talk to you. You come highly recommended and there are a few things I'd like to hash out."
"Very well. I will be available the rest of the day and all day tomorrow. Just let me know when would be convenient." Allen nodded and walked away, heading for the basement command post with new orders. Jane listened to the pounding of the hammers and watched the truck pull up with her new windows and doors. She looked around at the bright summer day and then turned and went inside, shutting the door softly behind her.
Author's Note: It has become my habit, if writing a note after 5 or 6 stories can be called a habit, to put an afterword at the end of the story. I like to talk about the things I write and also the things I read.
The first time I 'ran into' Jane Thompson, I hated her. I don't remember which story it was or who wrote it. I just remember not even finishing the story. My loss, I guess. Later, I would try again, and I discovered a character deserving much more than just blind, reactionary loathing.
I liked her. She was human.
For a character in a piece of fiction to seem human is a real achievement, in my opinion. I found that I wanted to build add to her character, add to the whole milieu of Seasons stories and basically add to Jane Thompson's humanity. 'Season of Fear' is my shot at that. I know it
lacks some of what faithful readers of tg fiction have come to expect and I won't go into detail on what I see as the shortcomings of the work. I hope I have accomplished what I set out to do and that the Seasons will continue to come and go in their eternal dance.
End of Season of Fear © 2002,2013 Ediolon90 (Eido)
End of Season of Fear Book 1 of 3 by Ediolon90 (Eido)
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~Web of Fear~
Book 9 Seasons of Fear
Book 2 Copyright © 1999,2002,2024 Ediolon90 (Eido)
All Rights Reserved. |
Based on characters and concepts originated in "Seasons of Change" by Joel Lawrence and "A Losing Season" by Tigger Copyright 1989.~Tigger
Reader Caution: Season of Fear, Web of Fear, and Season of Remembrance, written by Eidolon90, represent a different view of the universe of Miss Jane Thompson. It's darker than my own view, but are still compelling, thought-provoking stories. However, readers are cautioned that there is a particularly bloody and violent scene in Season of Fear that requires "Aunt Jane" to react in ways that have not occurred in the other stories. Her reactions are not always consistent with my own view of Jane, but hopefully she'll never face an equivalent level of stress in my stories, either.
The second Seasons Story by this author, Web of Fear, is the source of some of the characters in the Remembrance story. Sadly, the story is lost to a series of hard drive crashes and web-site/BBS-demises. It was a very good story. However, Eidolon90 does have the notes he had written it by, and through Sephrena's efforts, has agreed to possibly rewrite it sometime. Until he does, this page shall remain a placeholder for that story. ~Tigger
Admin Note: Eidolon90 has give Tigger permission to host his stories within Tigger's Story Arc of Aunt Jane. His permission was also written to myself pertaining to this and is duly noted. All credit to the three books of "Season Fear Series" by Eidolon90 belong solely to Eidolon90 (Eido).
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989, and further expanded upon with Joel Lawrence's permission by Tigger ~Sephrena
© 2002 by Eido All Rights Reserved. These documents (including, without limitation, all articles, text, images, logos, compilation design) may printed for personal use only. No portion of these documents may be stored electronically, distributed electronically, or otherwise made available without express written consent of the copyright holder.
It's Christmas time, but at Seasons House, the mood is anything but merry. Jane has, after her very best efforts, determined that the redemption of Carl is beyond her considerable powers. The only reason he has not been sent home in disgrace is that holiday travelers made transporation reservations not to be had - even with Jane's contacts and resources. The darkness of failure casts a dark shadow over Seasons House, but then again, it is Christmas, and as Charles Dickens taught us all, wonderful things can still happen.
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Seasons of Change
Book 10 Seasons Greetings
A Carol Christmas Copyright © 2000,2012 Tigger
All Rights Reserved. |
This story takes place approximately one year to a year and a half after the conclusion of "Tales of the Season: Darla's Story" in the branch of the "Seasons of Change" Universe that I started with "A Losing Season."
Of course, this is a play on Charles Dickens' "A Christmas Carol", the entire text of which can be found at: http://www.stormfax.com/dickens.htm
And now, the story. . . . ~Tigger
Part 1: Prelude and the First of the Final Confrontations
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Darla, or as her junior colleague was wont to call her, Darley, is a boy: to begin with. There is no doubt whatever about that. The certificate of his birth was signed by the delivering physician, the hospital administrator, and the local county attorney. Young Darley is as masculine as rats and snails and puppy dog tails.
Mind! I don't mean to say that I know, of my own knowledge, what there is particularly masculine about rats or snails or the tail appendages of juvenile canines. I might have been inclined, myself, to regard the masculine nature of any of those particular creatures to be disputable, as I have, in my experience, had the acquaintance of female dogs and rats. And while I am not certain how one |
would ascertain the gender of a snail, I am convinced that there must be at least some of the creatures that are female. But the wisdom of our ancestors is in the simile and I shall not dispute it. You will therefore permit me to repeat, emphatically, that Darley is, most definitely, as masculine as rats and snails and puppy dog tails.
Did her young colleague know she was male? Of course he did not. How could it be otherwise? Darley's partners in this enterprise decreed and ensured that this would remain unknown to the new student. Even as they imposed the same masking of his masculinity upon him as had been earlier been imposed upon Darley. . . that is, upon Darla.
The mention of Darla's masquerade brings me back to the point I started from. There is no doubt that Darley was and is male. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate.
Once upon a time, three people sat down to table in order to break their fast. . .
The First of the Final Confrontations:
*It's as if she's decided this one is a lost cause,* the petite blonde girl thought bleakly as she picked without much interest at her own breakfast. *Lord, she gives me a harder time about such things when there is no one but the two of us here and I'm not really her student anymore.*
Jane Thompson, an elegantly handsome woman, sat at the head of the dining table, her eyes fixed on the third diner, another blonde whose attention was fixed on the huge plate of food in front of her to the exclusion of anyone or anything else. A look that was half disgust, half some other emotion crossed the older woman's face as she regarded the silent student.
*She isn't even calling the twit on that abominable display of poor table manners,* Darla thought. *My god, I guess we really have failed this one.*
Surreptitiously, the shortest of the three figures at the table glanced at the object of Jane Thompson's annoyance. Carol Morris was tall, an attribute that Darla envied greatly, and she was almost pretty - she *would* have been pretty had her makeup been more subtly and appropriately applied. *Not that it truly is poorly applied,* Darla mused, *Actually, it is a superb job if one is going out clubbing or trolling for guys, or even if this was a scene from some theatrical play that necessitated such high color which I am certain was precisely her intention. One thing Carol has learned here is how to apply cosmetics skillfully, but she just refuses to wear it appropriately because she knows that showing up for breakfast made up that. . . blatantly pisses Jane off.*
Darla stifled a sigh. Jane's little cadre had had such great hopes for this student. In fact, there had been the generally accepted opinion that if someone had set out to create the ideal model for a successful Jane Thompson project-student, Carl Morris would have matched that profile almost perfectly.
Physically, Carl was ideal for Jane's forced feminization treatments and subsequent training. Tall, leggy, slender and relatively narrow-shouldered for a male, and possessed of high cheekbones and eyelashes a supermodel would covet, he'd been passable soon after his arrival, unlike the previous student who was not really suited to the masquerade. Jane had expected to be able to pull out all the stops with this one, putting him in situations where preserving the secret of his masculine gender would force him to behave like the sweet, obedient and submissive girl Jane intended he become in every way possible short of surgery.
Secondly, Carl Morris was an egotistical, super-macho asshole whose overblown self image should have crumbled like chalk before Jane's scathing tongue and iron will. He had been sent to Seasons House after having been suspended twice and finally expelled from his suburban high school for sexual harassment - escaping civil charges only through the offices of his uncle, a powerful congressional staffer. He had an extremely insolent attitude towards women and felt no compunction about expressing his offensive opinions about the feminine sex loudly and vulgarly - often in public. The last two times he'd been in trouble at school, he'd gone beyond talk and had physically intimidated two girls. *Without that damned uncle of his, he'd have been charged with threatened assault, and put in a reform school!* Darla thought darkly.
The damned fool had even made an overt and offensive pass at the frill-bedecked Darla on the train platform, and when Jane had reprimanded him for his behavior, had told her to get the hell out of his face. When she'd agreed to take on the role of mentor/secret informer for this student in Jane's program, Darla had expected to feel sorry for her little 'sister' during those first admittedly brutal hours in Jane Thompson's keeping, but she hadn't felt the smallest tinge of sympathy - not for this one. Not after Carl's first greeting to her had been a lewd comment on her lips and completely obscene suggestion about where he thought those lips might do him the most good. Oh, Darla had positively salivated at the prospect of watching Carl Morris' first days at Seasons House.
Except the expected breakthrough, or rather, the expected breakdown had never occurred. Somehow, this chauvinistic idiot had managed to take Jane's best shots without so much as denting his overweening masculine pride or his even bigger ego. A not insignificant accomplishment, Darla had to acknowledge. Even Kenneth, who had amazed Jane, Marie and Darla with his incredible self control and composure under fire had paid a heavy price physically and emotionally in doing so, and he'd only had to keep that up for a few days until Jane found out he'd been sent to her under false charges. Carl had been with Jane for almost six months, all the while following her orders precisely, just as he had promised, but never showing the slightest indication he was weakening.
And Jane had tried everything, including some tricks she'd sworn off following Michael/Michelle's attempted suicide. She'd used the long-duration, high color cosmetics on him and then taken him to a Providence shopping mall in effeminate, at best androgynous clothes as a boy. He'd laughed off the masculine derision the teenaged contingent hanging out there had tried to heap on him. Then Jane had turned Sandy and Caro loose on him, in particular releasing any constraints she had placed on Sandra's dark side, again to no avail. The cross dressed punk had actually laughed at his reflection in Caro's mirror at the end of his first trip to Marisha Chalet. Naturally, that reaction had put paid Jane's plan to have him be the model for Caro's Wednesday afternoon cosmetics class for the local teenaged girls. He'd even managed to spill hot tea on Evelyn White, ruining a favorite antique- laced outfit. Only quick action by Jane had saved the society matron from a trip to the emergency room burn center. Not surprisingly, Carol had not been honored with invitations to any of the society events that the redoubtable Mrs. White controlled.
Worse yet, none of Jane's disciplines or punishments had elicited the expected results from this student, either. Not once, in the six months he'd been here, had Jane been able to reduce Carl to tears. On the plus side, he hadn't evidenced any violent tendencies either, and except for his request for oral gratification on the train platform, had not harassed Darla further. However, their continued failure to unearth any softer, gentler emotions in her charge had upset and frustrated Jane, Marie and Darla.
*It's as if he is marking time, for some reason, waiting for something to happen that only he knows about,* Darla thought, not for the first time. *Odd, too, that after all these months, I still think of him in the masculine tense. It takes real effort to remember to use feminine pronouns in relation to this one. Guess that is the true measure of just how badly we've missed the mark.*
At that moment, Carol wiped her mouth on her napkin and deposited it in the middle of her plate. "Well, that does me. Excuse me, Ms. Thompson, and I will go get ready for whatever games you want to play today."
Darla watched as Jane simply stared at the smirking, girlishly dressed boy for nearly a minute. "I think, Carol, that we will dispense with any further lessons. Obviously, they aren't doing you any benefit as you are still the same obnoxious, ill-mannered immature little boy you were when you first arrived in my home. Since this is Christmas Eve, I think we all would enjoy our holiday fare more if you were to take your meals in your rooms."
"Nothing else has worked so we're going to try solitary confinement on bread and water, eh?" was the snide reply. "What's next? Harsh lights and rubber hoses?"
"You will treated with the same courtesy and concern for your health and physical well-being as you have enjoyed since your arrival," Jane replied in as cold a voice as Darla had ever heard from her. "You will find the accommodations in your room will be unchanged and that you will be fed the same food that Marie will serve in the dining room. You simply will no longer be tolerated at table. That way, you may behave as disgustingly as you please without ruining anyone else's appetite for Marie's holiday cuisine. As to confinement, we've already discussed that issue, have we not? You will continue to behave yourself in accordance with your promises to me, or I shall be forced to call Deputy Beale again."
Carol glared at Jane for she recalled, all too vividly, the evening when she'd overstepped herself in baiting this old bat and her blonde lackey. The deputy who had responded to Thompson's call had promised that the next time Morris went too far, the cop would happily toss his ass - panties, petticoats, ribbons, makeup and all - into the overnight holding cell with all the drunks and petty crooks waiting for morning bail court. "And since you and I both know you're a boy underneath all that pretty girl stuff, well, I'd just have to toss you into the male holding cell."
"All right, MS Thompson," the femininely dressed boy retorted, putting heavily sarcastic emphasis on the 'Ms.', "I shall remove myself from your august presence and wish you. . . an oh-so-VERY joyous Christmas Eve. Let me know, won't you, if you exercise your womanly prerogatives and decide you actually do want to play some more? Far be it from me to deprive you of your little pleasures - it being the holidays and all."
With that, he stood and strode from the room using a masculine gait that Darla would have thought impossible in the three inch- heeled mules Carol had worn to breakfast. Darla turned to see Jane gazing into the now empty passage as well, a look of fatigued sadness on her face.
Finally, Darla could no longer deal with the oppressive silence. "No more exercises, or just no more until after the holidays?"
Marie had told Darla that Jane tended to 'ease up' on her students around the Christmas holidays. Actually, what she did was find a reason to fade into the background and let Marie play Mother Christmas with the beskirted boys while Jane watched from a distance in secrecy, enjoying their pleasure vicariously. This ensured that her authority and the boys' fear of her remained largely intact while permitting them to enjoy the holidays. It also, Marie told Darla, provided her boys with contrasting experiences that made the rigorous re-establishment of Thompson's Law all the more effective after the short, but very welcome respite.
"No more, period," Jane said softly as she filled her cup from the silver coffee pot. Darla thought she could see Jane's hands tremble slightly as she poured. "There isn't any point in carrying this farce any further. I don't know what more I could do with *him* anyway. Admittedly, I remain baffled by his continued lack of response to what should be emotionally traumatic experiences, but that just makes me even less capable of helping him. I cannot safely deal with a personality I don't understand. Perhaps a public unmasking might get his attention, but even so, it is a step I cannot, in good conscience, take with him. That could follow him the rest of his life and affect him in ways I am not willing to take the responsibility for causing. Besides, based on his reactions to date, I'm not sure that would have any more effect on him than any of the scenarios I have used with him."
"Even you can't remember to speak of him in the feminine tense," Darla thought aloud.
"Because he isn't feminine, for all he can be as lovely as any student I have ever taught. With all my other boys, they reached a point where their feminine selves began to shine through the emotional walls they built around themselves - I can't describe it better than that, but I could always clearly see in them the balance of the feminine with the masculine coming into alignment; the feminine tempering and gentling the masculine even as it fulfilled the integrated personality. As perfectly as he has learned every nuance of looking and acting like a young woman, there is none of the truly feminine with this one. The skirts, the cosmetics, even the body language are nothing more than a disposable masquerade for Carl."
"It's hard to believe that someone can disdain women that much and do so well with the trappings," Darla replied.
"All part of his male arrogance," Jane sighed. "I asked him about that recently, and he told me that he did it because his father impressed upon him that he always had to be the best at anything he did. So he excels to prove that, being a real man, he could do all this womanly bull. . well, you get the idea, and do it better than you or I do it, and that the doing does not really affect him in any intrinsic way. Essentially, he strives for perfection because doing less offends his pride. I just wish I knew why he's never truly feared being unmasked in public. Clearly, he doesn't see that as a threat."
"So, now what do we do with him?"
Jane shook her head, making her shoulder length, silver-shot auburn tresses dance about her face. "He's not a court-referred case, so he doesn't have reform school hanging over his head. It was probably a mistake on his uncle's part to settle that civil court case before it went to trial. Maybe if we'd had a court judgment against him as primary punishment and our program as the alternative, we might have made progress with him, but we didn't have that leverage. So, we send him back to his uncle who will, I am sure, send him to that harsh military boarding school."
"When?"
Jane laughed, but it was a sad, mirthless sound. "I'd send him back today if I could, but I wasn't able to make reliable travel connections to get him expeditiously back to Washington until two days after Christmas. I tried trains, buses, planes - I even tried to charter a limousine - without any success. The only option would be for one of us to drive him there and I refuse to let him ruin our holiday more than he already has."
"You going to let him go back into guy stuff, then?"
"And let him know he's beaten me? Hell no!" Jane snarled, shocking her foster child with both the words and her ferocity. "I have failed with him, but that little snot failed right along with me. He never even tried. I will be damned if I am going to change him back one second before absolutely necessary. And don't think I haven't given a good deal of thought to packing him onto that train dressed like Raggedy Anne. However, that is unworthy of me and what I try to accomplish here, so Sandy will be here two hours before we have to leave for the station to do the tear down. I just hope the process is at least moderately painful for him."
"You never did try using the letters you showed me when we were first trying to figure out why he wasn't reacting the way we expected," Darla reminded her mentor. "Surely those would make an impression on him."
Jane shrugged. "I considered it, but he never gave me the slightest indication that he might be open-minded enough to understand what they say. I have discussed his case generally with Eric, and specifically about those letters. He reluctantly agreed with me. In that boy's state of mind, he'd conclude that those letter were just one more of my schemes."
"What are your plans for the rest of the day, then?"
Somehow, Jane's visage became sadder still. "Allie's surgery is scheduled for later today. I don't want the child to be alone so I will go to the hospital to stand in for the parents."
"No luck on getting them home?"
"None," Jane sighed. "They're afraid that if they request humanitarian leave, they will be given humanitarian discharges for the convenience of the service. Then they'd be out of work on top of everything else."
"That's unbelievable!" Darla raged.
"But within the realm of possibility. The services continue to downsize. Soldiers who cannot go where they are needed take up quota numbers that could be filled by soldiers who can. I checked and found that the numbers bear out what they told me. Their commanding officer is on their side, but the bean-counters who would make the final determination are evidently taking a very hard line on this type of thing."
"That really sucks," Darryl's voice growled. "Oops, sorry, Aunt Jane."
Jane stood and walked over to put a hand on her ward's shoulder. She squeezed gently. "That's all right, this time, dear," she said bending over to plant a kiss on Darla's forehead. "In this case, your assessment was nothing but the sad, stupid truth. Will you be okay here today? With him?"
Darla snorted. "Of course. That punk only thinks he's tough. I'll be fine, Aunt Jane."
"I'll be back in time for dinner, dear. They've scheduled the anaesthesia for four o'clock."
Darla (originally and still sometimes Darryl) Smith had lived through gray and grim holidays before. All of them, actually, before a benevolent judge had sent a troubled, abused boy to Jane Thompson thinking he had been a voluntary party to several crimes perpetrated by his sadistic older brother. Darryl Smith had never even had a birthday party in his entire life prior to his coming to live with Jane Thompson, but every birthday or holiday since that magical moment had been . . . well, a dream come true for the love starved adolescent.
*And that is a big part of why you are so pissed off with Morris right now, m'dear self,* Darla admitted to herself. *Our failure to make any progress with him is casting this damned pall over the holiday season, and since last year you tasted how sweet a family Christmas is, you want to lash out at the obvious cause.*
The femininely turned-out boy was still arguing with himself over the relative fairness of that outlook when the cause of this internal conflict came into view.
For a moment, Darla could not quite believe the evidence of her eyes. Carl. . . Carol was sprawled on the parlor davenport, one leg flopped over the back of the sofa, the other draped along the cushions' edge with her foot resting on the floor as she read the morning newspaper. Unfortunately, she was wearing a skirt so her position put her petti's, garter belt, stockings and panties on full display.
"Dammit, Carol, sit like a lady!" Darla snapped, her anger bubbling over.
Perfectly made up, but hard gray eyes turned to gaze up at equally perfect blue ones. "But I am not a lady, Darla," was the quiet reply. "If I were in fact female, I think I would much prefer to be a slut, if that bitch Thompson is the model of what is required to be a lady."
Darla's hands fisted so hard she felt her nails cutting into her palms. "You agreed to follow Jane's orders," she hissed, striving for self control. "And that means you are to be a lady. . .HER kind of lady and LADIES do not lay about upon divans with their legs akimbo like some damned tramp waiting for her next john!"
Carol gave a cold bark of laughter, but rolled off the sofa to her feet, very daintily arranged her skirts and then reseated herself with caricatured feminine grace. "You were saying?" Carol asked, fluttering her lashes.
"Why?" was all Darla could manage to get past the fury-driven lump in her throat.
"I promised *MS* Thompson, that I would do my best to follow her orders. As I am not really a girl, that is my best."
"That's bull and we both know it! You haven't given anything even approximating a real effort to get with the program since the day you arrived!"
"Why should I? *This*," Carol shot back, running a long-nailed hand down her bodice and skirt, "Is bullshit! She wants to make me like women better by having me try BEING a woman? What is that? Walk a mile in her spike heels and learn her righteous point of view? Crap! She's just another bitch of a woman trying to tell men what to do. Well, I've taken everything she can dish out, and I still say, 'Screw her!'"
"Don't you think there might be a possibility that you are wrong, about women in general and about Ms. Thompson specifically? If you don't listen or do as you told, how will you ever find out?"
"There's nothing you or that woman can teach me, chickie. As to the other, well, I've done what I've been told to do, when I've been told to do it, how I've been told to do it."
"And not a damn bit more!" Darla accused hotly.
"To what purpose? I've already told you what I think of this idiotic learn-by-doing program here. Besides, I'm out of here in a couple of weeks anyway and there's not a damned thing you or your MS Thompson or even my uncle can do about it!"
"So you turn eighteen. Big deal. Your uncle has told you there isn't any money for you until you pass muster with Jane, which you won't if you don't straighten up."
"Straighten up? Isn't being 'straight' a little hard when she rigs me out like this? And my uncle is in for as big a surprise as your sainted Ms. Thompson. He's not the only relative I had, and the inheritance he runs as trustee supposedly for me isn't the only one I have coming."
Darla was about to ask what Carol meant by that when the front door bell chimed.
*Who can that be?* she wondered. "We need to finish this discussion. Don't disappear!"
"Sure, sweetcakes. Whatever you say, short-stuff."
With a barely stifled growl, Darla spun on her heel and strode to the door.
Darla glanced through the glass surrounding the heavy oak front door to see a man she had never met before. The heavy trench coat he wore against the blustery chill of a December day in New England hid all but his face in its bulk.. *One of Jane's business colleagues making an unannounced holiday visit?* she wondered as she opened the door. "Hello," she said through the still-chained door, "May I help you?"
The man gave her a considering look before nodding and passing a card through the cracked-open doorway. "Yes, please. Is Ms. Thompson at home? My name is Donald Madden."
"Who is it, dear?" Marie's voice called from the hall.
"Is that you, Miss Marie?" Madden called.
"Who?" Marie asked surprised as she came up to look out at their visitor. "Donna. . .aallld?" she suddenly stuttered out.
"Yes, ma'am," the fellow said with a little half smile. "I wondered if Ms. Jane was home?"
Marie gently elbowed Darla out of the way. For several moments, she stared at the man as if deciding what to do next. Finally, she sighed and unchained the door. "She's not here, Donald," the older woman offered in a coldly uninflected voice that Darla had never before heard coming from the gentle Marie. "Won't you come in for a moment and take the chill off?" she asked.
"Oh, all right. Just for a moment, though," he replied hesitantly.
*Whatever is bothering her about this guy,* Darla mused. *Marie actually wants him to stay.* She watched as Marie put her hands out to their visitor only to pull them behind her back after a brief handclasp. *Not only that, but she more than halfway wanted to hug him, but stopped herself. What on earth would stop Earth- Mother-Marie from pulling someone to her loving heart? Whoever this guy is, and whatever is causing Marie to give out such mixed signals, he is not merely another of Jane's business acquaintances.*
"You'll stay and have a cup of tea, Donald," Marie ordered briskly as she divested him of his heavy coat. "Why, you're chilled to the bone. Go make yourself comfortable in the morning room and I'll get the tea. Darla, you and Carol keep him company, please."
Left to play hostess, Darla started to guide their guest into the sun-warmed morning room on the southeast corner of the huge house, only to find him already halfway down the hall toward the room. *Maybe he just knows classical Victorian architecture?*
"Come along, Carol," Darla ordered wishing there was something else she could do with the delinquent student, "And be on your best behavior."
"Of course, dear," Carol replied in a catty purr, "Don't I always?" she asked before adding, "In public?"
They found their visitor strolling about the ornately decorated room, a strange smile on his face. Darla took this opportunity to take the measure of the man. He was not tall, perhaps five feet eight or so, but not much more, and slightly built. Male pattern baldness had begun to thin out the light brown hair on top of his head while his face was clean shaven.
He stopped his wandering at a display of nick-nacks. Smiling, he reached out a single finger to pet one of the menagerie of crystal animals arrayed on a table positioned before a window to catch the sun.
"Hardly anything changed," he murmured to himself before looking up to smile at Darla and Carol. "Marie ran off before she could introduce us. I've already told you my name. You two are?"
Blushing, Darla automatically dipped into a curtsy. "I do beg your pardon, Mr. Madden. My name is Darla Smith and this is my. . . friend, Carol Morris."
Donald Madden quirked an eyebrow in response, particularly when Carol pointedly did not emulate Darla's formal greeting, and then came over to clasp each girl's hand in turn. Just then, Marie bustled in, weighed down by a heavy silver tray. *My goodness,* Darla thought, *She is using the formal silver tea service. Tante Marie is really pulling out the stops for this guy!*
"Here, let me help you with that, Marie," a smiling Donald Madden offered as he took the tray from her. He settled the tray on the large coffee table that Jane used for precisely that purpose in her lessons with students, and then politely waited for the ladies to seat themselves. "Shall I pour, Marie?" Marie nodded, but Darla could see the tension in her eyes as she watched their guest's every move.
"This room hasn't changed a bit," he said to Marie. "Do you still insist on dusting the crystal creatures yourself?"
Marie blushed, but before she could answer, Carol trilled, "Oh, the only time Marie gets at all upset is if we so much as look cross-eyed at her glass pets."
Donald regarded the tall, blonde beauty for several moments with an intensity that made even the haughty Carol look away. "I take it you two are Jane's current students in residence?"
"So she says." "Yes, sir." were the simultaneous responses.
Nodding, Donald turned toward Darla. "I assume, then, that you are the big si. . .that is, the experienced mentor student?"
Understanding hit Darla with icy clarity. *He KNOWS!* Perhaps it was the shock of that realization, but Darla answered him without fully considering her words. "Yes, sir, but I'm not very good at it, I am afraid."
"I see," was all he said as his gaze shifted back to Carol.
"So, Don. . ald, tell me what you are doing up this way?" Marie leapt into the break, her voice still wary.
For her part, Darla watched and listened with interest as Marie tried to divert the conversation away from Carol. *There is no doubt in my mind that he knows about Jane's teaching practices and that he believes that both Carol and I are really male under our dresses and pretty undies. The only way he knows those hard little truths is if he is a parent or relative of one of Jane's former students, or one of Jane's supporters among the law-types or social services folks, or. . . .or he's a former student himself,* Darla wondered about that, and then recalled the comment about Marie's possessiveness of the crystal zoo. *Only a former student would know that only Marie is allowed to so much as look at those things with a duster in hand. Not only that, but Marie stumbled over his name - twice - each time nearly calling him Donna. Therefore, I think I can safely assume that Donald is one of Jane's boys, and that was his 'femme-name'.*
The conversation turned to Donald's current activities, but he sidestepped those questions. *Wonder why he doesn't want to talk about himself? Because he simply doesn't want to answer Marie's so-very-pointed questions about himself? Or might it be because Carol and I are here and he's afraid he might give away one of Jane's secrets to our detriment? I wonder. . . Marie is really of two minds about him. Nervous and wary, yet somehow pleased and hopeful.. But I've been here when a former student has come to visit before, and Marie was not nearly so reserved or cold as she is trying to be with Donald Madden. Could he be one of the two infamous Thompson failures? If he is, he must be the corporate raider because the other fellow is in prison, serving life-without-parole as a three-time loser. Isn't this interesting?*
Darla's thoughts were broken when the man turned back to Carol. "Tell me why Miss Smith believes she is not doing a good job as your mentor," he ordered. "You seem to have acquired all the appropriate social skills and graces."
"Donald. . ." Marie tried to intercede, but it was too late. Darla saw something change in Carol's demeanor, saw her eyes become hard.
"Because there is nothing she and that Thompson woman have to teach me that I care or need to learn."
"And how long have you been here?" the man's voice was suddenly very soft.
"It will be exactly six months tomorrow. Merry frigging Christmas!"
"CAROL!" Marie snapped. "That will be ENOUGH of that language. Apologize immediately!"
Madden held up a hand to Marie. "No, don't apologize unless you mean it," he said, his eyes still fixed on Carol. "Do you know why I came up here?"
Setting her cup down, Carol sat back in the chair. "I am sure I don't really care," she retorted, no longer playing the game.
"I can see you don't, but I will tell you anyway. I came here because I did not want to face another Christmas like the fifteen I've suffered through since I was Jane Thompson's student. I came here because, surrounded by people, in the midst of a hundred parties, I was unutterably lonely."
Carol gave a derisive bark of laughter. "So why did you come to this armpit of the world? There's not that many people here."
"Because for all the mistakes I made while I was here, and they were legion, I wasn't ever lonely here," he said simply.
"Oh, so you are like Barbie's little friend Skipper here," Carol disdained, pointing theatrically at Darla, "one of Ms. Thompson's perfect little society boys and girls; a credit to her sadistic little program."
"I think you owe both Miss Smith and Miss Thompson an apology, young lady," Madden said coldly. "But you wouldn't mean them either, so again, please don't bother. To answer your challenge, no, I am not one of Jane's successes. After seven months here, she finally had to admit that I wasn't going to come around and, very sadly, sent me home."
"Good for you!" Carol cheered. "It's good to know that she can be had after all."
"You really are a fool, aren't you?" Madden said, his head shaking in what seemed to be disbelief. "You haven't listened at all, but I will put it to you again, this time in simple words. I screwed up here. I was so sure I was right and she was wrong that I only went through the motions. Oh, I learned all her lessons because there wasn't any way not to, but I never internalized them. I left here the same foolishly proud, arrogant asshole I was when I arrived."
"You don't look like you've done so poorly. That's a hand- tailored suit you're wearing and those shoes you're wearing cost as much as some cars."
"I've been successful," he admitted. "And many people have suffered a very great deal for that success. As a result, nice people either fear me or dislike me, and the only ones who are willing to pretend to be friends with me are those who want to be friends with my money."
"Who needs friends?" Carol waved that away disdainfully.
Sighing, Donald rose to his feet and offered his hand to Marie. "I had better go," he said with real sadness in his voice. Then he turned back to Carol. "I asked that very same question fifteen years ago when I was Jane's student. I know the answer now - *I* need them. Someday, you'll need them, but you won't believe that now. You're too much like I was - proud, arrogant and stupidly sure of yourself for no real or valid reason. In fact, I think in fifteen years, you too will find yourself alone and worse than just alone, you will find yourself lonely, despite any apparent success you might achieve, despite however many hangers-on you have around you pretending to be your friends. Look at me, you adolescent fool, and see your future if you don't mend your ways and start listening to people who have only your best interests at heart."
With that, Madden spun on his heel and left the room.
Marie, a distressed look on her face, rushed out after him, followed by Darla. They caught up with him as he was pulling his coat from the foyer closet. "I am sorry, Marie, for losing my cool that way. She's just so much like me, making the same damned mistakes I made."
Marie only put her arms around him and hugged him. "I'm glad to see you, again, Donna, and so glad you cared enough to come back. Jane would love to see you, too."
"I can't stay long, and I don't think it would help for me to see that one again," he said sadly.
"Mr. Madden?" Darla interjected. "Carol will not be eating with us tonight by Jane's order. Perhaps you would join us for dinner? Say about 6:30? Jane could really use the company, I think, because, well, as you can tell, things are not going well with Carol. Maybe . . .maybe seeing you would help improve her spirits."
"Yes, Donna, please come to dinner," Marie urged.
There was a look of wistful longing in the man's pale blue eyes. "All right, I'll try. But I will call first to make sure it is all right with Aunt Jane." He finished buttoning his coat and gave Marie a kiss on the cheek before offering his hand to Darla. "And I don't think you've anything to be ashamed of with respect to your performance of your responsibilities as big sister, Miss Smith. Some . . . some of us just don't know when we're being helped or when we're well off. Good day."
"Nice try," Carol said cheerfully, raising her teacup to Darla in a mockery of a toast.
"Huh? I beg your pardon?" Darla asked.
"Better watch that 'huh' stuff, Darley. Good old Auntie Jane might decide that 'huh' is a curse word and wash your widdle mouf out wif soap," Carol taunted. "I said, 'nice try.' I have to admit that last plot of Jane's was pretty good, bringing that loser in to act like a charter member of what I am sure is the huge Jane Thompson failure club. Even better for him to try to draw connections between his alleged time here with my own deeply regretted experiences, but guess what, blondie? It didn't work! If that is me in fifteen years, I will be MORE than satisfied with my life. You won't find me griping about my lifestyle or worse, coming back to this pit to cry about being lonely."
"You think that he was a plant? That he was putting on an act?" Darla asked, disbelieving. "For YOUR benefit?
"If you're going to try to play, how did he put it? Oh yeah, mentor for Thompson's future students, then you are going to need some serious acting lessons, Darley," Carol chided. "You'll never sell anything like that. Of *course* it was an act. Had I bothered to give it any thought, that is just the type of dirty trick I would have expected next. Her sadistic little games didn't work, so now she tries to scare me into playing along with her."
Raw fury lanced through Darla and her fists literally itched to smash that sarcastic grin off Carol's face. "That is the second time you've used that word in regards to Ms. Jane," Darla hissed, "And if you had the brains God gave a jellyfish, you'd know there is a huge difference between deviant sadism and the kind of tough love expressed by Jane Thompson. Yes, she's rough on us. Sometimes, she's even mean, but that's what it takes sometimes to get people to take a hard, honest look at themselves."
"Oh, I find it very hard to look at myself in the mirror right now without losing my lunch," Carol mocked. "Come off it, Darley. Even if I were to concede that this whole program has a real and truly noble purpose beyond Thompson getting her jollies dishing out humiliation - which I *don't* - I will never believe that woman understands any more about love than any other woman I have ever met. Womanly love is one of the universe's great oxymorons."
"Maybe it is just that you are about as lovable as . ."
"Ah ah ah, blondie," Carol scolded. "I've already warned you about those naughty words once today. Besides, as my mentor, aren't you are supposed to be setting a properly genteel and ladylike example for me?"
There were times, Darla fumed, when counting to ten just wasn't enough. Unfortunately, she just didn't have time for the ten thousand or so she'd likely need to control her temper. *If only Jane were here instead of at the. . .waitaminute! That's it.* "So, you think womanly love and caring, particularly womanly love and caring expressed by Jane Thompson is a contradiction in terms?"
"Actually," Carol responded, sounding serious for the first time, "I'm not sure I believe there is such a thing as love, period, but I definitely believe that dried up old bat has not the slightest understanding of that concept in any way, shape or form."
"Get you coat. I'll be right back," Darla ordered before slipping out to find Marie. They were all going for a ride.
With steadily growing trepidation, Marie watched the two young women staring into the critical care unit through the viewing gallery's large window. For her part, she couldn't bear to look upon a child in such a condition, forced to suffer such intrusive indignities and pain, but that was just another area where Jane Thompson was stronger and more courageous than she was. Moreover, Marie had more than a few reservations about this plan of Darla's. The pediatric oncology unit at Children's Hospital was Jane's special cause, and not one she had ever shared with a student before. *I hope this was the right thing to do, and if it wasn't, I hope Jane understands. Lord above, but that girl is just as strong willed and determined as her mentor once she gets a notion in that head of hers.*
Darla had one eye on the tableau in the hospital room, and one eye on her recalcitrant 'little sister'. For her part, Carol's attention was totally focused on the two figures below them. Truth to tell, it was difficult to tell that those figures were people. The one on the bed was in an isolation bubble, his or her features blurred by the way the plastic form refracted light. All one could really tell was that the child was small and very, very frail.
The other figure was swaddled in a complete set of bulky surgical greens, complete to gloves, a hood and a surgeon's mask. A single hand passed through a glove-like extension into the isolation bubble so that the doubly gloved hand could gently caress the unmoving child.
"She had to go through a complete decontamination cleansing before putting on that outfit," Darla murmured, "And even then, she cannot touch the child directly because the little one no longer has any resistance to diseases."
"Poor kid," Carol replied, her attention still fixed on the two figures in the room. "What's going on?"
Encouraged, Darla explained about Allie's condition and what was going to happen today.
"How good are the chances of a recovery?"
"The docs say 70/30 in favor, maybe better. Jane says they were able to get a pretty good match from this donor. It'll be touch and go for the next few days. They pretty much won't know for sure until a week from now."
"Where's the kid's parents? Where's the 'loving' mother?"
"We couldn't get them turned loose from their stations over in the middle east, not without threatening their careers."
"Figures," Carol snorted. "Kid comes last."
Darla resisted an urge to retaliate, and with great effort, kept her response measured and rational. "Assuming Allie makes it through the critical times to come, they're going to need their jobs, because it still won't be over. I don't know the whole story, but as I understand it, the only way the government would let them out of what they're doing is by terminating them. No pay, no benefits, no healthcare. Kind of hard to choose, I'd think."
"Government workers or contract types?"
"Government."
Carol only hummed in her throat. "If it wasn't for the eyes, you wouldn't be able to tell it was the old bat," she said distractedly.
"It's Jane," Darla affirmed coldly, but Carol didn't say another word.
They stood there in silence for almost half an hour until the hospital room door opened. Several more green-garbed figures filed in, led by one whose bountiful feminine endowments even the formless medical garments couldn't quite hide. She walked over to Jane, putting a gentle hand on the seated woman's shoulder. They exchanged words that those watching from observation gallery couldn't make out, and then slowly, with obvious reluctance, Jane removed her hand from the glove-bag and stood. Suddenly, she was in the arms of the nurse, her head and shoulders heaving in racking, emotion-ridden sobs.
"Jane is proud," Darla said softly, "And Lord knows that Jane is also determined and forceful, but she is also loving. Would a sadistic woman take time, go through that awful decontamination process, just sit with and try to comfort a frightened child?"
Carol again said nothing, only looked from Jane to Darla and then back again. Finally she shrugged. "Are we through here?" she asked as she turned to leave the room without waiting for an answer.
Carol had not said a word during the drive back to Seasons House leading Darla to hope that she might be reconsidering her harsh assessment of Jane Thompson and her motives for taking on troubled young people.
That hope was dashed when, the moment they reentered Jane's mansion, Carol went straight to parlor sideboard and snatched up a crystal decanter filled with brandy. She'd already downed the first swallow when Darla caught up with her. "You shouldn't be drinking that," she reprimanded.
"After slipping me that mickey finn the first day I was here so that she could steal my luggage, I don't think Ms Thompson has anything to say to me about this," Carol retorted, taking another injudiciously deep swallow from the snifter and choking as the fiery liquid burned its way down to her stomach. "How much do you figure she had to pay the hospital to play along with that little melodrama?"
"I beg your pardon?" Darla asked, shocked.
"That was just too perfect - particularly on the heels of the supposedly prodigal student earlier today - life doesn't happen that way unless you count bad movies and Charles Dickens' novels. Look, Darley, I know she's rich as hell - she couldn't live in this place, drive those cars, dress us in clothing of this quality unless she was rolling in it, okay?"
"So what?"
"So, I figure she needs tax sheltering. Hospitals are good for that purpose and they always need money. Why, I bet they were *really* accommodating to a woman who offered them ten, maybe twenty-five thousand to help cover their latest project or cost overrun. Heck, she probably got the parents of that kid to play along for a few hundred or so."
Speechless, Darla could only stare as Carol helped herself to another splash of Jane's brandy. "You. . you. . "
"Now, now, Darley, remember the lessons of the great Thompson. To paraphrase, one should always engage brain before activating mouth," Carol taunted, "Think of what you want to say before trying to speak."
"You have the pure, unmitigated. . .I don't know whether to call it gall or stupidity, to think that what happened at the hospital was staged?!??"
"Oh, come off it, bitch. At the risk of sounding repetitious, of course it was staged! Thompson is a female, isn't she? Of course it was a just another damned female trick. Another attempt to make me think she is REALLY trying to do something that benefits someone. Well, stuff it!"
"You really have terrible image of women, don't you?" Darla breathed. "My god, what is it that made you that contemptuous of women?"
"Experience, my dear, simple hard experience. I have never had a woman in my life who didn't try to screw me. Some managed, some didn't. In recent years, fewer have managed because I have taken to heart the inverse Golden Rule - Do unto others as they would do unto you, except do it first."
"But your mother . . ."
"Was the first and the best. . . or the worst, depending on your point of view, to let me down."
Darla thought of the letters Carl's uncle had forwarded to Jane in the hope that they might help turn him around . . . letters from a mother to her son. "But your mother was killed when you were just a kid. . .a drunk driver I think I heard Jane say."
"She LEFT me, okay? With HIM, okay?" Carol was becoming agitated, and was showing more real emotion than Darla could remember seeing once he'd regained his equilibrium a couple of days after his arrival.
"With who, Carol?"
"DON'T CALL ME THAT, DAMN YOU! MY NAME IS CARL!"
"Who did your Mother leave you with, Carl," Darla asked gently.
"My father, dammit, with his belts and his hard hands and his harder words."
"Then why don't you hate men instead of women?" Darla asked, wishing Jane was here for this emotional event and feeling inadequate to the task. *But he's talking, at last. Maybe. . maybe. . *
"Women should have helped me, protected me because I was just a kid who couldn't do that for myself! The teachers who never saw the hurts and injuries. The principals who only saw the homework that wasn't done and sent notes home to him so he'd have more excuses to get out the belt. The social worker who couldn't prove her case and get me the hell away from him and who pissed him off so that things got even worse because he became more careful. My MOTHER who should have taken me with her when. . when. . " Carol's voice broke, but then she recovered. "When she ran away the last time. You know what? I just remembered - that was Christmas Eve, too."
"Isn't that the night she was killed in that accident?"
"So?" Carol snapped. "If I'd been with her, she might not have been at the intersection when that drunk ran the stop light."
"Or she still might have, and you'd have been killed, too."
"She always drove more slowly when I was in the car," Carol replied stoutly. "Sometimes I think she was the one responsible for that accident, that she was. . was. . "
*Oh god, why wasn't this information included in Carl's file? We ALWAYS get reports of child protective services investigations, even if they find nothing. DAMN his asshole of a father and his connections! But, is that the truth or is he playing me the way he claims Jane is trying to play him? Damn, but I am not qualified to deal with this, but I am the only one here.*
"You think she was trying to kill herself?" Darla asked and watched Carol closely - looking for some indication of what the teenager was really thinking. Her only answer was a very jerky shrug. "Jane has contacts in the police departments. We could probably get you a copy of the actual police report. At least that way you'd know for sure."
A look like none Darla could remember seeing on Carol's pretty face flitted across her visage - a look of uncertainty - before her features hardened again. "What would it matter, anyway?" she asked, attempting disinterest. "She still left me. She still cared more about herself than she did about me."
The bitterness in Carol's voice was palpable, and Darla knew there was nothing she could say that would get through the student's rebuilt walls. *But, maybe, just maybe, her. . his mother can get through them. It's worth a shot, isn't it? Jane is going to send him home in two days anyway.* "Wait. . I have something I want you to look at."
It took only a few moments for Darla to find what she wanted from Jane's office. She returned to find Carol refilling her snifter. "That stuff will put you on your cute pantied butt," she said without thinking.
"An excellent idea," Carol said, making her voice intentionally slur drunkenly. "Now that I have remembered why I hate Christmas Eve, getting smashed has a certain appeal."
Darla picked up the decanter with one hand and held out a ribbon- bound packet with the other. "Well, the bar just closed. Here, these were always intended for you. You might find them interesting."
"What are they?"
"Letters from your Mother. Evidently, she used letters like most folks use a diary because she didn't want to keep one at home. She'd mail them to herself - to a mailbox she kept at a storefront post office. Your uncle found them when he was executor of her will."
"Even if they aren't just another of Ms. Thompson's little ploys, there can't be much in them. Otherwise some hotshot lawyer would have tried to use them to get me away from my father."
"I don't know about the lawyer, but for what it is worth, you have my word of honor that these are legit - the real deal."
Hesitantly, Carol held out a fine, perfectly manicured hand for the packet of letters. "What the hell," she said diffidently. "They might be more amusing than the other junk your Ms Thompson provides. Might be worth a few laughs."
Darla watched as Carol turned and began to leave the room with a greatly exaggerated hip-swing that would have sent Jane through the roof, and had several times in the past six months.
"Carol? I mean, Carl?" Darla called out. The femininely dressed young man stopped and turned about, lifting one finely shaped brow in both inquiry and challenge. "You might think about something. If your father was really that. . .awful to you, why are you working so hard to emulate him? Okay, women have let you down, but do you have to become your father all over again, just because you don't want to repeat the women's failures? Can't you be better than both, and not less than either? I promise you, that is all Jane truly wants from you and for you."
"Oh really? Then why does she do her level best to embarrass and humiliate me at every damned turn, eh? Well, let me tell you this, blondie, the reason she hasn't gotten to me is my father. My father would NEVER have let a bitch like Thompson get the better of him, and neither will I because I refuse to be less than he was. I don't need her, or at least I won't in a couple more weeks. So the only other hold she has on me is that threat of humiliation and public ridicule, and *I* am the one who controls that lever because I REFUSE to relinquish it to her."
The two teens stood there, stares locked for several long moments. Finally, Carol broke the stare-down grinning broadly. She then toasted Darla with the snifter and left the room.
"God, let me not have made things worse. Please?"
Second Interlude:
After her day at the pediatric oncology unit, Jane returned to Seasons House weary in mind, body and spirit. More than anything else, she wanted privacy for her spirit, a hot bath for her body and a large snifter of brandy for her mind, but she was Jane Thompson, and she had responsibilities. Thus, she rapidly found herself in her downstairs office, discussing the day's events with her two assistants. In truth, it was almost more than she could deal with in one day. A student she had been forced to admit she'd failed, the totally unexpected return of one of her other two failures and the discovery that one of her few real secrets, her special cause, had been revealed to one of her students.
Tiredly, she shook her head to clear it. *I should be glad they caught me before I reached the decanter. No way would alcohol help me deal with all this.* "Well, I suppose it is just as well that he will be reliant on his uncle's largess for a few more years. That should encourage him to keep his mouth shut. Bribery ought to work as well with him as it did with Donald."
"Ummm. . Aunt Jane?" Darla put in. "I don't think Carl is really going to need his uncle's money."
"Why do you say that, Darla?"
"Because during one of our set-to's this morning, Carol let slip the possibility that she might have an inheritance from another relative - one that she comes into on her eighteenth birthday. I don't think it was a lie."
"Well, that would put the fox among the chickens, wouldn't it? I will call his uncle and ask him to check. Anything else happen today?"
"Well. . ." Darla started, then hesitated. Jane resisted the urge to groan and instead gave the girl a 'let me have it' gesture with her elegant hands. "I gave Carol the letters."
For a moment, Jane said nothing as her fatigued brain tried to work her way through the possible ramifications of that act, but finally she gave up. "Why, may I ask?" she asked, her eyes closed against the first twinges of an incipient headache.
Darla's shoulders drooped. "I got her talking when we got back. Actually, I think she got herself drunk because by the time I found her, she was throwing back your brandy like it was fruit juice."
"Wonderful. Another violation of our agreement," Jane noted. "I told her that she might be served wine at table, as that is the custom in many families, but that the stronger spirits were off limits. I'm sorry for interrupting, dear. You were saying that you had her talking? About what?"
"Why she dislikes and distrusts women, and specifically about her mother. Did you know her father was abusive?"
Jane nodded. "It's strongly hinted at in some of the letters Carl's mother wrote to herself. Unfortunately, powerful men can hide such things from the authorities, or worse, with the help of the authorities. By the time the uncle had enough to go after Carl, the boy was old enough to express himself in court and told the social worker he would prefer to stay with his father."
"He said that the social worker failed him!" Darla exclaimed.
"I'm sure he felt that way. I suspect that he was too afraid of his father to do anything else, and the social worker didn't pursue it any further. In her defense, she had a heavy caseload, kids who really needed to be moved from obviously brutal situations, and by all accounts, Carl's father was smart enough not to leave much in the way of evidence."
"Oh," was all Darla could manage. "Anyway, he blames his mother most of all, for not taking him with her the night she was killed. So, I gave him the letters hoping he'd read what her real intent was from that last letter."
"You didn't point it out to him?"
"No, I figured that he'd take that as one more instance of Jane Thompson's manipulations. I was sort of hoping that he'd find it himself and maybe, just maybe, believe they really are his Mother's words. I'm sorry if I messed up."
Jane reached out and lovingly stroked the soft blonde hair, a gentle smile curling the lips of her full mouth. "You did fine, dear. I'm very proud of you for not giving up, for continuing, even in the face of all our setbacks with this student, to try to find a way to reach him."
Jane stood and went to her desk where she produced a business sized envelope. "I was planning on giving you this tomorrow morning as a Christmas present. Perhaps now is more appropriate."
Darla took the envelope and carefully opened it and removed the one page document. Her first thought was that it was some type of award certificate as it was made of a heavy parchment paper and had some type of seal embossed in the lower right hand corner of the page. Then she opened it, and felt her head begin to spin as she read aloud the words at the top of the page.
The signature at the bottom of the page, embossed by the great seal of her state, was of Aunt Ruth - Judge Ruth.
"Omigod," Darla exulted. "It's approved? It's real? I'm your. . you're my . . "
Suddenly, Darla was wrapped in two pairs of loving arms, and was being hugged tightly. "You're my son, now," Jane said softly, "And God help you, dear, I am your mother."
Darla reached out with both arms to pull the two older women even closer as all three shared kisses and tears. "He already did, Momma-Jane," Darla/Darryl whispered over the lump in his/her throat, "The day He sent me to you and Marie."
They stood there for several minutes, basking in the warmth of the mutual embrace and in their shared love. Finally, Marie pulled back first. "I have to get dinner finished. Darla did invite Donald to join us and I think the two of you need to go clean yourselves up and dress for dinner."
"He may not come," Darla noted, very reluctant to let go of either woman.
"And then again, he might," Marie replied. "Now scoot, the both of you, or my Christmas Eve dinner will be spoiled."
"Very well," Jane replied. "But Marie? Set four places, please. You will also be joining us at table tonight." Marie started to protest, but Jane cut her off with a single raised hand. "Not another word, Marie. Whether Donald comes or not, I want to celebrate tonight with my family."
"Me too," Darla said, trying to inject a touch of sass into her voice. "So THERE!" whereupon all three began to giggle.
Third Interlude:
Carol wished she dared slip back down stairs to refill her now- empty brandy snifter. The booze made reading these blasted letters a damned sight easier. She didn't want to believe they were from the woman who had given birth to Carl Morris - simply didn't want to because they were true. That would mean her entire outlook as Carl had been a lie and that . . . well, that the Thompson woman might be right.
She'd never admit it to Little Miss Perfect-Panties-Darla, but the visit to the hospital had rocked her opinion of the Thompson woman. She'd jerked Darla's chain pretty hard after they got back to the house, but the truth of the matter was that seeing Ms Thompson and that poor kid had done funny things to her inside.
"And that's just bullshit," Carl's voice snapped out. "Just like she's got me thinking of myself in the feminine tense when I'm not careful. Cripes, but this is going to be a colossal pain in the ass when I finally turn eighteen and Granddad's trust starts paying the bills. Guess I will just have to drop out of sight for a few months while I practice being a guy again."
A knock sounded at the door. "It's not locked," the be-skirted boy called out before adding sotto voce "On this side of the door, anyway."
"It's Marie with your dinner," a muffled voice called. "Could you open the door for me?"
A very unladylike stomach growl immediately ended any inclination the unhappy teen might have entertained to give Marie a hard time. "At least the food is good," she thought as she hurried to open the door.
Marie swept into the room carrying a huge tray which she set on the window seat beside the bed. "Now I gave you seconds of all your favorites and an extra big piece of the pie. There's hot tea in the thermos, but I can bring up milk if you'd prefer."
"That . . that . . . tea will be fine, Ms. Marie," the surprised student stuttered out.
"Well, enjoy your meal. If there is anything you need or want, give me a ring after the usual dinner hour. Jane wants me to eat with her and Darla tonight."
"Th. . thanks. A lot."
Marie shocked the youngster to the core when she went up on her toes and gave him a quick peck on the cheek. "Bon Appetite, cheri."
Uncertainly, Carl/Carol walked over to the tray and removed the lids from the various dishes. "Good grief, she really DID fix all my favorites. She noticed? And cared enough to still prepare them for me? After the way I acted today? What the hell is going on here?!?!"
The question went unanswered so she/he settled down to eat. The fact that his/her table manners, including seated posture, and her/his use of the napkin and all the flatware were impeccable, even by Jane Thompson's high standards, went unnoticed even by the sole occupant of the room.
Fourth Interlude:
"I guess I am the last person you ever expected or perhaps even wanted to see again, Jane." Donald Madden said as he sipped his after dinner coffee in the Seasons House music room.
"Let's say that you have often been in my thoughts and let it go at that?" Jane replied.
"Especially now, I would bet."
"How so?"
"I met your junior student today, Jane. Other than the fact that he makes a much prettier and more believable girl than I ever did, it was like deja vu. What happened?"
Jane sighed. "Same thing as you - he knew something his uncle and I did not. Basically, he had a financial parachute in the form of a legacy that he takes control of in two weeks. His guardian, the uncle who sent him to me did not know about that inheritance until Carl let it slip this morning to Darla and I called him to ask about it."
"Truly deja vu. Me all over again."
"Except I won't tell Carl the truth about Darla. I told you about your big sister . . Lord what was her name?"
"Martha. . .I mean, Martin," Donald supplied.
"He's a doctor now, by the way. In any case, I revealed the truth about Martha to you in the hopes that you might understand what we were trying to do with you - in hope that you might decide to straighten up and become a big sister yourself."
"I was too sure I was right and you were wrong."
"Well, nothing I've tried with Carl since those first few days of shock-treatment has touched him in any way I can determine. Now I know why, but I am not going to reveal to him that all of my other students were cross-dressed young men, too."
"I was a bit surprised by that young person, Jane. She. . .he seems, I don't know, almost like a . . well, a younger version of you. Star pupil?"
"My son, Donald. The adoption papers arrived today. He is very special."
"Well, I let you down fifteen years ago, but is there anything I can do to help with, what did you name him? Carol? You name it, I'll do it."
Jane regarded her guest for several moments. "I cannot imagine why you would make such an offer, or given your opinion of me when you left here, that you actually mean that 'you name it' part."
"Try me."
"In all honesty, Donald, I am afraid there is nothing that can be done with him at this point except cut all of our losses and try to move on. I've already made arrangements to send him back to his uncle after Christmas. I am curious, though, what has changed your outlook so radically."
"What usually causes a man's world to get turned upside down? I fell in love."
"Congratulations."
"Save them, Jane. I took over her family's company for the patents it held. Met her when my team arrived to start the demolition and the world as I have always known it ended in a single flash of emerald green eyes. Unfortunately, she can't seem tolerate me for all the myriad reasons you impressed on me when I was Donna."
"So what are you doing now?"
"I am fighting to save her company from my own investors using my own money. It will be close, but I think I have the deal just about done. Then I plan to appoint her as CEO and set up a sale plan so she can buy it back from me."
"Do you need another investor?"
"You? I didn't come here to hit you up for money, Jane. I just came to. . .well, tell you I wish I had learned some of these hard lessons fifteen years ago, when they didn't hurt so much."
Jane smiled. "Well, when you win your lady, bring her to visit." and then her smile changed to one Donald and almost a hundred other young men would recognize with more than a little frisson of fear and trepidation. "I will show her the family pictures."
His mouth literally dropped open as the full implications of that promise became clear. "You would, wouldn't you?" Donald laughed.
Already in bed, he opened the simple white envelope, extracted the single page and began to read.
December 24, 1986
Dear Me,
Well, he found and destroyed the presents I bought for Carl, just like he promised he'd do. Except this time, I have evidence of his cruel little games. Hopefully, my brother will be able to use his new influence as staffer to that congressman to help us escape. I'm going to drive to Washington tonight and give John the pictures I took of him destroying Carl's presents. Surely some honest judge would consider that an act of abuse. Maybe my boy and I can be free before Christmas is over. God, I wish I dared bring Carl with me, but the bastard would be suspicious and might stop me from leaving, or get his good buddies in the local police department to have me stopped and arrested. Detained, he'd call it. I have to do something, though. Every day, I see my happy, outgoing little boy becoming more unhappy, more guarded. I just hope John has the power he says he does. Maybe, just maybe, my son and I will sing holiday carols yet this year.
Dorothea Madden.
Tears burned at the back of Carl's eyelids. That letter had been written the day his Mother died. Suddenly, the dam broke and the tears came became a deluge as harsh, wracking sobs overwhelmed him. He hadn't cried since his mother's funeral - not since his father had promised him something to cry for unless he stopped - and now he couldn't stop.
And he didn't stop until exhausted, he fell into a troubled slumber.
Carl woke up from his nap and slipped out of bed. He tiptoed down the hall and found, much to his surprise, his Mother seated in her old rocking chair, smiling at him.
"Hello, sweetie. Don't you look pretty in that dress."
Carl looked down and was surprised to find himself in a dress - in Ms. Thompson's little girl, Raggedy Anne punishment dress. "Why am I dressed like a girl?" he asked himself.
"Because you are," the image of his Mother said in complete seriousness as she reached down to stroke a blonde curl back into place. "Maybe because here in this special place of dreams, on this most magical night of the year, you need to be a girl more than you need to be a boy. I must say, though, that you do look nice as a blonde, and the pigtails are very cute, too," A sad yet sweet smile warmed the almost forgotten face of Dorathea Madden. "You know? I used to wish you'd been born a girl because then your father wouldn't have taken any interest in your upbringing."
"But I was. . am a boy," Carl countered.
"So you were . . .are," his Mother agreed. "But since you're dressed as a girl right now, you'll have to sing soprano when we do our carols tonight."
Still confused, Carl was further surprised when his Mother stood up, and literally towered over him. Smiling, she reached down to take his child-sized, white-gloved hand in her adult-sized one. "Come along, dear. Your father will be home soon and you know we have to be finished with our secret church service before he arrives."
"I must be dreaming," Carl murmured to himself.
"Maybe, dear, and maybe you're remembering things you haven't let yourself remember since the night I. . . had to leave you."
"Since the night you DIED!" the very little-girlish boy accused. "Why couldn't you take me with you? It's been hell here with him."
"You have a great deal to do in the world that is good, my love," his Mother assured him as she led him down into the basement of their old house to a door Carl suddenly recognized. "Things that will, in part, make up for the bad things your father did in the world."
"Me?" he demanded, his voice breaking as it had not done in over four years.
"You. If you get your act together and listen to Ms. Thompson, that is." A single, unshielded incandescent light flared in the hidden little room, revealing a small Christmas tree and a little china Nativity scene on a low table. Carl examined the little scene and rubbed his eyes vigorously. *Why does Mary look like she's wearing surgical greens, and why is the Child wearing bandages instead of swaddling clothes?*
Carl turned to ask his Mother only to see her putting an old fashioned LP record on a cheap little stereo turntable. Immediately, a familiar holiday carol began to sound through the attached speakers. His Mother began to sing along, and from some deeply buried, long-forgotten memory, the words came to Carol, and she too began to sing.
Said the night wind to the little lamb,
"Do you see what I see?
Way up in the sky, little lamb,
Do you see what I see?
A star, a star, dancing in the night
With a tail as big as a kite,
With a tail as big as a kite."
Said the little lamb to the shepherd boy,
"Do you hear what I hear?
Ringing through the sky, shepherd boy,
Do you hear what I hear?
A song, a song high above the trees
With a voice as big as the sea,
With a voice as big as the sea."
Said the shepherd boy to the mighty king,
"Do you know what I know?
In your palace warm, mighty king,
Do you know what I know?
A Child, a Child shivers in the cold--
Let us bring him silver and gold,
Let us bring him silver and gold."
Said the king to the people everywhere,
"Listen to what I say!
Pray for peace, people, everywhere,
Listen to what I say!
The Child, the Child sleeping in the night
He will bring us goodness and light,
He will bring us goodness and light."
Carl found himself eagerly waiting for the next song when a huge shadow fell across the two carolers. "I told you what would happen if you disobeyed me again on this, Dorothea," his father's voice boomed. "I don't want the boy being fed this "Peace on Earth, Good Will Toward Men" drivel. He needs to learn how to be tough, hard and ruthless, and you need to learn to stop defying me," Both mother and child watched as the dark shadow unbuckled his belt and slid it from his torso with an evil hiss. "He's going to be like me if I have to beat the steel into his weakling spine."
The belt licked out and his Mother screamed in pain. Raw fury boiled up inside Carl and he seemed to grow instantly back to his normal height. With surprising ease, he caught his father's arm in one hand while his other took his throat. For just a moment, his hand flexed about the throat it held. It would be so easy, he mused, so easy, but then his Mother's words came back to him, and the words of the carol they had just sung together. ". . .make up for the evil your father did. . " and the promise of "goodness and light."
"I am NOT going to be you, old man, or even anything LIKE you!" he hissed into the dark, still-featureless face, his grip still firm on the throat. "I REFUSE to be you! Everything you were, I will be the opposite; everything you did, I will undo and by far most importantly, everything you destroyed, I will recreate."
". . . I will recreate. . .recreate. . . recreate. . WHAT?!?!"
Carl came awake with a jerk, his eyes wide and the muscles of his hands rigidly gripping. . . . nothing. Breath came in deep, heaving gasps as his head swivelled about, taking in the now familiar features of his room. . . or rather of Carol's room at Seasons House. A quick glance at the bedside clock told him it was a little after three A.M.
Shivering from more than the room's nighttime chill, Carl made his way to the private bath off the main bedroom. Two glasses of water later, the shaking at last began to subside. "Lord, what a dream, and yet, it was so bloody real."
Quickly, he padded back to the bed and slipped beneath the heavy comforter. *I don't believe in messages from beyond,* he told himself. *Things like that don't happen to real people. Only in movies or novels. But, darnit, I remember that room beneath the house and although our Mary didn't really look like Jane Thompson, I remember that Nativity Scene, too.*
"Oh god, this is really, really crazy. I have to think this all through, but I think I just promised . . . well, certainly myself that I'd . . that I'd. . . oh man, *I* am going crazy."
Sleep eluded the beautifully gowned young man for the remainder of the long, lonely night.
As she entered the dining room, her sensitive nose caught the first whiff of "Coffee?" *Blast it!* she thought sadly. *It must be Jane. Obviously she couldn't sleep because she's fretting about Carol, too.*
Only it wasn't Jane, Marie soon discovered, it was Carol and she working some type of dough in a bowl. "What are you doing, child?" Marie asked, her eyes blinking hard against the sudden glare of the brightly lighted kitchen.
"Cookies!" the skillfully made up young person said happily. "It's Christmas Morning and I decided we needed Christmas cookies." Then, seeing the look of shock on Marie's face, the pleasure fled from the bright eyes.
It had been a long, painfully-reflective night for young Carl. The dream had indeed been a catalyst for the retrieval of memories long suppressed. In the harsh light of those mental images, his behavior over the past years had shamed him deeply. He'd been forced to acknowledge that he'd been a thorough-going bastard, that he HAD been his father all over again, and that recognition shamed him and humiliated him as nothing Jane Thompson had done with him ever could do. Obviously, he could not possibly keep his promise to his dream Mother and to himself without some significant changes.
Only problem with that decision, Carl had concluded at about four thirty, was that he didn't know how to be any different. That was when another of his dream-Mother's words had come back to him. "If you get your act together and listen to Ms. Thompson, that is."
That was the solution, he'd decided. Well, he'd learned the easy lessons already - it was the hard ones he'd resisted by his ridicule and sarcasm. Now, he. . no, *she* was determined to become the best student Jane Thompson had ever taught. And since she'd gone a long way towards messing up everyone's Christmas, she'd figured the first place to start making amends was by trying to restore some of the cheer her abominable behavior had cost Jane Thompson's family. *But from the look on Marie's face, it appears I have overstepped myself. DARN!* "Umm. . .I guess I should have asked, first. I'm sorry about the mess, though. I will clean it up right away!"
Marie had been around Jane's boys for almost twenty years, and she knew something had changed with this one. Whether this marked the bare beginning of the long prayed for breakthrough, she didn't know, but it probably wouldn't hurt to indulge the child and see what came of it. Besides, Marie had a secret sweet tooth. "No. . no, child. Keep on as you were going. You're right. We didn't make cookies this year. Have you found my special holiday cookie cutters? No? Okay, let's see."
Soon, the French Canadian woman and the girlishly pretty boy were working side by side, turning out dozens of brightly colored sugar cookie Christmas trees, snowmen, Santas and angels. As the last batch went into the oven, Carol (for that is definitely how Marie was thinking of her), asked Marie if she could make a call home, to her uncle.
*I guess there is very little purpose to keeping her incommunicado now that Jane has already decided to send her back home in two days,* Marie decided. "Use my phone, dear," she offered as she unlocked her kitchen phone. Determined not to eavesdrop, all she heard as she slipped from the kitchen was "Hi, Uncle John, it's me, Carol . .I mean, Carl. Yes, I know it is very early, but I was wondering if you could help . . "
At seven o'clock, Jane came down to find a Carol she'd never seen before. The outfit was bright - a red corduroy jumper over a green silk blouse - but the girl had long had the skill to dress and present herself beautifully when it suited her own purposes. No, it was her demeanor that was new - that and her attention to details that had previously been ignored.
For one thing, her hair was done in a very complex array of curls that required several barrettes (nicely color-coordinated ones, Jane noted) to hold in place. The arrangement was actually more suited to an evening gown than her current sassy little outfit, but it represented the first time the young person had ever made such an effort on her own. She had even tried accessorizing, although the fine gold chain bracelets and the necklace of tiny pearls she'd chosen were overwhelmed by the bright holiday outfit. Still, she had tried, and done fairly well. She actually looked about as demure and as ladylike as any student making their first independent dressing. Suspicious, Jane warily asked, "Yes, Carl? What do you want?"
Carol swallowed hard, and forced herself to make eye contact with the stern-faced teacher. He. . no, make that *she* had used every trick *she* had learned in her tenure in Seasons House getting ready for this moment. *I don't know how to look more girlish than I do right now,* he. . . *she* thought even as she fought the urge to run and hide. Only her dream-Mother's words and her own promise gave her the courage to stand up under that cold stare. *Think girl,* she told herself sternly. "I was wondering, Ms. Thompson, that is, I wanted to ask you, do you think we could go to church?"
Stunned, Jane was momentarily speechless but finally managed a "Church?"
The shy smile that lit the perfectly and appropriately made up face was nearly as surprising as the request for church. "Yes, Ma'am. One with music if that is possible, please."
"With music," Jane repeated, feeling very much like someone had just pushed her through Alice's rabbit hole. *Okay, who are you and what have you done with Carl Morris?* she thought.
"Yes, Ma'am. Please?"
*I have no idea what he is up to now, but since I was going to attend services anyway. . * "All right, Carl, you may go to church with Darla and me, but let me warn you. Any disruptions, any acting out and I will call Deputy Beale. I think you can be very sure precisely how little he will enjoy having to deal with you when he'd rather be with his family on Christmas morning."
"Oh, thank you, Ms. Jane!" the changeling cheered. "I am very grateful." She turned to head out of the room, but stopped and looked back to Jane, but this time was unable to hold eye contact. Her eyes fell to her own toes, and she literally wrung her hands before managing to rasp out emotionally, "Oh, and even though I have that inheritance coming, Ms. Jane? Darla did tell you about that, didn't she?" Carol looked up in time to see Jane's sharp nod, then continued. "Anyway, I'd like to stay - here with you and Marie and Darla - until you think I am ready to go out on my own. I know you expected to be rid of me, but I promise to really do my best from now on. My word of honor."
"Stay? Here?" Jane eased down into a nearby chair. "Ummm. . . .we'll. . well, we'll discuss it. Later. After church."
"Great. Thank you again, Ms. Jane. I'm going to go get ready for church."
Instinct took over, and Jane-the-teacher momentarily reasserted herself. "Excellent notion. Change into something more appropriate for church, please. We leave in forty minutes." *Let's see how she handles that direction, now.* "Okay, .. I mean, Yes, Ma'am. And thanks again," Carol told her just before turning toward the foyer. Still reeling, Jane stood back up and watched as her 'failure' dashed up the stairs.
When she came back to herself, Jane turned to find a grinning Marie standing next to her, a plate in her hand. "Christmas cookie, Jane? Carol made them this morning."
"They don't say 'Eat me', do they?" Jane asked with a wry smile on her face. "Tell me, Marie. That was Carl, wasn't it? I mean, that girl who just was here talking to me? Beautifully dressed and for heavens sake, smiling?"
"One and the same, dear. I was surprised, too. I thought perhaps you and Donald might have talked to him last night."
"No, we didn't. I checked on him about midnight, and found him clutching one of his Mother's letters as he slept. You don't suppose they made the difference after all, do you? I really expected him to just say 'bah humbug' if I offered them to him and ignore them as he had ignored everything else we've done with him. . her."
Jane had refrained from making any comment on Carol's 'Sunday-Go- To-Meeting' selection, but it had been difficult. Certainly, with any other junior student, she would have made at least one or two very pointed observations intended to make the be-skirted boy want to die of embarrassment. *It certainly wouldn't be difficult to find things with which to tease him just now, either,* Jane thought with a smile. Evidently, Carol (*Or was it Carl?* Jane mused) had decided that the appropriate ensemble for church strongly resembled the frilly, pink-on-white, overly- feminine outfit Darla had worn to the train station the day Carl arrived. Right down to the boxy little veiled hat, the fussy beaded purse and the opaque white stockings decorated with pink roses.
*So that is what he. . she would look like as a big sister,* Jane thought as they went out to the car. *It really wasn't necessary for her to put on *two* petticoats with that dress. That sort of thing is really only for in-house practice. And I would not have insisted on quite so much heel when the pavement might be slick with ice, but she does look very nice. So, what happens next?*
Walking into the pretty little non-denominational church looking like Disney's Alice-in-Wonderland going to her First Communion had been the hardest thing Carol had done in a very long time, but she'd done it. Being Carol was, she had decided during the long hours of pointed self reflection before dawn, the first step in keeping the promise she'd made to her Mother. . . and to herself. When no one looked at her in shock and disgust, she relaxed a little. When the singing began, she relaxed totally and let the music take her away.
Said the night wind to the little lamb,
"Do you see what I see?
Way up in the sky, little lamb,
Do you see what I see?
A star, a star, dancing in the night . . ."
Jane, still off-balance from the morning's surprises, suddenly became aware of a slight catch in Carol's voice as she sang. Turning to look at her student, she was rocked yet again. Carol was crying - still singing - but crying at the same time. *This is the first time, since the moment Carl walked off that train, that I have seen this child in tears. Why???*
Maternal instincts that most junior students would swear were non-existent overwhelmed Jane, and she gently put her arm about the sobbing girl who buried her head into Jane's shoulder.
"Child," Jane whispered, "Whatever is the matter?"
"My. . my mom. . .," Carol quietly choked out past the tears, "she. . .she loved that carol. How could I have forgotten that, Ms. Jane? What's wrong with me that I could forget something like that?!?"
"You remembered now," Jane replied gently even as she continued to wonder *Maybe I should call Bill Beale. I do have Carl's fingerprints somewhere. I think.*
Jane parked the Lincoln in front of Seasons House and joined the two girls on the walk. "Where did you learn to sing like that, Carol?" she asked as they walked up to the walk to the main entrance.
"My Mom sang with me when I was little, Ms. Jane. I had forgotten that and I had forgotten the pleasure of singing in the years since my Mom di. . .since my Mom's accident."
*That is the first time, in my experience, that Carol or Carl has referred to his Mother as 'Mom'.* "And you just remembered?"
Carol reached out an uncertain hand to squeeze Darla's shoulder gratefully. "Darla gave me my Mom's letters yesterday. They sort of jogged my memory for me. . . about a lot of things. And good old Darley also said something else that struck awfully close to home."
*Darley?!?* "May I ask what that was?"
"She asked me - not precisely in these words - why I was becoming the very thing I hated most in the world - my father. I wanted to tell her I wasn't, but after talking to Mr. Madden yesterday, and well, after seeing you with the little boy at the hospital, I realized that was exactly what I was doing."
Jane was still thinking about what to say or do next when Marie flung the door open waving a piece of paper like a flag before sweeping an unprepared Carol into a tight hug. "Carol! Your uncle sent you a fax. You did great, honey."
"What? Why would he send you a fax? Let me see that, Marie," Jane ordered.
Her eyes went wide, and then Jane began to read the document in her hands.
"From: The Office of the Honorable James McIntyre, Vice Chairman of the Senate Armed Services Committee
To: Office of Legislative Affairs, Department of Defense
Please inform me at the earliest possible date of any reason that the following personnel cannot be granted humanitarian leave without loss of rank, seniority, or other benefits, in order to be with their child who is undergoing radical, hopefully lifesaving bone marrow surgery at Children's Hospital at Providence, RI. . . ."
Jane looked up to stare at a suddenly embarrassed Carol. "You asked your uncle to intervene for Allie's parents?" Carol could only nod. "Lord, why didn't I think of that? I'll call the hospital and tell them to have the parents call me. I will make sure they have tickets and a place to stay if the leave is awarded. Even if it isn't, thank you for trying, child."
"It wasn't anything difficult, Ms. Jane. My uncle did all the work, and as you say, it's not a done deal yet."
Jane leaned over and planted a firm kiss on Carol's blushing cheek. "You tried when you didn't have to try."
"I have important promises to keep, Ms. Jane." Carol said very seriously before turning to Marie. "Will you be bringing my lunch upstairs soon, Miss Marie? Singing makes me hungry."
"No, she will not, Carol," Jane said firmly. Carol stared at Jane, worry filling her eyes until Jane smiled gently. "It would give me great pleasure, Miss Morris, if you would accept my invitation to have Christmas dinner with my new daughter and me."
"New daughter?" Carol squealed, her eyes slewing to a broadly smiling Darla.
"Yes, my daughter. Darla's adoption papers came through yesterday."
"Way to go, Sis!" Carol cheered, and soundly thumped Darla on the back, nearly knocking the smaller girl over in the process. "Oops, sorry," she apologized, looking very abashed. "I am really happy for you, Darla, because one thing I did learn here is how much you love Ms. Jane."
"You know it," Darla smiled back, her eyes sparkling. "Momma- Jane is the best thing that has ever happened to me."
"Come on, you lot," Marie ordered. "I've got a light tea laid in the music room to tide you over until dinner."
"Good idea. I think it is time Carol started piano lessons anyway. Anyone who sings like you do, dear, should be able to accompany herself on a suitable instrument."
Tears Jane realized were liquid joy started to well again in her student's lovely dark eyes. "Oh, do you mean it, Ms. Jane? I. . .I really have wanted to learn. My mom was going to teach me, but she. . she never got around to it."
"No time like the present, Miss. Now, come along. Oh, and Marie? If you'd call the travel agency to cancel those tickets for me? I don't think we'll be needing them. Not right now, in any case."
"Ms. Jane?" Carol asked, her voice hesitant.
"Yes, Carol?"
"Ummm, if you're going to be 'Momma Jane' to Darla, could I maybe call you 'Aunt Jane'? Please?"
The look of longing on the young person's face struck at Jane's hidden soft heart. Fighting for control, she managed what she hoped was a matter-of-fact smile. "Well, I did tell you that was an acceptable form of address your first day, did I not? You were the one who chose to call me Ms. Thompson or Ms. Jane, but in answer to your question, yes, you may call me Aunt Jane."
Carol's "Thank you," was barely audible. "Excuse me," she said suddenly, "I have to fix my face." and then fled for the powder room, leaving the three other women smiling behind her.
Jane watched as Darla and Carol chattered over their tea and cakes. *There's still a good deal of the old Carl in there,* she decided, *but for the first time, there is also really a Carol there, too. And the child is trying, really trying for the first time. A little too hard, of course, but they all go through that stage of trying to be perfect. She'll slip occasionally, and I will be able to use those missteps to begin the healing and rebuilding process. Oh, thank God, I *haven't* failed her! No, that's not quite right. WE haven't failed her.*
"Heavens," Carol said later, "But I feel like a combination of Tiny Tim and Ebenezer Scrooge."
"Oh?" Darla asked. "How so?"
"I want to say "God Bless Us, Everyone,", but then, I feel like He already has. Except he had Marley, and I have Darley."
"Could we lose the Darley-thing, please?" Darla asked sounding mightily put upon. "It sounds like the name of a yuppie beauty contestant with big hair, bigger. . umm. . teeth and a tiara, or worse, your favorite mongrel dog."
"Oh, if I must," Carol answered in the same tones.
Jane and Marie laughed with the two young people.
"Merry Christmas, Carol," Darla said softly. "Welcome to the family."
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Seasons of Change
Book 11 - Part 1 of 3 A Time to Every Season
Audrey's Story Copyright © 2002,2013 Tigger
All Rights Reserved. |
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Jane's height-of-fashion ensemble was designed around the sheer inelegance of a Winnie the Pooh and Piglet t-shirt beneath an unbuttoned plaid woolen work-shirt. Jeans, heavy work boots, a Boston Red Sox ball cap and a pair of heavy work gloves completed her regalia. Of course, Jane had a purpose (she refused to call it an excuse) for this stark departure from her normal strictly proper, but thoroughly feminine, uniforms. The man who normally ran her stables and cared for her mounts was away on vacation. Jane had been mucking out the stalls of her horses and seeing to their other needs this morning, and the outfit suited the needs. She smiled mischievously at the thought of what one of her boys would think of her in this outfit. *Maybe I will have Art take a picture of me and include copies in our holiday cards this year. Well, at least the jeans are new,* she thought, *As is the hat.*
The cap was a gift from her adopted son, Darryl. In fact, the jeans were also a gift, but FOR her husband. Art Philips had shown a rather marked and lascivious interest in Jane's bottom and long legs encased in tight (VERY tight) denim. *Any damned tighter and I am going to have to hang from the corseting trapeze just to get them zipped,* she thought before sighing dreamily. *Which won't bother you a bit, Jane Thompson, so long as Art has no trouble getting you out of them quickly when the occasion calls for it.*
Her happily aimless wanderings soon found Jane in her morning garden, enjoying summer's last blooms. The trees would be putting on their fall colors soon. Autumn had always been one of her favorite seasons, as much for the weather and color as anything. New England really was at her best in the fall. It was also the one time of year when history indicated that Jane was most likely to have a few weeks to herself.
One of Jane's goals for her students that she usually managed to achieve was getting the little darlings through her program in time to start school on time in September. And she usually didn't pick up anyone new until sometime in October. It usually took that long for teachers to throw up their hands at the antics of the type of wayward boy who would benefit from Jane's petticoated prison.
Ah, but this September was different. This September she would have more than Marie and the horses to occupy her. This year she had a husband, and soon, she would also have her son home as well. Art had finished his contractual obligation to teach summer school at the university and had arrived home a few days ago. Originally, Darryl was to have accompanied Art home from the university, but there had been a last minute glitch with his registration for the fall semester.
Darryl's agile and voracious young mind had become thoroughly spoiled by the challenge and excitement of Jane's home schooling program, and thus had found his undergraduate studies a grave disappointment by comparison. He wanted out of that stifling and dogmatic Ivy League School program as quickly as was humanly possible. With his typical determination, Darryl had set out to complete his degree early so that he could follow Michael to medical school in the spring term.
His solution had been to take nearly twice as many credits as the school recommended and to use the university's new 'distance learning' program to get them. The university was giving him some grief about residency requirements and course overloads, clearly trying to get him to return in the spring for another semester. He had stayed behind in Providence to resolve the problems with his advisor and the university registrar. Jane hoped that all went well on that front. She was looking forward to having her son AND her husband both home for the next few months.
The question was what was she going to do with this embarrassment of familial riches?
From her perch, she saw a tall slim figure jogging around the stables and turning toward the house. Silver tresses escaping from a ponytail flashed in the cool morning sunlight as the man began a kicking sprint. *Art,* Jane thought her heart swelling, *back from his morning run.*
Darryl and Art both loved badgering her into joining them when they ran, which was one reason Jane had not minded when her horse groom had left on his holiday. Given the choice between running and even the most unpleasant of horse chores, running lost hands down every time in Jane's book. She watched as her husband slowed to a walk after his end of run sprint, and recognized the behavior from watching Art run with Darryl. Every one of their jogs turned into some silly proof of manhood race when they should have been tired and cooling out. Those races matched Darryl's youth versus Art's much longer stride. Darryl usually won, but never by much and never by enough to feel that confident of winning the next race when Art's stride might easily prove decisive.
Sadly, her adopted son's physical size had never grown to match his heart. By whatever metric human intangibles might be measured, Darryl's heart and spirit set new standards in Jane's view. Whether gently tending to a tearful little sister after one of Jane's exercises or courageously facing down a past fraught with torments and monsters few could survive, Darryl was matchless. He was, in all the best senses of the term, a man - a very gentle man to be sure, but a man through and through.
Jane simply wished he could have been a *larger* gentleman - for all his diminutive size had allowed him to help her time and again with her program. *If only he had been a late bloomer like Kenneth,* she thought. Life in America was so much easier for young men who attained what society viewed as manly height and weight, but the devoutly wished-for growth spurt had never come. Darryl had topped out at a bare five feet five inches tall (slightly on tip-toe, but Jane would never call him on that) and a scant one hundred twenty pounds.
Oddly enough, Darla, the femme alter ego Darryl had assumed as both her student and as resident 'big sister' with several of Jane's most difficult students, was as imposing as she was lovely. Michael/Michelle might have been the most adept student Jane had ever taught and Tyrone/Tyra might have had the cutest face, but Darla was the most striking and the most powerful personality of any of her students.
*Art says that is because Darryl has, over time, modeled Darla after me. 'Like Mother, like daughter' I suppose,* Jane mused, finding herself rather pleased with that observation.
Jane stood and headed for the house. She needed a shower and a clean change of clothes, then she'd check with Marie to see if any help was needed with breakfast preparations. Maybe that tight tube shirt she'd purchased in Boston - the one that showed her bosom to such advantage, and of course, another pair of the painted-on jeans. One very pleasant aspect of having only family in residence at Seasons House was that maintaining her "Jane Thompson-the-Model-of-Unachievable-Feminine-Perfection" was not required every minute of every day. She could even go down to breakfast without makeup and wearing blue jeans. A sensual glint lit Jane's dark eyes. She'd dispense with the boots, though. Leg man that he was, Art would appreciate the sight of her strutting to the breakfast table wearing these tight jeans and a pair of spike heeled sling backs. Her grin took a decidedly wicked turn. Just because Jane Thompson was the epitome of all things ladylike did not mean she did not know how to be a proper tease when the occasion or her mood called for it. Some of the best teases in history were grand ladies and Jane always subscribed to being the best she could be at anything she decided was worth doing.
And if her darling hubby played his cards right, she'd let him express his approval in the time honored way of appreciative lovers - after breakfast, of course. Working in the stables always left Jane famished and she planned on needing the energy a good meal provided.
Introduction II: Art and Jane Together
Without alerting Jane to his presence, Art watched his wife of less than a year smile softly as she scanned the large scrapbook on her desk. He immediately recognized the tome as her 'rogues gallery' of boys who had passed through her program. Every one of them had been on their way to trouble when someone had cared enough to send them to Jane Thompson and her not-so-gentle brand of tough love. Art had seen, first hand, the love those young men still held for their 'Aunt Jane' last Christmas when the cards had arrived - most of them accompanied by recent family photos and little notes about how this god child was doing or what mischief that honorary niece had gotten herself into. All but two of the young men who had been sent to her had graduated from Jane's program, and all those who had graduated had gone on to become very good men. So what if they'd needed to be turned into very proper, very demure little girls first?
Jane sighed and began to close the book. Art moved into the room and said "If this was a western, I might say 'It's awful quiet around these-here parts, pilgrim. Almost TOO quiet.'" The drawling attempt at a John Wayne impersonation was terrible and earned the desired smile.
"Our son once informed me that the Duke, assuming that is who you were trying so unsuccessfully to imitate, never used the term 'pilgrim' in any of his movies," she retorted, "But, letting that little error in trivia slide, I will reluctantly agree. It is indeed very quiet."
"Much as I love and respect our son, in this case he's wrong. I know for a fact that he used it because I saw the movie on the late show the other night," Art replied smugly, and then became more serious. "You miss having the students, don't you?" He asked as he slipped behind her and began massaging her shoulders. "As much as you enjoy having some quiet time, that restless energy of yours needs an outlet."
Jane nearly purred and hugged her chin against his hand with a smile. "I suppose I do, but I don't have any boys here right now nor any possibilities looming on the horizon." She sighed somewhat sadly. "Perhaps that is just as well."
"What do you mean, love?" Art asked as he found and began working on one of the 'muck-shoveling' muscle knots that Jane's walk had not eased.
"Just that I need time to think about the whole program. I've been working with boys, using my method for a very long time. Maybe it is time to do something else. The last few have been so unusual, Art," she said, spinning her desk chair about so she could look up at him.
"So?" Art asked, trying to draw her out.
"You're playing Socratic psychologist with me, dear," Jane cautioned, but then smiled to ease the rebuke. "And you KNOW how little I like dealing with your so-very-gently-pointed questions- with-no-right-answers. To answer that LAST question, however, I don't really know. Perhaps something fundamental has changed - with the boys or with me. . .maybe both - and the things that I do are no longer as effective. More importantly, my lessons and activities no longer seem to be as SAFE as they once were. I mean, look at. . . "
"I *know* what you mean, but Mina was a unique episode which will NOT be repeated."
"I know," Jane sighed. "But there is also the issue that I am not as young as I once was," she offered.
"Not even fifty yet, and how was it your doctor put it? In better shape than most of her thirty-five year old patients? No, Jane, I am not letting you use that tired and worn-out excuse. If you decide to close the Seasons House School, then let it be for real and meaningful reasons. You've had a rough patch the past five years or so. Kenneth's Mother, Darryl's brother, Caitlyn, but in each of those cases, good has come of their experiences with you. You STILL helped those boys, and in Kenneth's, Darryl's and Caitlyn's cases, I truly believe that your intervention saved their lives. Consider your alternatives and while you are at it, consider their alternatives, but when you make your decision, make it for the right reasons." Jane gazed up into her lover's face, an enigmatic half smile forming on her lips. "How do I know what the right reasons are?"
Art crouched down to eye level and planted a little kiss on Jane's nose. "You will know, my dear, you'll know," then he stood and offered her his hand. "C'mon now. You look *really* uncomfortable in those jeans. Let's go up to our room and see if we can find you something more. . . .comfortable to slip into and I will finish this massage without such. . . lovely impediments."
A mischievous grin lit Jane's face as she let her husband pull her to her feet. Once there, she leaned over and returned the nose kiss. "What the heck took you so long to ask, Philips?"
Much later, Art cuddled his drowsing wife close. "Any word from Darryl?"
"He's taking the afternoon train here on the day after tomorrow. I offered to go pick him up in the Lincoln, but he seems to think I should have . . .other things to occupy my time now that you're home."
Art grinned as he shifted Jane in his arms and rolled her on top of him. "I *do* like the way that boy thinks." he said planting a teasing kiss on Jane's pursed lips.
"I suppose, but I wish he had more in his life than studies just now. It really is too bad he broke up with his young lady before he came home."
"No it isn't," Art said firmly. "She was good for his ego but she wasn't the type for long term commitment. She made him feel like a real stud in the physical sense, but she always bored him silly outside of the bedroom. That one went back for seconds in the boob 'n' butt line when she should have been in the queue where they handed out brains. Your Darryl is going to need a woman whose mind challenges him at least as much as her body turns him on."
"ART!" Jane spluttered, trying to stifle a giggle. "A man does not discuss a lady's son with her in those terms! It simply isn't done!"
"Oh really?"
"Really," Jane said, this time with the giggle getting out. "It is too bad. I keep hoping he'll find someone like Michael's Janice or Eric's Sylvia." "Someone he can share both sides of his personality with, like I share Diana with you?"
Jane nodded. "But girls like that aren't just lying about to be scooped up, are they?" At Art's negative shake, Jane sighed. "By the way," she added suddenly, "Speaking of Diana? She has been missing from my bed too long, buster. I want silk and perfume, romance and glamour tonight!" she growled, beginning to playfully tussle with her mate. "And seduction."
"Fair's fair, woman," Art growled right back. "Silk for silk, glamour for glamour, and I will take care of the romance and seduction. Deal?"
"Deal!" Jane almost squealed as she leaned over top of Art and began to kiss him senseless.
Introduction III: Judge Ruth Calls
The sun was moving lower in the western skies when the pair had finally risen from Jane's bed. Seated at her vanity, Jane gazed dreamily into her mirror, raptly watching as her spouse went about his. . .her transformation into the very attractive Diana. Then she sighed - half in appreciation, half in resignation as Diana began doing up the front fastenings of the black satin corset she used on special occasions.
The appreciation was easily understood. The corset made Diana's figure mouth watering. Jane's resignation was equally heartfelt. . . or was that 'waist-felt'?. She knew that Diana only wore that corset because Jane found it sexy and Jane had agreed to 'silk for silk, glamour for glamour'. That meant that JANE also had to wear one of those sexy Iron Matrons tonight, too. Jane was not the only member of this marriage-partnership who liked seeing his or her partner tightly laced into gleaming feminine perfection. *Of course, she will lace me as tightly as I lace her and since I don't want to faint from lack of oxygen in the middle of our lovemaking, I will have to be sadly restrained in my . . .assistance.*
Art, almost Diana, grinned mischievously as he sat down on an overstuffed ottoman and began to carefully and slowly slide full- fashion stockings up over each fully extended leg. Standing, he slipped his feet into a pair of dark blue heels and began fastening the garters. *She's still watching,* he thought. "Umm, Jane, darling," he called out, his voice now Diana's soft, husky alto rather than Art's light baritone, "I'm almost ready for the vanity and you haven't even begun putting on your makeup. Not that I mind putting on a reverse strip tease for your entertainment, but unlike that pushover Art, *I* am not going to give you any relief until after you have treated me to a night of dancing, wining and dining on the town. So get dressed, wench!" as she disappeared into the walk-in closet.
Jane jumped as if she'd been shocked and hurriedly reached for her foundation. She'd just gotten the top off the pot when the phone's rude electronic signal whined loudly. Grumbling, Jane reached over to pick up the modern appliance, regretting yet again the relegation of her beloved antique continental-style phone to the downstairs foyer. "Hello?" she asked and then brightened. "Ruth! How are you? What is up?"
Diana reemerged from the closet, gave up on waiting for Jane to finish and began gathering tubes and pots to one side of the vanity. Jane's breath caught at the sight of her lover's chosen outfit - the jewel-bright blue satin, knee-length evening dress that matched the silver haired vision's eyes. "Oh yes, Art's here, only," and here Jane glanced up at her lover's eyes in the mirrors and made an air kiss, "Only it's more Diana than Art right now." Jane listened some more. "All right . . .let me see, how do I turn on this bloody speaker phone Darryl and Kenneth insisted I should have. . ." She was about to guess when Diana's slender finger reached down and pressed a button. She suppressed a sigh when it worked because it wasn't the one she would have pressed.
With a mock snarl, Jane turned to face Diana who was calmly smoothing on her foundation. "I would have gotten it right," she mouthed not quite honestly before turning back to the phone. "Can you hear me, Ruth?"
"Sure can." came the somewhat tinny voice from the small speaker. "How are you, Art/Diana?"
"Just fine, Ruth," Diana replied. "What can we do for you since I suspect that unless you are calling to tell us our marriage license is invalid, you have other reasons for wanting us both in on this conversation."
"Oh, there's no problem with your somewhat hasty civil wedding ceremony except that *he's* still upset that you forgot to invite him and his friends. I suspect you are going to have to do something special there, but that is not why I am calling. Jane? Art? I need some help. Janie? Do you remember Pru Taylor? From our sorority?"
Jane thought for a minute and then nodded. "She was an athlete, wasn't she? Ran track and field, if I recall correctly? Attended school on an athletic scholarship? Is that who you mean?"
"Yes, that is her, only her name is Rockwell now. She's a widow now - lost her husband in one of those screw-ups in Somalia - he was a military advisor there and got caught in an ambush."
"So, what is it, Ruth?" Jane asked, wondering why Ruth wasn't getting to the point.
"She's got a child. . .well, a teenager actually, who is headed for trouble. Temper bordering on terminal rage, very anti-social - the whole works. Pru's really worried, Jane."
"Are you referring the case to me formally, Your Honor?" Jane asked.
"No, not quite, but only because it hasn't gotten that far yet. So far, things have been kept out of the courts which is part of the problem, Jane. At age seventeen, there is every possibility when things do finally go that far, she will be tried as an adult instead of coming to me in juvie. I told her Mother about you and what you do, and she asked me to talk to you about taking on the child."
"I don't have a big sister in residence right now, Ruth," Jane temporized, "Not only that, but I have been sort of reevaluating of late. The last few have been, well, almost all exceptions to the old rules. I am not sure my methods have the same applicability as they once had."
"Now don't go losing confidence on me now, Jane Thompson," Ruth snapped across the miles. "You are the best chance those kids had and the best thing that happened to all of them."
"And seventeen is a little old for what I do," Jane temporized further, the memories of Shelley/Trip and Carl/Carol, each of whom had only just barely made the 'big step' before reaching their legal majorities - which would have taken them out of her control -flashing across her mind. "Are you sure my program is the way to go? Why not one of those 'Outward Bound' programs with lots of exercise, fresh air and positive male role models?"
"Bear with me here, Jane, and let me explain this special situation."
Introduction IV: Darryl's Train Trip Home
Darryl boarded the train with a considerable sense of deja vu. How many years had it been? Almost five since a frightened and abused, fourteen year old boy had boarded this very train?
So much had changed for the better in those intervening years. Back then, his name had been Darryl Smith. Now it was Darryl Thompson-Philips . . . usually. . . .well, at least lately it had been. . . except when it was Darla Thompson-Philips.
Memories of that second christening elicited a smile across his smooth young features. He'd been given the name 'Darla' by his own big sister, Stephanie, towards the end of those first hellish two days under Jane Thompson's regimen. Initially, Darryl had reacted as he'd later learned that most boys reacted - complete confusion, then anger, then terror and embarrassment - before ultimately falling in line with Jane's plans with only the most minor of complaints. He'd gone through the make-up sessions, the multiple dressings and modeling exercises, the shopping and beauty parlor trips, the soirees - had been the target of every arrow in Jane's male-ego-killing quiver - and had reacted predictably to them all.
Until, that is, the afternoon after his first trip to the Marisha Chalet when he'd taken a really close look at 'Darla' in the mirror and realized that she might be the means for his escape from hell. While many of Jane's other students would have defined that as an escape from Jane Thompson's feminine prison, not so young Darryl Smith. No, Darryl's own private and fiery hell had worn the face of his own brother - a brutal, sadistic bastard who had considered Darryl to be his personal slave and who had abused and raped the young boy repeatedly.
And who would never have stopped searching for Darryl so that he could do all those vile things over and over again. At least, not until Darryl had either died or killed himself.
Darryl had, in that moment of mirrored epiphany, developed a plan to become Darla and to use that new identity to escape his brother once and for all. Even if that meant living the rest of his life as a woman. However, he realized that if his plan was to have any hope of success, his disguise had to be flawless. He began studying Jane's lessons 'how to be a girl' with a will and a commitment to perfection that Jane had never seen before. Only his brother's very timely death had prevented Darryl from following through on that plan.
So much had changed, Darryl thought again as he took his seat. Now he had a family and a future.
His reminiscences were distracted by the shoving and bustling of other passengers boarding the car. Across the way, a guy in a loose jacket and bulky bib-style overalls was struggling to get an evidently very heavy bag into the overhead. It was unwieldy enough to be awkward, even aside from weight, so Darryl figured he'd lend a hand. "Hey, man, let me help you with that," he offered, smiling.
The other passenger spun on his heel and faced him, furious. "Get away from me," the passenger snarled before adding "I can handle this just fine on my own." and then proved that by slamming the obviously heavy bag up into the rack.
*Adrenaline,* Darryl mused. "Okay, fine. Just trying to help."
"Next time," the fellow hissed, "Don't bother!"
Shrugging philosophically, Darryl slipped back into his own seat. *Well, I tried. Wonder what put the burr under his saddle?*
Strangely, he then elected to take the backward facing seat, a decision that allowed Darryl to continue to observe him. On closer inspection, the guy was not really out of the ordinary. His nearly black hair was closely cropped, but not into some sort of punk cut. It was more like an old-fashioned crew cut, Darryl mused to himself. The unstylish haircut and sloppy clothes defined a persona, almost a stereotype, and Darryl was almost ready to categorize this guy in his mind.
And yet, there was something wrong - something about him that just didn't fit. Darryl was still pondering that when the guy looked up, feeling Darryl's eyes on him perhaps, and frowned.
*Damn, what I wouldn't give for eyes that blue,* Darryl sighed. *Too bad about the broken nose,* he thought, continuing his inventory of his unwitting subject's features. *Nice eyebrows, too . Darla still gets hers uneven every now and then. Man-oh-man, except for that nose, imagine what Jane and Marie could do with that face. The 'she' those two would make of that fellow would be a heartbreaker and based on his response to a friendly offer of help, he could definitely benefit from a little Thompsonly tutelage in polite manners.*
Darryl sat there, thinking back to the days of those first makeup lessons, and catalogued the features of the rude young man against what techniques would be necessary to change this rude 'him' into one of Aunt Jane's sweetly submissive 'hers. *Let's see, the nose is hopeless, that would need surgery. Those eyebrows need to be plucked, of course, but the brow ridge is not prominent at all - quite delicate in fact, and it leaves his eyes looking nicely large. And the line of the jaw seems almost fragile, as though . . . oh, my God! All those things I have to compensate for with Marie's cosmetic tricks are already . . . right. Good grief, he's a. . .I mean. . that's a girl! I . . . think.*
Trying for subtlety, Darryl gave the suddenly female-appearing creature a more thorough examination. Fine boned fingers fidgeted nervously with a thin golden chain or fob that had come from one of the bib-overalls' many pockets. She (he?) was long- legged, and appeared quite fit although that was difficult to tell, dressed as he or she was in those baggy, unflattering garments.
Then, the girl became aware of Darryl's intense interest. Her skin flushed again and her hands went very still. Fixing her eyes on his, she raised her chin in a movement that while challenging, was also undeniably female.
She really was a girl, albeit not a very feminine one.
*Small wonder I did not realize she was a girl. Between that haircut and those clothes. Big girl, too,* he thought. *Taller than me by a few inches for sure, and bloody strong, too, based on how she slung that case into the overhead rack. Wonder how she broke her nose? Except for that, she's got really nice bones which makes her attitude and taste in clothes even sadder. Wonder how Momma-Jane would react to her?* A mischievous grin lit Darryl's face. *Oh lord, I have GOT to see Jane's face when she sees this one. Now, how do I arrange to get her off the train in Kingston?*
Now, they were stuck with a less than desirable 'Plan B'. Diana had to intercept Darryl before he greeted Jane in boy-garb while Jane corralled the new student. If all went well, there would be time for a family conference after the new student was sleeping off Jane's sleeping potion-laced after dinner wine. Otherwise, having Darla play the big sister, at least for the first few critical days, might well cease to be an option.
Jane started when Diana suddenly released her grip on her spouse's hand and strode off toward one of the train cars. There, at the door, was a widely smiling Darryl, waving happily to his family. Jane winced as her son jumped to the platform before the train had completely stopped. He would have made a beeline towards his beloved "Momma-Jane" had not Diana caught him by the arm and all but frog-marched him into the terminal.
*Phase One complete,* Jane thought relieved. She still did not know precisely how she was going to handle this one, but at least all her conceivable options remained viable. *How in heavens name did I get myself INTO this mess?*
As she hustled their son away from Jane, Diana looked back over her shoulder at her beloved wife. Though it would have been invisible to anyone else, Diana could see signs of the anxiety she remembered in Jane the night before, right after Ruth's call.
It had been nearly forty minutes after a still-disbelieving Jane had told Ruth that she needed more time to consider her long-time friend's request. Comfortably situated in one of the plush overstuffed chairs Jane kept only in her private suite, Diana had watched as her wife furiously paced the room. She'd already tried to calm the Mistress of Seasons House down twice and had failed miserably both times. This was apparently one of those times when all a caring husband could do was let her wife work through things on her own.
*Well, almost on her own,* the cross-dressed psychologist had laughed quietly to himself. Diana had pretty much already decided what Jane would do - would NEED to do. After that had been decided in Diana's mind, it had simply been a matter of carefully (VERY carefully) letting her agitated spouse reach that very same conclusion with as little prodding as possible. After all, Jane had not gotten very far with her dressing and that peignoir she was almost not wearing was calling to her. *Best laid plans of mice and men and whatevers, Philips,* she'd told herself. *You have to get her to take you out on your date before you can have any of that, and by your own words, too, DUMMY!*
"How can you just SIT there," Jane had suddenly spun about, raging at her spouse.
"If I stood you'd run me over," Diana had replied equably, which only served to further fuel the emotions that were driving Jane Thompson.
Diana had only barely caught the pillow Jane had then hurled at her before it connected with her face. "You know what I mean," the teacher had growled as she looked about for more ammunition. At that point, Diana had decided to come out of the chair, catching her hand as she reached for a piece of sculpture.
"Ah, ah, ah," she'd said as she had disengaged her lover's fingers and then carried Jane bodily to the couch. "Sit!" Jane had sat, just barely catching herself crossing her arms over her breasts in a pout. Diana had merely grinned and then tipped the angry redhead's chin up so the two lovers could lock eyes. "You know what you are going to have to do, love. You would not be you if you did not at least try."
"But this is all wrong!" Jane had nearly wailed.
"No, it is not wrong, but it is very different than your usual situation. Are you afraid?"
THAT had done it! Fury had sparkled in her dark eyes, but only for a moment, and then her shoulders had again slumped. "Of course I am afraid," she sighed, the emotion bleeding out of her. "As we discussed just this morning, I have begun to doubt certain parts of my program. Still, as soon as I heard Ruth's voice, I was like a fire horse hearing the bell ring, but DiANNNAA, what she wants me to do is. . .is. . "
"Very different," Diana had agreed. "But I think you can still help. You care, and you have the time, the resources and the will to do what needs be done." Jane only grimaced and Diana chuckled. *What a WOMAN,* Diana's mind had crowed, *and she's MINE!* "Not only that," she'd continued, "but you have me. And/or Art, that is."
Jane had simply sat there silently for a several moments. "You think I should do this." It had not been a question.
Diana had shaken her head at that, sending silver wisps of hair dancing about her face. "Jane, my life's true love, it doesn't matter what I think. YOU'VE already decided to do it, dear, in your heart, at least. You are just trying to convince that more rational part of you to quit bitching about the decision."
"I know," Jane said in a very small voice. "I know."
"So, when Marie and Darryl get back we have a council of war?"
Sighing, Jane had then risen and walked into Diana's open arms. "I think we're going to need one, don't you? After all, wasn't it you who told me that the reason I wasn't reaching Caitlyn was it is damned difficult to convey a credible threat of terrifying humiliation to a girl, if all you can do is expose her publicly as a girl? Oh lord, Art, whatever am I going to do with a REAL girl?!"
"I don't know, love," Diana had replied with a chuckle, "Not YET, but I think the first thing you need to do?"
"What?" Jane had asked, almost meekly, her face still buried in Diana's Obsession-scented shoulder.
"Get dressed. That peignoir is gorgeous but you promised to take me out to kick up our heels on the town tonight. We aren't likely to get another chance for a while - not with a student in the house - so go get dressed." With that, the smiling psychologist had planted a sharp swat to Jane's shapely backside. At her outraged glare, Diana had smiled. "And don't forget to call me to do up your lacings."
The train was nearly empty and passengers were beginning to board and still Jane had not seen her new student. Fear clutched at her as she contemplated the possibility of a runner with icy dread. Then, a tall figure, garbed in thoroughly disreputable clothing, pushed through the boarding crowd lugging an obviously heavy duffel bag. Jane felt the beginnings of a migraine burn behind her eyelids.
With a deep breath to calm her nerves, Jane stepped forward. "Miss Chastity Rockwell?" Jane saw the girl start at hearing her name and knew that this. . .this. . .child had to be her new student. She held out an elegantly gloved hand in greeting. "I am Jane Thompson, Chastity, your Mother's friend." Jane winced as the girl wiped her hand on jeans before taking Jane's and vigorously shaking it.
"Rocky, I only answer to Rocky," the girl replied with unexpected heat in her voice, "If you're my mother's friend, Jane Thompson, we need to get that understood right now. I make it a point of personal pride NEVER to answer to Chastity."
"But . . .but that is your name," Jane replied, too surprised by a student taking HER to task to scold the girl for her lack of manners.
"Only on my birth certificate and it is only there until I am eighteen. It is a traditional family name, but I hate it. I already have the necessary paperwork filled out to change it when I turn eighteen. Kind of a birthday present, you know?"
"And what will you change your name to?" Jane asked, trying to regain her equilibrium.
"I just told you," the girl scoffed. "The name I answer to is Rocky. That is the name that will be on the papers, too."
Chapter 2: Darryl Joins the Plan
Darryl kept his questions to himself until they were in Marie's estate wagon and on the road to Seasons House. "Okay, Daddy- Diana, what's up? Why are we here and Momma-Jane still at the train station?" Then a thought occurred to him. "Oh, I get it. There was a new student on the train." he said with certainty.
"You got it. Ruth called day before yesterday. Jane and the Mom are sorority sisters. . ."
"Not like Ken's mother?" Darryl demanded, suddenly worried.
"Not hardly," Diana chuckled. "Janey remembers this one as being as sweet as Sheila turned out to be poisonous."
"So, I am being kept out of sight so that I can jump into the nearest phone booth, don my costume and become Super-Sister?"
"Well, that is one option, son," Diana said with Art's voice. "This one is going to be different, particularly for your Mother who is not real comfortable with the scenario. I think you, that is, Darla, could be a real asset at some point in this student's program."
"At some point? Jane's changed the plan? She's not going to put the screws to this guy in the first two days and have big sister around to feel him out and help set him up? What is this guy? A really bad troublemaker? If Jane's that worried about him, why did YOU let her take him on?!?"
"Well, it isn't so much that the new student is a bad actor or that the program being different as the fact that this student is very different from any Jane has ever taken on."
"THAT different?" Darryl asked, his tone dubious.
Diana turned amused, twinkling eyes on her adopted son. "Yup. Janey has never taken on a real girl before."
It was very satisfying, Diana thought, to see the boy's jaw drop that far. She didn't often get the better of her all-too-bright adopted son. Then her own chin dropped in a graceless expression Jane would never tolerate when that son said, "Oh, no, it can't be. Not HER!!"
Almost disgusted with himself, Darryl fell to wandering aimlessly about his temporary hideaway. Diana had dropped him off at Jane's horse barn where Marie had prepared the old stable manager's apartment for him. Long vacant - but well maintained, as was everything that belonged to Jane Thompson - the rooms were located in the back of the barn, on the side away from the main house on the second floor. Part of the apartment had been, in recent times, converted into a small private gym/workout space for Art who needed regular rigorous exercise to maintain Diana's fine womanly figure - particularly now that Marie was feeding him on a daily basis.
The plan Diana had laid out for him during the drive home from the train station was that Darryl would stay out of sight while she and Jane dined with the girl. Darryl had told Diana that Jane might need another way of putting her new student to sleep because he wasn't at all sure this one would drink Jane's gently doctored wine. He thought he'd finally figured out what was in that heavy duffel and what that said about the girl with the broken nose. She was an athlete, and from what little he'd observed, she was probably a good one. She might refuse the wine because it broke her training. Well, Jane's experience with Ken, when he had refused the wine should have forced her to come up with a contingency plan or two.
In any case, Diana had left a cellular phone with him and promised to call him when the girl was asleep and the coast was clear.
It couldn't be too soon for him because he really missed that wonderful old Victorian monstrosity of a house, especially the views from the windows of his room. Heavens above, he even missed all the pastel frou-frou that was part and parcel of his Darla persona, hard-put-upon senior student in Jane Thompson's Girl's School for Wayward Boys. When he was away from home, he was even haunted by the remembered scents of the perfumes, powders and other cosmetics that flavored every facet of Seasons House. Heck, truth to tell, it would be nice to be able to get back into silks and satins again for a while. The soft, smooth fabrics really were more comfortable, at least when Momma-Jane wasn't forcing corsets and stiff petticoats on him. And heels made him taller, which was always desirable.
Other young males would likely cringe at that bit of self recognition, but those young men had not had the good fortune to be raised to manhood by Momma-Jane. Darryl no longer concerned himself about how his time as Darla might have affected his masculinity because nothing of what he did or wore in Seasons House changed anything that really counted in his life. Darla was simply an integral part of who he was, just as his diminutive size and height were integral parts of Darryl Thompson-Philips. There was no doubt in his mind that he was a man in every sense of the word. He was ALSO a man who could and regularly did flawlessly impersonate a beautiful girl. Moreover, he was a man who thoroughly enjoyed his ability to carry off that impersonation and who enjoyed the society of other women during those impersonations.
*And even when I am Darryl,* he caught himself with a half snort, half laugh, *I think of 'society of other women' when I think about Darla, as if she truly is a woman.*
Well, Darryl-the-man liked the 'society of women' as well, although he had other reasons to enjoy their company that was beyond Darla's own. In point of actual fact, Darla had been a great help in that regard. To a woman, each of his lovers had remarked upon Darryl's attentiveness and unusual sensitivity and insight about women. He'd even managed to remain friends with each of them after their time as lovers had run its course.
Now, Jane had taken on a real girl as a student. That had to be a first - at least since she'd left her position as Headmistress of Eastmore Girl's School. Where would he fit into that situation? *Heavens,* he thought, *Where would Darla fit into that situation?* Darryl wasn't sure.
In the past, the big sister's job was part spirit-guide, part role model and part instigator/snitch. His own observations, close up and personal, proved that girl needed the role-model most of all, but that role was also the one fraught with the most danger. Oh, Darla would still be able to keep an eye on her little sister, help her over the rough spots, and perhaps even tease away some of the tears and the tensions. Unlike Michael/Michelle, Darryl had no compunction about helping Jane set up the new student for the traps that were critical to the program, or keeping the teacher abreast of where the student's head really was, but what would happen if - when the girl found out that her feminine role model was male?
And what would Jane's controlling threat be with this one? Expose her to the world as a girl dressed in girl's clothes? That did not sound like much of a threat to Darryl. So what would be the tool or tools that gave the girl pause when she started to react in a negative or unacceptable manner? Somehow, Darryl did not think calling her a 'sissy' would do much more than really piss her off, and after seeing her display of strength and temper on the train today, that did not seem like such a good idea.
He thought a while longer about the situation and what his role in the coming drama might be, then laughed. "Might as well admit that you are intrigued by this, Darryl," he finally said to himself. "A real girl in Jane's boy's school. Won't it be interesting to see what she looks like in some nice clothes?"
Just then, the electronic signal of the cell phone sounded. Darryl picked it up, opened the connection and listened. "Okay, Daddy-Di. . . I will be there in a few minutes."
Chapter 3: First Council Strategies
"Wait, dear," Jane said quietly when Darryl made noises about going up to his room to clean up, "We need to talk with you and Marie now. Since you missed our luncheon, I asked Marie to put together a light tea for you. You can eat while we all meet in my office."
Darryl looked at the Mother of his heart and saw emotion Jane Thompson rarely permitted to show. There was uncertainty in those dark green eyes, and something else - perhaps even fear. *I guess that isn't too surprising. This is not just another student for her to tear down and rebuild the same old way, now is it? After all the last few students have put her through, now she is stepping into completely new territory where the experiences of a lifetime have little application.* "Okay, Momma- Jane," he said softly and then moved gracefully down the hall toward the downstairs office.
"Was it my imagination?" Diana asked after Darryl had disappeared from view, "Or was that Darla who just answered you?"
There was something innately, intrinsically feminine about the young person who skillfully poured the tea and served the light snacks to the other three women, Diana reflected as she fell into the familiar dual roles of both participant and observer. It certainly wasn't their child's state of dress that accounted for that perception of femininity, for the combination of running shoes, jeans and pullover was at best androgynous. And yet, a casual or inexperienced observer would never have thought this young person was a male.
*It isn't just the small stature and size, either,* Diana thought as she concentrated on watching her son as she. . .he proffered the plate of dainty pastries to Jane and Marie. *It is also manners and mannerisms; presentation and presence. Every non- verbal cue just screams 'female', and yet, when Darryl is Darryl, he is just the opposite - all man in spite of the supposed limitations of his physical size. When I think of how hard I have to work and what I have to do to carry off the masquerade he seems to pull off without apparent effort? I just want to scream.*
"Very nicely done, dear," Jane complimented as she settled her teacup in the delicately painted saucer. "You have surmised, Darryl, that I would like you to help me with this new student? At least for the first crucial couple of weeks?"
"Darla, Momma-Jane," she was instantly corrected by the familiar and soft tones of her 'daughter', "although what good I can be to you when you are dealing with a real girl, I don't know," Darla shrugged that off and continued, "But you know I am willing to try. And for longer than just a couple of weeks if that will help you. I was able to resolve most of the university's concerns about my distance learning classes. I will be able to do most of the work here at home and only go into the city perhaps one day a week, at most three days every two weeks."
"Excellent, dear. As to what you will do, well, Diana and I have been discussing that ever since we first agreed to try to help this child."
"Somehow, Momma-Jane, I don't think your usual threat of telling the student to play by your rules or leave as they are dressed is going to work with this one. Being a real girl, she might decide to take you up on the offer." Darla said pertly, trying to relieve the somber tone of the discussions. "I believe, my dear, as old and set-in-my-ways as you no doubt think I am, that I have reached the conclusion all by myself."
"So what do we do?"
Jane sighed, wishing she felt more confident. "Diana and I have come up with a strategy we think will work. The girl has a main goal in her life. I can, given that she must live under my authority until she graduates or reaches her eighteenth birthday, be of significant assistance to her towards achieving that goal. On the other hand, I can also do a great deal to make it impossible for her to pursue that goal while she is living here, and while that time frame is limited by her majority to a maximum of eight months, the end result will set her back by more than a year."
"So, she plays by your rules and is a good little girl, or you will take away her dream? You sure you want to take the chance that she won't force you to follow through on that threat?" Darla asked, concerned. While Aunt Jane often enjoyed her little games and tricks, Darla knew that imposing real penalties that had far-reaching potential deeply distressed the truly caring inner-woman.
"Diana and I believe we have worked out a scheme that will preclude me having to impose that forfeit on her. We will know better tomorrow morning when I give her what Kenneth called the Scylla or Charybdis choice. Diana believes she will take the path of least resistance to her own over-arching goal, which will be to follow my orders and hope to curry the favor of my assistance.
"So, assuming it goes as you and Diana have planned, Momma-Jane, what happens next?"
"The usual first day exercises except at a slightly slower pace. I think we will have to take things slowly with this one, carefully considering each step as we go along. It may take longer for her to see the benefits, but I would rather do that than make an irreparable error early in the program. For right now, I think we will still try the makeup lessons and fashion shows. Marie has already acquired and inventoried her personal belongings," Jane shook her head sadly. "I was hoping there was something in there we could use."
Marie snorted. "You would not believe this, Darla, but those abominable things she was wearing are the most presentable clothes she brought with her. And she does not own so much as a tube of lipstick or pot of moisturizer. The closest thing she has to cosmetics is Mennen after-shower powder, deodorant and athlete's foot spray. We will not even discuss what she brought in lieu of lingerie, for it does not even deserve to be called underwear."
*I should have expected that,* Darla thought. *Jane as much as confirmed my theory that she is a jock. Wonder how Aunt Jane is going to deal with that?*
"Just so, Marie," Jane interjected, reasserting her control of the small meeting. "In any event, those deficiencies ensure that she will benefit by the same lessons we always set for the boys that first day. Cosmetology, hair care, dictionary walking, fashion changes - the whole make over routine. Whatever she is anticipating on her arrival here, I don't think she expects to be turned into a Victorian dress-up doll, so that will have the desired effect of putting her off balance."
Darla began nodding and then suddenly remembered her role in those activities. "But, Momma-Jane, won't that put me into situations where. . .well, I mean, the big sister helps the little sister dress. . ," a bright red blush colored Darla's cheeks. "And she's a minor, assuming Aunt Ruth is the referring court official. I. . that is, we could get into real trouble with this. . "
"Well, that is one of the key problems Diana and I still must resolve, dear. We're not precisely sure that a long term 'big sister' is what this one needs. Certainly, a good, solid feminine role model should be a help, but that is one of the areas where we will be playing this by ear. And just so you know, Ruth did not officially refer the girl here, Darla. Miss Rockwell is here at her Mother's instigation based on Ruth's recommendation. Both the Mother and Ruth have said that they trust me not to put the girl in danger of her virtue, but. . ." Jane turned suddenly pleading eyes to Diana.
With a laugh, Diana moved over to put a comforting hand on Jane's shoulder. "They both understand that you might be involved and what the ramifications of your participation are. What Jane is trying to say, Darla, is seeing your new little sister en dishabille from time to time, is not really going to be all that big an issue unless you are going to lose your manly control and try to have your wicked way with her." Diana's tone was suddenly lightly playful and teasing.
"Not bloody likely with that one," their child replied in tones that were clearly more Darryl than Darla. "She might hurt me."
"Just so," Diana continued, hiding a half smile behind her hand. "What Jane is really concerned about is how that . . . hmmmmm. . shared sisterly intimacy might affect Rocky's willingness to continue learning if she ever finds out you are not also a GG."
"A what? And who is Rocky?" Darla asked, suddenly confused.
"In the common parlance among some transgendered folks," the onetime practicing psychologist/counselor explained, "GG is a generally understood term for a person who is physically, that is genetically, female. Stands for 'Genetic Girl' and Rocky is how our new student prefers to be addressed. It is short for her last name of Rockwell."
"Jane?" Marie asked. "Just what has she done and why is she being sent to us?"
"That part is at least business as usual for us, Marie," Jane said after taking a sip of her tea. "She has a history of stubborn intractability, and temper losses to the point of rage and violence. So far, she has only attacked males, and from what Ruth tells me, only males who were bigger than her."
"So that is the reason that I am still Diana," Diana interjected. "We think, based on everything we've been able to find out about her incidents, that she has no history of behaving violently towards other females."
"Based on her initial reactions to me," Jane added, "I think she is somewhat intimidated by strong female authority figures."
"Don't count on that too much," and this time it was definitely husband-Art speaking to wife-Jane, "Because we don't have any evidence and she might decide that authority is authority and react unpredictably. Be very careful when and precisely how hard you press her. And make damn certain that either Darla or I are there when you do decide to play 'mean old Aunt Jane' with her."
"Very well. As I was saying, Point 1 is to keep the household as feminine as ever. Hopefully, once we have a handle on her, we can carefully introduce males to her in controlled situations to get her past that violent reaction."
"Point 2 goes hand in hand with that. I do not want her coming into contact with anyone who might push her buttons in an uncontrolled manner until we have her more in hand."
"That means no Sandy," Darla commented. "No matter how you ask her to behave, she just cannot help herself. She is your biggest gun with the boys, but that is because the boys don't dare retaliate against her trash-talk for fear she will keep her promise to expose them." "Excellent observation," Jane agreed. "I wasn't planning on her leaving the estate for at least a week, and certainly not before we have her agreement to the program and have something to hang over her head, but I agree with you, Dear. When we go to the salon the first time, Caro does the full treatment on this one."
"Point 3, Darla-dear, is that you must find ways to convince this student that being a girl is not only rewarding, but fun. Think teenaged girl, and when you come up with any ideas, run them past me. As I said, we are playing this one more reactively than I would with a boy, but that is as it must be. We need to find things she likes as well as things she does not. We cannot rely only upon negative reinforcement. We need both the carrot AND the stick."
"Teenage girl? That means boys, doesn't it?"
Jane's eyes went closed, her normally smooth brow wrinkling. "Oh god. Boys. I had not thought of that, but you are right. Oh well, at least with her I don't have to worry about those outsiders finding there's another boy beneath the petticoats."
"Point 4," Diane added, picking up the conversation, "is that we will have to decide whether to keep Darla around based on how Rocky. .,"
"PLEASE," Jane cut in, wincing, "Do NOT call her that."
"Very well," Diana said, her eyes twinkling, "Depending on how GiGi reacts to Darla. As we've noted, our new student does not have a great deal of feminine artifice and she may react in any number of ways to our oh-so-very-sweet-and-lovely Darla. Hopefully, she will come to see Darla as a role model to be emulated, but she might just as easily conclude that she is a threat or that she represents an unattainably high standard of feminine perfection. In either case, she may do everything she can to distance herself from Darla."
"I suppose," Jane muttered in frustration, "that we will have to do the naming ceremony with Old Tom, too. I had planned on foregoing that little ritual and simply employing the girl's real name, but she has steadfastly refused to acknowledge that name and *I* refuse to call her 'Miss Rockwell' or 'Gigi'. We'll pick a day when his son is not with him. I don't think she will feel aggressive against Old Tom."
"What is her real first name?" Darla wanted to know, and then burst out laughing with a sour-faced Jane told her. "Well, I can see how that name would be a trial for a girl in today's world. Okay, let me know when you think she will be willing to play along and I will christen her for you."
"Does that about cover it?" Jane asked, looking once more to her mate.
"I think so. As you said, we will have to play this one close and step softly. Make sure she doesn't feel so threatened that she breaks pattern and lashes out at one of us."
"That how she broke her nose? Someone gave better than he got?" Darla asked.
"No, Darla. She is a competitive modern pentathlete - a very good one according to her mother. In one of her early competitions, she drew a horse who was having a bad day and it refused a jump, unseating Miss Rockwell face first into the jump."
"Why hasn't she had surgery?"
"Her mother told me that she refused surgery because there was a slight chance that removing the damaged cartilage might degrade her breathing when she exercises. However, that nose is something else we will need to address with this child. Marie? See what you can do with stage makeup tomorrow during one of the dress up exercises. As to the original question of someone getting the better of her? That apparently has yet to happen. When this girl decides to fight, then she fights viciously and has, to this point, incapacitated each of her opponents before they could retaliate effectively against her."
"Momma Jane? You know I saw her on the train as Darryl, right? I know it is only a first impression based on very little data, but I am not sure that the threat of humiliation will work with this one. I can't really put in words why I feel that way, but I do."
Jane nodded. "As Diana has told me, it is difficult to use the potential humiliation of being exposed as a girl to threaten a girl. Oh, I hope we can jab at her ego when she does not perform to standard, maybe awaken and pinch her feminine pride, but that is all. For this student, I intend to be the stern but fair Victorian governess. Someone who not only disciplines, but rewards as well. The goal here is to help her get in touch with and begin to enjoy the gentler aspects of her femininity. That being the case, then we can't have expressing those feminine behaviors used as or perceived as a punishment with her as it often must be with my boys. That is how I hope to use Darla, dear, as a tool to show her that being feminine is a pleasant thing."
"I see. Well, when do we start the lessons?"
"Tomorrow is soon enough, dear. You can go up to your room and reacquaint yourself with your buttons and bows, then we'll have a nice quiet family evening." Jane started to stand and then thought of something. "Darla, if she saw you on the train, perhaps you should make yourself more of a brunette for this session. The fussy little blond debutante look is not going to have the impact on her that it does on the boys. Besides, if your coloring seemed closer to hers, it might make you more effective as a role model."
"Jane?" Diana interjected. "I think that is a good idea, but it might also be smart, at least initially, to have Darla play down her looks. That way, she might avoid appearing 'too perfect'. Then, at an opportune moment, have Darla shine. That might make Gigi think that there is something to this cosmetic witchery of Marie's."
"Tante Marie? Do you still have that selection of wigs brushed out? And appropriately tinted cosmetics? I will need some help picking one out and setting my look." When Marie nodded, Darla pouted extravagantly. "All this effort to make myself beautiful and NOW she wants me to hide my light under a silo."
"That's bushel, Darla," Diana said with a cheeky grin. "You hide your light under a 'bushel'."
"Won't work," Darla retorted, tongue firmly in cheek. "It would be like trying to hide Pamela Anderson in a training bra. Hiding looks like mine would require MUCH more than a mere bushel."
Darla was pleased to see Jane begin to really laugh for the first time since Darryl had stepped off the train. Perhaps things would go well after all.
Chapter 4: A New Day for a New Student
The alarm that rang in Jane and Art's bedroom was all the more effective for its unfamiliar tones. Still, Art growled when repeated poundings of the bedside clock did not still the electronic bleating.
Groaning, Jane rolled out of bed and went to her vanity. "I armed the alarmed motion-sensors in Chastity's room before we went to bed last night," she explained as she removed the sleeping turban she'd used to keep her hair relatively neat through the night. She fumbled blindly about her vanity, found her brush and then continued. "I didn't know when she would awaken and I needed to get to her first thing."
Art peered blearily at the clock. "Early yes, but bright? I don't think so. Getting up before six a.m. is barbaric.
"It's the regimen her mother told us to expect, darling," Jane said shrugging into her robe. She came back to bed and planted a kiss on her husband's mouth. "Don't show yourself until after I have finished with her."
Art rolled back over and pulled the covers back up to his chin. "Won't," he mumbled. "'sides, unlike you, Diana needs time to become beautiful."
"Flatterer," Jane said with a smile, and then strode from the room. She had to catch the girl before she was involved in her morning program.
Jane stood outside the door to her new student's room, her hand resting on the doorknob. She took one last deep, cleansing breath and then opened the door.
The scene that greeted her was almost familiar. Her student was looking through the array of clothing that filled the huge, carved antique armoire. Even the look of mixed dismay, disgust and anger reminded Jane of the almost sixty other students who had come to Seasons House over the past twenty or so years. The only difference was that this student was already a girl.
Rocky heard the door open and close, but ignored it. She needed something to wear so she could get on with her morning workout. From what her mother and that judge had told her, she'd have little enough time to see to her body's needs once the day's 'classes' began in earnest.
Unused to being so completely ignored, Jane's ire rose a notch. "Chastity!" she said sharply. Jane could tell the girl heard her because she momentarily went still, but with a shrug then continued her search. Jane tried again and got even less response. That was when she remembered their first encounter at the train station. "MISS ROCKWELL!"
Sighing, Rocky stopped what she was doing and turned to face her mother's supposed friend. "Yes, ma'am?" she replied with hardly any inflection or interest.
"What are you doing?" Jane asked.
"Looking for something I can wear while I do my morning exercises. My stuff seems to have disappeared. You wouldn't happen to know anything about that, would you?"
The challenge was clear, but delivered quietly and in a controlled manner. Jane accepted that response as she would have accepted accusations and anger. "I have had your things put into storage. They will be returned to you only when I say so and only when I think you have earned them. Until then, those garments in that armoire have been provided for your use."
Rocky considered that, then shrugged. She'd exercised without proper clothes before. A decently fitting brassiere was all she really needed. The rest was purely for modesty's sake and that was an emotion that had meant very little to her. She began to turn back to the armoire only to be stopped by a snapped out order from the older woman.
"You and I need to talk. Immediately. I want you to shower, dress - that lovely robe hanging from the door of the armoire will do nicely - and then come to my study. Take a right when leaving your room and it is the second door on your left. I will expect you in no more than ten minutes." *Since you no doubt have a very masculine attitude towards lingering in a bath.*
"I will see you when I have had my workout, Ms. Thompson," the girl replied softly.
Jane turned back to face her new student. "Miss Rockwell, you have been sent to me because someone who loves you is very afraid that you may come to a bad end, causing harm to others and to yourself. You agreed to come here and agreed to participate in my program. So far, you have refused to answer a polite and civil greeting because you do not like your given name, ignored me when I attempted conversation with you and now you ignore my directions. I cannot help you if you do not do as I ask, Miss Rockwell. I will expect you in my study, showered and dressed in ten minutes or I will wash my hands of you and put you on the next train home. It is your choice, Miss."
Rocky watched the door slam behind the tall, striking woman. *Damn! Why did she have to be an early riser?* Looking down at the bra she'd pulled from one of the drawers of the armoire, Rocky gave a few moments thought to simply giving up and going home. Except that her mother had sworn not to support Rocky's training until she had graduated from this woman's school. It was not an insignificant threat. Pentathlon, with its equestrian and fencing competitions, was an expensive sport. Proper training was not cheap and although Rocky was good - very good for a junior - she was not good enough to gain outside sponsorship that would support her while she trained.
Sighing, she snatched down the robe and grimaced. It was satin - as feminine as the rest of this room and just as unwelcome. A glance at the clock told her she'd already wasted a minute of the ten that woman had allotted to her. Good thing she wasn't one to waste time on such things.
Jane sat in her chair, one eye on the clock, and one eye on monitor connected to the surveillance camera in Chastity's room. *How could I have been so stupid? I haven't even presented the choice and already I have given her an ultimatum that could have her leaving before we've even begun. At least she went into the bathroom, so there's a chance, but what do I do if she doesn't come out? If I give in, every threat or promise I make for the rest of her stay will be open to question. Oh, god, please let her give in this time. . *
Jane's clock had ticked away all but the last sixty critical seconds when the bathroom door in Chastity's room slammed open and a determined-looking girl strode out, heading for the door. Fifteen seconds later a firm knock sounded on Jane's door. The Mistress of Seasons House gave herself five more seconds to regain her composure, and then called out in her firm schoolteacher's voice. "Enter."
This chair cannot have been built properly,* Rocky thought as she exerted her will to keep from squirming on its seat, *Unless its designer was a sadist.*
Jane allowed her student to stew as she forced her relief into a dark, hidden corner of her mind. She would savor it later, perhaps with Art, but now she had to be the schoolmistress. She flipped through the dossier she'd developed as she waited, noting a violent episode here and a refusal to comply with a school policy there.
"Well, young woman, you have certainly led an interesting life these past few years. Tell me, Miss Rockwell, is arrest and prison time something you aspire to in life? If they are, then let me congratulate you on your planning. I would say you are, but for the good graces of your mother and a few other people who see a positive potential in you, well on your way to achieving that apparent desire."
*Another do-gooder,* Rocky thought sullenly, *determined to save me from myself.* "I have no wish to do either of those things, Ms. Thompson." she replied quietly, her voice monotone.
"Well, everything in this record says precisely the opposite, young lady!" Jane held up a piece of paper. "A disciplinary action for fighting on school grounds and putting the boy you were fighting into the hospital for three days with a concussion. Only the fact that no one could prove that you instigated the fight kept you from receiving more than an in-school suspension." Jane found another form. "Here is a letter to your mother indicating that you had refused to follow a school regulation and therefore would not be permitted to participate in the formal graduation. My discussions with your mother indicate that she was particularly hurt by that since your grades were excellent and you might have been valedictorian. What have you to say to that?"
"What I told her. I am not sorry that slug was in the hospital because he deserved what he got. I am sorry about the graduation, but there was nothing I could do about that, either."
"Oh?" Jane challenged. "It says here that the reason you were denied the privilege of graduating with your class is that you refused to comply with the dress code for the pre-graduation honors assembly, even after you had been specifically informed by the school's headmistress of both the requirement and the penalty for willful noncompliance."
"It is a free country," Rocky replied, more heat in her voice. "I do not have to wear a dress if I do not wish to wear one. The pants suit that I wore was elegant and tasteful. It is not like I showed up in rip-kneed jeans and a WWF t-shirt."
"It is indeed a free country, but that was a private school and the registration agreement your mother signed stated that you would comply with their rules and regulations as long as you were enrolled. Were you aware of that?"
Rocky hesitated, then nodded. "The Head showed me the document when she called me into her office to tell me I had to wear a dress. I told her that was unfair. She said that I was entitled to my opinion, but that if I wished to attend graduation, I would follow their stupid, sexist rules. I didn't think the ceremony was all that big a deal and did what I felt was right." At that point, her voice cracked and a single tear ran down her cheek. "I did not realize it was that big a deal to my Mom. If I had known how she felt, I would have worn the damn dress."
"Don't curse in my home, please," Jane rebuked, but the tear and evident emotion pleased her nonetheless. It boded well for it meant the girl did care about her mother in spite of her action to send Rocky to Jane. "Life is like that, Miss Rockwell, full of choices; full of consequences. Right now, you have another choice to make, but we will get to that in a moment. First, let me ask you another question. Why are you here?"
That brought a look of surprise to girl's face. "Because my mother sent me here." she finally replied. "It isn't like she gave me any alternative."
"So, you are here solely because your mother asked you to come?"
"More or less."
"I see," the stern-faced schoolmistress replied quietly. "Do you know what will be expected of you here, should I decide to let you stay on at my home?"
A look of unadulterated distaste bordering on disgust flashed in the girl's dark eyes. "From the way my mother described this, you are the Emily Post from Hell on female steroids. You are supposedly going to make me into a lady, whatever that means, whatever the cost."
"I asked you earlier not to curse in my home. I will not ask again. If you curse again before we have come to an understanding, we will terminate this interview and I will decide whether I should simply send you home or not. You are a nationally ranked athlete. Don't tell me you do not have the discipline to control your tongue because I know otherwise. Is that clear?"
The woman had not raised her voice, but Rocky had never felt so well chewed out in her life. Swallowing hard to clear the sudden lump in her throat, she nodded and said, "Yes, Ma'am."
"Very well. As to your description of me, aside from your flippancy, it is essentially correct. Basically, Miss Rockwell, what I run here in my home is a school in manners, deportment and feminine skills. As with any school, there are subjects to study and master, and there are tests to demonstrate that mastery. Let me tell you right now that you will be wearing dresses as well as feminine lingerie, shoes and cosmetics in my home - almost exclusively in fact. If you cannot accept that requirement THIS time, then we have nothing more to discuss."
Now Rocky did squirm. Lord, but she hated this, but she had given her word. "I knew that when I agreed to come here, Ms. Thompson. I will do as you ask and as you direct."
"Why are you here, Miss Rockwell?"
"You just asked me that, and I told you. My mother told me to come."
"Let's be frank with each other, shall we? Woman to woman? There is more to it than that. You are nearly eighteen. You could have waited her out. Actually, you can wait me out. In a mere eight months, your mother, and therefore I as her proxy, lose all authority over you. Why are you here?"
Rocky studied the tall regal woman for several moments and then realized, "You know, don't you? She PROMISED! She told me she wouldn't tell you . . . "
Jane held up her hand to stem the building eruption and was surprised when the girl responded. "She only told me that she was withholding something you wanted very badly until you came to me and passed my course. Having read your file, however, I have reached some conclusions on my own. They might be wrong, and if they are, my acting upon them could do both of us harm. Tell me the whole story, Miss Rockwell. Be honest with me. Begin as you mean to go in this joint endeavor of ours."
*I don't want to do this,* Rocky thought grimly. *Never give an opponent knowledge of your weaknesses. Oh hell, what does it matter anyway.* "I want to be the first woman to compete against the men in the World Pentathlon Championships a year and a half from now. Pentathlon is expensive, Ms. Thompson, and I cannot train without financial support. My mother has stopped supporting my training until I pass your course."
"So, assuming you complete my program, she will again shoulder the burden of paying for your training? I would say that you have a great deal to accomplish in the next eight months then."
"I know that I am not the most feminine person on this earth, Ms. Thompson, but I said I would come and I said I would try. I had hoped, however, that I could finish in less than the eight months because I don't want to be out of training that long."
"I see. Well, as to that, you will graduate when I feel you have accomplished what I want you to accomplish. That could take eight months, it could take four months and it could take a year or more. Typically, students graduate in nine to fifteen months."
"I can't be out of training that long!" Rocky exclaimed in dismay. "I will lose what edge I have and I will never be able to prepare for the trials."
"I will make you an offer, Miss Rockwell. Today is the only time you will hear it and today is the only time you can accept the terms. There are facilities on this estate - a stable of several mounts, all jumper trained, a small jump arena, miles of trails and a small exercise and weight room. Work with me instead of against me, Miss Rockwell. Give me your very best efforts to learn the lessons I am determined to teach you and in return, I will make arrangements for you to continue your training while you are here. Learn to wear cosmetics properly, and I will give you tuition in riding. Attain skill in preparing and serving a proper tea and I will arrange for a fencing master to give you regular lessons in my home. You have already given your mother your word, Miss Rockwell, and that is the stick. I offer you a carrot."
"Can I work-out in the morning each day? To keep my cardiovascular fitness?"
"It is "may I" not "Can I" and that is as much subject to your behavior and application to lessons as are everything else we are discussing today. Give me an honest effort each day, and the next morning you will be permitted to use the facilities. Consider it being like school, Miss Rockwell. You must maintain your academic standing to be permitted extracurricular activities."
Rocky thought about it, tried to find where the hook was, and then decided it did not matter. This was her only real chance at her goal. She was good at the pentathlon, very good in fact, but for a girl, a junior. Eight months of no exercise more challenging than lifting a china teacup with her pinkie crooked just so would put paid to her ever achieving the level of performance necessary to compete with the men on equal terms. She had no other choice. "All right, Ms. Thompson, I agree. I guess I will just have to trust you to be fair in your tests and evaluations, and agree to your bargain."
"Then I have your word of honor that you will unhesitatingly obey every command I give you, no matter how unpleasant or disagreeable you may find that activity to be?" The girl's eyes went wide for a moment as the full import of those words struck her, but then she shrugged and stated her agreement. "Then I give you my word that I will be fair and also that, assuming you perform to my expectations, I will pay for your training while you are here under my tuition. However, let me warn you that if at any time I sense that you are reneging on our agreement, or find that you have been dishonest with me in any way, I will wash my hands of you completely and advise your Mother accordingly. Is that understood?"
"Yes, Ms. Thompson. I understand."
"Then we have a bargain. We will start your program of studies this morning with some lessons in clothing and cosmetology. Your hair is too short for any training in hair care, so we will be forced to make do with wigs until we can get you to town where a woven hair replacement can be set upon your scalp."
Rocky grimaced. Long hair on an athlete was a nuisance, but she wasn't going to fight over it. She'd find a way to deal with it. Other female athletes managed didn't they? Well, so could Rocky Rockwell.
Jane saw the reaction, but was pleased that the girl did not take issue. It showed she was ready to make an honest attempt at Jane's program, which was all the older woman had wanted from this interview. "Chasti. . " Jane began and then stopped at the fury she saw suddenly rise in the girl's eyes. "I mean, Miss Rockwell. You really do despise that name, don't you? It is not an affectation."
"I hate it." was the flat reply.
"Well, I need a name to call you by other than Miss Rockwell and I refuse to use your preferred nickname. Do you have a name you would prefer to be called? A feminine name?"
"None that I can think of off hand, Ma'am."
"Do think on it, my dear, or I shall have to find one for you. In polite company, it is sometimes necessary to give others the privilege of one's Christian name. Since you will from time to time find yourself in polite company, you will need a name."
"I . . ." *Blast, if I don't come up with one, she'll choose one for me and that might be as bad.* "I will think about it, Ma'am."
Jane smiled slightly and rose. Recognizing the interview was over, Rocky also stood. "Miss Rockwell? One last thing before we conclude our talk. Please don't fight me in this endeavor. You have much to gain by working with me and a great deal more to lose by resisting me. Please remember that your mother loves you and at the same time, she trusts me. Think about both of those facts as we start with the first exercises. Now, come along. It is time for breakfast and I want you to meet my niece, Darla."
In truth, Jane was pleasantly surprised at Miss Rockwell's table manners and behavior. The table setting was intentionally elaborate and included several unnecessary utensils for courses that would not be served. In each case, the girl elected to watch Diana and then emulated the psychologist's selection. She handled her napkin deftly and ate with a mannerly if focused skill. At no time was she more than three polite chews from swallowing so that she could reply to one of Jane's many questions or comments. *At least this is one area where we will not require much effort. So much the better all around, particularly for the digestion,* Jane mused as she finished her melon course.
Marie then came bustling out of the kitchen with the hot course - bacon, scrambled eggs, fresh home-fried potatoes and toast. As the 'guest', the new student was served first. She politely took surprisingly small servings of eggs and potatoes, passing on the bacon and the already buttered toast.
Jane took that in and began to wonder if the child was feeling ill. A certain degree of anxiety was normal, particularly after the first interview, but the child was an athlete and Jane expected her to have an athlete's appetite. Her worry increased when Chastity took only the barest bites of the food and then began pushing the food about the plate, but not eating.
"Are you feeling unwell, Miss Rockwell, or is the food not to your liking?" Jane asked, her voice neither challenging nor (she hoped) overly concerned.
"I am fine, Ms. Thompson, and the food tastes very good. It is just that my training diet does not allow for so much fat."
"I see," Jane replied, and in truth, she did see. *Well, perhaps I can be the first one to compromise this time, and will be able to use that as a lever later today when I need one, as I am sure I will with this one. She almost reminds me of Kenneth in some ways. I know she enjoyed the taste of those potatoes and eggs, because her eyes became momentarily dreamy as she savored that one mouthful she permitted herself. Yet, she is sufficiently self-disciplined to limit herself to just that taste. A bit of a paradox, that. Oh well.* "Perhaps, while you are with Marie this morning, you could give her a quick description of your dietary needs, and then a more detailed written one when you have the time?" The surprise in the girl's eyes pleased Jane. *One for my side,* she thought and then sternly reminded herself that was also Chastity's side. "Is there anything you would like right now that is not too difficult to prepare?" Jane asked solicitously.
"If I may, Ms. Thompson, I would like some more of the fresh fruit and perhaps two slices of dry wheat toast?" Rocky asked hopefully.
Jane pressed the call button on her side of the table and passed the request on to Marie. "Right away," she said cheerfully. "Next time, cherie, you will tell me if you need special food, eh?"
"Yes, Ma'am." Rocky said, again surprised at the pleasant response to her request.
"You are here to learn, dear," Jane said firmly, "Not to degrade your health. What you have to learn here will be demanding enough with you at your full strength. If you truly need something, you have but to tell me and if it is possible, we shall see to your needs."
Marie came out of the kitchen at that moment with a huge bowl of the fresh fruit, the slices of toast and a crystal container filled with red preserves. "Homemade, dear," she said as she lifted the cut-glass lid, "No preservatives or processed sugars. Made it myself with only fruit and honey." And then she was gone before the stunned girl could thank her.
"You rate, girl," Darla piped in for the first time as Rocky put a miserly dab of the red fruit spread on one of the toast points. "Marie doesn't break out her special preserves for just anyone. She must figure you'll really appreciate them."
Rocky bit into the toast and flavor exploded in her mouth. "Oh, but that is wonderful," she sighed, before applying herself to the fruit bowl.
Jane allowed the two teens to talk quietly for the remainder of the meal, content to allow the seeds of a relationship to be planted. If the current plan was to work, Darla had to become Chastity's friend in ways that had never been necessary with her other students. Darla would have to walk a very fine line between being the feminine role model against which the new student would be judged and initially found wanting, and being the girl's friend and mentor behind the scenes.
Rocky finished the fruit and toast, allowing herself another spoon-tip of the wonderful preserves on the last toast point. She rationalized that indulgence by telling herself that she would probably need the energy before the day was out. She dabbed her mouth with her napkin and then folded it and set it aside as she had seen the silver-blond lady, Ms. Philips, do with her napkin.
Jane smiled regally. "Well, if you are finished with your meal, we have a great deal to accomplish this morning. First, you will take a bath using the scented oils provided for you in your bathroom. I expect that you will linger for at least thirty minutes and no longer than forty-five minutes. During that time you will shave your legs and underarms and shampoo and condition your hair. When you are finished, Marie will be there to assist you in the first of four complete dressings and make up sessions. You will observe and listen to Marie so that you can learn these techniques yourself. The last session you will do your own makeup and dress yourself. If you meet my expectations, I will permit you to exercise tomorrow morning before breakfast. I assume you have a schedule you follow?" At the girl's nod, Jane continued. "Then when you write up your dietary requirements for Marie, you will do the same for me with respect to your program of training. If you meet my minimum standards at the end of each day, you will be permitted to exercise the next. As per our agreement."
"Yes, Ma'am," Rocky said, a bit of a quaver in her voice.
Jane picked up on the reaction and pounced. "Is there some problem, Miss Rockwell? Have I in some way misrepresented how you understand our agreement?"
"No . . no. . .but. . ." Rocky steeled herself. "A HALF hour? in a bathtub?"
It was all Jane could do not to laugh at the girl's dismay. "Why yes," and then intentionally misunderstanding, "Ah, I see. You are concerned about being able to do a proper job on your shavings. Very well, at least forty-five minutes, but you must absolutely be out of the tub, ready to begin in one hour. We will do the final dressing after lunch."
Rocky wanted to scream. Almost an hour WASTED in a bathtub? Even if she shaved her legs twice and shampooed her hair four times she could easily be ready in twenty minutes tops. However, she suspected that any further conversation with this woman would have her stuck in that tub until it was cold. "Yes, Ma'am. Thank you." *For nothing!* her mind snarled. "May I please be excused?"
"Yes, dear. I will see you after Marie has finished your first dressing. Run along now. That's a good girl."
The three co-conspirators watched as Rocky's spine went ramrod straight and her eyes flashed at Jane's last comment, but once again, the discipline won out and she simply rose, and marched from the room.
Jane reached over and flipped another hidden switch. Moments later, they heard an angrily muttering Rocky storm into her bedroom. Jane breathed a sigh of relief. She had been momentarily afraid she might have pressed too hard with that last bit.
"Why the longer times, Aunt Jane?" Darla asked. "What happened to the bath from hell and the impossible thirty minute change/make-overs?"
Jane refilled her coffee cup from the silver carafe Marie had left. "I have revised the program a bit, dear," she replied carefully. "As you well know, my early purpose with you boys has always been to confound you, keep you off balance and get you into a pure reaction frame of mind. That way, the student is still somewhat numb when he goes out to Old Tom for his naming. Once he's been "named", the thought of having another man, more importantly an ADULT man know that the student has been dressing like a girl locks him into the program.
"And your purpose with Rocky, I mean, Miss Rockwell, is different?"
"Yes, especially after watching her behavior at table today and yesterday. She is already sufficiently unfeminine, heavens, ANTI-feminine, in her chosen mode of dress. I don't want her to develop a disgust of the feminine condition or worse, reinforce what she already evidently feels. I think, and Diana agrees, that if she can begin to enjoy her fripperies, we may be more than halfway there with her."
"So, no church bell petticoats or Alice in Wonderland outfits?"
"Nor will we force a change of hair color on her, although she might eventually wish to experiment on her own later - something which we will, of course, encourage. No, I want her to learn to wear the clothing, learn to apply the cosmetics, not to hate them. Unlike my boys, who can and do leave such feminine things behind when they finally leave me, Miss Rockwell is a female. If she chooses to turn her back on that fundamental aspect of herself it will not be as a result of something we forced upon her while she was under my care."
"Well," Darla pronounced with great feminine disgust, "I cannot say I think much of MY fripperies right now. Is it really necessary for me to be such a. . . such a dowd?"
The two older women burst into laughter and Darla's devastating imitation of the current teen female sitcom queen. "Yes, dear," Diana managed finally to reply. "Because while you must be completely feminine, we don't want our new student to take one look at you and give up in despair. Janey? Can we have someone do something about her nose? It cannot be that difficult a surgery."
"The surgery would be purely cosmetic, Diana, so I cannot really order her to have it done. Although she is a minor, she is old enough to express an informed opinion on the subject and any reputable surgeon would want her agreement first. It is too bad, though, because she might actually be rather attractive with out that unfortunate injury."
Nodding, Darla pulled a piece of computer paper from the pocket of her robe. "Last night I played with that computer you folks bought for me. I scanned in one of the pictures of Rocky. . .sorry, Aunt Jane, Miss Rockwell, and tried copying noses from. .. ummm. . .some pictures from the Internet," she finished with a bit of a blush that had Jane wondering how well clothed the owners of the noses might have been. "Anyway, this was the best of the lot."
Jane took the picture and placed it between herself and Diana. *Too bad she isn't smiling in the picture,* Jane thought as she examined the composite photo. *Once you no longer have that bent and broken nose to fixate upon, she is really quite striking. Full lips, huge eyes, high cheekbones. Even that ridiculous haircut gives her a gamine, elfin look. Quite pretty in fact,* she finally concluded and began racking her brain for a strategy to get that picture and the girl willingly to a reputable cosmetic surgeon.
"Odd, but that picture looks familiar somehow," Diana murmured, half to herself.
"I thought so, too, Daddy-Di, but I can't place the memory."
Jane shrugged, realizing that time was getting away from them. "She looks like Miss Rockwell. Darla, I will call you in during the third change. She will be in heels then. I think we can expect that she will be, at best, inept in them. I will want you to demonstrate for her that my exercises are not impossible. The plan is that she will fail on her own and thus be in danger of losing her workout unless she does much better for the final session after the midday meal. Then, assuming all goes well during the final session, you will take her out to meet Old Tom and give her a properly feminine name we can use here and when we are in society."
"She's not going to kill me when I do that, is she? The guys are usually too surprised and afraid of exposure to consider any retaliation. She won't be afraid."
"No, she will not threaten you," Jane said with quiet confidence. "She has, by the way, agreed to anything that is not one of her family's traditional names."
"I know that Chastity is one of the names on the 'don't go there' list," Darla asked, a mischievous glint in her blue eyes, "What are the others? Just so I won't make that mistake."
"You aren't likely to do so," Jane said with heavy irony, "As they are not names that would be popular in the modern world. However, they are - in addition to Chastity, of course - Prudence, Virginia, Shirley, Goodness and Mercy."
"You're kidding," Darla retorted.
Jane rose to her feet. "Darling, you know that I *never* kid."
Chapter 5: First Lessons Are the Toughest
Two-and-one-half hours later, Jane sat at her study desk, her fingers massaging throbbing temples. Her headache was in part due to the stress of resisting the sniping, caustic comments that were by now second nature to her during this particular exercise. To this point, at least, she had managed to be demanding but fair in her evaluations of her student's efforts and presentations.
Using an instant camera, she had photographed Chastity during the first presentation. She had been beautifully made up using subtle colors that made those incredible violet eyes even more dramatic while the softly tailored skirt and matching sweater in soft earth tones had shown off her strong young figure.
The second presentation, for which Marie had been more a consultant and helper had not gone nearly so well. Clearly, the girl had little experience with any kind of a makeup brush and her color preferences tended to the dull grays that did nothing for her looks at all. And then she had strode about the room like a man late for dinner. While Jane did not intend to impose the exaggerated mincing gait that she taught her boys on the girl, there were still LIMITS! *Just as well the next session requires her to move in heels,* Jane thought as she dug a knuckle into one particularly painful knot.
She was on the point of searching her desk for an aspirin when her study door opened to admit Marie. Jane looked up, instantly wary. "What is it?"
Jane barely resisted the urge to wince when she saw her longtime friend and confidante actually bite her lip and wring her hands. Sighing, Marie caught herself and started "I am sorry to say this, Jane, but what is going on in there right now isn't working. I understand where you are going with this child - how and why this program is different from what we usually do, but her reactions are still, at best, little more than what we get from the more compliant boys. Oh, she does what I ask when I ask, and she really works at it, too, but she has yet to show the slightest sign of enjoying any of it! Not ANY of it, and that's such a shame, considering the pretty clothes and lovely faces you have specified for her. All this one is doing is putting on a disguise - like some Halloween mask she will take off as soon as she is given permission to undo it all."
Cursing under her breath, Jane nodded. She should have seen it herself had she not been so preoccupied with not verbally lashing the girl. "So, what should I do?"
"It's like you told Darla, cherie. We've got to find some way to make this fun for her, instead of work," Marie said quietly. "The boys are motivated by fear. I think she is also motivated by fear, and right now, only fear."
"Fear of WHAT?!?" Jane demanded, her headache back in full force. "She's already a girl!"
"Fear that you will withhold her exercise privileges," Marie said quietly. "As important as you said those privileges are to her, I think we have still underestimated the potency of that threat. If we don't want her to hate the dressing up, and the makeup, and all the other wonderful feminine things both of us really love and that we want to share with her, you are going to have to tread very lightly. If she decides that her inability to meet your expectations costs her those privileges, she will never learn to enjoy being a girl."
"What you're saying is that you don't believe the original plan, as we laid it out last night, will have those desired outcomes?"
Marie shook her head solemnly. "I believe that if you use Darla to show this girl up just now? In the mood she is in?" Marie sighed unhappily. "She will take the criticism and then she'll do her best, but she will never enjoy it. She'll just press on harder and work at whatever you tell her to correct, and I do mean "work" in the worst sense of the word."
"I see. . . ." Jane thought, her eyes becoming vague as she contemplated Marie's observations. "And if I do withhold privileges, just as an attention getter?"
"I can't say for sure, Jane, but I think she will decide that if she works so hard and still fails, that there will be no point in working."
*Lord, but I wish Diana was here and not out taking care of the shopping. Still, I don't doubt that Marie is correct in her assessment. How in heaven's name do I teach a girl to have fun being a girl? Whatever could have happened to that poor child that she can't even enjoy the most basic feminine pleasures? Maybe. . .* "Lord, but I hate improvising like this. . .and yet. . . Marie? Have Darla come see me, please. Keep . . .oh hell, keep *Rocky* busy for another fifteen minutes. Show her how to fix a mistake with her mascara or how to blend her blusher."
Moments later, Jane opened her door to a knock. "You wanted to see me, Momma-Jane?" asked the primly dressed teenager. Darla had done exactly what Jane had asked for. She would have easily won the role of Marian the Librarian in the musical "The Music Man". Her wig was set in a neat bun that matched the real one Jane normally wore when she went off on a business trip. Black-framed glasses gave her a bookish air that made Jane want to shake her head. She was dressed in dark, conservative colors that did nothing for her, fashion-wise and did, in fact, make the girl look sallow. *Oh, but this is the very last thing I want that girl next door emulating. What have I done?*
"Thank you for coming so quickly, dear," Jane said as she lead her child to the settee. "Things have changed since this morning. On the bright side, I think I better understand what is missing in our program and we need to change the plan for you before we make what I am sure would be a very serious error. I still need you to perform the functions of role model and helpmate, but from a different characterization, I think. It will be difficult for you, but I honestly believe that it is as important to teach your new sister to enjoy her femininity as it is to teach her to be feminine." "Okay, Momma-Jane," Darla replied, her curiosity aroused. "You know I will do anything I can to help. What's the new plan?"
"So, this is what I want you to do. . . ."
"'Play down your looks, Darla,'" Darla fumed in a singsong voice as she dug through years of collected clothing in the normally locked Seasons House attic. "'Don't appear too threatening to her fragile feminine ego, Darla' and so I go and dress like this for her? Cripes, but a crow has more color than this outfit. And then what happens? And only forty minutes before show-time, no less?" She held up yet another overly frilly frock in one hand and an umbrella-like multi-layered petticoat in the other. "Like where am I going to find clothes like that in THIS house?!?! Blast!"
*She's walking like she's holding that book clinched between the muscled cheeks of her derriere instead of balanced precariously on her head,* Jane thought as Webster made a third trip from Chastity's head to the floor. In truth, if one of her boys had done as well at this point in her program, he would have been quite above average. Rocky was wearing taller heels than Jane usually sprung on a first day student and that was ONLY the third drop of the dictionary. Even Darla had dropped it twice that number in the same time frame. *But she's already a girl!* Jane's mind complained yet again. "Again, please," she ordered her student.
Assuming the girl had never worn makeup before today, her efforts in this session had been. . . adequate. Assuming she had never attempted to walk in three-inch heels before today, then her movements had been . . . satisfactory. Her clothing was tastefully selected and suited her own natural coloring well enough, but then, wearing navy blue and white did not press the envelope very much.
*But she is a girl! And she's seventeen years old. What girl does not experiment with cosmetics as soon as she can get her mother's permission, or play in mother's high heels until she can talk her mother into buying her own spiked shoes?* Jane winced as the book went down a fourth time. "Miss Rockwell, if you please. You must learn to do this in a fluid, graceful manner. You can no more walk like a lady when you're as stiff as a board than you could fence competently with that same rigidity. These exercises will make you better at your own goals, if you allow them."
"Yes, ma'am," the tall girl replied dutifully, but she was obviously no more convinced of that possible benefit than of any other potentially positive outcome of the feminine skills she was required to learn.
"Oh, bother," Jane said with perhaps just a bit too much theater in her accompanying sigh. "Wait here."
Rocky stood quietly holding the dictionary, watching the Thompson woman warily. *Now, what?* she thought with a mixture of resignation and curiosity.
A knock sounded at the door.
It was a tossup who was more surprised when the door opened - Jane or Rocky.
Darla almost pranced over to Jane, a huge smile on her face. "You wanted to see me, Aunt Jane?" she asked sweetly after pressing a smacking kiss to Jane's suddenly frozen cheek. "Like my outfit?" she cooed as she moved back to pirouette for her aunt.
It had taken real effort and imagination to put together her current outfit, and Darla was rather proud of it considering how little warning Jane had given her. She'd started by combining white spiked heels with one of the knee-length snow-white, dirt- magnet dresses Jane kept on hand for her students. For accent, she'd found a supply of brightly patterned satin scarves that she'd used to accessorize the dress. A predominantly burnt orange scarf adorned her slender waist, twisted into a rope-like belt. Unfortunately, her other choices, a bright canary yellow scarf held at her throat by a cameo pin and a pair of electric pink ones that held and blended with her two side ponytails, made the entire ensemble rather. . . visually discordant. With a much more vivid application of cosmetics than she would normally use in Jane's presence, Darla was certainly eye-catching.
"That. . .that is quite a display, young lady," Jane said, her voice heavy with censure. "Another of your fashion experiments?"
Darla twirled again, causing the loose ends of the scarves at her neck and in her hair to flutter. "Yes. What do you think?"
"I think that you might want to attempt to find hues and shades that suit your own coloration better," Jane replied before adding with heavy emphasis, "That you could have remembered we have a student in residence and picked a better time to indulge yourself this way." "Oh, ease up a bit, Aunt Jane," the girl pouted prettily. "I just wanted to have some fun and was already dressed up when you called. I rather like the concept," she said looking at herself in a nearby mirror, "but you may be right about the colors. Maybe something in greens and reds." Before Jane could respond, Darla spun on her heels and turned a happy smile to Rocky. "What do YOU think," she said, directing her question to Jane's student. "Don't you think this looks like a fun outfit?"
Rocky could only gape. *Fun? Dressing up like that to call that kind of attention to yourself? Maybe for someone like her . . * "I . .I. . I" she stuttered before taking a calming breath. "You look very. . . ummm. . .striking and . .. and. . ." Words failed her as she just kept staring at the young vision in white.
"Perfect!" Darla said with a huge grin. "Just the effect I wanted." She turned her back to Rocky so that only Jane saw the minx wink at her. "So, Aunt Jane, why did you call me away from my fashion design session?"
Jane managed a believable harrumph and said low in her throat. "I want you to demonstrate walking in heels to Miss Rockwell. She has not yet been able to manage two complete circuits of the study without dropping the dictionary from her head."
"Of course, Aunt Jane. Sounds like fun. Here, Miss Rockwell, give me that book. The main thing," Darla said in a conspiratorial semi-whisper as she carefully positioned the dictionary on her head, "is to develop a lower body movement that rolls you along while keeping the upper body, and therefore your head, steady. Like this."
It was all Jane could do not to giggle and all Rocky could do not to gape as, hands on hips, Darla dance-stepped up and down the carpeted room.
And the damn book never fell once!
The mid-day meal that followed Darla's singular demonstration was equally unique in Jane Thompson-Philips' long experience with her special students. After that first morning's dress-up session, Jane would make several pointed 'compliments' to a boy student on his lovely dress, tease him about his pretty face, or call attention to his head full of by-now very curly hair. She did none of that with this student.
There were, she thought later in the privacy of her study, at least three reasons for that omission on her part. The first was the most important if the plan Jane and Diana had developed had any possibility of success. She did not want to do anything to make the girl more ambivalent about the femininity Jane hoped to help her experience more fully.
The second reason was more troubling and something Jane realized she had to address if she was to achieve her goals with Chastity Rockwell. Simply put, Jane hadn't been able to bring herself to comment positively upon anything about the girl. In point of actual fact, Chastity looked much nicer than any of her boys ever had at this point, even with the nose, so why hadn't Jane found anything encouraging to say to Chastity? *Because she is a girl, Jane Thompson, and you are subconsciously, instinctively, UNFAIRLY holding her to a higher standard than you do your boys!*
That was an ego-lowering thought, and one Jane would have to discuss at length with Diana, perhaps tonight after the girls were safely tucked into their beds. Sometimes, particularly with one of her very troublesome boys, Jane had to do something 'unfair' to get that boy's attention, like long-lasting cosmetics followed by an public outing in effeminate clothing. Or like the trick she had played on one student who had been initially cast in a boy role in the children's theater production of Alice in Wonderland, only to later force him to volunteer for the girl lead when Jane's senior student had 'graduated'.
However, those acts, "unfair" as they truly had been, had always been done intentionally as part of a carefully developed and considered plan of action, and most importantly, with a full understanding that she WAS being unfair. *But always in a good cause,* she told herself encouragingly. This time was different, and Jane did not like finding this prejudice in herself.
So, it was probably for the best that there was a third reason she had not had much to say during lunch. That reason had a name - Darla. *Lord-oh-lord, but where in heavens name did she come up with that . . . that costume? When I told her to try to find something youthful, playful and flashy, I never envisioned anything like. . . like THAT!*
During lunch, Darla had thoroughly dominated the conversation, or had it been more like a monologue? - with her almost constant chatter. *Where in heaven's name did my child learn the lyrics to the latest N'sync single? I don't know if Miss Rockwell was amused or appalled, but she was definitely enthralled.*
*And that 'Vaudevillian walking exposition' of hers - the only thing she did not do was a set of Rockette-style high kicks. I hope she did not overdo it, but she definitely got her little sister's attention, which was the goal.* Jane stopped to reflect on that for a moment when a revelation began to take form. *Darla isn't the big sister in this dynamic, is she?
Particularly after that show she just put on in my study. She's much more suited to being the prototypical little sister full of bubbly emotion, laughter and mischief with this student. I hope that will work because I am positive that Chastity won't be able to accept her in my program's more customary 'big sister' role again after this.* Jane sighed. Yet another thing to add to her "Talk with my husband-the-shrink" list.
A knock on her door pulled Jane from her reveries. When she bid the person to enter, she smiled to see her child walk through the door. Darla had dispensed with the clashing pink and yellow scarves before dinner, replacing them with a tasteful amber pendant that nicely complimented the orange belt, while using a set of antique combs, also carved from amber, to hold her wig's hair back from her face. She still looked very young, but certainly more sophisticated as one would expect of a girl tutored by Jane Thompson.
"Hi, Aunt Jane," Darla said, staying in role, "Roc. . I mean, Chastity just went up to her room after helping Marie with the clean up."
Jane nodded and flipped on the monitoring equipment. Darla moved around the desk to look on as the hidden camera revealed a very dejected looking young woman sitting on the edge of the bed. "Maybe I overdid things when I demonstrated with the dictionary, Momma-Jane?"
Thinking about the possibilities, Jane wondered, too. "Maybe, maybe not. I see potential in this situation, so let's try to take advantage of that. I won't send Marie up to her to supervise her dressing for another forty-five minutes. This is what I want you to do. . ."
Darla listened to Jane's directions, nodded once or twice, asked a few very incisive and pointed questions, and finally agreed. "You're still going to let her work out, aren't you, Momma Jane?" Darla asked as she rose. "I mean, she's been trying very hard - even I can see that - and I would hate it. . .REALLY hate it if something this spur-of-the-moment messed up her Olympic dreams."
"I promise that I will find enough effort and progress in whatever she does, so long as she continues to put forth the effort she did this morning, to reward her efforts, dear. That was always my intention." *And one I shall keep foremost in my mind for the remainder of the day,* she told herself sternly. *There is a difference between saying something positive and not saying anything too negative.* "Now, go see what you can accomplish."
Jane watched as the calm, mature features metamorphosed back into the creature that had so recently honored her table at luncheon. With a spritely peck on her Aunt's cheek, Darla chirped out a "Laters, Auntie J," and strutted toward the door of her study where she stopped before opening the door. "Oh, Aunt Jane? If this idea of yours works out and becomes the plan? Well, you know, we're going to have to do some serious shopping. I mean, the stuff you have here is just so. . . so. . " she stumbled trying to find the right epithet and then grinned broadly, "so late Twentieth Century - at best. Ya know?"
And then she was gone. *And here I have always thought I was trying for late Nineteenth Century. Victorian Petticoat Domination isn't what it used to be. Auntie J!?!?* Jane thought with a grin, and then settled herself to observe the coming tableau on her security monitor.
Alone with her thoughts, Rocky seriously considered the likelihood she would never be allowed to continue her training. If this morning was any indication, the Thompson woman's standards might very well make it impossible for Rocky to earn her workouts. Truthfully, she'd never for a moment considered that she wouldn't make the grade in the older woman's estimation. After all, it was only silly girl stuff. At least, she had thought that it wouldn't be difficult until Darla had come in and shown Rocky just how high that bar was set. She could feel the first muscle quivers of stress begin to circle about her stomach. *Oh, I need to work out!* her overly stressed mind cried.
Chapter 6: New Friends and Little Successes
A knock sounded at her door shook Rocky from her mental ruminations. When she opened it, she was surprised to see Darla standing out there looking hopeful. "Hi!" she said. "May I come in?"
*What for?* Rocky wanted to ask, but didn't. *No sense in aggravating anyone else in the house.* "Sure. What can I do for you?"
The girl nearly skipped into the room! "Well, actually, I was hoping you'd let me help you," Darla said, somewhat shyly all of a sudden. "I mean, you did a really great job for your first try with Aunt Jane, but I thought I might be able to give you a couple of quick pointers so that this afternoon's session will go off all right. I mean, if you don't mind, that is."
"Somehow, I don't think that you can teach me to move like you did in . . " Rocky checked the clock, "the half an hour before Miss Marie comes to dress me for my final presentation to Ms. Thompson."
"Oh, that," Darla said dismissively and then gave a little giggle. "I just did that to jerk Aunt Jane's chain a little. I mean, I really love her and all that, but she can get really stuffy sometimes. So, can we try a couple of tricks?"
"Why would you want to do that? Wouldn't that get you into trouble with your aunt?"
"Why wouldn't I want to help you?" Darla managed to sound completely surprised by the question. "I figure you could use a friend just now, and I can always use another girlfriend. Girlfriends help each other, right? And as for Aunt Jane, you just let me worry about her, okay, girlfriend?"
Rocky thought about the session she still had to get through and shrugged. *Girlfriends? How would I know what girlfriends do when I haven't had one since elementary school? Still, what have I got to lose?* "Sure. I would appreciate any help I can get."
"Great! Okay, what I want you to do is just walk across the room - the way you usually do. Try not to think about what you are doing, okay?"
"All right," Rocky replied, reaching down to pick up her discarded shoes.
"No!" Darla protested. "Not with those things. Just your bare feet - do what is natural." Surprised, but willing to play along, Rocky did what she was told. "Okay. Now, put your hands on your hips like I did - hold them right in the same place and don't let them move - and do the same thing again."
When Chastity stopped, she had to roll her shoulders to get the tension out of them. "What did you feel?" Darla asked.
"My shoulders really got tight. And my balance felt funny." "Exactly!" Darla cheered. "That's the point. Watch me walk." She ordered as she stepped out her own heels. "See what I am doing with my shoulders? See how they're swinging?" At Rocky's affirmative, Darla continued. "That's how you walk naturally. Watch my head - see how it bobs? So does yours. It's no wonder the book won't stay. Now watch me move. Pay particular attention to my arms." Darla did a classic model-on-the-runway walk, her arms and shoulders steady, but her hips swinging rhythmically.
"You should have back-trouble from walking like that," Rocky said, "But your head was steady as a rock."
"That's the point! And that's why I put my hands on my hips earlier, so I would remember not to move my shoulders and keep my head steady. Now, you try it with this book on your head."
It took a few minutes and several tries, but soon, barefoot at least, Rocky could make three full circuits of the room without dropping the book. Actually, the posture did remind her something of fencing - at least the defensive stances. "But this isn't in heels," she said to Darla as she dropped the book on to the nearby bed.
"True enough. Tell me - who picked your heels? You or Marie?"
"I did. I thought they went with the outfit."
"And so they did, but they are also just about the most challenging shoes in your closet if I know my Aunt Jane. Let's see what we can find that might be a little easier to wear and then see if we can find you an outfit to match them."
"Not like what you wore!" Rocky retorted, almost afraid.
"No, of course not. You are still a student and I DO know how to dress to please Aunt Jane - I just don't sometimes."
"Why?" Rocky asked as she watched the other girl rummage in the big armoire.
"Because it is fun sometimes to tease her." Rocky's estimation of this girl's personal courage went up another notch. "Here we go. These will do just fine. Now, let's see if there is a pretty dress in here that will suit your coloring and work with these shoes. Then, I will teach you a couple of makeup tricks. Knowing Marie, she gave you the full beauty parlor, major make over, glamour treatment. That's great and it can be really neat to look like that, but being able to do that all by yourself is, as Aunt Jane would say, an acquired skill. You have great eyes and a nice shapely mouth. We can make you look almost that good with just a bit of eye magic, some lipstick and a just a hint of color on those pale cheeks of yours."
Rocky felt like she was being carried off by a flash flood. *Well, Hurricane Darla has definitely made landfall,* she thought with a bit of a smile. *So I guess that is an apt analogy.* "Sounds good to me," she managed to say. "What do we do first?"
Watching from her study, Jane had notified Marie to give Darla a few extra minutes to finish her tutoring of Chastity. From what she could see and hear, it was going very well. Darla even had the somewhat taciturn older girl almost giggling by the end of the lessons. Jane let them 'hide' the selected dress and shoes back in the armoire and cream off Chastity's second successful practice of Darla's 'tricks' before buzzing Marie to come up and get started.
Diana entered the room just then, back from her shopping trip. "How is it going?" she asked, immediately after nearly short- circuiting Jane's gray cells with one of her marvelous kisses.
Coughing first to clear her suddenly tight throat, Jane managed "Better, now, I think. I had to change the plan on the fly, but I think this new idea might be working."
"Does that change how you want to play this session?" Diana asked.
"No. I still need to be the stern, demanding teacher with extremely high standards so that she will stay on her toes and do what I ask."
"Got it. So what are the changes?"
"One of them is Darla, so don't act surprised when you see her. I will explain everything later, all right?"
"All right," Diana replied just as a knock signaled Chastity's arrival at the door.
Jane kept her face expressionless as she watched her student complete her sixth successful stroll about the study. So far, the dictionary had only fallen once, and that had been within the first five steps the girl had taken. *Probably wasn't settled quite squarely on her head,* Jane mused. Chastity was actually holding her arms a bit too rigidly to be truly attractive, somewhat like a runway model with casts on both arms, but learning what movements she could make and which ones she could not would come over time. All in all, however, Jane was well pleased with this afternoon's work. Chastity had tried hard and done well. *Darla did well with her, too, and in more ways than just her walking.*
As was her habit, Jane had thoroughly inspected her student before the walking exercise had begun. The total picture was good - better than good, actually. The lighter hand with the cosmetics and the use of more subtle tones that Darla had taught Chastity worked well with the girl's darker coloring. In all honesty, Jane's new student did not need much in the way of artificial highlighting. *If only that nose was not quite so crooked,* Jane mourned yet again. *She would be quite attractive, if one was given to liking women with the strong, well-muscled look.* The wig was in a charming ponytail with just a fringe of bangs across her smooth forehead. The light, flower-patterned sundress Darla had selected showed off Chastity's tall, young body to perfection.
"She does have lovely shoulders,* Jane thought as Chastity swung into yet another cycle about the room, the off the shoulder design of the dress hugging her torso lovingly. *And such wonderful skin. Not much in the way of a bosom, a bit more than a B-cup I should think, but then endurance athletes tend to burn what fat they allow themselves to consume during their training. Still, her musculature is of the long and sleek type and not the unfemininely bulky type. She'll do nicely. Very nicely indeed.*
Of course, Jane had not been quite so complimentary when she spoke to her student as that was not part of the plan. She had pointed out minor imperfections in the application of the cosmetics - a bit too little lipstick here, a clump of eyelash with too much mascara there and a not-quite-properly shaded bit of rouge on one cheek. She saved her strongest criticism for the shoes. "Those sandals are hardly the best shoes you might have chosen," she complained about the strappy-white sandals with the wide, two-inch-tall heels, but then she softened the comment with "But I suppose they do suit the rest of your ensemble well enough. You will need to work up to . . . more feminine shoes as we continue the program, however."
Rocky had only swallowed and politely replied that she understood that. Jane had then handed her the dictionary and begun the rest of the exercise. The session had gone very well and it was time to call a halt so that there would still be time for the final act of today's little drama. Jane covertly pressed a small button beneath her desktop and then rose. She walked over to meet her student and deftly removed the book from her head.
"Brava!" Diana cheered, also rising to come over to the girl. "Very nicely done! I thought you got better and better at it as you went, too!"
"Thank you, Ms. Philips," Rocky said quietly. "I managed to relax a bit as the exercise continued and it did seem to help."
Jane shot her partner a visibly annoyed look that she made sure Rocky saw, and then shrugged. "I suppose you did . . . well enough. . . .for now, that is. However, I will concede that you have earned your right to exercise in the morning. Since I haven't yet received the report I asked you for, what is it you plan for tomorrow?"
Just then, the door opened to admit Darla. "Sorry I am late, Aunt Jane, . . OH, You're done! How did it go, girlfriend?"
"Well enough," Jane answered sternly, "And how many times have I told you to knock?"
Darla looked instantly contrite. "I am sorry, Aunt Jane, but I had promised Roc. . I mean, Miss Rockwell that I would be here for her session. Will she be able to do her thing in the morning?"
"I have just told her that I will permit some form of exercise tomorrow," Jane replied.
Darla squealed in delight and instantly was hugging the shocked student. "Way-to-go!" she cheered as she took Chastity's hands and began to dance her about the room.
"DARLA!" Jane snapped, secretly amused to see the wide-eyed look of disbelief on Chastity's face. "You are interrupting. If you cannot be a lady, I will be forced to discipline you. A weekend as Shirley might do you a world of good!"
As suddenly as she had pounced, Darla backed off and became instantly demure. "My apologies, Aunt Jane. I was just so happy for my new friend."
"As that may be, young miss, watch yourself. You are on borrowed time." Then Jane turned back to her student. "You were going to tell me what you wished to do tomorrow?"
"I would like to go for a distance run, Ms. Thompson. I feel the need to work out some kinks and running helps."
Jane considered this and frowned. "I had hoped that you had something else in mind. While there are many lovely trails around here that you might follow, I would not want you getting lost or hurt out there alone. Perhaps. . "
"Aunt Jane?" Darla piped up. "There is that fellow who lives down the road? The one that I went to school with? Darryl Smith? He runs long distance races and trains most mornings. I am SURE that he would be willing to help Miss Rockwell. I could call and ask him."
"A boy?" Rocky asked, suddenly on guard.
Diana saw the wariness and stepped in. "Nice young man, my dear. A little on the short side, but very polite and courteous."
"Short?"
"Actually," Darla put in as she stretched a bit in her three inch heels, "he's a bit shorter, maybe by as much as an inch or two, than me. And he is a nice guy."
"Got your eye on him, Miss?" Jane challenged.
"Good heavens NO, Aunt Jane!" Darla retorted, her voice ringing with alarm. "Forgetting for the moment that he's shorter than I am, he's much too physical for me. Why, the boy simply LOVES to sweat!" The final word was said with such trenchant condemnation that Jane could not hold back the chuckle.
"That would put YOU off, wouldn't it, Miss Priss," Jane teased, "But I do not think our Miss Rockwell would find that particular characteristic all that daunting."
Rocky felt her spine go rigid at the implied challenge and simply could not stop herself from replying. "No, that would be fine."
"Excellent. I will call this fellow myself and ask him to oblige you. Please have your schedule to me by tomorrow breakfast, and, by the way, don't plan any equestrian activities for the next two weeks. My stable manager is on vacation so most of my stock is being boarded elsewhere. Only my two favorite horses are still here, and while they are fine for gentle riding, they are well past the age of being jumpers. Once my other mounts are back, I will personally undertake coaching you in the jumping ring."
Surprised yet again, Rocky was barely able to manage a polite thank you. Jane waved it away. "It is my part of the bargain we made, girl. Keep your end of it and I will keep mine. Now, why don't you and Darla take a walk around the grounds before dressing for dinner? You can see the stables and look over some of the trails."
"Great!" Darla enthused. "C'mon, Roc. . I mean, Miss Rockwell. Let's go use the bathroom first and then get some fresh air and sunshine."
Darla waited until the girl had left for her own room before turning to Jane. "That went well," Jane said with a pleased smile. "Both of you played your parts to perfection so that I can be seen as fair but picky. Darla? I think I will have to punish you, though, and soon. You are doing what needs be done, I think, at least based on our student's responses, but you are going to have to walk a tight edge. You can make the best of it, but I think you will be in your Shirley Temple rompers by Saturday."
"No problem, Momma-Jane. Truth to tell, I can't wait to see Rocky's face when I do come down in that outfit with that ridiculous wig on."
"PLEASE - do NOT call her Rocky!"
Diana chuckled. "Well, hopefully, we will have an alternative to that once Darla introduces Chastity to Old Tom," she said before turning to Darla. "So. Got any ideas of what to name our little GG?"
Darla was about to shrug her shoulders when something clicked in her mind. *So THAT'S who I was remembering. I wonder. . . * A wide grin split Darla's face. "You know? I think I do!" She walked over and kissed her two adoptive parents. "See you in an hour or so. I plan to get to Tom last."
"But what are you. . ." Jane called, only to have the door shut between her and the departing boy-girl. "Well!" she said frustrated.
Diana only laughed. "You know, darling . . ."
"What?" Jane shot back, still fuming at not knowing Darla's plan.
"We have about an hour with no responsibilities," Diana said in a darkly sultry voice as she closed on her wife. "And I know just how to make the best possible use of it."
A tingle of desire curled in Jane's middle, but it warred with her sense of responsibility. "But I should watch them from the win-mrrmmphh. . ." her words were cut off by one of Diana's devastating lipstick-flavored kisses. "On the other hand," she gulped out when her lips were reluctantly freed, "Darla knows the program about as well as I do . . . ."
Chapter 7: The Naming
The late afternoon sun was pleasantly warm as the two young women strolled down the flagstone path that led to Jane's stable. Darla was half-tempted to keep up a stream of chatter in order to try to put a smile on the taller girl's face, but decided to let the silence stand. *For a while longer, anyway,* she thought to herself. *Time enough to draw her out once we get to the stables. I have yet to see the heart that Jane's Garters and Teddi can't soften.*
As for Rocky, she was trying to sort her way through the deluge of strange new experiences Jane Thompson had unleashed upon her. So many strange feelings and if she were honest with herself, not all of them were unpleasant. Uncomfortable, perhaps, because she had all but convinced herself that feminine fripperies like silky undies were not for Rocky Rockwell, future Olympic Open Pentathlon Champion, but not unpleasant.
And then there was this Darla who said she wanted the two of them to be girlfriends. *What the hell am I going to do about that?* Rocky asked herself, but could find no answer. Not yet, anyway.
"Has your aunt really disciplined you before?" Rocky asked, her curiosity on that score finally getting the better of her.
Hiding a smile at the question, Darla shrugged. "She's a tough lady, and she believes in a certain code of behavior. So, she tries to make any failures to comply with that code. . . memorable. I try not to slip up too badly or too often."
Something in Darla's tone caught Rocky's attention. "She doesn't hurt you or anything, does she?"
Darla laughed. "Oh, nothing so crude. She simply makes you do something you do not like to do, all the while knowing that you wouldn't be doing it if you had followed the rules."
"Aren't you old enough to tell her to forget it?" "I wish," Darla said ruefully, "But she has me by the same hook that she sank into you."
"Oh? What is that?"
"My word of honor," Darla said simply. "When I first came here, I said I would comply with her program and her rules. Besides, I love her and I know she loves me."
"I'm sorry, but I am finding her rather unlovable right now."
Darla shrugged. "That's okay. She's an acquired taste. She's tough and she demands your best," and then her voice became very serious, "but she also saved my life, and I mean that quite literally. Maybe one day I will tell you that story, but not now."
"I see. If you knew that you might be punished for not knocking at her door, why did you just come in like you did? Knocking first seems a simple enough thing to do to avoid something you don't want."
A mischievous grin crossed Darla's face. "I had promised to be there for you, but she had already started testing you and might very well have told me to come back later. I couldn't take the chance and keep my promise to you."
"You don't like her punishments?"
An honest shudder ran down Darla's spine. "She has the most amazing ability to hit you with precisely what will make you shrivel up and want to hide from yourself."
"And you still came?" Rocky asked again, disbelief in every syllable.
"I promised," Darla said again. "Besides, I have been a particularly good little girl lately, so I figured she would cut me a little slack. I will have to be careful for the next week or so, though. Aunt Jane has a pretty long memory."
"I can believe that. Anyway. . Thanks - for the help and for trying to be there during the test."
"No problem. Like I said, that is what friends do for each other."
Rocky was silent again, and then shrugged. "Guess you'd know more about that than I would, but I am grateful, nonetheless."
"Glad to do it," Darla said and then began twirling about, letting her skirts dance in the breeze. "Isn't it just a wonderful afternoon? Smell the fall leaves?"
"Is that what that scent is?"
"Well, since that building ahead is the stable, it might have more than a bit of horse manure added to the aroma. C'mon, I will introduce you to Garters and Teddi - Aunt Jane's favorite horses."
*Amazing,* Darla thought for the third time in as many minutes, *I never would have expected this!* She just stood there, staring as Rocky stroked the face of Jane's favorite mare while making cooing baby-talk to the big saddle-bred. *She loves them, and this is the first time I have seen her let go like that since I laid eyes on her on the train.*
"What's this big love's name, Darla?" Rocky asked, her eyes still fixed on the horse's own.
"Ummm. . . .Garters," Darla managed. "Her name is really Jane's Stars and Garters, but we just call her Garters."
"What a strange name," Rocky replied, pressing her face to the horse's silky neck.
*If only you knew,* Darla thought. "Well, if you look at her legs, she has socks like many horses do, but there are two stripes moving up from them, that sort of look like. . .well, garters."
Rocky hunkered down to take a look and came up with a huge grin. "You're right! How neat. Where's the other horse?"
"Over here," Darla told her as she led the way down the aisle. She stopped in front of a big chestnut thoroughbred that imperiously butted Darla in the chest with her nose. Darla chuckled with evident pleasure and reached up to stroke the strong neck. "This is Teddi. She is technically my horse, but as you can no doubt see, she believes that our relationship is reversed and I am, in fact, HER human."
"Oh, aren't you GORgeous," Rocky purred in a voice that almost gave Darla whiplash from the double take. "Of course she knows she's the boss. Just LOOK at her! Queen of all she surveys."
"That's Teddi, all right," Darla managed to agree. "Why do I suspect that 'Teddi' is not short for Theodora?"
"'Cause you are smart. Well, we better get going. I want to show you the gardens before we head in to get cleaned up for dinner. The gardens are really lovely this time of year and a good place to go to . . .well. . . to get away for a few moments of solitude when Aunt Jane gets to be a bit more than you can handle."
"She will get that way, will she?"
"Guaranteed, but you have to understand that beneath it all, she does it because she cares so much. It's just that. . . well, . . sometimes, it can be a real bitch to remember that 'tough love' is still really love."
"I hear that, Darla," Rocky agreed and then began rummaging in the purse Jane had given her to carry. "Almost forgot. . ."
Later, Darla and Rocky were walking back toward the main house. Darla could report to Jane that Rocky was good with horses and more, that the girl loved the animals. *Imagine, Rocky slipping those apples to the horses before we left. She must have taken them from Marie's fruit bowl after she heard Jane mention the stable.*
"So, do you think your Aunt is serious about helping me train?" Rocky asked, as off-handedly as she could manage which wasn't much. The answer was just too important for such games.
"She said she would if you give her your best. Jane's word is gold and she expects the same from us. If you don't feel the same, you'd better tell her now. She only gives you one chance when it comes to giving her your word."
"I keep my word," Rocky said with quiet forcefulness.
"Fair enough, but I would have negotiated something a lot more fun than beating myself to bits exercising."
Rocky gave the petite girl a dark look. "Well, all I can say is one of three things: you have been blessed with a totally unfair genetic advantage, or you are suffering some sort of eating disorder or you are a closet exerciser. Since I don't want to believe in the first, and I have seen enough of your Aunt to know the second wouldn't get past her, I think your aversion to sweating is just one of those "See, I really am a girly-girl" affectations." "Oh, I didn't say I wouldn't sweat, I just said I don't LIKE to do it. Just like I don't like to submit to Aunt Jane's little punishments."
"So, what do you do for exercise?"
"Aerobic dance mostly, with a day or two of weight-work each week."
"Aerobic DANCE? Hopping about in tights to bad music? Oh come on now, can't you find a more efficient and effective exercise than that?"
The utter distaste in Rocky's voice made Darla want to laugh out loud. "Oh, I can see right now that I am going to have to get Aunt Jane to send you to my health club. We'll have your tongue hanging out and your butt dragging before we get ten minutes past the warm-up."
"Bull!"
"We'll see, girlfriend, we'll see," Darla said, a teasing threat in her voice.
Rocky stopped short and fixed Darla with a hard look. "Why are you so determined to call me 'girlfriend' when we aren't?" she asked, her voice suddenly cold and suspicious. "Because your Aunt told you to make friends with me? Maybe you are supposed to report to her on when I do my lessons and when I slip up."
"Goodness no! I promise you, that I am NOT trying to get on your good side to betray you and get you into trouble with Aunt Jane." Darla gave a sour smile. "Trust me, just like me, you will make enough errors around her for her to know when you are trying and when you are dogging it."
"So why the girlfriend thing? Why not just call me by name. Even your aunt calls me 'Miss Rockwell'."
Darla sighed. "It's just that YOU don't like Chastity and SHE doesn't like Rocky, and *I* don't like calling people I DO want to be friends with by their last names. It sounds so. . .well, unfriendly, you know?"
"Really?"
"Really. And just to prove it to you, I promise that until you agree with me that we ARE friends, I'll try to find something else to call you that won't offend anyone's sensibilities," then Darla gave that little giggle of hers, "least of all Jane's because I really DON'T care for her little disciplinary reminders."
"Wimp," Rocky said without too much heat.
"ooooOOOOO. . Feeling feisty, are you? Well, you can call me a wimp after YOU'VE gone through one of Aunt Jane's punishments."
"Count on it, wimp." Rocky growled, feeling suddenly carefree and not a little mischievous, which was an odd experience for her with another girl.
"Oh, watch your step, or I might just go back on my better nature and see if I CAN trip you up and get us both onto her dark lists," Darla teased, "JUST to give you the opportunity to see if you still feel like calling ME a wimp - after you've been through one of Aunt Jane's learning experiences."
"Just remember that payback is a bitch, babe," Rocky retorted, still grinning.
"Just like me, girl, just like me," Darla laughed. Then she became alert. "Oh look! There is Old Tom over in the rose garden. C'mon! You'll like Tom. He is a great old guy."
Jane watched from her window as the two girls headed back to the house from their short conversation with Tom. Chastity was striding out again, although not quite so much as before. The heels she still wore and the grass were enough to restrict her stride to some extent, but it was clear that she was upset. *Guess the naming did not go as well as Darla had hoped.*
"I'm sorry, okay? I forgot we hadn't resolved the name thing we talked about and didn't have anyway to ask what name to use once we were with Tom." Jane heard Darla cajole as she came down from her room to the foyer to meet the two girls.
"I guess," the older student fumed, "but why did you pick THAT name?"
"Well, gee, I guess it is because you remind me of someone by that name."
*Chastity does not sound too upset. More baffled, I think. Darla's rationalization has defused much of the anger I saw as they approached the house.* "What is the problem, Darla?" Jane said sternly. "If you have been teasing Miss Rockwell, you will find yourself regretting it in very short order!"
Rocky spun to look up the stairs at the descending Jane. "Oh no, Ms Thompson, she just caught me by surprise. We met your groundskeeper and Darla introduced me as Audrey. I have never thought of myself as an 'Audrey' before this."
*AUDREY?!? I would have expected a Roxanne or a Raquel - something that would have permitted the girl to react to a name that sounds like one she is used to applying to herself. Where does Darla come up with these names?* "I see. Well, that does pose a bit of a problem since Tom is around here a great deal. If we were to start calling you by a different name, it might call unwanted attention to you. Since you refuse to answer to your given name, and since you DID agree to allow me to use a feminine name for you socially, would you mind very much if we continued to use Audrey?"
Rocky thought about that for a few moments. Actually, Audrey wasn't all that bad. She couldn't think of any reason not to accept it. Well, she could live with it - until she left here, anyway. "All right. That would be all right, ma'am."
"Very well, Audrey. Welcome to my home."
"Thank you, Ms. Thompson."
"And I managed to reach Mr. Smith while you were out. He will meet you down by the stable at six a.m. tomorrow."
"SIX A.M.?!?" Darla squeaked, thinking that she would have to be up before five a.m. to change to Darryl and be at the meeting place before Roc. . . . errr. . . .Audrey left the house. She swallowed hard. "Well, girlfriend, better you than me." she managed weakly. *And Jane is up there on the steps, grinning down at me like a Cheshire Cat. Well, that puts her one up on me, but I will get mine back, just you wait, Momma-Jane!*
"Of course. I need . . AUDREY back here, showered and properly dressed and made up for our normal 8:30 breakfast.
Audrey felt an urge to hug her teacher, but repressed it. "Thank you," she said, and then added, "May I go lay down before dinner, please? I am afraid I did not sleep very well last night."
"Of course, Audrey. I will have Marie call you half an hour before dinnertime."
"So, where did 'Audrey' come from?" Art asked as he creamed away the last remnants of 'Diana' from his face.
"Apparently, our son has decided that the composite picture of Chast. . I mean, Audrey looks like Audrey Hepburn in the movie "Gigi". When you asked Darla if she had come up with a name for our GG, by which you meant, 'genetic girl', the image of the film character flashed into her mind."
Art thought about that for a moment and then nodded. "Huge eyes, short, shiny black hair and a lovely smile when she forgets and accidentally uses it. Yeah, I can see that."
"Well, I couldn't," Jane huffed as she sat down at the foot of their bed. "At least, not until Darla showed me that composite picture again."
"Well, at least Audrey seems to like the name," Art offered.
"True enough. All in all, after a rough start, it was a rather productive day. Her response to the horses was unexpected, but something we can definitely use to help her, I think."
"That girl wants for love, Jane. . .and she seems almost afraid to give or accept it right now." At Jane's stern look, Art raised his hands in surrender. "That is just a snap judgement, I know, and based on less than one day of observation. Still. . "
"Well, you are too professional to let that 'snap judgment' to color your other observations," Jane yawned and stretched. "Lord, but I am tired. Stress, I think."
"Perhaps, and perhaps not, my love." Art rose and went over to stand in front of his seated wife. "You have been naughty again, haven't you, Jane? You confessed that you were thoughtlessly unfair to your student today. Do you still think so?" Art asked, his voice level but stern.
Jane had to look up to see into Art's eyes, but she nodded. "She is no better prepared to behave and dress like a young woman than my boys were, which I should have known from my conversations with her Mother. However, I still had unreasonably high expectations and dealt with her accordingly by which I mean, too harshly."
"Have you forgiven yourself by now?" Art asked, his tones gentler.
"Not really, but I will get over it."
Art brought his hands up in front of Jane's face and flexed them slowly. *Now why does he still have Diana's long nails on?*
"Then I will have to punish you!" Like a striking snake, Art had Jane on her back and his long nails questing for those secret places where his love's single great weakness lay hidden.
Jane Thompson-Philips was terribly (hideously) ticklish.
"ART," she squealed as those agile fingers with their sharp, delicate tips unerringly found those treacherous nerve endings, "NOOOOOOOooooo. . ." only to lose control of her voice as a bubble of giggling laughter burst from her mouth.
"I think, my love, that you should be able to forgive yourself for your human frailty after, oh. . . let's see, fifteen minutes of enforced loss of self control. Don't you?"
Jane was too out of control to answer just then and Art was too busy holding her down and avoiding her flailing knees to ask again, but then again, she wasn't thinking clearly enough to retaliate effectively. Satisfied with that, Art applied tongue and lips to the task of supporting the work his fingers were doing in driving his wife insane.
"Bastard," Jane said lovingly much, much later. "I never should have told you about that damned sorority initiation."
"Well, it does come in handy when my Type Super A, control freak wife is beating herself up needlessly. NO, don't start again," Art ordered when he felt her stiffen, "or I will be forced to assume that you have not yet forgiven yourself. You made a mistake, saw it yourself, fixed it yourself and now you won't make it again. That's enough."
Jane thought about that for a few moments and then realized Art was right. With a wicked glint in her dark green eyes, said, "Yes, dear." in so absurdly submissive a tone it might as well have been "Yes, Master."
"Yeah, right. Pull the other one, Jane." and both of them dissolved into more laughter.
It was a very nice way to fall asleep.
Chapter 8: When Darryl Met Audrey
Darryl groaned when his alarm went off at 4:45, but he managed to drag himself out of bed and into the shower. Ten minutes later he was sitting in front of Darla's vanity applying the false eyebrows that Jane had acquired for him using an adhesive guaranteed not to loosen until the solvent was applied.
With the wig off, the brows on and his face scrubbed ruthlessly clean of Darla's cosmetic artistry, Darryl again looked like a relatively short and slender young man, but a young man none the less.
He began pulling on his running outfit. He'd selected these 'garments' with an eye towards looking just a bit grungy. Darryl thought that looking sloppy and unkempt would further assist his disguise. No one who did not know Darryl AND Darla very well would ever connect the scruffy-haired boy with the cutoff shorts, ripped muscle shirt and ragged running shoes with the prissy, fashion-conscious Darla.
As he laced up the running shoes, he thought again about his biggest worry - his, or rather, Darla's nails. Knowing he might be called on to play both roles, Darla was wearing her nails much shorter and more blunt than she had for other students. If asked why so fashion-crazy a girl as Darla did not wear her nails longer or have sculptured tips, Darla would use the excuse of needing them short for the piano. *Have to remember to practice a few times over the next couple of days when Roc. . I mean, Audrey is around.*
He took one last quick look in his mirror and cursed. His hands shot to his ears to remove Darla's sparkling earrings and then covered the hole with a dab of makeup that he blended into his lobes. "Guys may wear earrings, but not the dangling, sparkling kind," he growled to his reflection. "Okay, one last check - anything else?"
Nothing that he could see, and then he slipped out his door and down the stairs. As he went to the back door, he thought it might be smart to move a few things to the apartment next to Diana's workout room above the stable where he had hidden the first day Audrey had arrived. Then, he could slip in and out of the house as Darla. Having Audrey see Darryl in the house would have serious repercussions.
At precisely 5:45, Audrey came power walking down the trail. *She WOULD be early,* Darryl thought. *Just as well that I forced myself to get an early start.*
He was able to watch her for some distance before stepping out of the shadows to greet her. She was wearing tight gray cotton stretch shorts that fit her powerfully built thighs down to just above her knees. She had white, terry cloth sweat bands about her forehead and wrists, but it was the t-shirt that almost had him howling with laughter.
It was a beige colored shirt, with a series of pictures relating to each of the events of the modern pentathlon. The shirt's caption declared that "Pentathletes do it Five Ways!"
*Jane will have a cow if she sees that. Just hope I am around to see her reaction!* Then he stepped forward. "Hi, I am Darryl. Are you Ms. Thompson's new student, Chastity?"
The hated name brought Rocky up short, and she was about to lay into the fellow when she remembered that Ms. Thompson hadn't known her 'new' name when she'd called this guy. *So, do I ask him to call me Rocky or give him my new name?* She thought for a moment, and then decided she did not want to find out the hard way that the Thompson woman might feel that continuing to use Rocky outside of her home was a violation of their agreement. She held out her hand to the boy. "I prefer to be called Audrey, if you don't mind."
"No, not at all," Darryl chirped. "In fact, you look more like an Audrey than a Chastity, anyway. Hey, haven't we met?" Darryl had thought hard and long about asking that. For one thing, his hair was much shorter now because he'd been forced to cut it when the decision that Darla would be brunette was made. All that hair under a wig was a pain, but it also made Darryl look less like Darla, so that was to their advantage.
Nonplused by what most girls would consider to be a poor pickup line, Audrey stared at the boy for a moment. "I'm not sure," she finally said. "You almost look familiar, but. . "
"I know! You were on the train to Kingston. I asked if you needed help with your bag!"
Audrey blushed as she too remembered that encounter. "I'm sorry about that, but strangers who just approach me make me edgy. And I am sorry I didn't recognize you."
"Oh, no problem. I understand that women have to be careful in this day and age, particularly ones like you. As for me, well, I was in my college student grunge-mode then. Had to get a haircut and clean up my act again once I got home and my mom got an eyeful of me," he gave her his best 'male browbeaten by alpha female' war-weary grin and then continued. "So, you want to go for a run? How far, how fast? The terrain's not all that challenging around here - a little too flat for real cross-country work, but we have enough trails that we won't get bored running laps."
Audrey thought about it for a moment. She had promised to be back and dressed in time for breakfast at 8:30. That meant she needed to be back at the house no later than eight, which meant her cool-down had to be finished by 7:45. "Can we try for 12 miles in ninety minutes?"
"That's a pretty fast pace," Darryl demurred, thinking that he hadn't been on that long a run in couple of weeks. That's sub-8- minute miles. Let's start out a bit slower and if after a half an hour or so, we're both okay, we can pick up the pace."
"That's reasonable," Audrey replied. "Are you warmed up?" At Darryl's nod, she smiled broadly. "Then let's DO it! I am dying to burn off some of this adrenaline."
Running with Audrey, Darryl decided, was a lot like running with Diana. Both had longer legs than he did and both tended to want to burn the first mile or so and then settle into a loping stride that just ate up mileage. *I have to take five strides for every four of hers,* he fumed to himself. It had been a real effort to keep up with her and he had been forced to come from behind twice. *Of course, that isn't all bad. The lady has a really great pair of legs and a super butt!*
Running with Darryl, Audrey decided, was a bit of surprise. She had thought, particularly when she had first seen him, that there was NO WAY that short fellow would keep up with her. She had decided to try to discourage him quickly when he'd suggested a slower run than she had, especially when she had already given him a break by suggesting a whole ninety minutes for the run. He had needed to struggle those first couple of miles to match the pace she'd set, but then he'd settled in and kept up, right at her shoulder. *Just as well, Roc. . .no, have to think of myself as Audrey here. . .Anyway, how would you have known where to run if you'd left him figuratively and literally in your dust?* A touch on her shoulder broke through her endorphin-hazed thoughts and she saw Darryl pointing to the right trail at an upcoming fork. She nodded, wondering why his smile made her feel like smiling.
At 8:15 A.M., Jane buzzed Darla's room and was told her son/daughter was decent. She slipped in just in time to see Darryl/Darla (both were actually present somehow in this transitional moment) muttering dark imprecations to himself as he slowly peeled one of the false eyebrows from his face. "Damned solvent is only about half as good as the stickum," she heard and had to laugh.
"It is NOT funny!" He growled, spinning on Darla's makeup stool to face his mother.
"Oh god, but it is, sweetheart. Heavens, but if you did not pull off that second brow, and only made up half your face you could easily get work in a circus as the half man/half woman." She managed to stifle her laughter when she saw the frown on Darryl's face deepen.
"What do you WANT, Momma-Jane," he asked in a soft, controlled voice that told her just how close he was to losing his temper.
"Did things go badly on the run?" she asked, all solicitude now as she moved over to sit on the edge of Darla's bed.
"Besides the fact that she nearly ran me into the ground? It was all I could do not to beg for mercy. And worst of all? I think she took it easy on me the last two miles!"
His indignance was trenchant and Jane choked back another chuckle. "She is a nationally ranked athlete, dear."
"I know, but I did finish in the top ten in the Ivy League Cross Country Championships that one year, and I *thought* I was still in pretty good shape. Guess I will have to work to keep up with her."
"Well, are you in too bad a mood to help me today? If you are, I need to know right now so I can delay the exercise I have planned until later. I cannot take the chance that you might lose your temper in the middle of this little drama. That could set us back weeks."
Darryl turned back to the vanity and began brushing the solvent onto the remaining brow. "Tell me what you want to do and I will tell you how I feel." Then he stopped and flexed his aching muscles. "I am afraid, however, that whatever it is you have planned, it better not be too active."
"Oh, trust me, what I have planned for you will definitely not be active."
Chapter 9: Audrey Meets Shirley Temple
Audrey stood behind her chair, her eyes glancing back and forth between her teacher and the mantle clock behind Ms. Thompson. The grandfather clock in the foyer Westminster chime sounded 8:45. *Where is Darla?* she wondered as her nose twitched at the lovely smells escaping from Marie's kitchen.
"Audrey, I do not wish to wait any longer. Would you please go up and see what is keeping Darla?"
"Yes, Ma'am." Audrey replied and quickly left the room.
*If she were one of my boys, I would have stopped her and ordered to her to curtsy,* Jane thought as she waited for the next act in this little drama to be played out. *But she isn't. In many ways, I am trying to teach her much as I tried to teach Michelle after Michael's attempted suicide. I want her to leave my keeping a real lady, and I want her to be happy about being a real lady. Nothing like giving yourself a challenge, Jane,* she thought with a sigh.
A few minutes later, a frazzled looking Darla rushed into the dining room ahead of a bemused Audrey. "Sorry, Aunt Jane, but my alarm did not go off or something. . ."
"Or something. If I went upstairs right now, miss, I wonder if I would even find your clock set for the correct time?"
"Aunt Jane. . "
"Never mind. . for now. I am quite famished." Jane pressed the call button and smiled when Marie opened the door to the kitchen. "Please serve, Marie."
Breakfast was fresh fruit, egg-white omelets and fresh bran muffins. Shortly after they had all been served, Marie slipped back into the dining room and handed something to Jane. She nodded and then smiled at her newest charge. "You will find, Audrey, that there are several things I expect of my students. First, I expect you to be conversant in the news of the day - national, world and fashion - so it will behoove you to get into the habit of reading the newspapers and periodicals I have delivered here for that purpose. Second, you will always present yourself in the public rooms of my home wearing cosmetics suitable to the occasion. For example, the light color you are currently wearing is completely acceptable for the breakfast table, although you might wish to find a nice complimentary lipstick to go with it. Is that understood?"
"Yes, Ms. Thompson."
"Excellent. Perhaps you will be a more diligent and satisfying student than THIS scamp!" Jane said piercing stare at Darla. "How many times must I tell you, Darla, that such . . . vivid colors are not suited to a breakfast en famille?"
Darla managed to swallow her bite of muffin. "Sorry, Aunt Jane."
"So you shall be, Miss." Jane held up a key for Darla's inspection. Audrey was surprised to see the other girl's face crumple.
"Please, Aunt Jane, I will do better. You don't have to. ."
Jane held up a silencing hand. "Your armoire is already locked and your outfit for the day laid out upon your bed. Marie will complete your makeup and your hair. Since you cannot seem to find it in yourself to behave as the young lady I have endeavored to make of you, I shall allow you to dress and act as the silly child you seem to prefer. Do I make myself clear, Miss?"
"But Aunt Jane. ."
"Do I make myself clear? Or would you prefer to increase your disciplinary time?"
"You have made yourself clear, Aunt Jane. Ummm. . How long?"
Jane set down her fork and dabbed at her mouth with her napkin. "I really don't know, Darla. Until you show me you are ready to grow up and behave like a lady. Audrey, I shall ask you to watch over this scamp's activities." She rose from her chair. "We shall all meet in the downstairs sitting room in thirty minutes. I shall explain more fully at that time."
Audrey started to ask Darla what was going on, but watched in stunned silence as the other girl rushed from the room, obviously upset. She looked at Diana who simply smiled. "Darla knows the rules and she knows better than to flaunt them when there is another student in the house. Don't worry too much. Jane is simply getting her attention again. Finish your breakfast. I suspect you will have a long day and need the fuel."
*Precisely* thirty minutes later, the five members of the household, including the housekeeper Audrey noted, had gathered in Ms. Thompson's downstairs office. Audrey was sure that the room was the height of interior design, and could without doubt be a showplace in one of those house interior design magazines, but it was also without doubt the most bloody uncomfortable room she had ever laid eyes or buttocks upon. Audrey had, in fact, tried each apparently available seating surface in the room only to find each more unforgiving than the previous one. Before Jane herself had arrived, of course. Ultimately, she had not been offered any choice in the matter because she was immediately directed to one of the two particularly un-sit-able chairs stationed across from the huge antique desk that dominated the room.
The woman called Diana and the housekeeper Marie had followed Jane into the room. Each had also immediately seated themselves - Diana and Marie upon the settee that Audrey recalled was the best of a bad lot - and Ms. Thompson in the huge leather throne behind her desk. She thoughtfully fingered the desk accessories for a moment and then called out, "You may enter, Darla-Anne."
Audrey nearly fell out of her seat when she first beheld the vision that skipped - literally SKIPPED - just like in the old Shirley Temple movies she remembered from her very young childhood - into the room.
Darla knew she made quite the picture, and had a very difficult time not giggling at Audrey's stunned gawking. *Just a walking, talking Raggedy Annie doll,* she thought with some amusement. *But Aunt Jane did want to bring out the big guns early with this one. I think Momma-Jane thoroughly understood the concepts of strategic deterrence during the bad old days of the Cold War.*
For herself, Darla was not at all bothered by her outfit. She had become quite enured to its supposedly humiliating effects early on - well before her graduation from Jane's program, in fact. It was simply another disguise that served a purpose.
Oh, but what a disguise. The dress was an overly ornate white- lace-on-white dress that would have gone about to mid-calf length were it not for the many-layered petticoat that lifted the skirt up like a huge parody of a ballerina's tutu. *May have overdone this just a bit, Momma-Jane,* Darla thought as she approached her seat. *I sort of had to scrunch the skirt to get through the bloody door!*
The hem and the many flounces were trimmed in bright pink piping as were the high collar and the cuffs at Darla's wrists. She wore a white tights and bright pink Mary jane flats that matched the piping. Her hair had been done up in what Darla privately thought of as "Wednesday Addams" braided pigtails with HUGE pink satin bows at the tips of each tail. Marie had applied a heavy rouge to her cheeks ("To give you color suited to being embarrassed, you silly hussy.") and then had used an eyebrow pencil to splash pseudo-freckles all over her cheeks and nose. The final touch had been to use a lipstick brush to paint on the silly angel-bowed lips often seen on china dolls.
*My God,* Audrey thought, *She looks awful, and so embarrassed. She can't even lift her head! THIS is what this woman does for PUNISHMENT?*
"You may be seated, Darla-Anne," Jane said after the girl had stood in front of the desk for several moments.
Audrey watched as Darla carefully gathered the many petticoats and sat very gingerly on the very edge-tip of the seat. *Doesn't want to wrinkle the monstrous dress, I suppose,* Audrey mused as Darla carefully folded her hands in her lap.
"You have been walking a fine line towards this for a while now, Darla-Anne. Tell us why you are being punished," Jane demanded.
"I wath impolite and immature, Auntie Jane," Darla said in a singsong, lisping voice that had Audrey's head snapping about in surprise. "I forgot to knock on your door, overthlept and missed breakfast and did not thet a good ladylike example for your new thtudent."
"And while that is enough to warrant discipline, that is only in the past two days, is it not?" Jane asked sternly.
"Yeth, Auntie Jane," was the barely audible reply.
Jane now turned to Audrey. "My niece knows that she has a responsibility to help you, as my new student, acclimate to this new environment. Since she has demonstrated that she cannot or perhaps will not carry out these responsibilities, I have reduced her to a situation where she has no such onerous duties. If she wishes to behave like a stereotypical spoiled brat, then we show her precisely what that is like. While this punishment is invoked, she will behave, speak and interact like a preschooler. In the interests of modesty, she is allowed to use the facilities on her own, but she must ask first. Any adult behaviors will be cause to extend her punishment so she must be observed constantly, except in the bathroom, by someone seeing that she behaves. I have decided that you are to be her babysitter until she has completed her punishment."
"Me??!"
"There are several reasons for that, not the least of which is that I have other business that I must attend to today. However, there are other benefits to assigning you this task."
Jane stopped and waited for the question she knew was burning in Audrey's mind, but the girl again showed remarkable discipline and waited for Jane to continue. "The benefits to you, Audrey, are at least three fold. First, this responsibility integrates you into the family. You are now responsible for your little sister, an experience you likely never had since you were, I believe, an only child. Is that not correct?"
The woman's tone of voice clearly told Audrey that there was no doubt in Jane Thompson's mind, but that she still expected an answer. "Yes, Ma'am."
"Excellent. The second benefit is that you will see first-hand the means by which I mete out corrections in my household. I hope you will come to see that you need never fear any type of abuse, but equally as important, that I will make the punishment fit the crime. Do you understand how this discipline is appropriate to her misbehavior?" *Please say yes,* Jane thought. *If you fight me on this point we are in for a great deal of difficulty in the coming days.*
Audrey looked at the girl sitting rigidly next to her. Her head was down and her eyes were shut tightly. Audrey thought she could see just a touch of moisture at those absurdly long lashes as if Darla was barely controlling her tears. *I don't think she will do whatever set Ms. Thompson off again, and while she is obviously embarrassed given the way she is blushing, her punishment is only in the family and not really hurtful.*
"Do you or do you not agree?" Jane asked again, her tone becoming impatient.
"If she stays within the house and only with people who know her and like her," Audrey said carefully, "I can see where the punishment is not abusive."
*Interesting caveats,* Jane thought. "Why the qualifications, Miss Rockwell?" Jane demanded sternly. "And why did you leave out 'inappropriate'?"
"Darla has told me she loves you, and that she knows you love her, Ms. Thompson," Audrey said quietly. "Other people who do not love her, or for whom she does not hold that same degree of confidence and trust might use knowledge of this punishment to tease her or really humiliate her. In that case, the punishment would continue for much longer than was appropriate, and in my view, might constitute abuse."
Jane glanced at Diana and saw that her mate had become suddenly very alert. Nodding her understanding, Jane turned back to Audrey. "Just so. That is why she is grounded for the duration of her punishment and will not be permitted any guests or visitors. Which will be over the weekend. If she is a good little girl, she may grow up again Monday morning. AFTER breakfast. In the meantime, I think it is sufficient that WE see her reduced to this state and that she knows WE are disappointed that she made this necessary."
"Thank you, Auntie Jane," Darla said in her little girl's voice and lisp.
"You are welcome, Darla Anne. Now, Audrey, as to whether or not you think the punishment is appropriate to the crime?"
"I don't know about that, Ms. Thompson. It is outside of my experience, and I don't think I would find it. . . helpful."
"I see," Jane said quietly disappointed. *I suppose it was too much to hope that she'd see the punishment as just. And yet, the time will come when I will have to enforce similar fates upon her.* "Then you must endeavor not to need such correction, because if I decide it is warranted, I will impose such disciplines on you."
Audrey thought about that, and something occurred to her. Jane saw the smooth forehead suddenly wrinkle. "Yes, Audrey? What is bothering you?"
"You said, Ms. Thompson, that you saw three benefits to having me be the babysitter. I only recall you telling me two of them."
"Ah, just so. Well, ordinarily, Darla-Anne would be restricted to her preschooler behaviors until I determined that she had served her full penance. However, I will permit her to speak with you in an adult fashion for up to half an hour today to discuss this facet of my program so that any questions you have might be addressed. I feel that is necessary since, by giving me your word yesterday, you made yourself subject to such disciplines and punishments. The time and place for this discussion will be at your discretion, Audrey. Merely tell our little girl "Time out, Darla" and she will be permitted to speak as an adult, although none of the other restrictions on adult behaviors or dress will be vacated. Is that understood? Audrey?"
"Yes, Ma'am."
"Darla-Anne?"
"Yeth, Auntie Jane."
"Very well. Audrey, you may have our baby address you as you wish. Simply tell her by what title you wish to be called. Now, I think Darla-Anne will take you to the nursery. If she is a particularly good girl, you may read her a bedtime story before her afternoon nap. A suitable selection of books are in the nursery." Then Jane rose from her desk. "Now, you must excuse me as I have an overseas conference call with some executives from Siemens International in an hour and must prepare for it."
Audrey and Darla both rose. Audrey turned to the door, but stopped when her hand was grabbed. Spinning she turned to see Darla looking up at her with mischievous pseudo-innocence in her light blue eyes. "You're th'POTHED to hold my hand, Mith Audwey." She said with childlike reprimand.
The older girl glanced back at Jane who merely nodded. Shrugging, the somewhat off-balance teen allowed her 'charge' to lead her from the room and up the main stairs. Three adults smiled behind the departing pair.
Chapter 10 - Interlude - Jane and Diana
An hour later, her business concerns finally dealt with, Jane stuck her head into the kitchen and smiled at Marie. "Anything much going on up there?" she asked, nodding to the monitor speaker Marie was listening to.
"Not much. I don't think Audrey is at all sure what she is supposed to be doing with our little girl, and is therefore doing as little as absolutely necessary. Most of what has happened up there so far has been at Darla's instigation."
"Diana thought that it might go that way," Jane said with a sigh. "I really want to know how she feels and reacts to this sort of game before I order her to do anything even remotely similar. With the boys, their stunned disbelief that anyone would DARE do such a thing to them, combined with the intentionally sharp stabs to their overblown masculine egos was usually enough to keep even the worst of them from reacting too violently. Besides, I have enough experience with boys that I could see an emotional eruption coming in time to squelch such outbursts before anyone could be hurt. With this one. . . I just don't know. . ."
Marie listened as Darla kept up a steady monologue of almost nonsensical chatter, obviously playing with one of the many dolls that lived in Jane's special nursery. "On the positive side, Darla has managed to inveigle Audrey into having a tea party for lunch. I'll be taking a tray up to the nursery so don't expect the children at table."
"Good. But other than that concession, Audrey hasn't gotten into the spirit of this thing at all? No baby-talking to dollies or teasing Darla?" Jane asked.
"No, not really. Like I said, she's being very careful. Darla even asked her if she wanted to "be my Auntie Audwey," and here Marie fell into a deadly imitation of Darla's baby-talk voice, "but all Audrey did was tell her that wasn't necessary and to just keep calling her Audrey. Darla acted very distressed, but Audrey held firm and even our hardheaded child finally had to give in. As for your other question, well, I don't think that this one is much for teasing. Why I feel that way I don't precisely know, but even when Darla gave her unwilling babysitter several obvious openings for some of that nonsense, Audrey did not react at all. It is like she has no idea how to play."
"That's one possibility," Jane noted. "But I have seen students who could not bear to tease one another because they'd had very bad experiences as the butt of others teasing them. Well, if they will not be at table, bring me a tray in my upstairs study. I will monitor them from there and you can have a few hours off."
"Lunch is soup and sandwiches with fruit for dessert," Marie added, her eyes laughing, "Said sandwiches to be cut into finger- sized quarters WITH the crust cut off, thankyouverymuch, as ordered by little Miss Darla-Anne."
"Suitable for a tea-party, eh? Sounds like our daughter is having fun, anyway."
Jane and Diana took their lunch in Jane's upstairs study where they could both watch the goings-on in the nursery over the closed-circuit television. Darla had created as nearly perfect a Norman Rockwell-type children's tea party as Jane had ever seen outside the pages of the Saturday Evening Post. The small table was set to perfection with numerous dolls, from full fashion mini-mannequins to diapered wetting dolls to multicolored stuffed animals, crowding about. There was barely room for the two human guests to seat themselves in the undersized chairs.
"Well, there's another of those benefits to your little exercise, dearheart," Diana said as Darla poured tea for her guests. "Audrey is learning how to serve tea and behave at one of your brutally-correct society high teas. That is the second time Darla has gently corrected some aspect of her manners."
Jane sighed. "I saw that, too, but I am not sure it is going to be entirely beneficial. I hope Audrey doesn't come to the conclusion such social niceties are punishment or merely the silly play of children."
"Well, simply have a high tea some time after Darla is restored to full maturity and serve the tea yourself. That one misses nothing and if you do exactly as our child is doing now, Audrey will see the connection and assume, rightly, that Darla was trying to help her with that game," Diana turned back to the screen. "You say she hasn't yet done that 'time out' you told her she could have?"
"No, she hasn't, and that both surprises and worries me. What if she doesn't care enough to want to know the answers? She has to care, Diana. We cannot help her unless we get her interest. This is why I hate taking on students who know that I am under a hard deadline. If she can convince herself that nothing I do really matters in the long run because she will leave it all behind her, then nothing I do WILL really matter."
Diana nodded. "I don't think that will be a problem, dear. She cares about her training, and that gives you a wedge."
"One I don't want to use in a negative sense. Denying her training is not the punishment I want to use with her, for a variety of reasons."
"Wait and see, my love. Wait and see."
Chapter 11: Babysitting
Audrey watched as Darla served the final course - fresh strawberries with a light cream topping. Each doll and stuffed toy was given a small portion of the treat although the bulk of it was carefully reserved and then shared by the two girls. *I just don't get this. Is she really into this silliness? I mean, I have already all but told her directly that I am not going to press the issue. What do I have to do? Tell her I am not going to go telling on her to Ms. Thompson?*
"Darla? Time out."
"Yeth, Mith Audwey."
"Could you please cut that out? At least for the next half-hour? Your Aunt said you could talk like a real person and that stupid Elmer Fudd imitation of yours is really getting on my nerves."
"Well, don't blow your cool over it," Darla said seriously. "Or you might join me in pantaloons, petticoats and pinafores talking baby-talk. If it really begins to bother you, go talk to Aunt Jane."
"Like that will help," Audrey said sarcastically.
"Oh, but it would," Darla said, spooning up a particularly luscious-looking berry. She savored the bite, looking like a woman in ecstasy before turning back to Audrey. "She wants you to learn to deal civilly with issues that upset you, so discussing things that bother you that much and seeking a solution ahead of time will impress her."
"Why are you telling me that?" Audrey demanded, suspicion dripping from every word.
Darla shrugged. "Because I like you, and because you gave fair warning that something was beginning to get to you. That's unusual in one of Aunt Jane's students. They usually have to do something wrong along those lines and be punished for it before they figure out there might be another, better way to deal with such things. Like talking them out first."
Audrey thought that she would have to mull that insight over for a while. "Why are you putting up with this crap? You're old enough, big enough that you could tell her to go pack sand instead of acting the fool like this just because she tells you to do it."
"You yourself said it. . how did you put it? Oh yes, wasn't inappropriate and wasn't abusive," Darla pointed out.
"I said it MIGHT not be abusive and I wasn't sure about inappropriate, but I may be changing my mind," Audrey muttered. "Your inane chatter is starting to make ME feel abused. And I'm the only one here. Why are you putting on a show for me when I don't care?"
A grin lit Darla's doll-like features. "Partly because you're SUPPOSED to care, but mostly because I never know when Jane is going to stick her head in here. When she does, I had better be doing something appropriate to my designated age or she will assume I have not kept my promise and extend my punishment accordingly. Though there are a few other reasons, as well."
"And they are?" Audrey asked.
"Because, like I told you before, I said I would. Aunt Jane took me in and cared for me, taught me a lot of important things. Like you, I told her I would accept her directions."
"I still don't get it."
"Would you go back on your word?" Darla challenged sharply.
"NO!" Audrey reacted before she could catch herself.
"Neither would I. Neither will I, in fact." Darla replied, more gently this time.
"You said there were other reasons."
"Yep," the gamine grin was back. "'Cause it annoyed the heck out of you and it was fun watching you try to keep from snarling."
"Bitch," Audrey replied without heat before a matching grin formed on her own lips.
"Aren't we all?" Darla asked rhetorically. "And I guess the final reason is that it gives me an excuse to play with the dolls and the stuffies again," she said, giving a nearby pink and purple teddy bear a fond caress. "When I am Darla, Lady- Daughter-of-the-House, I am supposed to be too mature for such play, but as Darla-Anne, such behavior is acceptable, even required. I have an excuse to do something I might feel really embarrassed about if I were caught doing it as Princess Darla."
"And you aren't embarrassed now?"
"Not really," was Darla's unexpected answer. At Audrey's look of disbelief, she simply smiled. "Oh, the clothes are a pain to get into and out of, but as you pointed out earlier to Jane, the only people who see me are those who love me. Jane will send a few verbal barbs my way over the weekend and a couple will likely strike home because she is good at finding the chinks in your armor and she knows me very well, but really, Audrey, what do I truly have to be embarrassed about?"
"Yeah," Audrey said thoughtfully, "I can see that, but you acted so. . .I don't know, humiliated and repentant in Ms. Thompson's office earlier."
In Jane's office, Diana turned up the volume on the speaker and both women crowded a bit closer to the tiny monitor screen.
The increase in volume was in time to catch clearly the giggle that bubbled up from Darla's throat. "Hey, I keep my word, babe, but I'm not stupid, either! If my dear aunt didn't think there were certain negative aspects to this experience for me, she'd soon find another way to punish me and that would, in all likelihood, be something I really wouldn't like doing. Like mucking out Teddi's stalls in boy's work clothes. Yuck."
"Tell you what. If she ever does that, I will take your punishment if you will take any of mine that end up here," Audrey's voice sounded over the speaker.
Jane looked at Diana. "I think I should make an appearance now," she said quietly, and rose to leave the room.
"Oh, don't think we'd get that choice," Darla said. "She's too clever by half, that sneaky, devious aunt of mine. She'd know you prefer the physical effort of clearing the stalls. Besides, now that you know what this is all about, wouldn't you like a few hours of playing with these lovely dollies? Just to remember the 'good old times'?"
"What good old times? I never played with dolls," Audrey said flatly. "Never had any to play with."
The door opened just as Darla's shocked voice sputtered out "No Dolls? None? Didn't you like dolls?" Jane hung outside the cracked open door.
"Never had any, least ways, any I can remember. Might have had some early on, but none that I recall."
"Not even a stuffed animal? A teddy bear or calico bunny rabbit? Even a velvety boa constrictor like Max here?" Darla held up a long green snake with a ridiculous face and a forked tongue made of felt. "Something to cuddle when the dark got scary?" Jane knew by her child's tone that Darla was truly upset.
Audrey shrugged, trying to appear unconcerned. "I just had to grow up faster than most kids, I guess." Then she saw the real distress in her almost-friend's eyes and added very softly. "You don't miss what you never had, Darla. Don't worry about it."
Jane's entry broke the eye contact between the two teens. "I assume this is the time out I authorized, Audrey? Since Miss Darla-Anne was just speaking in adult language?"
"Yes, Ms. Thompson," Audrey replied after a visible attempt to collect herself. "We have a few minutes left, but we are mostly done."
"Your questions have been addressed to your satisfaction?" Jane asked, her eyes watching the girl's face very closely.
"Yes, ma'am."
*I wish you had answered my question more fully or that I had asked it more carefully. Well, nothing to it but to be direct.* "And if, Miss Rockwell, I determined that your behavior would improve should I place you into this or some similar situation, would you comply with my program?"
Audrey thought about Darla's justifications for accepting this woman's direction and how she felt or might feel. *At worst, I feel silly for a few days, but then, I often feel that way when I am not among other athletes.* She gave a barely perceptible lift of her shoulders. "I promised you that I would comply with your directions, Ms. Thompson. For that reason alone, I will keep my word to you," and then thought of something else. "Particularly if you keep your word to me."
*Diana had warned me not to expect more from her so early in the program.* "All right. Then there is no reason for the time out to continue?" At Audrey's headshake, "Then, Darla-Anne will resume her full punishment."
"Ms. Thompson," Audrey cut in. "Could we please dispense with the Looney Toons voice-overs? If I have to spend the day translating f's back to th's and th's back to s's, I will be Looney Toons by the end of the day and Miss Darla Anne may be gagged with one of my sweat socks by the end of the weekend."
"You consider that threat an appropriate way to deal with this?" Jane demanded, suddenly rounding on the girl.
"No, but it's really starting to irritate me and if it keeps up, at some point I'll probably do something that we will both regret," Jane's brows rose sharply and Audrey evidently realized what her last statement must have sounded like to the older woman because she rushed to continue. "I don't mean that as a threat at all, but that's part of why I'm here, right? I mean. . . because I do that sometimes - lose my cool? Maybe this game of yours shouldn't bother me that much, but it does, and I don't think it's fair to set me up for something that, well, that I guess I'm just not ready to deal with yet. Can't we work something else out? Maybe go in shifts with you, the others, and me each taking turns - or maybe just say that Elvira Fudd here can talk like a real person, but act like a child."
*Now there's a reaction that would never have occurred to one of the boys, but she's right. If it really is bothering her - and her snapping at Darla when my daughter forgot to slip out of role at the beginning of the time out indicates that it is - then asking me for help in dealing with her irritation is the adult thing to do on her part. But blast it all, I was planning on using precisely the outburst she has just forced me to help deflect as justification for her first disciplinary punishment. Oh, well.*
"Very well," Jane said heavily. "Darla? Speak adult when Miss Rockwell is with you, but don't let me catch you slipping up anywhere else or I will keep you in the nursery for an extra day for each offense!"
"Yes, Aunt Jane," Darla said with exaggerated meekness, her eyes twinkling in amusement.
"I will see you both at dinner," Jane said. "I have had Marie get out the high chair for our toddler here. In the meantime, it is time for her nap. You may read her a story, Audrey and then clear away the remnants of this small party."
"Yes, Ms. Thompson," Audrey replied.
Chapter 12: "Once upon a time. . ."
A thoughtful Jane Thompson sat back into her study, her eyes fixated on the room monitor. "She is doing an absolutely horrible job of reading that story," Jane said with some disgust.
"Nooooo . . . that's not the problem," the psychologist replied, her tones thoughtful. "What she is doing is not reading it like a children's story. Listen more carefully, Jane."
Jane did listen, her brow furrowing in concentration. "Yes, I think I understand what you mean. You can hear the formal punctuation, the rising tone on questions, the pauses for every comma, but she's not infusing any emotion into the story - none at all. It's as though . . . hmmm . . . the best example I can give is when someone reads from the Bible in church. They want to convey to the congregation the written words as correctly as possible, with nothing of themselves in the reading."
"Exactly!" Diana approved. "She's not giving voice to the characters so they all sound like her. We need to find a way to make her put her own heart into the story."
"Either she is simply doing as she was told," Jane said, "and only what she was told, or . . . "
"Or she really doesn't know how to read to a child?"
"Just as she claims she doesn't know how to play with toys and dolls?"
"Then that would say some pretty harsh things about that sorority sister of yours, sweetheart," Diana told her. "No dolls in her memory? Not knowing how to tell a story would imply none were ever read to her as a child."
Jane thought she saw Darla start to say something to Audrey during the story, but nothing came out. *Maybe she is afraid to find out that Audrey isn't playing and knows I am likely listening in. What a strange child this one is. And yet, Darla said she fell in love with the horses.*
Once Darla was 'asleep', Audrey saw to the chore of cleaning up. Once the dishes were collected and back on the tray, she began to put up the many dolls and stuffed toys Darla had invited to her party.
Sighing, Jane stood up and stretched. Then she stopped short, her eyes fixed on the monitor. "Damn this small screen!" she cursed. *Did I see that, or was it wishful thinking?* "Did you see that?" She asked Diana.
"See what?" asked Jane's startled mate.
Audrey had already moved out of the field of view of the camera, evidently intent on bringing the tray down to Marie in the kitchen. "Never mind," Jane sighed. "Probably just wishful thinking."
A bare silvery thread of moonlight sneaking through the heavily draped curtains was all that lit the way from door to bed. Long experience with the vagaries of the old Victorian mansion's floors had the shadowy figure carefully setting each foot, avoiding creaking floorboards in favor of the more solidly affixed ones. The young woman in the bed never so much as moved throughout the entire episode, not even when the uninvited guest completed her mission.
The sleeping girl looked so peaceful, laying there at rest. If only she could be helped to find that same peace during the daytime hours.
With that thought, the intruder slipped back out the way she'd come, silently closing the heavy oak door behind her.
Darla crawled out from under the heavy silk comforter and eyed the shrieking alarm clock balefully. *It simply can NOT be 4:45 already.* Unfortunately, it not only could be, but was. Growling to herself, Darla stomped off to her bathroom for a wake-up shower before she began transforming herself into Darryl for another dawn appointment down by the stable.
*We'll have to finish earlier, today,* she thought. *My Shirley Temple makeover will require the extra time if I am not to be late for breakfast and give Jane a reason to extend Darla's punishment.*
Still feeling very 'rocky', Audrey brought her hand down hard upon the snooze button of her clock radio. She was still tired, and sleep weighed heavy on her eyelids, but discipline and a long-held goal won out. Forcing her eyes open, she started to move when the sight of something strange caught her eye. She blinked several times to focus, and then she shook her head to clear it.
"Where did you come from?" she asked even as she reached out a tentative finger.
The gaudily colored purple and pink teddy bear simply stared back at her from its perch on her night stand, its eyes huge, its nose round and black, and its sewn-on grin a vivid red that clashed violently with both principal colors.
The snooze-button-delayed alarm sounded again, interrupting her sleep-fogged mind's attempt to answer to her question. If Audrey didn't hurry, she'd be late which meant she would not be able to complete her workout. If Darla's experience had taught her anything, being late for breakfast was currently very high on Audrey's list of things to avoid.
"Wind sprints?" Darryl asked Audrey. "You want to do wind sprints this morning?"
"Well, it is the day for my speed and cardio-work," Audrey said. "Normally, I will do half an hour or so on a stair climber, too, but since that isn't available, I need to do something like sprints and intervals."
*Diana's gym is a possibility. I will bring it up with Jane and see what she says.* "Well, if you want to climb stairs . . "
"Not real stairs, Dare," Audrey said, tolerant amusement in her voice. "Going down stairs is rough on the knees, particularly when I need to go as fast as I can."
"Oh, I think I can arrange that, too. Here," and he tossed her a pair of heavy gloves. "Put those on and follow me." he directed as he slipped an identical pair onto his own hands.
He led her into the stable to a stone stair that lead up to the high loft. "Wait here." he ordered and then ran up the stairs.
Audrey was about to follow him anyway when a heavy ::thud:: behind her had her spinning about. A thick manila hemp rope now hung down from the loft into one of the open stalls, a couple of coils haphazardly into a tall pile of straw. Moments later, Darryl climbed down the rope, jumping the last few feet and letting the straw absorb some of the shock of his fall. "Up the stairs and down the rope," he said with a challenging air. "Forty minutes and then ten sprints up and down the driveway. How's that?"
Audrey's only answer was a huge smile, just before she tore off up the stairs. Darryl waited for her to complete the first rope climb, wanting to assure himself that she could safely handle that, before following her on the second 'lap.'
"By the way," he called from the loft as she again landed on the ground floor. "Where did you get the neon-pink shoelaces and the fuzzy pompoms on your sneaks?"
"WHAT?!?"
Chapter 13: Connecting the Dots
"You did WHAT?!?" Jane squealed as she helped Darla arrange her wig at 8:15 that morning.
"We ran steps in the stable and used a rope to get down - to protect our knees, you know." Darla said as she brushed on the brightly colored blusher.
"What about protecting your bloody necks?!?!"
"I made sure she was okay with it, Momma-Jane. I was going to just take her up to Diana's gym, and let her use the equipment up there, but I couldn't think of a good reason why a mere boy acquaintance would know about that, let alone have a key to the place."
"I could give her the key," Jane mused, "but how to have the subject come up without it seeming too. . .convenient. We don't want her thinking that Darryl is TOO familiar with this place."
"Maybe you could have Diana mention she needs a workout during breakfast?" Darla asked.
Jane shook her head. "Too obvious, I think. How about if you ask her about her workout at breakfast? Maybe tease her a little about Darryl - you know. . .second date, getting serious? And then ask her what they did?"
"Suppose she doesn't tell you, or doesn't tell you the truth? It is not like you could call her on it because there is no reason you should know what we did," Darla pointed out as she checked her 'freckles' closely in the mirror.
"I rather suspect she'll simply tell us what happened. Thus far, she has been very cautious and I don't think she would want to get caught in anything I might conclude was a lie and therefore, deserving of discipline."
"True enough," Darla giggled. "I don't think getting her into little girl clothes is going to be an easy task. She was rather appalled by me yesterday."
"Yes, I saw that. I also think we can take it as given that if we ask her why she did it, she'll probably say because she didn't have a stair climber. She's very matter of fact that way. Then I can act worried about her safety, which in fact I am, and tell her I will let her have the key to the gym in the future."
"Hah!" Darla snorted. "Not like you need to be all that worried. She's strong, fast, agile and highly coordinated. And I *DID* make sure there was plenty of loose hay in the stalls."
Darla thought for a few moments and then looked up at her mother. "You could still use the rope thing as an opportunity to punish her," she pointed out. "Might be better to get that first one out of the way early on with her like you do with the boys. While she is still trying to figure you out."
"I could," Jane mused as Darla stood up and went to get her 'Alice in Wonderland' little girl's robe. "But I don't think I want to do that, just yet."
"Why not?" Darla asked, curiosity in her voice.
"Because, at the moment, she really is trying, and since I am still groping in the dark as to how to deal with a real girl, I have to ensure that anything I do is scrupulously fair. My gut reaction is that this is one of those times when a quietly worded reprimand, heavy on concern for her safety might be more useful."
Darla thought about it. "I suppose you're right. She is attentive. Very different from any boy I have ever seen here. Maybe if you indicate that you might discipline her and then decide not to do that THIS time?"
After considering that for a few seconds, Jane shook her head. "No, I think the reprimand will be enough. When I do discipline her, I want the reason to be some unfeminine behavior or action when she knows better. After all, I did say she could exercise, didn't I?"
"Yes, Momma-Jane," Darla said, going up on tiptoe to kiss the taller woman's cheek. "Lord, but I do miss my heels when I am forced to play little girl. I feel so . . .little - particularly around her since you have HER in heels."
"You are only little where it really doesn't count, my love," Jane said with a warm smile and a hug for her child. "Now, let's go down stairs and play our part in this little scheme. It ought to work nicely, and after breakfast I will have Diana walk her down and show her the facilities. I have been trying to figure out a way to give Diana some time alone with Audrey away from the strictures of the house, anyway. That should work."
Jane tugged teasingly at the huge bows on the end of Darla's ponytails and smiled. "And now you, young miss, had better hurry down to breakfast, unless you want to stay in Shirley-mode for a few more days."
The alacrity with which Darla scampered out of the room made Jane smile and nearly laugh. *Doesn't get to her anymore, indeed,* she told herself. *SUUURRRE it doesn't, Darla. Sure it doesn't.*
Audrey let herself into the nursery immediately following her post-midday meal walk with Diana. Darla looked up from the doll display she had set up in preparation for Audrey's return. *Good thing Jane buzzed me when Audrey and Diana got back. It would not have done for Audrey to find me reading that biochemistry textbook!*
"So, what did you think of Diana's little gym?" Darla asked.
Jane and Diana were again seated at the desk in her study, eyes glued to the small security monitor. They could see Darla sitting in the nursery rocking chair, bottle feeding a diaper- wetting baby-doll, but could not see Audrey.
"She must be sitting directly beneath the camera," Diana said, "otherwise that wide-angle lens would pick her up. "Wonder if she's spotted the surveillance camera?"
"That's all we need," Jane said disgustedly.
"It is very nice," Audrey replied, stepping out into the room and taking a seat on the small settee next to the rocker. "Top- drawer equipment. I don't think I have ever seen that model of Nautilus rig outside of a commercial gym. And Diana says that Darryl has all the same equipment at his school, so he knows how to operate all of it and will be able to spot me when I use it." Darla grinned and shifted the doll to her shoulder and began to burp it. "Good. That should keep you on schedule."
Audrey frowned. "Why are you doing that?"
"What?" Darla asked, her forehead wrinkling into a frown. "Oh, playing with the doll? Because Jane told me to, and that's a bone I have to pick with you, babe!"
"With me? What for?"
"Do you have any idea how hard it is to remember to act like a four year old when you are using adult language? I live in fear that Aunt Jane will slip in here unannounced and condemn me to another day or two of this pinafore-prison."
"That's JUST what I mean!" Audrey cut in. "Based on what you told me the other day, I figure you have to be at least eighteen, for all you look two or three years younger. . "
*Oops,* Jane thought, *I missed that connection when they talked about Darla's history, but Audrey evidently remembered and did the addition. Now what?*
Darla considered trying to misdirect her way out of this but concluded that would only put Audrey hotter on her trail. *Better a little truth now than the whole truth too soon,* she thought. "True enough. I look younger than I am and Aunt Jane felt that you'd be more comfortable with me if you thought I was younger."
"So this punishment is a game?"
"Oh, it's quite real. I live here and so I am subject to Aunt Jane's rules, even as you are."
"But you are eighteen. You could leave and dispense with this crap!"
"And go where?" Darla asked as she rose to put her 'baby' to bed. "This is home. This is my family. I love them and they love me."
"But couldn't you use that to pressure her to dispense with this. . this foolishness?"
Darla frowned thoughtfully, and was secretly glad she'd anticipated this question. It was not one she'd ever had to answer with one of Aunt Jane's terrorized boys.
"It's not really foolishness, you know. Oh, it's silly all right," Darla said quickly as Audrey prepared to argue, "but it's not foolish. The whole point is that I was not behaving as a young woman should, so I am being 'indulged' in my own refusal to grow up. That. . . I mean, growing up. . . takes more than clothes. After a while everyone just sort of forgets what they're wearing, unless it gets in the way or something hurts. It isn't punishment if it doesn't have certain penalties that constantly remind me of the downside of refusing to act appropriately for my age."
"And this works? For you, I mean?" Audrey's tone was dubious.
Darla sighed and said, "And it works. For me and for any number of other stuck up, immature brats Aunt Jane has taken in over the years. Truth to tell, Audrey, I'm really tired of all this, but I know the lesson will stick with me a lot more effectively than a nagging lecture, or, well, whatever other parents do."
Then a very impish grin lit up the childishly made up face. "Besides, it's a small price to pay for keeping her . . AND me. . .on our toes. Heck, girl, without me, Aunt Jane would go all prim and proper - Lord, she might even become an old maid!"
"OLD MAID?!?!" Jane spluttered before leveling a fulminating glance on her spouse as Diana tried manfully to keep from guffawing in a MOST unladylike manner. "Just wait until I get that little minx alone!"
"That little minx knows you're listening and if you react, dear-heart, she'll have won. Besides, she's trying to distract Audrey, and it seems to be working."
"She is just so sly," Jane grumbled. "Lucky for her I love her."
"Lucky for us that she loves us, too." Diana replied.
"Well, it's almost time for my nap," Darla said.
"Oops," Diana said with a grin as she rose and headed for the door. "That's my cue! Later, darling."
Chapter 14: SETUP!!
Diana entered the room as Audrey supervised Darla's pre-nap toilette. "I have been asked to read the story," she said by way of explanation, when Audrey gave her a quizzical look. "Seems you don't do it very well and little Miss Priss here has decided you need to learn."
"This one, Auntie Diana," Darla ordered, carrying over a large, brightly colored book with a very strange creature holding an even stranger platter of food.
Audrey started to slip out of the room only to be stopped by Darla's call from the oversized trundle bed. "NO! You have to STAY so you can learn how to read stories, too!"
"Jane's orders, dear," Diana said as she tucked Darla in.
Audrey shrugged and returned to her seat on the settee as Diana settled herself into the antique rocker. She opened the book, and in a very oddly pitched and squeaky voice read, "Sam I am!"
"I am NOT going to make up silly voices and make funny sounds when I read you a story!" Audrey growled at the stony-faced girl seated across from her at the second stuffed toy and doll tea party she had ever attended.
"Oh yes you are!" Darla growled right back. "You have to read stories to me and you are going to read them right!"
"Or else what?" Audrey said, standing over the table and putting her face nose to nose with Darla's.
Darla couldn't help herself. Her eyes were drawn to the sharp kink in Audrey's nose, now so close before her, and she just knew they crossed as she looked at it. It embarrassed Audrey - and unfortunately since that problem couldn't be fixed with ladylike manners - it was not supposed to be part of the program. The last thing Audrey needed was to be reminded of things that couldn't be 'fixed' by Jane's program.
The pretend-child was trying to think of some way to apologize, without making Audrey's broken nose even more of an issue, when the taller girl blew past her embarrassment and returned to the issue at hand. "Or else what?" Audrey demanded again, but moving back a few centimeters from the other girl's space. "You'll tell your Aunty Jane?" she asked with sneer in her voice.
"Oh, lighten up!" Darla said, feeling relief she couldn't express as she sat heavily back into her chair. "Of course I won't tell Aunt Jane, but then, I won't have to tell her because she'll find out on her own. But I will staht tahking babytahk again, Auntie Audwey, until you tell da stowies wight or I dwive you cwazy!"
Audrey's mouth fell open in disbelief. *the moment of truth,* Jane told herself, her fisted hands digging her nails into tightly clenched palms.
*Lord,* Darla thought, *but she reminds me of Kenneth when he first got here. All that control and discipline, but where he never really lost his cool nor hurt anyone, this one has. I have got to get her to unwind!*
"I am NOT a child!" Audrey reiterated. "And blast it, neither are you!"
"So pretend one of the dollies is your own daughter and read to her." Darla saw the still mutinous look on the other girl's face and felt her own control begin to slip. "Okay! Fine!" she spat out, throwing her arms into the air. "Read the damned story as if you were giving a dedication speech to the Daughters of the American Revolution. Read War and bloody Peace for all I care. Jane will find out and be it on your own stupid head when she decides to discipline you. YOU'RE the one who made an agreement with her!"
"Nothing in my agreement," Audrey snarled back through clenched teeth, "says anything about this. . . this. . .stupid, senseless indignity!"
"So," a new voice said sternly from the doorway, "This lacks dignity, does it? It is beneath your station?" Jane entered the room, lightning flashing in her dark eyes. "So, you refuse to sacrifice your precious self-image just a small amount in order to help a little girl?"
"She's NOT a little girl!" Audrey shot back, whirling to face Jane, fury etched on every feature.
"In this case, she is," Jane retorted, her face inches from Audrey's. Worried, Darla moved to put herself in grabbing range of the older student in case she lost control of her temper. "Part of her punishment was to have you treat her as such while part of YOUR training - to which you HAVE agreed - was to learn some nurturing skills. Against my better judgment, I relaxed her punishment so that she was allowed to converse in adult language and usages at YOUR request. And yet, you balk at your end of the bargain at every turn! What have you to say for yourself, Miss Rockwell?"
The tension between the two grew, and Darla grew more anxious until, just before she would have physically separated the pair, Audrey retreated. "Well?" Jane demanded again, her tone belying the relief she herself was feeling.
"It is stupid and needlessly humiliating," she said, her eyes down.
"Very well, if your precious self image and dignity are so important to you," Jane hissed, her voice becoming soft and dark, "then I shall see that you get a belly-full of it, girl. You will remain here with Darla until Marie or I summon you to your room." With that, Jane spun on her heel and swept out of the room."
"Oh, Audrey, I'm so sorry."
"What for?"
"If I'd have known Jane was going to go into her 'quiet' voice, I wouldn't have pushed so hard on reading the book correctly, at least not right away."
"'Quiet voice'?"
"Yeah. When she gets like that, she is really, truly pissed. Look, you can do what you think is best, but I'm telling you this for your own good. You're treading on really thin ice right now. Whatever punishment she has in mind, I suggest you just nod and accept it. It will be 'fair' in terms of whatever point she's trying to make, and if you argue any further, you'll probably end up on the next train out of here. I don't know exactly why you've been sent here, but for most of Jane's students, the alternative is a lot worse than any of her punishments."
Darla sighed and plucked at the hem of her own petticoat, "Even if it doesn't always seem like that at the time."
"It's the principle of the thing," Audrey replied, wishing she felt as certain of that as she might have ten minutes earlier.
"Right," Darla said with a smirk before becoming serious again. "Just consider your alternatives carefully is all I'm suggesting."
Audrey considered that for a few moments before sighing gustily. If Jane Thompson gave up on her that meant that she could write off her still minimal chance of competing in the men's open pentathlon. "Oh, all right."
Chapter 15: SNAP Goes the Trap
"You look. . . look. . .ummm. . very nice," Darla managed to get out, two hours later, when a rather chastened Audrey carefully made her way back into the nursery.
She moved like an automaton - her body incredibly stiff and each step short and carefully placed before any weight was applied to that foot. *Lord, but where in the world did Aunt Jane come up with THAT relic from an Edith White soiree-from-hell?*
Just then, Audrey missed her step and would have fallen had it not been for Darla's reflexes. "Here," she offered to the taller girl, "let me help you to the settee."
"No!" Was the almost panicked reply. "Ms. Thompson says that I must not wrinkle the outfit before tea or that will be a demerit. Ten demerits and my sentence increases by a WHOLE day!"
Darla heard the familiar 'fear-of-Jane' in her 'big-little sister's' voice, and knew that a hurdle had been crossed. For whatever reason, Audrey now accepted, at least in part, Jane's authority over her. "Well, then stand still and let me get a look at you!"
The outfit was stunning and actually looked good on her, Darla mused. *So few modern women looked good in period-Victorian dress, but then, very few modern women have Jane's resources in dresses, wigs and, if I am not very mistaken, corsets and bustles.*
From the perky little yellow box hat, complete with feather and flirty veil, to the tips of her high heeled, shoe-hook-booted toes, Audrey was the image of the Victorian debutante going out for tea. The sunshine-yellow gown was high-necked and long sleeved, with white lace accenting the throat, wrists and hem. It fit well, but not perfectly as it was a bit loose about the waist, and a bit tight about the bosom. Two rows of at least thirty buttons each, curled around the outside of the bodice from the neckline to the waist seam. White shoes and white gloves completed the ensemble. Her hair, or rather, her wig, had been done in black ringlets and sausage curls while her face had been done up in the pastels typically used by debutantes of that period.
The look really suited her, Darla thought, and then made the mistake of saying so.
"If I could move or breathe, I would kill you for that," Audrey rasped out. "But this damned corset is asphyxiating me and I don't dare move in these killer heels."
"Well, don't expect sympathy from me. I tried to warn you."
"No one likes being told 'I told you so!'"
Darla giggled. "But I did tell you so. So, how long are you in for, cell mate?"
"Three days, except it won't be that long. I am going break my neck first, I am sure."
"Oh pooh. Quit whining. When I was put in that rig, *I* had to carry a reticule AND a parasol."
"In my HANDS?!? I WILL break my fool neck. I can barely keep my balance in this monstrosity of a dress with my hands free." The injudicious exclamation had the unfortunate effect of expelling too much of her precious oxygen supply and Audrey began to feel faint. Again, Darla caught her and this time did help her to sit down, albeit protecting the long skirts from wrinkling.
"Here, stand back up - SLOWLY - and I will loosen those stays for you. I don't think Aunt Jane meant for you to be that short of breath. I can't do much, because the dress is so tightly fitted, but there is some room around your middle which will ease the stress on your diaphragm."
"So, what's next?" Darla asked as she saw to her task.
"We are invited to tea in the main parlor in . . " and Audrey looked up at the large children's clock on the wall, "fifteen minutes. The remainder of my sentence will be pronounced there."
"Well, stand still. If I mess this up we'll be late and then there will really be hell to pay."
"So," Jane pronounced as she accepted a cup of tea from Darla, "for the next three days, you will live the life of the very dignified Victorian woman. That means you will present yourself at breakfast in a morning gown, change into a receiving gown for the morning, change into a traveling gown suitable for afternoon calls after lunch and into an evening gown for dinner." "Four changes?" Audrey actually squeaked and blushed hotly because of it. "Every day? And how will I get my work out in if I have to dress so formally for breakfast?"
"I am afraid," Jane said sternly, "that Victorian ladies do not take part in such . . .undignified undertakings as physical exercise, nor would they be allowed to be unchaperoned with a young man. No, I am afraid that, for the duration of your punishment, that your early morning workouts are forfeit. The price of dignity, I am afraid. I do, however, intend that you get some appropriate exercise."
"Oh?" Hope shown in Audrey's eyes.
"Yes. I have decided that you will participate in the Harvest Parade with a riding group with which I am affiliated. They ride in Victorian costume, and the women ride side-saddle."
"But. . but. . I don't know how to ride side saddle."
"Oh, but you will, my dear," Jane said, her smile broadening. "I myself shall undertake your instruction each afternoon after tea and before the evening meal. It will mean another gown change, but that cannot be helped."
"Another gown change?" Audrey was beginning to feel like a parrot, but could not seem to keep herself from repeating Jane's little jabs.
"Of course. You cannot ride in formal dress - you must have a riding habit so that your lovely limbs don't show as you wrap your right leg about the pommel - that would be undignified. And you must have riding boots, since those lovely heels are unsuited for riding. Why, you might break an ankle dismounting."
"When. . . when do we start?" Asked a thoroughly rattled Audrey.
"Oh, tomorrow will be soon enough," Jane said airily. "Oh, and do observe Darla closely as she serves the tea. You'll be expected to act as hostess tomorrow, Miss. Oh, dear, look at your lovely gloves - you spilled tea on one of the fingers." Jane clucked sadly. "Two demerits already, and you are not even the one serving the tea."
"I nearly messed up badly earlier," Darla told the two women seated in Jane's study. Marie was acting as Lady's Maid for Audrey and helping the penitent change for the evening meal. "I obviously stared at her nose and she caught me at it." "How did she react?" Diana asked. "I was working out down at the gym and missed it."
"She didn't, at least not overtly, but I could see the embarrassment in her eyes, and there was a momentary though audible break in her tirade. Then she backed off before continuing her rant."
"I caught the break, but couldn't see any reason for it," Jane put in."
"It was the nose," Darla reiterated. "Definitely."
"It does seem to shape her self image," Diana mused. "Marie says she adamantly refuses to let her try any of her stage makeup tricks on it. Almost as if it hurts for anyone to touch it."
"I think it does," Darla said. "She almost never looks you in the face, eye-to-eye, unless you practically force her or unless she has lost her temper. You're sure we can't pressure her into getting a cosmetic surgeon to have a go at fixing it for her, Momma-Jane?"
"Something that life changing and permanent has to be her choice, darling, just like choosing to accept what I am trying to help her learn here."
"Don't give her any choice!" Darla rebutted. "She obeys your edicts or else - just like any of your other students!"
"No, this is different, dear. I don't normally give her or any student much choice so long as the student is here, under my roof, and at least semi-willingly, under my control. However, you know as well as I do that the final choice is always theirs once they leave me - accept or reject what they've learned here and live their lives as they choose. I will not impose a permanent, nonconsensual change upon a student no matter how much I think it will help her."
"She needs it," Darla said again.
"Then we will need to find a way to help her decide that, dear."
Chapter 16: A Victorian Lady in Lady Jane's Court
Audrey looked at her still half-full plate of eggs, potatoes, fruit and toast and barely restrained a sigh of disgust. *Thanks to this corset, I can't eat another bloody bite and I even took small portions knowing it was there!"
Darla, who was dressed in more normal clothing (at least, what passed for normal in Jane Thompson's School) caught the unhappy look and shot a quick glance at Aunt Jane. *She saw it, too,* Darla thought. *Well, at least Audrey has kept her mouth shut and done as she was told. Guess that Olympic dream of hers is as important to her as staying out of prison was to me.*
Jane daintily dabbed at her mouth and turned her stare directly upon wayward student. "That is a bit too much to leave for Miss Manners, Audrey," she said.
Confused, the young woman looked up to meet her tormentor's eyes. "I. . .I beg your pardon, ma'am?" she asked.
"In Victorian times, it was considered good manners for one to leave a bit on the plate after each course of a meal, it being thought to be crude to clean one's plate," Jane said in her best schoolmistress voice. "Children were taught from an early age to 'leave a bite for Miss Manners'. However, I believe your eyes were too big for your belly this morning."
An emotion - probably anger, Jane thought - flashed in the girl's dark eyes, but only for a moment. "My belly is somewhat smaller today than I am used to, ma'am," Audrey replied carefully. "I did try to account for that in serving myself, but evidently not enough."
"A lesson for you, then," Jane said, inwardly pleased at both the show of emotion and at the quick control of it. "Very well. I think, Darla, that you should take Miss Rockwell on a bracing walk about the grounds. Then, about ten, Marie shall serve Morning Consomm”š in the garden before it is time for Audrey to change for her appointment with Mr. Webster and me in the library."
"Consomm”š?" Audrey asked, confused. She'd never heard of that custom before.
"Yes," Jane said. "It is like afternoon tea, but it is served in the morning. Like the young women of Victorian times, you are unable to consume sufficient bulk to get the calories and other nutrients you need to be healthy from only three meals a day. Corsettry does that to a woman. In their case, they often became weak and unhealthy. You will not. That is not part of our bargain. I will see that you are served several extra meals a day so that you can take in the nutrition your athletic body requires. Besides the three regular meals, you will have consomm”š, tea and a bed time snack."
"I see," was the surprised response.
"You will find, I hope, Audrey, that I keep my bargains, particularly with those who also show the good faith to keep up their ends, too. Now, run along. Marie has a pelisse and a parasol for you. Stay to the pathways on your walk. Grass strains on the hem would ruin that lovely pink morning gown."
Darla hung back as Audrey made her cautious way out of the room. "It is going to be a very slow walk," she observed.
"All the more reason for her next lesson with our good friend Webster," Jane said equably as she stirred her second cup of coffee.
"Should I go do the Scarlet O'Hara thing, too, Aunt Jane? So that I can show her how to handle herself?"
Jane's shake of her head was emphatic. "No. In fact, I want you to do just the opposite. Dress in attractive, modern clothing. Things that a girl your age would find comfortable and even fun. I want her to WANT to emulate your mode of dress, to begin to see it as desirable."
"Ooooooo, sneaky, Momma-Jane. And I suppose that I will be disciplined at the end of this for being too outr”š again?"
"No. That isn't the point, so don't go so far that she will wonder why you aren't being punished."
"Got you," Darla started to leave the dining room and then stopped. "That corset may become a problem. If it is too tight, her abdominal muscles will weaken, and then you will be in default on your part of the deal."
"Diana thought of that. We've only taken a bare three inches off her waist this morning. Yesterday was to get her attention, but the night corset was loose enough that she didn't notice the difference in how tightly we laced her today. Besides, while I suspect I will be able to keep her *close* to the critical ten demerits, provided she plays fairly, I won't give her that last demerit. She'll only be in the corset two more days."
"Looks good on her," Darryl's voice observed. "Looks VERY good!" "Rogue!" Jane laughed. "Now, hurry up and go make yourself pretty for your walk in the gardens!"
"You look very nice today," Darla observed as the pair made their way over the hill towards the stable.
"Hah! YOU look nice. I look like an uncoordinated idiot," Audrey replied. "These boots are almost as bad as the corset. I can't flex my ankle in them so I can't stride."
"You're not doing very well with the parasol either. Here, let me show you how to do it," Darla offered as she snatched the very long handled, frilled and flounced confection from her walking partner. "You rest it on your shoulder so that you can hold your hands up like this," she demonstrated with a coy placement of her hands near her chin, "and then you stroll. Ladies do not stride. Like this."
Darla had nearly had the lead role in a local production of Mary Poppins once. Nearly, that is, until a 'very unfortunate ankle injury' had forced her understudy, and one of Jane's skirted boys, to take the role. In any case, she had learned to flirt with a parasol rather well, if she did say so herself.
The reaction she got from her audience, however, was not at all what she expected. Audrey was laughing as loud as her corseted diaphragm would permit. "Oh lord, but you look so funny. Now, show me what I am REALLY supposed to do with that thing."
*NOW what the hell do I do???* was all Darla could think.
Jane watched in silent amusement as the two girls made their way toward the rose garden gate. They were laughing together, actually laughing and sharing whatever joke it was that had set them off. "What on earth. . . ?"
Then, Darla stopped, corrected something about the way Audrey was holding the parasol and where she had her hands, and then stepped back. With a flourish, the taller girl began slowly pin-wheeling the parasol behind her head and stepped out into a bit of relatively complex, if slightly unbalanced footwork. Darla instantly moved to steady Audrey and instantly, they broke out into another gale of laughter.
It took a moment, but then Jane realized what Audrey had been doing. "Why, that little minx has been teaching her the choreography from the sidewalk painting scene of that Mary Poppins production the children's theater put on two years ago."
"What did you say?" Diana asked as she walked into the study.
"Look at that," Jane ordered indicating the scene below them.
Diana watched silently for several moments and then smiled. "Well, that bit of bonding won't hurt our plans. Companionship, according to the research, is much more important to girls than to guys. And honest laughter cures many an ill. I think this will work to our advantage."
Two hours later, a foot-sore and weary Audrey was looking out the window of her bedroom at Jane's small swimming pool. She had just finished her latest one-hour session with "Mr. Webster." The tall girl decided she'd have to find some suitable way to repay Darla for not warning her about that before she'd teased her into trying those dance steps in the garden. Walking around Jane Thompson's parlor with that damned dictionary on her head was NOT on the Victoria-ized teen's list of fun things to do.
At that particular minute, Audrey's ankles, calves, knees, and most particularly her neck and shoulders, regretted their acquaintance with that thrice accursed book. She'd lost count of the number of laps she had been ordered to make up and down Ms. Thompson's library, but she knew precisely how many times the thing had fallen off her head. Eighteen times at one demerit for every three falls. With her little faux pas of using the wrong spoon for her grapefruit at breakfast, that left her with only two to play with before she was looking at another day in this hellish costumed time warp!
She watched, envious, as Darla pulled herself up out of the pool after a fairly vigorous fifty or so laps of the small pool. She was wearing a "USA"-emblazoned women's Speedo swimming suit that fit her slender frame like a second skin. *The color suits her, too,* Audrey thought, *and where the heck did THAT thought come from?* She shook her head at that, but then looked again. *Except for that silly bathing cap which looks like a relic from those black and white shows on Nickelodeon, it does look attractive. And she probably needs the cap with that long hair of hers. Wonder if Jane would let me go swimming?* She thought about that for another moment and then sighed. *Best not to ask until I have served my sentence. She might decide to let me swim, but only in a Victorian bathing costume. Those things covered a girl from head to toe and included more skirts than a dress shop. Probably get weighed down and sink to the bottom of the pool like a stone. No, safer to wait, I think, although I do wonder. . . . maybe Darla has one of those suits that would fit me?*
Later that night, Darla and Audrey were in the nursery, nibbling on the promised bedtime snack. "You were really great on Garters today," Darla enthused. "And you say you never rode side saddle before this?"
Audrey snorted, grateful that she was able to breathe more easily in the lightly stayed sleeping corset. "Are you sure I rode all that well? I only fell off five times."
"But only once in the last half hour," Darla reminded her. "And Aunt Jane said we could go out on a trail ride tomorrow if you do as well, and TRUST me on this. Aunt Jane would NEVER trust her beloved Garters to someone she did not believe would take proper care of the old girl. Not without her there to watch, anyway."
A flush of pleasure at the implied compliment warmed the taller girl. "She really is a very patient horse."
"She has to be, what with all the ham-fisted students Jane drills in the basic elements of dressage," Darla shrugged. "Wait till you see the trails around here from horseback. We're really close to a small lake, well, they call it a pond around here - Port Judith Pond, and not all that far from Narragansett Bay, too. Some of the views are just breathtaking."
"It would be nice to get away from. . .I mean, out of here for a while. . . "
"Away from Aunt Jane?" Darla asked, her smile growing wider. "I understand completely. So does she, actually. That is why she made the offer, provided you don't have too many demerits."
Audrey made an exaggerated swipe of her brow and sighed lustily. "Don't remind me. I was sweating bullets the whole afternoon after that ninth demerit for not remembering how she takes her tea."
"But you won't ever forget a dollop of honey and the juice from one sixth of a lemon again, will you?"
"Not in this lifetime, Darla," Audrey said, but she, too, was smiling.
"Bedtime, ladies," Jane called from the door. "We have a great deal to accomplish tomorrow, and Audrey will need her rest if she is to be sufficiently alert tomorrow afternoon to ride Garters on your little adventure."
The two girls bid Jane good night, and slipped off to their respective rooms. Surprisingly, to Audrey at least, both were asleep mere moments after their heads hit the pillows.
Chapter 17: Falling for Darla
It was a glorious fall afternoon as the two young women guided their mounts down the sun dappled path. Trees, just starting to show a hint of autumn color stood on both sides of the trail, throwing interesting shadows and playing games with the light of the lowering sun.
"Isn't it beautiful?" Darla gushed astride the big thoroughbred. "I do miss this whenever I have to be away for any reason."
Audrey, riding Garters side saddle, was also enjoying the day, but the fancy forest green velvet Victorian riding habit Jane had chosen for her to wear on this outing was heavy . . .too heavy for the mid-afternoon heat of an Indian Summer day. *At least the corset isn't cutting me in two,* she thought, and then let herself smile at Darla's enthusiasms. "It is very pretty," she agreed. "It's too bad we have to cut our ride short in time for me to change for the next installment of those art lessons your Aunt has set up for us."
"I know what you mean," Darla grimaced in heartfelt agreement. "I swear, if I have to draw one more bloody apple, I am going to steal it, feed it to Teddi and do a still life of what comes out the other end so realistic it will draw flies!"
Audrey could only stare at the smaller girl, and then threw her head back and howled with laughter. "How. . how . .however would you explain THAT to your aunt?"
Darla grinned. "Oh, I don't know. Think she'd believe me if I told her it was abstract art?"
"No way! And I am sure I DON'T want to know what she'd come up with as correction for THAT prank." Audrey was still chuckling over the images that danced in her head as they rounded a bend. "Oh my goodness," she breathed as the panoramic vista of the large lake came into view.
"Great, isn't it?" Darla asked, as she trotted Teddi up beside Audrey. She had purposely let her friend take the lead so that she would be surprised by the view.
Audrey could only nod as they cantered down to the water's edge. "It is lovely."
Just then, Teddi knickered and tossed her head. "She wants to run," Darla said. "I always give her a gallop when we come down here, but Jane told you to keep yourself to a canter."
Audrey heard the regret in her companion's voice and saw the excitement in her mount's attitude. "She told me to take it easy because I don't know how to gallop in a side saddle. I assume you know how to gallop astride?" she asked with a touch of challenge her voice.
"Well, yes, but. . "
"Go ahead. Enjoy your run. Garters and I will take advantage of this lovely open patch of beach and practice my lead changes. This old dear is much more forgiving than your aunt," Audrey added, still smarting from the two demerits she'd earned, her sixth and seventh of the day, for sloppy reining during her riding lesson with Jane Thompson.
"You're sure?" Darla was torn between wanting the gallop as badly as Teddi wanted it, and not rubbing in the fact that Audrey couldn't enjoy the adventure.
"Shoo! Scoot! Gidyap!" Audrey said, a smile on her face. "I will enjoy watching the two of you!"
"OKAY!" Darla squealed happily.
And it was almost the truth, Audrey thought as she watched horse and rider arrow down the beach. *She is as good as her aunt indicated,* she thought as Darla brought Teddi around and began thundering back up the beach.
Then, it happened - so quickly, Audrey was never really certain of the cause, only of the effect. One instant, the pair was in smooth unison, moving effortlessly over the rocky beach, and the next the horse was skidding to a stop, and Darla was flying through the air.
Audrey was already moving toward them when Darla hit the ground, her helmeted head seeming to bounce as the rest of her landed flat on the hard surface. Audrey was off her horse and running toward her friend, nearly tripping on the absurdly long skirts designed not for moving afoot, but for gracefully draping over a horse.
Darla was unconscious on her back when Audrey fell to her knees beside the fallen girl. A quick check with her cheek near her friend's lips told her that Darla was breathing. What to do next was the question. Audrey knew it wasn't safe to move her friend. There might have been a back injury. A quick check for immediate help on the scene was fruitless. She'd have to go for help.
Audrey's first thought was to use Teddi since the thoroughbred was fitted out with standard English tack and not that damned sidesaddle, but the horse was limping. *Probably why she balked and threw Darla,* Audrey thought. *I hope it is only a sprain.* Unfortunately, she did not have time to worry about that now. The horse did not seem to be in agony, so she tethered her to a nearby bush and went over to Garters.
It was a very good thing the saddle-bred was so forgiving, Audrey thought as she urged the horse back up the trail. Any other mount would have shied and probably thrown her as she had awkwardly scrambled back into the sidesaddle. Fear for her friend had Audrey pushing the big horse first into a trot and finally into a full gallop. She gripped the huge saddle pommel with her leg, doing her best to move with the horse's gait so that she was not unbalanced.
Garters stride ate up the distance quickly and soon Audrey had the big mansion in view. She cut across the surrounding meadows, trying to reach help as quickly as possible. Unfortunately, she found the gate at the end of the meadow shut and locked. She thought about it for all of about five seconds. She couldn't climb the fence. . .not in this outfit, and stripping out of the skirt would take time - all those cursed buttons and that assumed she could reach enough of them to get the job done. She had only one choice. The fence was not all that tall - four feet or so, and she jumped taller ones in practice, didn't she? Grimly, she wheeled Garters and moved back far enough to give the mare a running start. With a whisper of a prayer, Audrey dug her heels into Garters' ribs and headed for the fence.
From her bedroom, a flash of movement in the meadow caught Jane's eye. She watched in shock and then horror as Audrey urged Garters to jump the meadow fence.
It would have worked, Jane thought as she flew down the stairs yelling for her husband (did she call for Diana or did she call for Art?) and Marie. If Garters had been used to jumping or if Audrey had been astride, the pair would have easily cleared the fence. But side-saddled, Audrey lacked the control of the animal she would have had astride and Garters had always hated jumping.
Jane had only been able to watch as Garters had refused at the last instant and launched her velvet-garbed rider into the hard wooden fence post.
Jane had reached the reeling girl just seconds before Diana. Audrey had evidently fallen over the fence and into the yard for she'd been struggling on toward the house when Jane had raced up to her. Blood was streaming from both nostrils and her broken nose seemed squashed. "What the hell are you DOING?!?" Jane had screamed when her breath had allowed.
The yell broke through Audrey's barely conscious mind. "Jane. . " she breathed as she felt the other woman support her. "Darla. . . fell. . .hurt. . .won't wake up. . . help."
"Where!?!" Jane begged, fear clutching at her heart. "Where is she, Audrey?"
"Lake. . . by beach." And that was all she could get out before the darkness finally claimed her.
Diana pulled out the cell phone she'd grabbed before heading out the door. "I'll call the EMT's and go get the four-wheeler, Jane," She said as she started moving back toward the house.
Just then Marie arrived. She saw in a glance the two loyalties tearing at her friend. "How is she?" Marie asked, kneeling beside Audrey.
"Breathing but out cold. I think we need to keep her upright so she can breathe through her mouth. Diana's going to see to Darla." At Marie's look, Jane explained about Darla.
Marie nodded. "Look, she seems okay and there is nothing you can do here that I cannot. Diana called the ambulances. If you run, you can catch Diana at the main gate. Go! You need to be with Darla. Vite! Vite! I will take care of this one."
The EMT's arrived at the lake a few minutes after Jane and Diana. They found the girl on her knees, tending her horse.
"Oh, my head." she complained as the paramedic checked her vitals. "What happened?"
Jane explained what little she knew as the EMT's finished up their on-scene evaluation.
"I think you should see your family physician, ma'am, but the way she's been moving," the older of the two paramedics said to Jane. "There doesn't seem to be anything more than a bump on her head and a mild concussion. That riding helmet may have saved her life."
"Ma'am?" the younger paramedic cut in. "We just got word that our other unit just picked up your other girl. They're en route to the Emergency Room. She's still unconscious and bleeding from the nose. My friend's not a doctor, but he's pretty good and he thinks she needs surgery. If you want, we can give you a ride to the hospital with us."
"Go with them, Jane," Diana ordered. "Darla and I will get Teddi to the stable, call the vet and then join you at the hospital."
Her hands shaking, Jane hugged her spouse fiercely, unmindful of the strange looks the younger paramedic was giving them, and then scrambled into the back of the ambulance.
They found Jane sitting in the waiting room outside of general surgery. It had taken longer than Diana had liked to get the veterinarian to come and check out Teddi and Garters. Both horses were all right, although riding activities would have to be curtailed for a couple of weeks. Teddi had a large insect sting on her right foreleg which was the likely cause of her sudden stop while Garters had bruised herself when she'd run into the fence trying to refuse the jump. The vet had called in a college student to stay with the horses so that Darla and Diana could join Jane at the hospital with Audrey.
*At least I will have good news for her on that account. Hope she has good news for me.*
Jane saw them as they rounded the corner into the small, antiseptic-perfumed waiting room, and shot out of her 1950's styled plastic armchair to meet them. "Oh, Art," she sobbed. "It's all my fault!"
"Diana, sweetheart," her spouse corrected softly as she pulling Jane into a tight embrace before continuing is sterner tones. "That's crap and you are a smart enough woman to know that without me having to say it!"
"But I'm the one who made her use that damned side saddle. She would have made the jump, even mounted on Garters, if I hadn't been trying to play mind games with her that way."
"Bullshit!" The unusually and unexpectedly crude word broke through Jane's misery and Diana smiled as her spouse's back went ramrod straight.
"I beg your pardon?" The icy tones were pure Victorian Governess at her most offended. Jane did NOT like being spoken to in such a fashion.
"That's better. The girl is hurt because she took a calculated risk. She was trying to get help for Darla. You don't know if she would have made it over that fence or not. All right, you had already determined she was a good enough rider, but because she was not yet completely comfortable with the sidesaddle, you warned her not to gallop. It is the situation that is at fault, if anything can be said to be, but it is most definitely NOT your fault. Got that?"
The fury drained out of Jane almost as quickly as it had flashed and she dropped her forehead into the crook of Diana's neck. "My head knows," she finally answered softly. "My heart and my conscience will take a bit of convincing yet."
Diana chuckled and after hugging her wife one last time, stepped aside to let Darla get at her mother. "How is she?" the young woman asked when at last they broke their embrace.
"Her nose is broken again. . . rather badly this time. They've got one surgeon in there working on clearing her breathing passages and stopping the bleeding and another one who is looking at reconstruction possibilities," and then Jane seemed to break again, "Oh, god, Diana, the EMT's said she bled the whole way to the hospital."
"What did the doctor say?" Diana asked firmly.
"That she'll be all right. . . at least physically. He wasn't sure about her looks, though."
Just then, a young woman in surgical greens approached them. "Mrs. Thompson-Philips?" She asked in a firm, yet oddly husky voice. Jane nodded. "I am Doctor Bannerman. I am a reconstructive surgeon and was called in on Miss Rockwell's case."
"How is she?" Jane asked.
"The bleeding is stopped and the trauma to her breathing passages has been repaired. There shouldn't be any lasting problems from that front. However, her nose has been . . .well, rather badly damaged from a cosmetic point of view. I am afraid if we do not take steps right now, she may well be facially scarred for the rest of her life. We need to shape the remaining tissue now. . provide it some structure to replace the cartilage that has been all but lost so that she can have a normal looking face. I think if we don't go in and do something now, her skin will pull back and any future repairs will involve stretching and/or grafts that will leave deep facial lines as a minimum, and perhaps even scars."
"What can you do now, Doctor," Diana said stepping forward to support Jane, "That you cannot do later?"
"Her own facial skin is still there and still pliable. Fortunately, cartilage is particularly easy to replace with plastics, much more so than bone or tendons and ligaments. We build and shape a replacement for what the nose and throat specialist had to remove and then will graft it on to her nasal opening and reattach her skin to the new structure."
"Are there any dangers with the procedure," Diana asked.
"Not really - it is a fairly common reconstructive technique, particularly for injuries such as Miss Rockwell has sustained. Oh, it is possible that it might not work in her specific case for some unanticipated reason, but I think that is unlikely. Ms Thompson-Philips, I am very good at what I do. I think we have an excellent chance of minimal or no visible scarring if we go now."
"What do you need from us," Diana asked, still supporting Jane both physically and emotionally.
"Miss Rockwell is still a minor and Ms. Thompson-Philips is listed as her guardian of record.
Jane pushed away from Diana, standing on her own. *Lord, but I wish I understood Audrey's antipathy towards such a repair. Darla thought it might be a fear that such repairs might accidentally impair her breathing in favor of appearance and thus hurt her chances as a pentathlete. Well, if that is the problem, it is no longer an issue. Some type of repair must be done.*
"Ms. Thompson-Philips," the doctor said in a firmer tone of voice, trying to get Jane's attention. "You are the child's legal guardian. You have to give the official consent before I can start."
"I know that!" Jane snapped and then immediately regretted letting her nerves and anxiety get the better of her. "Pardon me. I apologize for that outburst. Yes," Jane said, her eyes closed against the sharp pain at the center of her forehead. "I will authorize the surgery."
"All right, I need a picture of her before the accident so that I can shape her nose as close to the original as possible."
"She. . .I mean . . Her nose was already broken when she came to us. I don't have any picture of what she looked like with an unbroken nose."
"Wonderful. Well, I guess that explains the extent of the trauma the nose and throat specialist found. The nose was already in bad shape when she smashed it this time." the surgeon mused. "So I guess I will have to wing it a bit. Okay, Ma'am, with no previous shape to recreate, do you want me to use my best judgment, or do you have some specific shape you think she'd prefer? I need to get started right now so we won't be able to wait until she is conscious and ask her."
Darla suddenly remembered something and reached into her purse. *Odd that I kept this, and odder still that I have it in my purse. Oh well.* "Momma-Jane? How about this? Can you work with something like this, Dr. Bannerman?"
Jane looked and was surprised to see the morphed picture of Chastity Rockwell with Audrey Hepburn's nose. The other three women crowded around the picture. "That would work nicely," Dr. Bannerman said. "I thought you said her nose was already broken?" Darla quickly explained what she'd done in hopes of convincing the girl to eventually get her nose fixed. The doctor turned to Jane. "That seems like a good option to me, but it is your call, Ms. Thompson-Philips."
Once again Jane wished she knew what was Audrey's reason for avoiding having her nose fixed, but it no longer really mattered, did it? At least Darla's solution was attractive. Hopefully, Dr. Bannerman was as good as she thought she was. *I will just have to deal with Audrey's reaction later.* "Proceed, doctor."
"Excellent. The nurse at the main desk will have the papers you need to sign." She took the picture from Darla. "I have to go make some preparations. You may want to go home and get cleaned up," she added in a kinder voice. "This is going to take several hours to do correctly."
"But I don't WANT to go home," Jane fumed for what Diana was certain was the hundredth time since they'd left the hospital. "I should BE there for her!"
"And so you will be," Diana gritted out. "AFTER you've cleaned up so you won't scare the hell out of the poor kid and AFTER you've gotten some hot food in your belly so you don't become any crabbier than you already are and AFTER you've gotten an hour or two of downtime."
"I won't sleep," Jane promised, crossing her arms beneath her bosom and pouting worse than the most outraged student she'd ever instructed. Diana did not think Jane would appreciate the observation and with the wisdom of most loving husbands, kept the thought to herself. Some things never changed - not even for a husband who also wore the skirts in the family.
"How could you DO that to me?" Jane demanded of Diana as the big four-wheeler turned onto the main road almost four hours later. "It is bad enough you put me to sleep with that sneaky. . ." Jane coughed and ignored the heat that flared in her cheeks.
"Massage?" Diana interrupted, a wicked smile on her face. "Well *I* don't feel the least bit guilty for that! I thoroughly enjoyed relaxing you that way."
"That is not the point," Jane replied primly. "You took advantage of my baser nature and the fact that I always doze after. . .ummm"
"Darlin', you did more than doze. And both our little afternoon delight and that nap did you a world of good, so quit whining."
"I should have BEEN there, Diana!"
"Why? So you could fidget and worry? First, Darla was there with orders to call me if anything came up or if they took Audrey to recovery. ."
"Darla knew what you planned to do?!?"
"Specifically that I had wicked designs on seducing you and having my wicked way with your gorgeous self? Of course I didn't tell her, but I am sure she figured it out."
"Great. Just wonderful." Exasperated, Jane blew a wayward lock out of her eyes and sat back in the car seat. "Now my child knows that I am a slave to my physical appetites."
"Like she didn't know already and isn't jealous as hell of my great good luck?" It took all Jane's considerable willpower not to smile at that, but somehow she managed. She'd had a great deal of practice in her years of dealing with recalcitrant adolescents.
"So, if I might continue?" Diana asked rhetorically. "Second, you are, as I said, much better for the release of tension and the rest, so you will not frighten Audrey when she comes out of the anesthesia as you well might have done had I not taken such callous advantage of your sensual nature. Now, you can REALLY be there for her when she'll REALLY need you."
"Need me?" That question caused Jane's feelings of guilt over Audrey's injuries to flare anew. "She tolerates me, Diana. I don't think she sees any real need for me beyond complying with her Mother's ultimatum."
"She's going to need a lot of encouragement. That nose was something she was using as a shield for some reason, and now, that shield is gone. Or it will be gone soon assuming that little blond doctor's skills are as good as her confidence would tend to indicate. Audrey's going to need to be motivated to face the world without that crutch and motivation comes in many forms. From you, she'll need that stern, no-nonsense, just-do-it kind of push that you are so good at."
"After this mess, who's to say she will accept that from me?"
"She's an athlete, Janie - a jock. She is used to having a coach tell her what she is to do, tell her what she is doing right and tell her what she isn't. More importantly, she is used to that coach telling her how to fix what she is doing wrong. You are ideally suited to fill that role because she was sent here to learn from you."
"Where's my whistle and striped shirt?" Jane said with just a bit of a catch in her voice as she tried to make a joke.
"Wrong outfit, dear. Refereeing is still my job, I think. You have to be the one who won't accept less than her best effort - the one person who won't let her give up until she realizes *she* doesn't want to let herself give up." "Well, Prudence is coming to see her, and it is just possible that all of this may come to nothing anyway. Pru may decide to give up on the project all together and take the girl home with her.
"Not much chance of that, I think," Diana replied. "Rough and tumble girl like Audrey? This won't be the first time she's come a cropper physically, but I am glad that your friend is coming. Odd about that, though. . ."
"What do you mean?"
"Doesn't sound like a mother who would deny her little girl dolls and stuffed toys, does it? To just drop everything and catch the next plane?"
"Not really, but we've only Audrey's word for that. If it were Darla, I would want to see her securely wrapped in cotton wool and where I could see for myself that she was getting proper care. And even though I still don't know precisely what to do with her, I would like to keep Audrey with us so that I can see to her, too."
"Another baby chick, Mother Hen?" Diana asked with a gentle and loving smile. "You've taken her into that big soft heart you try so hard to keep hidden just like you always do with your boys. Audrey was already one of yours before Old Tom heard her new name for the first time."
Jane ignored that aspersion on her 'tough-lady' reputation, especially because it was true. "In any case, she will need something to focus on - something to distract her from whatever it is she feared enough to put up those shields. So far, that has been working out and exercising."
Diana Philips was too good a psychologist and knew her wife too well not to notice the deliberate change of subject and recognize it for what it was - pure 'I'll worry about it tomorrow' evasion - but she only smiled more broadly and let it pass. For the moment, in any case. "As to her resumption of training, we will need to talk to the docs about a schedule for that," Diana said, "Not only has she suffered a moderately severe concussion, but we don't know how delicate those repairs inside her nasal passages are. Still, I can't see why she wouldn't be able to practice her fencing. The mask fencers wear would protect her from both the epee and from any inadvertent bumps. And we treat the pool's water pretty religiously so once the post-surgical swelling in her airways goes down, I am fairly certain that the doctors will let her go swimming."
"That leaves running, shooting and horseback riding," Jane observed.
"Gentle jogging is more like it," Diana said thoughtfully, "but I don't think she's going to be jumping anything very soon - either on her own legs or on a horse. Too jarring."
"True, but she does need to get back up as soon as possible, even if only for a gentle walk. But I do think we will dispense with the sidesaddle from now on. Perhaps astride, she won't have to deal with any post-fall fears."
"We'll see, but right now I think you need to get her back up on that side saddle, as much for you as for her," Diana said firmly. "First, you don't know that she WILL be afraid. Knowing the hardheaded Rocky as I have come to know her, I think that extremely unlikely. She might be a bit anxious, but fear would offend her to the point she'll probably insist on climbing back aboard herself. Besides, that fall was nothing more than bad judgment in a time of crisis. Again, remember that she's a jock. Coach Jane told her she'd be riding that horse sidesaddle for a show. If she is capable of riding, she will expect her coach to tell her to perform."
As she so often had to do, Jane found herself forced to concede that Diana was, once again, probably in the right of it. But that did not mean she had to admit to it just yet.
Chapter 18: Painful Recuperation
Dr. Bannerman greeted Jane and Diana when they arrived. She was still in her greens, and there was smile on her face. "Just in time. Glad to see some folks have the sense to do what their doctor tells them."
"How is Audrey?" Jane asked.
"Audrey? I thought her name was Chastity?"
"She prefers Audrey," Darla put in.
"Oh. Well, I can see why. Anyway, she's fine. Everything seems connected up right and tight. She'll sound funny for a while - like she has a bad headcold - at least until the swelling in her nasal passages goes down. And she'll look like a refugee from a barfight until the bruising around her eyes goes away. Figure that will take a couple of weeks, but I anticipate no real problems. I think she's going to be lovely with that nose, too." The doctor turned to Darla. "That nose will look just perfect on her once her face finishes healing."
"What are the restrictions on her in the meantime? She's a nationally ranked athlete and she'll be champing at the bit to restart her training."
"I'll work something up for you on that. What kind of sport? I could tell she was in superb physical condition."
"Pentathlon," Jane answered.
"Oh, running and jumping and throwing things? That type of stuff?"
"Not quite, Doctor," Diana said with a smile. "I will tell you about the sport after we've had a chance to see our girl. When CAN we see her?"
"Oh, she'll be out of it for another hour or so, and groggy after that. You can look in on her now, but she should be up to visitors by this evening's visiting hours."
"Diana?" Darla interjected. "Can I have the keys to the truck? It is almost time to go pick up Audrey's mom at the airport."
"May I have the keys," Jane corrected without thinking, earning an exaggerated sigh of long suffering from her child. It made them all laugh which was, after all, the best medicine for what still ailed them.
"What a deee-VINE nightgown," Darla said with a cheeky grin as she walked into Audrey's room. "Wonder where you got it in this joint?"
"Where do you think?" was Audrey's disgusted reply. Where her voice had been low and oddly husky before, it sounded as if she had a major stuffed up head now. The swelling in her nasal passages had practically shut off those air ways and the results were sounds that were almost cartoonish in nature. Audrey's "Your Aunt Jane has struck again." sounded more like "Ur an ja ha druck agin."
"Well it looks MAHVelous on you, dahlink," Darla said, her eyes wide with false admiration, "Simply MAHVelous!"
The nightgown would have been the height of bridal-night chic in the middle Victorian Period. It was made of a heavily embroidered white muslin broadcloth, and it covered the girl from the base of her chin to her wrists to below her toes. The bodice was empire cut, tight beneath the lower swell of her bosom. Every hem was finished with fine lace in a variety of pale pastels and topped off by a tall, stiff imperial collar that forced Audrey to hold her head at a very regal angle. All in all, Darla decided, it was perfectly designed to make a man work very hard for his marital rights - very hard indeed - and maybe even give up the attempt altogether.
In a word, it looked positively dreadful on Audrey.
"Hah!" Audrey replied. "Only good thing about it is the nurses HATE it. Makes getting at me with a thermometer or other such device darned difficult. The darned gown is STARCHED, Darla," the shorthaired girl complained. "And it has bunches of those skirt-things - what did you call them? Flounces? Yeah, it's got flounces all the way down to my toes! Every time I move, one of those starched flounces stabs me, usually in the butt!"
"Really? I would have thought that there would be a six-inch or so thick wad of period undies between you and the starch. Aunt Jane must be getting mellow in her old age."
"Don't you believe it!" Audrey retorted. "The nurses finally gave in on this blasted gown, put they put their foot down hard on the undies. Seems that especially this time of the month they cannot be bothered with. . .how did you put it? Oh yeah. . .six inches of padding that I DO wish I had down there."
"I hear that. Guess Aunt Jane figured your punishment wasn't over, eh?"
"So she said. You should have seen the look on my Mother's face when she saw me in this thing. She almost dropped the doll she brought me."
"Doll?" Darla asked, scanning the room.
Audrey pointed to the top of her headboard. "Him." She said. Straddling the headboard, looking for all the world like a show jumper who hadn't made it over the fence, was a stuffed horse, wearing an equestrian's helmet, and as shocked an expression as Darla had ever seen.
"Hope he wasn't a stallion," she murmured, "before the accident that is."
Audrey stared at Darla in disbelief for a second and then started to laugh only to stop again abruptly. "Can't laugh," she rasped. "Well, I can, but it hurts those bruised muscles in my cheeks and around the bottoms of my eyes."
"Awww. . poor baby. . " Darla replied, strolling over to take a closer look at the doll. "Your Mom brought this?"
"Yes. Surprised the hell. . I mean, heck out of me." Audrey's eyes went wide and then she glared at Darla. "YOU didn't tell her to buy it, did you?"
"Nope," Darla shrugged. "Not me. She wouldn't listen to me anyway. Too busy asking me if you were really all right and begging me to go just a little faster. I am surprised she didn't faint when she saw you, though. Hope you feel better than you look, girlfriend. You look like you went ten rounds with Lennox Lewis."
Bandages covered Audrey's face, making her look like the lead actor in a 1950's 'return of the mummies' horror film. Something that looked like it had once been part of a catcher's mask protected her nose from inadvertent contact and held the still fragile bits all in place while the adhesives set up. Covered with a screen like material, it would also prevent Audrey from accidentally trying to scratch it. What skin showed about the heavy gauze bandaging was all bruised - a combination of purples, blues, reds and blacks that only a mad scientist (or a Parisian dress designer) could love. *She took a real whack trying to get over that fence,* Darla told herself, and felt somewhat humbled by that realization.
"I'm not sure I feel much better than I would after ten rounds, although the pain pills do help. They just wear off too soon and I have to wait until I can safely have some more. It really isn't fair, you know. You take a flying header that should have broken your fool neck and I'm the one in the hospital."
*Good thing it isn't me,* Darla thought. *I couldn't count on having Nurse Nora protect me in the emergency room. Jane's whole program and my reputation would have gone up in smoke if I had needed more than a couple of aspirin.* "Well, don't expect me to feel so sorry for you that I wish it was me instead of you. I am grateful, not stupid. So, what else did Aunt Jane say when she gave you that . . . .stunning confection?"
"I'm to get back up on Garters as soon as the doctor says I can ride again - side saddle." "You'd do that anyway." Darla said with thoughtless conviction.
"And just WHY do you think that?" Audrey asked, surprised.
"Cause if you don't, I will just have to think you are afraid and that you are a wimp." she shrugged artlessly.
Darla was well pleased to see anger flash in the other girl's eyes at the carefully aimed taunt. "Afraid? ME? Why you. . you. . . " but then realization came and Audrey's fury cooled as quickly as it had blazed to life. "You sneaky, conniving little bitch. You're as bad as that aunt of yours. Now I can't NOT get back up on that bloody animal in that bloody damned sidesaddle. You twerp!"
Darla only grinned, but it was a very smug grin indeed. Pleased to have won that round, she decided it was time to be a bit more generous. "By the way, Marie's making beef stroganoff tonight since your Mom's staying with us. How's the food in here?"
"Twerp isn't bad enough for you! How do you THINK it is, you nasty, shameless little tease!?! It is hospital food!" the shorthaired girl replied testily. "Healthy as all get out and even more tasteless."
Her grin broadening, Darla dipped into the shopping bag she'd brought in and pulled out a long thin plastic bag. "Turkey or Tuna Sub?" she asked holding up two paper wrapped tubular parcels, "And you get to choose if you want the Diet Pepsi or the Doctor Pepper."
"I take back all the otherwise well-deserved nasty things I have been thinking about you, Darla! Gimme!" Audrey crowed reaching out with both hands. "Either. Both!"
End Part I
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Seasons of Change
Book 11 - Part 2 of 3 A Time to Every Season
Audrey's Story Copyright © 2002,2013 Tigger
All Rights Reserved. |
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
"I still can't get over seeing Rocky in such a femininely frou- frou nightgown, Jane. You must be the miracle worker Ruthie said you were," Prudence Rockwell said as she enjoyed her after dinner drink in the formal sitting room. "Lord knows that since she got too old for her governess, she has absolutely refused to consider anything remotely girlie in the way of apparel."
"She doesn't have much choice," Jane said with a twinkle. "And please, we call her Audrey now."
"I know," the taller woman said with a grin. "She told me and asked me to use that name while she is here."
"Good," Jane said, pleased. "In any case, I have assured her cooperation two ways now. One, she's promised to do as I say and I think her sense of honor is very well developed. You've done well there, Pru. Second, she wants to continue training very badly and so long as you stick to your guns about not supporting her at home, the only way she gets to train is to stay here and follow my rules."
"Well, that seems to work. I was pleased that she cared enough about Darla. . err. . .Darryl. . umm. . .what DO I call you when you're not on duty?" Pru asked the youngest female-looking person in the room. Audrey's mother knew about Darla's dual- identity because she had been taken into Jane's confidence before Audrey was accepted at Seasons House.
Darla giggled girlishly, just for effect. "Darla when I am Darla; Darryl when I am Darryl." she said, finishing up in Darryl's deeper tones. "Darla will be fine for now. You don't want to accidently slip up while Audrey is around."
"Anyway, I am pleased she cared enough to take that kind of risk. She never had any real friends back home." Prudence then fixed her gaze on Darla. "Are you REALLY a boy? Maybe it is living with my daughter who is more like a son, but you really seem too much the fine lady to be a boy."
"Just my Momma-Jane's excellent training, Ma'am, and a set of genes that left me way down on the low side of the manly-size power curve."
"Jane? You're pulling my leg, right? I cannot believe this is a boy."
"Oh, just a minute and I will prove it to you," Darla said, standing. "Just give me a minute to take off my . ."
"WAIT!!!!" Prudence screeched, shock on her face.
"What?" Darla said, turning back to her stepmother's guest. She started to say something else, but then saw the knowing look on Jane's face. *Guess the jig is up.* She began to giggle. "I was going to take off my WIG, Ms. Rockwell, and then show you my driver's license. NOTHING else! As if Momma-Jane would stand still for such goings on in her home." Darla gave a very insulted sniff - the impact of which was destroyed by her gamine grin and incipient giggle. "What kind of girl do you think I am, anyway?"
Jane permitted the laughter to die down before she answered. "Cheeky, dear. Very cheeky."
Darla lay in her bed thinking about the night's conversation. She had been right about one thing. She liked Audrey's mother. Evidently, it had not been easy for the former athlete when her husband had died, leaving her to raise a young daughter while competing internationally as one of the top half dozen or so female middle distance runners in the United States.
Fortunately, she'd had a sponsor, and had been able to hire a nanny/governess to watch over her little girl while she trained and competed. Pru had been good enough to compete as part of the national team in her events, but never quite good enough to make the final leap to the Olympic team.
Finally, she'd turned her knowledge of the international sports world and her business degree to sports business. She'd started as a figure model for their advertising shoots, but had worked her way up the ladder from there and was now a senior vice president for one of the many athletic shoe companies. Now, she had the security she'd always wanted for her child.
Except that her daughter was a teenager and more than just something of stranger to her. Most of the parenting had been done by the now-deceased governess she'd hired right after her husband's death.
*Near as I can tell, Pru was as surprised about the reception of that silly horse as Audrey had been to get it. She intimated that as a child, Audrey didn't like dolls and such. In fact, she told Jane that her daughter refused to play with them at all. And yet, as Audrey tells it, no one ever bought or offered her any. Strange.*
Sighing, Darla pulled the comforter up to her chin, rolled over and fell fast asleep. It had been a very stressful twenty-four hours.
Chapter 2: Boys Will Be Girls
Darla was finishing up a paper on her laptop when she heard a rather soft knock on her door. "Come," she called out as she completed the email that would send her paper to the professor in charge of her distance learning class.
She spun in her seat and was rather surprised to see Jane standing in the doorway. The knock had not been at all like Jane Thompson's signature "open the door now or else" knock, and she usually came in and got right to the point. Darla could not remember many times when she had seen her Mother uncertain or tentative, but she most definitely was both of those at that very moment. "Please come in, Momma-Jane, and have a seat," she said indicating the one comfortable chair in the room. Then she closed her laptop and walked over to her bed where she seated herself and assumed a lotus position. "What's bothering you, Mom?"
Instead of taking the offered seat, Jane walked over to look out the window at the gardens. Now Darla was certain that something was bothering Jane. Coming to the room before her plan of action was firm in her own mind was not at all typical of Jane. Darla was about to say something else, just to break the silence if for no other reason, when Jane started talking quietly.
"We didn't really think through all the implications of taking on a girl student, especially not those issues that are directly impacted by *you* playing the big sister role."
"Uh, oh," Darla said. "What did we forget?"
"Diana and I were over visiting with Audrey," Jane told her, "and then the nurse came in. She shooed us all out because she needed some privacy."
The rest of her explanation was interrupted by a bustling Marie, carrying in a plastic handled shopping bag bearing the logo of a nearby drug store.
"So, is our young lady ready to play her part?" she asked, making her way to Darla's bathroom.
"I, ah, haven't finished telling her about it yet," Jane admitted.
"Why, Jane, it's not like you to stall," Marie chided her.
"About what?" Darla asked, becoming more concerned.
Diana was coming up the stairs to find Jane and Marie, so she could help them in breaking the bad news to their be-skirted son.
"I HAVE TO WHAAAATTTT??!?!" The undeniably masculine bellow of outrage that assaulted her eardrums as she topped the stairs left little doubt that breaking the news was no longer an issue.
*Guess Janie jumped the gun. Now, why is it that I get the distinct impression that Darryl is not all that enthused with this particular idea?*
"You see," Marie was explaining, "when Jane and I were at Eastmore, I would always notice when one of the real girls was . . . uncomfortable, and we could help her. The special students . ."
"You mean the boys in skirts," Darla interrupted, sourly.
"You do that so well, darling," Marie chided, "Just remember to use just that tone of voice regularly when you have your bouts of PMS. Now, if I might continue?" Darla scowled and gave a barely perceptible movement of her head that Marie chose to interpret as consent. "The special students were typically put with the, shall we say, less physically advanced regular students whenever possible."
"That not only denied them their masculinity," Jane put in, "but also the supposed benefits of their age. They had to act like immature pre-adolescents or draw attention to themselves which was precisely the last thing they wanted."
"And almost all of our boys graduated back into trousers before their feminine personas would have had to mature in order to preserve the masquerade," Marie resumed, "So, for the most part, they, and therefore we, did not have to deal with the monthly expression of femininity at Eastmore. With the students we've had here at Seasons House, the issue never came up. The younger boys would never think to question why their big sisters were never, um . . . moody, and of course there was no real need to fake it as part of their own training. The little darlings were already moody enough just dealing with Jane's day-to-day program."
"I still don't see why I have to go to such lengths, wearing whatever it is Marie has in that bag and so forth. Can't I just, oh, complain about cramps and go to bed early or something?" Darla glared at the trio ranged across the coffee table from her in Jane's comfortable sitting room. They had retreated here after Darla had balked when Marie had attempted to show her how to use the various appliances and pads procured for this new masquerade.
"Of course you see why, Darla," Diana put in soothingly, "You just don't like what that portends for you, but if I HAVE to state the obvious, it is because Audrey might reasonably be expected to notice any inconsistencies, and ask questions we cannot yet answer. Heavens, we may never be able to answer them."
Jane took up the argument. "Look, Darla, Audrey is in the middle of what has apparently been a very uncomfortable menses right now, made all the worse because she is not allowed to see to her own feminine hygiene. She's got a nurse coming in at regular intervals to do that for her, and is acutely embarrassed at having to be handled that way. She is VERY aware of that aspect of being a woman just now."
"Momma-Jane," Darla pleaded, "Can't we just ignore the whole thing? I mean, IF she asks me about it, I can tell her that it is no big deal for me."
"Only a male would dare think such blasphemy let alone say it aloud, petite," Marie put in with just a touch of disgust in her tone. "Trust me, cherie, it is a big deal. Even when it is not difficult, it is messy and annoying."
"So, I am one of those women who is really hit hard by the thing?" Darla retorted, unable to bring herself even to say the word aloud.
"No, dear, you're not going to be 'hit hard' as you say at all. Those stereotypically harsh menstrual periods are, for the most part, distinctly atypical experiences for modern women. You're going to have a relatively easy time of it," Jane replied, her face taking on the stern mask that had cowed many a young male ego, but that had, unfortunately for her current goals, lost much of its power over her own child.
"You mean all this acting irritable and wearing bulky pads and groaning with cramps Marie threatened me with is an *easy* time?" Darla fired back, still looking for a way out that did not include trying to act quite THAT female.
"Of course, dear. Be thankful we don't need you to fake a really bad menses, but that might call as much unwelcome attention to you as would showing no real indication of having a period."
"I will get some makeup with a green cast to it and lay in bed groaning and complaining for two or three days," Darla offered, only partially in jest.
"Hah! As if Jane would tolerate such behavior on a regular basis," Diana snorted. "Remember, she may well be here for six months. That is six, maybe seven periods if the schedule works out."
"I don't see as there is any other choice," Jane put in forcefully. "Either you agree to become an 'Initiate of the Lunar Feminine Mysteries' or we will have to find some pretext to send you away for the remainder of Audrey's stay with me. The latter is not the best course for several reasons, not the least of which is that Audrey is starting to trust and like you. You may well be the key in all of this for her, but we cannot have her finding out that her role model for young feminine womanhood is not really a girl. That would most likely put paid to any hope we have of helping her."
"The only other alternative, Darla," Diana put in, "is for Jane to send her home now before she can notice anything out of the ordinary about you. It would be far worse if she were to realize now that you are a male and more feminine than she is. I think it would let her rationalize giving up and just waiting out her remaining months to her majority."
"I can't do that," Jane corrected. "I made a bargain with her and she has, thus far, done her part. I know this is your home, darling - I made Seasons House yours when I made you mine, but surely you can see that sending her home without just cause would be grossly unfair of me . . . of US. The only two acceptable courses of action are that Darla must simulate periods or she must go back to school."
Darla thought about that. She had come to realize that she liked Audrey, too. More than she had expected to like her, in fact. There was something fragile, scared and a little bit sweet inside the big, physically powerful and imposing girl that called to Darla - something that made her want to protect Audrey in ways that were both masculine and maternal.
*There's that 'best of both worlds' thing again,* she thought.
The femininely rigged out young man almost asked Jane if she was simply saying those things to get Darla's compliance with her plans, but knew that was not fair. While Jane was not above a goodly bit of deceit and manipulation, and more than a few half- truths to prod her students in whatever direction she felt they needed to go, she had foresworn such things with her child after the death of Darla's brother. If Jane said something to Darla, particularly about another student, then she meant every word. Which meant, that Jane DID believe that this was important.
"Hell," she grumbled, conceding the point. "Maybe if I look pathetic enough and you tell me to quit moping and take it like a man. . I mean, like a woman, she'll feel more of a kinship to me."
"Thank you, dear," Jane beamed at her child.
"Okay, so what do I REALLY have to do?" Darla asked. "Marie showed me what she bought at the drug store and sort of explained their . . umm, application, but that's not enough for me to pull off this acting gambit of yours, Momma-Jane. As my drama friends at school would say, I need to get into my character's head. . . or in this case, into her body."
Diana stood. "This does NOT need to concern me. I am old enough to post-menopausal. So if you will excuse me. . "
"Sit down, Daddy-Di!" Darla ordered. "If I do it, YOU do it. Fair is fair."
"Now, I don't think. . ."
"Sit down, Artemis," Jane ordered. "Or I WILL make you do it. You still owe me a forfeit for that last bet. I was going to save it for our six month anniversary, something we might both enjoy, but if you insist. . ."
Diana sat, looking very aggrieved. "I told you my name is not Artemis anymore," but the others ignored her as they concentrated on Darla.
"I repeat," Darla said, "What do I have to do to be really convincing as a girl having a period."
"What do you mean, dear?" Jane asked, relief washing over her now that Darla had agreed to this stratagem. "Marie was already going through that when you. . . well, when you resisted the idea rather vocally. That is all we ever did for the girls at Eastmore - show them how to use those products properly."
"Not quite, Momma-Jane. What you did at Eastmore, and what Marie attempted to do for me in my room was demonstrating the mechanics of doing the 'girl during her period' thing, but that is not the same as reacting and behaving like a girl who is having a period. So, let's have you two experts take me through a period day-by- day, since as I understand it, each day is different."
"Take you through it?" Jane asked, her demeanor suddenly cautious and wary.
"In detail," her daughter said firmly, and looking well pleased at having passed along a bit of her own discomfiture to her self- possessed mother. "Day-by-day, step-by-step. Diana can take notes and Marie can pitch in with anything you forget. After all, she's been with you long enough to know how you behave when your time of the month comes. Like Mother, like daughter, right?"
"In detail," Jane repeated and then cast a glance at Marie, who was not looking nearly as gleeful as she had moments earlier. "That is rather. . . well, intimate, dear. You aren't, after all, REALLY a girl. Surely, we can do this without quite so much. . .nitty-gritty."
"If I were really your daughter, Momma-Jane, you wouldn't have to go through it all with me because I would be really feeling whatever it is women feel, right? Only, I don't HAVE those feelings to guide or direct my responses. And it is not like Daddy-Di can do much for me. This isn't like when he bought me my first box of condoms," Darla stopped to enjoy Jane's sharp glare at her spouse before continuing. "You're the one who said this little drama has to be done and done correctly, right? Suppose I have the wrong pad or whatever the heck they are called? Or react like it is day one on day three? Wouldn't Audrey notice that?"
"Audrey evidently uses tampons," Jane said without thinking.
"Well, Darla can't," her child said with a giggle. "So, c'mon you two. Start talking."
A while later, Darla realized that this was the first time she had ever seen Aunt Jane tentative and uncertain TWICE in one day.
As she undressed for bed, Jane wasn't sure how she felt about the day's activities. Being honest with herself, she had underestimated Darla's reluctance in this case. *What is it about a woman's period that causes such a reaction in the male?* she wondered. Even her open-minded mate had tried to dodge the issue today.
Of course, Darla had gotten a measure of retaliation by demanding that the two older women describe the experience in detail for her. For all her forthrightness and, yes, intrusiveness when dealing with a student, Jane was still a very private person. It had been very . . .well, uncomfortable wasn't strong enough a word, but it was all she could come up with, talking about such things with Darryl. And for Jane, it HAD been Darryl and not Darla at that point. It would have been a good deal less difficult if it HAD been Darla. *Except, as he said, if Darryl had been Darla, she would not have needed to be told about things she'd already experienced.*
"I thought that went as well as it could have gone," Diana said as she came out of the bath, a towel turbaned about her hair and another covering her torso. "At least Darla felt good enough about it to joke a bit at the end, although I must admit, that falsetto soprano of hers is atrocious!"
Jane winced at the memory. She had always liked watching old Nelson Eddy and Jeanette MacDonald movies on the classic movie channel, but hearing her child fracture "Oh, sweet mystery of life at last you've found me. Oh, I understand so much I didn't want to know," had probably ruined that little pleasure of Jane's forever. "I wanted to throttle her," Jane growled, turning bared teeth at her mate.
"Just think what Audrey would have done to her in the same circumstance," Diana said laughing.
"It is NOT funny!" Jane retorted.
"Certainly wasn't funny to Darla, at least at first. At least now, she's in a better frame of mind for the challenge."
"It should not have been that big production," Jane said, inwardly cringing at the contradictory position she was taking. "She is, after all, only faking it."
"I believe thespians call that 'verisimilitude' - knowing the entire person of their character and not just the words of their part. Face it, dear, boys don't know much about menstruation, except to be very cautious around their girl friends a few days every lunar cycle. Just think how you'd react if you were having a difficult time of the month and I came up to you and said, 'Oh, you poor dear. I know exactly how you feel, and of course I'll help you.'" Diana barked a laugh at Jane's darkening glare. "You'd kosh me one over the head with the nearest blunt object to hand. Like I said. Boys just don't know much about that aspect of women's lives. Ready for bed, dear?" Diana asked, yawning broadly.
Jane settled herself into bed, still thinking about what had happened that day and what Diana had said. *It's just too bad there isn't a pill that would give males the symptoms of a period,* she mused. *Mood swings, nausea, bloating, fatigue and hypersensitivity. Maybe even make them leak something.* The vision of some of her more recalcitrant charges caught in the throes of such a finely feminine condition brought that famous Thompson smile to her lips.
*Ought to be required by law for every post-pubescent male in the world as part of their schooling,* she told herself as her fertile imagination warmed to the idea, *Each one individually supervised during THEIR period by some responsible female, of course. And then twice a year until their wife or significant other is post-menopausal.* Then Jane remembered Diana's remark about "knowing just how you feel," and decided that *While we're at it, any male making a condescending or stupid remark would instantly get a double dose from his responsible female. Lord, talk about sensitivity training in action.*
And with that happy thought, Jane drifted off to sleep.
Chapter 3: Darla and the Wrath of the Moon Goddess
Audrey sat quietly, considering the various offerings on the plate before her. All soft foods, requiring little in the way of chewing because chewing was difficult and still a bit painful. The device she wore on her face while her tissues bonded with the artificial nose cartilage left her little flexibility in her upper face. It was intended to prevent her facial muscles from putting undue strain on the fleshy areas around her nose. As a result, she had to chew very deliberately which usually jarred the bruised areas near her eyes. No more Subway sandwiches until the device came off. She and Darla had caught hell for that, too.
But it had been worth it!
The device braced along her upper lip, so she really couldn't move her lips to make a seal on anything. As a result, she couldn't use a spoon very well or a straw at all. Basically, all she could do was open her mouth, pop in whatever it was she was going to eat and chew it very carefully. Liquids had to be no more than luke warm because she had to sort of pour whatever it was down her throat. No sipping hot coffee or tea or soup. *Heck, I can't even blow on the stuff to cool it. Good thing Miss Marie is such a great cook, or this would be a lot worse. At least even Ms. Jane has to accept fact. No way could I meet her standards for table manners eating like this. Still, I really am getting tired of drinking from a cream pitcher.*
Audrey had been 'home' at Seasons House for the better part of a week now. Ms. Thompson had insisted she finish out her 'sentence' once she'd returned home, but had cut back on the heels and the corsets. It was clear that the device also cut down on Audrey's peripheral vision and Diana had voiced the concern that "she might not be able to see well enough to move safely in unfamiliar shoes, Jane."
Audrey had blessed Diana in her prayers every night since for that bit of unthinking kindness. Fortunately, she'd only been in the period dress for another day or so while her Mom had been there. That had been rather fun, truth to tell. Audrey's mother had never seen her daughter rigged out quite so femininely and had made quite a big deal of how Audrey had looked. Oddly enough, Pru's compliments had seemed genuine and they'd made Audrey feel. . . well. . kind of nice. She'd almost wished that she could have worn some color other than black, blue, purple and yellow on her face, just to see how her mother would have reacted to that.
With a mental shrug at what hadn't been, Audrey turned her attention once more to breakfast.
Jane watched as Audrey did her level best to eat the scrambled eggs at least somewhat decorously, but it still looked like a baby playing "airplane and hanger" with her food. Darla was studiously avoiding make eye-contact with her mother and Jane knew why. *She's trying not to see my signal to start her act - trying to put it off to the last possible moment. Still, it has to be done and it has to be a slow buildup over the day, soooooo. . . "
Her face completely composed, and her upper body language giving nothing away, Jane reached out with her foot and gave Darla a sharp kick in the shins. The girl's face flew up in surprise and Jane could tell that her daughter had managed to stifle an exclamation at the last moment. *Gotcha!* Jane thought, her wicked smile slowly blooming as she regarded her daughter. Casually, Jane raised a single brow, the challenge in that look and that smile something Darla could not deny.
*Crazy as it sounds, it feels like she is asking me if I am man enough to be on the rag,* Darla thought ruefully. *Oh, well, I DID promise.*
"Darla," Jane said firmly, beginning the agreed upon gambit.
Darla spun on Jane and snapped out "What?!" at her.
"Darla, dear," Jane continued as she buttered a hot croissant, "I expect a more pleasant expression on your face at breakfast. It is the beginning of a new day, and should be greeted accordingly."
"Yeah, right."
"Darla!" Jane bit out the name sharply. "That is hardly an improvement. Perhaps helping Marie with the dishes will improve your appreciation of the importance of this meal."
"That's not fair!"
"Darla Anne, Go to your room," Jane ordered, her voice suddenly soft yet fierce.
"But. . ."
"NOT . . . ONE. . . MORE . . .WORD, Darla ANNE!" Jane said, putting heavy emphasis on the child-name.
Darla dropped her napkin into the middle of her unfinished food and said, "Fine!" Only the glisten Audrey could see in her eyes as she stiffly walked from the room betrayed the hurt she was trying to hide within her anger.'
Luncheon, impossible though it had seemed to Audrey, had been even worse. Darla's behavior had not improved after breakfast. She seemed irritable and snapped at the least provocation. Her favorite word seemed to be "WHAT?!" delivered like a knife thrust at anyone who dared so much as look at her. Audrey had even heard her being disrespectful to Miss Marie in the kitchen, which was amazing because Audrey knew how much Darla adored the French Canadian lady. But this time, however, she had done it up, but good.
"For the last time, fetch some ice to cool Audrey's tea, Darla," Jane said very coldly.
"WHY?" Darla complained bitterly. "She can WALK - I've SEEN her!!"
"DARLA!" Jane nearly yelled and Audrey jumped for it was the first time she had ever heard the self possessed and disciplined woman raise her voice like that..
Darla jumped to her feet, her chair nearly falling over behind her. "Oh, all right!" she bitched and turned toward the kitchen.
Moments later, she returned with Jane's best silver ice bucket clutched in her hands. As she tried to set it on the table, the accompanying tongs bumped a nearly filled glass, knocking it over and causing Darla to dump the ice across the snowy table cloth as she twitched in a fruitless attempt to avert the disaster.
With an audible and emotional "Damn it!" Darla stabbed the offending tongs into the ice left in the bucket and reached for the spilled glass. Audrey, however, picked it up just before Darla touched the delicate crystal, which was likely the only thing that saved it from a fast visit to the gardens - very fast, at least, for any pieces that might make it through the glass of the doors.
"Darla," Jane said quietly, "I think you should spend the rest of the day in your room, starting now. I do not wish to see your face until tomorrow or until you can behave civilly, which ever takes longer."
Darla stared at the older woman for what felt life a very long time, and for a moment, Audrey thought she was going to make things even worse, but at the last minute, Darla's control crumpled and she ran from the room. Audrey was certain she heard a sob as the dining room door went shut, but she wasn't quite certain.
She turned back to Ms. Thompson to find the older woman regarding her closely. "I apologize for that display," she finally said. "Darla is ordinarily a wonderful young woman and a pleasure to be around, but one day a month. . " Jane shook her head. "She can be an absolute bi. . . I mean, pill."
*You meant bitch, and I rather agree. Nice to know Little Miss 'Just have fun with all this' isn't quite so perfect as she seems on first glance. I can trust a girl who snarls at the moon now and then.* "That's okay, Ms. Thompson. I understand how it is."
"Well, it usually only lasts no more than a day. She should be over this by tomorrow morning." Jane sighed. "I really must do something about that outburst, but I know the poor dear didn't really mean anything by it."
For her part, Audrey was momentarily taken aback by this revelation about the stern Ms. Thompson. *So, she does see that there are extenuating circumstances. Was she really asking me for an input? Maybe. I wonder?* "Can't you, well, sort of overlook this, this one time?"
Intrigued, Jane regarded Audrey. *None of my boys would ever have stepped into that breech. How far is she willing to go?* "Is that what you think I should do?"
Discomfited by Jane's suddenly focused scrutiny, Audrey resisted the urge to squirm. "Well, um, I don't know. What's the, uh, harm? It's not like she really meant any of that."
"Don't stammer, dear," Jane said, not unkindly. "Think what you want to say and then say it clearly. And answer your own question, would you please?
"Oh. Ah . . sorry," *What does she expect me to say? Darla was out of line, but it's not like she behaves that way every day. Oh, maybe that is the problem. . .* "The harm would be that . . . there is a . . . slippery slope to lack of discipline. If this justifies it now, what else will justify . . . impolite manners next time her . . . time of the month is difficult?"
"Very good, dear. A lady must be a lady regardless of the time of the month," Jane beamed, "Now, what do you propose that we do?"
"Me?" Audrey almost squeaked in surprise. "Why are you asking me?"
"The best way to learn is by teaching, my dear," Jane said gently. "Are you not learning to behave as a lady should? That will someday involve rearing your own children. How will you discipline them . . . especially when you don't want to because you know there is at least a partial justification but know that some response is still necessary?"
*Children of my OWN? ME??!? Is she KIDDING?!? Not bloody likely!* Then she saw Jane's brow rise in query, and realized the older woman still wanted an answer. She took a deep breath and tried to organize her thoughts. *Nothing too hard on Darla, because dammit, she CAN'T help feeling that way! Oh, I know!* "Oh, um . . oops. Sorry again. Well, staying in her room would be more comfort than punishment right now, but you could declare it to be punishment anyway, sort of 'for the record'. And perhaps, since she used a naughty word . . . a vow of silence for tomorrow?
Jane clapped her hands in approval. "Excellent! That's the very thing. Frankly, on her second day she is usually very quiet anyway. We'll just make that official. But now I need to help Marie with the dishes myself, since Darla is . . 'indisposed'. Will you be all right by yourself for a while?"
Still thinking about what she'd just done, Audrey felt the need for a bit of solitude. "Yes, fine, thank you. I think I will get a wrap and go sit in the garden for a while, if you don't mind."
Breakfast the following morning was a silent affair all round. Audrey had never quite realized how much of the pleasant chatter around the table had originated from the normally cheerful and bubbly girl. Now, she was sitting at her seat, more playing with the two pieces of dry toast she'd taken than really trying to eat them. Somehow, the sun shining in through the pretty curtains did not seem quite so bright as it had a day or two before.
Marie bustled in with a steaming cup that she set before Darla. "Here you go, cherie," she said, "A cup of my special herbal tea will put you to rights." Darla turned a wan smile on the hovering maid and then reached up to kiss her on the cheek.
*Nicely done,* Jane thought as she watched the little tableau play out. *Darla and Marie played that well, and Darla's makeup is perfect. It looks like she tried to use too heavy a hand to cover up that washed out look, except the washed out look is as much an illusion as the 'failed' attempt to cover it up.*
Audrey thought about her first few monthlies, and remembered the vile soda crackers that her governess would make her chew until they were a sickly sweet mush in her mouth that made her nausea even worse. *Glad I grew out of that. God, but I hate soda crackers.*
Darla had not arrived in the dining room when Jane and Diana stepped through the door. They immediately took their seats and Jane gestured for Audrey to do the same.
Surprised and a bit concerned, Audrey looked to Jane. "Aren't we waiting for Darla?"
"She sent me a note, dear," Jane replied as she picked up her napkin. "She is. . . well, she won't be joining us for luncheon, I am afraid. Don't worry. She'll be better shortly."
*Especially after she devours the huge picnic I saw Marie packing for her. . * Diana thought as she tried to hide her grin behind her own napkin
"This isn't unexpected," Jane continued. "Darla usually handles this by napping the afternoon away. When she awakens, she will find that the worst is over. At least, we all hope she will."
Chapter 4: Audrey's Secrets
Things gradually improved after that. Darla was still quieter than she had been those first few days, and she seemed to tire more quickly than before, but it wasn't long before the sweet nature, quick smile and sneaky streak of mischief were back. In fact, the girl seemed determine to make up for her nasty behavior by showering Audrey with attention and care, until the bigger girl was ready to choke the little brunette.
So, the news that Audrey's mask could come off was greeted with relief for more than just one reason two days after Darla's monthly visitor departed.
Audrey was ready to give thanks in church that she could now wash her own dishes - anything - just so long as Darla would stop trying to MOTHER her! However, every silver lining has its cloud, and this cloud came in the form of the restrictions the reconstructive surgeon placed on Audrey's physical activities. "Nothing high impact for at least another month, and NO grimacing either. Keep your face smooth so that you don't put any undue stress on the prosthesis."
As it turned out, Diana's little gym had a stair climber as well as one of the elliptical motion running/skiing machines, and that would have been great. Better than great.
Except that Jane had sent Darla down to watch Audrey work out to make sure she did not grimace. *I can't even open my mouth sideways but she's calling me on it,* Darla complained as she started another mountain series on the stair climber.
"Audrey! Don't Grimace!"
Audrey pasted a smile on her lips and panted out, "I . . AM . . NOT. . .Grim. . .acing."
"I say you were, and I'm the one Aunt Jane put in charge!"
"Bitch," Audrey snapped out.
"You bet, and smile when you say that, girl friend."
Marie slipped into Audrey's room while the family was at breakfast. It was shopping day, and Marie wanted to get a head start on her morning chores. She had visions of a nice lunch in town and a bit of gossip with a friend, which meant she needed to shave an hour or so off her morning routine. *Good thing it is Darla's morning to serve breakfast,* she thought as she moved around the room, doing what little needed to be done. Audrey was such a neat young lady. "She has so much going for her,* Marie thought, *And if I am any judge, that new nose of hers is going to make her into quite the heartbreaker.*
Because it wasn't QUITE perfect, Marie smoothed the satiny coverlet atop Audrey's bed and then plumped the pillows. *Don't have to check for semen stains with this one,* she thought with a mischievous grin. She made a quick tour of the room, checking the windows to see if the glass needed to be cleaned on the outside again before winter when she saw a strange shadow on the drapery of the east facing window. Moving behind the curtain, she looked up and saw something pinned to the window side of the drape.
She pulled it down and was amazed to see that it was a pair of very silky white thong panties, decorated with pink rosebuds along the waistband and outlining the edges. It was still damp from having evidently been hand-washed. A purely feminine sigh of sensual pleasure escaped from Marie as she examined the pretty bit of feminine lingerie.
*Wonder why she has it up there? More to the point, why is she washing it herself? She knows that I see to the care of this household's delicate washables and fripperies. Why, she's been sending me the ones that Jane has purchased for her.* At that moment, she thought of something and frowned for a moment. Then she checked the back of the waistband. Brenda Franson had a trademark stitched into every piece of lingerie she sold in her "Milady's Closet" and this piece did not. That meant that these had been purchased elsewhere and Jane simply did not do that.
*That means that these are Audrey's own, and yet, I saw the . . foundation garments the girl brought with her from home. And she wasn't wearing these when she arrived, so she must have somehow slipped them in here. That begs the question why she thought she had to sneak them in. hmmmmmmm.*
Jane watched as Diana packed her bags. "I wish you didn't have to go back to Providence," she repeated.
Diana closed the large bag and looked up. "I wish I didn't have to go either, love, but the fellow who was covering for me was in an auto accident, and it is my course. The students deserve to have someone who knows what the heck he's talking about teach them."
"I know," Jane sighed. "It is just that you're needed here, too. I need you . . "
"Glad you know it!" Diana shot back in Art's voice, a thoroughly and incongruously masculine leer beaming through the feminine cosmetic artistry.
"Oh you! You know very well what I meant. I do need you that way, but I also need your help with Audrey. Not only that, but Darla needs you, too, perhaps even more than I do. That period scenario really threw her for a loop."
"Well, I will call her regularly, too."
"She does tend to talk things out with you that she hesitates to bring to me," Jane said, a bit of jealousy insinuating into her voice.
"Well," Diana said throatily, tossing her hair flirtatiously. "I AM her father!"
Both women giggled at that, but then Diana became more serious. "She also knows that I understand much of what she deals with from experiences you don't share, dear."
With Diana gone, it fell to Marie to join Jane for a late night brandy in the upstairs office. Marie knew that Jane needed to unwind, but her discipline would keep her from drinking alone. It was a role Marie had filled in the past, but had relinquished to Art since Jane's marriage.
"Jane?" Marie started, "How did Audrey react when you took her to Brenda's place for new lingerie?"
"NEW lingerie? Marie, dear, that stuff she brought with her isn't lingerie. Why, I hesitate to use the epithet 'underwear' when describing those abominations." Jane gave an exaggerated shudder of distaste before grinning at her longtime friend and confidante. "About the same as the boys, dear. With a good deal of embarrassment and a bit of fear. Later, she became rather disdainful. Sort of a 'Waste your money if you want.' reaction. She only seems to wear what I bought when I tell her to do so, which is a shame."
"You think so?" Marie asked, hiding a grin as best she could.
"Well, I had hoped for a different response. You know yourself that even before we went to the lingerie boutique we had decided that the standard approach we used on the boys wasn't right for Audrey."
"I know," Marie did grin now, remembering the many horrified boys who had faced that uniquely feminine bastion at Jane's command. "It was fun to totally immerse the poor darlings in flounces, frills and lace - fragile delicacies that would never allow them to relax or take their clothes for granted - but we're not trying to torment Audrey into submission."
Jane closed her eyes and pinched at the bridge of her nose trying to ward off an incipient headache. "Just so. For Audrey, we required sleek sensuality. Secret sexiness that made HER always aware that she was a woman. But . . . "
"But she always wore the plain white armor she brought with her unless we forced her into the sensual scanties." *At least, we thought so, until I found that so-carefully hidden thong this morning. Now, what should I do next? Tell Jane?* Marie reflected on that for a moment before coming up with a plan. "How strange when she really does have the figure to look very nice in the pretty ones."
Jane chuckled. "Isn't that the truth. You know, Brenda Franson was fully prepared to do her regular first student visit routine with her. When Audrey was being fitted for new brassieres, Brenda came roaring out of the back, with the strangest look on her face. She hurried up to me and whispered, 'Jane! This one has real bosoms!' Like she was afraid I didn't already know that."
Laughter burbled up out of Marie. "Well, what did she expect for a seventeen year old girl?"
"I. . .ah. . .well, I may have forgotten to tell Brenda that," Jane replied demurely, her dark eyes dancing over the rim of her snifter.
"Oh, you sneak," Marie chided. "By the way, did you know that all her new brassieres are two inches and a whole cup size larger than the ones she brought with her? She's gone from a 34B to a 36C and I don't think she's grown."
"I hadn't noticed," Jane said, suddenly thoughtful. "Another ploy to look unfeminine or something related to her athletics?"
"A properly fitted sports bra would do her more good than trying to crush herself like that."
"True enough. The question is, what do we do with this information? It may be nothing more than a girl who has never bothered to be properly measured and fitted for a bra. Or perhaps more likely, one who doesn't pay attention to such things."
"I can't believe that," Marie snorted. "She doesn't even have a larger sized one for her time of the month. Look, Jane, since I do the laundry, maybe I can raise the issue with her without making a big deal of it. Hint that maybe she might want to get some white practical stuff in the right size."
"I'd tell her to throw the things away, but we've been making such progress by taking a less confrontational tack with this one."
"I'll deal with it, dear," Marie replied, well pleased with her plan.
Chapter 5: Audrey's Darker Secrets
Audrey looked into her mirror and tried to imagine what she would look like when the bruising finally went away. The worst of the swelling was gone down, leaving her with a technicolor face like a human mandrill. It felt strange, looking at that pert little bit where her nose had been. She turned sideways and tried to look at her profile with her peripheral vision. She wasn't sure, but Audrey thought she might actually be kind of cute when all was said and done.
She was trying to figure out just how she felt about 'being cute' when a knock sounded at her door. It was too soft to be Darla and lacked the imperious demand affected my Ms. Thompson. "Come in," she called and then silently congratulated herself on her deduction when a smiling Marie entered the room.
"Just gathering up the laundry, dear," she said as she bustled into the bathroom, her arms filled with clean towels. She came back out carrying the contents of Audrey's clothes hamper. "You know, dear," Marie said as she started sorting the clothing into one of several net bags she had also carried in. "I've noticed that your new bras are bigger than the ones you brought with you. Wouldn't you like to replace them with ones that fit?"
Marie had to stifle a giggle as she saw Audrey tamp back an exclamation of pleasure at the thought of more, new and pretty undies, and tried to affect a disinterested air. "Oh, they're not so bad, and they have a good deal of wear left in them."
"I, um, noticed that the lingerie you brought with you was," and Marie held one of the offending articles up, "well, durable at best. That's the ONLY redeeming aspect of these things."
Audrey turned her face away, hiding what emotion, Marie wondered. "Uh, yes, that's what I, um, well, what I was told to wear.
"Really?" Marie pounced on that. "But for heavens sake, girl, by whom? Surely it wasn't part of Jane's instructions to your mother. Jane believes a woman should feel and BE feminine all the time, and delicate scanties are a big part of that. Or," Marie held up one of the barely-there teddies purchased at Milady's Closet and giggled girlishly. "a very small part, as the case may be!
"I noticed," Audrey replied, struggling to appear mature and aloof on this subject. "Those things she made me get at the boutique were . . . I guess delicate would be as good a word as any."
"But they feel so nice, and naughty at the same time, don't they?" Marie asked, grinning. "I just LOVE them."
"You wear them, too?" Audrey was dumbfounded.
"Of course I do," Marie sniffed, "I'm a woman and I like feeling feminine and mysterious - like I have a special secret no one else can know. Pretty lingerie makes me feel like that."
Barely able to swallow, her throat had gone so dry, Audrey could barely whisper. "You really do wear them?"
Smiling devilishly, Marie winked. "Sure do, and you know what else?" and here the pretty French Canadian dropped her voice to a teasing whisper of her own, "So does Jane."
"MS THOMPSON??"
Marie made an broad 'X' across her ample bosom. "Cross my heart. Remember, I do everyone's laundry. You have NO secrets from your laundress."
Audrey thought of the pieces she so carefully hand washed herself, both to keep them a secret, but more importantly, to keep them pretty. She decided to check this out more deeply. "Don't you, um, feel sort of . . . indecent sometimes?"
"Of course, dear," Marie said with a wicked smile, "But that's what makes them so enjoyable. Every woman likes to think that she's a bit more sensual than proper manners allow. Why, there are even times we might wear something that isn't even comfortable, even when no one else will ever know, just because it's so deliciously, femininely sexy and, what did you say? Indecent. Yes, that's it precisely."
"I know what you mean. Those underwire bras can be . . . distracting."
"Quit bragging, girl," Marie laughed. "Though you're right, the boys at the mall were certainly distracted when you wore one last time we went to the salon."
"That's not what I meant, and you know it. I meant that they can be uncomfortable."
"Oh, they're not so bad. No worse than, oh, than I imagine some of those thong panties that are all the rage might be.
Audrey felt a chill run through her veins. Whatever made Marie bring that up? "Thong panties?"
Marie set down the clothes she was sorting and came over to sit beside Audrey on the bed. Taking a suddenly cold hand in her own, Marie looked Audrey in the eye. "Dear, I have a confession to make. I started this conversation so that I could let you know I found your little secret," Marie pulled something from the pocket of her apron and laid it on Audrey's leg. It was the pretty white thong Audrey thought was still hidden in the white draperies. She started, her eyes wide with something like fear, but the older woman put a gentle hand to the younger girl's cheek. "It's okay, cherie. Believe me, I don't mind. I'm very pleased, actually."
"Pleased?!" the word ended on a near-squeak, Audrey was so surprised.
"Yes, child. It broke my heart to see you so unhappy with your femininity when you arrived here. To find out that, deep down inside, you were embracing it . . . oh, Audrey, I do think you'd be so much happier if you just accepted how pretty you really are.
For a long time, Audrey could only stare at Marie. It was all so much to take in and now, Marie said she was PRETTY?!? "I . . ." she stuttered, and then braced herself to go on and say what had to be said. "That's not really true. I'm not pretty at all.
"What ever gave you that idea?" Marie snorted in disbelief. "You're beautiful, in a very elegant way that I admire greatly."
"That's not what I was told." Audrey said, turning her face away to hide the tears that were beginning to burn at the backs of her eyes.
"By whom?" Marie asked, while very gently pulling the suddenly sobbing girl into her arms.
"By. . by. . by my governess . . . "
Art was sitting at the table, not-watching the television and waiting for the microwave to chime. Memories of Marie's gourmet and family meals made the upcoming food experience less than pleasant to contemplate so he again tried to pay attention to Oprah's discussion of her current book of the month.
A bell sounded and Art started for the microwave before he realized it was his phone.
"Hello?" he said, expecting it to be some meal-time-profaning telemarketer and ALMOST looking forward to it. *You need to go home, son,* he told himself.
"Art?" a familiar and well loved voice came across the line.
"Jane! I didn't expect you to call tonight. How are you? Is anything wrong?"
"Not wrong precisely, and I am fine. The reason I called is that we've had something of a breakthrough with Audrey and I need to talk to you about it."
"Great! What happened?"
"Well, it all started when Marie discovered that Audrey had some special lingerie secreted away in her room that we didn't know anything about. Things that were markedly different from the stuff she usually wears."
"Okay. . "
"Let me tell you what Marie told Darla and me this afternoon."
Jane looked at her friend and her child. Darla was just as surprised by Marie's revelation as she was. Audrey had something as feminine as silk thongs? Jane still found it hard to credit - the girl had evidenced little interest or pleasure at all when she'd taken her shopping at Brenda's place. Jane thought about this woman, this Phoebe Elizabeth Talmage, Audrey's "Miss Phoebe Elizabeth," and wondered what could induce a woman, a child's care giver, to inflict such drivel on an unformed mind.
"So, as you see," Marie continued, raw anger twisting her mouth into a grimace, "This Phoebe Elizabeth creature was apparently a man-hater, or else, the next thing to one. So far as I can figure from what I got out of Audrey this morning, the woman filled Audrey with all these stories about how bad men were. She even told that sweet girl that it was a good thing that she was so gawky and boyish, because then MEN would leave her alone!"
Marie couldn't sit any longer and bolted from her seat to begin pacing about the room. "OH! And get THIS! If she ever betrayed her given name, Chastity? Well, then she'd find that sex was not ONLY terribly painful, but was also a terribly humiliating experience that benefitted no one but the man. And then, after the fact? The men would never be interested in her again since men, foul creatures that they are, only wanted virgins who had no basis for comparison between lovers."
"But she kept these delicate panties hidden from everyone," Jane cut in, wanting to stop Marie before she really got started. Marie did not lose her temper often, but when she did it could be spectacular. There simply wasn't time to deal with a rampaging Marie and a mentally abused student. And she would need Marie.
"She thought you were the same as her old governess who always told 'Chastity' that a woman should never weaken herself with effeminate things; no nice lingerie, no dolls, no makeup. Men could see the results of wallowing in femininity, so the old bitch said, and used those signs to select their victims," Marie replied.
"Does she still think of me that way? That I am like her governess?" Jane asked, feeling slightly queasy that Audrey might think her similar to that abusive governess.
"Goodness no!" Marie assured her with an amused laugh. "Oh, she's not entirely sure just WHAT you are all about, but after you took her to Brenda Franson's Style Shoppe, and then to Milady's Closet? No, her problem with you is that you are so much the OPPOSITE of that Talmage woman. You are pressing her to be as pretty and as feminine as she can manage. Why, she's more worried that you were going to turn her into a, well, . . ."
Marie saw the warning look flash in Jane's eyes and reconsidered her words "She is certainly aware that you are not out to make her to appear masculine. In any event, I'm sure she no longer thinks of you as another incarnation of her tormentor." Marie walked back to her seat and took a sip of her tea. "There's a fight going on inside that child, Jane. I just know, in my heart, that she wants to learn to be a strong, feminine woman, to find romance and accept and enjoy her appearance, but after all the lies that woman told her she's afraid . . . "
"Afraid? Audrey?" Darla scoffed. "Audrey isn't afraid of anything!
"Hush, dear," Jane remonstrated, a gentle touch taking the sting out of her command. "That sort of fear is much deeper than merely a sense of physical danger."
"Well, that is interesting," Art said. "We knew she was repressing her feminine side and we knew she reacted very aggressively toward large males. This could explain a great deal."
"Do unto others before they do unto you?" Jane misquoted. "It also explains why she's apparently been comfortable around Darryl. He isn't big enough to pose an immediate threat. . "
"And he came recommended by you," Art put in. "What are you going to do about what you've discovered?"
"Go carefully, and that's why I wanted to talk to you. First, I want to step up the girly-girl things for her. Have her get the extensions at Caro's so she has a coiffure instead of that crewcut, buy her more undies and have her ditch the cotton armor plate."
"Okay," Art said, but Jane heard something like doubt in his voice. She called him on it. "Well, I wouldn't make her throw away the old stuff, and I wouldn't make her wear the frillies everyday. Buy her some new stuff, though, so she has enough to replace her own if SHE decides to do so. Then, if she starts wearing it when you don't tell her to, you'll know you've made progress."
"I see what you mean," Jane said quietly. "But you don't see any problems with the longer hair?"
"Not so long as you don't go hard over on some big hair monstrosity or force her to wear it styled all the time."
"Harrumph. I'd be happy with a nice ponytail if it was her choice and looked pretty on her."
"That's a plan. Nudge her, but let her have the opportunity to make her own decisions, too. Anything else?"
"Yes," Jane replied. "I want her to be in situations with boys. Controlled ones, but I want her to have a chance to see them as something other than the two-headed monster Miss Phoebe Elizabeth Talmage told her about."
"What ever happened to that woman? Is she about to feel the Wrath of Thompson?"
"No," and Art could hear a wealth of regret in that otherwise simple word. "She is dead. After talking with Marie, I called Audrey's Mother and discussed this whole situation with her. I found out that the governess passed away when Audrey was 14 and according to her Mother, just starting to fill out and go through her last growth spurt."
"A vulnerable time for any young woman, but most especially for one who already doesn't fit in with her school mates."
"Yes, and the way she died doesn't help. Breast Cancer. A uniquely female death that the old biddy evidently blamed, quite loudly in Audrey's hearing by the way, on being too well endowed. Marie tried to tell Audrey that was garbage, but we'll have to see if she accepts that."
"What about the undies she snuck into your dark, feminine prison?"
"I will pretend, Artemis," Jane said in grand hauteur, "That I did not hear that scurrilous remark. As to the secret lingerie cache, for the moment, I will not give her any indication that I know about them. She's confided in Marie once. I think it best that she think I don't know about it. Perhaps that will encourage Audrey to confide further or seek Marie out when she needs someone to talk to."
"Good plan," Art replied, and then dropped his voice into a low, husky whisper. "I miss you, sexy woman. I miss you a LOT! There is this Jane Thompson-sized hole in my bed that I keep falling into every night."
"You're the one who said he had to leave," Jane retorted smartly, not willing to admit on whose side of the bed she was waking up of late. "Maybe we can plan an outing to Providence or Boston with the girls and find an excuse to be together."
"Sounds like a plan. How about tomorrow?"
"Oh, you." Jane said fondly. "I have to go, dear. Call you tomorrow as planned."
"Love you, Jane Thompson-Philips.
"You too, Art. You, too."
Chapter 6: More Questions Than Answers
Darla glanced over at the glowing numerals on her bedside clock and scowled wearily. It had not moved all that much since the last time she looked at it. She was tired - exhausted really - but sleep would not come to the feminized teen.
For a few moments, she listened to the sound of night in Seasons House. The wind had picked up during the day and it was blowing strongly now. The century-old Victorian manor house creaked and groaned as the gusts whistled in and out of the many twists and corners of the external structure. Normally, such sounds meant home to Darla, and were as good as a mother's lullaby.
But not tonight. Tonight, for all her fatigue, every sense seemed to be on red alert, denying her mind rest.
Resignedly, she tossed aside her bedcovers and rolled out of bed. Flicking on the light, she moved to her desk to find the book she was reading for one of her online courses. *One of the distinct disadvantages to being Darla right now is that my desk is always filled with more pots, bottles and tubes than the Avon Lady's sample case. Makes it bloody difficult to use as a desk.* As she rummaged in the desk/vanity's drawers, she happened to catch a glance of herself in the mirror.
"I wonder what Momma-Jane would say," Darla asked her reflection, "If she knew that I think of these cute, silky, shortie- nightgowns as oversized t-shirts? Wonder if that is how Audrey sees them?"
Darla made her way back to the bed, her mind analyzing that last thought. *Guess that isn't so odd,* she mused, *After nearly five years of living with Darla, it only makes sense that the clothes don't seem to matter all that much anymore. Darla wears dresses and Darryl wears trousers and neither seems all that big a deal anymore. About all they do is remind me how to act and which name to answer to. Wonder if I could be Darryl in skirts?* The thought made Darla laugh, a tired giggle that sounded strange even to her ears. *Lord, am I really starting to think of myself as two different people? I must be more blitzed than I thought.*
Shaking her head in a vain attempt to clear away the doldrums, Darla set her book aside and reached for her robe as she stepped into her slippers. "Much as I hate the stuff, I think this is a warm milk kind of night."
Darla was surprised to see a halo of light on the floor beneath the kitchen door as she padded through the dining room. Carefully, she cracked open the door to see who was in there, hoping to avoid Audrey if the other girl had decided to raid the pantry, too. *I am just not up to keeping the mask in place right now.*
It wasn't Audrey, she soon discovered. Rather it was Marie, sitting at her kitchen table. She was reading a book, Darla noted, and had evidently been there a while if the empty tea carafe and cookie plate were any indication. For a moment, she considered leaving Marie to her book, but curiosity got the better of her. With an loud sneeze to announce her presence, Darla opened the door and stepped into the brightly lit kitchen.
The noise made Marie jump in surprise, her eyes wide as they flew to Darla's. "Darla!" she exclaimed, hurriedly closing her book. "What are you doing here?"
"Couldn't sleep, Tante Marie," the petite blonde in the brunette wig said as she bent down to kiss Marie's cheek. She frowned only a little bit when she saw that Marie was obscuring the cover of the book with her folded arms. "Thought I would try the warm milk trick."
"You MUST be in a bad way, dear, to be willing to force down that hated potion of your youth." It had been a long standing joke between the two. Darla hated warmed milk while Marie firmly believed in the beverage's benefits. Darla almost always gave in, however, unable to resist her beloved Aunt Marie's entreaties that it was for her own good.
"I wouldn't object to it having a bit of cocoa in it, just for flavoring," Darla said hopefully.
"Now, you know cocoa has caffeine," Marie admonished as she stood up to fix the milk. Only a few minutes later, the milk was heated and ready for pouring. "Maybe this will help," Marie said with a mischievous glint in her eye. From behind her back, she pulled a small glass bottle and added a dollop of its amber contents to the frothy white liquid.
Darla sipped carefully at the brandy-laced milk and sighed happily. "Why didn't you ever do that for me before?" She complained.
"Because you weren't a grownup then, darling. Now, why don't you tell Tante Marie what is bothering you while you drink that down?"
*In the same sentence, she calls me an adult and then treats me like her child. Guess being an adult doesn't change some things,* Darla thought with a smile, *Thank God!*
The phone on his desk rang loudly, breaking Art's concentration on an abysmally written midterm exam and eliciting a curse that would have had his beloved wife reaching for the soap bar. Not that she'd really wash his mouth out with soap - it was just a reminder of the standards to which she held her students. At least Art THOUGHT she wouldn't try to wash his mouth out with soap.
Grumbling, Art snatched up the phone to silence its fire alarm- bell peel. The phone, like the furniture in this makeshift office he'd been shunted to on his return were antiques - Early American Office Surplus if he did not miss his mark. At least the desk didn't rock too badly. "Hello?" he growled into the phone.
"Oops," a cheerful light alto voice chuckled on the other end of the line. "Why do I think I have called at a bad time?"
"Darla!" Art cheered, his mood instantly improving. "Great to hear from you! What's up at home or can't you talk now?"
"Sure can! Momma Jane has Audrey downstairs for a formal tea. *I* was not invited because *I* might set a bad example by trying to lighten up the conversation. I think Edith White may be coming for a visit and Jane is trying to prep Audrey for that experience."
"How's her face?"
"Healing nicely, I think, at least visually. The yellow bruising is fading around her nose and cheeks. Still a little dark under her eyes, but that almost looks attractive - kind of exotic."
"And her "Noses-by-Darla" designed schnazola?"
"Very cute," Darla said with something that sounded like a sigh. "Dad? She really DOES look like Gigi now. Momma Jane rigged her out in one of those fifties 'Cinderella' movie princess outfits the other night? Supposedly as a punishment?"
"Yes?" Art prompted when the voice at the other end of the line was silent longer than the professor could stand.
"She was flat out gorgeous."
"Was she, now?" Art chuckled. "Was that why you called?"
Darla started to respond to that question, and stopped. She tried to find the words to ask her adoptive father about, well, wooing a woman, and it just didn't seem . . . right somehow. It wasn't usually that hard to talk to Art, after all, he was a professional psychologist, but talking about a girl . . .
*That's it!* Darla thought to herself. Consciously flipping a switch in her mind, she changed mode to the person who COULD talk with Art about boy-girl things. "Sort of, Dad."
The tenor that sounded over the phone let Art know it was now his son on the line, and all by itself that told him what the call was really about. "THAT gorgeous, Darryl?" Art asked in his gentlest tone.
"She is to me, Dad," was the very simple reply.
"And you find yourself caught in a very sticky web that pulls from several directions. Your part in Jane's program, both as a mentor, and as Jane's primary informant, and then there's the fact that we already know that Audrey is, if not actually afraid of men and male/female physical relations, is very, very wary of them. And now, you must also deal with a very strong attraction to her."
"I think I am falling for her, Dad."
"A very sticky web, indeed. Have you spoken with Jane about this?"
"No," was the suddenly weary answer. "I am afraid she will decide that either Audrey or I will have to leave, and that is the last thing I want."
"What are you doing, then?" And this was Art the psychologist- concerned-for-the-welfare-of-his-patient speaking.
"Mostly nothing - At least nothing out of the ordinary. What Jane tells me to do when I am Darla, and I'm being awfully damned cautious when I am around her as Darryl."
"Perhaps that is the best thing you could be doing?" Art asked. "I do think Jane is helping her and by being very circumspect as Darryl, you are helping to desensitize her. As she comes to trust you as a male, that will help you in the long run if you are intent on making an attempt at a relationship with her."
"It is just so SLOW, Dad!"
"That impatience is the male in you talking, son, and in this case, I think you need to listen to your other side. I think Audrey is going to need things done slowly."
"She's not a skittish horse!" Darryl said with some disgust.
"No, but she is skittish. So far, Darryl is the only male she's had contact with, except for the physicians and even their her primary care doctor and surgeon were females, since she came to us. Has she loosened up around you at all?"
"She likes kicking my butt at whatever we do together - running, stair climbing - heck, about the only thing I can do better than her is the bench press and lord only knows how long I will keep that advantage once the doctor gives her leave to really start working out again. She's started to rag on me about it, too."
"Excellent. It means she trusts you and likes you. If she didn't, she'd be just as formal and distant as she was at the beginning."
"Never thought I would be told to be grateful for getting my butt run into the ground. And you are wrong, by the way. Jane brought in Bill, Caro's husband? The Sheriff's deputy? Anyway, to help her with her pistol shooting. It's only an air pistol, but she's pretty good with it and Bill has helped her get even better." Darryl's voice trailed off as he added, "And he gets to put his arms around her."
"To improve her stance and gun position?"
"Yes."
"Good. It means the desensitizing is working - I mean, Bill has grown to be a good sized fellow and she lets him put his arms around her and you KNOW that Bill is besotted with Caro, right?" Not waiting for an answer to that question, Art pressed on. "So what ARE you going to do?
"What?!? Why do I think I called YOU?!?"
"Hey, look how long it took me to land mine, youngster. Sure you want me giving you advice to lovelorn?"
"You're the only one I trust enough TO ask about these things, Dad, and besides, you better than most understand my special issues."
"You mean Darryl and Darla?"
"Yes, I mean, suppose she thinks I am a wimp for letting Jane talk me into this?"
Art thought privately that the issue Darryl would have to deal with would be much different but kept his counsel on that score. Art would have to help him deal with that problem when the time came for it. "I think that is unlikely. If anything, it may make you more attractive in her eyes. A male who would do such things to help other people, who would follow such a unique and intellectual course is not likely to become violent or hurtful."
"Okay," and there was a world of relief in that single word. "But what do I do?"
"You say she had begun teasing Darryl? When you would work out together?"
"Yes. And she was very sharp about it, too. Sometimes, it took me several minutes to figure out I've been had again."
"So, tease her back. Gently, of course. Chide her about dogging it on a run, or tell her to suck it up when she lags on the stair climber."
"I do that with other guys, Dad!" Darryl protested. "SHE'S not a guy!"
"You do that with friends, son. You are going to need to be her friend. From what you've told me, I think you are already there, but you need to be sure, okay?"
There was silence on the other end until Art first heard a deep sigh and then, "Okay, Dad."
"At least you know what you want and are trying to figure out how to get it. Took me far too many years to realize where my happiness lay. So, what else is going on at the home front? Jane trying anything new these days?"
A hoot of laughter answered that and Art settled comfortably back into his chair. This held promise.
"Well, ever since Marie told Jane about Audrey's governess, she's been looking for ways to get her into the company of men in what Jane thought were 'safe situations'."
"She talked to me about that," Art replied. "Like I said - desensitization therapy."
"Well, she hit upon a real lulu this time. I think Jane's original plan was that we would be absent for this phase, but she's changed her mind. It's tonight, in fact."
Darryl outlined the plan for his adopted father for the next several minutes. At the end, Art nodded. "Sounds like a good idea. You two going to have a front row seat?"
His son snorted. "Jane's offered to foot most of the costs for the instructor. We'll be offered any seat we want."
"Money talks, son," Art replied, looking up at the old wall clock and frowning. "Look, soon, I've enjoyed talking with you, but could you ask Darla to come to the phone? I need to sign off."
"Oh, um, sure, just a second." Confused, Darryl stared at the receiver for a moment, and then shrugged. Lifting the appliance back to his ear, he mentally shifted back to his feminine alter ego. "What's up, Daddy-Art?" Darla's voice chirped over the lines.
"Nothing, dear. Just wanted to get you back into role before I hung up," Art replied before slipping into Diana's husky contralto. "It's hard enough to pull these little masquerades of Jane's off without the added confusion of which voice to use."
"Oh!" Darla giggled. "Gotcha, Daddy-Di! Well, have a good day. Thanks for the help and for the reminder."
"Talk to you soon, Darla. Let me know how tonight's excursion works out." Art replied fondly as he heard the line click off. *Well, well, well. If that don't beat all. Wonder how Jane will deal with THAT development?* Then, a smile on his face and in a much better mood, Art returned his attention to grading the midterm exams.
A knock on her study door broke into Jane's concentration. With only a hint of a grumble, she closed down her internet connection and shutdown the laptop Art and Darryl had given her for her last birthday. She was determined to become proficient with the damned thing, if only to show her son that she could, but just now, any interruption was welcome. So far, the laptop had refused to provide her with the data she wanted the way she wanted it. And that failure had consumed two hours!
"Yes?" She called out once the infernal device was safely hidden away. Jane saw Darla enter, dressed in a very unusual style for a student of Season's House - a pink sleeveless t-shirt and blue jeans. *The jeans still look too new,* she sighed, *even after as many washes as Marie could get in once we decided this was the way to go.* "You look very nice, dear," Jane offered as Darla came over and took a seat opposite her.
Her imp of a daughter grinned at the grimace of distaste that flitted across her mother's face when she made that insincere compliment. "Well, after getting paint on my slacks, you have to agree that jeans are more reasonable."
"Did you have to get paint on the Dior?" Jane asked, still inwardly fuming at the sacrilege.
"The teacher said to wear slacks - I wore what you provided, Momma- Jane. It's not my fault you don't shop at K-Mart."
"Puh-lease," Jane groaned theatrically, before breaking into a short giggle. "Well, I must admit that your current outfit suits the goal of this activity. How's Audrey coming?"
"At least SHE had jeans that fit her."
"Those don't fit you? They look like they do?"
Darla mumbled something Jane couldn't quite make out. "What was that, dear?"
"I had to wear the bloody gaff," Darla growled low in her throat. "My slacks were loose enough that I could get by without that thrice cursed appliance, but these jeans, ah, fit too well for me to go without assistance in that area. Do I REALLY have to go to this session? LIKE this? I mean, I am REALLY not interested in this at ALL!"
"And have you get paint over another pair of designer slacks? Yes, you need to go like that, and yes, I do think you must attend this session. Audrey may need you."
"Don't you think this is pushing things a little hard? I mean, we've never done this with any other student."
"None of the boys would have benefitted from this little outing."
"And you think Audrey will?" Darla asked with frank disbelief.
"It is a controlled environment where she will share the experience with other girls her own age whom she has come to know and like - at least a little. Hopefully, they will buffer her at the critical moment of surprise, but if they don't, I want you there to help her."
Darla glared at her Mother for several seconds, and for just a moment, Jane worried that she might refuse to go which in turn would force Jane to reconsider her plans. Then, Darla sighed and rose from her seat. "Don't you at least think we ought to warn her?"
"No, dear. She needs to know she can deal with this. I think she can and Art thinks she can. She has to know it and she might not be sure afterwards if she is forewarned."
Darla had learned many effective strategies for one on one confrontations in her years with Jane. In this case, she let the silence stand between them, her eyes meeting Jane's as she came to her own decision. Breaking the eye contact, she walked over to kiss her Mother's cheek. "I have to go then. Marie was getting the wagon when I came up here."
Jane accepted her child's kiss and returned it lovingly. Darla turned to leave, but then stopped, a gamine grin that Jane had learned to be wary of lighting her face. "Oh, and you don't need to hide your computer when I come to call, Momma-Jane. I'd be happy to help you figure out how to use it more effectively. Just ask next time, okay?" And then she was gone.
*Now how did that minx know?* Jane thought wonderingly.
Chapter 7: Sheer Artistry
Audrey looked around the small college classroom as amazed by the noise, confusion and color as she had been that first night so many weeks ago. As was the norm for this class, the room was filled with about twenty other girls, including Darla. The instructor, an older woman in a stained smock stood at the center of the room near the small raised dias she used to display and light the subject she had selected for the evening's program. What was different was that they'd all been there for almost fifteen minutes and as yet, nothing had started and their instructor was looking more upset by the minute.
"What is wrong?" Audrey asked Darla.
"Don't know," was the quick reply. "I might guess that it has something to do with that empty stage, though."
"I still can't believe Ms. Thompson let us come here in jeans!" Darla grinned as her big little sister practically gushed in pleasure. "I mean, it's just so outside of anything I've learned to expect from her."
"Me, too," Darla replied, squirming slightly so that the part of Darryl hidden by the gaff was not QUITE so forcibly driven into the unyielding seat.
Darla's ruminations were broken by the instructor who came up to them. "Excuse me, Miss Rockwell," she said addressing Audrey, "Please forgive me for asking, but didn't Ms. Thompson tell me you were an athlete as well as an artist? That you did that track and field thing that has all of the events?"
Audrey repressed a chuckle. "No, you are confusing my sport with the women's heptathlon. I compete in the modern pentathlon which aside for a three thousand meter run, is not a track event at all."
"Oh," and there was real disappointment in the woman's voice. "I was hoping. . .well, you see, we have something of a dilemma. Our model for this evening just cancelled out on us - seems he is ill. We were going to try doing a sketch in the style of the Ancient Greeks tonight and he was supposed to pose with a discus."
*And not much else,* Darla grumbled mentally, still having a difficult time dealing with the fact that Momma-Jane would do this to her. *Athletes in Ancient Greece competed in the nude. Bare Naked GUYS? Whatever was Mom thinking?!?!*
"You know the archetypes of the art form, don't you? Pure realism with musculature and grace, but we don't have a model."
Uncomfortable with the direction this was taking, Audrey interrupted. "Yes?" she asked pointedly.
The instructor blushed beneath her large, gold-wire rimmed glasses. Making an obvious effort to gather herself, she blurted out, "Would you pose for us? I know this is an imposition, and you did come to draw, but we don't have anyone else. If you can't, we will have to cancel the class for everyone, and I'm not sure we'll be able to make up the schedule. All these classes are building blocks you know, and we can't go on without doing figures." "
"Me?" Audrey spluttered. "Up there? WAIT A MINUTE! Aren't Greek statues and such naked?"
"Well, yes, if one is interested in the pure classical form.. "
*I don't think so." Audrey almost yelled and started to get up out of her seat.
"Oh, you wouldn't have to pose completely nude," the woman hurriedly put in, grasping at straws. "Just enough uncovered so that the students can get some muscle definition, which I can see that you have, that's all. None of the other girls are very . . well, I understand the modern term is 'buff.' Why, you'd wear less at the beach," she tried to reassure the girl.
"You've got a girl's costume for this?" Audrey asked cautiously.
*Oh lord, what ever is Jane going to make of this!?!,* Darla thought, trying not to grin. *Is there anyway I can get us OUT of this?*
"Oh. . .well, no," Ms. Bantam admitted. "But, I thought that. . well, since we ARE all girls here, well, I could lock the door and you could pose in your underwear."
Audrey was taken aback. Her inclination was to tell the woman "not only NO, but HELL NO!" and have done with it. Then she saw the faces of a couple of students seated near her who had evidently overheard the Ms. Bantam's explanation and who were now looking at her with pleas in their anxious eyes. *DAMN!*
Darla saw the acquiescence in Audrey's eyes before she said a word. Unable to hold it in, a wry smile finally crossed Darla's lips. Explaining this to Jane was NOT going to be fun. On the other hand, Art would probably see the humor in this little best laid plan.
For the first time since Jane had come up with this activity, Darla's interest was completely focused on the task at hand. Well, almost completely, because she was also dealing with some significant discomfort associated with Darryl's gaff at that moment.
But it was worth it.
Audrey had, as Darla had surmised she would, agreed to stand in for the missing male model. At Muriel's direction, Audrey had slipped out of her clothing, including shoes, and then done a quick warm up to stimulate her muscles. Then, she'd stepped up on the dias and, using a dinner plate in lieu of the discus that was also home with the male model, began to assume positions. Fortunately or unfortunately, depending on your point of view, Audrey had played around with a real discus during her formative years as a high school jock. Muriel had spritzed her with water from a spray bottle so that harsh lights that illuminated the rotating dias would highlight Audrey's muscularity for the artists.
*God, she is beautiful,* Darla thought as she tried to sketch what she saw before her. She truly regretted her lack of freehand drawing talent, because while she wanted to remember Audrey like this for the rest of her life, she also wanted to be able to share this beauty with others. *Odd that she is wearing that lingerie, though,* Darla mused. *I would have thought that, since Jane okayed the jeans, she'd have gone back to her plain old cotton underwear instead of THAT!*
THAT was a curve-hugging black silk bra-and-panty-thong set that bared Audrey's powerful curves lovingly, and while they left little to the imagination, thoroughly teased Darla's already overactive imagination to try and fill in those blanks. Audrey's still short hair was slick with perspiration under the heat of the bright lights and from the strain of holding the 'just before release' position Ms. Bantam had requested.
Darla leaned forward in her seat, trying to get a closer look and had to stifle a groan. Erections, gaffs and girl-cut jeans did NOT mix. It was going to be a long evening.
Audrey silently berated herself for having agreed to pose for the class. Having all these girls, particularly the lovely, dainty Darla, gawking at her - well, it was all she could do not to leap from the dias and run for cover. Only the fact that, before they began gawking at her, all these girls had been nice to her (a unique occurrence in Audrey's experience) kept her from doing just that. They wanted to have the class continue and Audrey didn't want to be the reason that the class had to be cancelled.
*Well, that and the fact that I don't know where Ms. Bantam put my clothes.*
"Break." Ms. Bantam called, allowing a grateful Audrey to relax her body for a few minutes. She set down the makeshift discus and shook out her hands, arms, legs and feet. "Ms. Rockwell?" the instructor called as she came up behind Audrey, a worried look on her face. "That really isn't quite what we need, I think. Would you mind if we tried another pose, please?"
Audrey listened to what Ms. Bantam wanted next and sighed. "Sure, if that's what you want."
She was doing a few trunk twists when she suddenly caught sight of Darla, staring at her with a very strange look on her face. Audrey stopped moving and stared back. "Darla?" she finally asked.
The other girl started as if she'd been stuck by a pin in the butt - in fact, she literally winced before looking up at Audrey's eyes. "Sorry," she said with no little embarrassment evident on her cheeks. "My mind was wandering."
Audrey wondered where, but was soon called back to work by instructor.
"She WHAT?!?!" Jane came as close to yelling as she ever did.
"She posed for the figure drawing tonight," Darla repeated and felt the telltale pressure of the gaff as the memory of that sight returned in full. "The male model couldn't make it and the instructor asked Audrey since she has muscle definition that kind of figure drawing requires."
"For the love of God, Darla, if I wanted her taking the male part in these exercises, I would have sent her to dance class where Madame would undoubtably have been begging for her to dance the male lead in the Nutcracker this winter or to the children's theater where she'd no doubt be cast as some other damned male character." Darla was always surprised when Jane gave into the urge to use curse words. It gave the younger woman a very good idea just how upset this news had made her Mother. "I sent her there so she could SEE and STUDY male parts, not play them. I wanted her to be in with a group of other young women, studying a man, and perhaps during a break, giggling about his endowments. I wanted to reinforce her femininity, not undermine it."
"There was NOTHING masculine about her," Darla replied tightly.
"The discus is hardly a feminine apparatus," Jane countered.
"There are women who throw the discus," Darla argued.
"None that I want Audrey emulating!" Jane snapped back, her dark eyes flashing.
"Then you'll be happy that Ms. Bantam agreed with you and changed her pose to one with the javelin."
"Wonderful! Now THAT's feminine with a capital F." Jane growled.
"Well, it was! Ever seen Jackie Joyner-Kersey, Momma-Jane? She's beautiful when she throws that thing and Audrey was better!" Darla reached into her folio and pulled out the sketch she'd labored over so strenuously. "She was lovely - even beautiful." She passed over the sketchpad. "I only wish I had the talent to show HOW beautiful she was."
Jane studied the mediocre drawing, but heard the conviction in her child's words. For Darla to have tried this hard told Jane a great deal because Darla did not like doing something for which she had little or no talent. Darla had never had any skill at drawing, but she had tried with this one. Still, Jane worried. "Did she feel beautiful?"
"How could she not?" Darla asked.
*All too easily, my child. all too easily.* Jane thought. "What's this she's wearing?" Jane wanted to know. "One of those track bit's of nothing we saw on the Olympics?"
"Actually, Momma-Jane," Darla hedged. "They didn't have anything like that. She, ah . . well, that is. . "
"Darla?!"
"She stripped down to her undies for it, so that the class could get her musculature and anatomy down right."
"Her undies?!? Lord, Darla, did you draw her wearing a thong?"
"That's what she had on," Darla said, her lips curling into a smile at the memory. "She was wearing that slinky black bra and thong set you bought her at Ms. Franson's lingerie store last week - the one YOU wouldn't let her model for me," Darla sniffed. "I was a bit surprised to see she had it on." *Pleased, but surprised.* "Did you tell her to wear them so she'd feel feminine under her jeans?"
"No," Jane said absently, her eyes locked on Darla's drawing. "She must have worn them on her own. That is encouraging since I would have expected her to wear those plain white cotton things she brought with her, but that set does suit her, though."
"I'll say it does," Darla sighed, recalling the image of Audrey quite vividly.
"DARLA, you are positively drooling. You've seen students in their lingerie before!"
"They were like me, Momma-Jane, not like Audrey. I need to go to bed. Four thirty comes early. Darla is spotting Audrey on the stair climber again tomorrow. 'night, Mom." Darla said with a kiss on Jane's cheek.
"Good night, dear." Jane said absently, already mulling over in her mind the two surprises of this evening - Audrey's voluntary choice of lingerie and Darla's apparent interest in the girl.
"Oh, and Mom?" Darla's voice intruded on Jane's thoughts. "It wasn't Darla who was drooling - it was Darryl. DEF-initely Darryl."
A very uncomfortable Darla rolled over in her bed and considered taking another shower. *Maybe the last one wasn't cold enough?* Ever since she'd climbed in between the sheets, her theater of the mind had been constantly replaying the evening's spectacle.
A vividly real mental picture formed of Audrey on the dias as it slowly turned in front of the class. Darla had been seated about ten feet away, her eyes level with the standing-Audrey's waist. When her big-little sister had taken that plate and coiled herself into the throwing position, Darla had been awed. The girl's arms and legs, though powerfully muscled, had still been smooth and sensuous. Then the dias had turned so that she got a look at Audrey from behind.
Darla curled into the fetal position as her groin tightened at that memory. God, had Darryl EVER seen a more beautiful butt?!? Sleek, rounded and glistening in the light, just a bit of black where the thong slipped through before disappearing into the half-mooned buttocks.
It had been all Darla could do not to follow that lovely derriere as it turned away from her . . . well, at least until she got her first glimpse of what the front side had on offer. Darla wasn't sure if the magic was in the bra or in the woman, and was even less sure she cared. Crouched over as she was, her body coiled for that first hard-spinning step, Audrey's bosom had been presented to him like a burlesque dancer bending over getting ready to shake. The lacy black brassiere had been deeply cut, intended to lift and show a great deal of cleavage - something it did VERY well. Darryl hadn't noticed all that creamy rounded breast on Audrey before that moment, and now cursed himself for a fool for that failure.
In the end, that had been Ms. Bantam's reason for abandoning the discus in favor of the javelin. In the discus position, Audrey's breasts had obscured her six-packed tummy, evidently a very important part of the exercise in Ms. Bantam's opinion. She'd been gorgeous in the javelin throw position, too, although not as overtly sexy as she'd been in the discus position. Her body stretched out to full length, the broom handle held as far back as she could, her free hand pressing forward for balance. That had been the picture Darla had shared with her Mother.
Darla had NOT shown Momma Jane that OTHER picture. Even with her poor skill at sketching, Jane would have had conniptions if she'd seen Darla's loving rendition of Audrey hunched over that discus. . .err. . plate.
Another memory flitted through Darla's mind - of a single, light catching drop of perspiration as it made an agonizingly slow trek from Audrey's neck down her throat to her chest to finally disappear into the dark line of Audrey's glorious cleavage.
The instant it disappeared, Darla groaned and her body went tight, her abdominal muscles clenching and releasing, clenching and releasing.
Moments later, a red-faced Darla rose from her bed and headed for the bathroom to rinse her panties. *Now she's got me having wet dreams when I'm wide awake!* she thought, disgustedly. *I think I have got it bad,* Darla thought as she flipped on the light.
Audrey rolled over and pounded a frustrated fist into her pillow. *How could you have been so stupid?!?* she railed at herself. She NEVER put herself on display like that. *Well, there is competition, but that's different. And heavens, when Ms. Thompson gets wind of it? Hoooo boy.*
That thought played over and over in her mind until some imp niggled at her. *I wonder what will upset her more? That I did it at all? Or that I did it, standing in for a boy? Or that I did it my undies?*
She sat up and thought some more about the evening. At least she'd had her special underwear on - that had helped somehow. She'd always liked the way the satin and silk felt on her skin, the way it slid along her legs when she put them on. Even before Ms. Thompson had given her approval to wear the lovely feeling lingerie, back when it was something she had to sneak about to wear and hide carefully when she wasn't. She'd always be grateful to Darla's aunt for the gift of permission, not that she'd ever let the woman know that.
*Why shouldn't I tell her that? Maybe she'd consider it a positive sign and buy some more of them? Can't say I'd like wearing dresses all the time - nuisances that slow you down when you want to move fast or that flip up at exactly the worst possible moment. I wonder what Darryl would do if I were wearing my special undies under a dress and a rogue breath of wind flipped up my skirts so he could get an eyeful of my black scanties?*
She smiled into the darkness; a smile that would have greatly pleased Jane Thompson-Philips while thoroughly unnerving one Darryl Smith.
*Unfortunately for that little fantasy, Audrey m'girl, you don't wear skirts when you work out. You'd have to be less subtle, like breaking a drawstring on a pair of really baggy sweat pants. Or, you could just drag him into a nice, well-hayed horse stall and . . . *
Audrey sighed. What was it about that little fellow that appealed to her? She couldn't, or perhaps wouldn't find the answer. At least, the doctor had said she could start running again day after tomorrow, once the last stitches were out. That meant Darryl would be around more often. With a happy sigh, Audrey rolled over and went to sleep.
Chapter 8: Another Day at the Chalet
Jane was trying to be interested in the prospectus in front of her, but to little avail. Her active mind kept slipping off to some little coffee shop on Newberry Street in Boston, or perhaps to a grassy picnic spot in Roger Williams Park in Providence. That a certain professor of psychology was a very active participant in both of these scenes no longer surprised Jane Thompson. Nor did she in any way regret her little 'rendezvous of the mind'. In fact, she'd just have to make sure one or both of those daydreams came true.
Smiling, she dropped her gaze back to the brightly printed document on her desk, determined to make a decision on this fund today before she drove Audrey to the doctor, only to be again distracted by a knock on her study door.
*Guess I am just not meant to do this today,* she thought and felt her heart lighten. "Come in." she called out.
Darla entered. After greeting Jane with a kiss, she accepted a seat in the conversation grouping in front of the study's fireplace. *Wonder what has brought that frown to her face?* "Trying to grow wrinkles, dear?" Jane asked.
"Hmmm? Oh! Sorry, Momma-Jane," she said as she carefully relaxed her forehead and composed her features. "I've been thinking. . ."
"I could tell," Jane said with a chuckle.
Darla grinned sheepishly. "It's about Audrey. You said the Doctor is going to okay her running again, starting tomorrow?" Jane nodded, but otherwise said nothing. "And you said you've been talking to Dad about helping her, what was the word you used? Oh, yes, desensitize around guys, right?"
"That's true, dear, although we don't seem to have much in the way of a plan just yet."
"Well, part of that is getting used to being touched, right? So, here's an idea I came up with last night. Let me lay it all out for you and see what you think. We could call Dad if you aren't sure, okay?"
"So, what's your idea, dear?"
The five mile run had felt like fifty, Audrey thought as she grimly forced herself to keep moving as her body cooled down. AND she'd LOST to Darryl this morning. The readout on that cursed stair machine had misled her into believing that her endurance had improved since the accident, but only outright grit and pure cussedness had kept her going that last mile and a half - that and the sight of Darryl's butt in front of her.
They passed a window in the side of the barn and Audrey caught a look at her reflection. *So much for playing the tease with Darryl - I look horrible. I better hope Jane doesn't see me before I can slip up to my room.*
"Don't. . .think. . .this. . .is . . . going . . . to . . become. . .a habit." she panted out.
"I've been practicing while you were getting well. Sorry I couldn't come visit more often. Chores, and stuff like that." Darryl replied while thinking of his recent midnight runs, taken in hopes of tiring himself enough to finally fall asleep.
Audrey gave a little shudder at the thought of receiving Darryl at Jane's house, dressed in white lace with a technicolor face. "Oh, I understood," she hastened to add. "I'm just glad to be able to get out and run again."
"You know it! I was really happy when Darla called to see if we could start this up again. Oh, and she told me you started your modeling career the other night at your art class."
*Darla, you are dead meat!* "Oh, I was just filling in for the model who was ill. I guess the teacher just picked me 'cause I look the most like a guy," Audrey said, trying to be flip, but feeling something deep inside begin to hurt.
"WHOA!" Darryl snapped, reaching out to grab Audrey by the hand and pull her around to face him. "You look NOTHING like a guy, sweetcheeks!" he said with in an intense, yet very quiet voice.
"What did you call me?" Audrey squeaked, so surprised by the name that she didn't for a moment react to having a male holding her hand.
Darryl ignored the question. "YOU are an athlete - you have a beautifully-fit woman's body. If anyone knows that, it's ME because I have followed your backside enough to know. And believe me, Audrey - you are NOTHING like a guy."
She wanted to believe him, wanted to trust his words, but a tall sharp faced image formed in her mind, along with a voice telling her how gawky she was. "You're just saying that," she replied, trying to pull her hand free.
Instead of pulling back, Darryl followed her pull. Before Audrey quite realized what was happening, the young man had stepped right up close to her, and the reached up to plant a quick kiss on her right cheek. "I never just say anything," he said, releasing her hand and stepping back just out of her longer reach "And if I say it, you can take it to the bank."
Darryl watched as a flood of emotions crossed her face. Then, realizing he wasn't going to get killed for daring to kiss her cheek, Darryl's naturally impish nature came back to the fore. With no warning, he reached out and gently took her hand again. Bowing over it, he kissed it gently and murmured, "You can trust me on this, milady."
*Trust him on WHAT?* Audrey's mind screamed as every sense in her entire body seemed suddenly concentrated on her right cheek. Wide eyed, she brought her hand up to touch the places Darryl's lips had so fleetingly caressed. *What's changed,* she wondered as she looked about to find Darryl watching her, an oddly familiar crooked little smile on his face that made her feel kind of warm and soft inside. She opened her mouth to say something, but couldn't find any words. She tried again, and failed again. Then, she managed to choke out "I . . .I have to go," and turned and bolted toward the house.
Darryl watched her run, his hand coming up to his still-tingling lips. "I know what you mean," he whispered after her. "I think I feel the same way, too."
Then he began walking up the same trail.
Jane sat in her 'usual' chair in the waiting area of the Marisha Chalet salon. Seated there, she could observe her student's reactions to the salon experience and be available should her stern and steady hand be required. How often she'd watched a previously obstreperous boy go pale under the baleful glare and threatening words of Sandra, seen determined resistance turn squeamish when given their first look at a new hair-do? At least the first two visits for every student, certainly, and more than that with all but a very few. Actually, unless Jane was at the salon with a student, there would not ordinarily be a seat in that precise location because the clear field of view it afforded Jane would be intrusive to a regular Chalet client.
Now, Jane was watching as Sandy prepared to give Audrey the "hair club for women" treatment, adding both length and bulk to the girl's still-too-short locks. The technique Sandy would use was expensive, both in terms of the actual procedure itself and in terms of the equipment needed to perform the addition. Jane had paid for the equipment and for Sandy's training after Michael had nearly scalped himself in his blessedly unsuccessful attempt at killing himself. Since then, several short-haired students had left Sandy's chair with long and flowing locks a budding Rapunzel would have cherished, along with all the problems and demands caring for such a mass of hair entailed. Still, she'd never expected to use the technique on a real girl.
Jane chuckled when she recalled Sandy's reaction to Jane's call the day before. She, Darla and Marie had all had a great laugh over it when Jane had shared it with them after dinner.
"Ummm, Jane?" Sandy had said, her voice uncertain. "You said this one is a real girl? And she's your student??"
"Why yes, Sandy. I don't know why you sound so surprised. I did teach in an all girl school for several years before establishing myself here. SOME of those pupils were really girls, dear - honest."
"But, Jane," and Sandy's tone took on a whining note that reminded the teacher of some of her most difficult students. "A real girl? I don't know if I can do that."
Suddenly understanding where this was going, some mischievous imp made Jane play along. "You mean you don't have real girls as clients, Sandra? All of your clients are like my boys? Why, Sandy, I am shocked."
"Of course we do," was the disgusted reply. "And well you know it, too. I just meant that I don't think I can be. . well, nasty enough to a real sister, you know? I mean, I rag on the boys hard, and that's cool - that's fun, but it seems, well, disloyal to treat a real girl like that."
Jane's voice became cool. "Sandra? I don't believe I asked you to treat her as anything other than one of your regular clients. In fact, nasty is the last behavior I want you to exhibit with Audrey. What I do want you to do is make her want to be your very best customer. I want her to think that a trip to your salon is one of life's special gifts to womankind - something she will desire to repeat many, many times. In short, I want her to enjoy herself immensely while under your care."
"She's not. . .I mean, she's not like your regular student?"
Jane chuckled at that. "How can she be, dear? You just said it - she's a real girl. Oh, and that reminds me. She's NOT to know that she is unique in that regard. Just act as if this is how it is for any of my students I bring to you."
"Well, if she's your student, and she's not walking out blond and big-haired, one of the other stylists may wonder about that. None of them are in on the game, Jane, and you are pretty predictable that way."
"I will leave it to you and Caro to deal with that, Sandy. We should be there by ten. Is that acceptable?"
It had been. In truth, she'd expected more of a reaction from Audrey when she'd announced the day's plans at the breakfast table. The girl had been positively vague, forcing Jane to call her to attention twice during the meal. Even after being told about the salon trip, she'd only asked when she had to be ready. Once there, Audrey had meekly allowed herself to be led to the cubicle where Sandy worked her magic.
In the next cubicle over, Caro was just finishing up a perfunctory treatment on Darla, mainly because the brunette wig precluded any real hair work. The wig had also precluded one of the other stylists handling Darla. On the positive side, the hair piece did not really need much work so Caro was ready and waiting when it came time to dress Audrey's new hair.
Darla came over to sit by Jane just as Sandy began the manicure.
Audrey sat quietly in the chair, letting the fussy, bossy female have her way without much argument. She had so very much on her mind just then, and the mindlessness of sitting in a chair while someone fluttered around her allowed Audrey the opportunity to fully reflect on recent happenings.
Like this salon visit, for instance. So far it had not been all that bad. Certainly not as unpleasant as one of Miss Phoebe Elizabeth's 'groomings'. A part of Audrey admitted that those distinctly uncomfortable experiences, with her governess' constant and acidic commentary instead of music in the background, had been the primary reason that Audrey had opted for short, closely cropped hair. This Sandy person had only actually hurt her once, when she'd pulled a bit too hard, and she'd immediately apologized for that.
*Of course,* she thought with just a hint of a smug smile, *After that talking she got from Ms. Thompson when we arrived this morning, which oh-by-the-way, I THINK I was NOT supposed to hear, this Sandy may well be on her best behavior.*
But now, as she sat in this pastel-colored barber's chair recalling that talk, Audrey realized she had only been given yet another conundrum to worry over, and hopefully, to solve.
"JANE!" Sandy hissed as she came out of the cubicle after settling Audrey in the salon chair. "HOW am I supposed to make THAT . . .that amazon enjoy being here?"
"I'm sure I don't have to tell you, Sandra. Make her feel like a princess. Make her feel feminine and pretty. Make her feel like you consider it a privilege to work on such a beautiful girl."
"That coltish giant? A princess?" Sandy was no longer being quite so careful with her voice. "More like professional wrestling queen - like that bodybuilding female who was just in Playboy," Sandy said with sneer in her voice.
"The last time I checked, that magazine was not noted for photographing unattractive women, Sandra," And at that point, Jane's voice was so cold that Audrey nearly shivered herself. "But that is not the point, is it? That girl is a lady, and you are going to make her feel like one. Do I make myself clear?"
"I'll try, but it isn't going to easy," Sandy replied darkly.
"Don't be so certain. Why, on our way in here, I saw two boys nearly walk into a kiosk because they were staring at her. If you are objective, and half the artist I think you are, you will see how lovely that girl really is."
"Do you believe that, or are you just trying to jab at me, Jane?"
"Have I ever lied to you, Sandra?"
*And that,* thought Audrey as she finished replaying that scene in her mind, *Had been that! First Darryl telling her she wasn't masculine-looking, and even hinting that he let her win their little races because he liked watching her butt.* Audrey snorted at that. *Male ego, more likely, and yet, hadn't he won fair and square this morning? And then kissed me? What am I supposed to think or do about THAT?? Now, on top of that, I've got Jane Thompson saying that I am lovely. . .LOVELY! Had two boys really walked into a post staring at me? I didn't see it, and yet, Ms. Thompson doesn't lie. I think. Oh lord, I am so bloody confused!*
"MS. ROCKWELL!" The sharply spoken words broke through the swirling maelstrom of Audrey's thoughts and she looked up to see a rather impatient looking Sandra staring down at her.
"Yes, ma'am?" Audrey replied, figuring out that Sandy had evidently been trying to get her attention before the last call had broken through.
"Dear," the woman said with a smile that Audrey found uncomfortably disconcerting, "You really should consider nails. With hands as elegant as yours, they'd be just spectacular.
Audrey lifted one of her hands and gave it a careful examination. Like her hair, she'd always kept her nails short because she didn't want to have to fuss with them. "Nails?"
"Sure," Sandy replied, warming to one of her favorite themes. We can do some extensions while you're here -like these," she said, holding up her own set of perfectly manicured claws. "Why, you could easily handle them, and polished a deep, rich red, they'd be just perfect with your hair. The boys just love them." Audrey saw a strange, mischievous look cross Sandy's face. "On girls, that is," she finished, laughing at some joke Audrey couldn't quite get.
Audrey compared her hand to Sandra's and tried to picture her nails as Sandy had described them. "They do?" she asked, while ruthlessly putting away the picture that came to her mind.
"Oh, absolutely," Sandy said with blithe assurance. "With long, elegant nails, you'll have your boyfriend literally eating right out of your hand, and grateful for the privilege."
"Oh, I don't have a boyfriend. Not really," Audrey denied, but nothing she could do would block the image of a certain boy thankfully nibbling at a shiny, dew-moistened grape held tantalizingly between two ruby-red talons.
HER talons!
"Well, you will have," Sandy replied.
"Audrey, dear," Jane Thompson's voice said from behind Audrey's chair.
*When had she walked up?* Audrey asked herself in some surprise before looking up at Jane's reflection in the large mirror.
"I think nails would look lovely on you, but they're probably not suited with your other activities." Jane held up her own hand, her nails nicely shaped and colored a deep maroon that went well with her hair, but they were short, barely extending beyond the tips of her elegantly long and slender fingers. "I have had to choose between lovely nails and riding my horses. You will have to make a similar choice, I am afraid."
"Oh. Right," but while that settled the issue, there was something inside Audrey that wanted, yearned for the reality of the boy and the long nailed hand. She sighed, and then smiled up at the salon owner. "I guess I'll have to pass on the full treatment, but , umm, could I have nails that look like Ms. Thompson's?"
Sandra looked back and forth between Jane and her pupil for a moment, and then shrugged. "Sure. It's no problem at all. Just takes a little effort with an emory board, the right polish and patience. You want me to give her the treatment and some initial instruction, Jane?"
Pleased with Audrey's request, Jane had, of course, given Sandy the go-ahead. That said, Audrey went back into her unusually quiet, contemplative mode again.
Jane would have given a great deal to know what the girl was thinking about.
*Oh, well,* she thought, *At least she seems to be relaxing here. I am fairly certain that as little as a few weeks ago, she'd have reacted to this place much as any of my boys did on his initial visit to the Chalet. In one way, it is too bad I've already picked out Audrey's hair style. It might have been interesting to see what she herself would have picked because she certainly surprised me about her nails which were not on my agenda at all. Maybe next time I will give her some input in that area as well.*
Jane could hardly repress the gleeful cheer when Audrey rose from Caro's chair, her new shoulder-length black hair falling in smooth midnight waves about her face and shoulders. And her face! *I too often forget just what an artist Carolyn is when her brushes and pads. I am good and Marie is excellent, but Caro takes cosmetics to another plane entirely.*
Audrey was amazed as well, only, she wasn't quite sure what was different. Certainly this woman had been working with her for almost forty five minutes, but it all looked. . . so, well natural, . . or was it, supernatural? *That's it! The woman is a witch and she's cast a spell to make me look like this.*
"Wonderful, Carolyn, just wonderful," Jane said. "Well, Audrey, what do you think?"
Audrey was still looking int the full length mirror. She turned to the two older women. "I. . .I don't know this person," she finally managed. "And I know you put make up on me, but I can't see it. Where is the red? Where's the green and blue stuff around the eyes?"
Caro laughed easily. "Oh, Jane, you need to send this one to my Wednesday classes. She is thinking like a 1950's movie sex kitten." Then Caro walked over to Audrey. "Stand straight, girl," she ordered. "You have a lovely figure, so don't hunch over like that. Be proud of yourself."
"But I am so tall!"
"So are Cindy Crawford and Elle MacPherson. Now do as I say," she ordered again, pulling Audrey's shoulders back. "Now, look at your face. Look at your eyes - see that lovely color? Why would I embellish that with greens and blues that would call attention away from those gorgeous eyes by using clashing colors? Look closely and see what I did do. Look at the barely visible pearlescent sheen on the earth colors that seem to blend with your own lovely skin tones. Where do your eyes go when you try to look at that?"
"To. . to my eyes?" Audrey breathed.
"Very good!" Caro applauded her attentive student. "Now look at your mouth and lips. If you had thin, pinched lips like some of my clients, I might have used a brighter shade to add fullness, but my goodness, Audrey, you don't need tricks like that. You just need a hint of color so that it looks natural, but just a bit more so."
"Supernatural," Audrey murmured to herself again.
"Exactly! You should dress this one up as a cute sexy witch for Halloween, Jane. I know of several parties where she'd be mobbed young men all eager to be put under her spell."
Jane saw the look of horror that crossed Audrey's face at that idea and moved in to do some damage control. "Not quite yet, Caro. I think this one has a good deal more to learn before we let her stomp her spiked heel on some poor man's proffered heart. Maybe the Christmas Ball at the country club. Now, Audrey, I want you to go back and thank Sandra, too, and then we will be off." Audrey nodded and started to hunch over until Caro cleared her throat loudly. Color flared on Audrey's cheeks, but she kept her head up and her shoulders back as she'd been told.
Following her student to the back, Jane smiled widely at the open-mouthed shock on Sandra's face when Audrey turned to leave. "Meet me in the car, Audrey," she ordered as she sauntered over to Sandra. "Gawky, wrestling queen, eh? Maybe you should get glasses, Sandy."
Chapter 9: Dancing and Flirting and Other Girl Lessons
Jane stifled a exclamation of pain as yet another of her toes got caught beneath one of Audrey's not insubstantial dance pumps. Determinedly, she kept up the time, and led her pupil into another wide waltzing turn - only to have one of her few remaining uninjured toes come to grief. If Audrey had been any other student, Jane would have hired a dancing master to train her instead of trying to fulfill the male role herself. Still, she did not want the girl to lose sight of the fact that dancing, particularly waltzing, meant being in close, hopefully amicable, proximity to a male. Jane had even gone so far as to dress in slacks, flat shoes and a white shirt for the task. *I should have worn steel-toed work boots,* she thought as yet another toe got crunched. *She is certainly a BIG girl, and that is more than enough for today.*
Jane stopped, bringing Audrey to a complete halt before gingerly stepping away. "All right, Miss," Jane started in her best schoolmarm to inattentive student voice, "What's wrong here? This is not your first dance lesson and this is the first time you've decided to dance on my feet instead of your own. What's the matter? Aren't you feeling well?"
Audrey seemed to look through the older woman for a moment before her eyes seemed to refocus. "I'm sorry, Ms. Thompson. I just. . . well, I can't seem to concentrate today."
"Any idea why, dear?" Jane asked more gently.
Shaking her head reminded Audrey forcibly of her new hair. "Maybe it's this?" she said, holding up one of the shiny raven locks. "Perhaps it is throwing off my balance?"
Even Jane Thompson could not hold back the smile Audrey's joke elicited. "You're not having THAT much of a bad hair day, young lady. I think maybe we will call it a day, then. I will go soak my poor feet, and you can spend the afternoon figuring out what is distracting you. We will continue this tomorrow, Audrey," and Jane's look hardened, "I expect that you will give it your every attention." Jane waited until her student acknowledged that directive, then smiled at her and the other two women in the room. "If you will all excuse me, then?"
Darla stood and walked over to Audrey. "You okay?" she asked solicitously.
"Yes, I'm fine. Just a bit. . . off, I guess."
"Want to take a walk in the woods before dinner?"
"An excellent notion," Marie chimed in from the piano. "In your current state, Audrey, I don't think I could trust you with a knife so you can help with clean up tonight instead of the cooking."
"All right," Audrey said, smiling at Marie before turning to Darla. "Let me get something other than these Jane-killing spikes on my feet and I will meet you at the front door."
As they walked along, coming to the path where Darryl had stolen a kiss that morning, Darla looked at her pretty companion then let out a sigh carefully calculated to be heard without seeming ostentatious.
"What's the matter?" asked Audrey.
"Oh, nothing," Darla said, sighing again.
"Don't try that dodge with me. Something is on your mind. Now give!"
"It's nothing, really," Darla said again, but continued. "It's just that, well, it was at this time of the year, with the leaves so pretty, when I, um, when I kissed someone special."
"Someone special? As in boy-girl special?"
"Of course, silly," Darla said, blushing.
"And you kissed him? Not the other way around"
"Oh, Audrey, you are so out of it. Don't you know that boys, are way too shy to make the first move? At least, most of them are."
"Not all of them," Audrey declared quietly. After a long moment of walking in silence, she said, "Darla, do you know Darryl?"
"Sure I do. I told you about him, remember? And arranged with Jane for him to help you work out?"
"Oh, yeah," Audrey said thoughtfully. That seemed so very long ago all of a sudden. So much had happened since those first days here at Seasons House. " Have you ever, well, seen him go out regularly with a girl?"
"You mean, like, going steady?" At Audrey's nod, Darla pretended to think about it? "Well, not really steady." *I never had the chance until I went to college,* she reminded herself, trying to stick as close to the truth as possible. "I think there was someone when he first went away to school, but gossip has it that they broke up before he came back home to finish his schooling locally. She was a competitive swimmer from what I've heard. I read about her in the papers. She was a national finalist in the butterfly stroke."
A momentary spark of hope flashed through Audrey. She knew a few swimmers and knew what strength it took to be nationally competitive at the butterfly stroke. "Well, um, do you think he could ever really like a girl that was taller than him?"
"Um, I, ah, suppose so. I'm pretty sure she was taller than Darryl, in any case. Why?
Audrey felt her face go hot and for a moment, she considered dropping the whole subject. *Dammit,* she railed, *How else am I going to figure this out? Who else can I ask?!? Didn't she offer to be my friend??* Taking a deep breath, Audrey still could only whisper out. "Oh, um, well, he, uh, hekissedmeyesterday." she managed to blurt out.
Only an extreme effort of will kept Darla from cheering. Controlling herself, she managed a confiding little smile instead of the face-cracking grin of triumph she was feeling "Oh, he did, did he? Sweet!" and the emotion Darla invested in that observation made Audrey's blush feel even hotter to the taller girl. ."So, Darryl kissed you, eh? Did you kiss him back?"
"Heavens, Darla. No boy has ever kissed me before. And he seemed like he meant it. I was, well, I'm so confused about the way I feel."
"Wow. Not only kissed, but FIRST-kissed. Well, that IS something. Did you like it? Was he any good? You gonna do it again? And, you never answered my first question," Darla accused, "Did you kiss him back?"
Audrey could only stare at her friend, who was now standing directly in front of her, the smaller girl's hands fisted aggressively on her hips. "However do you manage to get so much out without stopping to breathe?" Audrey asked wonderingly.
"No hedging. Answer the question," Darla ordered, "Make that 'questions'."
Audrey bridled for a moment, but then remembered she had started this. *but that doesn't mean I have be a wuss about this!* "In order," she said, ticking off on her dark red-nailed fingers, "I don't know. How could I know? I'm not sure. and No."
"Huh?" Darla spluttered? "What was that?"
"Your answers," Audrey replied, moving around Darla to continue the walk, feeling oddly better for that bit of foolishness with her friend. "In the order you asked them."
"Wait a minute," Darla yelled, and hurried to catch up with Audrey. "Give them to me again, slower this time, if you please."
"Oh all right, but pay attention this time," she chided in a very creditable imitation of Jane Thompson in her 'strict schoolmarm' mode. "I don't know if I liked it, because I was too shocked to feel anything else," she said, even as she recalled the funny warm feeling deep in her belly. "How could I tell if he was any good when it was my first time? I don't know if I am going to do it again," *but I would probably let HIM do it again,* she added silently, "And I didn't kiss him back."
"Well, why not?" Darla sounded outraged.
"Because he kissed my cheek and then my hand." *And because you all but ran away before either of you could do anything else,* she chided herself. *Maybe you really are a wuss, Rockwell.*
Darla sniffed. "Cheek kisses don't count," she said with the assurance of an expert. "Aunt JANE kisses me on the cheek."
"Seemed pretty important to me," Audrey muttered.
"Then, maybe you should try it again," Darla encouraged. "On the mouth, this time, so you will know if you like it."
"I can't. . .I mean, I don't. . but. . "
Darla caught her friend by the arm and brought the taller girl to a stop. The twinkle in her eyes belied the stern tone of her voice as she used her greater experience to show Audrey how Jane would REALLY sound in full-lecture mode. "Calm down. Think about it, and say what you mean."
"I really like Darryl," the taller girl began, and then hurriedly added, "as a friend, that is. And even though I think I could really get to like him. . . other ways. . .well, I haven't had many friends - boy or girl - my own age. Even the sport I follow is an individual thing. I don't want to lose that by . . . "she faltered and then forced herself to continue, "Forcing unwanted attentions on him."
Darla's mouth dropped and she barely managed to suppress the giggle. "Do you know," she asked slowly and carefully, "how much like one of Aunt Jane's Victorian heroines you sounded like?"
"Its NOT funny," Audrey fumed.
Darla's eyes gentled. "I know. One thing about boys, Audrey? They're pretty basic. They don't kiss girls, particularly as carefully as Darryl kissed you, unless they like the girl, okay?"
"I want him to keep on liking me," Audrey snapped back.
"I don't think kissing him is going to make him not like you," Darla replied drily.
"But how can I know? If he stopped being my friend over this, I would really feel bad."
"Then get him to kiss you. Let him know that and let him decide."
*That was a thought,* Audrey mused, *but* "How do I do that without asking him?"
"No problem," Darla blithely assured her friend. "You just need some flirting practice, and I know just the person to teach you."
"You?" Audrey asked, skeptically.
"Nope, someone much better."
"Oh, no!" Audrey almost yelled. "I know you think the world of her, but the LAST person I am asking about boys is that Aunt of yours. With her enthusiasm for the Victorian era, she'd have me in a damned chastity belt so fast it would make my head spin."
"No, not Aunt Jane," Darla scoffed. "You want to know about the finer points of love, of what the greatest lovers in the world, the French, call l'amour. We just happen to have our own Gallic expert here. Tante Marie will know what to do and what to teach you."
"Marie?!?!?"
"You told her WHAT?!?!" Marie screeched.
"You heard me, Tante Marie," Darla said with a wicked grin.
"You told her that I would teach her how to flirt, so that she could tease Darryl - you - into kissing her again? For god's sake, Darla, why didn't you just teach her yourself since you, in your other role, will be the ultimate beneficiary. Break the girl in right from the start!"
Darla winced at the sarcasm in her beloved Marie's voice. "Well, in all honesty, Marie," she said, much more contritely, "I didn't think of it that way. I just felt it would be more fair to Audrey if you helped her with this part of her training. If I told her what would work on me, that is, on Darryl, it just . . . wouldn't be right. Besides, she needs to know how to flirt with, well, anyone. Just in case . . ."
Marie thought about that, decided she liked the way Darla had put that, and indicated the youngster should continue. "Well, the other big reason is that I don't know much about flirting - as a girl or as a boy. Oh, I know all that silliness with a fan, like some romance novel heroine, but that isn't really flirting, and as for Darryl, well, my only real girlfriend was rather, well, shall we say she was more direct than that."
"A major deficiency in your upbringing, cherie," Marie said with a wicked grin. "All right. I will teach her - actually, I will teach BOTH of you!"
"Both of US!?!? Why me? I don't need to be able to flirt like a girl!" Darryl's outrage showed through Darla's still feminine tones.
"But oh-yes-you-do, petit," Marie came back, very pleased with herself. "How do you plan to get the shy Audrey to come to me if you are not there to prod her, eh? And what motivation do you give her? A boy she is not sure she wants? No, you must come so that she will have someone to compete with."
"Compete with? What is this, a duel? Fans and eye-winks at twenty paces and may the best woman win?"
"Parfait! You wish her to learn, I tell you how to make her want to learn at first." Marie gave a little shrug. "And if she finds she likes doing it, particularly with Darryl, then she will come back for more, eh?"
Darla sighed and thought of how hard Audrey was working with the free weights because Darryl could still out-lift her. *Marie's right about her competitive nature. That's my Audrey to a 'T'.* "All right, Tante Marie. I will get her here somehow, and then stay on to learn myself."
"Excellent, Darla, but one last thing, eh? I will teach her as she is. You will not get a sexy siren or another very direct woman because la belle Audrey, for all her seemingly aggressive ways, is really very shy about her inner self. You must be prepared for things to proceed slowly, my love."
"So you and Dad keep telling me, Tante Marie. You will tell me if she says I am going too fast for her? Or if you see that she is really bothered by Darryl?" Darla asked, recalling her earlier walk and talk with Audrey. "She's not the only one who doesn't want to lose a friend over this."
Marie saw the uncertainty in the eye of the child she shared with Jane Thompson and felt her heart fill with love. "Oui, mon petit chou," she said hugging the femininely outfitted boy tightly to her. "I will," she promised as she added, *and I will play the most excellent matchmaker for the pair of you, if that is what you both truly want.*
Chapter 10: Fall at Seasons House
Sunrise was still a good ninety minutes away when Darryl arrived at the stable and turned on the outside lights to wait for Audrey. *One distinct problem of early morning workouts during a New England autumn,* he grumbled. The later dawn meant sticking to lighted roads for their runs instead of the unilluminated woodland trails he preferred. *Well, maybe the moon will be bright enough once it gets a little more full that we can at least run down to the beach.*
Idly, he thought back over the past couple of days at Seasons House. Jane was up to something, he was sure. She wasn't being quite so open with Darla on the subject of upcoming plans for Audrey's program as she should have been. That meant she was going to pull something and did not want Darla to know about it ahead of time so that her reaction would be completely natural.
Which meant, whatever the 'something' was, that Darla was not expected to like it. In the old days, with other big sisters or even with Darla in the early days, Jane could get away with such tricks, but you could learn a great deal about how a person thinks in five, almost six years. *Wonder what it is? Halloween will be on us in short order, and Jane hasn't mentioned that, either. She told Audrey that we wouldn't be going to any parties, but there are a lot of other things _it_ could be and still be Halloween. Oh well, guess I will find out when Jane wants me to find out.*
Darryl's thoughts then skipped back, as they so often did these days, to Audrey. The flirting practices had started and he had to admit that Marie was right. Getting Audrey's competitive juices flowing had worked wonders. *Wonder if they'd gone as well after Jane called for me yesterday and I had to leave the two of them alone?"
"Darryl? You there?" Audrey's voice called from beyond the halo of the stable's outside lights.
Darryl turned toward the sound and was about to answer when he saw her, and lost all sense of what he was going to say. One of the focused-beam lights spotted her perfectly. This was an Audrey he hadn't seen before.
Her newly lengthened hair was up in a ponytail off the top of her head, the wavy mass bouncing gently as she moved toward him. Instead of her gray man-styled sweats, she was in skintight running pants and a fitted t-shirt under a satiny warmup jacket - all in a deep burgundy color with gold highlights. *My god, and she's got make up on,* Darryl realized as he saw how distinct and finely shaped her eyes and lips were.
"Well, what do you think?" she asked, holding her arms out and pirouetting slowly. When she finished the turn, she held her extended arm positions and gave him a slow, half smile, her long lashed eyes have open. *he hasn't said anything,* Audrey thought, *But Mom would call that look on his face 'gobsmacked.* "Well?" she said again, louder.
"Wow," was all Darryl could get out.
Audrey's smile widened into a grin. "I take it you like the outfit? Ms. Thompson thought it was time I started wearing more feminine things during my workouts."
"Oh, I agree," Darryl said, his voice sounding somewhat breathless, "I agree wholeheartedly."
For some reason, Audrey's body felt warm where ever his eyes fell, but she decided it was a nice warm. "Well, let's get started," she finally said. "I have to be back in the house in time to take care of these," she finished holding up her nails for his inspection.
Darla had seen the new nails while "Darryl" had not. And in truth, with Audrey looking so. . . so fetching, it was almost as if he really hadn't seen them. Shaking himself, Darryl managed a weak smile. "So, what do you want to do today."
"Run," she replied grinning. "You beat me yesterday and I want revenge."
"Oh?" Darryl replied, beginning to get his feet under him again.
"You bet. I want you back where you said you liked being so much, buster, following my butt!" And with that, she took off at a run for the trail.
Caught unawares, Darryl laughed and followed her. "Gotta tell you, sweetcheeks," he called, "If that's the way you're going to dress from now on, I am even happier to be back here!"
An hour and over six miles later, the pair burst onto the main driveway to Seasons House from the state road. Audrey and Darryl were neck and neck as they thundered up the drive and turned onto the main trail to the stables. No quarter was asked, offered nor given as both competitors dug down deep in this sprint to the finish. In the end, Audrey's longer stride won out as she edged Darryl by no more than two yards.
They slowed to a jog and then to a walk as they circled the stable for their cooldown. "All. . .is. . .right. . .with the . . world," Audrey said around deep, cleansing breaths. "I'm first. . you lose."
"Naw. . .," an equally winded Darryl retorted, "you. . cheated. You won by two yards. . after giving yourself. . .a ten yard. . head start. I. . . figure.. that makes me. . the winner."
"You just keep dreaming. .. those happy dreams, fella."
"You came in . . .next to last. I was second," Darryl teased.
Both of them enjoyed a laugh at the silliness as the approached the stable entrance. The dawn was lighting the sky now and Audrey reached inside to flip off the outside lights.
"BLAST." she snapped. "I just broke a nail!"
Darryl looked at it and saw that it was a minor break, easily fixed. "Can you fix it?" He asked.
"I don't know. I've never had manicured nails before. Maybe Darla will know how so I won't have to ask Ms. Thompson. Well, that means I have to hurry then, so I will have time to ask her and get cleaned up."
"Okay, see you tomorrow."
Audrey drew in a deep breath, bent down and kissed Darryl. . .somewhere in the vicinity of the mouth, although in her blind thrust, she missed by just a little bit. "Tomorrow," she echoed and then sprinted away without another word.
Darryl felt like he'd been rooted to the ground somehow as he watched her disappear around the bend in the trail. "She kissed me. . . well, maybe she kissed at me, but it's a start." He gave a joyful shout before he thought. *Shoot! She's going to come looking for Darla to help her fix that damn nail. Crap! I have to hurry or she'll catch me in mid-transformation!* whereupon he also sprinted up the trail to the mansion.
Seated astride Teddi, Jane watched as Audrey guided Garters through a complicated dressage course riding sidesaddle. "Pay attention to the change of lead," she called out to her pupil. "You have to make sure he knows where you want him to go because you cannot correct with knee pressure as you can astride." Jane made herself sound testy, because she intended to push the girl hard, but Audrey was doing well enough. *I will have to start having her ride in a Victorian riding habit so that both she and Garters get used to the feel of all that heavy fabric.*
"All right, that is enough for today," Jane ordered as she trotted up to Audrey. Garters shied as Teddi approached, but Audrey controlled her mount easily and competently. "Well done," Jane complimented. "I think that tomorrow we can begin working on jumping exercises as you have fulfilled your part of our bargain by working at sidesaddle. We've some more work to do, but we can do that and jump, too."
Audrey glowed at Jane's praise, and shyly smiled at the older woman. "Thank you. I'd like that."
Jane dismounted Teddi and indicated that Audrey should also get down from her mount. "Let's give these two darlings a good brushing and then I would like to speak with you about something I have planned for you. . .actually, for all of us."
*She didn't sound threatening,* Audrey reminded herself as she groomed Garters. *And she did say I did well today, so this isn't one of her bloody disciplines, is it?* She had not answer, but she could not get the feeling out of her mind that Jane was up to what Darla called 'one of her little schemes' and that made Audrey very nervous. Very nervous, indeed.
Jane led Audrey to a trail the circled around the grounds of Season's House. She could practically see the girl's curiosity shimmering about her, but was pleased that she found the patience to let the teacher begin the discussion. *She might not have done so, two months ago when she arrived here,* "the reason I wanted to speak with you, Audrey and speak with you alone, is to give you fair warning of something I have planned for you."
Audrey felt a chill scrabble up and down her spine, but she managed to keep her expression only mildly curious. "Yes, Ms. Thompson?"
"Actually, Mrs. Beale, that's Caro, reminded me of it yesterday when she mentioned Halloween parties."
"You said I wouldn't be going to one," Audrey put in.
"No, I didn't, " Jane corrected firmly. "Or at least, that is not what I meant. I meant that you would not have to worry about stepping over and around the bodies young males prostrating themselves at your feet. You will be going to a party, and you will be in costume, but it won't be THAT type of party."
"Oh," was all Audrey could manage, but Jane heard the excessive relief in her voice.
She reached out and put a gentle hand on the tall girl's shoulder, stopping her. "We will have to discuss your issues associated with young males someday, dear, and I will insist that you interact with them socially at some point in your stay with me." Instantly, Jane could almost see the shields go up around the girl and felt her body tighten. "But not this time, Audrey," Jane continued in a much gentler tone. "Not this time."
Audrey felt the sincerity in both Jane's words and in her touch, and willed herself to relax. "All right," she finally replied.
"Very well, then," Jane said in a brisker tone of voice. "By the way, you don't happen to sing, do you?"
Whatever Jane expected as a response to that question, it was not self deprecating laughter, so she was a bit off guard when Audrey regained sufficient control to answer the question. "No, I don't. At least, not when there are any unfortunates around who I don't wish to torture. Miss Phoebe Elizabeth, that was my governess, felt that all young girls should sing in a choir and was quite insistent about it. In the end, the choral director gave up on trying to change Miss Phoebe Elizabeth's mind, and instead paid me a small bribe to lip sync with the other girls."
"That bad, eh?" Jane asked suspiciously.
"I can give you the name of the director. She's a sweet old lady and one of my favorite people. She. . ." Audrey's voice stumbled as she realized what she was about to say.
Seeing the stricken look on her student's face, Jane prompted her to continue. "Get it out, whatever it was. It is bothering you and I promise not to discipline you over it."
"Miss Bond used to say that we all had gifts, but not all gifts and that I had been elsewhere when musical talent and such were handed out. But she never once made me feel bad about it. She used to say that it made the chorus look as pretty as it sounded when I was standing up with the other girls."
"I can see how she'd have been right, dear." Jane said so matter-of-factly that Audrey's mouth fell open. "Well, you are that pretty when you aren't trying to hide your light under a bushel. Unfortunately, your lack of a singing voice does change my plans somewhat."
"Plans?"
"Yes, dear. My family and I have a tradition of going to a small children's party held at the children's hospital. There is a small show put on by the volunteers for the children and other party stuff."
"Like bobbing for apples," Audrey said, enchanted with the idea of the party.
*Uh oh,* Jane thought. "Audrey, you need to understand something. These children are. . " Jane's voice caught and she coughed, "Well, they're special. . . while there will be bobbing for apples, not all of them can do it for themselves." Jane became very quiet and then continued. "Some of them, perhaps even most of them will not ever have another Halloween."
"WHAAT!?!"
"The party is at the pediatric oncology ward, Audrey," Jane said softly. "All of these children have cancer of one form or another."
"Oh." Audrey replied, her own voice suddenly very far away.
"Because of that, I am not going to insist that you participate. If you don't think you can handle . . .knowing what those children are facing, or if you simply think you'd rather not go, I will not order you to attend the party. These children are very sensitive and they will know if someone doesn't really want to be there or acts. . .well. . strange around them."
Audrey became silent at that, and simply continued walking beside Jane. Her mind was in a tumult; confused thoughts spinning crazily about inside her head. *Could I do it? It sounds like a perfectly wonderful thing to do, but me?* "I've never done anything like that before," she finally said aloud before admitting, "And it is scary - the thought that you could mess up some kid's last holiday. I want to help, Ms. Thompson, really I do, but. . . "
"But you are uncertain how you will react?
Swallowing hard, Audrey nodded. "You said it, Ms. Thompson - those kids are special. They're dealing with shi . . stuff that no kid should have to deal with. The last thing I want to do is something that would make them feel worse, especially during a party."
"Fair enough," Jane said with a very gentle and approving smile. "Suppose you go in costume prepared to help, but if what you find there is too much for you, then you can go into the serving area and help there."
"I'd like that, Ms. Thompson," Audrey replied, relieved at the compromise. "So, what costume did you have planned for me," she asked, a Marie-taught teasing smile curling her lips as she regarded her companion under half-opened, lash-hidden eyes.
"That's the problem. You can't sing, or at least, you SAY you can't sing. Darla almost can, so I guess SHE will have to be Shirley Temple. The children do so love singing "Good Ship Lollipop" along with someone."
*ACCK!* thought a suddenly very relieved Audrey. *Better her than me, poor girl.* "So, what do I wear, then?"
"I suppose we will have to put our heads together, won't we?"
"What do you wear, or don't you dress up?"
"I," Jane intoned royally, her hand pressed dramatically to her breast, "am ALWAYS Mary Poppins."
"How appropriate," Audrey said with a giggle. "Practically perfect in every way."
"So glad you've finally noticed that, child," Jane said, very pleased with the girl. "Actually, I do a little magic show for the children. You know, pulling various things out of my carpet bag and such. Little gifts for the children. Once I brought a couple of kittens, but some of the children were allergic and their resistance was down due to the chemo." Audrey heard the wistful tone and began to think.
"WHAT DO YOU MEAN, I'M GOING TO BE SHIRLEY TEMPLE?!?" Darla yelped in as unladylike a response as Audrey had yet heard from the petite brunette.
"I can't sing," Audrey repeated for her friend before taking a sip of the cold milk Marie had put in front of her when she'd brought out the cookies.
"You're just saying that." Darla accused. "EVERYone can sing - at least a little."
"No, I really can't. Ms. Thompson is going to call my choir leader just to check, though."
"Harrumph. So, what are you going to go as?"
"I don't know. Something Ms. Jane said that caught my attention, though. . ."
"Oh?" Darla prompted as she quickly checked the doors before dunking her chocolate chip cookie in her milk.
"Do you think we could find something furry to wear? Something we could make into a hypo-allergenic kitten costume?"
Darla's eyes lit up at that. "Oh, that would be cool and the kids would LOVE it!" She jumped from her seat and rushed to the kitchen door. "Marie? Can you come in here a minute?"
Moments later, after Darla had explained the situation to Marie, the older woman nodded. "I think we can come up with something that will work. Good thing my own costume is already done."
"You're going, Tante Marie?" Audrey asked. "In a costume?"
"Certainly. I go as the fierce French buccaneer, Jean LaFitte," Marie said, exaggerating her accent before breaking into a grin. "The children get a real kick out of me dancing a hornpipe and singing 'yo-ho-ho and a bottle of rum'."
Audrey was about to ask a question when Jane stuck her head in the dining room. "Audrey, your mother would like a word with you, please? On the phone in my downstairs office?"
"Yes, Ms. Thompson," Audrey replied before turning back to Marie and Darla. "Excuse me, please."
Darla watched as the tall girl disappeared into the hallway outside the dining room and sighed lustily. Marie, on the other hand, watched Darla and grinned happily. Then she saw the look on her girl's face. "Now why is it, petite, that I think your idea of a kitten costume and la belle Audrey's are not quite the same?"
"You don't think we could get her into a Catwoman costume like Michelle Pfeiffer wore?" Darla said, wistful hunger in her eyes.
"Non, I do not. Jane would not stand for it either."
"But kids LOVE Batman stuff," Darla wheedled.
"Not to worry, petite," the bright-eyed older woman said. "I have something in mind that might be almost as good from Audrey's perspective and almost naughty enough from yours."
Jane only half listened to the half of the call she could hear. Mostly, she was listening for emotion so that she could intervene if something bothered her student. *Not that it should in this case,* she thought. *With boys in skirts it was a different thing altogether. Particularly when the Moms didn't know their boys were in skirts."
"Yeah," Audrey said. "I think it is a nice thing, too." "Well, we haven't decided yet. I was supposed to be Shirley Temple, but I can't sing." "Oh yes, she's going and is going to be in costume even. She's going as Mary Poppins." "No, Mom, I didn't know she could sing. We haven't done any of that since I came here, lucky for Ms. Jane, Marie and Darla, eh?" "What? You want to talk to Ms. Jane? Okay, wait a minute. She's right here."
Audrey put her hand to the mouthpiece of the phone and looked at Jane. "Mom wants to ask you something."
Audrey now found herself in Jane's position, listening to half of a conversation.
"I don't think so, Pru," Jane said, her eyes half laughing, half disbelieving. "No, not even for that. Sorry." "How MUCH did you just say?!?" "you. . you WHAT?" "I heard you the first time, Pru! I just can't believe you would stoop so low as to play on my weaknesses like that." "No, I am not yet so old I can ignore a dare," Jane growled into the phone.
At that moment, Jane remembered she was not alone in her office. Looking up, she put her own hand to the phone and smiled at Audrey. "Dear, I think that is all we will need you for today. Why don't you and Darla go work on your costumes and I will see you at supper."
"Well, the good thing is that I don't have to be fitted for my costume," Darla said as she and Marie took very careful measurements of the nearly nude Audrey. "Since I am going to be wearing my usual rompers and petticoats. And I'm not even being punished!" she finished disgustedly.
"I don't see why I have to be measured in my undies," Audrey complained yet again. "I mean, I figured it would be like those sport team mascots, right? Surely something like that won't fit that snugly, will it?"
"They keep the hospital, particularly that ward, rather warm, dear," Marie said placatingly. "You don't want any more layers than you absolutely need.
"Oh," Audrey replied. "I guess that's okay. When can I see my costume, anyway?"
"Oh, a while yet, dear. A while yet."
Chapter 11: Playing Fair or Not Playing At All?
From her seat on the Nautilus press bench, Audrey eyed the positioning of the weight pin with some trepidation. Not because of the weight alone, nor because it represented twenty-five percent over her own body weight. Neither of those really mattered and she knew that she could successfully press the weight above that pin. No, she had other, less well understood reasons for her uncertainty.
"C'mon, Rockwell, get in position," another voice ordered. "You have five more reps to do before we can call this little workout complete and you're burning daylight. I'd offer to reduce the weight, but you're up for it and it's time you took a shot at it."
"Yes, Darryl," Audrey said in as saccharine sweet a voice as she could manage. It wasn't up to Darla's standards, but it wasn't bad, she thought.
Audrey laid down on the bench, setting her back firmly on its strong, supportive surface, and then reached up for her grip on the long steel lift bars.
"Ready?" Darryl asked?" She nodded, so he ordered "Go!"
With a deep breath, Audrey put her shoulders and arms into the lift, and the weight moved up smoothly. Releasing the breath slowly, she lowered the weight back down in a slow, controlled manner whereupon she repeated the process. The second was almost as easy as the first, and the third was almost as easy as the second, but as the bar came down that third time, Audrey could feel the burn of lactic acid building in her biceps and triceps. She pushed through the burn for the fourth lift, but this time the weights clanked as she lowered them in not quite so controlled a manner. With more grit now than strength, she began the fifth lift. She felt the odd little twitches in her arms that signaled she was nearing her limits, but she continued the lift to her full arm extension. The weights clanked even louder on falling this time, and she was about to let go of the apparatus when Darryl stopped her.
"Go for it, Audrey," Darryl hissed into her ear. "Just one more for the record, okay? C'mon, you can Do it, you CAN DO IT! Breathe and go for it, Rocky. DO IT!"
Audrey wanted to tell him where he could stick his record, but years of listening to the unreasonable demands of coaches stifled her comments. Closing her eyes, Audrey took the ordered breath and pushed again. *God, it hurts!* her mind screamed as the burn became fierce and unrelenting. "WAY TO GO!" Darryl cheered. "Just a few more inches - you can DO it!"
Those few inches seemed like miles to Audrey, but she listened to Darryl and kept pushing. *Just a little bit more,* she told herself, *just a little bit more. . .almost. . .*
"THERE!" Darryl's scream was triumphant, "THERE! You've DONE it!!"
Suddenly, the weight on her arms eased as Darryl helped her lower the weight. Her head was spinning madly from the strain and from shock of success when she found herself jerked off the bench and led into a mad jig. Her already dizzy head became worse and she tried to stop. When she did, she found herself being hugged, tightly. *What?!?* her confused mind wondered.
"You did it, Audrey! That's was GREAT! I've never been able to do five reps let alone six at that weight. God, but that was WONDERFUL! YOU were wonderful!"
*He sounds as happy as I should be, and yet, I just beat him at the only exercise we've ever done that he's been consistently better at than I have been. I don't understand,* she thought and then repeated that statement aloud.
The hug broke and a towel was wrapped around her sweat-soaked head. "Understand what, Audrey?" Darryl asked. "What's TO understand? You just benched 150 lbs six times. That's GREAT!"
Audrey dropped back down onto the bench and stared up at the wide-grinned visage of Darryl. "But. . but you're a boy. . ."
"You just noticed?" he snapped back cockily. "I am crushed."
"Oh you. You know what I meant. I just out-lifted you. You said so yourself, and yet, you seem more pleased about that than I am."
"Well, of course I am pleased. I haven't been busting my butt for the past couple of months to see you to get worse instead of better. Why wouldn't I be pleased?"
"Because I BEAT you, dammit! You're a guy and I just beat you at a guy thing!"
Darryl looked at her for a few moments. "Well, I hadn't thought of it THAT way," he said, somewhat sardonically.
"Guys are supposed to get mad when women do things like that," Audrey snapped, getting upset with him for not understanding the world as she did.
"Well, I am pretty sure I am a guy, although I am too much of a gentleman to make sure just now."
"DARRYL!" Audrey growled.
"Oh give it over, Audrey," he said in a gentler tone. "I've been expecting you to out-lift me since we first started working out together and I am not angry about it. Heck, you've been running my butt into the ground since that first day and I haven't complained. That you would be capable of better performances than me is to be expected. And I am glad for you."
"Glad for me," Audrey repeated.
Darryl chuckled, and sat down on the bench beside the tall girl. The small surface brought forced them close together. So close, in fact, that their bare thighs touched from hip to knee.
"Look, you're genetically gifted in ways that I am not. You have height on me, as well as certain advantages that allow your muscles to strengthen more than mine ever will. That's just a fact. On the other hand, with your height and body mass, you are not likely to be world class in women's gymnastics, are you?"
"Well, no, but . .I . . that is, why aren't you. . .I mean. ."
"Why am I not acting like an outraged male shown up by a mere woman?" Darryl said the words with such bluster that even Audrey smiled. "Because while I am a very good athlete for my size, you are an outSTANDING athlete, irrespective of your gender. I mean, aren't you the one who plans on competing in the men's pentathlon next Olympics?" Audrey nodded slowly. "Is that an unreasonable expectation of yourself or are you that damned good?"
A small smile broke through Audrey's frown. "Oh, I'm that damned good, all right!"
"Well, I'm not. I am just about as good as I can possibly ever be, given my size and musculature, but I will never be good enough to compete at that level. Simple as that. But you are! Athletically, you're one in a hundred million, and what is even more amazing is that you've managed to attain that level without giving up on any of your beauty," Darryl stopped and grinned as Audrey blushed furiously at the unexpected compliment. "What you need to understand is that *I* know you're that damned good because you are, and that I am in no way diminished by that simple fact. The things you can do make YOU special, but they don't make me less of a man or less of a person because there are things I can do well that make me special in MY own right."
Audrey looked at Darryl in silence for what seemed to the young man to be a very long time. It took all his will and all of Jane Thompson's years of training not to flinch under her steady gaze. Finally, she shrugged. "You are a very unusual person, Darryl."
He managed a slight grin. "I just told you I was special," he said, "but then, I also said you are, too. Now, c'mon. It would really tick me off if Ms. Thompson wouldn't let you come tomorrow because you were late for breakfast."
The pair said their farewells and Audrey jogged easily up the trail to the mansion. It was only when she was showering, and replaying the incident in her mind, that she realized in disbelief that she had allowed Darryl to pull her body tight against his own and hug her!
And more, that she had hugged him back without feeling at all queasy or endangered by the hard, unrelenting contact with a male body against her own.
Chapter 12: Vignettes - Advise and Guidance
Darla was off somewhere with Jane later that day when Audrey went looking for Marie. She found Jane's major doma hard at work in her little sewing room on the third floor of the mansion.
"Ah, Audrey," she said with a smile, "How are you, petite?"
"Fine, Tante Marie," Audrey replied, remembering to use the familial greeting since the two of them were alone. "Just wanted to see how the costume was coming."
"Well!" Marie beamed, "Very well. I am working on a surprise for Darla right now, but I had some very good luck at the fabric store this morning." Marie rose and went over to a small bag and removed a pair of parcels which she set before Audrey. When the girl made no move toward them, Marie nudged them closer. "Open them, silly."
Audrey opened the larger one, first. and found about a two yard long piece of something black and furry. Unable to resist, Audrey stroked her hand through the furry mass and sighed in pleasure. "That's lovely," she breathed appreciatively.
"Yes, and it is not real fur, but very good man-made fake. No lint, no dander, nothing to make the little ones sneeze, eh? Plan on being petted to death, cherie, for they will love doing it to this stuff. And. . . ." Marie took the fur and set it by Audrey's face, draping one of the girl's locks over the fabric. "A fair match for your own fur. Good, that will do!" she finished all the while staring significantly at the other parcel.
Taking the hint that she was to get on with the unwrapping, Audrey happily shredded the other package and found "A pair of ears!" she exclaimed, putting the tiara-like piece to her head and looking for a mirror. Entranced by what she saw, Audrey ran a tentative finger down one of the ears. "They're soft, too!"
"Just so," Marie said with a good deal of satisfaction. "And quite rugged, too, so the little ones will be able to stroke your ears, too, although that might well pull a bit on your hair."
"I don't care!" Audrey exclaimed. "They're wonderful."
Marie returned to her seat and picked up her sewing. "So, why don't you tell me what you really came here to talk about?"
Audrey's mouth dropped open rather nicely, Marie thought, and inwardly grinned at her little deduction. "How did you know?" the girl demanded.
"Perhaps it is the fact that you stood outside my door for two whole minutes before it occurred to you what to say upon entering? Or perhaps it is just that you are not the first young one to come to me with such a look on your face? Now, what is it?"
"It's just that I am confused, Tante Marie."
"Really? I don't see it, petite. You are doing so well in your lessons with Jane now."
"Oh, not with her," Audrey replied. "It is Darryl that has me all mixed up."
"That is not surprising, Audrey. Men and women have been mixing each other up since Le Bon Dieu stole Adam's Rib and made Eve. You are a woman, he is a man. Part of the fun in that is confusing each other."
"But he doesn't react like a real boy!" Audrey burst out.
Shocked, Marie dropped her sewing and stared. Finally she managed, "In what ways?"
Audrey burst out of her seat and began, as best she could in the tiny, cluttered room, to pace. "Just this morning, Tante Marie, I beat him in weightlifting for the first time. It's the only thing I haven't thoroughly trounced him in and yet. . ."
Marie simply watched the agitated girl for several moments before finally giving in to her own rabid curiosity and prompting, "And yet what, dear?"
"He cheered me!" Audrey snapped in indignantly. "He told me what a great athlete I was and how happy he was for me!"
"I see," Marie replied, striving not to laugh, "And what should he have done?"
"Snarled! Yelled. Swore! I don't know," Audrey spun on Marie. "Anything but what he did do. Boys HATE being shown up by girls, particularly in athletics."
"Ah. And you think, perhaps, Darryl's words were not what he really felt? That deep down, he was angry and upset and, how did you put it? Ah, yes, hating it?"
Audrey seemed to deflate at that, and came back to collapse in the chair. "No, that's not what I believe," she said very quietly. "Darryl says only what he means which makes it all the more confusing to me. How can he stand to have a girl be better than him in every athletic area?"
"I have known Darryl for a very long time, my dear. Perhaps it is time you should know this, but Darryl was once one of Jane's students." Audrey's brows went high into her forehead at this and Marie nodded. "Not for very long because he only needed a little help."
"Is THAT the reason he's helping me workout. . ." and then another less pleasant question occurred to the girl and her face went fierce. "Is that the reason he's been playing these boy/girl games with me? Because Ms. Thompson asked him to do them?"
A gentle hand was laid across Audrey's suddenly tense one. "Cherie, if Jane knew the direction Darryl's interests with you have taken, she'd be aghast. Yes, she did ask him to work with you because she knew he was trustworthy and would not. . ." and here Marie paused as if seeking the right words. "do anything to frighten or upset you. Do you understand why, given your history, she had to be absolutely sure of the boy?"
Audrey stared hard at Marie, for seconds stretching into minutes before she finally nodded. "Very good," Marie continued, "but to answer your second question, no, she did not ask him to pay court to you. That will be even more of a surprise to Jane than it was to you."
"But it just isn't natural for a guy not to be upset when a girl is better than he is, Tante Marie."
"And who says you are better than my Monsieur Darryl? You are a better runner, swimmer, whatever than he, but is that all you are? Non, you are much more than just an athlete. So too is it with Darryl. That is why you like him back, eh?"
The knowing look in Marie's dark eyes brought heat to Audrey's cheeks. She thought about prevaricating, but finally sighed. "I have never felt like this before, Tante Marie, and I don't know what to do about it. I feel so. . . off balance."
The older woman gave a short laugh. "Well, my sweet, then perhaps we women should come up with something to tilt the scales back in your direction and put the so-clever and sweet Darryl off-balance."
Art swore as his phone rang. A glance at his bedside clock had him even more unhappy with whoever was responsible for that foul cacophony. "Yes," he growled into the phone. "Who IS this?" he asked in a tone that had shriveled many an undergraduate.
"Dad?" a hesitant tenor voice replied.
"Dar? DarRYL?" Art asked, emphasizing the second syllable.
"Yes, Dad, it's me. Calling from your gym. Can you talk? I really need to talk!"
Art pulled himself up and leaned against the wall at the head of his bed. "Sure, son, what's the problem."
"Audrey!" Was the quick reply. "Dad? I. . I'm pretty sure I am in love with her and I am damned if I know what to do about it."
"It is my experience that there is little one can do about love except decide to enjoy it or suffer with it, my boy, at least when it is real."
"Well I don't WANT to suffer with it, Dad, but I don't know what to do. She's going to be really pissed off when she finds out that I am Darla. And that's bound to happen eventually."
"If you stay with her, either as Darryl or Darla, I suspect that is true. May I ask what crisis resulted in this particular call?"
"She showed up for our run this morning in a new outfit, dad. It was a running suit, made of this gold colored fabric that fit her like a glove." The last was said in a breathy whisper that left no doubt in Art's mind that his son was reliving that particular memory. "All that sleek female, shining in the early morning light and shadow."
"That good, huh?" Art asked with grin.
"Let's just say that a five mile run can be really painful when the cup of your athletic supporter suddenly becomes and stays too damned small!"
Art winced at that particular description before asking. "Are you sure this isn't just a bad case of unrequited lust?"
There was silence on the other side of the line for several minutes with only the occasional sigh to tell Art his son was still connected. "It would be a helluva lot easier if it was, Dad. What am I going to do when she finds out?!?"
*Run like hell, son, except, she's faster than you are, isn't she?* "Son? Perhaps I should speak to your mother. Perhaps it is time for you to leave as Darla."
"I almost wish that I could do that, but she still needs Darla, Dad."
"You're convinced of that?"
"She's opening up to me as Darla now, in ways that she didn't a few weeks ago. Darla is the one who got her together with Marie and the one Audrey asks when there is a female issue she doesn't quite understand."
"Then you have to make a choice, don't you?" Art said, not unkindly.
There was an almost explosive sigh on the other end of the line. "There really isn't a choice, Dad," Darryl finally said. "Is there? Thanks," he said, meaning it. "I have to run. Darla is already late for breakfast."
"Enjoy your dishpan hands, son," Art said teasingly, remembering Jane's favorite 'reminder' to be on time for meals. "And call me whenever you need to talk man-to-man."
"Thanks, Dad." Darryl said, hanging up the phone. Reflexively, he took a quick look in the mirror to check his hair and makeup, and then, with a concerted effort, re-donned the Darla identity and headed down to breakfast.
"He practically tripped over his tongue!" Audrey giggled as she helped Marie with the final breakfast preparations. "The outfit worked perfectly, as did the waterproof mascara you gave me."
"Nothing like a little feminine war paint to get a male's attention. So, give over, girl," Marie chided as she arranged the fruit platter, "What did he do?"
"Well, for one thing, he was practically stuttering," Audrey grinned. "At the end of our workout he was so mixed up he told me to 'hurry up or you'll be late for your run' and that he'd 'see me tomorrow for our next shower'."
"Oh my, you had him coming and going. That's VERY good! I hope you didn't point that little verbal juxtaposition out to him," Marie asked, her eyes twinkling.
"Oh, I thought about it, but decided I'd save it for tomorrow when he'll try to deny he said it. Nope, I just patted his butt and headed for the showers."
"I'd have given ANYTHING to see his face," Marie giggled.
"Me, too," Audrey admitted. "But I figured I'd pressed my advantage far enough for one day."
Chapter 13: The Great Cat
"Aunt JANE!?!?" Darla's voice bellowed from the hallway outside Audrey's bedroom. Marie, who was in the process of helping with Audrey's costume shrugged and walked to the bedroom door.
"Quiet, you undignified girl!" she snapped, hiding her secret amusement well. "Why are you screaming like a fishwife?"
"My costume, Tante Marie," Audrey heard Darla complain. "I can't find it."
"Of course you can. I put it on your dress-stand myself while you were washing."
"But that's not. . "
"What it is, child, is what you will wear. Jane's orders!"
"You're sure? Where is Aunt Jane, anyway?"
"Already left to help finish the party preparations. Now scoot and dress yourself, young lady!"
"Yes Ma'am!" and Audrey thought she heard considerable enthusiasm in those words.
"Well, that's that," Marie said, clapping her hands together dramatically. "Now for you, ma petite belle chat."
Audrey looked at herself in the mirror and was still not quite sure she believed what she saw. The costume Marie had given her (and now Audrey understood why Marie had not let her see it beforehand) was nothing like what she had envisioned. She was not some feline equivalent of the San Diego Chicken or the Philly Phanatic. She was in no way, shape or form some walking cartoon character of the type that might be found roaming the grounds of Disney World.
The costume consisted of a solid black unitard that covered the tall girl from wrist to neck to toes to which Marie had stitched the lovely fake fur like some fuzzy speedo swimsuit. A tail of the same furry material, just dragged the floor behind her. Soft shoes and gloves, also black, gave her 'paws and claws'. With her ears on, and silver-shot black leggings she looked like something out of the musical Cats. All that was missing was the "Makeup," Marie said, breaking in on Audrey's thoughts. "Come over here and sit, so I can get done and get my own costume on."
Half in a daze, Audrey did as she was told, and then watched in utter fascination as Marie's skilled hands turned her face into a black mask of pure feline femininity - her eyes impossibly slanted and long, her nose a shiny button standing out from the rest of her face, her lips oddly shaped and . . well, catlike.
The finishing touch was a bit of black sticky-tape that added three dimensional whiskers beneath her nose to match with the ones Marie had drawn onto her cheeks.
Just then the door opened and Darla came into the room. She was dressed in a red riding coat, jodhpurs, knee-high black boots and a ruffled white shirt. She was carrying a silk top hat, white gloves and what looked like a whip in her hands. "Are you sure this is what I am supposed. . ." Audrey knew the precise moment Darla saw her because she stopped dead in her tracks and her "to wear?" came out as a bare whisper.
"Wow," Darla breathed, coming up to help Audrey stand so she could get a good look at the taller girl. "You look GREAT!"
Audrey started to mumble something, but caught herself. She tried and managed a fairly respectable rumbling sound as a purr. "Raoowfff. Thank you. And just because you are dressed like a lion tamer," she said in a low husky voice, "don't get any cute ideas. Black Leopards. . particularly female leopards are a whole lot more. .. roarrrrrr. . .dangerous."
Darla could only swallow because the part of her that was always Darryl was standing up and taking notice. *God, she is so.. . .so sexy!* "Well," she finally managed. "I guess I understand my costume. You know we are expected to do little skits for the children, right?"
Marie decided she'd been ignored long enough. "I have to go change. You two figure out your skit and I will meet you in the foyer in half an hour."
"A skit, eh?" Audrey purred low in her throat. "I have a purrrrfectly marvelous idea."
Darla could only nod.
Chapter 14: The Greatest Lollipop Ship-Show on Earth
Audrey and Darla waited - almost patiently - behind the makeshift curtain, for their chance to go on. So far, their costumes, particularly Audrey's, had been a big hit with the little ones. As predicted, they loved petting her, remembering their own cats or dogs that they had not seen since this trip to the hospital had begun. That had been. . . humbling for the inordinately healthy Audrey - and exalting.
The nurse who was acting as Mistress of Ceremonies, was about to go out to announce them when she stopped. Audrey saw a little bald-headed girl in wheelchair slip into the room. Her chair was being pushed by a man who looked old beyond his years. "Oh, thank god," the nurse breathed. "I was hoping he'd get her back down here."
"What is it?" Audrey asked.
"That little girl has leukemia, and she had an episode of nausea just before the last act started. Her Mother's dead and her father isn't a good enough match for a bone marrow transplant donation, so they've been using some experimental but harsh chemo to keep her going until we can find a match. The latest one looked pretty good, and we'll know in a day or so for sure. Lord knows they could use some good news. She hasn't smiled in weeks." The nurse watched as the father maneuvered his daughter into a place where she could see the screen.
"If the match is good, what are her chances?" Audrey couldn't stop herself from asking.
"Better than some in here, not as good as others. I'm just glad she made it back for the rest of the party. Well, are you two circus performers ready?"
At their nod, the nurse slipped out onto the 'stage'. "LADIES AND GENTLEMEN. . .ahem. . and you parents, too. WE ARE PROUD TO PRESENT, LIVE FROM DINGALING BROTHERS CIRCUS, . . the GREAT LION TAMER, DARLA and her fierce BLACK LEOPARD, ROCKY!!!"
Darla took her cue to prance out onto the stage, hamming up a comic-opera strut that was simultaneously stiff and silly. When she reached the center of the equipment that had been set out (a hula hoop, hassock, and stacking chair from the lunchroom) she cracked her whip three or four times - tried four times, got some noise three - and called out to her partner.
"Rocky! Here, girl! Take your place!"
Rocky glided onto the stage in a slow, sensuous slink that had all her muscles rippling fluidly beneath the furry costume. That she was on all fours seemed only natural, as natural as the animal grace that made hurry something inflicted on lesser beings. She strutted, too, but her movements displayed the consummate power of a proud hunting cat, not the pompous rigidity of Darla's lion-tamer self-importance.
The sleek cat gave a disdainful look at her nominal controller and mounted the hassock with regal dignity, recognizing it as the most comfortable place to sit anyway.
"Up, Rocky. Sit up!" Darla commanded, cracking the whip overhead again. Rocky growled, a deep rumble that escalated into a rippling snarl, snatching her paw at the waving whip. Darla picked up the plastic chair and advanced on her recalcitrant charge, demanding again, "UP, Rocky!"
After a pause that was just long enough to show her rapt audience that she was considering taking the whip from her 'tamer' and finding a better use for it, Rocky sniffed and uncoiled from her crouch to rise up on her haunches, still snarling at the approaching Darla. A lightning-quick paw batted at the chair, but at another crack from Darla's whip (spoiled only slightly because it took her two tries to make the sound), Rocky lifted her front paws into an upright pose and roared.
From that point, she was better behaved, flowing from one position to another with a good pace. Darla made her roll over, walk forward and backward, and then remount her hassock-stand.
"Okay, Rocky, now . . . Jump through the hoop!" Darla ordered pompously, holding up the hula hoop in front of Rocky.
The response to Darla's order was another disdainful glance and an almost laughing snarl. Then, with a casual turn away from both Darla and the hula-hoop, Rocky began to mime licking her paw and washing her face.
Disgusted, Lion Tamer Darla started her lead in to the next part of the act. "Now, sometimes, you just can't get these cats to do what you want them to do," Darla told the children as she stood between Audrey and them. "And that's okay, there's always tomorrow. But do you know what you must NEVER, EVER do around a fierce leopard??"
One by one, the kids raised their hands and gave some very imaginative answers. Darla smiled at them and acknowledged each one, but finally said, "Those are all really great answers, kids, but that isn't what I had in mind."
"I know," hissed a fierce voice from behind Darla, just before her top hat and whip were plucked away from her. Darla jumped back to reveal Audrey now wearing the top hat and flicking the whip. "Never, EVER turn your back on a big cat," she purred wickedly. "Particularly not on a smart lady leopard like ME!"
With that, Audrey hopped off the hassock and cracked the whip. She picked up the hoop that Darla had so unsuccessfully tried to get the cat-dressed girl to jump through. "Now, it's YOUR turn, human, to jump through a few hoops!" Rocky purred, snapping the whip in emphasis.
Darla steadfastly refused. "I am a person, not a cat. I don't jump through hoops."
Audrey looked at the kids and gave them a big smile. "Oh, is that so?" she asked. "Well, let me put it this way," she purred. "If you don't jump through this hoop, person? You will be LUNCH!"
Darla gave an exaggerated look of shock at Audrey who simply licked her lips. The children cheered as Darla ran and jumped through the hoop and then kept going as fast as she could, right off the stage, with the sinuous black leopard hot on her heels.
In the 'dressing room', a joyous Audrey lassoed Darla with the hula hoop and pulled her friend to her and into a hug. "That was GREAT!" she crowed happily. "Did you see the looks on the faces of those kids? Did you?"
Darla basked in the feeling of Audrey's furry, hard body against her own, just for a second or two, before forcing herself to pull back. Grinning, she nodded. "You were GREAT, Rocky!" she said.
At the sound of that name, Audrey went momentarily still. "You know, I almost missed my cue when that nurse called me 'Rocky'. It has been a long time," she said almost to herself.
"Well, I couldn't very well call a fierce, Darla-eating wild animal, Audrey, could I? I mean, Auuuudrrrey," and here Darla gave an exaggeratedly British intonation, "Hardly sounds fearsome, does it? Why, I think of Audrey Hepburn, myself, in that movie Gigi."
"Gigi?" Audrey replied. "Is that where you came up with the name for me that day with Old Tom?"
Darla swallowed back a bit of anxiety, and finally nodded. "I'd seen the movie recently before you arrived and with your dark, short hair, and huge eyes, well, you reminded me of her."
"And then the nose. . ." Audrey said, this time definitely to herself. "You had the drawing already done." Suddenly piercing eyes pinned Darla. "Will I see myself in this movie, Darla - the self as I am now?"
"Hardly," Darla replied airily, but stepping out of range before adding. "I don't think Audrey Hepburn ever starred in Cats!"
Audrey's eyes went wide and her mouth fell open, but then she started to giggle. "We'll talk about this more later, girl," she growled, trying to sound threatening.
Seeing that the humor had helped the immediate crisis pass, Darla hugged Audrey again. "Well, it's not as if you have much to complain about," she sniffed. "Now, c'mon. Let's go sit with the kids and watch the rest of the show."
"Would you mind if we sat with the little one.. .the one who had to leave and came back just before our act?"
"No problem," Darla replied. "Besides, she looks like she could do with a little cheering up. Let's try this. . . "
The pair slipped back into the makeshift theater and took up positions next to the little girl in the wheelchair, Audrey right next to the girl, and Darla beside Audrey. The current act was a very competent clown whose act included sleight of hand, slapstick and balloon animals for each child. To the amusement of everyone, even Darla received one of the clever balloon creations which the clown told her was "a lion even YOU might be able to tame."
Audrey, still enjoying herself hugely, gave a definitive little 'roar' in agreement and had every child in the room giggling, even the little one they were sitting with.
When the clown went off to play to the other side of the room, Darla caught the little girl's attention and winked at her before taking Audrey's tail and giving it a yank. Audrey jumped and spun, giving the conspicuously innocent-looking lion-tamer a dark glare. Apparently finding nothing, she turned around three times before settling herself back to the floor.
Darla gave the children around her a few moments to figure out what was going on, and then with another wink, pulled Audrey's tail again. Audrey snapped around in a flash, this time going nose to nose with the still innocent-looking Darla, her 'forepaws' resting on the lion tamer's shoulders. "You didn't happen to see this one," she purred at the wide eyed girl, "Pull my tail, did you, kitten?"
A tentative shake of her small head had a very suspicious Audrey slinking back, growling under her breath, to her seat. Darla and the little girl grinned at each other over the furry back. With another wink, Darla reached across and picked up the little hand nearest her and gently pulled it over to stroke Audrey. A loud purr and an arching back greeted this effort and soon had all the nearby children crowding in to help.
"LADIES AND GENTLEMEN! OUR NEXT ACT! MISS SHIRLEY TEMPLE!"
All sound in the small room ended as the opening chords to "good ship lollipop" began to play from the sound system, whereupon the curtains parted to admit the singing act.
"On the good ship, Lollipop, it's a sweet trip to a candy shop,"
And every eye in the room went huge. This was a very tall Shirley Temple, albeit in the tight golden curls, the frilly blouse and suspendered skirt along with the tasseled knee socks and black patent leather mary-janes on her feet.
"Oh. . .my. . . god!" Darla breathed. "It's Aunt Jane!" as the woman in child's clothing skipped merrily about the stage, getting the children to sing along with her on the chorus.
Suddenly, the little girl next to Audrey burst into tears and hid her face in her father's shoulder. Instantly, Jane was beside the girl. "What's the matter, sweetheart," she asked in a gentle voice Audrey had never heard come from this formidable woman. "Didn't you like my singing?"
Sniffling, the child shook her head. "No, you sing pretty, . . it. . it. . .it's your hair," she managed to get out before another burst of tears had her once again burying her face in her distraught father's coat.
Jane settled on her knees in front of the girl. "My hair?"
Not moving her face, she nodded. "My hair used to look like yours, before it fell out."
"Oh, is that so?" Jane said. "Well, I can certainly fix THAT!" With a sweeping move of her hand, Jane pulled the wig from her head and then settled it upon the bald little head with great care. "Hmmm. . . not bad," she said fussily, her quick fingers here and there, "And what's this?" she exclaimed, pulling something shiny from behind the little girl's ear.
"It's a mirror," another child answered.
"Why, so it is," Jane grinned. "Odd place to keep your hand mirror, dearie," she teased the now-bewigged child. "I keep mine on my bureau. Going to help me sing? Now that you have my hair, that is?"
There was a shy little nod and the beginnings of a smile. "Great!" Jane enthused. "Maestro, my music, if you please!" And soon, everyone in the room was singing about places where bon-bons play on the sunny beach of Peppermint Bay, or having happy landings on a chocolate bar.
After that, the party devolved into the happy chaos of children having fun. Audrey found herself to be quite the attraction, either by children wanting to stroke her and remember a beloved pet, or by the mischievous ones who wanted to play with her tail. Those she gently tustled with, giving them a tickle or two with her whiskers and a gentle hug before letting them go. She even managed to get a giggle out of the one wearing Jane's Shirley Temple wig.
It was, she decided, quite the best holiday she'd ever had.
Marie had promised to stay to help clean up so the two girls rode back to Seasons House with Jane. "Going to tell us about the costume change, Mary Poppins," Darla teased after they had ridden for several miles in companionable silence.
"I have to," Jane said with a wicked grin. "Audrey has to tell her Mother all about it."
"I what?" Audrey came up out of a near doze at the sound of her name.
"Your mother bet me I wouldn't put on full Shirley Temple regalia and do the Good Ship Lollipop. She now owes my favorite charity a rather large check. You will tell her, won't you, Audrey?"
"What's in it for me?" Audrey grinned back. "I mean, you didn't wear the whole outfit the entire time, now did she, Darla?"
"Well, now that you mention it. . . " Darla drawled suggestively.
Inwardly pleased with the girl's performance and with her pure- teenager response to Jane's question, the older woman did not give an inch. "Oh, a mere two days in pigtails, pettis and pinafores instead of four. How's that?"
Unrepentant, and recognizing the playful nature of Jane's tones, Audrey retaliated in kind, ably aided and abetted by the laughing Darla. The remainder of the trip filled with a good natured haggling well suited to a Middle Eastern market place.
It was dark when the trio made their way up the walk to the front door of Seasons House. "We shall have to make do with our own cooking, ladies," Jane said, as she slid the key into the deadbolt lock. "And I think that since Audrey and I have so much costume to take off, Darla will be entrusted with the evening meal preparations. What shall it be, Darla? And NO, you may not call out for pizza!" Jane said in stern tones.
"As if I would," Darla sniffed as she followed Jane and Audrey into the foyer. "After all that junk food at the party? I should think a salad, some fresh bread and one of Marie's frozen soups would be all any of us want."
"That sounds lovely," Jane replied, as she saw Audrey beginning to unbutton the furry body suit she'd worn as part of her costume. That seemed like an excellent idea so she doffed her coat and turned to hand it to Darla, and stopped. She'd never seen a look quite like that on the face of her child before. *My goodness, she is actually open-mouthed in amazement,* she realized.
Darla was staring, and Jane turned back to look again at Audrey. She immediately recognized what had so caught Darla's undivided attention. Audrey had shed the soft, fuzzy vest that had mimicked fur on her body and was now dressed only in the unitard, shoes, gloves and her cat ears. While such an outfit would normally be no more alluring than a competition swimming suit or a dancer's costume, Audrey had been perspiring rather heavily beneath her furry over garment. As a result, the body suit clung to her like a shiny second skin, lovingly highlighting every curvy nuance of Audrey's trim yet womanly figure.
The suit was particularly kind to the subtle swell of the young athlete's firm, proud bosom.
The neckline had crept down so that the suit showed more than a hint of lovely cleavage, and if one stared very hard, *Which Darla definitely is,* Jane thought, one might make out . . more feminine detail on those shining breasts. Not only that, but the look of relief on Audrey's face as she set the fur aside was erotically sensual. Almost purring, she stretched her body, arching her back so that every curve was further emphasized and then slowly ran her fingers through her hair, disarraying the midnight mass about her head and face into a wild tangle of ebony highlights.
Jane was sure she heard Darla groan in response, and that set her into action. Quickly, she forcibly shoved her coat into Darla's hands and hissed. "Snap out of it!" She used her coat-hidden hands to give the still-unresponsive Darla a quick, hard shake. Confused eyes gradually came up to meet Jane's own. "Get a hold of yourself," Jane half-growled, half-whispered. "Don't let her see you gawking at her like a testosterone-poisoned male."
It took a few moments for what Jane had said to sink into Darla's consciousness, but once it did, she all but jumped away to try to avoid Audrey seeing her as Jane had just described. "I'll. . . I'll. . just hang up your coats and go fix dinner," she finally managed, and then disappeared into the dining room.
*I'll probably find that coat on the hanger tree in the kitchen,* she mused. "Well, I'm for a shower, I think," she said aloud. "All these layers have become rather sweaty."
Still smiling, Audrey looked over at Jane. "Not 'glowy'? I thought ladies didn't sweat."
"Well, I did today, smarty-britches," Jane retorted. "As did you! I KNOW that I am a lady, and after today, I am willing to grant YOU the benefit of the doubt." Then Jane became serious. "You did well today, Audrey. The kitten costume was inspired. The children so enjoyed having something furry and alive to pet."
"I. . .I enjoyed doing it, Ms. Thompson." She hesitated, and then had to ask. "The little one. . .the one you gave the wig to. . is she. . I mean. . will she. . " Audrey tried, but couldn't get out the words.
Jane did not pretend to misunderstand. "They are hopeful about the latest treatment. The donor match is apparently excellent. The only problem is that she doesn't have much time if this one doesn't work."
Audrey hesitated, her foot on the first step of the stairs, her hand resting on the bannister. "You made her smile. . . with the wig. . .and with your song."
Jane came over and softly stroked the girl's "Hair-Club-for- Girls" coiffure. "And your playfulness made her giggle." Jane reached over and put a motherly kiss on Audrey's cheek. "As I said, you did wonderfully well, today. Now, go get out of that soggy suit, shower and get into something comfortable for dinner. I think we shall be sybaritic and dine en famille on TV trays in the music room."
Audrey stared at Jane for several moments, and only by force of will managed not to raise her hand to the spot Jane had kissed. Then, feeling greatly daring, Audrey bent over and returned the kiss to Jane's cheek, before literally turning tail and running up the stairs.
Jane watched her disappear into her room and grinned. "Well, how about that?" she asked before the other, more difficult question hit her. "And what in heavens name am I going to do about Audrey and Darla. .. Darryl?"
She didn't know. "Lord, but I wish Diana was here." she complained, before ascending the stairs herself, at a much more dignified rate, of course.
Chapter 15: Sometimes Love Don't Feel Like It Should
Art set the phone down, and tried to think. Darryl was clearly deeply infatuated with the Rockwell girl, and while he was doing everything he could to control that infatuation, it was still a volatile situation. Something might well blow and what if that happened while Darryl was Darla?
Without seeing things for himself, he really couldn't say if his son's feelings were more than lustful infatuation, but his instincts about Darryl told him that it was more than that - a good deal more, in fact.
Darryl thought he was in love with the girl. Darryl was one of the brightest, clearest-thinking young men Art had ever met. Ergo, logic indicated that Darryl WAS in love with Audrey.
Except, logic and love rarely went well together.
Art's ruminations were interrupted by the shrill call of his phone. He picked it up. "Art?" a husky, alto voice demanded. "Is that you?"
"Hi, Janey," he replied, suppressing a small sigh. "How are you, dear?"
"I'm fine," she said firmly, "but our son is head over heels in love with one of my students, and I don't have the faintest idea what to do about it."
*And you think I do??!?* Art barely managed to avoid saying aloud. *Well, I guess that settles that. Jane's perceptions, about others at least and in particular about anyone she loves, are at least as acute as my own. Now what do we do?* "Well, I knew he was taken with her. . ." he began carefully.
"Two AM," Darryl fumed disgustedly, after having turned over once again to glare at the glowing numerals of his clock. "Lying here awake in the dark is NOT going to help when the time comes to run in the morning. On the other hand, cold showers - two of them - didn't help either."
He had shed Darla's silken panties after the first few minutes in bed. When he had turned out the lights, the darkness had reminded him of the play of midnight glimmers across Audrey's costume - like he was in any danger of forgetting - and that took him perilously close to the edge. Just thinking about the slick smoothness of Darla's clothes was WAY too dangerous for his present condition.
But even the gentle caress of cool sheets had also been too much - despite that second frigid shower. Even reviewing multiplication tables had not distracted him from images that were burning in his mind, and in his blood.
"This is absurd," he decided, heading once more for the bathroom where he collected some hand cream and a handful of bathroom tissues. "I'm not going to let this get to be a habit, but I for sure am going to have to do SOMEthing if I'm going to get any sleep. As sure as the sun will come up in the morning, Audrey is going to be at the stables before that event expecting Darryl to be there, ready to workout."
Sighing, he filled one palm with the cream while he positioned the tissue with the other, and then set to work. A scant few minutes brought the relief his body demanded, and though his mind still refused to let go of the image of Audrey, his thoughts were a little less lustful and a bit more analytically appreciative of her trim form as he snuggled back into the covers. In moments, he was asleep, the smile on his face revealing an impish amusement that was characteristic of both Darryl and Darla, a bridge between the two natures of Aunt Jane's most willing student.
Darryl did not know the person who had greeted him in the small circle of light at the stable entrance and then run WITH him instead of AGAINST him. This tall person LOOKED like Audrey and her voice SOUNDED like Audrey's, but she certainly did not ACT like Audrey.
This tall, female person was . . .well, bubbly . . .and talkative. She had spent the entire five mile run regaling Darryl with her memories of the previous day's party. How much fun she'd had putting on the show and playing with the children. How much she wished she could find someway to make them well again and how funny-warm it had made her feel inside when the littlest one who had been so awfully sick had smiled and even giggled because of something Audrey had done.
Their run had taken longer than usual, an occurrence that Darryl chalked up to Audrey using her air supply for talking more than for running, and they would both be late for breakfast unless they really hurried through their morning rituals. Still, Audrey was hesitant to leave.
"You really loved it there yesterday, didn't you?" Darryl asked.
Somehow, Audrey's face became even brighter, somehow happier. "Oh, Darryl," she breathed. "It was so wonderful."
Just how it happened, Darryl wasn't sure, but the next thing he knew, Audrey had swept him up into her arms and was spinning him about in a tight hug. "The only thing that would have made it better would have been if you'd been there, too."
Her kiss was better aimed this time, if still too short and quick for Darryl to reply in kind, and so he simply stood there watching as she ran up the trail, her ponytail bouncing flirtatiously on her head.
A wave of intense confusion liberally spiced with masculine need swept through Darryl and he groaned. *I am NOT repeating last night's solution again so soon,* his told himself sternly. He took several deep, cleansing breaths of the cool autumn air before setting off for the house at a brisk jog. He was, he decided, very grateful at that moment to whatever genius had invented the jockstrap. All the same, Darla was going to need some stylishly loose-fitting fashions today.
It was nearly 8:20 when Jane slipped from her own rooms and into the upstairs corridor. She needed to catch Darla before the morning meal. She had spent several wakeful hours the previous night, thinking about what had transpired in her foyer after the party, and she was, as was becoming all too common with this particular student, unsure as to what path she should take. After a great deal of thought, Jane knew that her child was at the cusp of this particular problem, and while she could not let that be the only or even the primary consideration, Darryl's needs had to count for something in her decision making process.
She hesitated momentarily at Darla's door, reminding herself she needed to appear to treat her child with the same sort of disregard for privacy that she exhibited with her real students and then opening the door. Jane sailed into the room, her mouth opening to greet the girl inside and then came up short.
Darla was dressed in a perfectly acceptable morning frock and was seated at her vanity, a brush held loosely in one hand. Her eyes had a distant, faraway look as they stared into the silvered depths of the antique mirror, seeing things therein that Jane could only wonder at. Her face was perfectly done up, as Jane would have expected, subtle, yet attractive and appropriate for the time of day.
Jane cleared her voice and Darla jumped in surprise. Then she saw Jane standing in front of the door and smiled. "Hi, Momma Jane. Come to walk me to breakfast?" she asked rising to her feet, her hands extended in greeting.
"Well, I was," Jane replied drily, "but not like that, I think."
"Huh?" Darla said, confused, turning to look at herself in the mirror. "Is something wrong?" she asked, running a hand down her dress and turning about to view her reflection.
"Why nothing at all, dear, except you forgot the wig," Jane said pointedly, "Or are you already having a blonde day?"
Darla's eyes slewed to her vanity is surprise. Darla's brunette locks rested there amid the bottles, tubes and pots, ready to don. "Oh my," she breathed before turning to glare at her adopted mother. "If I had made that blonde joke, you'd have come down on me with high-heeled golf shoes. I can't believe you said that!"
Jane grinned. "I can't believe I said it either. Your father's bad influence, I am afraid. However, I do think we need to talk, dear, now more than ever. This is what I would like you to do."
Jane watched as Audrey nearly skipped into the dining room. She tried to examine the girl critically, but it was difficult. There was a glow about Audrey that, Jane finally decided, made her intensely feminine and very attractive.. *Ah, the wonders of simply being happy and confident for a woman.* "Good morning, Audrey." Jane greeted her student as she took her seat.
Audrey took in the missing place setting as she seated herself. "Good morning, Ms. Thompson. Won't Darla be joining us?"
"No, I am afraid not. She is . . .well. . not feeling well. Evidently she was up most of the night and. . . well, you understand."
For a moment, Audrey was surprised, and then she realized what Jane was not saying, "Oh!"
"Indeed," the older woman replied. "I think we would both be happier to let her sleep off the worst of this bout and be spared her last month's histrionics."
"Yes, Ma'am," her student replied so fervently that Jane was forced to hide a smile behind her hand.
"So, what shall we do with you today, Miss?" Jane asked rhetorically as she began to serve herself from the dishes already on the table.
"We were going to do some jumping practice," Audrey reminded her hopefully.
"Ah, yes, so we were." Jane stopped to consider that for a moment. "I think we shall do that after lunch and after your side-saddle dressage. This morning, I want you to work with Marie for the first hour on basic household management and accounts and then you will prepare luncheon under her supervision." *and that should keep you well occupied,* Jane thought pleased, *while I check on my sick child. . .lovesick, that is.*
With Audrey busy with Marie in the kitchen, Jane was able to knock before entering her daughter's room. She found the girl sitting on the window seat, sipping the remainder of her orange juice as she looked out over the estate.
Jane watched her for several moments until she grew tired of being ignored. *Enough is enough,* she thought darkly and moved over to sit down beside him. "Doing a lot of staring off into space lately, dear?" she asked with only a touch of asperity.
It took a few moments for her question to register. Nodding affirmatively, Darla took another sip of her drink.. Shaking her head, Jane asked, "Is it helping?" The feminine figure before her didn't answer her immediately so she repeated her question - louder, more distinctly and more firmly.
"I don't know," Darla replied with a sigh.
"Do you think you are any closer to finding a way of dealing with the problem of Audrey?"
"Audrey's NOT a problem," Darryl's voice practically shouted. "She's doing just FINE!"
"Let me rephrase my question, then. Has your reflection come up with any means that might help you deal with the problem that Audrey presents to YOU?"
"I said that. . "
Gentle fingers on his lips stopped his denial in mid-sentence. "Dear? Did we not agree, oh, not so many years ago, when I caught you trying to sneak out in the dark of the night in an effort to protect me from your brother, that we would never lie to one another again?"
A mass of emotions ran across the sweaty face before he looked away, momentarily ashamed. Finally, he whispered, "It's not her fault. If there is a problem, it is mine, and I will deal with it."
"You care for her a great deal."
"I love her," was the still quiet response.
"So your father tells me," Jane replied. "That could be. . .difficult. . . . later on. . "
"When she finds out that Darla is Darryl?"
"If she does, yes."
"I know," Darryl said, sitting up and putting down the glass. "But I don't know what to do. Leaving isn't an option because I think she needs Darla right now. God, Mom, that girl has been so terribly lonely. She trusts Darla and therefore, there are things that Darla can do for her that no one else can do. . .at least, not as easily."
"I would say she trusts Darryl, too," Jane said.
"Yes, and that, given what that bitch of a governess put her through, is pretty miraculous. She, ah. . .well, she hugged and kissed me this morning. Hard and on the mouth."
"Well, that is a breakthrough."
"Except for what happens to that trust when she finds out about. . ."
"I think I asked that question earlier, dear. Your father said you've already considered having Darla leave and rejected it - something for which I am profoundly grateful because you are right. Audrey does need Darla, but I think she also needs Darryl."
"You do?" there was wishful hope in her son's eyes that made Jane hurt for him.
Jane looked at her beloved child, deeply afraid that what she had to say would hurt him. The shine in his eyes showed happiness, and a pride that had at one time seemed impossible. And why shouldn't he be proud? It looked like he had gone a long ways toward capturing the heart of a statuesque beauty, a woman of great strength who would make a tremendous companion during their life together.
But, just as Darla appeared so gently feminine despite Darryl's deeper masculinity, was Audrey's acceptance, even sharing, of his affections only ephemeral? Was she infatuated with the first non-threatening boy she had met since she had begun to accept her own beauty? How could Jane even ask, without . . . ?
Never one to hide from an unpleasant truth, Jane sighed and took her child's hand. "Darla, or actually, Darryl, I think we need to think about this very carefully."
"Oh, Mama Jane, I know that. I mean, this whole relationship is based on a lie and if we don't work it out right, it could all collapse. But the way I felt when she kissed me . . . that was real!"
"I'm sure it was. But that's not the issue that is troubling me." She paused for an uncharacteristically long moment, then continued, "You know that I am tremendously proud of you . . . "
"But . . ?" Darla prodded.
"No qualifier about that pride, dear, none at all. But I do have a concern about Audrey's, ah, judgment at this time."
"What do you mean?"
Jane leaned closer to Darla and gave the slender child a hug before sitting up straight with her usual perfect posture. "There is no way to say this gently, so I will be blunt. Though I think you would make a wonderful husband and lover - some day - I am not sure that Audrey is ready for a permanent commitment. Darryl is the first non-threatening boy she has met since, well, since she has begun to recognize she can be feminine without being weak or being victimized. Can you be sure she will not someday wonder if perhaps she should have, ah, sampled a few more men before she settled down to one?"
"Meaning I'm not good enough for her?" Darryl snapped.
"No, dear, not at all. But I have the experience of knowing many men, and so can easily recognize your quality. She, if she has only ever really known you, might wonder."
As much as he wanted to deny it, once again Darryl had to agree with his adoptive mother. "So, what do we do?"
"What do *you* think we should do, dear?"
Darryl, actually with a subtle change of posture and voice now Darla, said, "You're leading me down the path by the hand again, Mama Jane. Why don't you just tell me what you want me to see?"
Jane noticed that change, of course, she noticed everything. But more importantly she recognized the message in that change. It showed a true acceptance of the point she had raised, demonstrating once again the strength of character that she knew her child possessed. It filled her with pride even as it allowed her to address the issue head on. "Very well. We need to set up an opportunity for Audrey to meet some more young men, in an appropriately uncontrolled setting."
Darryl scowled at Jane for several moments. "Mom? What is going on inside the lovely, devious head of yours?" Then, the full import of her words struck him. "You AREN'T thinking of one of Edith White's atrocities, are you?"
"What?" Jane murmured, her mental images abruptly interrupted by Darryl's demanding question. "Oh, nothing of the sort, dear. I cannot control one of Edith's silly little balls that closely. Too many young men who . . " Jane sought the correct words
"Have not learned to fear your power?" Darryl offered grinning.
"Just so," Jane said grinning back. "I think a nice evening on the town would do it. Let me look into the possibilities."
"I take it I won't be her date?" Her son asked, somewhat plaintively.
"No, I think she needs exposure to other young men and when that happens, she might need you as Darla there beside her. At least at first."
"Ken and Mike, perhaps?" Darryl offered. "That last growth spurt of Ken's has given him a rather formidable height."
"I need to discuss this with your father, I think. Now, as to you, scamp. You need to keep to your room today and look gray tomorrow. Darla is having her period again."
"Oh, great," Darryl moaned. "Well, I guess that works as well as anything. When can I sneak downstairs to get my school books, though?"
"I'll call you when Audrey goes to the kitchen to cook."
"Thanks, Mom," Darryl said, standing up to hug his taller parent. "I do love you, ya know."
"I know, dear. Love you, too."
"So, that's what Darryl and I decided, Art, pending your approval. What do you think?" Jane asked as she curled her feet beneath her in the shabby overstuffed easy chair that was her husband's favorite seat. She loved the almost dissident combination of Obsession perfume and Old Spice aftershave that was uniquely her spouse.
"I think it has a good deal of merit, dear. A show perhaps in a very fashionable theater followed by a late dinner at a nice restaurant or nightclub. Dancing?"
"We'll see. I won't press her, although I might hint, rather strongly, that she is a wimp if she refuses. As I said, we will see how it plays out."
"Aren't you afraid she'll turn tail and run?" Art teased. "The minute the music starts and her escort stands to ask?"
"The way I'll have her rigged out? It will be the slowest mad dash in history, darling."
"Be careful with that, dear," Art replied, his voice suddenly very serious. "Remember that we want her to enjoy feeling feminine. The last thing we want is for her to feel cornered, or worse, endangered."
"Oh, I know that. In fact, I am actually going to have her pick out her own outfit. With a little help from her friends, of course."
"So, who are you going to ask to be the escorts?"
"Darla thought of Ken for Audrey and Michael for her. They're both sensitive enough to know when to back off a bit and when to press a bit to help keep her involved in the group." Then, feeling impish, she added. "I thought I would ask Joel to see if he'd be available to escort me. Or maybe even. . ."
The snort that answered her was very satisfying. "Don't even think it, sweet. The only man whose arm you will decorate and the only man you dance with that night will be one Art Philips, Doctor of Psychology. Besides, I think I should be there if you are going to try this little push on the girl. Back you up."
"I know, dear. And thank you."
"You're welcome. Besides, your current biographer is still just a wee bit ticked about our elopement. He was still complaining when I saw him at the faculty club last week when he was here on business. Said Joel wasn't quite ready to forgive and forget, either."
"Still? Lord above, what did they expect? That I would walk down the aisle at the National Cathedral in a floor length white gown and train with numerous attendants? For goodness sakes, Art, I'm in my forties, not my teens or twenties. I'm not some virginal ingenue."
"And I was infinitely more interested in getting that ring on your lewdly naked finger than in pomp, circumstance and ceremony. Anyway, I was simply letting you know, love, so you would think twice about asking either of those two. Now, I have this great idea for the big evening. What do you think of this . . . ?"
Chapter 16: Tragedy and Tears
Darryl felt marvelously alive as he paced Audrey in the cool, frost-crisp predawn air. Audrey was again content to run with him instead of racing against him. Actually, she'd been downright insistent about it.
They'd started out on what had become one of their favorite routes, along a roadside path that circled the large Seasons House estate, and as usual, he'd fallen into his usual rear guard position almost immediately. Again, as usual, the lovely view of all that taut, sexy feminine muscle clenching and relaxing beneath the skin-tight running pants had warmed him far quicker than any exercise could have, but then Audrey had called to him, "Oh, Darryl, why don't you just run with me today, instead of trailing behind all the time?"
Remembering the disconcerted look on his face as he'd pulled up beside her, Audrey permitted herself a happy grin as she glanced over at Darryl beneath her lashes. *I wonder why he looked so. . .well, almost embarrassed,* she wondered as she replayed that little scene again in her head.
"Um, sure," he'd agreed, but there had been this note of wistfulness in his voice that stuck in her mind. Again she wondered why, and then her cheeks flushed with a good deal more color than the morning chill would justify.
*Why, the stinker had been counting on watching my fanny again while we ran!* she realized with sudden stark clarity. *Why that. . that. . * her mind groped for both the words and the outrage that she felt SHOULD have been there, but found neither. That got her thinking again. It took several hundred yards to figure out the answer, and it was one with which she wasn't completely sure she was either pleased or comfortable.
She realized that she was flattered - hell, almost smug - that Darryl had been, what? Ogling her? Giving her the eye? Undressing her in his mind? Boys did that, didn't they? Miss Phoebe Elizabeth had always implied they would happily do far worse to a girl if given any encouragement. She should have been angry, but somehow, Audrey just could not find any other reaction than pleasure at the thought of Darryl intentionally running behind her to enjoy watching her. *Well, hadn't you dressed in this second skin of a romper to give him something worth looking at?*
So, Audrey decided that she WAS pleased with Darryl's secret attentions. Despite all the propaganda about how women were supposed to want to be respected for their intellect, not just lusted after for their bodies, she found that she was proud to be good looking - more proud than she could have imagined before she came to Jane Thompson's home. Maybe, just maybe, she'd really give him something to look at next time. *If the weather gets just a little bit warmer, I'll wear my thong leotard and those shiny flesh-colored tights that Marie said make my legs look better than bare. Then I'll see if he can keep up with me on a real run - or even wants to.*
Still, Darryl had moved up beside her, wisps of frosty breath puffing out with easy regularity. The athlete in her felt challenged by that, somehow, so she stepped up her own pace a bit. She could run him into the ground, of course. She was sure of it. Pretty sure, anyway. But that wasn't her goal - not really. It was more an affirmation of mutual respect. He was a worthy adversary, even if not quite in her class.
They couldn't run as fast as they might have liked in any case as a storm had blown up the coast the night before. The mini- nor'easter's heavy winds had denuded the trees of most of their remaining foliage leaving the trails strewn with slick leaves.
As they rounded a particularly wide bend in the trail, Darryl saw a large tree had been blown across the path, blocking their route. He was about to suggest they simply double back to finish their run when a piercing shriek coming from under the tree stopped him.
"What's that?" Audrey asked as Darryl broke into a sprint to the tree.
He pulled out the small flashlight he carried with him and shined its beam near the base of the broken tree. "Oh, god, there is a rabbit caught underneath the tree," he said. "The trunk is on top of his back end."
Audrey watched as her friend scrambled beneath the tree, almost getting splattered as dirt, leaves and heaven only knew what else started spraying from beneath the fallen tree's canopy. That stopped as suddenly as it started followed by Darryl's reemergence. "I can't dig him free," he said quickly. "The path is too hard. We'll have to get the tree off him. Look, you're stronger than I am. Can you try bracing yourself beneath the main trunk and see if you can get it up enough that I can pull him free? If you can't, I will help and see if we can get it off him, but I think we have a better chance the first way. You'd only have to lift it a little bit for a very short time."
"Let me see," Audrey replied, slipping beneath the canopy. She quickly found a main fork in the tree, where the tree started to branch out. She tested it and found she could put her head between the fork so that the large branches rested on her shoulders. "Give me your sweatshirt," she ordered. Without questioning her, Darryl stripped off the heavy grey shirt and handed it to her. She used it to make a pad for her shoulders and then, knees bent and back erect, positioned herself for the lift. "Ready when you are."
Darryl got down on his knees beside the stricken animal and reached out for it. "OUUCH!" he yelped.
"What?" Audrey demanded. "What happened? Are you all right?"
"Just scratched. I forget these fellows have claws a cat would envy and he's scared enough, cornered enough to use them. You ready?" At Audrey's affirmative, he then ordered, "LIFT!"
Audrey braced herself and then drove with all the power of her legs. For a moment, the tree seemed immovable, but she pressed harder, again to no avail. She was about to tell Darryl that they'd need to try another tactic when the tree shifted, and then rose. Unfortunately, before she could get her legs straightened, something hung up and the tree became as rigid as the world on Atlas' shoulders. She had to hold it, legs bent and muscles knotting, while the sound of Darryl's scurrying went on and on. It was probably only seconds, but she was about to add her own shriek to the sounds coming from the rabbit when she heard Darryl's triumphant shout.
"Got him!" Darryl called out and Audrey collapsed.
"How is he?" She asked as she freed herself from the tree.
"Bad shape. Look, you run back to the house. Get Aun. . Ms. Thompson to come with the car. We need to get this fellow to a vet, quickly."
Audrey looked down at the quivering rabbit and saw, for the first time, the deep cuts on both of Darryl's forearms. "What about you?" She asked, worried.
"Just GO!" he shouted. "I don't want to run carrying him. Whatever is wrong inside will just get worse. And if I just leave him, he'll drag himself into the bushes and die. His only chance is the vet, and you can get help a lot faster if you go alone."
"Okay, if. . if you're sure."
"GO!"
Audrey went, at a near sprint. It was, she thought afterwards, likely the fastest two miles she'd ever run. So fast, in fact, that it had taken her several moments to get enough air into her lungs to tell Ms. Thompson what she needed and why.
It felt like an hour, but it was closer to twenty minutes when the estate wagon, Marie at the wheel, drew to a stop on the access road that paralleled the jogging path. Audrey was out the passenger side door immediately at a dead run. "Darryl? Darryl? We're here." she called, only to come to lose her voice at the scene that greeted her.
Darryl was sitting on the damp ground, his back against the tree, his head bowed. The dawn light wasn't much, but it was sufficient for Audrey to see her friend's shoulders shuddering. It was only then that she saw the small, furry bundle laying so very still upon the ground.
"Is he. . .I mean. . .did he . . ." Audrey stumbled over the words, trying to find a way to ask the question to which she already knew the answer.
"He's dead," Darryl got out, swallowing a sob and struggling for control. She saw him take a deep breath and continue. "He was just too badly hurt. Struggling against me only made the end quicker."
Marie caught up and took in the scene, including the state of Darryl's arms. Gently, she knelt down beside her boy and put an arm about his shoulders. "You did your best, dear," she said aloud before whispering into his hair, "But now we need to protect your secret with Audrey."
Darryl's head came up sharply and he saw the sympathy mirrored in Marie's eyes. He gave her a slight nod of understanding.
"Darryl, you need to run home and get those arms looked at by your Mother. Audrey and I will see to the little one there."
"Thanks, Miss Marie," Darryl got out. "He was a pretty one, wasn't he?"
"Run along, boy," Marie ordered firmly, but kindly.
He obeyed, and the two women watched as he broke into a near sprint and disappeared around the nearby bend in the path.
"Well, let's go find a place where we can bury this one," Marie said. "Darryl would expect it and I did promise."
Audrey did not immediately respond. "He was crying." she murmured. "Over a wild rabbit."
"Does that bother you?" Marie asked.
"No. . .I just never thought that a man would. . I mean, well. ."
"Real men care, dear," Marie put in, "and some care enough to cry. I've known that boy, that MAN, for a long time. He's strong enough to know that crying does not diminish him. And if there is a better reason to cry than over the loss of a helpless innocent, I don't know what it would be. Now, go get that sheet I put in the car and let's finish this up."
"Ouuuch, DA.. .doggone it, Mom, that stuff HURTS! Don't you have any of that modern 'ouchless' stuff?" Darryl complained as Jane cleansed his wounds with her favored alcohol and peroxide.
"Sorry, dear. I know that this stuff works - for infection prevention, at least. You're absolutely sure that you weren't bitten? That these are only claw marks?"
"Yes, Mom. I'm sure," her son replied, tears beginning to flow again, more from the memory than from the burning antiseptic.
"Well, at least they aren't deep enough to need stitches. It's just as well that Darla is having her period. You can wear long- sleeve sweaters and look wan without it being too remarkable."
Darryl nodded and then went silent for several moments as Jane efficiently bandaged the scratches. Finally, he sighed. "She saw me crying."
"Who? Audrey?" Jane asked. "Does that bother you for some reason?"
Darryl smiled sadly. "Unlike your other students, you have been careful not to reduce her to tears in this program. This is the first time she's seen someone crying since she arrived here, and instead of it being one of the women in this all-female household, it was the only male she's been in contact with."
Jane considered that. "An interesting point. We will let her think about it for a bit and see if she raises the question herself." Jane then frowned. "Do you think we should have given her cause to cry?"
"As part of your 'let's make Audrey happy to be feminine' campaign? Is this one of those Jane Thompson trick questions?"
"Oh, you," Jane retorted affectionately.
"To answer your question, no, I don't think that is something you should have actively done. She would have seen that as a weak reaction, and if you'd associated it with being feminine, you'd have worked against your own goals because the last thing Audrey would have embraced is anything she perceived as weakness."
Jane thought about that, and shook her head. "Oh, I could have found ways to make her feel bad enough to cry - and made those bad feelings be tied, not to the acceptance of her femininity, but rather to her rejection of it. When she first arrived here, her, ah, 'style' offered many opportunities for, ahem, challenging her. But I didn't think that was necessary. In the end, I may find that not acquainting her with the emotional release offered by tears might have been a mistake because she does need to understand that tears are not a sign of weakness, but thanks to you we now have a way out of that."
"I just hope she won't feel Darryl is not worth her time anymore because of his showing that weakness."
Chapter 17: Strength or Weakness?
The house was, Marie decided, just too quiet. *You'd think that only Jane and I were home instead of having two energetic young people around to liven things up.* Marie knew that Darla was keeping to her room, in part because of the pretense of another difficult menses, but mostly so that they could let her scratches air a bit before it became necessary to keep them covered around Audrey. *Well, then maybe I will go and see if I can't goose Audrey, just a bit. Peace and quiet be damned!*
Marie found the girl seated on the sofa in the front parlor, not- reading a book. There were two clues that immediately told the experienced observer of human-behavior that Audrey wasn't actually reading the book she held on her lap. First, the girl's eyes were completely still. Instead of moving with the text on the page, they were blank and staring through the pages. Second, and more telling, was the book was upside down.
Grinning, Marie cleared her throat loudly, and receiving no immediate response, moved closer and did it again. That got a reaction as Audrey jumped in surprise. "Oh!" she exclaimed, and then tried to compose herself. "Hi, Tante Marie. Were you looking for me?"
"Yes. But I don't want to take you away from your reading. Good book?" she asked innocently.
Guiltily, Audrey looked away. "Oh, yes, very interesting."
"Well, I will be sure to let Jane know how you are exercising your mind. It must be very difficult to read such a book UPSIDE DOWN AND BACKWARDS!"
Audrey's eyes flew to Marie and then to the book in her hands, and felt her cheeks go hot. "Busted," she sighed ruefully.
Smiling gently, Marie picked up the book and read the title aloud, "'International Trade Law: Keeping Your Company's Assets in an Increasingly Litigious World Market'. Heavens, girl, why would you ever pick that book up to begin with?"
With a self-deprecating grin, Audrey replied, "I didn't even look. I just grabbed the first book I saw and came in here with it."
"What were you thinking about so hard?" Marie asked, "That you did not hear me come in or realize what you were looking at?"
Audrey hesitated, and Marie thought she could almost see the girl looking for the right words. She decided it was time to be a bit more direct than was her usual habit with one of Jane's students. "Are you still worrying at having seen Darryl weeping over that rabbit this morning?"
The girl's eyes went wide in surprise at Marie's perception, and then nodded. "Why does that bother you so much, cherie?" Marie asked very gently as she sat down on the sofa beside the younger woman.
"I've never seen a boy. . a man cry like that. I always thought breaking down like that was something out of movies or novels."
Marie heard more than the girl said, and challenged her. "There is more to it than that, Audrey. What you just described would have been at most a mere curiosity, something out of your experiences, but it is clearly more than that. Seeing Darryl cry has disturbed you. Why?"
"I thought he was strong!" Audrey flared and then caught herself. "I was starting to care for him, to RESPECT him, and now I find out I am wrong about him."
*oHO,* Marie thought. *Here there be dragons.* "So, you are now questioning everything about Darryl because you believe his bout of sorrow for a small, innocent animal makes him less than you thought him to be?"
"Well, I didn't mean to. . .but. . "
"No buts, Missie," Marie ordered. "You believe his tears to be a sign of weakness? Yes or no."
"Well, yes. . . I mean, aren't they?"
"What if I told you that you are wrong. That only the strong can cry when it really matters."
Audrey looked at Marie suspiciously. "Off hand, I'd say you might believe that, but that I don't."
"What about Jane? Do you believe she is weak?"
"Jane? You mean Ms. Thompson?"
"Yes, I do, and I think you should call her Jane in this discussion, so that you can discuss her objectively."
Audrey thought about that, and nodded. Gathering herself, she replied, "Well, I can't see Jane crying, let along understanding tears in a man. She is a very strong, very controlled and contained woman. I don't see her giving anyone that kind of advantage over her, seeing her reduced to tears like that."
"Oh, my dear girl," Marie said softly, "You simply must learn to be more sensitive to people. Haven't you realized yet that Jane is not nearly as hard as she puts on? It's a front, a tool she uses to get her students' attention, but do you really think that a woman as hard as that would dedicate herself to helping children and young people such as yourself? Why, she is the softest-hearted, most loving person I know. If anyone understands the need to cry, she does."
"Jane?!" Audrey's voice cracked in her surprise.
"Certainly," Marie said with quiet, unshakable assurance. "Look, go talk to her. About men crying. I'm telling you, she *understands*.
Audrey raised her hand to the wood-paneled door for what must have been the fifth time. *She's going to think you're crazy, Rockwell, even to be thinking about a boy while we're in her feminine sanctuary.* one part of her mind sneered. *But Marie wouldn't ask you to do something that would get you laughed at,* the other part of her mind reassured her. She steeled herself, closed her eyes, and smartly rapped her knuckles on the door.
"Enter."
Audrey found Jane, seated at her desk, a pair of half-rim reading glasses perched on the tip of her nose. It was an oddly comforting scene, she thought, almost as if the imperfection of needing glasses made this awesome woman somehow more approachable.
"Hello, Audrey," Jane greeted her cordially, "Is there something you need?"
"I'd like to talk to you for a few minutes, if you have the time. Marie said that I should," she added quickly, "But I don't want to interrupt. . "
Jane lifted her hand. "If Marie said you should speak with me, then of course I have the time. Her instincts in such matters, I have found over our years together, are nearly infallible." She rose from her seat and gestured her student in the direction of the conversation furniture grouping near the hearth. "Would you like me to call for tea?"
"No, thank you, Ms. Thompson," Audrey replied as she took the seat Jane indicated and watched the older woman take her own.
"So, what is it you wanted to talk about," Jane asked.
"Well, it is kinda. .," Audrey caught herself, saw Jane smile and then pressed on "That is, I mean, it is somewhat difficult to explain. . "
Jane could see that, and decided to help Audrey deal with that difficultly. "Start at the beginning, girl, and tell it like a story to one of the children at the hospital - step by step, scene by scene."
Nodding, Audrey began to speak, starting with the early morning rescue of the ill-fated rabbit.
As a teacher, Jane understood the power of 'wait-time' in dealing with questions or other issues. Rather than respond immediately, she took a few moments to let everything Audrey had related to her sink in, and to permit them both to organize their thinking. *So, Darryl was right to be concerned about her reaction to his tears. Would this have been less difficult if I had forced her to experience her own?*
"And so," Jane concluded, "You are worried that crying somehow makes your companion unsuitable or untrustworthy?" Audrey nodded, and Jane could see that the conclusion bothered her greatly. *You are coming to care for Darryl a great deal, aren't you, Miss Chastity Rocky Audrey Rockwell? And the fear that he is less than you originally thought is greatly distressing you.*
Deciding she had to take a chance, Jane reached out and took Audrey's hand in hers. The hand was damp with sweat, and felt cold in Jane's own. "You know, don't you, Audrey, that I have taught young men as well as young women?"
Audrey wondered at the seeming change of subject, still had the presence of mind to reply. "Tante. . I mean, Miss Marie has told me that, Ma'am."
"If Marie has given you permission to call her by that familial term, you may certainly use it in my presence, dear," Jane reassured her, "In any case, the young people with the worst behavior problems, at least of the kind that are suitable for correction through learning self-discipline, are often boys."
The thought of rough and tumble bad boys in the very feminine surroundings of Ms. Jane Thompson's Seasons House tickled Audrey's sense of the ridiculous. "Boys? I can just see you putting boys through those makeup and clothes variations you ran by me," she said with a pleasingly husky chuckle.
Smiling, Jane waved that aside. "Ah, well, be that as it may, the point is that I have found that the very best men, those who have resilient strength rather than brittle and superficial hardness, have all learned that crying is not a sign of weakness. They do not cry because of selfish desires not met, but they are truly and deeply touched by injustice, especially when it is not within their power to correct. One of the things I strive for, when I take on a boy with a history of violence, is to put him in situations where he feels he cannot react violently under stress. Getting them to release their strong emotions through non-violent tears instead of through violent anger is most often the first step . . . It shows them that there are alternatives to violence, and that they can be effective in dealing with intense emotions without harm to themselves or to others."
Audrey was stunned by this revelation, and her first reaction was to ask her teacher if she was exaggerating or somehow pulling her leg, but something in Jane's eyes stopped her. "And that works?"
"Most times. I will admit having lost two boys back to the legal system that sent them to me. My other students have all gone on to become solid citizens and family persons. Many are doctors, teachers and social workers trying to help others."
"You sound like the proud matriarch of the family in one of those schmaltzy black and white movies on the late show."
"I am proud of them," Jane assured the girl, and there was a soft smile on the older woman's face when she said that, the likes of which Audrey had never seen cross those lips before. "And from what you said, it would seem that the situation young Mr. Smith found himself in was of the nature I described earlier. I, quite frankly, find nothing weak about a man such as that."
"I see," Audrey said carefully. "Ms. Thompson?"
"Yes, Audrey?"
"Marie told me that Darryl. . .Mr. Smith was one of your students. Are you sure that you aren't letting that color your opinion of him? Particularly if you tried to make him cry?"
"Marie sometimes talks too much," Jane said in a muttering, mock growl before relenting. "But to answer your question, no, I don't. Darryl was indeed my student, at least for a short time, and I think the world of him, but if I did not think he was the kind of strong, caring, compassionate young man you just described in your story, he would not have been asked to be your exercise partner."
"OH?" Audrey felt her hackles rise.
"Oh, calm down, child," Jane ordered. "You know how you felt about men when you arrived here. The person who worked with you had to be strong enough, gentle enough and sure enough of himself to deal with that part of you. Don't you agree?" Jane demanded, one finely shaped brow arching in challenge.
It was very hard, Audrey found, to look at yourself so objectively and honestly, to confront those aspects of your personality that might not be of the highest order. Somehow she managed, and discovered to her chagrin, that much of what Jane had just said was true. Finally, she exhaled loudly. "Oh, all right. I agree with both your assessments of me and of Darryl. I do find it odd, though," she continued, her voice becoming pensive, "that Darryl ever needed the kind of therapy you described - the forced crying stuff - or that he was ever violent. I mean. . he's . . well, really special."
Unexpectedly, a warm, loving smile made the older woman's face glow with happiness. "Yes, he is, that boy of. . " and Jane caught herself just before she gave away the game by calling Darryl 'that boy of mine'. "many talents," she managed to finish.
"But he was sent here? Why? Surely not for violence."
Jane shook her head. "That is what the record said, but it was lacking some important facts that came to light during his stay with me. Actually, he did not need my program. What he needed was an escape from a very bad and dangerous family situation before he was scarred - physically, emotionally and mentally - forever. Being sent to me gave him that escape, and a chance he would never have had otherwise."
"What a loss," Audrey murmured, "if such a nice person had been lost that way."
Jane heard that, and smiled. "I quite agree, and his rescue is one of the truly great accomplishments of my life. Now, what say we go see what Marie is planning for lunch. You missed breakfast and I do SO hate to eat alone, so I only picked at mine. I find I am quite famished."
"Me, too," Audrey said, with the first real smile Jane had seen from her that morning. "Ms. Thompson?" Jane looked at the girl expectantly. "Thank you."
"It was my pleasure, dear," Jane said gently. "Truly, my pleasure."
"Interesting," Art mused on the phone late that night. "But tell me again - Darryl IS all right? The cuts weren't really bad? You're sure he didn't need to go to hospital?"
"Yes, Daddy-Di," Jane said in loving exasperation, "for the tenth and last time, he's FINE! Darla will be able to make her return appearances tomorrow, albeit in opaque, long sleeve outfits to hide the scratches. Marie is good with coverup cosmetics, but not that good."
"Okay," Art said hesitantly, "I will say one thing, though. If Audrey was that put off by Darryl's crying now, after several months of your brand of sensitivity training, I think it is clear you were right not to encourage HER to cry earlier in her stay with you. She wasn't open enough at that point to see such emotion as anything but a loss of dignity and thus self esteem."
"True," Jane agreed, "She didn't have any of that to spare at that point, either."
"So now what do you do?"
"We'll let things simmer for a bit and see how Audrey reacts to Darryl the next time they're together. Personally, I think that once she's convinced herself that my view of the world is correct, or at least, not entirely IN-correct, her feelings will open up still further, particularly with regard to Darryl."
"No shotgun weddings, now," Art teased.
"Not bloody likely!" Jane snorted. "Darryl knows I'd skin him."
"Oh, I'm sure he's terrified."
"Well, if not of me, then of Audrey. Or at least, how Audrey will react when she learns of his double life."
"You think that is going to happen? The original plan was for her never to find out that Darla is Darryl."
"Do you really think that a woman, even a woman who has so few of the classic feminine wiles and skills as our Audrey did when she arrived, is not going to solve that puzzle eventually? The REAL question is, what do we do when she does?"
Art thought about it and sighed. "I just don't know, dear. I've been trying to figure that out for myself. I think the only viable solution is to wait and then play it by ear when it happens."
"I don't like that solution!" Jane snapped back.
"I know, but that's because you are a control freak, my love."
The sound that answered him sounded like what the camel said to the djinn and Art laughed happily. It was a rare and wonderful thing to get the last word with his beloved Jane Thompson- Philips.
Chapter 18: Crisis Aftermath
Darryl blew on his chilled fingers, trying to find some warmth in the cold darkness, and then found himself yawning. Sleep had again been hard to come by the previous night. At four a.m., he'd finally given up trying and gone to work on a final project for one of his courses, but he'd been unable to focus. That was why Darryl now found himself down by the stables almost an hour before Audrey could reasonably expected to arrive.
"You're dithering, Thompson," he told himself in an unconscious mimicry of his adoptive mother. However, that recognition did nothing to stop the dithering. *If you were honest with yourself, Darryl, m'lad, you'd admit that you're afraid. Afraid that she won't want to be with you any more. Hell, afraid that she won't even come here to work out with you this morning.*
It would be a very long time, if ever, before Darryl forgot the look of surprise and distaste on her lovely face when she had seen him sitting in the dirt, a dead rabbit in front of him.
He began to wander about the stable grounds using a small flashlight to guide him. Perhaps it was because the incident of the falling tree was so recent, but he was amazed to find a sturdy young maple tree with most of its leaves still in place. *Must have been in the lee of the stable when the storm hit,* Darryl mused. *Well, might as well head back and find out if she's going to show up.*
To Darryl's surprise and relief, Audrey was waiting for him when he arrived back at their usual rendevous spot. She was leaning against the railing of the small corral-type outdoor arena with her back was to him as he quietly approached.
At the last moment, she heard him, and half turned toward him so that her face was softly illuminated by a distant yard light. *God, she's beautiful,* Darryl thought. "Hi."
She turned fully to face him, leaning back on to the fence. "Hi yourself," she replied quietly. "You okay?"
"Okay?" he asked, confused.
"Your arms," she qualified. "You said they got scratched up yesterday."
"Oh," Darryl mumbled, feeling like a bumbling fool and then pulled up his sleeves and displaying his arms discolored by the red-staining antiseptic Marie favored over Jane's colorless preference. "They'll be fine. . are fine."
"Good," she replied, her gaze dropping to her feet. Her running shoes must have been fascinating in the dim light, because for a long moment both teenagers stared at them.
The silence echoed in the darkness, louder every second, until Darryl could stand it and not knowing any longer. "You seemed really bothered yesterday," he began.
"Bothered? Well, I guess. The rabbit died, after all, and then you were hurt, and. . "
"That wasn't it."
Her eyes came up to meet his again. For a moment, she simply faced him like that, and then she nodded. "It was seeing you crying."
"I was afraid of that," Darryl said turning away lest she see his eyes begin to water again.
Audrey moved quickly and put her hand on his shoulder to keep him from leaving. "WAIT!" Darryl stopped trying to leave, but could not bring himself to turn and face her. In a softer voice, she continued "Yesterday, when I saw you, I was reacting to, well, some of . . . well, some stuff in my youth I am beginning to understand was a lot of bullshit."
Years of dealing with Aunt Jane and her students had Darryl's brows rising. "Bull. . . . shit?" he managed.
"Oh, don't give me that Jane Thompson look. Marie told me you were one of her students and that look is pure Thompson," Audrey muttered. "Just as what I was taught was pure bullshit."
"I don't know what you mean," Darryl replied, happy she was still speaking to him, but unsure where she was headed.
"I was taught, by my governess, that crying is a weakness and that any weakness is intolerable and beneath contempt."
"And you think those teachings are wrong, now?" he asked, finally turning about to face her again.
"Unfortunately, it takes a lot longer to unlearn wrong things than to learn them - especially when the mistakes are forged into a set of attitudes that are being formed in a child. The idea that strong men can accept and express such emotions; that those emotions can actually add to the strength of a man, is a marked change from that early learning. I found it a hard concept to accept."
"Yeah. I can see that," Darryl said, sighing and waiting for the rest of the bad news.
"But whenever I tried to think of you in those terms, as weak, I simply couldn't - it just felt too wrong, you know?" She exhaled heavily. "I even went to Ms. Thompson to talk about . . . things. . and what she said made a lot of sense."
"She usually does," Darryl sighed even as he wondered where this was all going, "although sometimes her damned infallibility can get bloody tiring."
"Well, I'm glad she did because what she said got me to thinking about the sort of man that I would want as a friend," Audrey continued. "And I can't imagine truly enjoying the companionship of a man who couldn't show honest emotions, even sorrow. How would I know that his happiness was real, if he were that much in control?"
"I don't understand . . ," Darryl said, afraid that the hope her words were beginning to create in his heart would be unfounded.
"I asked myself," she said, remembering Marie's words of the day before, "if I could imagine a better justification for sorrow than the loss of an innocent life. I couldn't."
"But, . ." A flash of moonlight illuminated Audrey's soft smile and Darryl's mind went blank.
"But nothing. You tried to save that animal, even after he scratched you and even though you knew it could get worse if you continued to try. You went under that tree even though you knew if I fumbled that heavy trunk could well have fallen on you. Nope, definitely not lacking in courage or personal conviction. More like a hero, I think."
"Hero?" Darryl forced his mind to work. "But I didn't save him."
"You still tried," Audrey affirmed, "And that's all anyone can do. Besides, I bet you petted and stroked him right up until the end, didn't you?" Audrey challenged, and then continued. "I thought so. So, the little guy went out being comforted instead of in terror."
A wave of relief washed over Darryl, and he grinned crookedly. *She thinks I a hero?* That thought was perilously close to triggering another display of early-morning dew - of the shining eyes variety - so Darryl quickly asked, "Uh, does that mean you still want to go running with me?"
Audrey grinned back. "Running PAST you, more like, mister," she retorted, and then bent over and planted a firm kiss on his cheek. "Now, let's get going. I feel like making you eat my dust today!"
With that, she reached down and ripped the long exercise warmup pants she wore off her legs. After a shocked heartbeat at this apparent destructiveness, Darryl realized her warmups were the breakaway style held together with velcro. After another shocked heartbeat, he realized what she was wearing underneath them. Or maybe, what she was NOT wearing.
*Oh my God. She'll freeze!* he thought. *But dear Lord, does she ever look HOT!* "Hey, wait for me!" Darryl yelled and took off after her at a sprint.
Marie and Audrey arrived in the Seasons House dining room almost simultaneously; Audrey from her shower and morning toilette, and Marie from the kitchen with a cart filled with china, stem-ware and silver for setting the breakfast table.
"Well," Marie said, pleased, "Don't you look much happier this morning than you did just yesterday. Have a good run, did you?" she added with a slightly suggestive smile.
Audrey blushed prettily and then smiled broadly. "It was great! Darryl and I talked about what happened and how I behaved. I think he was as worried about how I reacted to his crying as I was about how he'd reacted to the bunny."
"So, girl, help me set the table while you tell me all the nitty gritty. . . "
"Well, he wasn't anywhere to be seen when I got there, and that scared me like nothing else I can remember in my life. I just stood there, staring into the moon, trying to figure out what I would do if he didn't show up."
"But he did," Marie prompted when Audrey's brow furrowed into a frown."
"Yes he did, and nearly scared me out of a year's growth, too. One second I was alone and the next, he was there behind me. Anyway, to begin with, I was a nervous tongue-tied wreck. Marie, I couldn't say anything that made a lick of sense. I finally asked him some lame question about how his arms were and then just stood there."
"I am sure Darryl did not take your concern as lame, dear."
"No, I guess he didn't, and thankfully, he was able to get us over what was bothering us both. Anyway from there, it went better."
Audrey proceeded to relate the rest of the morning's little drama to Marie who for the most part, kept quiet and let the girl talk. That is, until she saw a very feminine, very mischievous grin light Audrey's face when she concluded with them going for a run.
"All right, Miss, no holding back. What was that smile for? And don't even THINK of trying to hold out on me," Marie ordered while slapping a large serving spoon against her palm.
"Oh, I , ummm. . well, I told him he was a hero and then kissed him - just on the cheek!" she hurried to add.
*Bet that brought my lad up short,* Marie thought happily. *I suppose I could move things along by telling her to plant a good on right on the lips next time, but I think I will let them find their own way. It will be better for both of them that way.*
"That's not all of it, I think, you cheeky thing. What are you holding out on me? Oh, I know, I bet you wore that thong leotard and golden tights set I told you to buy." Audrey's suddenly heightened color was all the answer Marie needed. "So, how did they work?"
"I, ah," Audrey cleared her throat, "only noticed he wasn't, um, running as easily as usual. He was, well, kind of stiff, if you know what I mean."
"Too busy tripping over his tongue?" the older woman teased, well satisfied with both Darryl's reported response as well as Audrey's apparent pleasure in the telling of it.
"Oh, Tante Marie," Audrey laughed as she went over to hug her mentor, but she didn't deny the claim, though it wasn't really Darryl's tongue that she had been considering.
"Move along, girl," Marie ordered, her voice suddenly husky, "or we'll both be in petti's and pinafores when Jane comes down and finds breakfast not on the table.
Audrey and Jane were waiting by their chairs when Darla had arrived in the dining room. The other girl's back was to Darla when she slipped into the room, a view that reminded the young person of the vision of Audrey's lovely backside in those skintight, gold-colored running pants highlighted by the black thong topshorts. It had been a very, very long run that morning, but Darryl had thoroughly enjoyed every step. Almost as much as he'd enjoyed his second 'hero's kiss' before they'd parted.
*Maybe, just maybe, I can figure out how to get us past the 'just a peck' stage to the real loverly kissing stage.*
"You are late, Darla," Jane remarked as the girl took her place at the table.
Darla hid a smile. Jane Thompson's bark was always sharpest when she was hungry. "Sorry, Aunt Jane," she said, striving for fatigued languor consistent with 'the second day'. "I had to check my hair before venturing out." Twinkling dark eyes told Darla that Jane had gotten the teasing reference to her nearly forgetting the wig two days earlier.
"I see, well perhaps you need more practice which I will be *happy* to arrange for you if this becomes an unfortunate habit. You KNOW better, young lady," Jane scolded. "And you know that I do not consider. . .feminine issues to excuse tardiness."
"Yes, Ma'am." Darla replied, her head bowed.
"Very well, then," Jane said as she reached for the serving bowl filled with fresh fruit. "By the way, Darla, is it not your turn to help Marie in the kitchen this morning after breakfast?" Darla answered that it was, and Jane nodded pleased. "Excellent. Audrey, I wish to speak with you in my study after breakfast, say ten o'clock? There are some plans we need to discuss."
"Yes, Ms. Thompson," Audrey said, as she helped herself to the steaming scrambled eggs. Jane was not, Darla saw, the only member of the household who was famished.
*Come to think of it,* she thought, *I'm rather hungry myself. All that fresh air, adrenalin and LOVELY scenery this morning, I guess.*
"So, mon chou, things worked out well for you and la belle Audrey this morning?" Marie asked as she rinsed then dried the serving platter Darla had just handed her from the soapy water.
It was a long standing argument, but even with the finest dishwashing equipment money could buy, Marie took it as an article of faith that only a woman's hands, or in this case, the hands of one of Jane's properly trained young men, should be trusted with cleaning the china. Marie happily used the restaurant-grade dishwasher on her pots, pans and stainless steel flatware, but china and silver got the 'hands-on' approach.
"It did," Darla said softly. "Thank you for talking to her." she added solemnly. "I'm not sure how long, if ever, it would have taken her to see things in that light on her own."
"Don't underestimate that one, love," Marie chided. "She would have figured it out for her self. She has a big heart and a good brain."
"I know, I just am really glad I don't have to sweat it out, however long it would have taken her to work through all that out on her own."
"Patience, mon cher."
"You keep telling me that," and it was Darryl's voice that said the words, "and Dad keeps telling me that, and *I* keep telling me that, but I have to tell you that there is a very big part of me that is getting very, very tired of listening."
Marie put down her towel and went over to hug her boy-in-skirts. "Hey, watch it, Tante Marie!" Darla cautioned, her rubber-gloved hands stretched out behind Marie's back. "I'll get you soaked."
The older woman kissed the child of her heart on the cheek. "As if I'd care. I know it is hard, dear, but I think you are doing very well with your odd little courtship."
Darla turned back to the sink and pulled out the next dish. "How can you tell that?"
"Because," Marie said forcefully as she retrieved her dishtowel, "la fille jolie has not turned and run like a scared rabbit, nor has she turned on you like a cornered badger."
"You're sure?"
"Mais, oui!" Marie answered firmly. "Look, Audrey told me she kissed you this morning, just a peck on the cheek, but a kiss, right?"
"So?"
"Why did you not press the advantage and try for more?"
"'cause she started our run by sprinting away right after she did it and I spent the rest of the morning chasing her."
"Darla," Marie said in a 'don't try to fool your aunt' tone of voice that had the young person blushing furiously. "Don't tell me you didn't have the opportunity at some point before, during or after your run. You chose not to press. Again, I ask, why not?"
Darla, sighed, her breath blowing upwards to flutter the bangs of the dark colored wig. "Because it didn't feel right, like she wasn't, I don't know, ready for more than she did."
Marie snaked her free arm around Darla's shoulder and gave her a quick squeeze. "And I think you are exactly right, dear. I think Audrey will let you know when she is ready for more."
"And if I miss the clues?" Darla asked, worriedly.
"Do you really think that our Audrey is not going to tell you, quite forcefully in fact, when the time comes."
Darla thought about that for a moment before replying. "You really think it will? The time coming, I mean?"
"I do," Marie said with complete assurance. "All the signs point to it."
"Signs?"
"Of course. Tell me, ma cherie, what did Darryl think of Audrey's running clothes today? I understand he had an excellent vantage point most of the morning."
"TANTE MARIE!" Darla squeaked, and then the full impact of what Marie's words meant hit her. "She. . .she. . Audrey told you? About.. . . THAT?!?"
"Oui." was all Marie said as she busied herself drying the serving bowl Darla had just rinsed.
"Oh my."
Chapter 19: Planning a Debutante's Come-out
Jane guided Audrey into the comfortable conversation seating area when the girl arrived, promptly at ten o'clock.
"How are you feeling, Audrey," Jane asked. "Any lingering problems from your fall or your surgery?"
"None, Ms. Thompson. The new nose works fine and the last of the bruises have just about faded."
"Excellent. I needed to know that before I decided if we were going to move forward with a slight change of plans."
"Oh?"
"Yes," Jane paused, intending to ensure she had the girl's full attention. "Audrey, we've spoken several times in recent days about the misconceptions your governess gave you about men. You do understand that those were the prejudiced beliefs of a hurt and bitter woman and not really a fair assessment of most men?"
"Yes," Audrey said quietly. "They were lies and she was a liar."
"In all likelihood, child, she probably believed them to be true, which makes her more ignorant than untruthful. However, that is not the point of this discussion. You are, I think, by now aware that you have had little contact with males since arriving here."
"Except Darryl Smith," Audrey interrupted.
"Except Darryl, and he is, as you now know, a very special case."
"He was your student, too."
"True. In any event, your growing friendship with him leads me to believe that it is now time for you to begin interacting with other men, and on a more social footing. To that end, next week, we will be going to see another of my students perform at the ballet in Boston. Your Mother tells me you missed out on your prom, so after the performance, we will go dancing."
"We, Ms. Thompson? Who do you mean by 'we'?"
"You, Darla and I, along with our escorts, of course."
"Escorts?"
"Men, Audrey," Jane replied matter-of-factly, "Nice ones, I promise you, but ones you have not met so that you can practice, in an open environment, your new and improved social skills."
"Couldn't I ask Darryl?" Audrey asked.
*Well, at least she hasn't rejected the idea completely,* Jane thought with some relief. *If she had, it could have been sticky, particularly for the boys.* "I'm afraid not, dear," Jane said. *Especially since you might need Darla's calming presence at some point in the evening.* "I think it best that you interact with some other young men - men you do not know as well as you know him."
"I really like Darryl," Audrey persisted, wondering why she hadn't used a stronger term for her feelings, and then wishing she had done.
"All the more reason for him not to be your escort, Audrey. Think of this as an exam. Audrey putting on the pretty and doing her party manners with socially acceptable but unfamiliar men."
Jane could almost feel Audrey close up on herself. "I don't see why that is necessary," the younger girl replied softly.
At first, Jane did not respond, consciously taking the time to choose her words. Finally, she nodded, and began pensively. "I could say that I do consider this exercise necessary for your growth and learning, which since you have given your word to abide by my program would put you on your honor to comply, would it not?" Jane raised one challenging brow at her student until Audrey reluctantly nodded. "I won't do that. That is not the mind set with which I want you to approach this little adventure. Alternatively, I could ask you just how important Darryl is to you, but I won't do that either because that is your business. Let me ask you another question instead. Do you *really* want your first formal outing to be with someone you, ah, 'really like', or might it not be better to, shall we say, practice on someone who you can forget about if something awkward happens?"
Surprised by Jane's response, Audrey reacted without equal thought and gave an unladylike snort. "Awkward? That's me all right. Big, clumsy cow in a tutu."
"Audrey, dear, don't be silly," Jane said firmly. "You move with an athlete's grace. And the tutu will be on my former student. I'm talking about encountering a socially awkward situation. Do you think your reflexes are sufficiently . . . feminine that you won't find yourself reaching to open a door and getting in your escort's way? Or perhaps pulling out your own chair?"
"So what if I do? It's not like I'm some wimpy hothouse flower that really needs the help."
Consciously stifling a sigh, Jane only shook her head. "No, dear, you are not a 'wimp'. However, men like to feel . . . useful, and these little courtesies are a way for them to balance out the things a woman does to look her best. You wear the heels, he gets the doors. You wear a tight skirt, he hands you in and out of the car. Both parties give and gain something valuable," Then Jane grinned. "Besides, you might actually need the help. One hand for your purse - because you'll only have a clutch bag with no strap, and one hand for your skirts leaves you needing the attention of a willing swain."
"Oh, God, skirts!" Audrey groaned. "I assume you will have a dress for me?
"A gown, my dear, a magically-lovely, fairy-godmotherly perfect dream of a gown."
"A gown," Audrey parroted, her lack of enthusiasm evident. "I see. Well, when do I see it?"
"Why, when you have chosen it, dear," Jane said airily. "We're going to Miss Franson's shop tomorrow for you to pick out your gown from her stock. A girl should have a big say in her first ball gown, don't you think?"
*Ball GOWN?!?!?* "You mean, one of those long floor length things with sparkles, frills and flounces?" The sheer terror in the girl's voice forced Jane to stifle a chuckle.
*She's thinking of the Victorian things I made her wear as punishment,* Jane realized. "No, not necessarily, although it is likely to be floor length. I rather think that elegant simplicity is all a woman of your beauty, presence and stature needs, but as I said, you get to pick what you wear."
Audrey looked at Jane for a long time, obviously looking, Jane thought, for the catch. Finally, she shrugged. "When do I meet my escort? Are you hiring him at one of those escort places?"
"Audrey!" Jane retorted, truly shocked at the very idea. "I said 'acceptable', young miss. *I* know the young men I will ask to escort you and Darla. The very idea!"
"Sorry, but when DO I meet him? Suppose I can't stand him?"
"You will meet him the day of the ballet, and if you cannot stand him, so long as he is polite, well mannered and a gentleman, you will respond in kind and do your best to enjoy the evening. You are going out with him, not marrying him."
Audrey thought about that, and realized that with Jane and Darla there, she would not be alone. So if Mr. Perfect got cute, Darla at least would take her side and help her avoid a nasty incident. "All right, Ms. Thompson, is that all?"
"Almost. Since we will be doing this over the Thanksgiving holidays, I have decided you won't be riding in the parade. I'm not sure Garters would be up to that long a ride on hard pavement in the cold anyway."
"No more side saddle?" Audrey breathed, hope alive in her tones.
"Not unless I think you need the discipline," Jane said, almost teasingly. "Now, why don't you go find Darla and have a nice outing before luncheon. A walk will do her good today and it will enable me to clear up some work so that we can work on your show jumping this afternoon.
Grinning, Audrey stood. "Wonderful, Ms. Thompson. See you at lunch."
Jane sat in her chair until she was certain Audrey was well down the stairs, and then went to her phone where she dialed a number from memory.
"Milady's Closet and the Style Shoppe," a rich feminine voice answered. "This is Brenda. How may I help you?"
"Brenda? Hello, this is Jane. Look, I am bringing Darla and Audrey in tomorrow."
"Oh, what's up?"
"I want Audrey to select her own gown for a night at the Ballet followed by dancing at the club."
"Sounds basic enough, Jane, and I have a lovely selection in right now. The high fashion things I ordered for my Christmas Ball stock just arrived, although I haven't gotten them out into the store just yet."
"Oh, that's perfect. Let me tell you what I want you to do for me."
Jane strode through the doors of The Style Shoppe with Darla and Audrey following her, each one step behind and one step out to the tall, stately woman's right or left. Any army regimental commander would have immediately recognized and been impressed with the formation's precision as they marched to meet the foe.
And at least one of the women - the tall, dark-haired one - truly considered the elegant proprietor of this establishment to be 'the foe'. In that, if in few other ways, she shared a common feeling with her predecessors within Jane's tender care.
Before they'd left the house that morning, Darla had related to Jane the gist of a conversation she'd had with Audrey following Jane telling her student of the new plan of action.
"You're awfully quiet, Audrey, and you don't look all that happy. You want to talk about it?" Darla asked after they'd walked in silence for over twenty minutes.
Audrey shrugged, and tossed her head, both gestures remarkably reminiscent of a certain former school mistress cum businesswoman of Darla's experience. *Wonder what she'd say if I told her how much like Jane she looks when she does that? Probably ignore me for days.*
"Oh, it is just this bloody date your damned aunt has dumped on us. Doesn't it piss. . I mean, upset you that she's procuring dates for us without so much as a by-your-leave?"
"You can say 'piss you off' around me, Audrey, and I won't have a fit of the vapors, but Jane might if you slipped up around her," Darla said teasingly before becoming serious. "It's not like she is making you walk down the aisle with the guy, or selling you into white slavery, Audrey. You're just going out with him, and Jane's going to be there to boot. Me too, if it comes to that."
"But she said dancing! Suppose the guy gets fresh on the dance floor, and I want to make a soprano out of him? What then?"
*Then I will cheerfully hold him down while you do it, Rocky,* Darla thought darkly, *but since it is likely to be Kenneth, we shouldn't have to worry.* "Knowing Tante Marie and Aunt Jane, you'll be wearing heels, sweetie. Threaten to break his little toe for him by having an accidently-on-purpose misstep. Let him know you mean business, and then do it if he isn't bright enough to take the hint. Ladies have been doing that with fresh men since some sadistic male first invented high heeled spikes and foisted them on women."
"Yeahhhhhh," Audrey mused, her face alight with a dark mischief that boded ill for Ken's feet if he did forget himself, then she became glum again.
"Now what," Darla demanded.
"I just wish I was getting all dolled up for. . . well, for someone else, that's all."
"Got someone in mind, do you?" Darla teased.
Audrey considered that and finally nodded. "Jane said this was going to be like a prom. You're supposed to go to proms with guys you want to go with, not guys you meet a few hours beforehand."
Darla's heart jumped into her throat. "Maybe if you asked Jane?"
Audrey's shoulders drooped and she shook her head. "I did. She thinks I need this to prove to her and to myself that I can deal with other guys in a social situation."
"Um, are you telling me you're completely comfortable in social situations with men? Completely ready to act like a lady? Just a second ago you were asking how to handle a man who gets fresh. It sounds to me like Jane is right." *As usual, dammit. Here I am telling her she needs to go out with someone ELSE! But Jane did manage to get me to agree that Audrey does need that experience. Dammit again!*
Audrey's steady pace faltered for a moment as her smaller almost-sister threw her own words back at her. The frown that marred her smooth features was proof enough that she recognized the truth in Darla's statement - for that matter in Jane's perception. Before she had to explain anything though, Darla offered her a face-saving way out.
"Well, you'll still have the dress and all the other stuff. You can pretend this is sort of like a dress rehearsal for a play, and then wear the dress for real, kind of like for opening night, for the guy you really want to have holding your arm.
That DID make Audrey smile. "I like that idea. So tell me, sister," and Audrey's voice dropped into a confidential, 'just between us girls' tone, "Just what kind of dresses does your friend Darryl like seeing on a girl?"
*If she ever finds out just who is giving her advice about Darryl, she's going to kill me,* the shorter girl thought. *But on the other hand, unlike most guys, I actually have a pretty good idea what looks good on a girl.* "Well, I've only seen him out with a couple of girls, including that swimmer I told you about, but. . . "
Chapter 20: A Gown for Audrey
Jane watched as Brenda led a still-reluctant Audrey into the dressing and modeling area at the back of the store. She was going to do her level best to make this a very positive and wonderful experience for her student. *How odd that thought seems,* Jane mused, *When all my other students have come here to learn the meaning of stark terror.*
"Mom?" Darla whispered beside her.
"Yes, dear?"
"We'll need to do something for me, too, but it can't be today. Not with Audrey here."
"What do you mean?"
"All of Darla's gowns bare the arms. I need something with long sleeves or else Audrey will see the scratches and welts that are still on my arm from the rabbit."
"And if you participate in the fitting today, she still might see them, however inadvertently. Excellent point, dear. I will have a word with Brenda. She ought to be able to do something for you with a minimum of fuss and bother. It isn't like she doesn't have your measurements."
Just then, Brenda Franson walked out into the waiting area. "Darla, Audrey wants to see you in the changing room.
Jane looked up at Brenda, who gave a little shake of her head. "She hasn't changed yet," Brenda reassured Jane. "I haven't forgotten who THIS one really is, Janie. Run along, honey," she said to Darla. "She's seen the gowns I have laid out for her in there and is having knicker-fits over them.
"Okay, Brenda," Darla grinned up at her. *Am I relieved or disappointed that she isn't as Tante Marie would say, en dishabille? Probably both.*
Jane waited patiently until Darla had disappeared into the changing room before addressing her friend. "Might I infer that she was, shall we say, a bit put off by your selections?"
"I don't think the girl has ever seen anything as sexy as some of those gowns, at least never thinking that she might actually wear one of them."
"You don't think that they're a bit too much for her? She's still unsure of herself and of her power as a female."
"No," Brenda waved that away. "You were right on the money with what you asked me to show her, Jane. That girl is going to cause traffic accidents when she strolls down Beacon Street in one of those gowns. She won't be nearly so clueless about her feminine power after that."
"BUT, DARLA!!! LOOK AT THE NECKLINES!!" a plaintive yelp was heard from the changing room.
Jane smiled ruefully at her longtime partner in crime. "If we can get her into one of them, that is."
"Oh, we will," Brenda reassured her.
"Well, if she really resists, you will 'find' something else for her, got it?" Jane ordered sternly. "The very LAST thing I want is her regressing because some part of this experience made her uncomfortable or worse. She is to feel pretty, pleased and pampered when we are done here."
"Oh, since when have you turned into a mother hen, Jane? Come on," Brenda beckoned. "We'll let Darla help Audrey for a bit while I treat you to a cup of tea." Then she saw one of her shop girls. "Katherine? Would you get a selection of the strapless brassieres for the lady in the dressing room? About a 36-B on the plus side, I think. She's going to need them. You know what colors because you helped me with the gowns earlier."
The timely arrival of the shop girl with the substantial, yet elegantly feminine brassieres helped divert Audrey, as did Darla's heartfelt reassurance that Darryl would melt at her feet upon seeing her decked-out in any of the gowns arrayed before her.
"Well, you did say you say you were interested in getting Darryl's undivided attention with whatever gown you buy," Darla said as they checked out the gowns hanging before them."
"Yes, but . . .Darla, I have never considered wearing anything like these. I mean, I was thinking something more like the dress the birds and mice made for Cinderella in the Disney movie." Audrey took one of the gowns, a dark shimmery red that made her ivory skin glow and her hair seem deeper than the night sky, then held it to her body. "Walt Disney would NEVER have let Cindy wear THIS!"
Darryl's mind all but stopped and his vision tunneled as every neuron in his brain focused on Audrey. "God, but that would be gorgeous on you," he whispered.
"You . . . really think so?" Audrey asked in a very small voice, turning to look at her reflection in a nearby mirror.
Audrey's question hit the femininely turned out young man like a pail of ice water on a hot day. Darla was stunned to realize how close she'd come to breaking character, and struggled to regain her composure. *but she is just so darn gorgeous and she doesn't even have that dress on yet,* her mind whined.
*And she wants to wear it for Darryl, and who has a better idea than me what Darryl does and doesn't like? Oh, hell, if she isn't comfortable wearing it, on top of dealing with an unknown guy, she'll be miserable the whole night.* "I think you'd look like princess in it. . .a very sensual princess, but a princess nonetheless."
"I just don't know," Audrey said distractedly, still staring at herself in the mirror. "I mean, I just have never thought of myself as the scarlet woman type, you know?"
Darla saw the uncertainty in her friends eye and mentally shrugged. She plucked the dress from Audrey's hands and gave her another one - a classic sheath in a pale blue satin that, while it still would show a good bit of creamy bosom and dark mysterious cleavage, was not nearly so . . .uninhibited as the first one. "Try this one. Take the bra in the same color as they seem to have been chosen to match. We'll try them all before you make a decision."
"Them all?!?" Audrey goggled. There had to be fifteen gowns on that rack. "But what about Ms. Thompson? Won't she want to see?"
"She told you to pick your own. You choose the one you like best and are most comfortable wearing and then make her keep her word."
"But, what if I am not comfort. . .I mean, if I don't like any of these?"
"Then you. . ." and then Darla saw the anxiety in her friend's eyes and amended her statement, "Then WE will go out there and tell Aunt Jane we need to look elsewhere."
"You're sure that will be all right?"
Darla then saw just how truly unnerved Audrey by all of this. *Jane said that she was to have fun. Brenda's choices may be too far out for her to do that. As much as I'd give a year of my life to see her in that red gown, I won't let anyone put her through something she truly isn't ready for.*
"Sweetie, a girl is supposed to enjoy herself, enjoy her basic femininity when she is having a 'big do' like this coming-out party Jane has set up for you, okay? Anything that makes you feel happy and feminine is good; anything that makes you unhappy or uncomfortable just isn't going to happen, okay?"
The surety in Darla's words brought the taller girl up short. Audrey looked at her friend closely and saw the determination there, and felt the tight ball of emotion in her gut begin to relax. "Okay," she said softly. "Maybe trying them on will be fun - kind of like an adventure or maybe a fairytale."
Grinning, Darla put a finger to her nose and made it wiggle back and forth. "Just call me your Fairy Godsister."
Audrey giggled, a sound that absolutely enthralled Darla. "That was a 'Samantha of Bewitched' nose wiggle, silly. Even I know she was a witch."
"Well then, my pretty," Darla cackled evilly. "Go get dressed before I get you and your little dog, too."
Audrey giggled again, picked up the matching bra from the confetti-colored pile of silk and satin, and slipped into the changing room.
It had taken a great deal of willpower, but Jane had managed to stay out of the dressing room while Audrey made her selection. *Just as well,* she thought, *I'd probably fall into old habits and start teasing her. And it is not as if my presence in there is required to protect this one's 'secret identity'. An inadvertent slip of the panties is not going to become the biggest 'on-dit' of Kingston society with Audrey as it would have been with any of my other students.* She took another sip of tea and sighed. *Still, it is hard to just sit here. I wonder if that is why men tend to hate shopping so much? This is incredibly boring!*
"Oh, don't worry, Jane. She'll be fine," Brenda said, completely misinterpreting her friend's last sigh. "And you haven't heard a single peep out either of them since that first little outburst, now have you?"
"No," Jane had to admit. "And Darla has been flitting about picking up accessories to try with the dresses so she'd have had the opportunity to let me know if there was a problem."
"Well, that is a problem for me," Brenda grumbled. "Putting away all those fripperies when she finally does make a choice is going to be a colossal pain. Oops, maybe we spoke too soon. Here comes Darla now."
"I don't know, Darla. I just don't like any of the ones I have tried on."
"Well, what about this one?" Darla replied, holding up the scarlet dress Audrey had earlier set aside. "You haven't tried it yet."
Audrey looked at it dubiously. "I don't know. The others at least seemed substantial. I mean, there's really nothing to that one, you know?"
"I think Darryl would love it," Darla said in a fit of inspiration.
"You really think so?" Audrey asked, her voice wistful.
*Are you kidding?* "Are you kidding? He's male, isn't he? Heavens, girl, you would look positively dangerous in that gown!"
Audrey hesitated and then sighed. "Well, I guess it wouldn't hurt to try it on."
"Great. And I know what would be just PERFECT with it. Be right back!"
"Brenda," Darla asked as she moved near the tea table, "Do you have anything leafy that we could use for hair setting? Not too overdone, but with a lot of color to it? Sort of like a laurel crown, or maybe holly with red berries?"
Instantly, the shopkeeper's face took on a smugly satisfied grin. "Why yes, Darla, I have JUST the thing. Let me show you."
Moments later, Brenda returned to Jane. "What was that all about?" Jane asked.
"Just that I believe she has decided to try the gown I thought would look best on her. I had that hair accessory set aside so I'd know if she did. I thought her feminine curiosity would get her into that gown."
"What is it like?" Jane demanded.
Brenda only smiled. "Wait and see."
Darla hurried into the presentation room only to find it empty. She had expected to find Audrey there, wearing the gown. *Maybe she needed the necessary. Or maybe she's hiding. Dammit, I want to see her in that dress!* "Audrey?" she called.
"In here," a voice called from behind the curtain. "Come on. I need some help with this thing."
*Another zipper,* Darla thought grinning. Thus far, the only gowns Audrey had been able to get on by herself had been those that did not have a back zip. She'd never learned the various contortions most young women need with such a garment because Audrey had never worn all that many dresses to begin with, and certainly none that had rear-closing zips. "Coming." Darla replied.
Just as she got there, the curtain was flung open and a white piece of filmy materia flew from inside the dressing room at Darla. Instinct took over and she caught the soft missile before her mind actually registered what was standing in front her very eyes. It was Audrey in a state of high dudgeon.
It was also Audrey in a state of glorious femininity. REVEALED femininity. The panties she wore accented more than they hid - not that they hid much - and for the rest, well, all the rest was pure, beautiful girl.
Naked pure, beautiful girl.
"That damned bra was designed by Torquemada!" she flared. "Every time I try the fasten the thing I feel like it is trying to pinch my boobs right off my chest!"
Darla had seen Audrey in her fine lingerie before, at the art class, and Darryl had seen her in some very form-fitting athletic gear, but this. . . .
"Wha. . what.. ?" was all her frazzled brain could manage to get out of her suddenly cottony mouth.
"Would you quit gawking, and help me with that damned thing," Audrey fumed. "It isn't like you don't see tits in your own mirror every damned morning."
"S. . sure. . I mean, okay. How do you want me to handle them. . I mean it?""
"Don't be a smartass, Darla," Audrey said darkly, "Just get behind me and let me adjust my breasts in those cups before you fasten the bra. Go slowly so that I can make sure nothing is getting pinched this time."
It was necessary for Darla to put her arms around Audrey to feed the bra around her. This was something she did very carefully - not because she didn't want to accidently touch Audrey's gloriously full and rounded bosom, because she did - almost more than she wanted her next breath - but because she knew she shouldn't and wasn't all that sure she could stop with just a quick feel.
Once that was done, Audrey took control. "Okay, now just hold it there while I slip these puppies in there. . . yeah, that's it. Okay, start tightening it. . .WAIT, Stop. The underwire is catching me on the underside of my left breast."
Darla just closed her eyes and tried NOT to visualize what was happening on the other side of the taller girl's beautiful back. However, for all her feminine ways, Darla was still Darryl and Darryl was still all male where it counted - particularly between his ears where his imagination painted vivid pictures to go with Audrey's descriptive monologue. *I read somewhere that a male thinks of something sexy every fifteen seconds on average. I am way the hell above average,* he thought, and barely stifled a groan of pure lustful frustration when Audrey said, "Damn, I can barely keep my nipples inside this thing. Oh well, go ahead and clasp it."
Darla did and then Audrey spun about. She was unable to contain the worshipful "Oh wow," that whispered out as Darla took in Audrey. "That is some bra," she finished, trying to recover from the earlier slip. *and what's in it is top of the line, too!*
"It makes me look like I have had two boob jobs," Audrey retorted. "Well, maybe it will make me too big to wear that last dress. Help me with it, will you?"
"I got something to put in your hair that will be perfect with it," Darla told her as Audrey pulled the silken confection over her head."
"I'm still not sure about this, Darla." Audrey said from inside the mass of night-red fabric.
"Well, I have to agree that it would take a woman with balls AND a great body to get away with wearing it," Darla agreed. "You do have the body for it."
Audrey's head popped through. "Are you implying I lack the courage to wear this dress?" she demanded, eyes wide.
*Actually, I am the only person with balls in here, but I sure couldn't pull that dress off, no matter how long Sandy and Caro worked on my. .. breastworks.* "Well, that remains to be seen, doesn't it?"
"Get the shoes," Audrey barked, "And whatever it is you found for my hair. We'll just see who has the .. the. . .the tubes for this dress, bitch!"
"Yes, Ma'am!" Darla replied, just before she stuck her tongue out at Audrey, making them both break into giggles.
Then Audrey noticed the way Darla was moving. "Hey? Are you okay? You're moving a little strangely."
She was surprised when Darla blushed. "Oh, it's nothing. I, ah, mis-stepped coming into the room and pulled something in my upper legs."
"Oh. . . too bad. Hamstring-pulls hurt." Audrey commiserated as she started to weave the silk laurel leaves into her hair.
*Not as much as unrequited lust, Rocky,* Darla thought with a grimace.
Jane resisted the urge to pinch herself as she watched Audrey move about the room in her chosen gown. *I know I asked Brenda to set out some gowns that would emphasize and display her figure and beauty, but, my lord, I never expected ANYTHING like this. Now what do I do?!?*
The split-skirt, silken gown was floor-length, Grecian in design, asymmetrically hanging from one shoulder. Unlike the strapless designs that Jane had envisioned, this one did not need any internal stiffness to stay in place. Only that one tapering shoulder strap kept Audrey's charms from being completely revealed, charms over which the soft fabric flowed with a lover's intimacy. The dress was a dark, sensuous scarlet, except for the shoulder strap which flowed pristine white down over Audrey's bosom before curling lovingly behind her back. The dress should have been one size larger, perhaps. Not that Jane would expect any man with a pulse to complain about that fact.
"How could you put that out for her, Brenda," Jane hissed in the shopkeeper's ear. "She's not ready for something that. . .that. .blatant! Heavens, when she twirls, I can practically see up to her panties! I wanted her to feel feminine, not incite a riot!"
"Nonsense. You're exaggerating and you know it," Brenda said, smirking. "With that tall girl, and her incredible grace, you never had a chance. That dress was MEANT for someone like her."
"I'm going to need to take a whip with us to keep the animals off her."
"Well, you did get your wish. She is definitely looking feminine." Brenda replied. "Wish most of my customers looked half as good as she does once they've picked one of my dresses."
*She does look lovely. I just hope that after our night in Boston, I don't wish that SHE looked half as good as she does right now.
Chapter 21: The Final Touches
"I want to see!" Audrey demanded.
"Sit STILL!" Caro demanded. "If you move again I will let you go home as you are. That last move smeared the lipstick so badly you look like Bozo the Clown.
"You've used so many brushes and things that I will never be able to fix my own face later anyway."
"Then don't mess it up," Carolyn Beale snapped.
"I WANT to SEE!" Audrey demanded again, and then shut up when she realized it came out like a whine.
"Well, I'm done," the older woman said as she spun Audrey's chair so the girl could see herself in the salon mirror.
"Oh . . . my . . . goodness," Audrey breathed. "That. .. that can't be me."
"And who else would it be?" Carolyn teased.
"But, I'm not that pretty."
"No, you're not pretty," Caro replied. "Your features are too strong for pretty. Your chin is a bit too stubbornly forward, your nose is too long, and your mouth is a bit too wide. You've got great eyes, though."
"Thanks a lot," Audrey retorted, feeling suddenly down.
"You didn't let me finish girl. Taken singly, those are all faults. Taken together, they, and combined with those incredible eyes of yours and my cosmetic witchcraft, make you eye-stopping, dramatic, and memorable. Pretty is insipid and for little girls. You are powerfully feminine and a woman-grown."
"That good, huh?" Audrey asked, now intrigued. "And here I always thought I was supposed to want to be pretty."
"Harrumph. Men have dark fantasies about women who look like you."
"I just wish I could make myself look like this," Audrey said, gazing at herself in the mirror.
"Just a minute, dear. I have an idea," Caro said as she slipped out of the cubicle only to return moments later with a digital camera. "Give me your sexiest smile and say 'cheese'," she ordered.
"Sexy? ME?" Audrey choked out as the flash dazzled her.
"Becka?" Caro called. A girl in a Chalet smock entered in response. "Here, take the camera to my PC and make an 8x10 of the picture I just took of Audrey, please."
"What was that for?" Audrey demanded, still trying to clear her eyes.
"Darla says you are quite the artist, that you've been doing really well at those art classes Jane has you taking," the stylist replied, before adding with a wicked grin, "When you aren't posing, that is."
"I am going to kill Darla if she doesn't forget about that night," Audrey groaned.
"Anyway, what my thought is, if you have a picture of what you should look like, and then treat your face like a canvas, you should be able to do with only a little practice. I mean, cosmetics are called face paint, right? And brushes are brushes, right?"
"You'll show me which pots and things to use where?" Audrey asked, "And which brushes to use for that stuff?" Then her voice became very quiet. "I really want to know how to do this to myself."
"To yourself, sweetheart?" Caro asked very gently, "or for yourself?"
"Yes, Ma'am."
"How's that?" Audrey asked, her eyes looking up to meet Darla's in the reflection in her mirror.
"I think you've got it, girlfriend. In fact, I think that bit of darker color around your eyes makes you look even better than Caro's design and will be fabulous with that knockout dress of yours."
"Don't remind me of that!" Audrey ordered ruefully. "I get massive butterflies every time I think about being out in public dressed in that thing."
"You surprised the hell out of Aunt Jane when you walked out of Miss Franson's changing room wearing that gown."
Audrey giggled, a sound that did very strange things to Darla's insides, "I surprised the hell out of me. I still can't believe I put it on, let alone walked out there in front of your aunt and that Franson woman. And I am not convinced I can put it on again, especially when I am going to escorted by a guy I have never met before."
"Ken's okay," Darla replied, still distracted by the picture of Audrey reflected in the mirror.
"Ken?" Audrey spun on her vanity stool to look directly at her friend. "You know this person your Aunt has picked for me?"
*Oops,* Darla groaned mentally. *Did Jane not want me to talk about Ken? Blast! When in doubt, the truth is less slippery and less likely to bite you in the butt at a later date.*
"I know Ken," Darla said in a very small voice. "He's, well, kinda like my brother."
"Your BROTHER?!?"
"QUIET!" Darla hissed. "You want Jane in here? I don't know if I was supposed to let you know about that, okay?"
"Well, you can't just stop there!" Audrey grabbed Darla's hand. "Tell me what you know and don't worry about being too detailed!"
"Okay, but you have to keep mum, all right? Jane might feel she has to change things if she knows. Ken really is okay. In fact, he's a lot like Darryl."
"Nobody is like Darryl, at least in my experience," Audrey countered.
A warm feeling welled up inside Darla and she wondered how she could keep from grinning at Audrey's defense of her masculine alter ego. "Well, he is like Darryl - at least in that he is also one of Jane's boys."
"One of Jane's boys? You mean like you and I are two of 'Jane's girls'?"
*Not quite, sweetie, because you're the first of Jane's girls who really is a girl, at least since she left the Eastmore School for Girls.* "He was one of her students, and like Darryl, sent to Jane for help learning to deal with apparently violent tendencies." *Even though those charges were really lies his Mother told to get him sent here so Jane would feminize him because that bitch hadn't been able to get the job done.*
"So what's he like now if he was sent here for that?" There was real worry in her voice.
"He is one of the sweetest, most gentle human beings I know," Darla reassured her friend. "The alleged violence turned out to be a setup - somebody was trying to get him into trouble and succeeded. Jane figured that out, but not before they fell for one another. She became his surrogate aunt and he became my big brother."
"If he gets cute. . ." Audrey growled.
"He won't, sweetie." *Especially when I tell him I want you.* "He won't."
Darla peeked around the open door into Jane's study and saw the older woman at her desk. "Momma Jane?"
"Yes, dear?"
"Can we talk? I think I may have messed up."
"Come in, then, and tell me what has happened."
Sighing, Darla closed the door behind her and entered the room.
Jane watched with interest as her child voluntarily took the infamous 'uncomfortable chair' Jane had long used to seat misbehaving and cowed students. *You must be upset, my girl. What have you done?*
"Hello?"
"Art? It's Jane."
"Hi dear. I love you. Miss you, too. What's up?"
"Audrey knows about Kenneth."
"WHAT?!? She knows that you petticoated him?" Art was aghast. "Does that mean she knows about Darla as Darryl, too?"
"No, no. . not that. That he was one of my students."
"Oh," Art replied. "Hmmm. . . well, that's not a problem, is it?"
"She knows I handpicked him and so she won't be as on edge as I wanted."
"Dear, if she is at all intelligent, and she is more than that, and if she has watched you at all, and again, I am sure she has, I believe she would already have concluded that you would not have put her in a situation with an unknown quantity as an escort."
"But Darla told her that Kenneth was the gentlest man she knew."
"With the possible exception Darryl himself, Ken is the gentlest man we know, dear."
"So, what does this do to our plan?"
"Nothing, I think. As I said, Audrey would have eventually figured out that her date had been thoroughly vetted by you. She is still going be very much on edge about the whole thing. This is the part of a young girl's maturation she was denied by that governess.
"But she'll go into the evening knowing she doesn't have anything to fear from him."
"Darling, at this point in your training of her, do you really think Audrey's greatest fear is of men, or of herself? If confronted in a physical way, we both know she could handle it. She knows she could handle it, too, pretty dress or no. That is her 'strength' - in more than merely the physical realm.
"But I don't want her to react physically, ESPECIALLY with my Kenneth!" Jane replied, her tone upset at the very notion.
"But darling, don't you see? Now that someone she respects and likes has told her that Kenneth is a truly superior example of the male gender, and oh-by-the-way, a truly gentle gentleman, she is going to be inclined to think first and then react. If anything, she will conclude she will have to cope in non-physical ways with whatever happens, and there she is much more vulnerable. This may be even better, for your purposes."
"But that's just with Ken, Art. What if she decides that only boys I've taught can be trusted, because she also knows that Darryl was one of my students?"
"There'll be other males there, Janey, and she's just too eye- catching to be left alone all night. Oh, I'd be surprised if she wasn't still very anxious, and assuming all goes well, that will give you an opportunity to discuss it with her after the fact and bring home the lessons you want her to learn as a result of the experience."
"Yesssss," Jane thought out loud, "And that dress she chose is really going to help with that anxiety, too."
"What dress?" Diana's voice demanded.
"I'll just let you be surprised, sweetheart. You'll turn green with envy when you see it and when you see what it looks like on her."
"And I'll be stuck in a stiff-necked, ugly old tuxedo."
"But I LIKE the way you look in your tux, dear," Jane said in a low, throaty whisper that made Art's hair stand on end. "To use the vernacular, I find it sexy as hell."
"Well, that's okay, then. But maybe you could borrow Audrey's dress later and model it for me. . . privately so I can appreciate it. . . and you. . .properly."
"I wish I could wear that dress," Jane said with a sigh at the thought of how easily Art would be able to get her out of that shimmering red confection, "but, alas, I'm not that well built. It will, however, make her VERY aware, every minute of the evening, that she is a female."
"You're well built, my dear," Art reassured her, somehow managing to put a very masculine leer into his voice, "and I DEFINITELY miss having your very stacked self in my bed."
"I miss you in mine, too, you sexy thing - both the stud and the hussy. Well, I have to run. Love you, Art."
"Love you, too, babe."
Chapter 22: Advanced Girl Lessons On Handling Boys
"Aunt Jane? Could I borrow your key to the attic? I need to get those old steel toed hiking shoes of mine." Darla asked after Audrey had left the breakfast table to get ready for her riding lessons.
The request was unusual enough to bring Jane's head up in surprise. "Whatever for, Darla?"
"I'm going to give Audrey some dancing lessons and I will need them."
Frowning in confusion, Jane regarded her child carefully. "Audrey dances very well. Her athletic grace, I think, but you don't need to worry, either about her dancing or your toes."
Sighing, Darla shook her head. "I intend to teach her how to step on a guy's toes, Mom, when it's appropriate, of course."
"Why ever would you do that?"
"Because it's fair that she should know how, given what you have planned for her."
"Darla, thanks to you, Audrey already knows Ken is a gentle man, so the tension I wanted is lost."
"Come on, Momma-Jane, this is Darla you are talking to, okay? Tension is one thing. Feeling vulnerable and defenseless is another. Look, I have watched you operate, with a good deal of admiration, for going on to six years. The tension will be there, particularly at the club where she will be exposed to guys other than Ken."
"You've been talking to your father, haven't you?" Jane stated resignedly. "Look, dear, if you know me at all, you know that I wouldn't put her in a situation that I am the least bit unsure that she can handle. I have done this type of thing before, haven't I?"
"That's the point, Mom, this isn't the same type of thing at all. You know the bo. . other students and their motivations very well. The problem here, as I see it, is that you are assuming that Audrey has other options to fall back on when you put her in a situation where she knows she can't, or should not, rely on her strength."
"As your father pointed out, dear, that is what we want, isn't it? For her to think twice in such encounters? We know that she's already shown she is more than willing to engage in battle with men, even to initiate it.
"But what have you left her? She never learned the tools other girls learn for warning a guy to back off. Heck, she might feel even more vulnerable. Lord above, if some clown at the dance gets cute, or if Ken plays his part the way I am *certain* you have in mind, and she doesn't know how to back him off more or less politely?" Darla shook her head at the thought. "In either of those situations, then this entire expedition could really become a major fiasco."
"How so? And what do you mean by 'tools' and that crack about Ken playing his part the way I have in mind?"
"Momma-Jane, don't be obtuse. Any of your graduates have received an expert-level course in teasing just by having to deal with you at you best. . . or worst, depending on your point of view. Kenneth could overwhelm an unsuspecting, inexperienced woman with a smile, or with a few seemingly innocent words, and reduce her to tears."
"He wouldn't do that!" *Except I was going to ask him to do just that. DAMN!* "Again, what about tools?"
"Not on his own, of course, but he certainly has the ability. And how did you learn to back a guy off on the dance floor, all the while smiling sweetly?"
*From my girlfriends and Mother, of course. Darla's right.* "Admitting nothing, of course, what should we do instead? I mean, right off the top of my head, what you propose to teach her is just another way of doing injury to someone. What she needs are lessons in the subtler ways of telling an overly aggressive male to take a hike."
"Well, now that you put it that way, that might still be a good idea," Darla said thoughtfully, "If we do it correctly."
"Good idea? To make her feel terrible when she should be learning to feel like a lady?"
Darla shrugged delicately. "If we help her find other ways to react to men who are bothering her, and then let her see that she can indeed still succeed while keeping the conflict non-violent. I have an idea how we might make that work. Mike and I could put on a show for her - you know, give her a good example of how such things work. Then Ken could gently increase the pressure on her, until she reacts. I will be close enough for support, but I will let her try first."
"And these so-called 'dancing lessons'?"
"Long overdue," Darla smirked. "Momma-Jane, your whole purpose in this is to show her that her proper response should be to show matchless grace and femininity, to the point that he is reduced to a mere slave at her feet."
"Perhaps, my dear, but I think I will see to these particular lessons," *along with a few less dangerous techniques,* "Since I have never found it necessary to impart those bits of feminine wisdom on you, and as you pointed out, *I* have had those lessons myself."
Audrey knocked on the door to Jane's study. During lunch, the older woman had ordered her student to report there, wearing her three inch dancing heels and devoutly wishing otherwise. "Come." was the response so Audrey slipped into the room. Once again, what she saw in there, surprised her.
"Ms. . Ms. . Thompson?" she asked the person standing next to the hearth.
"Just so," was the amused response. Audrey could not help staring at her teacher. Jane had arrayed herself in one of Art's tuxedos, complete with ruffled shirt, bow-tie and cummerbund. "Audrey, it has come to my attention that . . . that, well, certain areas of your education as a young woman were overlooked by your governess."
"Education, Ms. Thompson? I did well in all of the standardized tests that the state said I had to take."
"Social education, dear. And we shall start with aspects of dancing that we need to address before we go to the club. Now, what do you do if a man grows hands while you are in the middle of a crowded dance floor?" Jane saw Audrey's hands tighten into fists and caught them in her own hands. "Besides that," she said pointedly.
"I. . .I really don't know," said Audrey, surprised at the strength of the older woman's grip.
"Well," Jane said smiling as she relaxed her hands, "the first line of defense is to firmly grip the man's hands and move them to a more appropriate spot, like this," Jane said as she gently, but firmly placed Audrey's hand above hip level. "Now, we will dance and you try it."
It took Audrey a couple of tries before her iron grip eased sufficiently that Jane did not wince, but she was, as always, a quick learner. She was also not convinced that this stratagem was the final answer to a maiden's prayer when dealing with the male animal. "But what if that doesn't work? What if he is actually strong enough to stop me from moving his hand? Grab his pinky finger and offer to dislocate it?
"Audrey!" Jane scolded.
"Well," the girl replied mutinously. "What do you do if some gorilla has you all wrapped up in his arms?"
"Well, you've got good lungs," Jane offered. "How loud do you think you could scream?"
"Scream?"
"Surely. Or such lesser cues as might be necessary. For example, a loud 'Keep your filthy hands off of me, you creep!'"
Audrey just stared at Jane for a moment before managing. "You're kidding, right? Lord, but that sounds like something out of a silent movie."
"No, I'm not kidding, Audrey. The idea is to give a warning that doesn't actually involve violence. 'You're going to have a hard time using that hand after I break it for you.' is a bit direct and you may limit your options by making a threat like that. There are lots of things that don't require physical assault. Make a joke, 'Didn't your mother teach you any manners?' Distract him with an implied offer you don't intend to keep, 'Keep crushing me like that and I'll swoon right here - and that would really interfere with . . . later.'"
"I do NOT swoon!"
"I never said you would. I said you threaten to swoon to get him to ease up on his strength without resorting to a wrestling match - which I'm sure you could win. That's not the issue. The issue is dissuading an overly amorous suitor without ending up on the police blotter."
"So, some guy starts feeling me up, and all I do is politely ask him to back off?"
"Obviously that depends on just how intrusive his groping gets, but if his hands start to wander a little, then a little correction is appropriate, not nuclear war."
"And if that doesn't work, then I yell at him?"
"That depends, too," Jane answered unhelpfully. "If he takes the hint for a while, then starts to get fresh again later, you might just get control of his hands again, or tease him out of it. Your goal is to discourage the unwanted attention without closing off relations altogether."
"Why bother with subtlety when I don't really care if I ever see the guy again, anyway?"
"Well, aside from the biological elements - after all courtship IS one of the steps in continuing the species unless you advocate rape - it can be fun. He's showing you that he finds you attractive. You're showing him that you find his company pleasant overall, but YOU will control the limits on it. It's as formal as a minuet, with the added piquancy of a contest to see who will control your relationship."
"I'll be damned if I let some guy paw at me!"
"Exactly. Which is why YOU will indeed be the one controlling it, even if you never exert any significant fraction of your very appreciable physical strength."
"So I just 'talk' him out of it, no matter he does or how offensive I find his actions?"
Jane sighed. "You're over-reacting again. No, you do not just 'talk' to him 'whatever' he does, but neither do you just deck him the first time he indicates an interest in more than tea and crumpets with you. If he persists unreasonably, or gets really abusive such that shouting for help won't solve the problem, then you can always escalate to whatever level of physical strength is truly required. But a . . . suggestion, offered with a . . . caress is not automatically a bad thing."
The look of distaste on Audrey's face told Jane the girl was not at all convinced. "No, but you've put me between a rock and a hard place," she accused. "No matter what I do, you get to second guess me after the fact and decide whether my response was suitably feminine and appropriate."
"Look, Audrey, you're assuming something will happen, and that just isn't likely," Jane said coaxingly. "And besides, a man's interest in you as a woman is usually a GOOD thing. It shows he appreciates you for your beauty. Ultimately, it shows that he considers you favorably as a partner for his genes. But . . ." she said quickly, raising her hand to forestall Audrey's irritated response. "But you have to remember that when presented with an attractive woman, men's minds, such as they are, often shut down. If WE as women want the species to continue, we as women need to be tolerant. If we killed all the men who think only with their glands when a pretty woman is around, we'd be sort of lonely, don't you think? If not in this generation, then when there is no next generation?"
"Now you sound like I'm a brood mare and you're fixing me up with a some stud."
"Audrey, I do not permit that sort of crudeness, and you know it. Despite your wish to simplify them to suit yourself, human interactions are complex. That's part of what makes them so stimulating. And man-woman interactions are the most complex and most stimulating of all."
"I don't have any desire to be stimulated like that! My life was just fine the way it was before you and my mother decided I needed to play nice with boys! Well, I don't want to play with boys, and certainly not by THEIR rules!"
For several moments, Jane let that hang in the air between them, as much to gauge how strongly the girl really felt as anything else. *Strongly enough,* she decided when Audrey did not make any move to retract or downplay her stand. "All right, I can accept that - even respect that as your personal position on such issues, but part of this program is for you to learn those rules so that, like any intelligent woman, you can bend them, break them or ignore them - however best suits you."
"I already know how to ignore them," Audrey retorted, her chin jutting pugnaciously.
"You know how to ignore men, dear, not the social rules. You tend to trample those which is all right if you intend to be alone all your life. After you leave me, that will, of course, be your own choice, but your Mother AND I want a better life for you than that."
"And going out into this high society meat market is going to help me get that so-called better life?"
"Hopefully, you will have a better attitude about it, but yes, there are lessons to be learned in such places. This is training no less than learning to walk in heels."
In a nearly perfect mimicry of Darla, Audrey gave a disbelieving sniff.
"Look, Audrey," Jane charged on. "You've already told me that you have feelings for Darryl. Suppose, just suppose that someday, when he or someone else DOES gain YOUR approval as a potential partner for YOUR genes."
"It shouldn't have to be so bloody hard!" Audrey fumed. "Why can't we simply agree to . . .well. . why can't we just agree?
Jane pursed her lips in the effort to suppress a grin. "Those genes again, Audrey, and evolution. About the only way to make it easier to go back to the days of hunting a mate with a club."
"Now let's have none of that, you minx," Jane said as a wicked look came into her student's bright eyes. "Much as you'd like, it hasn't worked that way in thousands of years."
"Too bad."
"Perhaps, but look at the advantages you have here and now. You are a lovely young woman and, thanks to your time here with Marie, Darla and me, you now know how to show yourself to best advantage. As I have already pointed out, your potential gene sharer will, no doubt, cease to think when he sees you at your prettiest. That's your club, darling. You just need to be sure you encourage or discourage him gently - which is what this entire exercise is really all about. Encouraging and discouraging gently in a polite and social situation."
A very clear mental picture of Darryl flashed in Audrey's mind's eye. "I see," Audrey replied quietly.
"And if you go to jail for beating up men on the dance floor, you might scare off that ideal mate before he gets a chance to get his thinking dulled by your good looks."
Sighing, Audrey admitted defeat. "Okay, let's try it again, Aunt Jane. I think this is going to take some practice."
"OUCH, dam. . darnit, Sandy. . that HURTS!!" Audrey protested
"Oh, keep still, or this Grecian Knot is going to end up being a Gordian Knot, and it will take a troop of Boy Scouts to untangle your hair," the brassy-voiced blonde ordered. "Come on, girl, and trust me. This is going to look spectacular on you if you just stop wiggling long enough for me finish."
"Just what I need. Something else to draw attention to me," Audrey replied sourly as she settled herself into the salon chair.
"Hey, what's this?" Sandy asked, coming around in front of her customer. "Jane tells me you've picked out this really killer dress."
"I'm not sure if I picked it or Darla did."
"Don't you like it?"
"It's okay, I guess."
"Then what's bothering you?" Sandy asked, returning to her task. "You are getting the full treatment - new dress, full set of accessories, new hairstyle and one of Carolyn's super make-overs. The boys are gonna positively howl at the moon over you, Audrey."
"Like I said - just what I need. Boys falling all over themselves and me not able to . . ."
Even the normally self-possessed Sandy heard the anxiety in Audrey's voice. "Not able to . . what, Audrey," she asked in so gentle a voice that the girl was momentarily unable to respond. "Not able to do what?" Sandy repeated, only a little insistently.
Sighing, Audrey shrugged. "Won't be able to defend myself. I promised Ms. Thompson that I would resist taking down anybody who got fresh with me when we go out dancing after the theater."
Sandy gave an inelegant snort. "Why should you have to, I'd like to know. They're only males, after all."
"Only males? OWW!" Audrey's hair pulled sharply as she tried to spin to confront Sandy. "What do you mean. . OW . . by that 'only males' crack."
"I warned you to sit still," Sandy chided. "And what I meant is what I said. Lord above, Audrey, why should a lovely girl like you need anything more than a sharp word or a dismissive glance to take down a mere male, particularly in one of Jane's fancy- shamncy clubs? Those guys only think they're tough, but they've had all the roughness bred and trained out of 'em. Now, if you went to the kind of club I hit when I go to the city, well, now there you might need a few tricks to remind the stray male that he isn't a neanderthal. Of course, the more dangerous the prey, the more highly prized the trophy, I always say."
Audrey couldn't help herself - she giggled. "Prey? Trophy?"
"Sure," Sandy replied grinning. "Me, I've been tracking the human male animal for a while now and hanging their heads on the wall of my bedroom - the little heads, by the way - so I go after the wily ones. The ones who would go to one of those clubs of Jane's?" Sandy made a derisive sound. "Easy meat, girl, easy meat. Wusses, the lot of them, or they'd be out tracking gals like me instead of sipping overpriced fizzy wine with their pinkies extended just so."
"Wusses? Well, maybe with what Aunt Jane taught me about dealing with them non-violently it won't be so bad if they try and get cute with me on the dance floor."
Sandy set down her tools and spun Audrey's chair to face her. "Jane taught you how to deal with fresh guys? Our Jane? Miss High Tea Manners? That Jane?"
Audrey grinned at the devastating accuracy of the description and nodded.
"Girl, you and I need to talk. I love Jane to death, but even the tame version of the male you're going to run into at that club of hers is out of her experience. So, exactly what did Jane tell you? And DON'T leave out anything, okay? I need to know just how wrong she was before I give you lesson one in Male Handling."
Chapter 23: Being Seen at the Theater
Naturally, the seats Jane had arranged were excellent - a private luxury balcony box with a clear, uninterrupted view of the stage. Darla found herself seated between Jane and Michael, with Kenneth and Audrey on the other side of Michael. Although ballet was not Darla's favorite form of theater, this particular presentation was different. First, because it was The Nutcracker, and during the years she'd lived in Seasons House, it had come to mean 'Christmas' to Jane's adopted child.
The other reason this performance was special was because tonight her 'sister', Caitlyn Jeffries, was dancing the part of the Sugar Plum Fairy. Darla was so excited that Jane had needed to pull her back into her seat several times already. However, even after several gentle reminders, Darla was moving to the edge of her seat as the troupe cleared the main stage for Caitlyn's entrance.
*Look at her,* Darla thought, her eyes glistening happily, *Just LOOK at her - that girl must weigh less than a feather. I'm not sure her feet are really touching the stage, she glides so lightly over it. And she's so happy she glows and it isn't because of the glitter in that fairy-costume.* Turning to Jane, Darla saw that she was also feeling the joyous emotion her former student was radiating. "I didn't know she'd decided to keep her hair blond, Momma," Darla whispered up to Jane.
"It suited her coloring," Jane whispered back. "Oh, Darla, isn't she WONDERFUL!"
Caught up in the shared feelings, Darla could only nod before leaning over to kiss her Mother's cheek.
Caitlyn ran over to greet her visitors, still in her stage makeup. "Oh, I'm so glad you could make it," she gushed as she hugged each in turn. "Wasn't it great? Tell me it was great! Please, tell me it was great!"
"It was great," Kenneth said deadpan.
Rounding on the taller young man, Caitlyn frowned fiercely. "You're just saying that," she accused.
Ken grinned a thoroughly pleased, 'gotcha', big-brotherish sort of grin. "C'mon, sprite," he laughed, "I would think that six curtain-calls would give you all the answer you need."
The petite dancer blushed prettily. "Yeah, I guess so."
"Unlike this plebeian," Jane said reaching out to take Caitlyn's hand in hers, "I am a connoisseur of fine dance, dear. Trust me. It was great."
Suddenly, Caitlyn launched herself at Jane, hugging her fiercely. "Oh, thank you for coming. I did so want you to see me dance, because. . .because. . "
Jane gathered her most unique student up in arms and held her close. "I know, dear. I know."
Darla had a few moments alone with Caitlyn while waiting for Jane's car to pick them all up for the trip to the club and the remainder of their evening. "Sure you don't want to come?"
"No. I have a matinee and an evening performance tomorrow. I need my beauty sleep. Say, I was wondering. Why the dark hair? On you and the tall one? Aunt Jane decide she doesn't want to perpetuate the dumb blond image anymore?"
"Audrey's a real girl, sis." Darla whispered.
"She's WHAT?" Caitlyn squeaked. "A real mmmphhh?" her final word muffled by Darla's gloved hand.
"You heard me. She had a lousy image of what it is to be feminine, and reacted by taking down guys who got too handy. Sort of a 'do unto others as they might do unto you only do it first.' philosophy of life"
"She looks like she could do it really well, too," Caitlyn mused. "Guess that makes two real girls for Aunt Jane, eh?"
"Counting you, runt," Darla teased.
"Who are you calling runt, short-stuff?" Caitlyn retaliated pertly.
"You, runt - the only student of Jane's that I know has to look up to me."
"Only when I am in ballet shoes and you're in stilts, sis."
Darla grinned, but then became serious. "It's really okay with you, Caitie? I know it's been two years now, but I have always worried that . . well . . "
Caitlyn put a gentle hand on her 'big sister's' own. "That I'd come to regret having the final surgery? You can stop worrying, Darryl. I'm Caitlyn, and I am a woman. That fulfills me in ways I could not even imagine before being sent to Aunt Jane's Winsome Girls' School for Wayward Boys. Back then, all I knew was that I loved dance, and I wasn't big enough to dance any but the female roles. Now, thanks to Aunt Jane, Uncle Art, my Mom and Dad, and to you, I learned that what I needed was more than to dance as a woman. No, I don't regret that operation, dear. In truth, I give thanks every day for that, almost as often as I give thanks for Judge Ruth sending me to Aunt Jane and to you."
"And you never. . .well, think about. . . umm, kids and being a dad. . .I mean, a parent?"
"Oh, I'm going to be a mother, Darla. What with my own mom and Aunt Jane as role models, I am going to be a great mother. I'm just not going to have the experience of carrying the child inside me for nine months. Did you know that Aunt Jane insisted that I leave several samples of sperm before I started on the hormone therapy?" At Darla's negative shake, Caitlyn carried on. "In case I wanted a child of my own genes. I might, too, but there are a lot of kids out there who need Moms. I figure to gather in a few of those, too. They'll be just as much mine."
"And they'll be damned. . . I mean, darned lucky kids, too. Ummm. . . I'm so glad you're happy," Darla rasped out as she hugged the tiny blonde. "I . . I love you, you know."
"Of course I know, silly. I love you, too, big brother, even when you look more girlish than I do. You know? I STILL envy your eyes."
"I always was better at make-up then you," Darla teased, trying to control an urge to ruin the makeup about those coveted eyes with tears.
"Darla?" Jane's voice called from the door to Caitlyn's dressing room. "The car is here."
"Coming, Aunt Jane," Darla replied, slipping back into her role as Jane's niece. "Come home to visit soon, okay?" she ordered more than asked as she again hugged her little sister.
"You bet."
Jane took care to ensure that she and Art brought up the rear as their little group entered the country club while Darla and Michael led the way. The ballet had gone perfectly with Audrey behaving every inch the lady. Now, the stage was now set for the next act in Jane's little play, and like any good director, she wanted to be in position to see all the actors, and to take action if necessary.
*So far, so good,* Audrey thought as she followed Darla into the foyer of the grand clubhouse. *He's held my hand and I've held his arm and everything is still cool.*
She was so fixed on her little mental mantra, that she almost missed it. Only a flashing glint of light caught her attention in time for her to see what happened. Darla's escort had slipped his hand down from the small of her back toward hip and butt. The glint was a reflected flash as Darla smoothly reached down to catch the wandering hand and pull it down between them. *Just as if she simply wanted to hold hands,* Audrey thought to herself. *Slick, Darla. Very slick. Your aunt would be proud.*
Chapter 24: Dancing in the Dark
*At least I've finally learned to dance,* Audrey mused as the band struck up a bouncy tune. She'd always loved music, and in the past, had always resisted letting her body go where the rhythm wanted to take her for fear of looking foolish, or worse, attracting the attention of the male of the species. *Now, thanks to Ms. Thompson's lessons I no longer look foolish - at least if Darla is to be believed - and I already have the full attention of a male, again thanks to my teacher.*
"Would you like to dance?" Kenneth asked.
*Oh, yes,* her mind replied. "Thank you," her voice said, "That would be nice."
Aware that Jane was watching her like a hawk, Audrey accepted Kenneth's hand and stood before allowing herself to be led toward the other dancers crowding the floor. *Fortunately, this is a fast dance so I can be far enough away from him that his feet just might come out of this unscathed.*
Then she felt it!
*He's got his hand on my BUTT!*
Instincts hard learned flared, firing within her an almost- undeniable need to react forcefully against this intrusion, but at the last moment, she remembered who was with her, and why they were both here. In that short instant in time, a feeling of control unlike anything she had ever experienced washed over her.
Just as she had seen Darla do, Audrey reached down and gently but firmly took Kenneth's hand in hers, and then began to dance still gripping his hand. It was satisfying, she thought, to see that momentary look of dumbfounded surprise on his face before he awkwardly began to follow her lead.
Jane let out a breath she had not even been aware of holding as the two young people began to dance. She'd seen the instant's rigidity in Audrey's spine, had seen the girl's powerful muscles bunch in preparation for a physical retaliation and had been one second from rushing over to save Kenneth.
And then, just as suddenly, Audrey had relaxed and used that clever little ploy of taking his hand for dancing to regain control of the encounter. *Well, that was one I didn't teach her, but it was well done of her.*
Jane continued to watch as the pair danced through the entire set, finishing up with a slow dance of the type Art liked to call 'Belly-rubbin' music'. *Now, Kenneth, before you lose the opportunity,* her mind ordered.
*God, but she's buff,* Kenneth thought as he led Audrey stiffly about the dance floor. He'd never felt such a whipcord-strong muscularity on a woman before. *This is probably not the smartest move I've ever made, but I did promise Momma-Jane.*
As carefully as he could manage, he slipped his hand again down toward that beautifully shaped bottom, cautious to keep only the lightest contact with her body.
His questing fingers never reached their goal as a powerful grip caught his wrist and pulled his hand back up to Audrey's back. "Didn't your Mother, or for that matter, Ms. Thompson, teach you better manners than that, sir?" a smirking Audrey asked forthrightly.
The voice, Kenneth noted, was the girl he'd been dancing with but the intonation was pure Jane Thompson. "Ummm. . .sure. . of course. . . sorry."
"You should be," she replied, her smile suddenly so sticky-sweet Kenneth felt the need for insulin. Then her face became quietly serious. "Look, Kenneth, you've done it twice as I am sure your Aunt asked you. Fine. I haven't broken your hand or damaged some other vital part of your anatomy, so when you are asked, as I am sure you will be, you can go tell teacher that I was a good little girl. Now, can we just dispense with these little games for now? Otherwise, I won't enjoy the dancing and that *will* make me very unhappy."
Ken fought an urge to swallow, and managed a reasonable semblance of a smile. "Sure. Ummm. . would you like a soft drink? It's a little. . umm. close in here, isn't it?"
Audrey smiled again, but this one was definitely more sincere. "Kenneth, I'm not going to do anything that will upset your aunt tonight, up to and including punching you out even if you deserve it. Now, can we agree to simply make the best of the evening? I for one would like to dance and you're not half bad as a partner. One of the benefits of your Aunt's training?"
Relieved, Kenneth nodded. "Yes. She's very big on dance lessons." *Except she usually teaches her students to follow rather than to lead.*
Darla had caught Kenneth's second attempt at playing the wandering hand game along with a clear view of the aftermath while dancing with Michael. Unfortunately, whatever had been said between the pair had been lost in the background noise of the loud ball room. *It seemed to go well, but dammit, I am getting really tired of this. Ken, my darling once-upon-a-time sister, you and I are going to have a little talk just as soon as I can haul your lanky butt onto the dance floor. Whatever else Momma-Jane has planned for Audrey tonight just got canceled. Or else.*
Jane watched as two pairs of young people walked off the dance floor in the direction of their table. *Whatever possessed Darla to all but coerce Kenneth to dance with her?* she wondered. *Keeping in character?* "Enjoy your dance?" Jane asked as Darla took her seat.
"Kenneth is a wonderful dancer," Darla said with what Jane thought was an almost self-satisfied air.
*I have obviously taught this one entirely too much about being female,* Jane decided. *No male should be THAT good at dissembling. What HAS she been up to out there?!?* "Ladies? Shall we take a quick trip to the powder rooms?" Jane said picking up her evening purse. "Darla's nose is beginning to shine."
"It is NOT!" Darla sassed back, bringing a smile to every face except Jane Thompson's.
"I say it is, dear," Jane retorted firmly. "If you gentlemen will excuse us?"
As they approached the Ladies Room, Jane put a hand on Darla's shoulder and held back as Audrey slipped inside.
"Yes, Aunt Jane?" Darla asked, almost casually, as she looked back to face her Mother. *You knew this was coming, Darla,* she told herself. *Well, you're a big. .. .ummm, adult now, so try and stand up under a Jane Thompson interrogation without stuttering TOO badly.*
"You want to explain what you were up to a few moments ago out there on the dance floor with Kenneth?"
"I had to talk to him," Darla said softly refusing to lie, "Without Audrey hearing what we had to say."
"Why?" Jane demanded intensely.
"Because I care for her, and because I think I know her better than you do," Darla said with quiet confidence. "I don't know what you have planned for tonight. Partly because I didn't want to know, and partly because you didn't see fit to take me into your confidence about tonight's program, but I wanted to ask Ken directly how she was doing without alerting Audrey that we were talking about her. So I danced with him."
"Was that all?"
Darla simply stared at her Mother. "No," she finally answered. "But it is all I am going to tell you just now." Then she turned and walked into the restroom, leaving Jane open-mouthed in surprise.
"You two get lost?" Audrey was peering at her reflection in one of the lounge's luxurious vanity mirrors when Darla and Jane walked in.
For a moment, Jane only watched as her student put the final touches on her face, then she nodded in approval. "I thought I saw someone Darla and I know and went over to say hello. As it turned out, however, I was mistaken. Your makeup looks lovely, dear. You want to wait while Darla and I take care of ours?"
"I'll wait outside, if you don't mind. The Muzac in here is awful."
"All right, dear. We'll just be a moment."
*I have lived with the woman for almost six years, and I have seen her pull this act on a student dozens of times, so I ought to be immune to it myself. Only I'm not. Heck, it is all I can do to keep myself from just giving in and spilling everything she wants to know,* Darla thought as she expertly repaired the nonexistent imperfections to her face. *I bloody well KNOW she's giving me the silent treatment with that in mind. Dammit, Thompson, you're not her student anymore - you're an adult, Only that doesn't mean it's not still an effort to resist her. God, what a woman, and whether either of them realize it, she and Audrey are two of a kind in so many ways it's almost scary. What AM I getting myself into here?!?*
Using the mirror to ensure she got it just right, Darla smiled dazzlingly before turning to face Jane. "Ready yet? The gentlemen will be getting restless."
Only the tiniest movement of her mother's brow told Darla that her question had not been what Jane had been expecting. "Yes, I think so," she said finally as she closed her own clutch-purse. "Shall we?"
Chapter 25: Pop Quiz for Audrey
The scene that greeted the two women as the exited the powder room brought them both up short.
Audrey was locked in a stare-down with a tall, broad-shouldered, and obviously inebriated young man. Jane felt her breath catch in her throat as Audrey lifted her right hand upwards, and closed her eyes in anticipation of her worst possible scenario for this outing coming to fruition.
Only the sharp smacking-sound of flesh impacting other flesh at high speed never came. Instead what she heard was Audrey's voice, low, sultry and sweet. "Run along, little boy, and go play with little girls as childish as yourself. Don't bother me again until you've grown up . . ."
She glanced down and a carefully-crafted sneer lifted one corner of her mouth without softening in the slightest the Arctic chill in her eyes, " . . . and grown. You're too puny to be worth my time."
For her part, Darla could only watch in stunned silence as Audrey spun on her heels, and with her head held high and her back ramrod straight, strutted back towards the ladies room. Before either Jane or Darla could speak, Audrey said, "Darla? Would you please come back into the powder room with me? I suddenly feel the need to wash and I might need a little expert help with my makeup."
"Su. . sure, Audrey. Whatever you say," Darla replied as she followed her friend through the door. Laughter and even some applause followed them before being finally silenced by the closing door.
Jane was still staring at the powder room door when a touch on her shoulder nearly made her jump out of her skin.
"Easy, luv," Art's soft voice ordered as his strong arms steadied her. "Quite a show, wasn't it?"
Jane's eyes flew to Art's own. "What do you mean by that?"
"Audrey's little set-to with that drunken fool. Very impressive."
"You saw it? As it happened? How?"
Art shrugged. "You were gone longer than I expected. I thought something might have happened between you and Audrey or between you and Darla, so I came to see if I could help. When I got here, the drunk had come up behind Audrey and grabbed her around her waist, pulling her into him."
"Really?" Jane said thoughtfully. "Well, it looks like you were right on both counts. Something definitely happened with both Darla and with Audrey. Let's go back to our table and you can tell me what you saw. We'll have to discuss Darla later, I'm afraid."
"So, there I was, just standing next to that potted tree-thing,"
"It's a Ficus," Darla put in.
"Whatever. You want to hear about this or do one of Ms. Thompson's gardening lessons?"
"The floor is yours," Darla said with a grin.
"Anyway, I was just STANDING there when all of a sudden, this clown is grabbing me from behind. Let me tell you, between the bear-hug and the whiskey fumes, I could hardly breathe."
"How'd you get loose? The old spiked heel to the little toe?"
Audrey looked smug. "Don't think I didn't consider it, but your Aunt was really specific about dealing with these situations as non-violently as possible."
"So . . .what. . . did . . .you. . .do?!?" Darla growled as she laid out Audrey's cosmetics. "Tell me soon or I might just mistake your eyeshadow for lipstick!"
"I simply told him he either let me go or the next sound he'd hear would be me screaming for that very large, very mean looking bouncer at the top of my lungs. Damned fool tried to stop me by tightening the bear-hug."
"I didn't hear you scream. . ." Darla said thoughtfully.
"Nope. I'm strong enough that I could fill my lungs even with his arms around me. He felt it and let me down."
"But I guess he didn't give up. What happened next?"
"So, somehow, she got him to put her down," Art said as he refilled Jane's wine glass.
"Without her resorting to something physical," Jane said pleased. "I'm not sure I would have been able to resist raising his voice for him."
"Well, he wasn't so intimidated that he was ready to leave her alone at that point. Then he tries to get her to go into the ball room with him. She slipped his grip twice."
"Didn't anyone try to help her," Jane hissed indignantly as she took a hasty sip of her wine. "It must have been obvious by then that she wanted no part of him and that he was drunk."
"They were drawing quite a crowd, all right, but Audrey didn't appear to need much in the way of help just then, so for the most part the crowd settled in to watch the show. By pushing, shoving and generally ticking a lot of the audience off, I managed to get close enough to intercede if that became necessary. Once I got there, though, I noted that the security fellow was also pushing his way through the crowd to get closer to the action."
"And then the two of you just STOOD there?" Jane accused.
Art's gently reproachful smile was enough to make even Jane Thompson blush and stammer out an apology which Art accepted with a gallant nod of his head. "I could have stopped it at most any point," he finally explained, "but I figured this was only a bit more challenging a test than the ones you'd already planned for her, so I let it go."
"Harrumph," Jane snorted. "You can be sure that I will bring this ill-mannered lout to the attention of the Club's Board of Directors. So, what happened next?"
"At this point, our young would-be Romeo decided he'd try to sweet-talk her a bit."
"So then, this jerk starts going on about how a 'fine, sexy bitch like me' should only have the best things life had to offer."
"Oh really? Like him, I suppose?"
"I swear, Darla, he held his arms out wide like he expected me to immediately walk into them singing hallelujahs and giving thanks to Providence for this incredible and undeserved gift."
"No. You're making that up."
Audrey actually giggled. "Do you think I have the imagination to make something like that up?"
"What an idiot!" Jane said wonderingly.
"Oh, it gets better. . . or worse. Audrey gave him this little sniff, very much like a certain sexy redhead I know does so well," which caused the redhead in question to sniff which made Art laugh. "Then, she tells him if she ever decides that *he's* the best life had to offer, she's going to take a vow of chastity and become a hermit in the Himalayas."
"That sounds a bit too deep for someone deep in his cups."
"True enough, but even though he didn't understand her meaning, the tone of her voice made Audrey's point really clear to him. So, the damned fool grabs her hand again, and tries to pull her into his arms."
"Wait a minute!" Jane yelped as her eyes snapped open. "She said _Chastity_? Not celibacy?"
Art grinned broadly as his wife's disbelief. "Wondered if you'd pick up on that, m'love. She did indeed."
"Oh my."
"And THEN he gives me that stupid line about my lips saying no- no, but my body saying yes-yes."
"Oh god. Tell me he really didn't say that," Darla giggled, suddenly having to hold her stomach against the laugh-spasms.
"Trust me. He said it. To make a short story shorter, he was so out of it, his grip was easy enough to break, even after I'd already shown him I could do it before. At this point, I guess, he needed to SHOW me what I would be missing, so he started pumping his hips like he was . . . well, it was pretty rude."
"Get outta here!"
"Hey!" Audrey yelped. "Watch it with that mascara brush!"
"Oops, sorry. So, what did you do?"
"I laughed at him, while pointing at his fly."
"Oooooo. . .good one," Darla enthused.
"I'll have to thank Sandy for that one. He started to bluster and at that point, I called him a little boy and told him to go find some little girls to play with because they were more his speed."
"Another good shot. Then what happened?"
"It was just about over then," Audrey said with a slight shake of her shoulders.
"And after she told him not to bother again her until after he'd grown up, she gave him this absolutely chilling look, smirked at his crotch and told him he was too puny for her anyway."
"I arrived in time for that," Jane said. "I'm surprised he didn't try something more physical with her over that. I am glad she didn't get rough with him, but she was taking an awful chance being so derisive to a drunk."
"Oh, he would have gone for her, but the bouncer decided enough was enough. While you were staring at that door, our erstwhile suitor was being bustled outside to the nearest taxi."
"It was certainly about time," Jane growled indignantly. "God, wherever did she learn to act like that? I never taught her anything like that. I'm not sure I care for that."
Art smiled. "It worked and it didn't involve her clobbering him, dear."
"Well, I'm impressed," Darla told Audrey as she put away the last of cosmetics. "Not even a single drop of blood spilled, either. How does it feel, champ?"
Audrey started to answer, but stopped herself, her face becoming serious. "You know, Darla? That was okay, and I'm sure your Aunt will be happy I did it that way, but to tell you the truth? It wasn't nearly as much fun as putting my fist through his face would have been. It was satisfying, but not nearly as much fun."
"I won't tell Jane you said that," Darla grinned at her friend's reflection.
"Good. Come on. Let's go find the guys. I feel like dancing."
Chapter 26: The Lady in Red
It was fascinating, Kenneth decided, watching the effort and concentration Audrey put into the simple act of dancing. *It's like she is worried that any misstep might lead to the end of civilization as we know it.*
He was about to say something when the music abruptly stopped, only to have the drummer begin to beat out a new but slower rhythm. "Blast!" Audrey cursed under her breath.
"Eh?" Kenneth asked, raising one brow in query.
"How can anyone dance if they keep changing the bloody music?" Audrey fumed while carefully watching her high-heeled feet shift into the waltz-like steps of the new dance.
"Gee," Kenneth replied, his tongue firmly in his cheek. "I wonder why no one ever thought of that - an entire dance with the same music all the way through. Might start a real fad."
Dark, flashing eyes snapped up to lock onto his as the singer began to sing. .
". .Never seen you lookin' so lovely as you did tonight Never seen you shine so bright Never saw so many men Ask you if you wanted to dance. . "
"Right," Audrey growled. "Like I was really asked." *Even though you're having a ball doing it, you contrary female.*
"Keep that up and you'll hurt my feelings," Kenneth teased, but then stopped when he saw a strange look in Audrey's eyes. "What did I say? What's the matter?"
"I was just wondering if this is where it starts again."
"What starts? You're talking in tongues. I have no idea what you are talking about."
"What starts? Why, when you start what ever Jane told you to do to try to get my goat out here so that she can see if I am being femininely non-violent. You've been rather. . . well, easy to get along with so far, but I can't believe she told you to stop with a pat or two on my fanny. So, is this when the other shoe drops?"
Lady In Red Is dancing with me Cheek to cheek There's nobody here Just you and me
Kenneth chuckled. "No, I'm not going to do anything but keep dancing with you. . .cheek to cheek or otherwise."
"Why? I thought. . "
"I know what you thought, but Darla told you that I was a student of Jane's, right?" Audrey nodded. "And that Darryl was, too?"
"Yes, I know that. So what?"
Humor-filled, dark blue eyes twinkled into Audrey's own. *He's very good looking,* she realized, *Especially when he smiles. Wonder why that only appeals to me in an esthetic sense? Like enjoying a pretty work of art in a museum, but not really wanting to own it?* "So, Darryl told me that if I did anything to upset you he'd be mightily peeved with me."
"Right. You've got more than half a foot and fifty pounds on him. I'm sure you are terrified."
"He's my brother in everything but blood," Kenneth said simply. "I love him and would never do anything to truly upset him or bother him. Even for Aunt Jane. Besides, you've already passed any test she had planned when you dealt with that half drunken fool outside the restroom area. Nice cut-down, by the way."
"Sandy gave me some graduate-level classes in the care, feeding and demolition of the male ego last time I was at the salon."
"She's the expert," Kenneth replied, remembering his only experience in Sandy's chair at the Marisha Chalet and barely stifled a shudder. Then he saw a frown line the formerly smooth brow. "Now what's bothering you?" he sighed.
"That boy. . . the one I. . .dealt with. He isn't another of her students, is he? Like you and Darryl? Another of her little tests?"
Only the raw indignation that radiated from her like heat from a fire kept him from laughing. After all, Aunt Jane and Aunt Ruth had not raised any fools with death wishes. "Him? Never!" Kenneth replied emphatically. "Do you honestly believe that any student of Aunt Jane's would present himself to a woman like THAT or in THAT condition? Why, she'd have his guts for garters." *and then she'd make him wear them,* he added silently.
He watched her mull that over, and breathed a little easier when she started to move more naturally to the music again. "Yes, she would, wouldn't she? He was sloppy and out of control; characteristics your Aunt Jane doesn't tolerate. Okay, I believe you."
"Glad to hear it," Kenneth replied very seriously. "So, why don't you just relax and enjoy the rest of the evening. You have my word that I am not going to do anything you won't like."
"I hardly know This beauty by my side. I'll never forget The way you look tonight. I'll never forget The way you look tonight . . . ."
"And," he added as the soloist's voice trailed away on the last note of the song, "Maybe you can learn to like dancing to more than one song in an evening. I think this one is about over."
"What are you offering?" Audrey asked, suddenly grinning, even as the drummer's rhythm shifted to a syncopated Latin beat.
"Nothing but a dance, ma'am," Ken replied with a matching grin. "Darryl's small, but he's tough. Hope you can handle the tango, lady."
Michael sighed mentally, and quickly spun his partner to a location exactly on the far side of the dance floor from the object of her attention. "You might try to pretend that you are enjoying this dance. I'm worried that Audrey is beginning to think that I am upsetting you somehow and I frankly find that rather frightening."
"Huh?" the petite brunette in the long-sleeved white satin gown looked up into his eyes in confusion.
"Hi," he said with a patently false smile. "My name is Michael Nash and I am your escort. Nice to meet you. Do you dance here often?"
A vivid blush colored his partner's cheeks. "I was doing it again, wasn't I." Her words were not a question. "Sorry. It's just so hard being here when. . when. . "
"When you want to be where Ken is, right, sis?"
Her plaintive "Yes." was half sigh, half sob.
Michael was trying to decide what he could do or say to help when the band played out introductory notes of the next tune. The familiar words of one of Michael's favorite ballads floated softly through the ballroom and he began to relax a bit. *Music hath charms,* he thought hopefully.
So into the music's thrall had Michael fallen, that he was surprised when Darla when rigid in his arms. "Shit!" she blurted as her head began to scan the crowd almost wildly.
"Darla, what's the matter?"
"Never saw you lookin' so good as you did tonight'
The sigh from Darla told Michael all he needed to know. "She truly does look lovely tonight. And I'll bet she never has looked so good before."
"I know," was the soft reply. "And she really did enjoy all the pampering and primping. So. . .so. . I'm. . . I'm glad for her."
". . . Never saw so many men Ask you if you wanted to dance . . Lady In Red Is dancing with me Cheek to cheek . . . "
"NO, SHE'S NOT," Darla hissed out in a hoarse, pained whisper as she buried her face into Michael's chest to hide the tears she could no longer hold back.
"Darla," Michael said intensely. "Calm down. What's the matter?"
"That damned song is what's the matter," Darla's voice caught as she replied. "And that it isn't the truth!"
". . .Never seen you lookin' so gorgeous as you did tonight Never seen you shine so bright. You're amazing Never seen so many people Wanting to be there by your side. . ."
"Oh, god," Darla buried her face into Michael's chest to keep from seeing all those people - MALE people who wanted to be by his Audrey. "I don't think I can handle this. . . Michael, I can't . . ."
"Come on," Michael ordered, slipping his arm behind Darla's back in both a supportive hug and in an effort to guide the now- quietly crying boy/girl off the dance floor.
". . .It's where I want to be I hardly know This beauty by my side. I'll never forget The way you look tonight. I'll never forget The way you look tonight. . ."
"Do you think we could step outside? Into the terrace courtyard for a minute?" Darla asked, her voice ragged and plaintive. "I need. . I need. ."
"To be out of here for a while," Michael finished for his dear friend and sibling-of-the-heart. "Right this way," he ordered as he gently led her toward the door that opened onto the country club's garden.
"Took my breath away, I have never had such a feeling," Art sang into Jane's ear as they danced to the love ballad, "Such a feeling of complete and utter love as I do tonight," before dropping a kiss on her elegantly bared neck. "As I do every night," he added.
"Flatterer. Don't start anything you can't finish, fellow," Jane husked back.
"Ah, but you know I can finish it, My Lady in Red."
"And I am not in red, smartie," she retorted, looking down at the dark green gown she wore.
"With that hair, my darling, you'll always be in red."
"Perhaps," Jane sniffed. "At least the evening has come off well."
Art went momentarily still as she saw Michael and Darla's precipitous departure. "Uh oh," he said. "I hope I'm wrong, but I am suddenly not so certain that this was not one of our better ideas."
Jane's head snapped up. "What do you mean? Audrey is doing very well. Even when that young fool tried to corner her coming out of the ladies'. Even though the cut she gave him was rather. . . well, a bit crude, it worked and I suppose it is no more than most young women might do these days." *Still, telling him that he was inadequate to her personal needs and to go play with the little girls was just a bit over the top. I certainly never taught her that one.*
"Audrey's fine, even if she is working too hard at your lessons to really enjoy herself as much as she might otherwise. No, it's Darla I'm worried about, or more correctly, Darryl. Mike just hastily ushered her/him into the garden and I don't think they went out there to steal a kiss or two in the moonlight."
Her eyes wide, Jane swore under her breath. "Damn! You don't think . . "
"I think the strain of dealing with his own feelings for Audrey have gotten to him. Darryl is at the end of his brick and asked Mike to get him out of here until he could regain control of himself."
"BLAST! He knows this is just an exercise, like any other I've put a student through," Jane defended.
"It doesn't feel the same to him, dear. And he wasn't there for her when that oaf you mentioned made his move. Once he got there, I'm sure it took every ounce of will power on Darryl's part to stay in character and not defend his lady-love. Since then, he's been forced to stand by and watch as five different males poached on Audrey."
"Nonsense! All they did was dance with her. Heavens, Art. One of those males was YOU, and two of the other four were Michael and Kenneth. They're family!"
A knowing grin crossed Art's mouth. "You're thinking like a woman, my dear, and Darla is reacting like a man in love. I think we should give Michael about five minutes to calm those emotional waters and then go see if he needs help."
For the first time, real worry showed in Jane's eyes. "You think he actually might?"
Brows furrowed, Art shrugged even as he spun Jane into a flowing turn. "I don't know, but I think we should err on the side of caution. I also think it is about time to call it an evening. This excursion has already served your purposes. Let's quit while we are ahead."
"All. .. all right. If you think so," Jane said uncertainly, her eyes now drawn to the night-dark terrace. "What do we do until then?"
". . . Lady In Red Is dancing with me Cheek to cheek There's nobody here just you and me It's where I want to be . . "
"Well, that says it all for me," Art replied as he pulled his wife closer. "Definitely where I want to be."
Chapter 27: Evening's Aftermath
"Look," Michael repeated for what he was sure must have been the tenth time, "You already know she's effectively blown Ken off. You're, or rather, Darryl is the one she wanted for her escort. So everything's cool."
"Oh yeah? How would YOU feel if it was Janice Jane was trotting out for every predatory male in this high toned meat market to take a crack at stalking."
"That's different," Michael retorted.
"The hell it is! That is the woman I am in love with out there, brother, and . . .and . . and dammit, Ken bought her flowers!" at Michael's incredulous look, Darla narrowed her eyes. "Don't you DARE laugh, damn you. I am serious."
Swallowing hard against the laugh that was nigh to overwhelming him, Michael coughed. "Well, what should he have given her? Jeweled wrist-weights?"
"Mi-CHAEL!"
"Darla, ease off, okay? Of course Ken brought her flowers. He's our beloved Momma-Jane's son - same as you and me - and you know what she'd have to say if he came to pick up a date empty handed. Lord above, she wouldn't just chew him out, she'd chew all around it and let it fall out - in that awful toneless killer voice of hers."
"Oh, you don't understand," Darla said, her voice hitching just a bit.
"So make me understand," Michael put in trying to stave off the tears he saw building in the dark blue eyes. *Damn, but it's like there's this seamless transition in her . . lord, *his* spirit so that there's no point at which Darryl ends and Darla begins. When I was Michelle, I could *act* as a woman, easily and convincingly. But I never really *felt* the natural emotions a woman feels. I never had a woman's soul.* "Explain why the flowers are such a big deal."
"Because they were the first flowers a man ever gave her, and I want all the firsts with her," Darryl's voice replied.
"What you want, little brother/sister, is Audrey," Michael said gently. "That's how I feel about Janice, and how I now see you feel for that Amazon Princess in there."
"But I can't court her like this!" Darla complained.
"No, but you have two hours every day to make your points. Start making them."
"I can't very well give her two dozen long stem roses right before we go running, Mike,"
"D? You have always been the most imaginative person I know. How else could you handle all these years of being Aunt Jane's big-sister-in-residence and not have gone nuts? Start using that imagination, kid, and she'll fall into your waiting hands like a ripe plum."
"I've never caught a plum, ripe or otherwise," Darla complained. "You really think that could work, Mike?"
"Trust me, bro. The way I heard it from Momma Jane, the girl already feels much the same as you do, only where you are hampered by your skirts, she's hampered by her past. Go for it!"
The "Okay," Michael got in response rang with uncertainty and a sort of fearful hope.
"Damn!" Jane snarled under her breath. "I knew he was falling for her, but I didn't know it had gotten that serious."
"I thought it might be, but this rather confirms it, love," Art said.
"Why didn't he just tell me??" she asked sadly, turning her face into her husband's shoulder. "I never meant this to be so hard on him. I wouldn't hurt him this way. Why didn't I SEE it myself."
"Same answer to both questions, Janey. 'Cause you're a woman and his Mother on top of that. Guys don't usually take 'problems of the heart' to their Moms. He called me a couple of times, dear, but it was never to ask me to talk you out of this. I suspect that our son simply decided that you were right, that Audrey needed this experience and was determined that he would not be the one to stand in her way."
"But I didn't have to bring him along. Darla could have been ill, or needed somewhere else."
"Odd as it sounds, my love, I suspect our Darryl was being the knight in shining silk tonight, taking up his quest by simply here for his lady-love in the role he thought would be the most help for her."
"That's so sweet. He's so special, Art. He deserves someone just as special in his life."
"Well, he wants Audrey. How the hell he's going to get her, given all the complications we've introduced by having him be here for her as both Darla and Darryl, I don't know."
"He could get badly hurt by all this, Art. If Audrey finds out about Darla's connection to Darryl and reacts badly, it would hurt him, and it would be all my fault."
Art hugged her to him. "Don't go buying trouble. We'll be here for him and for her. Now, let's go collect our children and go home. I think we've all had enough for one night."
"Art? Stay with me, tonight? Please? I. . .I need to be held. And loved."
"Lover, I already told you I would. Now, c'mon. Audrey and the boys need us."
Art sighed at seeing the arc of light haloing the floor beneath Darla's bedroom door. He'd hoped to be wrong when he'd stepped out of Jane's apartment to check on their son, but obviously the boy was finding sleep elusive. And Art figured that he knew why.
Knocking softly, he cracked open the door enough to stick his head inside. "Got a minute, D?" he asked.
Darryl, still wearing Darla's evening gown, sat at the vanity creaming away the cosmetics that perfected the feminine illusion. "Sure, Dad," the girl-boy smiled at his father. "I thought you and Mom would be sleeping the sleep of the just. . . or something. . "
"Now, none of that," Art grinned as he closed the door. "You know your Mother likes to pretend you don't know she has a sex life." Darryl chuckled, which pleased his adoptive father.
"So, why aren't you sleeping or something-ing?" Darryl asked as he pitched the last color-stained cotton ball into the wastebasket.
"I guess because I wanted to ask you the same question," Art said blandly. "It's what? 2:20 AM? And I seem to recall Audrey saying she expects to meet her running buddy at six. "We've been home over an a hour, son. Why aren't you already in bed?"
Darryl gave his father a thoughtful look and then walked over to where Art sat. "Unzip me, will you, Dad?" Shrugging, Art did as asked, but said nothing. Darryl let the expensive gown fall to the floor before stepping out of it and sitting down heavily on the bed beside Art.
He gave a loud sigh. "I just knew I wouldn't sleep. Too much eating at me."
"Tonight was hard for you - seeing Ken with Audrey."
"I knew it would be, but it was a lot worse than I had imagined."
"It went well for her. She passed every test with flying colors, even the one your Mother didn't plan."
"Actually, that's the one of the two things that bothers me the most, Dad. We weren't there for her. . . I wasn't there for her when that asshole went after her. God, listening to her talk about it afterwards, and being the admiring girlfriend instead of the infuriated would-be lover was the hardest thing I've ever done in all my years as Mom's big-sister-in-residence."
"But you did it. And I would contend, son, that you WERE there for her. You were there in that you and Jane had taught her the confidence in her own powers that let her handle that situation the way she did."
"Actually, it was Sandy who taught her that. Neither Jane nor I would have thought to tell her to insult the guy's manhood."
"That's secondary, and you should know it. She was violent before because she didn't know any other way to deal with that type of encounter. You and Jane were the ones who showed her that women have weapons of their own that are at least as effective as a fist in the face or a knee in the groin."
"I should have been there!" Darryl growled.
"I was, and I wasn't needed. What you were doing was more important. Darla gave Audrey the confidence she needed to step out in that incredible dress. Without you there, I don't think it would have gone half so well, and as it was, this was a breakthrough night for her."
"You really mean that?" Darryl asked, the entreaty in his eyes obvious to the psychologist and the father.
"Of course I do, and I am damned proud of you for how you handled things tonight. I really do think it is downhill for Audrey from here on out. You should be proud of yourself, too. Now, why don't you tell me the second thing that is really bothering you?"
"Is that my Dad asking, or that nice Dr. Art the psychologist?"
"You're too smart to think there's any kind of a sharp dividing line between one and the other. Parenting, even with an exemplary kid like you, is hard enough without foolishly ignoring hard-learned skills and instincts in the process."
"Touche, Dad," Darryl sighed, as he stretched his legs out from the bed, arching and un-arching his feet. "Damned heels. God, but I hate them."
"Except when they're on Audrey?"
"Got me there," Darryl chuckled. "Lord, but she was magnificent tonight."
"The Lady in Red, in all her glory," Art agreed. "And you're head over heels in love with her, aren't you?"
"Yup - that's what really hit me tonight - right before I dragged Mike out onto the veranda."
"Well, speaking from experience, I can tell you that being in love is wonderful. So, what do you say we have a go at figuring out why you're in here moping instead of dancing for joy or figuring out how to win your lady-fair?"
"Darla," Darryl said quietly.
"Jane has never found Diana to be a barrier to our relationship," Art offered, a bit too quickly.
"But Mom had a hand in the creation of Diana, and she is a woman with a very unique perspective on men, masculinity and such."
"True enough. You think Audrey will think you less than a man if she finds out about Darla and her real connection to Darryl?"
"I don't know, Dad, but that's not the worst of it."
"Well, I can't help if I don't have it all, son."
"Darla, and to some extent Darryl, have been key elements in Jane's program. We've been manipulating Audrey almost from the start. Like tonight with Kenneth playing 'pat-the-fanny' just to see if we can get a rise out of her, or me, getting rigged out like Raggedy Anne so that Audrey would see the penalties associated with not living up to Jane's standards. I mean, I saw right away how much she disliked that game so I pushed her even harder with the baby-talk and the holding her hand."
"So you are worried that she won't be able to put your role in Jane's program behind you? That she will hold your manipulation of her against you and not give you another thought when she finally leaves here?"
"It's not like she won't ever find out, Dad. I mean, it's like your parent-psychologist thing. It's not real clear where Darla stops and Darryl begins. Sometimes I will wake up in briefs and a T-shirt and slip on a pair of mules, or reach for my Obsession perfume instead of my aftershave."
"Ouch!" Art commiserated. "Been there, done that, have felt the burn. So, you're afraid that she won't accept your duality, or, that she will figure out who Darla really is, and will hold what you did as Jane's agent provocateur against you?"
"That about sums it up," Darryl agreed. "And I can't use Darla to feel her out about those things. It would only hasten her figuring out the secret because it would invite her to look too closely at Darla. Besides, it would be unfair. I've already decided not to use Darla to Darryl's advantage in this romantic farce anymore than I already have, however inadvertently."
"I see. Well, let me ask you some questions. You don't have to answer them right now, but perhaps they will be helpful in the long-term."
"Okay . . ."
"Do you think Audrey is happier now than when she first came to us?"
"No need to think about that one. The answer is yes. Especially since Mom is going to continue to support her Olympic dream along with everything else around here."
"All right, and I agree with that assessment. The harder question is: Do you think that AUDREY will agree with us?"
"Of course she. . . ," Darryl started, then stopped himself. "I hope she would, but I'm not sure."
"Then that's what we need to find out first. My view of Audrey is that she is a very intelligent young woman - far too intelligent to lie to herself easily. I will talk with Jane tomorrow and we will see if we can help her find answers to those two critical questions."
"And if she still refuses to have anything to do with me, even if she finds those answers and agrees with us that she is happier for having been here?"
Art reached over and gave his adopted son a hearty thump on the back. "Ease up on yourself, kid! I think you are underestimating Audrey AND yourself. If she were all that hung up on 'traditional' sex roles, it would bother her that she's taller than you. She IS happier, she IS smart enough to know that, and she is NOT hung up on traditional roles. We can build on that. Hey, we've built on less, haven't we?"
Darryl allowed himself to feel hopeful and smiled ruefully. "It just never mattered quite so much before."
"You're in love," Art said simply. "Nothing else in the human experience matters nearly that much. Okay, now try to get some sleep. Tomorrow is today, and morning is upon us."
"I hope you're right, Dad," Darryl replied. Then he got up and went to Darla's armoire for a nightgown. With practiced ease, he slipped the gown over his head before reaching around to unhook the bra which he then pulled out through the sleeve of the gown.
*He does that so effortlessly, with the same unthinking ease that I've seen from his mother, and it's not because she taught him that. It's because, as he said, Darla is so integral a part of the man Darryl has become. A very good part of that man, too.*
"I think I maybe I can sleep now. Thanks for coming to check on me."
Art rose and hugged his adopted child. "That's what Dads do, kid. Want me tuck you in?" he added in an exaggeratedly wistful voice. "I've missed out on that parenting pleasure. Hey, I'd even tell you a story. Goldilocks and the Three Pigs?"
"No," Darryl chuckled, obviously more at ease with himself than he had been mere minutes earlier, "I think I'll tuck myself in, if you don't mind. Besides, you still have Mom waiting for that 'or something' we mentioned earlier."
Art nodded, pleased that the aura of tension about the lad had dissolved. "Sleep well, son," he said as he turned for the door.
"You, too, Dad," Darryl replied. "And thanks." Then his voice shifted back to Darla's lighter tones. "From both of us."
End Part II
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Seasons of Change
Book 11 - Part 3 of 3 A Time to Every Season
Audrey's Story Copyright © 2002,2013 Tigger
All Rights Reserved. |
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Audrey had come to this special, private spot immediately after her morning workout with Darryl - not that it had been all that much of a workout. She was still tired from last night's outing, and in all honesty, was more than just a little bit sore - particularly in her ankles and the backs of her calves. My Fair Lady could sing all she wanted to about how she 'could have danced all night and still come back for more', but Audrey suspected that she hadn't been trotting about in tight shoes with three-plus inch toothpicks for heels. *Lord, but my legs haven't been this sore since the day I discovered, and overdid, my first StairMaster.*
Fortunately for her ego, Darryl had not been at the top of his game this morning either - at least athletically. In other areas, however, he'd been top of the mark which was a good deal of the reason she'd sought some solitude before going in for breakfast. In truth, she'd already planned to come here in order to sort through the morass last night's trip to Boston had made of her emotions. Then, Darryl had compounded everything and somehow made everything MORE mixed up. How could he DO something like that to her? She TRUSTED him, LIKED him - okay, she LIKED him a LOT - and he did THAT to her?
He'd kissed her. Well, it had actually been more than that because he'd been kissing her for awhile now, but those were little pecks - gently sweet caresses. Not this time - this time Darryl had KISSED her - like those male actors kissed the heroines in those movies that Marie had been taking Audrey to see in Kingston - chick flicks, she called them.
She'd never seen it coming, either. Just as she was about to head up the path back to Seasons House, that little sneak had spun her around to face him and then all but swept her off her feet with a knee-weakening kiss that had turned her mind to mush for goodness only knew how long.
Still, it was only a kiss.
*Yeah, Audrey, and a diamond is only a rock. As if I did not have enough on my mind, trying to deal with why, lovely as everything was last night, it somehow felt incomplete, like something very important was missing.*
And then, he'd given her a present while he still held her boneless body next to his. Audrey looked down at the brightly colored bouquet of maple leaves she still held in her hands. They outshone, in every possible way, the gorgeous corsage that Kenneth had given her last night. *And you know why they do, Audrey. These leaves are the first 'flowers' that a boy who matters ever gave you. The boy who you were really missing last night. Might as well face facts, girl. Last night would have been perfect if it had been Darryl escorting you and not Kenneth.*
Audrey carefully set her leaves down and rose from the bench seat to walk about the garden. The chilly wind reminded her that she had not changed out of her sweats and breakfast was not all that long off. She ought to go to her room, but she still needed to think. Audrey hadn't liked the feelings that had coursed through her when Darryl's mouth and tongue had taken possession of hers like that. Had she? *Be honest, young miss,* her mind chided in an unconscious emulation of Jane Thompson's admonitory tones. *What you aren't sure you LIKE is how much you DID like what he did.*
That little revelation did nothing to improve her mood. Unfortunately, she really did have to go clean up and dress for the morning meal. Dealing with one of Jane's inventive disciplines would only serve to further muddy the already murky issues. Trying to remember to talk baby-talk when she was otherwise trying to figure out how she really felt about Darryl's sudden escalation of this boy-girl stuff was more than enough for one person to deal with at one time.
*Before last night, if someone had asked me what I would do if some boy just up and kissed me without permission, I'd have answered 'Kill him, of course, and very, very slowly. Even after last night, I would have said I'd back his pushy butt off somehow. But THAT wasn't just any boy, and THAT kiss, well, that was not at all what I expected being kissed that way would be like. And dammit, I DID like it and I think. . . know, that I would like it again, too.*
Somehow, confronting that bit of self honesty seemed to put things somewhat back into perspective. Her emotions calmed a little and the world seemed to slow back down to a more normal speed. It wasn't much, but it was enough for the moment. *At least until after I have survived breakfast,* she mused, turning toward the garden door. *If I skimp on the shower, I will have time to dress and put on enough make up to dodge the pinafores and corset bullet.*
Just before she reached the corner, the door slammed open, and a laughing, auburn-haired flash raced out the door, with a tall, slender white-haired man in hot pursuit. Hidden by the corner, Audrey watched in dumbfounded fascination as the man who had escorted Jane to the ballet chased the ordinarily stern and controlled teacher about the garden. *And she's still in her nightgown and slippers!* Audrey thought amazed. *and no robe, either.*
"ARTEMIS," Jane yelled, a hysterical giggle almost bubbling through, "Stop this INSTANT. I don't have time for this. The girls will be down for breakfast and I haven't dressed."
"Then stop trying to run away, wench, and give me my kiss!"
"You'll want more than a kiss, you rogue, and I don't have time for this!" Jane reiterated, dodging behind one of the stone benches.
She almost made it, Audrey thought, giving credit where credit was due, and probably would have except that she stubbed her toe on the cold stone of the bench as she dodged again. Audrey made a mental note never to try to play keep-away with a man when she was wearing open-toed high-heeled mules for slippers.
That momentary stumble was all this 'Artemis' fellow needed. He closed the gap and swept Jane up in an embrace that reminded Audrey eerily of how she must have looked when Darryl had caught her. Jane's protests lasted one, maybe two seconds at most before she was returning the kiss with fervor, enthusiasm and what Audrey recognized as a good deal of practical experience.
*Have to remember that fingers-through-the-hair grip thing next time Darryl jumps my bones,* she thought dreamily before realizing what that image of herself and Darryl actually implied.
*Yes,* Audrey thought with a sigh, *there WILL be a next time and that I AM looking forward to it.* Only then did the young woman snap out of her surprise-induced fugue enough to realize she was intruding. Quietly, she retraced her steps and headed for the kitchen door, leaving the two older folks to their privacy.
Art came up for air and looked down into the passion-darkened eyes of his wife. "Gotcha," he gloated softly.
"Oh, just shut up and kiss me some more," Jane ordered, her voice husky.
"Your wish, my dear," Art replied as he caught a glimpse of Audrey's retreating form. *Oops,* he thought, and just for a moment considered telling Jane. *Nah,* he concluded as he once again surrendered to the power of his lover's kiss. *Nothing she can do about it now, anyway. After breakfast will be soon enough. 'sides, looks like Audrey can use a few extra minutes to get ready for breakfast.*
Chapter 2: Love - Vulnerability and Strength
Jane lifted her hand to knock on the antique paneled door and then, for probably the third or fourth time, let her hand fall back to her side. It wasn't that she was hesitant - not really - it was more like she wasn't sure how best to approach this situation. As with most situations that she had been forced to deal with since taking on this particular student, this one was unique in Jane's experience. Never before had a student seen her, the cultured living embodiment of Miss Manners, cavorting about in her night shift with a man. Now, Jane was intent on some type of damage control. The problem was she had absolutely no idea what type of damage she had to control.
The only thing about which she was sure was that the longer she delayed this face-to-face with Audrey, the longer any anger or upset the girl might have suffered would fester.
*Damn Art, anyway,* she fumed silently. *He should have done something out there instead of sticking me with this little drama. What I should do is go back to my room, stuff him into a Lewis Carrol-authentic 'Alice-in-Wonderland' outfit, maybe a nice big pacifier to keep his sneaky and tasty mouth busy, and then drag him up here to Audrey's room by his ear! Maybe that would reassert my position as the Alpha Female in this house.*
A smile that was at once both familiar and terrifying to almost one hundred boys crossed Jane's lips only to disappear just as quickly. "Remember Sheila, Jane Thompson," she reminded herself aloud, as she had uncountable times since her confrontation with Kenneth's vile and perverse mother. "It's all right to have fun with this, so long as no one is ever truly hurt."
Sighing at the still-pleasantly seductive mental imagery, Jane then steeled herself and managed to give the door a reasonable facsimile of her usual authoritative knock.
"Come in," came the response.
Jane entered Audrey's room and came up short at the sight that greeted her. Audrey, resplendent in a soft cream and rose colored Laura Ashley skirt and sweater set, was sitting in front of her vanity mirror. From where she stood, Jane could see that her charge had been applying makeup - quite well, too, Jane was pleased to note - and had done something more intricate than was her normal preference with her coiffure. Opaque stockings hugged the girl's muscular yet shapely legs. Force of long habit had Jane's eyes dipping down to check the entire ensemble whereupon she repressed a small sigh. While the lovely rose-suede pumps matched perfectly with the rest of the girl's outfit, they were still low-heeled. Even with almost thirty pairs of new shoes to her name since her arrival at Seasons House, all Italian no less, getting Audrey into anything with more than a two inch heel took a direct order.
Jane wondered if it had anything to do with her student's self image - whether Audrey felt she was too tall even without heels. *She looked so regal last night when she wore those strappy red spikes, not to mention drop-dead gorgeous with all that leggy beauty in the slit-skirt gown, that it would be a shame if she couldn't accept her own statuesque beauty. I think a bit of 'hinting' from Darla may be in order,* Jane thought, *but there are more important issues to deal with at this precise moment.*
"You look very nice," Jane said quietly as she moved toward the girl. Then she saw the colorful mass of autumn leaves on Audrey's bed. "What have we here?"
Audrey started to say something, reconsidered and attempted a diffident shrug. "Leaves. We don't get color like this back home. They're so pretty, but I really don't know what to do with them."
*More to this than that,* Jane thought. *The girl has no skill at dissembling, but I won't press her on it.* "Marie might be able to help you do something with them. She is very much into crafts using natural materials and such things. I suspect she'd know a way of preserving them if they're something you'd like to keep for a while. . .as mementoes."
"Perhaps I will see Marie. Thank you, Ms. Jane. You wanted something from me?"
*Her poise has definitely improved. That little barb was well and subtly delivered. Translation: What do you want THIS time, Thompson?* "I felt we needed to talk, Audrey, given what Art told me you saw this morning."
"What I saw?" Audrey only barely managed to keep her voice from cracking in surprise.
"Yes, dear. Art saw you in the English Garden, and he knows you saw us."
"It is not my business," Audrey replied sharply, turning her head to hide the blush she knew was firing her cheeks.
"That is true and yet, it is also not true, dear," Jane said gently as she moved to take a seat beside her student. "I am an adult woman and as such, my relationships are ordinarily no one's concern but my own. However, I have been demanding a very high standard of behavior from you over the past few months and you have every right to expect that I, as your mentor and role model, should adhere to the same codes of conduct that I insist upon for you."
"I'm not going to use what happened this morning as an excuse to go out and find myself a lover, Ms. Thompson," Audrey said, even as she realized she wouldn't have to find one, because the one she wanted was already found. She just hadn't figured out how to reel him in yet. Or what to do with him once she'd landed him. "I have too many goals riding on your good opinion of me and my behavior."
"Oh, that was a very nicely worded set-down, Audrey," Jane said with a hint of a smile. "Brava. Would you look at this, please?"
Audrey turned from her mirror and was surprised to see Jane holding out her left hand to her student, palm down. For a moment, Audrey could not see the point and then her eyes locked on the left ring finger - the previously BARE left ring finger - now decorated by a large diamond solitaire and a wide wedding band, both ornately decorated with antiqued glyph-work and other markings.
"Art is my husband, Audrey. He has been for the better part of a year."
"But, . .but. . he hasn't been here. . .you didn't wear those. . .I don't understand. . "
Jane caught Audrey's hand in hers and drew her up from the vanity and over to sit beside Jane on the bed. Not releasing the hand, Jane began to speak. "When you came here, we did not know what to expect, except that you had a history of dealing, well, rather physically with men who upset you. Moreover, we really were not sure what men did that upset you to the point of violence. Since you had no similar history against females, we decided to give you a break-in period in a female-only household. Art had to leave to fulfill a contract obligation with a university in the city so he couldn't be here full time anyway. When I needed an escort, he was the obvious choice," Jane shrugged and turned dark eyes on Audrey. "Besides, I missed him terribly. I hadn't planned on him being here last night, but he followed me home. . . "
"So you decided to keep him?" Audrey blurted.
Both women stared at each other for several moments, neither quite believing what the younger woman had just said, then they burst out laughing.
"Just so," Jane said when she'd finally managed to regain a modicum of control. "Although the dear man was very persuasive," she added, wistfully. "And as I said, I have missed him terribly."
"You must have," Audrey said, "Letting him ravish you that way in the garden." The girl hesitated and Jane saw that she wanted to say something more and so let the comment go unanswered. The silence drew out between them until Jane was not sure she could stand it when Audrey asked, her voice almost a whisper, "Doesn't that make you feel vulnerable? Knowing he's that important to you? Doesn't that give him power over you? I mean, he could really hurt you."
Jane mulled that one over for a few moments, recalling Darla's revelations about that bitch of a governess and all the garbage she'd fed a young and lonely girl. *Give her the honest truth she knows first, Jane, and then the rest.* "Yes, he could hurt me, Audrey, and he has. Just as I can hurt him and have. But I will tell you that I felt more alive, more feminine, more loved during that silly little chase around the garden than I have in all the days he's been gone.
Jane paused to let her student mull that over before continuing to press home her point. "There's always a risk when something is really important, Audrey. That's part of what makes that something valuable - and thrilling. Knowing that you are vulnerable gets your adrenaline flowing, and knowing that you are willing to do it - that you have found a prize that valuable - is a wonderful part of the reward. Winning a race where there is no competition is not as satisfying as winning when you aren't sure you can, until you have."
*That got your attention, didn't it, you competitive little wench?* Jane thought fondly. "And laying your heart on the line is the greatest risk of all, for the greatest reward you can imagine. As you said, he could hurt me, but the final reward - the ultimate prize - is his love, and he loves me too much to ever hurt me except by accident."
Audrey thought about that for a moment. Was that what was missing with Darryl? Had she been holding back? Playing defense and not taking the chances necessary to get the touches needed for victory? It definitely gave her something to think about. "And you love him just as much." It wasn't a question.
Jane's face lit up with a smile that made her normally austerely handsome face breathtakingly lovely. "With all my heart. So much it sometimes frightens me, but it is a good kind of fright."
"A good kind of fright?" Audrey was intrigued. She had come to understand the frightened part quite well in the past few hours. The idea of 'good fright' was something she had not considered.
"It makes me try harder to show him how much I love him back. To show him how important he is to me. Life is short, dear, more so for me than for you, I think. I am closer to fifty than to thirty and have more of my life behind me than in front of me. The fear I spoke of pushes me to take every bit of love I can get and savor it to its fullest so that none of it goes unappreciated or unreturned."
"That's lovely," Audrey breathed in a surprisingly girlish sigh. Then she turned serious eyes to her teacher. "Don't worry about this morning as far as I am concerned, Ms. Thompson. It's . . .well, nice to see that kind of man-woman love, for real, I mean, and up close."
*She's made so much progress,* Jane suddenly realized, *And not just in the superficial aspects of being a woman. I don't know what is the catalyst, but I think she's just about ready.*
"Ms. Thompson?" Audrey broke in on Jane's thoughts. "When I first came here, you said that some of your students called you 'Jane' or 'Aunt Jane'?"
Jane nodded, but otherwise said nothing. It was difficult to speak when you were holding your breath in hopeful anticipation.
"Would you mind. . I mean," Audrey hesitated for a moment, seemed to shake herself and then pressed on in a rush. "Would it be all right with you if I called you Aunt Jane?"
Touched and a more than a little surprised, Jane leaned over to hug the younger woman. "I'd be honored if you would, dear," she said before standing and helping Audrey to rise also. Then she saw the leaves and smiled at her student. "Why don't you take those down to Marie right now. I am sure she will know how to preserve them."
An smile of unexpected pleasure lit Audrey's face. "I think I will, Aunt Jane. I really would like to keep at least of few of them if I could."
Chapter 3: Kisses and Bouquets - A Seasons Courtship
Audrey tried to watch what Marie was doing, but almost scorched her own fingers when the hot flatiron slid across the waxed paper a little more easily than she'd anticipated. She returned her attention to the ironing board and nearly sighed. There, between two sheets of waxed paper was the largest, most perfectly shaped, most vividly hued of all the leaves from her bouquet. Autumn Maple Leaf Red was rapidly becoming her favorite color and she wondered idly if Carolyn Beale sold a lipstick or nail enamel in that shade.
"Is this right, Tante Marie?" she asked, holding up the now-fused sheet for the older woman's inspection.
Marie stopped what she was doing and examined Audrey's prize. Finally, she nodded. "See, cherie? I told you that the wax would become transparent once you had everything properly ironed?"
"Yes," the girl said with a happy smile. "And you're sure that this will preserve it?"
Marie gave a sly grin. "Of course. Why I have such mementoes of my own, preserved just this way, pressed between the pages of my teenage diaries. And I am. . . well, we won't discuss my age, so let's just say that they were given to me many, many years ago."
"By your Willie, Tante Marie?" Audrey asked, only to realize too late how painful that question might be for her friend. "Oh, Marie, I am so sorry. . . I did not mean to. .
Marie smiled and waved away the apology. "Non, ma petite, do not worry yourself so. Yes, many are from my Willie, and all the more precious to me because of that, but there are also memories of other beaus in those tightly wrapped pages." *but that question certainly does tell me why these pretty colored leaves are so very important to you, dear.*
The older woman returned to her own project and carefully selected another leaf that she then dipped carefully into a thick, viscous white liquid. When she withdrew the now heavily coated leaf, she delicately brushed away the excess. Audrey watched as the liquid dried quickly, becoming clear as it did so. Marie waited until there was only a slight liquid sheen on the leaf before she began to shape it with agile, knowing fingers. Moments later, the red-orange leaf was added the other leaves, glued to a cloth covering an eight by ten inch board.
"It is almost like you are doing flower arrangements except you're using that board and not a pot, and those aren't flowers," Audrey said, awe in her voice.
"That's because I am, Audrey," Marie answered as she made a final, almost imperceptible adjustment to the last leaf. "There, I think that is just about right," she said as she stepped back from the brilliantly colored explosion of bright reds, vivid oranges and brilliant yellows.
Marie picked up a small flower pot and began cutting it with a saw - making a vertical cut from the rim of the pot straight down to the bottom. When she'd finished, she examined the heavy orange clay thoroughly. "This will be perfect. I will just glue this to the frame so that it looks like the bouquet is in the pot, and then, tomorrow after all the glues and glazes have cured, I will spray it with some clear polyurethane."
"It is so lovely," Audrey actually gushed.
"Well, a girl's first bouquet of flowers from her boyfriend should be lovely." *I am glad Darryl did so well.*
"Boyfriend? Who said anything about a boyfriend?"
"No one, petite, but those are from Darryl, aren't they?"
Caught off guard by the older woman, Audrey sighed and sat down into one of the kitchen chairs. "Yes," she finally admitted, wanting to say more, but not precisely sure how to raise the issue.
"And?" she prompted gently.
"And. . .and. . .well, he kissed me!" Audrey finally blurted.
Marie turned to make some tea, in part because she was sure they would need some, but mostly to hide the happy grin that now curled her pert lips. "Well, you've told me he has done so before. You were quite taken aback as I recall. Had he stopped before this?" *If he did, I will personally tear a strip off his stupid male hide!*
"Oh, no, that isn't it. I mean, he's managed to give me a little peck on the cheek or steal a hug every day we've worked out together. Today was different. Today he KISSED me. Bent me over backwards and everything."
*ATTA BOY!* Marie's mind cheered. "Well, since you are keeping his gift, I can assume that you were not enraged by his taking of liberties?"
Audrey burst out laughing at that. "You've been around Aunt Jane and her Victorian ways too long, Tante Marie. Taking liberties?" She laughed again before answering. "I think I liked it. No, that's not being honest - I KNOW I liked it. I just don't know what to do about it."
"How so, petite?"
"You know? You're the only one who has ever called me 'little one' and meant it nicely? I like that, too."
"Glad to hear it, petite," Marie responded pertly but plainly refusing to acknowledge the girl's attempt at changing the subject. "Now answer my question. What don't you know about dealing with Darryl's kissing?"
Audrey colored attractively, and tried to find the words to answer the question - and not only for Marie's benefit. "Well, it's the feelings, Tante Marie. They're just so scary and yet, at the same time, so wonderful. . .I just feel so. . .so off balance," and then, feeling very brave, blurted out, "And I want him to do it again! Soon!"
"Oh ho, so you are content to wait for him to take the lead again? Bah! I thought you were a modern young woman" She saw the confusion on Audrey's face and smiled a very secret, very female smile at her young prodigy in the ways of l'amour. "Jane's views aside, petite, this is the dawn of a new millennium. There is simply no reason you can't take the initiative if that would make you feel better - more in control. Heavens, girl - start as you mean to go! IF you want him and you want him on fair and equal terms, try doing your own fair share of the courting."
"Courting? Me?" The idea was terrifying. It was also incredibly exciting.
"You!" Marie replied forcefully.
"But I don't know how to do that," Audrey almost wailed.
"It will be easy. He is, after all, only a mere man and you are a truly superior and beautiful young woman. Le Bon Dieu created women to tempt men and, fortunately, also made men easy to tempt. It is what we women do, darling. Start with something easy. He wants to kiss you. You want him to kiss you again. Next time you see him, bend HIM over backwards and ravage HIS mouth." Then Marie's eyes twinkled and her smile somehow became even more mischievous. "Slip him some tongue, girl."
Marie watched as the girl let the idea roll around her head and could tell the precise moment when her apprentice's mind imagined how that kiss would feel. It was all Marie could do not to clap in glee at the look of excited anticipation that flashed across Audrey's lovely face.
The girl rose, half in a daze and began to leave. "Take your waxed leaf, dear," Marie told her. "I will finish the other and then frame it for you once the preservative is completely dry."
"Thanks again, Tante Marie," Audrey said distantly as she turned for the door. The last thing Marie heard before the door shut behind the departing girl was, "Courting?"
As impossible as it seemed, Marie's grin grew even broader. "And cherie? Mark him with some lipstick - BRIGHT lipstick - when you do it!" she called out, hoping the girl heard her.
For the remainder of the day, Darla noticed that Audrey was quieter than was her norm. Especially since she had healed from her surgeries, the girl's effervescent energy usually kept her constantly on the go, always doing something. This day, however, she was more sedate, her manner more introspective.
Darla did not know whether to be happy or upset - whether to hope that it had been Darryl's attempt at a Rudolf Valentino-style kiss that had resulted in this quieter version of his love, or just fatigue. On one hand, she seemed to have been affected strongly by the experience. On the other, unfortunately, she did not seem to be reacting at all like young women in love were rumored to act.
*Well, I guess that's to be expected. She had a late night and an early morning. I'm kind of dragging, too. I just wish she'd bring up Darryl's little farewell this morning so I can find out how she feels about it now that she's had time to think about it. Hmmm. . . what day of the month is it?*
Darla took a quick look at the calendar she carried in her purse and sighed. *Almost that time of the month for Darla again. Well, at least I can be Darryl with her, but it sure does get boring pretending to be irritable and nauseous. The things I do for Momma-Jane.*
Darla went to find Tante Yenta-Marie for some more pointers. This was getting more and more complicated and made Darla. . or more correctly, DARRYL wish for an older simpler time. *Well, not too much older,* he thought with an irrepressibly male grin. *If Caveman Dar ever went after Cavewoman Rock with a club, it would, in all likelihood, be Dar who ended up with a lump on the skull and counting stars. Which, if she then dragged Dar off to her cave by the hair, wouldn't be all that bad a fate. It's just that I wish I knew if she would want to drag me off to her lair or leave my carcus for the buzzard-o-sauruses.*
Marie heard the door open and hurriedly hid her leaf and pot project in the pantry before turning to see Darla. *Ah, good thing I hid it. Wouldn't do for the scamp to realize just how deeply his little gift affected Audrey. He might get a little too cocky and stop trying quite so hard.*
"Hi Tante Marie," Darla greeted her adopted aunt with a smile, a hug and a kiss. "Is that polyurethane I smell? What are you up to this time?"
"Oh, just some craft stuff for the holidays. Decorations in the main,* she answered, trying to stay as close to the truth as she could before changing the subject. "So what brings YOU to my kitchen, miss?"
Darla seemed to wilt and then plopped indecorously into a nearby chair. "What, or rather, WHO do you think?"
"Ah, la tres jolie Mademoiselle Audrey," Marie said with great satisfaction. This was all going perfectly! "She did not like your plan for this morning?"
"She seemed to like it - at least some - when I did it!" in her annoyance, Darla's voice dropped into Darryl's register for just a moment. "I caught her by surprise, but she didn't fight at all, and in only a moment or two, she really started to put her mind to. . ."
Darla caught herself becoming perhaps a bit too graphic and consciously composed herself. Marie watched in amusement as the girl's sprawl shifted into a position more in keeping with her character of demure young womanhood.
Darla coughed to clear her throat and then continued. "I was not the only one actively kissing," she finished primly. "And she did keep the silly bouquet of leaves I gathered for her. . . but I didn't see her bring them in the house and she hasn't seemed to show them to anyone."
*So you not sure how she feels. Good, that will keep you trying. Still, a little encouragement wouldn't hurt.* "Well, I did help her preserve a leaf today. We ironed it into waxed paper so she could put it in her journal."
"She did," Darla breathed, hope brightening her eyes.
*I did say a LITTLE encouragement, you rogue.* "Yes, of course," Marie replied with careful nonchalance. "Jane has told her to record her thoughts about her time here, and she said it would be a good example of the pretty fall colors."
"Oh," Darla sighed, the anxiety and uncertainty came back. She shrugged it off and turned back to Marie. "So now what do I do?"
"What do YOU think you should do, cherie?" Marie asked, very gently.
Darla considered the question for several moments. "Maybe something a little less overt than this morning's kiss? Something friendly and affectionate, but not quite so. . ." She stumbled again, not wanting to say 'sexual' in front of Tante Marie.
"Passionate?" Marie asked, a twinkle in her clear blue eyes.
"That's it. What do you think?" Darla asked, hoping for reassurance from a competent, female-thinking authority.
"Oh, I think that is not too bad a plan. If she was surprised by the . . . passionate kiss, or a bit uncertain, a little friendly affection might put her off-balance."
"Okay, Tante Marie, and thanks."
Marie watched the incredibly feminine figure glide from her kitchen. "But somehow, mon petit brave, somehow, I don't think it is the so-very-regal Audrey who will be put off-balance tomorrow." With that happy thought, Marie turned back to her meal preparations, humming a song that sounded suspiciously like a particular Brahms March.
"Marie?" Jane called as she strode into the kitchen after the evening meal.
"Yes, Jane?" Marie had just finished filling the dishwasher and was busily wiping non-existent stains from her immaculate counters.
"Do you know what is the matter with the children? Both of them have been very quiet all day."
Marie looked at her long-time friend. She'd promised both young people to keep their discussions confidential. Should she tell Jane? She always had in the past when she knew something that her friend and employer needed or wanted to know, and yet, this was Darla. . .no, actually it was Darryl. *What would Jane do if she knew her son had fallen in love with her student and was trying to court the girl who had been raised to fear males? Darryl has been talking with Art - he told me that much, but has he, in turn, also spoken to Jane?*
"Marie?"
"Sorry, Jane, just wool gathering," Marie said as she reached a decision. "Besides them being tired from their big evening out last night? I have an idea about Audrey. I think she is struggling to decide how she feels about Darryl."
"I thought as much. Did something happen - recently, I mean?" Jane's asked quietly.
"I believe she got quite thoroughly kissed this morning and isn't precisely sure how to react to the fact that she enjoyed it. You know she has very little experience with men of any age, dear, but even less with boys her own age."
"Art thought Darryl would do something after last night. He was, well, rather more upset about not able to be her escort than I had anticipated."
"I like the match, myself," Marie said saucily. "In fact, I think they'll be perfect together."
"She towers over him!"
"I don't think our Darryl feels the least bit threatened by her size," Marie tossed back with a grin.
"What about Audrey? I gather she doesn't mind towering over him?" Marie snorted out a laugh and Jane found herself feeling foolish. "Of course she doesn't. If anything, she'll be all the more comfortable with a male version of the classic Regency 'pocket venus' as her consort. Lord, but this will be a complicated courtship. Oh, wait, did Darryl give her those leaves she was mooning about this morning?"
"Yes. I believe he did. Audrey asked me for some help preserving them."
"You think Darryl is good for her, then?"
"Are you asking as Audrey's guardian or Darryl's Mother?"
"Either. Both."
"I think they're good for each other, Maman."
"Part of the reason she is here is to learn to deal with other people without that violence that marred her recent years. She certainly handled herself well last night. I guess we sit back and watch," she said before adding, "But, if she hurts my boy."
"Go cuddle your husband, Jane," Marie ordered her friend, amused exasperation in her voice. "You need some rest yourself. You were up late last night, too."
"Oh, you," Jane breathed in affectionate exasperation. Then she bent down to kiss her friend's cheek and left the kitchen. *Maybe I will go jump Art,* she thought with a smile. *Retribution for this morning's garden chase.*
Chapter 4: Resolution and Crisis
The next morning found Audrey sitting alone in the Music Room, quietly fuming. *Face it, Rockwell, you flat wimped out. You had him in your sights and you just didn't take the shot.*
Audrey had been out of bed earlier than usual this morning, so that she could pay particular attention to her face and hair, and she was sure that Darryl had noticed. She'd decided to run him hard that morning, so he wouldn't be quite so quick on his feet when she made her move just before they parted for breakfast.
In her mind's eye is was all so REAL - she could feel the corded power of Darryl's tight, sinewy body as she dipped him backwards over her arms, could savor the vision of his eyes looking up - maybe just a little bit afraid - into hers, could almost smell the musky aromas of his sweat and arousal, and could almost taste his lips - parted in surprise - ready for her to ravage them.
*God, just thinking about it makes me feel all shivery and edgy,* she fumed. It had ALL been there for her - just two short steps and he'd have been HERS! All she'd had to do was advance on her target, but at that critical moment when her victory was at hand, she'd retreated instead. She could just kick herself.
*Okay, Rockwell, why did you back off? It's not like you haven't been that close to him and had his lips on yours. Except you were caught by surprise that time. THIS time, you knew going in you were going to be that close to a man, that you were going to be that open and that vulnerable. Cripes, you really are a wimp!*
She jumped to her feet and paced about until she came to a stop in front of a window. *It's not as if you don't like and trust Darryl. Good grief, you wouldn't be even considering this if you didn't. So why couldn't you go through with it?*
The question went unanswered as she resumed her pacing. *I mean, he's just a guy, right? Why can't you kiss a guy you really like? You ride horses, you shoot guns, you fence with swords,* and then she came to a stop. "Maybe that's IT!" she said aloud.
*You've done all those things, but not the first time you tried,* she told herself firmly. *And you were definitely trying to run before you've walked. . .heavens, before you ever crawled.*
She went back to the sofa and again sat down. *So, where do I learn how to handle a courtship as a girl? I suppose that is another of those things I missed out on thanks to Miss Phoebe Elizabeth. Lord, yet more girl-stuff you never got to learn, Rocky m'girl. Hmmm. . . girl-stuff, eh? Well, isn't it handy that I have my own personal teacher's assistant in Girl-stuff 101 who has nothing better to do than help initiate me into the dark, feminine mysteries of the hunt? Particularly since she knows this fellow so well already. Oh my, yes. Very handy indeed.*
Smiling widely, Audrey jumped to her feet, and enthusiastically went off in search of Darla.
At the same time Audrey was berating herself in the Music Room, Darla was also more than a little preoccupied with what had gone on earlier that morning. Ever since breakfast, the young woman- with-something-extra had been distractedly staring out the window of the front parlor, her mind a confused morass of memories, feelings, fear and hope.
*She was up to something this morning,* Darla told herself, *and then she changed her mind for some reason. Lord, but she'd looked fine - especially with that French braid trailing down her neck. That's the first time she's ever done anything more complicated than a ponytail with her hair.*
*And there was that look she gave me, too. She couldn't have been more than three feet away from me - turned my brain to mush - froze me in my tracks. That must be what a deer feels like when the headlights hit it in the eyes.*
*So WHY DIDN'T SHE DO ANYTHING!?!? Was it something I did? One second she is stalking me with this incredibly hungry look on her face, and the next she's trotting up the path to the house. Should I have given her some signal? Let her know that whatever she had in mind was fine with me? And just how the hell would you do that, Thompson-Smith? Fall on my back, spread-eagled, and yell 'take me, I'm yours?' Yeah, right. If she didn't die laughing, she'd stomp me into the mud.*
*I have no freaking idea what she was thinking and therefore, no freaking idea what the hell I should do next, if anything. Guess that just goes to show that no matter how deeply I immerse myself in the feminine world, some part of me doesn't make the connection. Man, if Jane ever heard me cop out with 'I just don't understand women'. . . particularly the woman I want to make my own, she'd have my head on a platter. Maybe I should just go throw myself on Marie's mercy again. Hopefully, I can look sufficiently pathetic and inept so she'll give me a real hint this time.*
"DARLA?" It was Audrey.
"In here, Audrey." Darla called back.
Audrey burst in, her skin flushed and eyes wide. The very air seemed to vibrate in time to her excitement. "I'm SO glad I found you," she bubbled as she rushed into the parlor. "I really need your help on something!"
"Okay," Darla said cautiously. "This isn't going to get me on Aunt Jane's bad side, is it?"
Audrey just shrugged, still grinning. "Nah. .. Well, probably not. . . as long as she doesn't know about it."
"You're kidding, right?" Darla asked, frowning. "Jane always finds out about everything, and contrary to what you may think, I really DON'T like dressing like the caricature of a six-year-old playing tea party. Those starched petticoats are scratchy where I don't really like being scratched."
"Never more serious," was the airy response. "And we'll be careful so she doesn't find out. . . too much."
"Great. Ummmm. . .maybe you should tell me just what you want so I can decide if it's worth spending the next six months in those damned petti's, along with a tasteful assortment of equally uncomfortable pinafores and maryjanes."
"Okay. I wouldn't ask, but I just don't know how to do this, and you are the person Ms. Thom . . . I mean, Aunt Jane told me to talk to when I had questions about girl-things."
*Girl things? Audrey wants to know about GIRL things?* Thoroughly confused, Darla could only ask, "Girl things, Audrey? What kind of girl things?"
"Can we go somewhere. . . a little more private first?" Audrey asked carefully. "I'm not real comfortable with this yet and I'd just as soon not have Aunt Jane or her husband walk in on us."
"Her husband?" Darla goggled. *How in heaven's name did she find out about Art?*
"Oh, come off it, Darla," Audrey sniffed. "I caught Jane and Art playing kissy-face-tag in the rose garden yesterday and she told me about Art and her reasons for not introducing him to me from the start. "I'm cool with that. I just don't think I want an audience while I talk to you about my secrets."
"Okay. . . " Darla said slowly, while thinking very fast. *I've already told Jane I'm not playing snitch anymore, but if this really is a secret for Audrey, any of the public rooms are out. And Audrey's bedroom is one that Jane had rigged with surveillance cameras and microphones after Mike's suicide attempt. That leaves my room, which isn't a good idea, or somewhere outside.* "How about we go for a walk - perhaps down to the stable?"
"Great idea! I'll go see if I can sweet talk Marie out of a thermos of cocoa and something to snack on."
"Don't forget something for Garters and Teddi!" Darla yelled after the suddenly gone Audrey. "What the hell am I getting into now?"
"Good grief," Darla exclaimed as Audrey began laying out the contents of the wicker basket, starting with a picnic blanket, "you said a snack, not a six course meal."
"You know Marie as well as I do - hell, you know her better. What did you expect? She said it would let Art have 'a civilized luncheon with his belle wife' if you and I picnicked out here." Then Audrey laughed. "Lord, will you look at this? Fine china and crystal glasses for an afternoon picnic in a horse barn." Then she shook her head in disbelief, or maybe admiration. "Only at this place."
*I'm not at all sure that what Art has in mind is particularly civilized, but all I can say is, 'go for it, Dad!'.* "Well, at least it is warm here in the stable, or I would have very uncivilly crashed their little tete-a-tete. OH WOW! Marie's special chicken salad!! She rarely makes that when a student is in the house, and it's my favorite!"
Audrey looked up from her work, a quizzical look on her face. "Why not? I know it's bad for the figure, but once in a while it's not a problem."
"Aunt Jane," Darla said with a giggle. "She loves it, too, but even she hasn't been able to find a dignified and neat way to eat one of Marie's overstuffed chicken salad sandwiches."
"Well, she sent us plenty of napkins so I guess I won't worry about being dignified and just enjoy my sandwich."
"Good plan," Darla approved. "HEY, I get the bigger one. She packed them for me!"
"Watch it, shorty," Audrey said with a mock growl, before handing over the biggest of the three sandwiches. "That just means I don't have to share the other two."
Soon, the two young people were seated on the blanket in front of Garters' stall with their legs drawn demurely beneath their skirts, happily consuming their feast.
"So, Audrey," Darla offered as she munched contentedly on an apple, "now that we're both stuffed, what was it you wanted to talk about?"
"Boys," the other girl said softly. "Or maybe more correctly, men."
*Uh oh,* was Darla's first thought, before she realized that this might be the chance she'd wanted to see if or how Darryl had messed up this morning. "You said you were starting to like, um, Darryl quite a bit. Is that still going okay for you?" she managed with an air of nonchalance she was far from actually feeling.
"Yes. . no. . I guess. . ."
"Well, that's definitive," Darla quipped.
"Oh, you," the taller girl said with an embarrassed smile. "Look, you know about my past, right? I just don't know how to deal with . . .this!"
"Define 'this' for me, okay? Take your time."
"I've never been, well, attracted to a guy before. I just don't know what to do."
"Is he attracted to you?" Darla asked, as much because she figured the question was appropriate as because DARRYL wanted to know if Audrey knew he was.
"If he isn't, he shouldn't be kissing me the way he did yesterday," Audrey snapped, and then blushed. "He, ah, caught me by surprise."
Audrey twitched as she realized she'd just revealed more than she intended, at least about the depth of her feelings about Darryl. She wasn't sure she wanted to tell anyone about that yet. For that matter, she wasn't sure she even understood it herself. So she shrugged and said, "It's, um, it's just that, ah, he's the first guy who has ever really kissed me. He . . . really did a number on me."
"Did you like it?" Darla prodded deeper
"After a good deal of thought," Audrey's eyes suddenly became alive with excitement. "I had to admit to myself that I LOVED it," she confided.
"Pretty good one, was it?" Darla asked, grinning conspiratorially.
"Like one of those movie closeup kisses - from an old black and white film. My toes actually curled, Darla."
*Mine did, too!* "Sounds like you like him and he likes you," the smaller girl observed with a nonchalant shrug. "You're both mature for your age, and nearly at the age of full consent. So what's the problem?"
"I'm not holding up my end of things, Darla, and I really don't know how. That's where YOU come in."
A niggle of uncertainty tickled at the back of Darla's mind. "Where I come in? I'm not sure I understand."
"I don't know what to do. I grew up feeling like I wasn't male or female, neither fish nor fowl, if you can understand that. Almost sexless, really. I don't know how to deal with these feelings, these situations."
*Oh NO!* "And you think I do?"
"Sure you do. You're a real girl's girl, so I'm pretty sure you know how these guy-girl things work from the girl's side of the equation. Lord knows I don't. I mean, look, let me give you an example of what I mean. This morning? I was going to really turn the tables on Darryl for that Valentino scene he hit me with yesterday. I was really going to lay it on him - just to find out what it is like to be, well, the aggressor in this type of thing. I wanted to bend HIM over backwards - you know, draping him over in my arms, and then kiss him senseless like he did to me. I'm big enough, strong enough to do it, so I figured I'd sauce that gander good."
Stalling for time, Darla asked. "So what happened?"
"I wimped out," Audrey said with a disgusted sigh. "I got worried that he wouldn't like it, or worse, that he'd think I was doing it to show him what it was like to be overpowered. And. . . and. . . "
"And what, Audrey?"
"Well, when you think about it, what I was planning to do would pretty much prove that I'm stronger than him. The guys I know from the gym tend to be really sensitive about girls showing them up like that. It's part of the reason I want to compete against them."
"You're afraid that he might dump you for showing him up like that?"
Audrey nodded. "I don't know much about men, but what I do know is that they don't have a sense of humor where their supposed manhood is concerned."
"Knowing Darryl," Darla said carefully, "I don't think he would have gotten angry or anything. He might have laughed."
"THAT WOULD HAVE BEEN WORSE!" Audrey yelped, bringing Garters to the door of his stall to see what the noise was all about.
*She's fragile,* Darla realized, *particularly where her sexuality is concerned. She assumes that anything that happens less than perfectly is her fault. "I don't think he'd have meant it in a bad way. Darryl is just one of those guys who laughs when he's happy. If he likes you, I guarantee he'd be happy to have you, what did you say? Oh yes, ummm, kiss him senseless."
"But I don't know that - didn't know that!" Audrey almost wailed.
"Well, short of going out with the two of you," *Which flat out isn't going to happen,* "And interpreting his responses for you, I don't know what good I can do, Audrey." *Particularly, since there is a real problem of conflict of interests here. . .or is it? She wants me and I want her. . . No, you can't EVEN think like that, you idiot. There lies nothing but disaster.*
"I need a plan," Audrey said firmly. "I need to get over my, um, hesitancy around boys. Just like the plan I made when I decided I was going to compete in the Olympics against men, only this is a different sort of relationship."
Darla nodded, trying to portray an air of calmly analytical consideration of Audrey's idea. "Just what did you have in mind?"
"I need a Get Laid plan. That should cover any remaining, ah, uncertainties."
"You want a WHAT?!"
"You heard what I said," Audrey replied, smirking.
"A plan," Darla repeated, not quite sure she believed where this was going. "For you to follow, so that you can . . . 'get laid'. Get laid by . . . whom?"
"Darryl, of course. I don't know the 'what's and how's' of all this romance stuff, so that's where you come in. I figure we can start out small - you know - little things, so that I don't panic or get worried that he won't like it, and so that you can tell me what the likely reactions are and how to interpret them."
A ball of anxiety seemed to be growing exponentially inside Darla's gut as she forced herself to stay focused. "Interpret them? I don't understand."
"Sure you do," her friend enthused. "Like the laughing. Suppose he laughed? You said right away that it meant he was happy and liked what was going on, right? Well, I probably would have belted him one, or run off to lick my wounds. So, I figure we start building this plan - a little bit at a time - to make sure we account for anything new we've learned along the way, and work our way up to the big time."
The ball of tension that had been growing almost exploded. For several long moments, Darla could not speak, could only barely think. *Oh God, she wants me to tell her how to seduce Darryl, but Darryl is me, I mean, I'm Darryl and. . . Oh GOD!* "You want. . me. . .to . .to . ."
"Teach me what I need to know to seduce Darryl," Audrey finished, a huge relieved smile on her face. "Whew. Thank goodness I finally managed to get THAT out. I mean, he's really okay for a guy, and I . . .well, I like him. On top of all that, after that kiss, I don't think he'd run screaming into the night if I jumped his bones. So, I guess I don't mind if I make one or more of his days VERY lucky," she offered with a very salacious smile "So, Teach, what do we do next?"
Whatever reaction Audrey had anticipated to her request, the look of shock and near-horror on Darla's face was not it. "I can't handle this," the boy-girl gritted out in a voice that was neither Darla nor Darryl, but an agonized mix of both. "I just can't do this. I . . I," without finishing, Darla jumped to her feet and began to leave.
Surprised and suddenly worried at her friends unexpected distress, Audrey reached out and caught Darla by her arm. "Hey, wait a minute. What's the matter? What . . ?"
Furiously, and with surprising strength, Darla shook Audrey's hand from her arm. "No, please, I need to be alone for a. . a ohhh god, I. . have to leave."
Audrey looked on in open-mouthed disbelief as Darla practically raced out of the barn, her skirts forgotten and flapping immodestly about her flashing legs.
"Goodness, what's happened to her?" she asked herself as she watched her friend disappear up the trail. *I should follow her. . .,* Audrey mused. *Well, she did say she needed to be alone. . . Okay, so I'll just pick up the picnic leftovers and take the basket back to Marie before I go check on Darla. Besides, she'd probably have a fit if I left her precious china and crystal laying about on the floor of the stable.*
Chapter 5: Programmatic Breakdown
"Ma-REEE-EEE?" Audrey called as she walked through the kitchen door, the neatly repacked picnic basket hanging from her arm.
"Here, now," Marie scolded as she bustled back to where the frowning girl stopped. "There's no need to shout like that. My hearing is quite good, thank-you-very-much" Then she got a better look at the very distracted young woman's face. "What's wrong, Audrey?" Marie asked in a much gentler voice.
"Marie. . .have you seen Darla?" Audrey asked, looking around as if to see if her friend might be at hand. "In the last few minutes, I mean?"
"Well, no, but why? Here, let me take that basket." The older woman took the picnic basket and set it beside her sink. "Now, what is all this about?" she asked again.
"Darla and I were talking about. . . well, things, and suddenly, she was really upset," she said, before adding reflectively. "I have never seen her react that way before."
*Why do I think 'things' is more correctly spelled 'boys', perhaps even one specific boy?* "What happened?" Marie asked again, this time more firmly.
"She turned and ran," Audrey shrugged, her confusion plain on her face, "after telling me she needed to be alone. I . . I let her go, but the longer I've thought about it, the more I'm worried that letting her go off alone in that kind of mood might not have been the right decision."
*That doesn't sound like Darla. Whatever could have made her react like that?* "Any idea what set her off?"
"I'm not really sure, but. . .Marie? I was going to clean up the stuff in the basket, but now, would you mind taking care of these things? I really feel like I should go find Darla."
Marie watched as the girl slipped away into the public rooms of the main house. "Lord, I hope this is nothing serious," she murmured to herself. "Audrey seemed more pensive than really worried."
At the same time her mind could not think of anything that was 'nothing serious' that would set off her rock-solid nephew/niece. "On the other hand, maybe I had better go find Jane."
Audrey concluded that the most likely place to find Darla would be with Jane Thompson. Besides, if she wasn't there, Jane should be told that her niece was so upset. Audrey had no experience with someone that apparently upset, and felt that the erring on the side of caution was the smarter course of action.
As it turned out, she could hear the sound of voices as she approached Jane's downstairs office. That was odd, for as Audrey had learned over the course of her months in Season's House, Jane's office was as close to soundproofed as made no real difference. The cause also became obvious as she came up to the office door - it wasn't closed, although she couldn't see in through the bare crack.
Audrey hesitated at opening the door and concluded that, whatever was wrong, Jane Thompson was better able to handle it than Audrey herself. She was about to leave, when some imp had her stay to listen.
"You're sure I can't talk you out of this?" Jane's voice asked in that calm, rational and almost toneless voice Audrey had come to know and respect. Ms. Thompson was trying to make one of those uncomfortable points of hers.
"No," was the adamant response from a still-upset Darla.
*Her voice is really husky-sounding. I wish I knew what I did to upset her so. Maybe if I listen just a bit, I will get a clue so that I don't do it again.*
"This whole thing has gone too far, and. . . and I just can't help her any more, not now! I can't do what you ask and I can't do what she asks. It's time, Mom."
*MOM?!?!?* Audrey's mind reeled at that revelation. Now, NOTHING would move her from her station.
"I'm not sure I agree, dear. You're very upset right now. That doesn't make this a good time for such a major decision - especially when it affects more than just you."
"This time you don't have to agree and you don't get a say," Darla's voice was a barely audible hiss. "I have to do what I have to do, or lose everything - including my self respect."
"Need I remind you that she's MY student?"
"No, but that's why I am telling you."
"Are you doing this because it's right for her, or because it's right for you?"
A long silence followed Jane's question. Finally, a gusty sigh broke the seeming impasse and Darla spoke again. "I don't know, Mom, and that is the whole truth. Both of us, maybe. Or maybe neither of us. But going on as we are is not right either. Not for either of us. I *am* sure of that. Audrey deserves better than this."
At that, Audrey straightened and strode into the office. "I quite agree, and since I seem to be the topic of discussion," she said firmly, "I think I have the right to know precisely what you two are talking about."
Darla closed her eyes against what was to come, but nodded. For her part, Jane looked to be readying an argument, but that died aborning as her child held up one finely manicured hand. "Could we be alone, Aunt Jane? Please?"
Jane's face took on a mutinous glare that almost made Darla smile, having seen its like often in the mirror. "Please. It really is time. She deserves that."
Still uncertain, Jane glanced back and forth between the two beautifully dressed young people. Finally she shrugged. Turning to Darla, she bent down and kissed her child on the cheek. "I will be in my study if you need me." Darla gave her a shaky smile and nodded, whereupon Jane turned a sterner eye on her pupil. "You will do everyone a very great favor - yourself included, Audrey - if you listen to what Darla has to say with a fair and open mind. I'll remind you that you came here under some duress, forced by the very serious issues you were facing. It was my judgment at the time that equally serious methods were required to address those issues. Darla consented to assist me, at my request and despite significant misgivings on her part. None of this was her idea - it was mine. She merely deferred to my greater experience in such matters."
Then Jane slipped from the room, carefully closing the door behind her - only then wishing she'd remembered to activate the microphone hidden in her desk-set.
"Okay, Darla," Audrey said coming directly to the point. "Just what the hell is going on here!?!"
Darla turned away from Audrey, and went to stand in front of the windows that overlooked Jane's beloved English garden. Try as she might, the words she needed eluded her. "You know, in all my time here at Seasons House, and in all the talks I have had with Jane's students, nothing like this has ever happened. I don't know what to say to you, Audrey."
"I'd say the place to start is with Jane's parting shot," Audrey replied. "Since that seems to be pretty close to the beginning. What did she mean by that crack about 'Serious methods'?"
Darla nodded, and began to nervously rub her crossed forearms with her hands. "Do you remember what you were like when you first arrived? What Rocky was like?" she asked in a soft, oddly husky voice.
Frowning, Audrey sat down in one of the conversation setting chairs. "Yeah. So? I wasn't much of a lady, then, okay? I know that, and if this is all about whether I intend to stay, ah, feminine, or whether I like being a woman now, the answer is yes. Does that solve this great revelation Jane was trying to talk you out of giving me."
"That's part of it, but only a small part of it. If you'll recall, it wasn't just that Rocky wasn't very feminine - didn't WANT to be feminine. It's more about the way Rocky thought about men."
"That person, Rocky, didn't think much of men, I mean, about men very much."
Despite the tension coiling in her guts, Darla smiled. "You were right the first time. That Rocky was more likely to attack a man than get to know him."
"I was not THAT bad. I only retaliated when. ." Darla turned and fixed a challenging look on the tall girl, stopping her in mid- sentence. "All right, already. I agree, and that I SOMEtimes would act decisively rather than wait and have to react. So, maybe I wasn't very nice then. What's all that got to do with you and now?"
"Well, Jane decided that you would be able to, um, settle in better if there were no men in the household."
Rolling her eyes, Audrey grimaced. "Right, and so Art left, leaving poor Aunt Jane all alone. Oh, except for you and Marie of course."
Darla gripped her crossed arms tightly, trying to force them to stop shaking. The moment she had been dreading was upon them both. "Um, it's not quite that simple."
A bark of laughter answered Darla. "For damn sure it's not simple if you won't spit it out. Damn it, Darla, I thought you were going to come clean with me."
"Ah, yes, well, it was also, um, decided that you needed a companion while you were working through your issues."
"And that's where you come in."
"Yes. But, you see, there was more to that 'solution' than you were told."
Throwing her arms up in frustration, Audrey stood and moved to face Darla. "God, I hate pulling teeth. Get to the damn point!"
"The only young person in the household who could be your companion was not, um, compatible with your first need."
"So, what? You're a visitor? An older student of Jane's? But I heard you call Jane, 'Mom'."
"Yeah, well, that part is right. I'm her adopted . . . child."
"And? What's the rest of it? I don't have any problem with adopted children so that's no reason to get all strange on me."
"Audrey . . God this is hard . . . I'm not her adopted daughter." Darryl replied, consciously changed his voice, and letting his posture sag a bit, thus losing the prim perfection Darla always displayed. The combination, along with the stress Audrey realized was all too real for any continuing distraction, finally got through to the athletic girl. She knew what Darla was about to say before the words even came. "I'm her adopted son." he concluded quietly.
For several heartbeats, Audrey was bereft of speech. all she could do was remember the times she had been with this. . this person, confided in her. . HIM, trusted her friend, only to discover that she had not friend. Not here. "Son?" she spat out when her voice returned, lashing out with all the fury, confusion and hurt she was now feeling. "Oh, God, you . . . we . . . in the dressing room, and . . . in my bedroom . . . spying on me, laughing at me. You . . . you. . . . BASTARD! You. . SON of a BITCH!"
Darryl felt the tears burn, but had no strength to staunch their flow. "Dear Audrey, that's not the worst of it."
"Don't you DARE call me dear!" she raged at her betrayer.
Nodding, Darryl turned his face away so he did not have to face her accusations. "The worst of it is . . . who I really am."
"Who, Jack the Ripper? What could possibly be worse than being a damn Peeping Tom pervert, lying to me every single minute I've been in this house?"
"Lying to you even when you weren't in the house," Darryl explained at the same time rolling up the long sleeves of Darla's blouse and then displaying the nearly faded scratch marks from the rabbit. "Audrey, I'm Darryl."
Audrey felt her hand stiffen, felt her arm muscles tighten, ready to launch her palm into the head-snapping face-slap every cell of her body longed to deliver, the slap she would have delivered instinctually but a few short months ago, but something stopped her. Consciously and with great effort, she relaxed her arm and hand, letting her fingers curl loosely against her side. "Stay away from me, Darryl," she ordered in a cold, almost whispered hiss. "And that goes for your family, too. I hate you all," she growled as she strode to the door only to stop at its threshold. "You most of all! Keep the hell away from me, Darryl. If you even come near me, I will hurt you!"
Jane found Darryl minutes later. Still in her office, still weeping. It took both her and Art to finally wring the full story from the grieving young man.
He was almost too late, was Art's first thought as he shot out the door of the apartment he shared with his beloved wife. *God help me make that 'almost',* he prayed. *For all our sakes.*
Anger stalked the halls of the Seasons mansion; cold, silent rage, invisible yet implacable. The form it wore flowed with predatory grace toward the entity that had hurt her child. The smooth glide might have owed more to long-ago ballet training than pentathlon, but the source was less important than the fierce intensity that was evidenced only by an absence of the slightest softening of razor-sharp determination. Only one thing mattered to her, and that was on the other side of the next door.
She reached out to twist open the doorknob, only to find her wrist captured and pulled away. Enraged at this interruption of her mission, Jane spun to face the interloper, her lips curled in a snarl.
"Easy, Jane," Art said softly, the sadness in his eyes a counterpoint to the darker emotions coloring Jane's own. "You are in no condition to deal with this situation. You have to calm down first."
"Calm down?" Jane hissed, "Calm DOWN?!? Like hell, Art. She threatened MY child and I am NOT going to stand for it! I am not going to let her think she can get away with it!"
"That's just the point, sweetheart. Don't you see? Audrey only threatened Darryl. She did not physically do ANYthing and we both know that she is fully capable of hurting him and that three, heck, even two months ago, she would have hurt him."
"Did you see the condition our son was in, Art? Weren't you in there when he cried his heart out over what she said to him? How can you defend her like this??!"
Gently, Art drew Jane away from Audrey's door and back towards their own private apartment. "Because it was his heart, Janie. She couldn't have hurt him so badly if not for the fact that his heart is involved. He loves her."
"So? She still hurt him that badly, and just yesterday, Marie was telling me that Audrey cared for him."
"Likely she did, Janie, and probably still does. But now she feels betrayed and that feeling is worse because of whatever emotion she had for Darla and Darryl before she found out the truth," Art said as they entered Jane's study.
"You're working your therapy tricks on me," Jane accused, her eyes narrowing.
"Naw," Art demurred as he shut the door behind him, putting his body between Jane and it. "I'm just giving you a time out you didn't really want so that your stellar qualities of fairness and love for your students could reassert themselves and overcome your rage."
For a moment, Art withstood Jane's best steely-eyed glare, but then she seemed to slump in on herself. The next moment, she found herself wrapped in her husband's loving and healing embrace. "I wanted to tear her heart out," Jane murmured against Art's shoulder.
"That would have shown her how a real woman deals with her darker emotions," Art teased before becoming more serious. "Perfect way to give her an excuse to ignore everything else you've tried to teach her."
Jane sighed deeply. "I know, but when I think about Darryl, there in his room, getting ready to . . ready to. . And. .and it's all MY fault!"
"I know, Janey," Art replied, surprising her with his no-excuses acceptance of her sense of responsibility. "Except, that it's all MY fault as well. I advocated the same plan. And we've ALL gone along with it despite the growing attraction we could see between them. But the fact remains that Darryl's right, so far as it goes. And you do have a commitment to Audrey."
"What about my commitment to Darryl?"
"He's a man in love who wants the best for the woman he loves."
"But at what cost to himself?" Jane demanded.
"Exactly," Art sighed before finishing, "It's your call, sweetheart, but I think we ought to try, at least, to salvage something from this debacle."
Jane became silent, content for just a few moments to simply bask in the warmth of Art's embrace and love. Finally, she nodded against his shoulder. "All right. I'll try, but I am going to need help. Starting with how do I handle this next interview with her. What do I demand of her and what do I offer in return?"
"How about we think about that together? Starting with what your original goals for her were in the program, and where she is now."
Suddenly feeling weary beyond belief, Jane went over to her desk. "Let me get the files."
Chapter 6: Reconsideration if not Reconciliation
The anger that had but a scant two hours earlier stalked the halls of the old Victorian Mansion was still there, but the beast was once again suborned to the iron will of the Mistress of Seasons House.
Jane's second approach to Audrey's room was far more circumspect, but no less purposeful. After they had finished their strategy discussion, Art had insisted that she take a short, calming stroll in her garden to soothe her soul, followed by a nap to restore her equilibrium before confronting Audrey.
*And he'd been right, as usual,* Jane admitted as she stood in front of Audrey's door. At least she didn't feel quite so brittle as she had at the end of the planning session. She took a deep breath, knocked on Audrey's door, and then as she had so many times before with so many other students, entered the room without waiting for a response.
Audrey was lounging on the window seat, staring out over the late afternoon expanse of the estate. Her only acknowledgment of Jane's presence had been a short glance, a frown of disgust, and a pointed turn of her head back to the window.
"That was well done," Jane said as she walked over and seated herself on the bed. "Edith White would have been impressed."
Audrey wondered who the hell Edith White was, but forced herself not to ask.
Recognizing that her opening gambit had failed, Jane proceeded with the next step she and Art had agreed upon. "We need to talk, Audrey," Jane said firmly, "And since you are still under my supervision by your parent's decree, and more to the point, by your own word, we will have that talk."
She could ignore the bit about her mother, Audrey mused. She was rather unhappy with Prudence Rockwell at that particular moment, too, but Jane had struck home with the jab at her pride and her honor. With ill-grace, she turned just enough that she could see Jane without having to look directly at her. "For what good it will do, go ahead and talk," she said shortly.
The chained beast inside Jane snarled again, showing its teeth and unsheathing its claws, but she managed to hold it at bay. She did wish she had Art, or perhaps better still, Diana here to act as a mediator, but Art had pointed out that Diana would have instead been a barrier, and that was the last thing that either Jane or Audrey needed if this confrontation was to be in any way productive.
"You're angry," Jane observed, "and feeling betrayed. I won't trivialize either emotion by trying to tell you they are not warranted."
"Smart move, *MS* Thompson," Audrey snapped.
"But NEITHER will I tolerate you behaving like a childish brat when we both know that you are well able to conduct yourself like the mature woman I know you are."
"You're angry, too," Audrey noted, "Although you're trying to hide it."
"You threatened my son with violence," Jane said coldly. "When he was here, at my request, solely to help you. Of course I am angry, but that emotion does not lend itself to solutions, and since solutions are what you AND I both need just now, I refuse to let my anger control me."
"To help me? To HELP me?" Audrey's derisive laugh hid the sob she was really feeling. "Do you think that is REALLY what he was doing? I don't, not by a long shot, Ms. School Teacher. Your SON lied to me and then told YOU my secrets in the bargain."
*Here it is,* Jane thought wearily, *The hurt and betrayal that Art assured me was at the root of this debacle - the feelings that none of my other boys felt because their situations were so different than this. And because they never fell in love with their big sister.*
"That was his job, Audrey. In part, I asked him to do those things because I was so unsure of how to proceed with you. I don't know how girls react to my treatments as well as I understand boys, so I needed an insider. Quite badly, in fact."
"Well, why didn't you just use another bloody girl!"
*You knew it would come to this,* Jane told herself. *I can only hope Art is correct in his estimation of how she will react to the truth.*
"Because there was no other girl. You are the first I've ever taught here."
"WHAT?!?!"
"This is the first of the hard truths you must hear, child. It might be easier if I told you the history of Seasons House, and what Marie and I, and for the last few years, my son Darryl do here. It started more than twenty-five years ago, at a very exclusive school for girls called Eastmore. . . "
"I don't know if I can believe that," Audrey breathed after Jane finished her tale. She was intrigued in spite of herself. "A school where male juvenile delinquents learn manners and the social niceties in skirts?"
"In all but one or two cases, they learn a good deal more than that," Jane said proudly. "I'm proud of all my boys."
"Still, it's hard to believe that hunk Ken ever wore skirts."
"He had a late growth spurt. However, before that, he was one of the most passable students I have ever had."
"Okay, I guess, but I don't understand why they put up with it. I mean, it makes them freaks - some might even say perverts."
"If they come to me, they usually have no choice. Well, they do, but those choices are always even less desirable than the one you faced. Two thirds of my boys are court referrals, having the choice of trying my rehabilitation program or facing years in a juvenile prison or detention hall. The rest are here because their parents have given them an ultimatum. There are, for example, several boarding schools in this country that are run like 365 day-a-year boot camps they wish to avoid. They come to me, and usually, by the end of the first week, are so cowed that they no longer think of escaping me, only avoiding discovery as boys in skirts."
"And the role Darla played? The oh-so-friendly snitch? Bet that was your ace in the hole. 'Hey, Ms. Jane? Thomasina is planning a prison break tonight'."
"That was never necessary. Unlike you, none of them had access to any clothing suited to their self image. They'd have had to attempt any escapes wearing girl clothing, and while many of them could have eventually done so successfully, they lacked the necessary confidence in their masquerade until much later in their tenure here."
"So how do you justify your little spies?"
"I do not need to justify anything, Audrey, because for almost all the boys, the program has worked. If I did need justification, I have it in Michael."
"The boy who escorted Darla, I mean, Darryl to the club? He was a student here, too?"
"Yes. And he attempted suicide because I pushed too hard. Had it not been for his big sister, he would be dead. So, to answer your question, that is why I want to know what is going on in my students' heads, and why I will ask their companion to betray trusts to find that out."
Audrey felt her stomach twist at that, for there was no question in her mind that Jane was telling her the absolute truth. Michael had been, well, nice to her that evening. *But that's not the point,* she told herself sternly. "Well, I was never so endangered, was I? So what was your excuse with Darryl? What was HIS?"
"He doesn't need an excuse. His only failing in this was falling in love with you. And once he did, he became far less willing, despite what you believe, to betray you to me."
"Oh, right," Audrey snorted. "How about that dress DARLA convinced me to pick so that DARRYL could pant at me, or the time she HELPED me fit a bra. And let's not forget about how you found out about Miss Phoebe Elisabeth, eh?"
"In the first two cases, Audrey, what else could he do under the circumstances that I forced upon the pair of you? In the case of your late, unlamented bitch of a governess, I NEEDED that information to understand why you reacted as you did. However, once he realized where his feelings lay with you, he asked me to send Darla away because playing his role in my program with you was tearing him up. That's the first time he's ever done that, and Darla has helped many young people."
"So why didn't he go away?" Audrey challenged.
"That is also my fault, I am afraid. I used the one argument he couldn't resist."
"Oh? You'd cut him off and make him work for a living?"
"Audrey, that is unworthy of you. Stop and think, please. You are letting your anger cloud your thinking even though you know him better than that. No, the argument he could not refute was that you needed Darla. You had come to trust her judgement, to share little parts of yourself that you needed to talk to someone about."
"And you needed him to keep passing along each little secret, every small confidence didn't you?"
"I did," Jane agreed, "But more importantly, Darryl agreed you needed Darla."
"And how did you come to THAT momentous conclusion?"
"We were truly afraid for you, Audrey, and as I just pointed out, this is how my program has always worked. I have a senior student, not just as my agent-provocateur, but also as an informant so that I know what is really happening inside the head of a student on whom I am putting a great deal of psychological stress. If your mother had sent you somewhere else, then other methods might have been used."
"Then why did you have to use HIM?!? Because he's a little perv and he likes playing dress-up so you indulge him?""
"My son is in no way a freak, nor is he in any way perverse," Jane said resolutely. "Darla, or rather, Darryl, is the best student I have ever taught. He's been involved with my work now for almost six years and has an almost uncanny insight into how students are reacting to me and my teachings."
"So he's been doing this, living like a girl, for years?!?"
"I told you what I did," Audrey was reminded.
The girl recovered quickly, Jane noted with some admiration. "But he still came telling tales to you, didn't he? Just like I thought."
"In the early days, yes, But more recently he has refused. After he told us about your governess, he declined to tell me anymore specifics. You will note, if you think back on recent weeks, just how often Darla instead encouraged you to tell me your own secrets and feelings."
It was true, Audrey thought, but that didn't begin to soften her outrage. "Why should I believe you?"
"Perhaps because I've never been untruthful in my relationship with you," Jane said simply. "However, only you can choose to believe that."
"I'll have to think about that and decide for myself, Ms. Thompson. We may have entirely different definitions of untruthfulness. In fact, I am nearly sure that we do. So, what happens now? Whether I choose to accept your explanation or not, you still hold my personal dreams in your hands."
Jane shrugged, her years suddenly weighing heavily on her. "There's really nothing more I can teach you, Audrey. You've mastered all the extrinsic skills - the cosmetics, the dressing - all the externals of being able to present yourself as an attractive and feminine woman in society. And you've learned other ways to deal with both your temper and your fears of men . . .."
"FEARS?!? I'm not afraid of men!"
"Perhaps not now," Jane replied softly, "but you were. Your 'do unto them before they have a chance to do unto me' attitude is what brought you here in the first place. You were finding threats in situations where others would see only lack of manners. What would you call that?"
"Well, why should I tolerate their 'lack of manners' as you call it?"
"You tell me," Jane ordered, "And you still haven't answered my question."
"Okay, maybe I was, um, 'overly concerned' with what men might do, or might want to do. That still doesn't excuse their behavior."
"No, it does not, but neither does it excuse your responses. Manners provide the lubrication that keeps the wheels of society turning. If not for that friction, there would be no need for oil."
Audrey nodded slowly. Her anger at Darryl, which she now realized was directed also at Jane, was still there. But she could see a difference between that anger and the out of control rage that had almost ruined her life. That earlier rage, had it covered for and been reinforced by fear? Audrey wondered if that might have been the case, but she couldn't seem to focus on that deep a concept just then. She was too upset to do more than nod to Jane, but she had to accept that there was at least the possibility that her mentor might be right.
"That still doesn't justify what Darryl did," she added in a warning tone. "That wasn't fair!" *Particularly when he was courting me. Did I tell him anything girl-to-girl that Darryl then used to advantage? Oh, I don't know.*
"Perhaps not," Jane answered, unaware of Audrey's private thoughts and worries. "Setting aside for the moment the fact Darryl only did as I directed him to do, so if you are angry with anyone it should be at me, I think you are fair enough to admit that you have learned to control whatever it is that motivates your anger, both the other night in Boston, and again today."
"What do you mean by today?"
"When Darryl confessed his role in all this and tried to beg your forgiveness."
"I didn't forgive him," Audrey retorted. "Haven't forgiven him!"
"But neither did you attack him. No, the things that my colleagues and I can teach you have been well and truly learned. The rest, I am afraid, cannot be taught and must be learned by yourself."
"What is that? And more importantly, am I stuck here until you decide I've learned this 'the rest'?"
Jane sighed. "I am giving you some latitude here because of your emotional distress, Audrey, but please recall one last time that nothing happened here that you did not agree to accept, whether you knew the specifics or not. To answer your second question first, you are welcome here as long as you wish to stay. If you stay and continue to behave appropriately, I will keep my word on overseeing and funding your continued athletic training. Should you elect to leave, I will be forced to tell your mother that, in my opinion, you have met the minimum standards for a viable place in society, but that I was disappointed that you had not embraced those aspects of femininity that would have offered you more of a chance to be happy as well."
"Happy by whose definition? Yours, of course. I could ask you how you can be so sure that what makes you happy would do anything other than make me miserable, but there's no point in that discussion. Okay, so knowing my mother and her opinion on this . . . school of yours, and knowing that she will NOT fund my training program until you are . . .completely satisfied, that means I stay. That is, however, your call to make, isn't it, Ms. Thompson?"
Jane barely controlled the wince of hurt that she felt at Audrey's reverting to the more formal address.
The girl pressed on determinedly. "Now it is YOU who has not answered the first question, Ms. Thompson," Audrey reminded her teacher. What must I learn to satisfy you and earn my real freedom?"
"What's more important, Audrey? Satisfying me, or satisfying yourself? Are you satisfied with only meeting the minimum standards? Or are you willing to try to be the best you can be? As I said, I can't 'teach' you what you need to know, but I might be able to help you find it on your own. In any event, I'm willing to try if you are."
"Now you are sounding like a recruiting commercial. What do you mean by 'the best I can be'?" Audrey asked, and then Jane saw real anger flare in her dark eyes. "This is just a way to get me to forgive Darryl, isn't it? You're going to keep me here until I make nice with your kid, or is there something else you want me to make with him?"
"AUDREY! That was uncalled for. Your relationship with MY son, such as it is or was, is not to the point. Finding within yourself the compassion, the caring, and ultimately the fairness to face the world like a WOMAN IS the point. You can do that without ever seeing Darryl again if you truly believe that his behavior was both unfair and offensive. I don't, but I am woman enough to know that I am not always right, so if that is what it takes, he is already packing to leave my house - his HOME - tonight."
"Tell him not to bother. It just doesn't matter any more, at least, not to me!" Audrey snapped, telling Jane how much Darryl's offer truly did, in fact, matter to the outraged young woman. "As to what I have to, quote, learn, end quote," she went on, "'Compassion, caring and fairness' - that all sounds like a lot of double talk to me."
"Perhaps it does, in abstract, or perhaps such concepts are among those rare things that must be understood from inside and that can never be truly explained. If you already understand, you don't need the explanation. If you don't understand, no amount of explanation will ever suffice." Jane looked at her student and was not surprised to see angry confusion in her eyes. "As I said, you are free to choose. If you stay, I will continue to support your Olympic training. If you decide to leave, then you must deal with Prudence along those lines for yourself. Now, you must excuse me, Audrey, my family needs me. Perhaps you would help Marie with the dinner preparations?"
"Um. . . sure."
Chapter 7: A New Deal for Audrey
Marie winced as she watched Audrey attack the breakfast dishes, soaking in the sink after the morning meal. *She's going to rub the glazing off the plate if it doesn't shatter in her hands first.*
It was all Marie could do not to squeal in dismay when the girl rather forcefully set the plate into the drying rack. Moving quickly, she intercepted the hand reaching for a crystal juice glass. "I'll handle that," she said as she moved the tall girl back from sink towards one of the stools near the serving island in the center of the large kitchen.
"It's my assigned chore," Audrey reposited pugnaciously. "By Ms. Thompson herself!" she added with an air of exaggerated deference.
"Well, I don't care to replace any of those settings," Marie growled back. "That's some of my favorite china, not plastic or melamine, and you can just sit there on that stool until you have yourself under control."
"I AM under control!" Audrey all but bellowed back, and then had the grace to blush. "Well, I thought I was," she averred, as she slid onto the high-seated stool.
Pleased with the exchange, Marie hid a smile as she turned her attention to the sink filled with dishes. "So, what set you off, cherie, if I might be so bold to ask?"
"ohhhh. . . " Audrey groaned disgustedly.
"Well, that tells me a lot," Marie teased.
"If you must know, I saw Darryl today for the first time since I found out about his nasty little trick. I mean, here I've had to sit through more than a WEEK of these interminable meals with Ms. Jane constantly casting this mournful looks over at Darla's, I mean, Darryl's empty chair. And then, during the one time of the day I am truly free from this place, during my morning run, I practically trip over him."
"He hasn't left, Audrey, although I understand he did offer to leave, if that was what you wanted or what Jane thought best for you. In fact, he's using the apartment down at the stables."
"Well, today he chose to go running on the same trail I chose."
"Oh my GOODNESS," Marie breathed, holding one damp palm over her heart, "and so you had to share an entire path? Now why didn't the world as we know it go up in a huge fireball?"
"It's not funny," Audrey replied stiffly. "And we didn't share it. As soon as he saw me, he stopped and disappeared into the woods. Once I passed where he had hidden, he came back out and took off the other way."
*And I wonder just what annoyed you the most, Cherie? That he was there in the first place, or that he went out of his way to avoid you?*
"I'm sure that was difficult for you," Marie said as she turned back to her sink.
"Hmmmm. . ." Audrey replied. "I really don't understand why Ms. Jane wants to keep me here. It's not like she's working with me all that much, and it's pretty obvious to me that everyone is miserable with me around."
"I rather like having you around, sweetheart," Marie said offhandedly. "I would, of course, like it better if you and Darryl were both here. Besides, didn't I see Deputy Beale with you the other day, helping you with your shooting? And I know that Jane has been working with you at the stable with your jumping. So, how can you say she's not working with you?"
"That's different," the girl asserted. "I mean, she hasn't done any of the girlie-stuff with me since the night we went to Boston. What's the point of being here, then? I would get better coaching at the National Training Center, which is where I would be if your friend would just tell my Mom she's done with me. Minimum standards, indeed."
"That's between you and Jane. I guess I do have a question, though, if you wouldn't mind answering it."
Audrey shrugged. "Ask away. I don't have to answer."
"I know that Darryl told you he was Darla. What I don't know, because neither he nor Jane will tell me, is why he unmasked himself to you?"
Audrey threw her arms up dramatic and exaggerated chagrin confusion. "How in heaven's name would I know what was going on in that oddball kid's head?" she asked, scowling.
*Pull the other one, Cherie,* Marie thought. "So, why don't you tell me what led up to him making such an out-of-character decision."
The scowl momentarily deepened, but there was something about Marie that made Audrey feel safe, cared for, even though she knew the housekeeper loved Darryl, too. Forcing herself to relax, she organized her thoughts and began to speak. "You remember the day Darryl . . . kissed me, right? Because we, that is, you and I, talked about it?" Marie nodded. "And you told me that I ought to give him one back, right? Well, I was all ready to do it - dressed really nice, even did a bit of work on my hair and face before going out for the run. Heck, I even used perfume, though lord knows it would have been washed away by sweat at the end of our run."
The girl paused - went silent for several moments. Marie tried to hold out, but couldn't. This was the cusp, she realized. "Well? What happened?"
Audrey's eyes fell, and she found herself studying the toes of her shoes. "I wimped out," she self-accused. "I had him cornered, Marie, in arms reach. I couldn't do it. I guess I wasn't ready."
"That must have been hard for you, cherie," Marie said gently. "Then what happened?"
"I had this really brilliant idea - I'd make a plan - start slower than ravishing his mouth like that. . .work my way up through stages, until . . well, until," she finished with a rush.
"Sounds sensible," Marie offered coyly.
"I thought so! Only problem was that I didn't. . .don't know anything about how to go about sedu . . I mean, going about that kind of plan, so I needed help and. . and. . "
*OH MY,* Marie thought with sudden clarity. "And you asked Darla how to go about. . . planning for Darryl." It wasn't a question. Audrey nodded, her movements suddenly jerky.
"Now I understand," Marie breathed. "That does indeed explain a great deal, including why he, as you put it, hid in the woods today."
Audrey snorted. "Does he really think I'd hurt him?"
Marie smiled gently at Audrey. "No, cherie. In fact, I'd take any bet you want to name that he is afraid that he will hurt you." *More than he thinks he already has,* she added to herself.
"Yeah, right," Audrey snorted as she jumped off the stool and began to pace the room. "I could pound him into the dirt anytime I decided I wanted to do it."
"Of course you could, dear, though if he had a mind to protect himself, he would surprise you. He's a lot tougher than you are giving him credit for. But of course he would never fight you. That's not the sort of hurt I had in mind anyway, and you know it."
"He DID hurt me! Isn't that enough? He SHOULD hide from me!"
"Yes, petite, he did hurt you, and that is tearing him apart."
"Now why should it?" Audrey snapped sarcastically. "Everyone says that it wasn't his fault. He was just 'following orders' like a good little girl. . boy scout."
"Do you think those assertions matter to him, or somehow lets him forgive himself? You are hurt. He was part of it. My boy would find that very hard to forgive."
For the first time since that sad afternoon, a crack appeared in the hard shield Audrey had put up around her emotions. "Oh, Marie, I never wanted him to be hurt, at least, not after I,. . . I don't know, after I absorbed what was going on."
Marie put down her cloth and came over to pull Audrey into a strong embrace. "Have you told him that?" she asked softly.
"No," Audrey managed to get out through a suddenly tight throat. "I . . . I'm not ready . . I can't do that. Not yet."
Sighing, Marie nodded. "And so you run on one path while he hides from the hurt he's caused you."
"Oh, God, Marie," Audrey sobbed as she buried her face into the older woman's shoulder, "this is just so . . . so screwed up. It isn't supposed to hurt like this!"
Marie had no answer to that, so she just held the weeping girl. For long minutes, the only sounds in the kitchen were Marie's encouraging murmurs, and Audrey's weeping.
Finally, the tears began to ebb. With a loving smile, Marie reached over to pull a tissue from a box. "Here. Jane always says that no job is finished until all the paperwork is done."
That earned her a watery chuckle. "Thanks."
"Better now?"
"A little, I guess. It's just so hard, Tante Marie, to lo. . feel like I felt for him, and have him deceive me like that - betray me like that." Suddenly, a fresh spurt of tears began to follow the tracks already etched over her cheeks. "Dammit! I still feel for him! What's the matter with me?!?"
"Maybe, sweet, your heart understands some things your head is fighting," Marie answered, carefully.
"Explain that!" Audrey ordered with an imperiously Jane-ish lift of her chin that almost made Marie laugh.
"I'll try, but it may not be something you're ready to hear." Audrey crossed her arms and pinned Marie with a dark scowl.
"All right, Darryl deceived you by being Darla. Jane told me she's explained how the program works with boys?" Marie asked as much as stated. Audrey nodded. "Tres bien. Initially, having Darla there was something Jane felt SHE needed, and something Darryl was used to doing for her. She used Darryl to work out with you because she didn't want to go outside the family, if you will, for help, and because she felt Darryl could take care of himself physically."
Audrey snorted at that.
"Believe what you will. Kenneth took him down once during a disagreement. Since then, Darryl has learned and practiced under several self-defense instructors. Like I said, if he decided to protect himself, I think you'd be surprised. Anyway, the Darla- thing worked fine until Darryl started falling for you. Now he was caught between his Mother, whose program had saved his life, and his growing feelings for you. What set him off? What made him break faith with his Mother and unmask?" Audrey shrugged, refusing to meet Marie's eyes. "You just told me, young lady!" Marie said firmly.
"When I asked Darla to help me make a plan to seduce Darryl," she answered in a very small voice.
"Precisely. And that says a great deal about how much he really cares for you - heavens, about how much he loves you!"
"What? I mean, maybe he's got ethics or something, but love?"
"Audrey," Marie drawled chidingly. "I know you don't have a great deal of practical experience with the male of the species, but tell me any other reason that a hot blooded young buck turns down the offer of a good hard roll in the hay with a sexy female, eh? Bon Dieu, Audrey, all he had to do was give you that sure- fire 'jump Darryl's bones' plan you asked for. The only way any plan he gave you wouldn't have succeeded is if you had chickened out."
"So? I still don't see how that means he loves. . .LOVED me."
Shaking her head, Marie reached out and took Audrey's chin in her hand, forcing the girl to meet her eyes. "Sweetheart, you already know the answer to that, I think. All I'm going to say is that when a man thinks more of a woman than as JUST a sexy bed-mate, then a SMART woman had better think about what that means and how she feels about it."
For several moments, Marie could see the girl mulling that, trying to reconcile her mentor's words with the way she felt. "Think about that, cherie. Take whatever time you need, but think about that," she said softly.
The emotionally drained girl nodded again, hugged Marie tightly, and then slipped out of the house through the kitchen door.
"Well, we'll just have to wait and see what happens next, won't we?" Marie sighed. "Now that you've got something besides being hurt and angry to think about, that is. I just hope I didn't make things worse for those two kids."
"Marie?" Jane asked after Audrey had left the breakfast table. "Do you have any idea what's changed with Audrey? After she found out about Darryl, she spent more than a week of giving me the best example of 'malicious compliance' I've seen since Michael's early days."
"Oh? Is that why you've stopped the, now how did Audrey put it? Oh yes, the 'girlie-stuff' and have just concentrated on keeping your end of your bargain about her equestrian training?"
Jane shrugged. "As both Art and Darryl have pointed out to me, I really don't have much in the way of the 'girlie-stuff' to teach her," Jane said with a scowl, "at least, not much in the way of outwardly feminine skills and behaviors. The lessons I want her to learn from here on out have little to do with how well her lipstick is applied, or whether her shoes coordinate with her frock. She's been so, I don't know, introspective the past few days? One reason I assigned her scullery duties in the kitchen was the hope that she'd open up to you. Anything you can tell me?"
Marie nodded, her eyes turning furtively toward the sound of the front door opening and closing. "A very great deal. Starting with what's about to happen."
Audrey sat heavily upon the stone bench, the seat cold after a chilly New England winter night. She hoped the weather was not an omen for the sky was gray and the air held the tang of impending snow. She wasn't really sure what was going to come of this, but she couldn't help. . .hoping.
"Marie said you wanted to see me." Audrey felt her heart give a little skip at the familiar voice.
She spun around to see Darryl standing in the door from Jane's downstairs office. Schooling her features, Audrey nodded. "Yes. I think it's time we tried to . . . . to . . . to. . " *to what, Rockwell?* her mind complained.
"To try to find closure on what happened between us?" Darryl offered.
"I guess," Audrey sighed, going back to her seat.
"You asked Marie to set this up," Darryl reminded her. "You must have had something in mind."
Audrey heard the tightly controlled frustration coloring Darryl's normally easygoing tones. For some perverse reason, that knowledge that he was also on edge relaxed her. "I thought we needed to talk, to clear the air."
"So? Talk," Darryl ordered, making sure to keep outside her personal space.
"You don't have to stay on your feet, ready to bolt," she scowled as he took a step backward. "I know I said I'd hurt you, but that was anger talking. . .anger and hurt, and I'm not angry now."
"Just hurt? I am sorry about that, Audrey. That was never my intent. In fact, that is the LAST thing I ever wanted you to feel because of me."
"Then why did you LIE to me?"
"I never lied to you as Darryl, except to protect my disguise as Darla," he sighed. "As Darla, the only untruths I told you were for Jane's purposes."
"So, all those 'girlfriend talks' were the real deal, huh? You never stretched the truth to give Darryl a bit of an advantage, or perhaps to get a bit of a thrill at my expense? You don't think you used your Darla disguise to get every little edge you could?" Audrey's voice rose, and broke in her emotion.
"NO, dammit, I didn't!" Darryl snapped back. "Hell, I broke my word to my Mother, to Jane, because I WOULDN'T take advantage of you that way! That's how I got into this damnable mess, because I told you about me and Darla rather than participate as both in your plan to seduce me as Darryl."
"Oh yeah? What about watching me strip to my undies at that art class with you in the front row, eh?"
"I wasn't the only guy there, Audrey, and you KNEW it when you agreed to pose."
"Oh yeah?" she repeated snappishly. "Think again, pal. The only reason I did it was because that teacher reminded me that it was 'just us girls here', remember, or are you just changing the facts to suit yourself?"
Darryl flushed bright red. "Oh, god, you're right. I guess that I didn't want to remember that. DAMN!"
"And that wasn't the only time, either," Audrey continued, definitely on a roll now, "What about helping me with my bra at the dress shop before the trip to Boston? Great chance to cop a feel, wasn't it?"
"It was, but I didn't!" he replied furiously. "If you'll recall, I closed my eyes as soon as I knew you were topless. You even ragged on me about it." Darryl gave a bark of self deprecating laughter. "I even kept my eyes closed when all I could have seen was your bared back."
"A likely story!" Audrey retorted. "Of course there were only about 27 mirrors all around that damned room!"
She was almost amused when color flooded his face. "Well, that was part of the reason I kept my eyes closed."
"And what about that dress Darla talked me into almost wearing, eh? 'Darryl will love it, Audrey.'" Audrey demanded in a wicked mimicry of Darla's tones.
"I WON'T apologize for that!" Darryl retorted, stuffing his hands into his pockets and turning away from her. "You were so damned beautiful in that dress," he said in a wistful voice that told Audrey just how vividly that memory was burned into his memory. "that you turned my brain to mush and second, because it was nothing but the truth. I, Darryl, DID love it because, DAMN you, you contrary woman, that dress could have been MADE to enhance your beauty!"
"You don't regret deceiving me, do you?" Audrey asked finally.
"I regret that it was necessary to deceive you, but I do believe it was necessary. Whether in the final analysis they were right or wrong is for the future to determine. Jane and Art, two people I both love and respect, said that masquerade was necessary to ensure you got the best possible chance at defeating the demons that bitch of governess set upon you." Then Darryl turned back and locked eyes with Audrey. "And I REALLY regret that I hurt you. Since that day, I have gone over what we did over and over again in my head, looking for ways I might have done something else, for ways things might have come out differently."
"If only we had met under other circumstances," Audrey murmured.
"We did, Audrey," Darryl replied, a small smile on his face. "On the train. Only you were Rocky, and you wouldn't give me the time of day."
"Was I really that bad?" Darryl wisely remained silent, one still-finely shaped brow raised in challenge. Audrey finally shrugged in acquiescence.
When she didn't seem inclined to say anything more, Darryl decided to take a chance. "Audrey, are you happy? I mean, happier overall than you were when you came here?
"I don't know," Audrey finally answered. "I do like, that is, I have come to appreciate my femininity more now. And I, um, I guess I feel more confident. I guess part of the reason I was getting into fights was that I always needed to prove to myself I was, oh, able to take care of myself. Now I know that constant need to prove myself physically was a sign of self-doubt, not strength. I don't need to prove my strength any more. Not to myself and certainly not to anyone else."
"But are you happy?"
The tall young woman hesitated, then sighed. "Not right now. I thought we . . . I thought I might have found something more than just . . . confidence. And I . . . and that was based on a lie."
Darryl couldn't bring himself to look Audrey straight in the eye. "I just wish I . . . I wish we could have helped you more."
There was no question of the sincerity of that wish. A small smile lighted Audrey's features. "Not satisfied with minimum standards, either, huh?"
A familiar smile answered hers. "I get that from my mother."
"So, tell me. What did Jane say to you? About what happens next?"
"Don't you know?
"I, ah, well, I haven't talked with Jane for a few days," he admitted, somewhat sheepishly. "I've seen you down at the stable. And wasn't that Deputy Beale showing you how to shoot?"
"I'm staying a while longer," Audrey replied. "I'm not sure how long, but your Mother is keeping her word about my training. I'd do better at the National Olympic Training Center, but for now, this is okay. Darryl? Why didn't you just quit when you. . . well, when things started getting complicated? You could have. I understand you said you felt you couldn't go back on your word to your Mother and tell me what was going on, but why did you keep on deceiving me like that?"
"A lot of reasons. A big one, in the back of my mind, was that I was afraid you might push Jane into a situation where she felt she needed to take action that might endanger your Olympic dream. You're both the same kind of hard-headed, contrary female - each determined to have your own way. That's only one of the many ways that you two are alike."
"Me?" Audrey practically squeaked in disbelief. "Like Jane?"
Darryl laughed sadly. "If you could only see yourself in the mirror right now. Lips pursed, eyes wide, chin stubbornly out and your right eyebrow cocked. I can't tell you how often I've seen that same look of outraged disbelief on my Mother's face.
Stubbornly quelling an urge to feel amusement or even a bit of pride, Audrey sniffed. "There's no need to be insulting," she mumbled, before adding. "If I am like your mother, who are you, Darryl? Really? And are YOU happy with what you do?"
"You mean being both Darryl and Darla?"
"It's rather daunting to have spent hours and hours with someone, thinking you know him, or her, and then find out that it was all a disguise, a role."
Darryl sighed, and then sat down beside Audrey, careful to keep from brushing against her in the process. "With the exception of recent events, the answer to your question is yes, I am happy as I am. What I do as Darla IS important. I, we, that is Jane, Marie and I, have helped a dozen or so boys, who were on their ways to bad ends, find a better way to live. As to you not knowing me, well, you really do. Darla IS me. . .I AM Darla. . .just as I am Darryl. Just like you are both Audrey and Rocky."
"That's just one more thing, Darryl, that has become kind of hard for me to deal with, to believe in right now, if you know what I mean."
Darryl grinned mirthlessly and said, "You think it's hard for you? You should have seen it from my side, especially early on when I was just coming to grips with it myself."
Audrey's expression showed a willingness to listen, at least Darryl hoped that's what he saw. He tried that out with a question.
"Jane told you about my . . . circumstance before coming here, right?"
At Audrey's nod, not accompanied by a frown or some other expression of disgust, Darryl continued. "I guess I honestly can't say if that . . . affected me somehow. But it was a long time before I could respect who I was as Darryl. I'm small, but I'm not weak."
Audrey's smile this time had honest agreement, a hint of remembered challenges over grueling runs granting Darryl's point.
"Well," he said, "for a long time in there, the only 'me' that seemed . . . worthy of respect was Darla. As Darla, I am . . . desirable. Cute, witty, graceful, attractive. Even more importantly, it was Darla who was able to help a bunch of guys by working with Jane as the big sister. By the time I came to accept who Darryl is, I had also come to appreciate those, well, admittedly feminine parts of me. I didn't want to - don't think I should have to - give up Darla just because I now respect Darryl."
"I . . . see," Audrey said quietly, but the conviction Darryl hoped for was not in her eyes.
"Perhaps," he said, disagreeing by too-gentle agreement. "At least, you might someday. It's not easy to understand. Believe me, I know," Darryl said gently as he leaned over to softly kiss Audrey's forehead. Then he stood and stepped away from her. "I know. Be well, Audrey. If you need me, or just want to talk some more, tell Marie. I'll be around."
With that, Darryl slipped out of the garden. As it was to turn out, that was the last Audrey would see of him before she left Seasons House.
"Mom?" Darryl called as he stuck his head into Jane's upstairs study. "Do you have a moment, please? We need to talk, I think, about Audrey."
Prudence Rockwell picked up her pealing office phone with a sigh. She had been hoping to slip out for an early and extended lunch hour. *Well, maybe I can deal with this quickly.* "Pru Rockwell speaking."
"Pru," a richly toned feminine voice replied. "Jane Thompson here. How are you?"
"Fine, Jane. How are you? What's up? Some problem with Rocky?"
"I'm well, Pru, and we do need to talk about your daughter. It's not really a problem, but I want to discuss a plan with you for your approval since she is still a minor."
"And you said she was doing so much better," Prudence said sadly. "All right, Jane, what do you want to do to her?"
"Not to her, Pru, because she is doing so much better. It's just, well, it's just that this she might be ready for more than I can do for her here. Let me tell you what's happened and what I propose to do with her, all right? Ask questions as I go."
"Okay, but let me lock my office door and tell my secretary to hold my calls," Prudence said, kicking off her stiletto-heeled shoes. "I think this calls for my full and undivided attention."
"Ms. Thompson?" Audrey asked from the parlor door. "Marie said you wanted to see me?"
"Yes, dear. Come in, please, and take a seat. I have a proposal for you."
"I have decided, Audrey," Jane began, "to offer you an alternative to staying here with me for another few months."
"Yes, Ma'am?" Audrey replied cautiously.
"I have made inquiries with friends of mine who are associated with the USOC. Provided your fees are paid, there is room for you at their national training site. If you and I can come to an accord, I am willing to underwrite your training costs."
*Where did this come from?* Audrey asked herself in disbelief. "That sounds, well, that sounds almost too good to be true, Ms. Thompson. What's the catch? You said I had things to learn on my own, and you would tell my Mother that if I asked to leave."
Eyes steady, Jane replied, "There is no catch, Audrey. And yes, I believe there are certain things I would ultimately like you to learn, but I have concluded that perhaps my home is not the place you will have the best opportunity to learn them. For your part of our agreement, you will simply agree to behave and present yourself as the lovely and personable young woman you are."
"That's it? Just promise to be little Miss Mary Sunshine and not beat up the boys and you'll pay for my training?"
"You're being intentionally crude, Audrey, and I'm not going to react so you might as well stop trying to push my buttons. You agree to continue to behave in the same exemplary manner as you have these past weeks, and yes, I will pay your expenses."
Amazed, Audrey could only stare in wonder. "How will you know if I do? Are you going to have me watched? Some type of undercover surveillance type?"
That made Jane chuckle. "Heavens, no. You'll simply give me your word. That has always been beyond question, even before you came to me, and so, it will be good enough for me now."
So many things ran through Audrey's overloaded mind, but the only thing she could get out was "Why?"
Jane smiled gently. "Because Darryl asked me to do it," she said simply. "He came to me and said it was wrong of us to force you to stay when there was such a better opportunity for you elsewhere. He also asked me to pay for it."
Stunned by that, Audrey said the first thing that came to her "Wants me out of here, eh?" and instantly regretted it.
Jane's blue eyes went ice cold. "Audrey, are you trying to anger me, because I know you are not that stupid? You and I both know perfectly well why my son chose to intercede with me on your behalf. Now, if you give me your word to uphold your part of our new bargain, I will send Marie up to your room to help you pack. Your plane leaves tomorrow morning."
Chapter 8: Interludes
Seasons House - Master Apartment W-Hour Minus 4
Jane looked at her reflection in the mirror and was pleased. *You'll do for an old almost-spinster-school-teacher lady,* she assured herself as she made one last, probably-unnecessary touch- up to her lip gloss.
"You look marvelous," Art said from behind her. "Absolutely marvelous."
"Well, I have to put my best foot forward today and I don't want my face melting in this summer's heat," she grinned up into his so-well-loved eyes, "There's a covey of my old students here today and I can't have them thinking I'm losing my edge."
"Now we both know that's not true. Once you got shanghaied into this little ceremony, you've been planning this to the least detail. You WANT to shine out there."
"And will I?" she challenged.
"Like the sun, my love, like the sun."
Jane smiled at her husband, a smile few who knew her would recognize, for it was one only Art could bring to her lips. "It's hard to believe we've gotten to this point. Do you remember when Darryl came in with the results from the Olympic Qualification Match? Lord, but that was as cold a February winter's day as this August day will be hot."
Seasons House: W-Day Minus 170
"Mom!" The shouted call brought Jane up from her reading with a jerk.
"DAR-RYL!" she snapped back. "My hearing is excellent, and there is NO reason to shout like that!"
"Sorry," he grinned as he walked into the downstairs office. "I got carried away."
"Indeed?" *Well, I can hardly fault whatever has put that grin on your face. I can count on my fingers the number of times I have seen you so. . .happy since Audrey left.* "And what is it, pray tell, that fills you with such good humor?"
Darryl held up a sheaf of papers. "This! It's the results of the Pentathlon Olympic Qualification Match."
"Isn't February a bit early for a Summer Olympic qualifier?"
"Not really. They do it as part of regularly scheduled competitions instead of as a special Olympics-only event. This one was in Mexico."
"I see. How did she do, dear?"
Neither of them had to ask who 'she' was. "Fourth place over all - second alternate."
"In the men's competition?" Jane asked.
Handing Jane the printed pages, Darryl shook his head. "Nope. For whatever reason, she competed against the women. That tenth place in the fencing really hurt her, and she could have done better with the gun, but her swimming, running and horse-jumping were all top five finishes and individual bests for her, at least in competition."
"I will have to call Pru and find out why she didn't press the issue of competing in the open division," Jane murmured.
"I cross-checked her performances against the men's division. She wouldn't have made the top ten there. Her horse jumping was up to snuff, and her run was okay, but she just wasn't competitive with the foil or the air pistol in that field," Darryl said, his demeanor beginning to darken. "I figure she'll blame being here for that."
"She needed what we did here, dear," Jane said gently as she came over to embrace her son. "You know that."
"Yeah, I know that. It's just so hard sometimes. I never really thought about what would happen when it all ended, Mom. I mean, I thought about it, but I guess I never let myself think about how life might be without her. With the boys, they were always at the point where they knew they could pull it off, and usually, were beginning to enjoy the masquerade. Their feelings were always positive at the end."
"Just another way that she was unique in my program, dear."
Darryl sighed, nodded, and then stepped out of his Mother's arms. "By the way, you said at breakfast you needed to talk to me about something. What's up?"
"Well, you did mention that you are at loose ends since Brown changed their Medical School program so that new students can only start in September?" At Darryl's nod, Jane continued, "I was hoping that. . . "
"Hoping what?"
"Well, your Aunt Ruth and I were wondering if you'd mind being Darla again. . .for just a little while?"
"Like I wasn't Darla just last week for that 'Girls Night Out' with you, Diana, Caro, Sandy and Michelle. What's up, Mom?"
"Well, Ruth has a young man on her docket in the next two weeks, and she thinks that he is perfect for our program here."
"You did say 'young man', didn't you?" Darryl asked evenly.
"Yes, dear, I did. A young fellow named Melvin Morris."
Darryl's eyes flashed devilishly. "Lord above, Mom, one thing's for sure."
"What's that?"
"Whatever name we give him as a her is bound to be an improvement. When does he arrive?"
"Next week or two, assuming you agree to play big sister. Ruth has to set up the deal with his lawyer first, and that will take a few days to set up and get down on paper."
"Let's do it, Mom," Darryl said, his voice suddenly hoarse. "I don't want my last memory of Darla-the-big-sister to be that look of hurt and pain on Audrey's face."
Kingston Train Station: W-Day Minus 160
*I should have set up something like this as soon as we got back home from putting Audrey on the plane to Colorado,* Jane mused. March's winds were swirling as she stood on the Kingston train platform, awaiting the arrival of yet another student. Hopefully, immersing themselves in the familiar roles, rituals and activities of Jane's program would at last dispel the remaining specters of Audrey's final days at Seasons House.
Even now things were coming back to what passed for normality in Jane's world. Darla, once again a blonde, was turned out in full debutante style in her knee length white dress and coordinating hat. Old fashioned petticoats made the dress stand out prominently from her opaque-white stockinged legs. Modestly heeled patent pumps, white gloves and a matching shoulder purse completed her costume.
Jane herself was dressed in her most austere black business suit, with her hair swept back ruthlessly into a tight chignon and her cosmetics subtly harsh. She'd have her new guest on the defensive within hours or know the reason why.
"Ready, Pancho?" she asked as the train appeared, rolling into the station.
"Ah, Cisco," Darla grinned back. "I was born ready."
"Well," Jane breathed as the doors of the train cars opened, "It's show time, kid. . . oh my god. . "
"Huh?" Darla replied, slewing her eyes in the direction Jane's own wide eyes were now locked and saw a young woman carefully stepping down from the train.
March's blustery winds sent dark waves of hair fluttering across the tall girl's face, obscuring for a moment her identity. Her jeans, sweater, and corduroy jacket provided no particular clues, nor did the unremarkable duffel and garment bags she carried. Still, to Darla, there was something about her that was instantly familiar.
And recognized. "Audrey?" Darla said, her voice barely a whisper.
"For heaven's sake, Darla, go distract her while I try to capture Melvin. I can't imagine what she'd be doing here if not to come see us."
"You did tell her she was welcome anytime," Darla reminded her.
"And so she is, but for now we need to keep her and Melvin separated until we can tell her what's going down."
"I'll get her and we'll take a cab home. I'll put her in the stable's apartment until we figure out what to do next."
"What is she doing here?" Jane wondered.
"I am almost afraid to find out," Darla replied as she moved out to intercept Audrey, but Jane could hear the faint, fearful tendril of hope in her child's voice, and prayed that it would not go unanswered this time.
Seasons House Stable: W-Day Minus 160
They'd both been rather reserved during the taxi ride to Seasons House. Audrey had not said anything when Darla had directed the cabbie to take them to the stable and not the main house, and she'd simply stood by as Darla paid the man his fee and tip.
"Come on," Darla ordered as she reached for one of Audrey's bags. "I'll show you the apartment."
"Don't bother with the bag, I'll get it. I'm not wearing heels."
"Too bad," Darla snipped. "You look great in them. Well, are you coming or not?"
The rooms were clean and nicely appointed. That was only to be expected in Ms. Jane Thompson's domain. What did surprise Audrey was that the furniture actually looked comfortable. She set her bags and the floor and turned to face an obviously nervous Darla. "Well, whatever I expected for my return here, seeing you, that is, Darla wasn't included. Nice hair, by the way."
Darla blushed to her blond bangs. "It's my real hair color this time. Jane and Art felt that having someone with similar coloring as a role model would help and also that you were more likely to disregard me as a blonde ditz."
"So, why are you in. . .what did you say? Ditz mode now? Heck, why are you Darla now?"
"You saw the kid Jane collared at the station? The one she hustled off before you could say hi to her?"
"I wondered why she ignored me when I called to her."
"New student. He's probably getting raked over the coals by Jane right now for his many failings. Lunch will be an extremely formal, multi-course meal that will give Jane ample ammunition to hammer his table manners before he is sent up to take a nap. During the nap, all his boy clothes will disappear - locked up into the attic - and by this evening, he will be wearing his first girl clothes."
"And Darla is involved with all that? As opposed to Darryl?"
"Just like with you, only more so," Darla said diffidently. "I help him make the transition sometimes, keep an eye on him for Jane other times and still other times I help set him up for one of Jane's lessons."
"You spy on him, and tell HER what was told to you in private." The trenchant disapproval in Audrey's tone made Darla want to flinch, but years of training under Jane Thompson supported her.
"Jane has had one student attempt suicide," Darla replied, head held high and chin held out, "and another who might very well have, had I not been keeping her informed of his thinking and actions. You can't appreciate that because she was so careful with you, having had different goals for you, but what she does with the boys is intentionally devastating. She needs someone like me on the inside until the boy makes the turn."
"Ah, yes. Well, if you say so," Audrey replied, turning to look out the window over the empty paddock. She obviously didn't want to talk about it any more, at least right then, so Darla offered an alternate subject.
"So, why are you here?"
"Unfinished business - with your alter ego, your aunt, and I guess now that I've seen you, with you. Will I get the chance since you have a student here now?"
"The schedule is pretty flexible after the first week or two," Darla replied, refusing to allow herself to hope. "Jane will always make time for one of her kids, and I will always make time for you, Audrey."
"One of her KIDS? I don't think so!"
Darla only shrugged. "I guess that's for you and Jane to work out. I will tell you that, insofar as she is concerned, it is only the truth. If you aren't one of her kids, it is and will be only by your own choice. In any event, that won't change the way she feels."
"Hmmmph. So, when can we get together? I'm kind of tired right now. The plane was much quicker and less tiring than the train."
"Tomorrow? This afternoon and tomorrow morning are pretty critical and I have big parts to play. After breakfast it becomes mostly Jane and Marie's show until after the noon meal. Can I call you, say about nine o'clock?"
"Works for me," Audrey replied.
"I've got to run, okay? I have to play hostess at that lunch- from-hell today. Oh, and if you get hungry, just use the phone to call the kitchen and tell Marie. The number is on the card underneath the phone." Darla started to leave and then stopped herself. Almost shyly, she turned back to face the tall girl she loved. "For whatever reason, I'm glad you're back," she said softly. "Very glad," she added, and then turned and almost ran down the stairs, slowing only in deference to the two inch heels on her shoes."
Chapter 9: Memories in Crisis
Seasons House, Master Apartment: W-Hour Minus 3:45
Art squinted through the glare of the summer morning sunrise as he tried to get his neck-ware properly tied. "If someone wasn't hogging the mirror I wouldn't have to use this window and might get this right for once," he called out in not-quite-mock disgust. Sighing, Art considered the mess his reflection was making out of the bowtie, knowing that it meant he was doing just as badly with the real one.
"Damned things," he muttered, "Why did it have to be the real thing, Janey? Why couldn't the bloody thing be one of those fake ties that snap on? I'd rather wear a corset!"
Grinning, Jane glided over to pull her husband to his feet whereupon she took the tie ends in her own hands. Moments later, she was smugly patting the perfectly tied bow into place. "No problem, see?"
"How do you DO that?" he asked, turning to examine himself in the mirror.
"Practice, my love," Jane teased. "Years and years of practice making lovely big bows in the hair of my sweet young lady- laddies. No real difference when you stop to think about it, is there?"
"I suppose," he said thoughtfully. "You know, even after Audrey came back last winter after the Olympic tryouts, I wasn't certain those two would be able to work things out."
"Well, he is, after all, my son," Jane said proudly. "There was no way he was going to let the opportunity slip away. Why, remember the very next day when Darryl decided to beard the lioness on her turf?"
"It wasn't turf, it was asphalt. And as I recall, you were a bit unhappy with him."
"Only because I went into Darla's room for a consultation on the morning's plan and found her gone. I was worried FOR him, not upset WITH him," she scoffed.
"Yeah, right."
Somewhere Near Seasons House: W-Day Minus 159
The early morning March air had just a bite of frost in it as Audrey finished her warmup exercises. The sun would only be a hint and a promise when she finished her run more than an hour later, but for now, darkness reigned.
That suited Audrey just fine. The darkness made it easier to think because there would be little besides running and breathing to distract her. With one last arch of her back, she began first to walk, then to trot and finally, to stride out into an easy, loping jog. She ran the first half-mile at a quick pace, letting it burn the stored energy from her muscles so that her body had to begin pumping more energy along with oxygen to the suddenly deprived tissue. At that point, her body dropped into the familiar rhythm of movement and breathing that could carry her miles without apparent stress.
*She is so damned beautiful when she moves like that,* Darla thought as she stepped onto the darkened trail after Audrey had passed. *Hell, she is just damned beautiful - Period!*
At some point, Audrey's concentration broke as she became aware of someone pacing beside her. Annoyed at being caught unawares, she shot what she intended to a dirty look over at her uninvited jogging partner and almost tripped over her own feet as she goggled.
It was Darryl . . .Darla, running beside her, moving without strain even though she required five strides to match four of Audrey's own, but it was a Darla Audrey had never seen before.
She was wearing a skin-tight unitard - it was light-colored but in the darkness, that was all Audrey could make out - that covered her from ankle to throat and from hand to hand. A coordinating thong of some equally unrecognizable dark color highlighted and accentuated Darla's hips and buttocks. A small but rounded bosom gave her figure a pleasing shape while a sassy ponytail bounced at the top of her head.
*What the hell is she. . HE doing here?* Audrey thought before asking, "What the hell are you doing here?"
"Running," Darla replied simply, glad that she'd gotten her own second wind before Audrey had broken the silence between them.
"Obviously," Audrey retorted. "I mean, why are you out here? What did you track me down. Spying on me again for your Mother?"
"No spying," Darla said. "No need to. You're not a student anymore. Graduated with honors, in fact," she finished, her words broken by the rhythm of her breathing.
"Answer the question, Darla!"
"That's, as you said, obvious. I wanted to talk to you. We didn't get much chance yesterday between Melvin's luncheon and your exhaustion. This seemed like a good way to do it."
"I thought Darla didn't run."
"THIS Darla does. YOUR Darla didn't run because Jane wanted me to be the epitome of super-sweet girlish femininity. Besides, I could get the exercise I needed as Darryl when you were here."
"Why couldn't you just come out as Darryl?"
"The main reason is that I can't, not right now anyway, is because Melvin might be an early riser or something and see me sneaking in the house as a boy. Yet I still need a workout, so . . ."
After a pause to catch up a bit on breath squandered on speech, Darla continued, "But I might have done it anyway, even if I knew there were no risk. There are times I just like being Darla. She's a big part of who I am, and I don't apologize for enjoying her."
Audrey's pensive attempt to absorb that provided an opportunity for Darla to catch her breath and manage one more statement, "And I won't hide that part of me from you, not any more. Not the fact of being Darla, nor my enjoyment of it. So here I am."
They ran in silence for the next thirty minutes, their sleek, powerful legs eating up the distance at a sub-six minute mile pace. Darla's implied 'take it or leave it' hung in the air between them, but it remained something that couldn't be spoken aloud, not yet, not by either of them. It wasn't time for that kind of decision yet. But it was a factor in a decision that would someday have to be made.
False dawn began to gray the darkness as they made the final looping turn back towards Seasons House. "For someone who wanted to talk, you haven't said much and we only have a few miles left," Audrey complained.
"I was hoping you'd expand on that 'unfinished business' comment from yesterday, but figured you'd get to that in your own good time. For now, it's nice to just run with you again."
"You've gotten better," Audrey commented. "You aren't following me anymore."
"You're wearing a set of men's sweats that are three sizes too large for you," Darla snorted. "Whatever reason would I have to follow you in THAT?"
"Smartass," Audrey grinned. "That unfinished business you were talking about?"
"Yes?"
"It just got bigger," Audrey said.
"Oh, and why is that?"
"Well, despite meeting a lot of hunky guys - tall, strong, athletes - and despite enjoying their attention for the first time in my life and feeling comfortable with them, they just didn't . . . seem interesting enough for me. I guess I want more."
"Like what?"
"Like some of what I saw in Darryl," Audrey admitted bluntly.
"Some?"
"Not all of it. Not yet."
"Is it because of Darla?"
"You know, I thought so, at least in part. But now I'm not so sure. . . "
Darla was silent for several moments before nodding. "That's fair, I guess. Fairer than he, or maybe, I deserve, perhaps. But you said the unfinished business got bigger. How?"
"Well, it's the damnedest thing, Darla. While we were out here running together, I just realized how much I've missed you - missed you as my girlfriend. I have to figure that one out, too, I guess."
Again, Darla let some time go by before she said anything. "I've missed you, too, Audrey. Maybe, while you're figuring that out, we could try being friends again?"
"Will you have time for that?"
"Like I said before. I'll make time."
Dawn rose bright and clear, turning the sky a deep azure as the pair began their cool-down walk about the paddock. For the first time, Audrey could get a good look at Darla's running suit. "My lord, is that the one I wore the day I was going to kis. . . mean, that last time Darryl and I ran together?"
"No," Darla snorted in disgust. "Yours wouldn't fit me. Too big, especially up here," she added, holding her hands beneath her breasts.
"Oh," Audrey said, her look a little dazed as her eyes fixated on the small tight mounds. "umm, you haven't gone and done anything drastic, have you? I mean, those aren't, I mean, that isn't really you? The boob, I mean."
Darla began to giggle. "No, silly. Just inserts and a really tight running bra. GOD, but I hate running in the thing, too. Feels like I am gonna be cut in two, but it's the only way for me to have a figure, and like I said earlier, I have to have one in case Melvin isn't sleeping the sleep of the blissfully ignorant."
"It's going to be tough for him today?"
"Yeah. Remember the day Jane had you change outfits a bunch of times?" Audrey nodded, her eyes suddenly wide. "Well, almost the same thing except the clothes will be a LOT frillier and sillier, and Jane's going to be a whole lot more critical. This is the day she really traps him and then I name him."
"Name him? Oh, you mean like you did with me?"
"Yep. Oh, that reminds me. If you ever see him? Pretend not to recognize him and ALWAYS refer to him as a girl. His new name will be Melanie."
"Melanie, huh?" A sly grin lit Audrey's face. "Heck, that might rehabilitate him all by itself."
"Huh?"
"It's a whole lot better than Melvin, don't you think?"
"Oh you! Look, I have got to go. Would it be all right if I come out and run with you some other times, too?"
"Sure. Like I said, I missed my girlfriend, too. And besides," Audrey smirked.
"And besides, what?"
"She keeps up a whole lot better than that poky old Darryl ever did!" she called, as she ran up the stairs to her apartment.
Darla giggled as she turned toward onto the path up to the big house. "Well, wear something more attractive than those saggy- baggy sweats next time. It might keep me from concentrating on . . . my running."
Seasons House, Master Apartment: W-Hour Minus 3:30
"It's not like I wasn't pleased to see her again," Jane said. "I mean, she was. . . IS one of mine, it was just. . ."
Art rose from the window seat where he'd been basking the feeling of the morning August sun, delaying for just a few moments longer the donning of his formal wear. "It was just that my control- freak wife wasn't expecting her at that moment in time, and you were thrown into a tizzy."
"I was not," Jane sniffed as she turned back to her mirror and picked up her brush. "Things were delicate at that point, is all."
Grinning, Art snatched the brush from her hands and began to loving stroke it through his wife's auburn locks. "Same thing, but I will grant that, given how things stood when Audrey had left, you might have had some justification in being a bit anxious."
"AHA! So you admit it, at last, you irritating man!" She'd have turned on him had Art not chosen that moment to take her hair in his hands to part it.
"SOME justification, my love," he teased. Setting down the brush, Art used skillful fingers to begin the intricate French Braid he thought looked best on his wife. *When it's not all loose and flowing about her face, that is.* "Still, I would have loved to see the look on that girl's face when she. . ."
Seasons House Stable Apartment: W-Day Minus 158
Audrey prowled the apartment's sitting room like a caged lioness, edgy frustration evident in her every move. The morning's run had not gone as she had hoped. . expected, and she didn't know why. The old fashioned chime of the door bell broke through her fuming and had her all-but-leaping toward the door.
Triumphantly, she flung it open. "So, you wimped out on me this. . . morn. . ummmm, hello, Aun. . I mean, Ms. Thompson," she finished lamely, her eyes fixed on the woman on the other side of the threshold.
"Good morning, Audrey," Jane said gently. "May I come in, please?"
"Oh, umm, sure, it's your place after all."
Jane stepped inside and waited for the younger woman to close the door. "Not so long as you are here. Please, consider it yours for as long as you care to visit. We will, of course, respect your privacy if that is what you wish."
"Oh, well, thanks, A. . umm, Ms. Thompson."
"Audrey, please, if cannot bring yourself to call me Aunt Jane any longer, I would prefer you call me Jane. However you consider me, I consider you family and I don't like my family calling me 'Ms. Thompson.'"
"All right, .. . Jane. Thank you."
"Which brings up another point we should clear up. What do I call you?"
"I beg your pardon?"
An almost sad smile crossed Jane's face. "How are you called these days? I strongly suspect that you do not go by Chastity." At the girl's near-shudder, Jane nodded. "I thought not. So, are you again, . . . Rocky?"
"Sometimes," she admitted. "Not often though. My coach still uses that nickname, but that's about it. Mostly, I ask people to call me Audrey. In fact, I am thinking of having it made my legal name."
"So something good did come of your time here, then. At least you found a name you are happy with."
Suddenly remembering her manners, Audrey hastily swept an arm toward the living room furniture. "Won't you sit down, please? Would you like something? Some coffee or tea? I'm not as good as Marie, but I've learned to make a fair cup of either beverage."
"Nothing to drink, thank you, Audrey," Jane said as she sat on the overstuffed leather couch and waited for Audrey to take a seat opposite her. "I gather from your greeting at the door you were expecting someone else."
Audrey nodded, and felt herself blush. "Darla. . I mean, Darryl, I mean. . .oh heck. You know who I mean. He. . she went running with me yesterday and I sort of thought we'd agreed to do it again."
"I thought as much," Jane said. "We ran into a bit of difficulty with my new student yesterday. I asked Marie and Darla to take turns keeping and eye on her while we give her a bit of recovery time."
"Difficulty? I thought it was supposed to be difficult?"
"It is, especially the first few days, but Melanie had what Art diagnosed as a severe anxiety attack yesterday following one of my rather threatening critiques of her performance. I've had reactions like that before, but nothing quite so serious."
"You already are using feminine pronouns with him. He's only been here a couple of days," Audrey noted, fascinated.
"Practice, my dear, and a necessary part of the program. The sooner my new student is thoroughly immersed in a purely feminine environment and experience, the sooner the really important work can begin," Jane hesitated just perceptibly, and then pressed on. "Which is why I came to see you this morning."
Audrey immediately sat up straighter, regarding Jane cautiously. "Oh, you've remembered something else you need to teach me?"
"No." was the soft, but firm reply. "I've already told your Mother I consider you a success. You truly did come to understand and then to tame the beast your former governess bred in you. Nothing proved that more clearly than your reaction to the unfortunate way in which you learned Darla's secrets. For all the hurt you felt you suffered here, you behaved, in the end, with dignity and some compassion. You could have hurt Darryl terribly without much effort when you left and you chose not to go in that direction. No, I am confident that those things I hope you will yet learn you can and will learn without any specific intervention from me."
"Then what do you want from me?"
"Not so very much - at least I hope that you will see it that in that light. The issue I needed to discuss with you concerns Melanie. You know a great many of the truths about my program from your discussions with me and with Darryl - truths I don't want revealed to Melanie until I decide to reveal them."
"Such as?" Audrey asked, her brow cocked in a manner Jane recognized from her own mirror.
The school-mistress in Jane Thompson stifled the smile that pride wanted to display at Audrey's imitative expression. A smile right then would NOT support the seriousness of the problem facing Melanie. "As you know, my methods require a young man to find an inner strength that is not dependent on macho posturing, but is founded on self-discipline and courage in the face of emotional challenges. I create emotional challenges by immersing the student in an intensely and exclusively feminine environment where even the slightest traces of masculinity are neither permitted nor considered to have value. It would do my program and this student's progress great harm to let him think he was showing some inherent and unshakeable masculinity despite the evidence in the mirror. So I can't have you reveal that you know he is a boy. Nor that there are others in the household who are male and might be appealed to for support."
"And yet," Jane continued, "I cannot truly expose the student as a petticoated boy, not publicly. My methods are, at their core, a bluff. I, we, all of us in my household, need to make Melanie think she is always at risk of being unmasked as a boy in girl's clothing while at the same time rendering that risk truly insignificant. Much of what I hope to accomplish with this student will become impossible if he learns those facts.
Jane watched as Audrey became very still, her face expressionless. Finally she sighed. "I didn't come here, Jane, to hurt you or anyone else for that matter. I came here to find answers to questions left over from my time with you. I don't understand what you do here, but I trust you enough to agree to what you ask with respect to your new student.
Jane closed her eyes in palpable relief. "Thank you, Audrey," she said as she rose. "Now, I must hurry back. Art and I have some things we want to try with Melanie this morning to see if we can figure out what set her off yesterday."
Audrey rose and walked Jane to the door where, completely without warning, the older woman turned and pressed a gentle, maternal kiss to Audrey's cheek. "You are more than welcome up at the house, dear. Just check with Marie, Art, Darla or me first in case something special is planned for Melanie."
Nodding, Audrey put tentative fingers to the kissed cheek as she watched Jane move down the stairs. Then, she thought of something. "Ummm, Jane?" she called.
"Yes, Audrey?" Jane replied, looking back up the stairs from the ground floor door.
"I thought you said exclusively feminine environment. What about your husband? What about Art?"
Unexpectedly, Jane gave a girlish giggle. "Oh, that's right. You don't know about Diana yet, do you? Be sure to ask Darla and tell her I said it was okay to tell you." Then she disappeared out the door without waiting for a reply.
"Diana? What the heck has Diana got to do with anything?" Audrey muttered, still holding the opened door. "Nooooo. . . . .," she breathed. "It couldn't be. Could it? He wouldn't. Would he?"
Somewhere near Seasons House: W-Day Minus 157
Darla stifled a sigh as she caught up with the sweat-suited Audrey. *Maybe she wore something nice yesterday, and then I couldn't make it,* she thought, and then shook her head. *Just keep trying to convince yourself of that, Dar.* With a last push, she came up along side the taller girl and then settled into the pace Audrey was setting.
Audrey had been aware of Darla's presence from the moment the faint patter of the other runner's steps had caught her ears. *And of course, YOU were listening for her,* she mocked herself. *Well, at least I didn't get all dolled up for her like I did yesterday.* That thought made her frown, because until that very moment, she had not admitted, even to herself, the reason she'd taken such care with her dressing for yesterday's run. "Sucking wind, already?" she asked snidely. "We've barely started."
"Had to catch up," Darla opened. "You started without me again."
"Yeah, right," Audrey retorted. "Missed you yesterday."
"Had a problem at the house."
"Jane came to see me and told me about it," Audrey remarked, and was pleased as the surprised double-take response that nearly had Darla stumbling. "How's the new kid?"
Darla shrugged as best she was able while still keeping her balance. "Okay now, I guess. She's over the anxiety attack and at least functioning again, but I think that is mostly because Jane has eased off on her usual tactics. Whether that is good or bad, well, only time will tell."
"If the kid isn't having knicker-fits and is functional, how can that be a bad thing?"
"Well, the first few days have always been the shock treatment. Isolate the student from what he thinks is his source of personal power which is often, and specifically in this case, a dangerous and violent temper. In a lot of cases, that is what made the kid feared in his old environment which the macho types confuse with respect."
"So? What's the problem?"
"It's kind of hard to explain. Look, consider the potential harm if Melanie is out in public and loses control as Melanie. If the explosion is sufficiently violent, she blows her cover and exposes herself as a pretty boy in skirts, okay? What happens?"
Audrey snorted. "A whole bunch of macho garbage and taunting gets dumped on her. . him."
"Exactly. So the intent of the cross-dressing and stuff is to act as a damper to that kind of reaction. They know how they're dressed and how strangers will react if they are unmasked. It's usually pretty daunting for them, which is precisely what Jane wants."
"So what's the problem with Melanie? Sounds like she's pretty daunted."
"It feels wrong, Audrey. She shouldn't have broken down like that - not at that point."
Audrey could hear the uncertainty in her friend's voice, but didn't know what she could do to help. The remainder of the run passed in uncomfortable silence.
Somewhere near Seasons House: W-Day Minus 152
They were barely twenty minutes into their run, and already Audrey was feeling the burn in her calves, thighs and lungs. Finally, she reached out and put an hand on Darla's shoulder to rein her in. "You're really pushing today. I don't mind a hard run, but we won't get ten miles in at this pace."
"Oh, sorry," Darla winced and slowed her pace. "I guess I've just got some things to work out, and the running lets me, I don't know, let off steam."
"Melanie that bad?" Audrey asked. She had pretty well discouraged any more discussion about what Jane and Darla were doing up in the big house the past few mornings. Darla had taken Audrey's pointed changes of subject mostly in good grace, but this was different. Audrey could feel it, and it bothered her that her friend was so upset.
"I'm afraid so. She had another panic attack last night. That makes four since she arrived, and at the same time, she isn't giving Jane the expected responses to her program. It's getting pretty scary."
"Scary? How?"
"What Jane normally does during a student's first days is hack away at that tough-guy self image we talked about with some really, well, pretty nasty setups and her scathing comments about his appearance and things. Students react in a lot of different ways when she pours on that kind of pressure. Sometimes they try to take a swing at her."
"They WHAT!?!?"
"You heard me. Jane - and Marie too - have had some . . . training. They don't let the kid get away with it, nor hurt her of course. It's just that they have to push the student to that level of stress to see if she's learned how to handle it. Not only that, but getting taken down by a middle aged woman is pretty devastating to an overblown male ego. The few guys I've seen try her that way were usually very cowed immediately afterwards. Something about looking straight up into the eyes of a furious Amazon who just put you on your butt, I suspect."
"You said she wants to see how they handle the pressure?" Audrey was wide-eyed. "How do you 'handle' something that is deliberately made that stressful? Especially if you can't . . . fight or exercise or something? I mean, I can't see Jane 'losing' any sort of battle of words. What does she really want the kid to do?"
"Cry."
"Cry?" Audrey's voice climbed two octaves in her disbelief. "You're kidding!"
Darla's ponytail bounced as she shook her head in time to her running pace. "No, not at all. It's a non-violent way to release those emotions, which is a fundamental stage they have to reach. It's part of the reason for all the girly things, to make crying more acceptable. More acceptable than violence, for sure."
Darla paused and considered her next words. "Which potentially makes Melanie a significant problem."
"Huh? HOW?" Audrey frowned. "You just said you've already reduced her to tears. Four times, in fact."
"Yeah, we did. There is no way she was faking that scene, but it was the wrong kind of cry. She wasn't venting emotions, releasing them through tears. Whatever caused her to cry like that, it wasn't Jane's setups or her critical comments. It was, well, it was different - and not healthy. It's like . . . instead of releasing the pressure, it's just a sign of how high the pressure is. I don't suppose that makes much sense. You know what really scares me?"
"What, Darla?"
"If Melanie doesn't cry for the right reasons, if she isn't letting out all that pressure, how can we know she'll just stay down when Jane flips her for throwing a punch? Suppose instead of a panic attack, she goes berserk? Someone - Jane, Marie, Melanie - maybe all of them could get badly hurt."
"So? Have Jane back off."
"She won't," Darla said sadly. "She's too damned committed to what she does for her own damned good."
"Ummm, no. Sorry, but I don't understand."
Darla let out a deep breath. "That's okay. Just now? Neither do we."
Somewhere near Seasons House: W-Day Minus 147
Audrey was in the zone. The morning was unusually warm for mid- March in New England and she felt wonderful. A good deal of that was the presence of Darla running easily beside her. Their morning runs had become quiet reflective times for both of them. Audrey knew that Darla was growing steadily more frustrated with Melanie and her abnormal behavior under Jane's program. That much was pretty clear from the growing stress she could see on her friend's face each morning. Just now, she was feeling a bit guilty for not having tried to help, even if just by acting as a sounding board, for the girl. . . person who had been and was again her best friend.
"Still no progress?" Audrey finally asked as they made the turn to return home.
"Don't know if you could call it progress, but Diana thinks she's figured out what sets Melanie off."
"Oh? Can you talk about it to an outsider?"
"You aren't an outsider. You're family," Darla corrected. "She goes ballistic whenever anyone even hints that she might go out in public dressed as a girl."
"I thought that was the whole point of the thing? Send her out in public, put her under pressure, and rely on her being good to keep from revealing herself as a petticoated boy."
"That's the idea, but instead of being afraid, she breaks down. We've already postponed her first public outing twice."
"So what happens next?"
"We continue to work her on the masquerade, not that it is really necessary. She's already as passable as she will ever need to be. And we'll keep pressing her as hard as we can without tripping her off again. Art is hopeful, though, now that we have an idea what is setting her off, maybe we can find a way around that."
"ART! That reminds me! Jane said there are no guys in the house right now, but what about Art?"
"Oh, he's around," Darla grinned.
"Is he. . ? I mean, is Art. . ., Oh hell, does Art dress?"
"Sure he does," Darla teased. "You saw him the night at the ballet. He wasn't naked, was he?"
"Smartass. Does Art dress like you do? When you become Darla?"
"What do you think?"
"Damn you and your Mother! You both answer questions with questions," Audrey snarled, her own emotions breaking through her reticence. "Is Art Diana?"
"Took you long enough to figure that out. He's a psychologist, and was Jane's first conquest back when she was in college," Darla revealed as they approached a 'Y' in the trail. "Look, I've got to run home, so I won't finish with you today. See you tomorrow, I hope!" She then turned on the branch toward the Victorian mansion, waving as she went.
Chapter 10: Guess Who is Coming to Dinner
Seasons House, Master Apartment - 3:15
Jane sat in front of the window, half-watching as the workmen hired for the occasion bustled about their about the huge lawn under Old Tom's watchful eye. Several had already dispensed with their shirts in the already warm August sun. Jane eyed her gown with mixed feelings. On one hand, it was gorgeous and she looked forward to wearing it for Art, and to having Art take it off her later on. The downside was that, light though the material was, there was just so much of it. "I'm going to roast." she declared finally.
Art looked up from his own last minute preparations. "At least you have some decollete in YOUR outfit. YOU won't be out there with a tie threatening to choke you at the same time you are steam-cooking in a black waistcoat and tails."
"Oh, stop your whining. We've been through this. Diana can't come out until later, when only the special friends and guests are still here."
"But it will be cooler then!"
"Oh come on," Jane teased. "Be a man!"
"Darling," Diana's cattiest voice replied, "You are treading a very fine line right now. I might just decide you need another shower."
"You wouldn't. . ." Jane started and then stopped herself. *Of course he'd dare - it's one of the reasons I love the sometimes infuriating man!* "So," she went on, changing the subject, "Were you as pleased as I was with Mel's decision as I was?"
"Rather surprised, but pleased. I'm glad things turned out as well as they did, too."
"Well, until that dinner, I wouldn't have given much for success with her. Remember, any time I even hinted that we would be going out in public, she'd have another attack."
Outside the Seasons House Stable: W-Day Minus 142
Audrey and Darla raced for the unofficial finish line of their morning run with as much speed as either could muster. "GOTCHA!" Audrey cheered as she edged out her shorter companion.
"I'll . . . get . . . you . . . yet. One of . . . these days!" Darla panted as she began to move into a cooldown pace.
"Just. . . keep. . .on . . tel. . .ling . . yourself. .. that, blondie!" Audrey jibed back.
For all the apparent cattiness between the two, they both knew that they had grown closer since Audrey's return. In the back of her mind, Audrey knew that this girlfriend of hers was not REALLY a girl, but somehow that knowledge did not seem to bother her, or make Darla any less her friend. It was strange, and yet, it also felt very right to the tall, dark-haired young woman. *If only she hadn't lied to me before, if only DARRYL hadn't lied to me before,* she thought for what seemed like the millionth time.
"Umm, Audrey?" Darla's uncertain tones broke through the taller girl's thoughts.
"What?"
"I would like to ask you for a favor. We've managed to avoid discussing anything to do with Jane's program or Melanie the last few days, but well . . .,"
"Well, what," Audrey asked cautiously.
"Would you mind coming to dinner tonight? Up at the house?"
"Huh? What's with that? The kid get sent away or something?" Audrey had visited the house on several occasions, but each time had been carefully chosen so that Melanie had been elsewhere at the time - usually in the upstairs study working with either Jane or Diana.
"No, that's sort of the point. Maybe adding you to her world, a single person who wasn't part of her initial transformation - a girl of course - would be . . . less stressful for her than going out in public - as a girl, that is. Yet it would be, I hope, progress."
Audrey could hear the worry in her friend's voice and it called to something deep inside her. "What's that all about?"
Darla sighed and plopped down on the ground to stretch, watching as Audrey followed suit. *God, but I'm glad she lost those sweatsuits.* she thought as Audrey's lycra-clad form began to elongate sensuously. *And soon it will be warm enough for her to wear a nice little crop top, or maybe just her sports bra. God, she has great abs, and from what that tight outfit suggests, they've only gotten better at the Olympic training camp.*
"Her anxiety attacks," Darla continued, pulling her attention away from Audrey's lovely form. "She's more than a week overdue for her first trip to town - the first visit to the Chalet and to Ms. Franson's dress shop - almost two weeks, in fact - but despite Diana's best attempts at finding out what is at the root of her problem, she still goes off - big time - at the slightest hint that a public outing might be in the offing."
"So what does having me join you at dinner accomplish?"
"Although you aren't really one, to Melanie you're an 'outsider'," Darla told her, "And we - that's Jane, Marie, Diana and I - are not. She knows we know she's really a boy, and she's figured out the Jane wants her to go to town, although not why. When we tell her she's indistinguishable from a real girl, she doesn't trust our assessments because she doesn't trust our motives."
"Why doesn't Jane just drag her, I mean HIM into town? She has the authority, right?"
"Because if Melanie goes off in town like she has the last two times it came up here, someone will call 911 and we're liable to end up in the hospital with her - which would blow the whole deal. Not just for her and Jane, but for a lot of the other guys Jane has helped here."
"And she can't help the kid just keeping him here?"
"It won't be enough," Darla replied emphatically. "The pressure, that is. SHE has to deal with all this under public scrutiny and public pressure. No matter what's really behind her behavior, eventually she'll get too comfortable here - with us, with the routine, with the relative safety of the isolation here at Seasons House. She has to go to the next step if we're ever to help her control that temper that got her sent to us."
"DAMMIT, Darla, you want me to join in Jane's blasted games and I did not come here to play games!"
"Then, please, come to dinner," Darla nearly begged, her eyes huge and pleading. "This is as far from being a game as anything I can think of. That girl needs some help to get over this barrier to her rehabilitation and you might be able to give it to her."
"You're just like Jane, you know that? You just think of HIM as female - even talk about him as a female."
"Because that is how it has to be if we are to help HIM, Audrey," Darla said softly.
"And you believe that? I mean, REALLY believe that?"
"With all my heart," Darla said with quiet conviction.
Audrey stared at Darla for several more seconds before finally reaching a decision. She nodded. "Okay, I'll come. What time?"
"Great! Pick you up at six p.m."
"It's just a quarter mile walk." Audrey protested.
"Yes, but we don't want Melanie knowing you live around here, so I will come get you in the estate wagon and drive you to the front door so she can greet you like a proper young lady receiving honored guests."
"You're kidding me."
"Auds? I almost never kid. . . at least about Jane's program and her students. Ooops. . .gotta run. See you at six! And THANKS!"
Seasons House Stable Apartment: W-Day Minus 142
The clock read 5:15 when the doorbell chimed. Audrey walked to the door brushing out her hair as she went. She opened the door to see Darla loaded down with a garment bag, a cosmetics bag and a twine-handled paper shopping bag.
"Hi," Audrey said as Darla swept into the room, finally depositing her load on the sofa.
"Hi yourself," Darla grinned. "I can see that I was right."
"Right about what?" Audrey demanded.
"That you'd need these," the shorter blonde said mischievously, pointing at the parcels on the sofa. "You're way underdressed."
"And what's wrong with the way I'm dressed?" Audrey's challenge practically dripped ice off each word as she brushed a hand down the elegantly fitted black business power pants-suit. "I'll have you know I wore this outfit to the Olympic reception at the White House."
"Perhaps that would be appropriate for a mere *reception*," Darla said with an artfully-applied sneer. It was too condescending even for Jane, but Audrey had never met Edith White on whom that delicate lip curl was actually modeled. "But this is a formal dinner, and despite your apparent fascination with . . . *politicians*," Darla continued, the sneer on that epithet not concealed at all, "neither is the White House the equivalent of Seasons House."
Then the blonde girl destroyed the arrogance of her attitude by dissolving into giggles. She did not, however, relent on her basic demand that Audrey step up the elegance of her presentation.
"I've eaten at Seasons House," Audrey insisted as she dodged Darla's attempt to get her out of the suit's jacket.
"Remember, you never got the full treatment. Let me put it this way. Would you attend a formal dinner party hosted by the Queen of England in that outfit?"
"Well, no, but. . "
"No buts. Jane is worse than the Queen of England. The Queen would probably be kind about a dress faux pas. Because of Melanie, Jane can't cut you any slack."
"Oh, all right. What did you bring me?"
"Oh, just some stuff you left behind when you went off to the Olympic Training Camp," Darla grinned impishly.
"Since I left almost all of it, that doesn't tell me much. If you think you're going to turn me into some frilly debutante, you might want to reconsider that gross error in judgment."
"No, this is elegant and very feminine, but the goal is for you to be a real lady insofar as Melanie is concerned."
Audrey sighed. "Okay, so what's first?"
Darla grinned happily and handed her friend the shopping bag. At the taller girl's questioning look, she giggled. "Undies, silk stockings and heels. The whole deal, you know. Jane never does things by halves, you know."
"Oh, I know," the brunette agreed as she reluctantly took the bag. "How come you keep trying to dress me?"
The question seemed to bring Darla up short, and Audrey would later swear that in that instant, despite the perfectly coiffed hair, lovely dress and artistic makeup, she had no doubt of the innate masculinity of the person opposite her. "Probably," Darryl's voice answered her softly, "because it's . . . safer than the converse."
*Converse? What the hell would that be?* Audrey asked herself, then answered her own unspoken question. The converse of dressing her would be . . . undressing her. Open-mouthed, Audrey tried to find an answer to that, but her brain refused to engage. "Ummm, be right back," she muttered as she turned and scurried to her bedroom.
"I'll help you with your makeup when you're done so put on a robe," Darla's laughing voice called after her.
Chapter 11: Insight and Breakthrough
Seasons House, Master Apartment: W-Hour Minus 2:50
Art sighed as he snapped on his cummerbund in front of his waist and then spun it around his torso.
"You do that so well. Must be all that practice with brassieres," Jane teased as she came up and turned her back to him. "Zip me?"
"One of my favorite things," he assured her as he put one hand on the zipper tab and the other around her small waist. Jane shivered as he pressed his lips to the especially sensitive spot between her shoulder-blades just before covering it with the nylon closure. "Remember how Audrey looked that night she came to dinner? That black silk dress with the red-trimmed bolero jacket that showed off her waist so well?"
"It wasn't her waist that was showed off by that dress," Jane snapped, then smiled with unaccustomed sheepishness as she got control of remembered irritation.
"Well, Darryl does like those colors on her," Art teased.
"And Darryl DOES like those incredible legs that short skirt showed off so . . . incredibly," Jane sighed with just a twinge of remembered jealousy as well.
"It wasn't that short," Art said. "After all, you bought it for her."
"Yes, I did," admitted Jane, then she smirked and said, "At Darla's, that is, Darryl's urging. I didn't realize how short it would look with her . . . height until we already had it home."
"Our child is a bit manipulative at times," Art said with ponderous gravity - totally undermined by the twinkle in his eyes as he mused, "I wonder where he gets it from."
"I wouldn't know," Jane declared grandly, right before she lost control of a very undignified giggle. "At least she hadn't forgotten her manners, though she did use the wrong fork once or twice."
"Darling, when you put out those forty piece place settings, *I* mess up which utensil to use when sometimes, and Melanie was too out of it to notice anyway. She was too busy trying to slide under the table whenever Audrey so much as looked at her, let alone talk to her."
Jane shook her head at the memory. "Even when she tried to compliment the poor dear. You know, I nearly changed my mind during the desert course."
"Changed your mind?" Art asked as he reached for his waist coat.
"About the plan Darla came up with. I almost didn't go through with it. It was a long shot, you know."
"What changed your mind?"
Jane smiled weakly. "I couldn't think of anything that had any better chance of working. So, when we'd all finished our desert, I just went ahead with it . . . "
Seasons House, Formal Dining Room: W-Day Minus 142
"I must check on something in my office, ladies," Jane said as she delicately folded her napkin. "Melanie? Since it is Darla's turn to help Marie in the kitchen, I would like you to entertain our guest in the music room until I can rejoin you."
"Yes, Ma'am," the beskirted boy said quietly before turning silver-gray eyes toward Audrey. "Would you please follow me, Miss Rockwell?"
Giving Jane a 'be-it-on-your-head' look after Melanie had turned her head, Audrey rose from her own seat. "Sounds lovely, Melanie, but could you please call me Audrey? 'Miss Rockwell' makes me sound as old as Ms. Thompson."
The pair walked down the front hall and into the darkly lit room. Melanie palmed a switch and the crystal chandelier flared to life.
"My, that's better," Audrey said, wondering just what the hell she was supposed to do with Jane's cross-dressed student. *Well, Darryl said I was supposed to compliment her, so. . . ,* "I really do like that color on you, Melanie. Blondes are lucky that way. I could never wear that color as well as you do."
Something strange flashed in the girl-boy's eyes, something dark and cold. "Look, she's not here, so you can quit with the oh-so- nice comments, okay? You arrived on the same train as I did."
*Uh oh,* Audrey thought. "Umm, I beg your pardon. I'm sure I don't know what you're talking about."
"Bull! You know I'm a boy under all this junk, just like the Thompson woman, Darla and Marie know. I SAW you leave with Darla at the train station and I don't forget seeing drop-dead gorgeous women, okay? Especially when they move like a panther on the prowl. I don't know what this is all about - Ms. Thompson not picking on me during dinner, and you and Darla saying such nice stuff. . ," Melanie paused, her brow lining in a frown. "That's it, isn't it? This is the latest attempt to convince me I can make it on the outside, isn't it." she asserted with no question implied.
"Well, I can't pretend to know what this is all about," Audrey temporized, trying to think of something to say. "But if by making it you mean looking like a real girl, I honestly don't see what your problem is."
"Right," Melanie snorted.
"Oh for goodness sake!" Audrey reached out and grabbed Melanie's arm right above the elbow and frog-walked her over to the large mirror behind the piano. "Look at us!" she ordered. "Tell me what you see there!"
"You and me," she replied. "I see you and me."
"You're waffling. I see two girls - one kinda big and tall, but the other one is ALSO over-the-top cute. Look at those full, soft lips. Look at that cute face. Look at that slender, graceful figure. You make a prettier girl than Darla and until tonight, I would have said that was just plain impossible. What I DON'T see is anybody any observer would think is a boy!"
Audrey interrupted her recitation of Melanie's attractiveness when, instead of reassuring the boy-girl, her words had the opposite effect. Melanie's eyes were widening in panic, her pupils wildly-dilated, her breath panting way too quickly.
"She wants me to go out with her. .in public. . like THIS. .and I can't! Do you hear me? I just CAN'T!"
"Hey, Melanie, calm down," Audrey ordered as she put her hand on the student's shoulder. "It's okay. Look, what's the worst that could happen? Go out with her and do what she says. If someone figures out you're a boy, the jig is up. No big deal. No one knows you in this town anyway, and she won't be able to do it to you ever again."
Melanie started shaking visibly, eyes darting frantically about. "Oh, God . . . no . . . he's out there . . . he'll find me . . . I can't . . . lips like that . . . cute, you said . . . he'll say I did it . . . deliberately . . that I WANT . . wanted . .him to. . .again. . oh God, ohGod, ohGodohGodohGod . . ."
Audrey was beside her in an instant. "Hey, easy. Calm down." Thinking quickly, she reached over to the phone and hit the intercom button for the kitchen. "Marie, the music room. I need you!"
"Don't tell Ms. Thompson," Melanie rasped, rationality coming back into the raccoon-like eyes. "Don't tell her, please."
Audrey saw that the girl-boy would go back over the edge unless she promised. "Okay. Just calm down."
"You won't tell, right? You won't? She'll send me away if she decides I can't make it here," her breathing became rasping gasps and the hands she clutched at Audrey's arms were like claws, pincering into the taller girl's flesh on each halting inhalation and exhalation. . . "I'll go to prison if I can't stay here. I've read about it. . It'll be worse there,. . . all of the others there. . .like HIM . . .oh GOD, you CAN'T TELL ANYONE!"
"I won't," Audrey reaffirmed just as Marie, followed closely by Darla and Jane burst into the room. "She had an anxiety attack, Ms. Marie," she said, still rubbing Melanie's back.
"I'll see to her," Marie assured Audrey as she reached down to help Melanie to her feet. "Come along, Melanie. Let's get you into bed."
Jane watched as her friend helped her newest student out of the room, but she didn't say a word until she heard the faint sound of a second floor door opening and then closing. "What happened?" she asked tightly.
"She, I mean, he knew I wasn't an outsider. He saw me leave with Darla from the train station," she told Jane as her mind raced to find a way to deal with this situation. *I told Melanie I wouldn't tell. I'm not even really sure I know what happened. I just think I do. Damn!* "Why is she. . . I mean, he here?"
"I asked you what happened, Audrey."
"I asked you a question, too, Ms. Jane, and I won't answer yours until I am satisfied with your answer to mine."
Jane's immediate angry retort was swallowed before it escaped. For the first time, Audrey saw real pain in the auburn-haired woman's eyes as her shoulders slumped. "I suppose I deserved that, after betraying your own trust."
She straightened though, and said, "But we never revealed your own secrets to anyone not part of the team trying to help you. I must insist, for Melanie's sake, that you tell me what happened - regardless of why Melanie came to us - unless you are willing to fully commit to helping her as part of the team."
"Commit?" asked Audrey.
"Commit to, among other things, doing whatever is necessary to help the student, even if there is a risk - or the certainty - of pain to yourself. That will, as a minimum, include a promise never to reveal Melanie's secrets, not the one that brought her here any more than the nature of her . . . experiences here."
"That's a pretty blank check."
"Yes. It is," Jane declared relentlessly.
Audrey glanced at Darla. There was no hint of demand or duty in Darla's eyes, at least not any demand on Audrey, but there was clear agreement with Jane in her determined expression. After a quick, probably unconscious glance up to where Melanie had disappeared, Audrey looked at Jane and nodded.
"Very well. Melvin has recently become unpredictably violent. He was convicted as a juvenile for assault and battery using a baseball bat with no justification except that his target 'asked for it.' It represented such a radical change that the court felt there was hope that his behavior might be turned around using my program. I am attempting to teach him other ways of dealing with the emotions that fuel the violence."
"And what you do, are doing, really works?" Audrey was dubious.
"It really works, Rocky," Darla said firmly, using Audrey's old nickname to remind her of her own early experiences with Jane. "I've worked with almost a dozen guys over my years with Momma- Jane, and while it's been a close thing once or twice, the program has worked for all of them."
Audrey regarded Darla with cool eyes for a moment, before turning back to face Jane. "I promised her. . him that I would not tell."
Jane nodded, her own eyes shifting momentarily to her child. "Then you have to make a decision, don't you? I cannot help Melvin if I don't know what is behind his anxiety attacks. If I cannot help him, the court-authorized suspension of his sentence to juvenile prison will be vacated."
*That's what he meant about going to prison if Jane can't help him, and if I am right about what he said next, that is exactly the worst place they could send him. DAMMIT!*
"You trusted me once, Audrey. Help me help this child," Jane entreated softly.
Some primordial stress reflex triggered Audrey's abdomen to cramp and stomach to burn as she considered the impossible choice she faced. *Why,* she thought angrily, *why did I ever agree to keep Melanie's secret? If I tell Jane, now, it will be a betrayal, not only of Melanie, but of my own code. I've NEVER broken a promise like that. Never! You can't be a little bit of a liar, a little bit dishonorable. Even when Miss Phoebe Elizabeth was ranting about how despicable I would be if I didn't live up to the name Chastity, even when I was holding everyone away by being the tough-as-nails Rocky, I was always true to what *I* thought was right.*
Audrey stole a glance at Darla, saw the support there - all she had to do was ask, but she couldn't. This was something SHE had to do and so she looked away again. *But you can't just stand by and let Melanie suffer either, Rockwell,* she chided herself. *Just so you can tell yourself you've never told a lie. Or worse, have her sent to prison where they will REALLY destroy her.* The memory of the pretty girl, all but collapsing in panic at her feet, pounded in Audrey's heart and stirred the growing fire in her belly, for all that she looked so cooly elegant to the waiting Jane and Darla. *Right is right, and honor demands . . ,* she tried to convince herself.
And finally failed. *That's garbage and you know it, Rockwell, because Melanie's reasoning is . . . flawed. Her judgment on what is right is . . . wrong. Her demand for secrecy is harming her more - WILL harm her more than the threat that she feared so desperately.*
Though it made her feel like something pure was being shattered within her soul - the sharp-edged shards cutting deeply into things she had considered sacred - Audrey finally looked back to Jane. "I think," she began, her voice sounding very unsteady to her own ears, "that you had better get him in to see a psychological therapist who specializes in dealing with serious adolescent emotional trauma. That kid has been badly molested by a man, and maybe even raped."
Her stomach twisted again, forcing Audrey to take a deep, calming breath before she could haltingly begin to detail the entire encounter. Her continuing internal struggles distracted Audrey, and so she never knew how thankful she should be that the building inferno in Ms. Jane Thompson's eyes had never, ever been directed at her.
Chapter 12: Monsters in the Darkness
Seasons House, The Guest Room: W-Hour Minus 2:30
"Darnit, Marie!" Audrey complained for what had to be the tenth time that morning. "I don't see why I have to be cooped up in here for HOURS before the ceremony! I mean, I know there's the special undies and all that stuff, but still, it's just clothes."
"Just clothes, she says," Marie complained, her eyes raised to heaven. "Just clothes. We are discussing a designer gown hand- fitted to your own lovely body. . .,"
"Don't remind me!" Audrey glared. "Some of the pin-holes in my butt still haven't healed completely."
"A veil made of imported hand-tatted lace," Marie continued as if she had not been so rudely interrupted, "Lingerie that is so light and delicate as to make a woman sigh with pleasure and a man weak with longing and you have the temerity to refer to this every young girl's dream ensemble as 'just clothes'?"
"Okay, so they're really nice 'just clothes'," the tall, dark- haired beauty smiled. "But it shouldn't take more than a half hour, three quarters of an hour tops to get rigged out in all that stuff."
"Mon Dieu, the girl is hopeless. Getting yourself transformed on a day such as this, petite, is not 'getting dressed', it is an experience, a deeply meaningful and joyous once-in-a-lifetime indulgence - if you are very, very lucky. Do not shortchange yourself."
"Well, if you put it that way," Audrey gave in with only a touch of ill grace. "So, when do we get started?"
"When your Maman returns with the video camera."
That wasn't quite enough to satisfy the girl. Over the past week, she had come to know her Mother in ways that she never had before. Prudence had been afraid her daughter would never be able to forgive her for inflicting Phoebe Elizabeth on the young, impressionable Rocky. However, that fear had evaporated far more easily than anyone had dared to hope for the simple reason that Audrey would never have been sent to Seasons House otherwise.
Audrey knew that she and her Mother were well on the way to becoming friends, and that was wonderful.
Maybe it should have been enough, but the waiting was just too frustrating. Bomber-sized butterflies were starting to strafe her stomach but she was determined NOT going to let that be a problem. Still, an ounce, or several, of prevention would be a very good idea.
"Marie, do you have any ginger ale? I think I could use some."
Marie smiled and conjured a glass of amber liquid, smiling with gentle pride at having anticipated such a need.
"This is a lot different than that time after my nearly disastrous dinner with Melanie, eh, Tante Marie?"
Seasons House Stable Apartment: W-Day Minus 141
*It's almost one in the morning,* Marie thought as she stifled an urge to wring her hands as she stood outside the apartment door, *surely she's been in her bed for hours by now.* But Darla had said that Audrey might be brooding after telling Jane about Melanie's anxiety attack - and her thoughts about what had caused it. *And who wouldn't be upset by such evil, I would like to know,* Marie thought, her own emotions still roiling.
Softly, she knocked on the door, but there was no answer. She considered ringing the doorbell, but refrained in case Audrey was asleep. Hesitantly, she reached out to check the door knob and was surprised to find the door unlocked. *Well, I'll just take a quick look to check on her,* she thought, *and come back to talk to her tomorrow if she's asleep.*
Peaking around the now partially opened door, Marie saw a halo of light thrown by a single lamp in the back of the apartment's living room. She crept in and saw Audrey, sprawled on the sofa, a half-empty glass of amber liquid in one hand. Audrey's head came up and shadow-darkened eyes opened, watching Marie. "You're not who I was expecting," the younger woman said flatly.
"And you were expecting?" Marie responded, moving in to where she could get a better look at the girl. She'd shed the pretty bolero jacket, Marie noted, and the heels, but she still wore the black and red dress, although it might never be same again, rumpled as it was. Marie knew just how difficult it could be to get bad wrinkles and sharp creases out of silk.
"Jane or Darla. . .Darryl," Audrey murmured, then motioned to the chair with the glass she held in her hand. "Have a seat."
Marie did as she was bid, and then turned her full attention to Audrey. There were dark-tinted tracks down her cheeks leading to large smudged areas where a careless hand had tried to rub away tears. "Should you be drinking?" she finally asked, if only for something to say.
Audrey looked at the glass she held in her hand quizzically, and then understood the question. "It's ginger ale," she replied. "Flat ginger ale, actually, to soothe my stomach. I'm still in training and besides, I wouldn't know how to work up a good drunk if I wanted one."
That effectively ended any further conversation between the two women for several minutes until Audrey finally asked, "Why are you here?"
"For you," Marie said simply. "We were worried about how you might be feeling. Darla asked me to come down."
"Why not come himself?"
"She's needed for Melanie right now," Marie said. "Diana is very good at what she does with troubled children who've been subjected to real abuse, but Darla understands such things better than anyone else in the house. Jane wanted her nearby in case Melanie. . . well, in case Melanie needed someone who understood."
"In case *Melanie* needed someone," Audrey repeated bitterly. "Darryl is avoiding me again."
Marie bristled momentarily, but then saw the hurt in Audrey's eyes. *Why, she was hoping he'd come to her,* Marie realized. *But why? For him to comfort her or so that she could berate him for putting her in that situation?* "He's not avoiding you, cherie," Marie said staunchly.
"Well, that is what it looks like from my perspective, Marie."
"I think you know better than that, cherie. Darla felt that Melanie might need her and so she stayed, even though she was concerned about you."
"Why should he be concerned about me?" Audrey asked flippantly.
"Why are you sitting here, brooding in the dark?"
"Touche, Marie. So why is he staying up there?"
"Because he feels a commitment to her. Because she trusts her big sister more than anyone else in the house. After the revelations tonight, that trust is something Jane and Diana will need if they are to help her."
"Trust? How can she . . HE trust anyone around here after . . after what I did tonight?"
"Did you break faith with Melanie to help yourself in some way? Or was it truly to help Melanie, to prevent harm to her?" Marie asked gently.
Audrey regarded the French Canadian woman for several moments. Of all the people at Seasons House, she had been the most caring, even in the early days when Audrey had been, she admitted, a real pain in the butt. "You make is sound so simple, Marie. It's not, though. You know something? I've never broken my word in my entire life before tonight."
"As Jane said earlier, you had to make a choice tonight, a difficult one to be sure. Personally, I am positive you made the right one."
"But I told him . . I PROMISED him that I would keep his bloody secret!"
"To what point, cherie?" Marie asked quietly. "Which do you think was the correct decision for Melanie?"
"I spilled it all to Jane, didn't I?" Audrey snapped, eyes glinting in the dim light.
Marie stood and walked over to sit beside the tall young woman. "I believe that is what is called an ethical dilemma, petite. Do you keep your word to a child, or do you take action that, while it breaks your word, might save that child's life?"
"THAT'S NOT FAIR!" Audrey felt the fire of renewed tears building behind her eyelids.
Marie reached out to stroke the younger woman's sable-deep hair. "No one said life was fair, petite."
That simple touch of sympathy opened Audrey's floodgates. "Oh, Marie, I messed up with Melanie so badly! I should have seen her . . . his distress. I was so insensitive to what my words were doing to her that I let that girl collapse in terror right in front of me, with me pouring fuel on the fire the whole time. No one should have to go through that and I DID it to her!"
*So, here is what has driven you to brood in the dark, cherie. Not so much that you broke your word, but that you broke through Melanie's secret. You saw the agony that was there and thought it was your fault. Well, we will have none of that!* "But why do you care? She's not your child, not your responsibility."
"Because I . . because no one . . . because everyone deserves more love and attention than that, more sensitivity on the part of those around them," the words and self-recrimination poured out of Audrey.
Marie rose and moved over to the sofa, pulling the distraught girl into her arms. "I know, dear. That's the hardest part of Jane's program because you know that they need love, need positive attention, but when they arrive here they aren't ready to accept those gifts. In some cases, the boys need to be tenderized a bit first, and believe me, Jane is very good at that with most boys. This one, however, seems to have different problems and different needs. He requires something more than Jane's usual program, and now, thanks to you, we will see that he gets it."
"I felt like such a beast when I realized just how terrified he was, how frightened I'd made him," Audrey sobbed into Marie's bosom.
"The terror and the fear were already there, dear, put there by someone else. What you did was break inside so that it could come out and stop festering, like lancing a boil. You did well, Audrey, very well."
"You're sure?"
"Without that breakthrough, nothing good could have come of any of this. Now, we can help the boy and find the animal who hurt him."
*Someone did that to Darryl,* Audrey's mind snarled, remembering those dark and frightening revelations of only a few months before. *THAT's why he wanted to be Darla more than he wanted to be Darryl. If that low-life who did that to him was still alive I'd. . I'd. . .* and then words failed her. With an effort, she calmed herself only to have another revelation. "That's why Darla tells Jane other students' confidences, isn't it?
Marie nodded. "In part, anyway, although there is much more to the role of big sister than that. Bad things have to have happened to make children violent or malicious or evil. Sometimes those things can, as they obviously have with Melanie, slip to the surface or fester in the background. Much of the big sister's job is make sure Jane knows such things so that we do not make things worse."
"Darryl told me he had to watch out for . . . suicide, that it was why he had to . . be Darla. I thought it was just, sort of, an excuse."
Marie shook her head. "It's not an excuse, but a real need. Especially tonight, evidently."
"Oh, Marie, I have really messed things up," Audrey cried.
"Nonsense," Marie chided. "I just told you that you did well!"
"Not with Melanie, with Darryl. I . . . I didn't understand. Didn't want to understand. I . . . I owe him a huge apology. I dumped on him for doing exactly the same thing that I did tonight to Melanie."
"Do you regret what you did tonight?"
Audrey batted at the tears with the back of her hand. "I regret that there wasn't any other way to do what had to be done, Tante Marie, which is basically what Darryl said to me when we talked after I found out about Darla. Oh, God, Marie, what if he won't forgive me?"
*Right, like that will happen.* "Oh, I don't think you have anything to worry about there."
"I don't?" Audrey sniffled, looking up with hope and tears shining in her dark eyes.
"Not if I know my boy at all, m'enfant. Just don't make it TOO huge an apology. It will do him good to have to keep working at it."
"Working at what?" Audrey sniffed, still looking up into Marie's suddenly laughing eyes.
"As if you don't know, Miss. As I said, it will do him good to work for it, and it will do you a great deal of good to let him, eh?"
"All right," Audrey replied, not at all certain what she was agreeing to, but feeling too exhausted to worry about it anymore that night. "Melanie is going to be all right?" she asked again.
"Thanks to you, petite. I'm glad you've finally decided to truly become one of us. Now, come along and I will tuck you into bed." Marie ordered as she helped her girl to her feet. "And none of that running tomorrow. . err. . today. You will sleep yourself out and then present yourself, properly dressed mind you, in my kitchen for breakfast. Got that?"
Audrey let herself be pulled to her feet and then kissed Marie's cheek. "Got it, Tante Marie."
Chapter 13: Penance and Forgiveness
W-Hour Minus 2:15
Art stuck his head into the room where his son and his guests were dressing. "How's it going, fellas?"
The three young men looked up and grinned at Art. Michael and Kenneth had been lounging in their robes, their own tuxedos still hanging and encased in plastic, while Darryl was already dressed except for his tuxedo jacket. "Hi, Dad," Darryl called.
"Aren't you guys supposed to be getting dressed?"
"Doesn't take so long when you don't have to put on makeup and curl your hair," Michael chuckled. "We have plenty of time."
Art pulled up a hassock and sat down on it. "So what are we talking about?"
"We've been pumping Dar here," Kenneth waggled his brows lasciviously, "Trying to find out how long it took him and hard he had to work to finally be restored to the lovely Audrey's good graces."
"Yeah, son," Art chimed in. "You never shared that with me, either. Come on, at least give us the good parts. It will soothe the bruises your mother regularly puts on my male ego while giving these two pause for reflection on the dangers of wedded bliss."
"Too late for me, I'm afraid," Michael sad with great solemnity. "Janice popped the question last night and I accepted."
Kenneth thumped his smaller friend on the back soundly. "Way to go, bro!" he exulted. "But it sure took you two long enough to make it all neat and legal."
"You think I haven't learned anything about contrary women in my short life?" Mike snorted. "Between my Mother and Jane, I knew I had to be very cautious about this, especially with someone like Janice."
"It's not like you could just tell her you were getting married and get away with it," Darryl teased. "Not with that one!"
"And you could with yours? Right - pull the other one, little brother," Michael refuted. "Anyway, I had a hell of a time getting her to think this was all her idea!"
"Well, congratulations, Michael," Art said before pinning Darryl with a steely glare, "but I still haven't heard any of the juicy details from Darryl yet."
"Lord," Darryl laughed, "But you do love gossip, Dad."
"Well, what do you expect?" Diana's cattiest purr answered him.
"Okay, okay. Things came to a head a couple of days after the night Audrey had that breakthrough with Melanie. . . "
W-Day Minus 138 - Running Trail in the Vicinity of Seasons House
Audrey heard the familiar light quick steps of Darla hurrying to catch up with her and felt a surge of relief wash over her. Moments later, the pair were running easily together.
They ran in their now-usual companionable silence for a couple of miles, Darla letting Audrey pick their route. "I.. .uhmm, missed you the last couple of mornings," Audrey finally said.
"I missed being here with you," Darla replied. "But Melanie needed pretty much round the clock observation once she realized we knew at least generally what had happened to Melvin. Things got a little tense there for a while."
Actually, they'd had the student on a suicide watch while Art, still as Diana, had worked feverishly to stabilize the boy enough that they could begin to work with him to begin healing the mental and emotional damage. Jane had been particularly upset, seeing the potential for another Michael.
"They're better now? I mean, you're here, so things must be better, right?"
"We've made a big step," Darla admitted. "He cried for real last night and told Diana the whole story while Jane held him. It's.. .well, it's pretty awful, but Art says that facing it, talking about it is the first step towards beating it. That and the fact that we now know who did what to him. Judge Ruth is already going after that bastard. Anyway, he's resting now and Diana thinks the worst is over. It'll still be a little hairy by times, but the worst is over."
"I guess he'll be back to Melvin then," Audrey observed.
"Maybe, maybe not. Diana thinks that being Melanie might help, at least for a while - might make him able to look at Melvin in the third person for a while, get some objectivity about what happened. And the discipline of the masquerade will distract him a little. We'll play it by ear. If it doesn't work, Jane will have him in pants in a heartbeat."
"Does he. . .," Audrey started to ask, faltered, and then forced herself to face the question. "Does he hate me? For. . for breaking my promise?"
Darla glanced at the taller girl and saw the anguish on that lovely face. "No," she said firmly. "You were a scapegoat for a while, to be sure, someone to blame for us knowing the secret he never wanted revealed because it made him ashamed."
Audrey glanced quickly at Darla, then said quietly, "There's no reason to be ashamed, not when someone bigger assaults you. The bastard that DID it should be ashamed, not the victim."
Darla's gentle smile said more about her own peace of mind than her words. "I know that, Audrey, but it will take a while before Mel's heart truly absorbs it. It's even worse for guys, you know. Less 'excusable' to be that weak. But sometimes it . . . happens."
Before Audrey could reply, Darla shrugged and said, "Anyway, part of last night's breakthrough was that he said he was so thankful you cared enough to break your promise and tell Jane."
Audrey gave a quiet prayer of thanks and smiled weakly. "I'm glad," she said, her voice barely audible over the sounds of the feet on the trail.
False dawn was beginning to compete with the moon as they broke out of the woods and onto the rocky beach fronting the lake where months earlier Darla had been thrown from her horse.
To Darla's surprise, Audrey zeroed in on the exact spot where the accident had occurred and came to a stop. Running in place to keep warm, Darla eyed her companion, but said nothing.
"Do you mind if we stop here for a few minutes? I. . . I need to talk to you."
Even if the boy-girl not been predisposed to giving Audrey whatever she wanted, the entreaty in her voice would still have won the day. "Okay," Darla replied, "Melanie won't need me this morning anyway, but could we keep walking? I haven't run the past couple of days and I'll stiffen up."
Audrey shrugged and moved to fall in step with Darla as she began walking down the rocky beach. "Ummmm. . .," she started to say something and then bit her lip, looking at her companion with a worried look.
Darla caught the look, and the gentle sensitivity that made Darla so effective and Darryl so unique came to the fore. "It's okay, Audrey. Whatever it is you can just say it. It won't change how much I . . how I feel about you."
"Well, I know this will sound kind of strange, and at least part of it is because I don't understand, . . still, how you. . I mean. . ."
Beautifully manicured fingers touched the taller girl's lips, stemming the flow of words. "You're dithering, Auds," Darla said. "Just spit it out."
"Can-I-talk-to-both-Darryl-and-Darla-when-you're-Darla?" she shot out the syllables in a rush of air.
Darla grinned, only Audrey immediately recognized it as one she'd seen so often on Darryl's face - *Like right before the time he ravished my mouth with that damned kiss that still wakes me up at night.* "Regardless of what persona is obvious to the casual observer, Audrey, you always talk to both of us when you talk to one of us. Like I tried to tell you once, even I'm not sure where Darla ends and Darryl begins, and vice versa."
Audrey nodded, but didn't say anything more for several minutes. Darla let the silence go unbroken except for the soft sounds of the lake waters against the shore. She could practically feel the tension in her friend grow as the other girl struggled with the words she wanted to say, but knew that this was something Audrey needed to do without prompting and without help.
"I'm sorry," Audrey finally sighed out.
Hope bubbled up inside Darla, but she ruthlessly tamped it back down. This was no time to jump to conclusions and find a bottomless canyon yawning beneath her. "Oh? For what?"
Audrey shrugged. "Everything, I guess."
"That's pretty far-reaching," Darla teased, unable to resist trying to help this woman she/he loved by lightening the mood at least a little.
With a half smile of gratitude, Audrey continued. "Well, mostly, for the way I accused you and Darryl of betraying me when I found out about the masquerade. I'm sorry, Darryl. I. . .I understand now. . more than I did before. I. . . I know you had to do what you did, and more, that it was right that you do what you did."
"Why the change of heart, Audrey?" Darla asked, once again very serious. "Because the other night you decided you had to do the same thing you accused me of and therefore it must be okay?"
"THAT'S NOT IT!!" she cried back, feeling the sudden and unexpected burn of tears at the top of her eyes. Furiously, she blinked, trying to will them away as she stopped and faced Darla - a Darla who, despite the stylishly feminine workout clothes, suddenly seemed extremely masculine to her. *How does he DO that?!?*
Darryl simply continued to watch the dark-haired beauty until she blushed. Then she straightened her shoulders and nodded. "Touche, Darryl, you're right. Until I faced that situation myself I didn't think it was . . valid. I thought you could, that you should *always* be able to find a way to . . keep your promises. Only, um, dishonest people wouldn't. Or that is was a sign of stupidity to make a promise you couldn't keep. And I wasn't either of those. I thought. "
"No, you're not," the Darla-with-Darryl's-voice replied.
Audrey smiled shyly at her running mate, still trying to find a way to express things that were hard for her to admit. "I couldn't understand why or how breaking a promise could ever be the right thing to do, until, well, until the other night." She took a deep breath. "I am sorry for the way I acted the days before I left. Even though I don't think I was like Melanie," she added a bit defensively.
"No student is ever really like any other student," Darla said, now back in character. "It is one of the few absolutes I've learned working with Jane. In your case, we just didn't know, at least in the beginning."
"I can understand that."
"So, does that mean I'm forgiven?" Darla wheedled, batting her long lashes coquettishly at Audrey.
Audrey laughed. "Of course you are," she said, and then remembered Marie's admonition. "For that, anyway."
"What does THAT mean?" Darla demanded, relief washing over her at the playfulness in her beloved's manner.
"Well, you have a lot of OTHER things to be forgiven for," she teased as she turned and began to walk back towards the trail.
"Like what!?!?" Darla squealed as she moved in front of Audrey, her hands challengingly on her hips.
"Oh, like looking at the art class, or copping that feel at the dress shop. I can think of a LOT more," Audrey laughed down at her more diminutive friend.
"I did NOT cop a feel!!"
"Hey, I was there, remember? And *I* certainly remember the feel of your hands on my . . .," at this Audrey interrupted herself to run her hands sensually down her sleek curves, throwing a final little hip wiggle at her dumbfounded friend before quickly dodging around her and then dashing down the trail.
Chapter 14: Women Rule with Women's Rules
W-Hour Minus 1:55 - Darryl's Room at Seasons House
"Win a few, lose a few, brother," Michael teased Darryl as he helped him arrange his tie and collar.
"Oh, but I had won the big one," the smaller young man replied, "and I knew it."
"So how did you earn forgiveness for those other transgressions?" Kenneth asked.
"How else have men earned forgiveness when their women are feeling somewhat put-upon?" Art put in as the voice of experience. "He groveled."
"Well, not quite," Darryl grinned back at his father. "But it did seem to take quite a bit of courting to work my way through the list. Flowers, candy, dates."
"Which is exactly what you wanted to do anyway," Art added.
"Sure was, although slipping out to change into Darryl so that we could go out for those dates was a colossal pain in the butt.
"I don't get it," Kenneth put in. "Why keep Darla around if Mel wasn't really suited for the normal Thompson shock treatment?"
"Mom didn't want Melanie to know about Darryl for most of that time."
"Ahhh. So, how did you finally get your lady's unfortunately nude ring finger tagged with your brand?" Michael asked.
"God, don't ever call it that in Audrey's hearing, or Momma Jane for that matter," Darryl breathed and then laid his right hand across his heart before continuing. "It is a symbol of my undying love, commitment and devotion."
"And it just happens to let any other predatory male know that this one is already claimed?" Michael teased.
"Just between us guys, yeah, but if you're planning on giving one to Janice, I'd recommend keeping that particular purpose to yourself."
"Do I look crazy to you, bro?" Michael retorted indignantly.
"Does Mom still have this room rigged for surveillance, Dad?" Darryl asked for effect and was pleased when Michael blanched. "No? Oh, okay. Anyway, I did the deed on Easter Sunday. Darla and Melanie had to ride one of the floats in the parade. We were all at the Chalet for the pre-parade 'do's and facelifts. . . "
W-Day Minus 120 - Marisha Chalet
"Your usual magnificent job, Caro, Sandy," Darla said as she preened in the mirror holding the exaggeratedly floppy hat above her head. "I look great, even with this hat that could double as a spinnaker for an Americas Cup contender."
"You're so good at this you're no challenge at all anymore," Sandy needled. "Lord, you know more tricks than Caro and I do."
Darla only grinned, long past any reaction to Sandy's caustic tongue. "Why, Sandy, that's because I AM better than you two," she said coyly, before continuing, "At least at the tricks I need for this. Heck, you two do this, what? Once or twice a week at most? Forty weeks out of the year when Jane has a student? During that same time, I do it daily when there's a student about."
Caro grinned. "True enough, dear, but you are the best, and after Michael, that is saying a good deal. It's like you really were meant to be both Darryl and Darla."
"I think so, Caro," Darla agreed, putting down the hat.
"What I can't figure out is why you two are doing the parade thing. From what I've gotten from Jane, Melanie has made the turn and she's only keeping Mel in skirts because it helps with the other . . . therapy." Caro said.
"God," Sandy added darkly, "But I am SO glad they got their hands on that bastard who ra. . .ummm, hurt her and that Mel didn't have to go testify. Hell, how could he get away with that shit?"
Darla shrugged. "Local politician in a town with a serious 'good old boy's network' to protect him. Art says that losing his regular victim when the court sent Mel here made him careless," Darla added. "He went after another kid and that kid's dad caught him and called in the cops. They chased him in his car and think he ran his car off that cliff intentionally."
"Politicians," Sandy snorted with disgust and would have gone on except for the knock at the door to the back room.
A dark-haired head poked around the door. "Done yet?" Audrey asked.
Sandy and Caro shared a mischievous grin that Darla, whose attention was completely focused on Audrey, missed. "Sure," Carolyn smiled as she took Sandy's arm and hustled her slightly resistant partner to the door. "We've done all we can for this one, and we do need to, uuhh. . go pin Melanie's hat to her head. C'mon, Sandy, you can make sure I get it on straight."
Audrey slipped into the room, a pillar of darkness in the bright room so redolent with the odors of ultimate femininity. She was dressed from head to toe in black - snug turtleneck, black denim jacket and jeans, even the pennies in her black loafers were corroded. It was an outfit Rocky might have favored, but no way would THIS woman have been recognized as that troubled, femininity-denying teen who had first come to Jane. She looked gorgeous, but then, she always did to the shorter-statured girl-boy.
"You look great," Audrey said with a smile, perfectly at ease now with this facet of her courtier/suitor. "Blue silk and lace suit you."
"I still think you should have been on the float, too," Darla grumbled.
"Ah, but I am neither Jane's assistant nor her student," Audrey repeated her successful argument from when Darla had tried to trap the tall brunette into participating in the parade. "In fact, I don't see why Jane is having you two do it now. It's not like Melanie is under the gun, or even following Jane's normal program as you've explained it to me."
"Jane just likes her men in skirts," Darla smirked.
"Surely that's not all, is it?" Audrey was surprised.
"No, but that is probably part of it. She signed us up for this before we really knew what we were dealing with in Mel. Now, she's concerned that they might not be so accommodating in the future if she pulled us out at the last minute. And because, in the back of her mind, this is something of a mid-term exam for Mel to see if she's getting over her fears."
"Any dangers there?"
Darla shook her head. "She's cool, now. If this were a normal program, Jane would be casting about for a new student so that Mel could be Big Sister. Diana and Art think that isn't necessary for Mel, and are instead planning on reintroducing her to her masculine self. Kenneth is going to help with that part - take him to guy things as a guy - like the gym, ball games - that sort of stuff."
"Not Darryl?"
"No, Mel's not ready to know about Darla and Darryl, yet. Maybe a few weeks. In the meantime, I am going to go live in Janice's old house. As Darryl."
"Good, because I have some uses for Darryl, and some plans."
"Oh really?"
"Yup. You've just about worked your way through the list, by the way."
"I have?" Darla fought to keep the elation out of her voice and stay in character.
"Mmmhmmm. . .Almost," Audrey said with heavy emphasis.
"Well, you've never let me see the list," the blonde complained.
"Just the rules, pal. The male shall never know the rules and if the female thinks the male is beginning to know the rules, she should immediately change the rules."
"You've been talking to Marie too much," Darla complained. "So, what's the new rule am I not to know about?"
"Oh, you can know about this one," Audrey smiled, her as she began gliding toward Darla, her movements slow, deliberate, feline. "You see, I've decided that this rule. . ."
Darla felt the deer-in-the-headlights chill wash over her as Audrey continued to close the distance between them until they could feel the whisper of each other's breath on their cheeks. "Yes?"
"Is one that you need to know and follow," she said, a wicked smile on her lovely mouth. "The rule is: You are going to marry me."
Darla felt her mouth fall open, but couldn't seem to pull it closed for several heartbeats. "Marry. . .you?"
"Yep. That's it, Darla. You will marry me." There was a world of confidence and satisfaction in her voice.
"What is this? Some kind of a proposal?"
"Nope." If possible, the grin grew wider. "A proposal is a question. Did you hear any question? I didn't. Besides, Darryl has to ask ME to marry him. Aunt Jane would be horrified if *I* were to do the proposing. It would offend her Victorian sense of rightness."
"Sure it would," Darla muttered. "So I, that is, Darryl, still has to propose, even though you told me I have to marry you?"
"You're not getting out of that," Audrey assured her soon-to-be affianced. "I want it all."
"So why are you telling me now? Why not just tell me the next time we're out as Darryl and Audrey?"
"Because you are Darla now," Audrey replied, all at once very serious. "Because I'm going to marry both of you."
A look of wonder came across Darla's dramatically made up face. "Oh," was all the young person could manage.
"Just wanted you to know," Audrey said. She started to turn to leave and stopped. "And I almost forgot. There is one other thing."
Before the shorter girl could ask or say anything more, Audrey had moved with catlike quickness, sweeping Darla into her arms and bending her over backwards. "Gotcha," Audrey grinned down before proceeding to thoroughly ravish Darla's mouth with her own.
How long the kiss went on, neither participant would ever be sure. Only an overly loud throat-clearing cough brought them back to some semblance of awareness of anything beyond themselves. "So sorry to interrupt, ladies," Sandy said, obviously not in any way sorry. "But Jane is looking for Darla."
Audrey looked over her shoulder at the smirking Sandy and then down at the dazed Darla, still laying over backwards in the taller girl's arms. "Damn, but I have wanted to do that for SO long!" she whispered before helping her fiance to her feet.
"DAMMIT, Darla," Sandy squawked, now truly unhappy. "You've ruined your makeup!!"
"Hmm? Oh. Sor . . . no, dammit, I'm not sorry. Not a bit."
"Oh, never mind," the blond hairdresser said as she let Audrey slip out the door. "Kiss like that ought to muss things up. Get your cute butt over here so I can fix you up again or you'll miss your float. Jane would have my ass."
Chapter 15: Two Hearts become One
"Wheeee," Michael breathed, fanning himself with his hand. "That's quite a story. Guess I know why you were already rigged out in your duds when I got here this morning. Man ought to be in a hurry when he has a woman like that waiting to walk the aisle for him."
"Brother," Darryl said with a secret smile as he looked into the mirror, "You can say that again."
W-Hour Minus 1:00 - Audrey's Room, Seasons House
Comfortably ensconced on the sofa, a well-pleased Jane smiled as she considered the small drama being played out by the other women with her in Audrey's room. Audrey herself was *finally* dressed and peering at her reflection in the full length mirrors that had shown so many of Jane's students' in its silvered depths. The white satin gown was sleekly simple, designed to show off a well-toned body rather than hide it behind bows, tassels, or other frou-frou of the dressmaker's art. The handmade lace veil was old-fashioned, from its seed pearl coronet perched delicately atop Audrey's midnight locks, to the near-floor length hem. When closed, the veil curtained the young woman's face, lending touches of both mystery and shy sensuality to the total picture.
*Something old, something new, something borrowed, something blue,* Jane recited as she made visual inventory of her student's ensemble. A gorgeous pair of pearl chandelier earrings, a gift from Prudence, was the 'something new'. Jane had taken one look at those creamy, delicate confections and had run for her own jewelry box to offer the five-stranded pearl choker that even now graced the girl's long, slender throat. *Well, it will be her 'something borrowed' until I give it to her at the reception. I'll have to ask her about the 'old' and 'blue' later on.*
Audrey pirouetted in front of the mirror, making the veil and the gown billow about her like silken clouds. While Jane was very pleased at how well her student navigated in her white heels -for that had been a skill well-learned in Audrey's time at Seasons House - it was that smile of purely feminine delight and anticipation that pleased the teacher the most. That, and the answering smile decorating Pru's visage, not diminished at all by the proud mother's accompanying tears. Mother and daughter were together in this, as they had rarely been in times previous.
"Do that spin again, sweetie," Pru asked as she snatched up her camcorder. "Please?"
"Sure, Mom," Audrey giggled as she complied. "Whatever you say now that I'm no longer bare naked!"
"Naked?!?" Jane sputtered as Marie giggled.
Blushing prettily, Pru gave Jane a sheepish smile. "I, ah, may have gotten a bit carried away before you arrived, Janey," she said, her eyes fixed on the viewfinder.
"Only a little," Marie agreed, tongue firmly in her cheek. "That tape would have been a reverse strip-tease if Audrey hadn't put her foot down. I'm surprised she let the girl bathe without barging in with that camcorder."
"Well, I missed out on having a prom night with her, thanks to that bitch, Phoebe," the Mother of the Bride snarled.
"Ah-ah-ah," Jane chided. "No unhappy thoughts allowed. You have today and that's all the matters now, right?"
"Right," Both Audrey and Prudence chorused before sharing a hug.
"Doesn't she look marvelous, Jane?" Marie asked delightedly. "It's so lovely that we are having this here, at Seasons House, and about time, too," she added, fixing the mistress of Seasons House with an accusatory look.
"Let's not go into that, again, if you please," Jane ordered at her most haughty before relenting. Then her own eyes became mischievous. "However, that reminds me, since I was counting on you to help me in this, Audrey. However did Darryl convince you to submit to . . . to all THIS?"
Audrey tossed her head in apparent mild annoyance that was immediately belied by the happy smile that bid-fair to split her face. "He cheated, that's how!"
"He what?!?!" the three other women spluttered in unison.
"He cheated," Audrey reaffirmed.
"Spill it, girl," Marie ordered imperiously, drawing a giggle from Pru and a startled glance from Jane.
"Oh, all right. Let me see. It was maybe a week after I had let him off the hook so he could finally pop the question. We'd been discussing the wedding plans off and on since I'd said yes . . "
W-Day Minus 93 - Stable courtyard at Seasons House
Seated on the ground, Audrey gracefully folded her torso over her outstretched legs. As she straightened back into an upright sitting position, she cast a dark look at Darla who was stretching out her hamstrings against the wall. "I don't understand why you're being so difficult about this. I thought it was the bride who was supposed to want the works and the groom wanted only to slip away into the night."
"Look, Stretch, if you think I'm going to pass up on a chance to see you in a wedding gown, all lace and satin and . . . oh my," The pretty blonde's face went all dream and unfocused, causing Audrey to swallow very hard. "That will be entirely too spectacular to pass up."
"Spectacle is right," Audrey sniffed. "I'll look like a . . an iceberg or something, sailing down the aisle. I'm not going to give in on this, buster," Audrey warned as she rose to her feet.
"Neither am I, darlin'," Darryl retorted, "And I already let you run the courtship. I get the wedding. Besides, your Mom will love it."
"Right," Audrey said beneath her breath. "Like that has a chance in a hot place of happening."
"You'll just be surprised then," Darla assured her airily.
"I'm not going to do it!"
"Okay, tell you what. Let's make it fair."
"What do you mean, fair?" Audrey asked cautiously. "You've lived with Aunt Jane for too long. I know you've learned something about being sneaky."
"Fair as can be. This morning's run will decide. Winner gets to choose. I'll even let you pick the route."
"You can't beat me. You'll lose for sure."
Darla only shrugged which made Audrey all the more suspicious. "This isn't some type of trick to make me feel guilty so I'll give in eventually, is it? 'Cause I won't," she warned darkly.
"Nope. One race and the issue is decided. If you win, you get to choose. Heck, I even promise not to LET you change your mind after you win."
"Okay," Audrey finally answered. "Here's where we'll go."
Chapter 16: Here Comes the Bride
W-Hour Minus 0:20 - Audrey's Room at Seasons House
Jane couldn't help herself. Laughter bubbled up as she pictured the scene Audrey's words described.
"You knew!" the beautifully dressed young bride-to-be accused her mentor, "You bloody well knew!"
"Of course I did, dear, and so did you. I seem to recall Darla telling you that Darryl ran distances and trained every morning when she recommended him as your training partner."
"But he'd never come close to beating me before that morning," the tall brunette sputtered, still fuming at the defeat.
"He had no reason to finish ahead of you in your little races, dear, at least not until you fell into his little trap that morning," Jane told her. "I fear you are guilty of underestimating your intended, which is a mistake I quit making some time ago."
Marie laughed and said, "Hah, cherie, you fool yourself even yet!"
Jane's eyes flashed for just an instant, then she chuckled and said, "Perhaps you are right."
"Like I said, he cheated," Audrey growled.
"Well, I for one," Prudence put in as she again lifted her camera for yet another photo, "am VERY happy Darryl won. This is simply wonderful!"
Audrey smiled at her Mother, and then went over for a hug. "Yeah, it is," she agreed. "But it will be a cold day in the devil's house before I ever admit that to HIM!"
"I just knew you were going to be a superb student," Jane put in. "As much as I love that young man, he's still a male. I'm glad to see you aren't going to let him get away with such nonsense."
"Well," Audrey averred as she squeezed her Mother's hand affectionately, "Not too often, anyway."
Just then, the door opened and Caitlyn popped in, followed by Janice. "Wow, Audrey, you look great. Hi, Jane, Ms. Rockwell, Marie. You should see the lawn!" Janice, the effervescent love of Michael's life gushed. "Wall-to-wall people and still coming, but the FM crowd is here and seated. This is just so lovely, and I am really glad you asked me to be one of your attendants."
Audrey had come to like this small young woman with the motor stuck in overdrive. It was a strange feeling for her - having real girlfriends who truly liked HER. "Well, I'm glad you were willing."
"Tom and his boy have done wonders with the decorations, Aunt Jane," Caitlyn added. "It's going to be the prettiest wedding I've ever seen. You got real lucky with the weather, too."
Jane sniffed. "*My current biographer told me that was taken care of," was all she'd say as the other women stifled smiles behind gloved hands. "Well, should you not be off finding your seat, Caitlyn?" she asked, changing the subject.
"Right, Aunt Jane," the tiny dancer twinkled and left the room.
Caitlyn had no sooner slipped through the door directly to the garden when there was a knock at the interior door. A curvy brunette with way too much hair poked her head in, then entered with a voluptuous blonde in tow.
"Hey, all a' y'all better be gettin' a move on. The guys are fixin' to swell up and pop like a buncha over-heated horny toads . . . and I DO mean horny. That'd be a terrible waste, don't ya think?"
"Thank you dear," Jane said with a sigh. Texans had . . . distinct ideas on manners - too casual by far for her New England sensibilities, but hearts as big as their sun-baked prairies. "I'm glad you and Kelly could make it."
"Jus' you try and keep us away, Aunt Jane," the leggy - flagrantly so in that tiny skirt - woman said as she moved over for a quick hug. "I guess Kelly 'n I better go find some ice water to throw on them studs until y'all get there, since y'all are way too gorgeous to be hurried. Okay?"
Jane sighed again, but she couldn't keep a grin from twitching the corners of her mouth at that image. "Yes, dear, that would be, ah, helpful."
Jane could only shake her head and smile as the pair sauntered out of the room. "Well, I suppose that means we should take our places, eh? Pru, as Mother of the bride, you need to hustle, as do you," she looked at Marie, "Ms. Organist. C'mon. Let's get this over with!"
Epilogue
W-Hour Plus 5:23 - Hallway Outside the West Terrace Suite, The Greenbrier Resort, White Sulphur Springs, West Virginia
"Be careful, lover," the order was issued with a low, sensual chuckle that made the bellman's toes want to curl inside his mirror-shined shoes. "I don't want you suffering some kind of. . . debilitating injury. Not after you talked me into waiting for this."
"Not quite your lover yet," her partner murmured softly, "you legitimately white-wearing-hussy-bride, you - but I soon will be."
The woman in the expensive white linen travel suit blushed vividly, which only made her more exotically beautiful. She was tall - in her heels she easily towered over her tuxedoed male companion by a good half foot, but for all that, he didn't have any trouble holding his bride in his arms in the classic 'over- the-threshold' position.
"If you'd be so good as to open the door for us?" the young man asked politely, his eyes never leaving his gorgeous Amazon of a bride.
"Yessir!" the bellman responded and moved quickly to open the two mahogany doors before stepping clear. He entered behind them and watched as the pair took in the elegant furnishings.
"Oh, wow. . . " the young man breathed, turning about slowly, "Momma-Jane certainly went all out, didn't she?"
The woman chuckled again. "But why two bedrooms?" she asked grinning. "Unless you plan to have one to use while the staff cleans the other?"
"Audrey. . ." her husband tried to caution her.
She only giggled, "Ya know? I always loved that movie Top Gun, and there was this line in the movie? How did that go?"
"Aud-REY!"
"Oh yeah, I remember - you big sttttudddd, take me to be. . ."
"AUDREY!!" the man yelled to shut her off. Then, blushing furiously, he suddenly seemed to recall that they were not yet alone. "Ummm, your tip. . ." he stammered to the grinning bellman, "I'll . . ummmm, that is. . ."
"Already taken care of, sir. Along with anything you want. Just ring room service on the phone - 24 hours a day. The luggage that was sent ahead is already unpacked, and we'll take care of your other things when you come down for breakfast. . .unless there is something you particularly need right now?"
"No. . .nothing I don't have already," he replied and then groaned as the dark-haired beauty buried her lips under his chin.
"Good evening then, and congratulations from our management and staff here at the Greenbrier." the bellman said as he let himself out. *And I'm sure your evening, night and the rest of your stay is going to be just grand! Have to remember to tell the floor steward to be ready to move their remaining luggage into the suite the moment they come up for air. I don't think they're going to be out of bed much this week. If the look on her face is any indication, they just might need both bedrooms.*
Audrey stretched languidly once Darryl finally set her back onto her feet. "Now," was all she said before sweeping her husband into her arms and kissing him thoroughly.
They were both breathing heavily when she finally broke the kiss. "Which bedroom, man-o-mine? I have waited long enough. It is WAY past time for me to claim my marital rights."
Darryl swallowed hard, trying to moisten his mouth sufficiently to speak. "But, aren't you going to slip into something more comfortable? You know, a negligee or something like that," he finally managed.
"Oh, but I'm comfortable right now," Audrey assured him, her dark eyes dancing merrily, "And I'll be even more comfortable once you help me out of these clothes." One scarlet-tipped hand slithered its way up his torso to rest on her husband's still-knotted bow- tie. "You help me, I'll help you, husband," she wheedled.
When he made no move to obey, she undid the knotted tie and then used the loose ends to lead him toward the closer of the two bedrooms, her enticing hips rolling with each slinky step. Darryl wondered why his tongue wasn't lolling on the floor at that particular moment. Barely rational, he managed to choke out, "But. . but. . don't you want to make a grand bridal entrance? You know - like your namesake in a movie. . ."
She didn't stop until they were inside the larger of the two bedrooms. Aroused almost beyond control, Darryl stared as his bride actually licked her lips when she turned around to face him again. *God, is this what the mouse feels like when the cat wants to play?* he wondered, dazed.
"You keep confusing me with her, darlin'," she chided, "Or maybe it's Darla, that sneaky, sexy little girlie-girl type you confuse me with - *I* am a bit more direct and whole lot less interested in . . . showing off than either of those two." Then she proved just that by literally pouncing him, bending him over her arm for another mind-melting kiss. "I really like being able to do this," she whispered huskily when the demands of oxygen-starved lungs forced them to breathe again.
"I, ah, don't mind it much myself," Darryl gasped.
"And I *LOVE* that you feel that way - that you don't mind that I can do it. Now, what say we go try out that LOVELY bed. . .?"
"But, what about your lingerie, I mean. . . you're sure you don't want to change?"
For a moment, Audrey looked down at her life-mate, and then became serious. "Darryl, does this virginal reticence of yours have anything to do with the garter belt I can feel under your trousers?"
He went instantly pale, answering her question without need for words. "Damn. It seemed like a good idea at the time. Marie gave them to me and she said. . .well, I thought, that if you were ready to take Darla on too, that it would not be that bad an idea. . but now, well, this is between us and I didn't want to get things off on the wrong foot between us."
Audrey bent down to plant a teasing kiss on his nose. "You're so cute when you dither," she said grinning. "So, let me guess what's really behind this 'get Audrey into the bathroom strategy' of yours. You figured you'd have time ditch the lingerie while I was getting all slinky in the bathroom, eh? Be all ready for me in one of those fusty old dressing gowns the resort has over there on those hooks?" she said pointing out the his-and-hers white terricloth robes hanging next to the bathroom door.
"Well, that's not quite all of it," Darryl grumbled. "There is the fantasy I've been nurturing ever since you finally had mercy on me and said 'yes'. The thought of what you'd look like in whatever negligee you got at your wedding shower has been haunting me day and night."
"And just HOW do you know about that negligee? Have you or Darla been peaking?"
"Do you think I'm crazy? It was Sandy who told me about it - in just enough detail to make me want to howl at the moon. She's been teasing me about it for weeks."
"Uh huh, well, I think we'll just start here and undress each other." and then her voice went very low and husky, 'Cause I don't want to wait any longer. You can see the negligee later," and then she growled as she kissed him again. "A LOT later, buster!"
"Oh hell," he muttered against her demanding mouth on his, "I don't want to wait any longer, either, but before we leave this place, I get the whole show - heels, the finest of matching silks, full makeup - all for me. Deal?"
"God, yes," she growled, "but NOT NOW!"
Four hands worked feverishly at buttons, zippers and clasps, often getting in each other's way in a mad dance that had them both giggling at their own antics. Moments later, however, the pair were staring at each other in identical basques, hip-tied white satin thongs garter belts and white nylons. "Couldn't wear a bra with that gown," Audrey giggled before arching her back to thrust her bosom out toward her adoring husband.
"God, you're so damned beautiful," he whispered reverently, desire burning in his eyes.
Now, it was her turn to blush. Shyly, she smiled at this man who loved her so much, "I never wanted to be thought of as beautiful - never wanted to BE beautiful - until you came along. I'm glad you think I am and I'm glad you are beautiful, too."
"I'm handsome," he huffed. "Darla's cute - YOU are beautiful."
"You say so," she grinned, and then the imp was back. "Wanna cop another feel?" she cooed.
"I did NOT cop a FEEL. .," Darryl yelped before adding, "That time. But since you offer. . . and I'd like another of your mind-blowing kisses, please."
Many moments later. . ., Darryl looked up into Audrey's eyes, uncertainty still reflected in his own. "You. . .you really don't mind? The lingerie, I mean, on me, that is."
"Are you kidding?" Audrey grinned and ran a single nail up the inside of one silk-shod thigh. "It makes you so slick and slippery. . . And this," her hand reached the apex of his thighs and grabbed gently, an action that made Darryl's eyes cross. "is just SO cute like that."
"I'm, ah, oh my, . . glad you think so."
"Oh, I do, but do you think you could let me out of this corset? Marie laced me up and wouldn't ease the laces when I changed into my travel dress. Said something about presents should stay wrapped."
"Nope. Not yet," Darryl said grinning lasciviously.
Frustrated, Audrey reached around behind her, but even her flexibility was frustrated by the combination of the stiff stays and Marie's knots. "No fair," she pouted beneath full dark lashes, "YOUR stays are not nearly as tight as mine," she turned and wagged her tush at him while pointing at the knots with both hands.
"Ah, yes," her husband purred, "I am indeed observing your, um, stays. But you're in that outfit until I say so."
"Until YOU say so?" the tall raven-tressed Valkyrie squealed, "Who made you king?"
"You did, wench. Didn't I hear you promise to love, honor, and obey?"
"Well, I sorta figured two outta three wouldn't be too bad. Want me to show you the love part now?" she asked, her eyes alight with love and her lips curved in feminine promise.
Swallowing hard and praying for control, he smiled up at her. "Oh, yeah. . umm. . .why don't we adjourn to the bedroom and try the foreplay thing?"
"An excellent notion," she replied and then scooped her husband up into HER arms. With due solemnity, she then carried him to the threshold of their bridal-bed. "My turn," she told him just before laying him down on the thick, satin comforter. "Oh, and don't plan on doing much of anything touristy while we're here."
"Why not?" he asked, already knowing and loving the answer.
"I'm an Olympic-class athlete, remember?" she reminded him just before the satin thong was whisked away from his loins. "If you want to be really, really good at something, you have to practice-practice-practice."
"And?"
"What do you think, best-boyfriend-girlfriend-husband-wife?" she smiled as she bent over him to nibble at his chin, "I want us to be VERY good at loving each other for the rest of our lives."
Whatever answer Darryl might have given to that went unheard. After all, one of Momma-Jane's very first lessons to any student is that one should never speak with one's mouth full.
Then, September 11 changes their lives.
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Seasons of Change
Book 12 - Part 1 of 2 Season of Terror
Victoria's Story Copyright © 2002,2013 Tigger
All Rights Reserved. |
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This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
*Maybe I should have worn the taller heels,* she thought, *They would have made my walk more ladylike, but they don't go with the outfit. Remember, toe-to-heel, toe-to-heel. . * she mentally repeated like a marching cadence.
New and hard-learned habits had her checking her appearance one last time before venturing down to the main floor of the huge old house. The floor-to-ceiling mirror that dominated the second floor landing revealed no flaws to her now-experienced eyes - as should only be expected for Victoria had selected this outfit and dressed with equal care. After all, this Laura Ashley skirt and sweater set, combined with the opaque, white stockings had actually been praised by Marie, and barely commented upon by Ms. Thompson the previous time she'd worn it. *Although I can't think of any other girls who'd actually dressed in this kind of stuff, unless they were going to church or something,* she mused at her reflection.
Her hair and makeup were as close to perfect as she could manage - though like her outfit they were too formal for morning. But Marie hadn't shown her how to cope with some of the color effects yet. Victoria resisted the urge to pat her hair to see if it was real. The bright golden shade clashed with the olive skin tones that were a legacy her Mediterranean ancestors. Sandy, drat her, had actually cooed over the look, assuring Victoria that it made her look 'exotically sexy'.
With a sigh, Victoria squared her shoulders and headed down the stairs.
At the bottom of the stairs, Victoria headed for Jane's study, the plush Persian carpet muting any sound from her modest heels. She was surprised to find the thick door slightly ajar as she approached it. A small sound caught her notice as she raised her fist to knock. Surprised, Victoria hesitated and listened, not sure if she believed the evidence of her ears - and then she heard it again. It was a noise with which she had become only too personally familiar in her months living at Seasons House.
Someone was crying - except this time, it was someone other than Victoria Denato doing the crying.
Cautiously, Victoria peeked around the edge of the door, not sure what to expect, and was utterly shocked to see that it was the indomitable Jane Thompson herself who was in tears, the receiver of her old fashioned phone held shakily in a white-knuckled fist.
Some dark, malicious part of Victoria wanted to revel in whatever had driven her tormentor to display such emotion, wanted to savor the older woman's pain. Well, didn't the woman deserve some payback for all the humiliation she'd inflicted on Vic Denato?
The part of Victoria that was still that rebellious hooligan - that rebellious MALE hooligan - wanted to shout aloud in the affirmative, wanted to relish in full measure this woman's grief. But for some reason, she just couldn't do it.
*Whatever is bothering her must be pretty awful for her to break down like that,* Victoria thought. *Heck, she didn't even make sure the door was closed so she could cry in privacy. Now what do I do?* She thought for a moment and recalled her determination to see her plan through.
Before she could change her mind, Victoria knocked sharply on the doorjamb and stepped into the room without waiting for permission. "Is there anything I can do to help, Ms. Jane?" she asked softly.
Jane's head came up with an almost-audible snap, her eyes going wide as she saw her latest student standing in the open doorway. "Vic. . Victoria," Jane stammered even as she tried to bat away the evidence of her crying, almost hitting herself in the face with the telephone. "What are you doing here?" the older woman managed as she carefully settled the phone back in its delicately scrolled gilded cradle.
Her 'high-heel marching cadence' still playing in her head, Victoria stepped carefully into Jane's sanctum. "That's why," she said, pointing to the televised scene of devastation as she moved toward Jane's desk. "I need to talk to you about something I heard on the radio."
Jane seemed to consider that for a few moments before moving to her desk. "Sit down, Victoria, and tell me what you want," she ordered as she took her own seat, although with something less than her usual brusque authority.
Victoria took her seat, doing her best to perform that maneuver precisely the way she'd been taught, and turned to face her guardian. "The radio said the Red Cross needs blood donations," Victoria began quietly, "They especially need O-negative - the Universal Donor blood-type because of the emergency stuff they're having to do at. . .at . . . the, well, at the Towers." She actually shook herself to keep from babbling and forced her eyes to meet Jane's own violet ones. "I'm O-negative and I would like to give."
Jane literally gaped at Victoria, momentarily stunned. *Obviously,* Victoria thought, *Whatever she had expected to be on her student's mind, donating blood had not been it.*
"I see," and then she finally managed was to ask, "Why?"
"Because they need the blood," Victoria repeated, again pointing back to the television, "for them."
Reflexively, Jane's eyes followed Victoria's gesture and then closed as tears started to gather once again at the sights, this time of the Pentagon, she saw on the glowing screen. "It really hurts you," Victoria noted, "What's on the television. Did you. . I mean," she faltered as she realized who she was talking to and what she was about to ask.
"Did I what?" Jane asked.
"Know someone who might. . might be in there?"
The older woman considered Victoria for several long moments. For her part, Victoria struggled not to fidget under that steely gaze; an effort that brought the momentary and unnoticed twitch of a smile to Jane's lips. "One of my gir. . uh, students, works in the Pentagon," she finally admitted. "I haven't been able to reach he. . him or . . . his family. The phone circuits are overloaded and I couldn't get through. Now they're asking non-essential calls to New York and Washington be curtailed."
Victoria considered that and then remembered something she'd heard on the radio. "They said that the part of the Pentagon that was damaged was mostly empty - on account of it being renovated," she offered hopefully.
"I hadn't heard that," Jane admitted, too focused on her worries to notice, let alone correct Victoria's grammatical error. "Are you certain of that?"
"As much as I can be. I know I heard that at least twice on the radio." Jane nodded and Victoria wondered if who this student was - another of Ms. Thompson's manners projects? "Was. . . your student, that is, in the Army?"
"No," Jane answered with a shake of her head. "Marines, actually."
"There's a difference?" Victor asked suspiciously, only remembering to use Victoria's voice for the last few syllables.
"According to the Marines, there is a world of difference, child," Jane replied, a single brow lifted to show she had not missed THAT verbal gaff. However, she did not specifically call the girl on it.
Silence grew between the two as the repetitious and unchanging reports of destruction, terror and growing anger sounded from the television. After several minutes, Victoria could wait no longer. "Ms. Jane? About my request?"
"To give blood? I must ask you again, why do you want to do that? Is this some scheme to get out of your skirts, Victoria?"
The steady gaze that answered her question surprised Jane. "No," her student replied firmly. "It's not a scheme or anything else. I just need to . . . to do. . SOMEthing!"
"Really? Well, I am sorry, but I'm afraid that is out of the question," Jane replied sharply.
"But the newscasters said they really need the blood!" Victoria slipped and it was Victor's voice that protested.
"As I told you after our little trip to the mall, you're in skirts until I decide you've earned the privilege of trousers." The vivid blush on her pupil's cheeks spoke volumes about just how clearly Victor/Victoria remembered that recent experience. "A stipulation, I hasten to add, to which you agreed quite readily just this very Saturday, in fact."
"I know that, Ma'am," the girl said softly. "That's why I dressed so carefully. I don't think anyone would question me dressed like this. We could go and give blood right now. No one would have to know that I'm. . .that I'm anything other than what I appear to be."
"I see," Jane said in what Victoria thought was a very odd tone, "but I don't think that will work. I'm fairly certain that they, that is, the people who would be taking and using your blood, would need to know you are really a boy under that girlish finery. When they will test your blood, they'll find male hormones instead of the female ones they expect. The Red Cross might well have to discard otherwise perfectly acceptable blood. That would be a sad waste."
"So?" Victor's voice cracked through again, but he pressed on as Victoria. "We just tell them who and what I really am once we're inside the clinic where they take the blood. I can do that. I WILL do that, Ms. Jane!"
Shaking her head, Jane replied, "No, you will not. I do not choose to have it become general knowledge that some of my students are . . . 'troubled.' That would cast unwarranted aspersions on prior students and those to come after you. We must solve your problems without harming others in the process. And I believe your experiences this previous weekend demonstrated the futility of you trying to appear masculine?"
Victoria felt her hackles rise and glared at the woman seated across the desk from her. "If that's what I have to do, Ms. Jane, then that's what I'll do!" At Jane's challengingly lifted brow, Victoria continued. "I'll go to a clinic, dressed just like I am right now. I'll tell them I am a really a boy who's being punished by being made to wear girl's clothes, but . . . "
"But?"
"Well, I sort of figured you must know someone in the medical field - in case I got hurt or sick, you know? Someone who could take my blood, fill out the paperwork correctly, but not give away my secret?"
A thoughtful look crossed Jane's drawn features, but "I'm not sure that would work," was all she said.
"Couldn't you at least check, please? And if that won't work, then I still want to donate the blood they need, Ma'am, even if it means admitting to. . .," and despite the best will in the world, Victoria had to swallow hard before continuing, "to being a boy who likes to wear girl's clothes and stuff . . . or to being a boy who's being punished by being made to dress up like a girl."
"You'd break your cover just to donate blood? Again, I have to ask why?"
For the first time since she'd stepped into the room, the emotion that Victoria had been fighting since staring in mute shock at those first televised images started to roil up out of control. Swallowing hard, she fought the tears, but knew it was a losing battle. "Because. . . because. . ."
"Because why, child?" Jane prompted as she handed the girl a tissue.
"BECAUSE I DON'T WANT TO BE LIKE THE ONES WHO DID THAT!!" she burst out and then bolted from the room, slamming the door behind her.
Chapter 1: The Beginning - Again
*Lord above, but I am glad women don't wear feathered hats anymore. The plumage would definitely be drooping right now,* Jane mused as she once again stood upon the train station platform. The oppressively humid heat of late July in New England beat down on her and Jane's black 'power-suit' only made it worse. *It's a wonder I'm not drooping, and of course, this is the day the infernal train is late, too,* she thought as she cast her eyes down the track in hopes of seeing the electric locomotive appear in the heatwave-distorted distance.
She was alone today because there was no other student in residence at her little school. That meant that Marie would be pressed into the 'good cop' role against Jane's 'bad cop' persona with this student. That was not optimal for the student or Jane's program, of course. Marie had other duties that would get in the way of her becoming the new resident's confidante, but using the deeply caring French Canadian had worked out well enough in the past and should serve again this time.
*Perhaps, given this student's particularly belligerent history, the lack of a 'big sister' might be all to the good. Marie and I can take care of ourselves, well enough. Besides, we will know not to turn our backs on a teenager with a tendency toward violence, particularly when we've pushed him to the very edge of his emotional control. Another student, no matter how well we prepared her for her role, might get hurt.*
The sound of the train's whistle sounded in the distance. Jane checked her appearance in the station's plate glass window, and then moved purposefully to the center of the platform. It was show time!
Most of the train's passengers were obviously headed for Providence or Boston, and few of those wanted to leave the air-conditioned comfort of the passenger cars so Jane's new student stood out immediately. His Italian ancestry showed clearly in his dark hair and olive-toned skin. She studied him with professional objectivity as he gathered his bags from the porter. He was short, even shorter than she'd pictured from his file description, and while he wasn't slight of build, he wasn't bulky either. *Good skin,* she thought, *and no sign of any significant beard growth yet. Smooth facial features, too. We'll have to select his garments carefully, and a good corsetting will do wonders for _her_ figure, but we'll have no trouble getting him out into public en femme.*
With that confirmed in her own mind, Jane moved to intercept her quarry. "Victor Denato?" she said in her sharpest tones.
"Yeah, I'm Vic Denato," was the sneeringly insolent reply. "I suppose you're the warden here?"
"I am," Jane said in icy tones, "Jane Thompson, your court-appointed guardian for an as-yet indeterminate period of time. *YOU* may call me Ms. Thompson."
Something akin to humor, but darker and unpleasant, glinted in the boy's dark eyes. "Sure thing, Mizzz Thompson," he said flippantly. "Whatever you say."
Jane knew better than to allow a confrontation between them to escalate in public, so she changed the subject. "Is that all of your things?" she demanded. A head movement that might have been a nod was all the answer she received. "Come along, then. It is nearly noon and we have much to accomplish today."
"Yeah, sure. Get one of those porters over here for my stuff, then."
"I beg your pardon," Jane retorted. "Were you speaking to me, young man?"
"Who else, bit . . ., I mean, Mizzz Thompson?"
Raw anger pulsed through Jane's heat-frayed self-control, but she managed to hold her composure. "From your record, I understand you are QUITE the, uh, physical young man, Mr. Denato. I think you can and WILL handle your own baggage. You will ALSO treat me and anyone with whom I direct you to work with absolute courtesy and respect or you can get back on that bloody train right now. You might make it to Boston before the police show up to cart you off to that reformatory. Your choice, Mr. Denato."
If anger was sparking from Jane's violet eyes, violent fury was blazing in Victor Denato's. For just an instant, Jane thought the boy was going to try to strike her and prepared to deflect him. However, he backed off under her steel-hard glare. Slowly, with ill-concealed dislike, the boy reached down to gather his three large bags. Straightening unsteadily beneath their weight, he scowled up at the taller Jane. "Lead on, Mizzz Thompson."
She did, thinking as she walked, *A bully, indeed, but I can handle that. Like all bullies, beneath all that male braggadocio he's also a coward. Well, young man, I will have no compunction at all pulling out the big guns with you! In fact, I am going to enjoy making you squirm and cry.*
Chapter 2: Vignettes - A Program in Disarray
Jane tapped her finger on her calendar as she dialed a familiar phone number. *I'll need to change that to August tomorrow,* she thought.
"Marisha Chalet. Carolyn Beale speaking."
"Caro! Jane here. Ready for another opportunity to excel, dear?"
"So this newbie didn't take you up on your offer to leave in one of your frilly nighties, either?"
Good humored satisfaction colored Jane's tones. "Not hardly, dear. He caved and gave his word to follow the rules, just like they all do eventually."
"And you think she is ready to venture out into the cold, cruel world? What are you calling him. . .her?"
"I think she's suitably cowed now, and we named her Victoria - what else? I don't have the imagination some of my students do when it comes to naming. Besides, I think there is additional impact to a girl's name that sounds like his real one."
"Well, you'd know, Jane. So, what's the plan? Actually, I sort of thought you'd be bringing her in earlier. He's been with you, what, a week already?"
"The usual first day at the salon experience with you and Sandy."
"How does SHE look? How are her girl-skills?
"Adequate, I think. After one week in the program, she's well into the initial indoctrination phase."
"Any issues with behavior?"
Jane paused noticeably. "I don't think so, at least for this trip. The removal of his male clothing and their replacement with the very frilly, exaggeratedly feminine wardrobe I use during the first weeks of a rehabilitation did result in an angry confrontation between Victor and I."
"How angry?" Carolyn demanded.
"He attempted to become physical with me," Jane admitted equably. "Without any success and to the detriment of his ego, I might add. You won't have any trouble with THIS one, I'm sure."
Carolyn examined the figure seated at her station with a professional eye. Like Jane, she saw both the flaws and the possibilities in the face and form of her subject. That her subject was a genetic male was not a significant issue - she had transformed far more masculine boys into passable young girls. Most were even attractive - once she relented and allowed them to be, that is. The little monsters had to *earn* that privilege first. Until they had, Carolyn and Sandy followed Jane's orders which required that the students be caricatures.
*Oh, my, but has Sandy done a job on you, Victoria,* Caro thought as she considered frizzy blond ponytails, more suited to an eight year old girl than an adolescent woman-child. *I'll have to brush it out before the girls arrive for class, but even so, she's going to have more curl and body than any of the others. And those nails - she'll poke her eyes out before she learns to manage them. You must have really pissed her off, Victoria.*
"Well," she said finally. "Aren't you the pretty child, Victoria. Having fun, dear?"
Caro had expected to see the boy-girl's face color with embarrassment, or at most lighten with fear. Victoria's face did flush, but what she saw in those eyes was anger, perhaps even rage. *Well, it is not the usual reaction, but nothing I haven't seen and dealt with before with one of Jane's girls.* "Ah, ah, ah, dearie," she chided in a soft, barely audible sing-song. "Don't want to lose your temper and blow your masquerade. Unless you want all my customers and consultants to know that you are a pretty little sissyboy under that pretty school uniform."
She saw his struggle to school his features and control his anger. *Have to watch this one,* she mused. *Jane was right about that temper of his.* "That's better. Now, Jane tells me you've been given basic training by Marie in cosmetics. She is good, but I'm better. What I want now is for you to do up your own face so I can see what you know, and what you don't. Then, I will use you as the demonstration model for my girls' club."
Shocked, he sat up and stared at Carolyn, his eyes wide. "You'll what? What girls' club? Me?"
*Gotcha!* "Didn't Jane tell you?" Carolyn asked with a sly smile. "She said I could use you to demonstrate make-up tricks to a group of girls I work with every Wednesday."
"But, I can't, I mean, they'll figure out that I'm a. . .No, that's just not going to work!"
"As I understand it, you've agreed to follow Jane's orders, and her orders were that you're supposed to follow mine. You'll do what I say or the whole deal is off, Missie!"
"But all those girls. . . "
"Will not notice a thing, other than that you are the 'new girl' and more than a little shy. Just do as I say, and play along and nothing will go wrong," she ordered as she began to undo ties holding the pigtails in place.
"But I'm a boy!" Victoria hissed out as Caro began to brush out the expertly installed hair-extensions Sandy had woven into Victor's own locks.
With a jerk, Carolyn spun the salon chair so that Victoria was facing the mirrored wall. She gripped her subject's cheeks between strong fingers so that Victoria had no choice but to stare at her own reflection. "But dear, you don't LOOK like a boy. In fact, you look nothing LIKE a boy, and so long as you don't ACT anything like a boy, no one is going to know you're a boy. So unless you WANT that fact to become common knowledge, you will be a good little girl - keep your mouth shut, do what you're told and SMILE!! Got it, sissy boy?"
In the mirror, she could see Victoria swallow hard, then close her eyes and nod.
"Excellent. Now, make up your face for me. All my girls are supposed to show up for class with their faces already done up so that I can critique their efforts and show them a few tricks to correct any errors. You, I suspect, will make a lot of errors which is why you'll be my model today." *And so that I can keep you out of TOO close a contact with the girls before you are really ready.*
Marie accepted the glass of sherry Jane offered. "Well, I must say that Caro continues to impress me with her artistry. Victoria's face was lovely."
"Yes," Jane smiled. "And our little girl was VERY ready to run home to Seasons House after the make-up club meeting was over. All in all, a very successful first outing, I think."
"Sandy got carried away," Marie said frowning. "I've seen dustmops with less bulk than that hair-do she foisted off on Victoria."
Jane shrugged. "It's what she does, and very well."
"I just think we should keep an eye on her, is all. That hairdo is not going to be easy for us to deal with and it certainly doesn't send the message we usually want our girls to get."
"I see your point. Well, I think we will hold off on Brenda Franson's shop for a few more days - let Victoria learn a few more hard lessons before she has to keep her cool in her silky undies in Betty's changing room."
There was a wicked grin on Jane's lips as she listened to the phone ring on the other end of the connection. That grin only grew wider when she heard the line pick up followed by "This is Mrs. Edith White speaking, how may I help you," in the old lady's Brahman accents.
"Edith, dear, this is Jane - Jane Thompson. How are you today?"
"Quite well, thank you. Dare I hope that this call heralds the debut of another of your delightful young ladies to our little social set?"
"In a way, Edith. I do have a new student in residence, but I'm afraid she not very ladylike. Why do all the children nowadays seem so . . . coarse and crude?"
"Overly permissive parents, my dear, which is why ladies such as you and I must set proper examples and maintain certain standards."
Jane struggled not to giggle at that bit of pompous foolishness, but could not quite repress the smile. "True, Edith, sad but oh-so-very true. In any case, I could surely use just such an example of impeccable manners for this one's benefit, and of course, I thought immediately of you. Could you come over for tea tomorrow?"
"Tomorrow?" Edith responded, sounding uncertain. "Let me check my calendar. . . let's see, tomorrow is Friday, the tenth of August? Yes, I could make tea tomorrow afternoon. What time?"
"Three p.m.?"
"That will be fine. You do recall we are having a bit of a musicale on Sunday at the country club. A little food, some socializing, a bit of proper ballroom dancing for the young people. If your student performs adequately tomorrow, perhaps we could reward her with an invitation to the gathering."
"Thank you, Edith - I'm sure that will do the trick, and oh, I almost forgot - it will be a formal tea. I'll have her wearing the right clothes, at least. Together, I'm sure we can teach her proper manners."
"She did WHAT?" Marie demanded.
"She spilled hot tea in Edith's lap - all over that antique crocheted shawl the woman is so proud of. And Marie? It was on purpose."
"On purpose?"
"She mocked us every minute we were there. Aping mannerly behavior, mimicking Edith's accent to the point of hyperbole, putting lemon AND cream into the same cup of tea so that the cream curdled." Jane shook her head. "It was as if she was TRYING to infuriate me. Then she 'tripped' and spilled the tea on Edith. Thank God there had been time for it to cool a bit."
"That's never happened before. Edith is a very scary lady. Now what?"
"Keep trying. She starts dance lessons tomorrow. We'll see how that works."
"Ms. Thompson?"
"Yes, this is Jane Thompson."
"This is Allison, the dance mistress?"
"Yes, dear. What can I do for you?"
There was silence on the other end of the line, and Jane could practically feel the woman gathering herself for something unpleasant. *And since there is only one thing we have in common that is likely to be unpleasant. . .* "Is this call about Victoria, Allison?"
The woman's sigh of relief was audible, even across the phone line. "Yes, Ma'am."
"That bad, eh?"
"She just doesn't want to be here, and frankly, it's affecting the rest of the corps. She doesn't pay attention, and so she makes mistakes. On the dance floor, mistakes can get other dancers hurt."
"Other students have been injured?!" Jane was aghast. *She was probably afraid to bring it to my attention since I underwrite a significant portion of her operating budget. DAMN!*
"Not badly, Ms. Thompson. A couple of ankle sprains and a pulled hamstring. The problem is that puts three of my five male dancers out of commission and with a performance coming up, I just can't afford to lose male leads for any length of rehearsal time. Besides, no one wants to partner her anymore."
*Precisely her intention, the nasty little bitch!* Jane's mind snarled. "You don't. . .the injuries. . . they were really accidents, weren't they?"
"Carelessness and inattentiveness, Ms. Thompson," Allison responded with a hard edge in her voice. "Ma'am, until Victoria learns some discipline, well, I just can't have her in the class. It's not fair to the ones who come and give me their all. I'm sorry, and I know you do a lot for the troupe, but. . "
"But nothing, dear," Jane interrupted. "I understand, and I will continue to support your efforts. It is not your fault my niece refuses to be accountable for her actions. Thank you for your call. Yes, good bye."
Jane set the phone down on it's cradle, very, very carefully.
And then pounded her desk with both hands in frustrated anger. It was becoming clear that unless the girl was watched like a hawk, nasty little 'accidents' tended to happen to those around her.
*Oh god, and tomorrow is the big Labor Day picnic in town. And I *HAVE* to attend.*
"Go to your room, Miss!" Jane snarled as she herded her student into the front foyer of Seasons House, "And don't leave until I personally permit it!"
"Yes, Mizzz Jane," Victoria replied in a sing-song voice before sauntering up the grand stairway toward her room.
"I just want to THROTTLE that girl!" Jane fumed to Marie as they both went into the music room.
"Get in line," Marie growled as she beat Jane to the brandy decanter, pouring generous portions of the fragrant amber liquid into two crystal balloon snifters. "You should have known better than to force her into the egg toss."
Jane sighed as she accepted her share of the distilled wine. "I'll replace that blouse, dear. Even you can't get dried egg out of silk. I just wish I could prove it was intentional so I could really lay into her for THAT. Unfortunately, as she has so often, her visible behavior was impeccable until we were two miles down the road on our way home."
"And then the little . . . bitch went snotty on us yet again.
"And there is no reason to believe her compliance with any orders we give her here will be any less maliciously precise than it has been in the previous six weeks. I must tell you, Marie, I am getting bloody tired of doing in-depth rhetorical analysis on any order I decide to give this one."
"She has me doubting my instincts, too."
"Join the club, Marie. Heavens, I don't know why I bother to use feminine pronouns with this one. I just wish I understood what was behind that dichotomy. It isn't courage - I'm very sure of that. Thus far, I've seen nothing to indicate she possesses that virtue, and besides, if the boy really doesn't fear my games, why would going to the beauty parlor or to any other public venue have any effect on his behavior?"
"If I knew, I'd tell you, Jane. And you know I've tried to get her to talk to me about it, with very little success. The only thing she's let slip is that, for some reason she wouldn't share with me, she has concluded that so long as nothing happens outside of this house to reveal his true nature, whatever happens inside Seasons House doesn't really matter.
"So we must conclude that it isn't so much Sandy, Caro and their antics that reach Victoria, but the public nature of the trips to encounter those women. Victoria is clearly more careful with her behaviors and mannerisms when she knows she is going to be on display or in public - with her cosmetics and dress, too."
"At least she's learned those lessons well enough not to endanger the program when she's out in public," Marie sighed. "She's learned to be rather attractive when her attitude isn't getting in your face."
"Unfortunately, the outings are only a threat, a bluff, as you will know. We can't permit a break in the student's feminine persona while we're out - only while we're at home - and we need such 'failures' on her part. They provide us with the psychic wedges we use to break down the resistant male ego."
"So where does that leave us? With a student who has somehow figured out that he really is safe?"
Jane nodded morosely. "How he has reached that conclusion, I have no idea. Unfortunately, the fact that he is correct only makes my problem more difficult."
"Difficult?" Marie snorted "Try impossible, Jane. That attitude can not continue or we will never make any progress with the boy. In fact, you and I both know we're *that close* to having to give up and return him to the juvenile criminal justice system.
"Like Hell we will!" Jane snapped furiously, and then blushed. "Sorry, dear."
"That's all right, Jane. I hate the idea, too."
"Somehow," Jane thought aloud, "we have to shake his certainty that he is safe so long as he doesn't break cover outside the house. The problem with that is that it necessitates putting him squarely in the public eye and breaking the masquerade in front of witnesses."
"JANE! You're KIDDING!"
"Not really, but that concept does pose several problems, not the least of which was that if it does not work, it's all over. If public unmasking, even though it's in the limited sense I'd dare attempt, fails, nothing else will have any beneficial outcome. Eventually, the terms of the court order that sent him here will force us to send him back, and let the juvenile detention system have its way with him."
"You said there were problems - plural. What else?"
"The second problem, of course, is that he has already been exposed to most of our fellow-conspirators as a cross-dressed male." Jane rose and went back to the sideboard for a bit more brandy. "There isn't anyone else we can use to set up a 'safe' - read that, not real - public unmasking. He is, by now, only too aware that Sandy, Caro and Betty Franson are in on the masquerade. I think he would very probably conclude that any other local establishment I try to use for that purpose were also in on the game. He has to believe that he really has been unmasked. That requires some truly public location."
"Are you thinking of what you did to Michael?"
Nodding, Jane resumed her seat. "Yes. It is chancy and it might as easily backfire as work, but for the life of me, I cannot think of any other choice."
"How will you set that up? You usually do that far earlier in the program when the student still thinks you might actually let him go and while he is still reeling from the sudden change in his lifestyle. This one has already figured out too much."
"And I don't have a big sister to tease him into it, either," Jane admitted. "I think there is a way, though. I just hope I understand his psyche now well enough to predict how he will react if his male pride is put on the line."
"You're kidding," Marie burbled as she finally understood. When Jane only shook her head, the little French Canadian could only laugh. "Amazing. The only way to feminize him is to challenge him to prove his masculinity and then call upon his sense of male honor. All right, then, what's the first step?"
"I call Caro. I will need her help, but she needs to know why first. We cannot forget that he does have a history of violence and we are about to push his buttons about as hard as we can."
"Caro? Jane, here. Is Sandy there? Are you two available for a quick conference call?"
"Hi, Jane. Sure. Let me get her on the other phone. We're just about done for the day here, anyway. Just a sec. . " Jane heard Caro's muffled yell for Sandy to pick up the phone, probably through the other woman's palm over the phone's mouthpiece.
A click heralded Sandy's arrival. "Hey, Jane! What's up?"
"Obviously, I need your help, ladies, but I must also warn you that the plan I have decided to follow is something that could really backfire on us."
Sandy snort of disgust was plain, even across the New England phone lines. "Victoria still being a little piss-ant for you out there?"
"Crudely put, Sandra, but unfortunately, also highly accurate - and we're running out of options with this one - running out of time, too. If we don't reach her soon, it's all over and she goes into the loss column."
Carolyn's own husband was a Jane Thompson success and she didn't even like thinking about her life had Jane not been able to turn his life around for him. "What do you want to do? What do you want from us, Jane?"
"I want to pull out all the stops," Jane said in a rush. "For what I have planned, I need to make it impossible for him to look at all masculine, regardless of how I permit him to dress."
"Okay, I understand the goal. What have you got in mind?"
"Oh, not much. Hair coloring, I think. Something audaciously brazen and utterly blatant."
"More than we've already done with her?" Carolyn asked, surprised.
"More than we've ever done - period. As I said, pull out all the stops."
"We can do that," Sandy said confidently. "When I'm done with the little witch, her hair will light up a dark room. What else?"
Jane let out a frustrated breath, and refocused herself. "What I'd *like* to do is inflict a big-hair hairdo on her that would embarrass Dolly Parton, but we can't do that. He has to agree to this ploy, and I'm sure he'd decide I was cheating if we augmented his coiffure more than we already have done. No, whatever we do, we're stuck working with just what he has now. Unfortunately, even with the current extensions, that collar length hair just won't cut it for big hair. Dammit!"
"Wow, you are bedeviled if you're reduced to making bad puns and cursing, Jane," Caro chuckled.
"Umm, Jane? I think I know what you're planning, and I may have an idea on that," Sandy put in.
"Really? Let me hear it, please . . .oh, and before I forget. Sandy? Those new, special nail-tips you told me about a few weeks ago? Those, too."
"They're expensive, Jane. Very expensive," Caro warned.
"I can afford it, Carolyn, and I am afraid this might be our last chance. I won't be penny-wise and pound-foolish with a young man's future in the balance."
"You're the customer, Jane. When do you want to come?"
"Tomorrow's our regular day for the Chalet, and that's fine, but I think we might want to have the salon . . . well, the fewer real customers in the house, the better. Just in case."
"I see," Caro said with a sigh. "Okay, I'll open an hour early just for you two."
"Thanks, Carolyn, and Caro? I will be there for the entire appointment this time. Just in case. Now, then, Sandra, tell me what you had in mind."
Chapter 3: A Student Challenged - The Laced Gauntlet
Jane got out of her chair and walked over to the sideboard. She poured herself a glass of mineral water which she sipped contemplatively as she considered her student's intentionally inept heel-walking exercises.
They'd just returned from the Marisa Chalet where Caro and Sandy had outdone themselves. Parade-polished Marine Corps brass didn't gleam like that hair, and then there had been a trick or two to that manicure as well.
Jane had immediately started in with lessons as soon as they'd returned. As Jane had anticipated, the moment Victoria was back inside the house she had reverted to the obstreperous, obnoxious little snot she'd been since day one. Oh, she followed 'orders', to the letter, but that was all she'd do.
After several failed attempts to gain some measure of compliance with the meaningless exercise, Jane gave an exaggerated sigh.
"Victor," she began, intentionally addressing him by his real name for the first time in weeks, "this is not working, and it's because you're not trying to work with me - as you promised you would."
"I am SO trying, Ms. Jane," Victor rejoined, with obvious insincerity, "but, well, I'm just too much of a man to look like a convincing girl. It's not my fault."
Which was exactly the response Jane had anticipated from Marie's conversations with the student. "Oh? I think you do quite well if you'll just look in the mirror. It's only when you fail to put forth the necessary effort that your portrayal falls short of satisfactory."
"No, Ms. Jane. It is the standing still part that does it, in these clothes that are clearly girl's clothes.
"You're not going to give me that 'clothes do make the man' nonsense, are you?" Jane scoffed.
Victor grinned at that. "No, but let's be honest. First, people see what they expect to see. Somebody sees a skirt, and they figure, so long as it isn't something really draggy, that's a girl wearing the skirt, right? Second, you, Marie and those two bit. . errr. . women at the salon are experts at this stuff. I think you could make the Rock look like a girl, provided he didn't move or talk. That's what I do when we're out, because I just don't want to deal with that, but I can guarantee you this - as soon as I do anything active, or if I wore pants, then I'd be all man and you know it," he finished with a hard nod of his head in emphasis. "And so would anyone looking at me."
*An excellent analysis,* Jane thought. *And too close to the truth by half. Still, You've just offered me an opportunity if I play this correctly. "You think so?" Jane asked with heavy disbelief coloring her tones.
Her student turned to the mirror and gave the reflection a quick look. One hand went up to the now-shoulder-length hair and palmed the curls flat before he turned back to face Jane. "Sure," he replied confidently. "A little of that mousse-stuff to slick down this wavy hair, a shirt that buttons down the right side, throw in a pair of jeans and some flat shoes and I *WOULD* look like that model guy Sandy mentioned yesterday. Heck, if it was a little longer, I'd look like a younger, better looking version of that Fabio-guy all the girls are goofy over."
"Then how about a test?" Jane offered with studied nonchalance.
Now suspicion flared in the dark eyes, "What kind of test? And why should I even try one of YOUR tests?"
"Because you said you'd follow my program, and in fact, gave me your word on that score?" Jane replied off-handedly, "But perhaps being a MAN, you need more than that to give your best effort."
"My word, MIZZ Thompson," Victor hissed, "WHEN it is freely and fairly given, is solid. . . *gold*! You have NO call to say OTHERWISE!"
"So you say, young man. Forgive me if I believe you have given me cause to think otherwise. In any case, I am willing to accept your word, assuming we can reach an agreement."
"An agreement? What kind of agreement?" Victor demanded, suspicion dripping from every word.
"A very simple one, and one you should have no trouble at all winning - if you are correct and I am wrong, that is. You work with me for one day, tomorrow, that's Thursday, doing whatever I require to the very best of your abilities. On Friday, I will provide you with pants, a shirt and casual shoes and we'll go to a shopping mall. If you are sufficiently masculine, you will find the minor things I've had you do so far - plucking your eyebrows and so on - to be inconsequential. Surely, no fair and objective observer will see you in any way other than as you see yourself. In that case, I sign off on your release forms the moment we get back here, and you are on the next train back home - a free MAN. With me so far?"
"Sounds great to me, but I have figured you out a bit in the past weeks, Ms. Jane. Nothing you do is what it seems to be at first glance. What's the catch?"
"Well, if your appearance remains sufficiently feminine to be an issue, either for you or for the people we encounter at the mall, then will you agree that the problem is not your appearance, but your attitude? And agree to do your VERY best to comply not only with the letter of my program, but with what you very well know is the intent of that program."
"Hah! Fat chance. It won't be any skin off my nose, but sure as you're standing here, one or more of your bit. . .buddies will be there to make it look like I failed."
"My word of honor, Victor, that no one associated with me or my program will be involved except for you and me. We will even drive to a distant mall so that you can be assured no one associated with my program will be there." *And so that no one will recognize either of us and associate you with Victoria.* "So," Jane continued, direct challenge in her eyes, "Do you have the courage for such a public test? Do you have the personal honor to comply with my conditions, regardless of the outcome?"
The jibe hit him squarely in his overblown male ego, just as Jane had intended. "I can do ANYthing, Ms. Jane. Anything *I* WANT to do, that is," he snarled belligerently. "No one will mistake me for a girl, not in pants and, well, other reasonable clothes."
"Very well, then. Tomorrow we will redo the dressing exercises and you will show me what you have really learned."
"No weird clothes!" he put in quickly. "None of those tricky things that change color when you wear them or anything like that."
"What was it you said? Jeans, a shirt with buttons down the right side, by which I assume you mean not on the side a woman's blouse buttons? Oh yes, and some flat-heeled shoes? I can do that, but in return I expect you to be 'fair' with your voice."
"Fair? What do you mean by that?" Victor asked, obviously dropping his voice into an artificially deep register.
Jane smirked. "Just that," she retorted sardonically. "You need to speak with no attempt either to force a strongly masculine, deep voice, nor the feminine voice you have learned to use. That is not to be a factor in this challenge, since you have demonstrated an ability to speak either way and so it is not an unavoidable problem with a feminine portrayal. Agreed?"
"How do I do that? I'll have to speak to someone," he insisted, still affecting the gruffly bass voice.
"If it's required that you speak, you will use a normal tone of voice, but speak softly and politely. I will abide by the results of using your normal speaking voice, neither artificially deep and harsh, nor light and animated as a girl would use."
"That it?"
"I can't think of anything more just now. However, once you step out of my home, the game is on, and our agreement is in force, and regardless of the outcome, we agree to fairly and fully comply with the terms of the challenge, young man!"
"Oh really? Like how, Mizz Jane?"
"If you back out, or if you catch any grief at the mall, then you come back here, go straight into skirts and lose that idiotic macho-jerk attitude!"
"If you say so, Ms. Jane," was the flippant, self-satisfied reply. "But *when* I win, we come back here, I get my own clothes back, along with my freedom and a ticket on the next train home."
"Oh, I do say so, and you've agreed. As to the final outcome of our little wager, well, we'll just have to see, won't we? So, I will see you later at dinner. I need to tell Marie that for tomorrow, at least, you've graduated to . . . adult makeup products instead of the more youthful ones you've been exposed to thus far. She'll ensure that you have a complete assortment in addition to your more age-appropriate products. Perhaps the seemingly-overwhelming difficulty you have in behaving like an adult will be simplified if you can at least look the part," Jane paused to let the jibe sink in before continuing. "Yes, I think we'll try for that tomorrow, once we're certain you're complying with that part of our deal, as well."
Jane watched the skirted teen leave the room and took a deep cleansing breath. He'd taken the bait. If she could just get him out of the house on Friday, she had a better than fifty-fifty chance of winning their bet. If he wouldn't leave the house after he saw how he looked, maybe she could make that work, too. "So, pants AREN'T enough, eh?" It wouldn't be optimum because one thing Jane had come to respect about this student was the value he put on keeping his word - at least the letter of his word.
"I wonder if Marie knows who this Rock person is?"
The boy had done well, Jane admitted as she watched him stomp down the stairs from his room, given the tools she had provided him. *A bit TOO well!* "I think NOT, young man," Jane said sternly as she moved to block his way out the front door of Seasons House.
"Huh? What?" he asked, his head down and angled away from Jane's accusing glare.
"That!" Jane replied directly, running a finger down his cheek. "Using cosmetics to fake a beard you don't have falls outside of our agreement."
"Hey, guys have beards," Victor told her in as off-handed a tone as he could manage knowing he'd probably already lost.
"Some *men* do, but they are not created with dark makeup. This exercise is about the masculinity of your basic appearance. You will clean your face as thoroughly as you are able - an area, I might add, in which you seem not to have paid appropriate attention to your lessons. A *lady* always pays attention to the cleansing of her skin, and you *agreed* to follow those lessons completely. That *is* the agreed-upon basis for this test, correct?"
"But. . . a beard is legitimate. . ."
"Or, I am willing to put off our trip until tomorrow or even Sunday," Jane offered, all sweet reason in her voice, "Except that you will have to work just as hard for me today and up until the day of the trip as you did yesterday. Except I won't insist that you shave. Just to be fair, of course."
Jane could see just how little the thought of one or two more days like the intentionally hellish one she'd put him through yesterday pleased her student. *Heavens, I am surprised he can walk without a limp after all that walking in heels practice,* she thought.
Finally, his shoulders drooped and he turned back toward the stairs. "I'll go clean it off. I want to get out of this place as soon as possible," he mumbled before adding, "It was just a final 'make sure' thing anyway - the last straw."
"I'm sure," Jane replied, her face deadpan. Then a thought struck her. "Oh, and Victor?" The boy stopped mid-step up the stairs and turned to look down at her. "Use the other powder-room facilities while you're cleaning up? I would consider you slipping into the men's restroom at the mall a cheating trick to make people THINK you were a boy."
"But. . but, what if I *have* to go?"
"That's why I'm telling you to take care of that matter now. I don't imagine we will need to be there long, but if it becomes a REAL problem? Either find a unisex bathroom or concede our challenge."
Anger flashed momentarily in the boy's dark eyes, and for a moment, Jane thought she might have pushed too hard. Then, Victor nodded, stiffened his spine, and headed back up the stairs.
Only then did Jane think, "Oh lord, I hope Marie remembered to remove all those color-fast cosmetics last night. It would really make things difficult if he couldn't clean away that fake beard."
Chapter 4: A Student Challenged - A Day at the Mall
Fortunately, he had used the washable cosmetics in the creation of his beard, Jane mused an hour and a half later. She watched with satisfaction as Victor slipped out of her car. Everything, so far, had gone perfectly, at least from Jane's perspective. The clothes, which in the blatantly feminine background of Seasons House had seemed innocuous, no longer seemed so middle of the road. In fact, against the more gender neutral environment of the mall parking lot, the total package portrayed a subtle, yet clearly feminine image.
The jeans were so tight through the groin as to emulate a dancer's gaff, thus giving the wearer a decidedly girlish profile front and back. The shirt was particularly devious. At first glance a pirate's shirt - regular collar but soft, top button fairly low in front, with wide sleeves that gathered down to tight cuffs - it was fitted rather tightly about the waist and lower rib cage, but just a little loose about the shoulders and chest. The brightly colored magenta fabric was opaque in direct natural or incandescent lighting, however in the harsher, fluorescent lighting of the mall's interior and stores, the fabric would appear sheer and would give subtle indications of a budding, pre-adolescent bosom. No particular feature was 'wrong' in that shirt sported a real collar, real cuffs and buttons on the 'male' side of the shirt (though they were hidden in the folds of the material), but the net effect was effeminate - VERY effeminate.
When combined with androgynously styled 'penny-loafers' and scalloped white socks, well, Jane suspected that once Victor got a good look at himself inside the mall, he would no longer think his outfit met his definition of 'reasonable'.
Unfortunately for her student, he had accepted them when they'd first been presented to him at the house. *Next time, he'll try wearing them on before making any snap judgments. If there is a next time.*
However, even more important than the outfit was Victor's face and hair. The gel-like substance he'd used to slick his hair down before leaving Seasons House was not really styling mousse at all, but an alcohol-based product. Thanks to the heat of the Indian Summer day, that ersatz 'mousse' had completely evaporated away during the drive from Kingston to Providence. If anything, the permanent wave Sandy had applied was even 'fluffier' than it had been before Victor had applied the mousse. And his face, despite the ruthless scrubbings he'd inflicted upon himself in the vain attempt to remove the "adult" make-up, was still well and distinctly colored, emphasizing the delicacy of his feminized features.
But la piece de resistance was Sandy's miracle-of-modern-science uncuttable manicure. Just during the short drive to Providence, Victor had already forgotten to keep those girl-claws hidden in his fists at least five times that Jane had seen.
*It's going to work,* Jane thought relieved. *Taken as an integrated whole, Victor's presentation literally shouts 'GIRL' to any casual observer, except to the still-over-confident boy himself. I'll have him back at Seasons House and in skirts before tea time.*
"To review our agreement, Victor," Jane said as she came around the car to join him. "You will make at least two full circuits of the mall on your own. I will follow, but at a distance so that you will face the world on your own. You must make two stops at stores and buy at least one thing with the money I've provided. No knives, male clothing or girlie magazines. Something simple, not associated with either sex. You may then leave the mall triumphant. If however, you are challenged, or questioned directly about your sex, then you will agree that I have won."
"Yeah, yeah," he snapped, trying without success to hide his taloned fingers in the too-tight pockets of the jeans. "Let's do it."
"All right, young man. Let's," Jane agreed. "Good luck," she called after him as he hurried away. *He doesn't believe I meant those good wishes,* Jane sighed inwardly. *It's just that our definitions of what 'good' luck would be in this case are diametrically opposed. Lord, please let him fail here so he can succeed later in my keeping.*
The mall was of an older style, essentially a strip-mall with a roof, and had few of the more-spacious amenities of the modern super-malls. The concourses were relatively narrow, and for the most part, ran in straight lines so Jane had no difficulty keeping an eye on her pupil as he bull-rushed his way through the first circuit of the mall. That strategy had the advantage of shortening his time in the mall, but the distinct if unrecognized disadvantage of drawing attention to the speeding teen.
By the time he'd reached the far end of the mall, Victor was being examined, covertly by some and overtly by others, by nearly every shopper he encountered. The increasingly amused and wondering looks on each passerby's face assured Jane that her ploy was working. *Hmmm, I'd say my little program of studies has been more successful than I thought. Those are some rather effeminate mannerisms and postures he's exhibiting. Seems almost second nature to the boy, too. Excellent.*
The first circuit of the mall, however, went without incident, but Jane was not worried. *At the rate he's going, he might just make it out of the mall without anyone challenging him,* she mused, *but I accounted for that in our negotiations. He cannot pass the test without going into at least two stores and he will have to stop completely in order to buy whatever it is he elects to purchase. That pause in his headlong charge should be his undoing. I hope.*
Jane decided that his first loop of the mall was in the way of reconnaissance - looking for the least 'dangerous' place to make his required stops. 'Less danger', she was sure, meant few people in the area and in particular, no young people. Actually, there should not have been any young people at the mall - school was back in session and it was a Friday, after all, but Jane had accounted for that in her selection of this mall for her little test. The shopping center was located just a short distance from a local high school and was a favorite lunch stop for the older students who considered themselves too mature for their school's cafeteria.
*And isn't it fortuitous that it is just about lunchtime,* Jane grinned to herself as she saw a large group of teens enter the mall's main concourse heading for the food court. Unfortunately for Victor, their point of entry was by then behind him so he did not see the newcomers until he turned to begin his second loop and found himself face to face with a cluster of rather boisterous teenaged males. Recognizing the threat at last, Jane watched as he tried to evade them by changing direction, but that only served to catch their full attention . . . and whet their curiosity. In short order, Victor had at least half-a-dozen of the boys following him down the mall.
*Full marks for strategy and quick thinking,* Jane chortled silently as he suddenly dove into a lingerie store - a maneuver that served satisfied half of his store-stop requirement while bringing his pursuers up short at the storefront door. *And that counts as his first stop. Too bad there's only one entrance to that store,* Jane thought. *Because unless he escapes soon, one of those under-employed sales ladies are going to attempt to sell him some frillies."
As Jane predicted, Victor emerged from the store moments later with two of the sales staff bearing down on him. He tried to dodge the phalanx of still-waiting boys, but the exit was too narrow and he found himself quickly surrounded.
Jane suddenly found herself in something of a quandary. If she closed the group to a distance she could hear what was being said, she might scare off the boys too soon. On the other hand, if she couldn't hear what was being said, she'd have only Victor's account for what happened. *Would that be enough?* she wondered. She had come to believe that this student possessed an innate honesty that would preclude him lying to her, but she wasn't one hundred percent sure. *And a boy's future hangs in the balance,* she reminded herself.
She was close enough that she could make out voices, but not the words being exchanged. Victor said something to which the largest of the boys replied. *At least he's keeping his word about not using an artificially deep voice,* she thought. *I just wish I could understand what was being said!*
It was the look of growing fear on the still-cornered Victor's face as the boys closed in on him that made up Jane's mind. *This is wrong,* she thought and then moved decisively to intervene. *I'll find another way to gain his cooperation, but this test just came to an end!* Regardless of the greater goal, she wasn't going to let one of HER boys be hurt or worse by this scheme.
She'd just started to close when Victor suddenly gave a panicky squeal and bolted, knocking over one of the boys in his headlong flight. "VICTOR!" she called out to him, but he evidently did not hear her, or if he did, chose to ignore her.
He ran past Jane before darting down one of the mall's side-halls. Following as best she could, all the while cursing her modestly-heeled shoes, Jane barely made it to the hall in time to see him slip into a restroom.
A men's restroom.
*Gotcha!* she thought in relief as she settled on a bench to await his return. *All I have to do is be here when he comes out.*
Twenty minutes later, however, she was still waiting for her student to emerge and was beginning to grow anxious. *Is there a window in there? Or another door? Where IS he??!?*
Another fifteen minutes passed with no sign of Victor and Jane was very worried. *Why isn't there ever a security person or reliable-looking male around when you need one?* she fumed, scanning the mall concourse, and only then did she realize that the boys who had frightened Victor so badly were still there - waiting. *Well, I can do something about THAT, by God!*
Jane Thompson rose to her full height and strode purposefully over to the end of the hall where the six teens congregated. Her head high, Jane gave them each 'the look' before asking, "Isn't it time you gentlemen returned to your classes?"
Three of the boys looked abashed while another two looked expectantly to the obvious leader of their group. Jane recognized the cocky air and smug grin even before he opened his mouth. "What do you care," he said with a dismissive smirk.
A mental picture of that somewhat overweight, pimple-faced fool squeezed into one of her corsets and colored by Marie's cosmetic artistry brought a chilling smile to Jane's lips. Each boy literally took a step backwards. "Oh, I don't care," she assured him sweetly. "But I do enjoy my truant officer job with the school district. Did you know that every teen I catch cutting classes loses driving privileges for six months? Now, if I might check your id's, gentlemen? Just to make sure you're over eighteen, you understand?"
Their hasty retreat did a great deal to lighten Jane's mood as she turned back toward the restroom. A man was just emerging from the door and Jane was wondering if she might ask him about Victor when the boy burst from the restroom, nearly bowling over an older woman in his flight.
Relief poured through Jane as she hurried towards her student, only to pull up short as she realized the woman was busily berating Victor.
". . . The very idea," the white-haired woman fumed as Victor literally cowered from her wrath, "running about like that - heedless girl! And from the BOY'S bathroom. The very idea," she repeated, the 'finger of Mother' shaking furiously in Victor's face.
*Wonder if she's related to Edith White?* Jane considered amused.
After the outraged woman finally stormed away, Jane sidled up to the thoroughly shaken boy. When he didn't make any move to escape or continue the test, Jane knew she'd accomplished her objective - Victor was hers for the duration. Just to be sure, however, she asked "Do you want to try again?" as she approached. "Do you think you can make, say, four circuits without having any MORE people accost you for your, shall we say, unmasculine appearance?"
"No. . please, no more. You. . you win," he told her in a thin, almost breathless voice. "You win, just please, get me out of here!" then he hiccuped out a sob, "Please."
Nodding sternly, Jane offered him her hand as she would a small child and was surprised when he took it. "Very well. Let us leave, and don't worry about THOSE ruffians," she added. "Like all those who bully others weaker than themselves, they were decidedly lacking in any real fortitude and ran as soon as I challenged them."
The allusion to bullies and their lack of personal courage also struck home, Jane saw, again precisely as she had intended. In the final analysis, and despite the uncertain moments, it had been a most successful excursion.
Chapter 5: Recognition - Phase 1
Morning sunlight shone bright and clear through the old glass windows of his Seasons House bedroom when Victor sat down at the little vanity table to 'dress' for breakfast. And it had been 'Victor' who sat there in those private, early-morning moments before Ms. Thompson or Marie came to enforce their feminine tyrannies on him.
Or at least, it always had been until this morning.
Before when Victor Denato had looked at himself in that mirror, his mind's eye had seen what he'd wanted to see reflected there, regardless of how he was dressed or how he was made up by the women of this house. This morning, however, even he had to admit the reality of the very feminine picture that stared back at him from those silvered depths.
He'd fallen into Ms. Thompson's trap so easily, he thought sadly. Fallen, hell, he'd jumped at her so-very-carefully-worded challenge without a second thought, so cocksure that he could handle anything she might dish up to him - because *he* was a *man*!
Right.
Memories, still painful and vivid, of the previous Friday's mall disaster brought his attention back fully to the reflected image before him. Whatever it was he saw gazing back at him from the other side of the mirror, it was NOT a man.
With a critical eye for detail that had been beyond him as little as a week earlier, Victor examined the entire package presented before him. Now, he could see how the vividly blond hairs softly curled and curved about his face, in a sleekly feminine shape that no amount of brushing or slicking down could make appear in any way masculine.
*Too bad I used the adult cosmetics in that last session on Thursday instead of the washable kid-stuff Ms. Thompson gave me for practice,* he mused ruefully. Although Marie had ensured that every speck of make-up that could be removed had been ruthlessly scoured away before going to bed each night, his face still appeared elegantly made up. Nothing he'd done in the last four days, including his just completed morning shower, had done anything to cleanse those resilient cosmetics from his face. In point of fact, if he were completely honest, what slight fading there had been in those dyes since last weekend served only to gentle their effect on his looks, making his face somehow subtly more girlish, more pretty. Certainly, the fine, highly arched brows Marie had formed with her infernal tweezers did nothing for his masculine self-image. Perhaps if he'd tried to fill them in using that eyebrow pencil, like he'd tried to do with his beard he mused, but then, he hadn't thought of that. Besides, Jane would probably have called him on that as she had with the fake beard.
Idly, he brought up his hand to touch one plucked and sculpted brow, and froze. He'd almost forgotten those damned nails Carolyn Beale and her witch-friend, Sandy, had stuck him with - literally. Designed to be 'bite-proof', these artificial tips were an epoxy-based composite material - like the wings of the Stealth Fighter, only clear and natural looking. And impossible to cut off. Short of pulling his own out at the roots, the only way to remove these was with some special kind of solvent - something that was only available at the salon. Even without the lacquers and polishes Jane made him apply and remove on almost a daily basis, the nails made his hands look, well, really sexy - like they belonged to one of those 'hand-models' he'd read about in the women's magazines that were now his only literary entertainment.
Taking his appearance as a whole, given his already small stature, then there was absolutely no way that anything other than what had gone down at that mall should have been expected. It was now so clear to him - as clear as the reflected image in his mirror.
He looked like a girl.
Actually, he looked like a pretty damned pretty girl!
*Too bad you were too stupid and too blind to see that before last Friday,* he thought with a sigh, *but you were so damned sure, so damned tough. No way Jane Thompson was going to win that bet, was there?*
It should have been a 'done deal'. Apply himself to his lessons on Thursday, she'd take him on an outing as a male the next day. After all those weeks in Jane Thompson's Fortress of Satin, THAT alone should have been a welcome respite. More important, however, had been the rest of the deal. If he carried himself as a male after 'giving his best effort to her lessons', then Jane would admit that he was too masculine to learn anything from her program and would release him to go home with no further threats of jail hanging over his head.
*A 'done-deal'? HAH! I should have known better,* he thought with a rueful smile. *Or at least, I should have looked harder for the gotcha.*
Oh, he'd been 'got' all right - big time. More than the Thompson woman realized, too, he reflected ruefully. *At least she doesn't know the worst of it. Twenty minutes hiding in the bathroom stall, afraid to come out because there were other guys in there with me using the urinals. She'd never let me live THAT down. Thank God it wasn't any worse than it was.*
With a sigh that equal parts gratitude for small favors and resignation for large trials, Victoria Denato slipped into character and carefully selected a foundation makeup from the selection on her vanity. And for the first time, noticed something was missing. *Odd, all that adult stuff is gone, after I only got to use them the one time,* she mused. *Guess Ms. Jane figures I need more practice with the 'age-appropriate makeup'. Am I supposed to regret failing that 'test', too?*
Victoria considered that for a while, and then shrugged when no ready answer to that question came to her. *Actually, I am still wearing them, aren't I? And that is something of a problem, too.* She sighed gustily. *Maybe if I can't wash away those grownup cosmetics, I can at least cover them up a little. Who knows? I might even get a few brownie points for effort.*
After all, Victor had given his word in making that deal with Jane Thompson. It was up to Victoria to do her best to keep the bargain.
Chapter 6: Breaking Fasts, Breaking News
There was a spring in Jane Thompson's step and a barely suppressed grin on her lips as she entered the breakfast room to greet her waiting student. Two factors were primarily responsible for Jane's excellent mood - the glorious sunrise she'd watched astride her favorite mount, and the heady success of her latest stratagem to bring this student finally to heel.
She was especially pleased to find Victoria (not Victor) standing demurely beside her chair awaiting her teacher's arrival.
*Actually,* Jane amended with a certain degree of self-congratulation, *she's looking about as demure as she is capable at this particular moment in time - which isn't much. Well, that is, at least indirectly, the child's own fault. If she hadn't been such a little bitch, I wouldn't have needed to resort to such tactics with her.*
Of course, the lack of a big sister for this student was a contributing factor, and that was one problem Jane could NOT lay at the girl's door. Marie had attempted to fulfill the 'spirit-guide' role for Victoria, but unfortunately, without much success.
*Maybe Marie is just old enough these days not to be considered 'trustworthy',* Jane thought as she pulled her own chair out from the table. *Certainly, a real student has always been more effective as my agent-provocatuese, but this is the first time in recent memory that Marie hasn't been able to make a close connection with a student. Or maybe Victor is just harder-hearted and more suspicious than our other students.*
"Do sit down, Victoria," Jane ordered briskly as she unfolded her own napkin, and then added, "Are you feeling all right? Your color seems a bit . . . high today."
As intended, that comment served to add other vivid, more natural hues to the artificial ones the girl had used, without much success, in her attempt to mask the brightly colored, resilient cosmetics. "No, I am fine, really," was the quiet response.
"Then it is your makeup. It is inappropriate to the occasion. Do attempt something more subdued for breakfast and day-wear in the future. It will help you. . . draw less attention when we are out on the town again, eh?"
"I TRIED," was the femininely turned out boy's knee-jerk reaction to Jane's barb, but the recovery was just as quick. "Sorry, ma'am. I'll try to do better. Perhaps Ms. Marie can show me a few more tricks today."
Inwardly pleased with both the initial reaction and the speedy retrenchment, Jane nodded. They could accomplish a great deal of teaching in the week or so it would take those colors to completely fade, particularly if this change of attitude on Victoria's part continued. "A capital plan," she agreed briskly. "I think we will have you spend the morning working with Marie, first on your cosmetics application and hair arrangement, and then you will help with the luncheon preparations. Then, this afternoon, I will give you your first riding lesson. You will need to become a proficient rider since I fully intend you to participate in our local Thanksgiving Parade this year as one of the equestrians."
"Riding?" Victoria looked horrified. "Rider? Equest. . . ? You mean RIDING? Like on a HORSE?" The last word was a squeak.
"Yes indeed. A very ladylike exercise," Jane replied as she poured coffee into her cup. *And one that you apparently fear. Which means I will have you precisely where I want you - teetering on the emotional precipice with only Marie and I to hold the safety line. Excellent.* "Yes, I think you will look simply superb in a Victorian riding habit seated side-saddle atop a tall, powerful stallion. A side-saddle is a little less . . . stable than riding astride, but it's really not all THAT dangerous."
The slightly green-about-the-gills look on Victoria's face clear showed how little that appealed to the younger person, but this time, her control didn't break . "Coffee, dear?" Jane asked, all sweet solicitude.
Suddenly, the mood was interrupted as the kitchen door slammed open, a stricken Marie stood there obviously bracing herself against the jamb. "Jane, something horrible has happened. . .the television. . . oh god, do we know anybody who works at. . . you've got to see this to bel. . .it's UN-believable . ."
Jane was instantly out of her chair, everything else forgotten as she went to tend her best friend. She was only dimly aware that Victoria had also moved to Marie's aid as they each took an arm to help the badly shaking woman to a chair. "Now, tell me, Marie," Jane said in a softly caring tone of voice that Victoria had never heard from this stern woman before, "What has upset you so?"
"New York, Jane," Marie rasped out, "Oh God, there's been a terrible accident - the World Trade Tower . . . a plane just hit it."
Sadly, by 9:30 that morning, it was painfully clear that the first crash had not been an accident. Jane, Marie and Victoria joined a shocked world in watching as another plane crashed - this one into the second World Trade Tower.
And then came the report of yet another aircraft suicide attack - this one into the Pentagon.
Although numbed by her own shock, the empathic Marie still saw the change in her old friend at seeing the video that accompanied the verification of the Pentagon attack. With that recognition came understanding. Struggling at least to appear calm and in control of herself, she rose and placed a gentle hand on their student's shoulder. "I think, Jane," she offered softly, "that I will take Victoria up and begin her lessons for today. You'll be all right, won't you?"
For a moment, Jane gave no response other than rapid eye movements from Marie to Victoria and then back to the grim pictures playing from the small television monitor. "Jane?" Marie asked again, more firmly this time.
"Ye. . yes, of course," she finally managed, and then made the effort of will necessary to put her student first. "She needs to learn how to correct. . .unfortunate color selections. Her cosmetic choices today are not appropriate for informal day-wear." If Jane's voice lacked its usual steely power, only she and Marie recognized that deficiency.
It was only after Marie had led the suddenly-acquiescent child from the room that Jane recalled she had not discussed her plans for Victoria's morning with her partner before that moment.
Then Jane made a frantic grab for the antique phone on her desk.
Chapter 7: Lessons Learned Hard
Anything, Victoria told herself, any distraction at all was better than listening to by now repetitious drone of the talking heads on the television and radio stations. "Ms. Thompson said you'd help me with my face?" she prodded the older woman after Marie's attention had slipped away yet again.
"Your face?" Marie asked quizzically in the absent tones of distracted.
Frowning, Victoria resisted the urge to snarl. *Like I really want to play this game anymore,* she thought before pointing to the starkly rendered highlights on her eyes, cheekbones and lips. "Remember? According to Ms. Thompson, I, uhmm, was a bit too colorful for the breakfast table this morning," she added with what she hoped was a self-deprecating grin.
"Oh. . .OH, I see," Marie finally managed after following the student's gesture and recalling Jane's use of the special deep-dying cosmetics. She gave Victoria a more careful examination and then nodded in understanding. "Yes. You tried to paint pastels over the brighter colors, didn't you?" she asked. At Victoria's nod of admission, the Frenchwoman smiled gently. "Full marks for trying, dear, but you can't cover up such intense colors with lighter ones, anymore than you could cover up dark colored walls with plain white paint - you make just the tiniest mistake and the dark shows through like a sore thumb."
"So what SHOULD I have done? Would any of this stuff," and Victoria waved her hand over the tube-and-pot-covered vanity table, "have done me any good this morning? Or was this just another of those unpassable tests of hers?"
The sharp edge in the young person's voice brought Marie back to her role in this drama directed by Jane Thompson - that of apparent guide/companion to the student. "No such thing," she retorted more briskly. "You simply needed to take a different path to achieve your goal. Instead of hiding the color, you need to use more color to shade, blend and ultimately tone-down what you already have on. That way, any mistakes are not so obvious. Like this."
Almost operating on automatic now, Marie stretched her hand out to make her first selection only to freeze in place when yet another announcer began yelling over the radio, announcing the catastrophic collapse of the second World Trade Tower and conjecturing on the potential loss of human life. It was the last straw for the very softhearted woman, and she broke down into wracking sobs. "I. . . I can't do this," she finally whispered. "I just can't."
With a gentleness that would later surprise both of them, Victoria reached up and took the hand that still hovered over the ornate vanity table. "Why don't we let this go until another time?" she asked, her own voice cracking with emotion. "I don't think I'd remember much of these lessons anyway."
Suddenly, the two were locked in a tight, grief-sharing embrace; offering and accepting comfort in ways that neither would have believed possible mere hours ago.
When they finally broke apart, both knew that something fundamental had changed between them, although neither could quite describe how or what. For several more moments they regarded each other through tear-damp eyes, their hands gripping the other's forearms, their bodies still close, as they sought to maintain that comforting physical and emotional contact just a while longer. "Well," was all Marie could manage as she finally broke eye-contact with Victoria.
"Why?" the young person managed to get out.
"Why what, dear?" Marie asked. "Why did I fall apart?"
"No. .. no, not that . . I mean, why did whoever did that. . .," and her eyes went to the radio before coming back to stare starkly into Marie's own dark ones, "Why did they do such a horrible thing?!?"
Marie sighed. "I don't know why," she admitted. "Some might say they have issues with the United States and that justifies them striking at us anyway they can."
"But they didn't strike against the people who make the decisions, or who they have issues with," Victoria replied. "The people in those towers were . . were just ordinary folks. If they wanted to fight us, surely they could have picked a better target."
Marie's eyes flashed black with anger. "Ha! They're not after a fight, they're after fear. They know they can't really fight us because they'd lose and they can't allow themselves to appear weak. Other people's fear makes them SEEM powerful, makes them FEEL powerful, but the truth is that they're just cowards. That's all they are - coward, plain and simple. They think that someone has hurt them, and okay, so maybe that is true. Perhaps by not giving them something they wanted but did not really deserve - whatever - but they are too cowardly to strike back at the ones who have 'harmed' them, even by their own idiotic definitions of 'harm'. So they strike at the innocent and helpless instead.
"But . . that makes no sense."
"Who said something this. . . abominable has to make sense?" Marie snorted. "Someone, I think it was Stalin, said that the purpose of terrorism is to terrorize - to make ordinary people more afraid of the terrorists than the terrorists are of the ordinary people. They seek to make the normal everyday life too frightening; they want to deprive their victims of something they value in order to elevate themselves and their cause."
"But you called them cowardly," Victoria countered. "They - the ones who flew the planes into the buildings - they just died for their cause, didn't they? I mean, they had to know they would die when they crashed the plane directly into the buildings, right?"
"Phaugh!" Marie gave a derisive toss of her dark hair. "Suicide has often been considered the 'coward's way out' and for a very good reason. A quick death is a *lot* easier for THOSE types than truly working to solve the *real* problems we face. Those animals didn't suffer, and knew they wouldn't. Don't tell me that showed any courage."
"Still. . . "
"Still, nothing, child," Marie interrupted firmly. "I don't care if they all want to kill themselves. But taking out their anger at someone THEY fear, by committing mass murder on defenseless third parties just because those people are easier targets, well, that's just plain cowardice."
"I. . . I see," Victoria finally managed to grit out. Swallowing hard, she eased further back from Marie, at last letting go of the other woman. "Ummmm, Ms. Thompson said I was also to help you in the kitchen - for lunch preparations."
Marie considered that, and then shook her head. "Let's take a pass on that for today, Victoria. I need some time by myself for a bit, and besides, lunch is going to be very simple today. I'm not up to preparing anything more complicated than Campbell's soup and a sandwich." At the surprised lift of the younger person's brows, Marie felt a grin twitch. "I'll tell Jane it was my idea. You try to rest until lunchtime. I think we'll all need some time to deal with this. . .this horror."
Chapter 8: Recognition - Phase 2
"Cowards," he repeated the word for what had to be the tenth time since the older woman had left. The taste of it on his tongue seemed to become more bitter each time he said it. Lord, but he wished he'd never asked Marie anything, that he'd just kept to his plan to follow whatever orders the Thompson woman gave to the best of his ability - to do whatever the hell it took to get out of this pink-and-satin-madhouse and back to his real life.
It was the second instance where 'cowardice' and 'lack of intestinal fortitude' had come up in just the past few days. The first had been during the challenge that had ultimately led to his decision to get with the program here at Seasons House.
Victor wondered if HE would ever be able to let himself live that down.
"Coward," he said again, his eyes filling. How had Marie defined that term? "Hurting innocents because you've been hurt and can't or won't try to do anything about the real problems. Just hurting to make yourself seem more important."
Victor had never felt so alone nor so unhappy in his entire life. The memory of Marie holding him, of him holding Marie swamped him and then he remembered the comfort that moment of sharing had given him. Except, he thought as hot moisture began to trickle down his cheeks, Marie wasn't here, and besides, why would SHE want to . . . do THAT with him, anyway? Thoroughly miserable, the teen rose and began to wander aimlessly about the frill-bedecked room.
And then his eyes fell upon the bed, and on the bed in it's place of honor was Pooh. Victor had never so much as touched that teddy bear in all the time since arriving at Seasons House. Victoria had only handled it when ordered to do so by one of the two older women in conjunction with one of their exercises. After all, cuddling a stuffed bear was not something a teenager should do, particularly a teenaged boy. However, Victoria found it impossible to pull her eyes away from good old Winnie.
Suddenly, appearances no longer mattered to the distraught youngster. Victoria let out a barely-stifled cry and hurried over to the satin-quilted bed and the large furry stuffed toy. Without considering her clothes, the girl-boy threw herself upon the bed and wrapped herself about the oddly-comforting toy.
*God, what a horrible day!* she cried as she hugged Pooh to her, *What a horrible, horrible day!*
How long she cried, Victoria did not know - only that the tears helped - at least a little. Still clutching the comforting toy to her stomach, she rolled over so that she could see the glowing numerals of the digital clock radio. Lunch would be served soon, and her face was a mess. *Ms. Jane would have a coronary,* she thought. *And my clothes and petticoat are so badly wrinkled and bunched, I'd be lucky to be let off with just one of her killer lectures.* On top of everything else, that seemed to be a small concern, but Victoria decided she'd just as soon not face THAT, too.
Much to her surprise, she realized she felt better - the stifling tension, at least, had eased. *Is that because I cried?* she wondered as she disengaged herself from Pooh's now more-than-slightly-damp clutches, and then decided she wasn't ready to know the answer to that question.
Stiffly, she arose from her bed, carefully settled her new friend in a place of honor on the vanity and considered just how she was going to repair the damage her mirror revealed. "I just wish there was something more I could do, Pooh," she said as she began to cleanse her face. "Something that would really help, you know?"
Pooh, unfortunately, had no ideas to offer either or at least, none that he chose to share with the wan-looking teen. Sighing, Victoria reached over to turn on her radio, unable to resist the urge to 'know the worst'.
". . . and now a message from the Red Cross," the radio announcer excited tones grated through Victoria's rattled emotions.
Chapter 9: Student at the Brink - Opportunity and Crisis
First, a piercing, three-pitch tone, several decibels above the threshold of pain, nearly deafened Jane, then an oddly metallic feminine voice added unnecessarily, "Your call cannot be completed as dialed. All circuits are currently busy. Please hang up and try your call again later."
For several moments, Jane could only stare at the receiver clutched tightly in her white-knuckled hand. "Damn them," she finally whispered at no one in particular before repeating the words again, louder. Then, she felt herself crack and she began to sob. "Oh, god, Will," she cried, not even hearing the electronic beep that signaled a phone too long off its hook.
"Is there anything I can do to help, Ms. Jane?" a soft voice asked, breaking through Jane's misery. She looked up to see an elegantly dressed vision standing in the doorway, looking at her uncertainly.
*My God, is that Victor. . .I mean, Victoria? Why, she's . . . she's lovely.* "Vic. . Victoria," Jane managed to get out before adding, "What are you doing here?"
Jane watched as her suddenly different student glided into the study. "That's why," the girl said, pointing one pink-tipped finger indicating the devastation pictured on the small television Jane had been watching. "I need to talk to you about something I heard on the radio."
Jane considered that for a few moments and then moved over behind her desk. "Sit down, Victoria, and tell me what you want," she ordered. *Whatever this is, I don't want to deal with it right now,* she thought. With an extreme effort of will, Jane settled herself in her chair and focused on her student. Obviously, Victoria wanted something quite badly if she would willingly brave the study to seek her teacher out. *But I have no choice, do I? Perhaps dealing with whatever is bothering her will give me something else to think about - for a few moments, anyway.*
The girl sat, quite properly, too, Jane noted, and turned to face her guardian. There was something different about her, too, an openness in her eyes that Jane had never seen before. "The radio said the Red Cross needs blood donations," Victoria began quietly, "They especially need O-negative - the Universal Donor blood-type because of the emergency stuff they're having to do at. . .at . . . the, well, at the Towers." She paused for a moment and Jane watched the girl gather herself. "I'm O-negative and I would like to give."
Jane felt her mouth fall open in shock. She hadn't known what to expect, but even so, that had been the last thing she would have anticipated from this student. *Heavens, from ANY student. 'Hey, Aunt Jane, let's go down town and give blood, okay?' WHAT IS GOING ON INSIDE THAT BLONDE HEAD!?!* "I see," and then she finally managed to ask, "Why?"
"Because they need the blood," Victoria repeated in a tone Jane thought was just a bit sharp, "for them."
Jane followed Victoria's gesture only to feel the tears burn anew as scenes of a smoking Pentagon wall filled the screen. "It really hurts you," Victoria said with a perception that surprised Jane, "What's on the television. Did you. . I mean. . ."
"Did I what?" Jane asked softly.
"Know someone who might. . might be in there?"
Jane wondered why the girl would even care, but smiled when she saw the discomfiture that bespoke the girl's own surprise and real interest. *Maybe she really does want to know. Why not tell her? That much isn't a secret.* "One of my gir. . uh, students, works in the Pentagon," she finally admitted. "I haven't been able to reach he. . him or . . . his family. The phone circuits are overloaded and I couldn't get through. Now they're asking non-essential calls to New York and Washington be curtailed."
"They said that the part of the Pentagon that was damaged was mostly empty - on account of it being renovated," Victoria said, offering encouragement as best she could.
"I hadn't heard that," Jane admitted, too focused on her worries to notice, let alone correct Victoria's grammatical error. "Are you certain of that?"
"As much as I can be. I know I heard that at least twice on the radio." Jane nodded, and then Victoria asked, "Was. . . your student, that is, in the Army?"
"No," Jane answered with a shake of her head. "Marines, actually."
"There's a difference?" Victor's voice asked.
"According to the Marines, there is a world of difference, child," Jane replied, a single brow lifted to show she had not missed THAT verbal gaff. *Given everything that is going on today, I'm surprised she is doing as well as she is. We can let that one slide, I think.*
Silence grew between the two as the repetitious and unchanging reports of destruction, disbelief, terror and growing anger sounded from the television. After several minutes, Victoria did begin to fidget in her chair. "Ms. Jane? About my request?"
"To give blood? I must ask you again, why do you want to do that? Is this some scheme to get out of your skirts, Victoria?" Jane demanded baldly, her eyes fixed on the girl to see how she reacted to the question.
"No," her student replied with an aura of calm that surprised Jane even more. "It's not a scheme or anything else. I just need to . . . to do. . SOMEthing!"
"Really? Well, I am sorry, but I'm afraid that is out of the question," Jane said with what she hoped was some semblance of her usual sharp tones. *Mostly because there is no way you'd be anything but very effeminate, even in your trousers and I won't have you humiliated when doing something that selfless,* she added mentally before continuing.
"But the newscasters said they really need the blood!" Victor's voice protested.
"As I told you after our little trip to the mall, you're in skirts until I decide you've earned the privilege of trousers." The vivid blush on her pupil's cheeks told Jane just how clearly Victor/Victoria remembered that recent experience. "A stipulation, I hasten to add, to which you agreed quite readily just this very Saturday, in fact."
"I know that, Ma'am," the girl said softly. "That's why I dressed so carefully. I don't think anyone would question me dressed like this. We could go and give blood right now. No one would have to know that I'm. . .that I'm anything other than what I appear to be."
"I see," Jane said, somehow keeping the utter shock she was feeling out of her voice, "but I don't think that will work. I'm fairly certain that they, that is, the people who would be taking and using your blood, would need to know you are really a boy under that girlish finery. When they will test your blood, they'll find male hormones instead of the female ones they expect. The Red Cross might well have to discard otherwise perfectly acceptable blood. That would be a sad waste."
"So?" Victor's voice cracked through again, but he pressed on as Victoria. "We just tell them who and what I really am once we're inside the clinic where they take the blood. I can do that. I WILL do that, Ms. Jane!"
*Amazing,* Jane thought shaking her head, *I really think she means that. She'd most likely recant at the last moment, but right now, she actually believes she means it. That alone heralds a change in attitude that can only be positive.* However, Jane replied, "No, you will not. I do not choose to have it become general knowledge that some of my students are . . . 'troubled.' That would cast unwarranted aspersions on prior students and those to come after you. We must solve your problems without harming others in the process. And I believe your experiences this previous weekend demonstrated the futility of you trying to appear masculine?"
A stubbornly determined frown lined the prettily made-up face. "If that is what's required, then that's what I'll do!" At Jane's challengingly lifted brow, Victoria continued. "I'll go to a clinic, dressed just like I am right now. I'll tell them I am a really a boy who's being punished by being made to wear girl's clothes, but . . . "
"But?" *ah- HA! Here it comes. 'Couldn't Miss Marie hide the girlish parts, Ms. Jane? Just until we get back?' or some such plot. I'm almost tempted to accommodate her, but I'd have to watch her like a hawk. And she still might slip away. I just cannot risk it.*
"Well, I sort of figured you must know someone in the medical field - in case I got hurt or sick, you know? Someone who could take my blood, fill out the paperwork correctly, but not give away my secret?"
A thoughtful look crossed Jane's drawn features, but "I'm not sure that would work," was all she said.
"Would you at least check, please? And if that won't work, then I still want to donate the blood they need, Ma'am, even if it means admitting to. . .," Jane saw the child had to swallow hard before she could continue, "to being a boy who likes to wear girl's clothes and stuff . . . or to being a boy who's being punished by being made to dress up like a girl."
*There is someone,* Jane thought of Nora Bedford, her nurse friend who was part of her little circle of helpers, *But she may be too busy for such things just now.*
"I see," Jane finally managed as her own emotion-fogged brain tried to make some sense of this unanticipated development. *Hyperbole or truth? Can Victoria actually realize what that would mean to her future? The potential harm she might suffer if it became known she crossdressed? Surely not.* In the end, all she did was ask, "Why? You're telling me that you would break your cover just to give blood? Again, I have to ask why?"
For the first time since Victoria had stepped into the room, her emotional control slipped and having slipped, shattered altogether. Jane watched as the girl-boy again swallowed hard and closed her eyes tightly to fight against the need to cry, but it was a losing battle. "Because. . . because. . ."
"Because why, child?" Jane prompted as she handed the girl a tissue.
"BECAUSE I DON'T WANT TO BE LIKE THE ONES WHO DID THIS!!" she burst out and then bolted from the room, slamming the door behind her.
Chapter 10: One Small Step for a Cross-Dressed Boy
For several moments, Jane could only stare at the still vibrating door. Her emotion-overloaded mind struggled to make some sense of that confrontation. "Damn!" Jane sighed finally, "Why now, Lord? How am I supposed to deal with a student's major transition crisis point when I am having a crisis of my own?"
Jane allowed herself to wallow in a few more seconds of self pity before literally shaking herself. She would deal with her student's crisis because that was what she did - helping her boys when they needed her help. And because this cusp looked to be the culmination of everything she had worked for since the moment she'd first met him at the Kingston Train Station - heavens, since the moment she had first read through the record provided by his social worker.
"Might even take my mind off. . .Wilma. . . I mean, William," she whispered to herself.
Jane took one last look at the smoke-dominated New York skyline before switching her television off. Squaring her own shoulders, Jane strode off to the kitchen to find Marie.
"Amazing," Marie murmured after Jane had described her session with Victoria. "And you think he'd really do that?"
Jane let out a frustrated breath and sat down heavily on one of the kitchen stools Marie used when teaching cooking to a student. "I really don't know. After his behavior at the mall, I'm surprised he'd offer to go out anywhere in public, let admit publicly to being a cross dressed male. I'm almost tempted to try setting something up just to see what the child would do."
"Well, Victoria certainly surprised me during our lesson this morning, let me tell you," Marie added as she began to prepare Jane's favorite tea.
"Surprised you? Do tell me how, please."
Marie quickly gave Jane the highlights, concluding with a description of their emotional-charged hug.
"Amazing, indeed," Jane replied pensively. "And you're quite convinced that was not part of some type of deep ploy on Victoria's part?"
Marie's rude snort would have shocked their student. "Not a chance, Jane. I know real emotion when I see it and feel it, and that child *needed* to be held; needed to hold someone else in return. I can't say she needed to hold me because she sensed my own need, but there was nothing devious about her. Heavens, no child is that Machiavellian."
"Let us hope not," Jane smiled as she accepted the fragrantly steaming cup Marie proffered her. "I must say, though, that if this is the critical point in Victor's first phase, it is unique."
"Never had a boy want something so badly that he was willing to admit being dressed as a girl to a stranger to get it, have we?" Marie said with a hint of the mischievous grin she usually took care to hide from Jane's boys.
"No, we haven't, which leads to the key question. What do we do about it? If we ignore this opportunity, or do nothing with it, who knows when or IF we'll get another chance with this one. Lord knows but he's been a royal pain in the. . . he's been rather difficult to date."
"Oh, I know precisely where this one has been a pain, dear, but couldn't you set something up? I'm sure Nora would be willing. How about Michael? He's a medical resident now, so he's a licensed physician, and depending on how you set it up, he could be either Michael or Michelle."
"Michael or Michelle?" Jane asked aloud even as she mulled over the possibilities presented by Marie's idea.
"Michelle, if you think keeping this 'just between us girls' is still the best idea, or Michael, if you decide that forcing the issue of having our dainty young tough admit to an unknown adult male that he is a boy underneath all that lace and satin might have some benefit. We've never tried anything like that before."
"And therefore have no idea what might happen if we tried."
Marie gave a Gallic shrug of her shoulders. "So, have Michelle attend him, and then later, if you think of some way to further your aims in that direction, have Michael appear on the scene, admitting to having been Michelle."
"Let me think about it," Jane said, finishing her tea and rising to her feet. "In the meantime, I will call Nora and Michael to see if they can even help with this little project."
"Ask Michael about Michelle versus Michael. After all, he is a psychiatrist now," Marie put in.
"ONLY a *resident* psychiatrist," Jane retorted before smiling. "But I will ask him anyway. Thanks, dear."
An hour later, Jane was back in the kitchen. "Marie, have you seen Victoria? I just got off the phone with Michael and Nora and I think we have a workable plan in place. At this very moment, in fact, Michael is heading for that clinic he volunteers at on weekends. Nora will meet us there, in her 'nurse-role' at about four PM - just before the clinic's doors close for the day. She'll escort Victoria back to the examining room and take her personal information for the record, whereupon our little Miss will have to decide whether or not to divulge her little secret."
"What if she doesn't?" Marie wanted to know.
"Nora will correct the personal information per my direction. Victoria is correct that there is a real shortage of the O-negative blood type and it would be thrown away if the indicated sex of the donor did not match the blood chemistry. Then I'll figure out some way to get our student to admit she wimped out at the critical moment - again."
"And if she tells Nora the truth?"
"Then Michael will come out and interrogate her a bit, just to see what she'll say, and call me into the examining room to question me."
"Isn't that pushing the child a little hard?" Marie asked. "After all, as we both agreed earlier, we've never gone this far before."
"My money is that she won't admit to being a boy, anyway, so what we're really doing here is setting the stage for the next scene in our little drama of Little Red Riding Victoria and the Big Bad Jane. I'll go get dressed while you find Victoria and help her dress. Something feminine, but not prissy. There ought to be some reward for at least offering to go so far. Still, with any luck, there still might be a patient or two in the waiting room when we arrive."
"I told her to rest before lunch, Jane. She is probably in her room."
A frown creased Jane's smooth brow. "I already went there first," she told her friend. "Actually, I was rather surprised she wasn't down here helping you with lunch."
The shorter woman gave a Gallic shrug. "Maybe she went for a walk - to escape the radio and TV coverage. Lord knows I wish I could stop watching and listening."
"I'll go check outside," Jane said striding for the kitchen door. Moments later, she was back, a very worried frown marring her handsome face. "Old Tom said he hasn't seen her all morning - nor has Young Tom. Help me look for her, Marie. Maybe it's just nerves and tension from the awful things that have happened today but I have a bad feeling about this."
A quick search of the mansion turned up no sign of Victoria until they began a second search through the girl's room. "What's that?" Marie said looking at the vanity's table top. "That wasn't there this morning. . . "
Jane watched as Marie picked up an unsealed lavender envelope and extracted from it a matching sheet of scented stationary. The dark-haired woman's eyes went wide as she scanned the note before passing it towards Jane.
"Dear Ms. Thompson and Marie," Jane read aloud,
"I understand your concerns about my wanting to donate blood, but this is something I have to do. I promise I will return once I've finished. I know you have no reason to trust that promise, but one sin I've never committed is to break my word of honor once I've given it.
I will, of course, accept whatever punishment you decide this deserves, even if that means going to juvie. I should be back no later than seven o'clock. I have your phone number and will call if I get into difficulties. You can decide if you want to help me out of those.
Yours Sincerely,
Victor/Victoria."
Jane let the hand holding the note drop limply to her side and for a moment, could only stare at Marie. "The little fool," she finally managed. "What if she. . he gets hurt?"
"There's not much traffic this time of day," Marie put in. "She can't have reached the main road yet, even if she left right when you first came into my kitchen."
"You're right," Jane said, thinking quickly, "especially if she didn't change because the two-inch heels she was wearing when she came to my study will make for hard walking."
"Those two-inch heels?" Marie asked, pointing to a carelessly discarded pair partially hidden beneath the make-up table.
"Damn!" Jane breathed. "Well, if she took the time to change, she still can't be all the way to the road. I'll follow in the car while you. . ."
A single palm came up in the 'Stop' signal as Marie shook her head. "I'm going with you, Jane."
Jane wanted to argue that it would be better if someone was by the phone, but could tell that her friend would not be put off. Rather than waste anymore time, she simply acquiesced. "Oh very well. I will get the car - you set the phone to automatically forward any incoming calls to my cell-phone. I will meet you out front in two minutes."
Two and half minutes later, Jane's beloved black Lincoln roared out the gates of Seasons House, heading down the scenic country road that led to the nearest main thoroughfare. Another four minutes and two miles later, they found their quarry, jog-walking down the berm of the macadam-paved roadbed in the direction of the main road to Kingston.
"My god, I don't believe it," Jane breathed as she pressed down on the car's accelerator.
"Can't believe what?" Marie asked, her eyes locked on the now-aware and sprinting figure.
"I can't believe how he's dressed," was the answer. "After what he went through Friday, I thought he'd never put those things on again. It's why I didn't tell you to remove them from Victoria's armoire. I thought they'd be a useful threat down the road."
"Guess he found another use for them," Marie said sardonically as she too recognized Victor's mall-outing ensemble. "Although *he* doesn't look much like a *he* in them."
"That was the point, dear, now get ready to jump out - I'm going to cut him off. It's time to put an end to this farcical chase scene."
"What a DAY!!" Jane cried as soon as Victor had gone up to Victoria's room to change and she and Marie were again alone in the study. "It's enough to drive a sane woman to drink and I am beginning to doubt whether I am particularly sane or not."
"What will you do next?" Marie asked quietly.
Eyes, stark with concern and still red-rimmed from more than one bout of tears, stared back at Marie. "I just don't know, Marie," Jane finally admitted after a long pause. "On one hand, what he was attempting to do was . . . I don't know, incredibly stupid. Suppose he'd gotten picked up by some. . . some pervert out there? Dressed as he was? Made up as he is? Oh, god, Marie. . ."
Instantly, Jane found herself enveloped in Marie's arms. "It didn't happen. Nothing bad happened."
"But it could have!"
"But it didn't, and now you have to decide what to do next. It was a rather noble thing to attempt, you know," Marie added. "After his rough experiences last weekend in that very outfit, no less. I'd say that bodes rather well for the next stage of his program, eh?"
"If he'd managed to get there and if he'd actually submitted himself to the scrutiny and potential humiliation of so public an appearance," Jane sniffled into Marie's comforting shoulder.
Marie patted Jane's shoulder comfortingly. "Well, you could always see what he'd really do - see if he really meant what he said."
Jane went very still before pulling back so she could see Marie's face clearly. "How?" she asked, one brow quirked in challenge.
"Well, you haven't told Victoria that you've set anything up, right?"
"There hasn't been time. So?"
"Well, come into my kitchen, and let me tell you my devious little scheme."
Chapter 11: Blood Will Tell
It was strange, Victoria reflected as she sat in the antiseptic-perfumed ambiance of the storefront clinic's waiting room, to feel both hot and cold at the same time. The 'hot' part was relatively easy to explain - that the room's air conditioner was either broken or turned off as a money-saving measure. The stuffy, small, windowless room with its stained pastel walls and cracked-vinyl furniture had to be over eighty degrees - WELL over eighty degrees. The cold she sensed, however, came from inside - from that freezing knot deep in her gut that seemed to grow bigger every moment she sat there.
Waiting.
*At least we're alone now,* she thought with some relief. There'd been a young mother with a cranky baby waiting for the doctor when Ms. Thompson had ushered her into this room. Thankfully, the woman had been too busy trying to calm the child to look too closely at Victoria, and the infant's loud wails had made conversation, even lectures, impossible. *Every silver lining has a cloud,* she mused ruefully.
A nurse entered the waiting room and looked down at her clipboard. "Victoria Denato?" she asked.
"Yes, Ma'am," she answered softly.
"If you'll come with me, please," she ordered, turning on her heel.
Victoria rose to her feet and straightened her skirt. "Ms. Thompson?" she asked hesitantly, looking down at her guardian who made no move to rise.
"Just go and get it done, Victoria," Jane ordered, her features stony.
"Yes, Ma'am," the girl repeated and then turned to follow the nurse. *Guess it's not surprising she is still pi. . .I mean, upset,* she thought. *She sure was angry when she got us home and there hasn't been all that much time for her to calm down since. Well, at least I'm getting my chance.*
Jane had ordered Victor to Victoria's bedroom immediately after they'd arrived back at the house following his abortive attempt to get to Kingston. A short time later, she had entered into her student's bedroom with Marie in tow.
"So, you want to donate blood, eh?" she'd stormed at him. "So badly that you break your promise to stay here and obey my orders? Your promise to stay in skirts until *I* decide you've earned the privilege of trousers once more? Well, we _could_ have worked something out that didn't put your secret identity at risk - _could_ have arranged for you to donate time at the blood bank helping prepare the donations of others. That would have been just as helpful. Or you _could_ have helped collect blankets and clothing for those who lost their homes. There are a lot of ways you could help those poor people that would not require you to break your promise to me by running away."
"I'm sorry, I . . .I couldn't do that . . . I mean, I couldn't help in the blood bank, . . .but . .but, well, I just had to give blood back to make up for . . I mean, giving blood was just the right thing."
"Well, right or not, it is certainly the thing you're going to do now - today, in fact. Unless you chicken out at the last minute and faint at the sight of the needle or do something equally girlish. As to how you deal with the truth of your identity, you're going to have to decide for yourself just how to address that little problem, but you ARE going to the clinic. Understand?"
"Yes, Ms. Thompson," Victoria had answered, her voice very small.
"Very well. Marie will help you dress. Do TRY and at least LOOK like a young lady, if you please? I would prefer not to be humiliated by a student yet again this day."
After that scene, Victoria had fully anticipated being rigged out in one of Jane's 'Raggedy Anne/Shirley Temple' abominations, but the outfit wasn't all that bad. Actually, all things considered, Victoria reflected as she entered a cramped examining room, Marie's selections were really very attractive. A white blouse, tailored skirt and blazer, hosiery complemented by matching heels and coordinating jewelry completed her presentation. *If my hair were auburn instead of this bleached blonde, I'd look almost like a mini-Jane,* she realized, a thought that was oddly pleasing to the confused teenager. *Look, Ma, I'm a growed up girl - just like you!*
"If you'll take off your blazer, Miss Denato, so I can take your blood pressure and pulse, we can get the paperwork filled out so you can donate. I must say, you are a very brave girl to be willing to do this, and we do need your type of blood just now. . . well, you know why."
"Yes, Ma'am. . umm. . Nurse Bedford," she said, reading the name tag pinned to the woman's uniform lapel, "I had to do something, you know?"
"Well, if you will fill out this form for me," Nurse Nora Bedford said with a smile, "I will get set up for you in there. Be just a minute."
The nurse left and Victoria scanned the form - and stopped. *Sure didn't have to read far, did I? Third block after I fill in my name - Sex: M or F. I could get away with just putting 'V. Denato' down for my name, but if I leave the sex block blank, they'll just ask, and if I lie, Jane said that they will have to discard the blood.*
The mocking look on Jane's face when she'd told him he could go 'girly' came back to him, followed by the darker memories of that morning's disaster in Manhattan. Swallowing hard, Victor/Victoria picked up the pen and boldly marked the form.
Moments later, the nurse returned to take her into the room where the donation rig was set up. "You just take a seat, dear," she told Victoria and pointing to a chair. "The Doctor will be with you for the final checks before we start. Since you are still a minor, we need both your guardian's and the doctor's okay before we draw your blood. Only be a minute."
Jane looked up from her conversation when Nora walked into the small office. "Well, Michelle," the nurse began with a grin, "You ready to go on, dear?"
"Doctor Nash, puh-lease, Nurse," the other person in the room said with exaggerated hauteur, "You don't want to slip up when we go in there, do you? Or are you telling me that 'Plan XX' is on for tonight?" Michael Nash, MD asked as he walked over to the table where a wig-stand held a blonde wig attractively done-up in a tight, professional-looking French braid.
"Well?" Jane demanded. "How did she fill out the form, Nora? Does Michelle unmask Victoria, or does Victor explain to Michael why he is here in skirts?"
Nora grinned again, and passed the completed medical form to Jane who looked at it, and then repeated herself. "Well."
Victoria had wanted to run at least four times since the nurse had left the room, but in the end, had stayed where she was. For one thing, she wasn't going to give in this time. She'd made her commitment and she would see this thing through. For another. .
Her thoughts were interrupted when a slim, not-very-tall young man in old-fashioned horned-rim glasses entered the room followed by the nurse. He had a stethoscope hanging about his neck and a frown on his face. "Excuse me, Miss Denato," the doctor whose name tag marked him as 'Dr. Nash', but we need to clear up a mistake on your form here. You must misread the 'sex' question because you 'x'ed the block for males."
Victoria swallowed hard, *I seem to be doing a lot of that lately,* she thought numbly. "Ummm. . .it. . .it wasn't a mistake. I really am a boy. My name. . . my name is Victor. . Victor Denato."
Light blond eyebrows went high on the doctor's forehead. "Victor? Pardon me, Miss. . umm. . Vic, but you don't look like a Victor. I think you need to explain this to me."
Closing his eyes, Victor stifled yet another urge to flee. He'd known this was coming, and had done little but think about his answer ever since Jane had come into Victoria's room to order her to dress for this excursion. It had occurred to him, right from the beginning, that he could get the Thompson woman in very deep trouble if he played this scene out right. Bleeding heart doctor, the kind who worked in a knothole storefront clinic like this, would probably be willing to believe the worst about Victoria's situation. Probably go running off to social services so fast it would make Jane's head swim.
But he wasn't going to do that, which didn't leave him a great many options. There just were not many reasons a boy could use to explain wearing girl's clothing - not without the person receiving the explanation concluding that either Victor or Jane or both were in serious need of a headshrinker's help. He'd even thought about hinting that he was considering that operation he'd read about - the one where they made a guy into a girl - and was practicing - just to find out if that was what he wanted. But there were dangers there, too.
*When all else fails, tell the truth, right?* Victor almost had to force his voice down to his 'normal' range. "Well, Doctor, I have this problem - with my temper?"
The doctor simply stared at him, giving no indication of what he thought about that. *You'd almost think he'd taken 'stone-face lessons' from Ms. Jane,* Victor thought resigned. "Well, it's like this. Ms. Thompson thought, and I have to agree, now anyway, that being. . . well, dressed like this, sort of forces me to stop and think before. . .well, before I do something bad."
"Bad?" Doctor Nash asked. "What do you mean by 'bad'? And how does looking like a young Britney Spears stop you from doing that something bad?"
"I beat up people, Doctor, all of them smaller than me, when I get mad," Victor admitted in a very quiet voice, and for the first time, felt ashamed of that particular fact. "Or I used to, that is. I'd get upset at someone. . .someone I couldn't. . .someone I didn't think I could take because he was bigger than me, and so I would take my temper out on someone I could take. Ms. Thompson thought being in a dress, having to act like a girl, I couldn't, you know, do that without people figuring out I'm a guy. If I got picked on for being small, that would be nothing to what I'd get if people thought I was a, well, a sissy."
"That's the truth?" Dr. Nash pressed, "You're sure you are not being abused here by that woman? Just give me the word and I'll call Family Services. You'll be out from under her control in five minutes."
Victor felt himself go very still. Here it was - his way out, and he hadn't even tried to make it happen. He could probably pull it off without even saying a word just by looking really worried or scared.
*. . . .'That would cast unwarranted aspersions on prior students and those to come after you. We must solve your problems without harming others in the process' . . .* he remembered Jane saying. Did he want to be responsible for that? After all, who were those people to him? *No, _I_ must start solving my problems without harming anyone else in the process.*
Victoria schooled her features and smiled tremulously up at the doctor. "It's not abusive, sir, and it IS working. For me, at least," she said with as much confidence as she could muster. "Ms. Thompson was right about thinking first now. This is my choice."
The young doctor remained impassive for several moments and it took all of Jane's hard-taught lessons for Victoria to keep herself from squirming or from looking away from the steady gaze. Finally, he shook his head. "All right, then. If you say so. Nurse, let's pull this pint and let _Victoria_ get on with her business."
Nurse Bedford pushed a rolling stand with a clear plastic bag and an attached tube hanging from it. "Ummm, Doctor? I, uh, don't have to see the blood, do I?"
A smile softened Dr. Nash's face. "No. We can hide it behind you. Got a problem with blood?"
Victoria grimaced. "Last guy I hurt fell and cut his scalp," she admitted with a shudder. "God, but I thought he was bleeding to death. It was everywhere."
"No problem. Just relax and it will be over before you know it. Nurse? If you would do the stick, please? I need to check on our other patient."
"Yes, Doctor."
"What on EARTH were you thinking in there, Michael Nash?" Jane snarled when the young man she thought of as her first son reentered the office. "Don't you think you took a terrible chance with that last offer to go to family services?!?!"
"Eavesdropping, were you?" he asked, unrepentantly.
"Suppose he'd told you to make that cursed call? What then?"
"_SHE_ wasn't going to do that," Michael replied confidently. "I've been a Big Sister often enough to tell when a kid has turned the corner, Momma-Jane. All I did was make HER realize that fact, too."
"I almost had an old fashioned attack of the vapors," Jane muttered darkly before walking over to embrace his slim frame. "Thanks."
"De Nada, Momma-Jane. I'm just glad I didn't have to play the outraged Doctor Michelle who 'discovers' he's a boy. I wasn't really comfortable with Plan XX, mostly because you have never really 'outed' one of your students. From a psych profile, we just don't have any history with which to predict how he might have reacted to that type of shock. Public unmasking has always been the biggest stick in your arsenal, but it's always been only a threat. He could have decided that there just wasn't anything worse you could have done to him after that."
Jane shrugged. "I suppose, but then again, I didn't think a direct untruth on the form was likely. Whatever his faults, Victor Denato isn't a liar. He's a bully, but that's more a sign of cowardice than outright deceit. IF he didn't follow through and admit his masculinity in order to donate blood, he would have taken the other option I teased him with - having a very girlish, very loud panic attack and chickening out altogether. *Before* he filled out the gender block in your form. Having said that, I agree that it appears we've turned a big corner today, and for that, thank you again, dear."
"Most fun I've had since. . . well, since Michelle visited the nursing dormitory showers at the hospital."
"MICHAEL!" Jane half growled, half laughed. "You didn't."
Before Michael could reply, the door burst open. "Michael? Come quick - Victoria just fainted. I, uh, made the mistake of letting her see the full bag. I guess she really doesn't like the sight of blood."
Victoria was on edge the entire drive home waiting for Jane to poke at her for fainting - 'just like a girl.'
But to her surprise, Jane did not utter a word from the moment she helped her student into the car at the clinic until they walked through the door of Seasons House.
Marie met them in the foyer. "Marie? A snack, please. Victoria needs to take in fluids and some carbohydrates. A light tea would go well, I think, in the music room. Join us there?"
"Just a few minutes, Jane. I just need to brew the tea."
In the music room, Jane turned to face her student. "I owe you an apology, Victoria."
"Huh? I mean, I beg your pardon?" her student blurted, eyes wide with surprise.
Jane nodded. "I questioned your personal courage and commitment to your proposed course of action, today. No coward would have done what you did today, my girl. You did a very good thing today and I am proud that Victoria Denato is my student. I am prouder of you."
For several moments, all Victoria could do was stare at her teacher, and then, "Ex... excuse me, Ms. Jane," she squeaked and then rushed from the room, one hand to her stomach, the other covering her suddenly burning eyes.
Chapter 12: Just the Bear Facts, Ma'am
A cool breeze rustled through the lacy curtains as beams of silvery moonlight cast soft shadows about the darkened boudoir. Lost in thought, Victoria Denato sat cross-legged upon her bed's satiny comforter, not realizing that her right arm was securely wrapped about Poohbear's thick, fuzzy torso. The elbow of her other arm was planted in the crook of one knee, her chin resting upon that upraised hand. It had been a very long day, an incredibly awful long day, and yet, she felt oddly at peace. That was, she decided, a very strange way to feel, given her current circumstances and worse, the truly horrific events of that very morning, but she had also concluded that she knew the reason for how she felt.
Ms. Jane was proud of her.
And no one had ever said those words to her before. Always before it had been, "Why are you always in trouble?" or "Why aren't you getting better grades?" or "Mrs. 'Thus-and-so's' boy did 'such-and-such' and why can't you?" Or more recently the hated "Aren't you ashamed of yourself?" That one he had been asking himself only too often of late.
Whatever those questions indicated, it wasn't pride, and Ms. Jane had said she was proud. Maybe, for the first time, Victoria Denato had something really to be proud of. *Ooops, watch your grammar, young lady* she reminded herself in mental tones any former Seasons House student would easily recognize. *Ms. Jane would have your as. . .umm, rather, Ms. Jane would correct you instantly and emphatically for ending a sentence with a preposition.* And then she laughed at herself.
So, Ms. Jane's pride in her made her feel good - proud of herself, truth to tell. Why was that so different? Hadn't that been one of Victor's biggest problems? Pride?
"What do you think, Pooh?" she asked, suddenly aware of the furry body cuddled up close to her silk-clad self, but even then didn't move to break the contact. "Maybe it's because back then, I really didn't have anything about which I should have been proud? How's that for finishing a sentence without a preposition, silly-old-bear? I almost said 'proud of' again, but caught myself at the last second."
She thought about that for a while longer. *Yes, I think that is it. I feel good because this time the pride means something - the thing I am proud of having done is worthwhile - unlike knocking over a some undersized kid and making him bleed. 'Course, both have blood involved. So, what do I do next?*
She never answered that question because in the next moment, Jane's voice, raised to shrill, piercing scream, rattled Victoria's door.
"MARIEEEEE!!! MaRIIIEEEE!!! He's OKAY!! I just TALKED TO HIM! MARIIIEEEE!!!"
Victoria was off the bed and out her door before she quite realized how. In the hallway, she found a nightgown-garbed Jane, a wildly smiling yet tear-streaked Jane all but skipping about at the foot of the stairs that went up to Marie's third-floor apartment.
"Ms. Jane?" Victoria asked, "What is it?"
"He's all right," Jane half laughed, half sobbed. "I just got through. He wasn't hurt at all."
"Your student?" Victoria asked. "The one you were so worried about earlier today when I came to your study?"
"Yes, Victoria, that's precisely who I mean," Jane replied joyfully. "Wilm. .. liam is well and truly all right."
Without thinking, Victoria reached out to Jane who more than met her latest student halfway.
Marie had paused only to grab and throw on a wrapper before hurrying down the stairs to answer Jane's summons. Every breath was another prayer as she ran down the steps to burst into the hallway of the second floor.
And stopped in her tracks at what she saw . . .
There, in the middle of the hallway, locked in an embrace and dancing some unnamed primal dance was Jane Thompson, Victoria Denato, and Winnie the Pooh.
"He's okay, Ms. Marie!" Victoria crowed when she caught sight of the dark-haired woman just standing there and gawking. "Ms. Jane's student didn't get hurt today. She just talked to him! Isn't that GREAT??!?"
"Just great," Marie whispered and then, after a moment's thought, cut in to join the odd circle of merrymakers.
"She's asleep," Marie said as she entered the parlor in Jane's private parlor, a tea tray in her hands. "I checked when I went down to brew the herbal tea." Then the Frenchwoman's dark eyes crinkled into silent laughter. "She's still cuddled up to that bear, too."
"She needs comfort," Jane said quietly, "and thank Providence she's now opened up sufficiently to accept it where she finds it. A week ago, even perhaps a day ago, that bear would have slept on the floor as it has every night since Victor arrived."
"Until now. So, giving blood was more important to him than hiding his true nature," Marie observed as she poured the tea. "I wasn't sure he'd grown quite that much."
"Michael was the one who saw it first," Jane replied. "Our family doctor grown a great deal, as well. Lord, but I nearly fainted myself when Nora burst in there to tell us Victoria had fainted."
"Bet that was grist for your millstone on the way home," Marie grinned.
"Actually, I don't think I said a word to her the entire trip until we were back in the house. Stunned, I guess," Jane said, shaking her head. "I suppose, all my confident words to the contrary, I really did half-expect her to mark "F" on the form, and then throw a hissy-fit to keep from giving blood."
"But she didn't, and you rewarded her by not using her little lapse to torment her further?"
"Hardly be fair, would it, after what she put herself through today? And I am fair, you know, by my own standards and rules, at least."
"Of course you are!" Marie agreed. "So what else happened?"
"You know? I'm not really sure, but something did. She broke down soon after we got home, and I think they were happy tears. I said I was proud of her, but. . ."
"But what, Jane?"
"I don't know what, Marie. I just have this niggling feeling that there's something more to it than just me giving a student an attagirl."
"We'll figure it out, Jane. So, are you going to take on that new student you mentioned the other day? Now that Victoria seems on track?"
"Maybe. That one isn't time urgent so we don't have to rush into it. I want to make sure that we are right about this one, first."
"What's on for tomorrow?"
"Victoria wants to do some volunteer work - to help the families and rescue workers. I thought I'd call Edith and see what the good ladies of the Kingston social set are doing in that regard."
"Going to really test her resolve, are you?"
"I think she's ready for a truly demanding test now, don't you? Besides, if she's not, it's better to find that out now and not later when there's another needy child here who needs my full attention."
Marie sighed and then stood. Picking up the tray, she blew a kiss at her long-time friend. "Well, I think I'll put this in the sink and go back to bed. You should try to rest, too."
Jane smiled warmly. "Good night, Marie. I'll go to bed as soon as I finish my cup."
End Part I
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Seasons of Change
Book 12 - Part 2 of 2 Season of Terror
Victoria's Story Copyright © 2002,2013 Tigger
All Rights Reserved. |
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
The smile that answered Jane was weary. "Nothing like that. Just a little magic with ordinary make-up."
"You mean she learned that from your session with her yesterday?"
The petite French woman half snorted, half laughed. "Not hardly. She was knocking at my door this morning before sunrise, and begged me to teach her how to deal with too much color."
"_Before_ sunrise?" Jane asked in disbelief. "The student who has been disciplined at least once a week since she first arrived here for being discourteously late for breakfast? Our hibernating little bear-cub? Up before sunrise? On her OWN?!?!"
"Surprised the heck out of me, too, Jane," Marie assured her.
"My goodness. Well, that says something about her intentions for the rest of her stay, wouldn't you say? So, that make-up job was your work?"
Marie shook her head and settled heavily onto one of her stools. "What you saw at the table this morning was all her own effort," she said and then grinned. "It was her fourth try, but all her own work."
"You sat through four complete make-up jobs when you should have been sleeping?"
"Six, actually - I had to show her how twice."
"You poor dear," Jane said. She was about to tell her friend that she'd take care of the breakfast dishes when the door opened to admit Victoria, heavily laden with dishes, silverware and other breakfast detritus.
"Marie?" Victoria said with a smile. "Look, you go relax, okay? I'll take care of the clearing up and seeing to the dishes." Then she saw Jane. "Oh, I'm sorry, Ms. Jane. I didn't mean to interrupt."
"You are offering to take care of the breakfast clean-up?" Jane asked carefully.
"Oh, yes, Ma'am," Victoria replied cheerfully. "Ms. Marie helped me. . .well, helped me and I saw how tired she was this morning. I mean, I do it often enough so it's no big deal." Turning to Marie, she continued. "Would you like me to make you some tea or something, Marie?"
Jane watched the exchange. *No big deal, except that you've never offered to do it without being told before. Of course, you may feel that you owe Marie, but still, you didn't have to be asked or told. Points to you, child.*
"Tea sounds lovely, Victoria," Jane interjected. "Please serve it in my study in say, an hour? Marie and I will be in there. Oh, and bring three cups, please? You will pour. Marie?"
"Coming, Jane, and thank you very much, Victoria. I do need a break."
"Jane Thompson speaking."
"Jane? Carolyn Beale."
A frisson of concern ran through Jane. She'd made the decision to have Marie drop Victoria off at the Chalet today instead of escorting her student personally. It was in the way of being a test. Would the child behave without the 'wrath of Jane' being nearby? "Problems with Victoria, Caro?"
"No, at least I don't think so, but she came in here alone and told us that you'd said she could pick her own look. Is that right?"
Jane stifled a sigh of relief. "Yes, Caro, that is true, so long as the look is suited to Victoria and not Victor, of course."
"Well, then that's okay, I guess. . ."
"You guess?!?!"
"Well, she did ask to have her hair changed - nothing inappropriate," Carolyn hastened to add, "Just a bit of a surprise. She wants longer extensions."
"How strange. I was sure she'd want her natural hair color back, but longer hair? What did she ask for, specifically."
"Well, get this, Jane. She actually told me that if she can't sit down on them, they're not long enough."
Jane nearly choked on her tea. "That's . . . unexpected."
"It's sure unique in my experience with your kids, Jane. What do you want us to do with her?"
*The longer hair won't be a problem for my plans - might even be a plus in the future. What is going on inside that child's mind? Can't help wishing she had a big sister. She obviously has no idea how much trouble she is taking on with that request though.* "As long as it's age appropriate and feminine, I think we should let her try it, Caro. We can always cut it later if it becomes a problem. I need to see if she's ready to become a big sister."
That caught Carolyn's attention. "You have a new one lined up?"
"Yes, and it will be a very hard one, Caro. This new child has grave issues. I need to know if Victoria is ready for that challenge."
"Awfully sudden turnaround, isn't it?"
"That's why I'm testing her, Carolyn."
"How hard do you want her tested, Jane?"
"What do you mean, Carolyn?"
"Sandy," the other woman said quietly. "She's scheduled to work with Victoria and well, you know how she is with your students."
Jane considered that and again wished she could be there, just in case. *But no, I either believe in my own, Marie's and Michael's assessment of this child, or I don't. If Victoria is ready for this new challenge, then she will have to up to dealing with Sandy, even at her worst.* She sighed. "Let me speak with Sandy, Carolyn. This will be just one more test she needs to pass before she can guide a little sister through your Feminine Inquisition."
"Jane!" Carolyn laughed accusingly. "I don't even like Monty Python! See you soon, dear. Wait one while I get Sandy to pick up in the office."
"Hi there, cutie," Sandy cooed as she wrapped the protective apron about Victoria's neck. "So, we're going to change your hair color today, eh? Add a little length and fullness, too."
"Yes, Sandy," Victoria answered warily.
"Well, that's great. Say, riddle me this, Victoria. What's the mating cry of the wild redhead?"
"Huh?"
"You know, it's like a blonde joke except about redheads. What's the mating cry?"
"I, um, really don't know, Sandy."
"'NEXT'."
The blush on her victim's face told the beautician that Victoria understood the 'joke' only too well. She smirked. "You are going to look just sooooo cute as a big-haired carrot-top, kiddo."
"That's not what I asked for! I want nice long hair, but brunette, so that I look right for my skin tones again!"
"Sit still, sissy, or I will tie you to that chair," Sandy hissed. "And you're puny enough for me to do it without even working up a sweat!"
"You wouldn't dare," Victoria snapped angrily.
Sandy went nose to nose with her. "Don't challenge me, girly-boy, or you'll regret it. And I will enjoy every damned minute of your humiliation. Go ahead, sissy, make my day!"
"Jane will be angry. She said I could do as I pleased today."
"Big deal. She needs me more than I need her. And that won't help you if your hair is already orange, or maybe I'll do it up pink. Won't that go nicely with that almond complexion of yours, eh? Now shut up and let me work or the next thing you hear will be me having a very loud panic attack about the little cross-dressing pervert sitting in my chair with a hard-on."
That threat worked, and Victoria did as she was told. The extensions were handled easily enough. "Now, we'll add color and body," Sandy smirked as she worked foul chemicals into her victims hair. "The boys are going to see you coming for miles, girl."
"What will your clients think if you screw up my hair?" Victoria asked, trying to find some way out of this before it was too late.
"Dearie," Sandy told her condescendingly, "With the hairstyles young people want today, you'll probably look cutting edge. Stupid and ugly, but cutting edge. I'll just tell them it's what you asked for. And you won't contradict me, or I'll tell them a few other things that will prove you're weird enough to want flourescent hair. And since I can prove those 'other things' by simply pulling up your skirt and pulling down your panties, I think they'll believe me about you choosing the weird hair color. Don't you?"
"Jane will make you fix it!"
"She can try, sweetie, but it won't happen soon - not for a couple of weeks, at least. These chemicals are pretty harsh. Any sooner than that and your hair will be damaged. Now, get over under that dryer so the chemicals can cure in the heat."
The hour under the dryer while her hair was dried passed in a fog for Jane's student. Only the hope that Jane could do SOME-thing to fix this sustained her.
The dryer snapped off and Victoria looked up to see Carolyn smiling down at her. "Come along, Victoria. Sandy went out for some coffee so I'll comb you out and get you on your way. Lovely color, by the way. Good choice."
"What?!?"
"Lord, Jane, but you should have seen the look on her face when she saw herself in the mirror. I'm sure she was expecting to look like that stupid male comedian who does the phone commercials. Finding herself with a lovely head of shoulder-length sable waves brought her up short. Nearly gave herself whiplash with that double-take."
"Shoulder-length? She changed her mind at the last minute? What happened to sitting on her hair?"
"We didn't have any natural hair extensions that long that were the right shade, so we went with what we had on hand. Looks great on her."
"But she handled the stress, right? Without threatening Sandy?"
"You were the only threat she tried, Jane. She believed you'd come down here and make Sandy do it correctly. Other than that, she tried to point out that messing her up that badly might scare off clients. All in all, she was cowed and frightened, but controlled. Sandy said it was pretty clear she spent the entire time trying to figure out what to do next."
"Well, that's a relief. And tell Sandy thanks for a good job. I needed to know if Victoria could stand up under that kind of stress."
"Sure thing. You know what? In a way, it's too bad the extensions we had on hand weren't bun-length. How about a Lady Godiva production at the children's theater, Jane?" Caro giggled. "Victoria wouldn't need a wig. Should I look into ordering some of the long-long extensions for her?"
"Hell NO! Excuse me. I mean, thank you, dear, but no thank you. I think shoulder length will do very nicely, thank-you-very-much! Now, I have to run. See you next week for Victoria's session with your afternoon makeup class."
Victoria was just putting the finishing touches on her nail enamel when a soft knock sounded at her door. The softness of the summons and the fact that the door did not immediately open told her that the visitor was not Jane, which left only, "Miss Marie? Come in, please."
The little domestic bustled into the room. "You will help me with the dinner tonight, oui?" she asked, looking just a bit harried.
"Sure," the girl replied easily. "Is something the matter?"
"Non. Oui. Oh, I don't know. Jane changed the plan for tonight at the last minute and I am not sure why."
"Oh? What's up or is that something I shouldn't ask and put you on the spot?"
Marie shrugged. "Nothing like that, petite," she said with easy affection. "Jane just told me that we would be dining simply tonight, en famille, and that I was to be at table instead of serving the meal."
"Is that a problem for you?" Victoria asked. "Do you prefer to eat alone?"
"It is a problem, but not that way, silly. Non, the problem is that the meal I have planned is a multi-course affair unsuited to being served by passing dishes about the table. So, you will have to help me prepare something else between now and. . ." she checked her watch, "Six p.m. - which is when Jane says the meal must be served."
"Sounds like another of Ms. Jane's little tests for me," the teen said with a saucy giggle. She checked her nails, finding them dry. She walked to the large armoire and rummaged about it until she came out with a pair of strappy, pink spiked heels.
"A test, cherie?"
"It hasn't escaped my attention that I have been given . . . a number of opportunities to fly solo of late, Miss Marie," Victoria sat back down on her vanity stool and slipped into the extremely tall heels, "Opportunities that have all included rather new challenges, if you take my meaning."
"Challenges, you say? Such as?"
The girl rose, unsteady for only a second and then looked at her bedside clock. "Oh, like being told that you have to prepare a meal, from scratch and without a pre-approved menu, suitable for My Lady Jane Thompson's table in forty two minutes?"
Marie had the grace to blush which made Victoria giggle. "It's okay, Marie. I won't fuss and I won't cheat. Truth to tell, I like cooking with you." The girl then turned so her profile was to the mirror. "Don't you love what these shoes do for my legs?" she asked seriously. "And I really like the way the color matches my new nail lacquer and makeup. Especially now that the grownup stuff has finally worn mostly away."
The French woman goggled a bit at that. "Uhmm, cherie, you know that even at Jane's table, dining en famille is not quite so formal. Those shoes, well, they are a bit much for such an occasion and you will be on your feet non-stop while you cook. Surely there is something more comfortable that would suit your lovely outfit?"
"Oh, no, Miss Marie, I really like these, and they won't cause me any trouble. Besides, none of the other pairs match my dress so nicely, and I don't have time to re-polish my nails to match any of them. What do you say we make pasta for dinner. With some of the tomatoes we canned last month? And fresh hot garlic bread? Then all we'd need is a salad. Would that be okay?"
~-----------~
"Jane Thompson speaking," Jane said into the receiver of her telephone.
"Jane! How are you? This is Edith White." How the woman could make one syllable words sound snooty had always mystified Jane, but it was one of the traits that made the socially prominent Newport matron useful to her. That, along with her near-sightedness and inability to see beyond what she expected to see.
"Edith," Jane replied warmly. "How are you? And how is your charity drive going?"
"I am very well, thank you," which came out "I am veddy well, thenk yew," when Edith said it. "And our little clothing and food drive for those *poor* wretches in New York is going swimmingly."
*Lord above, swimmingly??!? Don't you DARE giggle, Jane Thompson!* "That's wonderful, Edith. I do hope Victoria has been of some assistance. The poor girl was just devastated by what she saw on the television."
"Oh, that's one of the reasons I called, dear. She has been MARVELOUS - an absolutely tireless tower of strength. She has been on the phone constantly. Why, she's gathered more contributions than any three other volunteers. Very dedicated my dear, very dedicated. Not what one expects of young people in this day and age. Well, except . . . "
"Is there a problem, Edith?"
"It's her voice, Jane. I swear she practically coos into that phone. I listened carefully, and she never actually says anything . . . improper, but the *way* she says it. In *my* day, girls didn't, well, make love over the phone. There, I've said it. That's what she's doing. It's scandalous."
Jane choked back a laugh that just would *not* go away. After a moment, she said, "But effective, right?"
"With the men she calls, certainly," Edith sniffed. "I don't expect she gets much from the women she talks to like that, though in fact . . . well, sometimes she seems to chatter and giggle like a much younger girl, and that seems to work quite well, too." Then the older woman remembered another complaint, "And WHY you permitted that lovely child to color those pretty blonde locks like that, I will NEVER know."
"Sometimes, Edith, you simply have to allow children to grow up, make their own mistakes and suffer any consequences. Well, I'm glad she was so successful in accumulating donations for you, and I'll talk to her about her phone manners." *And I will make MY donation directly to the Red Cross so you and your nose-in-the-air club members won't get the credit for it!* "Well, I do have to run, dear. Thank you for the call. Ciao." and Jane hung up with far more delicacy than she would have preferred. "Bitch!" she snarled and headed for her brandy decanter.
*Thank goodness Victoria is at the Style Shoppe under Brenda Franson's eagle eye. It would not do for a student to see me quite this. . . angry.*
"Jane promised me there would be no recurrence of the disgraceful behavior you exhibited the last time you were in my store, young man," Ms. Franson hissed the moment they were alone in the Style Shoppe's elegant fitting room. "THIS time I will not save you. THIS time I will be as appalled as everyone else that a *boy* is parading around my store impersonating a girl. There are laws in this state against peeping toms and voyeurs and I am SURE you'd find the company in central lockup not to your taste. Do we understand each other?"
"Yes, Ma'am," Victoria said softly, her eyes lowered. "And I am very sorry for the way I acted last time. You have my word that I will be a very good girl this time around."
Brenda momentarily goggled at this new and unexpectedly submissive Victoria Denato, but recovered quickly. "Very well, see that you do. Now, I have laid out a variety of outfits that meet Ms. Thompson's requirements. You are to try them ALL on, and then make your selection. She said that you could pick whatever you liked, but that you must try on everything I have picked out. I assume that you have on *suitable* lingerie, Miss?" The heavy emphasis on the word 'suitable' would have been obvious to even a casual observer, but only Brenda and Victoria understood the older woman's real meaning. She was asking about the dancer's gaff Jane had taken to including in her protegee's ensemble for outings like this.
"Yes, Ms. Franson," the boy-girl replied, "The same as last time."
"Excellent," the shopkeeper said with evident delight. "Ah, and here is Sally to help you with your dressing. Sally, this is Ms. Thompson's latest student, Victoria." The two girls exchanged greetings under Brenda's watchful eyes. "All right, dear, why don't you go undress down to your undies while Sally collects the dresses and accessories for you. Sally? I will be in the shop. Call me for each presentation, please? I promised Ms. Thompson a full report."
"Be right back, Victoria," the shop girl, a pretty strawberry blonde with a figure that showed off The Style Shoppe's wares very nicely indeed, told her. "You just go on in there and get ready, okay?"
Sally's back was turned so she missed what Brenda, looking back into the room from the arched doorway, saw - a look of anxiety bordering on fear on Victoria's perfectly made-up face. With a self-satisfied smile at her decision to include her cute salesgirl in this game, Brenda headed for her phone. Jane wanted regular reports on this outing.
"Wow, between you and me? Those other dresses Ms. Franson picked out made you look like a girl's dress-up doll, but that outfit really looks great on you," Sally bubbled as she studied Victoria with professional interest. The off-the-shoulder, knee-length evening dress was in a spectacular color of red that did marvelous things for Victoria's dark looks. "A bit bolder color for your lip-gloss and a touch brighter rouge and you'll be devastating. And I wish my legs looked half so good as yours do in the split hem. I can see now why you don't wear pantihose, girl. If you've got it, flaunt it."
"Actually, her teacher doesn't approve of such things," Brenda Franson said as she entered. "The total feminine experience is what she preaches and what she insists upon for her students, and they wouldn't have it any other way once they've gotten a taste for it. Isn't that right, Victoria?"
"Yes, Ms. Franson," Victoria said, looking at her reflection in the mirror over shoulder. "I do like the way the hosiery looks with this dress and I don't think high-fashion stockings come in a pantihose, do they?"
"No indeed. I must say that I agree with Sally's assessment of that dress, dear. Wear that to a cotillion and you won't be allowed to sit out a single dance. The boys simply wouldn't stand for it," Brenda assured her 'client' and saw an embarrassed flush color the girl's face. "Sally, go fetch that wrapper off the manikin in the front window, would you? I'd like to see how that looks with this dress."
"Be right back, Brenda," the girl smiled and hurried off on her task.
"Beautiful girl, isn't she?" Brenda asked off-handedly.
"Very," Victoria agreed, far more at-ease than the older woman had expected. "Love her suit, but the color is all wrong for me. You wouldn't have one in a shade more suited to a brunette than to a strawberry blonde, would you, Ms. Franson?" she asked wistfully.
"Uh. . n. .no, I'm sorry, we don't."
"Too bad."
"So, there were no problems today?"
"No, Jane," Brenda replied over the phone, "And I was rough with her, just as you asked. I even sprung my prettiest sales girl on her as a 'helper' including in the dressing room. Sally has no idea that it was a boy in there with her. However it came about, the change in Victoria's poise and deportment is amazing. Heavens, I almost forgot what I was dealing with in there. I mean, it was like she. . . I mean he was really a girl."
"So, no qualms about how she handled herself? No concerns about how things would be if Victoria were the big sister shepherding another student about?"
"None that I can see. Although I was surprised to see such a strange combination of clothing picked out."
"Oh, why is that?"
"One of the dresses was really stylish and flattering - downright sexy if you want to know the truth of it. I actually included it so that I could jerk her chain a bit, but I never expected her to select it. A real eye-catcher, and if Victoria didn't realize that fact, my sales girl Sally told her."
"Goodness, I've never had a boy do that before. You're sure she didn't think she HAD to buy something like that?"
"Don't think so, and even if she did think that, she could have chosen one of the more 'middle of the road' gowns' I set out for her, but she left all of those behind."
"I see. Wait, you said that it was the combination that was strange?"
"Well, yes. The other things she picked would have given YOU pause, even on a student's first trip to my shop. Lord, Jane, but the other dresses she picked were spun sugar too sweet to wear outside a Disney movie. Sally called them 'dress-up doll things'. What's going on with her?"
"I'm really not sure, Brenda. I told her to get what appealed to her."
"Well, I have to agree with Sally that the girl went a little overboard with the very formal frou-frou. Lots of white, lots of pastel colors - no primaries. Except for that red number, the rest of it makes her look young, no, that's not it. Prissy is more like it. I sort of figured that she was buying things she thought would please or at least not displease you."
Jane sighed. "I guess I should have expected her to be cautious. Anything else, Brenda?"
"No, Jane, except that you'll get the bill in a couple of days. Three "perfect-priss" dresses, the sexy red evening dress, all with shoes being dyed to match and some few carefully selected accessories for each outfit."
"I can hardly wait. Thanks again, Brenda."
Chapter 14: Season of Promotion
Before she had taken more than three steps, the phone rang again. For just a moment, Jane considered not answering it. *I DON'T want to talk to anyone else! I need to think this whole Victoria situation over and somehow make some sense of all this!* Unfortunately, the phone was not at all afraid of Jane Thompson and continued to ring. Sighing, Jane returned to her desk and reached for the phone. *Think nice thoughts, Jane Thompson. Besides, it might be Marie with news of Victoria. Or a multimillion dollar investment opportunity.* "Jane Thompson speaking."
"Oh, hi, Ruth. What's on your mind? . . . .No, I haven't made any firm plans for that one yet. My understanding was that he was stable and still in detox for a while longer so I had some time to reinforce Victoria's recent progress."
Jane listened for a few more moments and felt the blood leave her face. "Oh. . . my. . . god. He didn't. Is he all right?. . . .yes, yes, of course. You want to send him to me NOW? After THAT? But, Ruth, I already have a student, and she's at a very delicate stage right now. . . Oh, I see. This is very different, Ruth, from anything I've ever taken on before, and I'm not alone in this. Victoria isn't ready to go home, and while I was thinking she was just about ready to be a big sister, this situation is so far beyond anything I thought she'd have to deal with in that role. I'll have to think about this. What? All right. I'll give you my decision by tonight. Thanks, Ruth. Give my love to Kenneth, too. Bye."
This time, Jane reached her decanter, but at the last moment, didn't pour. *I need to think very hard and very clearly about this,* she mused, and then went to the kitchen to brew a pot of tea. *I hope Marie has some cookies in the cookie jar. I feel a sugar attack coming on.*
"You wanted to see me, Ms. Jane?" Victoria asked from the front parlor's door.
Jane looked up from the dossier she'd been rereading for what felt like the hundredth time in the past two hours, a grim expression on her face. "Yes, Victoria. Please come in and sit down. Would you like some tea and cookies? Marie tells me you made the shortbread this morning and they are excellent."
The girl glowed with pleasure at the off hand compliment and taking her seat, accepted the offered treat. "Thank you, Ms. Jane."
The older woman took a moment to regard her student. Victoria was dressed in a mint-green, knee-length linen frock that went well with her new hair color. Opaque hose, matching pumps and simple yet elegant jewelry completed the picture. *My, but she's got the essentials down now,* Jane thought, *She even has her hands on her lap and her ankles demurely crossed - she could be posing for a Town and Country layout - 'Debutante at the Brink'. Well, I guess that answers the question of whether she can handle the mechanics well enough.* "We have to talk, Victoria," Jane began. "I have some decisions before me - decisions that will directly affect you."
"Yes, Ms. Jane?"
"You've come a very long way in a very short time, Victoria," Jane told her quietly. "I wish I could wait a while longer before raising this issue, but circumstances force my hand."
"Are you going to send me away?" the girl asked, a slight quaver in her voice.
"No, nothing of the kind, dear," she was hastily reassured. "The key decision I have to make is whether you are ready and just as importantly, willing to take on the task I may have to lay before you."
That surprised Victoria. Up until now, her willingness had not been a consideration. Jane ordered, Victoria did as ordered. That was the way of the world at Seasons House. "I did give you my word to do as you ask to the best of my ability, Ms. Jane," the primly dressed teen said with quiet dignity. "I know I didn't always keep to the letter of that promise before, but I've been trying very hard ever since."
"I know that, Victoria, and I am very pleased with you of late. Under ordinary circumstances, you would be ready for the next stage of your training with me, but what I have been asked to do is anything but ordinary. You know that you are not the first boy upon whom I have . . . imposed this particular form of discipline, correct?"
Victoria blushed at that reminder of her true gender and looked away for a moment. *So, she still reacts to that. File that for future need.* The boy-girl returned her gaze to meet her teacher's and nodded. "You told me as much when you . . . when I agreed to . . . well, when I became Victoria."
"It's all right to say that I maneuvered you into being Victoria, child, because that is precisely what I did," Jane admitted with a candor that surprised her listener. "What you have to understand now that this discipline, this petticoat discipline as the Victorians called it, is what I have done with all of my students."
"ALL? As in, every student you've ever taught?"
"Well, since coming to Seasons House. With a great deal of success, I might add."
"You said that, too. Is this next phase of my training part of this?"
"Ever hear the phrase 'Each one, teach one'?" Jane asked. At her pupil's negative head shake, she elaborated. "You are relatively unique because you have been here as an 'only-student'. Normally, my program is based on having two students in residence here - a junior student undergoing initial training and indoctrination in the feminine arts while at the same time learning new coping mechanisms for whatever problems brought him to me. The fear of giving themselves away as boys dressed in girl's clothing forces my students to think before they react in some inappropriate or destructive manner."
"I'll say," Victoria could not help but mutter.
"Just so," Jane responded, a trace of a grin momentarily softening her stern school-mistress persona. "The other student is one who has been here for awhile, and who has assimilated those lessons in dress and deportment and who has developed those new coping mechanisms and behaviors."
"Dress and deportment?" Victoria asked suddenly.
"Ah, you caught that. Yes, the 'big sister' or senior student is also kept in skirts and continues to act the part of a girl. In fact, the 'little sister' or junior student must think the mentoring student really IS a girl. In many cases, the presence of another apparently feminine student in residence acts as a brake on the little sister's unacceptable behaviors while permitting the big sister to act as mentor and teacher in the feminine mysteries. For you, Marie tried to fulfill that function, although not as successfully as we might have hoped."
"I see," Victoria replied. "So, am I to become a big sister?"
There was something wistful in the girl's tone, almost as if she wanted the opportunity, Jane thought. *Probably wishful thinking.*
"That's what we must decide. Recall your own early experiences here, Victoria. I was very hard on you. Everything I did with you will happen to the new student. You will have to be willing to let me do those things without trying to help him get around me. You will have to help me set him up so that I can force him into the petticoats and frillies. And you'll have to inform on him, telling me what he thinks and what he says, even if that seems like tattling. What I do is take the student to the edge, psychologically-speaking, and I need to have absolute assurance that I know what is happening inside that child's head."
Victoria thought that over for a few moments without saying anything. She thought about how she felt about herself once she'd seen Victor for what he was, and how she felt after she'd helped Edith with the fund-raiser and clothing drive. How she'd felt after giving blood. *Worked for me, didn't it? Now, it's payback time.* "I will do those things, Ms. Jane." she assured the older woman.
"Before you agree, there's more," Jane warned.
"More?"
"The student I have been asked to take on has. . . well, special needs. He has a severe drug dependency and is currently in a detoxification program."
"So he won't be coming soon?"
"That's what I thought, but that has changed. The boy attempted suicide last night."
"SUICIDE?!? Why?!?"
Jane closed her eyes and tried to center herself. "He blames himself for the suicide of a classmate. He was part of a clique that teased this insecure girl, rather unmercifully from what I can gather. She took pills and died. Benjamin, that is his name, holds himself completely responsible. He started drinking to deal with that pain, then graduated to drugs. His parents put him into the center for treatment. Apparently, he couldn't handle the pain once the drug-induced haze wore off and tried to kill himself. So, if he comes here, your duties will include being part of a suicide-prevention watch."
"But what if I fail?" Victoria whispered. "What if he. . "
"That's what you have to tell me you can cope with. I have no intention of letting that child hurt himself further, but I am not all-powerful. He might slip our collective leash long enough to injure himself, or worse."
"That's. . . that's a pretty heavy load, Ms. Jane."
"I know, but the psychologist thinks my kind of shock treatment might help where the other things they've tried haven't."
"And if I don't think I can handle that?" Victoria asked.
"Then I will tell them I cannot take him on. You are my first priority, Victoria. Our bargain takes precedence."
"How long do I have to think about this?"
"Not very long, I'm afraid. I have to tell them my decision tonight, or they will have to make other arrangements. If you agree, he will be here before the end of the week. If not. . " Jane let that hang in the air.
"And even if he doesn't come here, he still might . . might hurt himself."
"Yes."
"This scares the hell. . I mean, this really frightens me, Ms. Jane," the young teen told her teacher. "You're sure this is the best thing to do?"
"The doctors think so, Victoria. I wish I knew, but I don't know the answer to your question."
"All right. I promise to do my best, but you'll have to tell me what to do. I don't know anything about stuff. . I mean, issues like this."
Jane nodded, and then reached across the tea table to take Victoria's hand in hers. "I don't either, truth to tell, so we'll just be very, very careful. All right?"
Nodding, the girl made to rise, but Jane held on to her hand, staying her. "I'm very proud of you, Victoria," Jane said softly. "It takes real courage to face the dark unknown. I'm very glad that you've found yours."
"Thank you, Ms. Jane," the girl-boy whispered, obviously on the verge of tears.
"Oh, and now that you are being promoted, you should start calling me 'Aunt Jane'," she ordered with a small smile. "It will strengthen your position with Benjamin if he thinks you're my niece, and besides, I like being called 'Aunt Jane'."
"Oh hel. . heavens," the teen blurted before pulling her hand free and fleeing the room.
Chapter 15: Advancement Exercises
The powerful automobile took the New England traffic circle without losing speed or with nary a shimmy. Jane wondered if there was anything psychologically significant about her decision to drive her new Audi A8 Quattro instead of her beloved Lincoln Town Car for this pick up. The power and handling of the German import certainly satisfied something deep inside the control freak she only admitted to herself. *And I will need all that and more with this one,* she thought ruefully.
"So this is out of the normal way of things for your program?" Victoria asked, interrupting Jane's uncomfortable bout of self-analysis. "All your other students come by train, like I did?"
"Yes. The long trip in a crowded train coach tends to make the student tired and irritable, both of which usually suit my purposes. Unfortunately, we couldn't allow this student even that much freedom. He had to be escorted and his parents could not afford the time to take the train all the way from his home in the Midwest. So, we're picking him up at the airport in Providence. Probably makes no difference since I cannot really go strongly on the offensive with him until I've got a handle on where his head is at psychologically."
"So why am I here?"
"You've never seen one of my big sisters work, but basically, you are to be the role model of exemplary good manners and breeding today which I will then use to find him significantly lacking in those graces."
Jane glanced at her ward's outfit and stifled a grin. If her hair had still been blonde, Victoria could have been costumed to play a slightly older Pollyanna in a remake of that Disney classic movie staring Halley Mills. *Only slightly older is right. And I thought Darla had the 'prim and proper Victorian miss' act down to a 'T'.* From her head to her toes, Victoria was rigged out in stark white. White dress, white hat, and white gloves with an abundance of lace, topping legs sheathed in white hose and last but not least, white, two-inch high-heeled pumps. She'd dressed her sable hair into an old fashioned pageboy, the dark tresses setting off her powder-pale face like a mahogany picture frame. *Heavens above, put a lace veil on that glorious mane and she'd look like a good little Italian girl dressed for her First Communion.*
"So I just stand around looking perfect, eh?"
Jane couldn't quite stifle the snort of laughter. "As close as you can manage, Victoria."
They had just merged with traffic on Interstate 95 when Jane uttered a mild epithet. "What?" Victoria asked, surprised by both the word and the emotion behind it.
"I forgot my gloves," Jane fumed.
"It's not that cold, Aunt Jane. And you'll be inside at the airport for the pickup anyway."
"Feminine armor, Victoria. A woman becomes more powerful when she is in tall heels and sleek black gloves. Something about a woman's hand swathed in skin-tight black leather sets off warning bells in the male psyche."
"I'll remember that for future reference," the younger woman said very seriously, "But that does not solve your problem."
Jane was already moving into the deceleration lane. "Well, we'll just have to make a quick stop at the mall so I can buy a pair. It will just take a minute and we have plenty of time."
"Mall?" Victoria asked, suddenly wary. "_That_ mall?"
"Hmmm?" Jane asked, distracted by the traffic pattern surrounding the mall. "Oh, that's right," she said, grinning. "You've been here before, haven't you?"
The look on the girl's face was all the answer Jane needed.
"Well, if you don't feel up to facing that place again, I won't force the issue. You can wait in the car if you'd prefer."
Out of the corner of her eye, Jane saw her student's back straighten and her chin jut out. *Gotcha, girl,* she thought with a hidden smile.
"A little stretch of the legs sounds very nice right now, Aunt Jane," the girl said almost casually.
Quietly approving, Jane allowed Victoria to lead the way into the mall. *Wonderful! At last she is facing up to the things she fears instead of hiding or worse, attacking the innocent. That is real progress.*
They went to a small, very pricy, leather-wear boutique off the main corridor. "I'll just be a minute, Victoria."
Victoria treated herself to a little window shopping, checking out the adjacent stores's displays while waiting for Jane. She was just about to turn back toward the leather goods store when she heard, "Listen, sissy-boy, give me your money or we're going to mess up those pretty looks of yours and take it anyway!"
A cold frisson of fear ran up her spine. Had she been caught out? Victoria spun on her heel only to see a group of young toughs cornering a much smaller boy in one of the mall's very narrow service corridors. Then she recognized the ring leader - it was the same boy who had cornered Victor only a few short days ago.
Fright warred with anger as she watched the scene unfolding before her. The leader struck out at the boy, knocking him to the floor with an open-hand slap, then signaled two of his accomplices to pull their victim back to his feet. With arrogant indifference, the lead punk backhanded the boy viciously. Only the support of the two gang members kept him from collapsing back to the floor. "Give me money, bitch," the leader hissed.
Victoria saw red. Not even realizing what she was doing, she pushed her way through the circle of milling males and planted herself between the now-bleeding boy and his tormentor.
Her tormentor.
"Leave him alone, you big bully!" she snarled.
"Get out of here, bitch, before I hurt you, too."
Too outraged to realize her own danger, Victoria took a step toward the leader instead of retreating, but she didn't say anything - couldn't say anything.
The leader now had to go through the girl to get to his prey. For the life of him, he couldn't figure out why she didn't seem to be afraid of him. She was only a girl - a prissy, fussy LITTLE girl. Hadn't she just seen him hurt that little pansy? Hadn't she just seen his power? "Last chance, bitch," he growled and tried to step around her only to have her cut him off again.
"Okay, you asked for it," he hissed, cocking his arm for another backhand, this one aimed at Victoria.
"DON'T EVEN THINK ABOUT IT!" a commanding voice cut through the tension of the moment. "Strike my niece and I will have you in jail so quickly it will make your head swim!"
Victoria turned to see Aunt Jane striding toward them, eyes flashing, lips set and pulling an incredible pair of gloves onto her hands like a knight donning gauntlets.
"YOU!" the leader snarled. "You're that damned truant officer. Well, we aren't cutting school right now, so you can go straight to hell, woman!"
"You two," Jane ordered pointing to the pair holding the injured boy. "Let him go, NOW!"
They did.
"Now, the rest of you have about twenty seconds to disappear before the security officers I have summoned arrive. If you wish to continue this. . .exchange, I am certain that they will be more than happy to escort you downtown to the police."
Just then, one of the boys shouted, "Oh shit, it's the cops!" and they all took off.
Victoria smiled her thanks to Jane and then turned to the boy. "Are you all right?"
"We'll take care of him, Miss," one of the grey-garbed security guards told her as he strode up. "Davis? Escort the boy to the clinic across the road and see that he gets home from there. Ma'am?" he continued turning to Jane. "Thanks for the call. Those punks have been getting away with murder lately because our surveillance gear has been down."
"So they'll get away with this?" Victoria insist on drawing herself to her full height. Jane saw there was fury sparkling in the girl's dark eyes.
"No, Miss, not this time. I said it 'has been down'. It's been up and running since noon. Everything, including ID-quality pictures of them, is on tape."
"Then why didn't you get here sooner?" she asked, still furious.
"Wrong time in the scan cycle. The guards on the monitors get a rolling scan of all our cameras. This lady's call got our attention sooner."
"I have an appointment to pick someone up at the airport, officer," Jane interposed. "Do you require anything further from me? A statement?"
One of the security officers turned to look at Victoria. "Miss, did he strike you? Harm you in any way?"
She shook her head. "No, sir. He was ready to, when Aunt Jane arrived, but he never touched me."
He studied her for a long moment, as if trying to decide whether there was more. Jane was pleased at how well Victoria stood up under his scrutiny. "Okay," he finally said, and then turned back to Jane. "And Ms., uh, Thompson, did you do anything other than call us? And talk to them of course, before we got here?"
"No. Your men arrived in the proverbial nick of time."
"Very well, then. With the surveillance tapes and the testimony of the boy who was struck, I don't think we'll need formal statements from you. I have your name and address, Ms. Thompson, and I can get back in touch with you if need be. Thank you for acting responsibly." The cop then turned a very stern eye on Victoria. "Except, young lady, if you feel the need to stand up to a bunch of hoodlums again, please let us be there to back you up *before* you read them the riot act, okay? I mean, it certainly took a lot of ba . . bravery to stand up to those punks, but you could have gotten badly hurt doing something like that."
"Yes, sir," she said, eyes down and cheeks blushing.
"Thank you again for arriving so promptly, officer, but we must hurry off," Jane said with a gracious smile. "Victoria? Come along. We'll be late."
Once outside, Jane rounded on her student. "WHAT WERE YOU THINKING IN THERE?!?!"
Victoria sighed and shamefacedly stared at the toes of her shoes. "I wasn't thinking," she finally admitted. "When they kept hurting him, I just reacted - did the only thing I could."
"By shielding him with your own body? I don't know if that's bravery, bravado or stupidity!"
"Stupidity, probably, Aunt Jane," the girl said solemnly. "I just couldn't think of anything else to do. It never would have occurred to me to call security."
Jane considered that for a moment. "So you just counted on what?"
"I figured if he hit a girl, particularly a small girl, he'd lose face with his gang and that he knew that."
Finally, Jane nodded. It was not the solution she would have preferred, but it did show that her student had come even further than she had thought from the bully who had first entered her tuition those long months ago. "Next time, you'll think of calling security first. Now come along. We must hurry or we really WILL be late."
Chapter 16: A Time to Sow
"Aunt Jane?" Victoria said, just a little breathlessly. "I think we should check our faces if we have the time. If I look like I feel, my mascara probably looks like a Louisiana bayou chart. I don't think I have that 'ladies glow, they don't sweat' thing down pat just yet."
"We did walk rather briskly getting up here from the parking lot, didn't we?" Jane responded. "Well, your make up is fine, but perhaps a stroke or two of the hairbrush wouldn't go amiss for either of us. Ah, the lady's lounge is right over there."
It was only after they were side by side in the restroom, fixing their hair and repairing non-existent cosmetic faults that recognition hit Jane. Victoria hadn't so much as flinched at walking into the lady's room. Nor had she gawked at anything or anyone while they were in there. The girl had simply gone about her business as if strolling into a women's public restroom were something she did every day.
*Good Heavens! Is she THAT comfortable with the feminine role? Even Michael and Darryl balked at entering the lady's convenience those first few times in public, and Victoria just nonchalantly takes it in her stride. Oh, my.*
Jane was still mulling that over in her mind when they reached the now-secured waiting area where they would meet her new student. She was glad that the FAA had resumed limited flights in and out of T. F. Green Airport. The new boy's parents had wanted, since they had been forced to accompany him on the trip because of the suicide risk, to take him to Logan International in Boston, or perhaps Bradley International in Hartford, but Jane had vetoed both. She wanted this boy safely under surveillance at Seasons House as quickly as that could be arranged and a two-plus hour drive combined with the larger crowds of the bigger airports just increased the already too great a risk this boy posed to himself.
*Besides,* Jane admitted privately, *I'm still just a little annoyed that they couldn't find the time to escort their son by train. What is the priority here?*
A gentle tug on her sleeve broke through Jane's reveries. Turning in the direction Victoria indicated, she saw a group of people enter the waiting area from the direction of the concourse. She began to wonder if her student has missed the flight when three people arrived - a tall, ungainly boy, his arm firmly gripped by a rather grim-looking woman, her face lined with fatigue. They were followed by a tall, wan-looking man, his eyes fixed on the younger man in front of him. *Clearly, the trip has been difficult for them,* Jane realized. *Perhaps the train wasn't such a good idea after all, if they are that drained from their time getting here by plane.*
She took a deep breath and squared her shoulders. *God, don't let this be a mistake. Help me to help this poor child find worth in himself again.* "Ready, Victoria?" The girl nodded solemnly. "Remember to speak only when I invite you to speak. Other than that, just keep your eyes and ears open and your mouth shut."
Jane marched up to the trio, her carriage regal, her head held high. "Mr. and Mrs. McQueen?" she asked. At their weary nods, she inclined her head in greeting. "I am Jane Thompson. Welcome to Providence." She then turned 'the eye' on the tall slender young person, still firmly in the grip of his Mother. *It will be a challenge to get this one to pass,* Jane thought with some resignation. *Even without heels, the she he'll be will draw a good deal of attention. Six foot tall women do tend to stand out in a crowd.* "And you are Benjamin? Benjamin McQueen?"
Eyes dulled with an emotion that tugged at Jane's hidden soft heart momentarily looked up and then returned to the floor. "Yes, ma'am," was the almost inaudible reply.
"Benjamin, I am Ms. Jane Thompson. You may call me 'Ms. Thompson' or if you prefer, 'Ms. Jane'. You will be staying at my house, and attending my school."
Not waiting for a reply, Jane turned to the young girl at her side. "Victoria, this is Mr. and Mrs. McQueen and their son, Mr. Benjamin McQueen. Benjamin, this is Victoria Denato, my niece."
Victoria bobbed a smiling little curtsy to the two adults "Hello, Mr. McQueen, Mrs. McQueen. It is indeed my pleasure to make your acquaintance," before turning to smile shyly at the new student. "Hello, Benjamin."
"Um, Benny will do, if that's okay with you," Benny interjected softly.
*Now what brought that on?* Jane wondered. *How many of my boys willingly called themselves ANYTHING that ended in a 'y' when they arrived here? Well, it was the first thing he's asked for and it won't hurt to give in here. Might simplify getting him to the house. "Very well, as you wish." Jane turned to the two adults. "And what are your plans? I would like to get Benja. . I mean, Benny settled in."
Mr. McQueen shrugged and Jane thought she saw him reel momentarily. "Not much we can do, right now, Ms. Thompson. There's no chance of even trying to get home before tomorrow afternoon. The national flight schedule is still a mess after the Trade Center disaster - planes in the wrong cities, extra stringent security. And we, ah, left the moment we could get reservations and unfortunately, they were one-way. About the only thing we have going for us is that we didn't have time to pack, other than what we brought for our son."
"I see," Jane murmured.
The elder McQueen tried to smile and didn't quite succeed. "I just hope we can find a room until we can get a flight back home. All of the nearby motels were listed as being full-up when I tried to make reservations from home. It'll be a long night here at the airport if we can't find a place."
*They're exhausted on every level, and yet, I can't afford to have them at Seasons House. Knowing what I plan for their son and seeing it happen are two very different things. The next two days. . .heavens, the next few hours will be especially critical for this one. I can't take the chance that Mom or Dad might interfere! I know.*
Reaching into her purse, Jane withdrew a credit card which she handed to Victoria. "Go to the Courtesy Counter and make arrangements for Mr. and Mrs. McQueen to stay at the Roger Williams Hotel. If they give you any trouble, ask for the managing director and use my name - he owes me several favors. Use that card to pay for the rooms. The hotel is in downtown Providence so have them send the courtesy limousine here to meet the McQueens. Inform the concierge that I want them provided with a change of clothing, also at my expense, please."
"That's not necessary," Mr. McQueen protested, only to stop short when he saw the near longing look on his wife's face. "We'll be even more in your debt, Ms. Thompson. Thank you."
"You're more than welcome," she told him before turning back to her student. "After you've set up the hotel accommodations, go find a Redcap and have him collect Benny's suitcases at the baggage stand. Escort him and the luggage to my car. Use this," and Jane handed over a small wad of bills, "for the tip. We will be in the coffee shop when you're done."
"Yes, Aunt Jane."
"Now, you three look like you could do with a sandwich and something to drink. I feel just a tad peckish myself, so if you would care to join me for a bit of lunch?
Only after they were half way back to Seasons House, Benny riding in the front seat beside Jane and Victoria watching him like a hawk from the back seat, did Jane realize what she had done. She had put her American Express Gold Card in Victoria's hands, which was the same as giving the girl a free ticket anywhere in the world, and nothing had happened. *Nothing except what you ordered her to see done,* she amended thoughtfully.
Chapter 17: Welcome to Seasons House
Benny McQueen prowled the strangely decorated room, dressed only in his day-old skivvy-shorts. He'd intended to make this inspection following dinner the previous night, but he'd crashed instead. His body still hadn't recovered fully from the trauma caused by the drugs and his subsequent detox at the rehab center. As a result, he tired easily and very suddenly - one minute he'd be awake and at least fairly alert, the next he'd be out cold. If not for the damned dreams, that wouldn't be such a bad thing, but sleep brought him entirely too close to Janey.
That was why he was awake now, before the late fall sun was even a false glow in the eastern skies. Janey wouldn't let him stay asleep a moment longer. That was one of her more successful reprisals. Feeling guilty was bad enough; feeling guilty and dog-ass tired was pure hell.
*Sure is a strange room,* he thought trying to ignore both the guilt and the fatigue. The room's peculiarity owed to more than just the pink satin and white lace he saw throughout. First, it was odd for what wasn't there. There were none of the usual oddments of civilized life - no bottles, no combs, no books, no knickknacks - nothing of what he'd expect to find in a room that was obviously intended to house one of that woman's girl students. On careful inspection, there didn't seem to be anything light enough that he could raise it above his head, either. Second, it was odd for what was there - such as wire-mesh reinforced window glass and heavy vinyl cushions lining the rim of the bathtub. Finally, except for the large, wooden storage closet, *Is that what they call an armoire?*, every single door, window or drawer was locked against him. That included the door that opened onto the main corridor.
The freaking room was a very plush, very luxurious combination of jail cell and rubber room.
*Well, they got that right, anyway. I ought to be in either one of those if not both,* he thought with a sigh of resignation. *Whoever set this place up knew what they were doing, though. Offhand, I can't see a single thing I could use as a weapon, unless I count that big pillow on the bed, which I don't. I don't think death by self-smothering has much potential. Even if I could hold that thing to my face hard enough to cut off my air, I'd just pass out before I could finish the job. Wonder if this place does a lot of business with suicidal maniacs? Not how I'd want to earn my living, that's for sure.*
Giving up on the search for a suitable weapon of self-destruction, Benny turned toward the armoire. *Don't know what is planned for today, but I'd prefer to face whatever that is dressed in something other than my shorts.*
A quick check of the large antique's interior surprised him. *Where are my clothes? Did they mess up and put me in the wrong room? Or maybe, this is their only jail cell/rubber room, and they didn't have time to move this stuff out of here before moving me in. But where are my things?" he asked himself again as he idly ran a hand up and down the skirt of a brightly colored, silky robe that hung on the inside of one heavy door.
The sound of a key turning in the main door lock preceded the unannounced entry of the woman into his room. For only a moment, anger at this invasion of his personal space cut through his malaise and he locked eyes with her, but it was only for a moment. Then he broke eye contact, and stared at the floor between them.
"We need to talk about what is to become of you, young Benjamin," the woman said firmly.
"Benny," he replied. "I asked you to call me Benny."
Since his head was still bowed, he didn't see the lines that momentarily furrowed the smooth forehead, but rather only heard, "So you did, *Benny*. My apologies, but I would have thought a young man of your inches and maturity would have preferred a more. . . adult form of address. In any case, please come with me so that we can decide what is to become of you."
*Like I get any choice,* he thought. *Not that I deserve any.* "My clothes," he replied instead. "They were evidently sent to the wrong room. All I have to wear are these shorts."
"Were they?" she asked. "Ah, so they were. Well, that robe will do for the moment until we can make appropriate arrangements for you."
"That's a girl's robe," he observed, but without any emotion Jane could detect.
"Obviously," the tall, auburn-haired woman replied dryly. "However, it will serve to cover you for the nonce. Now, please put it on and follow me to my office. We have much to discuss and many decisions to make before breakfast."
Benny thought about that for a few moments, then shrugged into the silky confection and trudged toward the door.
Benny McQueen stood before Jane's desk like so many before him. *I won't be able to buy anything off the rack for this one,* she thought, making a mental note. *I knew he was tall, and had Marie stock the armoire accordingly, but even so, that robe is about five inches too short on him. Obtaining custom-made clothing will surely delay our first public outings. Looks like it is short skirts and loose sweaters for the rapid change exercises. Well, I'm not sure just how hard I dare push this one just now in any case. Perhaps taking things a little slower is the better strategy in any case. And I am very much afraid that Benny will not make a particularly attractive girl, although with the right clothes and makeup, he could be, I don't know, striking? How about quietly dignified, Jane? We'll just have to see what Marie, Caro and Sandy can make of him.*
"Please stand straight, Benny," Jane quietly ordered. "Hunching over like that is unattractive and bad for your spinal column. Good posture is essential for good health and good deportment."
For a moment, Jane wondered if the boy would balk. Thus far, he'd taken everything she'd thrown at him without comment and without changing that awful look in his eyes. Then, he slowly unfolded his body and drew himself erect, but still he kept his eyes lowered. "Why are you here, Benny?" she asked firmly.
Clearly, he had not expected that question and it surprised him. When he didn't immediately respond, Jane asked again, more insistently. "I guess, well, because of the drugs, and the. . the . . ." his voice failed.
"The attempted suicide?" Jane asked, striving to keep any tone or inflection from her voice. He nodded. "I see. The rehabilitation clinic reports that your body is clean of the drugs - was clean, in fact, at the point when you attempted to kill yourself. What should I infer from that?"
"Huh? I. . . I don't know what you mean."
"Oh, I believe you do. As soon as you no longer had the drugs to numb you, you attempted to kill yourself. Now, why did your parents send you to me?"
The satin-swathed shoulders shrugged again. "I guess they think you can help me."
"And if I interpret your body language correctly, you obviously don't agree."
"The only way you can help me is to let me die."
"Very melodramatic, young man, and not very convincing. You had many opportunities to kill yourself on your way here and you elected not to make the attempt. Walking on airport runways, going through checkpoints with armed guards who are on edge already. Diving off the airplane gangway to the concrete below. I will concede that those may not have worked, but you might have gotten lucky. Why didn't you so much as try, eh?"
For just an instant, anger flashed in the boy's eyes. "Because my mom had a death-grip on me from the moment we left my hospital room. Anything I might have tried would have endangered her and I couldn't do that!"
"Why not?"
"Because I love her!" and there was a world of pain in that admission.
Jane nodded. "And your father?" The shoulders hunched again, and began to shake with the sobs Benny could no longer hold inside. His head shook up and down in an exaggerated affirmative. "They sent you to me so that I could help you. If I fail, and you do . . . injure yourself here, it will hurt them - quite badly in fact - because they love you, too."
"My decisions have nothing to do with them. . . or you!"
"That is where you are wrong, Benny. I don't know them well enough to say this for certain, but I sincerely believe that if I fail and you do manage to injure yourself or worse, then they will see that as their failure and something deep inside them will die, too. Do they deserve that fate? Do you want them to suffer like that?"
"No."
*thank GOD!* Jane let that negative stand in the growing silence for several long moments before speaking again. "You don't like yourself very much, do you, Benny?"
Something that might have been a laugh rasped from the boy's throat. "Saw that, did you? I hate myself, Ms. Thompson."
"Because of the girl? Janey?"
"Isn't that enough?!"
*You are not ready to listen to that argument, young man,* Jane thought. "As you will," she replied almost casually. "But perhaps you are too close to Benny to be able to judge that fairly."
"What is that supposed to mean?"
"I propose that we, for a time, at least, kill Benjamin McQueen."
"Huh? For a time? What's that supposed to mean?"
"Simply, that you cease to be Benjamin McQueen and instead, live a life of my choosing so that you can take a more objective view of Benjamin, as an outside observer."
"You have some magic wand or medallion that is going to make that possible?" the teen asked sarcastically.
"Not quite," Jane said, purposely ignoring his tone. "And at the same time, I want you to learn some things about the young lady who died, some things that you, as Benny, have not had the need or perhaps more correctly, the opportunity to learn."
"I have no idea what you are talking about."
"You agreed to come here, Benny. Agreed to try whatever I proposed. Is that not correct?"
"My mom. . .my mom cried," he whispered. "I hate it when my mom cries, and it's worse. . .worse when I. . I. . " he broke down again.
"When you cause the tears?" Jane asked, ruthlessly. At the affirmative nod, Jane continued. "Very well. Here is what you will have to do to keep your word to your Mother." That got his full attention and for the first time, his eyes met and locked with Jane's. "You will give me your word to follow the program I lay out for you. At the same time, you will promise not to harm anyone in this house, including yourself, for the entire time you are in my home."
"That is awfully open-ended."
"And your promise to your Mother wasn't?" Jane challenged.
"How long?"
"Did you place any time limits on your promise to your Mother?" Benny looked away, but then shook his head no. "I thought not, but I am not your Mother. Very well. You will give me your word for a period of not less than six months and not more than twelve months. If I cannot help you to my satisfaction in that time, I will send you back, and will do so in any case at the end of one year." *God help me help him, please!*
He was silent for what seemed like a very long time, but was in reality only a few heartbeats. When he finally spoke, all he said was, "I give you my word."
"Very well. Now, if you will go back to your room, my maid, Marie, and my niece, Victoria are waiting to change you into someone else."
"Your . . . your maid? And your niece? But they're both girls. . .I mean, women? They're going to change me?"
The 'Jane Thompson' grin threatened but was held in check. "Why yes. I did say you'd learn some things about Janey that you had not had the opportunity to learn before, did I not? For the foreseeable future, Benny, you will become and live as Penny in this house. Unless your word to me and to your Mother has no value, that is."
"PENNY?!?!"
Chapter 18: What Do You Do with a Problem Like Victoria?
"Can you explain her behavior, Marie? One minute she's helping you in the kitchen, without being ordered to do so, I might add, and the next, she is watching over her little sister like a broody hen."
"Jane, you're the one with the psychology degree. All I know is that child is working as hard or harder than any student I can recall, except perhaps Darla. It's like she is really trying to learn to be a girl, not just learn to act like a girl."
"But every time you turn around she is a DIFFERENT girl, Marie. I have NO idea what she'll do next. For example, when she got here she was terrified by just the thought of riding. Now? She's facing her fear of the horses like some Rebecca of Sunny Brook Farms clone."
"Fear?" Marie choked out a laugh. "Janey, you don't know the HALF of that one. That girl has fallen in LOVE with those four-legged manure-makers. When she's not watching Penny, reading the fashion magazines and newspapers for your next mealtime quiz, studying her school lessons or keeping house, she's down at the stables subverting your livestock."
"It was a good deal easier to deal with her when she wasn't quite so brave. Have you seen those hideous polyester stirrup pants she wears when she is going to see the horses?"
Now Marie did laugh, a big, bold laugh totally at odds with her usual role in Seasons House. "Seen them? Jane, I *gave* them to her. She'd tried going down there in skirts, but that didn't work. She laddered three sets of hosiery, including a pair of silk stockings before going bare-legged. Then the straw and hay made her break out into a rash. She came to me because she figured that you might really have a fit if she ruined a pair of those Armani slacks mucking about down there because she doesn't have any jeans!"
"Armani to muck out a horse stall. Lord above," Jane sighed, shaking her head. "Well, if she stays, we'll buy her some jeans. IF she stays.
"Is that really a possibility?" Marie asked, once again serious.
"We've never had a child react like this, Marie. On the one hand, I'm rather proud of her for standing up to the things she fears, but on the other hand, her sudden unpredictability poses a very real and dangerous threat just now."
"Danger? Aren't you overstating the situation? I mean, we both think she's made the big turnaround, so where's the problem?"
"Penny is the problem, Marie, or at least, the root cause of the problem," Jane said simply. "Our new student is TRULY unpredictable because none of the old rules apply to her. Why should she worry about being exposed publicly as a boy masquerading as a girl? She's already decided to kill herself once, and still isn't sure she shouldn't try it again. I can't trust my past experiences to foretell how she will react to my lessons. I have to able to give Penny my full attention at all times so I MUST know how Victoria is going to react and behave for the simple reason that I have no idea how Penny will."
"Then I think you need to explain to Victoria, very carefully and very precisely, just what you are doing and what you expect of her each time. I mean, it is not like you dare to play this one by ear, is it?"
Jane shook her head sadly. "That's just it, dear. Even if I plan everything, I HAVE to wing it with Penny because I am always guessing with her. Suppose a situation with Penny gets. . .well, violent and it very well could unexpectedly. If I anticipate Victoria acting like the prissy-missy and instead get the tough as nails warrior queen from the mall, things could go from worse to terrible very quickly."
"I see," Marie said. "So what do you propose to do? Graduate her?"
"It might be the best thing," Jane sighed, rubbing her knuckles against her temples. "For Penny, at least. Unfortunately, I told Victoria all about the 'big sister' function and she is now determined to be a great big sister."
"You're afraid Victoria might feel she'd failed you and Penny if you sent her away just now?"
"There is that," Jane agreed. "And if I could just trust her reactions, three pairs of eyes to watch Penny is certainly better than two pairs. I only wish I had more information on which to base my decision."
"Maybe if you got the whole group together? Laid out the issues and got their collective insights? They might be able to help you piece it together better."
"I've talked to them individually already."
"But they haven't discussed it among themselves," Marie replied. "Aren't you the one who told me that sometimes it is the interaction that is important, not the dialogue?"
"It is a thought," Jane murmured.
"Well, I don't know why you think there is anything special about Victoria, Jane" Sandy grinned as she reached for another cheese cube. "She reacts to me the same as your other girls do. She tries to sink into the salon chair and hide."
"That's true enough," Carolyn Beale agreed, as she nibbled a sweetly frosted cookie. "Even after all these months, Victoria still gets very quiet and demure once she walks into Sandy's cubicle.
"And that's all?" Jane asked, "Nothing unexpected?"
"Not that I can tell," Sandy shrugged.
"Well, there was the make-up club. . . " Caro reflected.
"Yes?" Jane pounced.
"Now that I think about it, that was really unexpected. You know how the boys usually are when the girls are all there? Like Sandy said, they sort of try to melt into the woodwork only we won't let them. Not that they're at any risk so long as they do as they're told. As the model, the girls aren't seeing them so much as analyzing them, so they're actually safer than if they were part of the class group. Still, getting them to interact at all during those sessions is always like pulling teeth without novocaine. Painful and difficult."
"And Victoria was different?"
"She sort of, I don't know, grew into it. In the beginning, she was stiff as a board and just as responsive, but then she began to loosen up. I just thought she was getting used to the game, kind of like Darla, you know? Anyway, before the end of the session, she was chattering like magpie with the other girls."
"She whaaat?" Jane goggled.
"It was rather surprising because I never knew she acted like that. I mean, she really was kind of , well, kind of a ditz. You know, like one of those teenage sitcom actresses or one of those teen pop artists. Everything gesture and speech pattern really exaggerated," Caro demonstrated by swinging her hand about in broad, sweeping gesticulations, and then giggled. "Lord, that was funny, because some of girls were really put off by that act. Oh, and some of the things she said," Caro shook her head at the memories. "I particularly remember that one of the girls asked why she didn't have pierced ears. She said that she was waiting until she could talk you into letting her pierce her navel at the same time. I believe her exact words were 'My aunt would have a cow. . .'. I was going to offer to do the dirty deed for her during our next session - you know, as a class demonstration - but Marie showed up to whisk her away before I could say anything."
"Over my dead body!" Jane snapped before she could stop herself. "Pierced navel, indeed. What is it with these young people today. Anything else? Brenda?"
The sleek shop keeper frowned as she stirred her tea. "Nothing I haven't already discussed with you, Jane. You saw the dresses she chose when she was on her own. Sweet Polly Purebread and the 'Lady in Red'. Nothing in between. Pure Priss and Pure Sex."
"Did you notice anything out of the ordinary about the way she interacted with the shop girl you sprung on her?"
"Sally? What do you mean?"
"Like what Caro just said about how she behaved with the girls in the makeup class?"
"Oh, I understand. Now that you mention it, Victoria seemed rather comfortable with Sally, or at least, as comfortable as any girl can be when she's stripping and dressing while a stranger watches. I didn't have to prod her once to get a move on. It was almost like. . . well, like she was your basic teenaged girl enjoying the experience of trying on all those clothes and seeing what she looked like wearing them."
"Oh god," Jane groaned as Marie reached over to take her friend's hand. "Another Caitlyn?"
"You think she wants to be a girl? A real girl?" Carolyn asked.
"I don't know. What you've all just confirmed is that she's trying out personalities that are inherently feminine, but not necessarily the one I've tried to teach her. Part of the very fussy clothing and over-the-top girlish affectations is that those behaviors tend to isolate the student, even among girls her own age. I don't want my students learning to like the masquerade too much."
"Well, does she behave like your other students here at the mansion, or does she seem to emulate someone else?" Brenda Franson asked.
"Marie." "Jane." the two women of Seasons House said in unison, each pointing at the other.
"Oh, my goodness," Carolyn said wide-eyed as she selected a cookie from the plate Marie offered. "Both of you?"
"She doesn't emulate me," Jane snorted. "When she's not being 'the perfect Victorian Seasons House student', she's Mother Marie in miniature. You should see Victoria when she's trying to help Penny. I can tell you, watching her try to mother a student who has more than six inches height advantage on her is something to see. Sometimes, I swear, Victoria wants to diaper Penny, stick a pacifier in her mouth and rock her to sleep. Like me, indeed."
"Hah!" Marie shot back. "You don't see her as I do, then."
"Oh really? And who baked those lady-fingers this lot is so greedily scarfing down? From scratch, by the way, and we both know that baking is not among MY great accomplishments."
"As if you'd let any of our girls escape without learning how to cook, bake and properly present food. As to the other, why, just yesterday, during the dress up exercises following the 30 minute bubble bath from hell? In walks MISS, emphasis if you please on the *MISS*, Victoria, in a navy blue power suit no less, complete with three inch matching heels and that dark lion's mane of hers up in a killer chignon. And you should have seen the way Victoria ripped a piece off Penny when our new little sister blurted out a bad word. All without using a single profanity herself, I might add, and in such a 'more in sorrow than in anger' mode that even Penny felt she must do better, rather than becoming even more depressed. I wish I could have taped that lecture."
"Jane to a 'T', eh," Caro asked, grinning.
"Exactly," Marie replied fervently. "PERFECT diction, POINTED critiques - heavens, Jane, she even had your vocal inflections down perfectly. And let me tell you, she got Penny's attention when I couldn't."
"It sounds," Jane said finally, "as if she is trying very hard to behave like whatever girl best suits the situation. Almost as if she were practicing."
Brenda nodded. "Or trying them all on in turn and seeing how they fit?" At Jane's dark glare, Brenda took another sip from her tea cup before continuing. "But back to what Carolyn asked. Does that mean you think she wants to be a girl?"
"Harmph," Sandy snorted. "Well, if that kid is planning on being a girl, she'll be a lot different in one key respect than Caitlyn, I can tell you that much!"
"How so?" Jane asked, almost hopefully.
"THIS kid likes females - a LOT! You know that Taylor girl, Caro, the blonde who's, ah, developed so suddenly in the last year?" Sandy's partner nodded. "Well, just last week I had old Vickie-babe in my chair and Miss Whole Milk 2002 went bouncing past my cubicle on her way to the tanning booth, wearing her very-brief bikini. I thought I was going to have to pour some ice water on to Victoria's lap. I'll tell you what, if Victoria is going to be a full time girl, she's going to be a lesbian."
"Will she indeed?" Jane asked, more than a touch of frost in her tones.
Sandy blushed, but continued. "Look, Jane, she doesn't act like Caitlyn, at least not THAT way, okay? I never got a single rise out of Caitie - not once in all the times I had her in my chair, and THAT makes her damned unique in my experience. Now, Victoria, well, she still, umm, gets horn. . ., I mean, well, aroused!"
"The sheets, Jane," Marie said softly. At Jane's cocked brow, the petite French Canadian blushed too, but held her gaze. "I still have to change Victoria's sheets quite regularly." She swallowed delicately. "Spotting. Her nightgowns, too."
The other three women figured out what Marie was hinting at and began to laugh. "Such involuntary emissions are usually," Jane said haughtily, "very reliable indicators that a boy has become comfortable in the feminine role and is therefore ready for my more demanding and public training situations."
"You mean he's no longer so terrified that he can't get a hard-on from all that satin rubbing up against him, right?" Sandy grinned.
Jane's scathing look did nothing to quell the irrepressible bottle-blonde stylist, so she simply nodded. "Just so. However, I still don't know what is going on in that child's mind. I can't have her changing personalities on me like this. One minute she's Pollyanna, the next Britney Spears, and the next who knows?"
"Is she still dangerous?" Carolyn asked. "Victor was originally sent here because he beat up smaller children, right?"
The Mistress of Seasons House considered that and then shook her head. "I don't believe Victoria is still a public danger. The way she walked into that confrontation at the mall the other day proves that. In the very unlikely event that the old Victor would have involved himself, he would have gone in swinging, and hit those punks from behind. Victoria, on the other hand, just marched into the middle of those hooligans and tried to stare them down."
"Gee," Sandy said, her merrily twinkling eyes locked on Jane. "Wonder where she got the idea for THAT strategy?"
"*I*," Jane said with great self-assurance, "am somewhat more imposing than a five foot three inch tall teenaged girl in a First Communion dress. She nearly got herself hurt!"
"But she saved the boy," Marie pointed out gently. "And as you just pointed out, dear, that is not something *he* would have done a few months ago. I think, Jane, that if you are still worried about her predictability as big sister, we can safely send her home so that you can fully concentrate on Penny. She's changed and it is all to the good."
"And if she goes home and decides to become a girl?"
"Then perhaps, dear friend," Marie told her friend, "that is what was really wrong with her all along. Maybe being a girl is what she found here that was missing in Victor."
"At least the kid has grown a pair of balls," Sandy noted as she reached for and took the last two cheese cubes from the tray. "Or whatever it is girls grow for courage. Took guts to do what she did in that mall."
"Yes, that's true. The cowardice that led to Victor's bullying does seem to have come under Victoria's firm control. Ever since she insisted on donating blood. Well, ladies, thank you for coming. Please excuse me. I have to go relieve Victoria on the Penny-watch."
The four women sat quietly until Jane had left the room. "She's really upset about this," Brenda observed.
"She's afraid that she's made some kind of error in Victoria's program; an error that has led Victor to only THINK he wants to be a girl," Marie said.
"He doesn't seem at all like Caitlyn," Carolyn reflected. "A little more 'rough and ready' than Carlton, if you know what I mean."
"Boy or girl," Sandy put in, "I like this Victoria a lot more than I liked that snot Victor."
"I think, Sandy, that is part of what is bothering Jane," Marie observed softly. "She likes Victoria, too, and is afraid that is clouding her judgement in this case. She's afraid that her preference for the girl is influencing the boy."
"Oh."
Chapter 19: A Big Sister's Big Sister
Victoria slipped out of her room and into the hallway. Jane had the 'Penny-watch' for the next few hours and they'd be working on grace and movement again today. By all accounts, poor Mr. Webster was getting as bad a bruising with Penny as Seasons House had ever seen.
"Has yet to make two complete circuits of the library without the book sliding off Penny's head," the older woman had muttered when she'd come to the music room to relieve Victoria.
*It's strange, but Jane almost never uses feminine pronouns with this one. Oh, she calls her student by that girl name, Penny, and sometimes 'that girl', but almost never just 'she' or 'her'. I don't remember much from Victor's first few days in Ms. Thompson's silk-gloved, iron-clutches, but I do remember her gleeful use of all those really girly pronouns and adjectives for me whenever she got the slightest chance. Come to think of it, she doesn't say very much to Penny at all.*
The suicide watch was real - Victoria knew that - and damned scary when she let herself think about it. More than just about anything, she wanted to be anywhere else but in Seasons House watching Penny when it was her turn to take that onerous duty, but she wasn't about to admit that. She had responsibilities now. She was the big sister. That was important and Victor Denato had never really felt important before.
Still, the whole idea of suicide really bothered the be-skirted youngster. Sure, Victor had talked about 'killing himself' in those awful early days, had even fantasized about how his death would screw up Jane Thompson's nasty little setup when the cops and all the reporters arrived, but that had only been just that - talk and fantasy. *What had Marie said? Only cowards took that way out of their troubles? Wonder what Penny fears so much that she'd really do that? I mean, not even Victor took that route, did he?*
That thought surprised Victoria for she had gotten used to thinking of her masculine alter ego as the coward she now refused to be herself. *And yet, old Victor had hung in there through the dark times - through all the hair changes, outfit changes, makeup lessons and high-heeled strolls with Mr. Webster. Not to mention the blistering, soul-shriveling reprimands by one Jane Thompson. He had been a pig about almost everything Jane tried to teach him, but he'd hung in there and hadn't taken the easy way out. He'd fought, and he'd eventually lost, but he hadn't just quit. Maybe that meant old Victor wasn't quite the utter coward she'd thought.
Still mulling that revelation and its implications over, the girl headed down the stairs. Lunch would probably be late again as it had been the past three days since Penny's arrival, but Victoria was hungry. *Well, if my nose is any indication, Marie was making her world-class lemon-bars earlier this morning and the cookie jar should be ready for slaughter! After that, I'll take an apple or two down to the stables. Won't have time to stay, but it'll be nice to get away from this for a while.*
Marie was off doing the weekly shopping, so the kitchen was deserted when the girl peeked around the door. Her quest, however, was successful for the cookie jar had indeed been fattened that morning. Victoria was soon seated on one of Marie's kitchen stools, a glass of milk and a plate of cookies close to hand. Her eyes closed in something akin to sensual ecstacy as she took the first bite. *The woman is a GODDESS!* she thought as she chewed the delicate morsel, letting the smooth, tart-sweetness of the lemon custard fill her senses.
She was just reaching for her second cookie when the doorbell rang. "Now who could that be?" she wondered, and then realized that there was no one else to answer the door. With a wistful sigh, she blotted her mouth with a napkin, checked for crumbs and left the kitchen, promising herself she'd come back and clean up after she'd dealt with their unexpected visitor. She did remember to check her face in the hall mirror and was pleased to notice she hadn't chewed off her lipstick eating the cookie.
Reaching the door, she asked herself *Who answers? Young Lady of the Manor or the junior housekeeper?* and suppressed a giggle. She opened the still chained door and peaked out. Standing there was a man wearing the winter green dress uniform of the United States Marine Corps. Twin silver 'railroad tracks' decorated the epaulets of his dark green tunic and the collar points of his khaki shirt.
"May I help you?" Victoria asked politely, and then she realized who this had to be. "YOU'RE JANE'S STUDENT!" she squealed before slamming the door so she undo the chain allowing her to fling the heavy door wide open.
"Captain William Decker, at your service, Ma'am," he said in a surprisingly soft Southern-accented voice. "Is Aunt Jane to home?"
"Come in, come in," Victoria gushed, all but pulling the now-grinning man into the foyer. "JANE!! MS. JANE!! COME QUICK!!" she shouted up the stairs, her hand still gripping the Captain's arm.
"VICTORIA!" Jane snapped as she ran to the head of the stairs. "I'm busy with. . . Omigod. . . WIL . . LIAM!" she shouted as she tore down the stairs in very un-Jane-like haste.
"I'll go watch Penny, Ms. Jane," Victoria said, remembering what her teacher had been doing at that moment. "See you later, Captain Decker. Hope you'll stay to lunch, at least." she called as she hurried up the stairs to the library.
"Oh god, Will," Jane whispered as she walked into the young man's strong, open arms, and wept.
"Hi, Aunt Jane," he said, in an even softer voice than the one he'd used to greet Victoria. "It's good to be home."
Somehow, a feast was served within thirty minutes of Marie's return from shopping, one where all the residents of Seasons House were at table. Afterwards, Jane excused herself and Penny to resume the girl's interrupted training and asked Victoria to entertain their guest for an hour or so. Victoria immediately suggested her new favorite thing to do at Seasons House - visit the horses. Will agreed readily enough.
"I've missed ol' Stars 'n Garters," he drawled in the rich South Carolina accent as he stroked the big saddle-bred's nose. "She was just 'bout the only thing that kept me sane those first few weeks here. Now, I just wish I had more time here."
"You're leaving soon?"
"Day after tomorrow I ship out to a place they won't even tell me yet."
"Jane said you were in reconnaissance? Like, going behind the lines?"
"We call it 'Force Recon', and yes, that is what I do."
"You're going after the animals that killed all those people, aren't you?"
"Like I said, Victoria. They haven't told me that, yet. I do have my little fantasies, though," William's voice became wistful. "Do you think there'd be time for a ride?"
Victoria thought about it. "Not tonight, at least, not with me. I'd have to change into my riding clothes first, and I go on duty. . .I mean, it will be my time to tutor our new student in an hour."
"Oh yeah. I forgot about that. Jane mentioned it at lunch. Well, how about tomorrow afternoon?"
"That would be great, only, I'm still learning. I never sat a horse before I came here."
"We'll go easy," he assured her. "I just want to see the beach again. Where ever they're sending me, there won't likely be a lot of waterfront."
"God, but this is just as beautiful as I remember it," William sighed as they reined in to overlook the rocky beach below. "This used to be my 'I have to get away from Jane' place when I was here."
"So, Ms. Jane hasn't mellowed since you were here," Victoria asked cheekily.
"What do you think?" he grinned. "You ready for some of that picnic Tante Marie packed for us? I know I am. That rock over there looks like a great place for lunch."
They ate in companionable silence, the husky crewcut man and the petite feminine creature. They'd just finished a double helping of Marie's fried chicken when William turned to look Victoria in the eyes. "Jane's worried about you, bro'. She's afraid you're planning on hiding in those skirts for the rest of your life."
"Bro?!?!" she yelped, and then started to demur only have will cut her off in mid-denial.
'Ease off, Vic, okay? I know who you really are, what you really are, and I know why you are here in Aunt Jane's Girl's School for Boys."
The last words threatened to freeze Victoria's blood in mid-pump. *He does know,* her mind screamed even as she managed to squeak aloud, "You do? How!!?!"
A small grin lit the young Marine officer's face, a grin that somehow softened facial features that just moments before had seemed rather stern. "Damn straight, kid. My name was Wilma - given to me by an Irish fella named Finn whose Jane-Name is Fiona. As to how? Well, all I can say is been here, done that, got the lace teddie to prove it!"
"My god. You're telling the truth, aren't you?"
"I am an officer and a gentleman, sis. So, answer the question. *Are* you hiding in skirts? Suppose Jane said, right now, that you could go back to being Victor. Would you?"
The response was quick and positive. "No."
"Why not?" he asked, without any note of censure in his voice. "Have you decided you're really a girl? There are guys who feel that way. From what she told me, even one of Jane's students once."
"What if I *do* want to be a girl?" Victoria retorted, her chin coming up stubbornly. "What business is that of yours?"
William stretched out on the rock without taking his eyes off Victoria. "Point taken." he shrugged. "It isn't any of my business, if it's for the right reasons. If it's for the wrong reasons, meaning reasons that reflect poorly on Jane, then I'm making it my business. Hell, bro, you can screw your life up anyway you want, but Jane matters to me. I wouldn't want to see her hurt."
"I don't want to hurt her either!"
"Good enough! So, prove to me that your desire to continue in this admittedly unusual lifestyle that was admittedly forced on you by Aunt Jane is really the best answer for you."
Shame colored her face and she could no longer meet William's eyes. Finally, she whispered, "Victoria doesn't beat up on little kids."
"Okay. I can see where someone Aunt Jane has helped would think that was important. On the other hand, Victor hasn't beaten up any little kids for months. Why should he start that up again when he leaves here?"
"Because Victor is . . . a . . . coward!"
William snapped upright to stare at Victoria. "Whoa, there, bro. I heard you faced down a gang of thugs in a mall. By yourself. That doesn't sound like cowardice to me."
"That was Victoria, not Victor."
"Same difference, Vic."
"No it's not," Victoria replied sharply. "Jane knows the difference. She praised *Victoria* for being brave - by NAME. She's proud of *Victoria*. She thinks *Victor* is a coward and has said so on several occasions - again by NAME."
"Hell, bro, that don't prove anything. She still calls *me* Wilma most of the time. It's now her special nickname for me. She knows you're Victor. And neither one of you is a coward."
"You just wouldn't understand," she responded bleakly, blinking hard against the tears of shame prickling at her eyes. "You're a Marine, and you've been in combat. You're brave and tough. Victor is a coward, and Victoria doesn't have to convince anyone she's tough."
"Well, that at least is true. Victoria doesn't have to convince anyone she's tough, that she's brave. But at the same time, neither does Victor. Hell, courage isn't something that you vote on. No one else's opinion matters but your own. It's all internal, man. If I learned anything in the Corps, that's it."
"What do you mean?"
"Tough is not giving up. That's it, pure and simple. You don't give up while you're still breathing. You have that attitude, and the biggest bully in the world will back down."
"There's got to be more to it than that," Victoria asserted dubiously.
Will grinned at that. "Of course, you may get your ass handed to you a few times. Lord knows I did. Drill sergeants are the fiends from Hell, believe me, and they *live* for unarmed combat practice against shave-tail officer candidates, or as THEY called us, officer candy-asses. But it doesn't matter whether they can beat your body. Tough means they can't beat your mind. Nobody comes out of Marine boot camp without that sort of toughness. The REAL sort of toughness."
William paused, and then pointed back up the hill toward the old Victorian mansion. "And nobody comes out of Miss Jane's Girls' School for Boys without the same kind of fortitude. Trust me, kid, you got it."
"No I don't. Jane just put you up to this."
"Nope, she didn't. Look, kid, you took off on your own, didn't you, dressed like a sissy and with that infernal long-lasting makeup of hers so that you could donate blood. What did you think was gonna happen when you got there?"
"It didn't matter. It was just something I had to do."
"Bingo! As good a definition of tough as I've ever heard," he said before laughing at himself. "Oops, not quite. Standing up to Miss Jane, now *that* takes guts, man. But you did that, too. And you did them both as Victor, right?
"For all the wrong reasons."
"And now you recognize that they were wrong, but that doesn't mean you weren't tough."
"Just pretty dumb, huh?"
"You said it, kid, I didn't, but I will say something, man-to-man, okay?"
"Yes?"
"I think you'll find old Victor to be a pretty good guy if you ever decide to give him another chance. As great a gal as Victoria has become, he couldn't be anything else. I know I'd be proud to call him friend, or go into a tight spot with him guarding my back."
The primly-dressed equestrian looked at the trim Marine with wide eyes. The idea that a warrior, a hero, would consider *Victor* someone valuable to have around when courage was called for was . . . a lot to consider.
The young man noticed her confusion, and grinned easily. "Let's be heading back. As I recall, it takes a while to bed these hay-burners down after a good ride."
"Um, fine. Whatever you say," the distracted brunette replied.
"Need a leg up?" William asked easily.
"Yes, please," Victoria replied, accepting his aid to get back on the tall horse. They rode back in companionable silence, Victoria's horse following William's mount without conscious guidance on her part.
Chapter 20: A Time to Rest
When they got to the stable, William helped remove the tack from the horses, but as Victoria reached for the brush to groom them, he asked, "Um, Vic, would you do me a favor and finish up? I need to go talk to Aunt Jane about something."
"Of course," she said politely. "I don't mind anyway. I love working on them."
"Thanks, bro, see you up at the house."
When Victoria had completed caring for the horses, she strolled up the path to the house with a combination of distraction and anticipation. She wanted to talk to William some more, about what he had said, but it wasn't something that could be discussed at Miss Jane's formal dinner table - not with Penny there, too. When she reached the door into the kitchen area, Marie met her with a broad smile.
"Ah, cherie, you smell like horses. Again."
"Sorry, Marie. It happens."
"I know, child, but you need to go get cleaned up. However, Miss Jane wants to see you first. She's in the library with Penny."
"Before I shower?"
"Yes, ma petite, right away."
When Victoria reached the library, the door was open and she saw Penny, carefully navigating the room in her latest pair of high heels, one hand tucked into crook of William's elbow and the ever-unwelcome Mr. Webster perched atop her now-blonde head. *My goodness but those make her so tall! Like she is all leg from down there to up here! She must have four, maybe five inches on William in those spikes. Her ankles are going to KILL her tonight.* She was raising her hand to knock politely on the door's frame when Jane saw her standing in the doorway.
"Come in, Victoria," she called, amusement rather than distaste in her expression, despite Victoria's smudged face and . . . distinct aroma.
William smilingly excused himself from his 'companion' and turned to greet Victoria. Jane moved around the still-marching Penny, and faced her diminutive charge. "I just wanted you to know, that William has my permission to make his request of you, but how you respond is your choice."
"What request?"
Jane's eyes twinkled, but she shook her head. "That is for William to explain."
Just then there was a thud behind them, and they both looked at the sound to see Penny bending down, picking up the dictionary that had fallen from her head.
Jane sighed, and said, "Perhaps you should go get cleaned up now, Victoria."
"Yes, ma'am," Victoria dutifully replied. She retraced the familiar path to the top of the second floor, but before she could reach her room, she was again intercepted.
"Vic, can I talk to you for a minute?" asked William.
"Of course," she said politely.
"How long has it been since you've seen a movie?" he asked.
"A movie?"
"Yeah. Or, in the terms of upper-crust snobbery, a 'film.' You're not a snob, are you?"
"No! At least, I hope not."
"Good. So, let's go see a movie. We'll get a little dinner first, okay?"
"I, uh, you mean, go out together?"
"Sure. Why not?"
"But I'm a . . . I mean, you know I'm a . . . "
William laughed and said, "Sure I do and you know that I'm married - quite happily as a matter of fact. But you're still mighty decorative so it's not like it would be a hardship to spend some time with you. And unless you intend to throw me down and rape me - which I don't think you're quite big enough to do, besides I've been trained in hand-to-hand combat by experts - we'll just be two friends hangin' out, having a good time. Do you have a problem with that?"
"Uh, no, I guess not, I mean, no, not at all. Heaven knows I haven't had much in the way of 'hangin' out time' since I first arrived here at Jane's place."
"Great, see you in - hmmm, you *will* need to take a shower - say, an hour?"
Victoria nodded, her mind whirling with the unexpected development. It was all right, really. William could spend an evening with Victor doing exactly what he described, so why not Victoria? Yet, it was . . . different, too. But Miss Jane had said it was okay, so . . .
"That would be, um, fine. What's playing?"
"Well, there's where you've got a choice. There's the new Mel Gibson war movie, a Jim Carrey comedy and a, uh, well, I guess you'd call it a chick-flick."
"Chick-flick? What is that?"
"My wife loves them. Romantic, usually with at least two scenes guaranteed to make the ladies cry, one of them happy tears, guys being made to look foolish at least three times by their girls and a happy ending, which usually means marriage with the bride meeting all criteria to wear white."
"Oh. Umm, have you seen any of the movies?"
"Nope."
"You don't have a preference."
"Not fair, Vic. I told you to choose."
"Oh. Well, could we go see the war flick, but if asked, sort of hint we saw a, what did you call it? A chick-flick? He is a favorite of the ladies, isn't he?"
"I think we could tell her we saw a Mel Gibson movie without lying."
"Good. And I want popcorn! A bucket with LOTS of butter and salt. I am so bloody tired of Marie's low-salt, low fat healthy snacks. I think she does that to encourage us to learn to bake!"
"Go get cleaned up, Vic, and I'll meet you downstairs."
Victoria hurried into her room, stripping off her riding clothes and hoping Marie wouldn't be too angry that she just left them lay. But she had more important things to worry about. What was she going to wear?!
The Armani pants suit was just what she wanted - elegant and dressy enough to suit Aunt Jane, but not 'dress-feminine'. Somehow, both factors had been important to the teen when faced with the problem of selecting her outfit. Suiting Aunt Jane was important because, well, she was Aunt Jane. Victoria wasn't quite so sure about why the second factor she was important. *Maybe because it is hard to guard somebody's back in spiked heels and a hobble-skirt?* she thought as she slid into the seat of William's Mustang.
"Still want to see the Gibson?" he asked as he pulled onto the private drive leading to the main road. At Victoria's nod, he grinned. "Look, Vic, relax, okay? I know about Penny, and Jane felt you had earned a little decompression time. If there's something you'd rather do than go to the movies, tell me. Think of it as a 'guy's night' if you want, instead of as a date."
"A guy's night?"
"Sure. Feel free to cuss like a sailor and far. . .I mean, pass gas if you want. Or, if you prefer, we can go to the country club - Jane arranged a guest membership for me - and do the guy and gal on a date thing. You like dancing? It's the one thing Jane made me learn that I really did like, even if I did have to let her lead."
Victoria laughed and felt herself relax. "I think I'll pass and the swearing and gas-passing, and I don't feel like dancing. The movie sounds perfect. But I WAS serious about that popcorn, mister!"
"Okay, but you figure out how to keep the grease stains off that silk suit. *I* am not explaining to Jane and Marie how it got messed up."
"SILK?!?! Oh, Shi. . sugar!"
"I thought we weren't swearing tonight, Vic?"
"Shut up, Wilma."
"Yes, Aunt Jane."
"I'm so glad you came, Will," Jane told her student as she and Victoria escorted him to his car the next morning. "I just wish your wife could have come, too."
"She's tied up with the emergency recovery stuff, but she insisted I come up to see you before I. . .before I ship out."
"Tell her I'm very grateful," Jane said, pulling him into her arms for a tight, loving hug. "I'll write. So will Marie." The little maid was inside supervising Penny in the cleanup following breakfast.
William nodded, then smiled down at Victoria. "Will you write to me, too?"
"Me?" she squeaked in surprise.
"Sure. Include a picture, and spritz it with perfume. I'll be the hero of my battalion. Maintaining the most honored traditions of the Corps - a girl in every port."
"Oh, you!" Victoria snorted, playfully swatting him on the arm. She had him figured for the 'hopelessly in love with his wife monogamous' sort since he'd spent their entire meal the night before regaling Victoria with stories of his wife and family.
"Well?" Will insisted, cocking a brow in challenge.
"Well what?" she sniffed, beginning to enjoy the flirtatious banter.
"Are you gonna write to me, too? I'd like to hear from you. Really."
Jane watched as her student blushed, and then nodded.
"And a picture?" William wheedled, earning himself another blush and another hesitant nod. "Great. And tell your twin that I'd like to hear from *him*, too."
"Okay," she said quietly. "I'll make sure he gets the word and that you get your letter."
There was an awkward moment as the pair, both students of Jane Thompson stared at each other, unsure what to do next. Jane looked around and made sure they were alone. "Look, you two, if you were both in trousers, you'd probably hug. If you were both in skirts, you WOULD hug. Let's not be foolish here!" she snapped in her best school-marm voice.
William grinned at Jane, then opened his arms in invitation. With only a moment's hesitation, Victoria stepped inside their strong circle and returned the embrace, her head resting on his strong chest. "Hang in there, bro," William whispered just before letting her go, "You're gonna be one of Jane's great ones."
Jane and Victoria stood at the head of the circle, watching, long after the little red sports car was no longer in sight. Finally, the fall wind whipping about their hair chilled them enough to break through the reveries. "Come along, Victoria. Penny's new clothes arrived yesterday and we have a great deal to do so that she will be ready for her first salon visit day after tomorrow." With that, the Mistress of Seasons House offered her hand to her senior student, and then led the way back to the mansion's door.
Chapter 21: A Time to Fight
Jane cut the engine of the Lincoln and then turned a cocked brow to the girl seated beside her. "I believe I win our little impromptu wager?" she asked. "Safely parked with no damage to either my car or the other two cars. So YOU have the entire cleanup tonight after dinner. I'll ask Marie to make sure it is something sticky that requires all the pans in the kitchen."
Victoria smiled sheepishly. "Don't know how you got this huge boat of a car into that little bittie space, but you did it, Aunt Jane."
Jane smiled approvingly at her senior student. While she normally squelched such games, the touch of humor eased the almost stifling tension that had pervaded the car since their departure from Seasons House. She was more than a little anxious about this outing and Victoria's "No way you're going to get this monster in that parking space," followed by her mischievous "Wanna bet, Aunt Jane?" had helped. A quick check in the rearview mirror revealed that even Penny was a little less grim. *Or is that wishful thinking on your part, Thompson?"
"All right, I'll be back in a few minutes. I just have to drop these papers by at my attorney's office. Victoria, you will introduce Penny to the ladies," she ordered before turning to face Penny directly. "You will obey Carolyn and Sandra as you do me. I have already given them their instructions and I will be back in no more than an hour."
"Yes, Ms. Thompson," the tall junior student murmured, refusing to meet Jane's eyes.
"Come on, Penny," Victoria chirped. "Or we'll be late for our appointments."
Jane watched from the curb as the new boy-girl not-quite-gracefully followed her diminutive big sister into the Marisha Chalet. The two inch tall heels of her new shoes were still challenging for Penny, but with her already impressive height, Jane did not think public outings wearing anything more extreme would be very likely.
She sighed to herself as they slipped inside the ornate storefront door. Jane was sorely tempted to wait on going to the attorney's office, and be there in the shop for this entire session, but that would put a very large deal she'd been working on for months at risk. For herself, Jane didn't much care, but the Pediatric Oncology Clinic at Children's Hospital would benefit greatly from the outcome of this particular deal.
Sighing, she restarted the engine, signaled her intention to pull back into the line of traffic, and checked behind her. *Besides, you've already talked to Caro about the special care and feeding needed for this one. Maybe, if she gets through this appointment and then one next week without incident, we can get back to a more 'normal' salon routine. Please.*
Victoria greeted Carolyn Beale with a big smile and a quick hug, much to the surprise of the taller brunette. "Well, hello there," she said, returning the hug. "And how are you, today, Miss Denato?"
"Very well, thank you, Mrs. Beale," Victoria returned pertly. "Are you and Sandy ready for us?"
"Sure are," Caro replied. "We cleared the decks for your two and are ready to work our fingers to the bone. Sandy?"
The yellow-haired, voluptuous-to-almost-the-point-of-being-considered-plump stylist came out of a cubicle in the rear of the shop, wearing smock that was emblazoned with the Chalet's highly stylized trademark. "Yes, Carolyn?"
"Are you ready for Miss Penny, here? I'm going to TRY to do something with THIS one,"
Sandy gave a bark of laughter that sent chills down Victoria's spine. "Sure, send her back. I've been looking forward to this."
Victoria listened to Caro's stream of chatter with only half an ear - the true focus of her attention was squarely on what was going on in the next cubicle where Sandy was in the process of creating a hair weave for Penny. Jane wanted the new student to be able to dispense with the wigs.
"Oh, my, your hair is going to be *sooo* pretty when I get done with you. I just love deep, dark hair, and you're going to look like you dipped your head in ink. It's going to swirl around you like a dark cloud, mysterious and eye-catching."
"Umm, thank you, umm, Sandy, is it?"
"That's my name, Penny. And when I'm done with you, you're going to remember it, too! Now, hold still while I get this weave set."
There was really very little to be done for Victoria which gave Carolyn the freedom to take care of some other shop business while Sandy worked on Penny. Thus, Caro had been in and out of the cubicle several times, in response to the ringing of the door bell or to answer the phone. This gave Victoria the chance to concentrate fully on what was going on with Penny and Sandy.
The work on Penny's head essentially complete, Sandy lifted the cape that draped her client and looked at the body beneath. Penny's new outfit was relatively simple - a white cotton blouse under a sleeveless cotton sweater in dark red with a matching kilt-cut skirt that was hemmed to show about five inches of thigh on the very tall girl.
"My goodness, sweet-cheeks, but you have such loonnngg legs. They are definitely your best feature, though they are a bit bony. We're going to have to have Jane get you some tighter, tinier skirts to show off those legs. Boys just go crazy for the leggy types. Why, it almost makes me jealous."
"I . . .I never thought about it. . .that way."
"Well, start thinking about it, girl! When you're stalking the male of the species, you have to have your weapons ready! Tell you what! I'm going to treat you to a leg waxing, right now! Good thing you didn't wear stockings."
Victoria frowned at that last exchange, particularly at the hitch she'd heard in Penny's voice. Sandy was starting to really get to the taller girl and the senior student was beginning to worry. *I really wish Jane was here,* she thought unhappily. *I know she talked to these two about Penny, but I just don't trust Sandy. She likes playing the ball-busting bitch too much and dammit, Penny is still too fragile for that stuff! Where IS Jane? Her hour was up twenty minutes ago!*
The leg waxing had been hard on the young person in the salon chair in more ways than just the sensation of hair being jerked out by the roots, and Sandy was feeling very good about herself. Lifting the girl's skirt to get "all the way to the bikini line," had been a stroke of genius, if she did say so herself. Talk about threat of exposure. Now, however, it was time to break the really bad news to Jane's newest pupil.
Sandy's smile became feral, and Penny felt herself recoil at the sight. "Well, sissyboy, we're ready to work on your face. That *will* be a challenge."
Both stylist and unwilling client went silent, and for the first time in her life, Victoria understood the concept of things being 'too quiet'. If her ears had designed with muscles, she would have strained them trying to hear what was going to happen next. *JANE!* her mind screamed, *This feels wrong - VERY wrong and I have no idea what to do!!*
"C'mon, sit still and act like a woman. Plucking eyebrows doesn't hurt *that* much. Stop those silly tears or you'll ruin your mascara and THEN I'll have to do it all over again!"
With a look of utter disgust, Sandy threw the tweezers down onto her work shelf. "I just don't know what I'm going to be able to do with you, sweetcakes," Sandy said in saccharin-sweet tones.
"Ma'am?" Penny asked, her choked-back tears suddenly clogging her throat.
"Usually," the stylist said, taking Penny's chin in one overly firm hand and twisting her face side to side, as if examining her client's feature in profile, "You *boys* that come in here like this USUALLY have SOME redeeming features that I can embellish, but I just don't know about you. I don't think Mary Kay herself could make you pretty."
"B. . .boy? I. .I . . I'm not a . . "
A raised hand cut her off in mid-denial and the smile Penny got was as frightening as anything that had happened to him since his parents had turned that Thompson woman loose on him. "Oh, I know what you are under those silkies and frillies, sissyboy. You think I didn't notice your, ah, sudden growth when I did that waxing? Too bad you're so small there and so big everywhere else. Guess that's why you want to be a girl, eh?
"I don't want to. . "
"I don't care what you want, sissypoo. Now you look here, okay? YOU came into my salon and sat down in MY chair. That means YOU get the full girl treatment, even if it won't do you much good. HOWEVER, girls LIKE being pampered, sissy. Unless you start smiling, I might just have to let the rest of my shop know what a pervie little boy I have in my chair. Start looking happy!"
"I. . .I.. don't understand," Penny all but whimpered.
"I will be happy to explain it to you, pussyboy! You're not the first girly boy I've had in here. Unfortunately, it's my job to make you look pretty and worse, I think it is going to take all my considerable skill to get YOU to the level of wolf-ugly."
"Wolf. . .ugly?"
"Yeah, that's where if a guy wakes up and finds you sleeping on his arm, he'll gnaw it off at the shoulder to escape." Pleased with that shot, Sandy turned her back on the girl so she missed seeing the full impact of her next barb. "God, it's a good thing you aren't a girl - you'd die a bloody virgin because no man and certainly no woman would want the likes of you!"
Victoria heard the first sob and then Penny's complete emotional breakdown. The anguished outpouring was overlaid by Sandy's hissed out threats and curses, but all that did was increase Penny's volume and distress. Without another thought, Victoria was out of her chair and into Sandy's cubicle. One look told her all she needed to know.
Jane hurried into the shop and came up short as the shouting from the back of the stylish salon registered.
"I don't care what you think, Sandy, you come one step closer and I will put you on your as. . backside."
"Get out of my way, you silly little bitch! That's my chair and Jane told me to take care of your playmate. You won't like it if I have to let everyone out in the waiting room on your little secret."
"What, you're going to tell them that I am really a boy under this little disguise? Go right ahead, but you're not laying another hand on Penny until Aunt Jane gets here, now BACK THE HELL OFF!"
"Come on, Victoria," Caro's softer, more reasonable voice cajoled. "You know Sandy. Just let her do her job."
"Like she's done already? No way, Caro! I've spent over a week trying to help Jane get this girl ready and I am NOT going to let that blond bit. . that blond partner of yours destroy what we worked so hard to accomplish because she wants to play 'Ilsa, She-Wolf of the SS' in a salon smock!"
Now afraid, Jane rushed to the back cubicle and was stunned to see Victoria, one hand behind her back holding a starkly pale Penny's hand. Sandy was trying to push her way past the small brunette to get to her chair while Caro was literally wringing her hands as she looked on in wide-eyed disbelief.
"WHAT IS GOING ON HERE?!?!"
"Jane," all three unseated women said with varying degrees of relief and victory. Sandy moved in first. "Get this stupid little fool of a girl the hell out of my way, Jane. She's interfering with my program for Penny."
"Victoria?" Jane asked, very quietly.
"Sandy browbeat her into a breakdown, Aunt Jane. I don't know precisely what she said that did it, but there was a scream and then Penny was crying really, really hard. I came running in and she looked like she was going to be sick."
"Oh for god's sake, Jane," Sandy fumed. "You know what we do, and you know how we do it. What's the big deal with this one? So she started blubbering a little. Didn't you tell me that learning to cry was part of the deal for your students? Penny's learned to cry, okay? Get little Miss Florence Nightingale out of my way so I can finish what I've started!"
"Don't leave me, Victoria," Penny begged, nearly hysterical, her grip making Victoria wince, "Please don't leave me."
Jane watched as Victoria reached around her back with hand to pat the Penny's clutching hand. "I won't, Penny," the senior girl promised softly yet firmly, all the while keeping her level glare locked on Sandy.
Jane also saw the abject terror that lined her junior pupil's face, and worse, the renewed haunted look in her eyes that had not been so much in evidence the past few days. *I should have been here,* she railed at herself. "Sandra, I would like to speak with you in the back, please. Carolyn, if you would clean Penny up for me, we will be leaving as soon as I've had a few words with Sandra."
"Jane!" Sandy all but whined.
"In the BACK, SANDRA!" Jane bit out each word and even the aggressive blonde knew she'd gone too far. "I'll only be a moment, Victoria."
Carolyn checked to see how far Sandy had gotten and nodded. "Not much to clean up. I'll just brush out her hair and she can get out of the chair," she told Victoria who still held her little sister's icy hand in hers.
"Guess I really let the cat out of the bag," Victoria said so softly only Caro heard her. "Announcing to all your customers and helpers that I'm really a boy, but it was the only thing I could think of to convince Sandy I was serious and willing to go to the mat on this one."
"If there had been any of those here, you would have," Caro whispered back as she finished the brush-out and removed the protective cape from Penny's shoulders, "but we opened early for you two, and none of my other customers or helpers are here yet. Just the four of us and Jane. Jane warned us that Penny was fragile. I guess I didn't realize how fragile."
"And Sandy didn't care," Victoria finished sourly as she helped a stiff and shaking Penny down from the salon chair.
Just then, the door to the back room burst open and a rigid-spined, stone-faced Jane Thompson burst from the room followed by a now-weeping Sandra. "We're leaving now," she said quietly. "Victoria, please help Penny to the car. Carolyn, I will call you later." And then she followed the two students out the door without a backward glance or another word.
"Oh god, Carolyn, I knew that one was like Michael," Sandy sobbed. "I knew he was suicidal, but I thought that telling him he wouldn't be a pretty girl would *help* in the end, not hurt! I mean, all those other guys Jane brought in here would rather have *died* than have their masculinity questioned by saying they look pretty. How was I supposed to know that was *exactly* what bothered him?"
Unable to think of anything else to do, Carolyn Beale took her longtime partner and friend into her arms and let her cry.
"How is she?" Victoria asked when Jane and the nurse from the storefront clinic came down the stairs. Jane had called the woman on her cell-phone during the drive back from the beauty salon.
"Asleep. Nora gave her a mild sedative and Marie is with her."
"I have to get back to the hospital, Jane. I think you'd better call in your experts now because that child is going to need some serious help. Michael's closest, but if Eric Davis can get free, I think you should consider asking him in on this one. Crisis intervention is his specialty."
"Michael's on his way," Jane said, rubbing sharp knuckles into her temples. "Thanks for coming, Nora. I'll keep you informed."
Jane saw her friend to the door and then returned to the sitting room where she found Victoria laying out a simple meal of tea, sandwiches and fruit. She wasn't hungry, but knew she should eat, if only to keep her blood sugar in the normal range.
"You did very well today, Victor," Jane said finally, drawing a startled look from her student. "You put yourself between another and a fate truly worse than death, and sacrificed your greatest secret to protect her."
"No one was there to hear," the weary teen retorted.
"You didn't know that," Jane smiled gently. "Caro made sure I knew that - that and to check on Penny is why she called. "I've never had a boy sacrifice the masquerade for another before. That was incredibly brave of you."
"It's not really my greatest secret, you know," Victoria replied before she quite realized what she was saying.
"Oh? How unusual. One of the key assumptions of my program is that a boy will do almost anything to keep from giving himself away while dressed as a girl. If you don't mind my asking, what is a bigger secret than that? You don't have to answer, by the way. As far as I'm concerned, you graduated with flying colors today, my lad."
"How strange to hear myself described in the masculine tense again," the boy-in-girl's clothing said. Carefully made up eyes looking up into suddenly gentle ones owned by Aunt Jane. "My great secret? You already know it. I'm a coward - Victor is a coward."
"I thought that Wilma, I mean, William had helped you get past that bit of self-compartmentalization. I have not thought you a coward since the day you asked, no, DEMANDED to give blood. Since then, you have at times displayed more courage than good sense, but you are NO coward. Unless. . ."
"Unless what?"
"Unless you decide remain Victoria for the sole purpose that you can hide in her skirts."
"Guess I can't very well do that, can I?"
"Oh, you could, but it would mean a great deal of sacrifice - sacrifices I don't think you should make because, unlike another of my students, you don't really want to be a girl. So, my lad, show some courage. Be a man, in the finest sense of that word."
Victoria/Victor considered that. "I'll try. What happens now?"
"We get Penny professional help and go from there. I don't think we can safely proceed with what I had planned now. Not until the experts say she is out of danger. DAMN Sandy. Damn me for not being there."
"Aunt Jane?"
"Yes, dear?"
"I don't know how you handle. . . well, graduation? But if there's any chance I can help? With Penny, that is? I'd like to stay. I could continue my lessons here. I'd like to move into a more science-oriented program, or at least, find out if I have what it takes to do that. I figure I can do that here as well as back home. Probably better because you're a better teacher than anyone I've had before."
"Why, thank you, dear. As to graduation, I usually send the senior student off when the junior is ready to become a big sister. Because of the delicate nature of things with Penny, I was considering sending you home tomorrow - as soon as Michael arrives to give us added support here in the house. You want to stay?"
Victor/Victoria shrugged, and felt the thick mass of dark hair dance about her face and shoulders. *Odd that it feels so strange now.* "Yes, Ma'am. She's. . .he's my little sister, you know?"
Jane smiled at that. "She is indeed that, even if she does tower over you by half a foot. All right, if Michael and Eric agree, we'll keep you on, for a while longer at least. And you want a tougher science curriculum, eh? Now what ever for?" Victoria blushed deeply, eliciting a tired grin from Jane. "All right, give. Why the change in attitude about school work?"
"The horses," Victoria told her. "I, ah, umm,. . "
"What have I told you about speaking clearly and succinctly, Miss Denato?" Jane demanded in a fair imitation of her usual brusk acerbity.
"I want to go pre-vet in college and become a large-animal veterinarian," she got out in a rush.
Pleased, Jane put her hand out to run her fingers down her student's cheek. "Excellent choice. And I just happen to have some influence with the best private high school in the country. When it is time for you to leave here, I should be able see you provided for at Saint Andrews Academy. Assuming you do as well as I know you will, we will have no trouble getting you into a first class pre-vet program. It will be my pleasure."
"You mean that, don't you?" and there was wonder in those words.
"I never say anything I don't mean. You should know that by now."
Chapter 22: A Time to Grow
Victor did stay, but as Victoria. Michael, she was surprised to discover, was the same doctor who had taken her blood donation, Dr. Michael Nash. He was ALSO both a former student and semi-adopted son of one Jane Thompson.
Not only that, but he made one heck of cute blonde as Michelle. Drop dead gorgeous, in fact. Victoria had initially been a little upset by the discovery of Michael/Michelle's connection to Aunt Jane. Since Michael and Nora had already been in on Jane's little secrets, that meant Victoria's 'courageous revelation' at the clinic had really not in any way endangered to Victoria's future reputation. She'd been moping about that, and feeling more than a little guilty for those feelings, until Jane, being Jane, had set things straight.
"Courage, my dear, is being afraid and facing what you fear without backing down. You had EVERY reason to be afraid at the clinic. Whether the threat was real or not, you were certain that is was authentic, as I intended. I said I was proud of you, did I not?"
And that had been that. Jane did not lie about such things. In fact, Jane did not lie. *She simply fails to tell the whole truth or tells the truth in a deceptive way when it suits her purposes or plans for a student's education,* Victoria realized.
Dr. Eric Davis, clinical psychologist, was also now in residence, but his arrival did nothing to change the totally feminine environment of Seasons House. The good doctor was yet *another* of Jane's 'boys' who had at one time been one of Jane's 'girls'. If Erica wasn't QUITE as cute as Michelle, she was still a fox, but then, Victoria had recently discovered within herself a partiality to tall, sleek redheads. Especially since her alter ego, Victor, had come under Aunt Jane's guidance.
Seasons House remained a bastion of the gentler sex because the two doctors felt that the presence of men in the house might be more threatening to their patient. So, after consulting with Michael's "Momma-Jane" upon their arrival, both had quickly and easily changed into their female personas. Penny's round-the-clock suicide watch was back, but now there were trained professionals watching the patient in addition to the ladies of Seasons House. Essentially, the plan was that Jane, Marie and Victoria would interact with Penny as before, while Michael and Eric kept her under surveillance using Jane's monitors and security cameras.
It was a plan that worked well enough, until that is, one day about a week after the abortive trip to the Marisha Chalet.
Victoria felt a sharp edge of excitement curl through her gut as she entered Penny's room. The room, which had been barren of bric-a-brac before, and which had some of the strangest furnishing and design touches Victoria had ever seen (those windows with the steel mesh inside were downright ugly) had been given a ruthless going over by the two doctors. Things she'd never have thought could be used as weapons, like the heavy satin comforter, the thick wall curtains and the vanity stool had been removed along with every bottle, pot and tube. *Heavens,* she thought still amazed, *They went so far as to take Penny's toothbrush away, giving it to her only after eating and then taking it back again after use.*
Even the food and 'serving set' she carried on her tray were special 'suicide-proof' selections. There were no utensils at all - everything was finger food - something which Marie had taken as a personal challenge to her powers in the kitchen. Lunch was a salsa-laced salad wrapped in a flour tortilla, soft steak tacos and a rice and bean burrito. Beverages were delivered in unbreakable sealed cups, much like the safety cups designed for cars, but with no straws and no sharp edges. Dessert was a selection of fruit, cookies and cheese nibbles.
Penny had taken to living in underwear since returning from the salon. With her hair now long, but unkempt, her face devoid of any cosmetics and an obviously boy's body, she was not a pretty sight. *Odd that I still think of her in the feminine tense,* the petite brunette thought, *Guess I really am fully indoctrinated into the 'Aunt Jane Method' as Michelle calls it. Penny's in panties so Penny's a girl. Simple as that.*
'The girl' stared balefully at Victoria, hurt and anger sparking in the dark-circled eyes. *Well, if Michelle is to be believed, that is a positive sign. At least she's not ignoring me.*
"Luncheon is served, m'lady," Victoria said cheerfully.
Penny did not immediately respond, but did get up off the bed and come over to stand face-to-face with the other girl. She simply stared at the smaller girl; examining her with the focus and detachment of an entomologist examining a particularly new and rather disgusting dung beetle specimen. It took the cumulative grace and composure built by hours of Jane Thompson exercises for the senior student to simply stand there and not flinch under the tall girl's scrutiny. Finally, even her patience reached its limits.
"Its impolite to stare," she said quietly.
Penny stared for a moment longer, just to show how little Victoria's reproof had meant to her, before saying her first, unforced words in over a week. "You told that bitch you were a boy."
"ERICA," Michelle Nash called out from the surveillance station hidden in Jane's private apartments, "JANE!". The call awoke the psychologist who was sleeping on a nearby cot, and brought Jane hurrying in from the private office she kept in her suite. "I think it's show time," she said when the other two arrived. "Penny just more or less asked Victoria if she's a boy or a girl."
"Victoria knows what to say," Erica said quietly as she slipped in beside Michelle. "Let's just hope Penny is ready to listen."
"I still don't like this idea," Jane muttered as she, too, took a seat in front of the desktop monitors. "Even if it works, there's no guarantee she'll do anything more than simply go through the motions of 'doing the right thing'."
"AT least she will be alive to go through the motions, Aunt Jane," Erica said quietly. "Trust me, if she dies, we lose for certain. With these types of trauma, the only guarantee is that you can't possibly win if the victim is no longer alive to be helped."
"I want Benny to be happy!" Jane growled.
"Easy, Momma-Jane," Michelle soothed. "So do we, okay?"
"And if this grand scheme fails?" Jane demanded archly, aware that she was being unreasonable but unable to help that reaction. Benny was one of HERS, by god. "I won't have him institutionalized."
Erica stifled a sigh. What did she expect from Aunt Jane? The word 'quit' wasn't even in her dictionary. "He'll be more of a danger - to himself - here than at the hospital. Do you think you'll be able to help him as much as they can? It will take long-term, high-intensity treatment, by specialists.
"I'll bring them here." she retorted.
Michelle put her hand on Jane's. "Momma-Jane, you know better than that. What about group therapy sessions? That's a major and effective tool - particularly with young people with her. . .his problem. Do you honestly think you could bring all the other patients here, too?"
"I'll turn the bloody manor into a center for young people like Benny," she muttered, aware that she actually half-way meant just that.
"Shhhh!" Erica hissed. "I have to be able to hear what's said!"
"You told that bitch you were a boy."
Victoria took a deep breath, set down the tray and mentally told herself, *It's show-time, folks!*
"Did I? I think what I said to her was something to the effect that 'Are you going to tell them that I am really a boy under this little disguise?'. I never really said that I was a boy."
"Are. . . you. . . a boy?" Penny ground out each word.
For a long moment, the shorter brunette only stared back at the tall, nearly nude figure before her, then she shrugged. "Before I came here, my name was Victor, not Victoria."
"Are you here for something . . . something like. . like what I did? Is that why you're dressing and acting like that?"
"More or less. I was a bully - a real bastard who would go hurt kids, little kids smaller than me, because I didn't have the guts to go after the people who were actually messing with me."
"Why the skirts then?"
Victoria giggled nervously. "Well, it's pretty hard to beat somebody up in a skirt and not draw attention to yourself, if you know what I mean. Jane likes to say it makes me stop and think before making a knee-jerk decision. Kind of like what you tried to do back in the hospital - make a real stupid decision that doesn't solve the problem because you didn't think it through completely."
A vivid flush suffused Penny's face and torso at Victoria's words, and. "Janey died, you bitch, because of ME! Because of the awful things I SAID to her, okay?" Penny snarled, emphasizing each word by poking her index finger into Victoria's chest. "Don't tell me about stupid decisions. I already KNOW!"
Her own temper beginning to light, Victoria pushed her little sister back a step with a double hand shove. "Look, Penny, what you did to this Janey was wrong, all right? We can all AGREE on that, but at the same damned time, I think she was stupid to kill herself over it. Besides, this is NOT about her. This is about YOU. Why are you so damn selfish?
That question brought the taller girl up short and for a moment, she gaped. "Selfish? What the hell does that mean? I hate myself, but that has nothing to do with being selfish. What the hell do I have to be selfish about?"
"Good question, but so far, everything you've said? It's been all about you. You're willing to do whatever it takes to be the center of attention, to make others around you spend all their damn time thinking about you. You're so wrapped up in yourself you don't give a shit what you're doing to those around you."
"If I just died," Penny stormed back, really starting to lose control now, 'Then no one would have to worry about me, would they? How is THAT selfish. I am FREEING them."
"Oh for shit's sake. Are you really that stupid or are you fucking working at it? Hellooo! You think Aunt Jane would just throw a little dirt on your coffin and walk away? Cripes, Penny, you've gotten to know her yourself in the past few weeks or so. It would *kill* that lady if a student in her care offed himself. Maybe not physically, but something very important inside her would die, and she for damn sure would never, ever forgive herself. And a bunch of other kids like ME and yes, like YOU will have lost their chance to crawl up out of the mess they are making of their lives because she won't trust herself to help another kid. And while we're at it, I met your parents, okay? You think they feel the same way as Aunt Jane? Damn straight they do, pal. Hell, *you* feel the same way about Janey! Don't try to tell me that killing yourself wouldn't hurt anyone else because we both know that's BULLshit!"
Penny started to open her mouth, but the furious Victoria cut her off before she could get a word in. "And more than that, you have a lot of life left ahead of you. You could do a lot of *good* out there, if you set your mind to it. As far as I'm concerned, if you have that capacity and don't use it, then you are just as responsible for every kid in the future you could have helped who kills himself, or starves to death, or gets hooked on drugs, or just plain suffers through a miserable life, as you are for that one girl in the past. Get off your fuckin' ass, girl, and TRY to add enough value to the world to make up for whatever you've taken away. You *owe* us, Penny!"
"Oh, and just what the hell does being her wearing these stupid dresses have to do with that supposed debt, what did you say your name was? Victor?"
"Victoria will do right now, thank-you-very-much. The dresses have NOTHING to do with that as you damned well know, Penny. They're on the outside and Jane did that to help you - to give you some emotional distance from the guy you thought you were. What you do for others you'll do because of something on the inside. Call it heart. Call it guts. Call it whatever the hell you want, but call on it! A friend of mine told me that it's what's inside you that tells you to keep going when everything outside tells you to quit. Don't quit, Penny. Don't you EVER fucking quit! Start making things right for a change!"
As quickly as it had flashed, the temper went out of the taller student's eyes, and she slumped wearily into a nearby chair. "Janey's dead, damn you," she almost whimpered, "I can't make that right."
"Then dammit, make it BETTER," Victoria hissed intensely. "Make something, ANYTHING better than it is because you are here. Start seeing OTHERS' needs instead of your wants for a change."
"You're awfully damned cold-blooded all of a sudden. Aren't you supposed to change my mind for me?"
Victoria tossed her head defiantly and shot a disgusted look at her fellow student. "How am I gonna do that? It's your mind. You know that killing yourself is a fucking stupid thing to do. It's also fucking selfish. I don't think you're that stupid, and you've got no right to be that fucking selfish. Oh, the hell with it! I tried." and with that, the furious brunette swept out of the room.
The three eavesdroppers watched in silent fascination as the diminutive brunette went nose-to-chest with the tall boy-girl, lashing out with words and emotions that seemed to charge the very air.
"Goodness," Jane finally managed. "Was that my cowardly bully in there?"
"Bully, maybe," Michelle chuckled softly, "At least I'm sure Penny thinks so, but cowardly? Lord above, the only time she could get nose-to-nose was when Penny sat down. That's one tough big sister you've got there, Momma-Jane."
"I'll say. Now. . " Whatever Erica was about to say was interrupted by a wail of unmitigated anguish coming through the speakers. As one, Jane, Michelle and Erica turned back to the monitors and saw Penny, seated in her chair, weeping.
"That's it for now," Erica murmured. "Her adrenalin-rush just petered out and she's crashing from the residual traces of the sedatives we had to administer. At least Victoria got through the whole scenario before Penny hit the wall."
"Thank god," Michelle breathed.
Erica sighed softly. "Don't be too thankful yet, Mike, because we don't know yet WHY she's crying. But at least we know that she wasn't unmoved by Victoria's little speech."
"There's hope?" Jane asked as she prepared to go in to see to her student. Even now, she almost afraid to hope.
"There's hope," the two doctors said in unison.
"Michelle and I will start some one-on-one therapy sessions with her just as soon as she regains some composure. We'll know more after we talk with her, but there is hope now. Go take care of your student, Jane. The two of us will start when the sedatives have completely worn off."
Chapter 23: A Time to be Reborn
Victoria slipped out of Penny's room and then had to lean against the corridor wall to keep from falling over. *God, I hope I didn't mess that up! As soon as my legs work, I'll go find Michelle and find out the worst.*
"Victoria!" a concerned voice snapped out, "What is the matter? Are you all right?"
Aunt Jane was suddenly at her side, supporting her senior student's spent frame. "I'm okay. . .just. . just a bit shaky, is all. That was dam. . awfully hard. . .umm. . difficult."
"I know it was," Jane said warmly, "Michelle and Erica are cautiously optimistic now. But you did it nonetheless, and you did it superbly - with one exception."
"Exception?" Victoria yelped, trying to pull herself to her feet. "I KNEW I messed something up. What did I do? How can I fix it?"
Jane felt the girl reel again and held her grip. "I'll tell you after I see to Penny, but first, let's go find you a place to sit down before you fall down. I'll have Marie bring you a snack while you wait."
"O. . . okay, Aunt Jane."
Sitting on her bed, dressed in a cotton flannel nightgown, Penny scratched her head as she stared at the still-blank journal that pretty Doctor Nash had given her. She was supposed to 'reflect' on how she felt about the incident at the beauty parlor so that she could then discuss it with Dr. Nash and the other one, Dr. Davis.
One of the problems she was having with that task was that she'd completely lost track of time. There were a few very clear memories - that awful Sandy woman, Victoria protecting her, Victoria again, this time in Penny's room first admitting that she was also a boy and then chewing her out for being SELFISH. The memories were just there, all jumbled together with no sense of time to set them apart from one another. It was like those events happened one right after another, with no time between any of them.
Except that, according to Ms. Jane, the beauty parlor trip had been four days ago, and the confrontation with Victoria had been two days ago. The wonders of modern medical science.
The sound of a key rasping in her door lock had her setting the journal aside. She looked up just in time to gape in shock at who entered. "Victoria?" she asked.
"Yes'm," the girl replied as she entered the room.
"What is THAT?!?!" Penny asked, eyes wide with disbelief.
'That' was a full up, floor length, historically-accurate Victorian housekeeper's dress done in traditional black bombazine. From wrist to throat to floor, Victoria was covered in the heavy black material. It was topped by a starched cotton apron and with a white mobcap.
"I'm being taught a needed lesson, Mum," Victoria said shamefaced as she set the tea tray down on Penny's bedside table.
"For what?"
"Umm, well, Aunt Jane heard us yelling at each other - you know - when I brought you that food two days ago?"
"That's for YELLING at me? Good heavens, Victoria, I yelled at you first."
Victoria blushed bright pink. "She, ah, heard me use very unladylike language, and she is using this to remind me that I am always accountable for my behavior. I am getting a crash course in remedial ladylike behavior."
"She hasn't punished me."
"I wasn't impaired, and was therefore expected to keep control of my tongue. I'd be careful from now on, were I you. I don't think Jane would let you off now."
"But, but why THAT?"
Victoria giggled. "Goodness, back then, you couldn't even admit that a lady had 'legs' - they were 'limbs' instead. That's why they had to wear huge skirts that buried their . . . um, maidenly virtue beneath yards and yards of heavy skirts. The ultimate in demure femininity, don't you think?"
"You don't mind?"
"Well, the corset and period underwear are a bitc. . .um, are bothersome. Marie took three more inches off my waist lacing me up this morning so breathing is a challenge. Not to mention that the unmentionables, the starched pantilettes, wool stockings and muslin chemise, ITCH and ladies do NOT scratch," Victoria said with some asperity before giggling again. "Sure does remind me to act like a lady, though. Kind of hard to forget, if you know what I mean."
"Hell yes, I mean, goodness, yes."
"That's a freebie, Penny," Victoria told her seriously. "Please try to curb that language. If you start, I might forget and get my time in this outfit extended. At least it's not August. I couldn't handle this if it the weather was still hot."
"Serves you right. Lord knows I got the lecture on bad language when I got here - and needed it. I'm glad to see that Miss Jane's and Miss VICTORIA'S standards apply to everyone."
"I was sort of hoping you wouldn't remember that," Victoria mumbled, blushing even more vividly. "I don't suppose you could just chalk this up as an opportunity to learn from someone else's mistake?"
"Okay. Umm, Victoria?"
"Yes, Penny?"
"Thank you. For standing up for me with that Sandy person, and. . " she took a deep breath, "And for telling me the truth as you saw it the other day."
"What are you going to do?"
"Well, the first thing I'm going to do is go to the bathroom. No way I can drink any of that tea until I, ah, make some room. Wait for me? I need to talk to you if you have time."
"Sure," Victoria smiled. "According to Aunt Jane, I am your maid for the time being, anyway."
Victoria was setting out the tea when a soft sound from the bathroom caught her attention. It was a sound she'd heard often enough to recognize recently - it was the sound of someone crying.
Hurrying as quickly as her restrictive garb permitted, she rushed to the door and knocked. "Penny? Are you all right? May I come in?" The last question was for form, because none of the doors in a student's room could be locked.
The door opened and a red-eyed Penny stood there, looking forlorn. Victoria went to her and embraced the taller girl, letting her cry.
"MIKE? Get ready to go in there," Erica Davis ordered. "We may have a situation here. Penny just broke down and I have no idea why!"
Michelle pulled on her white lab coat and moved to get a good look at the monitor. "What happened?"
"Victoria went in there in Jane's punishment gown. They talked about it and then Penny went to the bathroom. Next thing I know, Victoria is pounding on the bathroom door, it opens and Penny's a basket case again."
"You think she's reacting to Victoria's discipline?"
"I have no idea, pal. I didn't see anything that would have indicated that before she went to the head."
"Okay," Michelle donned a ear-plug radio. "I'm wired. I'll be outside her door, ready to go in when you give the word."
"I'll call Jane," Erica said, reaching for the intercom switch.
"It. . .it just struck me, you know? I saw myself in the mirror."
"And?"
"I'm so . . . so ugly. I thought of . . of the things I said to Janey, and how they fit me so much better than they ever fit her."
"Umm, I suspect, Penny, that after what happened, if you were to tell Jane that you can't handle being Penny, she'd let you go back to Benny. The transformation to Penny was something to help you deal with your memories, not make them harder for you. You want me to go get you some jeans and a t-shirt until we can talk this out with Jane?" *Thank you, Michelle, for anticipating something like this. Fortunately, a complete 'boy' wardrobe in Benny's sizes is just down the hallway.*
"NO!" Penny sobbed out before muffling her next words in Victoria's apron-covered shoulders. "Ms. Thompson was. . was right. I. . .I need to understand what Janey went through, if I can, so that I can do what you said - help others like she wasn't helped. But it's going to be so hard looking like. . . like I do."
Victoria let her eyes go closed in momentary relief, then patted the still-sobbing girl on her back. "Hey, you think I was always this beautiful?" she teased. "You just haven't had the advantage of several months of, ah, intensive training by Jane Thompson and Tante Marie. Heavens, you've been here only a couple of weeks. Want me to show you some tricks? I'm pretty good with hair and makeup, although not nearly in Marie's class."
"With what?" Penny asked, gesturing at the empty vanity table where once just about every cosmetic known to woman had once resided.
"Oh, I can go get some stuff - if you're up for it. Heck, I could see if Tante Marie is free. She's been really worried about you, too."
"Okay. If you don't think she'd mind."
"Just wait. I'll be right back."
Jane watched as Victoria hurried out of the room and Penny went to stand in front of the vanity. She picked up the intercom and dialed the kitchen. "Marie? Victoria has gotten Penny to agree to a dress-up session. She needs you up there right away. Make her shine, okay? She's seeing her dead friend whenever she looks at herself in the mirror. Thanks." She put the phone back in the cradle and sighed. "Now what?" she asked Erica.
"We watch and wait. It's all we can do."
Victoria, Jane and Marie sat on the bed and watched as Penny examined herself in the mirror. Her hair was up in a simple ponytail, but had been brushed to a lustrous chestnut and teased into fullness. Marie's cosmetic artistry had added depth and a hint of mystery to the eyes that were Penny's best facial feature, had filled out the thin-lipped mouth and had highlighted her pale cheeks with just a touch of color. Jane had personally wielded the razor on her student's face while a cream depilatory had smoothed out the long legs. Faux nails with a shell-pink enamel brought an unexpected elegance to her slim hands. The simple pastel blue dress showed off her slim figure to perfection.
*She's not truly pretty,* Jane thought objectively, *but she's slender enough, her face is . . .interesting with a clear complexion, and those legs will draw the eye provided we play them up well. More than enough, I think, for us to work with. She'll do, and quite nicely, in fact. Now, if we can just get her to see that.*
"You look GREAT, Penny." Victoria cheered.
"You're much prettier," the flat voiced replied.
"And so she is," Jane said briskly. "But she has advantages, both natural and trained, that you don't. The former is luck,"
"Bad luck, if you ask me," Victoria put in pertly and earning a shy smile from Penny.
"Which no one did, Miss," Jane said sternly, at the same time surreptitiously squeezing Victoria's arm approvingly, "And you will wear that so-very-ladylike outfit for another two days for interrupting me. As I said, Penny, our Victoria has natural gifts that make the masquerade easier for her, but the skills to make the most of what you have are things she knows and you have yet to learn. She is right, however, you do look very nice right now. Don't you agree?"
"I'm very tall," Penny protested.
"So are super-models," Jane replied. "Understand this, Penny. I've done this with boys in the past, and very few of them turned out as pretty as this one. As for you, you're not as attractive as some, more attractive than many. You'll carry this off easily enough if you give it your full attention and effort. Looks are only a small part of being perceived as a woman when in public. Manners, mannerisms and attitude are far more important than mere looks."
"And you think I can do it?"
"I know you can do it, if that is what you want."
"It was part of our deal, wasn't it?"
"Yes, it was, but I am not going to hold you to that deal. Sandy's behavior endangered you, even though that was not her intent. I think you've made a transition since then. I believe that I can help you whether you are Penny or Benny. That said, it would be better if you came to those training and learning experiences I plan for you without reservations. If you have reservations about continuing to live as Penny, as a result of your experiences at the Marisha Chalet, then let's discuss them."
"And if I say I can't handle this - being Penny - anymore?"
"If you say that, and mean that, then you will be Benny again within the hour, and we will structure your program for that contingency."
"Which do you think would be. . .I don't know, better? More effective?"
Jane smiled sadly. "I can't answer that, my dear. I have preferences, but only you can decide how you really feel. You are very different from the other boys I have done this program with, and therefore, what made my program effective with them may not apply with you. If you fight me every step of the way, that helps neither of us."
"I see. When do I have to decide?"
"Not right away. Dr Nash and Dr Davis want to work with you a bit more, first. You should probably discuss this with them before reaching any decisions.
"What about that beauty parlor? And that Sandy woman?"
Jane shrugged. "Not much point taking Benny there, is there? As for Penny? Well, we'll play that by ear, but I doubt there's much there for you to learn now. If that is the only reason not to be Penny, and if there are reasons for you to be Penny, then we won't go to the Chalet. This is about helping you, Penny. As for Sandra? I understand that Dr. Nash has told you her reasons for her behavior. Be that as it may, she's no longer a part of my program." And there was an awful finality to Jane's voice. "Now, you must excuse me as I have some calls to make. If you need me, Victoria will know where to find me."
"I must prepare dinner," Marie said, and rose to follow Jane.
"Well, I know you used your deodorant," Victoria said snippily. "I guess mine must be wearing off the way those two cleared out of here."
"Just as well," Penny said, yawning. "I'm suddenly very tired."
Victoria was up in a flash. "Oh, I'm sorry. Here, let me help you out of those things so you can lay down."
Minutes later, Penny came out of the bathroom, again in her nightgown, with her face cleansed of Marie's makeup. She saw that the bed had been turned down and that all the makeup was again on the mobile cart that Victoria had wheeled into her room a couple of hours earlier.
The senior student saw her little sister's pensive look and blushed. "I'm sorry, Penny, but Jane said that I had to take them back until. . well, until. . "
"I understand, Victoria," Penny said solemnly. "Until she is more certain of my commitment to atone for what I did. That's fine."
Erica watched as the two girls said their goodbyes. She was encouraged when Penny specifically made the effort to clasp hands with Victoria before getting into her bed. It was the first gesture of what might be affection she had seen her patient offer another. Things were looking up.
Victoria closed Penny's door behind her and carefully checked the hall. Once she was certain she was alone, she looked at the thing Penny had covertly pressed into her hand.
It was a wadded up piece of paper - a note. Quickly, she smoothed out the paper and scanned the message. Then she groaned.
"Dr. Davis?" Victoria called from the door. "May I speak with you, please?"
"Sure, Vic. C'mon in. What's up?"
"You know Jane told me to do whatever was necessary for Penny's recovery?"
"Yes, I do. So?"
"So this," the girl said, holding out a badly wrinkled sheet of paper. "Penny palmed that to me just as I left. In it, she asks me not to tell Jane. Now I am well and truly stuck."
Erica read the note, and carefully considered the possibilities. "Keep faith with Aunt Jane or with your little sister, eh?"
"That's about it. I can't see how to do both."
"Let me talk to Michelle and see what she thinks. Then I'll get back to you, okay? If it becomes necessary to bring Jane into this, I will do it, and make sure that Penny understands that it was my doing, not yours. That it was a medical decision all the way, which in fact, is precisely what it is in this case."
"Thanks, Dr. Davis."
"Erica, dear, at least, when we're alone. After all, I'm just another of Jane's boys, too."
Chapter 24: A Time to Heal
Victoria knocked on Penny's door and waited to be invited inside before turning the key that undid the special lock. "Hi," she said as she slipped inside.
Penny looked up from the book she was reading and almost smiled. "Free at last, free at last?"
The shorter brunette pirouetted, showing off the modern skirt and sweater set she wore. "I won't finish that quote as Aunt Jane might overhear me and decide I was being flippant."
"Flippant? You?" Penny asked, her dark eyes wide with overstated disbelief.
"I know - it boggles the mind, doesn't it?" Victoria said, laughing. "I just can't imagine how Aunt Jane comes by those unfair opinions about me, but I'm not too excited about giving her any further ammunition right how. Those wool stockings were about to drive me IN-SANE!"
"At least they were wool stockings and not wool panties," Penny offered, all solicitude.
"Was that a tease, Penny?" Victoria demanded, her right brow cocked.
The girl's sudden blush was her only answer, but Victoria made a mental note to pass that along to Aunt Jane and the doctors later. "Well, if you're going to be mean, I won't tell you the good news!"
"Good news?"
"Yes, good news," she teased, only to become increasingly frustrated when Penny didn't say anything more. "You're supposed to beg, darnit!" Victoria whined, exaggerating a foot-stamp.
"Oh, sorry. Please tell me the good news, Victoria," Penny said, without much inflection. "Pretty please?"
"Oh pooh. You're no fun. The good news is that Jane said we could go for a walk outside today. If you want, that is."
"That would be very nice," the taller girl said softly. "When?"
"Now?"
"Yes, please."
"Well," Victoria gave her little sister a quick once over. The rose and cream dress was simple in design, but showed nicely on Penny's long frame. *Skirt's a bit short for Seasons House, but I suspect Jane has her reasons.* "Nice outfit, Penny, but those strappy heels are not suited for going walk-about. Go run a brush through your hair and freshen your lipstick, girl, while I raid your closet for decent walking shoes. Then we'll blow this joint. At least until dinner. Tante Marie is making pot roast tonight!"
"It's really pretty out here," Penny said later as they walked around behind the stable. "All the fall colors."
"There's a really good place over here," Victoria said, pointing the way to a small copse of trees.
Penny, as she had done since the beginning of her time with Jane, allowed herself to be led where others told her to go. The pair went off the shell-lined trail and crossed the autumn-dry grass and into the small stand of trees.
Whereupon Penny stopped short, unable to hide her surprise.
"Hello, Penny," the figure seated on the marble bench said. "Victoria told me you wanted to see me," Sandra Kash said quietly.
"I. . .I didn't think you'd come, actually," the tall girl said, still staring.
Sandra stood up to greet the two girls, her rounded figure poured into a pair of skin-tight jeans with a loose, cowl-neck sweater on top. Her short blonde curls were squashed under a decrepit Boston Red Sox ball cap and her eyes were hidden behind a pair of mirrored sunglasses. She shrugged. "I don't know what you want to say to me, Penny, but I fuc . . messed up badly with you. I know that, and if telling me to go to hell or worse gives you closure, then that's what I want you to do."
"That's not it," Penny said, averting her eyes. "Telling someone else to join me in hell does not have any real appeal to me."
"Then, what do you want? Why ask Victoria to sneak me in here behind Jane's back. It's no skin off my nose if Jane catches me here - I'm already on her shit list, but Victoria took a helluva risk contacting me and an even bigger one getting you out here."
"I want the truth, please," she replied, a touch of steel ringing in her voice.
"I won't lie to you," Sandy said evenly as she slipped off her sunglasses to reveal tear-reddened eyes. "If I don't think I can answer a question, because it involves someone else - another of Jane's students - I will tell you that, but I won't tell you any lies."
Penny considered that, sneaking furtive looks at the woman out of the corner of her eyes. *She looks like she's ready to bolt,* Victoria thought, and moved to support her little sister so she felt, rather than saw when Penny took a deep breath and turned to face Sandy directly.
"Why?" she asked in a harsh, gritty whisper. "What reason could you have for treating me like that? For. . .for saying those things to me the way you did."
Sandy's eyes went closed and she turned her back to the two girls for several seconds before, without warning, spinning back around. Penny jumped backward in fear, only to be stopped by Victoria. "Sorry," the blonde stylist surprised both girls by saying. "I didn't mean to spook you. It's just that I decided that if I'm going to say this, I won't take the easy way out. I'm going to face you, person to person, when I tell you what you want to know."
"O. . okay."
"The answer, Penny, is that there isn't a good reason, not in 20/20 hindsight. Guess there rarely is a good reason for something that stupid. What happened, I guess, is that I was too damn sure of myself, too arrogant for my own or your own good."
"I don't understand what you mean."
Sandy gave the two girls a self-deprecating smile. "I don't suppose you do. Look, Caro tells me Jane has explained what she does here, right? Normally, anyway? What she does with boys like Victoria, right?" Penny nodded. "Okay, she needs the boys to be afraid - usually, anyway. Afraid of giving themselves away. She's very careful to make sure that doesn't ever actually happen, but the boys can't be allowed to see her taking care of that. My function in all this is two-fold. First, I am very good at my craft. I could take Hulk Hogan and make him passable as a girl, if not actually attractive."
"Who's that?" Victoria chirped in drawing a exaggerated look of disdain from Sandy.
"You're not THAT young, Missy," Sandy chided the smaller girl. "However, to continue? As good as Jane and Marie are at this game, I'm that much better, so they bring their boys to me for the big transformations once they're mostly passable. Okay?"
"I can understand that, but that doesn't explain. . . all those horrible things. . ."
"I said I served two functions in Jane's program. It's my job to threaten them with that exposure they fear, and I'm damned good at that, too. I make them believe that they are two seconds away from it at all times - even though they're not. Hell, when you were in my chair, the only people in the shop already were in on the game. You were never in any danger. Same with the other boys."
"But, I wasn't there to be controlled. I was there to learn about . . .about how Janey felt."
"I know that now," Sandy said, her eyes again closed against her pain, "I knew that then. I thought, what the hell, it bothers Jane's other boys to be told they're cute, and I'm not supposed to bother this one that way. So I told you how ugly you were, even though that was a lie. I figured that would, I don't know, make you less upset. Where I made my mistake was going on automatic, not listening to what you were really saying, not seeing how you were really reacting, and I went way too far. I sincerely apologize for that."
The tall girl said nothing for several moments. "I see," she finally said before going on in a flat, unemotional voice, "You are forgiven. I accept your apology."
Now it was Sandy's turn to gape in surprise and she looked to Victoria who shrugged uncertainly. "Well, umm, thank you, Penny."
An uncomfortable silence ensued, during which none of them so much as moved. Sandy gave a weak laugh. "So, what are you going to do now, Penny? Will we be seeing Benny again soon?"
"I beg your pardon, Ms. Kash?"
"Call me Sandy. Ms. Kash is my Mom. The question is will you be going back to being Benny soon? Jane also told Caro that she was thinking of letting you out of the skirts. Try something else. In fact, she said that it will be your decision after the fiasco at the salon. Have you made your decision?" she asked again and then went on before Penny could answer. "Of course you have. Don't know any boy of Jane's who wouldn't jump at the chance to be out of her skirts and petticoats."
"Why do you want to know?"
Suddenly, something broke inside the normally acerbic blonde and tears began coursing down Sandy's cheeks. "Because I don't want my mistake to drive your decision. Look, I know it sounds strange and maybe even unnatural, but dammit, what Jane does with her boys here at Seasons House works! Regardless of how I behaved, or what you think of me as a person, I want you to have the best chance possible. You and Jane will make that decision, but I don't want my fuc. . screwup to mess up your thinking. Look, if going to the salon as Penny and having to face me there is going to be a deal killer with Jane? I promise that I will make sure I am not even in the shop whenever Jane brings you in, okay? I'll be sick or out shopping or out of town - anywhere but where you are. You have my word."
"Why?"
"Huh?" the blonde asked. "Why what?"
"Why make that kind of offer? It's your shop and besides, if I understand how Ms. Thompson operates, there can't be that many other shops she can safely use for that kind of thing."
Sandy snorted at that. "There isn't ANY other shop she can safely use - at least not in the first few weeks when the boy doesn't have the act and the look down pat. As to why I'd offer to make myself scarce? Because I want the best for you and that is whatever Jane can come up with to help you. She's that damned good at what SHE does! Look, I can be, and often am a bitch. I'm certainly not the nicest person in the world, but until you, the stuff I do for Jane has been the one part of my life where I actually, really help people. That's why I do it. I'm the bogey woman and I admit that I DO enjoy that part of it. I LIKE being the witch that Mothers and Aunt Jane use to put the fear of god in their kids."
"Sure did with me," Victoria murmured, thinking that a bit of distraction was called for.
"'course I did," Sandy smiled with something approaching her usual mein. "Penny, one of the boys once told me that I am. . .was the 'big gun' in Jane's program. I'll admit to getting off on it when the boys almost pee their panties in my salon chair when I get in their face and they KNOW that *I* know, okay? But the reason I'm PROUD of what I do is because it helps turn kids around. I can't be proud of what I did to you and the only way to make that right is by doing whatever it takes to keep you working with Jane. IF that means dropping out of the picture, then I am gone. Simple as that, end of statement. I really, really am sorry, Benny."
The girl straightened, and for the first time, she looked Sandy directly in the eye. "It's Penny," she corrected the older woman, "And I'd rather you stayed. I mean, if I have to suffer this to atone for what I did, why should I let you get off that easily? Penance is supposed to be good for the soul."
"You mean that? Really?"
"I don't lie either. Tell me, Ms. .um, Sandy. Are you really as good as you said you are? That's not just tooting your own horn, is it?"
Offended, Sandy growled, "If anything, girl, I was being unduly modest."
"Very out of character for her, too, Sis," Victoria put in, "but there is no doubt that Sandy is the best hair and face-glop artist in the area."
"In the state, Missy, maybe in all of New England!" Sandy corrected, grinning.
"Then I need to talk to Ms. Thompson. I am going to need all the help I can get."
"If you're serious, Penny," Sandy said in much gentler tones. "You're not now, and never will be classically pretty. Certainly not like this little hussy, but all the same? On those few moments while we've been here, when you forgot to quite so self conscious? You've got this, I don't know, aura of sad dignity about you that is, well, very appealing. If you were a real girl, every chivalrous male within ten miles would be clamoring to slay your dragons for you - even some not-so-chivalrous males. I can help you build on that."
"I'm not interested in having men 'clamoring' for me," Penny retorted stiffly.
Victoria saw an 'old Sandy' grin flash momentarily before Sandy could bring it fully under control. "I didn't say you would be, but I can make you look good enough that men will *think* you're an attractive girl. That's what you were asking, wasn't it?"
"I guess it was," the girl murmured. "How. . . unsettling."
"Be careful what you wish for, sis," Victoria put in, still trying to lighten the mood. "Sandy might just see that you get it."
"Whatever I can do, Penny," Sandy assured her.
Penny only nodded before turning back to Victoria. "I'm starting to feel really tired," she said quietly. "I think I may have overdone."
"Let's go back to the house, then. Marie will have my guts for garters if you get sick over this. See you later, Sandy."
Sandy slipped the sunglasses back on as she watched the two girls disappear behind the stable on their way up to the main house. At the sound of leaves crackling underfoot behind her, she turned to face the figure that stepped out of the shadows. "Good job, Sandy," Michelle Nash said. "I think we made points today."
"You think she can talk Jane into letting me back into the program?" Sandy asked, wistfully.
"If she can't, I will. You won't screw up like this again, and you are an asset. Like you said, you're the best at both roles."
"Benny or Penny?"
"Right now I think it's pretty clear she'll stay as Penny. Probably for the best, too, although Erica isn't really sure. The eminent Dr. Davis doesn't like the fact that Penny's in martyr mode - taking the worst of everything because she deserves it in her mind, like atonement. She'll convince herself that being Penny is the tougher penance."
"Isn't she?"
"Erica doesn't think so. Benny's the one she has to face eventually because Benny is the one she blames for Janey's suicide. Right now, she's not strong enough to face that. Our mission is to keep her around until she is strong enough."
"By around, you mean alive, don't you?"
Michelle only nodded.
Chapter 25: A Time to Grow
Vignette: MiLady's Closet - The Private Viewing Room
"But, Vic-key," only audible separation in the two syllables indicated how truly unnerved the tall student was. "She's a REAL girl!"
Victoria smiled gently at her friend. Penny was standing just inside the dressing room with only her head sticking out and the door curtain draped protectively around her long, lean frame. *She looks like an actress in an old slapstick movie - right after her clothes got stolen. The outraged comedic heroine except she's not feeling very funny right now so wipe that grin off your face, Denato!*
"It's NOT funny, Denato!" Penny fumed, echoing her big sister's own admonishment.
"I know, I know, and I'm sorry, but what did you expect in a women's clothing and lingerie store, Penny? Male attendants?"
"But, but, she'll SEE, Victoria, that I'm. . "
"None of that," Victoria cut in sharply. "What she has SEEN is what she has said - that you are a very tall girl with great legs and good bones, if a bit broad in the shoulders. That swimmer-cover-story Jane came up with is working well, isn't it?
"Don't change the subject, Victoria."
"There isn't any problem unless you make one, Penny. She's already accepted you as a girl. Just go with it and I'll be here to distract her if she starts poking around where she shouldn't."
"Who's going to distract ME?" the wide-eyed teen demanded.
"From what?"
"Not what, you ditz, who. From HER! In case you haven't noticed, she is, well, really cute! And. . . and well, things are getting a bit. . .hard for me."
Without thinking, Victoria's eyes dropped down and then snapped up and felt her face go hot. "Oh, well, it isn't, uh, showing."
"Only because this curtain material is heavy duty stuff, Victoria. My panties aren't. And I didn't know we were coming here so I'm not wearing the gaff."
"Dam. . ummm. . darn. Okay. I'll be right back."
"I don't know why you think you need that silly panty girdle, Penny," Sally, Brenda Franson's shop girl commented. "It's not like you have a poochy tummy or a saggy bottom.
Penny momentarily glared at Victoria's reflection in the mirror before smiling down at Sally. "It nips me in just a bit and makes me look like I have a figure," she managed in an airy tone. "I'm just a little self-conscious about being quite so. . .umm. . .flat. At least the long line smooths things out for me so I don't look quite so bony and hard."
"I suppose. Personally, I love the athletic-girl look. Someday, after you graduate from Ms. Thompson's finishing school, come back here and I put you in some clothes that will REALLY make you shine."
"Gee, thanks, Sally. Sounds like fun."
"Once she got over having knicker-fits at having been caught without her gaff, she settled down and carried it off with no trouble," Victoria reported to Jane. "Very poised; good presentation and deportment, too."
"The girdle idea was well done of you, and she won't forget her appliance in the future," Jane smiled. "So, she found the pretty Sally attractive, in a . . . physical sense?"
"AUNT JANE!" Victoria squawked.
"Well, did she?"
"I thought nice girls didn't talk about such things!" Victoria sniffed.
"Victoria, you have learned the arts of being a girl about as well as any student I've ever taught save one or two, but let me tell you a little secret I have not shared with any other student."
"Yes, Aunt Jane?"
"Nice girls DO talk about such things. What makes them NICE girls is not getting caught DOING such things."
"Oh?"
"Oh," Jane said definitively. "Now, answer the question."
"Let's just say that I think Tante Marie is going to have to change Penny's bed linens after tonight."
"Ah. Excellent. I will have to make sure that Sally is always there when I bring Penny in for future fittings. It is too bad I do not know the girl well enough to bring her in on the masquerade. She could do a great deal for Penny if she were briefed and willing."
"If you did and Penny found out, she'd freak, Aunt Jane. It was bad enough when she remembered that Brenda knew. It's a good thing Brenda went easy on her."
"Brenda has good sense. Do you think our Penny enjoyed the experience today at all?"
"Unrequited lust is hard on a guy, even if he's a girl, Aunt Jane."
"That's not what I meant, and you know it, young lady."
Victoria giggled at her little victory, then became serious. "As much as she lets herself enjoy anything. I think that is why she picked Sandy as her stylist - she wanted to atone for having too much of a good time at the dress store."
"Did Sandra step over the line again?" Jane's voice was ice cold and hard. She'd been reticent to allow Sandy to resume her duties, but when both Michael and Penny had approached her, she'd relented.
"Not really, at least for Sandy. She gave Penny about the same ration of grief as she always gives me when I'm in her chair, and she knows I'm onto her. It wasn't all that bad and besides, Caro was keeping an ear on her."
"Is that the way it is always going to be with this child?" Jane asked rhetorically. "Bad to balance every good? Every pleasure to be followed by some self-inflicted symbolic flagellation?"
"She is no longer determined to kill herself, Aunt Jane. You have time, now."
"You're right, of course, but it is just so hard sometimes, especially when I see what she does to herself."
Vignette: The Kingston Country Club - The Ladies Club Room
"Sit up straight, girl," Edith White ordered. "If you're going to have all those inches, sit up and have them counted. Just because Victoria is a pocket venus is no reason to hunch over. Just draws more attention to what you aren't and she is."
"Yes, Ma'am." Penny murmured.
"So, Victoria is about to finish her time with you, Jane, and you're proposing this one as her replacement?"
"Just so, Edith," Jane said as she lifted her tea cup to her lips. "Victoria is going to a boarding school where she will rub elbows with others of . . .our class and acquire a finer social polish. An enrolled student at the school had to drop out - illness or some such thing - and we couldn't turn down the opportunity when my dear friend called to offer us the slot."
"Looking forward to it, are you, gel?" Edith inquired. "I loved my time at boarding school. Was a prefect, too, don't you know."
"Were you really, Ms. White?" Victoria gushed. "Oh, I think that sounds ever so interesting. Do you have to be perfect to be a prefect?"
"I'm sure Edith will be happy to talk to you about it later, dear," Jane interrupted her mischievous student smoothly. "but we have business to attend to after this little tete-a-tete. As I was saying, Edith, Victoria has to leave us shortly after the holidays, but I knew how you were counting on her helping out with the upcoming telethon, and did not want to leave you short handed. So, when Penny volunteered. . "
"Penny? PENNY?," the old woman's eyes bulged at the offending student with affronted dignity. "What type of name is that for a well-brought-up young woman of our class? Jane? Why-ever do you tolerate such. . .such informality? Why don't you call her Penelope? Young people these days, not having the courtesy to use their real given names."
"My name IS Penny, Ma'am," Penny put in with what Jane thought admirable sang froid, "Not Penelope. My. . . Mother," and Edith missed the quick look Penny shot Jane, "named me Penny."
"Named you Penny? NAMED you PENNY?!? Unbelievable. Should have named you Penelope - that's the correct name - it's in Homer's Odyssey, you know. No Pennies in Homer's Odyssey. I don't suppose you'd mind being called Penelope at the telethon? Much more dignified. Will sound better on television, as well."
Jane watched her oh-so-submissive junior student seem to grow taller before her eyes. *Eyes straight, shoulders back, heavens, if the child was any more dignified, she'd be running for Parliament, and she's not even British.*
"Penelope is not my name; Penny is, Ma'am. It would be disrespectful of me not to honor my Mother's naming of me."
"Just so," Jane repeated.
Disappointment and annoyance, the former due to her failure to cow this upstart young female and the latter due to Jane's failure to support what Edith thought was a perfectly reasonable requirement, warred on the old woman's face. "Oh, very well. At least I won't have to worry about you flirting with the male contributors like I did with this one!" she offered in what passed for humor in the humorless old biddy.
"Just so," Jane said, her voice going cold as she stood up. "Well, we must be going, Edith. I have to take Victoria and Penny shopping. I will have Penny at the PBS station by seven p.m. next Saturday for the required training. Say good bye, girls."
"Good bye, Ms. White," Penny and Victoria said in childlike unison.
They were outside at the car when Jane said another word. Penny wasn't sure what she has said, but it has sounded remarkably like 'bitch'.
It was all Victoria could do not to howl with laughter as she recounted their afternoon tea for Marie's benefit. "I thought she was going to call for a judge right then and there, and demand Penny's name be legally changed to what SHE considered appropriate."
"Oh heavens," Marie choked. "I can just hear her with those clipped, Brahman accents, telling Penny her name isn't dignified. How did Penny handle it?"
"As if listening to a senile old fool pontificate on proper naming was the most normal thing in the world," Jane answered evenly. "She never spilled a drop of tea, or spread crumbs."
"She even ate one of those horrid, dry scones the club serves without so much as flinching," Victoria finished.
"High marks for deportment, eh, Jane?" Marie asked, her eyes twinkling.
"True enough, Marie, and Penny has proven her willingness to do whatever she's asked to my satisfaction over the past two months. I agree she's ready to be a big sister. I called Judge Ruth just an hour ago, telling her we'll be ready for our next student shortly."
"What do Michael and Eric think of that plan?" Marie asked.
"Don't tell me you haven't asked them," Jane teased. "They think she'll be fine. She's ready to be the responsible one. And just maybe, if she's concentrating on someone else's needs, she'll let her guard down enough to find a little joy in her life again."
"So, does that mean we call for the breakdown crew on this one?" Marie asked.
"Breakdown?!? I'm fine, thank you very much," Victoria protested. "I am not broken."
"Non, petite, you misunderstand. Breakdown is Jane's word for turning you back into a young man."
"It might be useful for Victor to have a couple of weeks in boys clothing before heading to Saint Andrews Academy. You need to relearn to swing your shoulders instead of your hips when you walk, you hussy," Jane said in a creditable imitation of Edith White. "All right. Invite the Beales to dinner tomorrow night, Marie. Tell Carolyn to bring her Breakdown Kit."
"How about Sandy, Aunt Jane?"
"You want Sandy?" Jane asked, her tone suddenly cooler.
"She did help me, Aunt Jane, and she did apologize to Penny."
"I know," Jane sighed. "Please invite Sandy as well, Marie. No, wait, on second thought, I will invite her. She might not come if the invitation does not come directly from me."
"Thank you, Aunt Jane."
Chapter 26: A Time to Reap, A Time to Sow
The winds of January howled their fury, blowing snow across the Kingston train platform. Four figures huddled together, backs to the wind, awaiting the train.
"I still say you should let me drive you up there, Victor," Jane said. "It would only take a day.
"Unless it snowed and you got stuck up there, which the weather report says is likely. I'd rather have you here and know you're safe, Aunt Jane," Victor shouted to be heard above the wind. "besides, you need the time to finish up preparations for the arrival of Pretty Penny's little sister. Last I heard, she was supposed to be here day after tomorrow unless the snow stops train travel. You need to be here."
"Don't try to confuse my emotions with logic, young man. I am having a "mother with a chick leaving the nest" moment here."
"Yes, Ma'am."
Victor Denato took a lingering look about the wind-blown station house and it's quaint New England setting. For all the cold and snow, it no longer had the feeling of dread about it that he'd sensed on arriving here so many months ago. As it had for so many young men before him, Jane Thompson's Seasons House had become a second home for him, and she had become like a second Mother. Marie was the loving and doting aunt he'd never known before coming to this place, while Penny had become the sibling he'd never had.
At the thought of Penny, Victor smiled. She'd come a long way in the last three months, he thought as he gave her a thoughtful inspection. She just stood there, straight and determined, as if the sub-zero chill factor did not exist for her. *Heck, even Jane is shivering, but Penny just stands there unmoved and unmoving.*
Her deportment was now excellent as were all her skills and mannerisms. The only problem she faced on a daily basis was her beard. Naturally dark haired, Penny's beard had started to become something of a nuisance. Five o'clock shadow on a sixteen year old girl is a bit of a giveaway in terms of the Jane Thompson masquerade. The answer had come in the form of a special bleaching depilatory designed for facial use. Victor had tried it once, and had felt like his face was being scorched although it had not left behind any marks or rash. Still, it was one more facet of her new life in which Penny truly did suffer for her looks and thus worked to atone for Janey's death.
*Please help her forgive herself and learn to laugh again,* Victor prayed silently.
The lonely wail of a far off train whistle called to them through the snow. "Now, I expect you to apply yourself to your studies, young man," Jane said firmly. "This will be a tough semester for you, but if you do as well as I expect you'll do, I am sure that I can arrange for you to be accepted into the pre-veterinary program at Brown this coming fall."
"I'll do my very best, Aunt Jane," the young man said as the train chugged up to the platform. "God, I'm gonna miss you all so much!" he rasped, even as he reached out to pull all three women into his arms.
For several not-nearly-long enough moments, they stood there, sharing a warmth far deeper than merely physical.
"BOOOARRRDDD!!!" the conductor called, intruding on their connection.
"I have to go," Victor said finally.
He went to Marie and hugged her close. "Send cookies!" he begged shamelessly before turning to Penny.
With an ease that pleased Jane greatly, Victor put a brotherly arm about Penny's shoulders, and pulled her close. "Each one, teach one, sis," he quoted softly. "Help Jane make it better for your little sister. It will be tough on you both, but I know you can do it. You got heart, Penny."
"Thank you for being here for me," Penny whispered as she hugged herself close to him and rested her head on top of his.
*Mutt and Jephinia,* Jane thought as she watched the quiet farewells. *And yet, there is no doubt which of them IS the big sister. . . or brother.*
His arm still securely about Penny's back, Victor turned to smile up at his beloved teachers. "Aunt Jane, if you ever need any help - mine or Victoria's - with some other menace to society like this big stringbean, just let me know, okay? Like the song says, just call out either of my names and you know that I'll be there."
"Thank you, sweetheart. That means a very great deal to me," Jane said, feeling the prickle of wet heat behind her eyelids.
Victor grinned and then hugged Penny again. "I wouldn't have missed knowing you for the world and all that's in it."
"I'll miss you, big sister," Penny whispered shyly.
"So will we, Victor," Jane said, getting her hug in as they walked up to the train car.
"Ummm, Aunt Jane?"
"Yes, dear?"
"It won't bother me if you slip up and call me Victoria, you know - in fact, I'd kind of miss it if you didn't."
"Really?"
"Really. If Captain Wilma can handle it, so can I. Besides, Victoria's me and I'm she, if you know what I mean. I don't want to leave her behind with her skirts and petti's."
Jane smiled, a bit tearfully, and nodded. "Call often, Victor/Victoria."
The train left the station slowly, and the three women were able to keep up with Victor's window by walking until they finally ran out of platform. They stood there, on the edge of the concrete platform, simply watching, until the train had rolled out of sight.
Finally, Jane sighed. "Well, ladies? Shall we go celebrate Victor's graduation and Penny's promotion? Dinner at the club, I think. Tomorrow is soon enough to finish the preparations for Jesse's arrival, don't you think, Marie? Penny?" Both women nodded their agreement. Jane put a hand on the elbow of her two companions and began to walk back to the train station parking lot.
And tonight, she promised herself, she would fully savor the ceremonial entry of Victor Denato's name into the 'success' column of Jane Thompson's Rogues' Gallery of Seasons House.
Author's Note: This story was written with a lot of advice, insight, and assistance from Tigger. It is his creation as much as it is mine. ~Brandy.
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author(s), Brandy DeWinter or Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author(s) of this work, Brandy DeWinter & Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at either's sole discretion.
This work is the copyrighted material of the respective authors.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Brandy.
Some time ago Joel Lawrence wrote a story about a woman who teaches bad boys to become good men - by first turning them into well-mannered young women. That story was called "Seasons of Change." The woman was Jane Thompson, and the rest, as they say, was history. Unfortunately, it was not primarily the history of Joel Lawrence's writing. He seems to have disappeared from the cyberworld. "Seasons of Change" was incomplete (by his own admission), and certainly the setting was not fully explored. It was not only a shame to have no more to enjoy from Joel Lawrence's talent, but also a sort of nagging itch because the story needed to be finished.
Along came Tigger. Since no one within the community knew how to reach Joel Lawrence, Tigger wrote not one, but two endings to Joel Lawrence's original story, each interesting and as excellently written as the original. Then he wrote more stories in that setting, developing and expanding the characters well beyond Joel Lawrence's original creation. Other writers have explored that setting, too, creating a mini-universe of "Tales of the Seasons". As is often the case with different writers, the stories are sometimes in conflict with each other and there is no single, integrated timeline into which all the tales neatly fit. Still, the core elements of the setting, Jane Thompson and her 'petticoat discipline' methods, are common.
The original "Seasons of Change" story is about the internal struggles of Michael, the protagonist, as much as it is about the physical elements of dressing and acting as a girl. In fact, the core premise of the story is that an undesirable behavior needs to be changed. Feminization is a means to that end, not an end in itself. If the protagonist does not learn to 'behave' in a civilized way, then the skills in cosmetics or walking in heels have no value. As such, the stories in this setting needed to focus on that internal growth, and there is an expectation that eventually the student will revert to an 'ordinary' masculine role.
Some time after Tigger wrote his first ending to "Seasons of Change", he and I began a correspondence on a variety of topics. In the course of that, he flattered me by allowing me to read advanced versions of some of his stories, and even solicited comments and advice on them. My opinions are like grains of sand on a beach; there are a lot of them, they tend to gum up fine machinery, and they're not worth much. Nonetheless, he received them by the ton, and even sometimes found a nugget or two of insight within the grit (or so he claimed).
In the course of that, we were discussing the motivation of one of his characters (yet another boy trapped in Aunt Jane's lacey spiderweb). The style set forth by Joel Lawrence in the original, and followed by the others who wrote in the setting, is third person. That is a very useful point of view in several ways. It allows the writer, in authorial voice, to explain things that would not be clear to the protagonist. A young, teen-age boy suddenly inserted into the feminine world of Seasons Manor would not know a lot of things about that environment, and the environment itself is deliberately confusing to him as Jane Thompson manipulates him into seeing the benefits of civilized behavior. To define the purpose and structure to the program, the writer needs to be able to access Jane's point of view as well as speak in authorial voice. However, by now, fans of that setting know most of the essential elements, and a new story could build on that background. I started imagining what it would be like from 'the inside', from the student's perspective; specifically, a first person account of an angry, chip-on-his-shoulder kid (in my story, Jesse Shepherd) who gets sent to Jane's. It would be different, and at the very least, it would be a challenge.
A further challenge, at least for me, would be to write of a teen-age character. I know it's not apparent from 'my pictures' (not photographs at all, of course, just fantasy sketches), but it's been just a while since I was a teen-ager. Further, as I was always a model student and dutiful child, I have no personal insight into troubled teens. (Trust me. Would I lie?) Not only would overt elements like dialog need to reflect a less sophisticated, more colloquial style, but in the first person point of view, even thoughts and reactions would need to show that same level of youthful . . . (ahem) energy. Not being smart enough to resist challenges like those, I started thinking through my fingers a little.
Tigger was continuing to develop his own story ("Season of Terror") in parallel, and while the two projects were in some ways mutually supportive (sharing some characters), my story would not have come into being without his help and insight - sometimes even at the cost of his own story progression. In fact, at a point when I had not written even a third of my story, he provided a segment that became the focus for all the remainder.
The result was Jessica's story. It's as much Tigger's creation as mine, and we both hope you enjoy it.
Brandy Dewinter - February 2002
Wiry.
I hated that word. Why couldn't it have been 'sinewy' instead? Sinewy is cool. Sinews are supple and tough. And at least they're part of something alive, not cold and hard and never-living like wires.
Oh, and sinews don't have any fat either. So there, just as applicable to me as 'wiry'. Besides, I'm more of a 'snake'. That would be way cool. And appropriate too, since snakes are all offense. I mean, think about it. A snake can't throw up an arm to block an attack, or 'run' away, or anything. It survives by attacking first. That's me. I'm too damn small to duke it out with some knuckle-dragging gorilla anyway, and too damn smart, too. Like I should just wait for some doofus to rearrange my nose before I retaliate? Again? I tried that. Once. Stupid doctor actually had to shorten the damn thing to 'fix' it and now I have this dorky little nose that turns up on the end. You can imagine what that looks like, and it did NOT make my life any easier.
So now, if some lumbering mouth-breather is coming after me - or even thinking about it - I make sure he pays the price. And the only sure way to do that is make him pay it before he gets in his first shot. Like I said, I'm not stupid and I know that those big assholes can park me in the middle of next week if they get even one shot. They've done that, too. So I have to make sure they pay the price first. And I do. After a few demonstrations, the hulks started leaving me alone. That's when I started hearing the, "Stay away from Jesse. He's got a hair trigger, and he's wiry."
I learned the hard way that my damn hand is too fragile to use as a hammer on the rockheads who would come after me, so I pick softer targets and a harder club. Specifically, joints. Two in particular: the knee, and the crotch. Even the hardest rockhead will go down if you get either one of those places. And they're both conveniently located within the reach of my foot. Two problems solved at once.
Unfortunately, that involves some risk, too. Hence my situation. I was in jail for defending myself against an asshole who hit me first. Well, actually I was in court, not the lockup, but it's the same thing. This old lady judge with an unpronounceable name — hell, I couldn't even read it on the little name plaque, Ruth Whatsomethinski - was acting all pompous and pretending to be objective. She had her mind made up before we even entered the room, though, you could tell.
"Mr. Shepherd," - that would be me - "would you care to explain yourself?"
"Dorkbrain hit me. I hit him back. He should'n'a started it."
"There seems to be some dispute about that," the Judge said. "According to the other witnesses, you hit Mr. Wilson without provocation."
"Yeah, well, I'm not surprised they stick up for Mr. Geekhead. He's such a doofus they probably all feel sorry for him. But he DID hit me first."
"On what basis do you claim that he struck you?" she asked. Like I said, all calm and rational-sounding, like she was fair. Yeah, right.
"On the basis of the bruise on my shoulder," I snapped.
"And how did Mr. Wilson strike you on your shoulder?"
"Hard," I said, smirking. "That's why there was a bruise."
My guardian, the court-appointed one, looked like he felt guilty. Well, he was an asshole, but he hadn't ever hit me so I didn't know what he had to feel guilty about. My lawyer, the court-appointed one (notice the trend?), looked like he was about to say something but the Judge raised her hand and just kept grinding on.
"With what part of his body did Mr. Wilson strike you?"
Oh well, I knew that was what she was getting at, of course. Too bad she was such a frigid bitch. No fun baiting someone who just sits there like a lump. "With his shoulder," I said. "With all the weight of his pudgy body behind it. It slammed me back into the lockers."
"What did you do then?"
"Defended myself, like I said," I answered. Then before the so-called adults could go through another round of looking at each other, I answered the question I knew she wanted. But I'd made the point - again - that it was self-defense. Besides, it had been a good move. "I whacked his knee and he went down. End of fight."
Judge Bitchy wasn't satisfied with that explanation, though. "What reason do you think Mr. Wilson might have had for striking you?"
"Because he's a clumsy doofus who doesn't watch where he's going," I blurted out. Then I wished I could have had those words back because I realized I'd just put my foot in it, big time.
"Oh," she said quietly, "you think it was accidental on his part?"
I looked at the lawyer, who didn't seem like he cared what happened to me - like THAT was any surprise. I shrugged and offered an excuse I knew was lame even as I said it. "He shoulda watched where he was going."
The Judge sat back in her chair, paused for a moment, then looked at the juvie prosecutor. "Mr. Handel, any further arguments?"
"No, your Honor. As has already been established in testimony, Mr. Wilson was jostled against the defendant in the normal interaction of an over-crowded school. The defendant's reaction was completely disproportionate."
"Mr. Gordon?" she said, looking at 'my' lawyer. As if.
"Your Honor, as has been established, my client has suffered physical injury in prior encounters which were demonstrably not of his instigation. If he has over-reacted this time, it is understandable. He had cause to feel threatened."
Hey, that was a pretty good argument. Maybe she'd let me off after all.
That happy thought - like most happy thoughts in my life - ended before it had a chance to take root. The look in the Judge's eyes said she was not buying it, though there was a sort of 'more in sadness than in anger' thing that I thought I might be able to take advantage of, even if she found me guilty of something.
She paused for another long moment, staring at me. I met her gaze head on. Regardless of what she decided to do to me, I was not going out like a crybaby. I'd made my choice, and I'd face the consequences.
"The defendant will rise," she intoned pompously. My lawyer and my guardian stood with me, like that helped or something. I wondered if they'd serve part of my time at juvie hall for me. Yeah, right, and tomorrow I'd wake up 6'2" tall, with a stacked blonde in bed beside me.
"Mr. Shepherd, the court finds you guilty of assault on Mr. Wilson. In light of the medical report that he is expected to recover fully from the damage to his knee, we will drop the 'with intent to commit great bodily harm' part of that. However, I am reluctant to send you back into a public school situation where your tendency toward violence can place others at risk."
She paused again, with a troubled look in her eyes that worried me more than honest disdain. She was about to do something she thought would be good for me. God save me from well-meaning adults.
"However," she continued, "I am equally reluctant to place you in a conventional juvenile facility. Your small stature and, ah, delicate features have no doubt made you the target of predators before. Sending you where such people are concentrated, and for perhaps the three years until you reach statutory adulthood at eighteen years of age, serves neither your interests nor those of society."
She looked directly at me again, staring like she was looking inside me to see if there were things hidden there that I did not want revealed. Well, no surprise, there were some. For the first time, I felt uncomfortable enough to look down. It was only for a moment and I looked her right in the eye again after that, but she knew and I knew that she had won that one.
At least she was still talking to me. I mean, directly to me as though whatever she was dreaming up would be my decision to accept or reject, not my so-called guardian's, nor the lawyer's.
"Mr. Shepherd, I have an alternative for you."
Uh, oh, here it comes.
"I know of a private school that might accept you as a student. I have discussed the matter with the woman who runs the school."
I *knew* she had her mind made up before this farce of a trial.
"She is willing, but *only* if you give me, and her, your solemn promise to abide by the rules of her school. She is a very disciplined woman, and can perhaps instill in you some of the discipline you will need if you are to learn to function in society."
"What, like some sort of boot camp, but the instructor is a woman?" I asked incredulously.
"Close enough," the Judge said. "In fact, it would be closer to a traditional English boarding school than boot camp."
"Uh, oh, nothing doing," I said, shaking my head. "I read about those places. Some bitch comes after me with a whipping cane and I'm not responsible for what happens next."
"There would not be any corporal punishment," the Judge assured me. "Her methods are indeed strict, but no one will strike you except in their own defense. If you can make the same claim, then you should have nothing to fear. You will, however, be expected to dress, act, and speak politely. To achieve your cooperation - beyond whatever commitment is embedded in giving your word, the breaking of which will return you for more conventional sentencing - she will have the normal authority in loco parentis to discipline you with such non-physical punishments as she deems appropriate."
"Send me to bed without supper?" I snorted. "Feed me on gruel? Hell, the food at the home is bad enough I duke it out with the cat three days a week for *her* slop - and I have to stand in line for the privilege."
The 'home' was the 'Elizabeth James Home'; the county orphanage, housed in an old mansion donated instead of paying taxes by the descendants of the original money in the area. It wasn't as bad as 'Oliver Twist', really. We never starved or anything, but the suffocating condescension was, well, suffocating. Like it was our fault we were orphans, and broke, and didn't have any other relatives 'good' enough (meaning rich enough) to take us off the county's hands. What did they want me to do, push for the return of Prohibition so drunks wouldn't kill only parts of families? Sober drivers could do the job properly, right? And save the state from the task of taking care of the leftovers?
I interrupted my internal tirade and said, "Not that it matters. I don't have the money for some fancy boarding school, and it's clear the home ain't gonna shell out for it."
My guardian flinched at that comment, but he shrugged and looked at the Judge without real apology.
The Judge's eyes seemed to share something with my guardian, sympathy or understanding of some sort - adults against us again, as usual, then she looked back at me.
"Financial arrangements will be made. Well, Mr. Shepherd, I am waiting. Will you give me your word of honor to attend Ms. Thompson's school and obey her as your court-appointed guardian, or would you prefer the State School in Jonesboro?"
"Uh, gee, let me see," I said. "Go to reform school and be some badass brother's bitch, or go to this bitch's school and be her little boytoy. Some choice."
"Nonetheless, it is the choice you are offered," she said unbendingly.
"Yeah, well, I won't be anybody's bitch, and that means either I'll end up in the hospital, or someone else will if I go to the reform school. I'll take what's behind door number 2."
"Very well, so ordered," she said, slamming her gavel. "Mr. Gordon, make arrangements for transportation and for the necessary documentation. My clerk will give you the particulars."
As we turned to go, the Judge called after me one last time. "Oh, Mr. Shepherd, a word to the wise. I'd suggest you think carefully about your language once you reach Ms. Thompson's. She does not consider washing a student's mouth out with soap to be physical punishment, and neither do I."
So that's how I ended up on a train, for God's sake, traveling to some middle-of-nowhere place in Vermont or Maine or something. Iceland, near enough. A place so far from the center of the universe that they still had to travel on *trains*! Next thing you know I'll be, like, touching Republicans or something. It was a damn long train ride, too. I think we stopped every ten minutes - for twenty minutes at a time.
Time to come clean with a secret, I guess. Even though I truly do believe in an active defense - nobody messes with me for free - I don't particularly *like* to be a hardass all the time. I mean, it's necessary, but if I had my druthers, I'd be reading Shakespeare or Marcus Aurelius, not fighting. If I *really* had my druthers, I'd have been able to let the grups know how much I enjoyed the field trips to the museums we sometimes visited. But it is NOT a good idea to be gushing over how intense 'Guernica' makes you feel when people already think you've got violent tendencies, even if you felt the same sort of wonder about Monet. 'Tough' guys don't get all excited by blurry fields of flowers, and teens do not go anywhere *near* 'Guernica' by choice. I had enough problems without showing an appreciation for fine art, for chrissake.
One day I found out the library had art reprint books. Then I was as happy as . . . well, as close to happy as I got any more. I could study the books on my own, without needing to go to the museums. So I kept that as my own little secret, and used what little privacy I had to look at art, or read philosophy, or honest-to-God classic literature. I even found the Bible interesting, despite the best efforts of the teachers at the home to turn reading it into work. Maybe that's because my mother had really loved that old book.
Anyway, there I was on a train with a one-way ticket to someplace else, just like putting a bum on a bus - except the bus would probably have been quicker. Old Judge Ruth had made it seem like a special favor to let me travel by myself. I suppose the alternative was a Federal marshal or something since I was being transported across state lines. I was, of course, giddy with anticipation at the chance to meet this Thompson woman who was now gonna own my skinny butt until I either learned to crook my little finger in the proper way, or I survived to reach age 18.
As I was a lot more organized than my grades indicated (another hard-won lesson learned - don't stand out academically or the jealous jocks would take it out on you), I had my downloaded-for-free-off-the-Internet copy of Mac's 'The Prince' packed away before the train screeched to a stop at my station; Kingston, Rhode Island, if it matters. When I stepped down from the car I saw my new owner, obvious despite the lack of any prior description.
When I grow up, I wanna be rich. Really, really rich; old money that comes from a pile taller than Everest, and in big bills. Like the woman I saw standing on the station platform. Even a no-taste grunge like me could see that her dark power-suit was not off the rack - and she still had the curves to do the tailoring justice. Think Joan Crawford, but with less of a smile. Auburn hair with just a few gray accents instead of witch-black, but you get the picture. I had this feeling that her shoes cost more than the sum total of all the clothes I'd ever had in my entire post-parents life.
And apparently it was catching. Standing next to the rich bitch was this really tall girl, nearly six feet even aside from her modish heels. And she was wearing - I kid you not - little white gloves and a hat with a veil, and a pink suit tailored a little less carefully than the older broad's, but then I'm sure she was still a growing girl so I made allowances. Made me mad all over again that the home hadn't let me wear my combat boots. I figured with these two, I needed that as an initial condition so that I could work a compromise and end up in the Doc's I was actually wearing (well, fake ones, but they looked like Doc Marten's). As it was, I had given up half my negotiating position before I even started.
"Jesse Shepherd?" the woman asked. Like, who'd have dared be anyone else?
"Yeah," I said, nodding. Are you supposed to offer to shake hands with someone wearing gloves? I decided it was safer just to pick up my bags. It was obvious who was gonna be the coolie labor in this group.
Then she drew her dark glove off with a sharp, snapping notion and held out her hand. "I am Ms. Jane Thompson."
I dropped my bag and shook her hand, almost like real people do. Then she looked at her companion and said, "And this is Miss Penny McQueen."
Penny did not take of her own little white glove, afraid I'd get cooties on her hand or something. I took a better look at her and decided she musta been old money, too. A young Joan Crawford-to-be, complete with rich, dark hair. She had that lean, elegant look that you pictured riding in the back of the carriage while the peasants touched their caps. She'd obviously marry someone just as rich in an arranged business merger. Romance not required.
Oh, hell, maybe I was just jealous of all that obvious class. I mean, she wasn't any competition for Britney Spears, but she was good-looking in a sterile sort of way, and I'm sure there was some nice rich preppy for her somewhere. They'd probably have a dozen kids and live happily - and richly - ever after.
But it was clear that I was one of those peasants who were expected to tip their caps to her. She offered just the ends of her white-gloved fingers to my hand, and I resisted the urge to slap it away. An insult is not the same as a physical attack, at least not if there isn't anyone around to take it as a sign of weakness. I touched her fingers briefly with my own and picked my bag up again.
It came to me that there might be a chance to gain a little momentum in this new arrangement. I had the feeling the Thompson bitch was going to be on my case 24/7, and that meant I was going to have to modify my dumb-on-the-outside-smart-on-the-inside role. With no real privacy, I was either going to have to let them know I was brighter than my grades suggested, or else give up my real books until, well, forever. So okay, I'd see if I could surprise her a little.
"Lay on, MacDuff, and curst be he - or in this case she - who first cries, 'Hold, enough!'"
The first stage of that didn't get much of a rise out of her. She went into an immediate lecture mode. "That quote does not refer to MacDuff leading MacBeth somewhere. It is in fact a battle cry, and the 'Lay on' refers to the blows they are about to exchange."
Then I *did* score a point, when I simply said, "I know."
But I had to admit, she scored a point or two of her own when she merely lifted a carefully shaped brow at my comment - I swear she could have given lessons to the real Joan Crawford. But what really got my attention was the way the corners of her eyes showed a smile of genuine amusement. There was so freaking much confidence in that little smile that I almost went into full defense mode.
She didn't say anything, though. Turning on her own stylish heel, she led the way through the small station to a waiting car. That got her another cool point, because it was a great car. Audi A8, Quattro, with all the bells and whistles, $65K, plus or minus not enough to matter. It was the most beautiful car I'd ever seen in real life.
"It is just a vehicle, Mr. Shepherd," she said mockingly. I was to learn that she saw EVERYthing, including my momentary amazement.
"Yeah," I replied, trying to get back some rapidly vanishing cool by seeming nonchalant about it. Not that it helped, but it's all I had to work with.
Then I just quit trying for a while, to be cool that is. First off, she drove that fine car like it was meant to be driven. She didn't really speed, staying as close to the limits as the rest of the gentry who shared the road, but she powered through the curves and used all the muscle of that big V-8 on the hills. Definitely not what I expected from the old lady, and I was impressed.
Then we reached her house. At that moment, I decided there were more differences between rich people and poor people than just that the rich had more money. There was a sense of . . . eternity about that place, as though it had always been there, and always would be there. Mountains may wear down and the stars burn out, but that mansion would endure. I was WAY out of my league here.
The coolie (guess who) got the bags out of the trunk and Penny led me up the stairs. There was one similarity to the room I had been staying in. This place was as big as the dorm that had held 30 of us male orphans. Oops, two similarities, there was an attached bathroom - and what I could see of it through the open door looked about as big as the one back in the dorm, too. Right then, I'd have taken the dorm.
"I can't stay here," I announced.
Penny frowned, but it was obviously artificial. Laughter was lurking on her lips in a smirk I'd have liked an excuse to wipe away. She didn't give me one though, not enough of a one anyway.
"What is the problem?" she asked in a polite tone - not bothering to hide the smirk.
"I'd go into diabetic shock if I had to stay here," I claimed. "It's so sickeningly sweet I'm feeling nauseous just standing in the doorway."
I was not exaggerating. The basic color of the room was bad enough, a pale violet that just missed being pink, but the accents were all white, including little lace curtain things around the bed both at the bottom and the frilly canopy, around the windows, hell, even the little chair in front of the mirrored chest had a frilly little fringe. It raised my blood sugar twenty points just to look at it.
"Besides," I continued, trying to find something that might work with the tall bitchette, "this furniture is all so spindly that I'll probably break it if I walk by too close, let alone sit in it."
"See that you don't," the Thompson woman said from the doorway. "This room will be yours for the duration of your stay here. You may leave your bags by the bed. Luncheon is ready."
'Luncheon?' Have you ever heard anybody really say that? Well, why should I be surprised? Dali would have loved this surreal room. Also any girl under the age of 12. I wondered where the stuffed teddy bears - spotlessly white and very plush, of course - had been hidden.
Still, I was hungry and even table scraps from 'luncheon' would be better than I'd had on that interminable train ride. So I dropped my bags by the bed, then sidled toward the inner door. "Um, if you don't mind, I'll be just a minute."
"I DO mind," she said sharply. "However, if you have enough skills in the English language to frame that as a request, I may consider granting it."
"What is this, Jeopardy? I'll take 'Piss break for 5,' Alex," I replied, snorting.
Penny jerked like she'd been slapped, and the smirk disappeared from her face. Unfortunately, it was replaced by a look of horror that I didn't find any more appealing, especially since it was obvious she was afraid for *me*. Hell, I didn't even like the bitchette, and I didn't think she liked me any better. What could be so bad that she wouldn't want it inflicted on someone she hated?
I found out. For an old lady, that Thompson woman was *fast*. One moment I was sliding toward the bathroom, my eyes - as I said - foolishly watching the younger woman, and the next my ear was being yanked down the hallway. Since I was rather fond of that ear - you could say I was attached to it in fact - I was on MY way down the hallway as well. I felt like the cartoon character whose head bounces on each step as he's drug down them, because while my chin wasn't hitting the steps, each time she stepped down one she yanked my ear lower, then when I stepped down it got yanked back up, each time accompanied by a startled, "OW!"
Then my poor ear got yanked backwards as she abruptly stopped while my momentum tried to keep me moving forward. Still pinching it with a strength I had to respect, she pulled me around until I was standing by a hard wooden chair tucked under a huge, heavy, table. Spread on the snowy tablecloth were about 20 plates and goblets and things - at each of three places.
The pressure on my ear was released as quickly as it had appeared, but before I could take advantage of my new-found freedom to do something appropriate, the woman was out of reach. I had this feeling that old Judge Bitchy wouldn't accept self-defense as a plea if I hit this woman in the back, so I just stood there and dreamed of what I would do when I could manufacture a chance.
"Sit, please," she said, her voice so calm and detached it was as if my recent ear-yanking had happened to someone in a different time zone.
Our 'luncheon' arrived when another older woman came from the kitchen through a swinging door as cliche as the rest of the old asylum I had been incarcerated into. She spread a bunch of food around and we began to work our way through all that crockery. "Mr. Shepherd," Ms. Thompson informed me, "this is Marie. She is my assistant, and my friend."
Marie said, "Pleased to meet you, Mr. Shepherd."
"Yeah, sure, me too." I replied. For some reason that triggered another look of distress on Penny's too-regular features. Even though I hadn't done anything wrong, I ducked almost by reflex. Then, of course, it turned out I HAD done something wrong even though I didn't know it - a situation that would become very, very common.
"*MR.* Shepherd," Ms. Thompson said tightly. "Marie is an adult, and you will treat her with respect. Do you want to try that again?"
"What?" I asked. I really didn't know. I mean, what more did she want? I didn't even know this other woman, yet I had politely given her the benefit of the doubt - which I thought was a pretty big concession considering what had happened to me so far - and said I was glad to meet her, too.
Ms. Thompson's gleaming nails - somehow I just knew they were the perfect length and color for a professional woman - drummed on the table for a long moment. Well, tough titty. I wasn't going to apologize for something I didn't even know I'd done. Instead, I just sat there warily, watching her in case she started to reach for me again.
The moment was broken by Penny, of all people. "Ms. Jane, perhaps, um, Mr. Shepherd just doesn't know any better."
"I find that hard to believe," Ms. Thompson sniffed, "even in this benighted time."
Penny spoke directly to me, after a brief glance at Ms. Thompson to get permission. "Mr. Shepherd, as Miss Marie is an adult, you should address her as 'Miss Marie,' and it would be proper to return her greeting more completely than just saying, 'sure, me too.'"
"You gotta be sh. . . ," I started, then remembered about the soap mouthwash that I just *knew* old lady Thompson would love to use on me. "Ah, that is, that would seem to be, um, sorta wasteful. I mean, *Miss* Marie certainly knows her name, and, um, doesn't what I said make it clear I'm, um, happy to meet her, too?"
Drumming fingers again. Finally, Ms. Thompson sighed and looked at Penny. "I fear you are right, Penny. While it was clear from the first moment we saw him that he is uncouth, obnoxious, and . . " Here she looked at me like I was something the cat left on the carpet. " . . . sloppy, it would appear that his lack of manners and rudeness are likely the result of poor - make that non-existent - training. I suppose one must make allowances."
She sighed again and finally looked directly at me. "Well, Mr. Shepherd, it seems that you have ruined this meal. Perhaps we should adjourn to my study and discuss your situation in private."
I looked down at all the food I hadn't managed to eat yet, but at least the raw edge was off my hunger, so I stood and followed her away from the table.
When we got to her office, I got all rude again. This time it wasn't my fault. Or, well I suppose it was my fault, but it wasn't deliberate. Her office was a palace! It was big enough to play handball in there - hell, it was big enough to play a pretty good game of football in there, but what really made it awesome were all the books lining the walls. As soon as I stepped into the room, those books drew my attention like a magnet and I found myself with my nose pressed to the titles frantically trying to figure out her filing system so I could search for my favorites.
"*MR.* Shepherd, if you are *quite* ready, I will thank you to sit over here."
"Oh, sorry," I said sadly as I turned away. For some damn reason that started her fingers drumming again. I sat down in the indicated chair - one of the most uncomfortable chairs I have ever seen, by the way - and waited for her to start hammering on me. I figured it was coming, and the fact I didn't have a clue why didn't change a damn thing. I've been in that particular situation way too often to count.
"Mr. Shepherd," she began, "are you actually *trying* to be sent back to the State School? If so, and your trip up here was just a ploy to delay your just sentence, I can assure you it will not have turned out to be a good idea."
"Uh, no, of course not," I said. "Look, um, Ms. Thompson, I'm not gonna claim to be some high-society type like Penny, but I'm not really trying to cause trouble. I don't know what's got your, um, what's caused you to be so upset, but it's not, I mean, I'm not, like, trying to make you mad."
"It may very well be that you do cause me to become mad," she replied, "in addition to your demonstrated ability to make me become angry."
She paused for a moment, then looked at me so directly that I almost turned around because I was sure she was seeing something through my head. "Mr. Shepherd," she asked, "why are you here?"
"Huh?" Dumb question. Hell, she'd just answered it herself. Apparently she expected something more from me, though, because all my own question earned was more nail drumming.
Sighing, I tried again. "Well, um, I thought you knew. I mean, didn't you just say that you knew it's this or reform school?"
"Is avoiding that institution the only reason you're here?"
"Um, well, I mean, you got a great place here, and now that I've seen it I wouldn't mind staying if we can do something about that sugar-coated room, but, well, yeah. I guess so. I thought it would be better than being some bast . . um, somebody's, ah, cellmate."
"So there was no other possible way to avoid that institution, other than coming here?"
"Not that I know of." Geez, what was her problem? This was, like, the fourth time we'd been over that point.
She stood up and walked over to a window that looked out on about a thousand acres of lawns and gardens and stuff. She didn't look back at me, but somehow I got the impression she was comparing what she saw out the window with her memory of what she would see if she turned around - that would be me - and much preferred what was outside. Nonetheless, after a while she did turn around and speak directly to me.
"Mr. Shepherd, you are here because of your own bad behavior. The easiest way to stay out of that State School would have been to stay out of trouble in the first place. You are here because you attacked an innocent boy. You are here because you are rude, ill-mannered, selfish, and violent. You are here, in short, because you are a living example of all that is *worst* in a man."
"Hey, he was askin' for it," I said, getting my own dander up a bit. "Look, if you don't want me here, then just say the word. I can handle reform school. I don't need you."
"Oh, no, Mr. Shepherd, you most certainly DO need me. The question is, can you convince me it's worth my time and trouble to demonstrate that to you?"
I was about to answer, but she held up her hand and continued. "There is one thing in what you said that is critical. I can indeed 'say the word' and send you back. That decision will be based on one thing, and one thing only."
She sat down again and crossed her hands on the top of the desk. Looking at me with those crystal-etching eyes, she asked, "Mr. Shepherd, just what is *your* word worth?"
That pissed me off. Nobody, but NOBODY questioned my word. Ms. Rich Bitch might have more money than God, but nobody owned my word but me. That was one of the few things my dad had been able to teach me before . . . well, before. I started to tell her off for being so damn smug and superior, but . . . but those eyes didn't leave me any room to maneuver, no place to touch her own pride. This was not about her ability to keep a promise, and she wouldn't let that become the topic. It was about me.
Okay, then, Ms. Bitch, let's let this BE about me. "I have NEVER given ANYone just cause to doubt my word," I ground out through teeth that didn't quite chip edges. "That judge, hell all you grups, might think you know what's my life is like, but you're wrong. Everything I have said is true. Everything I have done was necessary for my own protection, and even then I was straight up and open about it. I fight hard and effectively, and I make it clear that's what people can expect."
"I'm not talking about your combat prowess, Mr. Shepherd, but about your word of honor. Is that topic so difficult for you to grasp?"
That shot me up out of my chair, and it's a good thing her desk was so wide, or, I'd'a got into a lot more trouble. Before I could get started around it, I saw that same damn freaking confidence look in her eyes and it stopped me. I didn't know why she felt so confident, and not knowing was a good reason to be careful.
She didn't say anything while I stood there, fists clenched, breathing hard. She just smiled that arrogant, confident smile. After a very long moment, her eyes pointed to the chair, and I sat down again.
"Well, Mr. Shepherd," she said after another long moment, "you demonstrate at least a rudimentary intelligence. However, you have still not given me reason to believe that you are worth my time."
"Fine," I snapped. "Send me back."
"I may," she said calmly, more threat in those quiet words than any amount of shouting, "but we have not yet determined if we have a basis for going forward. I ask you again, how good is your word of honor?"
"It's good," I said.
"From whose perspective?" she asked.
"What d'you mean?"
"You implied that you remain true to your own view of right and wrong, but that adults may not share that same view. That must be very convenient. If there is no external standard to judge the value of your promise, then how can one tell if it has meaning?"
"Look, my word is good. If you don't believe me, then why ask me?"
Ms. Thompson actually smiled at that. "A good point, Mr. Shepherd, and one that in fact inclines me to believe you. Now, let me ask you this: Do you believe you gave your word to Judge Ruth that you would obey me while you are at my school?"
"Yeah, I guess so."
"Do you intend to keep your word?"
"Yes, dammit, I already said so."
That took any trace of smile out of her eyes, but all she did was lean back in her chair. We stared at each other for another long time, then she spoke. "Mr. Shepherd, you will not be profane in my house again. On your honor."
Shit. I couldn't accept that. I mean, even if I tried, something was bound to slip out. "I'm sorry, Ms. Thompson, but I can't promise that. I can try, but some habits don't break just because you want them to."
"Quite," she said, surprising me by agreeing. "Indeed, that is the core of your problem. You have learned bad habits. I have two responsibilities here. One is to help you unlearn those bad habits and learn positive behaviors instead. The second is to help you learn conventional academic skills so that you are prepared for later schooling. The second is by far the easier."
I just shrugged. She'd already made it clear she thought I crawled out from under a rock somewhere, but I suppose she was saying that she thought I was smart enough to learn the regular school stuff. On that, we could agree.
"If I offer to help you with your behavior problems, will you give me your best effort? Your best, honest effort?"
"Yeah, I guess so."
"Not good enough, Mr. Shepherd. I want an unambiguous commitment."
"Okay, sure. As long as I'm here, I'll do whatever you say as best I can," I said. I was about to add in some weasel words anyway, about if it's legal, and not dangerous, and all that sort of stuff, just to show I wasn't stupid enough to write a totally blank check, but the 'as best I can' covered that well enough anyway.
"On your word of honor?" she pushed, again, all the time pushing.
"Yes, on my word of honor," I said.
Ms. Thompson nodded and leaned forward in her chair. She pushed a button on her desk, then actually smiled again. "In honor of our agreement, I think we should have a small toast."
Just then Marie came into the room with two mismatched goblets. I was a little surprised at that, since everything in the house was so perfect, but one definitely had a reddish tint to the rim, and the other was bluish.
"What is this?" I asked cautiously.
"Just some sherry. It's very mild," Marie assured me as she handed me one of the glasses.
"I'm sorry, but I don't drink," I said, putting it back on the tray.
"It is only a small glass of wine," Ms. Thompson confirmed. "Consider it the first of your lessons in manners. Confirming an important agreement with a toast is the polite way to bring a negotiation to a close, making it clear that both parties agree to the decision."
"I'm sorry," I repeated, raising my voice a little. "But I don't drink. If you must know, my parents were killed by a drunken driver, and I vowed on their graves that I would *never* drink. If this is a deal-breaker, then so be it."
Ms. Thompson twirled her own goblet in her hands for a moment, then nodded. She looked at Marie and said, "Very well. Marie, would you find some juice or something for our new student?"
The other woman stepped through the doorway again, returning a few minutes later with another goblet, this time filled with what looked like apple juice.
"Mr. Shepherd, to your promise to do your best to comply with my program for you," she said, raising her glass.
I raised mine as well, not sure if I should clink them or just lift it. When she took a sip of her wine, I figured the gesture was enough, and took a sip of my juice. It had a funny taste, but maybe they'd had it for a while. I didn't know if apple juice was a common thing for New England or not. In any event, I drank it down and placed my goblet on the tray next to Ms. Thompson's.
"Mr. Shepherd," she said, then interrupted herself, "or I suppose now that you are officially one of my students, it would not be too informal to call you Jesse. Jesse, I have given you a great deal of latitude in this our first day together. Let me make one thing clear. If there are any other 'deal breaker' points lurking in your sense of honor, you had better lay them on the table right now. After this, I will consider any such claim to be nothing more than breaking your word."
"Um, okay," I said, stifling a yawn. "Oh, sorry. Well, the judge said there wasn't gonna be any, like, spanking or anything, right?"
"I do not believe in corporal punishment, at least not for young adults," she declared.
"Okay, then," I said, yawning again. "I can't think of anything else."
"Very well, Jesse, we shall consider that topic closed. As it appears you are fatigued from your train trip, perhaps you would like to take a nap until dinner."
"Thanks," I said. "I must be more tired than I thought. Maybe I can even fall asleep in that cotton candy museum you call my room."
"Quite," she said, glancing at the door. Recognizing my cue, I left. By the time I got to the top of the stairs, I was holding one eye at a time open, because both together were too heavy. I made it to the bed, but just barely.
When I woke up I went through the standard groggy confusion. New bed, new room, where am I? Been there, done that, survived. Part of my confusion was that I was still sleepy. However, I had to address a problem that could not be put off any longer. Heading for 'the little room' I had to snicker when I remembered how huge the place was, then laugh again when I saw that the necessary was in fact semi-concealed in a little alcove within the room behind swinging saloon doors.
I had no sooner started taking care of business when the outer door to the bathroom opened and someone came bustling in.
"Hey, lady, a little privacy in here!"
"Oh, don't mind me," she said. Yeah, right. Maybe it wouldn't bother her if I slapped her silly, if I just told her not to mind it. Under the swinging doors I could see her feet move over to the bathtub and start the water.
"When you're done, just slip into the bath here. It'll make you feel much better. And put your clothes outside the door so I can take care of them."
"Look, lady," I said from within my semi-hidden alcove, "I don't appreciate women coming in while I'm, uh, well, while I'm in here. And I don't take baths, I take showers, and my clothes are fine. Just leave me alone."
"Jesse - you don't mind if I call you Jesse, do you? - I think it would be better if you called me 'Marie.' Oh, if Miss Jane is around, that should be 'Miss Marie' of course, but just between us I don't really mind if you just call me Marie," she chattered. Geez, this lady was, like, *old*. I mean, she had to be at least 50, worse than the Thompson woman herself, and she was chattering like some teen-age airhead.
"The bath will make you feel better after your trip. I put some medicinal salts in there for you. And I'll find you some, ah, more appropriate clothes, so don't worry about that. Now, get a move on. Don't let the tub overfill."
With that she bustled out as briskly as she had entered, leaving me to 'get a move on.' When I stepped out of the alcove my eyes confirmed what my nose had warned me about: the 'medicinal salts' had caused the tub to foam up in a bubble bath, thick with perfumey scent.
"Screw this shit," I said, turning off the water. I did need to get cleaned up, but I wasn't getting in that mess. I'd smell of the perfume for a week.
Just then I heard a knock on the door, followed so quickly by Ms. Thompson herself that the knock provided no useful warning. Her frown made it clear that I had done something wrong yet again.
"Why are you still dawdling? Did Marie not make it clear you were expected to bathe?"
"In this?" I snorted. "Get real. I'll take a shower, but no baths. Most especially no freakin' bubble baths!"
"You WILL take a bath, right this minute, in the tub that has been prepared for you," she ordered implacably. "If you insist on behaving like a child, I will treat you as a child, and I have bathed reluctant children before."
Showtime. I set myself for the fight, remembering she was faster than I might expect. So far, she hadn't really threatened me - well, not with anything worse than a bath - so I figured I'd have to break my self-imposed rule and let her have the first shot. We were about the same size. She had me by a couple of inches, though not much in weight, so I should be able to handle her even if she did get the first hit.
Then Marie stepped into the room, and despite her earlier airhead manner, she looked very serious. It was clear that she was gonna back up the Thompson woman. That didn't really worry me, because I figured I could take a couple of old women. But I realized I'd have to get serious to do it. And the inevitable result of that would be deep, smelly shit for me, regardless of what happened to them.
The Thompson woman had that absolute confidence look in her eyes again, plus a mocking smile. "Over a bath, Jesse?"
Shit. She was right. It wasn't worth it. I had a feeling we'd have this out yet, but I wasn't going to explain to the dudes in reform school that I'd been sent there because I refused to take a freakin' bath.
"Okay, fine. Get out. I'll take the damn bath."
She nodded, turning to go. On her way out, she said, "Put your clothes outside the door as you were told."
"My clothes are fine," I snarled.
"Put your clothes outside the door as you were told," she repeated with a tone so perfect it sounded like a recording. "If you don't, Marie will retrieve them for you. If you want to bathe in private, your clothes - all of them, shoes and underwear included - will be outside that door within 60 seconds."
She didn't even turn back to see whether I intended to comply. She sailed out of the room as grandly as she had entered, serenely confident. Right then, I set myself the goal of breaking that confidence somehow, sometime, some way. It made giving in a little easier to see my current situation as only a temporary retreat.
I didn't really care about the damn clothes that much anyway. They were all orphanage hand-me-downs. Hell, if she took them off and burned them it would mean I'd get better since they couldn't get any worse. Not in this household anyway. I figured I'd seen the last of blue jeans and a t-shirt for a good while, but I could manage fancier clothes if I had to. In a moment of horror I had this vision of being required to wear a freakin' necktie, and that moment didn't go away because I knew it was inevitable. Shit, damn, spit.
The bath itself wasn't that bad, except for the stupid smell. There might even have been something medicinal in the stuff, because I did feel some aches and pains let up after I'd soaked for a while. I'd had to help with enough babies at the home to recognize the scent of baby powder, and something flowery that wasn't roses though, and it wasn't a smell I wanted to linger around me. At least my hair was short enough I didn't really need shampoo and I hoped that would mean the fragrance wouldn't hang on, like, forever.
"Time to get moving," Marie's voice called from outside the door. "I've set a robe out for you, and Ms. Jane wants to see you in her study immediately."
Yeah, right, like I cared what Miss High-and-Mighty wanted. But the damn bath was getting cold - another reason to prefer showers - so I got out and dried myself off on the thickest, softest towel I'd ever seen. If that bitch would only be reasonable, staying there could be okay. Not that there was any chance of that.
Wrapping the towel around my waist, I poked my head out the door to see if Marie were still hanging around. She wasn't, so I stepped out. There was indeed a robe draped on the bed.
"No. Freakin'. Way," I declared to the world at large. For a lady that seemed to have her shit together pretty well, apparently Ms. Thompson wasn't prepared for a male student. The robe that flowed so elegantly across the frilly bedspread was pink spun sugar. I half expected it to be sticky like real cotton candy if I touched it. Not that I was gonna do that.
After my surprise passed, I decided that was actually good news. It meant that they hadn't gotten into my stuff. I didn't have a robe - not even a men's robe - but I had a pair of sweat pants that would do and apparently they hadn't found them. If the robe was acceptable, then taking the time to get out my other pair of jeans and get dressed for real wasn't necessary, so I could just grab my sweat pants.
However, when I stepped around the bed to where I had left my bags, they were gone. A quick check of the furniture and closet showed lots of things left over from what was presumably the previous occupant - all frills and foo-foo, of course - but none of my things.
None of my things. Not even my books.
I grabbed the bedspread off the bed, then decided it was too frilly for my taste, and stripped the blanket instead. Wrapped in the blanket and the towel, I headed for the study. Apparently the door to my room was as solid and enduring as the rest of that mausoleum, because it didn't come off the hinges when I opened it.
Neither did the door to the study. It did, however, make a nicely-loud introduction to my words when it banged off the wall.
"Goddamn it, give 'em BACK!"
Ms. Thompson rose from her seat and raised her voice for the first time since I'd met her. "How DARE you come in here shouting at me! Losing your quite-inadequate clothes is NO excuse for such boorish . . "
"I don't give a rat's ass about the fuckin' CLOTHES!" I shouted, getting right in her face. "You give me back my books! You had no right to take my books!"
"Your books?" she said, actually giving a little ground. For some reason, her retreat didn't make me want to advance. Maybe it was the honest surprise I heard in her voice, the first time I'd seen her confidence waver. Instead, I ended up explaining.
"The clothes belong to the county, but the books are mine. You have to give them back."
To my horror, I heard my voice change to a pleading, begging tone. Then the unthinkable occurred. I felt my eyes start to burn with tears. "The Bible was my mother's," I choked out through a throat too tight for volume. "And the notebook is . . . you just had no right . . . no right."
"Sit down," she commanded, and I did it. I don't know why. Her tone of voice was close enough to the standard adult 'because I say so' bullshit that always made me want to do the opposite, but . . . I just couldn't stop my damn eyes from leaking, and I could feel my nose filling up, and I . . . just did what she said.
I suppose Ms. Thompson pushed her little buzzer or something, because Marie came into the room. "Please bring Jesse's things. Not the clothes, just the books," Ms. Thompson ordered.
It was obvious I wasn't going to get my bags themselves back, so I had to let out something I'd wanted to stay hidden. "And my scout knife," I asked, hearing that begging tone again but unable to stop it. "My dad gave it to me."
I sensed more than saw Ms. Thompson nod. After that, nothing was said for several minutes. I spent the time trying to get my eyes under control. Of course, before I could manage that my nose was overflowing and I had to wipe it on the blanket. The second time I got to that point, Ms. Thompson just handed me a kleenex. Then Marie was back, piling my books on the desk in front of Ms. Thompson instead of in front of me, but at least they were close, and so was my scout knife.
It really was Mom's Bible, I could tell from the burned place on the cover. If I ever decided to actually believe what was in that book, a part of the reason would be that the Bible made it through the fire when the car was wrecked. Like a mini-miracle or something. That, and the knife I'd had in my pocket were the only things that remained through six years and three orphan homes. The other things looked right, too; printed out pages that looked like my copy of 'The Prince', and a spiral notebook bound with a rubber band.
Ms. Thompson started to take off the rubber band.
"That's private," I said, the strength I should have put into those words ruined by a damn sniffle.
"A diary, like a teen-age girl would keep?" she asked.
"No." It wasn't, not really. But it was private.
She looked at me like she expected more explanation, but I guess I'd run down on my blubbering and I was able to keep my mouth shut.
"I'm surprised they let you keep a knife," she said, picking it up next.
"They didn't know," I admitted. "I never took it to school, and the rest of the time I kept it hidden."
She looked at it thoughtfully. "I'm not sure I can permit you to have a dangerous weapon."
God I hated to beg. But it was mine, dammit! And I knew I wouldn't get it back by demanding it. "My dad said things like knives are just tools; inanimate objects. They're not good or bad, safe or dangerous, except as people make them so. I've never, ever threatened anyone with it. I promise."
"Yes, well, we have discussed your word of honor, haven't we?" she asked quietly. I'm not sure what she wanted me to say to that - maybe nothing - so I just stayed quiet.
"A somewhat eclectic collection, I must say," she observed. "Machiavelli complete with some rather interesting notations in the margins, the Word of God, plus a mysterious notebook that is 'private' but not a diary." She set the knife down next to the rest of the pile and shoved it all over the desk toward me.
"Jesse, I apologize for taking these things. You are correct, I had no right to do that. But I must insist you return to your room, put on the robe that was laid out for you, and come back so that we can discuss what will be expected of you."
"That was a girl's robe. I'll just put on my sweats and be right back," I promised, rising and gathering my things.
"That is not what I said," she reminded me.
"You mean you really want me to put on that thing?" I asked in shock.
"I mean I really want you to do as you're told," she said. "And what I told you to do was put on that robe. It is a perfectly good robe and certainly preferable to dirty 'sweats' which are in any event not available to you now."
"Hell, in that case I'll just use the blanket. It's just as good," I said, moving to sit back down.
"It is NOT 'just as good,'" she said, raising her voice just enough to add real tone to it for the first time in several minutes. I could see her stifle something else she wanted to say. That was actually a surprise. I mean, she was clearly a control freak and I didn't see her as being indecisive on anything. I did get the nailtip drumroll again, though.
The worst thing was, she probably thought she was doing me a freakin' favor. The things she wanted me to do would be considered luxuries - for a girl. A scented bubble bath, a fancy and no doubt expensive robe; hell, a girl would think she'd died and gone to heaven. It was clear Ms. Thompson had no clue how to handle boys, for all that the flashes of steel she'd shown made it likely she was hell on wheels with girls.
Well, life's a bitch and then you die. I shrugged my shoulders and stood up again. "It's stupid, unnecessary, and probably illegal in the Bible belt, but the freakin' clothes I wear don't freakin' matter."
With that as an exit line, I went back to my room and got the damn robe. I put my books in one of the nightstands, hoping the witch wouldn't use them as some sort of ring through my nose - stealing them again every time she got her own nose bent outta shape. Then I thought I was gonna have to use the blanket again anyway, since I almost couldn't figure out how to put the stupid robe on. It wasn't a simple lap-over robe with a belt tie. There were buttons that closed the front all the way to the floor - which wasn't too bad once I figured out which side went in front - but when it got up to the waist it went into this tricky little double layer thing leaving this really freaky heart-shaped lace section covering the upper buttons. White lace heart over flowing pink shine. Gag. Insulin, I need insulin.
No underwear, either. Like I said, she obviously wasn't ready to deal with boys. Good thing that Penny bitch was such a bitch. I had to admit I'd have been really uncomfortable if a girl I thought was hot saw me in that thing. Come to think of it, I hadn't seen Penny since lunch. Thank God for small favors.
When I got back down to the study, the door was closed. Not being totally clueless, I figured this was a test, so I knocked on it instead of just barging in.
"Enter."
"Doofus Third Class Shepherd, reporting as ordered, ma'am!" I barked out as I hit a brace in front of the desk.
"Sit down," she ordered, ignoring my little display. I'm not even sure she saw it, for a shame, because she was looking out the window at her gardens again, now dim in the fading dusk.
"What do you want out of life?" she asked suddenly, not even turning from the outside view.
"Huh?"
"In polite company," she lectured to the window, "one does not converse in grunts."
"What? Oh, um, sorry."
After that nothing happened for, oh, a while. Minutes are a long time in that sort of situation, so it might not have been that long, but I felt like we were there forever, doing nothing. Then it hit me. She'd asked a damn question and I hadn't answered.
"Oh, um, sh.., um, shoot, I'm just tryin' to make it through one day at a time. I guess I never thought that far ahead."
"Just so," she said, turning to face me at last. Then she started in on me. "You're a mess, Jesse Shepherd. You're rude in ways that go beyond simple ignorance of good manners. You're selfish. You don't listen. Most of all, you don't keep your promises."
"Hey, I do, too. I'm here, ain't I, wearing this freakin' robe?"
"Only after yet another confrontation. Is that truly the 'best' you can comply with my direction? What about your promise to avoid profanity? There have not been two complete sentences you've spoken since I've known you without at least some inappropriate language. If you are truly 'sorry' as you so blithely claim, then why do you persist in such abominable behavior?"
Before I could reply she answered her own question, leaning on the desk to loom over me. "Because you have been brought up in a situation that glorifies all that is worst in man, while suppressing all that is virtuous. Even your so-noble claim to be a man of your word is proved false over and over again. I am becoming convinced that you are unrecoverable, and that I might as well let you become the plaything of some animal in what passes for juvenile confinement."
Yeah, well, maybe she was right. Sure, I'd forgotten to watch my language a couple of times, and I'd resisted some of her stupid rules. But I didn't figure that was the real reason she was shipping me off. She'd gotten her jollies by making me dress up in the stupid robe, and now she was tired of playing with me. Story of my life - condensed version. Well, I'd been thrown out of better places than this. Not more expensive, mind you, but definitely better. I shrugged my shoulders and started to stand up.
"Sit down, Mr. Shepherd!" she snapped. Damn, just like there was a string on my butt, it got planted right back in that chair just from the force of her voice.
"There is a way to find out," she said. "I am familiar with a training method more commonly used in England than in the United States, but of proven effectiveness. It will require you to exercise careful control over every mannerism you portray - leading to self-control even as you learn proper manners and deportment. It is particularly focused on control of loud, boorish, childishly-male behavior. Is your given word enough to lead you to attempt such a program, or are you more interested in a life of reform school followed by jail, followed by God knows what? I ask you again, what do you want out of life?"
What's behind door number 3? I mean, if those were my only two choices . . . shit or more shit. "Yeah, like there's really any alternative anyway. I'll get to be 18, my butt will hit the streets, and you'll be hammerin' the next fool to come your way. I mean, I haven't even lived in the same state for long enough to establish residency for in-state tuition yet, let alone get enough money to pay for college."
She waved her hand over the money issue like someone who had never really been hungry in her life - which was no doubt true, but it showed she just didn't understand *real* life at all. Then she whacked me right between the eyes with a promise I had NOT seen coming. "Jesse, if you complete my program, to the best of your ability and to my standards, I will pay for four years at the college of your choice - more than that if you have a valid need for an advanced degree in your chosen career field. This is not about your excuses. It is about YOU. It is about your behavior, and whether you are truly willing to become a civilized human being."
"College?" I repeated in a daze. "Geez, for a chance at a good college, I'll stand on my head for three years."
"It won't be that easy," she said, fighting a smile I could see lurking in her eyes. Then I remembered I was wearing a girl's robe, and no underwear. Standing on my head would NOT be a good idea right then. I started to snicker, too, but a suddenly hard look in her eyes cut my mirth off sharp.
"Seriously, the program I have in mind will be very difficult. Especially so for you. I make no promises that you CAN succeed, only that if you do, you will be a fine young man who will have no trouble fitting into to the polite society your formal education will allow you to enter."
"Just what IS this program you're talking about? I'm a lot smarter than my grades indicate, I promise you."
"I have never doubted that," she assured me. Sitting down and crossing her hands on her desk, she said, "It is called 'petticoat discipline,' and it will require that you look, dress, and act like a respectable young lady for the duration of your stay with me."
I laughed at her. "You gotta be sh. . . , I mean, you can't be serious."
"I assure you, I am quite serious."
"Yeah, well, you're quite crazy, too. I'm outta here," I declared, standing up.
"As you wish," she said quietly. "I told you before that the single most important factor in whether you stayed or left was whether your word of honor meant anything. As it apparently does not, it would perhaps be best if you left."
"Hey, that's not fair!"
"Isn't it? I believe I asked you if there were any restrictions in your promise to abide by my rules beyond the no-alcohol and no corporal punishment provisions. You assured me that there were not. Yet at every challenge, you refuse to obey. I submit to you that you are a liar and a man without honor, and hardly one to judge what is and is not fair. Good night, Mr. Shepherd. We will arrange transportation in the morning."
"God damn it, that is NOT fair!" I repeated. "You've been running these off-the-wall things at me from the time I arrived. I'll do anything reasonable, and you know it."
"No, I do NOT know it," she said adamantly. "Speaking without obscene language is hardly unreasonable, yet even your specific promise on that is apparently unimportant to you. On what basis do you claim that what I require is less fair, less reasonable, or less honorable than you deserve?"
"It's . . ." Shit. I'd be damned if I was gonna let this bitch make ME seem like the one who was wrong, but I could just hear her talking to her buddy the Judge, and it was clear she could make me sound like the prime asshole from hell.
Then it came to me. Nobody was as perfect as she claimed to be. I could put up with anything for a couple of days, and then when I caught her in some real fuck-up of her own, I'd have her. I figured the old lady Judge would at least have to talk to me again, and I could use that as a way to prove I'd really tried. On that basis, I could swing some other alternative. Door number 3, here I come.
"Okay, fine," I said. "I'll play your silly game."
"It is not a game," she replied.
"Yeah, whatever. Just tell me what you want me to do."
She looked at me for a long moment, using that laser-beam trick to bore right through my skull again. This time I was ready for her though, and just blandly returned her stare.
"Very well," she said at last. "If you return to your room, Miss Marie will help you get dressed."
I nodded and stood to leave. As I got to the door, she said, "I warn you, *Miss* Shepherd, that you are on probation. I will be watching your every move, and if you do not give me your best effort, you will find yourself on the way out of town, dressed however you happen to be dressed at the time, so fast you will not know what hit you."
Yeah, bitch, well, you're on probation, too. We'll see who catches who at this little game of yours.
I didn't say it out loud, of course. I was learning.
An hour later I was back outside her office. I had knocked, and received a preemptory 'wait out there' call from inside. That was fine with me. In my head, I recognized the inevitability of someone else seeing me, but in my gut I hoped I could somehow put it off until, oh, Ragnarok or something. That would definitely have been more desirable.
That distinction between head and gut was more than trivial. Above the neck I was still me, light brown hair cut so short you'd have to take my word for the color, ordinary sort of guy's face except for the freakin' too-cute nose. Just me. But below the neck . . . my good 'friend' Marie had decked me out in clothes even girls would have hated. And that was just the sickly-sweet icing on an already-ruined cake. It had started out with an order to shave all the hair from my body. 'Miss' Marie informed me it was a good thing 'Miss' Jane wasn't there to hear what I said at that, or I'd have been dining on soap sandwiches for a week. Then she offered to help me if I found it so challenging.
She had found some underwear for me. With all the frills on the clothes I had seen in my room, I expected something out of Victoria's Secret. No such luck - and the irony of what I had come to consider luck did NOT escape me. Instead, I was offered industrial-strength briefs that left no room for, um, discordant contours. The bra to complete the set wasn't a surprise, unfortunately. Then it got even worse when she strapped this honest-to-God, medieval torture instrument around my waist, all the time telling me I was 'lucky' because I was so slim that all I really needed it for was posture control.
Which brings me back to the hyperglycemic confection that showed on the outside. I was privileged to be modeling the very latest in fashions - if you were 10 years old and it was 1954. I guess the old bitch took the 'petticoat' part of petticoat discipline literally. I was, of course, lectured in the names of each of the 'gifts' I was granted, and so learned what a petticoat was, and how it was used to lift the skirt - yeah, I had one of those, too. Pink, like THAT was any surprise, with little white polka dots and puffy little sleeves and . . . . I better stop before I hurl again.
Then my life got worse - incredible as that may seem.
"Jesse, is that you?" I heard. Guess who. Right first time. Penny, the one person who was anywhere near my age, and of course a girl. I found out it didn't matter that I thought she was a bitch-in-training who I wouldn't have pissed on if she was on fire. She was a girl, and she saw me wearing girl clothes. Shit. Why couldn't you find a good apocalypse when you needed one?
"I was afraid of this," she said, sighing. *She* was afraid?
When I forced myself to look at her, I realized she was wearing the same type of clothes that I was, right down to the silly little-girl patent leather shoes.
"Goodness," she continued, "you must have really made her angry. I only got the crinkly pettis when I was really bad."
Maybe if I ignored her, she'd go away. Worth a try, anyway.
"Ah, Jesse, if you'd like some advice . . . "
Dum de dum. Nobody here but us shit-swimmers. Interesting painting on that wall over there, the one I can see without looking at her.
Penny slid gracefully onto the bench I was sitting on, doing something tricky with her own outfit that ended up with it looking much neater than mine. Like I cared. I only noticed because I had to slide down a bit to give her room.
"Look, Jesse," she persisted, "it's clear that they want me to help you, since Marie made me dress the same way. I figured it was something I'd done, but now that I see you it's not likely to be me they're after. I can help you make it easier, if you'll let me."
"Easier? Yeah, right," I said, finally deciding she wasn't going to take any hints. "Look, *Miss* Head-bitch in there is not interested in making my life easy, so why should you be?"
"Well, for one thing: Been there, done that," she replied.
"Huh?"
"Why do you think *I* am one of her students?" she asked.
"Why do you think *I* would give a shit?" I replied.
She sighed and said, "You really do have a filthy mouth, you know? Didn't she give you her lecture on that yet?"
"Like I care," I said. "But yes, three or four times at last count."
"I don't understand," she said, frowning. "When I got that one, I had to promise to clean up my language."
"Yeah, so?"
"You mean you promised not to talk dirty, and you're still doing it?"
"Look, I said I'd go along with that bitch's bullshit, because the alternative is even worse, " I said, thinking 'at least for now.' "But that doesn't mean I have to like it, nor that she can control every freakin' second of my life. I'll do what she says when she's around, but the rest of the time, I'm bein' myself."
Somehow, she managed to sit further away from me without really moving. Putting that Joan Crawford Junior sneer on her so-elegant face, she said, "So, your promises only apply while someone has their eye on you. I'll have to remember that about you."
"Get off my freakin' case, bitch," I snarled. "I don't need this from you, too!"
"Like hell you don't," she snapped back. "You're even worse than I was, and a liar to boot. At least when *I* came here, my word meant something."
"Last warning," I said, standing up. "You shut your freakin' mouth, or I'll shut it for you."
"Liar, liar, *panties* on fire," she sniffed, the childish words *way* out of place coming from that high-society, rich-bitch face.
"Girls," we heard from within the study. "I will thank you to be quiet while I am on the phone."
"I'm very sorry, Aunt Jane," Penny called back, just loudly enough to be heard inside. She nudged me, too, but I decided Ms. Thompson was smart enough to recognize my response in my silence.
"Look, um, Jesse, let me try this again," Penny said quietly. "Aunt Jane selects clothes for us based on how we behave. If she thinks we're acting like civilized adults, she lets us wear fashionable clothes . . . "
"Oh, my. How will I stand the joy?" I interrupted.
Penny just plowed on, "and, well, other privileges that I probably ought not to tell you about yet. But if we behave childishly, she makes us dress like, well, like this."
"So why are you stuck in this sh . . . in these clothes?"
"I expect it's so I can help you, like I said," she replied. "Look, let me show you something," she continued, standing up. "If you just plop down on the seat, your pettis get wrinkled. But if you sit like a lady, gently sweeping them under you and staying to the front of the seat, with your back straight, they lay nicely. See?"
"Like I care," I snorted.
"Well, suit yourself, " she replied, "but if you ever want to get OUT of those clothes, you . . . well, do what you think is best."
"Yeah, right, like there's any frea . . . any way that she's gonna be fair about this."
"Actually, I think you'll find that Aunt Jane is scrupulously fair, if you give her a chance," Penny insisted. "But part of that is that she makes the rules. It's just that they apply to her as much as to you, so she really is fair. See?"
"No, I don't see. Specifically, I don't see ol' 'High-Society' in there wearing men's clothes, so it's not fair to require me to wear girl's clothes."
"Actually, Aunt Jane *does* wear jeans sometimes, and pants are really men's clothes. It's just that she wears them at the proper time, and in the proper place, and for the proper purpose. Right now, your purpose is to learn civilized, polite behavior. Since she's already acting maturely, and in a civilized way, she's wearing the clothes that go with that. You can too, if you just act right."
"Oh, yeah, like *that* is a big incentive. Graduate from little-girl clothes to big-girl clothes. I can hardly wait."
"You'd be surprised," Penny said softly. "I, ah, would you mind telling me why you're here?"
"Because I didn't run fast enough, and they caught me."
"No, really. Everyone who comes to Aunt Jane's has a reason. It might help if you just, um, accepted it."
"Oh, I've accepted it all right. The world really *is* out to get me. But I'm going to get them first - every last freakin' one of them if I need to."
Penny's eyes got this funny soft look in them, and she looked away. After a moment, she looked back. "Oh, Jesse, I was *so* much like you when I came here."
For some reason, a laugh lit up her eyes for just a heartbeat, but she moved on. "Sit down here with me again, and I'll tell you a story."
I started to sit normally, but at her warning glance I decided I might as well give her silly little slide thing a try. I had a feeling Ms. Thompson would require it anyway, so the practice wouldn't hurt. Penny smiled in appreciation, but then she looked so sad even *I* wanted to help her somehow.
"When I came here, I was just like you," she repeated. "I was rude, selfish, and ill-mannered. I was proud of it. Nobody told *me* what to do. I also had a dirty mouth, just like you."
"Will you get off the language thing?" I snapped. "It's just words. 'Sticks and stones and all that shit. Maybe I should keep it clean even when she's not around, but it's just not that big a deal."
"Oh yes it is," Penny whispered. Now her eyes were filling with tears, and despite my best attempts to overcome it, somewhere I had picked up the notion that it was a bad thing to make a girl cry. I didn't know what to do about it, though.
"There was this girl, you see?" she continued, voice just barely audible. "I used to pick on her. I don't think I ever touched her physically. If so, it was only casually like getting bumped in a hallway or something. But I used to rip pieces off of her with my words, every time we met. 'There's little Janey, wearing her mother's shoes. Or did they belong to her grandmother?' 'Don't worry Janey, you won't have to die a virgin. Get some guy drunk enough, and maybe put a bag over your head, and you could still get lucky.' I knew her family didn't have any money, and, well, she wasn't very attractive, but . . . Anyway, after I started in on her, other kids did, too."
She looked up at me, pain in her eyes that went a lot deeper than mere tears. I had to lean closer to hear the rest. "She killed herself."
"Oh, wow," I whispered back. I put my arm around her shoulders, feeling the faint quivers of sobs she was trying to stifle. Somehow, her head found its way onto my shoulder, and her words drifted up from the folds of my dress.
"I tried to kill myself, too, after that," she said. "And, um, other things. I screwed up, like I screwed up just about everything back then. That's how I ended up here."
I felt her take a deep breath. Then she sat up and wiped at her eyes. "Oh, da . . um, goodness. My face is a mess. I'll have to go clean up."
"Wait," I pleaded. "What happened after that? I mean, what did Ms. Thompson do?"
"She showed me that I could be a good person, even if I had done bad things before. It wasn't easy. Not for her and certainly not for me, but I think I can live with who I am, now."
"So, you're, um, ready to leave?"
"Maybe," she replied. "But I think part of what she wants to see is whether I can truly help someone who needs it, even if it's not going to benefit me directly. I think that's why I'm wearing the same clothes you are."
She shrugged and said, "It's risky to assume you know what's going on in Aunt Jane's mind, but I expect part of what she expects is that we will start to see what needs to be done without being told."
"Yeah," I said, thinking a bit myself.
Standing, Penny said, "Well, I better go clean up. After you meet with Aunt Jane, we'll have supper."
"Is she really your aunt?" I asked, standing myself. For some reason I was reluctant to have her leave just then.
"No," she said. "I just, I don't know, started calling her that. She never told me not to."
That sort of ran that topic down, and we stood there looking at each other for a while. Penny looked up the stairs and turned once again to leave.
"Um, Penny? I, uh, beat up a kid who didn't really deserve it. He wasn't the first one."
"Oh," she said quietly. No judgment, just acknowledgment of my words. Then she asked, "How bad?"
"He'll recover, I guess. I coulda wrecked his knee, but it'll be okay."
"Then I guess you're not as bad as I was," she said. She dredged up a weak little smile and said, "So there's hope for you yet."
"Yeah, sure," I replied. I wasn't going to argue with her right then. That was the first time I'd ever had a girl cry on my shoulder, and even though I still thought Penny was way too high-society to be a real friend . . . it was nice to have felt needed, even for just a minute.
"Miss Shepherd, please come in now," I heard Ms. Thompson's voice call. Penny gave me a little grimace of sympathy, and then waved as she moved off. I went back into the lion's den for another lecture.
"My word, look at the state of your petticoats," she started in on me as soon as I was in the room. "You really *are* sloppy, aren't you?" Then she brought out the real teeth and claws. Frankly, my mind was more on what Penny had said than on Ms. Thompson's lecture. About all I picked up out of it was that slovenliness would not be tolerated, that proper posture was the foundation for a proper appearance. (That part stuck because at one point I started a running count of how many times she said 'posture' in one minute. Unfortunately she caught me watching the clock and that caused a tirade that corrupted the data.)
"So, the deportment of a civilized person is boring to you, is it?" she asked - rhetorically, of course. She didn't even pause long enough to take a breath before starting in again. "Well, we'll just have to see if we can keep your interest up, won't we?"
Oh, freakin' joy.
I had graduated. Words do not exist to express my happiness at that accomplishment. At least, not words that were usable in Ms. Thompson's chamber of horrors. After sleeping, such as it was, in a flannel nightgown that first night, I had been offered another flounces-and-ruffles outfit to wear to breakfast. I was still trying to decide if I owed Penny a debt of gratitude or a swift pop in the chops, because Ms. Thompson had been impressed enough with the way I managed to sit without wrinkling my petticoat that she decided I had earned a chance at some other styles.
Each of which required starting over from the skin out, of course. Each of which added some carefully explained bit of sophistication. Or at least of apparent age. I was no longer dressed as a ten-year old. Which was a good thing, because I no longer had the body of a ten-year old, either. Each new corset (not all of which were truly 'corsets', I found out - some were 'merry widows', or 'basques', or yadda, yadda) was tighter than the last when *Miss* Marie finished with it. That was actually the least of my 'improvements', though. Along about the third outfit, padding had started to appear. I guess I had expected the bras to get some filler, but padded panties? What's up with that?
In any event, by lunchtime I had a body that was apparently 'all growed up' in all the right - that is, *wrong* places. Progress had not been as rapid as that timeline might suggest. True, it had only taken from breakfast until lunch, but that can be a very long time.
The thump of the book hitting the floor - the one I had been trying to carry on my cue-ball head - triggered THE voice yet again. "*Miss* Shepherd, I refuse to believe you are so clumsy as your lack of grace suggests. Do you have some aversion to eating the midday meal while the sun is still up?"
My stomach answered for me, audible across the room. That earned me an eye roll, a sigh, and not one damn bit of sympathy. According to the clock I was carefully not watching, it was already after 2:00. Ms. Thompson had made it clear I was to demonstrate competence in dressing and moving in the clothes typical of 'proper young ladies' before we ate. I was, among my other faults, very slow however, and we were way behind schedule.
"Perhaps we should, ahem, 'tailor' your program a little, to aid you in your specific, ah, problem areas," she mused, quite proud of her own little joke. "Go back to your room and tell Miss Marie that I think we might dispense with your petticoats this time." (Note: I did not say that I *agreed* with her definition of clothes for 'proper young ladies,' at least not for the last two or three generations.) "A tailored skirt might teach you to walk with a more lady-like glide. A bit of heel would assist in that as well. You have twenty minutes."
"Yes, Ms. Thompson," I said softly as I turned and 'glided' toward the door. Not a good glide, apparently, but the best I could do. Part of the reason we were behind schedule was that I had tried to argue with her earlier. Didn't do a damn bit of good, unless you consider that the lectures which followed had been good for me. I didn't. But it was obvious we weren't going to eat until I had met whatever standard the old witch required, and my many faults did not include being stupid.
As soon as the door to the study was closed, I sprinted for the stairs as fast as my slick dress shoes would allow. "No petticoats," I gasped out when I got to Marie. At least that was one good thing about progress. Not that progress was the word I would use, even within my newly restricted vocabulary. "Tailored skirt. Heels. Twenty, um, now eighteen minutes."
"Very well," Marie said, nodding. "You strip down and I'll get you something suitable."
By this time, the thought of being nearly naked in front of a woman had become a minor irritation, so I was straining to reach awkward buttons almost before she gave the order.
"Don't tell Miss Jane," Marie's voice called from the huge closet, "but you can leave the same panties on this time. Take off your bra and pantyhose, though."
'Panties.' 'My' bra and pantyhose. Big piles of smelly freakin' shit. Right then, I'd'a kissed that horseturd Wilson instead of whackin' the bastard, if I coulda done it over again.
Marie brought out a slim wool skirt and a lacy white blouse, plus for the first time a jacket. I reached for the blouse, but Marie stopped me. "Not yet, dear. You still need the appropriate lingerie."
'Lingerie.' Slimy, stinkin', knee-deep shitballs. Not the least of which was that I should have known it was coming.
Marie wrapped me in a merry widow and laced it until I had spots before my eyes. While I was trying to remember how to breathe without using my nowhere-to-move diaphragm, she slipped some slithery plastic shapes in the cups of the thing, and that distracted me enough I didn't realize I had graduated to yet another level of joy - or circle of Hell.
"Here, dear, slip these on while I get the shoes," she said.
'These' were stockings, not the pantyhose I'd been wearing so far. There were some straps that were obviously intended to hook to the corset (yeah, I know, 'merry widow' - not that there was a freakin' damn thing 'merry' about it, and I knew the straps were called 'garters', too). By the time I had things sorted out, Marie was tapping her toe.
"Here, let me help," she said finally. It is a sign of how far I had fallen that I was actually glad for her assistance. Later, when I had the time, I was gonna remember that moment and find something large to blow up.
The blouse buttoned up the back, of course. The skirt was a dark blue and knee-length. The jacket matched, and I realized it was part of a women's power suit. Forgive me, Penny, for all the things I thought about you. The heels were nothing special, actually. Not too tall, not too pointed. If I'd'a seen a women wearing them, they wouldn't have caught my eye at all. Which made my inability to walk in the damn things all the more frustrating.
"Point your toes, dear," Marie advised, "and keep your steps in a line, as though you were walking a tightrope."
"And hurry," she reminded me.
Oh, God, 17 minutes down already, and I sure as Hell couldn't run in that outfit. I couldn't even take a real goddamn step in that tight goddamn skirt. And I was NOT gonna think about the funny way the garter straps holding the stockings felt when I moved.
Even so, I had to stop when I saw my image in the mirror at the head of the stairs. If I'd'a seen that image as a picture, I'd'a taken any bet you wanna make that it was faked. The body was that of a young woman - trimly professional, making her place in the world. The head was me, and no more belonged on that body than a moosehead on a cat. What was really, really scary was that it was the head that seemed out of place. Not the clothes, not the curves, not . . . any of the things Ms. Thompson had required. Dear God, and I had been worried about wearing a necktie!
By the time I got to the study I was way late, but for the first time Ms. Thompson seemed not to notice. Instead, she just touched the button on her desk. In moments, we were sitting down to 'lunch', somehow less formal than before. Or maybe I was just zoned out so far that it didn't feel the same.
"Miss Shepherd, Penny just paid you a compliment," I heard.
"Hmm, oh, sorry, I wasn't paying attention."
"Obviously," Ms. Thompson snapped. "Nonetheless, proper manners require that you acknowledge compliments, and return them graciously. Penny, try again."
"I said, 'You look nice, Jesse,'" Penny repeated.
"I look stupid," I blurted out, but surprised myself when my hand went to my buzz-cut hair instead of to my outfit.
"*Miss* Shepherd, that is *not* an appropriate response," barked Ms. Thompson.
I took a deep breath, and looked straight at her. "I am sorry, Ms. Thompson, but I believe it is. I do not look nice. I *do* look stupid."
Then I got angry and went on. "How many times today, Ms. Thompson, have you corrected me when I made a mistake? You did not permit an error to go unchallenged, and so I assumed it was inappropriate for me, also. Is that not correct?"
"So, Miss Shepherd," she began, and why was there a gleam of triumph in her eyes? "You think it is a fact beyond dispute that your current appearance is, as you said, 'stupid?' I think we can accommodate your judgment."
To quote a cultural icon, 'D'oh!' I had played right into her hands. I shoulda known I wasn't gonna get ahead of her. I wondered just how bad I was gonna get hammered, but like Wile E. Coyote over the canyon, I knew it was just a matter of time.
I found out soon enough. She stood and said, "Marie, today I will help Penny clean up this wonderful meal that she has prepared. If Jesse thinks she looks . . . incongruous, perhaps you can help her with that."
"Yes, Miss Jane," Marie replied, then started to move toward the door. "Come along, Jesse, we have a lot of work to do."
Me and my big, fat, freakin' mouth.
Six hours later we sat down for a much-delayed evening meal. I no longer looked 'stupid'. This was bad news. Very, very bad news.
I wore the same power suit I had worn at 'luncheon'. That was Ms. Thompson's not-at-all-subtle way of rubbing my nose in the rest of the changes. That is not to say I had worn that suit all through the afternoon and evening. Quite the contrary, but we had come full circle in clothes even as we had made irrevocable changes in other areas.
Specifically, my face and hair. Or perhaps I should say my face and 'the' hair, since hardly any of it was really mine. As soon as Marie and I had gotten back to my room after lunch, she sat me down at the little ruffled chair in front of the dresser with the mirror - a vanity, I had been informed - and pulled out a thick mop that even I recognized as a medium-brown, medium-long wig.
"Don't even bother," Marie had told me curtly before I could even frame a comment. "You are not so stupid that you didn't see this coming, and by now you know that arguing just wastes time. You have at least as many changes to get through before supper, and I for one do not want to be eating it at midnight."
The wig was, of course, just the start. After no-shit *gluing* the freakin' thing on my head, she immediately pinned it up out of the way and started in on my face. The eyebrows I had once had disappeared hair by plucked-out-and-screaming-in-agony-as-they-died hair until all that was left were thin arches that made me look as surprised as I felt.
And I was surprised, because for the first pass, that's essentially all that was done. I was back in the cotton candy pink dress, only this time I had pigtails that looked exactly as stupid as that word implies. I went back to visit Ms. Thompson, curtsied oh-so-cutely, and was allowed the great privilege of getting out of that freakin' outfit.
Then Marie surprised me again, by undoing the pigtails and pulling my new hair back into a high, bouncy ponytail. Once again, that was the extent of 'new' changes. I was offered a pair of white tights and a multi-colored leotard, with the no-doubt-very-stylish headband, wristband, and leg-warmer accessories, and then once again reported to Ms. Thompson, who approved the new outfit with barely a glance.
I was reflecting on the total uselessness of these exercises - which was true, of course, but it was made manifest when even the Head Warden didn't seem to care - when another reflection presented itself to me. That mirror in the hallway caught my eye, and I - oh shit, it's hard even to remember this - I literally peed my pants, um, panties at the image.
It was a freakin', no-question, terminally cute teen-age girl. Really cute. The ponytail that seemed like a strange animal crawling on my shoulders bounced in the mirror with cheerful energy. The curves revealed by the stretchy exercise clothes hinted at developing womanhood, just right for the clean, fresh-scrubbed face and wide, alert eyes. If I'd'a seen that girl on the street, shit, I was about to say I wouldn't have given her a second glance but that's not true. I'd'a turned around and followed that babe-ette.
And it was *me*. I never doubted it for a heartbeat. I wasn't some mirror trick, or window looking at someone else, it was *me*! What was suddenly called into doubt was a buncha things I'd taken for granted. Things that were very important to me. So much so that I unconsciously reached to feel for what had been hidden so carefully by my 'lingerie'. That's when I felt the wet spot and realized what I'd done.
"Oh, shit! Goddam it! This is too fuckin' much!"
Then I felt the tears start. Goddam, little kid tears. Little crybaby tears that burned my eyes and started to fill my nose and - shit, made me feel like I really *should* be wearing a freakin' diaper. I ran into my room and past Marie so fast she couldn't stop me. In the bathroom, I knew I couldn't lock the door, but I could at least hide in the little alcove and pretend to be, ah, taking care of business. Which was true, actually. My bowels felt loose enough that they might just add to the damage. Thank God that didn't happen, but I still needed to strip out of that stinkin' outfit and had started to rinse it out in the sink when Marie knocked on the door.
"Jesse, are you okay?"
"NO! Don't come in. Please!"
"Jesse, I can help."
"No! Please, Miss Marie, don't come in. Not right now."
Begging so abjectly nearly cost me another round of distress, this time pukin' up whatever was left of my lunch, but it did have the saving grace of working. I heard Marie pick up the phone in the other room and report my humiliation to Ms. Thompson, but it didn't matter. I just scrubbed and scrubbed at the stained spots on my clothes, too blinded by tears to tell if it was doing any good, but unable to stop.
I didn't have a watch and there wasn't a clock in the bathroom, so I wasn't sure how long Marie left me in there. After a while she knocked quietly on the door, and opened it. I whirled around to demand - hell, to beg for - some privacy, but aall I saw was the door closing again. On a countertop near the door were some new clothes, a whole outfit, as near as I could tell, including a skirt and blouse. I realized I couldn't hide in there, naked, forever so I took advantage of the unwanted but necessary gift. By now, I could handle the things she'd left since she took it easy on my waistline and only included a stretchy waist nipper I could fasten myself. In a few minutes I was stepping back into my bedroom. I tried to avoid Marie's eyes, but it didn't really work.
"Come over here, child," she said gently. "You're late for your next review by Miss Jane."
Can't have that, can we? Like I cared.
Of course, I did care. The monster waiting downstairs could make my life Hell - by absolutely irrefutable demonstration. It's just that the difference between one Hell and another was becoming rather academic. I was fucked, big time, and it wouldn't matter if I were given a get out of jail free card that very instant. What I had seen in the mirror would haunt me.
What had already happened to me took any real risk out of the anything Marie could do, so I passively let her lead me over to the vanity again. She stared in on another lecture, but I tuned her out and just let her do her thing. My hair was brushed out of the ponytail to be caught up in little clip things - I guess I did listen at least a little, or else I heard it somewhere else, because I knew they were called 'barrettes' - and then she started in on my face. The bouncy babe-ette of tights and headband became a prim young lady ready for her English Lit class, complete with a copy of Chaucer to hold protectively in front of her bosom. If I hadn't been there the whole time, I would have said my face was still fresh-scrubbed clean based on the way it looked, but it was better than before - or worse. This vision was out of my league, and I'd have been so tongue-tied if I saw her that I'd have run away instead of following her around.
"Go on, dear, and show Jane," Marie ordered softly. I let her urge me to my feet and I walked slowly down the hallway. A priest and warden should have accompanied me, because I was clearly on my last walk in this mortal life. The fox in the mirror was someone else. Jesse was dead. Long live his(?) successor.
My knock on the study door triggered an immediate invitation to enter. Then things got even worse, impossible as that may seem, when the first thing Ms. Thompson did was compliment me.
"The shy, demure look is very good, Jesse," she said, "and I'm pleased to see that you are still standing upright except for your head. You need not bow it quite so dramatically, but I am inclined to give you credit for the attempt."
My eyes started burning again, and a sniffle I just couldn't contain slipped out. Thankfully, Ms. Thompson took that moment to look out the window again. At least, I think she did. I heard her move over that way. I wasn't about to look up and let her see me crying.
Her lecture mode voice was as pedantic as ever, but it was more distant than before, and not just because she was standing further from me. It didn't seem as though she were taunting me with her knowledge like I wasn't smart enough to absorb it unless she drilled it into me. Instead, she was just laying out information for me to receive, and it was up to me to accept it.
God help me I did. For some reason I was listening.
"Jesse, part of fitting in to the more refined layers of society is just that - to fit in. Those who feel they have the ability - and therefore the right and the duty - to exercise significant control in the world justify that self-assignment by demonstrating first the ability to control themselves. This is shown by manners, by neat grooming, and by appropriate style selections."
Now she turned from the window and walked around the desk to stand in front of me. She lifted my chin and made me look directly at her. "And by control of their emotions," she continued. She dropped my chin and stepped back. "Yet appearance cannot become an end in itself, or there is no room left for controlling greater things. So, one who fits within the true centers of power has the knowledge to select appropriate styles, the ability to wear them, and the skill to sustain them even during times of stress when there is little time for 'primping'. For a woman, that includes makeup and hair care as well as the clothes themselves."
Now she stepped back around her desk and sat down. "You will learn these things, Jesse. You will practice them until you can pick an outfit appropriate for the activity to be undertaken, and add appropriate accessories, makeup, and hairstyle. You will learn to do so quickly and efficiently, so that you can sustain that appearance even without as much time as you might want to work on your presentation. Now, go and change into the next outfit."
I had never spoken a word in that visit. Which was a good thing, as the vista she had laid out before me was so horrifying that I could not have spoken if I wanted to. At least I managed to get out of the room before I sniffled again.
The rest of that afternoon was a gradually building nightmare, a juggernaut of inevitability as whatever I had once been was buried beneath more and more strident femininity. My school girl outfit was replaced by a brightly colored dress appropriate for a spring parade at church, complete with the little white gloves and hat that had looked so old-fashioned on Penny when I first saw her at the train station. That outfit was followed by an honest-to-God slinky nightclubbing dress that I was sure none of Ms. Thompson's students would ever actually be allowed to wear in public. As in the morning changes, each style required entirely new clothes from the skin out, now including makeup and hairstyle changes as well. By the time I got to the nosebleed heels and dramatic eyes of the clubbing outfit, I was doing a lot of the work myself - and hating that I could do it so well. The woman - no longer a girl - who I saw in the mirror that time did not make me pee my panties. The reaction I felt was very different, and even more uncomfortable.
The return to the power suit outfit was almost a relief. Hell, it was definitely a relief, and the irony of that still gnawed at me. For the second time that day I saw Penny, once again at the much-delayed meal. A simple soup and salad was all that my churning stomach could have handled anyway, so I was glad her culinary talents were more limited than those Marie had previously demonstrated. I ate in silence. I'm not sure I had spoken more than two or three words since, well, since I had realized what had happened to me. But this time I was listening enough to hear Penny's comment. Shocked as I was, I had nonetheless been expecting it.
"You look very nice, Jesse," Penny said casually.
"Thank you, Penny," I said quietly. "I have gained a new appreciation for how nice you look as well."
"So, you no longer feel you look stupid?" Ms. Thompson asked, completing the humiliation.
"No, ma'am," I whispered. It was much, much worse than merely 'stupid'.
To say that I was dreading the next day would only be appropriate because more . . . colorful language was forbidden to me. It actually didn't start out too badly, though. I was back in the schoolgirl outfit, wearing the modest heels more as a reminder to move carefully than as any further challenge. After breakfast, Ms. Thompson stood and nodded to Penny and Marie, who began to clear the table.
"Come with me, Jesse," she ordered, and led me from the room. In the day and a half that I'd been incarcerated in this dungeon, I hadn't had more than a moment to myself except in my bedroom in the dark of night - behind a door that I had discovered locked from the outside. If I had the emotional energy left to worry about that, I'd have wondered what would happen in the event of a fire. However, in my case merely being burned to death would have been a blessing, so I hadn't complained.
In any event, this was the closest thing to a tour of the big old manor that I'd been given. Ms. Thompson pointed out a glass-walled conservatory (did anyone really *use* that word anymore?) and a stiffly formal parlor. There was a contrastingly modern computer room with a panoply of scanners and printers and wall of software manuals. And there was an art studio, complete with splattered paint on the floors and a potter's wheel, next door to a dance studio with a mirror wall and one of those bar things.
None of that mattered though, once we reached our destination. Ms. Thompson had an honest-to-God *library*, with five times as many books as were in her study. They were organized; too, with little labels on the shelves for History, Philosophy, and an area I would once have killed to have access to, Fine Art. I almost forgot my situation for a moment, and started toward the shelves.
"Now, Jesse," Ms. Thompson began, turning to look at me and halting me in my tracks. "We need to evaluate your academic standing. You will not be permitted the silliness of working below your abilities, but I will not challenge you beyond your abilities."
Yeah, right. That's why I had been so stressed out I peed my pants. No challenge there.
"We will begin by discussing Machiavelli, since you seem to have an interest in his work. In twenty-five words or less, summarize his philosophy."
I looked around for some paper to write on, but Ms. Thompson noticed and immediately interrupted my visual search.
"You don't need to write it out. You will be expected to speak cogently and extemporaneously, on a wide range of topics. This topic will do well for evaluating that."
"Yes, ma'am," I said, thinking furiously. Frankly, I thought ol' Mac had been given a bad rap by history. His philosophy was pragmatic, but sound. Those who characterized it simply as, 'the end justifies the means' left out some vital aspects.
"Um, well, he, um . . ," I began.
"Do not stammer," she interrupted me. "And do not grunt. You have already wasted four words with no semantic comment at all. In addition, *Miss* Shepherd, you will lift your voice, speaking lightly and with enthusiasm. Try again. Twenty-one words."
Yeah, well, up yours bitch! Not that I said it, of course. All the fire I knew was in my eyes did was to cause that smirk of absolute self-confidence to show in hers. I knew that this was yet another battle, yet another test where will was more important than the surface topic. Only this time we were moving into *my* arena. I knew this, unlike the freakin' rules of manners and shit.
"Machiavelli believed that critical outcomes justified whatever means were essential to achieve them . . . . *but* an essential end for a Prince was that his people respected him. They would not respect an arbitrary, capricious, or undependable Prince. Thus, those qualities were unacceptable in a Prince." And yes, I did bear down on 'arbitrary' and 'capricious', looking directly at my tormentor when I did so.
"Can you not count, Miss Shepherd?" she sneered. "Missing a simple math problem by a factor of almost two is hardly an acceptable standard. Try again, and as I said, I expect your voice to be light, airy, and cheerful."
"Machiavelli believed," I snarled, "that the ends justified the means, but that not all ends were justified."
"One presumes you feel you had a very large breakfast," she said quietly, almost whispering in my ear with silky menace, "because if that's the best you can do with your voice, it will be a *very* long time until lunch."
Ms. Thompson stepped back and pulled a book at random from the shelves. Placing it on my head, she walked to the other side of the room. "Walk here, gracefully and with good posture, and continue by telling me which Amendment in the Bill of Rights is most important, and why."
And so it went. It took me a while to recognize that she did not challenge my answers, only the manner in which I delivered them. Yet her questions forced me to reach for insight, not just facts, and as she came back with later challenges derived from my *own* answers, it was clear she was virtually recording every response in her unbelievable memory. I completely lost track of time until we were interrupted.
"Miss Jane," Penny said, moving to stand in the opened doorway, "I'm finished with my morning's assignment. I wondered if I might take a walk in the garden before lunch."
Ms. Thompson glanced at the clock and then nodded. "Take Miss Shepherd with you. Quiz her on the Botany of the plants there and report to me on her standard of knowledge."
"Yes, ma'am," Penny replied, sighing.
Well, tough shit. If it got me out of the dragon lady's clutches for a while then I'd take advantage of the opportunity without a shred of guilt. I nodded with careful politeness to my so-called benefactor. . . factrix . . . whatever, and walked from the room with the flowing glide I had been practicing. No sense getting called back at that point. Once we were out of sight, though, I slumped down and leaned against the wall.
"Holy shit," I sighed. "The only things that hurt worse than my freakin' feet are my freakin' head and freakin' back."
"Jesse," Penny snapped, the first time I'd seen her really angry. The bitch-ette had apparently learned more than haughty manners from the Iron Mistress. The fire in her eyes - along with that really dark hair - made her a shoo-in for the Joan Crawford witch-of-the-month contest. "I'm telling you right now, " she continued, "if you don't clean up your filthy mouth, *I* will see that you wash it out with soap."
"Yeah, you and what army?" I snarled.
"Listen, shrimp," she hissed, "I can do the job as well as it needs to be done, all by myself. I don't *like* nasty language. If your promise means nothing, then be assured that *my* promise does, and I won't permit that in my presence."
"Fine, bi . . . Penny. Head out for the garden on your own. I'll find something else to do."
"Not an option, Jesse," she sighed. "And believe me, I'd do that if I could. The physics test I had this morning fried my mind for the next week. But Miss Jane said I had to quiz you on the plants in the garden."
"I'll make it easy on you," I replied, still looking up at her. "I don't know anything about Botany. Zero. Nada. End of report."
"I'm sorry, Jesse," she said tiredly, and that part I believed, "but that's not good enough either. If that's the case, then it's obviously time you started to learn something. Let's go."
I was getting tired of being nagged at by stubborn women. Really, really tired of it. Why in hell would any guy ever in the history of the whole damn world *ever* get married twice? These shrews had made getting stuck with a woman a definite non-starter before I even tried it once! But I was too freakin' tired to argue any more, even by just being stubborn. I stood and moved to follow her with reluctance matched only by her own.
Another idea did strike me as we made our way down the hall. "Hey, Botany is like a college-level course, right? I'm just, like, ready to start high school. I don't need to know that stuff."
"Goodness, Jesse," Penny said, laughing, "are you just now catching on that Miss Jane's standards are just a *bit* higher than your typical public school? If you survive the next few years, you won't have any trouble at any college you choose to attend."
"If I survive," I muttered, but it was loud enough for Penny to hear. She just laughed. And I carefully, very carefully, remembered why I was in this madhouse in the first place. As a result, I didn't kill her for laughing at me.
At least it was a nice day. Penny started out in easy stages, explaining the higher order classifications of plants into grasses, flowers, and things before wrapping her tongue around some of the fancy Latin nomenclature. I remembered little of the basic stuff and made every available effort to forget the Latin even before I heard it.
Then we stepped around the corner of some sort of hedge thing, and a quiet, raspy voice said, "Hello, Miss Penny."
"Oh, hello Tom," Penny replied, speaking to an old guy who was squatted over some flowers.
Then he looked at me. Me, wearing a skirt. With 'cute' little barrettes in my hair, and makeup on my face. Shitshitshit. Great big gobs of . . .
I started to turn and run, but Penny had captured my arm with a grip that made me decide she might just be able to make good on her threat about soap. Smiling cheerfully she said, "Oh, Tom, let me introduce you to . . . . Jessica. She's a new student with Miss Jane."
"Pleased to meet you, Miss Jessica," he said, standing and politely tipping his scruffy old gimme cap at me.
"Tom is the gardener here," Penny said. "If you need help with plants, he's your man."
Not MY man, lady. I'm outta here. But I still couldn't get free of her arm, which was pinching my elbow in a way that made that stupid nerve bundle in there tingle most dangerously. Just a little more pressure and I was gonna regret it, a lot. I looked at her to get her to stop and she was doing funny things with her eyebrows - lifting them toward the old guy like she was trying to send me a message.
Oh, shit, all the sudden I got it. She wanted me to *say* something to the guy, who was still standing there looking at me expectantly.
"Pleased to meet you, too," I whispered, "Mister, um, . . . . ?"
"Just 'Tom' is fine, Miss Jessica," he said, touching the brim of his hat again. "Are you enjoying your stay here so far?"
Conversation? He expected freaking' conversation while I was standing there in a freakin' dress? Like Hell. But a bit more pressure from Penny on my elbow and I knew running wasn't yet on the agenda.
"It's been, um, different," I said softly. "Not what I expected."
He smiled, and said, "I expect you'll do fine. All Miss Jane's girls do just fine, after they get a chance to settle in a little."
God help me if I ever 'settled' into this asylum like I belonged here or something. That actually triggered a smile I didn't expect, as I realized that if I ever *felt* like I belonged in this asylum, it would mean I really *did* belong in one. My unintended response seemed to be a signal or something, because the smile brought an answering smile from Tom, and he shuffled a bit and looked back at his work.
Penny apparently decided I'd suffered enough, and the pressure on my arm eased just enough to take away the tingle. She still held me captive as we moved off, letting go only after we had turned another corner and were out of sight.
"Geez, girl, don't you know anything?" she sneered. "If you have a secret to hide, the first rule is don't *look* like you have a secret to hide. If you'd have just turned and run from Old Tom, he'd have *known* something was wrong."
"Something *is* wrong," I said. "This is wrong. I don't belong here. I don't belong in these clothes."
"You look like you do," she sighed. "You've been here two days, and you already look prettier than I ever will."
"That is NOT good news," I snapped.
"It ought to be," she replied. "Look, I don't know what Miss Jane has in mind for you, but if she intends that you dress like a girl, then it's a lot better being a pretty one."
She paused, then giggled, "A lot safer, too. Wait till you get out in public. If you don't pass, oh, goodness that will be a problem."
"In public?!" I squeaked.
"I'd count on it, if I were you," she warned. "Miss Jane's graduates are refined, and move comfortably among the upper crusts of society. I'll bet you get plenty of opportunities to try out your social skills - or at least the ones you're going to learn. I know I did."
"Oh my god," I gasped. I started shaking, and I had this really, really bad feeling I better find the powder room really quickly.
Penny had led us back to the house by then, and I made a mad dash for the closest bathroom. I made it, barely, but by the time I'd finished throwing up my toenails, my face, hair, and clothes were a mess anyway. At least no one was around when I finally got to the point where I could chance leaving the downstairs powder room. I snuck out of there and back up to my room to wash out my blouse and brush my teeth. Before I had found something else to wear, I heard a knock.
"Jessica?" It was Marie's voice. Apparently my good 'friend' Penny had told them of the morning's disaster. "Jessica, dear, is it okay if I come in?"
Like I had any real choice. I already found out the door locked from the outside so she could come in any time she wanted. Still, I tried. "No, please, Miss Marie. Leave me alone."
"Jessica," she said again. What was it, points for every time she could say that freakin' name? "I really can help," she promised.
God help me, another stubborn woman. I was too trashed to argue with her either, so I just grabbed a towel to hide the fact I wasn't wearing a top - like that mattered when Marie had seen me in a whole lot less the day before - and pulled the door open.
She had a tray with a sandwich and some soup on it. For a wonder, it didn't make me heave again. Not that there was anything in my stomach if I *had* tossed it. I just stepped back and tried not to look at the food.
"Believe it or not," Marie said, setting the food on the edge of the vanity, "a little food will help settle your stomach. I'll just leave this here for now."
She smiled a cheery smile and walked into my closet. "Let me just find something else for you to wear while I clean up that other blouse."
Gee, thanks. I can't wait to get dressed in *more* girly clothes.
What she found for me was actually not too bad, like it mattered when I was still wearing a skirt, and low heels, and whatever was left of makeup on my face. That was apparently the next order of business, because after helping me into a knit shirt not too different from what a guy might wear, except for buttoning on the wrong side, she pulled me to the vanity and started to work her magic on repairs. As always, new makeup beyond a quick touchup - and I was definitely beyond that - required that all the old was stripped completely away before starting over. By the time she had my face and hair back in order, I realized I had been nibbling on the fruit she brought, and was really considering the sandwich.
Marie finished with her fussing and moved to the door. "Miss Jane expects you back in her study to review your math skills this afternoon," she advised me. "When you're finished with lunch, you'll need to get a move on. I don't expect we'll be eating an early supper in any event, and time marches on."
And so it did. The afternoon session was another nightmare of questions and criticism, always forcing me to move, talk, and act like a girl even as she picked my brain on a host of topics of which math was only the most prominent. I was so tired when she finally let us break for supper that I didn't even complain when everyone called me Jessica all evening. It was apparently my turn to help clean up, assisted by Marie, and by the time I was finished I was weaving on my feet. Only newly learned habits got me ready for bed - face scrubbed, hair brushed, and wearing a nightgown that was too comfortable for words. Don't ask me how I made it to the bed itself. I'm sure I was asleep while I was still six feet away.
"I'm quite disappointed, Jessica."
Neither the words nor the tone of voice were particularly unusual, but in this particular case, I truly had no idea what I'd done. Or not done, as was the case at least as often.
"Excuse me, Miss Jane?" I said, standing from the computer. I'd started calling her that as a sort of reflex since everyone else in the household did - that or Aunt Jane, and I for sure wasn't ready to claim any kinship with the cast-iron bi . . .
At least I knew it wasn't unauthorized browsing. I'd gotten caught at that exactly once. Once out of exactly once I'd tried it, supporting my earlier expectation that I'd be under constant observation in Frau Oberfuhrer's household. I'd been avidly exploring a computer free of all the nanny blocks - only to find out that a hovering parental figure was more effective than any electronic watchdog ever invented. Damn that woman could move quietly when it suited her purpose. Of course, I had been fairly, um, involved in what I was looking at.
"If you enjoy wallowing in filth," she'd said, "I can provide you that opportunity." For the next two days I'd had to clean the stables. Before that, I didn't even know the place *had* stables, and for just a second I wondered how she'd managed to get them set up so fast, just to mess with me. Then I stepped inside the place and realized these were *not* newly built. Not surprisingly, Miss Jane had decided I should get into the spirit of the activity by wearing the proper clothes, too. Long, wool, prairie woman dress, petticoats (again), corset (of course), and bonnet. Geez, I had figured Rhode Island would be cold, or at least cool, even in August. I flat *baked* in that freakin' heavy dress, to the point I figured I smelled as bad as the shit I was shoveling. After two days of that, I was convinced it wasn't worth the risk to use the computer 'inappropriately'.
But that didn't mean she couldn't find something else to pick at me about, as she had demonstrated any number of times over the week and a half I'd been her prisoner. Usually she found something that wasn't really my fault. I mean, how was I supposed to know that baking powder and baking soda were different? At least she hadn't made me eat the stupid biscuits myself. Like I cared about baking anything anyway. Still, it was not surprising that every time I heard that unctuous more-in-sorrow-than-in-anger voice, I cringed.
"Your hair is simply inadequate," she said. "We've got an old rag mop with more life than that. And the way it hangs in your face makes you look . . . unkempt."
Boy, now *there* was a major slam! 'Unkempt.' Oh, how would I ever live it down?
Not by mouthing off. That much I had certainly learned. So I let part of my mind wander off into pleasant fantasies involving optimal methods for beating the livin' shit out of pretentious old biddies and put a plastic expression of remorse on my 'unkempt' face.
"I'm sorry, Miss Jane," I said. "I've been so busy working on this essay you required of me that I haven't had time to use that curling wand thingy on my hair since breakfast."
Oops, shit. That blew it. 'Thingy.' I was gonna catch it for using such an uncivilized and inexact term. Bet she was gonna use those very words. Being 'uncivilized' or 'inexact' was right up there with being 'unkempt.'
"I *do* hope, Jessica, that you are not using such inexact (Bingo!) words in your essay. I'm sure that Sir Isaac Newton was more precise in his formulations than that."
"Yes, ma'am, I mean, no ma'am, I mean . . . " Damn, that woman had the ability to tie me in knots just any freakin' time she wanted to. And every freakin' time she did, that look of smug confidence danced in her eyes. God, I'd like to find a way to wipe that look off her face — preferably with something heavy.
"Regardless," she continued, "we have already discussed the requirement to keep your appearance smart and attractive, even when time is limited."
Now *that* was something I couldn't argue with. We'd discussed the damn topic, all right. Over and over again. I could remember when I'd change my freakin' clothes once a week whether I needed to or not. In this madhouse, I ended up changing half a dozen damn times every damn day. All with 'time' very much 'limited.'
"However," she said, "there are things that can be done to make that task easier, and perhaps it is only fair for those techniques to be available to you."
Uh, oh. The stench of something rotten was heavy in the air. Whenever she made it sound like she was doing me a favor, I was headed for deep smelly shit.
"A pretty girl like you deserves pretty hair," she observed, lifting one of the strands that hung by my face. "Perhaps some lighter highlights, perhaps . . . well, we'll let the experts decide."
Oh, yeah, like *that* made me feel better. 'Pretty' was NOT on my list of desirable attributes. Of course, the old witch knew that. And she knew that I knew that she knew, which is why she said it. Never a wound that wasn't worth pouring a little salt in, right?
"I, um, if you say so, ma'am," I said. "But I can't get the wig off by myself." Lord knows I'd *tried*. "Do you, or, um, does Miss Marie have some sort of solvent I could use?"
"Whatever are you talking about?" she asked with artificial wonder. I could see the truth lurking in her eyes even as she spoke, though.
"You can't, I mean, I can't go out looking like this," I said. "If you want to do something to this wig, then fine, take it and get something done. But I'm not going anywhere."
"Of course you are," she said grandly. "It's not good for a young woman to be cooped up all the time inside. It's a pretty day outside, and I'm sure you'll enjoy some time off from your studies."
My throat had totally stopped up, and it took me a long moment to get it loose enough to choke out an ultimately useless denial. "I can't. I . . . nobody can see me like this."
"Why, Jessica, you know that's not true. I've seen you. Miss Marie has seen you. Penny has seen you. I understand even old Tom has seen you. Whatever is your problem?"
"But, I mean, you know about me already. You *made* me do this. People on the outside wouldn't, I mean, they might think I, like, wanted this or something. That is *so* not fair!"
"What is unfair about a young woman wanting to look nice?" she asked. "It's rather charming, actually. So few girls pay proper attention to grooming nowadays."
"Because I'm NOT a frea . . . . not a 'young woman'," I said, struggling hard to keep my voice from dropping back into my normal tones — or rising into a screech.
"But they won't know that, will they?" she asked, silky menace in her tones. "Unless you let them know by behaving like the nasty, undisciplined boy you were when you came here. It will be up to you to keep yourself from becoming a spectacle."
There was a challenge in her eyes that dared me to refuse to go along. I knew she already had some 'punishment' in mind. She always did. And, after the stable incident, I couldn't begin to imagine what it might be, except that it would undoubtedly be worse than doing what she wanted. This was all *so* unfair. Shit, even if I had, um, over-reacted a little a few times, I'd had provocation. The lawyer had pointed that out. Nothing I'd done gave her the right to . . . to hold me up for public ridicule like some damn Puritan or something.
But I had no freakin' clue what to do to get out of it. I was still looking for her to make some blatant, no-excuses, get-me-out-of-jail mistake that I could use even with that man-hating Judge Ruth. But other than making me wear girl's clothes — which Judge Bitchy would no doubt find highly amusing — she hadn't done anything these dinosaurs would consider improper. I wore clean clothes, ate good, wholesome food, helped with chores, studied my schoolwork.
Hey, maybe that was the answer! If I got out in public, I mean, not like on TV or anything, but sort of public, maybe she'd make some sort of mistake. Things in the real world couldn't possibly be as controlled as they were in the old mansion. If I did it right, I could avoid getting exposed as a boy in girl's clothes. Then, with public evidence of her mistreating me, I could, well, escape or something. I could cut off my hair even if the base of the stupid wig stayed glued on, and I could, like, steal some clothes, and once I was back to looking like a boy, I could go to the cops. Local cops, who could talk to witnesses who weren't in the old bitch's pocket and maybe I'd never even end up back in Judge Ruth's court at all. On the other hand, if I just ran away — after I changed back to looking like a guy, of course — then it would be my word against hers, and no doubt Marie and Penny would back her up. Okay, so I'd go along with her, but just as soon as she made one freakin' mistake of the sort that witnesses would say was unjustified, then I'd be on my way outta the asylum.
All that thought took only a heartbeat. I still wasn't looking forward to going out dressed in girl's clothes, but it might be a price that would pay dividends later. After all, it wouldn't be the first time I'd been laughed at, and I didn't figure even Miss Jane would let someone pound on me for it. Of course, in the meantime I'd have to look like I was playing her stupid game or she'd figure out what was going on. The old bitch was sharp, that much I'd give her. But nobody's perfect. Once we got a few more players in the game, her control would slip and that would be my opportunity.
"What do you want me to do?" I asked softly, trying to portray total surrender.
"Go tell Miss Marie to provide you with a suitable purse, and I think Penny will enjoy the day out, too, so tell her to come along. I'll make the other arrangements." She didn't gloat — quite — but there was a lot of satisfaction in her tone when she replied.
Well, eat me, bitch! We'll see who laughs last. All I said though, was, "Yes, ma'am." I was worried about those 'other arrangements', but there wasn't much I could do besides go along, at least for a while.
About an hour later, we were walking into the 'Marisha Chalet'. Why they felt justified in calling an old dump that never saw a mountain in its life a 'chalet', I'll never know, but I don't suppose they felt obligated to abide by my opinion. The dump was clean, of course. I couldn't imagine Miss Jane going anywhere, ah, 'unkempt', but it smelled nasty with all sorts of chemicals that made my eyes water. Like I said, a dump.
I was sporting a newly assigned purse over my shoulder, which was not the highlight of my life. I hadn't exactly been afraid to look inside. I mean, I knew there wouldn't be any snakes or whatever in there, but what I might find would undoubtedly be just as bad. My familiarity with what girls carried in their purses was extremely limited, but one time a girl at school had dumped hers, and some of what I saw in there was, well, I mean girls have, um, special needs, y'know, and I didn't even want to know if 'my' purse had some of those sorts of things in there. And I'm not talking about makeup and tissues.
My one attempted stall tactic had not worked at all. I had been wearing a simple cotton skirt that day, and a polo shirt in a steel-blue color that Marie swore matched my eyes. I couldn't see it, really, because I'd always thought they looked more gray than blue, but whatever. Of course, I had on pantyhose and low heels. I figured Miss Jane would require that I wear a nicer outfit, a blouse at least, so I had offered to go change. But she surprised me when she refused. It was obvious it had not been a spur-of-the-moment decision to go to town when I found Penny dressed much like I was. Not exactly the same - that would be too obvious - but denim skirt and knit top, only hers was dark wine-red and had a fake turtleneck collar. I had to admit, that dark red looked really good next to her black hair. In any event, I didn't manage to waste any time changing clothes, so we were out the door and into some town called Kingston as quickly as Miss Jane could toss that cool Audi around the curves.
When we walked through the door to the salon, there were a couple of older women — thirties at least — hanging around the receptionist's station. One of them, dark-haired and slender, smiled and held out her arms to Penny.
"Penny, dear, it has been entirely too long."
"Nice to see you, too, Caro," Penny replied. They hugged like long-lost sisters or something, then the woman looked expectantly at Miss Jane.
"Carolyn, this is my new student Jessica. As you can see, she needs some serious help with her hair, and I think she should get a makeover, too."
Carolyn, or Caro, nodded and looked over at the other woman, a, ahem, 'zoftig' blonde with a sort of, I don't know, predatory gleam in her eyes.
"Sandy, do you mind?" she asked casually.
"Not at all," the blonde — apparently 'Sandy' - replied. She looked at Jane, got some sort of approval, and then looked at me. I was beginning to wonder if anyone was going to pay attention to me at all — not that I was hoping for that, you understand. But I was getting irritated at being treated like part of the furniture or something.
Some manners must have returned to Miss Jane, too, because she turned to me as well and said, "Jessica, this is Sandy. She'll be taking care of you today. Now, you be good and do what she says."
Yes, mommy. I didn't say it, but that patronizing tone did *not* reduce my irritation. Just as I was turning away to follow Sandy, I caught another glance between the two of them, and I realized it was all another of the Iron Bitch's little ploys to keep me off balance. I should have known it immediately, since her manners were always perfect unless it was for a purpose. Then I really felt like a sucker as I realized I'd actually picked up enough on manners to realize I'd been treated rudely in the first place. Some of that shit was rubbing off on me, and it felt just as repulsive as the real stuff — with which I was *way* too familiar after my time in the stables.
One thing that was definitely not repulsive was the tush on the woman I was following. She was older and all, but not all women fall apart at 30, by demonstration. Her curves were displayed very nicely in tight black jeans, making it clear to me why my own panties were padded. That woman definitely did *not* look like a boy from behind. Her cream-colored knit top fit, ah, closely, too, thank you very much. When I first saw her, I had carefully not noticed that the front of that top was scooped out a long ways, revealing that there was plenty of woman on that side of her as well.
She led me back to a workstation cubicle that was high enough I couldn't see the people on either side. That meant they couldn't see me, either, thank God, so at least I was spared that. But the cubicle was short enough that Sandy could talk to the women in the next area. She proceeded to do that, ignoring me as completely as if Miss Jane had indeed just sent my wig in without a live body under it. The smells got worse as she surrounded strands of 'my' hair in bits of paper and then wrapped it on little twig things. Then she squirted really nasty-smelling stuff on it and wrapped it in a bag. That was apparently only stage one, because I was stuffed under a hair dryer, given a magazine of absolutely zero interest, and ignored again.
Just about the time my brain was fully fried, she was back. Yanking the little stick things out woulda pulled any real hair out by the roots, but no such luck with the thing attached to my head. It hurt about like getting real hair pulled, but I didn't see any falling to the floor.
Part of that was because I wasn’t looking at the floor. Sandy was moving all around me as she worked, and I was acutely aware that her top was really soft, and really thin. Confession time, I guess. Despite being a red-blooded American teen-ager, I'd never actually been with a girl. Hell, I'd never even kissed one, let alone felt one up. I mean, babes do not exactly line up to throw themselves at scrawny orphans without a dime to their name. So when I felt this Sandy's tits rubbing on my arm, I noticed. I hope to tell you I noticed. I noticed that they were not at all what I expected. The way they felt, I mean. Sandy's tits were really soft, squishy soft, but resilient, too. They sort of . . . squirmed on my arm when they rubbed on it. I was trying like hell not to be obvious, but Geez, . . . I could see the little bump of the freakin' nipple! And I could feel it, too, when she moved just right. And when she leaned over me from the front, she practically stuck my nose down the scooped out part of her top, and I could see not only lots of cleavage, but most of her damn bra!
"Okay, sweetie, before I comb that out, lets take a look at your face," she said suddenly. I jerked, guilty because of what I actually *had* been taking a look at.
When I raised my eyes to meet hers, she was smirking with that nasty little predatory smile. She looked quickly to both sides to make sure we were alone, then whispered, "I *do* like your nose job. When are you gonna get your boobs done?"
"What?" I gasped, drawn by her tone into a whisper voice as well.
"It's obvious you've had some work done on that cute-as-a-button nose," she said. "And I figured a sweet little sissy boy like you just couldn't wait to get boobs of his own."
"What?" I repeated, my voice squeaking up into a range I didn't have to fake. "What did you say?"
"Oh, please," she sneered. "It's obvious you're a boy who wants to be a girl."
"No, I'm . . . "
"Don't even try," she interrupted me. "I'm an expert. You're not the first little sissy boy I've worked on, even if you are about the prettiest. Not that Jane . . . "
She interrupted herself, then looked sharply at me. "Jane doesn’t know, does she?"
"Know what?" I asked breathlessly.
"Know that you really like this stuff," she said. "I'll bet Jane thinks she's punishing you by letting you dress like a girl."
"She is, I mean, I don't . . . "
"I told you about trying to lie to me," she hissed. "Don't try to tell me you don't get turned on by this. I'll bet if I slipped my hand up under that snug little skirt, I'd find your little tool is ready to burst right out of your panties."
"It is not, I mean, that's not . . ." Shit! I *was* aroused. But it was because she was rubbing her tits on my arm, and the way she looked and all, not because I *liked* wearing the clothes!
"Shall we find out, sissy boy?" she said, reaching for the hem of my skirt.
"No!" I hissed desperately.
"Tell me your little thing is not hard right now," she challenged. Then before I could say anything — not that I woulda known what to say anyway — she said, "Ha! Don't bother. I can see on your face that I'm right."
She leaned back and looked toward the front of the salon. "Let's go tell Jane the truth, shall we?" she said. "Let's tell her that you're a little sissy boy who really loves his pretty face and pretty hair and pretty clothes, shall we?"
"No!" I whispered, hearing the begging in my voice but unable to stop it. "I'm not . . . "
"Listen, pretty boy," she hissed, getting right back into my face. "You're not getting away with a lie. Now, either you admit to me that you're aroused under all your finery, or we go find Jane right now."
"I . . . am."
"I'm going to do you a favor," she said, as though my forced confession deserved some sort of reward. "I'm going to make you look absolutely fabulous." She laughed her vicious little laugh and said, "After all, it would be a shame to waste that gorgeous nose job. And then you're going to ask Jane for permission to join my makeup class."
"M. . makeup class?"
"You heard me. Several of the girls in town get together with me on Wednesday afternoons to practice makeup techniques. You're going to be one of us, one of my models, in fact. Aren't you thrilled?"
"Model? No, I couldn't . . . "
"Your choice, sissy, but if you don't, I'll tell Jane right now that you get all aroused by the thought of being in a beauty salon, becoming as pretty as you can be."
"No, you can't . . . "
"Just watch me," she snarled, turning to go.
I caught her arm and said, "No. Please don't do that."
She looked at my hand on her arm and glared, "You got two seconds, pretty boy. Either take your hand off my arm and agree to be my model, or lose it at about the wrist, after which I tell Jane your little secret."
"I'll . . . do what you want," I said softly. "But I'm not . . . not really . . ."
"Yeah, right," she snapped. "Tell it to your little toy, not me. I'm not the one all hard and eager."
She moved back in front of me and said, "Okay, since you'll be back for my class, I'll just do a simple daytime look for now. Pay attention, because I assure you, there *will* be a test later when all the girls are here."
She wove a freakin' spell of sorcery around my face and hair, transforming what I had already been forced to admit was a cute appearance into something that was no-shit awesome. I hated every freakin' trick, every delicate touch, but I couldn't deny her artistry, nor the effectiveness of her techniques. I lost track of time, but eventually she stepped back and I could really see what she'd done.
In the mirror was a goddam fox! I mean, I'd seen prettier girls, even in real life. The face in the mirror wasn't some impossible robobabe from TV. But I sure as shit hadn't seen very damn many who were prettier, and if I'd'a been told even a single freakin' one of them had been a boy under the magic, I'd'a kicked some serious butt for the insult that somebody would think I was stupid enough to believe it.
Sandy had made my eyes look freakin' huge, yet so natural I only knew it was artificial because I'd seen it being done. The only place where I was obviously wearing makeup was on my lips, which looked so full and pouty that I wondered if I was having a freakin' allergic reaction to something she'd smeared on them. Needless to say, the damn hair that had been the reason — or excuse - for all this shit no longer looked lifeless and limp. Thank God it wasn't wrapped up in tight little Shirley Temple curls. In fact, like the makeup, in some ways it was hard to tell anything had been done to my hair, yet it seemed to have five times as much volume and the color was a warm honey-blonde that was freakin' spooky, since I swore it wasn't much different than before, but it was, like, molten gold.
"Okay, pretty boy, let's go," she ordered. I didn't see much choice but to follow the bleached-blonde bitch, but she paused to hiss in my ear as we headed for the front. "Remember, sissy, when we get up there, you ask Jane for permission to attend my makeup class, and you ask real sweetly. If you don't, I'm going to pull your skirt up and show everyone in the place what you've got hiding in there. And tell them how much it turns you on to be here, dressed like that."
I felt my damn eyes filling up again, and I wasn't sure I could even speak, but she noticed that, too. "And don't you dare cry, sissy boy, or I'll guarantee the whole town knows about you — and your desires."
Somehow I choked back my tears by the time we got to where Jane was waiting. She and the other women oohed and ahhed about how cute I looked, like *that* helped any damn thing. Sandy let it run for a while, but at the first break in the chattering I felt her hand on the back hem of my skirt, slowly starting to lift it.
"Miss Jane," I blurted, startled by the touch of her hand on my leg — and knowing I was having another reaction as well to the teasing caress. "Miss, um, Sandy said she's got a, um, makeup class, and I was wondering if I could, um, go to it?"
"Why Jessica," Miss Jane said, "I'm surprised you want to do that, but I must say I'm pleased. Of course you can attend Sandy's class, if it means so much to you."
Yeah, like having a freakin' leg amputated. It would certainly have a lot of meaning in my life — none of it good. I noticed Penny was frowning, and then she stepped forward.
"Miss Jane, may I attend this class, too?"
"You don't need to come, Penny," Sandy said quickly. "You're quite good at doing your own makeup."
"If you don't mind, please," Penny said politely. "I would appreciate the refresher. Since Jessica is going to be attending anyway, it won't be much bother for me to come too, will it?"
"No, of course not," Miss Jane said briskly. "We'll see you tomorrow afternoon, Sandy, and thank you for generously offering to let my students attend your class."
That was apparently a signal or something, because the chatter transformed into good-byes. "Come along, girls," Miss Jane said, looking at us after a no-doubt exactly proper amount of time for politeness. "We've just got time to get home for supper."
Which was true, I suppose. Not that I could eat anything. In a truly perverse way I guess things were improving, because I managed to get all the way to my own bathroom and out of my clothes before hurling into the toilet anything I'd even thought of eating since I'd arrived at Miss Jane's house of horrors.
If someone had told me that I'd rather stay 'in school' with a demanding teacher than spend the afternoon with a bunch of pretty high school girls, I'd'a laughed in his face. If they told me I'd be gratefully wearing a pink satin blouse, I'd'a . . . well, I'd'a done the sort of thing that got me into that mess in the first place. But I *was* grateful to be wearing a blouse, pink satin or not, because it was almost like a real shirt rather than the overly-frilly confections that Miss Jane normaally demanded. Even fully buttoned the damn thing was still open *way* too low for my peace of mind though, almost to where it would show parts of me that weren't really me, if you get what I mean.
Of course, Miss Jane thought she was doing me a favor. I had been 'allowed' to choose my own clothes this morning, from candidates that ranged from bad to really, really awful. Miss Jane was adamant that one wore 'outfits' not just clothes thrown together at random. But, like, what sort of choice is it when the options are a powder blue miniskirt, or a way-too-fragile white knit that wouldn't stay clean for as long as it took to get out the door? I picked the mini, of course. I knew it wasn't really all that short by high school babe-ette standards, but that didn't make me any less conscious of the breeze that swirled about my, ah, legs. I had learned enough to realize the implications of my choices, though. If I had worn the longer knit, even aside from the impossibility of keeping it clean, I'd'a been wearing heels and something a lot more fragile for a top as well. 'Little Miss Priss', for sure, and not at all compatible with what I expected the other, um, the girls to be wearing. At least with the pastel miniskirt I could wear flats and a regular sort of blouse - even if it was pink.
When I saw Penny, though, I figured something was up. She was also wearing a miniskirt, but hers was white leather instead of my blue gabardine, and she had on a white off-the-shoulder peasant's blouse that showed a lot of skin. Not that ones first impression was of her shoulders. Damn that girl had a lot of leg. But I didn't understand why she was wearing something so, like, noticeable. That white outfit made her dark hair look *way* dramatic, and with all those legs, well, she was bound to draw attention. Not that I, y'know, cared, except that if something looked like good news, there was probably a hook in it.
I cautiously started looking for the trap. "You look, um, really good," I told her.
"Thank you," she replied politely, tugging at her own inadequate hem. "You look really nice, too."
"Oh, thanks," I said. "Um, Penny, why are you, y'know, doing this?"
"Doing wha. . . ?" she started, the smiled a sad little smile that didn't look very happy at all. "I'm sorry, that was unfair. We both know you're smart enough to figure out that we're not in for an especially pleasant day."
"No, sh . . , um, no kidding. And you don't have to do this, so . . . why?"
"Because Sandy is a caustic, cruel, hateful . . ." She interrupted herself again, visibly forcing herself to regain control, even to the classic deep-breath-and-let-it-out-slowly trick. Resuming as though she was just then answering my question, she said, "Because Sandy can be . . . stressful to those who are not . . . used to her style. I am. At least as much as one can be, I suppose, and I figured you could use the reinforcements."
"Yeah, right, like she could possibly be any worse than Miss Jane," I said, snorting.
"Oh, yeah," she breathed out slowly, painful memories lurking in her eyes. Then she squared her shoulders and said, "Besides, once Sandy gets done lecturing on our faults and what to do about them, she'll expect us to practice on each other. If I'm your partner, then there is less chance some other girl will notice, um, . . . things you don't want her to know."
Now *that* was a compelling argument. I didn't know what hold Miss Jane had on Penny, beyond the suicide-watch thing that looked to be pretty much over. But if she wanted to help me keep a secret I for sure did not want out, then I wasn't going to argue.
Marie had some shopping to do, so she drove us into town. When we entered the salon, the other woman - Caro, I think her name was - directed us to a room in the back. There we found Sandy and half a dozen really hot teen-age girls, and the fact I fit in with them was *not* a happy thought.
"Good," Sandy announced, "now that you're here we can get started. Let's see, Penny, you already know the basics, so why don't you sit over there and we'll start with your friend?"
Oh, goody for me. Penny shrugged and touched my arm lightly as a sort of, like, gesture of togetherness or something, and though I felt really isolated right then I appreciated the thought. Sandy directed me to a stool, way too high to sit on in that little skirt, but I tugged it down as best I could and resigned myself to the inevitable.
Sandy started in lecture mode, posing me like some store dummy with tugs on my shoulders and a lift and twist of my head until my damn neck felt stretched out by several inches. "Okay, class, this is Jessica. Now, what would we consider her best feature?"
"Her eyes," someone said, a strawberry blonde with surprisingly dark eyes herself. That got a chorus of agreement.
"Good choice," Sandy said. "Blue-gray eyes like . . . hers can seem to take on a variety of colors. So, what color should we use for her eyeshadow?"
"Brown-to-gold," suggested Penny, and I was surprised because I didn't think she'd play along with the game.
Then I found out she was indeed playing the game, but on my side. "Oh, pooh, Penny, you're no fun," Sandy pouted. "You've already been through this."
"Why not use blue, or gray?" asked another blonde, this one with blue eyes - and a lot of blue eyeshadow.
"In some cases, you could do that," Sandy said, "if you really wanted to bring out a particular color tone, but in general it would tend to reduce the impact of her own eyes."
She stood back and looked at me critically. "And what would we consider her *least* attractive feature?" she asked, then interrupted any answer with another comment. "Aside from a certain . . . lack of development, of course. She is indeed a *little* girl, I'm afraid."
Afraid, hell. She enjoyed it. The bitch was laughing at me, and for a fault that wasn't any damn fault at all. I was about to call her on it, not that I had any damn idea on how to get her to back off without revealing something I still wanted to hide. But my response was itself interrupted by another suggestion from Penny.
"It's probably her lips," Penny said.
Sandy sighed, and frowned at the tall girl. "You're right," she admitted. "Well, let's get started."
The first step was to clean off everything that was on my face, of course. Even I knew that. In face, there was a little scramble around the sinks as the whole class stripped off what had no doubt been collective hours of work. I heard a bunch of shouted names in rapid-fire introductions, and immediately forgot them all. The class divided up after that, using each other as easels to try out what Sandy was demonstrating on me. Penny was the odd girl out, and believe me, I'd have gladly traded places with her.
I had already been through a lot of what Sandy was doing, but that didn't mean I remembered much of it - like I wanted to anyway. She had started out with a basic approach that could be used during the daytime, but also provided the foundation for a more glamorous look for evening. Or so she said. I wasn't feeling particularly glamorous. What I was feeling was again driven more by the close proximity of her own . . . development, which had been rubbing on my arm again. She wasn't, like, gross or anything, but she definitely wasn't a 'little' girl, either.
"Why, Jessica, you're blushing so much I can't tell if we have your cheeks right or not. Now, why could that be?"
I sure as hell couldn't tell her the truth on that, so I just tried to duck my head. That didn't work because her hand caught my chin and pulled it right back up. She wagged a finger in my face and said, "Have you been thinking naughty thoughts? I'll bet you're thinking of how much your boyfriend is going to like your new look, right?"
Boyfriend?! She *knew* that wasn't true. Or . . . maybe she thought it *was* true! She said she thought I *liked* all this sh. . . stuff. I blurted out a denial so quickly I didn't have time to think of what she might say next.
"I don't have a boyfriend!"
"A pretty girl like you, and no boyfriend? Why, that's not fair! What do you say, girls, should we fix Jessica up with someone?"
The blonde with the too-blue eyeshadow, or at least the girl who *had* been wearing too much blue, piped up with a, "My brother will be ungrounded in a week or so, and his old girlfriend broke up with him because . . . well, they broke up. He's available."
"There, you see, Jessica? All you have to do is ask your friends when you need help."
Some friends. This was starting to get past irritating and into . . . well, into bad things. My stomach was churning again. And I didn't figure my cheeks were any less hot now than before she made an issue of pointing them out. From the inside, they certainly felt like they were burning just as brightly.
Sandy leaned forward to whisper in my ear, "So, tell me, pretty Jessica, does the thought of a boyfriend make your little tool hard? Hmmm? If I were to flip your skirt up, what would we see?'
Oh, God, I was gonna hurl!
"Miss Sandy?" Penny's voice broke in. "Could you show me that trick to bring out cheekbones again?"
"Huh? What?" Sandy said, startled. She looked back over her shoulder and said, "Oh, Penny, you don't need any help there. Your cheekbones are fine."
"Well, um," Penny stammered, "after we, uh, finish here, I might, um, be able to help Jessica a little, maybe."
"Oh very well," Sandy said grumpily. Then her eyes lit with that predatory gleam again, and she said, "Why don't you change places with Jessica? You can be my model for a while, if you're so interested."
Penny nodded, that sad smile on her face again. God help me but I didn't really care. All I wanted was to get away from that woman before I *did* blow chunks all over both of us. We switched places, and Sandy called the group to attention again.
"All right, class, we're going to look at Penny now."
The other, that is, the, um, girls settled into their seats - most looking comical with partially completed makeovers, some of which didn't match right to left on their own faces - and Sandy started in on my sole schoolmate. "What would we say is her best feature?"
"Her cheekbones," someone called, a girl with way too much, way too sable hair. Her name started with a 'B', I thought, but I didn't remember. She continued, "She's got killer cheekbones. I wish my face were that striking."
"Very good. And her worst feature?"
You know, just asking that question was . . . cruel. I mean, we all have features that are not as desirable as others, but to hold them up for such brutal inspection was . . . harsh. I had felt like sh. . . felt bad when it was me in the spotlight, but it wasn't much better to see Penny up there.
"Come on, class, if you're going to fix what's wrong, you have to be able to see it."
"Maybe her, um, nose?" the strawberry blonde offered diffidently.
"Yes," Sandy replied. "I think so, too." Then she smirked and said, "Aside from her own lack of . . . development that is. Goodness, I'm beginning to think Ms. Thompson doesn't feed you girls enough out there. In any event, since Penny hasn't had a nose job, like Jessica, we'll have to do the best we can with . . . "
She was interrupted by a buzz from the room. "Jessica had a nose job? . . . Geez, I wish my parents would let *me* have some work done. . . . *You* need it. . . I do *not*!"
The last triggered a crystal waterfall of giggles as each girl pointed out what the *other* girls needed in the way of improvements. There were three silent voices. Sandy, who was amused but largely indifferent. Me, who was trying to find someplace to hide. And Penny, who looked shocked, but I couldn't really figure out the reason. I knew it wasn't because of some embarrassment about the shape of her nose, though. It wasn't that kind of shock.
Finally the sable-haired girl looked at me suspiciously and said, "Did you *really* have a nose job?"
I ducked my head, but I suppose that was answer enough. She continued, "But why? You're really cute. I can't believe you needed anything like that."
"It, um, got broken and had to be, um, . . . fixed.
"How?"
"I suppose you could say it was an accident, right?" Penny interjected.
"Um, yes, something like that," I agreed, thankfully.
"Well, it turned out wonderfully," Sandy said, regaining control. "It's too bad Penny didn't run into the same door. Now, for her . . . "
Sandy ruthlessly pointed out the flaws in Penny's face, flaws that I was just beginning to be able to see. It was surprising, really, but Penny wasn't all that cute. She had a lean elegance that Sandy maximized, but I guess I wouldn't have put her among the typical cheerleader crowd. Yet I remember being impressed with her looks when I first saw her. Now that she was sort of, like, exposed, she seemed barely average.
"Oh, my, look at the time," Sandy said, interrupting her lecture. "Girls, you just have time to clean off the practice things and get ready to go. Next time, we'll focus on Jessica again, and get her ready for her big date."
Not on a bet, lady. But I caught a warning glance from Penny and didn't say anything. Sandy actually helped her finish up her face, and I hadn't done anything after I escaped from her clutches, so we were the first ones to be ready to go. We slipped out of the back room as quietly as we could, finding Marie's wagon idling at the curb.
"You look nice, girls," Marie said as we slid into the car.
"Thank you, Marie," Penny said automatically. I was still distracted from the funny things that had been going on at the end of the class and it took a nudge from Penny to get my mind back in the present.
"Oh, yes, thank you Miss Marie," I said.
"Don't tell Miss Jane," Marie said confidentially, "but what do you say we go get an ice cream cone before we head back to the house?"
Penny nodded, again being polite more than showing real interest. Even that was more than I could manage. My stomach was still roiling and I was afraid the ride in the car might be a problem. But Marie's cheerfulness didn't leave any room for debate, and we soon found ourselves walking into a little treats parlor.
"Try the frozen yogurt instead of ice cream, if your stomach is upset," whispered Penny in my ear. I smiled thanks at her, and took her suggestion. It helped, and by the time we were ready to get back in the car I was feeling normal. Well, as normal as I ever felt, considering that I was wearing a skirt, and a bra, and had long hair swirling about my shoulders.
We were, ahem, 'privileged' to dress for dinner that evening, and it was no surprise there wasn't enough time to get ready. Call me paranoid, but I had a feeling Marie had been told to keep us away until we *would* be rushed. What really chapped my . . . um, bothered me was how Marie could hover while I got ready - tightening my freakin' corset even further than usual - then still manage to arrange a formal meal at the same time. Miss Jane, on the other hand, had clearly been born elegant and needed no special preparation. As we entered the dining room, long skirts swirling around our legs (and was that better or worse than a miniskirt?), I actually had to snicker at an image that came to me. Imagine Miss Jane needing to do something *casual*, and being as stressed out at dressing down as I was at dressing up. Ha! It'd serve the bi. . . woman right.
"My, Jessica, you seem to be in good spirits this evening," Miss Jane observed.
"Ah, yes, ma'am, I guess so."
"Would you care to share what you find so amusing?" she challenged.
No. Well, yeah, actually, but the price for poking fun at Miss Jane would be more than I wanted to pay. Not that refusal was really an option either, though. Think fast! "It's that, um, I think I might, ah, enjoy the meal. My stomach was a bit upset earlier, but thanks to Penny, I'm feeling better now."
"Indeed? Well, then thank you, Penny, for doing your part to make this meal a pleasant one."
"It was nothing, Aunt Jane," Penny claimed modestly. Her words tweaked my conscience a little. The bit about the yogurt might have been no big deal, but she had helped me avoid the worst of Sandy's torture - by taking it on herself. In my heart,, I had to admit I had been very close to losing it when Penny had intervened.
Despite my resurrected appetite, the meal was not as pleasant as Miss Jane's comment declared. The food was excellent, but have you ever tried to eat when your middle is squeezed so tight you can't breathe, in a corset so stiff you couldn't relax even if it were permitted, all the while carrying on an in-depth, fast-paced conversation on current events? No opinion, certainly no political opinion, at Miss Jane's table was ever wrong. But the converse of that was that no opinion was ever automatically right, either. Faulty or poorly expressed logic was ruthlessly vivisected, all the while accompanied by smiles, by light-hearted, airy tones of voice, and by graceful though demurely restrained gestures. (Those are exact quotes, by the way, otherwise I wouldn't know a gracefully demure gesture if it bit me in the . . . ahem.) I swear, that woman could use a raised eyebrow like a rapier, not saying a bleeping word but making me feel like I should voluntarily resign from the gene pool. I was flat exhausted by the time the meal was over - mentally and physically.
Finally, she placed her napkin carefully beside her plate and said, "Well, that was stimulating. However, today's excursion has probably put you girls behind in your homework. I suggest we let Marie clear the table tonight - you don't mind, do you Marie? - and you can get in an hour or two of studying before bedtime."
"Yes, ma'am," we replied, rising like good little marionettes. Nodding politely to Marie, we escaped to our rooms.
It was an escape in more ways than one, thanks again to my one-and-only schoolmate. I had stripped out of that fragile dress and the killer heels before the door was completely closed, but getting out of that bleeping corset was not something I could manage on my own. I'd tried. Believe me, I'd tried. Sighing as much as I was able, I put on my robe, grimacing once again at the cotton-candy sweetness of the thing, and tried to get into my studies. But it was not working out. It had been a hel . . . been a memorable day - not pleasant memories, but memorable - and I was having a hard time concentrating. Finally, I decided I needed to do something else, something to relax, and there was no doubt in my mind what would be most relaxing. The question was: how did I go about it?
Well, there were three options. One was out of the question. One was, ah, highly questionable. And the third was . . . possible. At least, it might be after what had happened that day.
I slid my feet into my mule slippers and walked the few paces down the hall. Knocking on the door, I held what little breath I had, wondering what reception I'd get.
"Just a minute, please," Penny called from inside her room. In not much more than that, she was opening the door and inviting me in. "Jessica! I'm surprised to see you, but you're welcome."
"Um, thanks. I hate to bother you but . . . "
"Would you like a little help with that?" she asked, pointing at my nipped-in waist.
"Girl, you are a lifesaver!" I agreed.
"Been there, needed it done," she said diffidently.
I fumbled with the buttons on my robe, then dropped it so that she could reach the laces I couldn't reach myself. It as only then that I realized I was standing there in my underwear with a young lady. A very attractive young lady.
"Oh, um, I, uh, we shouldn't . . . "
"Don't be silly," she said. "I promise you, I will not drag you kicking and screaming to the bed, just because I see you in your scanties. Though I must say, they look a lot better on you than they ever would on me."
"That is not, like, good news," I said, still blushing and trying to keep myself turned so she couldn't, y'know, see anything.
"Why not?" she asked, tugging on the complicated knot that Marie always tied. "You're cute. You should try to look your best."
"Yes, Miss Jane," I replied.
"I'm not Jane," she said quickly, sharply.
"Not a bad imitation," I persisted. "You both have that air of . . . supreme competence. Poise, I think it's called, not that I would know from personal experience."
Just then the laces gave and I took my first deep breath in, like, days. Or at least since that morning. Actually, Marie never tied the corsets all that tight, though I complained every chance I got. But the da . . . darn things were so frea . . . very stiff that I still couldn't take a deep breath when I was laced down.
"Is there anything else?'" asked Penny, flatly. It was obvious she wasn't really curious. Something was tweaking at me again about her tone of voice, but I couldn't quite figure it out.
Something more significant was bothering me though, so I turned around and looked closely at her, forgetting for the moment my own appearance. I could still see the faults that Sandy had pointed out so unrelentingly, but I could also confirm my first impression that Penny was a nice-looking girl. Then I blushed again, worse than ever, as I sort of, like, absorbed the whole thing. There I was in my underwear- Hell, in *girl's* underwear - with a girl. A girl who knew I was really a guy dressed in girl's clothes.
I stepped back and fumbled with my robe again. Fastening up that pink sugar confection was never so welcome. Penny looked amused in a distant sort of way, but she just waited patiently until I managed to get myself together again.
"Penny, please, can we talk for just a minute?"
She shrugged, and pointed at the seating area in her own huge bedroom. I used the time while we took those few steps to compartmentalize a little, burying my own . . . situation in the issue of Penny's strange appearance - or maybe that should be my strange perceptions of her appearance.
Penny's attractiveness - and part of me was *still* insisting on sending me signals about being nearly undressed in a girl's bedroom, which made denial of her attraction pretty stupid - wasn't because of her features, really. She really was only average there, with eyes that were kinda small and too much nose, and . . . . other things. But she *was* attractive, and the reason was because of a regal dignity that made her . . . serene. It was poise, mixed with sophistication, and an almost inhuman self-control that lifted her onto a pedestal that she carried with her. It made her distant, but a challenge at the same time, a prize to strive toward. And it wasn't dependent on conventional prettiness at all. She truly was the grand lady in the carriage, junior version, but the rest of that image in my mind was that she was all alone in that carriage.
That . . . loneliness reminded me of another issue, the real issue. "Why did you go to Sandy's with me today?"
"I told you," she said. "I'm used to her little games and figured I could handle them better than you."
"Why bother?"
She almost flinched at that. I mean, she did flinch, I guess, but it was more a . . . settling, as though she had sagged in her seat for a moment, then stiffened again.
"Why not?" she asked quietly, not looking at me.
"Because you ended up in an embarrassing situation, and you knew you would, and you don't owe me a da . . . darn thing."
"No," she said, very softly, not much more than a whisper, "I don't suppose I really do owe you much."
There had been a faint but unmistakable emphasis on 'you', meaning me, in that. So who *did* she owe enough that she'd take on ridicule intended for someone else?
"What does Jane have over you?"
"What?"
"What sort of leverage does Jane have on you, that would make you do things that you know you're going to hate?"
She smiled sardonically and looked at the pink robe I was wearing.
"Oh, give me a break," I snapped. "This is not about me. You told me you were here because you'd tried to commit suicide. And you used bad language. Well, I don't see you as stupid enough to kill yourself, not anymore at least, and your language is as good as Jane's. So, why are you putting up with this sort of . . . stuff anymore?"
"Better me than you," she said quietly.
"Why?!" I said, raising my voice as I became more irritated. "That's no damn answer at all."
Then, before she could answer, I made another all-the-sudden-obvious leap of insight. "You're doing some sort of stupid penance thing, aren't you? You're taking on other people's problems as a way to 'make up' for what you did to that other girl, right? What was her name?"
"Jane," she whispered, burying her head in her hands. "Janey Miller."
"Get real," I snapped. "And get over it! Geez, I can't believe you're still freaked out about that."
I got up and started pacing about the room. "Shit, Penny, I figured Jane had some sort of hammer on you, and I've been feeling sympathetic, and grateful that you're helping me anyway, and shit. You're just wallowing in self-pity. I hate martyrs, at least the ones who're so damn proud of themselves for being so selfless. God, you are a messed up bitch, aren't you?"
Penny stood now and looked down on me, some complex mix of anger and guilt and surprise mangling the elegant attractiveness and showing the plain girl underneath. "Shut up. You've got no right . . . "
"Like Hell, I don't! Get down off your cross, lady, somebody needs the wood!"
She gasped, and stepped back like I'd struck her. That bothered me. A lot. I'd done too damn much of that - hitting someone. It calmed me down.
"Look, Penny, I'm not trying to say that teasing someone is a good thing, but Hell, it's not like you held her down and forced her to take the pills, or threw her off the ledge, or whatever she did."
"But I did," she whispered, holding her head in her hands again. Silent sobs heaved at her shoulders. "I might was well have poured those pills into her. It was my fault she did."
"Bullshit!" I snapped - not angry now, but playing for effect. "By that logic, it's *her* fault you tried to kill yourself. After all, if she hadn't offed *her*self, you wouldn't have tried to do *your*self, right?"
I wouldn't let her answer, but I lowered my own tone and reached out to wrap my arms around her waist. "Penny, you can't blame yourself for the actions of others - not when they do something stupid. Nor can you excuse doing stupid things yourself, just because of what someone else did. I nearly crippled a guy because he bumped into me in a crowded hallway. That's a lot worse that anything you've done."
"But, she *killed* herself," whispered Penny into my hair.
"Yes," I replied gently. "She did. But it wasn't your fault - not enough that you have to keep killing yourself inside because of it."
"Look at me, Penny," I commanded - softly.
She lifted her head and I said, "My nose is 'cute' because my real nose got smashed by an asshole who outweighed me by 50 pounds. Why do you think he hit me in the first place? It's because I'm short, and scrawny, and, Hell I looked too damn much like a girl even *before* my nose got rearranged. He was laughing at me about it, calling me a queer who wouldn't ever have a girlfriend because she'd be too jealous of how pretty I was, but just right for a boyfriend. I started swinging and woke up in the hospital. Do you think I never got called names after that, now that I *really* had a girl's nose? Believe me, I've had words hurt me, and they do. But sticks and stones really *are* worse. Dealing with insults is just part of life - not a fun part, for damn sure - but not a reason to kill yourself."
I hugged her again, and said, "And not a reason to be a martyr. Life's tough enough when you take care of yourself. You don't have to take on everyone else's problems, too."
"But . . . what I did was wrong," she insisted.
"Yes, it was," I agreed. "Are you going to do it again?"
"No!"
"Can your own suffering bring her back?"
"No."
"Then go out and make the world a better place, not by taking on other people's suffering, but by removing the *cause* of the suffering, like, by helping me hang Sandy up by her supercilious sneer."
She sniffled, but I could see something different in her eyes, different even from her normal poise. I pushed my advantage. "Or by creating a little cause for happiness in the world. For Christ's sake, have *fun* while you do it! I guarantee you, that *nothing* makes the world a better place like a pretty girl's smile."
I guess I'd finally reached the right button or something, because at that she snickered and stepped up straight. "Oh, Jessica," she said, smiling maybe the first *real* smile I ever remembered on her face, "if you only knew."
"Knew what?"
"Oh, um, nothing," she claimed, but I could see a laugh still twinkling in her eyes. This time she reached to hug me, and while I didn't complain, it was still . . . weird enough that it wasn't really comfortable, y'know? I mean, feeling a taller person's arms around me, strong arms, too, was . . . weird. Anyway, I just, like, stood there and after a second she stepped back.
"Do you need any more help with your clothes?" she asked.
"Oh, uh, no thanks. I can handle it from here. Thanks for your help, though."
"Thanks for *your* help, Jessica," she replied.
"Yeah, well, makes us even," I said dismissively.
"No," she disagreed. Then a twinkle lit her eyes again as she said, "But what *will* make us even is when I don't tell Aunt Jane about all the naughty words you used tonight."
"Oh, sh . . . sugar," I gasped. "Oh, my, you wouldn't. . . "
"No, not for tonight," she promised. "But if you ever talk that way to me again, I won't need Jane's help to wash your mouth out with soap. I told you that already."
"Yes, ma'am," I said obediently.
She grinned and while she was patient, I got the idea it was time to go. As we reached the door, she leaned down to kiss me on the cheek. "Thank you, Jessica. Seriously. You've given me some things to think about."
"De nada, Stretch," I replied.
I stepped through the door and she closed it behind me, but I was too distracted to get back to my studies. My first kiss from a girl - first time a girl had willingly kissed me, that is. And it was on the frea . . . cheek, and from someone entirely too da . . darn close to being a sister. Major. Heartfelt. Sigh.
I went back to my desk, but I couldn't really get into Marco Polo's trade routes to China. I was not so clueless that I didn't realize about half of what I had said to Penny applied to me as well. It's a lot easier to lecture someone else on how screwed up they are than to take the same advice yourself. In Penny's case though, her problems started when she caused trouble. If she caused happiness instead, well, that sounded like a solution. What was I going to do, though? Turning the other cheek works just fine if you're tall, and rich, and look, y'know, normal. Like Penny. But if you're short, and poor, and look like a girl even though you're a boy, people are not going to leave you alone just because you smile pretty. Just the opposite. I knew that for a fact. Been there. Got a new nose to prove it. What could *I* use to replace 'having a hair trigger', and being 'wiry?' I knew I needed something if I were ever going to escape Miss Jane's satin prison, but I sure as sh. . . sugar needed some sort of clue on what it could be.
"Am I boring you, Jessica?" asked Miss Jane.
Uh, oh. I'd been caught. Miss Jane was lecturing on art, and with all due respect to her amazingly broad range of knowledge, in this area I had passed her a couple of years before. She wasn't a bad lecturer, though she preferred a combination of directed self study and Socratic questioning. The former allowed me to take a break when I started feeling somnolent, while the latter was anything but sedentary. In this case though, she'd apparently felt a need to cover classic definitions of chiaroscuro and vanishing point perspective explicitly. I had hoped my stifled yawn might get by unnoticed. No such luck with Miss Jane.
"I'm sorry, ma'am," I said. "I meant no disrespect. It's just that I've, uh, been through some of this before."
"Indeed? It was not noted on your transcript."
"Well, it was sort of . . . independent study."
"Very well, perhaps we need to test your knowledge before proceeding. Prepare a 2,000-word essay on the use of perspective in Gothic art, beginning with . . ."
My and my freakin' mouth. I swear, artists couldn't even *think* before the Renaissance. At least, not what passed for painters. They obviously couldn't *see* anything, either. The short version of her essay was that they didn't even use perspective in Gothic art, any more than in ancient Egyptian art. It's like they never bothered to try and make what they painted look like what they saw. Even without the formalism of constructive geometry, they should have been able to see that a man standing beside a horse wasn't as tall as the man *on* the bleeping horse. Yet it wasn't until the Renaissance that they started trying to show that in any way you could tell. So, of course I get an assignment to write about the very worst period of all. Well, maybe that's not fair. I'm sure there were worse. Cave paintings, maybe.
I wrote it, though, as directed. If she'd have picked a later period, I could have copied a lot more than 2,000 words from my journal, that spiral notebook I'd had in my things when I arrived. Not that I wanted to copy it, at least, not all of it. That wasn't just a record of facts, like the use of perspective by, oh, Da Vinci or someone else really good. It was primarily a record of how the art made me feel. Personal things. Anger or despair. Happiness that didn't have to have a cause beyond the painting itself. Majesty and awe. The Renaissance artists were the first who could really create those emotions for me, within their better-than-photographs realism. Then came the Impressionists and emotions became the primary treasure. Stepping back in time, and more importantly, in creativity, to the Gothic period was like, well, asking a Grand Prix driver to write an essay on mules. Yeah, they were transportation, but who cared? Not that I put that into the essay. If I dumped the load of . . . processed equine feed . . . on the Gothic 'artists' that they deserved, I'd get a lecture of a different sort and assignments I didn't need. So she got her 2,000 words, but my heart wasn't really in it.
By the time I was done with that little chore, it was time for lunch. Not 'luncheon' by the way. Marie, being Marie, would usually have something hot and always have something delicious, but we didn't have to wade through 14 plates and 27 utensils. Most of the time, anyway. I was running late, as usual, but I had learned that was no excuse for looking, ahem, 'unkempt', so I took a minute to run a brush through my hair and freshen my lipstick, making me even later. This time though, that turned out not to be a major problem.
When I slid to a stop at the door to the dining room — one did *not* enter running, of course — my own entrance was lost in a shriek of feminine laughter coming from the kitchen itself. Half a second later, the door flew open before a fast-moving, dripping-wet Penny.
"Come back here, you . . . Ooh! I shall get you for this!" shouted Marie from the kitchen.
"You already did, I think," a giggling Penny said from behind the safety of the now-closed door. "But it was worth . . . oops!"
"I knew it," Marie said, pulling the swinging door her way so fast that Penny almost fell back into the kitchen.
Miss Jane's sharp tones cut through the din. "Ladies, just *what* is going on here?!"
I expected Penny to melt into the floor at those tones. She turned dutifully to face our stern taskmistress, but the humor dancing in her eyes betrayed no repentance at all. Unfortunately for Miss Jane, her own eyes were dancing with laughter and took any real threat away from that well-practiced voice. Marie's decorum was marred by an apparent inability to stand still. She was interspersing twitches and patting at her clothes with glares at Penny, though once again the dark looks were robbed of threat by the incipient giggle she was obviously trying to stifle.
"Penny," Miss Jane said, "I asked you a question."
"Well, um, you see, it was sort of, um, an accident," claimed the tall girl.
Miss Jane was not mollified by the clearly inadequate explanation. "I believe we have discussed the benefits of clarity in communications, including the lack of same which results from the inclusion of grunts and meaningless verbal pauses. Would you care to try again?"
"Yes, ma'am," Penny replied contritely. At least, her words and tone were contrite. Her eyes were still telling a different story. "I was filling the glasses with ice, getting ready for lunch. There was a little ice left over, and so I . . . "
"So the little, ah, the tall minx tossed the residual ice down the front of my dress!" Marie announced, interrupting.
"It was an accident!" Penny claimed again. "I was aiming at the sink, and I just, um, missed."
For just an instant, I thought Miss Jane was going to blow her top. Her face got very red, and she didn't say a thing. I was looking for something heavy to hide behind, all the while trying to keep my own face absolutely expressionless. Not the easiest thing I'd ever had to do, for sure. I couldn't decide whether I ought to be shocked or fall down laughing, but I knew either option would cause Miss Jane to remember I was in the room, something I was trying diligently to avoid. When she spoke though, it was clear that controlling anger was not the problem she was facing.
Taking a deep breath and visibly calming herself, I could still hear a snicker in her voice as she said to Penny, "And I suppose it was equally, ah, accidental that you are dripping wet?"
"No," Marie answered for the dark-haired student. "*That* was deliberate. I was cleaning vegetables when the icestorm hit, and I sprayed her with the water."
"I . . . see," declared Miss Jane. I swear, I saw her shoulders quiver like she was holding something in, but her voice was as carefully precise as ever. She pulled one of her patented non sequiturs, and asked, "What was to be our menu for lunch, today?"
Marie replied, "Just BLTs except for Jessica who prefers ham, and a tossed salad."
"Very well. As that fare will not be materially degraded by a short delay, I believe there will be time for Penny to change from her current . . . attire." The sneer in her voice was still not working, mostly because of the laugh crinkles at the corners of her eyes. "She seems to prefer to act as a child, today. Perhaps her petticoats and pinafore, and mary janes would be appropriate, with pigtails and, I think, freckles."
Penny sighed, and nodded, but her eyes lit up with fresh laughter when Jane continued. "It has been some time since she has, ahem, exhibited such an attitude. Marie, as she may have forgotten the, ah, nuances of such an outfit, and since propriety seems in short supply this — I see it is afternoon already - perhaps it would be helpful if you were to demonstrate the proper presentation."
"Me, in a pinafore?" Marie asked incredulously.
"And pigtails," Penny crowed.
"And freckles," Miss Jane confirmed.
"You wouldn't . . . " declared Marie. Her response was a silently-arched eyebrow, daring Marie to continue that statement. " . . . wouldn't care to, ah, finish lunch preparations while we are changing?"
"Of course," Miss Jane agreed magnanimously. Of course there was a catch, but it was a lot less than I'd been fearing. "Jessica and I will take care of that while you — both of you — change."
The two not-very-chastened brunettes nodded and took their leave. Miss Jane gathered me up with her eyes and led me into the kitchen. Other than some water on the floor, things still showed the compulsive neatness of Marie's normal habit and it did not take long to finish what they had started — the decorous parts anyway. Miss Jane went about her tasks in virtual silence, speaking when appropriate to give orders, but not supporting idle conversation. She was distracted by something more than the mini-altercation we had witnessed, and for some reason I felt that *I*, not Penny, was the reason for her distraction.
Distraction was a mild word for my thoughts when I saw our two table companions. A six-foot tall, ten-year-old girl is not something one sees every day, but that is the appearance presented by a still giggling Penny. And that was the milder of the two surprises. Marie looked much the same, despite the seemingly-permanent laugh lines above her apple-red cheeks, but I flat lost if when she spoke.
"We'uh, weady to eat now, Mith Jane," she declared in a perfect little-girl simper. Then she curtsied sweetly and poked her thumb into her mouth.
Penny, of course, copied the curtsy and tasted her own thumb, provoking a stifled snicker even from Miss Jane when she took it back out of her mouth and frowned at the offending digit. "Too sweet," she declared profoundly.
"Jessica," Miss Jane ordered graciously, "please pass Miss Penny the salt."
"Yes, ma'am," I choked out past my own clenched laughter, and passed her the nearest shaker despite the fact there was already one close to Penny.
"Thank you, Jessica, but I fear that won't quite be enough," Penny observed. "In this outfit — what was it you once said? — my blood sugar has raised at least twenty points. I'll just have to eat a more balanced meal."
"Just so," Miss Jane agreed.
Well, the meal was indeed balanced — precariously so between the strained dignity of Miss Jane on one end, and the lisping simper of Marie on the other. I had never been so grateful to Miss Jane before, because she had insisted we eat tiny bites and take tiny sips and if I hadn't formed that habit, I'd have had tea squirting out my nose half a dozen times. Penny was no better, taking long pauses in her own meal to gaze out the windows to the garden, jaw working as she clearly bit her tongue into silence.
Despite the unusual circumstances of the meal itself, the strangest part of lunch that day came at the conclusion of it. When she had finally had enough, Miss Jane folded her napkin with formal precision, and stood. "Marie, Penny, perhaps you would clean up today. I need to talk with Jessica in my study."
I hadn't expected that. It had been the silliest, most cheerful lunch in the - what was it? - three months I'd been in Miss Jane's tender care. In all that time, I'd had a number of occasions to be called into the study. None of them were pleasant memories. It hardly seemed fair to hammer me for something after what Penny had done, with Marie fully involved. For that matter, I didn't even know *what* I'd done to rate another session in her study. Miss Jane wasn't giving away any clues, though. She pointed at the absurdly uncomfortable chair in front of her desk and I sat in a casually careful way. If that sounds like a contradiction, well, I had thought so, too, when she first drilled it into me. Now I could sweep my skirt by reflex and keep it from wrinkling.
Miss Jane was wearing her serious face. If I had harbored any hopes that this meeting wouldn't be too bad, they went right out the bright windows into her gardens. Then she really got my attention by asking, "Jessica, why are you here?"
"Excuse me, Miss Jane?"
"Why are you here, Jessica?" she repeated patiently.
"I, um, well I have a problem with . . judgment, and I sometimes, um, see attacks where there isn't really any harmful intent." Like, this is news? We'd been through this. I thought we were past rubbing my nose in it.
"Do you?" she asked, lifting an eyebrow in a way that said I was missing something.
"Excuse me?" I repeated, feeling like an idiot, but what was she after?
Then she made it even worse by asking, "Why is Penny here?"
It started to irritate me. I mean, I'd been the target of her Socratic technique enough times that I knew the rules. And one of them was that we both knew what the hel . . . what we were supposed to be talking about. This questions-from-left-field business was stupid.
"I'm sorry, Miss Jane, but this is not making any sense to me. What have I done wrong?"
"Nothing, which is the point," she said. Like that helped anything. And the smile she showed at my discomfort was pouring fuel on the fire. Then she took pity on me and started making sense.
"Each of my students comes with behavior problems. At some point, their behavior starts to improve. Then it's time to see if they've overcome their basic issues."
Uh, oh. Another test of some sort. BOHICA.
"Penny's problem," Miss Jane continued, "was that she felt she had done something so terrible that she had to be miserable for the rest of her life as punishment. She seems to have turned the corner on that. Now she has a better perspective on life, and on the challenges we all face. Frankly, she's probably ready to leave, or soon will be. So, I ask you again, why are you here?"
"You mean, you're saying I may have fixed my own problems, too?" I asked, thinking about it.
Then she surprised me again, by answering my question. Usually she'd let me stew on that sort of thing myself.
And her answer was itself a surprise. "I don't know," she said. Then she put it back on me anyway. "How would you suggest we find out?"
"You mean, like, let me dress as Jesse again, and, like, go back to a regular school?"
"Would you like that?"
The words to assure her that I would were instantly in my mouth, but for some reason it took a long time to get them past my lips. "Yes, of course."
Did she just sigh? Nah, not Miss Jane. I was just too distracted by her questions - by the whole strange interview, for that matter.
"Do you think that you're ready for that?" she asked next. Tougher question. Unfortunately, the answer was obvious.
"No," I had to admit. "I think, um, I don't think I'd hit that Wilson kid again, in the same circumstances, but . . . "
"But perhaps other circumstances could still be a problem?" she offered.
I nodded. This time, she did let me stew though, just lifting that questioning arch of brow at me.
"I'm not, uh, ready to agree that all this," I began, sweeping my hand over my clothes, "is, like, a, um, good thing. But I do have to agree that I have learned to control myself better. Maybe some sort of, um, compromise?"
"What sort of compromise?" she asked, doing her typical thing to strip away fuzzy statements. Then she offered an answer to her own question. "Would you like to go to a regular school as Jessica?"
"No!" At least there hadn't been any hesitation on that answer.
She smiled, then leaned back in her chair. "Well, we did establish that you would abide by my program until you had demonstrated you met my standards. There is a cart and horse problem here, wouldn't you agree?"
Yeah, right, like a Catch-22. I had to show I could control my, like, anti-social tendencies before I'd be let out of my skirts, but I couldn't show that I could control them until after I was already *out* of my skirts. I mean, the other option, going to school as Jessica, was just not an option at all. There was *way* too much to being a real high school girl for me to carry it off, even if I could get out of phys ed and things.
Miss Jane read my mind - again - and smiled her superior little smile. Obviously, she was way ahead of me in this, leading me to a destination she had planned all along.
"No, you couldn't really go to school as Jessica. At least, not yet. But that is the essence of the issue. You've only been in public in tightly controlled circumstances. I think it's time for you to go out on your own."
"As Jessica?" I gasped.
"Of course," she said, smiling again.
"But, what if . . . ?"
She waited for me to finish, but I didn't know what to say. After a moment she filled the void. "Yes, that is the question, isn't it? What if? What if so many things happen, random things?"
"What do you, um, have in mind?" I whispered.
"Nothing too challenging," she promised. Ha, like I believed *that*! "Nothing millions of young people don't do every day."
"That doesn't, um, narrow things down very much," I observed.
"No, it doesn't," she agreed, laughing. Then she leaned forward again and hit me with it, right between the eyes. "You will go to a mall. There, you will buy a few things, and then you'll be picked up."
By myself? Shit, I'd be killed! I'd been pounded on already for looking too much like a girl, and now? I'd be hammered into a greasy spot before I got ten feet inside the place.
Part of me was clinging to the successes when I'd been out in public already. We'd been to dinner, and to various little shops. But part of me was remembering that I'd been, like, protected by adults, or by Penny who was almost as good with her regal dignity and height. Nobody but nobody was gonna mess with Miss Jane, but even Marie was, y'know, adult enough that kids wouldn't bug us, despite her display at lunchtime. And a *lot* of me was remembering that Sandy had seen right through me, and there was this lady who had a dress shop who . . . well, I had to admit I thought Jane might have tipped her off, but it didn't matter. People would know. And then they'd kill me - howling mobs with pitchforks and torches.
"I couldn't, um, that wouldn't, um wouldn't that be, uh, pretty risky?"
"I'm satisfied that you deserve the chance," Miss Jane said calmly. What, like this is some sort of reward or something? Get real!
I looked down at the lace and ribbons confection I was wearing. While not officially 'punishment' clothes like that little-girl pinafore Penny was currently modeling, I was wearing something that real girls only wore in silly romance novels - written about two generations ago.
Well, she can't kill me more than once, might as well give it a try. "This outfit is hardly . . . contemporary for shopping. Is it really a, um, 'chance' if I look like . . .?"
"I think you look darling," Jane said blandly. "Very proper for a well-brought-up young lady."
Then she smiled again and said, "But I am not so out of touch that I don't realize how few young ladies today meet traditional standards for propriety. Marie has a more, as you say, 'contemporary' outfit for you. I'm sure you will find it suitable. And, of course it's up to you to demonstrate appropriate behaviors"
Suitable? You mean, it's got like, jeans and a t-shirt, and Reebok's, and . . ? *Sure* it does. I was still waiting for the miracles to start. Each morning when I checked, I wasn't suddenly tall, and it was not progress that I woke up each morning in a pretty blonde girl's bed - when I was the girl! So I figured the chances that I'd really have a chance at this . . . test were not worth sh . . spit, 'appropriate' behaviors or not.
"Go to your room and get dressed. By now, Marie has your clothes laid out," she ordered.
I earned a couple of demerits, though I didn't even notice at the time, when I just stood and walked out without even nodding politely. The real 'what if' was draining away all my concentration.
If I really could manage in public, on my own, as Jessica, then what if . . . I just ran away? Is this my long-awaited Door number 3? No reform school, no Miss Jane's, just . . . run away? Only I wouldn't have to run. I could just walk. Casually, naturally, unremarkably. In broad daylight.
Yeah, right. Dressed as Jessica, with no money, and no ID, ah sh . . sugar. I was gonna get hammered anyway. Somebody would see right through me, and then I'd be history. Send my effects to . . . whomever might want them.
Marie was still wearing her petticoats and pigtails when I got to my room, but she had indeed laid out another outfit.
"Ah, Cherie, I see she has told you of your . . . opportunity, n'est-ce pas?"
Her lisp had disappeared, not surprisingly. I was trying to decide if a French accent coming from that little-girl outfit was better or worse. Which was, of course, a dodge because what I was really trying to do was *not* think about what was going to happen. Marie was casually efficient, stripping me out of my current frills and lace and working me into a new set of lingerie as though I were a store dummy. Well, at least the dummy part was right.
The outfit itself wasn't too bad, *way* preppy of course, but that was to be expected. My pink gave way to blue in the form of a pale blue silk blouse under a dark blue shell. The skirt was trimly tailored in a lightweight wool, and actually on the long side of teen fashion, which meant it was still well above my knee. The biggest concerns I had were the shoes, pumps with about twice as much heel as I wanted for a long mall-crawl, though less than I wore most evenings for dinner. It would be a race to see whether the skirt or the shoes were more limiting on my stride — a harmony that was clearly no coincidence at all. No running though, that was for sure. The outfit worked, of course. All the outfits Miss Jane provided were in exquisitely good taste. In this case, it was mostly because the clothes had the perfection look that spoke of way too much money. Rich people can't possibly be cheap, so I was automatically stylish instead. It didn't take a rocket scientist to see Miss Jane's message in this. No excuses. Unlike her typical prissy styles and the teasing that might attract, I was going to look like a million dollars on the hoof. The rest was up to me.
Miss Jane drove us to a mall I'd never seen before, stopping at one of the entrances but not getting out of the car herself. I took a deep breath, looking at all the people scurrying in and out, then reached for the door handle.
"Jessica, don't you think it will be a bit difficult to buy anything without money?"
"What? Oh, um, yeah. I guess."
"A lady does not say, 'yeah', or 'um'," she chided me, but with less bite than usual. She leaned back against her door, regarding me with that looking-beyond-the-surface laser stare. "Jessica, I'm going to trust you."
"Oh?" Like, what am I going to do, slash somebody's throat with the emery board I knew was in my purse? That thought almost made me laugh, in a grim sort of way, at my fears on what my purse had in it the first time I carried one. Now I knew it had all those things, intimately feminine things that I would never, ever need, but that particular issue seemed ludicrously trivial now.
"In the time you've been with us, you've, ah, struggled at times with keeping your word," she decided, "but I have seen that struggle, and I know you try to do the honorable thing."
'The honorable thing?' There was an archaic phrase, meaning, like, kill myself, right? Hara-kiri, or maybe hemlock. Believe me, I'd thought of it. Somehow, the example of Penny, who had tried to do that very thing, had kept me from really considering it. And no, I did *not* believe it was a coincidence that I found out about Penny's past the first real day I was in Miss Jane's household.
"In your purse you'll find a wallet with credit cards to the three main department stores in this mall," she declared. "You know that using them for unauthorized purchases would be tantamount to stealing, and I think you are better than that."
'"Yes, ma'am," I said softly, not sure whether to be praised or insulted. Come to think of it, that had happened a lot, since most of Miss Jane's praise had been for being good at things that were inherently insulting, like walking gracefully in heels.
"I want you to buy some nice perfume for yourself."
I winced. "Perfume?"
She smiled her superior little smile and nodded. "Yes, and it must be appropriate for you as well, something in keeping with your dress and personality."
What if those don't go together? That would be the easy, automatic claim. What really bothered me at her comment though, was that a part of me was afraid they *did* go together, the silk blouse, the tailored skirt, the stylish shoes, and . . . . me. The Jesse that was hadn't become a . . . hadn't developed a chip on his shoulder in one day. It was something I'd learned, not something that was, like, inherent. Was that really me any more? Was the preppy teen I had seen in the mirror more 'me', than the scrappy fighter? The preppy teen *girl*? God help me, but did I want it to be? Right now, faced with entering the mall as the angry orphan Jesse or the preppy, refined Jessica, which did I really want to be . . . . real?
Miss Jane sat up straighter and said, "There is also a small amount of cash. After you make your purchases, you may buy yourself a soda or something light as a snack until I return. Shall we say I will meet you right here in, oh, two hours?"
"Two hours?" I squeaked, gulping.
"Is that not enough time?" she asked solicitously. Yeah, I know. That was just her tone of voice. Of course, I knew she could play that voice like a grandmaster plays chess - always more than what showed on the surface. But she knew I knew that, so I didn't even bother to protest her apparent misunderstanding.
I sighed, and reached for the handle again. As I turned to go she called to me again, "Jessica. I know you can do this."
"Yes, ma'am," I replied, wishing I had her confidence. Ha! Like *that* was unusual.
A long-ago lesson from Penny came to mind, the simple logic as compelling as ever. The surest way to make people wonder what you're hiding, is to look like you're hiding something. So I walked to the entrance with a carefully casual saunter that neither hurried nor dawdled, neither wriggled aggressively nor slithered with false stealth. In short, I walked like I had to walk in those heels and the tight skirt. Behind me, I heard the powerful car drive off and I was well and truly on my own for the first time since I had stepped off the train into Miss Jane's clutches.
The crowd tightened up as we got close to the choke points of the doors, and I slowed my pace. My previous inappropriate reaction to jostling was not tested immediately. I was almost wishing it would be, because a part of me had to know . . . to know what it would be like. I was ready, sort of. I knew I had myself under control enough that I wouldn't attack somebody who happened to bump me, but I . . . I was a girl now, at least on the outside, and what if someone did more than jostle me? What if they, I mean, what if it wasn't just a, um, an accident? What if they were . . . touching me . . . deliberately? Did I have to let them *do* that to me? Or should I, like, head that off before it happened? I started panting despite my need to appear calm and (Ha!) normal, and the swoosh of the automatic door startled me enough that I stopped moving.
"Are you all right, miss?" a voice asked, a man's voice. I looked over reflexively and saw that it was a cop! Sh. . . shoot, not even inside the place and I'm already busted!
"You seem to be a little upset," he continued. "Can I help you with something?"
"No, um, thank you," I managed to squeak out. "I'm just, um, not from around here, and I'm, uh, a little, like, confused."
"About what?" he asked, not unkindly. Well, Jane had tried to tell me that vague responses were unsatisfactory.
"I, ah, haven't been to this mall before," I said quietly, trying to keep the desperation out of my voice.
"Oh, well, that's not such a big deal," he said patronizingly. "I'm sure you'll do fine once you get back into the swing of shopping. All you girls seem to have that ability. It must be in the genes or something."
I winced at his comment. Let's hope not, or I'm toast. I nodded though, and tried to escape. He let me get away, sending one last comment after me.
"If you run into any trouble, don't hesitate to ask for help. I'm Deputy Sheriff Bill Beale, and I'll be wandering the mall myself today, though hopefully I won't be spending as much money as you probably will."
"Yes, sir," I said, stepping through the still-open door.
Inside was semi-familiar territory. Malls are much the same everywhere, which is sort of the point, I guess. Not far from the entrance was a directory, with three large blocks indicating a Nordstrom's, a JC Penney's, and one I didn't recognize that must be local. That reminded me of the credit cards and I looked around for a quiet corner. Inside the little wallet I found the expected cards and a twenty-dollar bill. Well, I wouldn't be able to run far on that largesse, unless Nordstom's was having as special on, like, new Mustang convertibles or something.
Sh . . sugar, I just realized they wouldn't let me use the credit cards without some form of ID! I couldn't believe Miss Jane would have some sort of bulletin out to all the store clerks that some anonymous, um, blonde was authorized to use her cards. Did she forget something that obvious? Yeah, right, like *that* was gonna happen in this lifetime. Flipping the wallet over, I found another pocket and within it a neat little student ID for "Seasons Manor: A Private School for Girls". Complete with typical bar code and magnetic strip. And my picture, of course. That sneaky bi . . . old woman. She, or more often Marie, had been taking pictures of my various attempts at makeup and hairstyles all along. I should have expected those photos would turn up somewhere. God knew where else they were. Like, on the wanted posters she'd probably already had printed in the event I tried to run.
Well, that walled me in pretty good. Um, pretty well. Whatever. Making the next major decision on the logical basis that Nordstrom's was closest, I headed into the store across the little atrium/food court entrance foyer. I had this vague impression that Nordstom's was pricier than Penney's anyway, and God knows I didn't want to save Miss Jane any *money* that day.
I did get one break. The cosmetics department was visible even before I got through the big doorway into Nordstrom's so I didn't have to wander around in there. Da . . darn small break, but I was willing to take what I could get. Then things got really . . . difficult when a truly pretty girl walked up to me.
"Can I help you?" she asked.
Lord save me from green-eyed redheads. With long, smooth, sleek red hair. Long smooth sleek everything, as best I could tell in one glance before I forced myself to look at her eyes. At her eyes. Keep eye contact. Don't look at her . . . ahem. Don't think about the gentle swell, like a lazy ocean, when she breathes. Don't . . .
"Is something wrong?" she asked. "Do you have a headache? Do you want to sit down?"
Headache? Well, now that she mentioned it. Not that my *head* was where the worst ache seemed to be focused.
"I, uh, no, I'm okay," I said thinly. If I'm okay, you're terrific! That's what I wanted to say.
"Um, your eyes look, ah, pained," she said. She noticed *my* eyes, too! How about that?!
"No, um, thank you. I'm fine," I insisted.
She looked worried, but then her features smoothed - very smooth, actually, with alabaster skin that showed a dusting of freckles if you looked closely. Really closely. Don't look down. Forcing myself to stare at her face - tough, tough job - I realized she was a little older, at least 20. Not that I had a problem with older women. Not any more.
She leaned forward to whisper conspiratorially into my ear. "I understand. Sometimes I just, um, deny it, too, when it's my time."
Then she giggled and said, "Not that it helps, much. But spending a little money seems to."
I was still trying to sort out her last comment. And not look down. The second part of that became hopeless when she pointed at her nametag. The one riding those, ah, swells. "Hi, I'm Cheryl," it said, and she said. A raised eyebrow - not in Miss Jane's class, of course, but still enough to pull my gaze back from her . . . nametag - asked a question in return.
"I'm Jessica," I admitted, letting her draw me into her web - willingly.
She grinned a charming little, self-deprecating smile, and said, "Normally I offer to give girls a makeover, but damn, girl, you should be teaching me!"
"There's nothing wrong with the way you look," I said quickly.
"Why, thank you, but I have never seen eyes as, ah, subtle, yet striking as yours. I'm impressed."
Listen, babe, I'd be only too happy to impress my version of subtle on you, if we can just find a quiet place. I was panting again. I knew it. And hated it. Then things got a whole lot worse. I caught a glimpse of myself in the mirror behind her counter. My *Jessica* self. I had forgotten! Freakin', stinkin' shi . . . oh, hell, in the privacy of my own mind I was gonna say it. Shit. Shitshitshit. This was the most gorgeous girl I had ever seen - and she was up close and personal - and *I* looked like a freakin' teen fox myself! Shit!!
"Could I get you a glass of water or something," Cheryl offered putting a gentle arm around me with concern showing again on her perfect brow.
She touched me! Ohmigod, I'm gonna faint! A genuine, living, breathing, green-eyed goddess touched me! "No, thank you. I'm, um, I was just, ah, a little . . . distracted for a second."
She sighed, "God, I hate it when it grabs like that. Don't you?"
Then I finally caught on. 'It.' Helloo?! Stupid?! You know what she's talking about? She's talking about PMS, or the cramps, or whatever it is that girls call it. Bleeding, and . . . things for which my purse was stocked, as were all girls' purses. Oh, God, at the thought of that I almost did get sick, swaying on my uncertain perch.
I grabbed the counter and steadied myself, then forced a no-doubt sickly grin in my face. "Uh, yeah. It, um, sucks. But I'll be okay."
"Brave girl," Cheryl said. "Would you like to just sit for a minute?"
"Um, no, it's okay," I said. Oh, God, how many times had I said that already? She must think I'm a real idiot. Aw, shit, the freakin' best that could come out of this is if she's absolutely convinced I'm a girl. With PMS. Not like there was ever any freakin' chance a goddess like her would have looked at me twice when I was Jesse anyhow, but . . . damn.
"Well, then, can I help you with something?"
"I, ah, was looking for some perfume."
"Oh, great! That should perk you up a little. What would you like?"
"I don't really know," I said.
"Is it for a special occasion?" asked Cheryl with a smile. "A date, maybe?"
Geez, what was it with all these girls? Did the whole world revolve around boys and boyfriends?
The quick shake of my head was probably unnecessary, since I could see the frown my face displayed reflected in that accusatory mirror. Cheryl misinterpreted it, which was *not* a relief.
"Oh, I'm sorry," she said gently. "Well, as cute as you are, you'll find somebody else pretty quickly, I'm sure."
Like *that* was gonna cheer me up. Boy magnet was *not* in my preferred job description.
Thankfully, with a definite goal in sight, Cheryl quickly moved into sales mode. "Let's see, to catch a boy - as hot as you are - how about . . . Poison?"
What, for me to take? Sounds like a *great* idea. Bring it on, Socrates. One hemlock special, and grateful for it.
Then Cheryl earned some real but unstated gratitude when she saved me from embarrassing myself even worse. She brought out this perfume sprayer and squirted a bit on her wrist, then inhaled it like some potent drug. When she held out the sprayer to me I had enough of a clue to offer her my wrist. She sprayed a little on and I sniffed at it, trying to be as delicate as she was.
It was potent stuff. Heavy, in a way that I frankly didn't find appealing. I guess that showed, too, because Cheryl shrugged and put the sprayer down. "I know. It's neat, but it takes somebody pretty, um, bold to wear that stuff. Poison goes with sultry brunettes and elegant evening gowns. I don't suppose you feel like that right now."
"No, not really," I agreed.
Cheryl would not be put off, though. A new light lit up her eyes and she said, "How about 'Tommy Girl'?"
Another squirt later, I had to admit her choice was pretty good. For perfume that is. It was a lot lighter, with a sense of, I don't know, cheerfulness. It was more flowery, more what I guess I expected perfume to be like, and it held associations of sunlight and clean air. I had a feeling Marie had been using something similar on me.
But 'Tommy Girl'? Tommy *Girl*? I just couldn't. It was too . . . girly. I had my pride, y'know. Yeah, right.
"Oh, here's something," she suggested, walking down to another display in the Dior area and came back with a lighter-colored bottle. I had run out of wrists, so she sprayed that on the back of my hand. It was a sort of combination, not as overtly flowery as the Tommy Girl, nor as - was that what they called musky? - as the Poison.
"What is that?"
"It's called 'Dune'," she reported. "I think it would work well for you. It's more, ah, elegant than the Tommy Girl, and just a bit exotic. Like you."
She thinks I'm 'elegant', and 'exotic'? Sh . . . Shoot, if she only knew just how exotic I was . . . I'd be killed, that's what would happen if she knew. She'd scream so loud that cop by the door would hear her. This was *so* not fair. Yeah, and to whom would you like to direct your complaint, the Judge?
"Um, thank you," I said, ducking my head and nodding at the same time for her to package some up for me. She smiled and held the squirter up again.
"If you're gonna get some, then I suppose you deserve a little more of the free sample."
Before I had a chance to agree or disagree, she had sprayed my neck on both sides. The scent rose around me, haunting me with wrongness even as I realized the perfume was somehow . . . right for me as well.
Cheryl had no trouble processing Miss Jane's credit card, though she dutifully checked my ID as well. "Seasons Manor. I don't think I know where that is."
"It's a small private school outside of town," I sort of explained without really telling her anything. Actually, I didn't even know the address, beyond what was on the ID and that was only the name of the place, not like a street number or anything.
Cheryl glanced at how I was dressed and smiled. Well, duh! Of course preppy girls went to small private schools. She handed me my package, the perfume in a bag inside a larger Nordstrom's bag. Mission completed. Move to the exfiltration point. I looked into those green eyes yet again, hoping for one last communion with a goddess.
And found that her eyes were already scanning for the next customer. It wasn't even rude. She caught my glance and smiled with apparently genuine friendship, but she had a job to do and I was no longer part of it. Major. Heartfelt. Suppressed-so-she-wouldn't-see. Sigh.
In another couple of minutes I was back in the main atrium area. Looking at my watch - well, the watch that Miss Jane had issued to me, it was not something I'd have chosen for myself - I saw that I still had over an hour to go. So much for the rampant shopping gene. Or maybe that proved it *was* genetic, since I didn't feel the need to wander through the whole place. Whatever, I'd gotten what I came for, and now I was ready to escape.
The deputy sheriff guy waved from a position near the food court rest rooms - don't even *think* about that - so I knew I wouldn't be able to just, like, loiter by the door for an hour. Once again logic prevailed and I decided I'd get something to drink, and maybe some fries or something. Marie was a great cook, but you'd think a French Canadian would like french fries more. I started my casually direct glide toward the Mickey D's - say what you will about the rest of their stuff, they *do* have good fries - and managed to get my order without any further panic. At least on my part. The doofus behind the counter wasn't watching where he was going and spilled the first order of fries all over the floor. At least I wasn't the only idiot in the mall that day. Despite MacD's normal reputation for efficiency, they didn't seem to have their act together in this particular store. It didn't usually take three guys to wait on me.
And then I was blushing brighter than the guy who dropped the fries when I realized the *Jesse* would still not have had three guys waiting on him. There went my appetite.
I realized I'd made another tactical error when I found my seat. I didn't have anything to read! I was very comfortable with the idea of being alone, if I had something to read. But just sitting there like a mind-numbed idiot was *not* my preferred way to spend time. Geez! Like sitting *anywhere* doing *anything* while I was wearing a skirt and heels wasn't already enough of a problem. I was getting *way* too used to this sh . . stuff.
I pawed through my package to get out the stupid perfume box just to have something to look at, like reading the cereal box at breakfast or something. There was a brochure in there, ostentatiously labeled with the perfume name, "Dune", and I had just managed to get it propped up when my table was bumped.
"Hey, babe, you need me in your life."
Babe? *Babe?!* I'll 'babe' this brainless boob into next week!
The seat across from me was captured by a teen-aged guy who had that 'I own the world - or soon will' look. It wasn't clear *why* he thought that. He was nothing special to look at, average sort of hair and eyes, maybe average size though it was hard to tell for sure as he lounged in the chair. It wasn't because of ostentatious wealth, either - even in the orphanage I'd had better clothes than that. His self-declared superiority was based on pure attitude. Part of that was in his unquestioned assumption of permission to sit with me. He propped his elbows on the table and snatched one of my fries.
"I would definitely have remembered if a shit-hot fox like you had been in here before, so that means you're new and fair game."
"Out of season for you," I said shortly.
"What the fuck is that supposed to mean?"
"What part of it was too difficult for you? It was all monosyllables but one."
"Listen, bitch, don't fuck with me."
"Now on *that* we can agree."
"Huh?"
I thought about a snappy comment, several actually, but in a moment of unaccustomed lucidity I remembered I was indeed wearing a skirt and heels. If I made another smart comment, he was likely to express his displeasure in non-verbal ways - language-challenged as he obviously was - and I was pretty sure that would not be what Miss Jane had in mind. Part of my mind was rapidly evaluating options: Should I just kick the heels off and run, or try to skewer him with the spikes, or maybe even grab one off my foot and use it in my hand? But part of my mind was remembering that was the sort of thing that had gotten me into my present situation and was frantically trying to come up with less-unpleasant options.
A new voice intruded into my tunnel-vision consciousness. "Excuse me, but I noticed you're a fan of 'Dune, too.' Which book do you like best?"
"Book?" I repeated stupidly, turning to see yet another teen-age boy. This one was standing upright, and once again I couldn't tell his size for sure, because from my sitting perspective all I knew was that he seemed quite tall, with glossy dark hair. A good guy for Penny, I realized in a moment of totally ludicrous non-relevance.
"Surely you don't prefer the movies to the books," he said confidently, pointing at the brochure with 'Dune' splashed all over it. The word, I mean, though Lord knows there was still enough of the scent around, too.
"I ,um, this is perfume," I said, shaking my head in a futile attempt to get my mind around this strange interlude.
"Oh, well, my bad," he said easily. "Do you suppose there is any overlap? Like, does this smell like the spice? Melange? You already have really great blue eyes."
Now my head was *really* whirling. "I don't . . ."
My reply was interrupted by the first guy. "Hey, Sand, get lost. We were already talking."
"Were you?" the tall guy, Sand, asked blandly. "What were you talking about?"
"None a' your damn business," the seated guy said.
Sand laughed easily and said, "You're probably right there, Will, but think how boring life would be if we all just minded our own business. Why, you'd still be over there with the GQ crowd, and I wouldn't have noticed the lady likes Dune."
"You do like Dune, don't you? The stories, not just the perfume," he said, turning to me.
"I, uh, yeah, um . . . " Geez, this was stupid! I was tongue-tied at this guy's easy flattery like I, well, cared or something. It was just that I was all ready to fight, and now I'm being . . . I'm receiving a very different kind of attention. I'd rather have had to fight.
But by God I'd survived intimidation by Jane Thompson and no tall, dark, and handsome guy was gonna put me at a disadvantage! For da . . darn sure not with just a smile!
"I liked the books well enough," I said, calling on the poise Miss Jane had demanded of us, "though I only read the first three or four. The movies were . . . disappointing."
"Exactly!" he agreed quickly. "I thought they had great potential, but in the end they just didn't capture the . . . complexity of the original."
"Complexity?" I sniffed. "The books were as needlessly ornate as Baroque architecture. What they had was . . . "
Once again the other guy, 'Will' I guess, interrupted. "Look, Sand, I told you to fuck off. You're not welcome here."
"Gee, that's too bad. Well, I guess I'll be moving on, then," Sand replied. Then he looked at me, offered his hand, and asked, "Would you like to come with me?"
"Where?" I asked in surprise.
"Why, right over here looks like a nice spot," he said, pointing at the next table not three feet away."
Will stood up and said, "I told you to fuck off, Sand. Who asked you to push your way in here?"
"Ah, a valid point," he said, still smiling easily. Then once again he turned to me and said, "I never did get your name."
I found myself blurting, "Jessica," and was even more shocked when I realized I had answered without hesitation.
"And I'm Johnny Sand," he said bowing graciously. "And no, that's not why I like 'Dune.'"
I laughed. It was silly, and I was so tense I was either going to laugh or scream.
"So, it appears that she doesn't mind my company, Will," Johnny said, turning back to the increasingly red-faced guy. "And I think I'll take that as an invitation."
"Okay?" This was directed at me.
"Oh, sure," I said, still smiling.
Will decided to change the point of attack, turning to look at me. "Look, babe, you don't want to waste your time with old 'Pound Sand' here. Come with me and we'll find some real action.'
"But I haven't finished my soda," I observed with wide-eyed innocence.
"Drink up, then," he snapped.
"Actually, I hadn't finished the points I wanted to make on the books, and that might take a while. I wouldn't want to keep you from whatever you considered, ah, 'action.'"
Johnny moved subtly yet unmistakably to a position just a bit closer to me than Will was. "Hey, Will, I have an idea. Why don't you go read - what was it you said, Jessica? - the first three or four Dune books and then *you* can discuss them with us?"
Will scowled and said, ''I ain't leavin' until *she* says so."
I smiled at Johnny, then nodded at Will. "Well, um, Will, I really think you'd enjoy the discussion more if you were familiar with the books, so why don't you go and do as, um, Johnny suggests?"
Will's fists clenched and he was clearly about to say something more, when we were interrupted by the sound of keys dropping on the tile floor just a few feet away.
"Oops, sorry," said the Deputy Beale, squatting to pick them up. "Clumsy." He straightened and asked, "So, what are you guys discussing so intently? Sounds interesting."
"Dune," Johnny said with an easy grin.
"I like it," Beale said. "Lighter than Poison, but distinct."
"I'm lost," Johnny admitted.
"He's talking about the perfume," I said, snickering.
Johnny laughed at himself, unaffectedly, and took a slow, deep breath. "Yes," he observed, "very nice."
Somehow Deputy Beale had managed to move closer to me than Will was also, and turned his shoulder in a little. I was still sitting down, and the shorter guy was mostly looking at their backs, almost like a little kid trying to peer over a fence.
"Ah, shit, first dumb old books, and now *perfume*. You guys are a bunch of pussies." He sneered and walked off, back to a crowd of similarly scruffy compatriots.
I had to snicker again. Little did asshole know but there wasn't a single, well, he was just about as wrong as he could be.
"Goodness," Johnny said blandly. "It seems I'm not as unwelcome as I was. We might not have to move after all, at least, not if you don't mind if I stay."
"No, that would be okay," I said automatically.
"Are you going to be okay, miss?" the deputy asked.
"Yes, sir. I'll be fine," I assured him, while wondering who was going to assure me of that same thing.
Johnny sat down next to me Glancing once over at Will and his friends, who were now moving noisily down the mall, he settled just a bit in his chair and said, "Whew, I'm glad that's over."
"Excuse me?"
"For a little while, I thought he was going to make trouble, but, 'all's well that ends well.' And I, for one, am glad that ended peacefully."
"Yeah, right," I sniffed. "I expect that happens a lot, when somebody's as big as you are."
"Think that's what does it? Not really. I was defending damsels in distress when I wasn't as tall as this table."
"Indeed?" I said, but something in his tone actually did make me believe him.
"Yep. What makes it work is blind cheerfulness. If you are really obviously *not* looking for a fight, then it makes the other guy just as clearly the bad guy. Even a guy with a chip on his shoulder usually needs an excuse to fight. That way he can feel he was the one who was defending himself. That excuse also helps if he gets beat, because then it wasn't his fault since someone else started it. I just don't give them an excuse to move to the violent stage. And so I seldom need to fight. Goodness, I don't remember the last time I did. Certainly it was before I had my last growth spurt."
"So, you just bend over and let someone pick on you?"
He ostentatiously looked under the table, then at the empty tables close to us, then lights danced in his dark eyes and he said, "Seems to me that I'm here and Will is gone. Is that really what you think happened?"
"Well, no, I guess not, but this is, like, a public place, and the deputy was here and all."
"Yep," Johnny agreed. "All part of the plan. I don't go looking for trouble, and if it tries to find me, it's usually going to have to look in a public place with other responsible people around. Works like a charm."
"You make it sound so easy," I said pensively.
"Easy? Look, Jessica, there truly are predators in the world who are out to hurt other people. Sometimes, you do have to defend yourself. But in public places like this . . . well, Will Barker was just strutting to impress a pretty girl, and I can hardly blame him for that. There wasn't any need for a fight," he said, shrugging. Then Johnny grinned again and said, "I won't say I'm glad we had to spend so much time getting him to leave, though. After all, I haven't found out yet what parts of 'Dune' you think are broke."
"That's Baroque, dummy," I said, and so help me God I giggled.
"As in needlessly ornate, I know," he said, lights dancing in his eyes again. "But I've always wanted to use that pun, and you are the first person I ever met who actually said, 'Baroque' and meant it."
"You are a . . .a rakish person," I managed to say, after a moment to stifle what I felt like saying. Puns, yet! I hated puns. Unless I came up with them first, of course.
"'A rakish person,'" he repeated. "A, a Fremen. Well, they always say, 'the best things in life are free.' At least, I presume they say that on Arrakis."
Darn, he got it. Before I could say anything more, the deputy wandered back our way again and interrupted. "I'm sorry, but my watch seems to be on the fritz. Do either of you know what time it is?"
Ohmigod, the time! Miss Jane would be waiting! I started to gather up my things. "Now I'm the one who's sorry," I said. "But my ride is waiting. I have to go."
Johnny stood up, still smiling. "Well, Jessica, it was nice to meet you. Is there a chance I could see you again?"
"I don't think so," I said, and I could hear in my own voice just a hint of sadness.
When I got out to the curb, Miss Jane was waiting. I wasn't very late, but I didn't suppose that would make much difference to her. Well, whatever punishment she had in mind wouldn't make much difference to me, either. I was going to be a million miles away for a while, trying to figure out what that trip to the mall really meant. I was more than a little afraid of what I might find out.
End Part I
Author's Note: This story was written with a lot of advice, insight, and assistance from Tigger. It is his creation as much as it is mine. ~Brandy.
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author(s), Brandy DeWinter or Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author(s) of this work, Brandy DeWinter & Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at either's sole discretion.
This work is the copyrighted material of the respective authors.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Brandy.
I quit when I got it down to 4,508 words. My punishment for being late leaving the mall was an essay, assessed at 1,000 words per minute. I had been tasked to write about clocks and timekeeping, the history of clocks, types of clocks, and why knowing the time was so important to civilization. Subtle, she ain't. Since I was 4.5 minutes late - by her watch of course - I had to write 4,500 words.
I had spent almost half the time making it *shorter*, not longer, but I was not going to give her the satisfaction of doing more than I had to. I know that's a contradiction, but it was the principle of the thing. And it's hard to squeeze things down while maintaining perfect grammar and adequate development of each point. Those aspects were non-negotiable though, as I had learned the hard way when earlier assignments had been rejected. Several times over, when I had first arrived. No excuses, no arguments, just do it over until it was acceptable. I think her plan was to make learning skills like applying eyeliner seem easy by comparison, sort of like hitting your thumb with a hammer so you wouldn't notice a toothache. Worked about that well, too.
"It seems I should have tasked you to buy a few more things, Jessica," Miss Jane's voice intruded on my musing.
"Excuse me, Miss Jane?" I looked up to see her standing in the doorway to the computer room.
She smiled - an honestly amused smile, not her patented rapier-with-a-twist - and said, "Perhaps it was my fault. I could have chosen a different entrance to the mall."
"I'm sorry, but I'm afraid I don't understand."
"Ah, Jessica," she said, still smiling, "you have indeed come a long way."
Where the hel . . . where in the world had that come from? I didn't know what she was complaining about, and I for sure didn't know why she'd complimented me.
She patted me on the shoulder and sat in a nearby chair. She sat correctly, of course, perfect posture, legs gracefully crossed, skirt smooth, but there was still a surprisingly casual feel, as though being in the computer room instead of in her office were relaxing for her, too. Then she granted me the favor of a simple explanation, for once. "You did very well in the mall yesterday, Jessica. I could have hoped you would . . . enjoy the outing more, shopping just for the pleasure of seeing pretty things. We'll have to work on that. But you did accomplish the specific task I assigned. That truly is a good scent for you, and I'll expect you to use it regularly from now on."
"Yes, ma'am," I sighed. No surprise there.
"It would seem you even managed to avoid what could have been an unpleasant confrontation, and I was pleasantly surprised that you were able to find such a . . . gentleman to assist you."
"You had someone watching me," I accused.
She nodded blandly, not the least apologetic. "Of course. I've just received the report."
"You didn't trust me."
"Actually, I did," she claimed. "I knew you could present yourself properly as Jessica, and I truly expected you could control your . . . impulsiveness. But I was concerned for your safety - and with some justification it appears."
"I can take care of myself."
"Can you?" she asked, gently. "Jessica, your courage and . . . determination have never been in doubt. Your judgment, however, was questionable, don't you agree?"
Well, for starters, I'd ended up in a situation that had me wearing a skirt, makeup, and perfume. Hard to claim perfect judgment in that condition.
But I knew what she meant, and I knew she was right. So I just nodded.
She reached out gently and touched my elbow. "More than that, the challenge you faced was one few young people could handle with such . . . dignity. I am proud of you, and have confidence in you, but the risk was real and you deserved protection."
"So Johnny, Johnny Sand, was a plant?" I asked, feeling an unwanted pang of disappointment.
"No. Young Mr. Sand was genuinely noble in coming to your aid. And genuinely interested in you. Though that was, in fact, one of the risks that needed to be considered."
I was thinking back over the day, and realized the cop had to be Miss Jane's spy . . . though I realized in another second that there was no reason to believe there was only one. Oh, God, I hope the green-eyed goddess, Cheryl, wasn't another one. Then the rest of what Miss Jane had said sunk in.
"Johnny was a risk?"
Miss Jane did her always-irritating segue into a seemingly unrelated topic. "Do you remember your reaction when I asked if you wanted to attend a regular high school as Jessica?"
I nodded.
"There is a lot more to interacting as a pretty young woman than I have taught you. A very large part of that is interacting with young men. I did not receive the impression that was . . . interesting to you."
"No way!"
"Just so," she said, smiling and patting my hand. "Yet when a young woman as pretty as you goes out into society, she will inevitably be faced with that interaction. A girl with a more . . . conventional background would have learned, ah, techniques for dealing with suitors."
"I am *not* interested in that!"
"My dear, the techniques can be used to discourage as well as to encourage. Yet one can be polite, friendly, and demure as well." She leaned back in her chair, spreading her arms to the rests in a body language message of openness. "Tell me, Jessica, did you enjoy meeting Mr. Sand?"
"I suppose so," I said, remembering. "I mean, he was polite, and we had an interesting discussion."
"Would you like to see him again?"
"I guess so," I answered.
"Would you like to go on a date with him?"
"No! That's . . . disgusting."
"Leaving aside the morality judgment, I will accept that your interest does not lie in that area. Despite the skills and discipline I require of you, it has never been my intention to push any such choice on you. However, let me ask the inverse question. Do you suppose Mr. Sand would like to go on a date with you?"
Well, there it was, out in the open. Miss Jane was not one to let a problem fester. This is what I had been carefully *not* thinking about while I immersed myself in unnecessary tweaking of my essay. I knew the answer, and it was not comforting.
She didn't need my reply, at least, not more than showed in my expression. "Jessica, child, even if you had, as I said, 'a more conventional background', you would be too young to date. But I do think we are going to have to work on your diplomatic skills, since it is clear you *will* be approached."
She smiled again and stood up, glancing at my essay on the screen. "You will probably find those skills - diplomacy and tact - to be at least as useful in your later life as grammar and spelling."
"Yes, ma'am," I said softly. Ohmigod, what was I in for now?
"Oh, that reminds me," she said, stopping on her way out the door. "You earned one brownie point for not grunting when you didn't understand what I was talking about at the start of this conversation. You were, in fact, quite polite in accepting that the fault might be yours. As a result, you may tell Marie I said dessert tonight will be your choice."
I should have realized there'd be a hook in that. Later when I approached Marie with my choice for dessert - I had always liked apple pie, especially a la mode, so the choice was simple - I was, ah, privileged with the opportunity to bake the stupid thing myself. Did a good job, too, if I do say so, but next time I was going to choose Jell-O.
Despite my misgivings about the next set of lessons Miss Jane might choose to inflict on me, I knew I had passed a major milestone in my solo flight through the mall. I could pass as a girl, even a pretty one. It wasn't a skill I was particularly proud of, but it did mean that I could go out without worrying about the mobs with torches. That was, of course, a sword of the two-edged variety. Since going out in public was no longer a serious risk, I could no doubt expect to be doing a lot of it. Nonetheless, the only immediate change in my situation was that there were fewer practice sessions with cosmetics and clothes. From that point, I was expected to be able to dress myself presentably, from lingerie to makeup and accessories, for whatever setting was indicated. As a result, I actually had a little more free time to myself.
Idleness would never be one of Miss Jane's virtues - some would call that a vice, but not me. So after only a few days of my somewhat easier pace, I started my 'diplomacy and tact' lessons. Not that I recognized it at the time.
My first lesson started one pleasant afternoon while I was sitting in the garden, writing in my journal. I had snuck one of Miss Jane's art print books out of the library and had it propped open on a bench. In it was Renoir's portrait of the young Irene, and I just had to capture my feelings about the sense of quivering transition - both in the girl's innocently sad expression and in the style itself. The light focus was as effective as Rembrandt, though more subtle, and it showed both the crisp precision of the Renaissance in her lonely, no-longer-little-girl eyes and the first stirrings of Impressionist simplification in the casual flood of her hair.
"Hi, cutie, come here often?" Penny asked. I looked up to see her standing over me. Miss Jane must have decided to modify her training program as well, because for the first time since we'd met, she was wearing a dark Versace pantsuit instead of a dress or a skirt. It made her long legs look like they went on forever, but it really wasn't all that flattering to her shape.
I dropped my pen, slapping my journal closed. 'Oh, Penny, you startled me."
"Not hard to do, when you're that intense on something," she said, laughing. Then she slid onto the seat near me, leaning close to look at the book. "What's so interesting?"
"Oh, nothing really," I claimed. "Just looking at some paintings."
"Cute girl," Penny said, looking at the portrait herself. Her shoulder pressed against mine, and I could feel her breath on my neck. I closed the book and slid a little further down the bench.
"Hey, I wasn't finished looking at it," complained Penny.
"Oh, sorry. Here, you can have it," I said, offering her the book. "Put it back in the library when you're done, okay?"
"Oh, that's okay," she replied. Then she smiled and put her hand over mine were I held the book, saying, "Your eyes are prettier anyway. I can never tell if they're blue or gray, and the effect is fascinating."
"What? Oh, um, thanks."
Penny waited for a moment, then shook her head gently, though her smile stayed in place. "Jessica, girl, you *do* have a few things to learn."
Standing, she offered me her hand. I took it more from reflex than any felt need, and stood beside her. "I don't understand. What have I done wrong?"
"Wrong? Why, pretty lady, you are what makes the world *right*. I just wanted to . . . show my appreciation, if you know what I mean."
"I, uh, well, no, I don't know. Penny, you do remember that I'm not . . . really . . . you know."
"Yes, sis, *I* do, but that's the point. It's time you forgot, at least a little."
"I, um . . . forgot what?"
Penny laughed and slid her arm around my waist. "Why, forgot to be offended when someone shows they . . . appreciate you."
"Let me go!"
"See what I mean?" Penny asked with a smile. "You need to be able to wrap a guy around your little finger so *he* won't think he can get away with that sort of thing."
"Try it again, and you won't think you got away with a da . . . thing!"
She kept her grin, but elevated a finely-arched brow into a comment even Miss Jane would consider elegantly eloquent. She did, however, back off a little. "I'm sure you could. Let's see, after Aunt Jane's heavenly haven, where do you suppose you'd end up - assuming you, oh, broke my arm or something?"
"That's different. What I did before was . . . well, it was different."
"Indeed it was, in some ways," she agreed. Then she bowed in a very courtly manner and said, "Miss Jessica, may I carry your books for you?"
"I've got them," I snapped.
Penny just grinned. She swept her arms in another courtly gesture, inviting me to precede her into the house. Miss Jane was there. She was not grinning.
Well, I'm not so dumb I hadn't figured out what was going on, but this was not fair. I didn't need to let guys paw me, so I didn't need to learn to react to that. Not that Miss Jane accepted that excuse.
"Thank you, Penny," she said. Then she turned to me. "Let's try that again . . ."
She had a plan, of course. I was going to learn how to discourage a suitor, *and* how to encourage one - not to the point of actually doing anything, but so that I would know what might be considered encouragement even when that's not what I intended.
Penny played the role of that suitor. That was strange. She was tall and slender enough even with what curves she had that when she wore a pantsuit, with her hair pulled back, she . . . bothered me. The illusion of being a guy was just good enough to sneak up on me. We would be practicing some mundane thing, like ballroom dancing, and Penny would put her hand on my waist and take the other one in her hand, then all of the sudden I'd feel like I was holding hands with a boy. I was probably just imagining it, but I had the feeling she'd hold my hand just a bit too long, or give it a squeeze, and it would be . . . wrong. I mean, it would be, like, right, if she were a guy and I were really a girl. It was polite, but . . . intimate, somehow. Something that we shared just between us, that no one else knew about.
Then I found out that it wasn't that private at all. The first time it happened, I snatched my hand back like it had been burned. Penny grinned. Miss Jane sighed, and I knew I'd failed another test. It was so complicated. Penny had it all down, both the natural reflexes and the deliberate variations. Lordy, if she really *were* a guy, she could have had any *girl* she wanted wrapped around her little finger. She could send a frea . . . a shiver down my spine with a smile - but it wasn't a girl's demure come-on smile, and it for damn sure shouldn't make me feel all soft and squishy, but it did. In my head, I knew this was really a girl and knew she knew I was really a guy so it was okay to be . . . responsive, but she seemed more and more like a guy every day - at least when we were acting out our little dramas. In my gut, I felt like I was responding to a guy, and that was bad enough. But when I'd blush, or smile, or, well, get all freakin' fluttery inside, I felt entirely too much like a girl.
Penny would play up to that. Every time she saw she was pushing some of my buttons, she'd follow up, getting into my space, flattering me, making me feel like I was the center of the universe. I had to make her back off without getting rude, without even 'officially' recognizing what she was doing so that there was no insult. Yet if I had done something to insult her, even unintentionally, I had to recognize *that*, too, and then it was up to me to rebuild the closeness. That was done with honest-to-God, accept-no-substitutes flirting, which in this case meant making *him*, I mean Penny, feel like she was the center of *my* universe. The standard for success was a sense of close, personal friendship without sexual intimacy. Like I said, complicated.
That wasn't all we did, even aside from our formal academic lessons. Once it was established that no one would question my appearance — and that I knew it — we moved on to other social lessons as well. We 'dined' in all styles of restaurants. Miss Jane took seriously her comment that I needed to learn to appreciate shopping and arranged plenty of, ahem, 'opportunities.' And every time a charity event needed volunteers, I, ahem, 'volunteered.' So it was with an understandable degree of concern that I saw the Deputy Sheriff from the mall in Miss Jane's office when I was called into it one day.
"Jessica," she said, rising along with the sheriff, "I'm sure you remember Deputy Beale."
Well, I hadn't remembered his name, but I remembered his face and his uniform. "Yes, sir. Nice to see you again."
"Nice to see you, too, Jessica," he said, then jumped right into the business that was apparently at hand. "Has Miss Jane told you about our fair?"
"No, I don't believe so," I answered, trying to keep from glaring at Miss Jane. I was sure it was not an accidental oversight.
"We're doing a street fair to benefit the pediatric oncology hospital, and I wondered if we might enlist your aid. Penny has already agreed to help."
"Oncology?" I repeated, trying the unfamiliar word on in my mind.
"Cancer," Miss Jane supplied gently, real pain in her voice. I had become sensitive to the tones in that voice, and realized I'd heard that one a lot lately. Or perhaps I'd just learned to recognize it lately.
"Children's cancer?" I said, putting the parts together. "That's . . . awful."
"It's sad," Deputy Beale said, "but it wouldn't be right not to do what we can."
"Oh, no! I didn't mean that at all. It's not their fault if they get sick, and they should get the best possible care."
"Then you'll help?" he asked.
"Of course," I agreed quickly.
He smiled and nodded. Then a pensive look came onto his features and he looked at me quite . . . directly, from head to toe. He glanced at Miss Jane, and at her shrug, he pointed to a chair near where he had been sitting. "Would you sit down, Jessica? I'd like to ask you a special favor."
Uh, oh. If I needed to sit down, then I *knew* I was going to hate what came next.
"There are a couple of jobs that are . . . that need special qualifications," he began uneasily. "You would be extremely . . . helpful in either of them, but it might be too much to ask."
"Deputy Beale, I grew up in an orphanage. I would do anything to help sick children," I declared firmly. Then I realized I'd better pull that back a little or I'd get some serious lectures. "Anything Miss Jane would agree to, of course."
She smiled at me, a genuine smile of pride! I almost hiccupped in shock. But the deputy started up again. "The, um, special qualifications are, well, maybe I should just explain the jobs. The first one would be to, um, it would be in a . . . kissing booth."
A kissing booth?! Like hell! I felt a flush rise to my cheeks, and it took all the self-control drilled into me in half a year with Miss Jane to keep from jumping up and . . . responding dramatically. Instead, after a moment to take a deep breath, I asked, "I don't believe I am, ah, qualified for that."
"We usually ask the prettiest volunteers to work there, because, well, because it earns the most money. You would be a, um, very effective draw," he claimed.
I took another deep breath, and looked very carefully out the window. After a minute, I looked back at Miss Jane to see a very carefully neutral expression on her face. Turning to the deputy, I asked, "Would you mind telling me what the other choice is?"
His first response was to blush, and that almost *did* get me to run from the room. If the second choice was worse than a kissing booth, then God help me! But in this case, his embarrassment was for a different reason.
"The second option is to be my assistant," he said.
"A deputy sheriff?" I asked incredulously. Why in the world would he offer that sort of job to me?
"No," he said, laughing self-consciously. "I'm a bit of an amateur magician, you see. And my assistant helps me in my act."
A magician? The slender, polite cop? I didn't see him as a showman. I also didn't see why he wanted me. "What sort of special qualifications do I have for that?"
"Well, for some of the tricks, I really need the audience to be looking, ah, elsewhere. So my assistant has to be, um, distracting."
"What, like jumping up and down or something?"
"No," he said, shaking his head. "It's got to be subtle. The audience can't know that they're being distracted."
"I'm sorry," I said, frustration creeping into my voice. "I don't understand."
Miss Jane sat up straighter in her chair and resolved my confusion — at least on what the job required. "They need a girl pretty enough to draw attention away from Deputy Beale, and the show costume is intended to emphasize that."
"Costume?" I squeaked, finally realizing what he, what *they* had in mind.
"Nothing lewd, of course," the deputy promised. "Just a standard sort of magician's assistant costume."
"Why am I not particularly . . . comforted by that statement?" I asked sharply.
"Well, it's fairly flashy," he admitted. "Lots of sequins and things."
"'Things?'" I repeated.
Miss Jane stepped in again. "High heels, fishnet tights, and a red leotard — with sequins, of course."
"A few other things as well, but that's the basic image," the deputy said, nodding.
I looked directly at Miss Jane. She met my eyes just as directly, recognizing the challenge. This was above and beyond 'normal' things even for a teen age girl, above and beyond what she had established at the beginning of my time in her home. If she chose to call in my promise, then I would abide by it, but I wanted her to acknowledge it was unfair to demand this of me. If this were another test, then I wanted her to admit that I had passed.
She did, but took it a step further by making it not a test of my honor at all. "Jessica, I won't require that you do this, though I will permit it if you agree. Your word to obey me is not in question here. But we make a lot of money for the hospital with this fair, and Deputy Beale is quite skilled. His act is a good draw, but his prior assistant, a former student of mine in fact, has recently gotten married and is no longer available. I would appreciate it if you would help him, as a favor to both of us."
"Jessica," Deputy Beale took up the task of convincing me, "you are very pretty, and I know you'd do a good job. In addition, Miss Jane can provide you more flexibility in scheduling classes than the girls in the regular high school will have, so we can practice more around my own irregular schedule. You really would be the best choice, at least for me."
"What is Penny doing?" I asked, suddenly remembering a question I'd had earlier.
Miss Jane sighed, and her eyes glanced at the door as though to make sure it was closed. "Penny is a dear soul, but she's not sufficiently . . . distracting for this role. She will be working as an administrative assistant, primarily cataloguing art sales."
"Art sales?" I asked in surprise. I'd *love* to get involved with art, especially if the artists were any good.
Even as I heard the explanation though, I knew it wouldn't work for me, not now. If I claimed a surpassing interest in art, it would sound like I was using that as an excuse to get out of . . . flaunting myself. Then I decided it wouldn't be much preferable as a job as Miss Jane explained that most of the art was donated by local artists for a sale to benefit the children's hospital. Donated art, by local artists, was not likely to be . . . interesting. Actually taking money for it would be, well, it would seem worse than merely unethical.
"Does this really help the children?" I asked plaintively, wanting to believe the path I was clearly on would at least be beneficial.
"We took in over $2 million last year," Miss Jane declared.
Well, there went the last valid objection. There was no likelihood I would *ever* earn $2 million on my own. On that scale, there wasn't much I could substitute for doing what they asked, not if I were going to help the children like I said I would.
I sighed, and nodded.
"Thank you, Jessica," Deputy Beale said, rising and beaming happily. "I'm sure you'll be terrific. I'll let Miss Jane fill you in on the details, arrange a costume and so on. I'm afraid I have to get to work."
I rose when he did, of course, so we shook hands. He did the same with Miss Jane, and then jauntily promised to find his own way out. Surprisingly, Miss Jane allowed this breach in her normally perfect propriety and motioned me to say in the room with her.
When the deputy had left, she moved over to touch my elbow lightly, establishing a bridge between us. "Jessica," she said, "I really appreciate this. I know it will not be easy for you, but you are truly the best choice. And the hospital is . . . special."
"Oh, well," I said, trying a brave smile, "I'm sure with Marie's help, we can come up with a costume that is sufficiently, ah, distracting."
"I'm sure we can," she said lightly, but her eyes showed true thanks, and real pride. At least, that's what I think they showed. All of the sudden, mine weren't focusing very well.
The Great Bildini's voice carried a lot more than necessary for what seemed to be a private warning. "Don't move, Jessica. Don't even blink, and you *should* be okay."
Easy for you to say, buster. It's not *your* gizzard that's about to grow a three-foot sword.
The list of things in the category 'could never possibly apply to me, not ever in a million years - but did' was *way* too long to count. Being grateful that I was wearing a too-tight, too-stiff corset was certainly on it though, and near the top. However, that outrageous situation did indeed apply to me, at least right then.
I was contained in a box that showed only my head and my flashy, red-taloned hands. Inside the box, mercifully hidden from sight for at least a little while, I was wearing my show costume - what there was of it. Actually that's more than a little ironic, because most of my skin was covered. Not concealed, really, but covered. Part of the costume, about the only part that was even partially concealing, was the expected bright-red leotard confection with huge white frills around the top and not much around the bottom. In between was an integral corset into which Marie had squeezed me in preparation for my 'performance' as the Great Bildini's assistant. That corset guaranteed that I would not sag, or even wiggle, into any of the blades that were being rammed through the box around me. Hopefully *around* me and not *through* me.
"Let's see if we can get another one through here," Bildini - actually Deputy Bill Beale, of course - said. He took a wickedly curved scimitar with a huge blade and started pushing it straight into my navel.
On cue, I giggled, "Ooh, that tickles!"
"Really?" he asked in apparent surprise. He wiggled the sword ostentatiously back and forth, each swing provoking another blushing titter from me.
"Really, sir. I'm not that kind of girl!" I protested theatrically. The more adult members in our audience picked up on the implication, and now it was their time to snicker. Of course, for Miss Jane and I there was another level of hidden meaning, and I had to fight to keep my own expression properly demure.
Bildini pulled the sword back out of the box, then sighted along the blade before pushing it once again into one of the pre-cut slots. This time is went between my legs - barely - before protruding from the rear of the box. The curve in the blade allowed it to move under me, yet the eye tended to connect the tip and the handle, making it look like it went right through me. That provoked a very satisfying gasp from the audience as Bildini whirled the box around on it's hidden rollers, revealing all sides of my predicament.
"Let's have a hand for our brave Miss Jessica," Bildini suggested, and the audience responded quite enthusiastically. Bildini looked at the box, then at me, then lifted his shoulders in a theatrically large sigh. "I use up more assistants that way."
He negligently gave the box a shove toward the side of the stage, prompting another gasp from the audience, this time accompanied by a shout from near the front.
"Aren't you going to let her go?" a young girl called. The ball cap she wore couldn't conceal the fact she had no hair.
"Why should I do that?" Bildini asked. He walked over to where my box had stopped rolling, not surprisingly still well within the range of the stage. Looking at me, he asked, "Does it hurt?"
"Only when I laugh," I claimed, stifling a groan at the corny line. Of course, that was part of the shtick, and it received the expected groan/giggle response.
Bildini looked out over the audience and made a request. "Perhaps some of you would like to help Jessica out of her predicament. Any volunteers?"
This was actually the hardest part of our show for me. I had to smile while children in desperate need walked by my box, all the while making it seem unremarkable that a beautiful little girl had no hair, or a young boy weighed half what he should. Some were in wheelchairs, some had timers dripping poison into thin, burned-out veins. That was what a lot of their chemotherapy entailed: Poison that attacked the runaway cancer cells just a bit faster than it attacked the rest of their emaciated little bodies.
It was a good thing Deputy Beale had things pretty well scripted. It would have been impossible to come up with witty, light-hearted quips when you're looking into the eyes of an eight-year-old girl - who looked eighty.
"Could you do me a favor?" I asked - loudly enough for the crowd to hear - after she had pulled her sword from the box.
"Sure," she replied, too faintly to carry to the audience, but her old, old eyes widened in pleased surprise. Not many people needed the sort of help she could provide. It was all too often the other way around.
"Could you scratch my nose?" I asked, wrinkling it up into any weird contortion I could manage.
She giggled and reached out a tentative hand to touch the tip of my nose.
"A little to the left . . . no, *my* left . . . higher . . ahhh!!! Thank you *so* much."
She giggled again, rubbing so vigorously I knew I'd have to redo my makeup as soon as I left the stage. It was a small enough price to pay, though. The audience laughed, unable to hear her titter but catching on quickly to my staged need. I wiggled my hand at her from the side of the box and she reached out to shake it.
"Thanks," I repeated. She nodded and rewarded me with a smile that even all of Miss Jane's money couldn't have bought. I watched her place her sword on the table, then I turned back to the next of my rescuers.
That's when I almost lost it. I think if I hadn't been confined in that box, I'd have run from the stage. What I saw when I looked at the next one who was offering to help me was . . . me. Not the person I had become, Jessica, but the person I had been, Jesse. The next person, hardly a child any more, was a short, frail young man with stubbly hair, gray-blue eyes . . . . and one leg. He moved with horrifying ease on his crutches. No kid should be that skilled on crutches. No kid that agile should be . . . should have one leg missing. And for damn sure, no kid with those sorts of problems should be so cheerful.
"Which one would you like me to take out?" he asked politely.
"Oh, um, take your, uh, pick," I stammered.
He grinned, slipped both crutches under his left arm and balanced himself, then grasped the big scimitar that apparently skewered me. That was a standard part of the act, and I tried to get into the normal sort of routine. It was held pretty firmly by the slots so whoever tried to draw would always take it slowly. That gave me time enough for cartoonish winces and loudly-whispered 'Carefuls' to make it seem like I was really feeling it retract.
When it was finally all the way out of the box, I sighed dramatically and said, "Thank you, my Hero, but if you do that again, we'll have to get married."
"Deal," he said quickly, starting to put the sword back in the slot. Bildini intercepted him and everyone laughed. So much for stupid ad libs.
In another few minutes, the last blades were removed and Bildini opened the box with a flourish. I stepped out in all my 'distracting' glory, tight red leotard, black fishnet stockings, and white (very) high heels. Twirling gracefully - it had taken enough practice to get that move down that I for sure was going to use it - I demonstrated that I was unharmed.
That was really the finale to our act, and after a few pirouettes and arm waves as we drew applause from the crowd for each other, the curtain came down. There would be another show in a couple of hours, not really enough time to change clothes, so I wrapped a little white skirt around my hips, fixed my makeup (managing not to poke myself in the eye with my showy new nails, for once) and went out to enjoy the street fair. There were plenty of vendors for treats of one sort or another, and as an obvious performer I had a sort of line of credit or something. In any event, I never had any difficulty getting something to eat.
This time, there was a small crowd at the exit from the stage area. The girl with the ball cap was there, along with a few friends or family members. "Miss Jessica," she asked as I stepped through the door. "Could I have your autograph?"
"My autograph?" I repeated stupidly. "Goodness, I'm nobody special. The Great Bildini will be out in just a second. He's the star of the show."
"Please, Miss Jessica," she repeated.
Well. How can you argue with that? I took the offered pen and scrawled a quick 'Jessica Shepherd' on the event program. The guy standing beside her - father, probably - smiled his thanks, then frowned. "Is something wrong? You look flushed."
"No, I'm fine," I claimed, feeling my blush deepen. "It's just that nobody ever asked for my autograph before."
"Our Jessica has quite a collection," he claimed proudly.
"Your name is Jessica, too?" I asked in surprise.
The girl nodded shyly. "When I grow up, I want to be just like you."
Oh, God, that was *way* more than I could handle. And then it got infinitely worse when the sad look in her parents' eyes made it instantly clear what the odds were that this Jessica would make it even to my age.
I'm not going to say that I grew up in that moment, because I'm not sure I can claim to have grown up even now, but at that moment I became so disgusted with the Jesse that had been that I almost threw up. I guess the corset helped me again, because it stifled the gasp that my body wanted to make and stifled the sob that the gasp would have supported. Instead, I just stood there for a long, long moment, then looked back at the other Jessica.
"You will be much, much more beautiful than I will ever be," I promised her. She reached up to touch her bald scalp below her hat, and winced.
I was too short to do the 'kneel down to put myself at her level' thing, so I just leaned over to whisper in her ear. "Don't tell anyone, but I'm wearing a wig myself. See, there's a solution to anything."
"A wig?" she gasped out.
I giggled and whispered again, this time loudly enough for her whole family to hear. "I asked you not to tell anyone."
Her hand flew to her mouth and she looked stricken, but I laughed again and said, "I don't mind, really. I just wanted longer hair, and didn't want to take the time for it to grow out."
"Oh," she said, then the sadness returned to her eyes.
I don't know whether it was a good thing or a bad thing that I hadn't noticed until then the poorness of their clothes. I mean, at one level it meant I wasn't snob enough to care, but on another level it meant I wasn't paying attention as well as I should, either. In any event, it was suddenly obvious to me that the younger Jessica was not likely to be getting a nice-looking wig any time soon. At least, not if her parents had to pay for it. That probably fell in the 'cosmetic' category as far as whatever insurance they had was concerned. If they even had insurance.
That was too damn much. My mood flipped from sad to angry in a heartbeat, and I decided I was by God going to do at least one good thing in my whole useless life. "Are you folks going to be around for a while?" I asked.
"Yes," the man nodded. "Jessica has treatments all week."
"Do you mind telling me your name?"
He shrugged and said, "Jackson. I'm Jake Jackson, and this is my wife June, and you know Jessica."
"Doing the 'LBJ' thing, are we?" I asked with a smile. "Or, I guess just the 'J' thing."
He smiled and nodded. "When I started going with June, well, the rest seemed to follow."
"Indeed it does, Mr. Jackson," I said. "I'll see you around, but if you don't mind, I have an errand to run."
I shook hands politely with the father, gave little Jessica a quick hug and went on my mission.
I couldn't find Miss Jane right away, but I thought I had a pretty good idea where Penny would be, and sure enough I found her behind the auction stage, officiously cataloguing things in her neat little pinstripe business suit. I was surprised she hadn't added some window-glass spectacles to complete the image.
"What do you think we should expect for this?" she asked as I came walking up. 'This' was a blurry watercolor of . . . . something.
"Well, at least the frame is worth a couple of dollars," I observed.
"Darn it, Jessica, I need some help here. You're the one who's into all this art stuff."
"Art, yes. This . . . stuff doesn't deserve that label."
"It's the same as that abstract stuff you like," she claimed.
"That's like saying Miss Jane is the same as your typical public school teacher," I countered.
"Ooh, that's cold," she said, giggling.
"Speaking of Miss Jane, do you know where she is?"
"I think she might be over near the main entrance to the clinic," Penny said. "She's been conducting tours for the high-rollers, showing them what's needed for the expansion."
"Thanks," I replied, moving off. "Sorry I can't stay and help, but if I see one more painted goose, I'm gonna wring the thing's neck."
Penny just sighed and waved me away. Her advice was good, though, and in a few minutes I found Miss Jane in an office just inside the building. She was talking with a guy wearing fancy Italian loafers and Armani slacks. Or talking *to* him, since the force of the conversation was all one way - not like that was any surprise, of course, with Miss Jane.
"There is no *way* that the county deserves 20% of what *we* raise for their own hospital system," she declared. "They have a valid need, but let them raise their own money. They have the power to tax. We don't."
"That's what it is, Jane," the man declared, "a tax. It's just on charity fund-raising instead of on sales or on property."
"There's got to be a way around it. It's not fair to suck off that much money. Get someone to work on it."
"I'll see what I can do," the man claimed. "I'm sure I can convince the partners to put this on our pro bono list."
"I'm not talking about some half-hearted, spare time effort," snapped Miss Jane. "I'll pay your fees. I want someone who will rip the guts out of anyone who tries to take this money away from the children."
"Well, that does put things in a different light," he replied. "Would it be, ah, acceptable to have at least a little pro bono effort thrown in? Mine, for instance?"
Miss Jane anger deflated as quickly as it had arisen. "I'm sorry, Richard. I know you'll do your best, but . . . "
"But when children are involved, 'Don't mess with the Mama', right?"
"Something like that," she agreed, smiling.
"I'll take care of it," he promised. The man turned away to leave, and saw me standing there.
"I'm sorry," I said. "I didn't mean to eavesdrop."
"That's all right," the man said, smiling. "I find it much too difficult to be angry with pretty young women. I gave it up when my daughters were about your age."
I blushed and ducked my head. He smiled and nodded once again to Miss Jane, then moved off.
"Miss Jane," I said, trying to justify my hovering. "I need to ask a favor of you."
She could, as I had learned the hard way, convey more information with an eyebrow than most people could manage with paragraphs of words. Her message was open-minded acceptance without any promises. Good enough.
"I've been with you for quite a while, now," I began. That must have been a bad beginning, because she started to frown. So I hurried on, "And my hair, my real hair, has grown out quite a bit."
"Yes?" she said, suspicious, but also confused.
"Well, I was wondering if I could, like, do without my wig?"
"Perhaps," she agreed tentatively. "Certainly by now you have enough hair to support other methods, extensions or a weave."
"Okay," I said. "And, well, would you need the wig afterwards?"
"You want the *wig*?" she asked in surprise. "Whatever for?"
"There's this girl, and she, um, well her hair is . . . "
"I'm aware of the problem," she said gently. "It's not uncommon here."
"Yes, ma'am. Well, I was wondering. If I don't need it any more, and since it's sort of, like, old now. Would it be possible to, like donate it or something? To someone specific?"
"Who did you have in mind?"
I grinned at the irony, and said, "Would you believe her name is Jessica, too?"
"Jessica Jackson?" she asked.
"Yes! You know her?"
"I know her situation," Miss Jane said, then she nodded and smiled. "I'll make you a deal. We'll get that old wig off you. You're ready for something better, and I know it can be hot at times. And itch."
"I'll say," I blurted out.
"Just so," she said, still smiling despite my interruption. "And we will arrange for something suitable for young Miss Jackson as well. She was originally brunette, and though we'll let her be a blonde if she really wants to, I think something more suitable for her coloring might be found."
If she had expected this promise to make me happy, well, she was wrong. Though I'd had a *lot* of practice making my face show exactly what I wanted it to show, it wasn't enough and I had to turn away quickly.
"What's wrong, dear," Miss Jane asked softly.
"Nothing," I claimed, hearing the tightness in my voice and hating it. God, how selfish could I get?
"Jessica," Miss Jane said. "Please, tell me what's bothering you."
I felt the tears start, but I couldn't stop them. When Miss Jane's arms slid around my shoulders, I lost it entirely, turning to bury my face in her neck.
"I'm sorry, Miss Jane," I blubbered out. "I just wanted . . . "
"Wanted what, dear?"
I managed to get myself under control enough that I could whisper my selfishness into the anonymity of her shoulder. "I'm sorry. It's just that . . . I wanted to do something for her . . . myself. I mean, I don't have anything of my own, except my Mom's Bible and the scout knife my Dad gave me. I just thought, maybe that, well, my clothes, I mean, your clothes, the clothes you let me wear won't fit her, but my wig . . . I'm sorry. It isn't really mine anyway. None of it is mine. I'm so sorry."
"No, my dear, sweet Jessica," Miss Jane whispered back. "There is nothing sorry about you. Nothing at all. You are pure, precious gold."
Her arms urged me gently back until she could look directly at me. "We will arrange for *your* wig to be styled in whatever manner Jessica Jackson desires. I am sorry I have been so blind to the need in your life, in everyone's life, for at least a little that they can call their own. I think we're going to find you a job, something suitable to your many talents. But in the meantime, we'll work something out where you can help Miss Jackson, and some of the other children, with the gift of your time. Would that be acceptable to you?"
"Yes, of course," I said, wiping my hands ineffectually at my destroyed makeup.
"Through here, dear," she said, standing and pointing at a washroom off the office she was using. "You clean up your face and I'll get Marie in here to help you repair the damages."
"Miss Jane?" I said, looking at her.
"Yes? What else?"
"You might want to, um, check the mirror in there yourself before you go."
"What? Oh, dear!" she said, her tone so plaintive that I had to smile.
"Thank you, Jessica," she said, smiling. "That's one I owe you."
"Good," I said, now worked up to an actual grin. "I'll remind you of that."
"I'm sure you will, you scamp," she said.
"Ssshhhugar!" I said into the sudden silence. Just what I needed on this frea . . . this wonderful, marvelous, oh-so-pleasant day. In honor of the successful fund-raising fair - the best year ever now that the proceeds and pledges were finally all counted - Miss Jane was taking us to the *opera* that night. Strike one. And so we had to spend the day in the beauty salon. Oh, joy. More time with Sandy. Be still my trembling heart. Big, bleepin' strike two. And now my bleepin' hair dryer had quit. If I didn't get my hair styled correctly, we'd be late for our styling appointment. Yeah, I know. But one simply did *not* leave Miss Jane's house - shoot, one didn't even leave one's bedroom - looking 'unkempt', y'know? Without a hair dryer, I'd never get my hair to look right, not unless I took the time to put it up on rollers and then let it air dry that way, which I did *not* have time to do.
I was sure Penny had a hair dryer. She probably didn't need it, though. She always looked so bleepin' perfect that I figured she must sleep on rollers every night and just brush it out in the mornings. So I poked my head out into the hall, checking to make sure Miss Jane wasn't around to see me in my straggly condition, and ducked across to Penny's room.
"Hey, Penny," I said as I knocked and slipped quickly inside before anyone caught me in the hallway. "Can I borrow . . . . ? Oh my God!!"
"Jessica?" The voice paused then started over again in a lower register. "Jessica, you should wait to be invited before entering."
"You . . . you're . . . "
"Yes, I am," *he* said. The figure before me had a towel slung just above his hips, revealing a chest no more curvaceous than my own. It was not an indication of arrested development, though. At least, not if the shaving cream spread over the face and neck of the person I knew as Penny were any indication.
I slowly backed out of the room, unable to tear my eyes away from the suddenly-strange person I had encountered. Penny, uh, whoever that really was, started to move toward me. "Jessica, let me explain."
That motion tripped me over the line into wild action. I turned and ran back to my room, yelling, "Stay away from me, you . . . you freak!"
Once back in my own room I slammed the door and then stood with my back to it. A moment later I heard a knock.
"Jessica, please, let me explain."
"Go away!"
"Jessica, please let me in. I think you owe me that much."
"I don't owe you shit! You're . . .sick. You're disgusting!"
The voice that had been talking through my door wasn't Penny's. It was similar, but it was deeper, and flatter, and didn't belong to Penny. The next words though, were clearly Penny's voice, even to the calm, serene tones she always used.
"Jessica," she said quietly, just loudly enough to hear through the wooden barrier, "what makes you think I had any more choice than you did?"
What? How dare she, *he* compare herself- damnit, himself - to me! I never lied to anyone about . . . oh, shit. I had lied to hundreds of people about who I was. But I had never done it to a friend. Other than Johnny Sand, and, well, Deputy Beale, and they didn't count. Those were special circumstances. I didn't choose to lie to any of my friends.
"Have you ever been under a suicide watch, Jessica?" Penny's voice asked, still just barely loud enough to hear through the door.
"What?"
"A suicide watch. There's someone with you, 24/7. The room is stripped of everything sharp and all chemicals that might be poisonous. Even the sheets are sewn to the bed so you can't take them off and make a rope or something."
"So what?"
"I've been there, Jess. And my way back was through Penny. Won't you at least let me talk with you about it?"
Shit. I was *not* the one who was wrong here, and I would not let *him* make it seem like I was. I moved away from the door and stood watching it from across the room. "These doors don't lock," I said.
"I won't come in unless you invite me," Penny's voice said.
"Come on in then, but . . . don't even try to come close to me."
"Fair enough," Penny said, but it was someone else who stepped through the door. The . . . person had stripped the shaving cream off his face, but it was still a guy's face with no makeup. The body was still a guy's body, too, despite the frilly, pale green robe.
"Who are you really?" I challenged as soon as he was inside.
"Good question," Penny replied wryly. "I'm not sure I even know any more. But I was born as a real snot - no, that's not fair, it wasn't my parents' fault - anyway, I used to be a real snot named Benjamin."
"Not much improvement," I said, pouring acid in the words.
"Perhaps not," Penny's voice said. It didn't fit that face and that body any more than the stupid robe did.
"Don't . . . talk like that. You're not Penny."
He shrugged, then resumed in his guy voice, "No, I suppose I'm not, though I'm a lot closer to Penny than I am to that old Benny."
"Not from where I sit," I snapped.
"Indeed? I would have figured you would understand . . . Jessica."
"Don't you *dare*!"
"Dare what? Jessica. What gives you the right to judge me? What makes you think you're the only one who ever needed Aunt Jane's special kind of help?"
"I never lied to you," I said, repeating the argument I already knew was flawed.
"No, I don't suppose you did," he admitted. "Even when you were at your most . . . unpleasant, you were honest. At least with me."
God, that was a wicked twist of the knife. At least with her, um, him? Not with anyone else, though. I got that message. Unfortunately, it was a valid shot.
"Why?" I asked softly, carefully looking out the window so that I wouldn't see who I was talking to.
"I told you," he said. "I needed to go through a particular kind of hell to . . . . pay for what I'd done."
"No, why did you lie to *me*? You were done with your . . . whatever. Why did you go along with what was done to me?"
"I could say that I owe Aunt Jane, and that would be God's own truth," he said. "But that's not enough. I believe in Aunt Jane and what she does. I think she helps people. I know she helped me and I think she helped you, though you're the only one who can say for sure. Still, I was *trying* to help you."
"Some help! You humiliated me. You laughed at me!"
"When?"
I looked back at him and started to shout out all the times this . . . person had taken cruel enjoyment from my situation. I started, but I ran out of words with my mouth hanging open before I made a single sound.
He, this 'Benny' person, smiled sadly and said, "One of the reasons Jane uses a 'big sister' in her program is because that is the one person who will never laugh at the other student. We may tease you and make you look inadequate, but we . . .I would never laugh at you. I've been on that side of things, and it still hurts."
Benny stood a little straighter, and looked me right in the eye. "But so does what I did before. It will always hurt. God help me if I ever quit hurting about what I did. Both hurts are real, but I'm a better person now than I was then. It's a price I had to pay. It's a price I think you had to pay as well. Would you rather still be the angry, destructive Jesse who first came here?"
"There are other ways to. . . I could have been helped in other ways. This . . . lie wasn't necessary."
"Something was, though. Right?"
Oh, hell, I wasn't that much of an idiot. I knew I had been screwed up before. I just shrugged, but Benny knew it was really a sign of agreement.
"Look, uh, Jesse, I don't know about any other approaches. I won't deny that there might be some that work. But I *do* know Aunt Jane's approach works. You're not the first one who's been helped. Hell, you're barely in the first hundred."
"She's done this to a *hundred* guys?"
"More or less," he confirmed, nodding. "And that knowledge gives you the power to hurt her deeply."
"I wouldn't do that!" I snapped reflexively.
"I didn't think you would. Not now. But it's part of the reason you couldn't be told immediately that you're not unique. Don't you see that?"
"I don't know. I . . . guess so."
"Good morning, Penny, Jessica," we heard through the open door. Miss Jane stood there.
"Since we're in the mode of revealing secrets," Miss Jane began, "I suppose it is appropriate to acknowledge that your rooms are monitored."
"Monitored?" I repeated.
"Penny is not the first suicidal student we've had in our home," Miss Jane declared. "But I admit that I had arranged to be able to hear what's going on inside the students' rooms even before the first young man tried to kill himself."
That was a lot to absorb, too. I was trying to remember everything I'd done in my room when I thought I was alone. Not much that I'd particularly wanted to hide, that I could remember at least. Comes from not having much privacy in my life, so I didn't ever really . . . relax. While I was thinking back, it was Penny who drew the obvious conclusion.
"So you know what happened this morning."
Miss Jane nodded, then looked at me. "Jessica, are you willing to continue with the . . . program that we have laid out of for you?"
I shrugged. "How far does it go?"
She smiled, then nodded again. "A good question. In fact, Marie and I were just discussing when we should reveal this to you. You are essentially finished."
"Yeah, right," I snapped, but I knew that was harsh even as I said it. The look on Miss Jane's face at the thought I didn't trust her was . . . bad. I wanted to tell her I didn't mean it, but . . . well, I *did* mean it. What could I trust anymore?
Then the *rest* of what she'd said finally sunk in. "Finished?" I repeated.
"What do *you* think?" Miss Jane asked. "If we arranged to cut those new extensions from your hair, and use the solvent on your nails, and, oh, the rest of the things that would return you to a masculine appearance, would you go back to beating up on people who jostle you in crowds?"
"No!"
"Of course not," she agreed. "Just as Penny would no longer try to kill herself, nor wallow in drugs, you are no longer unable to control your violent reactions. So, what else do you need?"
"What do I *need*? I don't understand."
"It was never my intention to address only the superficial problem," Miss Jane declared. "My goal is for you to have a happy, rewarding life. I can still help you with that."
I looked sharply at her. "Help Jessica, or help Jesse?"
"To me, child, they are the same," she said gently. "The clothes and makeup are just window dressing on the real person within. I can help *you*, and I would like to."
"Why?"
"Why did you help young Jessica at the hospital fund-raiser?"
"I . . . she needed help more than I do."
Miss Jane nodded. "Just so. And I am more proud of you than I can say because that is true. Once upon a time, it might not have been."
I shrugged again. Apples and oranges, in a lot of ways, but I couldn't deny that I had needed help.
"Jessica, my students have become fine, honorable, caring young men. Some have risen to become pillars in their various communities. Yet when they came to me, all were hurting. I take pride in having made a difference in at least a small corner of the world. Is that so hard to understand?"
"No, of course not," I said quickly. "I really appreciate what you've done for me. It's just . . . I'm not sure where I go from here. This is so much . . . bigger than I had thought."
She nodded and said, "Then let me suggest this. Let's continue with what we had in mind for the next, ah, three days. You will continue to be bound by your agreement to do as I direct. That will include treating Penny as the person she appears to be, just as we will treat you as Jessica. At the end of that time, we'll decide together what will be best for you. Is that agreeable?"
"Yes, ma'am," I said automatically. Usually, when Miss Jane asked that sort of question, it was pro forma. My promise to do as I was told meant that, like in the military, a request from her was essentially the same as an order. This time I knew it was different, but even as I was absorbing the fact I could legitimately have disagreed with her, I was realizing that I didn't want to. Right then, I was more comfortable being Jessica than launching into some unknown and ill-defined path. Three more days wouldn't really matter.
It wasn't until we were cleaning up the breakfast dishes that I remembered I could have gotten out of going to the bleepin' opera!
"There you go, girl, and if I do say so myself, you're gorgeous!" Sandy crowed as she pulled the cape away from me.
In the mirror was indeed a gorgeous young woman. Whether it was me or not was a bit harder to decide. This was to be the first time we would be going out for a formal evening in Providence, and Sandy had done . . . . something special. I looked older, for one thing, 22 maybe, just old enough to be all grown up without in any sense seeming to have aged. She must have used half a dozen different shades of eyeshadow, starting mysteriously dark but blending so thoroughly you couldn't tell where artifice left off and my natural colors took over. The same was true on my vibrant, perpetually excited cheeks. On the other hand, my lips were very crisply defined - full and puffy, but well defined. The effect was dramatic, yet refined.
My hair was piled up in a confection of spun gold so that I looked, and somehow felt . . . fragile. Like I were made of porcelain and captured sunlight, frozen in some sort of stasis that might collapse at any instant. I felt like I should glide rather than walk, and hold myself very . . . delicately.
"Wow," I whispered.
"Why, thank you sweetie," Sandy said softly, her normally acerbic tones hidden beneath genuine pleasure. "That may be the nicest thing one of Jane's students has ever said to me."
"I, um, thank you, Sandy," I said, meaning it for the first time.
Penny was already finished. Her look was always more formal than mine - or at least more formal than mine had been - so it wasn't quite as dramatic a change for her. Or, um, for him. That was not a productive line of thought. In the first place, now that, um, she was back to her normal appearance, it was just not . . . reasonable to think of Penny as a guy. It was jarring and made me question my memories rather than the direct evidence before me. And in the second place, I had agreed to treat her like . . . well, *her*. Nothing different. It would be a lot harder to do that if I fought my perceptions rather than going along with them.
And the worst part of all that is it made me question myself, too, in all sorts of ways. I was quite a bit prettier than Penny, and if that were the case, and she was so . . . undeniably feminine, then what did that make me? Was it something I should be ashamed of or proud of? Before, when I thought Penny was a girl and I was the only one in the world who knew what it was like to be trapped in Miss Jane's satin prison, I could sort of . . . hide from what it meant. There was no standard that proved whether I was just . . . coping, grudgingly surviving the inevitable, or whether I was going above and beyond the minimum required. Now . . . well, now it was not productive to think of all that. So I decided to just be Jessica for the evening, for the next three days in fact. Maybe something would make sense after I'd had time to think about it.
For that night, specifically, I would be a very elegant Jessica. Marie had my clothes laid out for me when we got back to the manor. I didn't do it deliberately, but the first word out of my mouth was an unintentional echo.
"Wow," I said, provoking a small giggle from Marie.
"Ma cherie, ce soir you will be . . . magnifique," she claimed, and who was I to argue?
"Vite, vite," she chided me. I stripped out of my casual clothes (Okay, Laura Ashley is hardly casual, but on that day it felt that way) and Marie pointed to the bedpost. "Take hold, m'enfant, tonight you will be tres elegante, tres . . . "
"Tres broken in half, if you keep that up," I grunted. She didn't quite put her knee in my back to haul on my laces, but I think it was only because she felt the busk rubbing on my backbone - from the front side.
"Oh hush," she said, giggling. "You will look so slender and elegant and yet shapely, just right for the delicate flower you are."
"This delicate flower is *still* going to break in half if you don't ease up a little."
Marie laughed, but she tied off my laces then reached for the stockings. Lord knows I couldn't have done them up myself. I couldn't even twist around enough to see if the seams were straight, let alone reach to straighten them.
"Please, Marie, this is too tight."
"Non, non, cherie, it will be fine in a few minutes. Just be calm. It is the size required for your dress."
I suppose I'd have had a better chance of convincing her if I hadn't said much the same thing every time she laced me up. Unfortunately, she knew I could handle it, and she knew I knew it, too. I'd have sighed if I could have. At least I had learned to handle the stiffness, so that was just inconvenient.
"Lift your foot, m'enfant," she ordered, and like a horse being shoed I let her move my leg as required.
"Doggone it, Marie, those are *way* too high. I'll fall on my . . . "
"Ah, ah, ah," she interrupted, waving her finger in my face. "You will do fine. Besides, it is right . . . "
"For the dress," I interrupted. "What I want to know, *Miss* Marie, is who picked the dress?"
"Tsk, tsk," she said, interrupting her stern expression with another giggle. "Do not be concerned with needless details."
She swept the dress from the bed and draped it before herself. Then her voice took on a dreamy tone and I could see genuine pleasure in her eyes. "Oh, child, you will be *so* beautiful. Truly a princess from a storybook tale."
That was not good news, except . . . I just couldn't take that pleasure away from her. In that moment, I knew that I was the daughter that Marie had never had, and it didn't matter what was inside my dress any more. What mattered was her pride in me, in her vicarious sense of young beauty that she could never again feel except through others.
I reached out and hugged her. "Marie, I've never told you how much I appreciated your help. The others, Miss Jane and Penny, they had a job to do, but I never thought it was that way for you."
"Non, cherie, it has always been more than a job, but for Miss Jane and Miss Penny, too."
"Oh, I know that, but still . . . you're special, and I should have let you know that more often."
She hugged me for a long, slow moment, then she drew back abruptly. "Now, now, don't get me started. We don't have time to fix up your makeup, and I know that if I get to blubbering, you soon will be also."
"I expect you're right," I said, but my opinion was hardly a critical addition to the facts of the shine in her eyes, matched by one I know showed in mine.
"Here, lift your arms," she ordered, and then the fabric was drifting down about me like a wisp of smoke. Marie had picked basic black for my formal social evening. But there was nothing basic about that magical dress. It was asymmetric, flowing from my left shoulder to caress cunningly around my nipped-in waist without seeming tight (well, not scandalously so, anyway), then slithering sensually to the floor, the acres of fabric nestling so delicately that it seemed to be snug to the ankles. Turning me around she slowly tugged the hidden zipper up, then stepped back.
"Now, m'enfant, your gloves," she said, then held the first snowy white tube to my hand.
"But, I've just had my nails done again," I protested. "I didn't think I'd be wearing gloves."
"Of course a lady wears gloves," she said adamantly. "But it is also good that your nails are done. They will make your fingers look so long and lovely."
"And I won't be able to pick up anything, or, well, do anything," I protested again as she slid the first one up almost to my shoulder.
"But of course not!" she declared, giggling again. "That is for your escort to do."
"Escort?" I squeaked. "As in . . . a guy?"
"But of course," she declared, deliberately mimicking her own tone. "Did Miss Jane not tell you?"
"She did *not*!"
"I'm sure it was just an oversight," she said negligently. "Nothing to worry about."
"Nothing to worry about?!" I repeated stupidly. "I'll be, I mean, there will be some . . . man hanging around me all night and it's nothing to worry about?"
"Why, child, you are not intending to do anything improper for a lady in public are you?"
"I should say not!"
"Then what is the problem? He will be a gentleman. You will be a lady. All will be proper, n'est-ce pas?"
I was about to protest further when it hit me just what I was protesting about. I was going to spend the night in a formal social setting, dressed like a zillion bucks - as a girl. Like, what made that part okay, while the proximity of some stuffed shirt society dude in a monkey suit made it not okay? Like, would I be any more likely to be turned into a greasy spot on the carpet if *this* dude figured out what was going on than say, that sleazy guy from the mall?
Yeah, right, cling to that rationalization. Like it was gonna help or something.
"Come, come, child, we have more to do."
The more to do turned out to be primarily jewelry. I was draped in another zillion dollars worth of baubles, all real as far as I could tell. The theme was apparently rubies, at my throat and wrist and ears. Set off by the requisite diamonds, of course. All in impeccably good taste, of course, just small enough to avoid being gaudy.
"Oh, dear," Marie said, a hitch in her voice as she stood back.
"What's wrong?" I asked in a reflexive panic.
"Nothing," she whispered. "Not a single thing, ma cherie. You are . . . beautiful."
"I . . this is . . . not me," I whispered, barely able to breathe myself as she showed me the image in the mirror. "It's all . . . your dress and Sandy's makeup, and . . . things."
"Hush, child," she ordered. "Just once in each person's life, he or she should feel truly, magnificently beautiful. Not many people manage it, and to be frank, you would never reach that pinnacle as a man, not as slight as you will always be. But as Jessica, you are truly . . . magical."
I wanted to disagree with her, but the image in the mirror *was* something magical, something special that few could attain. Right then, it didn't matter why I looked like I did, or whether someone might think I should, it was enough that I did.
"Thank you, Marie," I said softly, pulling her beside me so that I could meet her eyes in the mirror without looking away myself.
"Dear, sweet, Lord," I heard from the open doorway. Penny stood there, magnificently tall and dressed like a Grecian goddess in a tumble of white much too elegant to be called a toga, even aside from the wicked slit that showed a *lot* of leg. It fulfilled her serene elegance with patrician majesty, and she looked like the rest of the money in the mint.
"You're gorgeous," we both said simultaneously, then all three of us dissolved into helpless giggles.
"Well, you are," I finally managed to insist.
"Thank you, Jessica, but nobody is even going to know if I'm there tonight," she declared.
"Ha!" I argued. "When they shunt me off to play with the little kids, you're going to be holding court with the leaders of industry."
"Wanna bet?" she said archly.
"Uh, oh, what do you know that I don't know?"
"More than I can tell you in one night," she laughed. Then she sobered for a moment and said, "Truly, Jessica, you are beautiful."
"Truly, Penny, *you* are beautiful. I'm still a self-centered, mixed up mess," I said, then I giggled and did a little pirouette. "But I won't argue if you *insist* that I'm prettier than you, at least for tonight."
"Deal," she said, laughing herself. Curtsying like the most formal of ladies-in-waiting, she gestured gracefully for me to precede her out of the room.
Marie interrupted my grand exit, though. "Ooh, wait a moment, cherie. You need your purse." Quickly gathering up an apparently random sampling of mascara, lipstick, and blush, she tucked a few tissues into a very slim purse and held it out to me. Then she raced from the room with no further explanation.
Penny figured it out, though, before we reached the head of the stairs. "Wanna bet she's got her camera out."
"Oh, God," I groaned. "Is there a back stairway?"
"Yes, but even I wouldn't try it in heels like these," she sighed. At least whatever foundation garments Marie had picked for her left her enough air to sigh. On the other hand, it confirmed that she had tall heels that night as well, which was at least a little good news. Misery loves company and all that.
At the bottom of the stairs, Miss Jane waited in a simple gray gown that probably cost as much as most new cars. She had simple gray gloves and a matching small purse. The only discordant note was a slight frown that one would have imagined showed impatience if such a flaw could apply in the presence of that much elegance. That frown vanished as though it had never existed when she saw us, though.
"One at a time, one at a time," Marie demanded from behind her camera viewfinder.
Penny shrugged, then grinned and held out her own white-gloved hand, clenched in a fist. "On three."
She started to pump it up and down, counting each time. Along about two I caught on an joined her. "Paper," I called.
"Scissors," she crowed. "You go first."
Yeah, right. Well, the stairs were thickly carpeted, and I figured if I bounced, at least I'd be out of the rest of the night's festivities. Despite the distraction of Marie's annoying flashes, I managed to make it to the bottom of the staircase intact.
"Good luck," I called up to Penny.
"Thanks," she said, looking down the long flight from above.
"Don't frown, dear," Marie said. I could see that Penny's initial reaction to that was - and needed to be - stifled. But she put a game smile on her face and made her own stately way down.
"Well, at least the worst is over," I said.
"You wish," Penny replied, and after taking a look at Miss Jane's face, I decides she was a lot closer to the truth than I was.
Lesson Number 8 Zillion and Twelve: A lady does not drive herself to the ball. Or whatever other high-society bash she's attending. Miss Jane had a Lincoln that was a city block long and the cool, high-performance Audi, but neither were even close to satisfactory. That was apparent as we stepped out the door that evening to see about *three* city block's worth of limousine idling on the driveway.
We were, of course, not cold as we left the house. It was late fall and we could have been, except for all the fur draped around us. Yeah, real fur, ranch-raised fuzzy weasel, and it's no worse than wearing leather shoes, so don't start. Mink is warm, and it feels a whole hell of a, um, heck of a lot better than itchy wool on bare skin. Besides, all I had was a stole.
The chauffeur (complete with little cap, no less) opened the door as we approached. "Good evening, Miss," he said to Penny, tipping that cap politely. See, I told you so, when I first saw her I knew she was the kind that rated that sort of gesture from the peasantry. Then the guy did it to *me*, too! Lordy, who'd a ever in a million years thunk it?! I mean, I know it was the job and he'd would probably have tipped his cap to a the cat if it were slipping into his limo, but dam . . doggone that was cool.
There must have been a nuclear power plant under the hood of that land yacht, because we pulled away from the door with smooth acceleration and absolutely no noise. Miss Jane settled into the deep seats and smiled at us. "Well, ladies, I must say, you look very nice this evening."
"I don't feel nice," Penny said, but her giggle took away any real complaint. "I feel like I'm the princess of some medium-size kingdom, with absolute power over high and low justice. 'Off with their heads!'"
"I guess that makes me Cinderella," I said.
"Who are you calling a wicked step-sister?" Penny challenged, laughing again.
"Well, if the shoe fits - and Lord knows nobody else could wear *your* shoes . . . "
"Girls, a little decorum here, please," Miss Jane ordered.
"Very little," I promised, smiling demurely. Well, anyway I tried to look demure.
"That's what I'm afraid of, young lady, and for that crack about me being a wicked step-mother, you're going to go back into your pinafore and pigtails tomorrow."
"But I didn't say . . . . "
Penny's laugh interrupted my denial, but I didn't mind because Miss Jane said, "I'm glad you feel so sisterly toward Jessica, dear. I'm sure you will enjoy joining her in pettis and pigtails tomorrow."
"But . . ," Penny began, then caught herself. "But of course, Aunt Jane. We'll have a tea party. You'll come won't you?"
"Oh yes, please, Miss Jane?" I simpered sweetly. "I'll let you hold my favorite dolly."
She arched one of those power eyebrows at me, but it bounced off my armor of innocence without a dent. Of course, it had lost a lot of its impact because of the twinkle that was sparkling in her eyes.
"Bingo," I crowed in triumph. "We'll tell Marie, tea and petticoats for four tomorrow."
"I did *not* agree to wear petticoats," she declared regally.
Penny lifted her own patrician features into a disdainful glare. "One simply does *not* hold a dolly at a tea party when one is not properly attired, and you yourself have defined what is proper. Are you saying that you will not abide by your own rules?"
I expected Miss Jane to work her way out of the corner we'd created for her. Lord knows she could, I mean, I'd had my words turned around on me so many times that I was really just playing along to see how she made things come out her way. As a result, she threw me totally off balance when she nodded her head. "Very well, tea and pettis for four tomorrow."
Penny recovered first. "And pigtails!'
I joined in, "And freckles!"
"We'll tell Marie . . . "
" . . . that you agreed, and it will be . . . "
" . . . two against one if you claim otherwise!"
It still wasn't fair, of course. I mean, a mature, powerful woman like Miss Jane should have been at least embarrassed at the idea. But she wrapped herself in serene dignity that even Penny couldn't touch and made it clear our little 'trap' didn't concern her a bit. In fact, we spent the rest of the trip into the city planning the event as carefully as an amphibious invasion - who would bake what crumpets, which tea service would be used, all the important details.
When we got to the performance hall, our limo was only one of many. As the doorman helped us out though - and believe me, I needed the help with those stilt heels - we did trigger a little wave of oohs and ahhs through the crowd. Heads were turning our way from around the entrance and that seemed to be the signal for three in particular to focus on us. Three men.
"Ohmigod, here it comes," I gasped to Penny.
"No problem, sis," she hissed back. "If Aunt Jane set it up, they're gonna be nice guys."
"Tell it to my stomach," I whispered back. "Where the butterflies are stomping."
The masculine assault force approached in a chevron formation, the leading man somehow familiar. He was older, at least Miss Jane's age, and had that look of casual dignity that said wearing a tux was not remarkable for him. I thought I knew him from somewhere, but I couldn't remember exactly. Flanking him were two younger men, both very fit, both good looking in that chunked from granite way I had always envied, both with wavy dark hair. They were a little older than Penny or me but close enough to our age to be obviously intended for us. Oh, ssshhhugar.
"Jane, you look fantastic," the older man said as he walked up. "You remember my son, Matt, and this is his friend Daniel. Boys, this is Ms. Jane Thompson, and these are . . . ?"
Miss Jane easily filled the gap with hardly a break in the train of words, "These are my nieces, Penny McQueen, and Jessica Shepherd. Girls, this is Mr. Richard Ellis, his son Matthew, and Daniel . . . ?" (Nieces?)
"Daniel Carter," the young man said. "Though plain ol' Dan is just fine."
In a reflex old before time began, the young men sorted themselves out by size. Plain ol' Dan was taller than Penny even in her heels, and that left Matthew Ellis for me, an opportunity he wasted no time exploiting.
"And I'm just Matt, unless I'm in trouble," he said to me, grinning.
"Pleased to meet you," I said, formally offering him a snowy glove. I swear, he almost bowed over it and kissed my hand. And what was *really weird is that it sent a shiver up my spine when I thought he might. But all he really did was shake it politely, lightly grasping the tips of my fingers.
Then Matt offered me his arm so naturally that the only natural thing to do was to take it. I had practiced enough in heels that I didn't really need the stability, now that I was out of the limo, but I had no clue where we were going. Well, I mean it was obvious we were going inside the building but after that I would have been lost.
It didn't matter, though. Matt guided me to one side, then asked, "May I take your wrap?"
"Thank you," I said quietly. He took care of the minor business and I again found my white glove sparkling against the inky darkness of his tuxedo.
"I hope you won't mind if I'm a bit forward," Matt said, "but I must say, you are incredibly beautiful."
"Thank you," I repeated softly. That was rapidly becoming . . inadequate, so I tried a little more. "So, um, 'just Matt', how did you get roped into this?"
"Why, I'm a famous fan of the opera," he declared grandly, then chuckled. "And if you believe that . . . you're not half as smart as you look."
"E = mc squared," I said loftily. "Or is it cubed? I never can remember."
He smiled unselfconsciously and said, "Don't ask me. I'm having enough trouble with Marbury vs. Madison."
Thank you, Miss Jane. A year ago, I'd never heard of that - and probably never would have heard of it. But Miss Jane was very big on the Constitution. "So, you're a, um, an attorney?"
"Not yet," replied Matt, nodding at my recognition of the reference, "but I'm working on it. In the meantime, I'm working as an intern in Dad's firm."
Bingo! Now I remembered where I'd see the older man before. He was the guy who promised to help Miss Jane with some sort of tax thing for the hospital. That started a little tickle in the back of my mind, but when I tried to grasp at it, it slithered away. I'd have to let it grow a little before I could get a handle on it.
Our seats were the best, of course, a box practically hanging over the stage. That meant we had to go up a wide staircase, and for that I truly appreciated Matt's stabilizing hand. About half way up I nearly got the giggles when I realized I'd been practically holding hands with this guy for, well, ten or fifteen minutes at that point, but he had never touched me. He had touched my gloves, just as I had touched his sleeve with my glove, but it was as though we were protected by force fields or something. That actually helped me relax, at least a little. I needed the relief because I felt excruciatingly fragile as I climbed the stairs. Matt held my (gloved) elbow and I held the skirt to my dress in both hands as I tried to keep it out of the way of my feet. I won't say I would have fallen, but I felt the support of his hand more than once. With it, we made it to the top of the stairs as though it were no big deal, and I challenge anyone who thinks it wasn't a big deal to try it - don't forget the spindly heels.
Our escorts helped us to our seats, Penny and I next to each other in front with the guys right behind. It turned out that Miss, ah, 'Aunt' Jane and *her* escort had the next box down - no crowding allowed in the high-rent district. I'm glad it worked out that way, because it saved me from a major gaffe.
"So, Penny, what's with our 'Aunt' Jane and the handsome lawyer?" I whispered.
"Chill, girl, you are *definitely* barking up the wrong tree there. Aunt Jane is married to a professor of psychology, and Mr. Ellis's wife died of cancer a few years ago."
"Oh, sugar. I'm glad I didn't ask that right out."
Penny smiled serenely at me, one hand pointing at her own face from her lap where our escorts couldn't see. "Rule number one of being a young lady in public: Let a smile do as much of your talking as possible."
"Good advice," I sighed. "Still, where is, um, Aunt Jane's husband?"
"I understand he's conducting some sort of field study on war trauma, in Bosnia. Not a job I'd want to have."
"Me, neither," I agreed. Then the lights went down and the curtain went up.
The less said about the silly opera the better. "The Marriage of Figaro" is not what I'd call music you could dance to. I'd give it about a minus 10. If it had gone on another day or two (the performance took three full weeks as I recall), I swore I'd frig his bleepin' roll for real. But I swore it silently, a lady not being permitted such language, don't you know. I was never so glad to have a show end in my life.
And then I thought of a second reason to be happy. The end of the opera meant we would have no further need of our official social escorts for the evening. Not that 'just Matt' had been much of a burden. I don't think I'd said a dozen words to him all night. Still, it was weird to be so close to a guy, y'know?
My second cause for joy vanished as quickly as I had imagined it. It seemed we were all headed out for dinner.
"Girls, if you'd like to freshen up, we have a few minutes before the car arrives," Aunt Jane announced.
Yeah, right, like I was going into the inner sanctum of womanhood. Then it turned out I was indeed going in, pulled by Penny in a grip much more demanding than Matt's had been.
"Fix your face," she hissed as we entered, then proceeded to do the same. I had bitten off most of my lipstick, at least the glossy top layer, so I set about making the needed repairs. When I was about to close my purse, Penny giggled. "Not yet, girly. Think of where we are."
"I *have* been thinking of that," I hissed at her.
"No, dummy," she whispered back. "What's this place called?"
"'Jail time,' if we're caught."
Penny sighed, rolled her eyes, and then took pity on me. "It's called a 'powder room', airhead, so powder."
She pulled out her own compact and took the shine off her nose and forehead. Yeah, well, I was distracted, so I forgot, okay? Anyway, I took care of that, too, and we glided off to find our, um, to find Miss Jane.
Matt had retrieved my mink and was waiting to drape it over my shoulders. Plain ol' Dan had Penny's jacket, too, and we moved out to stand in the line awaiting vehicles.
"So, what did you think of it?" Matt asked conversationally.
"I think I'm not buying the bit about you being a 'famous fan of the opera,'" I said. "I heard you snoring back there."
"I didn't . . . "
"Give it up, Matt," Dan interrupted. "You had the curtains moving clear across the auditorium."
Penny grinned at her tall, dark, and . . . um, don't go there. "From where I sat, it sounded stereophonic."
"I do *not* snore," Dan announced grandly. "I have stayed awake to find out."
That earned him quadraphonic groans. Even he joined in. After stifling incipient giggles brought on by the unplanned harmony, I tried to return to the topic at hand. "Since we have established, counselor," I said, looking at Matt, "that you were not there on the night in question to enjoy the opera, just why were you at the scene of the, ahem, crime?"
"Not for the reason I thought I'd have," he replied cryptically, but further explanation was interrupted by the arrival of the limo. Lord knows it was big enough for all of us, so we arranged ourselves among the seats and glided silently away from the crowd.
"So, Jessica," Mr. Ellis said, "Jane tells me you just might be the best student she's ever had."
Aunt Jane laughed - in a genteel way, of course - and punched him lightly in the arm. "Richard, you know better than to tell her that."
I was too busy blushing to say anything immediately, but nobody bailed me out, either. After the fire in my cheeks died down to stellar core temperatures, I lifted my head a little and tried to escape. "If that is so, Mr. Ellis, it must be because I had the most to learn."
Penny gave me a quick thumbs up from her side of the limo, while Matt whispered, "Wow. Smooth." Then he turned to Aunt Jane and said, "Gee, Ms. Thompson, if you can teach that kind of cool, maybe I need to come to your school."
Okay, that was too much. I lost it. Penny lost it. Even Aunt Jane couldn't completely stifle a more-than-polite laugh. I couldn't have spoken coherently to save my life, so I rooted around in my purse and found my student ID, the one that said I attended a 'private school for girls.'
Even aside from the fact I didn't think Matt went around beating up on people, he clearly already had a very large dose of manners. But he also demonstrated all the poise that Aunt Jane might desire when his own easy laughter spilled out and he passed the ID to Daniel.
"Whoa, bud, that would be a fairly serious, ah, change for you," Dan said.
"You never know," Matt replied. "It might be worth it." I wish he hadn't been looking at me when he said that.
Mr. Ellis had laughed along with the rest of us. He apparently knew about Aunt Jane's school - and I hoped like hel . . hoped desperately that all he knew was the surface layer. He smiled as the general level of mirth fell to conversational levels, then turned their attention back at me. "What are your favorite subjects? What sort of career field interests you?"
Like a lightbulb over a cartoon character, the little tickle at the back of my mind suddenly clicked in. "Actually, sir, I was thinking that I'd like to study law."
Aunt Jane sat up straighter, looking sharply at me. Mr. Ellis, on the other hand, smiled indulgently. "I appreciate the flattery, young lady, but you don't need to say that just to please me. I'm genuinely interested."
"Thank you, Mr. Ellis, but I'm not just saying that. I don't know if you remember, but we met before . . . "
"At the hospital fundraiser," he said, nodding. "I'm not likely to forget a girl as pretty as you - even if you are younger than my daughters."
"Thank you," I said, hating the blush that fired my cheeks again. "But the important thing is that M, um, Aunt Jane needed some legal help to fix a tax problem." I paused for a moment, not really wanting to spill my life story to all these people I'd just met, but it was key to my explanation. "I don't know if Aunt Jane told you, but I'm an orphan. I have to think there are a lot of children's homes, and hospitals, and people like the Jacksons who could use legal help, especially with taxes."
"The Jacksons?" Mr. Ellis asked.
"Their daughter is being treated at the cancer clinic," 'Aunt' Jane supplied. "I'm not sure they pay much in taxes, but I'm sure any help they could get would be appreciated."
"Pardon me, Aunt Jane, but I expect they *do* pay a lot of taxes. There are sales taxes and gasoline taxes, and you know," I said, warming up to my subject, "all taxes are really paid by the consumer. I mean, the gas taxes a trucker pays are passed along to, say, the grocery store, which passes them along to the consumer. That all seem so unfair, those buried taxes."
"Goodness," Mr. Ellis said, turning to Aunt Jane, "we seem to have hit a nerve here." Then he turned back to me, "And you seem to know your subject. How would you like a job?"
"A job?" I repeated.
"Yes, as an intern in my firm. We don't pay a lot to interns, but if Jane is picking up the tab for your clothes and things, you'd find yourself with a little spending money."
"Hey, that would mean we'd be working together," Matt said brightly.
Uh, oh. I looked desperately as Miss Jane, whose own face showed a frown. After a moment, she said, "Thank you for that generous offer, Richard. I think Jessica and I will need to talk it over before we make any sort of commitment."
Was this another occasion when I was glad to wear a corset? Possibly, because the stiffness of it kept me from sagging with some weird combination of relief and disappointment. The da . . . darn thing didn't help my whirling mind, though. *That* problem was helped by our arrival at our restaurant. Matt and Dan were back into normal escort mode, helping us from the limo and once again checking our wraps for us.
We had a reserved table and the service was impeccable. As far as I could tell, our orders had been pre-arranged. Certainly I never saw a menu. Not that it mattered. I had no clue what most of the dishes were, beyond being the most fabulous Italian I'd ever had, and I knew I couldn't have made better choices if I *had* seen them listed - in Italian, no doubt. My only regret is that I could only manage a few tastes of each course in that infernal corset. Well, that's not true. I wished Marie had been there, too. She could have picked up some terrific recipes, and I had no doubt she could have added them to her incredible repertoire.
Mr. Ellis sat back expansively after some final sweet course, and nodded to his son. "Matt, Jane and I need to talk for a little while. Why don't you two take the girls and dance or something?"
"Yes, sir," Matt replied quickly. It would seem he didn't find that particular chore too burdensome. Lucky me. Lucky Penny, too, because Dan was just as eager.
I caught Aunt Jane's eyes for just an instant, but it was enough to get her signal to go along. Well, it was for this that I had dodged Penny's toes in all our practice. Allowing Matt to handle my chair, I rose as gracefully as I could and let him lead me to the dance floor. There was probably more money in that room than in the vaults of most countries, and that sort of wealth was not really compatible with . . . undisciplined dancing. So I was not surprised to hear the strains of a waltz coming from a no-kidding live string orchestra. My practice paid off as my hands went naturally to hold my skirt and to meet Matt's, and we were soon moving to the easy music.
He was, as he had been all evening, impeccably polite. There was the requisite handspan between us at all times, and his right hand stayed at my armored waist. He was also a nice guy in that he picked up on my inner turmoil and let me have a few moments of silence.
Finally I shook off the unproductive spiral my mind wanted to get trapped in, and looked up at him. "You're pretty slick, you know."
"Huh? Um, I mean, uh, what do you mean?"
"I've asked you twice tonight why you were here, and both times you've dodged my question."
Matt chuckled and said, "I did, didn't I? Well, it wasn't really deliberate. Or, um, at least, not the second time."
"You're still not getting to the point," I noted.
He laughed again and bowed his head in ostentatious shame. Then he perked up and grinned at me. "It's your fault."
"My fault?"
"Sure," he said, then his expressive eyes darkened in a moment of pain. "After my mom died, Dad, well, he didn't take it very well. He had . . he *has* a lot of friends though, and they wouldn't let him just withdraw from the world. He's always been active in charity things, and they started pushing him to get involved again. There are a lot of rich widows in this part of the country and the society matrons used him to fill in when they needed to balance the numbers at some social event."
I was still trying to decide how any of that was my fault, when Matt smiled again and said, "Anyway, he sort of became the on-call socially-proper escort. About that time I got 'roped in', as you say, to the same sort of thing. Dad just told me to find a friend, and that we would be escorting two young ladies to the opera and dinner. So, here I am."
"So why did you dodge my questions earlier?"
His face flushed at that, a silly sight on such a masculine visage, and it was a minute before he replied. "Well, you see, some of the young, ah, ladies that I have been asked to escort were, um, well, lets just say I needed another reason to be there, y'know? So I sort of developed this knee-jerk answer to that sort of question. I'm a famous fan of the opera, and of the ballet, and of 'th' theatah' and, well, you know."
"So, it was a polite cover for mercy dates," I said, snickering. That actually made me feel better. I could handle being a mercy date. At least, I could handle it better than the alternative.
"I didn't say that," he disagreed gallantly.
"That's okay," I said lightly. "I can take it."
"Oh, no!" he said quickly. "Not you! You're . . . fantastic. You're smart and you're, like, the way you move is so graceful and you're so gorgeous that I . . . "
"Whoa, there, big fella," I said. "Take a breath. I mean, that's really sweet of you, but don't overdo it."
He blushed again, carefully looking over my shoulder. "I'm sorry," he said after a moment. "I didn't mean to come on so strong."
"That's okay," I said softly. And found myself surprised to realize that I meant it.
"Look, Jessica," he said, looking back into my eyes - from a distressingly short distance. "I meant what I said about you. You're no mercy date, not by the furthest stretch of the imagination. Let me prove it to you."
"I don't need any proof," I said, smiling.
"Fine," he said, a grin showing again. "Let me prove it to you anyway. Why don't we go to, like, a movie or something? I promise, no opera."
Uh, oh. Red alert! Earth to Jessica: Hellooo, stupid! Didn't you see that coming?
Where were all those lessons in how to handle guys, now that I needed them? I guess some of them took because I managed to keep dancing instead of, like, fainting or something. Or maybe it was just all that practice with the corsets that kept me from needing to breathe for a long, long time.
Finally I managed to recage my tumbled gyros and start looking for some way out of the mess I was in. "Um, I'm flattered, Matt, but my, ah, Aunt Jane says I'm too young to date."
"Bullsh . . . um, look Jessica," he said, frowning, "I appreciate that you're trying to let me down easy, but that's pretty bogus. Hell, even if you considered *me* a mercy date I think I deserve better than that."
"No, really," I protested. "She is really strict about that."
"So tell her to bug off. Sh . . shoot, that's positively medieval. The age of consent is 18, y'know, not 25 any more."
I had to giggle, and maybe the real humor in it helped to convince him I was serious when I said, "I'm not, um, 18 yet, but thanks for thinking so."
"Well, I'll be," he said, flushing again. "Now I *am* impressed. I mean, I've been impressed all evening, but I figured, well, I won't argue that you look a little younger than I thought, but you're so . . sophisticated that I figured you just looked, well, better than other girls your age. Oh, hell, that didn't come out right. Anyway, when I first saw you, I put you at about 18, maybe a little less, but I would have believed 20 easy, from the way you, well, move and your poise and . . . "
"Oh, stop," I begged, snickering. "Penny already thinks my head is over-inflated. If she heard you going on like that, I'd never hear the end of it."
He chuckled and started leading us with more purpose. "I'll show you," he threatened, "we'll go right over there and I'll repeat every word."
"Don't you dare," I gasped, but I had to giggle, too. God, if he really did that, Penny would have a cow. I know Aunt Jane would hear about it and I'd be in little girl frocks for the rest of my natural life.
He took pity on me after we got close enough to make his threat real. With Dan and Penny dancing only a few feet away, he leaned down to whisper in my ear, "Last chance. Tell me how old you really are, and I won't tell them what I said."
I should have, right then. Why not? I mean, it wasn't like I cared what he thought of me, right? Well, that was the answer of course. I *did* care, not because I wanted to date the doofus, of course, but having someone, someone who obviously had his own sh . . sugar together pretty well think I was sophisticated and poised enough to be several years older than I really was . . . well, that was flattering. I didn't want to pop that bubble, at least not, like, quickly. So I dodged his question.
"A girl has to keep *some* secrets," I whispered back. "Otherwise men lose interest so quickly, y'know?"
"You're still claiming to be less than 18?" he pushed.
Well, I'd already said that, so I nodded.
"Seventeen?" he asked.
I just smiled and regarded his chest, refusing to meet his eyes. Something must have given me away, though. He gasped and hissed, "You are *not* going to tell me that you're only sixteen!"
"Okay, I won't," I replied lightly.
"No way," he said, loud enough for Dan and Penny to look our way.
"Be quiet," I hissed at him.
"No," he said. Actually, he was lying because he did drop his voice again, but his tone said it as on its way back up if I didn't answer his question. "No kidding, how old are you?"
"I'll be sixteen in a few more weeks," I sighed.
"I don't believe it," he said, then as he saw color start to bloom in my cheeks, he said, "I'm sorry. That was wrong. I *do* believe you, but I swear if you hadn't told me yourself, I'd want proof."
"Sorry, take it or leave it," I snipped, still a bit irritated.
"No, I'm sorry," he said. "Really, I am just so impressed with you that I didn't want it to be true, I guess."
Well, that was a pretty nice apology. I let him have a small smile in return.
Maybe it was the adrenaline rush, or actually the flush afterwards, but all the sudden my feet really started to hurt. "Would you mind if we went back?" I asked.
His face fell, but he nodded and led me from the floor. I tried to straighten things out. "No, Matt, it's nothing you did. Truly, I'm not angry. It's just that my shoes are killing me."
"That's okay," he said sadly, clearly not convinced.
I refused to accept his disbelief. "Hey, buster, you try dancing in heels. And until you do, trust a girl when she says her feet are hurting." Yeah, buster, come to Aunt Jane's for a while and you'll see what it's like! Let's see . . . Matt . . . Matilda? Oh, that would be just *too* perfect.
I laughed, and stopped as we walked. It was as much to get my laughter under control as anything, but for an excuse I lifted the front of my skirt to show one slender ankle and the not-so-glass slipper that adorned it.
"So, if I rub your feet, will you follow me home?" he asked, leering theatrically. Well, at least it meant he was over his hurt.
"Oh, Lordy, Matt, but that sounds good," I moaned. "But, there is that problem of my age - and my Aunt. Believe me, you do *not* want to get on the wrong side of Aunt Jane."
"I expect you're right," he grimaced. The he sighed and copied my words, "Oh, Lordy, Jessica, but I may just have to wait until you *are* 18."
You'll wait for longer than that, mister. But you don't need to know that. Sh . . . shoot, if you *did* know the real story, you wouldn't wait for a heartbeat - to kill me. Thankfully we had arrived back at Aunt Jane's table.
Unfortunately, with the change of pace I had relaxed a bit as we walked, and that had . . . opened my perceptions to another problem. I tried to ignore it, but as always Aunt Jane missed nothing.
"Jessica, why are you fidgeting?"
"Oh, sorry, um, Aunt Jane."
"That's not an answer to my question," she said, but her corrective action was lost in the arrival of Penny and Dan.
Penny was snickering at something Dan had said, and she rode that energy to sweep by our table practically without pause, one long arm gathering up her purse. "C'mon Jess," she ordered. "Time to powder our noses again."
Well, I might be able to fight it from the inside, but when I was getting it from all sides I figured I might as well surrender. Gathering up my own small bag I followed her to the powder room. This time it just wasn't optional and I slipped into one of the stalls. It took *forever* to get my stupid gloves off, and to get all that dress out of the way, and all the while my need was building, sort of like a horse that smells water - oh, bad analogy, don't think about water.
I nearly groaned out loud when I finally managed to take care of my problem. Hel . . Goodness, maybe I did, because I heard Penny giggle from the next stall down. Well, too late to worry about it then. I went through the reverse contortions, not including my gloves, and went out to wash up. Even with my nails, it was easier to get my lipstick on without my gloves, and I took an extra moment to add a little mascara as well.
"Lookin' good, girl," Penny said from beside me as she took care of her own needs. "What were you and Hunk, Jr. talking about out there?"
"You wouldn't believe me if I told you," I said.
"So, when are you goin' out with him?"
"I'm not! How did you . . . ?"
"Geez, girl, get a clue. The most beautiful girl in three states is dancing with a rich, unattached, *available* guy who has fallen so far into her eyes that not even his toenails are showing. What's not to understand? You're gorgeous, you're polite - that shy demure look works so much better on a petite girl like you than on a big old horse like me - and you're obviously no airhead with the topics you were discussing on the ride over here. Good catch, sis. From what Dan tells me, he's probably got more money - in his own name - than Aunt Jane."
"I didn't 'catch' him," I said sharply. "Nor do I want to. He's, um," I interrupted myself to check and see if we were truly alone. "He's not, um, my type." Leaning over, I hissed in her ear, "I don't want to date guys."
"So don't," Penny said, smiling. "Just because he asked doesn't mean you have to say yes, and you didn't. The important issue is that he *did* ask, and he asked because you succeeded in fitting into very high-class circles."
"But I look like a girl!" I said, forgetting my caution. "I don't want men to be attracted to me."
"No," she replied, "you want men to respect you. Manners are gender-neutral. Oh, the specific roles men and women play are different, but what counts is knowing what those roles are, and being able to play them naturally and consistently. Once you learn them from either side, you'll be able to play them from the guy's side.
"Maybe that's true, but then why do I look like that?" I asked, pointing in the mirror. "Why bother coming at this from the wrong side? None of this is really me."
"*All* of this is really you," argued Penny. "*You* are not the clothes. You are what's inside the dress."
"Yeah, that's the problem," I said.
"That's the *solution*, you dummy," she said. "The manners and the poise and the sophistication are part of *you*, not that silly rag you're wearing. Why do you think Jane brought us here tonight?"
"Like I could figure out why she does *anything*."
Penny claimed, "Everything she does has a purpose, and a perfectly logical, efficient one."
"Look, Penny, I'm not denying that Aunt Jane's method worked. I mean, I believe you that you were pretty screwed up when you came here, and I know I was, or am, or whatever. But that doesn't justify all this," I said, sweeping my hand down my sleek curves. "Her methods may be effective, but they're hardly efficient."
Penny snorted with most unladylike disdain. "Hellooo! As a girl, you are allowed to be quiet, to let the men take the lead and take care of things. You never have to make the first move, so you don't have to know what move that is. You can learn as you go. Actually, Jane is making it easy on you by letting you take the woman's role in social interactions.
"Yeah, right, so all this is the best, most efficient way for me not only to fix my screwed up behavior, but to prepare myself for the life I will lead as an adult."
"That about sums it up," claimed Penny. "I knew you'd catch on, sis."
"Get, real," I said.
Penny stopped what she was doing and grabbed me by the shoulders. "This *is* real, Jessica. As real as it gets. You're a well-mannered person with an education way beyond your peers. You can build on that to be *anyone* you want to be. *That* is what this is all about."
She let go of me and leaned against the vanity. "I love Aunt Jane more than anyone else in the world. She saved my life - literally - and then gave me an even better one. What part of that don't you think is real?"
I started to answer her . . . and ran out of words before I started. My eyes started burning and I sagged against the counter. Penny had me in her arms in an instant and cradled my head against her chest. "I love you, too, sis. Jesse. I love the total person you have become. You're a good person, and you'll do great things in life. Trust me on this."
She gently lifted me from her shoulder and looked me straight in the eye, "Any less would be, would hurt Aunt Jane, and I don't think you want to do that."
"No, I don't," I whispered, unconsciously straightening my shoulders.
Penny nodded, and smiled. "Now, let's get ourselves fixed up before they send the search parties after us."
It wasn't that easy, of course. I had a *lot* to think about, and in my distraction just getting my stupid gloves back on was a battle. But Penny helped, part of which was giving me the time to think without interruption. When we finally got back to our table, I was at least mobile and back in the same time zone with the rest of them.
Aunt Jane had apparently been talking with Mr. Ellis, and they quizzed me on my expressed interest in the law while we sat. I hadn't really realized it before that night, but that really was what I decided I wanted to do with my life. Mr. Ellis described the opportunity to be an intern in his office, and I tried to get a reading from Aunt Jane on whether that would really be possible.
She was neutral, though, and the conversation drifted onto other topics. Matt and I danced again. Dan did his duty with me as well. Even Mr. Ellis took his turn, telling me the whole time about how he used to dance with his daughters, who were now a doctor and a financier. Apparently Matt had some mighty big footsteps to follow, even if some of them had a pointy heel. By the time Matt claimed me for one last dance, my feet were killing me and I was about to fall asleep in his arms.
"I think we should be going," he said. "Though I wish this night would never end."
"Thank you, Matt, that's very sweet," I said languidly.
He smiled, though there was an undercurrent of sadness in his eyes. "Oh, Jessie, if only . . . "
That startled me from my drowsiness. I could hear in his voice that he was just softening my name into a friendly, more personal form, but that wasn't the only way to hear that name. It forced me to face things that I had been ignoring - again. Not that facing them provided any answers, but it kept me from slipping into any greater problems.
"Yes, Matt, I think we should be going," I agreed, carefully ignoring the rest of what he said.
The ride in the limo back to where Mr. Ellis had parked their car was strangely silent. Matt slipped his arm around me in the car, but it was more companionable than romantic. When they got out, he gave me a hug and I found myself reflexively kissing his cheek. On the scale of that evening, that was way too minor to worry about.
I fell asleep during the ride home, unconscious habits keeping my dress neat and my knees together. I don't know if Aunt Jane wanted to say anything, but it wouldn't have done any good. Marie helped me out of my beautiful clothes and I fell into my bed, hiding in my dreams from a reality even more confusing.
"Bonjour, cherie, bonjour. Levez! C'est le matin," an impossibly perky voice chirped at me.
I guess it would be unfair to say it had been a short night. I had just spent it on other things than sleep. Most of it, anyway. I would have regretted that decision, if I could work up enough energy for such complex emotions as regret. Okay, focus. Start with the basics. In. Out. Breathe. Slow breathing is good. Sooo relaxing . . . .
The covers leaped off the bed and a nuclear blast of light melted my eyeballs, even through my eyelids.
"Vite, vite, cherie. Today is *not* the day to keep Miss Jane waiting."
"Yeah, like, what makes today any different about that?" I grumped from below the pillow I'd grabbed to protect my still-shut eyes from the brightness.
"You will see, Miss Jessica," the voice promised.
Accepting the inevitable - besides, it was cold without the covers - I cautiously poked my head out from under the pillow. And cracked up. I laughed so hard I *really* had to hurry to the bathroom.
"Marie, you look just . . . darling!" I called from the safety of the little alcove.
"As will you," she threatened.
Oh ssshhhuugaar! That's right. Today was pettis and pigtails, for all of us. Ohmigod, for *all* of us.
Some things just can't be hurried, but as soon as I could I dashed back into the bedroom to find Marie - in the frothy little frock held out by an explosion of petticoats, with pigtails and freckles, that I had seen her wearing before - arranging a similar outfit for me on the bed. Her dress was a delicate pastel yellow. Mine, as I saw immediately, was robin's egg blue. Other than that, they were pretty similar all the way to white tights and mary jane shoes.
"Aunt Jane, too?" I asked in wonder.
"Today would not be a good day to keep her waiting," Marie repeated, not quite answering.
"Not for a million dollars," I agreed. "*This* I gotta see."
Not that my agreement made things go any faster. It was even harder to make my face up like a little girl than a more, well, ordinary look. The flaws had to be hidden so subtly that it didn't look like I was wearing any makeup at all, yet I needed fully, pouty, cupid's bow lips and wide, alert eyes. Everything had to be nearly invisible, except for the freckles and overly-rosy cheeks. Of course, on those Marie went *way* overboard.
She left me to put my own hair up into pigtails and to finish getting dressed. Hey, no corset! I guess little girls don't have to have as much shape. I figured this was going to be a pretty good day after all. No corset. Low-heeled shoes. And Aunt Jane in petticoats! I rushed through the rest of getting dressed, only my still-long nails a contrast to relatively (relatively!) comfortable clothes, and went across the hall to knock on Penny's door.
"Come in," I heard from inside.
Penny was just finishing her own pigtails. Stiff petticoats held the little skirt of her cotton-candy pink dress out like a ballerina's tutu, and showed about nine feet of sleek leg down to her own patent leather shoes. Some girls do not look like children, regardless of their clothes, darn it.
"Are you ready?" Marie asked me.
"Yes, ma'am," I replied pertly, dipping in a dainty curtsy.
"Then let us be off," she said, giggling. We trooped together down the stairs, then marched into the breakfast room.
"Ohmigod," I gasped. Penny whacked my unarmored sides with her elbow, but her own giggle spilled out despite her best efforts.
Little Missy Jane was there, in all her budding glory. A sea green dress with bows and lace and ruffles danced around her erect torso, calling out the highlights in her auburn pigtails. An array of freckles at least as extensive as those on my faced wiggled under her eyes as she turned to look at us. I was sure she had petticoats at least as full as ours, but I wanted to sneak a peek under the table just to see.
"Come in, girls, and sit down. We have dawdled enough," Aunt Jane's voice said. It seemed strange coming from that figure, because it wasn't strange at all and the figure certainly was.
"Yeth, Mith Jane," Marie lisped, curtsying. I wasn't about to try the lisp thing, mostly because I knew I'd lose it if I tried. I was close enough to a giggle attack as it was, but I dipped into my own curtsy, and took my place. From somewhere, Marie had found plastic bowls with cartoon characters on them, and plastic spoons. That's all we needed, because our breakfast meal was one children could manage; cereal, milk, and orange juice.
"Jessica, I was quite impressed with your understanding of hidden taxes last night," Aunt Jane said as we sorted out the milk and fruits.
"Thank you, Aun . . . I mean, Miss . . . ," I stammered to a stop, then decided I needed to start over. "Could I . . would you mind if I, um, called you 'Aunt' Jane? I mean, you introduced me, um, us as your nieces last night, and I just started, I mean, it was . . . nice."
She looked quickly out the window and I was afraid I'd made her angry. In a moment she looked back though, and the shine in her eyes was bright enough I didn't think anger was fueling it. "Yes, dear," she said. "I would be very pleased if you chose to consider me your aunt. Very proud."
Proud. How many times in my life had I ever made someone else feel proud? Ever? I'd like to think there had been a few times - too few - when I'd been justified in a little pride myself, but making someone *else* feel proud? Dear Lord, that was . . . different. That was . . . nice. I ducked my head because I knew there was a shine in my eyes, too, but I didn't really mind a bit.
Aunt Jane let us chatter through breakfast after that, distracted perhaps from whatever conversation she had intended. She smiled indulgently as we made fun of the grandiose pretensions of the opera singers from the night before and added an occasional reinforcing tidbit to the report we gave Marie on the fabulous Italian meal. She didn't even intervene when Penny and I got into a pretend fight over our 'favorite' cereal, each demanding to have the box so we could read it. Through it all, Aunt Jane was her normal, serene self, no different than if she had been dressed in her usual designer clothes. The contrast was just devastating, and I had to stop and look out the window every few minutes to regain whatever composure I had. Looking at her in her pigtails, with formal New England diction spilling from those cutely drawn lips, was just tooooo much! I couldn't decide whether to be disappointed or relieved that the simple meal was quickly over. We formed a virtual conveyor belt to the kitchen, carrying boxes, pitchers, and dirty dishes for the shared cleanup.
"Very well, this is what we'll do next," Aunt Jane said as we finished, not quite able to relax from her deeply ingrained need to be in control at all times. "Jessica, I believe we had agreed that you would work on the crumpets, with Marie. Penny, I believe the silver tea service is appropriate, but I think it could use some polishing."
"Miss Jane!" Marie gasped in surprise.
"I think it could use some polishing," Aunt Jane repeated, but her smile showed she knew the task to be unnecessary. As if anything in Marie's household would be less than spotless.
I decided two could play at that game. Curtsying as daintily as I could, I said, "May I be excused for just a moment Aunt Jane?"
She thought she knew what I wanted - maybe the fidgeting that was so obviously bothering me was a clue. But I didn't really lie, see, because I just asked to be excused, and fidgeted, with my legs crossed, and rocking back and forth a little.
Aunt Jane smiled and nodded, and I ran from the room. I figured if I were dressed as a little girl, it would be in character to run instead of walking, especially if I had needed to be excused so badly. But I used the opportunity to dash to the top of the stairs and retrieve what had to be the ugliest doll I'd ever seen. I didn't remember what Cabbage Patch dolls looked like (in truth, I didn't care) but I had this vague image of a lumpy head like a potato on a chubby little body. That description fit this . . . thing in my room, anyway. Whether it was a Cabbage Patch doll or not was irrelevant, though. It was ugly, and it was durable, and it was fairly big - no little Barbie doll that could be stuffed in a drawer.
I grabbed it off the dresser where it had loomed over me for months, and raced back down the stairs. Sliding to a stop in front of the other three in their precious pettis, I held out my prize to Aunt Jane. "Aunt Jane, last night I promised you that you could hold my favorite dolly today. Her name is, um, Polly. Take good care of her."
I thought Marie was going to choke, and Penny didn't even try to contain her hoots. Doggone that woman though, but Aunt Jane took it in stride like I had just handed her the crown jewels. Cradling the thing in her arm, she nodded and went on with her directions about which tablecloth to use with hardly a pause.
Our orders clear, we went to work. As had been the case so many times, Marie could have fixed the crumpets in a fraction of the time it took me, but she was as patient as always. She was a great teacher, though, and despite the time it took, they came out pretty well. I took a tray of hot crumpets in to Aunt Jane about mid-morning, with some tea, and she nodded her thanks since she was on the phone at the time. Lordy, there is something about a grown up woman in a little girl dress, with an ugly doll next to her on her chair, reaming some bozo over the phone, that just goes beyond description. I know I'll never forget that image.
Lunch was peanut-butter-and-jelly sandwiches. What else? But I was surprised at Miss Jane's next order. "Girls," she said, "I think it is time for your naps. We'll have our tea after you get up."
Naps? I hadn't taken an afternoon nap in, like, years. And Aunt Jane was *not* tolerant of laziness. Then I saw through her deviousness - as usual, after the fact. She had known our previous night would run very long before we left the bleepin' house! And so, she had intended us to be in little girl clothes so that we could legitimately take an afternoon nap. If not our silliness about Cinderella and the wicked stepmother, then some other pretext would have gotten Penny and I into our pettis. That tricky, sly old . . . fox, or vixen, or whatever.
Not that I was complaining, of course. I was tired and whatever excuse allowed me to catch up on a little sleep was fine with me. Besides, we could take those silly petticoats off while we slept. Marie bustled in to wake us up after an hour or so, and then we sat down to a perfect little tea, ostentatiously crooking our little fingers and saying, "Would you like another crumpet, deah?" Through the whole thing, Polly never left Aunt Jane's side, though she wasn't a very good little girl. She never did finish the tea and crumpets set before her.
It was all so . . .surreal. It was just unheard of for Aunt Jane to be so . . . undignified, except, that's not really what it was. She had dignity regardless of how she was dressed. Still, the whole day I was expecting some sort of . . . reaction to the silliness, and she treated it with the most incredible nonchalance all day.
At least, until our tea was over. "Very well, ladies, I think it's time we all grew up a little. Marie, if you would clear the table, I'd like the girls to go get dressed in something more . . . suitable for a discussion we need to have."
"Yes, ma'am," we said.
I wouldn't have been surprised to see clothes laid out on the bed when I got to my room. I'd have bet money that Marie had the ability to be in two places at once (as opposed to Aunt Jane, who had the ability to be wherever you didn't expect her) and so I figured she'd have slipped out and done her normal maid thing. But this time we were left to our own devices. I stripped out of the petticoats and brushed out the pigtails, and tried to decide what to wear. Somehow I had the feeling the other shoe was about to drop. Whatever had caused Aunt Jane to indulge in the childish clothes all day was about to be offset by a correspondingly serious evening.
In the end, I chose the outfit I had worn on my first mall outing. It was unbearably preppy, but that was better than the ostentatious stylishness of Laura Ashley. Besides, I'd had enough of white stockings for the day. I even slipped across to Penny's room to get her to do up my laces so I had my budding-young-woman curves. Penny chose Laura Ashley, but that was right for her. As a result, she looked five years older and five times richer than I did when we went back down stairs, but I could live with that.
It was no surprise at all to see Aunt Jane in an elegantly simple green dress, not a hair out of place when we reached her study. Instead of motioning us to chairs though, she stood when we entered. "Let's go someplace a little less formal," she said. Leading us down the hallway, we entered the conservatory, still warmly lit by the rays of the setting sun.
Aunt Jane looked at each of us in turn, a long, discerning glance where the critical appraisal I had come to know so uncomfortably well was absent. In its place was something complex, but sadness was a big part of it. Finally she turned to look directly at Penny.
"You have been one of my most challenging students ever," Aunt Jane said to her.
Penny's head and shoulders fell like she had been struck. "I'm sorry, Aunt Jane."
"Don't be, child, because that also makes you one of my greatest successes," Aunt Jane replied. "I am so very proud of you."
"Proud of . . . *me*?" Penny asked, looking over at me. "I've never, um, done very well at, this."
"You have done wonderfully well," Aunt Jane disagreed. "We both know you faced . . . challenges in the role I laid out for you. I daresay few could have done as well even with greater advantages."
She rose to look out the windows into the garden, and somehow the gravity of her mood was serious without being threatening. "But this environment, those clothes were never an end in themselves. They were a way to allow you - to force you, in fact - to face your personal demons." Turning back to Penny, Aunt Jane said, "I believe you've done that now."
"I . . may have," Penny said. "I, um, we talked last night, Jessica and I, and I realized as I was talking to her that all of what I said applied to me, too. I can never bring Janey back, but I can make a difference from now on."
Now Penny changed her focus to me and said, "And thanks to you I think I can even find that fulfilling. I can be . . . happy."
"Thanks to me?" I asked in surprise. "All I've done is given you, both of you, grief!"
"You have indeed done that," Aunt Jane replied, smiling gently, "but that is hardly all you have done."
Aunt Jane's body firmed up somehow, as though she were straightening an already perfect posture even further, and she looked at Penny. "Penny, dear, I think it is time for you to leave."
"Leave?"
"I think it's time for Penny to leave, and for Benny . . . Benjamin to return. You need to move out of my world into the wider world before you become trapped in a form that doesn't suit you."
"Like Victoria?" Penny asked.
"In some ways," Aunt Jane said, nodding. "Your parents love you, and they deserve the chance to show that to you. They deserve to feel the pride in you that I feel. That is where your home lies, and your future."
There was regret in Penny's expression, and a bit of fear as well, but also resolve and confidence. You could see the change in her attitude even as she sat there. For the first time since I had met her, she looked down at the way she was dressed with a sense of awkwardness. "So, what do I, um, do?"
Aunt Jane's smile showed in the corners of her eyes, a lie that was demonstrated by their shine. "Today, one last day, you have been my precious, shiny Penny." Then she sighed. "Tomorrow, Sandy and Carolyn will come here to 'deconstruct' you; to take you back to a masculine appearance. We will spend a few days helping you learn to move and talk like a man again, then . . . . well, then your parents will get a chance to see how fine a young man you are."
"Oh, Aunt Jane, I . . . ," Penny cried, rising and reaching out to hug her tormentor, and mentor, and molder.
I felt like an intruder, a voyeur watching something private and precious, of which I was not truly a part. If I had been standing near the doorway, I'd have tried to sneak from the room, but I was afraid it would be too noticeable if I stood at that point, so I tried to disappear into the upholstery instead. It didn't work, of course. Nothing escaped Aunt Jane's notice. After a moment she leaned away from Penny, so gently there was no sense of rejection at all, then looked at me.
"Jessica, you are indeed one of the best students I've ever had," she said, clearly moving on to a new topic.
"Thank you, Aunt Jane. I meant what I said last night, though. If that's true, it's because I started out worst."
"Hardly," she disagreed. "But I wasn't talking about your skills in dress and deportment only. I meant your academic excellence. You are a very quick study. It is to your credit that you can apply your lessons of course, hence your success as Jessica. But even in purely academic areas you shine. You write well, you are very good at research, and you have creative insights."
"Um, thank you," I replied, shocked.
"Would you really like to be an intern in a law firm?"
"Sure, I mean, yes, ma'am."
"As Jessica?" she asked, fixing me with her looking-inside-my-mind stare.
I didn't answer immediately. There were a lot of implications to that. Like, if I said, 'no', what would happen to me? I decided that was a fair question, and one I couldn't reason out by myself.
"What are my, um, choices?"
She smiled, nodding appreciation at whatever I'd done that was good. "Let me assure you of one thing. You've fully met my standards as a student, and I believe you've done your best. That was our deal, was it not?"
"Yesss," I said slowly.
"So regardless of what happens from here, I will stand by the rest of our deal. I will see that you get the college education of your choice."
"I, um, thank you, but that is so much money. I need to, I don't know how, but I need to do something to pay my own way."
She nodded, and while I had no clue how to make good on that commitment, I also got the clear impression she would make that happen, too. "With that as a given, what would you like to do now?"
"You mean, like, I could go back to being Jesse?"
"If you'd like."
"And, um, go back to the home?"
"Only if you want to," she said. "I was hoping you would consider staying on with me. If not, I can arrange for you to stay at an appropriate preparatory school. As Jesse."
I took that statement apart and realized the, 'as Jesse' was tagged to the prep school, not to the 'stay with her' part. Penny shifted in her seat, and a grinned at me, "Each one teach one, sis. You can go be a preppy if you want, but if you stay here, you could do a lot of good."
"You would not have to be Jessica all the time," Aunt Jane explained. "But it is important to my program that the troubled young men feel there is no solace available from other male figures in the household, at least in the beginning. Beyond just not having a male in residence though, I could really use your help. A 'big sister' is an important part of the program."
She looked back out the windows again, gazing on the gray, near-winter day. "I need the special insight only a big-sister confidante can provide. The risks are greater, significantly greater, without it. Sometimes too great to be acceptable. There have been . . . problems that I would not chance again. And that might mean that some young man loses his chance to become all he can be. I really do believe we have helped sometimes."
Turning back from the window and the memories the gray day held, she looked at me. "That is not meant to force your decision. I have other options, other ex-students who could fill that role. It is an opportunity, not a duty. However, you could be very helpful, if you are willing."
Then she walked over to sit beside me on the low couch. Her manner was deliberately upbeat, brisk and confident. "In any event, I can arrange for a legal internship for you. You can understand, I am sure, that you could not go alternately as Jesse and as Jessica to the same place, so you would need to choose one or the other for fairly extended periods - the time a new student is in residence as Jessica, or a full semester at boarding school as Jesse. However, internships of an equivalent duration are available, so that is a free choice either way."
"Wow," I said softly. "That is a lot to think about."
"Just so," she said gently. "And that is why I asked you to give me three days. Think about it, and give me your answer tomorrow."
I nodded, mind whirling with options and combinations that seemed to spiral out of control.
Standing up again, Aunt Jane urged me to my feet and then reached another hand to Penny. "Tonight is our last night together as ladies. I'm sure Marie has something interesting in mind for dinner. You should not have challenged her French cuisine by praising last night's Italian so enthusiastically. Shall we see what she has created?"
"Don't forget to pack this sweater, mon chou," Marie said. "It matches your eyes so beautifully."
"Mais oui, Tante Marie. Bien sur," I said, reaching out one arm to pull her close enough as she passed that I could kiss her cheek.
She blushed at the attention. After all this time, I could still get a rise out of her whenever I wanted, and she knew it. Of course, she didn't mind. Also of course, she didn't let me pack the silly sweater myself. Refolding it three times until it was the perfect shape to fit the niche she had picked out in my already bulging suitcase, she patted it into position and stood back, surreptitiously wiping away a tear.
"Jesse, mon cheri, it seems like you just arrived to share your life with us."
"To become alive, you mean, Tante Marie," I said. "If not for you and Mama Jane, I'd have no life at all."
"You are a tough one, Jesse, and I don't mean that you are a swaggering bully, regardless of how you seemed when you came here. You'd have survived. But not, I think, flourishing as you have with us."
"I'd have picked on somebody one time too many and ended up broken into little pieces," I disagreed gently. "And we both know it."
Old whatsisname, the tall dude I had met in the mall that day, had been right. If you don't go looking for trouble, you don't find it very easily. I had found much more pleasant things instead. I was going away to Yale law school, riding on the credentials of a maxed-out LSAT despite being two years younger than my soon-to-be peers. Of course, I had been drinking through an academic firehose for the last few years. Mama Jane saw to that, even when it took hellaciously competent tutors after I had passed her own abilities to teach me. That, plus some courses as an undergrad at Yale had gained me a BA degree already, and I was officially qualified for Law School.
The soft sweater Marie had packed provided a cushion for some additional treasures I needed to take along - photos of my continually expanding family. The first item I nestled securely away was a triptych of my three little sisters. 'Little' used loosely, of course. Two of them had been taller than I would ever be, unfortunately, and one of those was older as well. But I had managed to mother them just the same. Of course, I had great teachers in that sort of thing as well.
Which were represented in the second photo, this one of a very magical group: Mama Jane, Tante Marie, Penny, and this admittedly cute little blonde with a slightly shocked expression. Of course, I had always been at least slightly shocked back then. Marie bustled by and looked over my shoulder as I held the photo before packing it away.
"Jessica always was a heartbreaker," Tante Marie said. "It is just as well you're comfortable as Jesse, because if you had been like our Caitlyn, Miss Jane would have had to hire a squad of Marines to keep the suitors away."
"Don't remind me," I grimaced, then laughed. "Lordy, if I had a nickel for each time I had to use the, ah, diplomacy skills Mama Jane taught me - to discourage some bozo - I wouldn't need to work for a living."
Tante Marie's expressive eyes drooped into a sad wistfulness. "Do you ever regret, cheri, not going off to boarding school as Jesse more often? You could have found a nice girl if you weren't so busy *being* a pretty girl for your sisters."
I took her into my arms for a real hug, one we both needed actually. "Not for one, single heartbeat," I declared, softly but adamantly. Then I leaned back and grinned. "Besides, the good-lookin' high school girls wouldn't be interested in a scrawny little geek like me."
She pretended to slap me, but there was just enough bite in her words to show she was serious. "Do not put yourself down, child. You are a wonderful person, and some day some girl will realize that."
"Of course," I agreed easily. "But they won't *see* it, since so many of them look over the top of my head." Before she could protest further, I continued. "That's okay, though, because in a little while when I make my first or second zillion dollars, I'll let the smell of all that money catch their attention. After that, I'll sweep 'em off their feet - even if I have to use jiu jitsu to do it."
Now she did slap my arm, but she giggled even as she shook her head. I let her bustle off and tried to remember what else I'd forgotten to pack. My glance fell on the nightstand beside my canopied bed, and I almost said some naughty words. "Can't forget that," I murmured as I walked over. In the drawer were my once-upon-a-time only possessions in the world. The annotated copy of Machiavelli was long gone, though not forgotten. I still thought ol' Mac had some good points. My mother's scorched Bible was still there, though. I was going to have to find the time to read it again one day. And the scout knife my dad gave me. Those went into my briefcase too, since I'd be on my way in my own car - courtesy of Mama Jane and a very nice going away present it was indeed - so I wouldn't have to pass through some useless security checkpoint somewhere.
The last item in the drawer was a dusty little spiral notebook, my 'journal' as I'd once so proudly considered it. There hadn't been much time for fine art in the last couple of years. No big loss. Not much leverage in helping children's homes through understanding of old paintings. Better off without it, in fact. That was a blurry emotional drain when I needed to be crystal clear and focused. Like Mama Jane.
"Dear, you should pack a tie and a nice shirt," Mama Jane said as she walked through the open door. In her hands she held one of each, nicely coordinated of course.
"Yes, Mama Jane," I whined like every nagged-to-death teenager in history. It pulled her up short. I laughed and slithered over to sneak a peck on her own cheek. "I'll put it with the six other ones you already made me pack."
"I did not," she denied defensively, then blushed at being tweaked so successfully.
She saw what I had in my hands and her eyes widened in surprise. "I haven't seen that for a long time."
"Just as well," I said, dropping it in the wastebasket. "Childish anyway."
She looked at me for a moment, then shrugged. "As you wish." She walked over to the tattered old Bible and gently picked it up. "I remember the first day you arrived."
"Lordy, so do I," I replied, grimacing for real this time. "I was such a - sorry Mama Jane, but nothing else will do - such a prick when I got here."
"But a cute one," she said, laughter shining in her eyes. And more than laughter, too.
I moved over to embrace her just as I had Marie, but it was not really the same. Marie was special, but . . . "I love you, Mama Jane."
"And I love you, child," she said, squeezing me just a little too tightly, which was just right. She stepped back and wiped ineffectually at her cheeks. It was an opportunity to tweak her again, but I was not hypocritical enough to take advantage of it. After all, if I'd have been wearing mascara, my eyes would have looked just as bad. That I knew from hard, but valuable, experience.
It could have been awkward. I didn't know what to say, and neither did she. No words filled the silence between us, but after a moment I realized none were needed. There was a bond between us that was forged of much more than mere words.
And I realized nothing else needed to be packed, either. At least, nothing so desperate it couldn't wait. I was only going to be a couple of hours away by car - less if I could dodge the speed traps in my new bimmer. So I smiled and closed my briefcase. Taking the unneeded necktie and shirt from her, I crushed them into the suitcase and zipped it shut as well.
I think the two bags weighed as much as I did, but one had rollers and I balanced the other on top. Mama Jane picked up my briefcase herself, and we walked together down the hall. She grimaced at little as I let the suitcase wheels down each step of the wide staircase, but despite her sense of propriety, she was always eminently practical as well so she bowed to the necessity.
"It's only two hours," I said, repeating my earlier thoughts. "I was further away those semesters I was at prep school."
"It's not the physical distance, Jesse," she said quietly. "You're all grown up now, going out on your own adult life. That's not easy for a mother to accept. No matter how proud she is of her child."
Oh, God, that did it. I managed to get the bags in the car, but only because I could find it by feel. My eyes wouldn't focus and I was sniffling in a way that put the lie to her claim of my maturity. Now it was awkward, not because we needed to say anything, but because I had run out of excuses to delay, yet I didn't want to leave.
Tante Marie rescued me - again - by bustling out of the house with a little paper bag in her hand. "Attendez, mon chou, you need these."
Inside the sack were fresh baked cookies. "Thank you, Tante Marie, but I'm not likely to starve in the next couple of hours."
"Skinny as you are, one never knows," she sniffed. "You have never eaten nearly enough."
"It is not because I didn't love your cooking," I declared. "It's because whenever I'm home, you strap me into one of those corsets."
"And you look just lovely when she does," Mama Jane said, but Marie's magic had worked and we were again able to handle the moment. I gave them each a quick hug and then opened the car door, sliding behind the wheel and inserting the key. The warning beep that sounded when the key was in the ignition with the door open demanded that it be closed, and there wasn't much more to do.
"I will expect a call at least once a week," Mama Jane said sternly.
"You mean, in addition to the ones you'll get from all your spies?" I teased.
"Of course," she agreed blandly, showing not a shred of guilt.
"Just so," I said, grinning. She reached out to put her hand on my cheek, and I leaned into it for just a second. Marie was less formal and returned the kiss to my cheek that I had stolen earlier. Then they both stood back. I wasn't about to say good-bye, so I started the car and drove off, looking at them in the mirror as they in turn watched me all the way down the drive.
Excerpt from the Personal Diary of Jane Thompson
Jesse left Seasons House today. He starts law school at Yale next week, two years early due to his very hard work and very great talent.
He's accomplished so much in his years with me and come so far from the insecure, vulgar, nearly-violent boy placed in my charge by Judge Ruth. His academic record speaks for itself, and I have never had a more committed, more accomplished 'big sister' in all my years of working with petticoated boys. He could carry off all the roles from prissy, overly feminine debutante to scheming co-conspirator. I cannot find fault in any aspect of his performance in his time with me.
No, the fault is with me.
It would be laughable if it were not so damned depressing. Here is Jesse, by all accounts and measures, the definitive statement of my method of rehabilitation. My masterpiece. He is polite, well spoken, educated, even brilliant, and genteel in all the ways that such things are judged. Lord, just the other day Betty Franson told me she had never seen a student who so epitomized what I taught and who so completely emulated me in their behavior and outlook.
What was the name of that character in that stupid movie? The small person who was a miniature copy of the villain? Oh yes, Mini-Me. That is Jesse - my mirror image
My image in slacks.
My masterpiece.
My greatest failure.
God above, but I have failed that child, and now all I can do is keep my word and try to . . . to. . . what? Help him in this notion of his to become a millionaire lawyer? Is that any fate for someone with the soul of an artist? He should be going to the National Museum of Art to study painting, not to some Ivy League school to study Blackstone!
And I never knew until the very day he left, when he casually tossed in the trash a journal filled with passion and insight and a deep love of art that thrived even when he was alone and unloved in all the world.
What have I done?
What could I have done that I didn't do? I wish I knew. In all honesty, I think the course was set in stone during those first early days. He fell into the program so easily after those first few weeks, though like all the good ones he took longer than that to accept the value of my program. None of the really good ones were easy, and Lord knows Jesse was not. I, well, it isn't an excuse, but Penny, that is, Benjamin still concerned me, too. In my distraction, I missed the clues that should have told me to become the mother Jesse so badly needed instead of the stern teacher/governess that I knew how to be; that he knew only too well from the state-run institutions that awaited him if I declared him a failure. I missed the need to nurture his gentler emotions instead of ruthlessly suppressing them along with the darker ones.
In 20/20 hindsight, I should have seen it from the way he relaxed when I forced him to do 'artsy things'. Dance, music, drawing lessons - heavens, he even enjoyed embroidery, although he denies it to this day. I just never saw it as anything but a boy finding pleasure in 'girlish' pursuits and resisting that aspect of himself as unmanly.
Now I know that he was resisting for a far different reason - he resisted because he saw the artist in him as uncontrolled and uncontrollable, and as the barrier he had to overcome to achieve the security he craved more than anything else. In reading his journal I saw insight beyond my own, and before he even came to me — so far beyond my own that I mistook his impatience with my shallow knowledge for lack of interest, while nothing could have been further from the truth. And in my lack of support, he saw a lack of value.
So it has come to this, and no one but me will ever know what a terrible failure I've perpetrated on this young man. Because he will be a 'success'. He's brilliant, hardworking to the point of obsession and will have every advantage my money can give him.
He'll be a 'good man'. Charitable, honest, a leader in the community. He'll help the needy, take on all kinds of pro bono clients. He'll be respected, and he'll be financially secure through his own efforts.
And every day, his artist's soul will wither just a bit more.
Who will 'force' him to do the 'artsy' things now?
Hmm, let me follow that thought. Whom do I know that is active in the art scene down in New Haven? Oh, yes, Judith Cranston. She has one of those tony galleries that cater to the high-dollar crowd. As I recall, she has a daughter who helps out in that gallery. Tabitha? No, Tamara, and she's a redhead, too. Jesse has always been just silly about redheads. I'm sure that between Judith and I, we can arrange for those two to meet, and if that doesn't get him back into the fine arts, well, I'll just think of something else! I will settle for nothing less than his happiness.
Goodness, for once I'm glad I don't have a new student coming in right away. I can focus on this full time. No child of mine is going to fail to develop his - or her - full potential.
I will *not* let that boy — that fine young man - be harmed by something I have done.
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Seasons of Change
Book 14 - Part 1 of 4 Tales of the Season
Ken's Barbie Copyright © 2002,2013 Tigger
All Rights Reserved. |
Acknowledgments: My sincere thanks to Brandy Dewinter for the gifts of her creativity, her vision, her eye for 'just the right word' (and wrong one of mine) and her, ummm, persistence. Special thanks to the 'Blue Pen of Sonora', Denise Em, for the many hours she put into proofing this. At some point, it becomes impossible for me to read what I wrote, because I 'see' what I thought I wrote. Any remaining errors are mine, probably because I wrongly thought my way was better than Deni's. ~Tigger
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Introduction: A Frantic Plea
"Annie?" a harshly whispered voice hissed from the earpiece, "It's me - Adrian."
"Adrian?! What is this? You know you're not supposed to call me."
"Anne, listen, I don't have much time. You gotta get me out of here!"
"I can't do that. We signed that order putting you in that rehabilitative Outward Bound-type boot camp program."
"Outward Bound?! Boot camp?!? Bullshit!! Only boots here have Cuban heels! Dammit, Annie, I'm in some place called Kingston, Rhode Island, and this crazy woman is trying to turn me into a girl!"
"A girl?"
"Yeah. You gotta come get me."
"I don't believe it."
"Look, Anne, I wouldn't lie about this. Right now I'm a freakin' blonde, wearin' a skirt and heels! Did you know I wear a 36A bra? I didn't either. I don't want to know it now. It could have been 36B, because she showed me the silicone boobs in that size, too - and Annie? They had fuckin' nipples! And I wear size 6 panties. Panties, dammit! And a size 8 dress. How the fuck would I know those sizes if I weren't telling the truth?"
"I don't know, but this just doesn't make sense."
"Believe me, Anne! Not only that, I'm calling from this damned beauty shop we go to every Wednesday morning, and this blond bitch of a beautician just said she was going to drag me to New York so I could *entertain* some of her kinky friends down there!. Goddamn it, Barbie, you gotta get me out of here!"
"Don't call me that!"
"Sorry, Anne, really, but . . oh shit, someone's coming - I gotta go. Come get me. Jane Thompson, Seasons House, Kingston, Rhode Island. Hurry!"
The phone connection clicked off. For a moment, Barbara Anne Braithwaite could only stare blankly at the now-buzzing instrument. Then she pressed the star key code for Caller ID. Since the originating phone had been in a commercial establishment, both it's name and phone number flashed on the small LCD display. Anne wrote both on her desktop blotter and then with a single phone call, turned several people's lives, including her own, upside down.
Chapter 1: You Can Go Home Again
Kenneth Roberts spun about in his almost-new office chair with child-like glee. He had made it! Stopping his spin, he looked up at three impressively framed documents that hung from the wall behind his almost-new, not-really-impressive desk. The first, awarded by a major mid-western university, conferred upon Kenneth Allen Roberts the degree of Master of Law in International Business and Trade. The second, awarded by a prestigious institution in the greater Boston area, conferred upon Kenneth Allen Roberts, the degree of Juris Doctor. The third framed document, granted to Kenneth Allen Roberts the privileges and rights of the Bar Association of the State of Rhode Island.
*Not bad for an almost-twenty-four year old,* he thought with pride. Maybe the J.D. had been overkill on his part, but when one had two such forceful, brilliant, determined women as Jane Thompson and Her Honor, Judge Ruth Walinkiewicz vying for the position of Kenneth Robert's 'first mother', one tended to grow up as something of an over-achiever.
And when one considered the self-discipline and control Kenneth had been forced to learn to deal with and counter the sadistic machinations of his birth-mother, it became easier to understand how somebody so young could have already achieved so much in his life.
Today marked his first day on the job as junior associate in the law firm of Ellis, Ellis, and Carter. Life would be challenging for the next couple of years while he made his name in the field and paid his dues. There'd be long nights and a good deal of grunt work on someone else's cases, but he was looking forward to the challenge. *By the time I'm thirty,* he promised himself, *It will be Ellis, Ellis, Carter and Roberts - and WE will be THE agency to retain to close a sticky international business deal.*
"Admiring your new office, such as it is, son,?" Richard Ellis said from the door. He was a fit man of fifty-five or so, with the energy and vigor of a man fifteen years his junior. His silver hair was still thick and he had the easy manner of the old time country lawyer which hid the razor sharp mind and killer instinct of the top corporate tax lawyer in the Northeast. Kenneth liked and respected him. More importantly, Jane Thompson liked and respected him, which said a great deal good about this man and his ethics.
"Just got the sheepskins up," Kenneth grinned as he stood to greet the older man. "I'd offer you a chair, but I don't have one yet."
"Already ordered, but if you need one, borrow one from the conference room. I'll clear it with Mrs. Stone."
Mrs. Stone was Ellis' executive administrator, and it was understood that she ran the office. The partners might be nominally in charge, but even they listened VERY carefully when Mrs. Stone spoke. Kenneth liked her as well, and couldn't wait to introduce her to Momma Jane and Judge Ruth. The thought of those three formidable women in one room was daunting, but some impish streak he normally kept well under wraps could not let go of the idea.
"Thanks, I'll take you up on that, but only if you are there to protect me when I walk past her desk carrying the chair."
"I knew you were smart," Ellis said, grinning. "Anyway, the reason I came looking for you is that I just got off the phone with your Aunt, Jane Thompson. She'd like to speak to you as soon as possible."
Kenneth smiled fondly. "Probably wants to remind me about the wedding, again," he told the older man. "My foster brother is getting married in a couple of weeks. Aunt Jane is hosting the festivities out at Seasons House. I'm to be one of the ushers."
That was true and not true, Kenneth thought. There would indeed be a wedding, joining in holy matrimony his foster brother, Michael Nash, to his beloved Janice Davis. This was going to be a full-up, very formal, society event joining two very prominent families, the Nashes and the Davises. The actual wedding would take place at St. Patrick's Cathedral in New York City with two Archbishops officiating and celebrating the marital Mass. Gossip columnists in the greater New York and Boston areas had been following the wedding preparations for months and invitations were highly prized by the members of the social upper crust.
There would also be another ceremony, celebrated the night before, in Jane's private English Garden. That would be a very private affair, attended only by a very few family members and selected friends. In that ceremony, officiated by Judge Ruth, Michael and Janice would affirm the commitment to one another. Only, it would be Michelle and "Janson" affirming their commitment.
As with most Janice-plans, this one had made a whole lot more sense while Janice was talking (Kenneth thought about selling ice to Eskimos and decided that Janice would consider that too easy) than later when one had time to reflect upon it, but now it was too late. Also, as with most Janice-plans, this one had taken on a life of its own. Michael was fond of pointing out that stopping a Category 5 hurricane was simple, compared to deflecting Janice from her chosen path.
In this case, Janice had decided that she wanted to show her husband that she loved, lusted for and treasured both sides of the complex yin and yang equation that yielded Michael/Michelle Nash. Her solution to this little problem was to hold this second, rather unique wedding ceremony.
In true Seasons House tradition, participating boys would be dressed in girl clothing, while the girls would be dressed in boy clothing - at least for the most part. Michelle had been fitted with her own wedding gown ("I'm not having any possibility of bad luck coming from you seeing MY gown before the wedding, and besides, it would really tick me off if you looked better in it that I do!" Janice had told her mate-to-be.) The brides-maids would be former students of Jane's resuming their old roles - Darla (Darryl) as 'matron of honor' with Beth (David) and Jessica (Jesse) completing the "bride's" party. Diana (Art) would admirably fill the role of "Mother of the Bride" while "Uncle Jack Thompson" and "Father Barton Davis" would jointly give away the "bride".
The 'groom' and her 'grooms-persons' would be wearing very sexily cut feminine tuxedos and would consist of "Audie" (Audrey) Thompson as best 'man' with Carroll (Carolyn) Beale and Sander (Sandra) Madden completing the party.
*Ought to be a hoot,* Kenneth thought with just a trace of sadness. It wasn't often he regretted the growth spurt that had put seven inches and fifty pounds on his tall, lithe frame, but this was one of those times. At six feet three inches tall and 185 lbs, he just couldn't 'do' Kendra very well anymore.
At least, not to HIS expectations in any case.
Actually, only a few years earlier, any such feelings of regret would have surprised the boy he'd been. After he'd gone to live with Judge Ruth following his final showdown with his birth-mother, Kenneth had taken up bodybuilding in a big way. After a while, he'd recognized that to be an over-reaction to what his mother had planned to do to him. It would be hard to feminize Mr. Universe, after all. In the end, he hadn't liked the look, and with the help of a very good personal trainer, had instead opted for his current build - much less bulked up, more fitness-oriented. That regimen, combined with the aforementioned growth spurt, had endowed him with the lean-muscled frame of the endurance swimmer.
Which made the ability to transform himself into the cute, petite Kendra a thing of Kenneth's past.
"No," Ellis said thoughtfully, his words interrupting his young colleague's mental ruminations, "I don't think that was her reason for calling. She asked me if there would be a problem with her hiring your professional services, either from a company policy or from an ethical perspective. I told her no - lawyers do work for their families all the time and having a junior member of the firm representing Jane Thompson in any capacity is a coup to us. That's one hell of a lady."
"She is that. Okay, I'll call her. Thanks, Mr. Ellis."
"I believe that if I've told you once, I've told you thrice, that anyone with a Harvard J.D. can call me Richard, son. Try to remember that in the future, if you don't mind. See you later, okay?"
Kenneth waited for Richard to leave before picking up the phone. He dialed a number from memory and settled back down into his almost-new chair. The phone was picked up halfway through the second ring. A familiar voice said, "This is Jane Thompson."
"Hi Momma-Jane," he replied. "This is your son-the-lawyer. What do you need?"
"A great deal, Kenneth. I'm sorry to intrude upon your privacy, but are you free for dinner tonight? Semi-formal, I'm afraid - suit and tie at the least - as I have junior student in residence, but we'll be able to talk after the meal. I need your help."
"Usual time?" he asked, his willingness to serve already clear to them both.
"We'll sit down to table at seven sharp, dear."
"Tell Marie to set an extra plate and put another cup of water in her spaghetti sauce. I'm on my way."
"Thank you, dear."
Chapter 2: The Other Side of the Table
Kenneth had never been a participant in a student's rehabilitation at Seasons House in either the junior or senior sister role. He did not count the few hellish days he spent under Jane's program, when his birth-mother had forged court sentencing papers in an attempt to trick Jane into feminizing her son. Fortunately for Kenneth, it had only taken Jane about two days to figure out that something about this unusually controlled and composed young man was not consistent with the barely civilized animal described in the records provided by the "court". Two days later, Kenneth had been out of skirts and restored to his masculine state while a furious Jane Thompson and Judge Ruth had plotted the downfall of Sheila Roberts.
So he had never been at table when Jane was working on another student's manners and deportment. It was an uncomfortable experience, as it brought back memories of the meals he'd eaten and later thrown up during his own blessedly-short time in the Seasons House hot seat.
He'd expected to be asked to play the 'flirting male who's not in on the gag' role during the meal, much as Michael and Darryl had described others doing. Jane had quickly disabused him of that notion immediately upon his arrival at Seasons House. Basically, she had wanted him to act like a casual business acquaintance of hers, and to interact only very formally with either of the young people. At first, he'd been a little disappointed, having spent the better part of the afternoon after his phone-call with Jane thinking about what he'd do and say with the junior boy-girl student. Halfway through the fish course, however, any residual disappointment had long-since evaporated to be replaced by a growing sense of relief.
He'd met the senior student/big sister before and liked her immediately. Jessica (Jesse) was now Jane's foster child, an orphan who was now as much Jane Thompson's son as Kenneth, Darryl or Michael. *She sure is cute,* Kenneth thought as he considered the petite brunette in the robin's egg blue and cream dress. *Hard to believe that Kendra was ever in her class, the pictures in Aunt Jane's Rogues Gallery to the contrary.*
The junior student, however, was an unknown quantity to the young attorney. Adrienne, formerly Adrian, Braithwaite was seated directly opposite Jane so that she could watch every move and correct every small error in manners or deportment. Unfortunately, this student didn't bother to make small errors - she seemed to delight in making colossal ones.
*In fact,* Kenneth mused as he savored Marie's marvelous maple-glazed baked ham, *It's as if she is doing her level best to infuriate Jane. That's the third time she's been corrected for the same screw-up. How many times do you have to be told to how to use a napkin properly? How long has this kid been here? Long enough to look pretty good as a girl . . . so why hasn't she picked up on how to get through a meal without this kind of heartburn. Is Jane being particularly demanding? I don't think so. What the hell is going on here?*
As the meal progressed, tension around the table increased with each passing dish until, just before the dessert course, Jane set down her napkin with very great care and glared at her junior student. "Adrienne, if you cannot dine in a civilized manner, then you will not dine at all. In case it has escaped your notice, we have a guest tonight and your boorish behavior is beyond anything I can accept." Jane pressed a small button beneath the table, summoning Marie.
"Yes, Ms. Thompson?" Marie said as she entered the dining room.
"Please serve Mr. Roberts and Jessica their dessert. Adrienne and I will retire to her room, as we have some pressing issues to discuss. Please have coffee served in my apartment in half an hour. Mr. Roberts, I would be gratified if you would join me for coffee, assuming you are not so offended by this one's behavior that you wish to call off our business together."
"I would be honored to take coffee with you, Ms. Thompson," Kenneth replied, keeping to the role Jane had assigned him in this little drama. "I will await your pleasure."
Jane gave him a regal nod of her head and then rose from her chair. "Come with me, Miss," she ordered her wayward pupil sternly, "NOW!"
Kenneth was shocked when, making no effort to disguise her distaste for the order or the woman giving it, Adrienne actually seemed to consider whether she was going to obey. Finally, she shrugged and rose gracelessly from her chair. "After you, Mizz Thompson, Ma'am," she said in a voice that in no way sounded feminine - not in tone, not in pitch and certainly not in inflection.
Stunned by Adrienne's utter disinterest in protecting her identity, Kenneth could only stare as Jane took the erring student by her elbow and actually frog-walked her out of the room. For several moments, he struggled to make sense of what he had just seen. Then he looked over to where Marie stood behind Jessica. "What the HELL was that all about?"
"If we knew that for certain, cher-Kenneth," Marie sighed, "We might be able to fix it."
"Adrienne's been here for almost two months, Mr. Roberts," Jessica said softly. "She was doing very well - Jane was starting to think about fishing around for a new little sister and I was getting ready to move in with Michael and Janice so that Adrienne could become the big sister. Then, all of a sudden, instant throw-back."
"Throw-back?" Marie snorted. "That child was never THAT bad here before, petite," she said before turning back to Kenneth, "One morning, barely a week ago, she comes down to breakfast, all sweetness and light - a lovely young person. I quite liked her," she added, and Kenneth could see how that upset the softhearted little Frenchwoman. "Jane took her to the Chalet for her weekly hair coloring, set and make up lessons - everything seemed fine there, from what we can gather."
"Jane was afraid Sandy had stepped over the line again, and that might have been the cause of her turnaround," Jessica put in, "But Caro was the one who worked her that day - almost exclusively, in fact, since Sandy was indisposed and, ah, a little nauseous," she added, blushing just a little.
"Oui," Marie continued. "Anyway, the girl came home acting the little bitch, eh? And she has gotten worse every day since."
"No idea why? None at all?" Kenneth was surprised.
"I did not say that," Marie said emphatically. "We have no proof, but we think Adrienne's guardian may be part of the problem. She has begun pestering Jane in the past few days. Demanding progress reports, calling at odd hours, insisting that she be allowed to speak with her brother."
"Brother?"
"Adrienne is an orphan, like me," Jessica put in softly. "Unlike me, she had an adult sister who took her in. Unfortunately, sister has to work to support them both and she was too lenient with her brother; couldn't supervise him closely enough. He got in with a bad crowd and got into trouble with the law. Selling pot, running numbers, shoplifting."
"I see," Kenneth replied.
"Getting him out of that permissive, unsupervised environment seemed to help a great deal," Marie said, "as did the forced petticoating. Jane is not lenient, nor is Adrienne unsupervised any longer."
"No kidding," Kenneth smiled. "Any idea why I'm here?"
Marie shrugged. "Ideas, yes. Knowledge? No. I will let Jane tell you what she wants you to know."
"All right, Tante Marie. One last question?"
"Oui, cheri?"
Kenneth tried his best to look pitiful. "Didn't Momma-Jane say *I* could have dessert?"
"Oh, you," Marie said with smiling, maternal exasperation. "Be right out with it. I made your favorite."
"Strawberry Pie with homemade vanilla ice cream?!?"
"Of course. What else would I make when one of my boys comes home to visit?"
"Could we have it in the kitchen? Like old times? This place is just a little, well, daunting - especially after what we just went through."
"But of course, cheri. Join us, Jessica?"
Forty-five minutes later, Jane walked into to her private parlor to find Kenneth waiting for her in the semi-darkened room. She flicked on the rest of the lights and headed over to a hidden panel above the hearth. A few quick, deft manipulations had the panel sliding away to reveal a large, closed circuit television monitor. Jane turned it on and the scene of a bedroom, an obviously nude young person, laying atop a very frilly bed.
"Letting the boys sleep in the buff these days because of the heat, Momma-Jane?" Kenneth asked as he handed her a cup of the strong black coffee she preferred to the tea she drank as part of her role.
"Of course not," Jane said with trenchant disgust. "It's just another way the child is defying me. You can see she's tossed her lingerie and the nightgown on the floor in a heap."
"What's going on? I spoke with Marie and Jessica, so I know the kid has had a major turn for the worse recently. What, if anything, can I do to help?"
"I need you to put the fear of God into his sister," Jane said intensely.
"The boy's guardian?"
"By court edict, *I* am that child's legal guardian until such time as I deem him rehabilitated, or until the court or I determine him to be incorrigible. His sister signed the court order temporarily relinquishing guardianship to me. If she rescinds that agreement, he goes to juvenile detention until he turns eighteen."
"So he's a court-appointed case. I thought that gave you a good deal more control and latitude than with a contract agreement between just you and the student's parents?"
"And so it normally does. However, this one's sister has somehow reached the conclusion that I am engaging in child abuse and has begun systematically harassing me - by phone, by letter, even confronting me in town the other day."
"Wow. What is she saying? What does she have to back up that contention?"
"A fairly accurate, if skewed description of what I do here in my program, and a couple of photographs taken from a distance using a powerful zoom lens." Jane handed him a large manila envelope. "Look at that," she ordered quietly.
Inside the envelope were the two aforementioned black and white photographs and a typed letter. The first of the two pictures showed a full-face closeup of young teenaged girl with very curly hair, huge eyes and a rather heavily made-up face. *Must have been taken right after Caro and Sandy got done with her,* Kenneth thought as he flipped to the second picture. This one showed a full-length shot of the same girl, garbed in a skirt, blouse, and fairly tall heels, looking up with what might be taken for a fearful expression at a very stern-looking Jane Thompson. "These do not show you to advantage, Momma-Jane."
"I know. She looks terrified, doesn't she? While I seem to be the wicked witch of the east, west, north AND south."
"You can be rather formidable, you know. Is she uncertain of her ability to carry off the masquerade? Is that why she has become, well, difficult to deal with?"
"Nothing of the kind. In fact, she is good at it. She's more agile in heels than Jessica. What she has been doing of late, is to be very careful to ensure that she does nothing to break her own masquerade publicly. However, once we are alone together, or if there is a single visitor? Kenneth, the girl positively BAITS me. It's as if she is trying to make me lose my temper with her. It is all so, well, the only term I can come up with is premeditated."
"So you think she wants you to step over the line in some manner she can use in a court case?"
"At least threaten me with that. My best guess, based on how careful she's been to protect her own identity in very public situations, is that she is hoping either to blackmail me or settle out of court with sealed records."
"That sounds. . . well, Machiavellian, Mom."
"Nothing else fits the fact, Kenneth. Read the letter."
|
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Jane sat down on the plushly cushioned Victorian 'Fainting Couch', kicked off her heels and laid back against the rich velvet upholstery. "Ruth handles that end of the arrangements when it is a court settlement. Normally, she is very up-front about what the parents can expect, especially after that one mother took to showing up on my doorstep unannounced two or three times a month," Jane said as she began to massage her temples with the knuckles of her index fingers. "However, in this case, she decided to deviate from that policy."
"Oh? And why did she do that? Aunt Ruth rarely flies in the face of a working precedent."
"From what I gathered, Miss Braithwaite is very young - barely twenty-two. She had only just come of age when her parents died and she took responsibility for his upbringing. Ruth felt she might not go along with the deal if she had the full disclosure and made the decision to withhold a good deal of detail."
"Define a good deal of detail, please," Lawyer Roberts ordered quietly.
"Don't badger the witness, dear," Jane admonished with a tired smile. "Miss Braithwaite, after discussions with your Aunt-the-Judge, concluded that my program was one of those "Spirit Quest" things, a sort of Boys Town where young men in trouble are sent to discover themselves and the true Dao to peace and enlightenment. Ruth did not attempt to correct that impression."
"You've got to be kidding me. Ruth Walinkiewicz KNOWS better than to pull something like that."
"You can talk to her yourself, but that's precisely what she did do. As I said, Ruth felt that the sister would not have signed the plea bargain if she fully understood what I was doing, and the last thing she wanted to do was send him to a juvenile detention facility. Besides, she had decided that the boy was going to be relatively easy anyway. All he really needed was some shock therapy to get his attention, some structure and discipline in his life, and time to reflect on what he'd been doing to himself and his sister."
"Except she was wrong about the kid."
Jane sighed. "Hindsight is 20/20, Kenneth. However, up until a week ago, Ruth's assessment of Adrienne was right on the mark. Then, bang. Since the moment we left the beauty salon, I don't think I have ever had a less responsive student in all my time here at Seasons House."
"Okay, you said you wanted my help. Put the fear of God in her, I think you said. How do I do that? And to what end?"
"Go to her. Use your lawyerly skills to intimidate her. Convince her that public exposure is not a good idea for her or her brother. I don't know, threaten to countersue."
"Why even bother with that, Mom? Ruth has the full power of her office behind that order. Why not just go after her that way? Ruth can threaten to vacate the suspension if she doesn't go away."
"Two reasons," Jane said. "First, taking that course of action could well mean the boy ends up out of my hands and in the juvenile justice detention system, and I'm not ready to give up on him!" Kenneth smiled, knowing full well that 'give up' were only two words stuck together for Jane Thompson and not a concept she either embraced or really understood.
"You said there were two reasons," Kenneth prompted the quietly fuming woman.
"The sister, Barbara, signed the court order. There is a gag order associated with any referrals to my program. If she does what she threatens, she is in contempt and will join her brother behind bars. Unfortunately, Ruth leaving her in ignorance about what she signed really muddies that issue. Still, the possibility of her facing jail time does not please me anymore than sending that boy to juvie for the next four years of his life pleases me."
"Mr. Ellis is a lot better lawyer than I am, Momma Jane, with a lot more experience. I think he'd be better at this than I would be."
"Richard is a delightful man, and as you say, one of the finest lawyers in the country, but he's not the right man for this task. After all, he is not among the 'in the know' about my activities here at Seasons House. You are and you fully understand the need to protect the rest of my boys."
"What does Art think? By the way, where is Art? I thought he was coming back for the wedding?"
"He got in last night from Bosnia. Poor dear hasn't come out of the bedroom except to use the bathroom and eat for almost twenty-four hours. What he saw there . . .isn't pleasant."
"So you and Diana will be at the weddings?"
"Diana will be," Jane said quietly. "Right now, I don't think I will be able to trust Adrienne sufficiently to allow her to attend which means someone will have to watch her. I'm the School Mistress here. That makes it my responsibility."
"But Michelle is counting on you," Kenneth blurted and instantly regretted it when he saw the sheen of tears glitter in Jane Thompson's tired eyes.
"I made a commitment," she said very softly. "Michelle. . . Michael will simply have to understand. If you cannot get Barbara Braithwaite to back off so that I can turn her brother around, I simply won't be able to attend either ceremony."
"DAMN!"
"I quite agree."
Chapter 3: Calling in the Sisters. . . Brothers
Kenneth sat staring at the telephone, willing it to ring. He'd spent the hour it had taken him to reach his apartment in Warwick from Seasons House to conclude that he might need reinforcements available when he went to face Ms. Barbara A. Braithwaite.
When it came to covering a fellow's back, no one did it quite as well as family.
The phone rang, and Kenneth had the receiver off the cradle before the first echo ended. "Roberts, here," he said.
"Hey, bro'," a familiar voice answered him. "I've got D' here on the extension. What's up?"
"Trouble, brothers, big trouble," Kenneth said by way of reply. "Momma-Jane has a problem, and she needs us to help solve it."
"Lord, Ken," Darryl said after listening quietly, "I have more experience with Jane's students than anyone except Jane, and I've never seen anyone act like. . . like. . "
"Like they were trying to force her to be abusive," Michael finished, anger rippling in his tones. "As if she would!"
"One thing I've learned about the legal system, Mike?" Kenneth put in, "Is that it isn't always the fact or the intent, but the appearances that matter, and how those appearances are presented to the judge and the jury."
"That's a pretty cynical viewpoint for a newly ordained lawyer-man, Ken," Michael noted.
"I know, Mike, but look, they don't have to win to hurt Mom, okay? We've always known that she is out there on the windy corner with this program. If the gossip-sheets get wind of this, the program dies. Not only that, but Mom will be hounded for the rest of her life."
"Point taken," Darryl said. "So, what do we do?"
"First things first, I think," Kenneth said. "I need a reading on the sister, and the only way to get that is to meet with her."
"You could always ask Aunt Ruth," Darryl argued. "I mean, she must have thought well of the woman to recommend Momma-Jane to her."
"Aunt Ruth is a court-judge. If I ask her, she will ask me why. as an attorney, I can't lie to her. Once she knows, she'll be in the position of having to decide whether or not to vacate the suspension and whether to hold the sister in contempt. Neither of those will do Mom or her program a lick of good."
"What do you hope to accomplish?"
"Figure out where she's coming from. Find a way to convince her that her little brother just might be manipulating her a bit. And, most importantly, that what Jane Thompson does is a GOOD thing."
"You know, Ken, when I . . ., well, when I went off the deep end, one of the things that really caught my attention? Was when Eric showed up in my suicide-proofed room as Erica. Then he transformed into Eric before my eyes. First male I'd ever seen in Seasons House, you know? I was more inclined to listen to him because, well, because he obviously knew what I was going through. He had the t-shirt - or is it the teddy? - to prove he'd been there, too."
"It's not like I can show up on her doorstep as Kendra, Mike. I don't fit in those clothes anymore," Ken said disgustedly, "But that was one reason I called you two. Presenting Darla and Michelle to her, along with your exemplary bone fides, might be a useful tactic, depending on how the initial interview goes."
"Might work," Darryl said. "Wish we had something to hold over her head like we did with Steve's father, though."
"The file on her Jane showed me is squeaky clean, Bro'. By all accounts, she's just a nice girl who loves her brother, works too hard, and doesn't have the experience to deal with a boy going through what her brother got caught in."
"Well, you know we'll do whatever we can, Ken," Mike put in. "I will be on her doorstep in petti's and pinafores, with my sheepskins in hand if that's what it takes."
"And I'll be with him, big brother, and I figure I can get another dozen at least without even trying hard."
"If we need more than you two, I don't think a dozen will be better."
"When do you go see her?"
"Tomorrow. Unofficially, at first. I don't want to announce my presence as Jane's representative until I know what's going on in her head."
"Be careful with those secret agendas, Kenneth," Darryl told him. "I nearly lost Audrey that way."
"I'm going to negotiate with her, Darryl, not marry her!"
"All the same, nice girls don't like feeling that they've been duped. Lawyers, in my experience, sometimes forget such social niceties."
"Not lawyers trained by Aunt Ruth and Momma-Jane. We're gentlemen - or else. See you later, guys."
Chapter 4: Ms. B. Anne Braithwaite
The small conference and meeting room he'd reserved at the Marriott hotel was both simple and luxurious. *Nothing but the best when you represent Jane Thompson,* he told himself with a grin. *Besides, I am going to need all the ammunition I can get. A little conspicuous display of Momma-Jane's considerable wealth and power might help these negotiations in the long run.*
Kenneth set his attache case down behind the large desk. He opened the case, removed his briefs and set them out where he could get at them easily. He was as ready as he was going to be for this encounter. There were several ways this could go down, and most of them were not good in some manner. *Just keep thinking those positive thoughts, Kenneth, my boy.*
He took off his suit coat and did some stretching exercises. He felt stiff and tired, for he hadn't slept well the night before. Part of that was stress, but another, equally significant aspect of his restlessness had been guilt. He'd spent the previous night with his 'other' foster mother, Judge Ruth, but had not told her the nature of his business in her fine city. Kenneth had never before hidden anything from either of the two women who had saved him from Sheila, but telling Ruth would put her in the position of having to ignore what was a violation of the court agreement or putting the boy juvie while bringing his sister up on charges. *You are caught,* he thought ruefully, *Between Jane's program and Ruth's career. Talk about ye olde Rock and ye olde hard place. They don't get any more comfortable with time.*
The phone on the desk rang and he answered it. It was the concierge. "Yes, this is Mr. Roberts. Oh, she is? Please ask one of the bellmen to escort her up to the conference room. Yes, thank you."
Kenneth set the phone down and reached for his suit coat.
He answered the door on the first knock and was brought up short by his first look at Ms. Barbara Anne Braithwaite. *Adrienne's prettier,* was Kenneth's first reaction on meeting Jane's adversary, and then his 'Marie-trained eye' caused him to reconsider that statement. *She's not trying to be attractive. Intentionally? Is she coming here garbed for combat and doesn't want me to get any ideas?*
B. Anne Braithwaite - for that was the way she had signed her letter - wore minimal makeup, just a bit of pale lipstick and mascara as though she wanted to avoid the statement absolutely no cosmetics would make without making an actual statement of her own. The grey suit she wore in no way showed her figure to any advantage - which should not have been too difficult, Kenneth realized, for the woman was slender and elegantly tall. She was easily taller than her brother, in fact - perhaps five feet ten or eleven inches in the unflattering flat-heeled loafers she wore. Her dark blonde hair was pulled back in the kind of unattractive, ruthless chignon that would look the same if her hair were shoulder length or bun-length.
And yet, there was something about her that appealed, nonetheless. Her intelligently-alert brown eyes were her best feature - large and filled with mysterious depths. Moreover, she had a mouth, Kenneth thought, that was meant to smile.
Only it wasn't smiling now. Kenneth forced himself to concentrate on the task at hand. *No wondering what Marie could do with those eyes, Roberts, at least not until the business is taken care of. Something tells me dealing with this one will take every ounce of smarts you've got.*
"Ms. Braithwaite," he said quickly, "Won't you come in and sit down, please."
Wordlessly, she strode into the room and sat down in the chair he'd indicated.
Kenneth moved to his own seat and tried to look 'lawyerly'. "Thank you for coming to see me, Ms. Braithwaite."
She gave an unladylike snort. "As if I had a choice. The wording in that summons your messenger brought to my apartment was rather blunt. 'Show up or face charges' sums it up quite accurately."
"I apologize for that," he said, "It isn't my intent to threaten you, only to impress upon you the gravity of our mutual situation and the need for you to participate in the solution."
"Oh, I don't feel threatened, Mister, I feel pissed! And the only one who is facing anything grave is that woman you claim to represent!"
"I see. Just so that we both understand where we stand in this situation, you did sign the court order remanding your brother to Ms. Jane Thompson for rehabilitative training in exchange for the judge agreeing to suspend his sentence to juvenile detention?" Those incredible brown eyes narrowed momentarily, and then she nodded once sharply. "And would this document be a signed copy of that court order? I know it has the seal of the state court on it, but I would like to confirm that this is the form and that is, in fact, your signature."
She glanced at the proffered form for only a moment before locking eyes with Kenneth again. "It's the form and that is my signature."
"Thank you. Ms. Braithwaite. Now, you understand that by communicating with Ms. Thompson as you did, by interposing yourself into her program for your brother as you have, you stand in violation, perhaps even in criminal violation of your agreement with the court as described in that document?"
Raw fury flashed in the woman's eyes, making them almost black. "And what she's doing to my brother is not a violation?!?" she demanded in a low, husky voice that seemed to vibrate the very air.
"No, it is not."
"THAT'S what's CRIMINAL, Mr. Roberts! My brother is clearly being abused, and whether that has the blessing of that woman's COURT or NOT is absolutely beside the point. My brother was threatened with unspeakable acts by the women at that chalet-place and he's being forced to act like a female and wear women's clothes in PUBLIC! And you say that *I* am criminal? I think you need to review your textbooks on child abuse law, Mr. Roberts!"
*Sandy and her stupid threats,* Kenneth thought. "Ms. Braithwaite, the real problem here, as I understand it, is that you were not fully apprised of Ms. Thompson's method when you signed that agreement . ."
"Fully apprised? Fully apPRISED? Mister, that woman LIED to me! I was told that my brother would be out of the city - in the country and fresh air - eating fresh food, learning new skills, developing problem-solving skills. That is NOT what he's doing."
*Actually, that's precisely what he is doing,* Kenneth thought as he recalled some of Jane's more challenging lessons, *but you are no mood to hear that. Besides, simply saying that to you would end up leading to just one more evasion because I'm not going to tell you the specifics - yet.*
"I see. Did the Judge tell you this was an Outward-Bound type experience?"
"She didn't correct me when I asked her if that is what this was all about! She deceived me!"
*Ruth, whether you intended to be vague but truthful or not, you screwed this up, big time. And the only way any of us are coming out this cleanly is to put the whole mess on the table. God, I wish I had more experience at this!*
"I'm sure that it was not Judge Walinkiewicz's intent to deceive or mislead you," *Like hell it wasn't!* "but all the same, the explanations were obviously not well done. Look, Ms. Braithwaite, I am going to level with you and explain Ms. Thompson's program to you in detail. Perhaps if you better understand what she is really doing you can better see what she is trying to accomplish with your brother."
"And why should I believe you anymore than I believed that Judge Ruth Whatevertheheckhernamewas? YOU represent the woman who is really doing the abuse."
"Because, after I have finished briefing you on Ms. Thompson's program and its history, you will have all the ammunition you need to hurt her badly, and at the same time, the nearly one hundred young men who have completed her program and who have gone on to live productive, happy lives."
"As what? Women?"
Kenneth allowed that question to hang in the air between them for several tense moments, his own dark eyes never leaving hers. When he spoke, the quiet intensity of his voice surprised even him. "Do I look like a woman to you, Ms. Braithwaite?"
"YOU?!?"
"My name was Kendra when I was a student at Jane Thompson's school," Kenneth told her with quiet dignity.
"I don't believe you. Why would you admit something like that to me? A stranger? What man would EVER admit something like that?"
"It's the truth, and as to why I would admit it to you? I was hoping my revelation might help establish my credentials, if you will. I know from first hand experience what Jane Thompson and her program are really all about. What I went through with her did not hurt me in any way, and in the long run, did me a great deal of good, as it has all her boys. My experiences there were tough and at times unpleasant, but sometimes love has to be tougher than the problems you are trying to solve."
"What possible good could come of forcing such a thing on a young man? What POSSIBLE justification could there be?"
"Success is one justification," Kenneth said soberly. "As to the good? Let me explain what Jane does and why she does it. Then perhaps you'll understand better what is really happening to your brother."
Chapter 5: Point-Counterpoint/Offer-Counter Offer
"So, the basic goal of all this is to put the boys in highly stressful situations, situations where they would previously resort to whatever inappropriate behaviors got them sent to Jane in the first place, while dressed as girls. However, the very fact that they ARE dressed as girls forces them to stop and think before react inappropriately. At the same time, the concentration on manners and deportment help socialize the student."
"It sounds like hogwash, Mr. Roberts. Your Ms. Thompson is abusing my brother, and I will see her and you in court!"
"You're going to lose, Ms Braithwaite," Kenneth said quietly, "Or at best, win a Pyrrhic victory."
"Oh, you really think so? This isn't San Francisco, Mr. Roberts, nor is it Boston or New York. This is MidWestern America, and here, folks think that making boys into girls against their will is a sin and a crime. I can guarantee that any jury in this part of the country will convict her."
"Perhaps, but in a criminal case, I'll easily win on appeal, if it goes that far. I think it far more likely, however, that I will be able to get the case thrown out before it even gets that far. Look, Ms. Braithwaite, the fact is that what Ms. Thompson does has been highly successful. I can call social workers, judges, parents of her students, law enforcement officers - all of whom have direct knowledge of what she does and how she goes about it, and everyone of them will support her claim that she is in no way abusive. And that is before I bring in the students themselves to testify on her behalf."
"You simply can NOT believe any of that," the woman said, her eyes wide with incredulity.
"Oh, but I do believe ALL of that. Ms. Braithwaite, suppose your brother, instead of having been sent to Ms. Thompson, had been sent to one of those boot-camp-styled youth rehabilitation programs. At the boot camp, he'd have been immersed in the type of macho oriented, group situation he's already shown he cannot handle. In my view, all that one of the bootcamps entails is a gang-like mindset and dynamic, but with better leadership.
On the other hand, Ms. Thompson isolates him from that type of situation while forcing him to reexamine the unfortunate social choices that have led him to this point. The rest, in other words, the externals, are merely tools to effect that reexamination. What's the real difference between curls, skirts and heels, compared to skinheads, fatigues and army boondockers? Both are artificial; both have a point. The real question we need to address here should be - Which situation presents the solution most likely to solve the problem that got Adrian sent to Jane in the first place?"
"And you said that all with a straight face," Anne Braithwaite said wonderingly. "No one in THIS part of the country is going to believe that putting a boy in skirts is more likely to make a man of him than going to bootcamp."
"As I said, Ms. Braithwaite, I have an overwhelming preponderance of historical evidence and testimony to the contrary."
"All right, so you might win a criminal case. As O.J. Simpson has discovered, that is not the only path to justice in this country."
"You're referring to a civil lawsuit? Claiming what? Infringement of Constitutional rights? Something along those lines?" When the woman did not say anything, Kenneth nodded. "I'd say your chances of winning any significant settlement there are, at best, 50/50. Some of the people who are willing to act as testimonials to Ms. Thompson's methods are rather important men and I believe that their statements would carry great weight, even with the most hidebound of juries. And then, there'd be appeals. I think it is safe to say, Ms. Braithwaite, that when whatever lawyer has offered to represent you pending the award sees my case, you might find he wants to be paid up front with no guarantees."
"My brother will still be free of her."
"Your brother will still be in jail, Ms. Braithwaite. And without a criminal case against my client, you will likely be facing contempt of court charges yourself."
"So, why don't you just bring me up on those charges? The letter I sent to that woman is all the proof you need!"
"Three reasons. First, my client doesn't want to hurt your brother. She feels, quite strongly, that sending him to juvie for the next four years might well do irreparable harm to him. Second, she doesn't want to hurt you."
"I find that very difficult to believe," she interrupted snappishly.
Kenneth shrugged. "As you will. And yet, your brother has not been physically abused or disciplined in any way. He's been well fed and his physical needs seen to at all times, and he's been challenged physically, emotionally and mentally in ways that force him to learn things about himself he'd never otherwise."
"Everything's wonderful except he's being turned into a girl!"
"He's being made to act like a girl. In three months to a year, he'd be back in trousers, living as masculine an existence as I am - except that he'll be doing it as a much nicer male to be around."
"So YOU say. You'll forgive me if I feel you have failed to prove your case to MY satisfaction. And what was the third reason, Mr. Roberts? For this Thompson woman to want to keep this out of court?"
"Although her students are more than willing to come forward for her, to testify publicly in her behalf about their experiences in her keeping, she does not want them to do so. As you have indirectly pointed out, there are prejudices in this country that affect how others perceive people. She'd rather that . . . appearances in open court by her former students not be necessary."
"So, what's the alternative, Mr. Roberts. Are you going to offer me a deal? Some type of settlement?"
"Ms. Thompson regrets that you were not fully apprised of, and in agreement with her proposed program for Adrian when you signed the commitment papers. Therefore, provided that you meet certain specific conditions, she is willing to release your brother to your recognizance."
"Without the vacation of the suspended sentence?"
"If you agree to her conditions, and then, if you meet her conditions, she will sign his release papers and return full guardianship to you as if your brother had successfully completed her program of studies."
"Sounds too good to be true."
"I don't believe you will think so. First, you and your brother must sign legally binding non-disclosure agreements promising not to reveal any part of Ms. Thompson's program until after her death. As guardian, you will, of course, be responsible for your brother's compliance with those agreements until such time as he reaches his majority. Failure on either of your parts to comply with those agreements not only opens you to legal action, but voids the second, financial portion of the settlement."
"Financial? I don't understand. All I want is to get my brother out of that hellhole!"
"As you will, but you should hear me out nonetheless, Ms. Braithwaite. My client, Ms. Thompson, feels that you were overwhelmed by your responsibilities as care-giver and provider. You will agree to become an 'at-home' mother to Adrian so that he will be adequately supervised until such time as he reaches his eighteenth birthday."
"That's ridiculous! I need to work so that I can pay bills, buy clothing . . food. . "
"That is the financial aspect we were just discussing. So long as both you and your brother comply with the provisions of the non-disclosure agreements, and you are an 'at-home' guardian, Ms. Thompson agrees to underwrite your full living expenses, up to and including five years of university for Adrian, which should see him through an undergraduate degree. At that time, she will entertain providing funds for graduate work, should his grades and commitment warrant her continued support. Additionally, should you wish to attend graduate school while you hold guardianship, my client will also agree to pay those associated costs so long as it does not distract from your supervision of your brother."
"You have got to be kidding. That would be a great deal of money - almost forty thousand dollars a year."
"That's probably a low number, given the cost of college these days. However, Ms. Thompson has already established and fully capitalized the necessary trust fund in your and your brother's names, Ms. Braithwaite," Kenneth said, handing her a document. "The final condition is the one you may find disagreeable, but it is one about which Ms. Thompson is most emphatic."
"Oh?"
"Yes. You will agree to come to Kingston for a period of three weeks and observe, covertly, your brother's training at Seasons House. If, at the end of that period, you still feel that she is abusing him, she will release him immediately to your care and the other conditions of the agreement will take effect. If you decide to allow her to continue the program, then she will still turn the proceeds of the trust fund over to you. Either way, you and your brother will have no financial worries for at least the next seven years. This settlement contract," Kenneth passed a thick document over to the stunned young woman, "details in legalese what I just told you in plain language. You might wish to have your own lawyer review it before you consider signing it."
Anne Braithwaite could only stare at the stack of paper now in front of her. She had never expected anything like this settlement proposal to come of this meeting. *Now what do I do?*
She looked at the calm young attorney who was watching her with strangely gentle eyes and then back down at the settlement agreement. A question occurred to her. "Why?"
"Why is she making this offer? I already told you - because she doesn't want anyone to be hurt by this."
"No, why are you doing this? You're defending her and it's more than just your profession involved. Is it because you were her student? Because you don't want it known that you were like my brother and put into girls' clothing?"
"I am defending her because I believe in her and in what she does for her boys," Kenneth said softly. "because I KNOW she helps them."
Anne considered that as she scanned the document. "Your office? It's in Providence?" Kenneth nodded, his eyes suddenly wary. "And you say that you believe in her methods? That there is no particular harm in a man or boy going out in public dressed as a woman?" Again, Kenneth nodded.
"All right. Then prove it. Meet me in Providence in three days, publicly dressed as a woman. Put your reputation where your mouth is."
"Wha. a. . at?!?" Kenneth stuttered.
A wickedly self-satisfied smile curled Anne Braithwaite's mouth. "I'll agree to your settlement, Mr. Lawyer-man, but, " she said standing up and stuffing papers into her own briefcase. "You will meet me at my hotel, in your feminine persona, and escort me to your Ms. Thompson's house for my three week observation period."
"But, Ms. Braithwaite, I've. . . grown. . .I mean, I'm not . ."
"That's my deal, Mr. Roberts!" she cut him off. "You will meet me and escort me in your feminine role. Fail in that, sir, and we will meet again. In court. Good day, Mr. Roberts, or perhaps, I should say, Good day, Miss Roberts."
The door closed behind her well before Kenneth could manage to close the mouth that had gaped in shock.
Chapter 6 - Family Conference
He needed nearly half the trip to the airport just to get his emotions under control. She wanted him to show up at her hotel, en femme? As Kendra? *But I haven't been able to be Kendra since I hit that growth spurt,* his mind railed. *Cripes, I'm six feet three inches tall - even without heels I will stand out like a sore thumb! And I don't want to look like a freak - don't want Kendra to look like a freak - that's why I wouldn't agree to be a 'male-of-honor' at Janice's little reversed wedding ceremony.*
*But Momma-Jane's program, and more importantly, her entire lifestyle might be at stake in all this,* he reminded himself sternly.
It was just too much. "DAMN!" he exploded.
"Yo, somethin' wrong, Mister?" the cabbie asked, looking into his rearview mirror and nearly rear-ending the Postal Service truck he'd been tailgating.
Kenneth realized that he'd spoken aloud and grinned sheepishly. "Sorry - bad meetings. Still a bit. . . annoyed."
"No prob, Mac. We'll be at the airport in a few minutes. You want me to go to departures?"
"No, I'm on a charter flight." Kenneth gave him the name and location of the private operator's facility and then pulled out his satellite cell-phone. He punched the speed dial and listened as the connection was made.
"Nash, here."
"Mike? Ken. Look, I'm on my way to the airport for the flight back to Providence. I need to meet with you, Darryl, Jane, Marie and Art as soon as I get back. Can you call around and set that up?"
"No problem. When will you be back?"
"A few hours - no later than supper time."
"Okay. How do we get the word to you?"
"I'll call Momma Jane as soon as I'm on the ground in Providence."
"Good enough. Anything else?"
"Yeah, I learned something that might be important, but I need to check it out. Do you have the number for the Chalet handy?"
"Somewhere. . . " Michael's voice trailed away and Kenneth could hear the sounds of papers rustling and drawers opening and closing. "Here it is. Ready to copy?"
Kenneth entered the number into his digital pocket organizer, thanked his 'Thompson-brother' and then broke the connection. With practiced ease, he programmed the phone number of the Marisa Chalet into his cell-phone's speed dial memory and then made the call.
"Marisha Chalet, this is Caro."
"Carolyn, Hi! It's Kenneth. I need you to check something for me and pass what you find to Jane, okay? And then I need to talk to Sandy. Great. Here's what I need you to do. . ."
They met in the old groom's apartment over the stables - the one that Jane had converted into a combination exercise room for Art/Diana and as a "home away from Seasons House" for members of her family when a junior student's presence precluded them being accommodated at the manor house. Jessica was at the house watching over Adrienne's walking excursion with Mr. Webster.
"So, she's agreed to the visit?" Jane asked, after Kenneth had given his slightly edited report. "She'll be here?"
"In three days, or so she tells me. She's still not convinced, Jane," he warned her. "We're not out of the woods yet, and I think we are, at best, 50/50 for staying out of court with this. She strikes me as the 'do the right thing because it is the right thing to do' type."
"Oh, god, not another idealist," Diana groaned, turning to stare at her wife with comical disgust.
"Just like Momma-Jane, Daddy-Di," Kenneth assured her. "Two peas out of the same pod."
"If we could PLEASE get back to the issue at hand," Jane said sternly, and then watched as Darryl, Kenneth, Michael and Marie dissolved into giggles. "Well, I'm glad that still works with the new ones, anyway."
"I'm sorry, Mom," Kenneth replied, just a bit sheepishly. "Look, I think she's smart enough and open enough that she'll see what you do and come to appreciate the value in that. However, she loves her brother and there seems to be some guilt there that she couldn't keep him out of trouble, so she's inclined to come charging to his rescue."
"What you are saying, son," Diana said in Art's voice, "Is that if she doesn't see the good in what Jane does, she won't take the rest of the deal?"
"I don't think so, Dad. If she thinks we're in the wrong here, my guess is she will not accept the settlement and go to court. Not to take us for more money, but to stop Momma Jane, once and for all."
The room became very quiet, only to be broken by Darryl's soft, "Damn!"
"Just so," Jane said with a sigh. She stood up and walked over to the room's large picture window and looked at the late-evening shadowed silhouette of Seasons House. "It is just possible that is the correct solution, you know. Maybe it is time I retired as the School Mistress of Seasons House. Lord knows that I have so much else I could be doing with my time these days. I have a husband now, children who are my own in everything except genetically which hardly counts. It might be nice to pack up and head off with Art and Marie the next time he's sent off to someplace like Bosnia."
"Over my dead and bleeding body," Art snapped.
"Then don't go yourself, husband," Jane said steadily, still staring out into the twilight-softened landscape. "Whither thou goest, et cetera, et cetera, et cetera."
Michael stood up and came over to Jane. "Mom? If you really want to retire, then that's what we want for you. If you're doing it before you are ready, and if you think you've failed because there are still kids you should be helping, then screw that noise!"
"Michael!" Jane sputtered.
"Like you've never heard words like that?" Darryl replied. "I agree with Mike. You really want to retire, great. Better than great, in fact."
"Oh?" The famous "Thompson-brow" cocked up at her grinning, adopted son. "And just WHY, pray-tell, would that be 'better than great'?"
"Because Audrey could use some Motherly support and help just now." Darryl paused to make sure he had everyone's full attention. "We're expecting."
"Expecting what?" Kenneth asked without thinking and then gaped at his brother. "As in. . ex-PECTING? Like in, BABIES?"
"Well, we hope it's just one right now, but yeah, that's what I mean. So what do you think, Mom? Ready to be the prettiest, doting-est, spoiling-est grandmother in Rhode Island?" Darryl asked, grinning up at his Mother mischievously.
His answer was swirl of silk, a waft of Obsession, and a fiercely loving hug that bid fair to rob him of his breath.
"I guess that's a yes?" Darryl squeaked.
There were joyful tears in Jane's eyes when she finally let go. "Oh, god, yes, that's a yes! When?"
Darryl blushed. "Oh, about 6 and a half months from now. We started trying on our first anniversary. Guess we needed the practice."
The next several minutes were spent in the happy chatter of a loving family discussing the impending birth of first of a new generation, until Jane, being Jane, pulled herself back to the issue that had brought them together. "So, you think she may still go to court. What does that mean?"
"I think that any criminal case she tries can't win. Your supporters are too well placed and if necessary, I will subpoena them to prove our case. The civil case is chancier, but even there, I think it's a given that we'd win on appeal. However, your school would be dead - the media and the scandal sheets would bury it."
"I've always known that was a possibility."
"I think," Kenneth went on, "That the real threat is to Judge Ruth. Impeachment is done by politicians, and the trial subsequent to a bill of impeachment is also done by politicians. I don't know, but my guess is that the legislature is likely to impeach and convict, regardless of the legal validity of our arguments. It would become a media circus and there is no way she could come out of it with anything like justice."
"You believe she'd be the real loser in all this?"
"Her, Adrienne and of course, the boys you won't be able to help in the future."
"Hey, bro," Darryl put in, "Don't forget others like Gigi."
"There will never be another Audrey, dear," Jane said smiling, "but I take your point. I suppose I should warn Ruth?"
Kenneth looked uncomfortable. "That may be a lose-lose idea, Mom. If you did that, she might decide she had to vacate Adrienne's suspended sentence. If that happens, I guarantee that Ms. Braithwaite will take us to court."
Jane nodded. "I understand. I will talk to Ruth. If she decides to press the issue, I will threaten to release him outright, as is my right under the court order."
"How will that help, Mom?" Darryl asked. "I thought the whole point was to get this woman to sign the non-disclosure agreements and then watch you in action. If you release him, how does that happen?"
"I don't tell him he's released, of course, nor will I tell Ms. Braithwaite."
"That might make this a criminal case, Mom," Kenneth warned her. "Without that court order, your authority to hold him against his sister's will, and your guardianship of him both go away."
"Then I will simply have to bluff Ruth into thinking I will do it, won't I?" Jane looked at her watch and frowned. "I really should be getting back to the house, dear. Is there anything more?"
"Yes. Where will she stay?"
"Here," Jane replied. "Since Jessica is living with me on and off, I have had this apartment wired to receive the CCTV, much as my own rooms are. That way, Jessica is able to help with the observations while living here when she is not officially in residence at Seasons House as big sister. I can also give her an electronic 'all clear' signal when she wants to come 'visit'."
"Okay. Did Caro or Sandy call you? I asked them to check on something for me."
"Oh, that's right. Yes, Caro did call. It is just as you thought. Someone at the salon made a call to one of the numbers you gave Caro. The week before our young miss started acting out and before I started receiving letters from Ms. Braithwaite. Evidently, Adrienne managed to sneak into the office and make the call. How did you know?"
"A guess. The sister paraphrased some of their conversation, and mentioned the Chalet specifically. Evidently Adrienne was getting a highlight job and was very unhappy about it. That made the Chalet a good possibility for how they made subsequent contact, especially since you keep to a fairly regular salon schedule with the boys early in their time with you."
"You think he saw her in the vicinity the following week?"
"And started acting up? Yes. That's my best guess. It also explains the photos she sent you. She had to have some idea where you would be, with Adrienne, and when the two of you would be there. The most predictable thing you do, Mom, is go to the beauty parlor."
"I see," Jane murmured. "Well, please excuse me, but I have to get back to the house and check on Adrienne and Jessica. Then, I will call Ruth."
"I'll go with you, dear," Diana said rising to her feet and following her wife who was hurrying out the door.
"Tante Marie?" Kenneth put in. "Could I talk to you for a minute before you go? Please?"
"Mais oui, mon petit brave," Marie replied, her eyes twinkling as they always did when she used her pet name for her 'little boy' who was no longer quite so 'petit'.
"I need some help from you on a . . .little project."
Chapter 7: Interludes - Jane and Diana
A furious "Would you PLEASE ACT YOUR AGE!?!?" greeted Jane and Diana as they reentered Seasons House.
"Jessica?" Diana asked. Jane nodded, even as she sped toward the front parlor.
The tableau that greeted Jane would have been comical except for the seriousness of her mission. Jessica, barely five feet six in her three inch heels was standing bare centimeters away from the taller Adrienne, her fists on her slim hips and her eyes blazing. "You aren't even trying!" the smaller girl accused furiously.
"What is going on here?" Jane demanded from the doorway.
"SHE THREATENED TO STRIKE ME!!" Adrienne shouted.
For the barest of moments, Jane felt a chill run down her spine as she recalled the reason her foster child had come to Seasons House. He tended to react violently to provocation - real or imagined. *However, he never threatened,* she reminded herself, *he simply struck without warning.*
"Did she indeed?" Jane asked, her tone indicating her disbelief.
Total disgust showed on Jessica's lovely face. "I told her that if she was going to keep whining, I wished I could give her something whine about. I never raised a hand in her direction."
"SHE MADE FISTS!" Adrienne screeched piteously.
"And you have four inches and some twenty five pounds on her, and we both know that you're a boy. I am sure you would be gravely threatened by my niece's physical prowess," Jane replied, sarcasm dripping from each syllable. "Go to your room, Adrienne. If this is how you keep your word of honor, then I must conclude that you either do not understand the meaning of the word, or that you have no personal honor. I will deal with you no more this night. Jessica? Go the kitchen and prepare a pot of tea, please. I need a cup. Bring it to my office." Jane then returned her stern stare to the gaping Adrienne. "I told YOU to go to your room! I meant NOW, not LATER!"
Jane felt a guilty flutter of satisfaction at seeing her student scurry from the room. Unfortunately, that satisfaction only lasted until she remembered the phone call she had to place.
"Damn, Jane, I am sorry about this mess. I should not have kept the girl in the dark and I knew it even when I was doing it," Ruth Walinkiewicz said after Jane had given her all the particulars. As Kenneth had predicted, her first inclination had been to send the boy off to the juvenile authorities, and it had taken all of Jane's considerable persuasive skills to convince her otherwise.
"May I know why you didn't tell her? I thought that Diana, or rather Art, had convinced you as he did me that full disclosure is the safest way to go, even with court-referred cases."
"I suppose it doesn't matter now, but to tell you the truth, I wasn't going to refer this one to you. I had planned one of those 'scared-straight' weeks in a jail-situation, with the threat of one of those boot camps if he didn't square away after that."
"What changed your mind?"
"An Amicus Curia brief - you know, a 'Friend of the Court' briefing, from someone who knew the family, but wished to remain anonymous. It strongly recommended that the boy be referred to your program."
"To MY program? Someone anonymous knows about MY program? Oh my God, Ruth, this just gets worse and worse!"
"Easy, Jane. The reason this person knows about you is because he was one of your students. He wanted to be anonymous because he didn't want to influence the girl or you, and because, well," Ruth's voice drifted off.
"He didn't want to admit to his own participation in my program?" Jane finished sweetly. "Who was it, Ruth?"
"Pretty much, Jane," Ruth sighed. "As to who it was? Jane, it was Donald Madden."
"Donald? DON-ald? How? WHY? I mean, heavens, Ruth, he was a failure here. I mean, he was here a year or so ago, when Carl was my student, but I haven't heard from him since. Why ever would he recommend a student to my program?"
"He's the girl's employer, Jane. She's an assistant accounts manager at his offices here in town - pretty good at it, too, according to Donald - and he wanted her to have every chance to get ahead. Which meant, in Donald's mind, taking care of the distractions her brother was causing with his bad acting. He had his lawyer file the Amicus Curia and then met with me privately. I have to tell you, Jane, that having one of the ones that got away come back and recommend the program, admitting that he was in the wrong, went a long way towards convincing me to send Adrian to you. The only glitch was that, in the interests of protecting Donald, I didn't fully disclose the program to the sister."
"Well, in the clarity of hindsight, I wish you had, but I can understand your motives. Look, Ruth, I need to speak with Donald. Do you have his phone number?"
"Yes, as a matter of fact, I do. Let me see. . . ah, here it is!"
Jane copied the number down and then signed off. For a long time, she stared at the phone, wondering. Then, she picked up the phone, and began to dial.
"Madden residence," a voice answered on the first ring.
"This is Jane Thompson of Kingston, Rhode Island. I'd like to speak with Mr. Madden.
"Is he expecting your call?"
"No, but this is urgent. Please inform him of my call."
"Wait, please."
Jane listened to the thankfully muzak-less line and tried to organize her thoughts more cogently.
"Madden here. Is that you, Ms. Jane?"
"Donna," Jane said and then caught herself, "I mean, Donald. I need to speak with you about. . about a student you may have been involved in referring to me."
"Oh, I see. Anne Braithwaite's brother?"
"Yes."
"All right. What can I do? What's the problem?"
"I need some information, Donald. There are some things I desperately need to understand."
Kenneth slid into his office chair, leaned back and closed his eyes. Ellis had been damned understanding - more than he'd had any right to expect or even hope for. "Whatever Jane Thompson wants and needs, she gets from this partnership, Kenneth. If that's your undivided attention for three weeks, than that's what she gets. I've been after a piece of her business for years, but she's always been very careful not to mix business and friendship. Guess she's not so hesitant to mix business and family."
"It's a . . . unique situation, Mr. Ellis," Kenneth had told the senior partner, "And one she feels, rightly or wrongly, that I am uniquely qualified to handle for her." *and she doesn't even know the half of it,* he thought. *I just hope I am up to the challenge.*
"Well," Ellis had said, "See that you are, and if there is anything that the rest of the firm can do to assist you in this - anything from research to filing a brief - you call me directly. Like I said, I want Jane's name on a retainer contract."
Kenneth spun in his seat as he remembered. It probably wouldn't be all that difficult. Jane would see that he was well taken care of in her own way, and if that meant funneling her international business deals through Kenneth to get him in good with the partners, Jane Thompson would do just that. *All the while expecting me to be letter perfect at all times. After all, I am one of HER boys.*
He hoped he was ready for tonight. Marie had called the night before to tell him she was finished with her part, and Sandy had called him this morning to confirm she'd be there tonight. Lord, but he was nervous about this - hadn't been able to eat in two days.
His intercom buzzed and Kenneth picked up the handset. "Mr. Roberts?" the receptionist asked. "You have a visitor. A Ms. Braithwaite. She's on her way up to your office. " Then the woman's voice became very low. "She seems, well, rather upset - almost angry about something."
"Thanks, Becky," he replied before replacing the handset.
He had just gotten up to go greet her when his door slammed open to admit an obviously furious B. Anne Braithwaite followed by a shocked secretary. "You BASTARD!" she snarled.
"Mr. Roberts," the secretary quavered.
"It's all right, Mrs. McCarthy. I'll help Ms. Braithwaite," Kenneth said easing the door shut.
"Help me? HELP me? By threatening my JOB? You call that HELP?!?"
*My god, she's crying!* he realized. *She's not just angry.*
"Your job, Ms. Braithwaite? I'm sorry, but I don't know what you're talking about."
"Oh, you don't, do you? Well, your client called my boss, and he called ME. It seems that he questions whether someone who doesn't understand when their well off is suitable for his organization."
"Look, Ms. Braithwaite, please sit down. I don't know what you are talking about, but I assure you, I had nothing to do with going to your boss. Let me make a quick call and then see what I can do to straighten this out."
"Right," she said sarcastically. Ken offered her his handkerchief and she accepted it after examining it closely.
He punched the speed dial on his cell-phone, waited and then spoke. "Jane? Kenneth. Did you call Ms. Braithwaite's boss? You did? For god's sake why? Oh. He's one of the two, eh? I see. Well, I've got a real problem here and I need to speak with him. Yeah, as your attorney, I *really* need to speak with him. You have a number? Okay, give it to me."
Kenneth broke the connection and immediately dialed the new number. "This is Kenneth Roberts of the Providence, Rhode Island law firm of Ellis, Ellis and Carter. I am representing Ms. Jane Thompson and I need to speak with Mr. Madden immediately please. Yes, it is that urgent. Thank you." Kenneth looked over at the woman and found her regarding him intently. The tears had stopped flowing, but her makeup was a mess. *Wonder if I should offer to help her fix that?* he thought just as a gruff voice came on the line. "Mr. Madden? Kenneth Roberts here, representing Jane Thompson. Thank you for taking my call. Look, I have a situation here. No, not about the boy, it's about the sister. She thinks you intend to terminate her if she proceeds with her action against Jane. No, sir, that is NOT what Jane wants. Ms. Braithwaite is innocent in this. What I want you to do, sir, is tell her that won't happen, and I want you to make her believe it. All right, just a moment."
Kenneth proffered the phone to the woman in his office and watched as she put the phone to her ear. "This is Anne Braithwaite. Yes, sir. I see. That's very good of you, Mr. Madden. Thank you. No, I'll tell him. Thank you for clarifying that. Good bye, sir."
With slow, deliberate movements, B. Anne Braithwaite broke the connection and folded the phone before handing it back to Kenneth. "Well," she said quietly. "That was a surprise."
"He is no longer threatening you with termination?"
"He claims I misunderstood him, and assures me that it was not his intention to ever fire me."
"Do you believe him?"
"I believed I was going to be fired, Mr. Roberts, or I wouldn't have come here as I did. Why did he back off?"
"It's entirely possible he never did mean to fire you. Men like him tend to be, well, forceful in their language and sometimes forget how others interpret that. In any event, I think we can go on the assumption that your job is safe now."
"I. . I don't know what to say."
"How about some lunch? I'm suddenly very hungry and you look like you could do with a bite yourself, or perhaps at least a cup of hot tea."
"That would be very nice, Mr. Roberts."
"Um, since I'm going to be escorting you to Jane's tomorrow, could we lose the 'Mr.'? It's going to be hard enough to pull this off without you slipping up and letting the world know I'm a Mister, when I show up to pick you up."
"You really are going to do that?" she sounded incredulous.
"As I said, Ms. Braithwaite, I believe in Jane Thompson and what she does. If becoming a six-foot three inch incarnation of Kendra is what it takes to get you to at least listen, then that's what I'm going to do."
"I see. So, what should I call you? Kendra?" she asked with just a hint of a smile.
"I think Ken will do for now, and I'll trust you to recall the 'dra' tomorrow. May I call you, what is your name? The settlement says 'Barbara' but Madden called you 'Anne'."
"I prefer Anne and refuse to answer to Barbara or any derivative of that name."
"Okay, Anne. How about lunch?"
"All right, Ken. I would enjoy something light."
Chapter 8: Interludes - Kenneth and Barbara
"So Mr. Madden is why that judge sent Adrian to this Thompson woman? And he was one of her. . . her. . "
"Students?" Kenneth finished for Anne Braithwaite as they walked though Roger Williams Park on the way to her hotel.
"I guess. It's just so hard to imagine Donald Madden. . .well, in a dress. He's rather forceful, you know."
"So's Jane," Kenneth replied. "Anyway, Madden is one of the two who did not graduate from Jane's program. One got sent back to jail - really was incorrigible - and later died trying to evade capture by the police. Madden didn't get to Jane soon enough. He reached his eighteenth birthday, and unfortunately, came into an inheritance, before Jane could reach him. She always mentions him when someone tries to compliment her on her program."
"Well, he certainly speaks highly of her now. I felt like I had to choose between my brother and my job, and without my job, I won't be able to support him or pay for the lawsuit."
"Well, that's fixed now. Jane wouldn't have tolerated that anyway."
"Why? It would have solved her problem. Surely any law firm I could have afforded or that would have taken the case wouldn't have been up to the task. Not against someone like your Ms. Thompson, or like your firm. I don't know much about the law, but from what I have learned, Ellis, Ellis and Carter are very good at what they do."
"Why? Because Jane has never abused anyone. In the end, you won't win even the civil suit because we can prove that."
"You really believe that, don't you?" Anne asked softly.
"I might lose to a jury, depending on how it's constituted, but I really do believe that, on appeal, you will lose. Your evidence is not substantiated by the history Jane's built with her program. Unfortunately, Jane will lose, too. Not in the real courts, but in the kangaroo court of the media. Once the case goes public, she'll be out of business, and worse, she'll be harassed the rest of her life, but she won't lose the court case."
"Then why did you go to bat for me with Mr. Madden?"
"Jane again," Kenneth told her. "She wouldn't want you to suffer for doing what you think is right and for caring about your brother. In fact, she'd be furious that you were in any way threatened."
"This doesn't make any sense."
"Hey, I tried to explain to you. Jane Thompson is one of the world's good guys. . gals."
"You're still saying that. Are you going to show up at my hotel tomorrow? As. . what did you call yourself? Kendra?"
"Unless you tell me you've changed your mind," Kenneth replied, just a little grimly. "I don't mind telling you that I'm not looking forward to it."
"Why? Because you'll be hurt by it? Because you'll be humiliated to appear in women's clothing?"
"No, that's not it."
"Well, then, what is it?"
"You'll laugh," he told her, "And that will upset me."
"Ken, I am trying to understand, and I will do my best not to laugh at you. Why aren't you looking forward to it?"
Ken sighed deeply, and stopped walking. He stared off into the distance in silence for a time, and then shrugged. "I'm some six inches taller and forty pounds heavier than the boy who could pass as Kendra," he told her. "Kendra was actually rather attractive. I guess what really bothers me is that I want to remember her that way. I haven't tried to be her since the day I realized I was taller in my bare feet than Kendra had been in four inch heels."
"Four INCH heels?" Anne sputtered. "You could manage four inch heels at what, five feet five?"
"Five-seven," Kenneth corrected, "or at least, the last time I was Kendra."
"And what you're afraid of is that you'll remember her as something less because of what I've asked you to do tomorrow?"
"Strange, isn't it?" Kenneth asked. "When boys first show up at Jane's, the worst thing they are told is how 'cute' they are, once she gets them into those first frillies. It is the first attack on their overblown masculine hubris. Now, the thing that bothers me is that I can no longer live up to what Kendra once was."
Barbara Anne Braithwaite didn't know quite what to say to that and so, said nothing. Ken gave her a lopsided grin that did funny things to her insides. "C'mon, Anne, it's getting chilly out here. Let me walk you to your hotel. I've got an appointment this evening and I don't want to be late."
Chapter 9: A Difficult (Re)Birth
"Darnit, Tante Marie!" Kenneth's complaint came out on the end of a wheeze, "I don't have to be at her hotel until tomorrow morning. Why do I have to wear this. . this THING now!"
"Because, petit," Marie grunted, "I cannot finish fitting the dress unless you are the. . right shape. If I cannot finish - Sandy, pull that lace for me, oui, that's it - fitting the dress, you will look like the clown tomorrow, eh? Now, quit whining. You're breathing too much!"
"I always wondered why you did the corseting, Marie," Kenneth gasped by way of a retort. "In my ignorance, I thought it was because Jane didn't want to appear to sweat and strain. Now I know better. YOU do it because you LIKE doing it."
"Aw, does mon pouvre petit chou not like his pretty satin undies?" Marie cooed in baby-talk just before she started working down the laces yet again.
"It's a good thing I love you, or I might think you were a bit of a sadist, Tante Marie." There was a loud smack and Kenneth yelped as loudly as his diminished lung capacity permitted. Fire burned on his satin clad fanny and he spun to see a grinning Sandy rubbing the palm of her right hand with her left.
"*I'm* the sadist, Kenny," she smirked, "And you'd do well to remember that. So, quit your bitching and take it like a man. Got it?" she asked as she reached up to pat his other cheeks - the blushing ones on his face.
"Got it, Sandy."
"Look here, Kenneth," Sandy said more seriously. "I know you're worried about this, but you've got the two best in the business here. Let us do what we have to do, and it will be all right. Start thinking girlie, okay? That's your part of this deal, and girls don't bitch about being made pretty."
"Okay, Sandy," he replied meekly, and then grabbed both women and pulled them close for a hug and cheek kiss. "Thanks."
"Remember that when I finish putting on your face with Jane's special long-lasting cosmetics. You don't have enough practice recently to maintain the look on your own anymore, so Marie and I figured the best bet would be to make it so you didn't have to worry about that."
"But that stuff takes days to wear off!"
"So?" Marie shrugged. "You have three weeks, right?"
"Right."
"Bon matin!" Marie chirped as she opened the blinds in Kenneth's room to admit the light of a New England dawn. "Vite, vite, ma petite, levez! We have much to do this morning."
"Tante Marie, it's . . what. . " one bleary eye opened and focused on the digital alarm clock, "5:bloody-45 in the morning. I don't have to meet her until 9:30."
"And you must be beautiful, ma grande fille jolie, and that will take time, eh?"
"As if I ever have to worry about that," was the sour reply, "And don't you mean 'gross' instead of 'grande', Mademoiselle Marie?"
"Oh ye of little faith. You will be. . parfait, ma cherie. Trust me. Now into the shower with you."
Kenneth struggled up out of bed - not an easy accomplishment since the two women had insisted that he wear the corset all night to... acclimatize him to its iron-busked grip. "Can't shower or I'll get the corset wet."
"Well, scrub where you can and I will have la petite dejeuner sur la table when you come down."
Kenneth went to his bathroom to begin cleaning up. *It will have to be a very petite breakfast with this damned corset compressing my gut and other internal organs. Odd that Tante Marie's French always pops up when she's having a really good time. What does that say about what she's doing now, Ken m'boy?*
Kenneth held onto the top of the bedroom door with both hands and let his body hang. "Excellent, Kendra," Sandy crowed as she and Marie worked in unison to take up any slack that had developed overnight in the corset strings.
"It won't do anyone any good if I faint from lack of oxygen behind the wheel of my car," he protested - not that his opinion counted for anything.
"You gonna cry and moan when I do your 'brows, Kendra?" Sandy asked. "If you are I need to know so that I hold off on finishing your eyes until last. Don't want that long-lasting mascara running before it's dry, you know."
"You're all heart, Sandy."
"Blonde, brunette or redhead?" Marie asked, carrying in three wig boxes from her little compact.
"Brunette, I think," Sandy said. "That way, I don't have to bleach his eyebrows. Although I could thin them out more than I planned and then they'd just look like a really dark eyebrow penciling. I always did favor Kendra as a blonde - especially after that haircut you gave yourself, sweetie."
"That was because Jane and Marie had slipped me that peroxide-laced shampoo of theirs and it pissed me off. My mother always wanted me to be a bleached blonde."
"Well, I don't want to piss you off - at least - not any more than I have to," Sandy quipped. "Marie? You want to bring in the clothes while I start on his face?"
"*Her* face, Sandy. Jane's first rule is that you can't think boy and survive as a girl. Be right back!"
"She is enjoying herself too much," Ken muttered.
"You don't think she'd be in this with Jane all these years if she didn't enjoy it, do you?" Sandy observed. "Just because she's a sweetie doesn't mean she can't have fun turning a guy into a girl."
"She never acted like yo. . I mean. . "
"Like I act? Don't cringe, Kendra, you'll make me smear. Okay, I admit a certain kinky pleasure in what I do with Jane's boys and I get off on having them terrified of me. Not as much as I used to before Michael and before Benny, but it's still there. Marie enjoys it, too, she just feels guilty about making them so miserable, which tends to blunt her pleasure. Anyway, when she gets to play with a guy who's even halfway willing - like you are right now or like the guys who are coming for Michelle's secret wedding - she has a ball."
Sandy stepped back to look at the brows she'd just finished shaping and thinning and then moved in for a few more minute adjustments. "You aren't going to keep sniveling and ruin this for her, because if you are, let's quit right now."
"I have no choice in this."
"Sure you do, but if you are really hating this all that much, you're sure to screw it up with Adrienne's sister anyway, so we might as well quit before I do something really long-term to you."
Kenneth thought about that for a few moments and was surprised when Sandy let the issue stand in silence. She just stood there, watching him; waiting for him to come to a decision. Honesty, he thought, was called for. "I guess I'm just really afraid of being a freak. It didn't matter the first time - when you're fighting for your life nothing much else matters, you know?"
Sandy nodded. "And this time, it does matter? Being a guy, that is?"
Kenneth looked at her and shook his head. "Being a girl matters. Truth to tell, that time when we went after my mother? With me as Kendra?" Sandy nodded. "I was pretty hot."
The blonde woman almost choked on her guffaw. "And now you're afraid that you won't be? Is that really what this is all about?"
"A good deal of it," Kenneth admitted softly. "It's kind of hard being the ugly duckling in Jane's brood. First Michelle, then Darla and now even Jessica."
"All of whom would give thanks for just half the inches you have on them."
"It makes me feel like the odd man out, Sandy. It's part of their lives - hell, my life - that I can't share with them anymore."
"Well, hell, boy, if that's all that's bothering you. Watch and learn, kiddo!"
"I thought I told you to use girl pronouns and names," Marie called as she hustled past them, her arms laden with a suitcase, hanging case and a jewelry case. "I will be back down to do her nails momentarily."
"You sure we have to use Jane's magic face paint, Sandy," Kendra's voice wheedled as Marie disappeared up the stairs.
"Of course I'm sure, sweetie. Otherwise, you'll chew off your lipstick in the first ten minutes. Now shut up and let me work."
"Ah, ah, ah," Marie chided as she slipped two adhesive-backed prosthetic breast forms into the cups of the strapless bra she had fit over Kendra's chest. "No peeking until we're done. Now, hold your bosom in place until the glue sets, please."
Feeling very much the fool, Kendra put her hands on the round protuberances and pressed hard against them. They felt HUGE! "Aren't those just a little, well, big?"
"You are a big girl, my sweet, yet a beautiful one. That is what we must achieve, the image of a beautiful young woman. With nothing to give scale, it must appear that you are perfectly formed. In fact, when someone or something adds scale, it must appear that other person is small, not that you are large. Or at least, that is our goal. To do that, you must be proportional."
"Proportional? With these boobs I'll be a spectacle!"
"You'll be spectacular," Sandy corrected with a laugh from behind Kendra. She was standing on a stool so she could reach her only-slightly-whining client's coiffure. "Now, I'm weaving your own hair through the wig's backing so that it won't come loose accidentally. In fact, if you try to pull this hairpiece off, your barber won't need to thin your hair for at LEAST a month."
"How long is this glue good for?" he asked suspiciously as he tested the adherence of his new bosom.
"About as long as that face paint," Sandy said breezily, "although there is a solvent for that stuff, if not for the cosmetics."
"Wonderful," he grumbled as Marie started to roll fine, nude-colored stockings up his legs towards the garters hanging from the corset.
"Don't put the shoes on her until I'm done here, Marie," Sandy cautioned. "There's nothing taller for me to stand on."
"All right, Sandy."
"Why is that a problem?" Kenneth asked before the implications of Sandy's warning hit him. "Heels! You brought me HEELS?"
"What else?" Marie asked as she presented a pair of red pumps with at least three inch heels for his inspection.
"My god, Marie, I'm already six three. In those things I'll be six and a half feet. . "
"Six feet, six and a half inches, dear," Sandy corrected with a grin.
"Over six and a half feet tall. Everyone in the world is going to stare! They'll see. . .see. .
Sandy gave his hair a sharp tug and he subsided, although with ill grace. "Kendra?" she said warningly.
"Sit down, cheri," Marie ordered gently. He did, and she saw the uncertainty in his dark eyes. Sighing, she sat down opposite him. "What do you think they will see, Kenneth?" she asked gently.
"A freak," he said quietly. "Something to gawk at, and the harder they gawk, the more they will see, until . . ."
"Say it, mon chou," she ordered, her voice still very gentle.
"Until they see me as what I really am - a guy. I figured that was going to happen anyway, and for Momma-Jane, I can handle that. I *will* handle that, but I sort of hoped you two, being the best, could somehow at least give me half a chance."
Marie looked at the distraught young man for several moments, her eyes very thoughtful. Then, without warning, her smile blossomed bright and true. "You love Jane very much, don't you, my boy? You agreed to this challenge by Adrienne's sister, fully expecting to fail in your masquerade, but you agreed to it anyway."
"It's Mom's only chance, Marie. If she can't turn that girl around, it'll all come down around her ears. I wasn't kidding about the court stuff - I'm sure I can win there, but she'll still lose when the media gets wind of things. I had to try. . . have to try."
Still smiling, Marie leaned over to kiss his forehead. "Trust us, mon gallant. Sandy, are you done with her coiffure?"
"Sure am! Ready for dressing, I'd say!"
"Bien," Marie said as she pulled a white dress from the garment bag. The dress was boldly patterned with red flowers. "Slip this on, dear," she ordered as she set the other item aside. She knelt down to help her charge slide the shoes onto his feet. "Excellent. Good thing Jane bought that last set of outfits for Jasmine before she left. That one - grew six inches in the four months she was with us."
"No sleeves, Tante Marie?" Kendra asked, as Sandy zipped up the closure in the back of the dress.
"It was a sundress, cherie. I removed the extra material from the skirt, since I knew you would not be wearing petti's with it, eh? Now, the jacket," she ordered, handing Kendra a woman's suit jacket in matching red. "Ah, perfect. See? It hides most of your bared shoulders. The pendant, si vous plait, Sandy, so that the eye catches the tiniest hint of cleavage, oui? Ah, lovely. All right, come with me to the mirror. Close your eyes. On three, you may look. Une, deux, . . . "
"TANTE MARIE, I'M GOING CRAZY HERE!"
"TROIS" Marie shouted in unison with Sandy's "THREE!"
Then, there was silence. Kendra stared at the full length mirror, unable to speak. A single hand, tipped in long, finely done red nails snaked out to touch the mirror, as if testing the reflection. "That's. . . that's me?"
"Who else would it be, Kendra?" Sandy asked sarcastically.
"My goodness, but I'm, well, umm, I sure am tall."
At that, all three women burst out laughing. "You most assuredly are that, love," Marie told her creation, "You are also strikingly lovely."
"Shoot, you turned out even better than I thought you would. Put you in a gold satin bra and star-spangled panties and you're Wonder Woman, kid."
"I never thought about trying to do anything like this," Kendra murmured, still stunned by what she saw in the silvered depths of her mirror. "I figured you'd sort of try to hide me."
"Love, Jane's second rule is that if people are going to look, make sure they see what they expect," Marie told her. "No matter what we did with you, a woman over six feet tall is going to draw attention. It's what happens AFTER you have their attention that will make or break your masquerade."
"I'm not sure I understand, Tante Marie," Kendra said as she did a slow pirouette, her eyes never leaving the mirror.
"Kenny, the first time with Jane, when you went after that thrice-damned bitch who was your mother?" Sandy interjected. "You had all the advantages. You could take a second or a third look, and be subtle enough to carry off the deception."
"Boy, has THAT ever changed," Kendra said with an almost hysterical giggle.
"True, so we took a different path - we're hiding you in plain sight, okay? Look at yourself - SEE for yourself. No one is going to see you as anything but a very striking, if very tall, woman. However, if you tried to hide your light under a bushel, all you'll do is flash a red light at them."
"I'd need something bigger than a bushel, Sandy."
"Oh, stop. All anyone will see when they look at you is obvious, blatant femininity, albeit, a LOT of it. They may look again, too, cause, hell, girl, you're worth looking at, but trust me, they sure as HELL ain't gonna see a man."
"Aw hell," Kendra muttered and then swept the two smaller women up into a hug, one in each arm. "Thank you for helping, and. . and. . .for giving me back Kendra."
They stood like that for several moments before Sandy began to squirm. Kendra released her grip, and they stepped away, still shaking with shared emotion.
"Good thing we used that special makeup," Sandy quipped in a quavery voice, "Your face would be a mess now."
Marie handed a woman's leather attaché to Kendra. "One of Jane's, but she has so many, she'll never miss it. There's a small clutch purse inside with your money, license and credit cards inside."
"Just remember, keep your head up and look everyone right in their damned eyes," Sandy ordered. "After all, they'd put THEIR skirt on the same way you did and wouldn't look nearly as good."
"Yes, Ma'am," Kendra smiled. "Now, I've got to hurry or I will be late."
"OH, and take it easy on the road! After our hard work, buster, DON'T get caught by some US Route 1 speed-trap on your way back to Seasons House, okay? It would really piss Jane off. Me, too."
"Me three," Marie piped in.
"Wouldn't do a helluva lot for my good temper, either," Kendra finished before kissing each of the two women on the cheek. "Thanks again. Now, if I can just manage to get around in these ridiculous heels without killing myself or breaking something important. See you in Kingston, ladies."
Chapter 10: (Boy)Girl Meets Girl
*So far, so good,* Kendra thought as she stepped carefully out of the elevator onto the ceramic-tiled floor of the hotel's fourth floor. *If I can just navigate this slippery floor in these spikes without ending up on my corset-broadened butt.*
On arriving, she'd called Anne Braithwaite on one of the house-phones in the main lobby to announce her presence and to get the woman's room number. *Should have asked for it yesterday, but I was too spun up by Madden's interference. Was that why she didn't remember to tell me, or was she consciously making it harder for me - forcing me to go where there was a house-phone, and by extension, other people - to find her? Interesting question, Roberts. Maybe you've been living with devious women like Ruth and Jane too long.*
So far, Sandy's advice on how to deal with the staring masses had been right on the money. Every passerby who had gawked at her had gotten Kendra's best imitation of Jane Thompson's infamous 'The Look'. And the question 'Wonder what HE'D look like in four inch heels, two inch nails and corset?' had given 'The Look' enough punch to make even the most persistent gawker look away in embarrassment.
She checked the note she'd written at the phone and then knocked on the door. "Just a minute," came the muffled reply from inside the door.
The door opened. "Oh, you're here. . . "
There was something very satisfying, Kendra reflected, about watching Anne Braithwaite's face go from polite greeting to stunned disbelief in the course of three seconds. However, after ten seconds of being stared at, Kendra decided that was more than enough. "May I come in, Ms. Braithwaite?" she asked in the husky alto Sandy had helped her develop the previous night.
"um. . .of course, come in, please," the shorter blonde said as she stepped back to hold the door open. "You're, um, well, rather tall."
"Is that all?" Kendra challenged softly, one brow quirked up in a challenge that any Jane Thompson student would have recognized. Then, some imp a younger Kendra would never have acknowledged had her doing another pirouette, her arms held above her head like a skater.
"That. . you. . .I mean, wow. I mean, I can tell you're you, that is, Mr. Roberts, from your face, but the rest of you."
"Would it surprise you to know that the only person who challenged me on my way here was some clown who wanted to buy me breakfast?"
Kendra covertly gave her host a quick once-over. Once again, her smooth, high-cheek-boned face was virtually clean of any artificial enhancement, and her clothes must have been unaltered 'off the rack' because their fit and color were all wrong for her. *Wonder what she'd look like in a decently fitting dress, a touch of Marie's cosmetic witchery, and for god's sake, a pair of HEELS!* Kendra mused. *She's like a canvas prepared for the artist - no blemishes, but that's all you can say. Well, at least her hair is down today. A lighter, brighter blonde than I thought, and full of body. Looks good falling down her back to her shoulder blades.*
"I don't think that's all he wanted to do," Anne breathed softly, and then blushed furiously. "My God, you look like a supermodel. Or a superhero. What was that TV show? Wonder Woman? You look like her, or the actress who played her anyway."
"You mean Linda Carter?"
"Right, that's it! You look just like her, only even taller, and more, um, . . . shapely. I'm . . . impressed."
"Why, thank you, Anne. A girl tries to look her best, you know." *You should try it,* Kendra thought.
Anne blushed again, then looked away guiltily. "I'm, um, sorry if I insulted you. I mean, making such a big deal of it an all."
"No insult taken," Kendra replied easily, noting the very real anxiety in Anne's face. "In fact, I'll take that as a compliment. Are you ready to leave? Need any help with your luggage?"
"I just have an overnight bag," she replied, watching the taller woman very warily, as if trying to decide why Kendra wasn't reacting somehow. "I, ah, wasn't really expecting on staying."
"Figured I would wimp out, eh? That I wasn't man enough to be a woman when necessary?"
"Man enough to be a woman?" Anne choked out a shocked giggle. "I've never heard THAT before!"
Kendra shrugged and picked up the overnight bag in her free hand. "You've never met Jane Thompson before, either. Let's go. I want to get you to Seasons House around lunch time so that we can slip you into your apartment without Adrienne seeing you."
"Adrienne? Don't you mean Adrian?" the woman challenged with a dark frown on her face.
"Sorry," Kendra replied, not meaning it. "But we use the girl names while a student is in residence with Jane. That's part of the program. Heck, we graduates tend to use our jane-name's amongst ourselves whenever we get together. Kind of a 'lipstick-red badge of courage' type of thing."
For several moments, Anne Braithwaite only stared, and then shook herself. "Why," she asked rhetorically, as she led the way back to the elevators, "Do I almost believe you?"
"Maybe because I am a very honest fellow. . .err, lady?"
"Yeah, right," was the sarcastic retort. "C'mon, let's go. Where's your car?"
"In the parking garage. Do you have to check out first?" At her nod, Kendra pressed the 'L' for Lobby button.
Anne was more than a little surprised when the very tall, very striking brunette followed her into the main lobby and waited while she finished her checking out. She had actually expected her companion to offer to go fetch the car and thus avoid contact with any crowds.
When she turned from the cashier, she scanned the lobby, but did not immediately find the tall, feminine person. She started toward the entrance when a small voice caught her ear.
"I was really sad when you stopped wrestling on Monday nights. You were my favorite. Could I please have your autograph?"
Anne turned to see a small girl, perhaps 9 years old, staring adoringly at Kendra who was hunkered down in a perfect 'stewardess-crouch' so that the two of them could make eye-contact. *Manages that short skirt pretty darn well,* she thought with a grin. *Wonder how many times she showed her panties before she learned that trick?*
THEN Anne realized she had mentally used the feminine pronoun for Kendra.
"I'm not that person, sweetheart," Kendra said with a gentle smile. "But I'm glad you think I'm that pretty."
"You sure you aren't? My mommy said you might be in. .inco. . umm, wearing a disguise. I mean, you're so tall and everything."
"I'm just a girl who grew up tall, sweetie. I really can't sign your book as someone I'm not. That wouldn't be honest of me or fair to you."
A woman, obviously the child's mother walked up to take the little girl's hand. Kendra stood back up and offered her hand to the woman. *She even has the hand-gestures down. That was the way a woman offers her hand to be shaken,* Anne realized. Kendra and the mother exchanged a few words before Kendra reached down to swoop the child up in her arms, eliciting a pleased squeal. She planted a smacking kiss on the little one's cheek before setting her back down.
Kendra caught sight of Anne as she picked her attaché back up and smiled. "All done?" At Anne's bemused smile, Kendra beckoned her back to the elevators for the ride down to the garage. "I normally take the stairs," she admitted as they departed the elevator car, but in these heels, I'm not taking any chances I don't have to take. It's been a while since I tried to move in anything like these."
Chapter 11: Chicks and Ducks and Geese Better Scurry
Anne was thoughtfully silent as Kendra skillfully maneuvered the sporty BMW through downtown Providence and onto Interstate 95. She watched the person beside her do the simple, mundane acts associated with driving and saw, for the first time, the anomalies. His shifting, braking and acceleration wasn't always smooth, primarily because with the heels on, he (she?) was tentative on the clutch, brake and throttle pedals. Long fingernails got jammed painfully into the automobile's console when reaching to insert a CD into the car stereo. And while Kendra had entered the car in a manner suited to both her modesty and the hemline of her skirt, once she'd begun to relax and enjoy the drive, her legs sprawled into a decidedly unladylike position.
Clearly, while Kenneth Roberts was willing to assume a feminine guise, and was able to carry it off when he was consciously thinking about it, he wasn't so at home in the role that the mannerisms were second nature. That meant, she realized, that he'd dressed himself this way only in answer to her challenge. If he'd ever been that deeply into the feminine role, it had been a very long time ago.
By the time he took the car around a New England turning circle that took them from US Route 1 to Route 138, Anne's curiosity was near overwhelming.
"How much longer?" she asked by way of an opening.
"Not long," Kenneth's voice answered. "Another half hour or so."
"That's the first time you've really slipped up," she said conversationally. "Only another woman, and one who was observing you closely would have noticed your other slips." At his neck snapping double-take, she grinned triumphantly. "Your voice, silly."
"oh. . OH," and then Kendra was back - in all aspects. Anne watched in fascination as that simple reminder straightened a slouching back, brought sprawled knees together, put two hands daintily on the steering wheel and loosened wrists.
*It's like I just threw the sex-switch back to the 'girl' position.* "Well done, Kendra," she said, unable to resist the tease.
"It's been a while," the driver admitted.
"How long?"
"Six years." and there was a finality in the tone that told Anne not to pursue that, but she had questions that needed answers.
"Is that when you graduated?"
Kendra shot her passenger a dark look under her thickened lashes, then sighed as she recalled the purpose of this entire outing. "No. Jane asked me to help her with another project, and I dressed for that," Kendra said, not wanting to tell Anne that the project had involved trapping Sheila Roberts, Kenneth's mother, in an actual case of child abuse. For some reason, he rebelled at admitting to this woman that young Kenneth had been an abuse victim.
"I'm surprised you carry it off as well as you do, then. Surely, being a woman isn't THAT easy?"
"Easy? Are you kidding? This is the hardest thing I've had to do in years. I was. . hell, I am . . . scared to death. I'm out here, dressed in female clothes, alone with a woman who has threatened to sue my mother, with a driver's license that identifies me as a man."
"I did notice that you are being very careful to obey the speed limit."
"Last warning from the two women who helped me get ready this morning."
"They did well. You look, well, spectacular."
"Thanks. I wouldn't have tried this on my own and probably would have gotten read, because I would have tried to hide instead of stand out."
"Why did you do it?"
"Do what? Dress? Because you said that was the only way you'd go see what Jane does."
"Your client is THAT important to you? That you'd, how did you put it? dress in female clothes with a man's driver's license?"
"I also said she was my Mom," Kendra said quietly. "What I didn't say before is that she saved my life. So, yes, my client, as you put it, is THAT important to me."
"So, what happens to you when we get there? You jump into a nearby phone booth and change back into Macho-man?"
"Is that how you see Kenneth?" Kendra asked, and was pleased to see the blonde blush. "No, actually, I'm going to remain at Seasons House as Kendra - for a while, anyway."
"Why ever would you do that? To keep an eye on me? Surely, MISTER Roberts could do that."
"You won't need me to keep watch on you," Kendra said confidently, "As to the other, well, Jane is planning on giving you the full briefing on her program which you should have received before signing the court order after we get you settled. However, your brother doesn't know that there are other males in residence in Seasons House - part of the pressure she applies is that of an entirely female environment."
"Other males, but an entirely female environment. That doesn't make sense, does it?"
Kendra slowed to turn onto a paved, two-lane country road before answering. "I'm male," she replied. "And so is the 'girl' who is fulfilling the role of big sister/spirit guide for Adrienne. His Jane-name is Jessica, but he was born Jesse. Good kid - hardworking and incredibly smart - and he makes a helluva gorgeous girl. Probably could make a mint in Las Vegas as an entertainer, but he wants to be a lawyer."
"That's . . . that's unbelievable."
"What, that there's another boy there besides Adrienne? Well, I'll let Jane explain the whole thing to you. It'll still sound like bad fiction from the Internet the first time you hear it, but if you keep an open mind and really try to see what's going on, I think it will start to make sense."
"Okay, I guess. So if you're not hanging around to keep an eye on me, why are you staying?"
"You want the truth?" At her nod, Kendra sighed. "Your brother's turnaround, after Jane thought he was on his way to rehabilitation, has messed up a couple of really important events for Momma-Jane. The main reason is that my foster brother is getting married in a couple of weeks, and Jane was supposed to give him away."
"Give HIM away?"
"Hey, Jane's boys are all liberated, okay? Anyway, she isn't going to be able to attend now unless either your brother turns around and flies right, or someone else takes the watch. I want to be there myself, but I want Jane to be there more."
"So, Kendra relieves Jane for the wedding?"
"That's my plan. Now all I have to do is convince that damned stubborn redhead." At Anne's confused look, Kendra laughed. "Jane Thompson is the damned stubborn redhead. My brother thinks it's because someone tore the word 'quit' out of her dictionary before she learned to talk so she's never acknowledged the word exists, let alone understood it."
"Sounds like a formidable woman."
"Oh, yeah," Kendra said as she turned into the driveway. "Ms. Braithwaite? Welcome to Seasons House."
Jane saw the familiar BMW slip in behind the stable and smiled. Kenneth had succeeded. Barbara Anne Braithwaite had at least been interested enough to take the challenge and come here. That meant that Jane would at least have the opportunity to talk to the young woman, not to mention the opportunity to work with Adrienne a little longer at least.
*I'll just check on the girls, make sure that everything is under control, and then slip down to the stable and introduce myself. Too bad I can't invite her to luncheon, but the last thing I need just now is for Adrienne to know that her sister is here at Seasons House.*
Chapter 12: The Return of the Not-Quite Prodigal Daughter
*One advantage to having Jessica around is that there is no way that Adrienne is EVER going to put anything over on that sly-puss of a big sister. Lord, but that child is sneaky-smart,* Jane mused as she mounted the steps to the apartment above the stables. Jessica had been drilling her little sister on the finer points of English grammar and rhetoric when she'd left them in the school room. *Adrienne won't be able to get into too much trouble with her eyes crossing from Jessica's detailed critique's of her writing.*
She caught herself just before walking into the apartment unannounced and without knocking. *Maybe it is time to retire, if you are prone to forget such basic courtesies,* she chided herself.
"I'll get it," Kendra called when someone knocked, requesting entry into the snug little apartment. She opened the door and was, for the second time that day, treated to the sight of a woman staring at her in abject shock.
The recovered reaction, however, was somewhat different in this case than it had been just that very morning.
"KENDRA?!?!" Jane Thompson exclaimed, "Just what in the name of heaven are YOU doing here?"
Momentarily taken aback by the censure in Jane's voice, Kendra replied, "You knew I was bringing Adrienne's sister down here, today, Mom," she said. "That was one of your settlement-condition, if you recall."
"As KENNETH," Jane enunciated very carefully, "NOT as KEN-DRA. There is a difference."
"I, ah, noticed," Kendra replied, smiling sheepishly.
"Don't even try to make this a joke! Tell me, PLEASE, that you didn't pick her up dressed this way, or worse, that you didn't drive down here as Kendra."
"Can't do that, Momma-Jane," her foster child said quietly. "That was her condition to get her to follow your condition."
Jane lost it completely and stormed into the room, her eyes never leaving her foster child. "HAVE YOU TAKEN LEAVE OF YOUR BLOODY SENSES!?!?" she shouted. "What were you THINKING? Hell, you weren't thinking. What would have happened if you'd been stopped? What if you'd been in an accident?"
"Nothing happened, Mom," Kendra soothed.
"Well, lucky you! God protects fools and drunks, I'm told. You're the fool and you may just drive ME to drink! Didn't it occur to you that something could have happened? And you would have been up that well known creek without a paddle?"
"Mom, it was the only way to get her here and that was the most important thing."
"NO IT WAS NOT! NO-THING is more important to me than YOU and YOUR brothers! Don't you know you could be, for all intents and purposes, BLACKBALLED over something like this? Your career is what's important, Kenneth! Of all the stupid, irrational, idiotic, macho things to do. . "
"Macho?" Kendra spluttered, dissolving into a fit of giggles. "ME? Rigged out like this?"
Jane stared at her foster son for several moments, obviously fighting the urge to join in his giggle fit, and then lost. With a half-laugh of her own, she sat down. "Macho is as macho does, young laddie. Aren't you playing at being my knight in shining satin?" she asked. "Braving the dangers of the corporate dragons to come to my rescue?"
"This is all very interesting, but I'm afraid I don't understand what is going on here," a new voice said from the kitchen door.
Jane turned to see a tall, shapely blonde looking at her. She immediately saw the strong, family resemblance to Adrienne, particularly now that her student's darker hair had been bleached blonde. "Ms. Braithwaite, I presume?"
Kendra stepped in to make the necessary formal introductions, and then Jane continued. "Don't understand what?"
"You're clearly upset by Mr. Roberts doing what you, from what I've personally observed, insist that my brother do in your program. Why are you so angry at this one, and yet, you blithely endanger my brother in the same manner?"
"From your perspective, I can see how you might think that. Ms. Braithwaite. . .may I call you Barbara?"
"I prefer Anne, Ms Thompson," was the instant and very cold reply.
"As you wish. Please call me Jane. Anne, I go to extraordinary lengths in my program to ensure that the chances of your brother being found out as a boy in skirts are as close to zero as makes no real difference. When he is out in public, I have selected both the locations and the scenarios very carefully, and I have trained him even more carefully. The owners of the shops and salons I favor with his presence are part of my little conspiracy. When a student is not yet skilled at the masquerade, we go only to those selected shops at times when those not in on the secret won't be around. Gradually, as his skills improve, we up the ante, but always with someone watching to protect him and to pull him out if something goes wrong."
"Really?" Anne asked, obvious skepticism in her voice.
"Really. Which is why I am so upset with Kenneth. . Kendra. He had no one to protect him today. Obviously, he picked you up so he must have gone to the hotel." Jane turned a gimlet eye on the tall brunette. "I don't suppose you took the precaution of having her meet you in the car garage, did you?"
Kendra shook her head. "No, Ma'am. Even as a lady, I've been taught to be a gentleman, and a gentleman always calls for a lady at her door, and gives her escort through dark and dangerous places."
"Smartass," Jane snorted, but there was both humor and affection in her voice now. Then she looked back to Anne. "Anne, you will, I hope, over the next few weeks, see how I operate. I intend to share with you both the planning and the objectives for each activity I set for your brother. If it can be arranged without revealing your presence, I will try to have you in position to observe any public appearances I foist on her. . him. Hopefully, you will see the safeguards that Kenneth lacked today."
"But you do admit that there is danger - to reputation at least - with this absurd concept of yours?" the younger woman challenged.
Jane considered the question and decided not to rise to the baiting. Instead, she chose to address only the direct question. "If you are asking me if there is danger to someone caught cross-dressing?" she reposited. "Of course there is danger - nothing of value is completely without some risk. In the case of my program, well, a large percentage of the general population, perhaps even a majority, would consider that a perversion, and believe that it somehow diminishes the individual. We can thank our Anglo-American forebears for that bit of bias and bigotry."
"You don't consider forced cross-dressing perverse or diminishing?"
"Are you perverse? Are you in some way diminished?" Jane asked, her voice quietly stern. "After all, you're standing there dressed in a man-tailored pants-suit, Ms. Braithwaite."
"It's hardly the same thing, Ms. Thompson. Rightly or otherwise, our culture accepts my wearing such clothes and does not accept a man wearing skirts and dresses. There are no negative connotations to what I wear, and you cannot say that for what you have my brother doing."
"Just so, unfortunately," Jane answered coldly. "However, in the context of my program and of what I do with my young men, the answer to your question is no, what I do is not a perversity. My goals for the boys have nothing to do with their sexuality or their sexual orientation. I merely use the unspeakably terrible threat of discovery to force them to stop and think before they act inappropriately or misbehave. In some cases, that means finding something other than violence, or bad language as outlets for their repressed anger and emotion. When they've learned those lessons in skirts, then I try to have them impart those same lessons to another student to reinforce what they've learned. After that, they are ready to go back into their trousers, a better man for having had to live as a girl."
Totally bemused, Anne stared at Jane. "You really believe that?"
Jane gave a single regal nod in response. "I have the historical evidence of almost one hundred fine young men to back up what I say and what I do, Anne."
"So why was it so bad for Miss Tall Shanks here to strut her stuff at the hotel and drive me here today?"
"Because of those biases and bigotries, Anne," Jane said, her eyes intense. "As I said, my boys truly have very little to lose, because I won't let them be caught out. They're never put in a situation I don't think I can control in the event that something doesn't go strictly according to plan. In short, I protect them, even though it seems I am constantly pushing them into the limelight. Who would have protected Kenneth if some drunk had sideswiped him at the round-a-bout off Route 1? Suppose some local cop had been cheating on the speed limit because he was behind for his quota this month? Suppose Kenneth had been asked for his license? Kenneth is not a boy anymore, he's a man trying to build a career in one of the professions. I hope you can understand just how great a risk he took today."
At that, the tall blonde cast a quizzical look at the very tall brunette. "I was frankly surprised that he took me up on the challenge."
"That," Kendra interrupted, "was because I do believe in Jane, Anne. And because I believe, it was imperative that I get you here to see what she really does to her students, and more importantly, what she really does FOR her students."
"Kenneth," Jane said. "I think you should go change now. However ill-advised I consider your decision with regards to dressing, Ms. Braithwaite is now here so there's no longer any requirement for Kendra."
"Umm, I, ah, can't, Mom. Not for a few days, anyway."
One fine brow lifted in imperious command. "And why not?!"
End Part I
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Seasons of Change
Book 14 - Part 2 of 4 Tales of the Season
Ken's Barbie Copyright © 2002,2013 Tigger
All Rights Reserved. |
Acknowledgments: My sincere thanks to Brandy Dewinter for the gifts of her creativity, her vision, her eye for 'just the right word' (and wrong one of mine) and her, ummm, persistence. Special thanks to the 'Blue Pen of Sonora', Denise Em, for the many hours she put into proofing this. At some point, it becomes impossible for me to read what I wrote, because I 'see' what I thought I wrote. Any remaining errors are mine, probably because I wrongly thought my way was better than Deni's. ~Tigger
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Chapter 13: Blondes Do Have More. . . Whatever
"What POSSIBLE reason could you have had to put the deep-dye cosmetics on Kendra, Marie?" Jane demanded before she was even through the kitchen door.
"And good day to you, Lady Jane," Marie replied grinning. "Lovely weather we're having."
"Don't pull that with me, Marie! We go back too far. Why ever did you do it? You had to know that will have him looking feminine for at least a week. And he tells me you didn't give him any of the solvent for those prosthetics."
"Looks good as Kendra, doesn't she?" Marie asked smugly.
"That's beside the point, Marie. Answer my question!"
"All right, Jane," Marie said seriously, drying her hands on a towel and taking a seat on one of the kitchen stools. "Sandy and I actually had two reasons, the first being that Kenneth isn't used to wearing and repairing cosmetics anymore. Since he was determined to do this, and was going to be in public, we didn't want Kendra caught out by badly chewed lipstick or poorly applied eyeliner."
"I suppose that makes a certain kind of sense. That boy always was the most determined of my students. You said you had two reasons?"
"You may not like hearing it," the little maid warned.
"He's already here, Marie, and he's determined to remain Kendra until the cosmetics wear off. The danger is mostly over so long as I keep him here. Give me the rest of it, please."
"We wanted him to have to stay as Kendra for a while."
"WHAT?!"
"You know he's always felt left out when Michelle and Darla came to visit. Ever since that growth spurt when he turned sixteen. As much as he never wanted to be Kendra at first, he's missed her since he decided she was lost to him. Sandy and I decided to show him she doesn't have to stay lost."
"And if he'd come to grief because of your little object lesson?" Jane asked tartly.
"He didn't," Marie said with a little Gallic shrug. "We knew he wouldn't."
Jane started to say something, but stopped herself. Marie grinned at her little victory. "Now, tell me truth, Jane. Isn't she lovely?"
"Harrumph," the Mistress of Seasons House responded. "My Kendra was a blonde."
"That IS your Kendra, you ungrateful wretch!"
"Oh, I know, and you're right, she's fabulous. It's just, well, I have a soft spot for boys as blondes."
"Oh HO!" Marie crowed as she saw the normally unflappable Jane Thompson actually blush. "At last it comes out! So, it's not just the stereotype of the 'dumb blonde' and its impact on the young male psyche, eh? Cherchez la jeune fille blonde, eh?"
"All right, so now you know my dirty little secret."
"Tres bien. So, Kendra becomes blonde." Marie said in a matter of fact voice totally belied by the mischievous grin lighting her eyes.
"Huh? You've lost me."
"Then listen, cherie, and learn."
Kendra sighed as he set the phone down.
"Problems?" Anne asked.
"That was Jane. I had dinner with her and Adrienne the night before I flew out to meet with you. She's afraid that if your brother gets a close look at me, he might see too close a resemblance between the Amazon Lady and the Lawyer Laddie so I can't stay up at the House. She doesn't want me just hanging about and has made reservations for me at a small motel down the road."
"Will you be able to come here and meet with me? Keep your bargain to explain things as they go?"
"That's not a problem, I just need to keep a low profile when Adrienne is out and about. Unfortunately, that means no living at home for me."
Kendra was surprised to hear a knock on her motel door and checked through the view-piece. With a pleased exclamation, she unchained the door and pulled it open. "Tante Marie!" she cheered. "Did you bring me anything to eat?"
"Something better, cherie."
"Something better than your food? I have no idea what that could be!"
"Clothes, you silly," Marie chided, reaching into the bag she carried. "You cannot live in that oh-so-lovely dress until the cosmetics fade. I brought you some more of Jasmine's old things including a lovely pair of jeans."
"I hope they're a little bigger than this dress - I'd really like to loosen my stays, if you don't mind."
"Oh, very well. If you insist. I also may have a solution to your problem with living at home."
"How?"
"I have found another wig for you to try on. You'll have to wear it all the time, but with a little work on your part, you should be able to confuse the issue of your real identity. It is not as if la petite Adrienne is all that observant or caring of those around her. Yet."
"Eh? Another wig? I don't follow you, Marie. I'll still be tall and very noticeable, regardless of how clueless Jane's problem child is or is not."
"That one? Phaugh. Remember another of Jane's rules? People will jump to their own conclusions. If you play your role well, Adrienne will never see you for the so-very-proper male attorney."
"What role are you talking about, Tante Marie?" Kendra asked suspiciously. "As you and Sandy pointed out, I'm not very good at the subtleties anymore."
"That's why this is so perfect, cherie. Remember last Halloween? You, Michelle and Darla were playing in the front parlor between trick or treaters, doing feminine impersonations?"
"I remember. So?"
"So, you did one they both could not match and told you so. Jane and I were most impressed, too."
A feeling of dread ran down Kendra's spine, and she stared in disbelief at the little housekeeper. "Oh, no - not that, Marie," she choked out through a throat suddenly dry and unresponsive. "Besides, Jane would KILL me - AFTER she shredded my guts."
"Pooh. Stuff and nonsense. It might be just what she needs to put some discipline into that little hoyden, Adrienne. Someone so blatant might even prove to be an asset at this point. Perhaps Jane can use such an example to encourage her own improvement."
"You don't really believe that," Kendra growled.
Marie became serious and shook her head. "We may not have much time, dear, whether you are successful with Miss Braithwaite or not. Something radical may be called for with this one. I have," Marie said offhandedly, "Discussed this plan with Jane and she is in agreement - assuming that you intend to remain on the estate until the makeup clears off your face."
"I see." Kenneth went very silent for a few moments and then cast an uncertain eye on his little adopted aunt. "How blatant, Tante Marie?"
"Oh, I think you should have a marvelous time, ma belle. Like the sweet-natured woman who plays la chienne - the bitch on the soaps."
"Uh huh," the tall cross-dressed man replied, "I guess I have to hope that you are right about that. Tell me, Tante Marie, this wig you've found. . ."
"Oui?"
"It wouldn't be platinum blonde, would it?"
"Non, ma belle. It is most definitely NOT platinum blonde."
It was a deep honey-blonde, extremely full and fluffy, and nearly butt-length, even on the very tall Kendra, and it was bloody-damned heavy, too boot!
And Kenneth, the man inside the woman, hated it with a deeply felt passion that he could not rationalize, even to himself. Because Jane felt it necessary if Kendra was to remain in the area, he tried to accept it with good grace, but found it difficult, if not impossible.
This was so different, he thought as he gazed at Kendra staring back at him from the mirror, from playing 'dumb blonde' with his brothers after a bit too much of Momma Jane's excellent brandy. Michael and Darryl understood that it was a game - that whatever else happened, that what they saw wasn't him, wasn't Kenneth Roberts. The clothes, the makeup, the frou-frou were just window dressing to them.
*It's like the old kid's jingle, 'Sticks and stones may break my bones, but words will never hurt me'. Jane and Marie don't see this as anything more than just another facet of the disguise. If I've agreed to be Kendra, one Kendra is much the same as another, right? Should be, but somehow, just like words do hurt, something about THIS Kendra bothers me. I just can't seem to put my finger on what or why.*
With conscious effort, Kenneth tried to slip back into Kendra's role and mindset. Smiling sheepishly, she turned darkly-lashed eyes to the expectantly waiting Marie. "I feel like a refugee from a Darryl Hannah movie," she grumbled in tones she hoped sounded at least somewhat good natured.
"More breathiness in your speech, if you please, ma belle," Marie ordered, beaming happily. "And don't forget the grand hand gestures."
Chapter 14: Old Ghosts
Kendra spent the next morning at the motel room practicing at being female again. Marie had given her a list of 'things to remember about being a girl' that included such things as 'walking in heels', sitting and standing properly, accessorizing the outfits Marie had sent over from Seasons House and a myriad of other 'little things'.
Unlike Darryl who had stayed on with Jane, Kenneth Roberts did not have an abundance of experience in the nuances of masquerading as a woman. And it was the little things, Kendra knew, that would make or break her cover - particularly in the company of real women. Women noticed those little things, unlike men who could, at best, be relied upon to see only the 'big picture'.
So she practiced. Offering her hand, wrist bent. Smoothing her skirt as she took a seat, taking care to keep her legs together. Being aware of the hemline of her skirt when she bent or moved her body. Reacquainting herself with Mr. Webster's escort, as she walked about the room in heels. She even practiced when her room service breakfast and lunch were served because a woman even handles cutlery and table services differently than does a man.
*It's as though I am going through Aunt Jane's program, crash study style, but without Aunt Jane or Tante Marie around to help. Lord, I hope I'm doing some of this right.*
In the course of these 'exercises', Kendra took to using the various mirrors in the motel room to evaluate her performance. Soon, she began to find herself simply staring at the image reflected there. A growing sense of some emotion akin to discomfort began to niggle at her each time she caught herself so involved. When she tried to analyze this feeling, she could not precisely put her finger on what it was that bothered her - or why. Certainly, the addition of a blonde hairstyle drastically changed her looks - something that had been the cause of several neck-snapping double-takes that morning, but whatever it was that was bothering her was more than just the golden curls that now framed her face and fell down her back.
*Maybe I'm reacting to Aunt Jane's not-at-all-subtle use of the 'dumb blonde' stereotype. Rationally, I know that she uses that image precisely for the humiliation-factor it offers. Jane can, after all, use her students' own prejudices to dig deeply into their heads. Am I reacting to those stereotypes or to the negative baggage that Sheila saddled me? And yet, Michelle and Darla are both blondes, as is Daddy-Di when she bothers with a hair color other than silver. What the hell does that say about my feelings?* she wondered.
She was about to go just a bit insane when the phone on the bedside table rang, providing her with a very welcome break from her so-far fruitless self-examination and other 'studies.'.
"Kendra Roberts," she said into the receiver, pleased to have remembered to use that name.
"Kendra? You're still en femme, brother-dear?" a familiar, feminine voice responded. "I figured you'd be happily back in grey pinstripes by now. Darla here, by the way."
"Hey, sis. It's a long story, but it's still sis, not brother. The short version is that Sandy and Marie decided I needed the long-lasting makeup as a hedge against being found out, so I'm Kendra for at least another week or so."
"You okay with that, bro?" and this time, it was Darryl's voice that asked.
"Like I said, it's only a week or so, and besides, Sandy and Marie told me what they planned to do with the cosmetics along with the 'why' before they did it to me. I agreed with their logic, so now I have to live with the aftermath. It's not so bad, I guess. What's up with you?"
"Mom wants Audrey and me - that is, Audrey and Darla - to be on call to help with Adrienne. Particularly while Ms Braithwaite's here."
"Okay. I guess that make sense. What do you need?"
"An introduction. After the wedding, Marie moved all my Darla stuff down at the stable apartment for storage - since 'Tall-stuff' and I use it as our place when we come visiting now. Unfortunately, Ms. Braithwaite is staying there right now and she hasn't been properly or even improperly introduced to me or to Tante Marie."
"Oh lord, I can just see it. You and Marie knocking on her door. 'Excuse us, but could we borrow your place to change this one into a girl so she can help Jane pick on your brother?' Wouldn't THAT go over well."
"It's not THAT bad, bro," Darryl responded, disgust evident in his voice.
"You know that, D, and *I* know that. SHE doesn't know it or believe it."
There was a loud sigh from the other end. "All the more reason to play this as straight as possible, then. So, could you meet us there, say about seven thirty or so, so that we can pick up some stuff - maybe help talk her into letting me use the second bedroom to get beautiful?"
"Fine with me, but why doesn't Momma-Jane simply call or introduce you herself?"
"Marie needs to be there with me 'cause she knows where she's put my stuff, so Mom needs to be at the house with Adrienne. Jess had to go off to sit a couple of exams today and isn't available. Besides, now that I've talked with you, I think it's pretty clear that Mom is playing this one very tightly, too. Because of the lawsuit thing. She wants witnesses to every contact, I guess."
"Makes good sense to me. Look, D, I will call Anne. If it's okay with her, I'll meet you there at seven thirty. Where can I reach you if there's a problem."
"Thanks, Kendra. You can reach me at Mike's place. See you tonight."
Kendra started a bit at the easy acceptance and use of her feminine name by her brother, then relaxed. Darla had a lot of experience switching between names and genders for herself and for others. *Just another little benefit - or is it another little downside? Whatever - it's what comes of being raised as Jane's duty 'big sister' at Seasons House. Wonder if Jess will turn out the same way?*
And then another thought occurred to her. "Do I regret not having stayed with Jane and learned those same skills and lessons?"
It was a question to which neither Kendra nor Kenneth could find a wholly satisfactory answer.
"Goodness, but you seem even taller than you did yesterday morning," Anne Braithwaite blurted out when she opened her door to admit Kendra later that day.
"Taller heels," Kendra muttered as she slipped inside the snug apartment. "Jane sent me some additional outfits today - she once had a very tall student - but unfortunately, most of the shoes she had in my size all have at least a three inch heel."
"Those have to be more than three inches," Anne challenged as she closed the door and followed her guest into the living area.
"They are, but unfortunately, they're the only pair that went with this outfit, and the stores in this area are closed on Sundays. Trust me - one way or another, I am getting some less demanding shoes as soon as a I can, including some of those running shoes women wear when they carry their dress shoes to work."
Anne considered that, and nodded. "Sounds like a plan. It's not just the shoes, though. That hair makes you look even taller, I think. Another of those 'hiding in plain sight' things you mentioned?"
Kendra started to explain that it was for Adrienne's 'benefit' and reconsidered. *She may not like hearing that her darling brother may get vamped by a six-three blonde amazon ditz.* "That's certainly part of it. I think Mom is also worried that I might be made as Kenneth if I stayed a brunette."
The natural-blonde shrugged at that. "Maybe. I made you, but I was prepared to expect you to be a guy dressed as a woman, and moreover, you called me just before coming up to my room. I'm not sure someone who didn't already know you would have seen anything to give away your disguise. Well, you look, um, pretty spectacular. That hair. . . "
"I know," Kendra said sourly, the uneasy discomfort she'd dealt with all day coming back on her in full measure under Anne's close scrutiny. "I told Marie to find a wig that wouldn't give Dolly Parton nightmares, and darned quick."
"It's not THAT bad," Anne said, suddenly unable to stifle a giggle.
The unexpected laughter somehow lightened Kendra's mood, and she teased back. "How about YOU wearing it to the grocery store and see what you think then!"
"I don't think so. You're much cuter than I could ever be in it."
Kendra gave Anne a look of utter disbelief. *She REALLY can't believe that,* the taller girl thought.
"Well," Anne continued in a more serious tone, "You don't look in the least bit masculine. You look like a Vegas showgirl."
"Thanks a lot!" Visions of sequins, even taller heels and feathered headdresses filled Kendra's mind, and she cringed.
"Oh, you're quite welcome," Anne teased, only to stop short at the truly unhappy look on taller blonde's face. "Oh, come on, Kendra. What's the big deal? You're not likely to be caught out as either, and if your mother thinks this will better help you maintain your anonymity, well, I suspect she has a good deal of experience with this type of deception. If what you told me yesterday is the truth, that is."
"Oh, it's the truth, all right. Jane's orders - no more lies or even half or hidden truths insofar as you are concerned. It's just that I've felt, well, really uncomfortable today."
"So," Anne pounced, "You're not all that unaffected by the masquerade, eh? Playing at being a girl isn't as harmless as you tried to convince me?"
"It's not that," Kendra said slowly, still struggling with the feeling of general unease that had been her companion most of the day. "I didn't feel this way yesterday. I was nervous, even anxious a couple of times there out in public, but this is different."
Anne was considering that when a sharp rap sounded at the door. "That must be Tante Marie and my brother," Kendra said. "I'll get it and make the introductions."
Mouth agape, Darryl could only stare at the tall expanse of blonde, blatant femininity that held the door open for his and Marie's entry. "Fermez la bouche, m'enfant," Marie ordered. "You will catch flies!"
"Oh. . .Oh, yeah, umm, sure," Darryl mumbled and slipped inside, stepping carefully around the now-glaring Kendra. Darryl had always secretly envied his brother's growth spurt, even as he'd been happy being able to be Darla at his or Jane's whim. Still, he'd always wished he could have had just a few of Kenneth's extra inches. *It would be nice to be able to look my wife eye-to-eye without wearing high heels,* he thought wistfully.
A mischievous imp, one that Darryl/Darla usually managed to keep firmly under control, slipped her leash. Gravely, Darryl walked around his increasingly annoyed sibling, murmuring inarticulate sounds of approval and disapproval.
When he came to a stop in front of Kendra, she growled, "Are you THROUGH yet, smart ass?"
"Lord, sis, but when you go 'girl', you don't do it halfway, do you? I haven't seen you looking this good since we all teamed up with to go after Sheila." Darryl had turned to face his audience of two, so he missed the telltale signs of a break in Kendra's normally resolute self control. When he returned his attention to his brother/sister, the momentary slip had been masked over. "Geez, girl. Did you have to go quite that over-the-top doing the Mattel-thing?"
"Darryl. . " Kendra warned.
"Mattel-thing?" Anne asked, her curiosity irresistibly piqued.
"Well, her guy name is Ken - just like the Mattel doll, right? Well, if there was ever anyone more like a living breathing Barbie-Doll than that GOR-geous specimen of blonde pulchritude over there, I've never seen it. When you go blonde, Kendra, you GO, girl! Heck, Barbie might even be a really useful name for you while Adrienne is here."
"Stop right there!" Anne Braithwaite actually snarled.
"Huh?" Startled, the imp in Darryl found herself face-to-face with a suddenly furious genetic girl who was even taller than his beloved wife. "I beg your pardon?"
"As well you should for that insulting comment about blondes, but it's your BROTHER who you really owe an apology! As I understand it, he is IN this condition in order to help your MOTHER. Your comments about that damned doll, and comparisons of him to her are . . are. . ."
Darryl's temper was even less prominent than the imp, but it flared in the face of the unexpected flanking attack. "BACK OFF," he snarled up into Anne's furious eyes, "It was a joke, o-KAY? It doesn't take a rocket scientist to see that resemblance, and if she can't take a joke from a friend, what's she gonna do when some dude on the street starts hitting on her, or worse?"
"Easy, bro. . " Kendra warned, moving toward the eye-locked pair.
Marie stepped in between Darryl and Anne as the tall blonde struggled to find words. "Pardon, mademoiselle," the little housekeeper said gently, "But this one plays the fool every so often. It is one reason we both love him and often want to kill him. And while he is correct in his assessment that a new name for Kendra might be a good idea while your brother is in residence at Seasons House, he expressed himself poorly. Darryl truly meant no harm or insult. Is that not so, cheri?"
Darryl carefully kept Marie between himself and the Valkyrie with the green fire in her eyes. "I am very sorry, Ms. Braithwaite," he said before turning to face a brother clearly struggling with his emotions. "God, Ken, I'm really. . .you know I wouldn't. . oh hell. I'm sorry."
Kendra took a deep breath and tried to clear her head. "It's okay, Darryl. Don't worry about it."
But he would, Darryl knew. He'd worry about it a lot until he found out what was bothering his big brother, but that was for another time when there wasn't a stranger around. A stranger, who intended to bring everything Momma-Jane had worked for down around their collective ears. "Tante Marie? My things?"
"I will get them, dear. You stay here with Kendra and Ms. Braitwaite."
"I'm going to be staying at the same motel as you, Kendra."
"Oh?" Kendra replied noncommittally.
"Yeah. You wouldn't have a spare razor, would you? I forgot. ."
Darryl came up short as Kendra's eyes and mouth went open - first in disbelief, then in shock and then in raw angry fury.
"You goddamned well know I don't!" Kenneth's voice bellowed as he ran toward the door as fast as the spiked heels permitted.
Chapter 15: In My Midnight Confessions, When I Tell All the World
Darryl, Marie and Anne stared in stunned silence at the vibrating door. "Shit, I seem to be screwing up by the numbers tonight," the short young man said to Marie. "I can't BELIEVE I SAID that!"
"What set him off?" Anne asked, her eyes still fixed on the now-silent door.
Marie and Darryl looked at each other uncertainly. "Ken. . .dra," the young man said carefully, "has a . . . a problem with shaving, Ms. Braithwaite. We had, that's Jane, Marie and I, had thought - hoped he'd gotten over it, but apparently he hasn't. Marie? What do I do now? Go to him?"
"Let him be alone for a bit, cheri. There is more to this than just. . .shaving."
"Well, he's upset!" Anne fumed. "First that damned blonde Barbie crack and then whatever this is all about. Cripes, but I'm glad you're not MY brother if this is how you treat him. You can stay here if you want. Kendra said you wanted to use the spare bedroom to change? Fine, go ahead. I'm going to find him," and she stormed out, leaving Marie and Darryl once again staring at a slammed shut door in utter confusion.
She found him. . . her down in the stables. The tall, leggy blonde was standing in front of a stall, her arms wrapped tightly around the neck of a patient roan saddle-bred, her forehead pressed tightly against the horse's cheek.
"Kendra?" she called softly. Anne saw the arms wrapped about the horse tense momentarily and then relax. Kendra's entire body seemed to shudder, and then she pushed herself erect and turned to face the other girl.
Kendra's eyelashes were spiky from tears and there were shiny tracks down her cheeks where the harsh incandescent lights glinted off the remnants of recent crying. "Hi," she responded.
"I came down to see if you were all right. Is there something I can do?" Kendra shook her head. "You want to talk about what upset you so? Sometimes it helps to talk to someone, well, someone who isn't involved."
"Didn't Darryl tell you?" Kendra asked snappishly. "Brother was pretty free with his mouth tonight."
Anne walked over to put a comforting hand on Kendra's arm. "All he said was that you have a problem with shaving, but that's all he said. If it is any consolation, he's really upset that he hurt you."
This time, thee shorter girl felt the shudder, and looked up to see the pain on her companion's face. "I guess what upsets me the most is that I was. . . hell, AM . . . upset at all."
"Well, that makes a lot of sense," Anne said with heavy irony.
Kendra gave a half laugh and smiled wearily. "Doesn't it. Look, you want to take a walk? I, uh, need to get some air. . .clear my head a bit."
"Sure. It's safe, isn't it? I mean, it's dark and awfully isolated."
"City girl," Kendra chided. "We'll be perfectly safe. Jane has the place wired with all kinds of surveillance stuff. No one gets on these grounds without her knowing. Let me call upstairs and tell them I'm all right and going out, first."
They met outside the stable and began walking down one of the paved, moonlit trails. "Want to explain that bit about shaving?" Anne asked after they'd walked a few hundred yards in companionable silence.
"It's that I can't. . . or rather, don't have anything to shave. No where on my face or body. Not a single living hair follicle below my eyes."
"I've heard of medical conditions like that. A boy at my high school had some kind of genetic thing."
"I used to have hair," Kendra told her.
"You're not making much sense."
"My mother. . . ," Kendra started, and felt her throat tighten. "I guess you'd have to say she is a sick person. Anyway, she. . .she tried to turn me into a freak - sort of a half male/half female slave - quite literally. One of her favorite tricks was to dye my hair blonde whenever she could. Succeeded more times than I care to admit. Then, when I was about to go through puberty, she took me to this quack. The guy had stolen a developmental laser hair removal technology. She dragged me into that guy's shop every week for almost half a year. By the time he was finished, I had nails, brows, lashes and hair on my head. The rest of me is as hairless as a baby."
"Your MOTHER did that to you?" Anne flared, sudden white-hot fury literally radiating off her in the darkness.
"Huh? Yeah, she did. And would have done a lot more."
"And THAT'S the kind of BITCH you believe should be in charge of my BROTHER?!?!"
Emotional fatigue slowed Kendra's normally sharp mind. "What does Sheila have to do with your brother?"
"Who's Sheila?" Anne demanded. "We're talking about your Mother - Jane Thompson."
"Sheila Roberts is my Mother."
Now it was Anne's turn to be confused. "You said Jane Thompson was your Mom. You've called her that in my presence."
Understanding finally made it through Ken's thickening skull. "Sheila bore me, gave birth to me, but that is all she did. A damned test tube could have done as much with less potential harm. Jane saved my life when Sheila tried to destroy me with her perverted games. Jane IS my Mother - at least in every way that counts. Sheila's part of it was just an accident of birth - quite literally."
"I don't understand."
"It's a long story," Kendra told her, "And one I'm not up to telling right now. Suffice it to say that everything I am or hope to be, I owe to Jane Thompson. I'd do anything for her."
"Including wearing women's clothing in public?"
"That's about the size of it. You know? Something has been bothering me all day, and I just now figured out what it is." Kendra thought aloud. "Going blonde - just like Sheila always wanted - then having Dar' tease me like he did with that lame blonde joke. After all that, the mere mention of shaving," Kendra shook her head as it started to become clear in her mind, "It brought the whole sorry mess back. Sort of like a major dose of Sheila all at once. The thing of it is that I really AM Kendra now, in a way I never was before. Not even when I was first with Aunt Jane."
"What do you mean? You said you hadn't done this in a very long time, but it sounds like you mean something more significant than that."
Kendra's reply was dreamily reflective, her words coming slowly and thoughtfully. "Before, the things I did, the way I looked, that was just . . . external. I looked cute, and I dressed nicely and had good manners, but it . . .*I* was, well, sexless. I, um, that Kendra was cute and she was VERY feminine, but she wasn't a sex object, you know? This Kendra is all of that . . . more than that."
"I'll say, about a foot more, from what you've told me."
"Darryl's not the only cute little blonde around here with a smart mouth."
"LITTLE?!?!?"
"Try seeing things from my point of view, girl. But in response to your comment, that's really not what I mean. Take this hair for instance. It's just so. . so . . sensuous. No woman wears her hair this long unless she really likes being a woman, really *enjoys* what it means to be pretty, and sensual, and attractive, as a woman. It's too much of a nuisance, otherwise. That's not, or at least I didn't think it was . . . me."
"That's why I don't like the Barbie reference," Anne replied. "That image is so fake. Only plastic can be that perfect. Real women are more than pretty clothes, impossible hair and pink convertibles."
"Believe me, I know. That's the problem. When I look in the mirror, I see, God, I see something out of a fantasy - something that should have a staple in her navel - and yet, at the same some, something that's very, very real. Only it's Sheila's fantasy, in a way that the young girl Kendra never even approached, much less wanted to approach."
The pair came upon an old-fashioned glider swing and sat on the wooden seats facing each other. "I guess I can understand how things can get blown out of proportion," Anne remarked as she pushed off with her feet. "I suppose I have to apologize to your brother, too. The name Barbie just. . ."
"We noticed," Kendra put in dryly.
"Hard to miss, isn't it?"
"Mind sharing why? I mean, I'm sure you know you're very attractive. Why does it bother you?"
"Me? Attractive? Look, don't you start, okay? I know I shouldn't let it bother me, but it does, okay? It's just hard being so. . .so obvious, and I ALWAYS have been. I was fourteen years old before any boy in my class caught up with me, height-wise. Then, the change hit me and all of the sudden not ONLY am I another four inches taller, but I'm putting on weight in all the strangest places so my balance is all screwed up, AGAIN, spoiling whatever small amount of grace I might once have had."
"It's not easy being special."
"You don't have to pretend, Kendra, I know I'm not desirable to men, not REALLY attractive. That's part of the reason that the whole Barbie-thing bugs me. That damned doll is just so. . .so unattainably perfect, and then there's my brother."
"What? He's unattainably perfect, too?"
"Not hardly," Anne said, almost growling. "It's just that he knows how much the whole 'Barbie' thing bugs me. Calls me 'Barbie' every chance he gets just to get my goat because along with being tall, blonde, and . . umm, buxom, Barbie is alone and isolated, too. I mean, does SHE ever get laid?"
"Laid?" Kendra choked, not quite sure how to respond to that.
Anne snorted disgustedly. "Well, she doesn't and neither do I, but it's more than that. No one touches her in that special way lovers touch no one CAN touch her that way. She's a plastic doll, not a living, sensual woman."
*She really doesn't have any idea,* Kendra realized. *My God! Does that mean she's a . . . whoa, Roberts - stop that thought right there. This is not the time or the place for THAT kind of thinking . . .unless she wants to say more?*
Kendra let the silence continue, but in vain. Anne had evidently said all she intended to say - perhaps more than she'd wanted to say, so the taller woman decided to return to the earlier issue as a means of easing the tension. "He does it to get your goat, you know. It's a power thing. You react and he's won."
"That's one of those stupid guy-things, right?" Anne demanded, her eyes narrowed into slits. "One of those excuses for 'men behaving badly' and getting away with it because 'boys will be boys'?"
"Probably, but I suspect that it may be a gal-thang, too."
"Harrumph," was all she said in response. "You really going to let them call you Barbie?"
"Not if it bothers you that much," Kendra replied. "It doesn't bother me because the name has no negative emotional baggage for me - not like the things I associate with Sheila have for me and I am willing to endure those for Jane and the others. But if hearing me called 'Barbie' will be difficult for you, then I'll find another name to hide my identity. Muffy or something."
A giggle answered him. "Muffy? Why not Poopsie, for god's sake?"
"Hey, I have some standards. Barbie suits the persona Marie has recommended, but I don't think your brother is sharp enough to be aware of the subtlety of a name when faced with the stark reality of six foot seven inches of blonde-amazon-Marilyn-Monroe-wannabe in killer stiletto spikes."
"GOD, what an image," Anne giggled before finishing, "Oh, go ahead and be Barbie if you think that will help your verisimilitude."
"If you say so," Kendra grinned. "I always just called it 'passing-in-public'."
"Well, at least one of us is smiling now. Feel better?" Anne asked. "Ready to go back and deal with your brother?"
"Yeah. Thanks, Anne. I really appreciate your. . .your company, and your caring."
"De nada, chela," she said, stepping off the swing and offering Kendra her hand. "C'mon, Barbie, let's head back. I'm sure your aunt and brother will be worrying about you."
Kendra - now Barbie - followed her back to the trail. "You know? If you're going to be around, we ought to give you an alias, too. That way, if we slip up and talk about you in Adrienne's hearing, she won't put two and two together."
"Well, that DEFINITELY means you have to be the very obvious Barbie, girl. No way little brother will think of me with you running around - probably naked - in his short term memory."
Barbie choked on that image, eliciting another giggle from Anne. "So, since that name is taken, what do you suggest for me?"
"Oh, I've got a great idea for you, shortie," Barbie said, taking her companion's hand. "Darryl's little Ken and Barbie shtick earlier reminded me of something. Riddle me this, Anne Braithwaite. Who was Barbie's little friend?"
"Huh? I have NO idea what you are talking about, Barbie."
"Hi, Skipper."
"WhaaaAAAAT??!?!"
"I really am sorry, Sis. I wasn't thinking."
"It's okay, Dar," Barbie-Kendra said with a hug. "I over-reacted. We'll talk about it later, okay? A lot of old baggage came home to roost all of a sudden. I wasn't ready for it, and you got caught in the explosion. Probably a good thing it happened here and not in public or around Adrienne."
Anne couldn't help staring at the . . . person so earnestly talking to Barbie. In the time the two blondes had been gone, Darryl had been working on his own transformation. He'd greeted them at the door squeezed into a white, heavily boned merry widow-style corset that gave him the illusion of girlish curves that looked somehow incomplete thanks to the as-yet empty and bagging bra cups.
*Wonder what he'll use to fill those?* Anne wondered, just as something odd on the kitchen table caught her eye. Strolling over to investigate, she picked up the jiggly little mound, testing the weight of it in her hand. "Cute," she observed aloud as she ran an inquisitive thumb over the tip of one perky nipple. "Adrian told me about these. I thought he was exaggerating."
"He probably was," the small man-woman observed. "Those are grown-up girl-sized boobs. Mom usually starts her girls out in training bras without falsies, just to get their goat by making them not just girls, but LITTLE girls to boot. Good for getting their attention."
"I see," Anne said, her tones still dubious.
Darryl/Darla grinned. "No you don't, but if you keep an open mind, we'll try to fix that." His (her) face was subtly made-up, but the subtlety was lost because of his masculine haircut, still awaiting the donning of a suitable wig. One hand had false, if yet unpolished, feminine nails installed while those of his other hand were as yet still short and blunt; a manicure suited to a man. Anne thought that looking at Darryl/Darla was like looking at a computer morph stopped in mid-transformation.
"You are all right, now, ma gallante?" Marie asked Kendra, with a hug of her own.
"Thanks to Anne. . .I mean, Skipper over there."
"Skipper?" the darkhaired housekeeper asked. "Who is Skipper? Ms. Braithwaite?"
"Yep," Barbie grinned. "We decided that if I am going to be Barbie, we needed a different alias for her - just to keep the confusion to a minimum."
"YOU decided," Anne-Skipper muttered. "I don't think I was given a choice in the matter."
"Ken, Barbie and Skipper," Almost-Darla said in wonder. "Kewl!"
"YOU, little sister, have spent entirely too much of your formative years playing with dolls," Barbie accused.
"Mom's idea, and you know what that means."
"Yeah, I do. More likely to win an argument with an avalanche," the tallest blonde pronounced.
"So it is a good thing she is always right, eh, petite?" Marie put in.
"Oui, Tante Marie," the two cross-dressed males agreed in unision.
"Well trained," Skipper noted approvingly. "Perhaps there is something to Ms. Thompson's training."
The imp reappeared in Darla's eyes and she snatched up the pillows from the couch, tossing one to Barbie. "I think that deserves a suitable response, sis."
The impromptu pillow fight surprised and pleased them all. In five short minutes, a great deal of tension was relieved in the hay-go-mad whirl of chasing each other about the room swinging velvet-cased pillows at any nearby feminine form. The mock battle ended when Barbie had to come to Darla's aid - Skipper had cornered the diminutive blonde in a corner and was peppering her small opponent with pillow-blows.
"Okay, okay, I surrender!" Darla squealed, holding her hands above her head while Barbie playfully pulled away the victorious Ms. Braithwaite. One look in the nearby mirror had Darla wincing. "My mascara is RUINED!" she squealed to everyone else's laughing amusement. "Look, I will finish getting myself beautiful and get out of your way, Ms. Braithwaite. Kendra? I mean, Barbie? Can I ride to the motel with you? We should both go see Sandy, first thing tomorrow, anyway."
"Why do I need to go back to the Chalet tomorrow, Sis?"
"Your makeup. Those colors aren't quite right for a blonde. You need to change your look, or you'll really stand out when you're in public, and frankly, my dear, you aren't really good enough at the masquerade anymore to stand THAT much scrutiny. So, you're going to need Sandy because with that damned deep-dye stuff of Mom's on your face, you'll need her expert help to fix it."
"I'm supposed to be obvious, Dar. Remember, this is Valley Girl Bimbo-Bobbie mode, remember?"
"Nevertheless," Darla retorted, "you're someone Momma-Jane supposedly knows and thinks enough of to have at Seasons House. You can't be that much of a ditz. Right now, that particular makeup job is just too dramatic for the blonde hairdo. I think it could well become troublesome for you here and out in public."
"Unfortunately, sis, my own makeup skills won't be up to the task of keeping up that kind of look, either. Particularly with these other colors still lurking underneath just waiting to peek through."
Darla shrugged her bare shoulders, and grinned mischievously. "Then you'll have to use the deep-dye stuff again, Barbie. Which is another reason why we need Sandy. You need the real experts for this."
Kendra-Barbie considered that, and nodded. "Okay, I agree with that. I assume you've already made appointments for tomorrow?"
"Caro and Sandy both, an hour before normal opening." Darla confirmed.
"Right. Well, put some clothes on that skinny bod before you embarrass my little friend, Skipper, and let's get on the road. You need your beauty sleep."
"Excuse me?" she said, surprising herself as much as the two cross-dressed young men. "But, I was wondering if I might go with you tomorrow? I'd, well, I would like to meet the two women who run that shop. Especially the one who threatened to take Adrienne to New York to entertain her kinky friends."
"I told you that she threatens every boy with that," Kendra-Barbie sighed. "Hasn't happened yet. Won't ever happen. It's Sandy's version of a 'two-by-four in the face' to get the kid's attention."
"All the same, Barbie, I want to meet her, and if the shop is opening early for just the two of you, then there won't be anyone else to hear what I have to say to her, will there? Or, I could go later, say, about lunchtime? But there might be a real rush then. A lot of women with big ears and bigger mouths? That's the way it is at the shop I patronize."
A sudden mischievous grin flitted across Barbie's face. Darla caught it and sucked in a breath, having seen just such a look all too often on her Mother's face, immediately before things became just a little too interesting. "Pick you up at seven thirty?" Kendra offered, smiling oh-so-very-sweetly.
"Make is seven and I'll have fresh coffee waiting for you."
Chapter 16: Caro and Sandy Play with Barbie, Ken and Skipper
"So now you're going be called 'Barbie'?" the zoftig blonde beautician asked as she picked up yet another brush. Carolyn was working on Darla in another cubicle while Anne watched the work on Barbie.
"It, ah, seemed like a good idea at the time, Sandy. It would help keep Anne's presence here a secret in the event someone slipped up and said her name, and it suits the new look."
"Might have known only a damned male could hope to match the looks of that damned doll. Do you know, Kendra, I mean, Barbie, how much I used to DREAM of being built like that?"
"I'm sure Marie would love to lace you into one of Jane's killer corsets, Sandy," Barbie offered in her best imitation of Darla's catty tones.
"Dream on, bitch," Sandy replied grinning.
"Gotta suffer for your beauty, doll!" her client shot back.
"Naw, I think this goose will leave that sauce for you goosed ganders."
"You know?" Skipper-AKA-Anne put in from her perch on a nearby stool, "I suspect every little girl dreams of being Barbie-the-beautiful when she grows up. It's why the dolls have sold so well to so many generations of girls."
"Probably," Sandy muttered, her eyes not five inches from Barbie's as she stroked a fine eyeliner brush just above the tall woman's right eyelash. "At least I have the satisfaction of knowing all this life-sized doll's curves are all fake, too - plastic just like that bloody doll."
"You're not the first woman to mention that characteristic I share with my namesake," Barbie retorted, trying to glare at Skipper over Sandy's shoulder.
"Don't move, dammit, unless you want really exotically slanted eyes for the next week, okay? By the way, Ken, I mean Barbie, remind me to put these special cosmetics of Jane's away when we're through here, all right? Last thing I need is for one of kids from out Wednesday afternoon makeup class getting into this stuff."
Before Barbie could answer, Sandy abruptly drew back and gave her client a considering look. "Never mind - I'll put 'em away now. We're done here, I believe." She spun the salon chair so that Barbie could at least see herself in the mirror. "Whatcha think, kiddo?"
If the woman looking on was surprised, the man behind the masquerade was stunned. "My god," she breathed, and then lifted her right hand up to stroke her cheek.
"Is that a good 'My God' or an 'Oh-no-Mr.-Bill' kind of 'My God'?" Sandy asked petulantly when the silence continued to stretch out.
"I'm not sure," Barbie admitted.
Frustrated and looking for the approbation she felt her effort deserved, Sandy turned her eye to the other woman in the cubicle. "What do you think - what is it you're going by? oh, yeah, Skipper?"
"You're really very good at what you do. I watched you do everything and I really cannot point to a single thing that is really different, except that the whole look has changed."
"But is it GOOD?!" Sandy demanded.
"She's beautiful," Anne replied softly. "Like one of those supposedly clean-faced, all natural types you see in the healthy living magazines - you know, the ones who wear the two thousand dollar blue jeans and the name-designer flannel shirts with five hundred dollar ponytails. If I hadn't seen what she looked like coming in here, I wouldn't have thought she was wearing any make up, but I know what you covered up to make her look like that."
"At last, someone with taste and an eye for art," Sandy breathed. "Might've known it would take a REAL woman to appreciate my skill and subtlety."
"Sandy, you can't even SPELL subtlety," Barbie grinned as she got out of the salon chair, "But you are definitely an artiste with brush and pad, tube and pot. Thanks. At least now, Mom will let me in the house with Adrienne around."
"Remarkable," Anne said again.
"Well, hell, girl, it isn't that hard. Get in the chair and let me show you how it's done," Sandy challenged.
"Huh? Me? But I don't wear much more than a little lipstick, maybe some mascara when I have time, but. ."
"But NOTHING, girl. Looks like yours without makeup? Like Rembrandt buying canvas and not painting on it. Using makeup well doesn't have to take a lot of time."
Before the startled woman quite knew what was happening, Sandy had her in the salon chair with a protective cape over her clothing. "All right, now watch, listen and learn, girl friend," the stylist ordered, reaching for a nearby pot.
"What?" Sandy squawked when Barbie latched onto her wrist with an iron grip.
"Not that stuff, Sandy," the tall blonde said, smiling sweetly. "Unless you intend to use Jane's deep-dye stuff, and then you'd better ask first."
"Oh shit! I almost forgot. Thanks, Kenny, I mean, Barbie."
"And do something that will be easy for her to do herself, okay?"
"Would you two quit talking about me as if I weren't here, or worse, as if I were stupid," Anne snarled, starting to rise out of the chair. Hands from two different women blocked her escape. "What if I DON'T want to learn makeup?" she groused.
"A woman with eyes like yours who doesn't want to know how to use makeup?" Sandy retorted. "Don't even TEASE about such blasphemy!"
"Besides, do you want Adrian to be able to chide you for not knowing as much as he does?" Barbie offered.
Via her CCTV, Jane was watching Marie's not-entirely-successful attempt to teach Adrienne the finer points of cooking crepes when the phone rang. *I'll have to select my crepe from the ones Marie made while making sure that Adrienne eats her mistakes - intentional or otherwise,* she thought as she tossed her head to float her hair around the receiver. "Jane Thompson."
"Jane? It's Ruth. Is Kenneth still around there? At Seasons House, with you? I tried to reach him at his office, but the senior partner told me he was working on a special project for you. I assume that is the Braithwaite issue?"
"Yes, Ruth. He's not here right now, but I expect him to return this afternoon."
"All right. Look, Jane, he needs to come home. . here, as soon as possible. The next plane would be good."
Jane heard a tone of concern bordering on fear in her old friend's voice, and felt her own nerves tighten. "What is it, Ruth? What's wrong?"
"It's Sheila, Jane, Kenneth's . . . Mother. She's dead - murdered."
"Oh no," Jane breathed as her mind began developing a plan - and came up hard against the reality of ". . .Barbie. Oh, DAMN!"
"Barbie? Who the hell is Barbie, Jane?"
Carolyn stepped into Sandy's cubicle to find her partner guiding the woman she'd been told to call 'Skipper' through the process of applying eye makeup. "Ken. . I mean, Barbie?" she said.
"Yes, Caro?"
"Jane just called for you and Darla. You're to haul it on back to Seasons House as quick as you can. Right now, in fact. She says it's really important. She said she was calling in Michael, too."
"Any word why?"
"She said she'd tell you when you got there, but. . "
"But what?"
"She did ask if Sandy or I knew of something that would clean off those deep-dye cosmetics. Told me that it was serious and this was not the time to hold back anything. As if I would," the brunette sniffed.
"Sounds like she wants Kenneth back in a hurry. Well, I'm not going to find out until I get home. You 'bout ready in there, Skipper?"
"What do you think?" Sandy asked smugly as she spun Anne's chair to face Caro and Barbie.
The techniques Sandy had taught the young woman were relatively simple, but when combined with the proper cosmetics and Anne's natural gifts, the results were lovely. Her incredible eyes were even larger, and at the same time somehow catlike. An almost invisible hint of color defined high cheekbones that focused the viewer's attention on those incredibly vivid eyes. Her mouth seemed somehow larger, more. . . smiling, but without the overt coloration normally associated with lipstick.
"God, that's great," Barbie sighed in a voice that was much more Ken than Kendra.
"And she did it all by herself," Sandy added.
"Put the stuff you used on Jane's tab, Sandy, and pack it up. We have to get out of here. Darrrr-LA? You done YET?" Barbie bellowed.
"Oh, stuff!" sniffed a petite, blonde pixie in a yellow and white cotton sun dress. "I suppose, but my nails aren't quite dry so YOU'LL have to drive, sister-dear."
The tones were so over-the-top prissy that everyone in the room, except Anne, cracked up immediately. She joined in, once she understood the joke. "WELL, it's not MY fault Jane has decided to inflict a junior version of Edith White on Skipper's sister," Darla groused.
"Who's Edith White?" Skipper asked ingenuously.
"YOU DON'T WANT TO KNOW!" four voices yelling in unison assured her.
Chapter 17: Sometimes, You HAVE to Go Home Again
There was something ominous about the tall redhead who was literally waiting at the door of the huge mansion, Anne thought as she walked up to the main entrance. Something sad, too but at the same time, almost frightening. Whatever that 'something' was, it instantly dissolved the aura of bonhomie that had pervaded the car since the trio had departed Caro's and Sandy's place. Which was too bad because Anne had, surprisingly to her, thoroughly enjoyed herself during the trip back to Seasons House. The girl-boy Darla had kept them in stitches the entire time, by telling a hilarious improvisational story of "Janey-Locks and the Three Blondes". Naturally, the three of them had starred in the roles of 'Baby blonde', the 'Momma-blonde' and the 'Poppa-blonde' given their relative sizes. Of course, 'Janey-Locks' had been a bit more troublesome to the blondes than Goldilocks had ever been to those hapless bears. Anne hadn't quite gotten that part of the joke, but Barbie certainly had, nearly running off the road twice during fits of laughter.
When they'd arrived at Seasons House, the intercom at the main gate had directed them to go to the main house and not to the stable apartment as planned. Once there, Jane had herded the three of them inside the house and then into an ornately decorated office just off the main foyer.
*Not a very functional space,* Anne had thought immediately, for other than an antique French-styled phone, the room had been devoid of any of the electronic trappings of the modern-day workplace. Not a fax, computer or printer to be seen anywhere.
Waiting for them inside the office had been Marie, a distinguished older man with long silver hair, and a younger man - perhaps a year or so older than Anne. The newcomers immediately saw that everyone there shared Jane Thompson's grim mein.
Jane walked over to stand before the tall blonde and took both of her hands in hers. "There's no easy way to do this, dear," the auburn-tressed woman said with a gentleness that surprised Anne. "Your Mother, Sheila Roberts, is dead."
She felt like a voyeur - like an outsider peeking through an open curtain at something intensely intimate and thoroughly private. This was what family was all about, Barbara Anne Braithwaite thought as she watched two women, two men and one cross-dressed man encircle the stunned Kenneth, AKA Kendra, AKA Barbie, offering unconditional support, sympathy and love. That the leader of that care giving group was the woman Anne had come here to fight was disconcerting to the pretty blonde, to say the least.
*They simply love her. . him, and he loves them just as deeply,* she thought, *It really is that simple and that complicated. Can a woman who is as. . .evil, I guess is the only word, as I believed Jane Thompson love that completely and unselfishly? I don't think so, and yet, what does that say about my entire premise for being here?*
"Darling," Jane Thompson said quietly, but firmly. "You need to come upstairs with us to my apartment study. There are some. . . things you need to take care of before we can begin to take proper care of you."
"What about Adrienne?" Barbie asked quietly.
"Locked in her room," Jane replied, "A time out for childish behavior, otherwise Marie would have taken her shopping or something. Jessica has the safety watch on the closed circuit."
"Okay," the tall blonde replied tonelessly as she allowed herself to be led down the hall and then into one of the side rooms.
"Safety watch?" Anne wondered aloud as she followed Jane and Barbie out the door. *What the heck is THAT all about?*
The younger man, who had been introduced to Anne as Dr. Michael Nash, took her arm to lead her to the main staircase. "Ever since one of her students tried to commit suicide, they are monitored continuously," he told her softly.
Fear flared in Anne's stomach. "Suicide?!?" The question came out as a half shriek, drawing a sharp look from the woman helping her child up the steps. Anne stifled her urge to yell and rounded on the man at her elbow. "Are you telling me that this. . this PROGRAM involves tormenting my brother enough that he might actually kill himself?"
"Well, we don't really think so, but at times the stress can get pretty tough." He paused to collect himself and Anne saw something change in his eyes. "I know. I was the one who tried to kill himself."
"You?!? And you're still here? With HER?"
"Yes," he said simply, and the smiled impishly. In that smile, Anne could see the girl this man had obviously once been in Jane Thompson's keeping. "But I like to think I'm 'a better man' for it. And I'm the only one who ever got quite that far. One thing about Momma-Jane. She learns from her mistakes and she NEVER makes the same one twice. Kind of scary that way."
"In a lot of ways," Anne muttered under her breath.
Jane settled her child in the large desk-chair and put a piece of fax paper in front of her. "I want you to sign that, dear, and then Art and I will sign as witnesses. We'll fax it back to Ruth immediately and then Michael will drive the original into town for overnight mailing."
"What is it?" Barbie asked, obviously forcing herself to focus on the sheet.
"It's a power of attorney granting Judge Ruth Walinkiewicz authority to act in your stead for all matters pertaining to your Mother's internment and estate since it is obvious that you will not be able to attend to those issues yourself."
For the first time since Jane had told her child of Sheila's brutal death at the hands of an abused submissive and of that submissive's subsequent suicide, a spark of life glowed in the dark eyes. "She wasn't much, Momma-Jane, but she was blood of my blood. I have to finish this if I'm ever to have closure with that. . with that part of my life. I will see to her final arrangements."
The Mistress of Seasons House heard the velvety steel in her child's voice, and felt proud even as she recognized the danger of her plan. She shook her head sternly. "Out of the question. Have you looked in the mirror recently? Sheila was not the type to have friends, but even her acquaintances would likely know that she had a son, not a daughter. And those ARE the deep dye cosmetics, are they not? Even if you tried to look masculine right now - simply wearing male clothing and removing the wig won't help. In fact, it will make things worse because you'll look like someone - a MALE someone - who forgot to wash off HIS makeup. That would have serious implications for your career."
"I'm going, Mom," was the quietly determined reply, "Even if it means going as Kendra, or rather Barbie. Aunt Ruth can handle the legal affairs with this," and she held up the power of attorney, "but I'll still be there."
"That is DANGEROUS! How are you going to get there? You can't take the chance of driving - suppose you get stopped for even a random road-check? You don't have a license as Barbie, and in the post-9-11 world, there's no way Barbie could get through airport security. And we haven't begun to address the issues of being alone and having to deal with the reality of living day-to-day as a woman in public."
Barbie looked defiantly at Jane, never forgetting that Jane truly was concerned about her, but determinedly. "I did it before."
Jane smiled sadly, memories of the pride she had in her one time student warring with the also remembered tragic reasons Kendra once had those skills. "That was a long time ago, dear. And you weren't as . . . dramatic then. Your skills, I'm afraid, are rusty at the very time you need them to be even more impeccable. You've slipped up on your behaviors four times since you've returned from Caro's. Before, when you were Kendra, I covered for you, - shielded you - even as I kept you sharp. I'm sorry, but you couldn't manage on your own. I won't have you ruining your career because you tried to help me."
"Mama Jane, isn't that my choice to make?"
"Not if it's my fault, my ineptitude, that has backed you into that corner," Jane insisted.
Jane knew, the moment she ran down, that none of her reasoned if passionate argument had changed the tall lawyer's mind one iota. *It's just like when he first came to me - all determination to do what needs be done - what he THINKS needs be done,* she amended to herself, *and devil take the consequences. Sometimes I wish he wasn't so damned honorable!*
"I have to go, Mom," the femininely turned out young man said. "I'll be okay. I'll drive carefully and slowly so that I don't get pulled over. It's only about a twenty hour drive from here."
"And if an accident happens, despite your best efforts? What then?"
"I'll just have to deal with that if it happens."
"I'm sorry, dear, but that is just not acceptable to me. You leave me no other option but to release Adrienne and go with you myself."
"You can't do that, Mom!" Kenneth's voice roared.
"Of course I can," Jane retorted with calm self assurance. "According to the court order placing Adrian Braithwaite in my keeping, I am the final authority in his case, until or unless I remand him to the juvenile authorities as beyond my ability to rehabilitate. If I say she's done, then she's done."
"Then I won't go. I can't go."
Anne rounded on the taller blonde. "You just said that you were going, regardless of the risk, but now you're not? I don't understand. WHY? Why is keeping my brother here in this. . this frilly prison is more important than seeing to your mother's final arrangements?"
"JANE is my mother," Barbie corrected firmly. "Sheila will have Ruth to take care of her, but who will take care of your brother? As much as I feel I have a duty to her and to myself to finish this, the fact remains that she's dead. When I was the only one placed at risk by my going, that was one thing, and I could handle that. On the other hand, your brother's future is at risk if Jane sets him loose before he's learned what she has to teach him. He needs help, Anne really needs help or he wouldn't have been sent to Jane. Turning him loose before he's ready isn't fair. Not to him, not to you and not to any of us who've been even peripherally involved with Aunt Jane's program through the years."
Anne stared up into Barbie's eyes for several long moments, obviously trying to see the truth behind the words. Finally, she asked "You really believe that?"
"With all my heart," was the simple answer. "Your brother deserves the same chance to turn his life around that Jane's given a hundred other guys. He only gets that chance if both of them are here at Seasons House."
Darla stood up and walked over to stand by Barbie. "I believe that, too, Ms Braithwaite. The only reason I *didn't* commit suicide, or become a runaway who would have died soon after anyway, is because of Mama Jane. I've been a willing participant in her program ever since." Turning to the only mother she had ever really known, Darla said, "And I've learned a lot along the way. I can cover for her, Mom, and if I go as Darryl, there won't be any trouble with cops and things."
"I need you here, Darla, working with Adrienne, or I might as well go myself," Jane declared, "Audrey and Marie as well." She smiled to take any sting out her next words. "And though you are insufferably cute, I'm not sure you have the . . . presence to draw attention away from Kendra , ah, Barbie."
"You're saying I'm not man enough," Darryl's voice said bitterly.
"My son, you are more of a man than 99.9% of the world will ever encounter, but we're not talking about your courage and inner strength, we're talking about visual impact. As Darryl, you've not been blessed with the particular characteristics that would be an appropriate distraction from any faux pas that Barbie might make. I'm sorry."
"Not half as sorry as I am," sighed Darla, but the truth of Jane's observation couldn't be denied.
"I believe Michelle could be fairly distracting," Michael said. "And for reasons I never got around to telling you, I happen to have all the ID Michelle would ever need. I could go."
"You can't do that," Barbie said.
"You think I'm not pretty enough to draw eyes away from you?" Michelle's soft voice challenged.
"Hell, brother mine, when you put your mind to it you're pretty enough to draw attention away from *Jessica*, but that's not the point. You're getting married."
"It can wait, if the only alternatives are abandoning Adrienne or destroying Ken's career."
"I'll go with him," Anne's voice suddenly interjected. Every head in the room swivelled to face her, surprise in every eye. Surprise that was only slightly less than what she herself was feeling at that moment. "I can drive and MY face at least nearly matches the picture on my license."
"That's very. . . kind of you, Ms. Braithwaite," Jane said softly. "May I ask why you're making such an offer?"
The look on the girl's face told Jane very clearly that she wasn't completely clear why she'd done it. "I guess it's because I've come to respect Kenneth. . .um, Barbie. He cares about you and about what you do a great deal. I still don't like what you do, Ms. Thompson, but Kenneth is a good guy, and has been nothing but fair in dealing with me, even after I threatened you with legal action and public exposure. If he's determined to do this, and if you think he needs someone with him, I'll go."
"I see," Jane murmured, considering the option. "Dear?"
Barbie looked at the other tall blonde. "If you're sure. This won't be a pleasant trip."
"I'm sure. It will also give me another opportunity to talk with the Judge. I have some questions for her that I'd like answered before I make up my mind about this . . . program of your Mother's."
"Fair enough. Momma Jane?"
"Marie will pack some things for you, dear," Jane said in quiet surrender. "Why don't you and Ms. Braithwaite go down to the apartment and pack for her. I will bring the car and your luggage down once it's packed."
"Good idea," Anne said. "I really haven't unpacked all that much. I just need to get my own stuff, clean this gunk off my face and we can be off, Barbie."
Jane saw disappointment flash in Barbie's eyes at hearing Anne's intention to cleanse away her makeup. *Oh, my,* she thought as insight flared. "I'm afraid that won't work, Miss Braithwaite," she improvised quickly.
"I beg your pardon? I thought it was decided that I would go. Didn't you just agree not two minutes ago?"
"Not that. The makeup. I think you need to keep wearing it. I think it is crucial to your purpose, in fact."
Anne stared at the older woman for several seconds, disbelief evident in her eyes. "You'll have to explain that," she said finally.
"As we have been discussing, part of your role in all this, besides acting as chauffeur, is as camouflage. You have to draw attention away from Barbie so that her inevitable slip ups won't be as noticeable. Unless you can keep up. . . appearances, I am afraid that some other arrangement will have to be made."
"Mom!" Barbie yelped, giving Jane yet more proof of just how much her child liked the idea of Miss Barbara Anne Braithwaite as escort on this trip. *Even if it means he's in skirts, too. Fascinating.*
"I was completely serious earlier, dear. You forget the masquerade too easily. You will pass the first look, but alone you're too likely to draw that second, third and fourth look. You truly are that striking, but unfortunately, you just are not ready for that level of public scrutiny."
"And you think having me along, made up to, how did you put it, draw attention? You think that will help him pass in public? Would that be YOUR strategy if you were escorting him?"
"I have infinitely more experience shepherding a cross-dressed male about in public than you do, Anne," Jane said gently. "Not only can I correct many errors before they happen, I see and can avoid potentially dangerous situations before they actually have the chance to get out of hand. You don't have that luxury, so you will need to be as striking as Barbie, if not more so."
"You're kidding, right? Make up or no make up, there's no WAY I'm close to being that. . . good looking."
"HAH," Darla snorted, only to receive a sharp slap on the arm from a stern looking Marie. "I only wish I was as good looking. . . or as tall."
Michael chimed in. "Boy howdy," he agreed. "If you only KNEW how hard I have to work to look HALF as good as you look right now." The young doctor suddenly gave a dismayed, feminine sniff and stamped his foot. "It's just *so* not fair!" a disconcertingly feminine voice finished in pure valley girl.
Jane could see that her quarry was starting to reel a bit under the sudden assault by her two former students, and pressed the advantage herself. "You would not need to be so . . . flamboyantly attractive as Michelle would need to be for the same benefit. Subtlety never was her strong point in any case." Jane said lightly, drawing another outraged sniff and a giggle. Pleased with the lightened mood, she then became serious. "Believe me, Anne, I'm an expert in this. If you are willing to take advantage of your natural gifts, you'll be causing traffic pileups from here to Florida."
"You really think so?" the tall girl asked in hesitant, longing wonder.
"I am telling you that I *know* so!" Jane declared, a discreet hand signal keeping the others from adding their own endorsements.
Only Barbie said anything, standing to move close to Anne, "It's not fair to ask this of you, Skipper, but you really could help me a lot here."
*I really must introduce you to Audrey at some point,* Jane thought with a suppressed smile as she looked at the two tall women. "I would truly appreciate it, dear. If you do your best, I won't have to worry nearly so much about the threat to Ken . . . Barbie."
"This isn't just some game you're playing with me, is it?" the girl asked, an audible hesitancy in her voice.
*She wants to be convinced. Well, there's one argument that might work. I hope this isn't a mistake,* Jane thought. "No, it's definitely NOT a game. This whole issue is very serious. Kenneth is as much my son as if I had been the one who gave him birth and this is about his future. Let me repeat, if you insist on going, _Kenneth_," and Jane put heavy emphasis on the intentional use of his male name, "Unless Ms Braithwaite agrees to my conditions, I will have no other option but to release Adrienne and go with you myself."
The look of abject horror on Barbie's face was perfect, Jane realized precisely the reaction she'd hoped for when she'd taken this gamble. *Now, if Anne will just take the bait.*
"All right," Anne said, triggering a sigh of relief from so many people it caused in turn a titter of giggling. "It's only for a few more weeks, and I'll be here to watch over him once we get back."
"Ms. Braithwaite? Just so there is no misunderstanding? I still get my full three weeks after you return. My program and I deserve that much in return for what you've been offered."
A look of surprise flashed across the young woman's face to be replaced by resignation, then she shrugged. "All right. Meet me down at the stables with the car?" she asked Barbie.
Chapter 18: Plans of Mice, Men and Aunts
Jane Thompson sat enjoying a nightcap in her favorite shabby overstuffed love seat; her long legs curled under her, her body cuddled up to Art. Marie sat across from them sipping tea. "You want to tell me what that little scene was all about, Jane?" the petite housekeeper asked.
"Whatever do you mean?" Jane asked innocently.
"You know VERY well what I mean! Pushing Ms. Braithwaite like that. The makeup and insisting that she spend the full three weeks after returning. Suppose she'd told you to go visit the devil in his hothouse and Kenneth still felt he had to go?"
"Our Janey'd have found a way out," Art said equably. "And somehow convinced the girl it had been HER idea and not Jane's."
"I might have wanted to be shed of that one," Jane said saucily. "Adrienne, the little sneak, has become quite the little conniver."
"Pooh," Marie retorted. "That one, as you say, is now yours, just like they all become yours. You'd no more give up on her than you'd sprout wings and fly."
Jane had the grace to blush, then laughed. "You know me so well, darling. However, my little ultimatum worked, and I got what I wanted. It was a bluff, of course," she admitted finally. "One I'd have been forced to eat and swallow whole if Kenneth hadn't fallen in with it so perfectly that the girl truly believed I was serious."
"You don't think that little ploy just a little risky given that the girl is already planning on suing you? And you still haven't explained what you really wanted out of this game you're playing with her. Why force the make-up on her? AND why insist she still be here at Seasons House all three weeks?"
A mischievous grin stole across Jane's features. "Kenneth is smitten with her. He likes her a very great deal - more than he's admitted yet even to himself, I think, and he especially likes her when she's properly made-up," Jane said conspiratorially. "And I think that SHE is more than just a little bit fascinated by him. I think I rather like the idea of the two of them together. They'll make lovely babies for me to spoil as the doting grandmama."
"WHAT??! Is THAT what that was all about? You've decided to play matchmaker?"
Jane sniffed at the implied reprimand. "You've had your chance to play matchmaker, Marie, with Audrey and Darryl. It's my turn to play interfering mater familias. Should be a good deal of fun."
"But there weren't any truly at-risk students involved when I shepherded those two through the romantic rocks and shoals. What about Adrienne? How are you going to handle her needs at the same time you're throwing her big sister at your son, who oh-by-the-way, is also stuck in a femme role right now?"
"Don't worry about her. I'm still here, and I have some new ideas on that score. Besides, you're still here, aren't you? As are Art and Jessica. Not only that, but we've brought in the really big guns - Audrey and Darla. Now that we've rendered Barbara Anne, I mean, Skipper, incommunicado to our dear student, we should have a chance to turn things around here quite nicely."
"I just HATE it when she says things like that - all airy and completely certain of herself," Art intoned, before putting his hand over his eyes and groaning ostentatiously. "This could be ugly," he warned solemnly.
Jane poked him hard in the solar plexis with her elbow and laughed. "It'll be fine - you'll see."
"And do you mind telling this poor, ignorant male just why you think those two are such a good match, Aunt Yenta?" Art asked. "She's upset that her brother is in skirts and unless I missed something, didn't she force the issue of Kenneth becoming Kendra as a counterattack? Thinking he might refuse or that it might in some way hurt our case?"
"Whatever her reasons were, I think she was very surprised by our Kenneth, and in particular, by our Kenneth as Kendra." With a sigh, Jane set down her brandy snifter and turned about to look at her husband and saw the very real worry in his eyes. Glancing over her shoulder, she saw the same emotion clouding Marie's visage as well. "Have you noticed how my boys. . .our boys, gravitate to women who love them, respect them for the softer aspects of their personalities as much for their masculine strength and character? Michael has Janice, Darryl has Audrey, Bill has Carolyn. . "
"I have you," Art added, his words warm with love.
"Indeed. Kenneth has, because of that growth spurt, felt forced to put Kendra aside, to leave her as something only from his past, and while he hasn't been unhappy as a result, I've always sensed that he somehow felt, I don't know, incomplete."
"You think that Barbara Anne Braithwaite is the woman who is going to help him find what he's lost and left behind?"
"She got him into a dress again."
"He did that for you, sweetheart. Darla and Michelle do it as much for themselves as for their chosen ones. I was Diana for me before I was ever her for you, at least long term."
"You're the psychologist, dear, but I think Kenneth has mourned the loss of Kendra. Part of his rejection was due to the baggage he carried with him from Sheila, of course, but still he saw the positive aspects in Darla and Michelle, and in our other boys as well. In time, I think he would have come to achieve a balance with both sides of his yin and yang."
"Except for that growth spurt. Lord, Janey, but Kendra . . . "
"Barbie," Jane interrupted. "Like I told them, we've all got to get used to thinking in those terms for the duration."
"Barbie looks like a Vegas showgirl! Lord above, but those heels! All she needs is some spandex, glitter and feathers! And that figure!"
"Good corsetry works miracles," Marie put in smugly.
"Just so," Jane replied. "Anyway, thanks to Skipper, our Barbie is back, and our Kenneth is dealing with that."
"Okay, I can see all that, but to come back to the question -AGAIN - you still haven't explained the matchmaking and the makeup."
"The make-up is easy. Barbie looked disappointed when Skipper said she was going to clean it off, so I stopped her for Barbie. The excuse I gave her is valid enough, but my real reason was to make her pretty for my boy."
"Huh," Marie snorted. "And you call Adrienne a conniver."
"Master strategist, please, I am far beyond mere connivance. As for the match between the two of them? Well, that's a bit more complicated. Have either of you seen Skipper be anything other than, well, supportive of Barbie?" There was a noticeable pause as the other two considered that and then shook their heads. "Given what she thought of me, I would have expected her to have other, far less pleasant reactions to our boy en femme, but she is, as I said, fascinated by what she sees, and I believe that she honestly likes Barbie, too. Now, thanks to Skipper's offering to go to Indianapolis with Barbie, and to her agreement to serve the full three weeks after they return, I have them together - in close, companionable proximity, for almost a whole month."
"There are words for women like you," Art growled.
"Oh?"
"Yeah. Sneaky, manipulative, underhanded. . . "
"And your point is?" Jane asked, one finely shaped brow arching high into her still-smooth forehead.
"I think you're great, and I'm going to have a lot of fun watching you maneuver that pair down the aisle behind Michael and Janice."
Jane picked up her brandy snifter and raised it into the air. "A toast - to young love."
Art raised his glass of the Irish. "To old. . umm, middle-aged, no, make that mature love," he offered.
"Nice try, Philips," Marie giggled as she lifted her wineglass, "But let's just say, 'to love' and leave it at that."
"Hear, hear!" the other two chimed in and finished their drinks.
"DON'T YOU DARE THROW THAT WATERFORD GLASS AGAINST THE MANTLE, ART!" Marie shrieked just in time.
"Spoilsport," Art groused, before turning back to his grinning wife. "Now, what are these ideas you have for Adrienne?"
Jane became serious again. "Well, that little concession I wrangled from her sister before they left will hopefully give me back some of the leverage I've lost. As to a strategy, I'm not sure, but I have an idea. I went back and checked her records, particularly the ones written by her school teachers? I think there's something there."
"What?" Art asked, intrigued.
"No, I'd like you to read through what I've marked," and it was the school teacher who answered. "I don't want you prejudiced by my interpretations."
"Okay. When?"
Jane rose and stretched, and then offered her hand to her mate. "Tomorrow is soon enough," she assured him. "Now, I think we all," and her look included Marie, "need to get some rest. The next few weeks are going to be demanding."
"How long a drive is it to Indianapolis?" Anne aka Skipper asked as she accelerated Kenneth's BMW sports car onto the westbound lanes of Interstate 95.
"It's about 900 miles," Barbie replied, leaning back in her seat so that she wouldn't have to watch as someone else drove her beloved little car. "Figure about sixteen, maybe seventeen hours driving time. I told Aunt Ruth we'd arrive by dinnertime tomorrow if we stop for the night someplace, before lunch if we drive straight through."
"I don't think I can drive that far straight through," Skipper replied.
"I can drive," Barbie told her. "Aunt Jane to the contrary, it's hard to speed on the Pennsylvania Turnpike these days - too much traffic, too much construction. Toss in a couple of pit-stops and we're home-free. Besides, we'll just make sure you're driving when we get to the end-of-the-line tollbooth."
"Sounds like a plan." The girl concentrated on her driving for a while and sighed in pure pleasure. "This is a great car."
"Momma-Jane's graduation gift to me," Barbie said with a smile.
"You really love her, don't you," Skipper observed.
"That surprises you," Barbie replied, "And bothers you."
"Yes. I mean, after the way she came to you when you needed her, the way all of you seem to . . .I don't know, trust her, I guess, I was all ready to see her in a different light. . "
"Different than what your brother's report had you expecting?"
"That's it," Skipper said quickly. "And then, she goes off on that 'this time with Kenneth doesn't count' stuff. I just don't understand that at all."
Barbie gave a deep throated chuckle of resignation. "With the possible exception of Art and maybe Marie, I don't think any mere mortal can fully understand the workings of Jane Thompson's mind. Probably easier to understand the weather."
"So you have no idea what that was all about?"
"Oh, I have inklings, and while I am probably at least partially right, I am probably missing the subtleties in her plan." At the 'come on, give' motion of the shorter girl's hand, Barbie grinned. "I'd say that, at the very least, Aunt Jane has a new strategy in mind for little Miss Adrienne, and is looking for every possible moment in time to execute the plan. Thus, but not counting your time with me, she gets upwards of another week to work your brother, and believe me, she will."
"That sounds ominous."
"I guess I can understand why you might feel that way," Barbie said reflectively, "But truly, what she does works. Boys come to her on the road to a variety of bad ends. They leave her as pretty good examples of the human species."
"You offer yourself as proof of that, eh?"
"Not really," Skipper's passenger said in a more serious vein. "Momma-Jane figured out after a couple of days that something was wrong with me, and stopped pressing her program until she figured out what was wrong. I was only her student for about two and a half days."
"And your mother was what was wrong?" Skipper asked more gently.
"She'd forged the court documents that referred me to Jane, hoping she could succeed where Sheila herself had failed - turning me into a girl."
"Looks to me like it worked."
"Not quite," Barbie said with noticeably more heat. "Physically, I am still male under all this. . . camouflage. Had my Mother won, I'd be an 'it' - a caricature of a woman - totally degraded in every sense of the word."
"And Ms. Thompson's program isn't degrading?" she challenged sharply.
"No." The answer was spoken emphatically.
"You sound so sure of that. I wish I could be - for my brother's sake."
Barbie sat quietly for a moment, clearly marshaling her thoughts. Skipper watched her out of the corner of her eye - just as quietly - and was impressed despite herself by the earnestness with which Barbie considered this topic. In part, she realized, the statuesque blonde was justifying herself, and not just Jane Thompson.
After that moment, Barbie asked, "You thought that Adrian was getting into one of those Outward Bound programs, or maybe even one of those boot camp types of thing, right?"
"Yes, more the former than the latter. I wouldn't have agreed to the boot camp thing."
"Why not?"
"With Adrian?" Skipper had to resist the urge to snort at that image. Instead, she only said, "That would be, well, worse than Jane Thompson's place."
Barbie raised a hand to hide the grin. She wondered if Skipper even realized she had just casually ranked Jane's program even that high. She knew Skipper would not have done so when she had first considered it so . . perverse. But the new lawyer knew when to let her witness do most of the talking herself, so she just prodded a little.
"Why would it be worse?"
"Adrian is not . . cut out for all that macho sh . . . stuff. If he had to do a bunch of pushups, he'd, well, he wouldn't have done very well. All that military style training is so focused on strength, even the hikes with a pack are easier for bigger, ah, men. It would have broken his heart - and his spirit. I want him to better when he finally comes through this mess, not diminished."
"I think you're right," Barbie agreed quietly. "But you're missing a key point. While the military does use Boot Camp and Basic Training for physical conditioning, there is a more important purpose."
"Yeah, turning them into killers."
"Not exactly, though there is an element of that, in a different way than I think you mean."
"How would you know?" Skipper asked, looking at the gorgeous woman sitting next to her.
Barbie grinned easily and said, "Actually, I don't, not first hand, anyway, but one of Jane's ex students is now a Major in the Marine Corps, and we've, ah, discussed some interesting parallels."
"Parallels to what?" asked Skipper.
Instead of answering the question directly, Barbie asked one of her own. "What's the biggest difference between the young men and women who enter Boot Camp, and those who successfully complete the course?"
"I don't have any idea. Guns, haircuts and uniforms?"
Barbie smiled at the riposte before answering her own question. "Those who go in are individuals. Those who come out are part of a team."
"Nice little robots, you mean?"
"I can see you haven't met many Marines," Barbie snapped, taking insult for her absentee skirt-sib.
Skipper shrugged, but ducked her head at a jab she knew was fair. "No, not really. That swaggering macho thing has never . . . interested me."
Barbie let that go, returning to the key issue. "The Marines have a deliberate, carefully worked out program for new recruits. First, they have to show them that their civilian ways - the self centered, 'I'll do it *my* way for *ME*' attitude won't work. They apply a lot of stress, deliberate stress, tearing away at every detail of the recruits' natural reactions so that they question *every*thing about their own abilities. Then they rebuild them as part of a team, showing them that the disciplined team is stronger, more effective, more worthy of pride than anything they could ever achieve on their own."
The taller girl paused for a moment of reflection, then shrugged. "And you're right, of course. Part of that is military effectiveness, and they do indeed learn to kill. But only under control, as part of a team effort, in compliance with lawful orders. They learn self discipline from the success they achieve through imposed discipline."
"I suppose NOW you're going to tell me that Jane's program does the same thing." There was a world of skepticism in Skipper's acid tones.
"In many ways," Barbie agreed equably. "The team element is less significant of course, but the stress and the discipline are very real. It's a teardown/buildup process that forces the student to question every instinctive reaction on the way to learning conscious control."
Barbie smiled ruefully, and said, "In fact, that's what 'gave me away' to Jane."
"Huh? 'Gave you away'? I don't understand."
"It's how Mom figured out I really didn't belong at Seasons House - as her student, at least. I already had a lot of self control, more than she'd ever seen. Or so she says. That wasn't consistent with the lies my birth mother had placed in the forged records she'd sent Jane."
"I STILL don't see what her program has to do with boot camp or discipline for that matter." Skipper fumed, her frustration with this line of incomprehensible logic growing rapidly.
"The feminine mannerisms Jane demands in he program are as foreign to her typically short and slender students as the rigid discipline of military orders is to the more, ah, 'macho' types who are drawn to the Marines. Yet a smaller boy can do well at Jane's program, even excel something that only very rare individuals of that body type can do in the primarily physical stress of Boot Camp. In the end though, it takes the same sort of self control and discipline to succeed. Once you have that once you *realize* that you have that well, then you're ready to succeed in just about anything you want to do."
"You sound so certain," Skipper observed again, her tones almost wistful.
"I've seen it work, Skipper," Barbie's quiet intensity drew a surprised stare from her companion. "And although Mom admits to two failures, I've never seen one, and I've been watching her for more than five years now."
Lines furrowed the shorter woman's smooth brow as her eyes narrowed in thought. "I'm just not sure I want. . . that I believe being made to excel at being feminine . . " she paused, then shook her head. "I have to think about all this a lot more, I guess."
Barbie nodded, but didn't make any reply. Instead, she let the silence stand for a few minutes, but then saw a sign. "Can we pull off at the rest-stop ahead? Between breakfast and this damned corset squeezing my bladder, I need the little girl's room?"
That drew a surprised giggle from the driver. "You don't think I'm going to go into the little boys room, do you?" she demanded, all outraged dignity.
"Honey," Skipper chortled, "You don't qualify for a 'little' anything! Let's see if we can find you a BIG girl's room."
A sniff that Skipper had not known Jane Thompson long enough to recognize was her only answer.
Chapter 19: On the Road Again.
"God, the look on your face!" Skipper hooted when they were back in safety of the car. "Got any spare change for the Tampex machine, honey?" she growled in creditable mimicry of the woman who'd just cornered the big blonde.
"Skipper," Barbie warned softly.
"Don't you just HATE it when it hits you miles from nowhere without warning. Monthlies ought to BE monthly, right?"
"You're pushing your luck, cutie," an increasingly red-faced Amazon snarled.
"Oh, come on. It's over. Surely you can see how funny it was - at least in hindsight."
"It is NOT the LEAST bit funny and not at all what I had expected."
Skipper was doing her best not to howl with laughter now, and almost succeeding, although she was starting to hiccup. "And what did you expect?"
A trace of a smile softened the taller girl's features now. "Well, according to my skirt-sibs, if you're really lucky, sometimes you see cute girls, shall we say, en dishabille?"
"NOT in roadside bathrooms, girlfriend," Skipper retorted firmly. "I try not to spend any more time in one of those places than necessary." She gave an exaggerated shudder at the thought.
"Gee, I thought it was pretty good. Much better than the guy-side would have been."
Now the other girl's shudder was real. "Yuck! You're kidding, right? No civilized human being would tolerate such conditions."
"Who said men are civilized? Heck, some of us still like trees when nature calls, you know?"
Skipper was still laughing as she started the car and headed back for the open road.
"The instructor hasn't had any of your students before," Art pointed out as he read the flyer. "I agree it's intriguing, particularly after having read Adrienne's school file again, but that's a pretty physical art form. The instructor might pick up on your girl's slip-ups."
"I'd be close by," Jane countered, "for the first few lessons, at least. If only to make sure that Adrienne doesn't try anything dangerous. Besides, she might even like it, once she gets past the initial shock of being in public on her own."
"You sure this is what you want? It's not nearly as . . . blatant as some of the things you've done with the children's theater."
"Wrong kind of play. They're all dressing up in animal costumes, so even if I had Adrienne there in a boy role, putting him in a girl chipmunk outfit wouldn't particularly stress him. As to the degree of femininity, I think our young miss will draw. . .attention. The costumes are typically rather form fitting and Adrienne's will be more so than most."
Art hugged his wife. "I love it when you talk dirty," he whispered.
"Down, boy!" Jane ordered, grinning. "So, what do you think?"
"As long as you think you can deal with the externals, it sounds like a good idea. Should put her on the right road, at least."
"And besides, the kids at the clinic will love having a mime come visiting," the Mistress of Seasons House said smugly.
"So, you had expectations for our little rest-stop? Based on, what was it you called them? Skirt-subs?"
"Skirt-SIBS," Barbie corrected, "As in siblings. Fellow former students of Jane Thompson's Winsome Girls' School for Wayward Boys. It's kind of like being a blood brother, only less messy."
"Right. I take it these . . . persons have invaded a lady's room?"
"Well, maybe I sort of have," Barbie admitted with a bit of a blush before hurrying on with "but Michael and Darryl have, for sure. They both have lived en femme for relatively long periods of time. Darryl as Jane's big sister in residence for about six years; Mike because," the tall blonde hesitated, "well, that's his story to tell."
"He's the one who attempted suicide."
"Yeah. Part of the, well, therapy I guess you'd call it, was to live as Michelle full time for quite a while - to sort of come to grips with the things that had driven him that far."
The pair lapsed into silence as the powerful car ate up the miles down the Connecticut Turnpike. "You want to put the top down after we get through New York?" Barbie asked. "It's a gorgeous day."
"My, but we are becoming comfortable with our girlishness," Skipper observed sweetly.
"Huh? What does that mean?"
"Feel like holding your wig on the whole trip, slick? The wind will have it off you before you can spit. Or is that hairpiece held on by more than a few hair hooked through the mat?"
"Shit!"
"Ah-ah-ah-ah," the shorter girl tutted sweetly. "Whatever would your Mother say? Such language from a lady."
"You're really pushing your luck," Barbie observed.
Skipper said nothing in return, but inwardly smiled. He might be miffed at her teasing, but at least he wasn't brooding about what awaited them at their destination.
"Where do you want to stop for lunch?" she asked instead.
"Anywhere EXCEPT one of those Pennsylvania Turnpike rest areas," was the emphatic answer. "I know a nice little family diner just over the New York-Pennsylvania border. Real home cooking - much better than Momma-Jane ever made, but then, Momma-Jane has Marie."
Jane watched the class with practiced eyes, knowing what to look for - knowing what behaviors and situations would be safe for her plans; and those that were simply too dangerous to her student's masquerade.
The instructor was a drama teacher at the local high school, but working here at the youth club as a volunteer. The pre-adolescent boys and girls in this group were learning the 'fine art' of physical comedy. In other words, they were learning to be clowns. Jane had laughed more than once at their exuberant antics, and had even applauded when the teacher had been the practice dummy for the 'pie-in-the-face' act. She wondered what the white foam filling the paper-plates was, but it looked like great fun to her.
*The problem is,* she reminded herself, *that all real acting is at once physical, mental and emotional, and in correcting physical interpretations, acting coaches often 'lay hands' on their students.* Jane could not risk that. An experienced acting teacher might well be all too likely to recognize the 'enhancements' she used with her boys for what they really were - corsets, falsies and other types of padding. Such a recognition might raise questions Jane could not afford to have aired.
So far, the male teacher had been very careful - correcting by means of example and verbal directions only. Still, the only male, other than a former student, Jane had ever involved in her program had been Art, who was unique and special in many ways. Could she take the risk? Certainly, having Adrienne in regular and close contact with a male while in her feminine guise would be very stressful on Jane's current problem-child. *Do I dare risk it?* she asked herself.
The question was still bothering her as the last of the children departed leaving her alone with the instructor. "Ms. Thompson?" the smiling man asked as he walked up to her, vigorously rubbing face and hair with a white towel. "I'm Ted Fredricks. I'd offer you my hand, but I'm not sure I've got all the shaving foam off me yet."
"Is that what that was?" she asked, brow cocked in query.
"Yep. It doesn't cost much, and the little ones aren't tempted to clean the floor with their mouths when we're done. It can smart if it gets in the eye, though, which is why I let them pop me with the 'pie'. Can't be a proper clown without throwing a pie in someone's face, you know. Anyway, you wanted to talk about the class on mime, right? Oh, and could we walk as we talk? I have to leave as soon as we're done."
"Yes, of course," she replied, following him down the hall toward the parking lot door of the club. "I have a young girl living with me, she's thirteen," Jane temporized. Actually, Adrian was fifteen, but was small enough that Adrienne could pass as a fairly tall thirteen year old girl which suited Jane's purposes. "She saw Marcel Marceau on the Biography Channel and was fascinated by the art. I thought she might like to learn something of that first hand."
"I hear a 'but' in that, Ms. Thompson."
*Might as well tell part of the truth,* Jane thought. "I'm concerned about a young girl being taught such a physical art by. . by. . "
"by a MAN?" There was steel-hard ice in Fredricks' voice. "I teach children, Ms. Thompson, I do NOT molest them, and god help anyone I ever catch who does."
"I see," Jane murmured, pleased with the reaction. "I'm sorry for the way that sounded, but one cannot be too careful with a child these days."
He walked up to a late-model van and opened the side door, tossing his duffel inside. "Perhaps, but being male, Ms. Thompson, let me tell you that it gets wearing when everyone expects me to be on the make for little girls. My wife will be helping with the mime class, if that makes you feel any better, and she can work directly with your girl. She usually does coach the girls, in fact."
"Would it be all right if I watched, maybe the first couple or three classes? Just to make sure she's okay with it? *And so I can make sure she's not getting out of hand.*
"No problem, but I may just draft you to help, or make you do the exercises. Ever try mime yourself, Ms. Thompson?"
Jane tried to imagine herself in white-facepaint, a bowler-hat, a long-sleeved white pullover shirt and calf-length pants. Somehow, it just didn't work for the intensely feminine Mistress of Seasons House. She grinned at the thought. "No, can't say that I have." Then something in the van caught her eye. "Those aren't petticoats, are they?" she asked in surprise.
"Yep," Fredricks answered. "The faculty at the school is doing a variety show next week, sort of as a fund raiser. I'm going to do my Milton Burle routine for it. I got those as part of the costuming."
*My goodness,* was all Jane could think.
"Your car sucks gas, Blondie," Skipper said as they approached Stamford, CT. "We should probably fill up before the City. With any luck, we won't be down to fumes before we're safely into Pennsylvania."
"I'd take offence for my trusted steed, except I need the necessary."
"Told you you'd regret going to town on that water bottle," Skipper added with a smirk.
"Sheesh, never give a guy an even break, do you?" Barbie responded cattily, and then stopped short when she felt rather than saw her companion almost withdraw into herself.
"What?" the taller blonde demanded. "Hey, I'm sorry. I didn't really mean. . "
She watched as the other girl gathered herself, forcing an almost-smile onto her face. "No. . no, I know it wasn't meant as anything other than playfully. It's just. . ." her voice trailed off as her eyes became focused on something distant that only she could see.
"Just what, Anne?" Kenneth's voice asked very gently.
She sighed deeply. "That's precisely what my brother has always accused me of doing. Never giving him a break, I mean, always on him. It's one of his best shots, and he knows it. I shouldn't react to it . . ."
"But you care about him, so you worry that he might be right?" A shaky nod answered the question. "Seems to me that if Adrian was mature enough not to need such . . . oversight? If he didn't need it, he wouldn't have gotten himself in court and wouldn't be at Seasons House in buttons and bows, pettis and pinafores. Sounds to me like little brother has your buttons pretty well figured out, well tuned and tends to push them pretty hard."
Silence filled the car as Skipper considered that. They drove another two miles before she finally spoke. "I guess he does, at that. Most of our 'discussions'," and the word was said with heavy sarcasm, "seem to end on his terms - usually with one of his little parting shots to twist the knife. You know? I'd never quite seen it in that light."
"Guy thing," Barbie observed, back in character. "In truth, one of the things Jane wants the boys to learn is a more, feminine isn't the right word, but a more 'woman's way' of interacting with other folks, particularly folks who have apparent power. Adrian was thinking in terms of winners and losers - his little shots made him the winner, at least to him."
"But I wasn't trying to make him lose anything," Skipper protested.
"I know that. Hopefully, after Jane is through with him, so will he."
"Caro? Hello, Jane here."
"Hi, Jane. What's up?"
Jane smiled flirtatiously at her husband over the curved mouthpiece of the antique-styled phone. "Oh, I was wondering if you had time to do a little job for me this afternoon?"
"How big a job?" Caro asked cautiously, "And on who? Kendra? I thought Sandy and Marie went a little too far with her yesterday. Tear down time?"
"No, no - nothing of the sort. It's Adrienne, and I have some very specific. . . enhancements in mind for her."
"Jane, we've worked together a long time, now, right?"
"Yes we have, dear. So?"
"Well, when you start talking around things, I've learned to start being careful. What do you want and why? What's going on in that devious mind of yours? Tell me that, and then I'll tell you if we can handle what you want this afternoon."
Jane stuck out her tongue and made a face at Art, who dissolved into silent giggles at having won their private bet on Caro's reaction. "Oh, all right. Look, there's a class in which I want to enroll Adrienne - first few sessions have already met, but the instructor has agreed to let her join since she won't be taking the class for credit like the other students in the class."
"So?"
Sighing, Jane continued. "It's a class on mime, Caro, so Adrienne is going to be dressed, at best, androgynously. The class is mixed - boys and girls, mostly girls - however, I want there to be no question in anyone's mind that this student is female. I want the teacher and the other students reacting to Adrienne as a female without conscious thought."
"Okay, so you want the first, second and at least third impressions to scream 'girl', eh? I see. What have you got in mind?"
"Oh, the parade float setup, only more so. Here's what I had in mind. . . . "
"Just pull up to the full service pump," Barbie said, rummaging in her purse for a credit card.
"Are you NUTS? That's fifteen cents more a gallon than self-serve. Just to have someone stand there holding the gas nozzle?!? I don't THINK so, buster. That's highway robbery - LITERALLY."
"You'll have to go into the ladies room to wash your hands when you're done. Sure you're willing to chance it?" the taller girl teased. "Or is it the principle of the thing?"
"Screw principle, it's fifteen cents a gallon! Maybe that's not a lot to you, but I'm just not used to being so. . .loose with money."
"Well, take the card and do as you like. I need to go - like RIGHT now!"
"Remember to use the ladies," Skipper laughed, "And be sure to sit."
"As if I could forget, wearing this the bloody gaff Marie gave me," Barbie growled as she opened the door and hurried off, leaving behind a Skipper who now had just a bit more understanding of her brother's little barbs.
"Are you really going to shoot that particular bolt? Art asked, his eyes grave as he watched Jane assume her 'businesswoman-in-command' persona for the now-scheduled salon visit. "Once that one is loosed, you don't have much else in the way of heavy artillery with this one."
"You're mixing your metaphors again, dear," the auburn-haired teacher evaded, smiling up at his reflected image in her vanity's mirror.
"Janey," Art warned.
"It's not like I have much more time with her in any case," she admitted on a sigh. "What is that first rule of leadership? A two-by-four in the face followed by 'Now that I have your attention?" Jane rose from her stool and turned into her husband's arms and clung for just a moment. "I haven't had this one's attention since Barbara Anne became involved. Unless I get it back, nothing good can come of any of this."
Art held her close, offering what comfort and support he could. "Desperate times, desperate measures?"
"Close enough," she answered into his shoulder. "I know it's a terrible risk, but at least there's a chance that something good might come of trying it. The key to my program is that the student has to care, has to try."
"And you're afraid that this one might try to wait you out?"
"Even though she doesn't know her time here is now limited, she still is inclined to wait for some word from her sister. Every moment is now precious."
Art considered that for a few more moments, even as he savored the intimacy of their loving, fully clothed embrace. What was it Heinlein said about love? 'Love is what you feel when you aren't horny?' Something like that, anyway. *Well, Art, m'lad, you are DEFINITELY in love with this woman. Too bad you can't think of a better course of action than the one she's already decided to follow with this one.* "Okay," he finally said. "Diana will be here when you return, just in case you or Adrienne needs her."
Jane sighed and after one last cuddle, stepped back from the protective circle of his arms. After checking her makeup one last time, she waved and strode toward the hallway door - the Mistress of Seasons House bravely going once more into the breech.
*Wonder if real girls have that much trouble in those places?* Barbie wondered as she strolled back to the car having finished her business. *That was a near thing, thanks to all the effort needed to get panties, pantie girdle, hose and the gaff out of the line of fire. But then, real girls don't have the gaff, and most modern girls don't wear girdles, either.*
She was just about to call out to Skipper when she realized that the girl was not alone. A young man had come upon the scene while Barbie had been answering Nature's call and was, from what the tall blonde could tell, attempting to chat the shorter girl up. *God, look at that body language, you idiot,* Barbie thought angrily. *Her spine is rigid - she's staring at the fill nozzle and her body is angled away from you. Short of telling you to take a long walk across a crowded highway, she can't be much more obvious.*
Barbie increased her pace to close the distance. Road noise made it difficult to make anything intelligible out of what the man was saying until she'd gotten almost to the car. What she heard made her eyes narrow dangerously.
"C'mon. Let me buy you lunch. There's a nice place just off the Turnpike up ahead."
"No thank you," was the clipped reply as she rose to her full height to replace the nozzle on the pump. "I've already told you I am not staying in the area, nor from the area."
"Hey, I'm in Rhode Island a lot on business. I could call you - get together - have a few laughs."
"I'm not from Rhode Island. This is a friend's car."
"This isn't because you're taller than me, is it? Hey, I LIKE tall chicks, and trust me, darlin', I'm really tall where it counts, you dig?"
Barbie saw the look of confusion give way to what she could only describe as horror as the meaning of the fool's allusion became clear to her. *Time to do something,* she thought and moved in to stand directly behind the three-piece-suited irritant.
"OWWWCH," he yelped and spun about as Barbie very firmly 'tapped' his shoulder with the nail of her right index finger. "What the . . . . o - my - god."
There was something satisfying as well as humorous as the interloper's eyes started at bosom-level and then crept up slowly until they locked with Barbie's own. Had she seen herself in the mirror, she and any of Jane Thompson's boys would have immediately recognized the look on her face - one eyebrow cocked in sardonic amusement, head self confidently erect, her smile both challenging and only mildly curious. *You're the disease, sucker,* Barbie thought, *I'm the cure.*
"You're annoying my girlfriend, shortie," she said in a sultry purr worthy of Darla. "So you like tall girls, eh? Why? So you can prove you're man enough to handle a LOT of woman?" She watched as his eyes went wide at her challenge, before he recovered enough to nod - almost arrogantly. Barbie snorted derisively. "I don't THINK so." She strode over to Skipper and walked her to the passenger door and helped her in before stepping to the driver's door. "Well, then maybe you should go away and grow up some first, little boy, or maybe go and try that crap on girls. Women," and there was heavy emphasis on the word, "just aren't interested in such. . . childish come ons. Ciao, loser."
Barbie got in the car and simply drove off, leaving the gaping man behind her, breathing exhaust. "You okay?" she asked as she headed for the acceleration lane back onto the turnpike.
"He wouldn't go away. He started pestering me right after you left, telling me how great I looked, how tall I am, and he just wouldn't go away!"
"We went away," Barbie replied gently. *She mentioned his tall comments specifically. Curious. She gets hit on by a stranger and yet she's bothered by the fact that he is attracted to her height. Wish Mike or Darryl were here to explain THAT to me.*
"I should be driving," she said, a bit of a quaver in her voice.
"I'm fine. You should relax now anyway, since you'll need to do the driving when we get into Pennsylvania. I'll drive to that diner I mentioned, then you can get us onto the Pennsylvania Turnpike. I'll spell you for a few hours in the middle, and then give the wheel back to you at the end. Okay?" At her nod, Barbie smiled. "Then why don't you put the seat back and relax - get some rest. It's gonna be a long drive. OH DAMN!"
"What?" Skipper yelped as her head snapped toward the driver's seat.
"I broke a NAIL on that asshole! DAMN! HEY, it's NOT FUNNY! STOP THAT GIGGLING!" Barbie ordered, pleased when her companion could not comply with the order.
Jane pulled the big Lincoln up outside the storefront of the Marisha Chalet and after stopping the car, turned the full force of her stare on her student. "We need to get something very clear between us, Adrienne," she began quietly.
"Yes, Ms. Thompson?" she answered without much interest, Jane thought.
"I am aware that you've been in contact with your sister - without my permission and therefore in violation of the court order," Jane said in stern, measured tones. "I am also aware, since I have been in contact with Ms. Braithwaite, that you have told her you are being abused and that you expect her to take action which will see you removed from my custody and control."
She watched the be-skirted boy's face as that revelation was absorbed, considered and digested. With what Adrienne must have thought a poker face, she looked up at Jane and replied, "So?"
"So, this, young lady. Your sister and I have discussed your charges and her concerns - face to face, in fact. We have reached an agreement on those fronts."
"An agreement? What kind of an agreement?" her student asked, suspicion and concern now evident in her manner.
"Well, you are still here, aren't you? And still in skirts? I would say that speaks volumes, wouldn't you?"
"I don't believe you. Barbie wouldn't do that, not after what I told her about you. . .I mean, your program."
"Just so," Jane nodded. "What you told her about ME is what you meant, young lady. Nothing like lying by almost telling the truth, is there? And as I understand it, Ms. Braithwaite does not like to be called 'Barbie'." The older woman smiled as she saw that dart strike home.
"I DON'T believe you. I WON'T believe you until I hear it from Barb. . I mean, Anne."
Her face expressionless, Jane pulled a sealed envelope from her purse and handed it to her charge. A strong yet feminine hand had addressed the missive 'To Adrienne'.
A suspicious look flitted across the girl-boy's face as she used one long nail to part the adhesive holding the flap shut. Jane knew the instant the full meaning of the short note came through to Adrienne, for her hands fell to her lap and her shocked-wide eyes snapped up to meet Jane's darker ones. "I believe," she said confidently, "That you will recognize the handwriting."
For her part, Jane already knew the contents of the note, for she had dictated it to Barbara Anne. It had taken all her considerable skill and force of will, not to say the uncompromising support of Doctors Philips and Nash, and Lawyer Roberts, to convince the girl to do this, but in the end, she did.
|
"Watch your language!" Jane snapped. "I don't need to commit forgery. Not when your sister did, indeed, write that letter. Since you doubt me, why don't you try calling her?" Jane withdrew a cell phone from her purse and handed it to the girl. She watched her pupil hesitate. "Go ahead, Adrienne. You've already proven you know your sister's work and home phone numbers. However, I'm afraid you'll find that option no longer open to you. Ms. Braithwaite will not answer your calls."
Without a word, the girl-boy punched in number. "Yes, this is Adrian Braithwaite. I need to speak with my sister, Anne Braithwaite. What do you mean she won't take my call? I don't care what instructions you have, this is her brother and I want to talk to her NOW! WAIT! Don't HANG. . . up."
Casting a furious look at Jane, Adrienne cleared the call and punched in another call. For just a moment, the prettily made up face cleared, but ONLY for a moment. *He heard the opening of the answering machine message and thought he had his sister,* Jane mused. *Now, he's hearing the really bad news,* she added silently.
Jane had actually dictated the essence of the message and had listened to it before leaving the house. "This is Anne Braithwaite. If this is anyone other than my brother, I will be away on business for the next few days to a week. Please leave a message as I will check my machine periodically. If this is Adrian, I will not return any call from you that does not originate from Ms. Thompson. ::beeeep::"
"Damn her!" the young teen growled.
"I told you to watch your language! That means no profanity!" Jane snapped, and then made a show of regaining her control. "So, you are still under my program, and your choices remain the same as they were the day you arrived - successfully complete my program or face several years of juvenile detention. At this point, Adrienne, I am inclined to wash my hands of you, since you have already broken your word once. I'm going to be thinking about that over the next few days. If you truly consider yourself abused, then we can dissolve our association right now, and I will return you to the courts for vacation of the suspension on your sentence. IF I decide to let you stay on, then I will expect your BEST efforts from this point forward. You've had your first chance, young lady, and you blew it. If I decide to give you a second one, that will be it for you. I will not be insulted by those I am trying to help. Do we understand one another?"
Jane sat there, her eyes locked on the golden-haired creature whose eyes were staring off into space. She let the silence between them grow for almost a minute and then demanded intensely, "Do. . . We . . .Understand . . .One Another?!"
Adrienne swallowed hard, obviously shaken, but finally nodded. "Yes, ma'am," she said, her voice barely above a whisper.
"Very well. You may consider yourself on probation until such time as I tell you otherwise. One strike and you are out. Now, go inside and find Mrs. Beale. She and Sandy are waiting for you. I've already told them what I want done, in what I assumed would be the very UNLIKELY event you showed up this afternoon. I'll return in two hours. You MIGHT be done by then."
"Yes, Ms. Thompson," Adrienne answered, as she let herself out of the car.
Jane watched the small figure make her way slowly up to the storefront entrance. She waited until Adrienne had let herself inside before restarting the car.
"Lord, but I hope that was right card to play with this one."
Chapter 20: Feeding the Inner Woman
"Skipper?" Barbie said, as she followed the exit down the hill. When there was no response, she looked over to find the other girl dozing. *So much for her being really bothered by that creep coming on to her back in Connecticut.* "Anne?" she said more loudly.
The sleek blonde stirred and then shifted her body into a semi-stretch, moistened her lips and cracked open one eye at the driver. "What?" she demanded, her voice softly menacing.
"Umm, do I take this as fair warning that you do not wake up with a song in your heart and sunshine on your shoulder?"
Something that might have been 'no' but was closer to a feral growl came out of her half-parted lips. She shifted in the car-seat, stretched again and sat up. "Where are we?"
"Pennsylvania. It's about two - and I'm hungry, so - Hello, Rabbit? How about lunch?"
Skipper grinned, "Sure, Pooh - lead me to the honey-jar."
A few minutes later, they were sliding onto the bench-seats of an old-style diner-booth, complete with a push-button jukebox at the head of the table. "Oh, I haven't seen one of those since I was a little girl," Skipper gushed, happily reaching up to turn the knob that flipped the cards containing the available selections.
"And Madame's musical preference is?" Barbie asked in the stiff, starchy tones of a five-star maitre d'hotel all the while digging in her purse for change.
"Old fashioned rock-and-roll," she sighed happily, "Like that one!"
"Can't go wrong with "The Boss", can you?" her companion asked approvingly as she fed coins into the machine. "You get to punch in the buttons."
Seconds later, the whiskey-rough voice of Bruce Springsteen was singing about his high school friend who could 'throw that speedball by you' and then 'make you look like a fool'. By the end of the first chorus, Skipper was tapping her nails to the beat of E-street's hard driving rhythm. By the second run-through, her head was moving in time to the music, making her new curls dance and bounce. By the end of the song, she was singing the chorus in a husky alto that did strange and wonderful things in the pit of Barbie's corsetted gut.
"Oh, that was lovely," she breathed when the last guitar riff signaled the end of the song.
"More where that came from," Barbie told her reaching for her purse again. They were interrupted by the arrival of their server. They ordered salads and tea. "Out of change, darnit!"
"That's okay. Maybe later."
"I've got some CD's in the car. Nice to know I'm riding with someone who appreciates the classics."
"Oh, I do." She became silent for a moment and then looked up into the other girl's eyes. "I wanted to thank you - should have done it sooner - for chasing that guy off back at the gas station. I just don't seem to know how to handle. . . situations like that. Not well, anyway."
"You're so pretty, hell, so beautiful, that it must happen on a fairly regular basis - unless you live in a world without men."
"Not hardly," she said with a half laugh, "But, well, I've just never learned how to deal with. . .well, you know, . . .men."
"You may have men in that world of yours, Skip, but they must be blind or stupid!"
"Easy, girl," Skipper warned. "Let's not slip out of character here."
She watched as her table-mate seemed to visibly become. . .more feminine somehow before asking, "Better?" At Skipper's slow, surprised nod, Barbie continued. "Back to my question, though. You must have a lot of practice with the horny male on the prowl - you are that good looking."
"Hmmphh! Different, you mean, and a bloody challenge, until they find out that I come with. . .responsibilities."
"Adrian, you mean?" At Skipper's nod, she continued. "Surely it wasn't always that way, was it? Before your parents' accident?"
"Guys don't beg dates from girls that are taller than they are, okay? When all my classmates were learning to deal with boys, I was hunching over and wishing I could find Alice's shrinking 'eat me' biscuit."
"You dealt pretty well with me so far - Ken, too."
"You're different," Skipper snorted as she stirred her tea. "And with Kenneth, well, that was business, not personal."
"Felt personal to Kenneth, trust me."
She shrugged. "Maybe it was at that, but it felt like business to begin with, and I'm good at that kind of stuff - the logic, the give and take - and besides. . ."
"Besides?"
"Besides that, I was, well, pissed."
Barbie slapped her hands to her ears in exaggerated horror. "Oh, my poor innocent ears - what YOU just said!"
"Your Ms. Thompson would have the soap out by now, eh? But I was angry. Things were out of control and I couldn't figure out how to fix them - with Adrian. Then he goes and gets into real trouble, and there's an out - send him to this school where he'll learn to be a real human being - fix the things I've messed up, and then. . . "
Her voice hitched, and Barbie put a gentling hand onto the shorter girl's arm.
"And then, you get a phone call that tells you he's in worse trouble, being abused, right?" A shaky nod was her only answer. "And given what you found out, you were frightened for him - worried that it might be sexual as well as emotional, right?"
"Because I screwed up," she whispered.
"HE screwed up," Barbie corrected, "And now you know that he's all right, unless you consider wearing skirts damaging to him sexually."
"Is it?" she asked before she could stop herself, and then was horrified at what she'd asked. . .at WHO she'd asked.
"Only if the thong and gaff are too tight," Barbie answered in a hushed whisper. "But that is a problem with jockey-shorts, too."
"Oh?" Skipper asked, the bit of silliness lightening her mood.
"Yeah," Barbie assured her, "if it gets too hot down there, all the sperm die." and was immediately showered in a spray of icy tea.
"WHAT did you SAY?" Skipper squeaked.
"So, did you enjoy your afternoon off, Jessica?" Jane asked from her perch on her older student's bed.
Looking at Aunt Jane's reflection, the petite blonde carefully creamed off the eye-makeup she'd put on for the evening meal. "Right, Aunt Jane. Six hours of research for that paper you assigned yesterday. Five thousand words on the legal standing of women in American Society and its effects on the women's suffrage movement immediately prior to the turn of the Twentieth Century."
"We could make it ten thousand if you feel five thousand doesn't give you sufficient scope for your arguments," Jane offered sweetly.
Knowing better than to rise to Jane's little jibes, Jessica instead smiled angelically at the older woman. "Thank you. I'll keep that in mind as I gather my source data."
"Well done, dear," Jane approved. "Just the right blend of sweet amiability and hidden cattiness. I could do better, but I have years more experience. Now, tell me what you thought of Adrienne tonight."
"Caro and Sandy did a real number on her. Those brows - wow. I mean, something out of a fifties movie they're so fine. And I'd swear her lashes are longer and thicker, but they don't look like falsies. Real Betty Boop-stuff, only real."
"Waxing for the brows; individual hair by hair replacements for the lashes. Very expensive, very time consuming."
"Thought I was seeing things. Then I assume that the subtle color I saw is also their work? Around her eyes and lips, and her cheek bones?"
"Very good, Jessica. Your observational skills are becoming better everyday. Yes, those are Sandy and Caro - the deep-dye cosmetics, too, so the colors are there for a while, and they'll be refreshed each time we go back to the salon, for the time being."
"Oh? why?"
"Because she's going to be in a public situation where she will have to clean off makeup, and I don't want her feminine look to be compromised."
"That means if she does leave in three weeks, she leaves looking girlish," Jessica observed cautiously.
"I know that, but it simply can't be helped. We don't have time to be careful with this one anymore, and she NEEDS help!" When Jessica only nodded understanding, Jane sighed. "Did you find anything else new about her. . .behaviorally, perhaps?"
Jessica considered that as she walked over to her armoire and pulled out her nightgown. "You know? She was . . .I guess the word is subdued at dinner. For the first time in a couple of weeks, she just sort of sat there and took your shots - all of them. I figured you'd found a way to put what Dar calls the "Fear of Jane" back into her."
"Nothing else? Nothing she's said?"
"Not really. We didn't have much time together after you got back from town. Then there was dinner, and she had KP. She say anything to Tante Marie?"
"No. Look, I pushed a button very hard today, Jessica - very, VERY hard. I don't know how she'll react, but then, she's been difficult to read of late. I could have just made a huge mistake, so try to keep an eye on her for me. If it looks even the least out of the ordinary, call for me, all right?"
"You got it, Aunt Jane."
"Good night, dear."
"'night, Aunt Jane. See you in the morning."
Chapter 21: At Home with Judge Ruth
Barbara Anne watched as the short, plump white haired woman reached up to hug the towering blonde in the killer heels. Her Honor, Judge Ruth Walinkiewicz looked very different here, in front of her neat little house with it's prettily gardened lawn than she had the last time the Braithwaites had seen her. Then, she'd looked so large and powerful seated there on her elevated station, especially when she had pronounced sentence on her brother - the vengeful harpy or so Adrian had named her. Now, she looked, well, the only word that seemed to fit was softer - like someone's grandmother - a person to whom you could cuddle up and tell all your troubles. *Lord,* Skipper thought as the two women softly cried together, *All that's missing is tea and homemade cookies.*
At that moment, the pair broke apart, and Skipper could tell the moment Ruth remembered she was there. "Ms. Braithwaite," she said in cool tones that barely hinted at her Eastern European heritage. "Welcome to my home. Won't you come in? I have a light tea prepared. I will fill you both in on the plans while you refresh yourselves."
"If you'll make yourselves comfortable," Ruth said as she ushered them into her parlor, "I'll just be a moment."
Skipper was again surprised as she found the inside of the house was as pretty (there was no other word for it) as the outside - and just as eclectic. Judge Ruth obviously selected her furniture for comfort, but did not feel wedded to any particular style or decorative fad. Overstuffed, almost shabby chairs sat side-by-side with antique tables and modern brass lamps. The latest Apple laptop computer rested on a Chippendale desk, surrounded by an lovely old-style Waterford crystal decanter and Disney character statues. In spite of herself, Skipper smiled at the wonderful chaos of the room.
She strolled over to the large brick hearth that dominated the room to look at the multitude of framed photographs that lined the slate shelf above the fireplace. Skipper smiled as she looked at pictures - obviously family given the judge's strong resemblance to the father in one photo and to the mother in another. There was a graying group picture, of about twenty young women huddled together in front of what appeared to be a college dormitory, or perhaps a sorority house. It took the young blonde a few moments to realize that a very young Ruth Walinkiewicz stood in the front row giving a "Peace Sign" while another woman held the two fingered 'rabbit' sign above her head. *MY GOD, is that JANE THOMPSON?!?!*
Before that near shock of that recognition could quite pass, her eyes locked on the double-framed picture set that held court at the center of the hearth. The two facing photos were teenagers barely into their adolescence - a sober-faced black-haired boy and a blonde girl with laughing, mischievous eyes. *Such a solemn young man,* Skipper thought to herself, *And such a contrast to the girl - talk about a flirt. Brother and sister, perhaps? There is a resemblance - rather pronounced when you look closely. The boy looks, somehow familiar. . . *
And then shock hit her for the second time in moments. "That's YOU!" she yelped, turning accusatory eyes on the quietly watching Barbie. "BOTH of those are you."
"And you're the first to ever recognize that relationship, Miss Braithwaite," Ruth put in, as she walked in carrying a laden tray. "Few have ever met both my boy and his feminine alter-ego - you're the first in over six years, in fact - so we've always been able to pass Kendra off as a lost sister or cousin. It has also helped explain why he lived with me and not his Mother because we'd hint that he was an orphan." Ruth's face went white as she realized what she'd just inferred, and that her boy was now, in fact, an orphan. "Oh, Kenny, I'm sorry."
A sweet sad smile suffused Barbie's face as she hurried over to embrace and comfort the suddenly distraught older woman. "Momma-Ruth," she crooned down into the cap of steel-gray curls, "I haven't been motherless since you and Momma-Jane took me on. Heavens, how many guys OR girls can claim TWO mothers like that? And I'm not even married!"
"But she's dead!" Ruth said on a half sob, half whisper.
"And I will always regret that she was as she was," was the firm reply, "but I know who my Mothers were and are, and she's not in that company."
The soft smile that lit the lovely face made Skipper's heart rhythm syncopate.
"The time has come, the walrus said to speak of many things," Barbie quoted some time later, her dark eyes fixed on the older woman.
Ruth didn't so much as raise an eyebrow, simply stared back at the tall blonde and said, "Which means, in this context, anyway?"
"What happened, Momma Ruth?" Kenneth's voice sounded discordantly on their ears, adding impact to the softly worded question. "You have been conspicuously vague about the facts behind Sheila's death while Momma Jane would, in her oh so subtle way, change the subject whenever I asked her. Thus far, I've let it slide. Now, I need to know so that I don't do something stupid."
"What makes you think there's anything to know?" she evaded.
"Because I know YOU too well not to know when there's something you don't want to tell me."
Ruth gave Skipper a pointed look before facing Barbie. "We'll discuss it later, dear."
"Momma-Ruth, if it's something like that, don't tell me, either because I can't promise you I won't discuss it with her later. I know she's here for me, and I've already trusted her with a great deal."
"And of course, you'll trust her again, won't you?" Ruth sighed.
Skipper saw the Judge's shoulders momentarily slump, but only momentarily. When the older woman faced Barbie this time, something in her eyes, something in her very posture reminded Skipper of the woman who had been on the Bench at Adrian's trial. The 'power', whatever that entailed, was back. "All right, then. What I am about to tell you is not to be discussed anywhere but here with me, or perhaps with Jane. I am technically abusing my judicial privileges by disclosing information from what is technically an open homicide investigation. Do you both agree to those conditions?"
Both blondes agreed, and Ruth took a deep, cleansing breath. "After your Mother completed the terms of our agreement? Following the showdown with you and Jane?" Barbie nodded. "Part of that was transferring trusteeship of the legacy from your father to me. That meant she no longer had access to your money and had to live off the monthly allowance he'd provided for her in his will."
"That was not an insignificant amount of money. You made sure I saw the will. Dad was more than generous."
"It was insufficient to her perceived needs," Ruth refuted. "She decided to . . . go into business."
Skipper saw her tall friend's brows come together in concentration. "You're talking about her dominatrix/dungeon thing, aren't you?"
"You know about that?" Ruth was surprised now. "I thought Jane and I had kept that bit of nastiness from you."
"Sheila made sure I knew. She even sent me copies of the ads she ran in the alternative press."
Surprised recognition nearly had Skipper dropping her teacup. *Oh my God,* she thought, *He's. . she's, I mean, THAT'S Kenneth! He still looks like some dynamite blonde fantasy come to life, but that rigidity - that intense control - that is what I saw that first time we met when he tried to talk me out of my lawsuit against Jane.*
"I should have guessed. . . DAMN that Bitch!" Ruth shook her head sadly. "In any case, she turned the sizable fetish wardrobe and toy collection she'd acquired over the years into a business. Did quite well by all accounts and for the most part, played fair with her clients. She was known for hard edged sessions and for forced feminizations."
The older woman took a bracing sip of her tea and seemed to gather herself. "Unfortunately for her, needing a paycheck . . . cramped her style. Working with men - older men who could afford her exorbitant fees - did little to satisfy her own sick, twisted needs."
"Boys? Or unwilling victims? I can't believe she'd be satisfied with an adult man who actually wanted what she had to offer, especially not enough to be willing to pay for it."
"Both, of course," Ruth sighed. "However, she had learned a thing or two from her . . . confrontation with us all those years ago."
"Us?" Skipper asked, unable to control her curiosity.
"Jane, Kenneth - then as Kendra - and I," Ruth answered.
"Don't forget Darryl. He was manning the recording equipment," Kenneth added, lifting one fine-boned, red-nailed hand to flick errant curls from his face.
Skipper couldn't help herself and simply gaped at Barbie. That simple motion had been so completely and unthinkingly feminine that it jarred her perceptions of the blonde before her. Kenneth's voice and . . . intensity had been so compelling that the visual image of a statuesque woman had become almost irrelevant, but that graceful gesture had resurrected Barbie from Kenneth for a shocking instant. *Of course,* Skipper thought to herself, *Kenneth doesn't have a motion to sweep hair out of his face - his is fashionably short for a male - so when that became necessary, _Barbie_ did it FOR him. Lord, if it weren't for the control he's showing, I'd worry about a split personality or something. But it's clear she, um, he is just calling on skills as needed while his mind wrestles with this problem.*
"Darryl, too, although Sheila never knew of his part in that little drama."
"What did she learn, Mom?" Kenneth demanded softly.
"That she couldn't really play her damned games with minors, dear, at least, she couldn't without unacceptable risk to her own freedom and comfort. She also figured out that she didn't dare go to the extremes that she wanted to go with you. So, she would roam the alternative lifestyle clubs find likely boys, excuse me, not boys - young men barely over the age of consent who LOOKED like boys - and test them. . . test them for what she called 'compatibility'."
"And when one passed?"
"Do you really want to know all of this, Kenneth?" Ruth asked, her eyes beginning to well up with tears. At his single mechanical nod, she blew her nose into a paper napkin and forced herself to continue. "She kept him as her. . .as her slave. She called it 'pro boning' as a slam against our - yours and my - profession, I suppose. In any case, the poor fool lived in a feminized hell for as long as he could stand her sadism or as long as Sheila wanted him - whichever was shorter. From what the police have gathered from her diaries, it was almost always Sheila who broke things off, but only after her slave performed one last little task for her. She had him seduce his replacement. Sheila would take videos of it to use as blackmail leverage if she needed it. In the end, that led to her own death."
"Her killer was one of her victims?"
A cold frisson of dread ran down Anne's spine on hearing the almost physical intensity with which her tall friend imbued the words of that simple question.
"Yes. This particular young man refused to be a party to her ploy to ensnare a new consort. He simply wouldn't be a party to blackmailing another as he himself had been blackmailed. He left her, never intending to go back, calling her bluff of exposure. It should have been a safe bet, but. . ."
"But it wasn't." Kenneth finished for the judge. "I assume that Sheila went into one of her rages?"
"Exactly. She lost it completely - sent copies of very . . . well, nasty photos and videos of him to his family and to the press. His father is a local politician - a state senator who had, up until that point in time, had his eye on a Congressional seat. Unfortunately, one of the photos got into the hands of a . . . less than honorable person who unduly flatters herself to be a journalist. The whole sordid mess made quite a splash in the local tabloids and talk radio circuits. Needless to say, dear old dad's political aspirations are a thing of the past. He blamed his son and disowned him in a rather loud, public and well-publicized confrontation. To make a short story even shorter, twenty-four hours later, the boy used a key he'd stolen from Sheila to sneak into her house. He shot her when she arrived home, then turned the gun on himself."
Skipper watched as the tall blonde simply sat there, eyes closed, brows tightly knitted, her hands slowly clenching and unclenching. Then she took a deep breath before turning, to face the wall opposite from where Ruth sat. "DAMN HER! God DAMN her!" she said with quiet vehemence, the words all the more powerful for the utter lack of volume in her tone. "Sheila never knew when to quit. NEVER knew when to back off. Always - ALWAYS - it was what SHE wanted and if you didn't want the same thing? Well, that was just too damned bad - for you."
Barbie's fist clenched, cocked and lashed out at the wall, only to suddenly stop just short of blasting a hand sized hole in the drywall's surface. A glance at the taller girl's face showed her pensively considering the still fisted hand - almost as if she were trying to understand how it could possibly even consider doing something so rash and uncontrolled.
Gathering herself, Ruth rose and moved to stand beside Barbie, putting a comforting hand on the focused blonde's shoulder. Dry-eyed, Barbie turned and put her arms around the older woman, finally uncoiling sufficiently to rest her chin on the now quietly crying Ruth's gray haired head.
"I should have testified," she finally murmured. "At least then Sheila'd have been out of circulation, locked up in a cage. Who knows, maybe if she'd been forced to get treatment - undergo some type of state-mandated rehabilitation program, none of this would have happened."
"Kenneth," Ruth chided gently, her hand coming up to bat away her own tears. "That's water under the bridge. Besides, it was my decision, not yours, and one to which Jane heartily agreed. You were a minor, but old enough to have been called to the stand which we couldn't afford to risk at that time. Had you given evidence, your testimony would have been subject to a brutal cross examination. There's no telling what would have happened. We, and you, did the best that we could with what we had to work with. Don't forget that we also wanted to protect Jane's other boys at the same time."
"So, another died, Momma Ruth. The woman couldn't even die without it hurting someone else."
"No, she couldn't, but that has nothing to do with you."
Barbie broke the embrace. With a careful precision of movement totally at odds with anything Anne had seen since first 'meeting' Kendra, the statuesque woman reached for the light jacket she'd been wearing when they'd arrived. "I'm going for a walk, Mom," she said over her shoulder. "I need to think - be alone."
Warning alarms went to red alert in Skipper's brain, and she moved quickly to intercept Barbie by interposing her own body between her friend and the door. "Don't even think about going outside, tall socks," she said sternly. "You're in no shape to carry off that masquerade in public right now. You're slipping between Kenneth and Barbie on almost every other word. You need to get yourself under control again - decide which face you're going to show the world before you try to face the world."
"Do I really?" There was an almost amused quality to the question that Skipper didn't understand, but she nodded and stood firm anyway.
"Kenneth?" Ruth said. "Your room downstairs - it's as you left it. In fact, I had the local sporting goods store inspect it just last month."
For a moment, the tall blonde seemed intent on pushing past Skipper and heading outdoors, but finally shrugged. "I'll see you both later," something akin to Barbie's voice said.
The other two women watched as she strode toward the kitchen, only to slip through another door and head down into the cellar. "I think," Ruth said sadly, "That control is going to be the least of our problems, Ms. Braithwaite. Come along with me, please. I will show you to your room. I'm sure you will want to freshen up after your trip."
Jane walked into her private apartment, where she found Art - now Diana - staring intently at the closed circuit television monitor above her desk.
"You could have stayed as Art until tomorrow, darling," Jane said as she bent down to kiss her mate, "since I don't expect to need Diana's help before then."
"Can't be too careful," Diana's husky alto replied. "You're pushing this one hard and into unexplored country. I don't want to be searching for my hair if something goes down tonight."
Jane came instantly alert, her head swiveling to watch the screen. "You think something could go badly wrong tonight? Has she been behaving strangely?"
Diana shook her head. "Pretty much what I'd have expected. She's tried to clean her face, only to find that the stuff won't come off. I think she's peeled about ten layers of skin off in the attempt, too."
"Determined, eh?" the Mistress of Seasons House asked, as she watched her pupil working at her vanity table. "What's she doing now?"
"Trying to cover over the deep-dye makeup with less blatant colors."
"Well, even if she succeeds, that will only suit my purposes better, because that will come clean when she removes the grease paint, making the long-duration cosmetics all the more obvious."
Diana watched Adrienne visibly shrug in defeat before ruthlessly scrubbing her face clean of her own cosmetic efforts. Moments later, she was in bed with the lights out. "You give her the bad news tomorrow?"
"That's the plan, luv. Ready for bed?"
Diana's painted mouth split into an inviting smile. "Well that's a silly question," she purred as she stood to pirouette for Jane's delectation. "Do you think I get dolled up like this without bed in mind?"
"There goes my beauty sleep," Jane pouted as she stepped into her spouses arms.
Chapter 22: Kenneth's Retreat
"It's a bit of a climb," the older woman said by way of an apology as they climbed up into the cottage's loft, "But, the room's comfortable for all it's a bit cramped here under the eaves. I converted it from an attic when Kenneth came to stay with me as he needed some privacy and a place to study - sort of a den if you take my meaning."
Wordlessly, Anne carried her bag into and set it down beside the hide-a-bed sofa. The room was indeed cramped, she thought, especially with that large glass-covered display table taking up most of the center of the room.
Curiosity won out on two fronts. "Will she be all right?" she asked as she made her way over to the table.
"Who? Kenneth? I mean, Kendra?" Ruth asked. At the younger woman's nod, she continued "Nothing to worry about. She just needs to burn off some of the emotion that is clogging her insides just now."
"She was furious," Anne said thoughtfully. "You'd hardly know it by simply looking at her, but somehow it was like I could almost feel pure rage rolling off her like a wave."
"Oh?" was all Ruth said as her guest's eyes took in the sand-table display beneath the glass top. Two armies of small toy-soldiers - one gray within a fortified city, one blue laying siege - faced each other across carefully sculpted terrain, complete with very realistic trees and a river. Odd shapes, almost like 'bumps' prowled the river, their large, turret-mounted guns aimed in the direction of the gray army's positions. Above the table, several large volumes, including several volumes entitled "The Personal Memoirs of U.S. Grant", shared shelf space with an old-fashioned red-yarn-haired rag-doll.
Anne suddenly realized she was all but snooping about Kenneth's private space and blushingly tore her eyes away from the image of a young girl's doll guarding a president's war reminiscences. "Well," she coughed, clearing her throat with an effort, "Barbie has been, ah, well rather different about things. . . since I met HER, that is. Just now, she was really upset, but instead of dealing with that she stoppered it all up."
"You see a great deal, don't you?" Ruth asked, her voice soft yet intense.
"I saw that," Skipper answered, noticing a cork-board above the student desk on the other side of the room. "Is there anything we can do to help?"
Ruth saw the moment Anne's eyes went wide. "As I said, you notice a great deal, and you've unerringly found the things in this room that most clearly speak to the complex person who is my Kenneth, my Kendra."
Anne looked up sharply, only to find Ruth smiling at her gently. The older woman strolled over to the desk and took down the object that had caught the blonde girl's attention. "The organization and mental discipline to perfectly recreate, right down to using bonsai trees, the strategic and tactical layout of the Battle of Vicksburg in that sand table, and this," she offered Anne the white satin opera glove, "are both critical elements of the person who is even now trying use exercise to exorcize some very private and terrible demons."
"Is there anything we can do to help?" Anne asked again.
The older woman shook her head. "No, at least, I've never found anything. She'll work it out on her own - at least, she, or in this case, he always has in the past."
"He? I know why _I_ keep losing track and shifting pronouns - I'm still not used to these multiple identity games, but why aren't you consistently using the feminine tense? I mean, she's here as Barbie, as a female? Why the he - she thing? I mean, it's almost like, oh, I don't know. . .almost like YOU think of Kenneth and Barbie as two different people."
For several long moments, only silence and a cold stare filled the space between the two women. She waved Anne to sit down on the sofa. "I almost told you that it wasn't any of your business, but then I reminded myself that you're here, voluntarily, to help my child. And since you may be alone with him when something like this happens again, perhaps if you understand. . .certain things better, you might be better able to give that help. Look, Jane told me that you know something of Kenneth's youth? About how that bitch who birthed him made his life pure hell?"
"Yes."
Ruth nodded, and reached up to gather Raggeddy Annie down from her perch. "Jane never does things by halves," she observed, almost to herself. "Still, I suspect she simply told you, in direct terms to be sure, what she felt you needed to know. Am I right?"
Anne looked at the older woman with a growing curiosity, but controlled herself. "She was rather passionate . . ."
"Jane is never anything other than passionate where her boys are concerned, but I'm sure she simply stated the facts and left it at that, regardless of how her eyes might have flashed when she did it, right?"
A slight grin crossed Anne's face at the memory. "Ummm, just so," she said, mimicking Jane Thompson's favorite rejoinder, eliciting a matching grin from Ruth.
"I am a lawyer, and more used to letting stories state my case. Perhaps it would help if you understood how Raggedy Annie here," Ruth held the doll up for her guest's inspection, "and this glove came to hold court in this room, alongside Civil War battle fields and hand-carved chessmen."
"If it wouldn't upset Barbie. . .Ken. . . too much," Anne said hesitantly, although she found herself very much wanting to hear those stories.
Now Judge Ruth smiled broadly. "It's a mother's prerogative to tell pretty girls stories that embarrass their sons, just a little. Keeps the little darlings' egos in check and promotes female solidarity. Besides, I don't think Kendra will mind my telling you . . .some of her secrets." The smile became slyly mysterious. "No, I don't think she'll mind at all."
"Emotions were a weakness - or maybe an opening - that bitch would exploit in her campaign to subjugate that boy. So young Ken learned, early in his life, to suppress any outward sign of what he was really feeling. He controlled his reactions, his facial expressions, hell, even his breathing."
"And that somehow saved him?"
"Sheila pounced whenever he gave the slightest indication one of her nasty tricks had reached him, so he taught himself not to ever give her what she wanted from him. Taught himself to always at least appear to be calm and controlled."
"I still don't understand how that would have stopped the woman, not if she was as. . . depraved as Ms. Thompson indicated."
"What she wanted to do to him was so far over the line that she couldn't take the chance that the authorities might take him seriously. She needed him to appear out of control, irrational, an overly emotional adolescent that the police might ignore. He never gave her that, but there was a price. Those behaviors became second nature to Kenneth, and that control carried over into the rest of his life."
"That's not an entirely bad thing, your honor," Skipper said quietly, "As I have good reason to know."
"Adrian?" At the younger woman's nod, Ruth smiled. "I know, and truth to tell, those behaviors went a long way towards making him into the very formidable man he is today. Summa cum laude as an undergraduate, top of his class in law school while finishing each program in half the usual time."
"I suppose," Barbara Anne said speculatively, "But that still doesn't explain that doll."
Ruth chuckled. "You know about the trap Darryl came up with? The one that used Kendra as bait to set up Sheila once and for all?"
"Yes. . ."
"Kenneth fell for Jane and became best friends - brothers, actually, with Darryl, and the feelings were mutual. Only problem was Jane had a steady flow of students through her Winsome Girls' School for Wayward Boys. The only way for Kenneth to visit was as Kendra."
"And he agreed to that?"
"Quite readily. You see, Kendra could let go and have fun . . . could be a kid, albeit a girl-kid."
"At THAT place? With students around?" Barbara Anne asked skeptically.
"Oh, indeed. Trust me, a great deal is possible when one Miss Darla Thompson-Phillips gets on a roll. She decided she wasn't going to stand for the Great Stone Face routine and was constantly on the lookout for ways to tease Kendra out of it. Which leads me to the story of the great dolly tea party."
"Adrienne, one of the causes I support is the local children's hospital. Every year, my students and I participate in a show as part of a festival that not only entertains the children, but raises money for research and to help poorer families with the cost associated with treatment."
Still smarting from Anne refusing to speak on the phone, and unnerved by being 'locked' into a feminine appearance by Mrs. Beale's 'adult cosmetics', Adrienne decided to proceed with a bit more caution than in recent days. "Yes, Ma'am?"
"I've decided that you will participate, and have arranged for you to be trained as a mime. Are you familiar with the art?"
Jane watched her student concentrate, and was pleased. A few days ago, this same student might have simply ignored her question. "I'm not sure," the boy-girl said finally. "Is that the people who wear the funny socks, suspender pants and paint their faces white? Kind of like clowns only they don't talk?"
"A fair description. This book," and Jane handed her student a small biography of Marcel Marceau, "Will give you a more complete description. Now, you will start classes with other children at the local Y tomorrow. It is a mixed class - boys and girls - so you will not be out of place attending."
"I'm to attend as Adrienne?"
"I thought, young lady, that we had agreed that you were Adrienne until I said otherwise," Jane said sternly. She saw the short flare of resentment, but again was pleased as her pupil tamped that back and nodded her agreement. "However, if you wish, you may attend class as a male. You will, however, still be required to fulfill your word to me and present a well groomed and attractive feminine appearance and persona at all other times."
For a moment, Adrienne thought about her experiments with hiding the adult cosmetics with the practice makeup Jane provided. It might work. "Could I have some of the mime makeup? And maybe some pictures of what they look like? That way, I could practice ahead of time. I'll need the extra practice if I'm going to do this for real in a show."
"I will see what can be done. Just don't wear it for too long a period at a time. Your young skin needs to breathe and that greasepaint might clog your pores. Very bad for your complexion. That is why you, and the other children, will be expected to clean off the greasepaint at the end of every session. Can't have you developing terminal acne, can we?"
The disappointed look on Adrienne's face told her precisely what had occurred to her devious little student. *Blocked that one, didn't I, dear?* Jane thought smugly. *You ride to and from class dressed and made up as you decide, but you won't be wearing the whiteface except at class itself. Now, let's see what you do.*
"They just walked into the women's locker room?!?"
"Smug as you please," Ruth smirked, mischievous pride twinkling in her eyes. "Showed up at the place rigged out in headbands, exercise tights and leotards - then convinced the manager that they were considering taking memberships at the club. He assigned one of their female trainers to give the two of them a tour - of ALL the facilities."
Skipper was wide-eyed. "All? As in, um, everywhere?"
"You wouldn't ask that question if you knew Darla better. I do mean EVERYwhere. The locker room, the tanning booths - including those for ladies who do not want tanlines - the sauna and the steam room. Oh, and let us not forget the showers."
"My god. Did they get caught? As boys, I mean? Is that why they were punished?"
"Of course they weren't caught - not in the way you mean, in any case. They were caught, but only by Jane, and only because Darla intended them to be caught."
"I'm sure that makes sense to you, but . . ."
"Again, dear, you have to know our Darla. She wanted Kendra to be on the receiving ends of one of Jane's little disciplines, as she'd concluded that her sister was getting a bit too serious. Darla filled out the membership application and used Jane's name in the 'parent or guardian approval required' block. The club called Jane, she figured out what happened, and confronted the two miscreants. Kendra caved instantly as she's as honest as honest can be."
"And Darla planned it that way? Didn't she get punished, too?"
"Of course she did, but she intended it that way, since she wanted to ensure that Kendra, ah, loosened up properly. The pair of them were sentenced to a week in the nursery, dressed as good little Victorian six-year olds at all times, playing like good little Victorian six-year old girls."
"Oh, my. .. "
"As Darla tells it, her sister simply didn't know how to play with the dollies, so Darla had to teach her."
A vision of the petite, prissy little boy-girl, patiently teaching Kendra how to hold dolly, how to feed dolly and how to change dolly flitted across the mind's eye of the tall blonde.
And she lost what little control she had, laughing out loud. "Oh God, I can just hear her - 'Now, Ken-dwa,'" she said, in a pointed imitation of the Darla she knew, "'you have to support her head pwopawly when you feed Dolly her bottle.'" and Skipper laughed even harder.
"That's about right," a now-smiling Ruth agreed. "In fact, I think Kendra's . . .inability? Yes, inability to get with the program got their sentence extended twice. I think even Darla was getting tired of the game at that point. According to Jane, she finally lost patience with Kendra and told her to 'just have fun, sister! Now, play with the damn dolly!' An action which ALSO led to an extension their sentence. Evidently, Kendra did just that."
There was something here, Skipper thought. "Don't leave me in the dark, for goodness sake!"
Ruth feigned refusing, but then grinned. "It's too good a story not to share. According to Jane, after the second extension for 'non-cooperation' and Darla's outburst, our Kendra became. . .quietly annoyed."
"She does that well," Skipper observed.
"Yes, indeed, and so. . ."
"Now, Kendwa, you have to play NICE, or Auntie Jane isn't going to let us grow up!" It was a measure of just how annoyed the little bleached blonde was, that she forgot to lisp. "You have to feed and diaper Dolly! It's the rules!"
A glint lit in the other blonde's dark eyes, and her lips twitched before her face relaxed. "It's YOUR fault," she retaliated, "You teached me wrong!"
"No I DIDN'T!" Darla yelled back, getting into the spirit of the 'game'. A little venting was just what this situation required, she thought. Maybe then, Kendra would figure out Jane's plan and go with the flow. It was one thing to help her sister unwind, but this was beginning to cut into her study time. "You go fill the bottle and I will show you - just one more time!" she ordered.
"Oh, aw wight!" Kendra pouted dramatically, before flouncing off, bottle in hand, to the bathroom.
Screeches of "THAT'S NOT RIGHT!" and "IS SO!" brought Jane hurrying back to the nursery. She flung open the heavy oak door to see the two petti'ed, pigtailed and pinafored blondes squaring with a doll laying on the floor between them.
"GIRLS! What is the MEANING of this!"
"Dolly needs her diaper," Kendra fumed, "And Darla isn't teaching me right. Dolly's diaper keeps falling off!"
"I am so teaching right! You aren't PINNING her right!"
"AM SO!"
"ARE NOT!"
"AM. ."
"QUIET!" Jane bellowed, and was immediately embarrassed. "I will teach you, Kendra, and then we will have no MORE of this unseemly behavior. Is that UNDERSTOOD?!"
"Yes, Auntie Jane," the two now angelic blondes cooed.
Jane quickly and efficiently demonstrated the proper method of diapering, including a couple of hints on how to keep the garment tight. "There. See how it done, dear?"
At the affirmative reply, Jane rose to leave. "But, Auntie Jane," Kendra protested, "you have to hold her. It's the rule. Babies get held after diapering. Isn't that right, Darley?"
"It's the rule," the other imp agreed. "Auntie Marie said so."
"Oh, very well," Jane replied, happy to see the pair of them getting into the spirit of the play for a change. With that, she scooped up the baby-sized bundle, settled it on her shoulder for a burping. . .
And found herself drenched from the waist down.
"What the hell?" Jane spluttered.
"Dolly went number one all over Auntie Jane, and she used a BAD word!" Kendra crowed, giggling.
Before Jane could quite formulate a response to that, she realized something else. "What is that reek?!?" Another sniff told her. "ROSE WATER?"
"Smells nicer than Number One, Auntie Jane," a nearly hysterical Darla put in.
"I'm SO glad you think so, dear, as you will be bathing in it shortly," Jane said darkly, "As will you, Miss Smarty!"
"Hoist with her petard, eh?"
"Yes. Actually, I think what truly annoyed Jane was that they'd gotten a curse word out of her. Anyway, after that particular visit, Kenneth came home with that doll, and it has held court in his room ever since. I think it reminded him of . . . I don't know . . . more relaxed times?"
"So, despite the disciplines, Darla and Jane helped her let go of that control?"
Ruth nodded. "If only for a short time," she admitted with a sigh, "And unfortunately, they only managed it when Kendra was in Jane's girlish masquerade."
"That Darla must be something special, then," Skipper obsserved.
"Oh, our Darla can be quite the minx, and she taught Kendra all she knows. I gather that Jane had her hands full with that pair a time or two, but through it all, they had fun together - Jane most particularly, I think. And yet, whenever he came back here afterwards, he reverted to being the Kenneth I knew. Then, he hit that growth spurt. Sprouted a bunch of inches but didn't put on pounds to match. Skinny as a rail. Being Kenneth, he studied up on strength training and began a program to muscle up. Thought he was going to be a body builder for a while, until he backed off on that to what he is now. However, that put paid to his little trips to Seasons House as Kendra."
"No more outlet?"
"Except for the exercise room," Ruth admitted sadly.
Marie knocked on Adrienne's door, and then entered without waiting for permission. She was surprised to see the student seated at the vanity, the girl's attention fixed on the mirror before her.
"And what are you up to, ma'amselle?" she asked, setting down her laundry basket. She was further surprised when Adrienne jumped at her greeting. "I did knock, petite," Marie pointed out, just a hint of apology in her tone.
Sighing, the girl spun about to face the little housekeeper. "MON Dieu! What have you DONE to your FACE? Has Jane given you some type of experimental face-pack to try out? Your face, it is all white! Tres white!!"
Of course, Marie had been told what to expect by Jane, but she'd been dealing with Jane's girl-boys for nearly twenty years herself, and she knew how to play a role.
"It's grease paint, Miss Marie," was the quiet response. "For the class Miss Thompson has signed me up for."
"I believe, petite, that Miss Jane would prefer for you to say 'the class Miss Thompson has arranged for me to attend.' English is such a strange language, but I seem to recall that the word 'for' is not for ending sentences. So, you are to attend the clown school, eh?"
"Mime, like that French guy, Marcel something or other."
"Marcel Marseau, Adrienne. So, you are practicing with the make up. Jane will, I'm sure, applaud such planning and commitment."
Marie would have sworn she could see the child blushing beneath the white-painted mask. This was followed by a deep breath, a foot shuffle, and a floor-stare before the student met Marie's eyes. "That's not it - not really."
"Oh, and what is it, then?"
"Miss Thompson said I could attend as a boy, only. . . "
"Only what? Miss Jane does not make promises she is unwilling to keep. Do you need clothing suited to a boy? We might have something appropriate in storage."
"No, that's not it. It's these adult cosmetics Mrs. Beale put on me. . .they're always there and I look. . .I look. . " for a moment Marie thought she would have a crying child on her hands, "Like a girl!"
"Ah, I see."
"Well, I thought that, I mean, if cosmetics can make me look like a girl, maybe they can un-make me, you know? I thought I'd put a little foundation over the cheeks to hide the color there and around my eyes. Use a more naturally-colored lip cover to hide the lipstick, maybe thicken my eyebrows with the eyebrow pencils."
"A worthy plan," Marie said while thinking, *albeit hopeless.* "And what have you learned?"
"Well, I haven't really tried it all the way, yet," Adrienne said, choosing her words carefully. "I was afraid that the greasepaint might react with the makeup in some strange way. Give me green lips, or become impossible to get off. Part of the agreement with Miss Thompson was that I'd continue as Adrienne here at Seasons House."
Marie barely managed to contain a burble of laughter. "Ah, yes, I see where you, having been raised a boy, would worry about such things, but put it from you mind. You have nothing to worry about."
"I don't?"
"Mais non, ma petite. The base of the modern greasepaint is like cold cream - so that it easy to remove. As for the cosmetics you wish to use beneath the paint, well, you know what other use we have for cold cream, eh?"
"To remove makeup," Adrienne answered, shoulders drooping in defeat.
"Oui."
"Shi. . . ummm, sugar!"
Chapter 23: Buried Emotions
Barbara Anne Braithwaite repressed the urge to shiver as she stood over the rain-muddied grave of a woman she did not even know. Not that she considered that any great loss. If a tenth of what she'd been told about Sheila Roberts was only half-true, knowing that woman could not have added anything positive to her life.
Which probably explained why there were but four people braving the unseasonably cold morning wet to attend her internment. Barbie stood at the center of a black-garbed phalanx; Anne to her left, the Judge to her right while the minister faced them from the other side of the still open grave.
The minister, also dressed in black, was of a Christian Interdenominational Church. He was of a similar age to Judge Ruth, and projected an almost palpable aura of serenity, much as the Judge radiated power. According to Ruth, this man was also a member of the small, select group of men and women who knew of and support the work of one Jane Thompson. *Well, at least there won't be any need to deceive a man of the cloth about Barbie's little secret,* she mused to herself.
How different this ceremony, Skipper thought, to the one she'd attended with her brother Adrian, when Caryn and Martin Braithwaite had been buried. *There'd been people for Momma and Poppa,* she thought, and felt the hot prickle of tears for the first time that morning. *But then, Momma and Poppa had been wonderful people who had friends and who loved their children. God, but I miss them so much!*
The minister began the traditional readings, quickly reciting the passages about ashes and dust and life everlasting. Skipper shot a quick look up at Barbie's face and saw, well, hardly anything. The perfectly made-up face stared fixedly on the plain wooden casket that had already been lowered into place. The heavy mist had saturated the thick blond curls into a sodden mass while rivulets of rain ran down those lovely high cheeks.
*Rain, but no tears,* was all Skipper could think. *How awful not to be able to cry for one's own mother.*
Suddenly, the minister snapped his bible shut, the sharp sound of it making everyone but Barbie jump. He walked around the grave-site, and came to stand beside Ruth who took his hand in hers while reaching around to hug him with her free arm. She whispered something in his ear, whereupon he nodded before moving to Barbie.
"God Bless you, child," he said, putting a comforting hand on Barbie's left arm. "Ruth has my number if you, well, if you need to talk. Anytime, day or night, okay? I will be mightily annoyed if you don't allow me to earn my keep."
The little joke seemed to reach the tall blonde as nothing else had that morning, and the ghost of a half-smile curled her full lips. "I live to roust people out of sound sleeps, padre," she said softly. "Thank you. I appreciate your time, and . . . and your discretion about. . .well, you know."
"Jane is a magnificent woman who, along with the Judge here, has helped many young men. I am ever at her service, and at yours."
"I'll walk you to your car, Brian," Ruth said. "Barbie? You and Anne meet me at my car when you're ready to leave, all right?"
Anne wasn't sure what she should do. Offer condolences? Try to hurry her friend out of here? What? As with most such situations, no answer seemed best so she did none of them, and instead kept close to Barbie in the off-chance the tall blonde needed something from her.
An almost-silence fell upon the little glade, broken only by the rustle of rain upon leaves.
"I suppose," the unexpected sound of Barbie's voice again made Anne jump, "that there's something almost appropriate about me attending your final ceremony dressed this way, Mother. All those years of trying, and here I am - blonde and buxom, perfumed and made-up, wearing buttons, bows and heels. Doubly appropriate, because - although I appear to be everything you in your twisted dreams wanted to make of me - thanks to Ruth and Jane, Marie and Darryl, I am in no way diminished by what I'm wearing, by how I look, or by what you tried to do to me. In the end, it only looks like you won, Mother. In the end, thanks to my friends, I'm the winner. And I suppose, thanks to you, because without you, I'd have never met Jane or Ruth. For that, regardless of what you intended, I owe you. Rest in peace, Mother - the peace you could never find in life."
With that, Barbie crouched down - almost losing her balance on the slippery grass due to the tight skirt and heels - and picked up a clump of the dripping earth. She stared at the sodden mass for a few moments, before finally tossing it upon the top of the casket. Anne wondered if where the dirt landed had any significance, for it would have struck Sheila directly in the face if not for the casket's cover. *A final parting shot?* she wondered, and then had to hurry to catch up with the suddenly departing Barbie.
"Let me be sure we both understand this, Adrienne. You have decided to attend the mime class as a girl. After I offered you the opportunity to attend as a male?"
Adrienne bowed her head, golden curls falling to hide her face as she sat in the very uncomfortable chair Jane kept in her study for just such interviews. "Yes, Ma'am."
"What did you say, child? I couldn't hear you."
"I said, yes, ma'am. I would prefer," and Jane saw her swallow hard, "to attend as Adrienne."
Ever the Mistress of the dramatic moment, Jane let that admission hang in the air between them for several long moments, her eyes hard upon her student. "I am afraid, Miss Braithwaite, that I do not understand. I thought you wanted nothing more than to be immediately restored to your rightful status as a male. Why, you wanted that so badly that you broke your word to me, placed yourself in danger of being sent to a juvenile detention facility for violating your post-trial agreement, and I might add, endangering your sister at the same time. And now, after I make a major concession to you, give you my blessing to do what you've already lied and cheated to attain, NOW you tell me, 'thank you, Miss Thompson, but no thank you'?
"I. . I can't go as a boy, Miss Thompson. No matter what I do, I look like a girl. If I try to be a boy there, I'll get killed. At least as Adrienne, I won't take that chance."
"Nonsense!" Jane snapped. "I told you that you would never be physically harmed or at risk in my keeping, young lady. And I have NEVER broken my word on that score. You almost tempt me to ORDER you to attend as a male, for that insult alone!"
Adrienne's control snapped like a dry twig. "Oh, god, no, please!" she sobbed out begging, "Don't do that to me! Don't order me to do that. I don't think I can. Please, Miss Jane!"
For a moment, Jane feared the child would hyperventilate and that the culmination she'd planned for this interview would have to be held until another, less advantageous time. Then, the girl seemed to recover herself. Still crying, she looked up at Jane. "I.. .I would prefer to go as Adrienne, ma'am. Please?!"
Relief washed through Jane, but she didn't let it show. Instead, she turned her most stern displeased schoolmistress glare on her student. "Very well, you may attend as Adrienne, but I want something in return, young lady. From now on, you will not only go through the motions of feminine deportment and dress as I instruct, you will also give it your best, creative effort. You will be a girl who enjoys being a girl, who laughs and has a good time. You will look forward trying on pretty new clothes, and take too long in the bathroom making your hair look just right. You will be happy, or at least you will seem to be to anyone you meet outside my home. Do you accept that condition? Else you will be introduced as Adrian to the mime class."
Again, silence hung heavily between the two antagonists, until, as had so many young men before her, Adrienne acquiesced. She gave a single, jerky nod of her head, and said, "Yes, Ma'am. I promise. You have my word on it and I'll keep it this time."
Jane managed to contain her smile of triumph until the door shut behind the rapidly retreating Adrienne.
Ruth and Skipper shared a concerned look beneath their umbrellas as they followed Barbie into the Judge's little cottage. The tall blonde had been stonily silent since the trio had departed the lonely, rain-gray cemetery.
The moment they walked through the door, Barbie's sensual sway sagged into a tired slump. "I think I'll go up and work at my computer, if you don't mind, Anne," Ken's voice proposed from that perfectly made up feminine face.
*That's the first time that she, or 'he', has called me 'Anne' in three days,* the other blonde realized. *I've been 'Skipper' ever since he thought up that cute little play on words. He must be really down right now. Should I really leave him alone right now? Or should I make some excuse to be 'Barbie's little friend, Skipper' so I can keep an eye on him?*
But Barbara Anne didn't feel she could force the issue by pushing herself on her troubled friend. "Of. . . of course," she stuttered back, her heart oddly skipping for a moment.
As it turned out, Ruth felt the same undesired distancing. The older woman said, "I had thought he'd learned other, better ways of dealing with emotional upset."
"She's upset? How can you tell?"
Ruth snorted. "Don't give me that, young woman. You can't tell me you don't feel it yourself. Right now, that child is fighting demons, and won't let me in to help. God, but I wish Darla was here."
"Darla could help? How?"
"Darla would find a way to take Barbie's mind off what's upsetting her. The little minx has that pesky little sister routine down pat." She sighed, then suddenly regarded Skipper thoughtfully. "But maybe you. . ."
"Maybe me. . . what?"
"I just had a thought - a way for you to divert Barbie's mind from today's events. Tell me, dear. Do you, perhaps, play chess? Or at least, know the moves?"
"Actually, I do - I was city school champion my senior year in high school. Why?"
"Come on. You need to get out of that black sack - you can use my room while we plan this out. Are you a movie buff? Ever see 'The Thomas Crowne Affair'?"
Baffled, the younger woman followed Ruth's lead. "Sure. Rene Russo was fantastic - carried Pierce Brosnan the whole show."
"Not that one," was the disgusted retort.
"Oh, you mean the one with Steve Mcqueen and that. . what was her name, . .. Bonnie something-woman?"
"Dear, we are going to have to do something about your woeful knowledge of classic film. Faye Dunnaway."
"Okay, okay. I have seen it - on the late show one night I was waiting up for Adrian. Why?"
"Remember the chess game between Steve and Faye?"
"Chess game? What are you talking about?" Skipper asked, and then memory flashed. "Oh, my."
"Ah, yes. I see you do. Well, I don't mean for you to take quite that tack here, but I do think we can use your looks and chess to redirect my boy's. . . girl's thoughts."
*Looks?! What does she mean by that crack??!*
"By the way, dear," Ruth asked, a thoroughly female smile crossing her round face, "In and among all that silk and satin I'm sure Jane foisted off on you, she didn't happen to see her way clear to pack something more, ah, shall we say in the way of being 'girl next door'-chic, did she?"
"What?"
Chapter 24: Queen's Gambit - Skipper's Variation
A barely audible "Enter!" answered Skipper's tentative knock on the door to the attic apartment.
Hesitantly, she peeked around the door and saw Barbie sitting in front of the computer, staring fixedly at what had to be some type of screen saver while her hair soaked the back of her black mourning dress. *That will get a lot of work done . . . NOT!*
"Umm, I need to get some different clothes which is something you might consider yourself," she offered when Barbie turned a disinterested eye toward the door. "These black things are uncomfortable at the best of times and now they're wet on top of it."
"Oh, sorry," her friend half-mumbled. "Should have thought of that." and then turned back to stare at the wildly shifting lines on the monitor again.
*Somehow, I don't think Judge Ruth's idea has a snowball's chance in hell of accomplishing anything positive just now,* Skipper mused as she opened the small closet to pull out a skirt and blouse set. *Still, it can't be good for her to brood like that. . . *
"What are those lumpy things in the river?" she asked, pointing into the glass-topped sand-table. "They look like some type of mutant broccoli plants." *That should make for a 'safe' intellectual exercise to get her mind off. . .whatever.* "How'd you get all those little bitty trees? They're real, aren't they?"
There was a resigned air about Barbie as she pushed herself to her feet and walked over to join Skipper. "Yes, they're bonsai trees. Nothing mutated in there."
"How utterly perfect for a battle scene," Skipper laughed - and somehow managed not to sound forced while doing it, and then squealed, "Banzai!! Charge that hill!"
"Not banzai," her companion corrected without humor or heat, "Bonsai. It's a Japanese art-form that trains small plants to look like the full sized version."
Something caught Skipper's attention - a stiffness that was unlike the control she'd already encountered dealing with all three incarnations of the unique person before her. There was a brittleness about Barbie that pulled at the shorter girl's heart even as it frightened her. Without quite realizing she was doing it, or even why she was doing it, Anne moved in and wrapped her arms about Barbie, pulling her close.
And felt her friend shatter.
"OH, GOD! What's WRONG with me!?! Why can't I FEEL anything? Why DIDN'T I feel anything, even there, at the ceremony?!?"
Uncertain whether answering or not was right, Anne only held on tighter and felt Barbie's head rest on her shoulder. The tall, powerful frame shook with each sob. "She was my MOTHER, damnit, and I couldn't feel anything. . ." and then her voice cracked, and became low and filled with a pain that brought tears to Skipper's eyes. "Anything. . except. . "
"Say it," Skipper ordered when her friend hesitated. "Say it and have it over and done with!"
"Except relief," came out on a half whisper. And then, they cried together. Cried for the boy who needed love and found none - worse, found warped desire fed by hatred. Cried for a soul lost forever.
Cried for what might have been.
Sometime, during that purging, they ended up on the small sofa-bed, Barbie on the inside, Skipper holding on to both the edge of the cushion and to her friend. Eventually, the wave of emotion crested and subsided, and at last physically spent, Barbie fell deeply asleep.
For a while, Anne merely laid there, holding this strangely appealing person who had become her friend in such a short time, and watched her sleep. Finally, satisfied that she'd stay asleep for a good length of time, Anne slipped out of Barbie's arms, collected her dry clothes, and tiptoed from the room.
It was the clatter of dishes on the tray that started the couch-bound sleeping beauty's slow return to wakefulness. Her eyes resisted opening - *probably dried tears on Sandy's eyelash extensions,* she thought as she reached up to rub at the crusty residues. When her eyelids finally parted, an amazing sight greeted her still barely focused eyes.
It was a skirted bottom.
An extremely shapely and feminine skirted bottom.
A few quick blinks cleared Barbie's vision enough to better appreciate how beautifully presented that bottom was, since its owner was bending over doing something, which in turn, caused the skirt to ride higher and tighter.
Then, Barbie realized that the skirt was soft, stone washed denim, faded to near white where it lovingly hugged every enticing curve of that derriere . . . and she groaned audibly.
Skipper heard the sound behind her and rose from setting out the light tea she'd prepared to face Barbie. "Awake, at last, are we?"
A strange look flitted across the lovely features. "You took a nap, too?" the supine figure growled.
That elicited a giggle from the standing blonde. "Not really, and you're evidently not one to wake up on the right side of the bed. . .err, couch. C'mon and have something to eat. You skipped breakfast and that Amazonian frame of yours needs feeding."
Muttering dark imprecations under her breath, Barbie pushed herself into a sitting position and then indulged in a long, muscle-loosening, joint-cracking stretch that made Skipper nearly moan in sympathy. "So, what's on offer?"
"Tea, sandwiches, some of those killer cookies Judge Ruth has in the cookie jar."
"She buys them at a local bakery. You don't want to try to eat anything she or I bake. Even Aunt Jane and Tante Marie couldn't teach me how to avoid incinerating anything that goes into an oven."
The smile that lit Skipper's face at that moment almost took Barbie's breath away. "Umm. . . nice skirt," she managed to get out through the incipient lump in her throat. "And blouse," she hurriedly added.
"Glad you think so," Skipper said, still smiling. "It's a favorite of mine - comfortable, but still dressy in a laid-back sort of way. Reminds me I'm a girl, you know? Now, come over here and eat." When Barbie didn't immediately obey, Skipper put her fists to her hips. "Well? What do I have to do? Invite that doll up there? Okay, I can do that."
Words became deed as the venerable doll was quickly deposited at a place of honor at the small food-laden coffee table. "Sit!" she ordered, even as she filled a plate.
For a short, almost panicky moment, Skipper thought that the taller girl might refuse, but then Barbie gave a sassy toss of her unkempt, now-dry mane of blond hair and settled down in front of the heaping plate.
"Now, do you feed dolly, or do I have to do that, too?" Skipper asked in her very best 'whiny-brat-talk' voice.
She managed rather well at it, too, even if she did think so herself. After all, Barbie hadn't quite been able to suppress the wince Skipper had hoped for.
"Thanks, I really did need that," Barbie said after the pair of them, with only minimal help from the doll, had demolished the very generous tea Skipper had prepared.
"You're quite welcome. So, what shall we do now?" *In order to keep you from starting to think about your Mother, again,* Skipper thought but did not say.
"Do?"
"Sure. I feel the need to be entertained."
A cautious look came across Barbie's face. "I'm not really the most entertaining person in the world, under the best of circumstances. . "
"Oh, I'm not hard to please. Tell me, can you do anything with those chessmen or are they just for show?"
"Do anything with them?"
"Well, can you play the game, or are you just one of those guys who knows the moves, but couldn't tell an end game from an opening gambit?"
"I do all right," Barbie retorted, all insulted hauteur.
"All right then. Pick a hand, then." Skipper extended her closed fists toward Barbie. "White or black, tough-gal?"
"You're on, smartie," the taller girl tapped her friend's right hand and saw the white pawn. "And you should be afraid - VERY afraid."
"Oh, I'm shaking in my pumps - NOT!"
*Well, one thing is for sure, nobody THAT focused on a game of chess can be thinking about anything other than the next fifteen or twenty moves,* Skipper thought after watching Barbie methodically build a strong, disciplined offensive from that basic first move advantage. She was impressed.
However, she also absolutely hated to lose!
Unfortunately, her mind kept slipping to things more interesting than the mini-war being played out in white and black before her.
Things like that long, tall blonde seated across from her, for instance. *Such a fascinating bundle of contradictions and confusions,* she thought to herself as she again found herself stealing what she HOPED was a surreptitious glance at Barbie. *Lord, look at her,* her mind growled, *just LOOK at her!*
Barbie sat staring with unblinking concentration at the board, her gaze flicking rapidly to various squares, her eyes evidently playing out various moves and strategies, countermoves and counter-strategies. Her elbows were planted on the table, a small, but growing collection of 'prisoner's of war' between them, while her chin rested on her fists. Two long, finely manicured thumbs ran up that elegant jaw-line, pointing their blood-red tips at bejeweled earlobes. The hair, still unbrushed, had been transformed into a shaggy, golden-curled explosion about the perfect, yet expressionless face, thanks to the unconscious finger combing that answered each of Skipper's feints or attacks.
A pink tongue slipped out to moisten crimson lips followed by a momentary biting of the lower. *Here it comes,* Skipper thought with a smile.
"Knight to Bishop Seven, Knight takes Pawn, check." Barbie announced in a firm voice that was otherwise devoid of any inflection, as she moved the selected warrior into place.
Only then did Skipper remember to look at the board again, and what she saw infuriated her. The damned Knight had her castled King in check, and the only way to save him was to move him. Unfortunately, the same Knight had her Rook under attack. Saving the King meant sacrificing one of her three most powerful attacking pieces. She'd get the knight with her Bishop, but she'd lost the exchange and in all likelihood, the game.
*That's what you get for letting yourself be distracted from the task at hand, Barbara Anne Braithwaite. And wasn't Ruth's plan that YOU were going to be the one doing the distracting?*
She moved her King and accepted, with ill grace, the loss of her Rook. When the exchange of pieces was complete, and Barbie settled back into her 'planning the next campaign' mode, Skipper sat back only to have her eyes fall on the satin opera glove thumb tacked to the cork-board. Inspiration flared, and before she could think of reasons not to, she reached up and pulled down the slick garment.
"Judge Ruth never did tell me the story behind this," she cooed, almost fondling the glove. "Care to share the tale?"
Mild annoyance flashed in the taller blonde's eyes as she reluctantly looked up from the board. *A predator denied her prey,* Skipper thought, *Slightly vexed at being momentarily thwarted from her goal, but still confident of dinner. Well, we'll see about that.*
"Nothing much to tell," Barbie mumbled, her eyes dropping back to the board.
Skipper fit her hand into the delicate glove, letting it float above the chessmen toward her opponent as she slowly slid the shiny tube over her elbow and up her arm. "Oh, that's hard to believe," she refuted, letting her voice drop into a husky, teasing tone that had Barbie's brows going up into her bangs. "Surely, such a . . . unique item holding such a place of honor in a young man's room must have a, well, unique story behind it.
"It was, well, a Darla-ism," Barbie said, obviously trying to sound dismissive.
"Oh, you mean your brother had something to do with it? What, he gave you the glove?" Skipper made a show of minutely examining the glove on her hand, and was pleased to see her opponent's eyes on her and not the board.
"Well, not quite, but sort of, I guess," the answer was so uncharacteristic her usually precise friend that Anne almost laughed.
"Come on, give. You can't tease me like that. It's not fair!"
A curious look on her face, Barbie seemed to consider that for a moment, and then shrugged. "If you really want to hear it. . "
"Oh, I do, but it's still your move."
"Huh? Oh, okay." Barbie's reflex move, Skipper was pleased to note, was not the best one available to her, which gave the shorter girl some breathing space. "Umm, you know that Jane has had many students. . . boys, like Adrian, right?" At Skipper's nod, she continued, "Well, one of them, a fellow named Will Decker, Jane-named Wilma, was getting married. He had two problems, though. First, he'd tried to tell his bride about Jane and she hadn't believed him. Pretty hard to believe in his case - Will's a Marine now and to see him, it's not easy to imagine him in corsets, petticoats and pinafores."
Skipper made a quick move on the board to firm her defensive position and pressed on. "And the other problem?"
"His fiancee didn't have any female family of an age to be in the wedding. Didn't have enough friends who could travel, either. Anyway, Will wanted three of his buddies from Quantico to stand up with him."
"Oh my, I think I can see where this is going. Darryl, that is Darla, decides that the perfect way to convince the soon-to-be Mrs. Wilma about her hubby's. . umm. . . silky past is to, ah, fill in the holes in the bridesmaid contingent?"
"Made a lot more sense when Darla presented the idea than it does saying it out loud right now, let me tell you. So, anyway, we met the fiancee for the first time as part of Jane's family at the beginning of the wedding week, as boys," a rueful smile curled at Barbie's mouth. "Lord, Darryl and I were barely fifteen, and it was just before I had my growth spurt. Two days later, Darla and Kendra 'arrived' on the scene, bridesmaid ensembles already in-hand thanks to Aunt Jane's connections."
"Complete with shoulder-length opera gloves?"
"And sexy undies, silk stockings, dyed-to-match killer heels and floppy sun-hats." Barbie made another move that gave Skipper hope she might still pull out a draw at least. "We looked exactly the way Jane wanted us to look - like two fourteen year old girls trying too hard to look all grown up."
"Oh my, that sounds. . . interesting."
The taller girl snorted. "Darla couldn't resist playing the teenie-bopper with over active glands. Teased the living hell out of her Marine, and tried her damnedest to get me to do the same with one escorting me."
"And you resisted that temptation manfully, I'm sure," Skipper all but chortled.
Barbie drew herself up to her full height and looked down at her opponent with an air of outraged aristocratic dignity that would have befit a queen - or a Marx Brothers movie character. "I'll have you know that *I*," she intoned loftily, "was the epitome of mature, feminine grace, manners and breeding. A credit to my teachers in ALL respects."
Skipper lost it and laughed heartily. "Oh sure, right - pull the other leg while you're at it. Is that why there's only one glove here? What happened to the other?"
A bright red blush suffused Barbie's complexion and, for a moment, her eyes fell back to the board. "We don't need to discuss that," she replied too quickly.
"Oh, c'mon, blondie, give. It's not fair to keep me hanging. If you don't tell me, I'll have to imagine something really sexy about it."
Thoroughly vexed, Barbie locked fiery eyes with Skipper. "Okay, he took one, okay? Kind of like a knight taking a lady's favor."
"He what?"
Sighing, Barbie sat back in her chair. "He was going overseas, and evidently, despite Kendra's best efforts, found her attractive. He was only twenty one or twenty two, and thought she might be worth, well, waiting for. At the end of the reception, he cornered me, caught me unawares with a surprise kiss and stole the other glove."
"Wow!"
"You think so? Well, to make things even worse, guess who saw us and has NEVER let me live it down? Three guesses and the first two don't count."
Somehow, Skipper managed not to laugh, but the effort cost her and her next words were a squeak, "Not Darla?"
"Yup. She can be quite the little bitch when she puts her mind to it. That's why I kept the glove - to remind me what happens when I let myself get too carried away by one of darling Darla's madcap enthusiasms."
The smile Skipper saw on the other girl's face said something completely different, but she let that ride. It was sweet to see how much her friend loved this Darryl/Darla. "So, you saved the wedding by stepping into the nearest phone-booth and selflessly standing in as Super-Bridesmaid. Did you help with the other problem?"
"Wilma telling Patty about Jane's Winsome Girls' School for Wayward Boys? Well, we did 'unmask' ourselves to her during the preparation of the bride for the big getaway. Had to, you know? Captain William Decker, United States Marine Corps is one dangerous fellow, and he would have killed us if we'd seen his lady in her bridal unmentionables. I'm not sure she still doesn't think we were plants, but we tried."
"And lived to tell the tale, too."
"I don't tell it very often, and don't think I don't know what you were trying to pull here, cutie."
"Why, whatever do you mean?" Skipper asked, her eyes wide with innocense.
A sly grin lit Barbie's face. "I've been conned by Jane Thompson, Darla Thompson-Smith and Her Honor, Judge Ruth Walinkiewicz in my day. In other words, by the best con-artists in the civilized world. I may be, well, male, but I recognize the devious female mind at work as well as anyone, and better than most."
"And your point is?"
"My point, sexy-lady," Barbie cooed as she reached out to move her Queen, "Is that your sneaky gambit didn't work. Queen to Queen eight, Check and Mate."
Stunned, Skipper stared down at the board. It was Checkmate, sure enough. Barbie had attacked with her Queen from the diagonal with her Rook guarding the Queen so that Skipper's King could not attack directly. There was no where to run nor was there any other piece she could interpose to block or defend. "Damn, but I hate to lose," she muttered as she tipped her King in surrender.
"Me, too, babe. Me, too."
"Let me do that," Diana said, as she sauntered up behind her wife and took the silver-handled hairbrush from Jane. She loved the way Jane's still-auburn locks turned to golden-red fire in her hands when she slid the natural-bristled brush through them. She was more than rewarded by the husky purr that answered each long, slow stroke.
"That's mmmmarvelous," Jane sighed, leaning her head back.
"I gather, since you haven't pulled it out by the roots, that your little interview with Adrienne went well?"
"She agreed to the bargain, if that's what you mean. I just hope this idea of yours works. I've never asked a boy to pretend to be happy before. Usually, they sort of have to figure that out for themselves."
"Well," Diana answered in what Jane thought of as her mate's 'professorial mode', "There is a good deal of research and anecdotal evidence to support the strategy. It is an interesting aspect of the human condition that playing a part - simulating a particular set of emotions - often gives rise to those very emotions. Look at all the movie actors and actresses who convince themselves they are in love when they play lovers on the movie set."
"Then fall out of love as soon as they aren't playing lovers anymore."
"True, but you don't want Adrienne to be a girl the rest of Adrian's life, either. That works to your advantage, too. Assuming this gives you the response you need, it just may take a little longer to tear down Adrienne than it does with other students."
"God help us if we end up with another Caitlyn, Philips," Jane warned. "Barbara Anne will have our guts for garters."
"Adrienne is not Caitlyn," Diana said firmly. "Caitlyn was a girl before she ever came to you. Adrian is male - a small male to be sure, and one who is overcompensating for that lack of stature, but male nonetheless."
"Well, it will be different."
"What's on the docket for tomorrow?"
"Shopping. We need some mime-clothes - nice feminine ones - and I also want her to pick out a new dress. I suspect she will need. . . practice enjoying that experience."
"Nasty," Diana laughed huskily, as Jane stood and turned into her lover's arms.
"And you love it! Take me to bed, wench!" the Mistress of Seasons House ordered.
End Part II
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Seasons of Change
Book 14 - Part 3 of 4 Tales of the Season
Ken's Barbie Copyright © 2002,2013 Tigger
All Rights Reserved. |
Acknowledgments: My sincere thanks to Brandy Dewinter for the gifts of her creativity, her vision, her eye for 'just the right word' (and wrong one of mine) and her, ummm, persistence. Special thanks to the 'Blue Pen of Sonora', Denise Em, for the many hours she put into proofing this. At some point, it becomes impossible for me to read what I wrote, because I 'see' what I thought I wrote. Any remaining errors are mine, probably because I wrongly thought my way was better than Deni's. ~Tigger
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Chapter 25: Impressions of the Past
Still in her robe, Ruth slid a steaming omelet onto a plate, added large helpings of fat in the form of bacon and sausage, plus a heaping side of buttery home-fried potatoes - and prepared to enjoy watching her child eat. She set the plate in front of a grinning Barbie and almost managed a disgusted frown. "You'll pay for that when you're my age," she huffed as she spooned up oatmeal for her own breakfast. "What's your cholesterol level?"
"One forty-five," Barbie answered as she savored the first bite of cheese-dripping egg. "Not even Marie cooks like you do, Momma-Ruth. Where's Skipper?"
"On the phone. Her office called just as she came down. Ah, and here she comes now." Ruth watched Barbie and Skipper watching each other and trying not to show it. *Guess Jane was right. They're already intensely aware of each other, and that's not too far from being in lust, at the very least. I sure hope Jane knows what she's doing here. If Miss Braithwaite feels she has to take Seasons House down, it could really hurt Kenneth. He loves Jane and he's halfway in love with this girl.* "What can I get you for breakfast? There's oatmeal, and I might still have an egg or two after cooking for that one."
"Oh, the oatmeal sounds fine, if you don't mind."
"Who was on the phone?" Barbie asked.
An unhappy look clouded Anne's face. "My boss, Mr. Madden."
"Donald?" Ruth asked. "What did he want? Are you needed back at work?"
Anne shook her head. "No, nothing like that. Adrian called him yesterday, looking for me. Per my instructions, he was told I wouldn't accept his call."
"I'd say that means Jane has given Adrienne your letter."
"The letter she dictated!" Anne flashed back and then just as quickly subsided. "Sorry."
"Are you regretting doing that?" Barbie asked softly, putting out a hand to rub Skipper's arm soothingly.
"Yes. . .no. . oh blast, maybe. Look, I know you trust Ms. Thompson, and you believe in what she does, but. . ."
"But Adrian is your brother," Ruth said quietly. "What did you write?" Quickly, Anne summarized the letter she'd written at Jane's behest, and explained about the voicemail message she'd recorded at the same time. "Well, I can see how you'd be uncertain about that, given my error in not fully disclosing what you were agreeing to when you signed those papers. You do understand what Jane is trying to do with that letter, don't you?"
"She's making him feel alone, isolated, without anyone to help him," Anne said with some heat.
Ruth put a bowl of steaming oatmeal in front of Skipper, then sat down. "No one to help him but himself," she corrected the girl. "At least, that's how she wants him to see things. What she's really doing, Anne, is trying to restore the dynamics to the time before Adrian called you. She needs him to feel that way, needs him to see how that isolation would exacerbate any failure on his part to play the role Jane has assigned to him. As long as he thought he had an ally, he had no motivation to work at her lessons, and without work, he cannot learn."
"It. . .it seems so cold."
"Sometimes it has to be that way. Military boot camps isolate their recruits from the outside world, from their previous experiences, even from their personal vision of themselves as people. Jane does the same thing."
"I've heard that argument before," Anne muttered, casting a dire look at Barbie.
"Then, I won't repeat those arguments. Instead, I shall merely content myself by pointing out that, based on your agreement with Jane, your brother need only suffer those conditions for three more weeks following your return to Kingston. Assuming, of course, that he is suffering, and that you still insist that he leave Jane's keeping at the end of those weeks."
"What makes you think I won't?"
"My faith in Jane," Ruth said equably, "And my assessment of you, as an intelligent young woman who will recognize the value of what my friend does with boys such as your brother. Now, eat, before your oatmeal gets cold. You two will need your fuel for you have a difficult day before you."
"Oh?" Barbie asked, brows raised.
"I spoke with a colleague of mine - the judge who will sign the probate papers on your mother's estate. He's agreed to let you go through her place and see what's there while he expedites the process. I can handle most of the legalities for you, but you need to see if there's anything you really want, or if all of it can be sold."
"Okay," Barbie replied, but in a tone that told Ruth it was anything but okay for the tall blonde. "Are you going to be there, too?" she asked, hopefully.
"Sorry, dear. Full docket, especially since I had to juggle cases to be off the past couple of days. I might manage a couple of hours, but you will need more time than that anyway."
"Damn."
Brenda ('Betty-to-my-Friends') Franson walked into her office, a slight frown on her face as she walked over to sit down and face the woman seated on the sofa. "Problems?" Jane asked before Brenda could say anything. "Is Adrienne acting up again?"
"No," Betty replied thoughtfully, "But I'm not comfortable about this, nonetheless. She's, well, she's trying TOO hard, Janey. Everything - her responses, her giggles, even her smiles for goodness sake - they're all just so exaggerated. It's almost like watching one of those 1930's comedic movie shorts, except it's in living color. My best shop-girl, you remember Sally, don't you? She's starting to give Adrienne funny looks."
"Blast! Do you think it's intentional? A sort of malicious compliance? 'You told me to be happy, and look how happy I can be' type of thing?"
Betty shook her head firmly. "No way. I took a real close look at that child, Jane. When Sally isn't looking, she practically hyperventilates to calm herself. When I gave her a friendly pat, she literally flinched. She knows I'm in on the game, but I've told her often enough that I'd unmask her in a heartbeat if she didn't do exactly as I ordered."
"So she's keeping her word, but. . ."
"No buts, Jane. She's doing the best she knows how, but just now? That's not good enough for soloing."
"Then I'll have to pull her out of there. Give me a minute to think of an excuse that will do the job, but won't ruin my image as the school-mistress-from-hell."
"There might be another way, Jane. . . "
"Oh? What?"
"Well, you did say she was to act like she was having fun? Well, suppose she didn't have to act?"
"What a strange setup," Skipper murmured as she drove Barbie's car into the alleyway behind Sheila's townhouse. "She actually owned two houses? On exactly opposite sides of this alley?"
"Momma-Ruth said that she used the one on the residential street as her living space and the other, the one with the storefront, as her. . .umm, place of business."
Skipper giggled at seeing her tall friend blush. "You mean her dungeon, don't you? I'm actually rather excited. Nice girls from Indiana don't usually get to see dungeons, you know."
"Right. Glad to help broaden your experiences. Come on, let's get going. The sooner we start, the sooner we get done."
The first surprise was that the storefront was just that, a front. They raised the grill and opened the door and found a small reception area. The only other door in the room led to a dark, narrow stairway to yet another door, this one opening onto a second-story covered walkway connecting the two townhouses.
"How odd," Skipper observed as she looked out a window onto the alley below. "Didn't she like walking outdoors?"
"Odder than that," Barbie said thoughtfully. "Did you notice that there isn't any way into the rest of the storefront house? If you go in the front door, you can only go back out that door, or end up here."
"Maybe there's a back door in the alley?"
"Only door I saw when we drove through there was ten feet off the ground without any stairs. Like one of those track houses designed with a deck-option that the buyer decided not to install. Come on, let's see what's on the other side of this."
There, they found their second surprise, in the form of a second 'reception area' nothing like the first one. Flickering wall sconce lights, designed to look like gaslights, did little to dispel the darkness of the small antechamber. Opposite where they'd entered, heavy, velvet-like curtains hung from floor to the cathedral ceiling, their weight almost swallowing what little light might dare escape from whatever lay beyond them. The floor was uncarpeted, a fact that escaped the pair until the sound of their high heeled shoes clicking off the hard surface alerted them.
Without thought, two hands reached out and found one another, both seeking and offering comfort and mutual support. Then, they pushed aside the curtain and entered the room beyond.
"Oh my god," Skipper breathed when she saw what awaited them.
All the pair could do was gape. The room was perfectly octagonal in shape. More of the flickering wall sconces, one on each side of the octagon, cast their disconcerting light on walls textured to look as if they had been hewn from raw granite. Dark wood doors occupied the center of each wall, except for the one through which they'd entered. Other than that, the room was devoid of furniture or furnishing. Only dancing shadows thrown by the barely adequate lights decorated the empty space. "It's like something out of a Saturday late night horror picture," Barbie breathed.
"Isn't it GREAT?!" Skipper enthused, and then blushed at her friend's shocked look. "Well, I always did love those old movies. It's like the House of Horrors at the fair. Wonder what's on the other side of those doors?"
"You're starting to scare me, Braithwaite," the taller blonde teased. "Let's go find out."
"Sally?" Betty called to her assistant fashion consultant as she entered The Style Shoppe's dressing area.
"Yes, Ms. Franson?"
"You're overdue for your break, dear. I'll help Adrienne for a bit. You've been on your feet since we opened. Go get some tea and relax for a bit."
"It's no trouble to finish up here first, Ma'am," the pretty young woman demurred, although Betty could tell that the thought of a bit of rest greatly appealed.
"Scoot!" the shop owner ordered with a teasing smile, "Before I find something for you to do!"
The girl did not need to be told twice and was out the door before Adrienne quite knew what was happening. Then, she realized she was alone with 'one of them'. A frisson of near panic slid down her spine, but she fought it back, and somehow managed to force her lips back up into a visage that was, unfortunately, more grimace than grin. A promise was a promise, and Adrienne had decided that Adrian's word was about the only thing she had left of him. "Isn't this dress marvelous, Ms. Franson," she offered with a twirl, as she tried to sound cheery. Unfortunately, her voice cracked on the final syllable.
If she had been distinctly uncomfortable being around the very pretty Sally, and distressed to find herself suddenly alone with Ms. Franson, Adrienne nearly lost control of herself when the older woman put a gently firm hand on her upper arm and moved her into a chair. "Sit down, child," Betty ordered softly. "Take a deep breath - that's right, now another. Close your eyes for just a moment."
Betty watched as a more normal color suffused Adrienne's chalk-white cheeks. "Better, now?" she asked.
"Ye.. Yes, Ma'am. Umm, thank you."
"Good. Now, I know what you promised Jane, because she told me."
The fear came back into the lingerie-clad teen's eyes, and Betty hastened to reassure her. "You've done fine. Don't worry about it."
"I.. . I have? That girl, Sally? She was, well, looking at me awfully closely there at the end."
"Well, perhaps you were trying a little too hard. Smiling when the seamstress fitting you accidently sticks you in the fanny with a pin is a bit much, but I give you full points for trying to keep your word. Now, why don't you relax, and let's have a little fun for a change."
"Fun?" Adrienne repeated, a wealth of suspicion dripping from the word.
"Let's just try. All right, so there's no getting around the fact that you do have to have a new dress to satisfy Jane, but the search doesn't have to be quite so much of a trial. I know, let's pretend you're looking for a costume. No one else will come in here, and I already know your secret, so you're safe for the time being. It'll have to be a girlish costume because - oh, I don't know - it's for the Sadie Hawkins Day Ball and girls have to be boys and boys have to be girls. How's that for a concept?"
"But. . .but, I'm not a girl," Adrienne whispered, "not really."
"And none of the other people wearing skirts to the Sadie Hawkins Day Ball will be really girls, either," Betty said, a teasing smile on her lips. "You wouldn't want to let any of those other guys win the prize for prettiest outfit, would you?"
In spite of herself, Adrienne smiled back. "Depends on the prize, I guess."
"How about a fifty dollar gift certificate at Milady's Closet?"
"That's your lingerie store," Adrienne snorted in obvious disappointment.
"Oh, and a date with the cutest girl at your school, so you can give her the certificate," Betty offered.
"You can't promise that."
"Ah, but we can pretend, can't we? And who knows, you might just have the chance to go to that Sadie Hawkins Ball on your own later, or date the cutest girl at school. Provided you continue to do your best for Jane, that is." A sad look crossed the girlish face which she tried to cover with a smile. "What's the matter now?" she prodded the teen.
"Oh, nothing," Adrienne said, trying to sound cheerful, only to stop at the sight of an imperiously demanding cocked-feminine brow. "Oh, all right. It's just that, well, I've never had much luck with girls before this. . . this . . . this place, you know? And now, Ms. Thompson's making more me girly than THEY are - so how am I going to appeal to a girl? IF I ever get out of here without going to jail, that is."
The boy-girl was so sincere and so distressed that humor and sympathy warred momentarily in Betty's breast, but somehow she managed to keep the incipient laugh in check. "Tell me something. If _you_ were trying to be friends with someone, who would you rather hang with? Someone who didn't know or appreciate what you had to deal with every day, or someone who understood you better than the other guys around you?"
"Ummm. . . someone who understood?" Adrienne asked, wondering where the trap was hidden.
"Right! So, assuming you learn how to behave like a girl, appreciate what it is to live like a girl, don't you think you'll maybe understand that really cute girl better than the big macho guy? Maybe appreciate what she does to BE that cute just a little better, too?" At the teen's quick nod, Betty smiled. "Exactly, and you think that girl - that 'really nice-to-be-around' kind of girl - isn't going to notice those things and like hanging with you better than your less sensitive brethren?"
"Maybe. . ."
"Only one way to find out, cutie. So, what catches your eye? Looks like Sally emptied a couple of racks from all the stuff in here."
"My eye? You mean on me?"
This time Betty did laugh, but not unpleasantly. "Okay, Adrienne, let's try it this way. Know any girls who look like Adrienne? A really cute blonde whom Adrian would really like to impress?" She watched the wheels turn inside that fluffy, blond head, and knew the instant just such a girl came to mind. *Gotcha,* she thought happily. "I can see that you do. So, suppose you were looking for a present - a really nice dress - for this girl with your coloring and, ah, attributes. Out of all this, which would you pick out for her?"
For a moment, Adrienne still hesitated, afraid this was another game, another trick at her expense, but then decided if it was, she might as well, indeed, try to find some real fun in it. After all, didn't the saying go something about laughing and letting the world laugh with you? "I, well, I thought that red skirt with the short black suit jacket was kinda. . .well, sort of pretty."
"Ah yes, the red peasant skirt with the black bolero jacket. An excellent first choice, I think, and it can be worn with or without the jacket depending on how dressy you want, I mean, your very cute girlfriend-who-looks-like-Adrienne wants to be. All right, then, let's see if we can find some accessories to go with that ensemble, shall we?"
Giggling nervously, Anne and Barbie approached the next to the last door. Neither of them had ever seen, in real life, anything like the equipment installed in the five previous thematically designed rooms. There'd been a doctor's office, a nursery, and an elegant lady's sitting room, although in each case the furniture had seemed to include an unusual and disproportionate number of very heavy leather pieces. Then there'd been the space that could only have been a stable; an assessment that had been difficult for Skipper to accept, given that the complete complement of tack and stalls were clearly sized with human-sized horses in mind. The fifth door had revealed a dungeon that would have suited Torquemada's Inquisition in all respects.
So, it was with a certain degree of caution mixed with excited anticipation that they opened the sixth door.
"Well, I guess it's pretty obvious what she did here," Anne said, striding into the richly appointed executive office. "Here's where she kept track of her business. Funny, wonder why she kept that chair?" she added reflectively.
Barbie looked at the chair, and saw that the minimal seat cushion had a two-to-three inch diameter hole in its center. She put her hands on the chair's back while she watched Anne slip around behind the desk. She wasn't surprised when she couldn't move the chair an inch.
"Nice desk," Anne said running a finger along with deeply polished wood before sitting down in the leather executive chair, "Nicer seat."
"Comfie, is it?" Barbie asked, a strange smile curving her lips.
"Oh yeah. A little short-seated, though. Hey, you know what? I bet you she kept her files here - you know, like her inventory and insurance records." Skipper was already reaching for the desk's file drawer. "Those would really save us a lot of time if we could find them."
"Wait!" Barbie called out, but it was too late. Skipper's eyes were wide again, her mouth hanging comically open. Slowly, she reached down and brought out a long, cylindrical object about two inches in diameter and nearly a foot long, at which point, the taller blonde lost it and fell apart laughing. "Oh, god, Anne, the look on your FACE!"
The sex toy barely missed Barbie's head as Anne pinned her nearly hysterical companion with a steely glare. She reached down again and brought out a leather-tipped riding crop which she slashed loudly against the cherry-toned desktop. "I don't think it's THAT funny," she retorted.
"Oh, but it is! As if MY Mother would ever bother with anything so mundane as an office, or keeping re. . re . .records." At Skipper's threatening growl, Barbie put her hands up in surrender, but couldn't restrain the laughter. "I DID try to warn you."
"I see," she responded, not quite seeing. "Then just what is this place for? And THAT thing?" She pointed to the realistically molded silicone dildo on the floor.
"What does it look like?" Barbie asked rhetorically. "And I'd say the base of 'THAT thing' is designed to fit the hole in this chair perfectly. Guess one of Sheila's customers had fantasies about being teased and tormented by an evil lady boss."
"She had women customers, too?" Skipper voice cracked, too astounded by that notion not to pry further.
"Sweetie," the tall blonde said in a very soft and gentle voice, "I suspect the customers who came into this playroom were mostly male."
"But, that thing on the floor? And that chair? MEN??!?"
"Anne, think about it for a minute," Barbie ordered.
She did, and Barbie knew the exact moment when her friend realized precisely how such a chair and accessories would be used with a male. Skipper blushed clear to the roots of her blond hair. "Oh."
And then she stormed out of the room, her face flaming in a combination of embarrassment and fury.
"Well, she came out of it with a great dress, Aunt Jane. I'm almost jealous." Jessica sat with perfect Victorian posture, her hands clasped in her lap, on one of Jane's almost painfully uncomfortable period chairs.
"It is a lovely outfit, isn't it? Not the normal thing for one of my students, but I think I rather like her as a blond Flamenco dancer."
"I'm still having a hard time seeing Ms. Franson as a guardian angel instead of a tormentress, Aunt Jane. I can't say it is something that occurs to me when I think of that very formidable lady."
"Well, she did it quite well - saved the day, actually, because Adrienne evidently came as close to blowing the masquerade as any student I've ever had."
"Because she was trying too hard to keep her promise. She was working so hard at being happy-looking it was clear she was miserable. Wow, talk about a backlash. Close call."
"Just so. I think either Darla, you or I will have to accompany her from now on, or at least until she gets a better handle on the subtleties of the game. Fortunately, no one can try THAT hard for long."
"Darla did, as I understand it," Jessica teased.
"I don't think this one is a Darla, dear. Thank heavens."
"Well, I hope she gets out of this mode soon. I have to tell you, Aunt Jane, that I think you're as close to cruel and unusual punishment as anything I've seen or heard about here with this one."
"Whaaat??!" Jane yelped.
"I mean, REEAAALLY," Jessica cooed in perfect mimicry of Edith White at her absolute worst, "Smiling when she was told to clear the table and do the dishes? Feigning to ENJOY such plebeian tasks? Mean, Aunt Jane, very, very mean."
The Mistress of Seasons House permitted herself a small, tight smile. "Just so, darling. Just so."
Chapter 26 - The Fight of the Valkyries
"I said I'm sorry, Anne," Barbie wheedled.
"You laughed at me," the still furious blonde accused for the fourth or fifth time, fire shooting from her narrowed eyes. She stood in the center of the octagonal room, her arms crossed beneath her breasts, her posture rigid. "I absolutely HATE it when people laugh at me. I have had more than enough of that in my life, thanks to my brother's adolescent sense of humor, thank-you-very-much. I had thought better of you."
The hurt in that last sentence stopped Barbie in mid-justification. Sighing, she stepped back, giving the angry young woman some space. "You're right, I shouldn't have done it. I was about to use that old saw about not laughing at you as much as laughing with you, but you weren't laughing, were you? I am sorry, and this time I not only mean it, but I understand better why I'm apologizing."
Something in the taller girl's tone reached Anne, and she softened a bit. "I guess you did try to warn me," she said, offering up an olive branch. Then her brows furrowed, as the significance of that warning came to her. "You KNEW," she accused again. "How did you know?!?"
"I didn't know, not really, but it was a fair assumption, based on the data to hand."
"Huh? How so? What data?"
Repressing a smile, Barbie began ticking off points on her fingers. "One, we know what Sheila did for a living, and two, it's pretty clear she did it here in this building - on this floor. Three, all the other rooms on this floor are, well, shall we call them designed for very specific and kinky types of games? Four, that chair and it's hole in the seat, combined with the fact that it is bolted to the floor. Apparently Sheila didn't want her 'victim' able to move it around or perhaps fall over while restrained in it. Finally, there wasn't a phone or any other electronic office equipment in the place. If Sheila did have a business office, I figure it will be somewhere else in one of these two buildings."
"But you warned me about the drawers?" Anne persisted.
"That was a guess, too. Unlike the other rooms, this one had no other obvious storage spaces. Don't know much about how a person contracts a lady for those games, but I suspect Sheila got paid by the hour. I really doubt that her customers would have liked it much if she kept walking in and out of the room to get her paraphernalia. She'd need her equipment close to hand regardless of which room she was using at the time."
"Oh, I see," she said more softly now.
"Forgive me?" Barbie wheedled, earning a small smile.
"For the moment, but understand that payback is owed, Blondie. Trust me on this one, okay?" The smile grew, larger and more mischievous. "I will get mine back for this, and you won't see it coming, either."
"Okay," Barbie agreed readily. "I'll live in fear till that moment, but let's say we finish our reconnoitering, eh? We still have door number seven, right?"
"Right. And this time? You go first."
"Just follow me."
They were almost disappointed when the final door opened onto a corridor that led to two sets of stairs - one up and one down. The down-stairway ended on the first floor which was laid out as a social area, complete with kitchen, dining room, sitting room, television room and an entry foyer for the townhouse's main entrance. "I don't think she really used this space, except as a blind," Barbie mused. "It's too perfect - cleaning service perfect, and the fridge was empty."
"Maybe she used it as a place to meet and interview clients prior to taking them. . . upstairs? Or maybe when she had to have, umm, non-paying guests come to call?"
They agreed that those were possibilities, and headed back up the stairs, this time climbing to the third floor. The top floor mirrored the second floor's layout except for the dramatic lighting and wall treatments were missing. And unlike the first floor, this space had a lived in, almost used look to it. Not quite untidy, but not neat either.
The octagonal room was furnished as a lounge, with comfortable furniture, a sophisticated entertainment center and a wet-bar. The rooms off the main space were also somewhat different. The first really was an office, complete with a multi-line telephone, a fax machine and a basic-yet-functional computer. "There's where your files would be, Anne," Barbie had teased, eliciting another furious blush from the shorter girl.
One the same side of the building as the office, they found a store room filled with cleaning equipment and various tools, all jumbled in disarray indicating the haphazard nature of their use. The final room was filled with racks of electronic equipment, a fact that surprised Barbie. After some exploration, she realized that "It's surveillance system."
"Whatever for?" Anne asked, perking up. "Was she worried about break-ins? This is a pretty high class neighborhood. The police patrol around here regularly."
"I think," Barbie replied, "that if we played with that TV out there, we'd find that we could tune into each of the rooms on the second floor. My guess is that Sheila might have left them alone down there, from time-to-time, to play with their heads. She liked doing that kind of crap," and there was suddenly a world of bitterness in the tall blonde's tone, "but she had to make sure they weren't panicking or worse, suffocating. Bad for business. Tends to lose customers and involve cops. So, she'd slip up here, pour herself a glass of the bubbly from her wet bar, and watch her client squirm on the wide-screen TV."
"Oh. I can see it, in my mind's eye when you describe it that way, but somehow, it would never occur to me that's how it would be used. I mean, like having two separate houses."
"Security again. Gives her more control over what people knew and didn't know. Gave her a place to hide if things went sour, too. C'mon, let's check out the rooms on the other side of this place."
"Oh . . . my. . . goodness," Skipper breathed, her eyes fixed on the contents of the first room they opened. It was a large walk-in closet, and it was filled with glossy leather garments in a variety of bright colors.
"What have you got?" the taller blonde asked. Coming up behind her and seeing, she coughed out. "Oh." The scent was almost overwhelming - leather oddly mingled with leather polish, preservative and metallic pong of human sweat. "Guess she stored her working clothes up here and dressed up here - the room next door is a combination dressing room and bathroom. Guess even bitch-goddesses have to pee at inconvenient times. Anyway, I wondered about how she handled the costume-part of all this, because I didn't remember her having much of a clothing fetish when I lived with her. I suspect these were for business only."
Eyes wide, Anne reached in and pulled out a leather corset in black with red highlights including laces. "Wow."
"That would look good on you," Barbie said without thinking.
"Dream on," she said, holding the garment up against her waist and moving to a mirror. "No way that would fit me, anyway."
"Sure it would. I'll help you if you want to try it."
"I'm NOT undressing in front of you, Blondie, no matter how feminine you look or behave, okay?"
Barbie shrugged. "So, put it on over your dress. Madonna used to do that all the time. At least you'd see what it looks like, and you'd get an appreciation of what it feels like for the next time Adrienne calls to complain about Jane's treatment."
The look in Anne's reflected eyes were a mixture of curiosity and wariness. Curiosity won out. "Okay, but if I do one, you do one, too. And just to make sure you don't get any cute ideas? I'll lace you up AFTER you lace me."
"But I'm already wearing a corset, and a damned stiff one at that. It won't do anything for my shape."
"Oh really?" Feeling brave - and perhaps just a bit wicked - Skipper made a show of looking through the closet, but she already knew what she wanted. With a flourish, she reached up and pulled down another heavily-weighted hanger which she offered to Barbie. "Okay, then, wear this," she challenged.
"Don't be silly. No dress that fit my mother would fit me."
A mischievous smile brightened the shorter girl's face. "Sure it would, see," she said, turning the dress around so that Barbie could see the garment's back, "It laces like a corset, all the way from the hem to the back of the neck. One size fits all - even your size, Barbie."
"It won't fit over the dress I'm wearing." Barbie retorted weakly. "And it won't cover my bottom because you won't be able to close the laces far enough."
*Gotcha!* Skipper mentally gloated. "Then take your dress off. We're all girls here, right? Besides, remember I saw those darling little white-lace panties you're wearing when you got in the car. Not very graceful, dear. Anyway, they'll, ahem, protect your modesty. Sort of."
"I . . . don't know."
Skipper shrugged that off and started to put both hangers back onto the closet bar. "Have it your way, then. Like I said, Stretch, I will if you will, but I won't if you won't."
"HEY, take it ::grunt:: EASY, Skipper! That's tight E-nough!"
"Oh, quit whining. I needed to get a little more lacing to work with. You ARE just a bit broader through the shoulders than your mother was."
"Next time, cutie, I lace YOU ::ooomph:: last. And I still don't know why I had to skin out of MY dress, when you put yours on over your blouse and skirt!"
"Oh, come on, if you'd taken off the corset you were already wearing, this wouldn't have been a problem at all. And don't give me that modesty nonsense again. It's not like you don't wear far less than that to the beach."
"Ken wears less. Barbie is more. . . ladylike. And this thing is, well, drafty!"
"Wimp," Anne giggled. "Although next time you wear a dress that leaves your fanny only half-covered, you should wear coordinating panties. I can see the white through the lower laces. Now, stand up and let me have a look at you - and me, since you wouldn't let me use the mirror until you were outfitted."
"That's amazing," Anne murmured as she gazed at her own reflection. The three-sided floor-to-ceiling mirrors in Sheila's dressing room allowed her to see herself from any angle, and she wasn't sure what she saw was really Barbara Anne Braithwaite. Her eyes still fixed on the picture before her, she reached out hesitant fingers to touch the woman looking back at her from the silvered glass.
After several lace-tightenings, the corset fit her like a shimmering black-and-red second skin. The red edging around the top of the bodice, above her hips, and up the center where front catches were seemed to emphasize both her bosom and her bottom to an unreal extent. She looked, well, positively wasp-waisted, yet centerfold-voluptuous. "Was your mother vain enough to have trick mirrors?"
"What? Trick mirrors?" Barbie looked up from her attempt to tug downward a critical few more millimeters of the drum-tight dress' disconcertingly short skirt.
"Like in a circus fun house. . .so that she'd look, well, more hour-glassed in it."
The taller girl would have laughed if her double-corsetting would have permitted, but on second consideration, she decided it was probably just as well that she couldn't get that deep a breath. "Skip? That's YOU in that mirror - what YOU look like. All five-foot-ten of gorgeous, sexy-shaped woman. That's really what you look like . . .from my unbiased perspective, at least."
"Gorgeous?" she muttered, looking down in evident embarrassment. Part of her wanted to believe her friend, wanted desperately to believe her. She knew she was attractive, in a long, lanky sort of way, but sexy? It was not how she thought of herself. "Help me out of this thing, will you?"
"Maybe I shouldn't," Barbie teased, trying to coax away the sadness that had just come into Anne's eyes. When the other girl simply stared at her, she huffed. "Oh, all right, if you insist. But then you help me out of mine. Two corsets are at least one too many!"
Skipper returned the leather corset to the closet. She came out to help Barbie out of her outfit, only to find her in the other storage space. Curious, she walked to the door and saw what appeared to be relatively ordinary if brightly colored clothing. She was about to call Barbie to order, when something flashed at her from the corner of her eye. Turning toward it, she looked at the source for several moments before reaching up to take down the hanger from which a narrow tube of electric blue latex suspended. "What IS this?"
"Off hand," Barbie said as she reached behind her to try to pull the rear hem of the leather skirt down further, "I'd say it's a dress. Latex, I think. Very expensive."
"A dress? Good grief, Barbie, how big was your mother? I mean, you did manage, if only barely, to get into that killer leather dress you're wearing now."
Barbie considered her reflection and the question for a moment. "Hmmm, not as tall as you, but, well, a little bigger around in the hips, bust and waist. Not unattractive, just voluptuous for her height."
"Then she must have had a height-challenged anorexic assistant. No way could someone built like you say your mother was could have worn this little number."
"Wanna bet? Trust me, my mom would never allow someone ELSE'S clothes to be in HER space."
"You just want to see me try and get into that," Skipper retorted. "I'd split out the seams on it and end up naked in front of you."
"The stuff is rugged, and it WILL fit you. No guts, Braithwaite." The taller girl returned to the closet and returned with a shorter garment. "Tell you what - if I can get this tube-top on over this dress, you try on THAT dress."
"There is no way you could get your left pinkie into that thing so there's no point in the bet."
"Chicken!"
"I am not! Okay, smartie, what do I get when you CAN'T squeeze into that rubber sausage casing?"
"Whatever you want," Barbie offered magnanimously, "So long as it is just between you and me - I can't make any promises for Aunt Jane and Adrienne."
"You don't mean that," the shorter girl snapped.
"As long as it's legal, I do mean it," was the solemn reply. "And my word is good - you should know that by now."
A surprised look came across Anne's face. It was, she realized, the first time she'd thought of her brother's fate at the hands of Barbie's Aunt in a very long time. And she'd had to reminded of it at that. "Anne?" Barbie called gently, her face now concerned.
"You really want to see me wearing that dress, don't you?" Skipper said in soft wonder. Barbie's face turned a fiery red, but she gave her shorter companion a single curt nod before looking away embarrassed. Somehow, that little slip by her friend helped. Skipper felt her inner imp come out of it's hiding place and take charge. "You're on, Blondie. You're gonna look SO cute walking to the car in that dress, too."
"Car? THIS dress?!? NOW? In DAYlight? That's two blocks from the doorway!" Barbie's voice cracked on each question, as she stared at her friend in stunned disbelief. "But, Anne, My butt is hanging out back there! I WILL be arrested!"
"Not if you walk quickly enough, and besides, your panties have you covered up well enough not to be really indecent. You did say anything that's legal, didn't you?"
"You sure you're not related to Aunt Jane? Hand me that talcum powder over there in the closet, will you? I read somewhere that getting into this stuff requires some dry lubricant - otherwise perspiration makes it stick like glue."
"There!" Barbie declared, her voice triumphant if a little strained.
"I don't believe it! Let me look and make sure you didn't split a seam somewhere!" Skipper ordered as she strode back from the electronic surveillance room where she'd been inspecting the various components.
"Oh. . my . . goodness," she stuttered when she laid eyes on the taller girl, before dissolving into giggles for Barbie was indeed a sight.
The pink short-sleeved, low cut crop-top was so tightly stretched that it was transparent. The extremely well-filled black leather bodice of the corset dress clearly visible beneath the latex. Twin shell-pink cannonballs threatened to explode at any second. Additionally, there was talcum powder everywhere - on Barbie's face, in her hair, on her arms and all over the black dress.
"Goodness, Barbie. . .you look like you tried to bake bread and fell in the flour bin," Skipper giggled.
With dignified self-possession, Barbie drew herself up to her full, imposing height and looked haughtily down her nose at the laughing girl. "I look forward to being similarly amused," she huffed and then slapped a latex-covered hanger into Skipper's hands. "I believe we had a bet, cutie. Oh, and don't forget the talc! I'm going to check out that last door while you're getting into THAT!"
With that, Barbie swept from the room leaving a goggle-eyed Anne, the latex dress clutched in her hands.
Chapter 27: Saucing the Goose - Steaming the Gander
"Damned. . . miserable ::OUCH!:: . . . zipper - BLAST IT - bit me aGAIN!" Skipper fumed, as she tried to work the side-seamed zipper up her torso with as little of her skin caught in their shiny teeth as possible. Only the problem was that a good deal of her hide was falling into the realm of 'possible'.
How had Barbie ever gotten into that pink-toned sausage casing? Getting into this dress had nearly strangled Anne on no fewer than three occasions. The first time she hadn't noticed the zipper and had tried to pull it down over her head without unzipping it. Only a great effort had kept her from having to call to Barbie to save her. The second time was when she'd tried getting the thing on over her sturdy, serviceable brassiere. The latex had caught on the cups turning them inside out and twisted them into a very painful knot that bid fair to pinch off her now-very-tender bosoms while the bodice had again become nearly choked her. At that point, she'd given serious consideration to reneging on her bet, but in the end, her sense of fairness had won out and her eighteen hour bra had ended up draped over the hanger that had held this garment from hell. The third incidence of near asphyxiation by dress came when she'd tried to pop her head thorough the neck. Not only did Barbie's mother have abominable taste in clothing, she compounded that failing by possessing a pencil-thin neck.
The small dressing room's atmosphere was foggy with the talcum powder Anne had used to finally get the thing over her body. She didn't even want to think about what that stuff was doing to her lungs and nasal passages, but all that paled in comparison to the torment caused by that inhumanly evil device - the zipper.
Okay, so it wasn't just the zipper - stretching the latex and compressing certain womanly parts of her body in order to have any chance at all of closing the zipper had a great deal to do with her problems. What she really needed another set of hands - one set to hold the blasted sides together and another pull up on the zipper-tab. But she'd be thrice damned before she'd call in Barbie and ask HER help in this. She'd already helped more than enough, thank-you-very-much. "Who would've thought she could get into that damned halter."
With one last gargantuan effort, Skipper pulled the last three inches of zipper closed, held the ends tightly in her near hand and pulled up - hard - on the zipper.
It only bit a little, but it DID finally close. "Thank goodness," she breathed.
She rested for a few moments and wondered what to do next. She had to show Barbie - that had been part of the deal. The only thing was she wasn't all that sure just how much of what she showed the tall girl would be dress and how much would be Anne. She thought she just might end up showing way more of Anne than she'd like. "'course, if I'd won, she'd be parading down the street with her panties hanging out, but that's logic and I don't feel real logically inclined just now! Well, guess I'll go out and take a look in the mirror before she gets back from her explorations - find out just how bad it is."
With a quick jerk to try to pull the hem down a little further over her rear, Anne headed for the floor-to-ceiling mirrors.
The damned skirt snapped back up to catch her square on the bum.
"BLAST!"
It was even worse than she'd feared. The blue turned nearly as transparent as the pink shirt had, except Barbie had kept that dress underneath. There wasn't anything except Anne underneath the bodice of this dress. The conservative neckline didn't mean a thing when the rest of the dress looked like it have been painted on instead of put on. "And you thought Barbie stuck out. Okay, no way am I going through with this - uh uh - no way, no how."
She turned to hurry back to the safety of the dressing room.
Just in time to face the returning Barbie face on.
"Hey, Skipper, you won't believe what I found - my mother's bedroom and talk about plush. . . oh . . .my . . . god!"
The stunned look on the taller girl's face would have been comical had Anne not wanted nothing more than to melt into the floorboards and disappear. She started to say something, but no words came to mind - she could only stand there, rooted to the spot, watching a myriad of emotions flash across her companion's normally controlled face.
Barbie broke first, spinning on her heel and bending over, her hands fisted against her abdomen. "Oh, God!" she said again, almost a moan.
"Barbie?" Anne asked, suddenly concerned. She moved over to the girl who had become her friend, "Are you all right? What's the matter?"
"That. . that dress," a harsh voice answered, "YOU. . . in that dress."
"Huh? I don't understand."
She watched Barbie's shoulders rise and fall as the taller girl took several deep breaths. "S'okay," she finally answered, although the words still seemed labored. "I think we could say that . . . it's a guy thing."
"Oh," Anne replied, not really understanding. "Well, since you're here, aren't you going to take a closer look?"
"Oh, I think I got a close enough look already!"
Biting her lip and feeling oddly just a little disappointed that Barbie wouldn't look at her, Anne caught herself pulling down on the skirt's hem again and forced herself to let go of it gently. "Ummm, you're sure?"
"Annie, if you don't get away from me and out of that dress, this *guy* is gonna explain to you what guys and girls do, because there ain't no doubt you are 110% prime girl." With that, Barbie Barbie stormed back out of the room the way she had come in.
"Well!" Anne said, staring at the vibrating door. And then she smiled - a small, uncertain little smile to be sure - but nonetheless a very feminine smile indeed.
Barbie was sitting on the edge of the large canopied bed, staring out the window when Anne peaked around the corner of the walkway door. The taller girl had her back to the door and didn't hear Anne's arrival. "Barbie?" she asked, and cringed at the quavery tone of her voice.
Her friend's back went stiff, but she made no effort to turn around. "Yes?"
"I, ah, well that is, I need some help. The zipper is stuck.
Barbie spun about and nearly fell off the slippery, satin-comforter-covered bed. "You're kidding!"
"Not kidding," was the sad reply. "And I can't see it well enough to see what's caught in it. I'm sorry, and I'm not teasing, but could you take a look?"
"It's not stuck."
"Of course it is. Otherwise I'd be out of this latex iron maiden."
"It's not stuck," Barbie repeated. "It's locked. There's a difference. One's an accident, the other's intentional."
"Locked?!? Tell me you're kidding, please!"
"Not kidding. My mother used this type of zipper on me several times. They lock at the top with an itty-bitty deadbolt sort of thing. With me she used them so I couldn't get out of her little dress up games until she was ready to let me. Tight as this thing is, I figure she must have used one on this dress to keep the zipper from working loose during a session with one of her clients."
"Fine. Great. Tell me you know how to unlock it."
"With my mother? I made it my business to learn how these things worked - and how to get them open. Releasing that little deadbolt thing takes a special tool - a key, really, even though it looks like a pair of twisted needlenose pliers. I may be able to find something similar."
"Barbie?" Anne's voice was dangerously soft, and her eyes glinted ominously.
"Yes, Skipper?"
"GET ME OUT OF THIS THING!!"
"Okay, okay. . calm down. Let me see if I can find some tools. That latex will be tough to cut and the metal even tougher."
"WHAT DO YOU MEAN YOU CAN'T FIND ANY OF THE BLASTED TOOLS!?!"
"You don't have to scream - and just what I said - no tools. There's not even a decent knife in the kitchen - although as tight as that dress is on you - I'd be afraid of cutting you, if I tried to use a knife on the latex itself. No, I think the solution is going to be taking you back to Aunt Ruth's. I'm sure I have something in my old toolkit that will jimmy open that little deadbolt."
"And how, pray tell, do you expect me to get to the car? It's, as you pointed out, two blocks from here no matter which house we leave from. With a no-parking zone in front of the houses, to boot. I WILL be arrested in this outfit and none of your mother's things will fit me well enough to wear over it."
"I guess I shouldn't ask what happened to your bra?"
"Right, you shouldn't ask that - not if you want to father children."
"Right - got it - no questions about bras."
"Good plan - and furthermore, a better one that deals with my . . .OUR current situation would be appreciated, Blondie."
"Uhmm, sure. Say, you didn't think to bring your raincoat, did you?"
"It's in the car, why? OH, I get it. Go get it for me!"
"As soon as you say please and undo the laces on this dress, so I can go outside. There ought to be SOME benefit to winning the bet."
"Turn around so I can get started. I have this sudden urge to get out of this place!" When all Barbie did was stand and tilt up her chin in challenge, Anne felt her face flame. "Umm, please."
"Guess now we know what part of the houses she actually lived in, eh?" Barbie said, nonchalantly looking around to take in the sumptuous bedroom-suite. Then, she turned around, grabbed hold of the ornately carved bedpost with both hands and braced herself for the unlacing.
"Don't dawdle, Adrienne," the tiny blonde commanded. Though this 'Ms. Darla Smith' did not possess Ms. Thompson's commanding presence, she made up for it with twice the ascerbic sharpness. Adrienne hurried as quickly as she could to her seat in the huge Lincoln Towncar, wondering if Ms. Smith would magically produce the booster seat she would need to see over the steering wheel.
Of course, the powered seats in the fine motorcar adjusted enough - barely enough - for the height-challenged woman to be street-legal as a driver. By the time Adrienne had her own seat belt adjusted, the small woman had the car in motion.
*I wonder if she has to work to make her lips pucker quite that way all the time?* Adrienne mused as she idly watched the New England scenery flash by. *Or maybe she uses lemon juice as a mouthwash?*
Ms. Smith had arrived earlier that morning and nothing had gone right for or been right about the younger person since. Her petti's were bunching; she'd creased the back of her skirts; her hose were crooked; her cosmetics were unevenly applied and worse, inappropriate for a girl her age; she ALMOST dribbled tea when ordered to pour by Ms. Thompson.
It was like that first hellish two or three days all over again, only this harpy wasn't one Adrienne could look up to - at least not physically. And yet, the woman was nearly as perfect in her own dress and deportment as Ms. Thompson. *How many perfect women can there be in the world. I swear, if someone comes floating down on an umbrella, wearing a weird hat and carrying a carpet bag, I am really out of here. Supercalifragilisticexpealladocious.*
"Pay attention, girl!" the fingernails-on-blackboard voice of Ms. Smith snapped. "I asked you a question."
Swallowing, and knowing she'd been caught daydreaming, Adrienne put as positive a look on her face as she could manage under the circumstances. "I'm sorry, Ms. Smith. I was just thinking about this class Ms. Thompson has arranged for me."
"THAT's what I was attempting to discuss with you, Miss. Whatever has come over Jane? Sending a young lady to such a class? Clowning, for goodness sake."
"It's mime, actually, ma'am."
"Same thing. And look at you! Those ... those unsuitably tight pants and suspenders and those ridiculous striped socks. Why, the trouser legs barely reach past your knees! And we won't even discuss that. . .that bowler on your head. No self respecting young woman could possibly want to wear such. . . such unfeminine clothing."
For her part, all Adrienne could think was that she wished her underwear matched her outerwear's lack of femininity. However, once again, she knew better than to voice that particular observation.
"Harrumph. Tell me something, Miss Braithwaite. Can you act?" Ms. Smith asked.
"Act? You mean, like in a play?" and then added hastily, "Ma'am?"
"Precisely."
Carefully, Adrienne considered her answer. In the end, she thought she could tell the truth without inadvertently volunteering for something. That had been a hard-learned lesson for the boy-girl since arriving at Seasons House. "I truly don't know, Ma'am. I've never tried. Maybe I could."
"How about singing? Ever danced?"
"I sing. .. a little. . . but I never danced until I was sent here - to Ms. Thompson's school."
"You likely would do well enough," Ms Smith said, reflectively although Adrienne thought she heard a touch of doubt in her tones, "Presuming, of course, that Jane has followed her usual program. I happen to know that the children's theater is holding auditions today. The Wizard of Oz. A lovely girl such as yourself should be a shoe-in for the part of Dorothy."
*Only if you try out for the Wicked Witch, and while we're at it, could we please arrange to drop a house on Ms. Thompson, too? And I'd rather be Toto!* "I don't think that's what Ms. Thompson had in mind, ma'am."
"Never know unless you try. I know, we'll go over and you can audition. If you get the part, Jane will be pleased. She is a patroness of that theater in case you were not aware of that fact."
"Dorothy is a hard part," Adrienne averred, using whatever acting skill she DID possess to hide any sign of the near-panic she felt at that moment. "I really don't sing all that well, ma'am." *And if my voice cracks, I am really in the soup. Even at audition.*
"Then you can be that lovely fairy. . ."
"Fairy?!?!" Adrienne squawked.
"or is it good witch? I forget. The one who gives Dorothy the ruby slippers. Yes, I think that is an excellent notion. Much more suitable than something so physical as clowning."
Adrienne bit back the full-blown panic that now assailed her system. She couldn't face that. Going to this mime class, having to pretend to be a girl there was bad enough, but acting? That meant costume changes, didn't it? With real girls around who would realize Adrienne didn't really know much about being a girl. "No, ma'am, please. Ms. Thompson was most emphatic about this mime experience."
"She'll change her mind once you get the part."
"I promised to do what she told me and she told me to go to the mime class, ma'am," Adrienne said as firmly as she dared.
The short blonde cast a disgusted look at her passenger. "Don't know what's wrong with Jane these days."
"Nothing, ma'am," Adrienne retorted sharply, surprising herself more than she did her tormentor with her sudden defense of her teacher. *At least Ms. Thompson listens,* she realized. *She may ignore what you say, but she listens. This one only hears herself!*
Darla squelched the urge to smile at her little victory and managed an even more sour pursing of her lips. "Oh, very well, we'll go to your silly class, but I must say that you disappoint me, girl. You do indeed disappoint me."
Chapter 28: Ruth-ful Interludes
Barbie's Turn.
Ruth had watched the pair of them dancing around each other with half-amused concern ever since Barbie had brought the very sweaty Anne home the previous afternoon. The judge's first reaction had been that her child must have taken that young woman 'parking', as they'd called it in Judge Ruth's day, and that both of them had a very good time doing it. Her second reaction had been surprise that *Barbie* would do anything so risky (and risque) as that, given that it had still been daylight when they'd returned.
Then Barbie had helped the other girl out of that heavy raincoat.
*That dress,* she thought, still amazed, *That incredible dress.* Thankfully, she had managed not to laugh when the problem had been explained. Although precisely how Barbie had gotten Anne into that dress, and Ruth had absolutely no doubt that her Jane-Thompson-trained child had been instrumental in bringing that about, had _not_ been explained. *A locking zipper. Amazing. Sheila, you were truly devious.*
Once Barbie had located her old toolkit, releasing the tiny dead bolt had been easy enough. On the other hand, since then, those two young idiots had barely said more than four words to each other. Not only that, except for the special en famille evening meal Ruth had arranged, they had managed to steadfastly avoid being in each other's company.
*Well, one advantage of being the proverbial interfering mater familias is that I am allowed to interfere! It is my duty, after all.* Ruth thought as she marched down the stairs toward Kenneth's basement workout room.
"Does sweating like that help any better now than when you were a teenager, dear?" she asked sweetly, mostly to announce her presence.
With the focus that had always been basic to the soul of Kenneth Roberts, Barbie completed the last set of curls before looking up to meet Ruth's eyes. "Not really," was the honest answer. "The problem is still there when I quit, but it does help burn the adrenalin out of my system so I can at least think more clearly about . .. things."
"Things like tall, pretty blondes in ::ahem:: very interesting and unusual dresses?"
The vivid flush of exertion changed shade, becoming darker as Barbie looked away momentarily. "I'm sorry she had to come back here and face you dressed like that. It wasn't my intention."
"You didn't want her to put on the dress?"
"Hell yes, I wanted her in that dress!" was the immediate retort. "Excuse me," she said softly.
"I've heard and used the word before, dear."
"Suppose you have, at that." Barbie set her hand-weights aside and began to set up her flexing resistance machine. "She was outrageously gorgeous in that outfit, wasn't she?"
"Outrageous works for me," Ruth quipped, and then regretted her flippancy when she saw the anxiety in her child's eyes. "Well, it certainly proved that those curves of hers are definitely all her. She was very attractive. I take it she's upset with you for winning your little wager?"
Barbie began a rowing machine motion on the resistance machine. "I guess. She hasn't spoken to me since I sprung her from that dress."
"I noticed. And I've noted that her silence bothers you, doesn't it, son?" Ruth asked in that very special voice mothers reserve for their sons.
The rowing motion stopped in mid-stroke, and Barbie momentarily let her forehead rest on her knees. Then she released the hand-grips and turned suspiciously moist eyes to Ruth. "I hate it, Mom," was the soft reply. Silence grew between them, and quickly became oppressive. Several times, Ruth almost said something - anything, just to fill in that vacuum between them, but she managed to restrain herself. She managed because she knew her child; because she knew what she or he needed at that moment.
"I love her, Mom." The simple words were softly spoken, and there just a touch of surprise coloring their tone.
"Took you long enough to figure that out," Ruth said with motherly exasperation. "Or at least, to admit it out loud. Thought I taught you to be more honest with yourself."
"You did, but I was . . . Well, I guess I was a little scared."
"A lot scared, you mean, and that's good in a way - if it makes you think about her wants and needs at the same time as you worry about your own. Are you?"
"I think so - now anyway. I wasn't when I manipulated her into that dress. God, but I wanted to see her in that dress more than I wanted to breathe."
"Do you regret getting her into it?"
"Only if it messes things up between us beyond fixing. Otherwise, I'm gonna carry that memory of her squeezed into all that shiny rubber to my grave. Maybe I'm as kinky as Sheila was in some things, but lordie, Mom, Anne was, well, ummm," Barbie's voice broke and the bright red color suffused her face once again.
Ruth grinned wickedly. "She was what, dear?"
"Beautiful," and the word was whispered with all the reverence of a prayer. "Incredibly sexy and. . . "
"Finish it, dear," Ruth ordered.
"The woman I want to marry, Mom."
"Thought that might be the case."
"Problem is, am I the man she will want to marry? I mean, she hasn't had a whole lot of time with Kenneth, and most of that wasn't a very positive experience for her."
"Oh, but I think she has, dear. You're not like Darryl, son. When Darryl puts on Darla, he becomes she and that she IS Darla. It's not a split personality, but the yin and the yang, if you will, of that Darryl/Darla are more clearly defined, more. . . I don't know, distinct, I suppose . . . than anyone I've ever encountered. You, on the other hand, whether in skirts or trousers, are still basically the same person. Oh, you would let go a little more in skirts, could have fun a little more easily as Kendra, or now, as Barbie, but I think that has more to do with the company you kept than with your apparent gender."
"I don't understand."
"Don't be dense! It doesn't work with your Mother. Of course you understand. Darryl wouldn't let you get away with being old nose-to-the-grindstone Kenneth Roberts, regardless of how either of you are rigged out. Did you ever go out for a night on the town as males together?"
"Well, sure. . ."
"And did you have fun? The kind of fun Kendra and Darla had together?"
"Well, we didn't go shopping for new shoes or lingerie. That's for sure!"
"Ken-NETH!" Ruth snapped out in her traditional two-syllable reprimand for smart-mouthing.
"Yeah we did. Ball games, a movie now and then, some girl-watching. Heck, he even dragged me into a strip club once."
"Have a good time?" Ruth asked, her wicked grin back in full force. "Stick a few dollars in the ladies' garters? Buy a lap dance?"
"MOM!!"
"Well, did you?"
Wondering how she still managed to reach him like that, even now that he was a full adult, the man in the dress looked away in bashful resignation. "Yes, Mother," he mumbled, barely managing not to shuffle his feet.
"Good."
"GOOD?!?!" Shocked eyes snapped back up.
"Of course good, you lunkhead. If you did it every night, that's one thing, but you don't. You did, however, enjoy yourself. So, good. So, what's the plan for the grand courtship? I'm sure you have one. Let's hear what you're thinking and I will give you the, ah, feminine take on your plans. I think I rather fancy that young woman as a daughter in law."
"Even if it means Adrian as a sort of son in law?"
"Jane will have him in hand soon enough. Now, quit stalling and tell me what you've got in mind."
A relieved smile suffused the still-beautifully made-up face, as for the first time since Anne's adventures in latex, hope flared in Kenneth/Barbie's heart. Mother was here, and she would help make it all right. "First, I need to get her speaking to me again. . . "
Adrienne sat on the floor with the throng of other kids signed up for this class. There were ten other girls and five guys. *Watch your thinking, Braithwaite,* she chided herself. *OTHER girls? Oh man, I am in trouble.*
She was trying to deal with the ramifications of that thought when the man who had directed her to sit down here walked up to the group. "Well, we're all here, so we'll get started. My name is Ted Fredricks and I'll be your coach for this class. None of you are scheduled to be in a class with me this coming year at the high school, so you can call me Ted. Now, we've got several things to do today. First, how many of you know what mime's look like? How they dress and make themselves up?"
All of the kids raised their hands. "Good. Now, I have some books and magazines with me that we'll use as references, so you can study in a bit more detail the types of costumes. You'll be on your own creating your own outfit. You should have stuff at home that will do, so don't go spending your school clothing allowance on this stuff. As if you would, anyway," he added slyly and was rewarded by male guffaws and feminine giggles.
Adrienne started to laugh herself but noticed one student who didn't laugh. The boy inside the girlish makeup and hairdo found this girl worth a second look. She of Asian decent with dark hair, dark eyes and a golden complexion. She was also petite in the extreme, shorter than Adrienne if she was any judge of the matter. Intrigued, the boy-girl found her attention straying back to the unsmiling girl over and over again.
"A word of advice," Ted continued, "Make those costumes tight but flexible - you don't want any flapping sounds, but mime is about telling stories with body motion, and you'll need freedom of movement. Everybody got that?" Everyone, including the little Asian girl, nodded their understanding. Ted Fredricks smiled and pressed on. "Next week, come dressed in your outfit. Now, today, we're going to break up in partners. Your partner will watch you work, help you with your makeup, critique your movements. So, you need to be friends, and to be friends, you need to know about each other, right?" This was answered by a rumble of affirmative sounds. "Good, so here's the plan. There's, what, sixteen of us? Okay, we'll count off by eights, and then, go meet our partners. You have three assignments. Uh, do you need to write this down, or can you all remember three things?"
Adrienne could not help but laugh at the seriously concerned look that clouded Ted Fredricks' face. The other kids did as well. Even the little Asian girl managed an almost-smile. Somehow, that did something for Adrienne and she felt herself relax. Maybe this wouldn't be so bad after all.
"Okay, after you team up, I want you to design your faces and then try putting it on each other. When you have your face the way you want it, come up to me and I'll take a digital picture of you. I'll give you a copy of the picture so you can take it home and practice. While you're doing that, I expect you to pump each other for all the information about the other you can so that you can introduce your partner to the class next time, got it? Good. The third thing is, after you have your faces on, I want you and your partner to design a skit. I want you to open the refrigerator door, take out and pour a glass of milk which you will then give to your partner who will drink it. Be as messy as you want, be as creative as you want, but sell whatever it is you decide to do. Make me SEE the door, the glass, the drool coming out of your mouths. You'll put your skits on next time, and at the end? A friend of mine and I will do OUR skit. Got all that?" A group 'yes' followed by a smattering's of 'sirs' answered him. "Okay, when I point to you, I will count - remember your number. One. . two. . .three. . ."
Moments later, Adrienne found herself paired off with the solemn girl who had barely smiled at any of their teacher's quips. "My name is Xhinea," she told Adrienne, her voice soft and delicately accented.
Years of experience in similar situations was the only thing that enabled Jane to hide her smile as she strode into the dining room for the evening meal. Things had, by all of Darla's accounts, gone well today and her latest stratagem for her troublesome student showed promise. It hadn't flowered - it had not even sprouted, but it had germinated. Now, as it had been with her other boys, Jane had to tend that tiny seed of hope and help Adrienne grow and bloom.
Jane seated herself and indicated that her two students should as well. She smiled at both as she unfurled her napkin. Jessica returned the smile, while Adrienne blushed and dropped her eyes to her lap. *Perfect,* she thought.
For the first part of the meal, Jane followed her usual pattern, quizzing each girl on current events. Jessica had missed the latest development in the ongoing investigation of large multinational's accounting practices and was assigned a twenty-five hundred word paper summarizing and then analyzing the issues involved. "Due immediately following the evening meal tomorrow, Jessica. Be prepared to discuss and defend your positions, please."
"Yes, Aunt Jane," the pretty strawberry blonde replied, with what Adrienne thought to be admirable self possession.
"And do try to make your arguments logical instead of emotional, please. Emotion only makes circumstances such as these worse," Jane ordered and then turned her gimlet eye on her other student. "Miss Smith tells me you made a friend today, Adrienne."
Startled at the sudden switch from Jane's usual oral examination mode, Adrienne nearly stuttered out a 'huh', but managed a "Yes, Ma'am," followed by a deep breath and "Her name is Xhinea. . . Xhinea Hearst."
"Xhinea?" Jane said as if tasting the word. "How odd. Are you quite certain that's her name?"
Adrienne's brows momentarily knit together in concentration. "That's how she introduced herself, Ms. Jane. She said her mother named her Iphigenea, because it was like her Chinese name, but she's called Xhinea."
"Chinese name?" Jane already knew all of this, but wanted to see how much her student had found out.
"Yes, ma'am. She's adopted. Her mom, I think she's a doctor at the hospital? She went to Mainland China - to the orphanage where Xhinea lived until she was ten years old - and adopted her. She's been in this country for almost four years now."
"A mainland Chinese orphanage, you say? I wonder if she really was an orphan, then."
"Ma'am?" Adrienne asked, confused.
Jane waved the question away. "I understand that you have some assignments for your next meeting, Adrienne."
"Two, Ms. Jane. I have to introduce Xhinea to the class, and we have to do a skit. I was going to ask if we could maybe get together, she and I, to practice. This weekend?"
Jane hadn't considered that. She'd have to think about it - find out what she could about the girl's adoptive mother. "We'll see. In the meantime, I have an assignment for you - Jessica? You'll help her. I want you to research the Chinese laws concerning population control. I want you to write a report summarizing the laws and the social issues surrounding them. Take a personal position and be prepared to defend your position. The report is also due tomorrow after dinner. Jessica? You will supervise her use of the computer and the Internet, and help her with the searches. Then, Adrienne, after we have discussed your paper, you will prepare your introduction of your friend. Jessica will role play her part while Marie and I will act as the other members of your class. We will do that following dinner day after tomorrow. Understood?"
"Yes, Ma'am," Adrienne said, in unison with Jessica's "Yes, Aunt Jane."
"Excellent," the Mistress of Seasons House replied even as she rung for desert.
Skipper's Turn with Ruth
A soft knock on the guest room door stopped Anne in mid-pace, rousing her from her latest round of frustrated self-examinations. "Just as well," she muttered in vexation. "I haven't made any more progress this time."
"Come in," she called, and saw Judge Ruth poke her gray-haired head around the partially opened door.
"Hello, Anne," she said in a surprisingly warm voice. "May I come in? I wanted to talk to you for a few moments, while Barbie. . . I mean, Kenneth is otherwise occupied."
"It's hard not to think of, um, him as Barbie, isn't it?" Skipper said wryly. "She is so tall, so, um, shapely, and so beautiful that she could have been used as the model for the doll."
"She's not the only one," Ruth said gently.
Skipper blushed fiercely and ducked her head, triggering waves of her own blonde mane to flow over her shoulders. "I always hated that name, you know? And that image. I'm not some plastic doll."
"Do you think my Barbie - my Kenneth - is?"
"No, of course not," Skipper replied sharply. Then she sagged a little and said, "But I heard that so often from Adrian that, well, there are some negative associations."
"Is that why you were so embarrassed about being seen in that killer dress?"
"Oh, God, that dress was . . . I mean, even if I'd never heard of Barbie dolls, that was . . . "
"Gorgeous," Ruth completed for her, with a sigh. "Never in all my life, even when I was your age, would I have looked as terrific as you did. As you do."
"It was the dress," Skipper protested.
Ruth laughed. "Don't lie to yourself, dear, and don't even try with me. I see through liars for a living. That dress is hanging in your closet right now. But I'll bet the images in Kenneth's mind as he beats that exercise equipment into submission are not of what's in your closet."
"Yeah, well, you weren't there. You didn't see the way she, I mean, he looked at me when . . ."
"When . . . ?" Ruth prodded.
Instead of answering, Skipper resumed her interrupted pacing about the room. After a moment, she turned to Ruth and said, "I think it *is* the clothes - not just that rubber dress, but . . "
Ruth didn't interrupt with words. Instead she settled into her chair and wrapped herself in patience as though it were her judicial robes. It encouraged without demanding, and promised honest, open-minded attention.
"First," Skipper began, warming to her topic, "He teases me into playing dress-up - I will if you will, Skipper. The sneak. So we end up putting on these killer corsets - hers was a dress, actually, that laced all the way down the back from neck to hemline - couldn't quite get it closed over her bottom either."
"Sounds drafty," Ruth offered, "but sexy, too."
"Oh, yeah," Skipper sighed, eyes unfocusing for a moment as she remembered. Ruth carefully noticed, and just as carefully didn't show that she noticed, that Skipper's body was betraying what she had really thought about how Barbie looked in that dress. "And I got into this merry widow thing - lifted my boobs practically up to my chin and took four inches off my waist."
"Your. . your boobs?"
"Oh, I put it on over my blouse," Anne said off-handedly. "That was that Barbie's idea, too. Then, THEN we find the latex closet, and she oh-so-sneakily manipulates me into trying on that dress you saw. Made it into a bet - a dare, actually," and then added, "I have a problem with dares - I can't seem to resist them."
"A definite disadvantage when a man knows that about you, dear, but do go on. I'm fascinated."
"Okay, okay! So, I put this thing on, right? Practically drew blood trying to get that blasted zipper closed, but when I come out of the dressing room, Barbie's not around, so I go over to look at myself in the mirror. I nearly fainted."
"You were, I believe the vernacular is, one hot babe in that dress, Anne."
"I didn't know I could look like that. It frightened me and I started back to the dressing room. I was going to concede the bet - pretend I couldn't get it on, but Barbie came in at just that moment . . . "
After the torrent of sound from Anne's story, the sudden silence was almost shocking. Ruth couldn't stand it. "And?!?" she demanded.
"He looked at me," she said softly. "And I don't care how he was dressed, how much like a sleek and sensuous female he might have appeared, that look was all male. First, it was like, well, stunned, and then, it was pure heat, and something else . . . I felt. . I felt wanted, I guess."
"Darling child, every woman should have a man look at her that way, at least once in her life. The lucky ones get it more often than that. Did you like it?"
"I wouldn't have thought that I would - before this - but with her. . .him, I did." A shy grin came over her face. "I offered to let him have a good look. AND THEN, the no-good stinker turned and ran! Told me to change before he showed me what guys and girls do together. As if I didn't already know," she snorted angrily.
"Oh, my. Horrors!" Ruth allowed a bit of exaggerated drama into her voice, "The FIEND, he must be stopped before he goes too far! The sensitive male protecting delicate female sensibilities. It's utterly despicable!"
"I didn't need protecting!" Anne flared back. "And then, when we couldn't get the dress off? He made excuses why he couldn't just cut it off me - like he couldn't bear to see me nude, and went and got that damned raincoat to cover me up for the trip home."
"Could he have cut it off you? Without hurting you?"
"Oh, I don't know. Maybe."
"Maybe isn't good enough for a man trying to avoid hurting a woman he cares for, child."
"But. ."
"But nothing. Tell me, Anne. What's really upsetting you? That Kenneth wanted to see your tall, leggy self in that killer dress? Or that Barbie, or perhaps more correctly, Kendra, recognized and empathized with your embarrassment enough to squelch Kenneth's desires in favor of helping you? Good Lord, girl! Just how did you WANT him to react?!?"
"I . . . don't know," the young woman finally replied in confusion.
"Is that part of this tension between the two of you? Feeling bad about yourself for how you acted towards her?"
Ruth settled herself on the bed and smiled at her guest. "I'm sure you've noticed that such things don't bother her. Believe me when I tell you that no one could have survived growing up with Sheila Roberts without developing a somewhat thick skin when it comes to taunting. The bitch. . excuse me, the woman was a past master of the art. So, if it isn't that, what is it? You've hardly said ten words in a row since coming back from Sheila's place."
Skipper started to pace again, then stopped herself. Taking a deep breath, she turned to face Ruth directly. "This whole . . . situation is bothering me. I started this to try and keep my brother from being abused. Now . . . now I'm spending my time with a guy who looks like the most gorgeous woman I've even seen, and I like it. I've let myself be tricked into wearing an outfit I'd never have imagined myself in . . and I liked the way I looked in it. And the guy I'm, um, with saw me in it - and reacted - and I liked that, too. I'm so far from taking care of Adrian's problem that I can't even remember how I got here. What sort of guardian does that make me?"
"Nonsense. Don't even think about that. You're more than suitable."
Rising off the bed, she went over to embrace Anne in a motherly hug. "Now, let me apologize for not telling you the full truth about Jane and her program. You should have known the truth before agreeing to my offer-sheet. If Jane cannot find a way to help Adrian, I will not send him to the juvenile reform institution. We'll find another way to help him."
"Thank you."
"However, I have to tell you that I don't regret anything that's happened because of that error."
"Huh?"
"Oh, you'll do, girl. You will definitely do. Now, I need to tell you that my son has asked me to see to the disposition of Sheila's belongings and houses. I know some. . .special women who might find her toys professionally useful."
"You?!? But you're a judge."
"So I am, and properly done, such. . . professional services do not fall outside the law. In any case, tomorrow, he wants to start back to Kingston."
"Oh. Ummm, all right. I'll, uh, pack."
"You do that, dear. And think about my question about why you really were upset. By the way,"
"Yes, ma'am?"
"Are there any outfits over at Sheila's you'd like me to hold back? Just let me know." And then Judge Ruth slipped out of the guest room before Anne could recover sufficiently to respond.
And smiled broadly all the way down to her study. This one would lead her boy a merry chase. It would be fun to watch, even at a distance.
Chapter 29: On the Road Again
Barbie _had_ a plan - after all, if Kenneth Roberts had learned nothing else in those scary years of dealing with his mother, it was the importance of being prepared. Being prepared meant having a goal and an idea of how to get there. Kenneth Roberts - Barbie - had both.
Only problem was, so far, over an hour into their trip home, Anne had yet to give him an opening. Then, he saw a billboard, and smiled.
"Ever been to Nickerson Farms?" Barbie asked, with studied nonchalance.
That earned Barbie a snort of laughter. "I'm a Hoosier-Girl, tall-stuff. Of course I've been there. Matter of fact, there's one just up the way here, isn't there?"
"Sure is. Up for lunch?"
"Sounds good."
They were barely ten feet from their car when the explosion of a camera-flash had them both momentarily seeing stars. A grinning young boy - a teenager, actually, no older than Adrian, stood before them holding a high-tech digital camera in his hands.
"Man, I'm glad I got that shot. None of the guys back home would ever believe that I saw two blondes as beautiful as you without proof." Then he dashed away, as if afraid they might confiscate his camera.
"Beautiful? Two?" Anne looked up at Barbie.
"The young one speaks truth, grasshopper," the taller blonde intoned. Then she giggled and said, "It must be the new earrings. I thought that bun might be a little severe for a day trip, but the way it focuses attention on your ears and those little shimmery waterfalls - shows off your face very nicely, indeed."
Barbie walked on towards the restaurant leaving Anne staring at the taller girl's back, her mouth open in surprise.
Anne wasn't quite sure how Barbie had managed to get them what passed for privacy in the rustic roadside eatery, but she had managed. They were seated off in a corner, with the only traffic being the servers rushing into and out of the kitchen. As the restaurant was dealing with the noon-meal rush, none of these were likely to be long within earshot, and no casual customer was likely to linger nearby for fear of being run over by a knockwurst-and-sauerkraut-carrying waitress with her head down.
Well, it was almost private. Midway through their main course, a woman passing by in search of the restroom spied them and came hurrying over. "Oh, I'm so glad I saw you!" she gushed, even as she dug through her huge purse. She extracted a thick, leather bound book, opened it to a page about halfway through and offered it to Anne. "I watch you EVERY day on 'Modern Life/Modern Love'. It's just my FAVORITE daytime drama. Could you please autograph my book for me? The girls back home will be positively GREEN with envy."
Stunned, Anne managed a "I beg your pardon?"
"Oh, you make the most perfect bitch on the show - much better than Susan Lucci if you ask me. Why, you're MUCH prettier than she is. Oh, do tell me that Margery will be going to have an affair with that dreamy Darren? The two of you in bed, even if it's only pretend with the sheets over you just makes my heart go pity-pat."
Baffled, Anne looked to Barbie, who grinned mischievously and then took pity on her. "Well, ma'am, you know that actresses on popular soaps have clauses in their contracts that preclude them from discussing plans for new story lines. I'm sure you'll understand. Now, darling," she cooed at Anne, "Sign your fan's book and remember to use 'Margery' as it is in your contract."
"Oh. . of . . of course," Anne mumbled and then quickly slashed out an unfamiliar - and she hoped, illegible - signature on the heavy paper.
"Please keep this to yourself, ma'am," Barbie smiled to the avid fan as she handed back the autograph book. "Otherwise we'll have to leave without our lunch."
"What, share this with ANYone? You've got to be kidding! And thanks ever so, Margery." The woman snatched up her book and nearly tripped getting away.
"She thought I was an actress," Anne murmured, almost to herself.
"A house-wrecking man-stealer, by the sound of it," Barbie teased. "Type-casting, you think?"
Anne only shot her companion a dark look under mascara-thickened lashes.
If Barbie had hoped that interlude would loosen the shorter blonde up, she was doomed to disappointment. For the remainder of the main course, the silence that had become all too frequent reasserted itself. Other than to talk to that autograph hound, Anne ordered her meal, said three yes-es and three thank-yous to the server, and very little else. When desert arrived, Barbie decided that she'd had enough. It was time to take her plan and go for it! "So, I've been meaning to ask. Would you mind a bit of a detour on the way home, I mean, back to Kingston?"
Startled, Anne looked up from her hot fudge cake, her eyes curious. "What for?"
"A little break, I guess," Barbie sighed. "It's been a tough few days, and when we get back, you'll have to deal with the situation surrounding your brother. I'll be involved, too, and, well, I'd just like to decompress a bit first. Take a few days to get my equilibrium back."
"I thought Ruth said you were anxious to get back."
"I was anxious to get away from. . . well, from what was left of Sheila. I'm not anxious to run back into whatever is going on in Kingston. I'm too tense. I might make a mistake and mess something up for Jane and your brother, for you."
Barbie wasn't the only one who was on edge, Anne admitted to herself. It might do her a world of good to unwind first, as well. After all, whatever happened three weeks after they returned would be on her head. She'd need to have a clear head to make the correct decision. "What do you have in mind?"
"Nothing much. Maybe cut north and go home by way of Niagra Falls. Take the ferry across Lake Champlain, and I want to stop at a shop I know in New Haven - Tante Marie's birthday's coming up soon, and I need to buy her a gift. How does that sound?"
It sounded marvelous, if she were to be honest about it. It was also rather . . . scary, in a feminine sort of way. She looked at her companion carefully. "That makeup stuff is starting to wear off," she observed.
Barbie shrugged that off. "You can help me keep that from becoming a problem. Besides, it is just as well if it were gone by the time we got back to Kingston. I may be needed as Kenneth again."
"Still, the sooner I get back, the sooner this is all over and done."
"A couple more days won't make a difference, Skip. Haven't you decided by now that Jane isn't out to emasculate your brother? Do you really believe she isn't doing everything she can to help him? REALLY help him turn himself around?"
"I think she is trying to do what she knows how to do, and what has had success in the past," Anne replied carefully.
"Do you think she would or could do anything to hurt him?" Kenneth's voice, intense but too low to be heard beyond their table, suddenly demanded. "Because if you still do, after meeting me, meeting my brothers, really meeting Ruth, then we need to call Jane right now and tell her to stop and pull the plug."
"What, and my brother goes to jail?"
"Ruth already told you that won't happen - she told me that, too. Besides, _I_ will tell Jane to end it. Adrian will be de-girled and in trousers by the time we arrive in Kingston sometime tomorrow morning."
The heat and emotion she felt coming from her companion took Anne by surprise. She'd never seen the tall blonde like this, except when Ruth had told them the facts of Sheila Robert's death, and the fallout from that death. "I have a deal with your Aunt," she temporized. "Three weeks, remember? I keep my deals."
"Do you believe that a few days, more or less, could harm your brother?" Barbie demanded again. "This has to be what's best for him AND for you. If you don't believe that Jane can help him - WILL help him - and things go sour later on, you're going to blame yourself for making the deal. I won't let that happen."
"I made a deal," she said again, her voice uneven as she strove for control.
"Not the right answer," Barbie retorted and reached into her purse to pull out a cell-phone. She punched in a preprogrammed number and waited. "Hello," she said, "Momma-Jane? Ken. . .dra here. Say, Mom? There's been a change of plan. . . .yes. I've been talking with Anne, and. ."
Anne reached up to snatch the small phone from Barbie's hand. "Ms. Jane? Anne here, yes. We're going to be a few more days getting back, if that's all right with you. Kendra needs some down time, away from stress.. . . . yes, it was a bit difficult for her there, at least some of the time. . . . that's right. With Adrian's disposition in the balance, we both felt it would be better to come back a little more refreshed. . . . . what are we going to do? Oh, sight-see a bit. Niagara Falls, Lake Champlain, do a little shopping. . . . what's that? Oh. Yes, she's still going to be, umm, shall we say in high color a few more days. It should be near normal by the time we return, in the event you need your attorney. . . .I will. Thanks. See you soon." And with that, Anne broke the connection, refolded the phone and handed it to a hard-eyed Barbie.
"You're right," she said finally. "I just hope my brother isn't one of the two she couldn't find a way to turn around.
With that, Barbie seemed to relax, and reached over to take both the phone and Anne's hand in her own. "She will find a way. We all will help. You'll see. Ready to leave?"
"Okay. Umm, how far is it to Niagara Falls?"
"Don't know, but I've got a GPS rig in my car. Let's try to make it today if we can, and play tourist tomorrow."
"I want to go on the boat that goes under the falls," Anne wheedled.
"And you think Jane is scary! You're on, girlfriend. Let's get this show on the road."
"Margery?" Anne asked as she accelerated onto the interstate highway. "I've never even watched a soap opera, let alone acted in one. I probably committed a crime by signing that book for her!"
"Only if she tries to sell it, and I don't think she will. Besides, how would she find you?"
"I still can't believe she thought I was an actress."
"Must be that new nail color you're sporting, kiddo," Barbie teased. "Nice claws, by the way. Dangerous."
Anne glanced down at her hands on the steering wheel. After Ruth had left last night, she'd started packing and had run across some of the cosmetics that Jane had given her for the trip. For some reason, she'd paused long enough to read the label of one bottle of particularly vivid nail polish - 'Hot Tropical Sunset' - and had been literally unable to put it down.
Her nails looked particularly striking against the steering wheel's creamy leather. Impishly, she raked those blood-red claws at Barbie and growled out, "Marrrrooowwrrrrrrrr."
The taller girl cowered nicely and then grinned. "I thought she said 'bitch', not 'cat'."
Skipper grinned back, for some reason well pleased. "When you're a femme fatale, you get called both - and both are just as dangerous."
The low purr that followed that statement made something deep in Barbie's gut clench.
"So, Jessica, if I were to ask you summarize your opinion on this subject, having presented the facts and analysis?" Jane asked her student.
A slightly self-satisfied smile lit the perfectly made-up young face. With a definite flourish, she reached into her book bag and extracted a book. Jane immediately recognized the ragged volume, for it was one of three items Jessica - as Jesse - had cared about when the teen had first arrived at Seasons House.
Jane watched as her student's fingers found slip of paper acting as bookmark, and opened the tome. After glancing up to her teacher for permission, Jessica began to read. ". . . the prince must consider . . . how to avoid those things which will make him hated or contemptible; and as often as he shall have succeeded he will have fulfilled his part, and he need not fear any danger in other reproaches."
Jessica then paged to another marked passage and continued, "It makes him hated above all things . . . to be greedy, and to be a violator of the property . . . of his subjects, from both of which he must abstain."
When her student closed the book, Jane couldn't help the smile the gentled her features. "All of which means?"
"It goes back to an earlier discussion of ours, Aunt Jane," the strawberry blond student answered. "Ends justify the means, as Machiavelli believed, but in this case, the end itself was not justifiable. While I am not certain that there could be a specific case in which such liberties with investors' life-savings could be legitimate, in this case it's very clear that these manipulations were not legitimate. Simply stated, the individual officials became greedy and violated their investors. As a result, they have come to be despised, and have lost their kingdoms."
Jane sat back, her eyes steady on this young person who was quickly becoming as much her child as Darryl, Michael or Kenneth. Perhaps, to some extent, even more so for she'd never had a student who seemed so much her image, albeit in a more petite form. "Well argued," she finally said, "For once. Logically and rationally presented, with just a touch of emotion, but not too much. An 'A' on this one, my dear, and well earned."
"Thank you, Aunt Jane," Jessica beamed.
"How did the work with Adrienne go today?"
"We were successful in finding the information I think you wanted her to find. Personally, I found the process of forced single child families frightening, particularly the way they enforce it with mandatory, if undocumented abortions."
"How did Adrienne react to those discoveries?"
"They made her curious to find out more, and I think that surprised her. I don't think school has been all that interesting for her back home. Then she saw the comparative survival statistics on male/female children, and read about what several expert observers think happens to many girl children there. Those findings upset her. That surprised her, too."
"Did she say why?
"Not in so many words, but it's clear she's made the connection to that girl at the mime class. I think she realized how lucky that one is only to have been abandoned."
"So, the results of her research bothered her," Jane mused reflectively. "A good sign, that. Well, I will be very interested to read her report. The introduction she writes for her new friend should also tell us a good deal about her current mindset. Jessica? I think we may just have started on the breakthrough with this one. Step one is that the student has to care. It sounds like Adrienne is starting to care. Now, at least."
Chapter 30: Interchanges and Interludes
"Hello? Children's Hospital? Yes, this is Jane Thompson calling. I'd like to speak to Head Nurse Nora Bedford, please."
The receptionist put Jane on hold and she suffered through nearly 72.4 seconds of awful elevator music before the line clicked and "Nora Bedford speaking," saved her sanity.
"Nora, Jane Thompson here."
"Jane! There's no problem, is there? Did one of the students get hurt?!?"
It was a sad commentary on their recent relationship, Jane mused, especially since they were friends, that Nora's first reaction to being called by Jane Thompson was that her professional services might be required. Well, actually, they were, but fortunately not in the way Nora supposed. "No, everyone's fine. Actually, I needed some information and hoped you might know something."
"What do you need, Jane?"
"Do you happen to know a woman doctor by the name of Hearst? One who has adopted a child of Chinese extraction?"
"Oh, sure," Nora said warmly. "Dr. Celia Hearst. Wonderful doc - ophthalmic specialist. Good surgeon - the real kind, not the LASIK stuff."
"What can you tell me about her, Nora? Let me explain. Her daughter has become involved with my latest student. I need to know more about the mother before I decide how far I should attempt to go with this stratagem."
"Well, I like her - personally as well as professionally. She's something of a feminist - tends to go her own way. She's never married and evidently had to really go to the limit to get that child because of that. She cares, Janey. I've seen her with families. A lot of surgeons have the bedside manner of a half-full bedpan, but she's different. Patients, and the families of patients trust her. She could make a lot more money in Boston or another of the bigger cities, too. I've heard that she's always receiving offers, but she likes it here - especially for her daughter."
"Sounds like good people, Nora. Now the tough question. How do you think she'd react if Adrienne messed up and blew the masquerade around her or her daughter?"
"You're right - that is a tough one." The phone line went silent for just a moment. "I guess it would depend on how she interpreted your intentions. If she decides you're abusing the kid, she'll go for your throat. Kids are special to her. She does a lot of charity work with them. I've heard she sometimes even covers the cost of the operating room out of her own pocket when parents can't afford it, if that's what it takes to save a child's vision. If, however, she decides you're for real and what you do helps? My take is she's quirky enough, and feminist enough, to go along with it."
"I can't tell her up front what we do here, Nora. Not until I have had a chance to take her measure for myself. Too many others are involved."
"Then I suggest you be around whenever Adrienne has a chance of running into her, Jane. I like her, but she reminds me a bit of you when it comes to kids. I wouldn't want you OR her thinking _I_ was endangering a child. It would not be good for my long-term health."
Jane thought about that, and nodded to herself. "Got it. Thanks, Nora. Say, are you free next Saturday? If you don't mind Seasons House formal, I'd very much enjoy having you to dinner."
"Marie's Chicken Cordon Bleu?" Nora asked reverently.
"Just for you, dear."
"My waistline hates you, but is overruled. I'll be there."
"Six o'clock, dear. And thanks. I've got to make a few more calls. You wouldn't have a phone number for Dr. Hearst would you?"
"Sure, let me get it for you."
"That spray is COOOLLLLLDDD!" Anne squealed as the excursion boat bobbed and swayed in the turbulence of the collection pool. Anne's voice could barely be heard above the roar of the tons of water crashing down.
If the water was cold, Barbie certainly was not - not with the view Anne presented.
Barbie had never seen the girl like this. Her hair was held in a flirty little ponytail that danced about her head as she laughed with the sheer pleasure of the experience. She'd dressed for the summer heat in a simple sun dress of white cotton highlighted by red and yellow flowers - a dress that clung to her every curve. *Guess I understand why British debutantes used to wear watered muslin gowns to show off their figures,* Barbie thought.
In the fine mist, her cheeks and lips were pink and moist, shining vibrantly in the sun. She was gorgeous, and her beauty, her joy, made the man inside Barbie ache for her.
Suddenly, Anne enveloped Barbie in a tight embrace, "Oh, isn't it MARVELOUS?" she yelled. "Thank you for bringing me here. It's just so LOVELY." and then she went up on tiptoe and planted a kiss on her friend's lips.
Anne broke the embrace and rushed back to the railing so she didn't see the stunned look on Barbie's face, or the hand that came up to caress the place Anne's lips had touched.
"I thought Adrienne did rather well tonight, didn't you, Jane?" Marie asked as she sipped her nightcap in Jane's private rooms.
"Yes, I must say that the depth of her analysis and the completeness of her research surprised me. Her grades as Adrian did not indicate that she possessed such talent. If Jessica had not assured me that this was all Adrienne's own work, I might have suspected my big sister of going a little soft on me."
Marie snorted. "As if that one would ever subvert one of your plans that way. I think it's more likely that Adrienne, like some others I could name, isn't suited to the classic classroom environment. The individual attention you give them in their studies has helped more than one find their way academically. Michael for one. Still, I find the fact that she does possess a good brain encouraging."
"Why is that, dear?" Jane smiled, too sweetly.
"Because it's the dumb ones who give us the most trouble - and don't you grin at me like that, Jane Thompson! You know it as well as I do!"
"Of course I do, Marie. I was just teasing. The smart ones figure out the masquerade faster, so we can proceed more quickly with them. They also are quicker to see the alternatives their feminized state forces upon them, and to see how those changes in behavior might actually be to their ultimate benefit. It takes a flexible mind to accept many of those lessons, and usually, a flexible mind is an intelligent mind, a creative mind. We already knew that Adrian-the-boy was creatively inclined. Now we have very good indication that there is a good intelligence there, too. One we will prod a bit in the coming weeks."
"You could see how disturbing she found those Chinese population control policies and practices," Marie murmured.
"Mostly that was an emotional response, albeit a very good one for our purposes. I was more pleased that she tried to examine the genetic and diversity issues as well. That shows a willingness to explore difficult concepts and to learn new things. Which also bodes well for our student's future."
"So, what's next?"
"I've spoken with Dr. Hearst. She's more than happy to have Adrienne and I come to visit so that the girls can work on their skit. That will give me a chance to meet Dr. Hearst, and it will give Adrienne a chance to solidify her friendship with Xhinea.
"What happens when Adrian comes back? If they truly become friends?"
Jane sighed. "I don't know," she admitted. "At one time, I would have avoided this type of complication, but I'm running out of time, Marie. If Xhinea can help Adrienne, then I have to try and hope I don't hurt either of them in the attempt."
"Well, I'm sure it will work out. You've incredible instincts in these things."
Chapter 31: Breakthroughs
"Ms. Thompson, how good to meet you. I've heard wonderful things about you from my colleagues in Pediatric Oncology." Jane took the proffered hand and decided she liked the look of this woman. Celia Hearst was a woman of in-between height and average build. Her light brown hair was cut short, a factor which Jane attributed to having to wear surgical scrubs because the 'style' did little to enhance her looks. Her face was strongly featured, but not pretty. She had a too-wide mouth, a Roman nose and a stubborn chin. Her eyes were her best feature, Jane mused - large, a bit widely spaced, but a deep, rich brown shot with sparks of gold. However, her face also bore the unmistakable lines of a woman who smiled and laughed easily. She was smiling now.
"Jane, please, Dr. Hearst," Jane smiled back.
"Then I'm Celia. And this must be Adrienne. I must tell you both that I have looked forward to this meeting, both because of your reputation with my peers, Jane, but also because Xhinea has done little else but talk about Adrienne since she attended class." She offered her hand to blonde teen who blushed but accepted the offering gracefully, Jane was pleased to note. Since giving her word, Adrienne had been truly giving her best efforts.
"Thank you for having us, Dr. Hearst," Adrienne said shyly. "I've been looking forward to seeing your daughter again."
"She's upstairs in her room, getting ready for your practice. I see you're already dressed and ready to go," Celia Hearst said as she gave Adrienne's classic mime's costume a once-over. "You'll be practicing out back. We have a little gazebo that should suit your needs. Will we get a preview tonight, I hope?"
Adrienne shot a quick glance to Jane who gave an almost imperceptible nod. "Yes, Dr. Hearst, at least, a preview of whatever we manage to get done."
"Wonderful. Ah, here's Xhinea, now."
Following Celia's quick introduction of her daughter and Jane, the two young people hurried off to their practices, leaving the two adults smiling after them. "Well," Celia said after a few moments, "May I offer you something to drink, Jane? Iced tea? Or perhaps some wine?"
"Iced tea would be lovely, Celia," Jane replied, and then followed her hostess into the kitchen.
Silence was once again the order of the day, as Anne drove the powerful car across New York State's Northern Tier towards the resort area of Lake Champlain.
Things had seemed to grow increasingly awkward between them ever since Anne's impulsive kiss. And it was beginning to grate on Barbie's nerves.
"I liked it, you know," she finally growled.
Startled out of her own thoughts, Skipper flicked a glance over at her frowning companion. "Hmmm? What was that?"
"I _LIKED_ being kissed by you," Barbie answered, heat coloring each word. "I LIKED it a LOT!"
Skipper's eyes went wide before they spun back to the road and away from the intensely glaring blonde. A pink tongue slipped out to moisten lips suddenly dry. "Oh."
"OH? That's all you have to say?!? OH?!?"
"Don't you yell at me, Blondie! I don't know why you're suddenly angry," she flared back, her own emotions on a hair trigger. "What do you WANT me to say?"
"I'm NOT yelling and I'm NOT angry," Barbie yelled back and then caught herself. With an effort, she quieted her voice. "I'm frustrated," she admitted softly. "And, well, I'd like to hear you say that you. . well, liked it, too."
The gentle entreaty cooled Anne's own heated emotions, and she sighed. With conscious effort, she focused her eyes on the road ahead, and flexed her fingers on the steering wheel. Neither said another word for several heartbeats. Then, she sighed again and glanced over at Barbie. "I liked it, too," she admitted in a husky whisper. "But I don't know what to do about it."
Something relaxed inside Barbie, and she managed a smile. "Guess we'll have to find out together, because I've never been down this path before, either."
"Come on, Xhinea, this is not just MY skit - we're both supposed to be working on it," Adrienne complained. "What do you think so far?"
"It's all right," she said in her softly inflected and accented voice.
Reminding herself of her promise to at least seem to enjoy everything, Adrienne forced a smile to her lips. "Surely there's something we could be doing better."
Xhinea's eyes became very round, and Adrienne thought she saw something there, saw her almost say something but then Xhinea closed her eyes and shook her head. "Now, I don't believe that. You had an idea and then decided not to say it. Why won't you tell me?"
Adrienne watched her new friend struggle with something inside. At least watching her wasn't at all difficult, the blonde student decided. Xhinea was cute in that mime outfit of tight red coveralls, barber-pole striped socks and a bright yellow turtleneck. She had her fine, midnight-black hair in a braid that ran practically all the way down her back. Adrienne decided that long dark hair braided like that was really, really pretty, but it was the petite Chinese girl's eyes drew a second, third and fourth look. Almost black, and incredibly expressive. "I...I want us to be friends," she finally stammered out. "I don't wish to offend you."
So that was the problem, Adrienne thought. "Hey, we're supposed to tell each other how to be better, right? That's not being offensive - not unless you're nasty about it - and you don't know how to be nasty. And we ARE friends. So, friend, tell me what you think we should do."
For several more moments, Xhinea simply looked at Adrienne's face, as if seeking truth there. Only Jane Thompson's recent training helped the blond student avoid squirming under that concentrated stare. "Okay," she said finally. "Umm, I think you move too quickly. It's hard to tell what you're doing because it is too soon done and you're doing something else."
Adrienne considered that and smiled for real. "You mean that the audience wouldn't have enough time to figure out what a movement was meant to be doing?" At the hesitant nod, Adrienne grinned. "Good catch. Let's see if we can do it better this time. Now, remember, the door is stuck, and it takes both of us to pull it open. Ready?"
A hopeful smile came to the dark-haired girl's face, and she reached up to put her hands beneath Adrienne's hands. "Ready."
Skipper waited in the car while Barbie went into the motel. It was the fifth they'd stopped at, and the first one not to have the "no" light in front of 'Vacancy' illuminated. They hadn't considered the availability, or rather, the non-availability of motel rooms during high tourist season when they'd embarked on this little journey of discovery. And they'd already found out that they'd missed the day's last ferry trip across the lake. They either got a motel room here, slept in the car or headed south toward Albany. The car was not built for sleeping and they were both too tired to drive much further.
A frowning Barbie walked out of the motel lobby and slipped into the passenger seat. "Well, they had one room left. Two full size beds. I got it for you. We can make calls to other motels and see if we can find another room for me."
"No luck?" Anne asked as Barbie put the phone down yet again.
"None. We were lucky someone canceled out of this one at the last minute."
"Look, Barbie, there's two beds. You can sleep here tonight. I'll change in the bathroom. I don't want you trying to sleep in that car."
"You're sure? I mean, you know I'm not really one of the girls. . ."
Anne snorted. "Look, Roberts. One thing I'm sure of, okay? I am in no danger of you doing anything against my will. So, stay here tonight, and we'll catch the first ferry in the morning so we'll still be able to make New Haven by noon."
The tall blonde gave Anne a telling look, but then shrugged. "I really didn't want to spend the night in my car. Thanks, Skip."
Jane waited until they were on the road before saying anything to her oddly quiet student. "You made progress today," she said. "I think your skit will be well received tomorrow at your class."
Pleasantly tired, Adrienne smiled. "Yes. I think we'll do well. Xhinea has a real eye for this type of thing. Once I convinced her I wouldn't hate her for telling me what wasn't working, things really improved, I think."
"It's hard for someone who never had anyone encourage them, care for them, to take chances with friendships," Jane observed.
The blond head quirked up, and curious eyes considered Jane for a moment. "She's okay."
Jane decided it was time to take a small gamble. "Her mother is concerned about her, that she's so isolated because she has had a difficult time fitting in, making friends. Things like her speech and looks."
"But she's so pretty," Adrienne protested, "And I think her accent is cool."
"She was evidently shy when she arrived here from Mainland China, and her mother worries that she isn't growing out of that."
"She wasn't all that shy with me," Adrienne protested, remembering how stubbornly Xhinea had pressed one point. Then she remembered, "At least, toward the end of our session, anyway."
Jane rewarded her pupil with a smile - a real one, not one of her famous 'gotcha' smiles. "Then you've done particularly well, today, and not just on your class assignment."
Embarrassed and surprised by the praise, Adrienne lapsed into thought for most of the ride home. As they pulled in through the main gate of Seasons House, she reached a decision. "Ms. Jane?"
"Yes, Adrienne?"
"I may change my introduction of Xhinea. I need to think it through, but if I do decide I want do it differently, do you want me to practice it again? In front of you?"
A time to sow and a time to reap, Jane mused. Perhaps it was time to see if the fruit was becoming ripe. "Oh, I think I can trust your judgement in this, Adrienne." *Now,* she added mentally.
"Thank you. Oh, and do you think it would be all right to invite Xhinea here? Say, on Sunday afternoon?"
"I think that could be arranged. I'll call Dr. Hearst when we get home. Perhaps a picnic by the pool?"
"That would be very nice, ma'am."
"Then," and the patented Thompson smile was back, "We'll need to take you to town tomorrow. You'll need a swimsuit, and Milady's Closet has an excellent selection."
Swallowing hard, Adrienne managed to smile herself. "Thank you," she said again before adding, "I've missed swimming."
By unspoken agreement, Barbie had taken first use of the bathroom. She's showered quickly, washed her hair and then brushed her teeth. A careful inspection showed that the resilient cosmetics were starting to fade quickly, and she made a mental note to start using some of the normal make-up tomorrow. She also saw that dark roots were beginning to creep into where she parted her hair - not seriously, but enough that she'd have to make a decision when they returned to Seasons House. Just then, she thought it was time to go back to being a brunette so that she could be Kenneth again if, or rather when necessary.
She slipped into a long cotton nightgown and then exited the bathroom. "Your turn," she told Skipper as she slipped between the covers of the bed nearest the door and furthest from the bathroom. "Okay if I turn off the bedside light and try to get to sleep while you're in there?"
"Sure. The nightlight is enough for me to find my way to bed. Pleasant dreams, Barbie."
"Thanks. You, too."
But sleep did not come to the femininely-turned out young man. Hormones he'd thought himself long in control of raged as images of Skipper, wet from the shower and soapy-slick in living color , played over and over again before his very restless mind's eye. He stifled a moan of near-pain as the gaff he still wore stifled something else.
He rolled to his side, curling into a fetal position when the bathroom door opened, flooding light into the back of the small motel room. Unable to resist, he cracked open one eye as Anne stepped out into that pool of light.
She might as well not bothered with the shortie nightgown as the bathroom's glow backlit her, making her every curve clearly visible through the almost transparent silk. Slamming shut his eye, Kenneth/Kendra/Barbie Roberts began a long night of fruitless sheep-counting as Anne extinguished the bathroom light and slipped into her own bed.
Chapter 32: First Steps
Adrienne suppressed the urge to sigh as the Audi pulled away from the curb. She'd just finished her second session at the class on mime and things had gone well there at least. She and Xhinea had done at least as good a job on their skit as any other pairing - not as well as Mr. Fredricks and his partner had, but they were experienced at this kind of acting. Now, she had another assignment for the next class - another skit, in fact - one where she and her partner would have a tea party. Well, she sure knew more about tea parties now than she ever had in her life, thanks to Ms. Jane and Miss Marie. She'd been a little surprised that Mr. Fredricks hadn't changed the teams for this one. That was okay with Adrienne - she liked Xhinea and Xhinea seemed to like her, too. And besides, they could double up on Sunday and spend some time working on their act, when Xhinea and her Mom came over to Seasons House for the pool party.
Which reminded Adrienne why she was here, standing on the curb, watching the receding Audi disappear around a corner. The heck of it was, she couldn't even decide whether she was feeling relief or resignation. On the plus side, she was now free from Ms. Darla Smith's super-critical commentary for the next hour or two. Unfortunately, that freedom wasn't really free, and in this case, the cost was having to face the torments of Milady's Closet alone and unaided.
"It's only a bathing suit," she muttered to herself. "How hard can that be?"
With a more than wistful glance at a taxicab's receding tail lights, she squared her shoulders, put her 'I'm happy to be here just like I promised' smile on her face, and opened the door to the shop. Whereupon she was met by the gorgeous salesgirl, Sally. "Oh, hi there!" she bubbled. "Welcome back. Ms. Franson is waiting for you in the back."
Pleased that she wasn't going to have to hide her special secret from the girl who made the secret hard and thus hard to hide, Adrienne thanked Sally and headed back toward the modeling room.
"Adrienne," Betty said pleasantly. "Jane tells me you're having a pool party and need outfitting."
"Yes, Ma'am," the teen replied cautiously. "I need a bathing suit - just in case."
"You need that, all right, Missy, but I said you need 'outfitting'. A young lady at the pool requires more in the way of attire than merely a bathing suit. After all, she can't just pull on a ratty old t-shirt like boys do, can she?" Adrienne paled at that, and looked rapidly around her. "There's no one else to hear us, sweetie," Betty said more gently. Obviously, this one was going to be easier now, and Betty decided that she would continue her earlier role of friendly fellow-adventurer. "Now, come on, this will be fun. You do swim, don't you?"
"I love to swim," Adrienne said wistfully, "or at least I did before I came here."
"Then we'll find you a suit and accessories so you can enjoy swimming again. Jane has a LOVELY pool. Tell you what, you pick out some suits that catch your eye and we'll have a private fashion show. Once you've made your selection, I will help you with the accessories."
"M. . me? Pick it out?"
"Oh, it will be easy," Betty laughed and then put her mouth to the teen's ear. "Remember that pretty girl who looks like Adrienne, dear," she whispered. "The one you want to take to the beach."
Later, Betty had cause to wonder if that might not have been the best image to put in the mind of someone who was, all visual evidence aside, a horny young teenaged male. *Well, at least she had the sense, or the modesty, to leave the thongs on the rack. Jane would have killed me. How best to handle this without losing too much ground? Maybe . . . *
"Well, what do you think, Adrienne?" she asked noncommittally.
A totally unexpected giggle bubbled up from inside the young blonde. Then she hastily looked around Betty to see if anyone was nearby before looking up at the older woman. "I think," she said in earnest if hushed tones, "that I don't look anything like that girl we were talking about earlier, Ms. Franson. She wouldn't be caught dead in any of these."
This time it was Betty Franson who almost giggled, but she instead managed a Vulcanic brow-lift. "Oh, and why ever not."
Adrienne could not contain her mirth as she pirouetted in front of the three sided mirror. "Because she's got boo. . .I mean, she has a real figure." The girl-boy ran her hand down her bikini-clad body with all the drama of a car-show model. "Without my. . umm, under-things, I don't. Have a figure, that is."
Betty couldn't help it this time, she laughed. "No, dear, you don't have boobs, but then, neither do many of our customers your age. Why don't we try another style and see if we can't help you as we do them, eh?"
Jane would be pleased, Betty thought thirty minutes later as she watched her young customer examine herself in the mirror. The single piece suit was actually a racing suit but with some special, added design features - such as two small, but visible, silicon inserts in the suit's bodice. "Well?"
"I look good," Adrienne said softly, holding up the mass of honey-blond hair in a gesture so unconsciously feminine, that Betty smiled. "You said something about accessories."
"Yes. A cover-up, maybe a sun-hat, a beach bag and some flip-flop sandals - I have some lovely ones with thick soles that the girls love because it adds an inch or two to their height."
"Damn," Adrienne groaned, wilting for the first time since she'd arrived.
Concerned, Betty moved over to put a comforting hand on the girl's shoulder. "What's the matter, child?"
The face that looked up to her was, despite the cosmetic artistry, somehow not quite so feminine as it had been but moments ago. "Even as a girl, I'm not tall enough. Do you know, I used to get mad at my mother for giving me the short genes and my sister the tall genes? Mad at my sister for being taller than me."
"That's not the only measure of a person, you know," Betty said gently. "In this day and age, it's not even really a very important one."
The snort that answered her was not at all feminine nor mannerly. "How many short guys get the cutest girls, Ms. Franson? They all want guys that will still be taller than they are when they wear their heels. You know how many girls are shorter than I am when they wear FLATS? Over the age of nine years old, that is?"
There was a world of pain there, and Betty felt momentarily helpless in the face of it. Jane would know, she thought frantically, but Jane wasn't here. "Well, off hand, I can think of two young men, both. . ummm, not gifted height-wise, who have done very well for themselves," images of Michael Nash and Darryl Smith floated through Betty's mind. "One's married and the other is affianced, both to young lovely women who are several inches taller than they are."
"The exception that proves the rule," Adrienne said sadly.
"The case that proves there is always hope, if one is willing to work for opportunities and do what is necessary to earn them."
"You mean, like being nice and knowing what girls like? Stuff like that?"
"It's a start. Being a good provider and a caring person helps, too."
"Annie got the 'nice genes', too."
"Oh, I don't know about that. I've had rather a good time this morning. You're fun to be with, when you aren't working at being a little snot."
"That was just me keeping my promise to Ms. Jane. You know, acting like I enjoy being a girl and all that."
"Well, if it's an act, it makes you very nice to be around, but let me ask you to think about this. How much of it was really acting? Oh, I know the clothes and the girlishness are, but were you really only pretending to have fun? Don't answer - not yet. Think about it and then decide. Now, c'mon. Let's get you rigged out and checked out. Darla will be here soon and we still have a great deal to do."
"More?" Adrienne whined, more for form than anything else. "I have to try on more stuff?"
"Of course. The accessories have to go with the outfit and with your coloring, but look on the bright side."
"There is one?"
"Sure is," Betty Franson said with a wicked and mischievous grin. "Just think of Jane Thompson's face when she gets the bill for this little expedition." *That will teach her to leave me alone with a child who's about to go through his crisis point. And I won't even give her the usual volume discount!*
The late afternoon sun was warm on Anne's back as she and Barbie stood on the top deck of the ferry they'd boarded in Port Kent, New York. Leaning onto the safety rail, she felt the wind rushing through her hair and felt marvelous. "Isn't it great?!" she asked, turning to look at her taller friend.
"Great," Barbie agreed without anything resembling enthusiasm. "Just wonderful."
"Oh, you," Anne grinned. "You've been grumpy all day, ever since you got of bed on the wron . . "
"If you say wrong side of the bed, you going to have to swim to Burlington," Barbie growled.
"What IS the matter with you? The sun's shining, the lake is positively BeeeYOUtiful and all you can do is snarl." She tossed her hair and sniffed at such behavior.
"We've driven 800 miles in two days, sight seen, and in between, I've slept maybe two hours, okay? So, I'm just a little bit testy."
"I don't know why you didn't sleep. I slept great!" Barbie mumbled something that Anne thought sounded like "You wouldn't understand." "What was that?" she demanded.
Something seemed to snap inside the tall blonde and Anne suddenly found herself nose-to-nose with fire-eyed Amazon. "I SHOULD have said," Barbie hissed out in slow, measured tones, "that the problem I had, YOU aren't equipped to experience." The memory of Anne's innocent light show of the previous night, of her sleek, curvy body outlined in a halo of incandescent silk, brought back in full force the physiological proof of Barbie's true nature. She groaned in discomfort before locking eyes with Anne once again. "You might as well have been naked last night when you came out of the bathroom - that nightie hid nothing and enhanced, god, EVERYthing. I wanted nothing more than to pull you down into my bed and . . .and. . "
A vivid blush colored Anne's cheeks, but she didn't look away. Barbie saw the hurt look in her eyes before an artificial sneer appeared on lips barely a breath away from Barbie's own. "You'd have what, Blondie? Had your way with me?" she asked bitterly.
All the color fled from Barbie's face and she spun away, heading for the stern of the ship as fast as her heels would permit. Fortunately, Anne was not so hampered, having worn deck shoes in anticipation of the ferry ride. She caught Barbie before she'd reached the crowd and all but pushed her bodily into an athwartships passageway. "Hold it right there, Barbie!" she ordered.
Furious still, the tall blonde turned to face the shorter girl. "I never thought that you'd be such a. . . such a damned tease!" she hissed out.
"I'm NOT a tease!" Anne snapped back, her own temper flaring.
"No? Well, what do YOU call that . . . that little display you put on last night?"
"You idiot! It's only teasing if I didn't mean to follow through!"
"Follow through?"
Anne sighed, her anger melting away. "I had to screw my courage up for ten solid minutes in the bathroom before I could come out in that little bit of froth. I didn't know if you'd laugh, or, well, Hell, I don't even know what I WANTED you to do. Except the one thing you did! You ignored me! Do you think I throw myself at all the guys I meet, parading around like some cheap hooker? I was ready to offer you . . . whatever you wanted, and you didn't want . . . me!"
Anne burst into tears and started to turn away, to be caught by Barbie before she could make a single step. She heard what could only be Kenneth Roberts' voice sigh, "Aw shit!"
And then she was wrapped in a full body embrace while her mouth was being ravaged by an incredibly tender lipstick-flavored kiss.
For Barbie, it was a race to see which aspect of her nature would win out in this battle of confused sensibilities - her primitive need to lay physical claim to THE WOMAN right then and there, or her rational mind that said this was neither the time nor the place. At least, it wasn't while she was Barbie and Anne was Skipper, and in public, no less.
With one last shuddering effort of will, Barbie broke the embrace. Even then, however, she wasn't quite able to completely let go, holding Anne's hands in her own. "At some point, Margery, there'll come a time and a place where we'll alone when this happens," she said with a wicked smile, "And when that FINALLY comes to pass? then, WATCH OUT!"
The soft, sultry heat in Anne's eyes almost had Barbie deciding not to wait, but then she smiled back at the taller woman. "We'll have to wait and see, won't we?"
Hand-in-hand, the pair returned to their car as the boat approached the Burlington, Vermont dock. With a sigh, Barbie opened the door and slid into the passenger's seat before exploding, "DAMN!"
Surprised, Anne hurried around the car. "What? What's wrong?"
"I don't believe it," Barbie sighed. "I just don't believe it."
"What IS it?" Anne demanded.
Shaking her head, and then beginning to laugh, Barbie pulled one of Anne's hands to her right bosom. "One of my boobs just came loose," she hissed, and watched as Anne's face first went blank, and then dissolved into gut-deep laughter.
"Goodness, she's part fish," Jane murmured as she and Marie enjoyed a glass of iced mint tea. "She makes me tired just watching her."
"Trying to outrace the devils, you think?"
"Perhaps. Betty made a point of speaking with me on the phone today, after Darla picked Adrienne up at the shop. Seems our girl has a inferiority complex due to lack of stature."
The little brunette housekeeper snorted. "And that's a surprise? Jane, most of our girls have that to some extent or other. One of the things that makes them well suited to your program is that they are usually, shall we say, on the petite side? You could hardly take in one who is completely unsuited to la grande masquerade."
"True enough," Jane smiled. "Come to think of it, Audrey was the tallest student I've taught here and she was really a girl. Isn't that a strange one? However, back to Adrienne. I think the important part of this revelation is that SHE'S the one who reached that conclusion about herself. She even admitted that part of her resentment of Anne is because she's so much taller than Adrian."
"And how do we use this insight, eh?"
"I really don't know - not yet. I think I'm going to let it simmer in her brain for a while. She's certainly been quiet since she returned - more thoughtful, somehow." Jane watched her student execute a picture-perfect flip turn and sighed. "Adrienne!" she called out in her school-mistress voice. "I won't accept muscle stiffness as an excuse for poor performance in your lessons and deportment tomorrow. I think you've had enough for now."
The rapidly swimming figure slowed, and treading water with one hand, used the other to push wet, clingy strands of blond hair from her face. "Yes, Ms. Thompson. May I do a couple more slower laps as a cooldown, please?"
Jane waved her student on and sat back down. "She hasn't exercised like that since she arrived her months ago. Silly widgeon will hurt herself."
"And then Aunt Jane would feel guilty," Marie teased. "Being a bitch with a heart of gold is so difficult."
"Quiet, Marie!" Jane ordered, unable to refrain from grinning.
"Then YOU can be the one to help her get that mop properly cleaned and set tonight. God, look at her hair!"
"Hmmmm, yes. We wouldn't happen to have any old style bathing caps in storage? Something. . .wicked, you know, pure 1950's Donna Reed with a big yellow rubber daisy on the side?"
"And just when you thought it was safe to go back into the water," Marie murmured with a grin. "If we don't, I'll see what I can do about making one up."
Chapter 33: Night Dreams
Rooms had been easier to come by in Rutland, Vermont, than they had the night before in Lake Champlain. Barbie had managed to obtain two rooms at the Holiday Inn with interior interconnecting doors. She had unlocked hers, but that is as far as she'd go without encouragement. She'd unwittingly hurt Anne the other night, and she didn't want to do it again. They'd made a new start with their little confrontation - had hardly been able to stand not being in contact with each other the whole drive from Burlington to the hotel - and she really did not want to blow that by moving too fast.
But they hadn't talked - nary a word passing between them the entire drove south from Burlington, and not much more than that during their shared dinner at the hotel restaurant. One lesson well learned at the feet of both Jane Thompson and Judge Ruth is that talking, especially about problems, helped. It was something Barbie definitely wanted to do, too, because she had questions that she desperately wanted answered; questions only Barbara Anne Braithwaite could answer. At least three times since dinner, she'd walked up to that infernal door and raised her hand to knock, only to pull it back at the last second. It wasn't fair, she realized. Given Anne's revelations earlier on the ferry, she'd already been the one to make an overture - one that Barbie had, in ignorance, rebuffed. Still, some instinct told the tall blonde that the next move had to be Anne's, too. She just hoped the girl would move sooner rather than later.
She'd just finished her evening ablutions, and pulled on her robe when a soft, almost tentative knock sounded on the door to Anne's room. "It's not locked," Barbie called out, her heart suddenly pounding.
Slowly, the door opened and a blank-faced Anne, her tall frame swathed from neck to toe in a shapeless cotton grannie-gown, stepped in. "Hi," she said as the door closed behind her.
"Hi, yourself," Barbie replied, trying to smile, a smile that went unanswered as Anne simply stared at her companion. "What's the matter, Anne?" Barbie asked.
Sighing, the girl took a seat on the other side of the room. "I guess that's what I wanted to know. After this afternoon, with that. . .that kiss, and then the hand-holding, and then the rooms with a connecting door, I sort of thought, I mean, I figured you would expect. . oh, hell. . "
"I can guess what you thought. I was certainly thinking in that direction, too, when I got the rooms, that is. Trouble is, though, that I got worried you might think I was rushing you too fast, particularly after. . .after this afternoon. So I sort of decided to back off - to give you a little space."
"I see. I was getting mixed messages, you know? Like a street light that is turning its lights on and off at random in all directions. I don't know whether to stop or go just now."
Barbie winced. "I guess I've spent too much time with women. I'm trying too hard to second guess myself - to second guess what you're feeling. Look, just let me say this once and for all. I wanted. . WANT to be with you tonight. I just don't want it to be for any other reason than that's what YOU want just as much."
"Oh, but I do," she blurted, before visibly hesitating, ". . . want that. . to be with you, I mean, . . . "
"I hear a 'but' there, Skipper," Barbie said as gently as she could manage under the circumstances.
"It's not really a 'but' so much as. . . as. .," her voice trailed off and a fiery blush colored her face.
Tongue firmly and obviously planted in one cheek, Barbie strove to look innocent. "Maidenly anxiety? Virginal reflection? Cold feet?"
Anne's eyes went wide and for a moment her mouth went open and closed, as she tried to form a cogent response. Finally, she choked on a half laugh. "Bitch." and then began to giggle.
Barbie let the laughter cleanse the tension from her friend before answering. "Yeah, you're right. Good training from both my adoptive moms, I guess." Then her face softened. "Better now?"
Anne nodded, her face still bright with the relieved mirth of the moment.
"Good. . .then, can I ask a question? You don't have to answer, but I'd really like to know." The other girl nodded slowly. "Why were you so bloody cheerful this morning, if you felt, um, rejected over last night?"
Skipper blushed, and looked away. She curled her feet beneath her in the chair and for just a moment she looked like a little girl caught with her hand in a cookie jar. Her voice was light and soft, not quite whispering when she finally said, "I guess it's because I realized that I wasn't as, um, ready for, well, whatever would have happened last night as I thought."
Her head came up and she looked Barbie directly in the eyes. "I'd have, um, followed through, if you'd have . . . pushed - or pulled. I'm NOT a cruel tease. But part of me was grateful that we, um, didn't - do anything, that is. I guess I felt like I'd been given a reprieve."
Then Skipper blushed again, even brighter than before. She looked away, her eyes seeing memories instead of the scene before them, and this time her voice did drop to a faint whisper. "Though, after that kiss I'm not sure the, um, 'reprieve' was the better deal."
Barbie sat back and thoughtfully regarded the nervous blonde, then she grinned. "C'mere, cutie," she ordered, beckoning with one finely manicured nail.
For a moment, Anne looked uncertain. Barbie only smiled and beckoned again. Then, the granny-gowned girl seemed to square her shoulders before rising to her feet to stride across the motel bedroom to stand before Barbie. She yelped in surprise when she was suddenly swept off her feet into the taller girl's lap. . . and held - simply held. Barbie was gently cuddling her - almost as she might a child, except Anne wasn't a child.
Still, it felt good, and it felt right. With a sigh of contentment, Anne let herself relax in Barbie's arms.
And fell asleep.
For time unmeasured, Barbie simply sat there, savoring the feeling of holding Anne, breathing in the scent of her herbal shampoo on her still damp hair. So she was surprised when a glance at the bedside clock told her how late it was getting.
Her heart rebelled at waking Anne and losing the delicious peace of having her so close, and yet, if she tried to carry her to the bed, she might awaken anyway.
Carefully, barely moving so as not to jostle her precious burden, Barbie lifted her legs to prop them on the nearby bed, and then slouched down into the almost comfortable chair.
She carefully settled Anne against her body, trying to make them both as comfortable as possible. The lightly snoring woman didn't even murmur, and moments later, Barbie joined her in sleep.
Something was tickling her nose. Unwilling to wake up, she scrunched her eyes more tightly shut and batted at the irritant with her hand. The tickling stopped, but only momentarily, and then it was back. Determined not to lose the wonderful fuzzy warmth of near-sleep, she batted again.
And struck something hard.
Anne's eyes shot open, but took a moment or two to focus and adjust to the morning-lit room. When they did, she found herself practically eye-to-eye with a grinning Barbie - a grinning Barbie who had a lock of Anne's own hair wrapped around her index finger. Hair, that she had been using so. . . annoyingly on Anne's nose.
"I don't know about you, gorgeous, but as lovely as this feels, I really need to go the bathroom."
Full consciousness hit Anne, and with it, the realization that her bottom half was practically bare for the oh-so-modest granny-gown had hiked itself up all the way to her hips while she'd slept.
While she'd slept using Barbie as a warm-bodied mattress!
With a squeal, she jumped off the taller girl. "I'm so sorry! I didn't mean to, that is, I mean. . Oh blast! I am sorry."
"I'm sure as hell not," Barbie grinned, as she carefully untangled herself from the odd position in which she'd passed the night. "Except for a bit of a twinge in my back from that chair, I can't remember a night I enjoyed more."
"En-JOYED? But we didn't do anything but SLEEP!"
Barbie brushed a tender kiss on Anne's still wide-open mouth and headed toward the bathroom, "And just sleeping with you is the most intimate experience I've ever shared with a woman. Boggles the mind what it will be like when we finally make love, doesn't it?"
The bathroom door was already shut before Anne's befuddled mind cleared sufficiently to make heads or tails of what Barbie had said. Then it hit her. "WHEN we make love? WHEN?!?!" she demanded of the blank portal.
The door swung open, "When, darlin' - we're way past if," Barbie promised. "Better go get dressed. I'm hungry, aren't you?" and then reclosed the door.
Jane watched the three bathing-suited figures frolic in her pool - one blonde, one strawberry blonde, and one with the pure black hair of Asia. Jessica had been reluctant to participate, she thought with an indulgent grin. Apparently, even someone with Jesse's unusual knowledge and experience with the masquerade got a bit apprehensive about appearing only in a swimsuit.
Marie was supervising at the pool, and catering the teens' party at the same time. They were evidently having a very good time, despite Jessica and Adrienne having to keep their secret, and despite Xhinea's shyness.
"I want to thank you for what you and your students, especially Adrienne have done for my daughter, Jane."
Surprised, because in her reveries, Jane had all but forgotten the presence of the other woman. "Pardon me?"
Celia smiled at her new friend. "Xhinea has been terribly lonely since she came here - first because of her lack of English, and then because she's, well, not the most outgoing child. Adrienne has been very good for her. I'm glad she's finally made a friend."
Warning bells went off in Jane's head as she considered the full impact of the doctor's words. "I'm . . . glad, too," she finally managed to get out with some semblance of good feeling. *DAMN!*
As the BMW sped down the interstate toward New Haven, the two statuesque blondes retreated into their prior silence. It was more Skipper's choice than Barbie's. The taller blonde's lighthearted comments on casual topics had led nowhere, polite responses from her companion almost worse than no response at all. Finally, Barbie decided to take the issue head on, pushing to find out what was bothering Skipper.
"Penny for your thoughts," she offered hopefully.
"Hmmm? What?" Skipper replied, her attention wrenched back from a distance not measured by the car's odometer.
"Why the silent treatment?" Barbie asked. "I didn't offend you, did I?"
The shy look came into Skipper's eyes again, and she looked away to stare down the highway. Then she took a deep breath. "I guess it's because I don't know what to say. What I'm feeling - it's so big and so different from anything I've ever felt before. . . I just don't know what to say or do, and I don't want to mess it up!"
"Damn."
"DAMN?!?" Anne squeaked. "Why 'damn'?"
Barbie let out a pent up breath of frustration. "'Damn' because for the first time, I wish this damned car had bench front seats so I could slide across and cuddle up to you."
"Oh," Anne said weakly, and then added more strongly, "Oh." A shaky giggle escaped and she turned to glance at Barbie with a look that was at once shy and mischievous. "Well, I don't think that would be a good idea, Blondie. With that gear shift console there, you might just hurt something. . ummm, vital."
Instinctively, Barbie clamped her thighs together protectively, and then blushed furiously. "Uh, right. Oh look, only another fifty miles to New Haven. You'll like Tia Judith."
"Tia_ Judith?"
"Would you believe that her maiden name was Duarte?"
"And you call her 'Tia'? Isn't that Spanish for 'Aunt'?"
"Yep. Another one of Momma Ruth and Momma Jane's Sorority Sisters."
"Oh my."
Adrienne felt more than a bit of anxiety as she waited to be admitted to Jane Thompson's study. Her presence had been commanded during dinner, following cleanup. Some of her worst experiences had been in that room, usually following some failure on her part to follow the rules. She could only wonder what she'd done THIS time.
"Enter," was the firm, but not stern command.
With one final deep, cleansing breath, Adrienne Braithwaite opened the door and stepped inside to face whatever had to be faced, and in keeping with her promise, as cheerfully as possible.
Chapter 34: New Acquaintances, New Friends
Whatever images Anne had conceived of Barbie's 'Tia Judith', none of them came close to the reality of the woman.
Judith Duarte Cranston was a perfect pixie of a woman with the odd combination of auburn hair and olive skin that is unique to women of Hispanic heritage. Her shocking blue eyes smiled even when her lips didn't, which was in and of itself rare. And she wore the persona of madcap art dealer/entrepreneur with a panache Anne could not help but envy. How many women, she wondered, could wear a bright red gypsy headcloth combined with a floor-length gown of tie-dyed green, yellow and blue silk while wearing a pair of red ice-pick heels, and still look chic?
Barbie's Tia Judith was the first in Anne's experience.
The little college-town art shop was empty when they arrived, so Judith had come up to them with a smile of greeting. "Hello," she'd said in a smoky alto that had Anne thinking of 1940 film noire femme-fatales. "May I help you?"
"Sure can, Tia Judith," Kenneth's voice replied. "Tante Marie's birthday's coming up, and I need a special gift?"
The look on the older woman's face was priceless, Anne thought, absolutely priceless. *At least I'm not the only one Barbie/Kenneth/Kendra does that to,* she mused, oddly pleased with the thought.
"Oh, God, KENDRA!" the gypsy squealed and then threw herself into the tall blonde's arms. "It's so GOOD to see YOU again! I know how Kenneth has missed you, even if he didn't admit it."
Then it hit Anne. "You know!" she said in wonder. "You know about. . . Kendra."
Releasing her death-grip, but not letting go completely. "Of course. In fact, my nephew is one of Jane's graduates."
"How is Guillermo?" Barbie asked, her voice now back in 'girl' mode.
"Fine. He's still at seminary. He should complete his studies next spring. Then he'll have to decide whether he's going to actually take holy orders and be ordained."
"A PRIEST?!?" Anne demanded. "A Jane Thompson graduate is entering the priesthood?"
"That's the current plan," Judith replied. "We're all very proud of Georgie. Wait here." Judith went to the front door and locked it, putting up a 'Back Soon' sign in the window. "Come on back and have some tea. I can't wait to find out what's going on here. Oh, Tamara is going to be so upset she missed you, dear. She's at camp in New Hampshire this week. You'll stay the night?"
Dazed by the seemingly disconnected jumps in Judith's monologue, Anne could only follow, wondering what this incredible woman would say or do next.
Adrienne Braithwaite sat quietly in front of the satin-decorated vanity, brushing her hair almost mindlessly as her eyes stared at pictures beyond her mirror. The memories of the day's events played across the theater of her mind with stark clarity.
She'd had fun today - for the first time since she'd arrived in Jane Thompson's frilly prison. Only that wasn't quite true - today was the first time she'd had fun - real fun - in longer than she cared to remember. The so-called good times in recent years had all too often been at the expense of someone else. It wasn't having fun, she realized, so much as making fun - of someone who couldn't, or in the case of Anne, wouldn't defend themselves.
That wasn't fun - that was cruelty.
And that was why she was here, wasn't it? Adrian had run with a pack, safe within its numbers and had hurt people whose only crime was to be unable to defend themselves. It was a wonder that the Judge had given Adrian anything other than a one-way ticket to juvie.
Which made her current situation even more difficult. Just when she'd recognized how cruel Adrian had been, THIS had to happen.
"Oh, god, what am I going to do?" she asked the tear-stained face staring back at her from the mirror's silvery depths. "What AM I going to DO?!?!"
"How long have you known about Ms. Thompson's program, Ms. Cranston?" Anne asked as she waited for Barbie to bring in their bags.
"Please, call me Tia Judith, dear. Oh, I've known just about forever, I think. Jane and I were roommates as freshmen. When she found out what was going on at Eastmore, she had to tell someone, and since I lived close by, she called me."
"And you had no problem with your nephew. . . going to her? Knowing as you did what she does to those boys?"
"Dear, I know Jane and so of course I had no worries sending him there. In fact, I was the one who contacted Jane when Guillermo was in all that trouble - to see if she thought she could help. Poor Georgie," Judith reminisced, a fond smile on her attractive face, "I am afraid the poor dear did not make a very attractive girl - at least in the beginning because he was a bit, well, chubby, so the program was doubly tough on him. A side benefit of Jane's program is that he learned good eating habits and lost about fifty pounds in the bargain during the six months he spent with Jane and Marie."
"But you weren't worried that it might, well, change him?"
"That was the whole idea!"
"But he's decided to be a priest - giving up. .. " Anne blushed as she realized what she almost said.
Judith laughed merrily. "You mean sex, dear? Put him off women? Make the vow of chastity all the easier for him to escape our evil clutches?"
There was a wicked twinkle in those startling blue eyes that made Anne relax somehow. "Well, yes, wouldn't he? Didn't he?"
"Oh, lord no! In all honesty, dear, I don't think he'll take final vows because he likes women too much. In fact, with what he learned at Jane's, he became quite, um, popular with the ladies. I mean, wouldn't you like a guy who *really* knew what a woman liked and disliked, how much time it took to get ready to go somewhere, who could choose presents for you that were stylish instead of sluttish?"
That wicked grin flashed again, and Anne felt herself blushing again. What WAS it about these Jane Thompson friends that made her color up like an over-ripe tomato at the drop of a comment?
"Oops, silly me," Judith laughed gaily. "Of course you do, don't you? Anyway, back to Georgie - it's just possible he was considering becoming a priest because he felt he needed a little . . . extra incentive to keep his zipper up, if you know what I mean. I don't think that's a good enough reason to be a priest, of course, and if he decides that's really his motivation, he won't either. But in the end, that doesn't matter. We'll love him anyway. And he'll find another way to help people. That's just too important to him. If he does, it will be because he has a tremendous need to . . . to help and because, well, he wants to be a model of what is good in the priesthood."
"You're so proud of him, and that's wonderful."
"Thanks in large part to Jane, Anne. This is really about your brother, isn't it? You're afraid his sexuality will be adversely affected by the discipline she enforces on her students. Well, you can put that out of your mind right now. Jane would cut her own throat before she did anything to harm a child. ANY child."
"You sound so certain of that," Anne said.
Just then, Barbie walked through the doors, cases in hand. "Usual room, Tia?"
"Yes, dear," the tiny redhead beamed. "And put Anne's things in Tamara's room, please." Judith then paused, obviously waiting for the tall blonde disappear up the stairs. "There's your answer, child," she continued. "As the French might say, 'Cherchez la feminized' or something like that. Jane knew something was wrong with Kenneth's case in the first two days, and she stopped what she was doing, even though every piece of documented evidence indicated he was a hard case bad kid. Rather than make a mistake, she stopped. If she's still working with your brother, then trust me, she's helping him."
When the blonde did not reply, only stared off reflectively, the petite Latina kissed her on the cheek. "Everything will work out, dear. Now, c'mon. You can help with dinner. I'm fixing paella for Barbie. She needs a break from Marie's French cuisine."
Jessica watched her little sister carefully, her brow furrowing in concentration. Something didn't quite fit. There was something . . . odd about the way Adrienne had been behaving ever since breakfast. Oh, she'd done her exercises without complaint, cleaned up both breakfast and lunch dishes with a smile on her face, for goodness sake - she'd even thanked Aunt Jane for the critique of her outfit and make-up.
Yes, indeed, something was wrong here. She'd spoken with Tante Marie about it after breakfast, and the little housekeeper had assured her that students going through 'the crisis' sometimes behaved a little strangely until they worked things out. They just bore a little extra watching is all.
Which Jessica had done, and she was more convinced something was wrong. Problem was, if Jane and Marie didn't see it, why didn't they see it? Maybe she should try to sound Adrienne out a bit. Maybe she'd talk to her 'big sister' about something she wouldn't talk to the two older women.
Chapter 35: Night Moods
She was SO tired, and yet sleep would not come. The glowing alarm digital clock had malevolently shown 2:45 A.M. when Adrienne had finally given up and turned on the feminine Tiffany lamp on her night table. Her desk, and the paper that rested there had drawn her in spite of her best efforts to resist.
She reread the twenty five hundred word essay, even though the text was familiar. With a sigh, she went back to her bed and for the first time since she'd been transformed, cuddled up to the large stuffed bear Marie insisted belonged there as much as Adrienne did. In the little halo of colored light thrown by the small lamp, her mind drifted back to what she thought of as the 'good old days', when Adrian's parents were still alive. Adrian had never, not even for a moment, needed to worry about whether his parents had wanted him - about whether he was loved and valued. Then, in a moment of rare self-honesty, she admitted that Barbara Anne had never given her cause to doubt her care and love either. Maybe that was why Adrian had felt safe in lashing out at her - he knew she'd never leave him, never give up on him.
Which made Adrian pretty much a louse, didn't it?
When she thought of what Adrian had, and not valued, and compared that to what Xhinea, and so many other girls like her in her homeland, DIDN'T have, it made her feel very ashamed. That girl had overcome so much - a new country, a new language, but at the same time, it was clear that she was lonely here. She'd seemed surprised when Adrienne had preferred spending time with her over Jessica.
God, but she was cute in that golden swimsuit at the swim party the day before. Definitely 'ask-to-go-out' cute, and yet, Xhinea was a friend, too. Somehow, in a way that Adrian had never considered about a pretty girl, that was more important.
Talking to Jessica hadn't helped. Maybe because Adrienne hadn't been willing to open up to her. After all, Jessica called Ms. Jane 'AUNT Jane' and Adrienne had never been too sure of that one's protestations of friendship. After all, hadn't she been the one who stuck Adrian with the name Adrienne?
God, but she wished she knew where to turn - who to trust. Class was tomorrow. . no, today - this afternoon, in fact, and she still had no idea what to do.
She rolled her head over to look at the alarm clock. 3:22 AM. No wonder she was exhausted, and Ms. Jane would expect her at the breakfast table precisely at 7:45 AM - bright eyed and appropriately made up.
Thinking of Ms. Jane reminded the boy-girl yet again of their little discussion after the pool-party. Grimly fighting against the loneliness those thoughts evoked, she ruthlessly pounded her pillow and flicked off the light.
And closed her eyes tightly against the tears that burned their way down her cheeks.
The Westminster chime of the Grandfather clock in the main hall rang four bells. Giving up on sleeping, the tall blonde turned on the bedside light and got to her feet. With fatigue weighing heavily upon her, she strolled over to the vanity where she sat down, her eyes fixed on the reflection of herself.
She'd been hoping that Anne would find her way to this room after Tia Judith had retired for the night, but evidently she'd decided to stay in her own room. Probably didn't want to impose on Tia's hospitality that way knowing the very polite Anne.
Lord, but she hoped that was the reason. In one night, Barbie had become rather addicted to having that long, shapely body cuddled up to her own as they slept.
She, no, check that, HE wanted to sleep that way for the rest of their lives. "You're in love with her, Roberts," the femininely attired young man admitted aloud to the mirror's reflection. "Now, what the hell are you going to do about it?"
Well, that was certainly a no-brainer. He wanted to marry her! Tomorrow wouldn't be too soon, would it? The laugh that answered that question was both self-deprecating and sardonic. The answer Momma Jane would give that question didn't bear thinking about. He didn't think she could still order him into Raggedy Annie outfits, but he didn't want to test that theory, either.
No, their wedding WHEN, not if, it happened would take even the very formidable Jane Thompson and Tante Marie several weeks to plan - at the very least. Probably several months, Ken/Barbie thought glumly.
"Aren't we putting the horse before the marriage-carriage here, young Jedi?" he asked the mirror. A woman like Anne deserved a wedding like that - something she could remember with joy her entire life - the only one she'd have her entire life because Kenneth Roberts intended to be the ONLY man she'd ever call 'husband'. Well, that meant an Aunt Jane extravaganza - once she agreed to marry him, that was.
And shouldn't the proposal be just as memorable? Kenneth's brothers, although both had finally won the women of their dreams, had not done the proposal thing as well as they might have wished. Michael had gotten Janice to do the proposing, which knowing Janice had probably been the best thing to do. And Audrey had basically ordered Darryl to propose. Well, that wasn't going to happen this time - THIS one of Jane's boys was going to do the proposal thing right.
"I need a plan!" he said, racing for Barbie's luggage where the current volume of the daily journal Kenneth Roberts had kept since childhood was packed.
"Let's see. Romance, gotta be romantic," he said aloud as he returned to the vanity and began to write. "Dinner - very swanky. Have Jane take her shopping - Marie, too. Dream dress, lingerie, everything - for HER, not ME! Ken Roberts does his proposing in a tux with all the trimmings! Hmmmm. Have to ask Caro and Sandy to do a makeover for her. Flowers and candy -can't have a romance without flowers and candy. Petunias and orchids, I think. Midwest cute with exotic sexiness. Dancing. . . there has to be dancing. Wonder what her favorite love song is? Note to self - find out and have the band play it so I can go down on bended knee on the dance floor to offer her the ring. OMIGOD, I've got to get a RING? DAMN! What kind of stone?!? A diamond? Too cold for her. She needs something with heat to match what she tries to hide. I think maybe a colored stone. . . . an emerald, maybe. Note to self - ask Tante Marie - she's the romantic expert in the family."
The tall blonde filled whole pages of the journal making notes and plans until well after the sun had crept above the eastern horizon, but by the time Kenneth Roberts crawled back into bed, he was sure he now had the perfect plan for Operation Marry Skipper.
Chapter 36: The Best Laid Schemes
"You're still upset." Jessica said to Adrienne, as she helped the junior student set the table for breakfast. "You're sure you won't talk to me about whatever it is?"
"I told you it's nothing!" Adrienne snapped, and then closed her eyes at least partly in shame. "Sorry - I didn't sleep well. I shouldn't have snapped at you."
"If it's costing you sleep, it's more than nothing," the strawberry-curled teen offered gently. "It might help to talk about it."
Fatigue-fired anger started to flicker inside Adrienne's breast, but this time she tamped it back. "I don't think so, but thank you, Jessica," she said with stiff formality.
"You're afraid I'll go to Jane with it before you've worked out whatever it is that's bothering you." It wasn't a question.
"You are part of this, Jessica," the junior student said flatly. "How much, I don't know, but it's become clear to me that you've been involved on several of the setups Ms. Jane has pulled on me."
She could have refuted that charge, Jessica thought, but that would have simply supported Adrienne's unstated assumption that she could not trust the older girl with her secrets. What to do, she wondered. If she went to Jane and simply said 'Adrienne is having real problems' and Jane reacted, wouldn't the girl decide that, too, justified her opinion? "You need to talk to someone."
"Who?" Adrienne asked. "I won't go to anyone in this house or in town, and who else could I talk to who would understand . . . understand. . "
"That you're really Adrian under that nightgown, peignoir and makeup?" Jessica finished.
"Right. Someone who wouldn't think less of me, for having let her do this to me, and might still help me. . . figure this out."
Jessica thought for a moment, trying to figure out who the child could ask. "How about your sister?"
"She won't talk to me."
"She will if Aunt Jane tells her it's okay."
Hope sparked in the weary eyes, but only for a second. "Ms. Jane will listen in, and until I know in my heart what the right answer is, I don't want her involved."
"Are you planning on escaping, or trying to hurt anyone here?"
"OF COURSE NOT!" the answer was firm, the tone utterly outraged.
Perfect, Jessica thought. "I'll talk to Aunt Jane for you. If you like, I'll take you to the convenience store down the road and you can call from there. That way Jane can't listen in. Your sister might still talk to her about it, though," she added in bit of honesty.
"I'll only do it if Annie promises not to talk to Ms. Thompson before I give her the go ahead. Tell your Aunt that, so she'll know before she agrees. I'm not trying to play unfair here, Jessica, but this is something I need to work out without Ms. Jane telling me what to do."
"Fair enough. Look, you finish setting the table and I'll go find Aunt Jane, okay?"
"Okay, and Jessica? Thanks."
"Anne?" Judith called, even as she gently shook the tall girl's shoulder to help her wake up.
"Mmmm hmmm?"
"Wake up, Anne," Judith ordered.
"Wha. . .Tia Judith? What is it?"
"You have a phone call - Jane needs to speak with you.
Jessica watched her little sister approach the outdoor phone cubicle, Jane's phone card clutched in her hand - almost like a weapon. *Well,* she thought, *if I am wrong about this, then it might very well have much the same effect for Jane's program. I almost can't believe Aunt Jane bought into this wild hair of mine.*
In fact, it had taken some heavy duty . . . debate to get Jane to agree to this, but in the end, it was her own conviction that Adrienne was about to turn the corner that convinced her to go along with Jessica's plan.
Now, all Jessica could do was hope she wasn't badly wrong about this plan.
Adrienne stifled the urge to yawn as she picked out the phone number Jane had given her and then entered the phone card data.
"Hello?" a cautious feminine voice answered.
"Annie?" Adrienne asked. "It's me. . Adrienne. . I mean, Adrian, oh, hell, I don't even know myself anymore."
"Jane told me you would call, and that you would be using a public phone," Anne said, her voice warming just a bit. "Why don't you use Adrienne, so that you don't draw attention to yourself."
"O. . .okay. Anne? I need some advice. I have a problem, and I don't know what to do, okay?"
Actually, that wasn't quite true, either. As she'd concluded during her long sleepless night, there were solutions available to her that would effectively solve her problem - at least two of them, in fact. The real problem with which she was struggling was that either solution had the potential to hurt someone. She just didn't know who would get hurt worse, or whether that mattered in the long run. She wondered if this was what Ms. Jane would call an ethical dilemma.
"Annie? May. .. May I ask you a question? . .. .Please? It's sort of personal."
"Sure," Anne said before adding quickly, "but if it's too personal, the answer might be just that."
"It's not that kind of question!" the boy-girl spluttered in surprise.
Anne couldn't help it and laughed gently at her sibling's outrage. "That's okay, then. What's the question?"
"Umm, it's kind of hard, but have you ever had to make a decision, where if you make it one way, you're sure of what will happen - at least you think you are. It will be, well, pretty uncomfortable for you. On the other hand, if you go the other way, it won't hurt you at all, but might bother someone else - how badly, you don't know."
The voice at the other end of the phone connection didn't answer immediately, and Adrienne found herself sincerely wishing she could see her sister, could see if that normally smooth brow furrowed for just a moment, or if her lips curled into a bit of a grimace. "That's a very broad question, um, Adrienne, and as you said, quite personal."
Anne thought about the decision she'd made when her parents died to take on her brother at the cost of finishing her own college education, or the ones she'd recently been confronted with - to leave her brother in the hands of Ms. Thompson, or the one she'd made to accompany Kenneth, as Barbie, to his Mother's funeral. Both had hidden costs and potential hurts involved, to herself and to others. Oh yes, she thought, she knew about Catch 22 situations, but they weren't the type of situation she wanted to discuss with the brother who was still rigged out as a girl because of those decisions.
"Yes," Anne sighed into the phone. "I did, but I won't discuss them with you just now."
"Oh, that's not what I meant. What I was hoping you might tell me is, well, what things you considered when you made the decision you made. You probably would have thought of things. . .well, types of things I haven't."
"I don't suppose you'll tell me the problem," Anne asked cautiously.
"It's something Ms. Jane has given me to . . .to think about, and . . and. . Look, Annie, you know why I was sent to Ms. Thompson, right?"
"Of course I do," she replied. "What has that to do with this conversation?"
Adrienne wondered at the touch of sharp asperity in her sister's voice - it was a tone she hadn't heard very often from the soft-hearted Barbara Anne. She wondered what had caused that? "Look, Sis, we both know that I don't have a whole lot of experience thinking about someone other than myself. Left on my own, I'll probably miss something important."
*Damn!* Anne thought. *I WISH I knew more about what was going on behind the scenes at Seasons House just now, and yet, would that make a difference to me? Would my answers to her change?* The tall blonde thought about that for all of maybe two seconds and shook her head. *Whatever else, my brother deserves my best shot and complete honesty. When in doubt, Braithwaite, tell the truth. It may not help, but it will be better than the alternative.*
"I can only tell you that, besides the obvious, there were two things I had to consider that ultimately made the decision for me," her older sister finally said.
"Yes, Sis?" Adrienne asked eagerly.
"First, I asked myself if what would happen to me was really as bad as I thought it was. In other words, was I making the potential risk to myself seem larger in my mind that it would be in fact."
Adrienne frowned as she considered that and tried to put it in the context of her current situation. Her fatigue-dulled brain rebelled so she filed it for future consideration and returned her full attention to the phone. Perhaps her second point would be easier to apply, and would make struggling with the first point unnecessary. "And the other thing, Anne?"
"I asked myself how bad it would be FOR me if the potentially bad thing happened to the other person." The phone line went momentarily silent and Anne wondered if the connection had been lost. "I cared . . . cared a great deal for that person, Adri . . ah, Adrienne. Had yo . . had that person been hurt, it would have hurt me just as badly, if not more so."
Adrienne had never thought of such a thing, and it frightened her to think that, regardless of what she did, she could be hurt.
They both lapsed into silence for several moments, both siblings lost in their own thoughts. Finally, Adrienne had to ask. "Annie? Please, how did you decide?"
For another space of time, nothing passed between them across the distance. Finally, a long, drawn-out sigh signaled her sister's decision to answer. "I elected to take the heat myself," she said in what Adrienne thought was a very odd turn of phrase from Annie. "Hurting that other person carried too high a price. In trying to protect myself, I'd have only hurt both of us more in the long run."
"Oh."
Anne stared at the buzzing phone set for several moments before slowing returning it to the cradle. She was suddenly terrified she might have done the wrong thing. How would her . . . sister-brother react to that discussion? She should have insisted on knowing the problem, but she didn't, and now, she didn't know what to do. Who could she talk to?
And then, the answer was there. Thought became deed as she strode swiftly from the room and practically ran up the stairs to the guest room.
She didn't even bother to knock. She simply opened the door and entered. "Barbie?" she called to the blanket covered lump curled in the center of the large bed. "I need to talk to Kenneth - NOW!"
Fortunately, Barbie/Kenneth Roberts was, as she already knew, one of those disgusting people who woke up instantly, fully alert. She could almost hate him for that - almost, but not now.
Jane's antennae were quivering - every instinct developed over thirty years of working with over one hundred troubled boys told her this one was teetering on the edge of the transition. Because of that knowledge, she'd almost refused permission for Adrienne to speak with her sister. In the end, it had seemed she was damned if she did and damned if she didn't. She really wished she knew what was going on inside the bleached blond head, but this was the moment at which she could least anticipate what her student was thinking or what she might do. *Which is precisely why it's a crisis,* she reminded herself. She'd decided to allow the contact because, at some point, she had to trust her instincts and they all told her this child was ready to make her, or rather his own good decisions.
That did not, however, mean that the ultimate control freak of Seasons House could completely let go. Jane now wished that she had called Darla and told her that she'd accompany Adrienne to mime class that afternoon. *Those instincts, again,* she thought, laughing wryly at herself. *I should be there this time. Just wish I knew why.*
Just then, her private line rang. Picking it up, she was surprised when the voice on the other end was Kenneth's tenor. "Hi, Momma Jane. Anne needs to talk to you."
"So, that's what happened. What do we do now?"
Kenneth sat on the bed, outwardly still Barbie, but acting and speaking like himself now because Anne had requested that. "Have you spoken with Jane since you talked with your sister . . I mean, your brother?"
Anne choked back a half laugh, half sob. "I could hardly keep it straight either. He called himself by his male name, but the voice and intonation were feminine throughout. To answer your question, though, no. I guess I should have."
Kenneth reached for the bedside phone and slipped the receiver beneath Barbie's blond curls while he punched in a number from memory. Anne watched him listen for a few moments and then heard his voice say, "Hi, Momma Jane. Anne needs to talk to you."
He handed the receiver to her. "Tell her what you told me. I'll tell Tia Judith we need a quick breakfast before we head out. Tell Jane we can be in Kingston by about two pm this afternoon."
"Ms. Thompson? I. . . I wanted to tell you about the call from Adrian. . I mean, Adrienne."
End Part III
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Seasons of Change
Book 14 - Part 4 of 4 Tales of the Season
Ken's Barbie Copyright © 2002,2013 Tigger
All Rights Reserved. |
Acknowledgments: My sincere thanks to Brandy Dewinter for the gifts of her creativity, her vision, her eye for 'just the right word' (and wrong one of mine) and her, ummm, persistence. Special thanks to the 'Blue Pen of Sonora', Denise Em, for the many hours she put into proofing this. At some point, it becomes impossible for me to read what I wrote, because I 'see' what I thought I wrote. Any remaining errors are mine, probably because I wrongly thought my way was better than Deni's. ~Tigger
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Chapter 37: Breakthrough
After the mime tea-party skits, Adrienne foolishly let herself get trapped by 'I'm gonna be head cheerleader someday' Lori Hathaway and her clique of curvy chicklets.
"Hey, Adrienne, what was all that bit about using two hands on everything? Were you trying to say the teapot was heavy or something?"
"It was a formal oriental tea-ceremony, Lori," explained Adrienne. "Cradling the teacup in both hands, and offering it gracefully with your whole attention, is supposed to imply you are offering yourself as well - as a gesture of commitment and friendship."
Lori's partner, Naomi Rand, said, "Yeah, that's what it looked like all right. If 'Skinny Shinny' had held your hand for about two more seconds when you offered her 'yourself', I was gonna call the cops on you perv's."
Her giggle triggered the clique into smoochy air kisses with each other, but at least it provided a distraction from Adrienne's more-than-reasonable embarrassment at the taunt. She was also saved from having to defend herself by the arrival of her own partner, Xhinea, carrying cups of punch for herself and Adrienne.
Seeing Xhinea offer a cup to Adrienne triggered another round of giggles, stifled by Lori as she slowly and carefully, as though speaking to a small child, said "So, um, Shin . ., uh, Zinnia, um, how do you, like, um, like America?"
"I've been here for five years," Xhinea replied evenly, "And I like it very well, thank you. And my name is Xhinea, not Zinnia. Zinnias are flowers. Excuse me for interrupting."
Horrified and furious, Adrienne watched her friend stride away, her back very straight and very stiff. "That was really dumb, Lori," she fumed and then ran after Xhinea.
She caught up with her just as the dark-haired girl was slipping into the ladies restroom. Before Xhinea could close and lock the door, Adrienne was in there with her. "Leave me alone!" the little Asian ordered, her voice now choked with tears.
"I can't do that," Adrienne said, feeling her own tears start. "You're my friend, and you're hurting." With that declaration, Xhinea found herself being hugged. Surprised, she resisted, but only for a moment, and then returned the embrace.
"I'm sorry that happened," Adrienne said, when they finally relaxed their mutual deathgrip on each other.
With a deep breath, Xhinea forced a smile. "I should be used to that by now. Either they ignore me, or they go out of their way to be 'nice' to the ignorant little foreigner. Usually, I don't let it bother me, but after having someone treat me like . . a friend, it was just too much."
"Better now?"
"Yes. You reminded me that you truly are my friend - when you wouldn't let me hide away and cry alone. You have no idea what that means to me. You're really sweet, Adrienne. Special."
Adrienne felt a freezing chill slide down her spine, and then her own tears returned. "You wouldn't feel that way if you knew the real story. I'm. . .I'm not a very nice person, Xhinea."
To Adrienne's utter shock, the girl laughed.
"No," she reiterated, "it's true. In fact, the only reason I'm here right now? It's because the alternative was jail."
"Why," Xhinea asked, her eyes widening in surprise.
Adrienne paused, then took a deep breath and said, "I just got in a lot of trouble. Little things, maybe, but a whole lot of them. Shoplifting, some vandalism, bullying other kids - generally running around with a bad crowd and doing what they did to be accepted. One of the guys in my group had some marijuana with him, the last time we got picked up, and . . . I ended up here."
Xhinea's eyes momentarily went wide and then narrowed speculatively. "So what?" she retorted. "You're not that way anymore, are you?" Before the blonde could even shake her head, the dark-haired girl asked, "Will you go back to being what you WERE before? What you were that led to you being here? I think not."
"But. . ."
"But, but, but, but, but. . .Adrienne, you sound like a cartoon motor boat. All I know is that since I've come here, I've been too different for any of the other girls to bother with. Do you know, I've NEVER had a girlfriend before in my life? I'm not about to get rid of the only one I've got."
"A girlfriend?" the petite blonde nearly gawked, then all of the sudden she remembered she had her arms around a beautiful girl with dramatically accented lips, so close, so full . . .
That focus was shattered when the Asian girl slumped back. "Well, unless you don't want to be my friend?" Xhinea's voice faltered and nearly broke again.
"Oh, yeah, sure," Adrienne hastened to reassure, "but I guess I hadn't really ever thought of you as, um, 'a girlfriend.', umm, before you just said it, that is."
Xhinea grinned, mischief dancing her dark eyes. "Hellooo, what else am I going to be? Your boyfriend? Do I look like a boy to you after Miss Wave-Them-Around and her friends in there?"
"No way," she squeaked. "*You* don't look like a boy. My goodness, Xhinea, don't you know you're beautiful?!?! But . . ."
"But what?"
"God, I don't know how to deal with this."
"Something's bothering you. You helped me, let me help you."
"What's bothering me is how unfair this all is - especially to you!" Adrienne snapped out. Here it was, she realized. The problem Jane had discussed with her, warned her about - the one she had done nothing about. So now, she was going to hurt or be hurt.
"I don't think so," was the soft reply. A gentle hand reached out to stroke a wayward lock from Adrienne's eyes. "You're my friend, Adrienne. We'll work it out."
"But that's JUST IT!" Adrienne cried, her own voice too loud now. "Look, I told you that I'm here on a sort of . . . probation or alternative to being in jail. Well, one of these days I'm going to be released and I'll go back to . . . where I was before."
Suddenly still, Xhinea stared at her friend. "Does that mean you cannot ever come back? Call me? Write to me? Explain this to me! Just because you are free of this school, you will just disappear from my life? Just like that?"
The hurt was back in Xhinea's eyes and voice, and Adrienne just couldn't stand it. In that moment, she understood what Annie had meant when she'd said that the pain from hurting someone important was the worst of all. In that moment, she, like her sister, elected to take the heat herself. "I have been, am now, and will keep on being your friend, Xhinea, if you want me for one," she choked out, struggling to control the tears that again threatened. "But . . . I can't be your . . . GIRL-friend."
For the first time in her life, Xhinea understood the linguistic necessity for that odd three-letter word so many of the students in her school used so very often. "Huh?"
With another deep breath, Adrienne regained some measure of composure and forced herself to smile. "Ummm, it might be easier if I try to tell it like it was about somebody else? You know, kind of like telling you a story, okay?"
More confused than ever, Xhinea returned to the commode and sat down, but her eyes never left Adrienne's. "Okay."
"Once upon a time, there was a boy whose name was, umm, Adrian. For the first thirteen years of his life, he was a pretty happy kid - oh, he was kind of short and a lot scrawny for a boy, but all in all, his life was pretty good because he was loved and knew it. Then came the day a drunk driver crashed into his parents' car. . . "
"YOU'RE a BOYYYY?!?!?" Xhinea squealed.
"QUIET!" Adrienne hissed, looking nervously at the bathroom door and hoping the outer hall was empty.
"NO WAY!"
"And so, when you. . .I guess, graduate? You put away your dresses and curls, and leave forever?
Now it was Adrienne who sat shaken and spent on the commode seat. "No, I wouldn't - COULDN'T do that to you. Or to me. You're my friend, and trust me on this, I don't have any more friends than you do. In all honesty, though, going away is what Ms. Thompson wanted - what she expects of me. Something about the more people who know a secret the less likely it is to stay one, and this one needs to stay secret."
"America, like China, puts great importance on being and acting male," Xhinea observed, "So I understand the need for secrecy. I will keep yours. Friends do that for each other."
Adrienne laughed weakly. "Thanks."
"What is the name of my girlfriend, when she isn't being a girl? Is it really Adrian?"
The blonde nodded sheepishly.
"Well, then I am doubly fortunate in having you for my friend," she said, the hint of mischief back in her eyes.
"Oh? How so?"
"I told you I've never had a girl friend, right? Well I've never had a boy friend, either. Now I have both."
The blond teen's smile grew broader. "I'd like that, too. It might take some doing, though. First, there's my sister. I have some work ahead of me to get to where she trusts me, and she'd have to trust me if I'm going to come back here from time to time to be with you."
"You will win her over," Xhinea said. "As I said, you are a very nice person. You said your sister was first. Does that imply a second?"
"Your Mom."
"Momma likes you," Xhinea answered quickly and then stopped, her eyes going wide. "Oh, my."
"As Ms. Thompson would say, 'just so'. Your Mom likes Adrienne. She doesn't know I'm a boy and she also doesn't know the trouble I was in to get sent here. She might not care for you to associate with me, even if my . . . unusual clothes don't bother her. I'm not really good boyfriend material from a Mother's viewpoint."
"I think my Mother will be fine," Xhinea defended. "Eventually. Maybe if your Ms. Jane spoke to her?"
Adrienne considered that. "Maybe, but I think I need to be a man about this and tell her the truth first. After that, well, we'll have to see, won't we?"
"But we're still friends, right? And no matter what, we stay that way?"
"You bet. Come on, let's get out of here. Ms. Smith will be looking for me and I don't want her any more annoyed with me than she already is."
But it wasn't Darla who awaited them in the main entrance. It was "Ms. Jane? What are you doing here?"
Chapter 38: Gang Aft Agley
Silence, Anne decided as they passed through Bridgeport on their way to Kingston, was all well and good, but it made it too easy to brood. Since there wasn't anything she could do until they arrived at Jane Thompson's house, the brooding didn't help. Unfortunately, her companion wasn't doing much in the way of talking, either. Well, she wanted distraction and entertainment just then, and decided that her would-be lover was nominated. *Start as you mean to go,* she told herself.
"You're awfully quiet," she observed and nearly winced at the inanity of the comment.
Startled, Barbie jolted at the sudden intrusion of sound eliciting a giggle from Anne. Smiling also, the tall blonde asked "And just who are you laughing at, my good woman?"
"Gotcha. Now, answer my question - why are you so quiet?"
Knowing better than to admit to being immersed in a lovely little fantasy in which Anne, Kenneth, an expensive bottle of champagne and a large sapphire engagement ring played prominent roles, Barbie tried a little Thompsonian strategy. "You were quiet," she answered without answering and then shifted subjects, "Worried about Adrian?"
Sighing, Anne nodded. "I'd feel better if your Ms. Thompson had prepared me better for that phone call. After talking to her again, I'm worried I said the wrong things."
"Did you tell the truth?"
"Well, yes, but what if that wasn't the right thing to do?"
Barbie considered that and shrugged.
"Jane didn't tell you what to expect or what to say when she called the first time, right?" Barbie already knew the answer, but allowed Anne to nod before continuing. "Okay, here's a hard truth about my beloved Momma-Jane. She never lies, or asks others to lie - at least by her definition."
"By HER definition? What does that mean?"
Anne heard her friend laugh. "My Momma-Jane has a very lawyerly attitude and outlook on the subject of the truth. In other words, it's only a lie if it is complete falsehood. She does, however, use the time honored strategies of misleading by how she tells the truth, when she tells the truth or by how much of the truth she tells. Winston Spencer Churchill could have taken lessons from Jane Thompson on the creative use of truth in deception."
"So?"
"So, if she didn't tell you what to say to Adrian, or suggest how you might talk to him, then she wanted you to answer his questions as honestly as you could."
"You're sure about that?"
"Mom is never subtle about giving direction where, in her view, direction is needed."
"I see," Anne said, her mind churning to make sense of all that Barbie had just told her, and what Jane Thompson had and had not said in their two phone conversations. Which was why she caught on that "Do you realize you just referred to my brother in the masculine tense again?"
Barbie nodded. "Yeah, guess I did. Probably because if Jane is allowing, even encouraging you to talk to him, without her telling you more than she did, it's because she thinks he's turned the corner."
"So quickly?"
"According to Darryl, when it happens? It's sudden."
"Oh, I hope so. Now, answer my question."
"Pardon me?"
"Don't think I missed that slick-attorney maneuver of changing the subject to one I'd be likely to talk about. What were YOU brooding about before?"
"I wasn't brooding."
"Oh, yes you were, tall-stuff. Trust me, I know brooding when I see it. You WERE brooding. What about?"
Damn, Barbie/Kenneth thought as she/he stared at the lovely blonde in the BMW's driver's seat, but she was so beautiful when she grinned like that. Almost like a little girl caught playing a mischievous trick on the boy next door. Kenneth would give anything to have her grin at him like that again - at least once a day for the rest of their lives.
"Ummm, us," he answered. "I was thinking about us."
Anne felt her breath catch in her throat, but managed what she hoped was a flirtatious smile. "That sounds interesting," she replied, and cursed silently when her voice cracked. "Care to share a little more detail?"
Out of the corner of her eye, she watched a vivid red hue suffuse the femininely made up face that had nothing to do with cosmetics. *More interesting by the second,* she thought.
*No, I don't!* Kenneth's mind yelled, but he knew that wasn't going to cut it. "Um, I was thinking about a. . a. . well, a date."
"A date?" Anne asked, her voice suddenly cautious.
"Yeah, a date. You know, dinner, dancing, you and me. That kind of thing."
That mischievous glint flashed in Anne's eyes again. "Oh, are there alternative nightspots near Kingston? I don't think two six-foot tall-plus, blonde Barbie-wannabes on a date would sit too well with the nice people there. Besides, your 'Momma-Jane' might not like having you draw attention to yourself like that."
Anne could literally hear his teeth grinding. "I meant," Kenneth said very slowly, "You and Kenneth - on the date - not you and Barbie."
"Oh," she replied, struggling to control her mirth, and failing. She hooted with laughter, glanced over at the stony glare she was getting from the no-longer-so-feminine-looking blonde seated next to her, and laughed even harder. "Oh, god," she giggled, "the LOOK on your FACE!!"
Kenneth literally felt his blood pressure rise. He didn't get angry. He didn't LET himself become angry. A person ceased to be in control of situations, and he NEEDED to be in control. Striving to squelch the emotional firestorm building in his gut, Kenneth glowered at Anne with stony dignity. "I fail to see what is so funny."
Which only made Anne laugh harder. So much harder, in fact, that she pulled off the road and came to a stop. "You FAIL to see what is SO funny?!" she parroted, stoking the fires yet again. "You call THAT asking for a DATE?!? I wish I had a recorder so I could listen to this routine again when I need a pick-me-up!"
However that last comment had been intended, it was the camel-that-broke-the-straw. It snapped, and so did Kenneth's temper. "Funny, is it?" he roared. "You think asking you to go out with me on a DATE is FUNNY?!? Well, then you'll probably die LAUGHING when I ask you to MARRY me!"
Anne's laughter stopped like someone had thrown a switch. Suddenly, there was no air in her lungs and no way to get any into them. "Marry?" she squeaked, her eyes wide. "You want to marry me?"
"Hell, woman!" the now-very-masculine Barbie growled. "If you could manage to stop laughing long enough to take a hard look, you'd see I'm head over heels in LOVE with you! Of COURSE I want to marry you!"
Kenneth felt himself go icy-cold as what he'd just done sank in. No woman wanted to have intentions of marriage bellowed at them. It wasn't romantic or sensitive. Jane was going to KILL him.
"When did you decide that?" Anne asked, now very solemn.
Kenneth slumped back in the bucket seats leather cushions and closed his eyes. "Probably since the moment you walked into that hotel-room office the first time we met. Fully decided? I started planning the "Grand Proposal" last night." He laughed wryly. "Want to see the thirty pages of notes on how to do it? Legal sized pages, by the way, and I write pretty small."
"Sounds. . . detailed," Anne said softly.
"Oh, it is," Kenneth's voice agreed. "I picked the restaurant, the flowers, the wine, the dressmaker - for you, not me -my suit. I made plans to find out your favorite love song so I could have the band playing it when I popped the question."
"I see," she replied. "Silly Love Songs."
"Huh? You don't like love songs?"
"No, silly, that's my favorite. 'Silly Love Songs' by Paul McCartney."
"Oh."
"And the answer is 'yes'."
Kenneth's eyes snapped open and his head spun to face Anne's radiantly smiling face. "Huh?"
Instead of answering, Anne reached out to cup Kenneth's chin in her right hand, and leaned over to thoroughly kiss him.
No one had EVER kissed him like that. Soft yet demanding, sensuous yet friendly, and thoroughly arousing. Kenneth found himself leaning into the kiss, even as she drew back. Only her hand, still on his chin, held him back. She stopped when there was barely enough distance between them that they could each see the other's entire face.
"Yes, Kenneth," she said softly. "I will marry you."
"Take care, Xhinea," Adrienne called as her friend entered Celia Hurst's car. "I'll be in touch soon."
Jane stood watching from the Lincoln's driver-side door, her stern demeanor not betraying her inner concern and anxiety. *Not if I have anything to say about it, child,* she thought.
Once she had the car out of the parking lot and on the way back to Seasons House, Jane finally gave in to the emotions swirling inside her. "I thought we had discussed the inadvisability of getting too close to one of the students," she began. "And now I find that you are in the ladies room with a girl - and apparently there was an emotional scene. Both of you had obviously been crying.
"I'm sorry, Miss Jane," her student responded, but Jane wasn't certain she heard much in the way of remorse in Adrienne's voice. "Xhinea needed me. Some of the other girls were really . . . harsh to her - she was really, really upset and, well, I just couldn't leave her all alone."
*Damn,* Jane thought, *Doesn't that put me between the proverbial rock and a hard place. Either way I play this, I'm wearing the black hat. Still, she needs to be more cautious and there's no other way for her - not if she's going to come out of her time here with Adrian's reputation intact.* "Well, your compassion for another is commendable, but what if she finds out your, ah, true nature? That's a risk you really shouldn't take."
Out of the corner of her eye, Jane saw a very odd look flit across the petite blonde's face. "Ah, well, ummm, Ms. Jane? I'm afraid it's too late to worry about that just now."
A cold chill ran down Jane's spine as her eyes snapped from the road to her student. "What?!?"
"I, um, told her," Adrienne said, her voice very low. "About. . about Adrian."
*Close your mouth and drive, Jane Thompson!* she ordered herself and then promptly disobeyed. "My god, child! Why would you do such a thing?!"
Adrienne didn't immediately answer. "Well," she began, her voice quietly introspective, "It was like this, Ms. Jane. She sort of asked me to, um, be her girlfriend, and, well, I mean, I couldn't do that, right? But she IS my friend - already - and I couldn't, like, turn her down, either, so . . . "
*Double-damn!* Jane thought resigned. "So you had to explain," she finished with a breathy sigh. "Well, this certainly complicates things."
"That's not all of it," Adrienne put in. "I have to explain to her mother, too."
*Oh no you don't! Not in THIS lifetime!* "Leave that to me," Jane ordered. *Once I figure out just how I'm going to do that with a woman I don't know, don't trust and have met, thus far, only twice.*
"No, Miss Jane," Adrienne retorted firmly. "I'm sorry, but it's something that I have to do myself. For Xhinea's sake. I can't let her mother think Xhinea is . . . well, that she's not as sweet and, um, good as she really is. This is all my fault, and I have to set it right."
*Break-through,* Jane recognized, but with none of the elation she normally felt when a student completed their critical transition. *But now, how do I help you safely become Adrian again when you're determined to expose yourself as Adrienne to an outsider?*
Chapter 39: Repercussions
"Dam. . DARNit, Aunt Jane, I'm so sorry," Jessica said, tears glittering on her lashes. "I never should have told her to call her sister. I never should have asked YOU to let her. I really, really messed this up."
Jane moved quickly to sit beside this child who was rapidly becoming so precious to her, and pulled her into her arms. "No fault, Jessica, certainly not for you. I could have said 'no', but I thought you were correct. For this student, in fact, you were correct. I think Adrienne is over the hump, darling."
"You think so?"
"I'm positive of it. Her reasons for what she did are so at odds with the behaviors that led her here, there's no doubt in my mind that she's made the big step in turning herself around."
"But what do we do now, Jane?" Marie asked. "Heavens, none of our boys have ever done this before."
Jane shrugged and then leaned her chin on Jessica's strawberry blond head. "I don't know, Marie. A great deal will depend on Anne's reaction, I think. Adrienne's already told us what she intends to do, and while I applaud her motives, I could wish she was more like my other students in that regard."
"You're going to let her do it, then?"
"I don't see how I can stop her, short of sending Adrian to the Juvenile Detention, and I can't do that. He's ready to be a big sister now. Actually, I don't think he even needs that part of the program thanks to Xhinea."
"As Adrian or Adrienne?" Marie asked.
"That's up to Adrian and his sister," Jane replied. "I've already called Sandy and asked her to be ready."
"What happens next?" Jessica asked, unconsciously cuddling closer into Jane's embrace.
"We wait for our two wanderers to return. I have Darla down at the stable apartment waiting for them. She'll send them up here and we'll see what develops."
It was already obvious that she had lost this battle, Anne told herself as she drove through the gates of Seasons House, but sometimes you've got to fight when you're a woman. Besides, she wasn't ready to give up yet. "I really don't think a wedding of that magnitude is necessary," Anne reiterated, trying to sound more forceful this time than she had on the previous dozen or so occasions she'd broached this particular subject.
"Sorry," her fiancé assured her, visions of Anne - glorious in the kind of wedding gown Jane would insist upon - dancing before half lidded eyes, "But it is. There's no way you're getting out of it, either."
Anne groaned - literally groaned - but didn't particularly care at that moment. The simple fact of the matter was that the mere thought of a society wedding like the one Ken had described after she'd accepted his badly botched almost-proposal had her scared spitless. It was one thing to dream, as a little girl, of being Cinderella whisked off to the ball. It was another thing, entirely, to find out it wasn't going to be a fairy tale anymore, by way of having some guy jam your foot into a hard, unrelenting glass slipper. Lord above, she could really mess this up! Like maybe trip on the hem of her gown as she tried to glide down the aisle. Or something equally unforgivable. No, a nice, quiet and very PRIVATE wedding was called for. "I mean, it's not like either of us have parents or large families to placate."
And realized how dumb that statement was, even before Barbie's hoot of laughter. "Have you forgotten Momma Ruth, who has, by the way, just about claimed you? Not to mention my beloved and iron-willed Momma Jane? That's more family that most people are ever going to have. I love you, woman, and there isn't much I wouldn't do for you, but high on that very, very short list is pissing off either of those two women."
"We could sneak off to Vegas, and come back with it already done," Anne counter-offered. "Tell them afterwards?" she added hopefully.
"Wouldn't work," the taller blonde assured her with a smile. "In fact, Jane might take that as a challenge and really go to town with the planning. Just to show us, for future reference, of course, how these things SHOULD be done. It'll be easier on all of us if you just buck up, Annie, and take this like a woman. Or like one of Aunt Jane's boys."
"But something that big will draw attention, and didn't you say Jane knows important people in Boston and Providence? We could end up being in the papers! I don't want to be a damned virgin centerfold on the Boston Herald's society pages! I'm too tall . . .too . . . too. . "
"Gorgeous," Barbie interrupted. "I agree, but I'm man enough to handle being envied by 95% of the men and at least two thirds of the women in the greater New England area." Anne opened her mouth to protest again, "Shhh, it'll be okay. Look, you can talk to Audrey. She even enjoyed it and she was even less pleased with the idea than you are."
"She couldn't have been."
"Well, talk to her. She might have some advice on getting around some of Jane's ideas. Hey. . .there's D standing at the door to the stable apartment. Hmmm, wonder why he's still Darla?"
Exasperated at having had the subject changed before she'd won her point, Anne slapped the steering wheel with both palms. "Do you have any idea how WEIRD that sounded? 'Why HE'S still DARLA?!?'"
With a grin, Barbie depressed the button to open the passenger side window. "Welcome to Family Thompson, love, where men are often women and the women are glad of it. Hey, D? What's up, Sis?"
Darla hurried up to the car. "Here, let me help you get your bags inside, then we need to head up to the main house. You, too, Sk . . um, Anne."
Surprised by Darla's unusually brusque tones, Barbie asked, "Why, what's wrong?"
"Nothing critically bad, but we do have a situation. Look, I got sent down here to wait for you and only have the basic outline - which is confusing enough, without my being wrong on some essential point. Let's wait and have Mom give us all the straight story."
"My brother did WHAT?!?!" Anne demanded, her eyes hard on Jane, Darla, Jessica and Marie.
"Easy, Annie," Kendra ordered gently, moving closer to lend physical support to her fiancee.
"As I just said, Miss Braithwaite, your brother revealed his true nature to someone outside my cadre - to a young girl who is not in on the secret of the masquerade or of my program. If you will let me finish, please, I will give you the facts as I now know them."
Quickly, Jane told the story as Adrienne had given it to her. "And now, she, or rather he, fully intends to tell Xhinea's mother."
"For goodness sake, why?"
"Because Xhinea has become Adrian's friend - he cares about her a great deal, and he doesn't want to lose that friendship when I let him out of skirts."
"The girl's friendship is important to my brother?" Anne asked, skeptically.
"It is now," Jane replied firmly.
"So why doesn't he just wait until you do let him out of skirts, and then introduce himself as Adrian when he's in boy clothes again?"
"He's concerned that, unless Dr. Hurst knows the entire story, she will not let him continue to associate with her adopted daughter.
"I don't understand," Anne said, beginning to pace. "I thought you told me that this couldn't happen, that you would ensure she. . I mean, he wasn't in a position for this TO happen."
Kendra lightly gripped Anne upper arms. "Anne." The tone was soft, but firm and broke through the emotional whirlpool that was starting to envelope the tall blonde. "What happened, Mom?"
"I am, as you have pointed out, fully responsible," Jane said with quiet dignity. "I allowed myself to assume Adrian was similar to other students I have had. In fact, he is unique and I should never have forgotten that, Miss Braithwaite."
"Oh, call me Anne, please. I'm just surprised, is all. After all . . . Ken has had to say about you, I had you built up in my mind as being some unstoppable and all-knowing force of nature."
"I'm not omniscient, . . Anne. And I must say that I was taken completely by surprise by Adrian's actions. I've never had a boy break cover this before - at least not to someone of his own age group - and I thought that had arranged this . . this learning experience such that a revelation of this type was completely out of the question for him."
"How so, Ms. Thompson?"
Jane's forehead wrinkled as she concentrated. "First, this was a group activity involving other teenagers. My experience is that one of my cross-dressed boys forced to attend such a group isolates himself as much as possible in order to protect his true identity. At the staged public scenes my partners and I orchestrate for my students, such as trips to the beauty salon, we don't permit that isolation because the entire point is for the boy to be afraid of discovery. However, Caro, Sandy and Brenda know the signs of danger in those situations as well as I do and quickly intervene when necessary to protect my student. In this specific case, I anticipated that Adrian would simply keep to himself - hide as well as he could in his feminine personna and not interact with the other students.
"But it was an acting class," Anne objected. "Doesn't that mean they had to get close to one another?"
"Actually, it was mime which is highly stylized. That made those interactions inherently artificial due to the white face makeup and the nature of art form. I didn't see that it should have posed a problem for your brother protecting the secret of his true nature."
"In other words," Jessica put in, "All the kids there were already acting sort of strange, so Adrienne shouldn't have appeared all that unusual in their company."
"Just so," Jane continued, but patted her newest big sister's shoulder in approval. "Secondly, this class was only a short-term program - just three weeks and six meetings. Insufficient time for Adrienne to relax and be comfortable that she could pass - again, factors that should have tended to isolate her from the group. I expected those factors would have Adrienne very wary, and constantly on edge to protect the secret of her true gender."
"That's how it's always been with every one of the students I've worked with here," Darla put in. "What happened this time that it was different?"
"The unexpected, dear. Two unexpecteds, in fact," Jane sighed and began to tick her points off with her fingers. "One? Xhinea was a particularly needy child. She needed - wanted friendship, and for some reason, sought it from Anne's brother who, and this is the second surprise, turned out to be unexpectedly sensitive and responsive to that need. If you'd asked me before the class how she'd have responded in that situation, I'd have said with 100% assurance that she'd have run the other way, but to her credit, I think, she didn't run. Instead, they became close - very close - in spite of their short acquaintance." Jane shook her head. "One moment, Adrienne is my usual student - mouse-quiet and afraid to say boo, lest someone hear a boy's voice from those girlish lips. The next? Adrian is telling me that Xhinea needs him, that he cannot abandon his friend and that meant he'd had to tell her the truth about him."
"He voluntarily told on himself," Darla said, wonder in her voice. "From what you'd told me in passing, I'd thought he'd blown the masquerade."
"Well, hasn't HE?" Anne demanded.
Jane nodded. "Yes, he has - for laudable reasons - but his fate and reputation are no longer only in my hands. What I can do, I will do, Anne. Adrian has great faith in Xhinea keeping the secret, but . . "
"But, indeed," Anne replied.
"We'll take care of it, Anne," Kendra said behind her. "Together."
"Together?" Jane demanded, hearing the gentle support in her child's words and voice.
"Together, Mom," Kendra said, standing to face Jane with a protective arm about Anne's shoulders and grinning mischievously. "Anne has agreed to make an honest woman of me. We're getting married."
"She WHAT?!?" Jane, Marie, Darla and Jessica squealed in perfect unison.
Chapter 40: The Sister and Child Reunion
Adrienne was sitting on the cushioned window seat, looking out at the gardens of Seasons House, when a soft knock brought her mind back to the present. "Yes? Come in, please."
The door opened to admit Anne. She took a tentative step inside the girlishly feminine room and shut the door behind her before she spoke. "Hello, uh, . . "
Her sibling smiled and rose to greet her visitor. "Adrian will do, sis. Regardless of my appearance, one thing I've learned here is who and what I am."
There was a quiet assurance there that pleased Anne, so different from the cock-sure braggadocio that had been her brother's earlier mein. "Have you?" she asked.
"Better than I did before here."
"I'm glad," Anne said before adding, "You don't seem surprised to see me."
"Ms. Thompson told me you were coming today. She also told me that you'd gone after her - threatened her, after I called you."
Anne nodded. "You're my brother," she answered simply. "I thought you were being abused. I had to protect you."
Adrian returned to the window seat and sat down, unconsciously smoothing the skirts of the dressy Laura Ashley outfit in the process. "Thank you," he replied quietly. "I wasn't - being abused, that is. I just thought I had a way to mess with the system and did it. I'm sorry about that. I didn't consider the trouble you could get into because of that. I was being forced to do things I didn't like and that's all I thought about."
"Well, in the end, some good came of it," Anne said. "I understand you made a friend, and your school work has improved, too. Ms. Thompson showed me that paper you wrote about population control in the People's Republic of China."
"Xhinea's great. That's what finally did it for me, you know," Adrian added conversationally.
"It?"
"Made me see how wrong I'd been - how much growing up I had to do. Being friends with her made me understand what *real* friendship is all about. None of the guys I ran with . . . before here, were my friends. They were guys I pretended to like, and be like, because it felt, well, powerful. That's not friendship." There was certainty in those words. "I didn't have friends back then."
The young voice faded away for a moment, and then, "That's not true, either. I did have one friend."
"Oh?" Anne replied, uncertain in her hope.
"I learned that from Xhinea, too - and Ms. Jane. When Xhinea's parents abandoned her, she really didn't have any friends - just a big agency that made sure she was clothed, fed and educated, but not loved." Suddenly water-bright eyes, the same color as Anne's own, turned to face the tall blonde. "You were always there, always my friend - especially since. . .since Mom and Dad were killed. You could have let the state take me on - you were barely of age yourself, but you didn't."
"Damn straight I didn't," Anne snorted. "You were my BROTHER! ARE my brother."
"And you're my sister, but you are also my friend. At least you were. I hope I haven't messed that up, too."
"Never!" Anne sobbed, and then the two met each other half way in a fierce hug.
The two stood there for several moments, the tall blond woman and the short, bleach-blond, cross-dressed boy, sharing a reaffirmation of family, friendship and love.
When they broke apart, both needed to fix their faces, as happy tears had demolished their make-up. "Well," Anne said as she watched Adrian skillfully use various pots, tubes and brushes to repair the damage done by their emotions, "You won't need to do that much longer. Jane tells me you're about done here."
"Oh?" Adrian said, looking up from under his mascara brush at his sister's reflected face.
"Yes. She said she'd arrange for that female from the beauty shop to come here tomorrow for what she calls a 'tear-down'.
Adrian went very still for several moments, and then spoke. "Umm, that's okay, sis, but there's something I need to do first."
"You're sure you want to do this?" Anne asked for what she was certain had to be the thousandth time.
"I have to do it, sis. Part of it is that I made a promise - to Xhinea. More important is that I don't want anything coming between our friendship - like her having to keep secrets from her Mom."
Again Anne was struck by the change in her brother's demeanor. There was definitely something, well, manly about Adrian now. *And yet, is that more to do with how he's dressed now than anything else?* she asked herself. *Is it just that I've gotten so used to being around Barbie in her ultra-femme mode that anything less that total girly-girl seems masculine to me?*
Certainly some of that was probably the contrast between her brother's current outfit and the very frou-frou feminine garb he'd been wearing when she'd observed him in those days 'Before Barbie'. And yet, the look was not really all that UN-feminine.
For this errand, and with Jane Thompson's approval and assistance, Adrian had donned loose jeans, an oversized t-shirt and tennis shoes. After careful consideration, the teen had put those blond locks up high on the head, in a bouncy ponytail, much like one might see on any young woman out for a casual day. Without any cosmetic enhancement except for the finely shaped and arched brows, the total picture was rather androgynous - until Adrian began to move.
And Anne was still flabbergasted at how . . .gracefully Adrian moved now. There was none of the foot-dragging, slouch-backed diffident male in this new sibling of hers. When they'd left Seasons House earlier, Adrian had walked with fluid grace to the car, head held high. Perhaps the hips DID swing just a bit, Anne mused, and the hands were carried above the waist rather than swinging freely down, but those were subtle things. Things Anne saw only because she was looking closely at this marvelous stranger who was her brother. On the other hand, if a casual observer expected to see a girl, that person would likely perceive Adrian to be a girl, whereas someone expecting a young male would see one - albeit a slight and perhaps undersized one.
Anne drew back from her reflections and saw her brother gather himself. "I'll go with you, if you like," she offered. "I might be able to help."
For just a moment, Anne thought he'd say yes, but then he shook his head sharply making the pony tail dance about his shoulders. "Just wait for me, okay?"
"Okay," she answered, and then bent over to kiss his cheek. "Good luck, brother."
"Thanks, sis," he replied after kissing her back. Then, he opened the passenger side door and headed up the walk leading to the front door.
"Adrienne!" Dr. Celia Hurst exclaimed in evident pleasure. "What a nice surprise. Xhinea didn't mention that you were coming to visit."
"It was a. . . spur of the moment thing," Adrian replied, Dr. Hurst's greeting having reminded him which voice to use.
"Well, I have her running an errand to the store for me, but she should be back in a few minutes. Would you like to come in and wait for her?"
"Well, I was sort of hoping to talk to you a bit, too. . . that is, if you don't mind?"
The Doctor smiled and stepped aside to let Adrian enter. "Of course. I've wanted to talk to you, too. Would you like something? I have Pepsi."
"That would be nice, thank you."
Celia led the way to her kitchen and began to get out glasses and ice. "Have a seat," she ordered, indicating the kitchen table and chairs.
The older woman came to the table with two glasses, offering one to Adrian. "You wanted to talk, but I think I will go first. I wanted to thank you for being so welcoming to Xhinea. The past few years haven't been as easy for her as I'd wished. Part of that is my fault - my job kept me busier than planned, but the result is that she hasn't made many friends and has been too much alone."
"It has been mutual, Dr. Hurst. I haven't had many friends either - none recently, and being with Xhinea has shown me what friendship really means. I like her. . . a lot."
"I'm glad," Celia responded and then seemed to look closely her guest. "You know? Except for your mime costume, I've never seen you so casually dressed. Dress-down Saturday at Ms. Thompson's school?"
The blond teen smiled. "I have a make-over scheduled for later today, so Ms. Jane permitted me to dress this way so nothing nicer got messed up."
"You know," Celia said with a laugh, "I was a bit worried about the standard you set, though. You were always so nicely dressed that I was worried Xhinea might feel . . . inadequate. She's, um, she's a bit concerned about her figure and sometimes doesn't feel very feminine."
"WHAT?!?" Adrian yelped, surprise making his voice crack.
"It's true. But I think seeing you dressed so casually will actually a good thing. It's clear you don't look down on her appearance, that you're not, oh, obsessed with looking pretty or anything."
With a laugh of his own, Adrian reached up and pulled the ponytail free of the rubber band before gathering the hair up and restoring it, only lower on the back of his head. "Ms. Jane is the one obsessed, Dr. Hurst," he replied grinning. "She has this thing about grooming, dress and deportment. And she has ways of enforcing that outlook that works really well!"
"Tough, is she?"
"The toughest," Adrian agreed, beginning to relax. "And I needed that toughness, that discipline. Ma'am?"
"Please, anything but Ma'am, okay? Ma'am is this dragon of a head nurse at the hospital where I did my internship. I'm not that old and crusty yet. If you can't call me Celia, call me Dr. C. It's what my kid-patients call me."
"Thanks, Ma'am, I mean, Dr. C. This is going to be hard for me, and if it wasn't for the way I feel about Xhinea, I wouldn't do it."
"Sounds serous," Celia replied, suddenly alert and focused on her guest.
"It is," Adrian agreed, staring at the glass held caged by both his finely manicured hands. "Dr. C? Kids get sent to Ms. Thompson because they've messed up their lives, and need some discipline in their lives to help them turn things around."
"That's not the reputation her school has," Celia replied gently. "Most people think of it as an old fashioned finishing school for young ladies."
"That's what she wants people to think, and getting the kids to that point probably helps them with the turnaround. It did in my case, anyway."
"Why were you sent here, Adrienne?"
"That's the part I would rather not tell you, Ma'am, but I have to because if you found out on your own it would . . might. . ." the teen closed his eyes as teeth worried at his lower lip. Celia watched the blonde take a deep breath and open both eyes to meet hers directly. "A judge gave me the choice of completing Ms. Jane's course to her satisfaction, or spending the rest of my teenaged years in a juvenile detention facility."
Now it was Celia's turn to squawk out, "WHAT??!?"
"After my Mom and Dad were killed, I developed an attitude, got involved with a rough crowd. Got into trouble by following the pack. It was stupid, but before I figured that out for myself, we broke into the school, vandalized some teacher's rooms and got caught."
Celia was now listening hard, and despite the oddly husky tone the emotion-ridden teen used, the Doctor heard more than was said. "And?" she asked, wanting to offer closure.
"I took Jane," was the simple answer. "Or, rather, she took me. I figured I'd gut it out and be out in a few months. Boy, did I give her a hard time, but she didn't give up on me - kept pushing me - until. . ."
"Until?"
"Until I broke through that false armor of invincibility I pretended I had - and. . . and stopped seeing things the way I thought I wanted them to be and started seeing reality. You said you were grateful for me being nice to Xhinea? You're not half as grateful as I am for what she gave me. I don't know that I'd have made it without her, and she's told me that she needs me as her friend. Which is why I'm going to tell you my biggest secret so that you won't. . .won't be. . oh hell." The teen colored and looked up with horror-stricken eyes. "Pardon me, ma'am. That slipped out."
"I've heard it before and it doesn't annoy me nearly as much as ma'am!"
"Oh, sorry, ma. . .Dr. C. The thing is. . .well, I'm not. . that is. . "
"Adrienne?" DOCTOR Hurst's voice commanded, "Spit it out!"
"I'm-really-a-boy!" it came out as a single sound. When Dr. Hurst didn't say anything, Adrian slumped into a defeated slouch and forced himself to reaffirm what he'd just said, using his real, 'Adrian' voice. "I'm not a girl. I'm a boy."
Celia Hurst stared for several heart-beat-thudding moments, her eyes wide. When she spoke, her words stunned Adrian. "How did I EVER think you were a girl?!?" Then her eyes narrowed. "But WHY?"
"So you were small and thin, but overly aggressive?" Celia asked. "That's why she elected to use this rather unusual method with you?"
A disgusted look crossed Adrian's face. "She had to bulk me up - ummm, above and below, to make me look older than ten years old as a girl, so I was well suited to it." Then the almost-feminine face grinned. "And it worked just like she said it would. I had to think before I reacted or the whole world would know I was a sissy in girly clothes."
"Sounds effective. And I've seen nothing of that aggression. Too bad the same trick wouldn't work with most delinquents."
"I don't think even Ms. Jane could make some six foot bruiser look feminine enough to pass muster. I guess that's why she mostly works with girls. Like my big sister. Jessica told me she had rage issues before coming to Seasons House and Ms. Jane helped her the same way as she helped me."
"Well, I won't tell anyone," Celia assured him.
"And it's okay if I keep seeing Xhinea?"
"I don't mind. I think having a boy friend will be good for her," she added, and grinned when the boy blushed furiously. "Just don't fib to me anymore like you did earlier."
"Fib? I didn't! Ms. Jane would have my guts for garters!"
"Oh? What about that make-over, young man?"
Relief flooded Adrian. "Oh, but I am getting one. I'm getting turned back into a boy. A haircut to start, and then my normal hair color restored. A more masculine manicure - heck, according to Ms. Jane, they even have a way of filling out my eyebrows until my own grow back."
"Sounds like a plan." A door opening and shutting announced the arrival of Xhinea. "Well, I will leave you two alone to sort out things between you."
"Dr. C? Xhinea didn't know about me being a boy until yesterday. I asked her to let me tell you. She wasn't hiding it from you."
"I sort of figured that out, Adrian." Then the doctor bent down and kissed him on the cheek before greeting her daughter. "Xhinea? About time you got back, girl. Being a little late is one thing, but leaving your boy friend at the mercy of your mother THAT long is almost cruel. And speaking of cruel, I'll go invite Adrian's sister in for a drink. The very idea - leaving the poor girl out there stuck in the car. . ."
With that accusation, Celia left the room, but could still hear Xhinea's surprised "BOY friend?!?!"
Chapter 41: Decisions, Decisions
"Does he know the truth about your program?" the restored Kenneth asked Jane as they watched Sandy and Adrian on her office closed circuit television monitor. The 'tear down' was nearly complete, and Sandy was now instructing her victim on how to apply the temporary eyebrows until his own grew back. Ken put a careful finger to his own brow to smooth out the gummed-on appliance. It felt good to be himself again. It felt GREAT to be able to breathe again.
Fascinated, as always, with the process that turned one of her 'girls' back into a young man, Jane did not look away from the monitor. "That he's not the only boy-student who has passed his time with me in skirts?" she asked. "No. Usually that's something the junior student learns when the big sister graduates."
"And Adrian isn't going to be a big sister." It wasn't a question.
"No, he isn't," Jane agreed. "First, because I have Jesse, and second, because of my deal with Barbara Anne."
"I think she agree, if you asked. Now, anyway."
"Perhaps," Jane replied. "In truth, because of Xhinea, I don't think Adrian needs the experience of being a big sister. Whether Adrian realizes it or not, he's already proven everything he needs to prove - to himself - this morning with Celia and Xhinea."
"And because he believes he's unique, he was able to convince the good Dr. Hurst that he was, eh?"
"Yes, although. . . " Jane's eyes were speculative. "I think Celia has. . . potential. I'm going to cultivate a relationship with her with an eye towards recruiting her. Nora is very good, but she's not a doctor."
"Well, since I'm going to be Adrian's big brother, and Xhinea's going to be his girlfriend, I'd say you have an 'in' with her already. However, that wasn't my point in this conversation."
"You have a point, counselor?" Jane cocked an eyebrow.
"Adrian needs to know the whole story, Mom. For his own self image."
Jane's eyes went hard. "Explain that, please."
"Mom, it's about being a guy. One of the things that a big sister's revelation does is show the little sister that she, umm, he isn't really at that wimpy a character. Others have fallen in with your nefarious little games - not just his big sister, but the big sister's big sister, and that one's big sister before him, ad infinitum."
"You're saying that recognizing the shared experience of being feminized helps him feel more masculine?" It was something that Jane had never really thought about consciously before. In her mind, the revelation had always been a way to help her junior student 'mark' the transition to senior status, and to reveal her new role in the household. Now that she thought about it in those terms, she acknowledged that the concept had some validity.
"Well, I'm not sure that knowing he can look like a pretty girl makes anyone 'feel more masculine', Mom, but that's not the real issue. Man or woman, strength of character is important. Someone who is weak enough to be . . . molded like a lump of clay can feel he is . . . lacking in ways that have nothing to do with clothes. Knowing that he's not any weaker than others - lots of others - helps with that. I guess that, in the end, the fact that the student's time at Seasons House - the education a student receives here - it's sort of a shared experience - one that eases the hit on his self perception."
"A shared experience?" Jane savored the idea, and found that she liked it.
"Yep. I guess you could say that Graduates of Jane Thompson's Winsome Girls' School for Wayward Boys are kind of like members of a fraternity if not a sorority. There's strength in knowing you're not uniquely flawed in some way, that you're not the only one who went through your petticoated boot camp. More importantly, he deserves to know that the ones who made it through your program have, almost to a man, had happy and successful lives."
"How would you know, young man?" Jane demanded archly. "You were in my program barely two days."
"But because of my part in the plan to neutralize Sheila, I spent several weeks dressed and under your tutelage, not to mention my visits while a student was in residence. So, I'm an honorary member, Mom. You know it's true. Your boys rely on each other, support each other. How many times has one of your students called his departed big sister for advice or help? How many have taken on younger graduates and mentored them - often at your behest? Adrian needs to know that he can do that, too, and to do that, he needs to know he'll be talking to Jesse, not Jessica."
"I know, dear. And just as importantly, he's going to be close family now, and will need to know what goes on around here in some detail so that he doesn't give away the game inadvertently."
"Hah!" Kenneth snorted. "Frankly, I think he's to the point where that happening would be very unlikely. He's one of yours, now, Mom. I think the real issue is how to let him in on the secret."
"Granted, and if you're correct about the self image issue, you might not be the best one to tell him about it."
"Why not me?"
"I said, 'might not', dear. What I meant is that while it's possible he might have a Kendrian growth spurt - his family has the genes for it, obviously - right now, he is, as you say, not very imposing physically as a male. You will, of course, eventually introduce him to Kendra, but I think someone else should tell him the truth about the program first."
"What do you mean? Introduce him to Kendra?"
"Well, part of Adrian's problem is that he's so small - short and slender. Kendra isn't, but she is as feminine as you are masculine. I don't think Adrian will miss that dichotomy because he notices stature in others. Physically, Adrian is more like Jessica as Jesse, or Darla as Darryl. Very much like Darryl when you come down to it . . .," Jane's voice trailed away speculatively. "I have an idea, dear, but we should discuss it with Darryl, first."
"Ummm. .. Okay, . . .I guess. When does. . .should he, um, meet Kendra?" asked Kenneth cautiously.
"When you think the time is right, dear. After all, I don't think Kendra will be gone so long this time, will she?"
"No," was the quietly assured answer. "Anne enjoyed her time with me in that role - more than she believed she could. She'd miss my feminine alter ego."
"And you, dear?"
"So would I. Actually, one thing I learned during this adventure is just how much I've missed her - Kendra, that is - and the fun of being her."
Jane went very still at that. Then, she turned piercingly blue eyes on her son. "Kenneth? The first reasons? Those are acceptable, but if you're seeing Kendra as a crutch? The identity you don so you can have some fun in your life? I'll want you to have a talk with Art."
"Mom. . ."
"I'm serious, love," Jane moved over stand before the seated Kenneth. Her face serious, she took his face in her hands and looked into his eyes. "The masquerade ISN'T meant to be an alternative to real life. It isn't an escape. It's a means to an end, first and foremost. Sometimes, it can be fun, but don't ever compartmentalize yourself. Kenneth is allowed to have fun, too, dear."
"I think I figured that out, Mom - I said I missed the fun. I let myself work too hard in the past few years. I think it would have been a grind had I been Ken or Kendra, but the past few days with Anne? That was fun, and maybe the Barbie thing opened me up to it, but it was Anne that was really the center of it all."
"I'm going to talk to her," Jane warned him. "It's a Mother's right to counsel her daughter-in-law."
"Ganging up on me already?"
"Only in your best interests, dear," Jane said with a perfectly straight face.
"Wouldn't have it any other way, Mom. So, how and when are we going to tell Adrian the facts of life at Seasons House?"
"Trying to change the subject, are we?" Jane smiled sardonically at her son's unsuccessful ploy, but then softened. "Oh, very well - I'll permit you to get away with it THIS time, anyway. Let's see if we can find your brother and get his take on my idea. As you said, Darla truly does understand the feelings of the boys better than anyone else."
"Oh, this is going to be such great fun," Marie gushed as she pressed an armful of fashion and wedding magazines into a wide-eyed Anne's arms. "I simply love planning weddings, and you're going to be the most gorgeous bride."
When Sandy had taken Adrian off to Adrienne's room for the tear down, the motherly little brunette had hauled Anne off to her third floor apartment with a promise of a 'lovely surprise'. Now that her intent was clear, Anne most definitely was surprised.
"Fun? You've got to be kidding? Kenneth told me we're going to have a big, formal wedding."
"Well, of course," Marie responded, "Of course you will."
"I asked him to fly us to Vegas," Anne muttered.
"Hah! We brought that boy up better than that. A girl's wedding should be special, memorable - especially when she knows it's the only one she's going to get."
"The only one?"
Marie snorted. "Can you imagine that boy, with his focus, doing anything to make you want another?"
"He'll smother me with love first," Anne grumbled.
"Oui. L'amour, l'amour. C'est merveilleux, eh?"
Anne gave the little French Canadian housekeeper a thoroughly disgusted look, before giggling. "Okay, it is, and I would make his life hell if he didn't."
"Bien sur! Good for you. Jane's boys tend to grow up somewhat strong willed, so they need similarly strong women to keep them in line. My Kenneth particularly so."
"Will . . .will Adrian be like that - strong willed, I mean - you think?"
Marie heard the uncertainty in the girl's voice and took back the magazines. "Asseyez-vous, ma fille." When Anne did not immediately respond, Marie gave her a gentle push and ordered, "Sit down, girl."
She sat down across the anxious young woman and took her hands in hers. "I would say, Anne, that Adrian has already well proved himself that way just this morning. I have been with Jane nigh on to twenty years, and have participated in the rehabilitation of nearly one hundred boys. Not one of them did what your young brother did this day. And why did he do this thing? Why did he put himself so at risk? Because he'd made a promise and because it was important to someone else. That shows determination, and a good heart. You should be proud of him, cherie."
"I am, but . . . well, I still worry about him, about his future, about his . . . social life. He's really special, but he's still pretty . . . . small - not what society would call 'very manly'."
"Many of Jane's boys are on the small side, dear. Don't worry so."
"You're sure?"
"You spent time in New Haven with Judith, did you not? Surely she bragged to you about her nephew, and his, ah, reputation with the ladies?"
"Well, yes, she did, but Adrian. . "
Marie interrupted her with a laugh, and leaned just a bit closer to Anne as though sharing a secret. "I don't suppose Judith told you Georgia's . . . oh, I suppose I *should* call him by his boy name. Anyway, Judith didn't happen to mention to you what 'Guillermo's' nickname was in high school, did she?"
Anne shook her head and Marie continued, her dark eyes twinkling merrily. "The other teens - this may have been part of Georgia's problem - were very cruel since sh . . um, he was . . . not in very good shape - physically, that is. They called him 'Snowball' since he was round, small, and had a snowball's chance in, um, well, you know - of ever getting a date. Believe me, Adrian's 'manliness' is more than adequate for his future, ah, social activities."
Anne sighed, wanting to be convinced, but her sisterly worry still showed through.
"Anne, think!" the dark-haired Frenchwoman ordered sharply, causing Anne's head to snap up in surprise. Marie grinned at the success of her ploy. "Does not our Adrian already have la jolie juene fille from class as his girl friend?" Anne nodded slowly, and Marie's grin broadened. "Then, I think he will be fine. Does he know about you and Kenneth?"
"That we're getting married? Yes, I told him on the way home from Dr. Hurst's house. Kenneth is going to speak with him after his, what does Jane call it? His breakdown?"
"Tear down, cherie."
"Okay. Anyway, they're going for a walk and talk after Adrian looks like a boy again. I hope it goes well."
"Trust our Kenneth, dear. That boy has a gift for convincing argument."
Chapter 42: Revelations
Adrian Braithwaite was, much to his own amusement, rather uncomfortable at that particular moment. The cotton jockey shorts he'd all but lusted for, over the course of the past few months, were chafing skin more used to the slick feel of satin. Legs that had gotten used to being bare, save for nylon and silk, felt positively weighted down by the blue jeans Marie had given him. Not to mention the odd hitch wearing flat-heeled sneakers put in his gait.
And his hair was missing! His head felt so. .so light! Taken as a whole, he felt nearly as strange now as he had those first hellish days here at Seasons House.
It had been quite a day, so far, with many surprises - Dr. Hurst's response to his - that is, Adrienne's - secret, the tear down by a much more pleasant-to-know Sandy, and Ms. Thompson all but ordering him to call her 'Aunt Jane'. Wasn't THAT a shock? And she'd actually SMILED when she said it - not one of her 'I've got you right where I want you' smiles, either. One that actually looked, well, nice.
Of course, the biggest surprise was Barbie. . .Anne announcing she was getting married, and meeting that Ken-guy. Again, Actually, Adrian admitted to himself - it wasn't really the first time he'd met the guy - the first time had been when he was Adrienne. With any luck, the new Adrian would be so different from the nasty little witch that Kenneth had met before that his sister's intended would not make the connection between them. Lord above, the guy might decide Anne wasn't such a bargain, after all, not with a snot like that coming as part of the deal. And Annie had assured him she still loved him.
Just one more surprise, the boy thought as he made his way down toward the stables. He certainly had gone out of his way to make himself as unlovable as possible. He was really glad he'd failed at that, at least.
Adrian was just walking out of the stable, having fed apples to Teddi and Garters - he'd miss those two when he and Annie went back to Indianapolis, or rather, to Providence to live with her new husband - when a some guy came running up the lane towards the stable.
Besides Kenneth, this was the first non-female he'd seen at Seasons House. For a while, Adrian had wondered if there was some kind of curse on the place - any male coming through the gates was turned into a girl.
He was, well. . . the only word for it was short - with blond hair somewhat on the long side slicked back from his face and held by a sweatband. For a moment, Adrian thought he was just a kid - a teen about his own age, but discarded that notion as the runner came closer. There was just something about him that said 'mature'. Adrian continued to observe the newcomer, and noted that he ran with a fluid grace that Adrian envied, for running had never been something at which he'd excelled. He ran in through the fence gate and slowed to a walk, moving about the mounting area, breathing deeply. "Hi there," the young man called as he finished his cool-out. "Want to toss me that towel behind you?"
Adrian looked behind him and sure enough, found a white towel hanging from the doorlatch. He picked it up and handed it over. "I'm Adrian Braithwaite."
"Darryl," the runner answered, still breathing deeply.
"You run far?"
"Only five miles, but don't noise that about. My wife can't run right now, and she'd be mightily annoyed if she thought I was slacking off just because she's not allowed to train for the next few months."
"Train? Is she some sort of athlete? And if it's not prying, why can't she train now?"
The blond fellow preened a bit, and grinned. "She's a world-class athlete. She may be the first woman to compete head-to-head with men in the pentathlon. But right now, she's quite thoroughly pregnant."
"Congratulations."
"Thank you."
Adrian found himself having to think about not staring at this Darryl person. There was something familiar about him. Something about the way he carried his head, or the way he moved - definitely familiar and yet, Adrian was equally sure that he'd never met this guy before.
"You know," Darryl said, a funny, higher tone in his voice, "if one is going to move about the horse stalls, one should REALLY learn to watch where one steps. That . . . matter on your shoe is simply disgusting." The sniff that accompanied that statement had little to do with absorbing the . . . aroma that filled the air. It was a gesture of disdain that Adrian had seen before, from . . . .
Adrian felt his mouth drop open in recognition. It COULDN'T be!
Could it?
A familiar smirking smile twisted the mouth of the suddenly almost-feminine face, and Adrian knew. "Ms. SMITH?!?!" he yelped.
"Took you long enough to figure it out, kid," Ms. Darla Smith's caustic tones said, just before Darryl's laugh broke through. "Welcome to the family, Adrian."
"I . . I don't understand. You? I mean, you too?"
Darryl smiled and put a companionable if somewhat sweaty arm about Adrian's shoulder. "C'mon upstairs with me, and I'll tell you the whole story while I get cleaned up."
"O. . . okay. . "
"But remember to wipe your filthy shoes!" Ms. Smith snapped.
"Yes, Ma'am!" Adrienne's voice answered instantly.
"It went well, mon brave?" Marie asked as she poured the herbal tea she'd substituted for Jane's preferred Darjeelung. After all, La Belle Audrey was en ciente, and caffeine was not good for l'enfante.
"Mostly - although I wish I'd had a camera the moment he figured out who I am. . . was, that is."
Jane looked up from suspiciously eying the flowery-scented tea. "Mostly? Are there still issues?"
Darryl sighed and cuddled closer to Audrey, happy that this conversation was taking place in Jane's worn but comfortably furnished private apartment. His pregnant lady didn't need to be seated on those torture devices masquerading as chairs in the main rooms of Seasons House. Not that she was REALLY so delicate. Heck, she'd clout him one for even hinting that she might be. Still, he WAS an expectant father and pampering the Mother of his child was his right and privilege. Besides, what Audrey didn't know wouldn't hurt him.
"Even with me as an example, and showing him the picture of this beauty here, he's not convinced that there's any hope for him. Size and sexual identity are still too tightly tied together in his mind."
"But that cute little Xhinea is his girl friend. . ." Marie argued.
"Adrian's not so sure of that yet. She's told him she is - her MOM's told him she is, but he's still holding back."
"He's been disappointed before," Jane murmured. "We put such a burden on young people, telling them they have to be perfect and beautiful to be happy. Now what do we do?"
"Well, I did have a thought on that, but it would take, shall we say, more talent for strategic and tactical misdirection than I possess," Darryl said with exaggerated self-deprecation.
"And just was does that mean, smartie?" Jane demanded while fighting a smile.
"What my little hubbie is trying to intimate, and what he will pay for later when I get him home, is that he doesn't have your ability to turn people and events to your will," Audrey put in, after digging an elbow into Darryl's ribs.
"Ah, my favorite role, eh? So, who do I maneuver this time, Darryl?"
"Well, it's kind of complicated," he warned.
"So what else is new? I haven't had an uncomplicated student since before Michael."
"Okay, here's the basic idea. . "
Chapter 43: Queen's Gambit - The Thompson Variation
Standing patiently in the music room, Jane held the dial-tone-buzzing phone to her ear, ready for the next act of Darryl's little play. She didn't have long to wait for at that moment, Adrian and Barbara Anne arrived in response to her summons. *Showtime, m'girl,* she thought. "Well, I'm sorry for that, dear, but it sounds like there's nothing else you can do." she paused, and gave every indication of attentive listening before replying. "I know - we'll be sad you couldn't come, too. Yes, yes, love you, too, dear. Call when you can, or if there's anything we can do for you here."
With a sad little sigh, Jane placed the phone back in its cradle before looking up to acknowledge her visitors. "Ah, Anne and Adrian - thank you for coming."
"What's wrong, Miss Thompson?"
Jane winced slightly at that, her first real reaction of the past few moments. "Anne, dear, if you're going to be part of the family, I think we'll have to do better than that."
"Call her 'Aunt Jane', sis," Adrian ordered with just a touch of bossy little brother in his tone, "Or no one will know who you're talking to."
"'To whom you're speaking', Adrian," the school mistress automatically corrected, then added, "You know better than that."
Anne, focused on what Adrian had just said, looked at Jane. "Would that be, um, okay with you, um, 'Aunt Jane'?"
"Yes, dear. I would like that very much."
"Thank you. So would I."
"So, what were you unhappy about, Aunt Jane?" Adrian repeated Anne's question.
*So like a man,* Jane thought amused. *No beating around the bush when there's a question to be answered. All that time in skirts and he still lacks subtlety. "Oh, nothing that really concerns you. It's just that one of the hostesses at Michelle's wedding isn't going to be able to make it."
"Michelle's wedding?" the tall blonde girl repeated in confusion.
"One of my former students is getting married. H . . um, she has a rather . . . restricted circle of friends, and one of them has had to cancel out. Family issues."
"I'll be glad to help, if I can."
Somehow, Jane managed to look just a little embarrassed as she demurred. "Thank you, Anne, but the, ah, conditions for the wedding are a little unusual."
Anne had to gawk at that "'Unusual'?" she repeated. "Around this place? The mind boggles."
"Well, not *that* unusual," the older woman laughed. "It's just . . . . well, Michelle has already married _his_ wife - as Michael. This ceremony will be an affirmation that his Janice truly loves *all* of Michael. At her request, everyone else in attendance will be, ah, affirming that as well.
Anne looked more confused, but then the teenager burst into laughter. "Meaning everyone will be dressed as girls, right?"
"Not *every* one, pardner," Jane replied in her best 'John Wayne' imitation.
"Oh my!"
"Just so."
Brow furrowed, Adrian looked up at the two taller women. "So, what does a, um, 'hostess' do at one of these things?"
"Angela was going to serve at the groom's table, though in this case, of course, that would be Janice's . . . wait. Were you volunteering to take her place?"
"Why not? It could be fun. I can't wait to see you in, um, guy-drag."
"Young man," Jane intoned loftily, "I'll have you know that I make a quite presentable 'father of the bride'."
"Yes, ma'am. I'm sure you do. But . . . I still can't wait to see you do it."
A familiar smile crossed Jane's face, and Adrian barely managed not to swallow hard. "Hmmm," she mused, "just how much do you . . . desire to participate? We still need a flower girl, too. You look just darling in Shirley Temple curls."
Barbara Anne snickered and said, "Now *that* is something I'd pay to see!"
Adrian managed a demure response, the perfect tones of a little girl politely telling her parent, 'no.' "Thank you, no, ma'am. My Shirley Temple curls and Raggedy Anne look left with Sandy."
"Oh, bother - and you'd have been so cute, too."
"True, all too true," was the smug reply, "but not in the cards, I'm afraid. Hostess or nothing, take your pick, Aunt Jane."
"I can't believe you'd want to do that, Adrian," Anne put in.
"I don't think it will, um, corrupt me, sis. I mean . . "
"No, that's not what I meant. It's just that after all you've been through here, and now you're offering to go back?"
Jane was pleased to see Adrian consider his response to that. Anne was obviously still somewhat concerned about how her brother's time at Seasons House would affect his future outlook.
"Look, sis. The clothes I wear don't define me. Thanks to Aunt Jane, I know who I am now, and I'm comfortable with that. Can't you be, too?"
"Of course," she said softly. There was a pause as Anne simply looked at her brother, a warmth in her eyes that greatly pleased Jane Thompson. "Oh, Adrian, I wish I could tell you how proud I am of you."
Adrian laughed, but there was pride in his smile as well. "Because I'll wear girl clothes and serve cake at a, um, 'affirmation' ceremony?"
"You know what I mean, you . . . brat."
"Children, please. Very well, ah, Adrienne. I accept your offer, and thank you." Then, Jane turned to face Anne. "I'm afraid, Anne, that will leave you . . . at liberty for a rather long while. I'm sorry."
"Is, um, Kendra going to be there?" Anne asked carefully.
"She wasn't going to be, but thanks to her time with you at Ruth's, she's regained her confidence. Yes, she'll be there, too.".
"Who's Kendra?" Adrian put in, catching the undercurrent between the two women.
Jane became serious as she recalled that Adrian and Kendra had not yet been introduced - properly or otherwise. Deciding that the question had to be answered, she replied, "You have met Darryl, Adrian, and thus know about Darla?" At the boy's nod, Jane continued. "Kenneth came to me under what I thought to be similar circumstances requiring similar treatment. Kendra is Kenneth's girl-name from his time in my program."
Adrian's eyes went wide. "Oh, my - Xena Warrior Princess Material," he breathed in obvious awe.
"Not quite, but more on that later," Jane told the boy. "So, Anne, I hope you don't mind Adrian participating? We'll save you some cake and such."
A mischievous grin lit up the lovely young woman's face. "Oh, I have no problem with Adrienne going to the wedding, but I don't think I want to stay at home. No, I think you need to call your experts in so that we can all meet, um, Bartholomew Andre. Perhaps your party needs, what is it men do at weddings?"
Hugely pleased by the idea, Jane grinned. "Hide, usually."
"No. . no. . .oh, I know, they usher. Need another usher, Aunt Jane?"
"Oh, I think we can find use for one, but are you sure?"
"Oh, absolutely," Anne's voice rang with determination. "But you have to make me a promise. Both of you?"
"Yes?" the other two said, almost in unison.
"Don't breathe a *word* of this to Kenneth."
Jane's eyes danced in merriment as she anticipated Kenneth's reaction to the unexpected appearance of 'Kendra's boyfriend' at Michelle and Janice's wedding. "Oh my!" Jane breathed. "No, indeed, we shall NOT!"
"You've gotten awfully quiet, little brother," Anne observed after Jane had left them alone in the music room.
The smile that answered her was bemused. "You know? You'd think I'd have learned to see that coming, wouldn't you?"
Now it was Anne's turn to look confused. "I don't understand."
"Of course you don't - you've only had a passing acquaintance with Aunt Jane. Me? I've been here for months now, and I should have at least made it harder for her. I mean, I'm mere hours out of skirts and pettis, and bang - here I go again." The teen laughed gently and shook his head. "She *always* does that - makes it seem like you're choosing freely to do the only reasonable thing, yet it turns out to be just exactly what she wanted you to do all along. I wish I knew how she did that."
Anne spoke very carefully, trying to offer an opening rather than an accusation. "Maybe, um, it wasn't that . . . difficult?"
Adrian laughed. "Look, sis, you don't need to dance around the fact I've learned some, um, unusual skills while I've been here, and learned them well. But you also don't need to worry. I haven't been turned into some kinky freak. At least," and here Adrian looked his tall sister up and down with grinning appraisal, "at least no more so than, say, my dear old brother Bart!"
"Oh my God," Anne gasped, then joined her brother's laugh. "She did it to me, too, didn't she?"
"Yep," Adrian said. "I'm not the one who's gonna get stuffed into a monkey suit and play usher. Goodness, I may have gotten the better deal. I hate wearing neckties - and those tuxes will probably require starched collars."
"Oh my."
"As our dear Aunt Jane Thompson would say, Anne - Just so."
Chapter 44: 'They're Gettin' Married in the Mornin'. . Ding Dong'
"Tante Marieeeee," the last syllable was a squeak, "It's too tight!"
"Non, non, non, it is perfect! Tres parfait! Now, stop this whining, while I tie off the last lace - There! Tres bien! Now, la piece de resistance," she smiled as she reached for the dress bag she'd earlier hung from the hook in the armoire. "Close your eyes, cherie."
Adrian, or rather, almost-Adrienne, pouted mutinously, even as she tried to remember the trick of breathing after one of Marie's infamous corsetings. However, Marie refused to so much as touch the garment bag zipper until her subject closed her eyes, which Adrienne finally did, if with a very put-upon sigh to indicate her disfavor.
"Raise your arms above your head, cherie," Marie ordered.
"Tante Marieeeee," the last syllable was a squeak, "It's too tight!"
"Non, non, non, it is perfect! Tres parfait! Now, stop this whining, while I adjust the bow - There! Tres bien!"
"I . . . can't. . . breathe. . " Anne gasped as she tried to work a finger in between the heavily starched old-style shirt-collar and her throat.
"Oh, pooh, and call me 'Marcel', Bartholomew. At least while I am dressed like this." The pair both wore black slacks, socks and shoes, white ruffled shirts that fastened, insofar as Anne was concerned, up the wrong side with metal studs instead of buttons, red silk cummerbunds and suspenders which Marie. . .MarCEL had called braces.
"It is SO too tight! Why can't we just use the clip-on kind and pretend we didn't."
The little housekeeper actually looked horrified. "In THIS house? Mais NON! Never! Why, that would be like permitting the students to wear pantihose. Now, be quiet. I swear, you complain more than la jolie Adrienne when I laced her into her corset," Marcel added, just a bit mendaciously. "Now, the jacket, eh?"
Anne, and then she corrected herself - better start thinking of herself as Bartholomew - was standing just off the foyer awaiting the first guests to arrive. Ushering, she thought, sounded easy enough in the abstract, but wondered what could go wrong. She turned toward the stairs when the sound of heels on the ceramic tiles caught her attention.
A brunette vision in a very tight red silk dress approached her, a wide smile on lips dyed to match her gown. Her first reaction was that the gold-embroidered sheath, which covered the girl from just under her chin to just above her sandaled toes would be an absolute bitch to wear. How did the girl breathe without splitting a seam?
Then, something about the finely shaped eyes clicked in her mind. "My god! Adri. .. enne?"
Adrienne bobbed a quick curtsy, as deeply as the deadly heels and her inflexible waist would permit, and replied "An. . . dy?"
"Bart," the tall tuxedo-clad blonde corrected before giving her. . his sibling a thorough 'once-over'. "Wow, Adrienne, that is some outfit, and I love the hair."
Grinning mischievously, the teen ran her fingers slowly through the silken waterfall of straight black hair before adding a dramatically exaggerated pirouette to give her sibling the full benefit of Marie's artistry.
"What is that?" Bart asked indicating the autumn maple-hued silk dress. "How do you MOVE in something that. . .well, that tight?"
A shapely calf, swathed in what could only have been a for-real silk stocking, teasingly peaked out through a knee-high split on the side of the dress. "It's a cheongsam," Adrienne said, "And these side splits help - a little, anyway."
"Well, You look like the heroine from one of those English-dubbed Kung Fu movies you're always watching. I almost expect you to do a backflip screaming 'hi-yah' or something."
"Not in these heels!" was the disgusted retort. "My feet are already KILLING me."
Bartholomew was prevented from complaining about the necktie when a mustachioed figure, also in a tuxedo, hurried up to them.
"Adrienne, let me look at you!" Jane Thompson's voice ordered. "Yes, you'll do. Look, I have a mission for you - for both of you, actually."
"Yes, Aunt Jane?" the red-garbed teen asked.
"Uncle Ian, just this moment, dear. The problem is that the blasted caterer tried to foist inferior champagne off on us. We rejected it, of course."
"Oh, of course," Adrienne agreed, grinning at her sibling.
"Just so," 'Ian' retorted, scowling at her former pupil. "They were supposed to be here two hours ago with the proper vintage, but they had trouble acquiring sufficient quantities. They're on their way now. The problem is that . . .everyone is ready for the wedding. Normally, Marie would handle this, but she's Marcel now, and well. . . "
"Marcel doesn't look anymore like a guy than this tall, skinny string-bean, right?"
Bartholomew yelped, but subsided at 'Ian's' nod. "She'd have to change back which means she'd miss the ceremony. I have other former students here who are still passable enough en femme to pull off meeting the caterers at the back door, but they're supposed to be in the wedding ceremony."
"You want me to meet the caterers and take delivery of the wine, Aun. . Uncle Ian?"
A look of relief and then gratitude flashed in 'Ian's' dark eyes. "And then . . Bart, here, could help you get the wine to the reception area set up in the rose garden. The buckets are already there since those fools had the other champagne set up before I caught them at their little game of switch."
"No problem," the two Braithwaites assured their host.
"Just make sure Bart stays out of sight while they're here," Ian ordered. "As Adrienne pointed out, dear, you do not look in the least masculine."
"And you do?" Bartholomew asked archly.
"Point taken. True femininity will always show through, eh, Adrienne?"
"Aunt JANE!" the teen squawked, indignantly stamping a spike-heeled foot.
To the tall blonde's amazement, things actually went fairly smoothly with the caterers. Bart had spent the waiting time imagining all sorts of disasters that could befall the cross-dressed pair in the presence of . . .what? Normals? No, that wasn't the right description - she'd already concluded that there was nothing abnormal about the goings on at Seasons House. Non-believers? Closer, she decided.
What surprised the older Braithwaite the most was how easily and effectively her. . his. . brother/sister dealt with the erring tradesman. "It's like watching a miniature version of Jane Thompson," she murmured, looking on from her hidey-hole, "Even in those killer spikes, that caterer has five inches and fifty pounds on Adrienne, and yet, he's almost cowering. Heavens, she didn't even raise her voice."
Part of that had to be reaction to a very pretty girl being confidently authoritative - something else to thank Jane Thompson for. If anything, Adrienne was better looking now, than when she'd been fully inculcated in the Seasons House program. Maybe it was the coiffure - it was much nearer her natural color than that bleached platinum blond color, although it was certainly longer and straighter than Adrian had ever worn his hair.
Then again, that cheongsam was something else, too. A point that Bart mentioned later, when they were hurriedly stuffing green glass bottles into ice-filled silver wine buckets. "That is really some dress, sis," Bart said, envy patently evident in every syllable.
"Wanna share clothes, Bart?" Adrienne asked impishly.
Bart gave a sigh of regret. "Not much point, Twiggy. It takes slim hips to wear that style, and mine, well . . ."
Adrienne snickered. "Well gee, *Bart* why would you *want* to wear a dress? Big, tall, manly fellow that you are." And then just barely avoided the handful of crushed ice lobbed in her general direction.
"No! STOP!" Bart ordered, even as Adrienne reached into a nearby ice bucket for retaliatory ammunition. "Aunt Jane would have kittens if we messed up her party. I yield!"
"Wimp," the brunette sniffed, and then began giggling. "But you're right, and I have no desire to spend the next six months as Raggedy Annie or Little Lady Fauntleroy. But tell me, sis, where did YOU learn to react like that??!?"
"From Ken. . .dra," Bart replied, casting a longing look in the direction of the wedding ceremony.
Adrienne followed her sibling's direction and saw the object of her attention. "That tall, stacked brunette who can't seem to pay attention to the ceremony for wanting to look at you?"
"Yes."
"I like him. . .her," Adrienne said carefully.
"I'm glad."
They worked together in companionable silence, quickly finishing their assigned task. So they had time on their hands before the ravening hordes descended on them. "Have you thought about what happens next?" Bart asked Adrienne. "I mean, after you leave Aunt Jane's?
"Well, you're still my guardian - for which I am very grateful - what do you think I should do?"
"Finish school, obviously. Precisely where you do that is something we need to think about, but you're pretty well grown up, now, br.., um, sibling of mine. I expect whatever you decide will show a lot of wisdom. I just hope we can help.
A proud smile flashed across the little brunette's face at her brother/sister's praise. Then she realized that 'we' didn't mean quite what it had always meant in the past. "We? As in, you and Ken?
Blushing, Bart nodded. "You know you'll always be my *favorite* brother. I love Ken . . dra, but that doesn't mean I don't love you, too. He does live in this area, though. Whither he goest, I will go, and all that, you know? That's what I meant about 'where'. If you want to go back to Indianapolis to finish school, we will find a way, but it might take some doing."
"I know, sis," and it was somehow Adrian who said that. "And I'm happy for you. Frankly, it wouldn't bother me a bit to spend more time around the part of the country anyway."
"Oh, you've suddenly decided you like wearing those ankle-tangling heels?
"Not hardly!" was the nearly guffawed response. "But, well, there's this girl . . . "
"Ahh, um, Just so. Uh, oh, here comes the herd, rice at the ready. Be careful where you stand, kid. Getting those hard little grains down your dress is a bitch!"
Chapter 45: Reflections on a Wedding
A pair of revelers strolled hand-in-hand amidst the moonlight-soft shadows of Jane's garden. "So," the tall brunette asked the tuxedoed blonde at her side. "What did you think of the affirmation?"
"I don't think we'll need one," 'Bartholomew' replied, leaning her head against her love's shoulder. "It was nice, and fun, but one full blown wedding will be more than enough for me, thank you very much."
"Marie will be devastated. She loves parties."
"Sorry. I also decided that I never want to wear one of these, well, Adrian calls them 'monkey suits', again. And I really, really *hate* this bloody tie!"
"Oh, sorry," Kendra turned and reached for the thick velvet bow. "Let me undo it for you."
To Kendra's surprise, Anne caught the hand. "Not yet," she said firmly. "I have something to do, and I should be, umm, properly improperly attired for that."
"Huh?" Kendra questioned, as Anne, taking Kendra's left hand in hers, went down on one knee before her beloved.
"Well, Jane," Marie said as she loosened the black velvet bow tie about her throat, "That was great fun, and everything went off without a hitch."
"Yes, thanks to Adrienne and, ah, Bart. But I don't think we'll be using those caterers again.
"Oh, I know," Marie's face fell, just a little, at the reminder. "I'm so sorry about that."
"Don't be," Jane ordered as she carefully peeled away the false mustache from her upper lip. "Ouch! Anyway. No battle plan ever survives first contact with the enemy. The sign of real genius is the ability to overcome those little . . obstacles, and once again we managed. Your plan was a good one - just as I knew it would be."
That made Marie blush. "Well, Michelle and Janos are off for their honeymoon."
"Do you think that was the REAL purpose of this whole ceremony, Marie? So that pair could have a second honeymoon?"
Marie giggled at that. "I wouldn't put it past that scamp, or his sneaky little helpmate, but if you are serious, then no, I don't think so. That pair? They will still be on their honeymoon on their seventy-fifth wedding anniversary. Janice won't tolerate anything less."
"True, very true," Jane sighed, very pleased with the observation.
"It was lovely seeing our girls again," Marie sighed happily, "As girls again, that is."
"Yes, Beth made a beautiful Maid of Honor, didn't she?"
"All of them were tres jolie, Jane, and the girls were very handsome, eh?" Another giggle bubbled up. "Lord, did you catch Adrienne's face when she first caught sight of our Kendra?"
"Indeed I did. I think we have reason to hope that stratagem will work, but I suspect, dear, that wasn't the biggest surprise of the evening."
The little housekeeper grinned at her long time friend, resplendent in her own tuxedo. "Kendra?"
"Yes, indeed. I rather think 'Bart' put my little gift to excellent use after the reception."
As soon as the bedroom door closed behind her, the pleasantly fatigued teen took as deep a breath as her stiff, unyielding foundation garments would allow. Holding that precious bit of air in tightly compressed lungs, the silk-clad figure strained to bend over against the resistance of her corset. With one last surge, her manicured nails were able to flick open the catches that held the ice-pick heels on her silk-shod and sore feet.
That task done, the soft caress of the rich deep pile carpet on near cramped toes elicited a groan of pleasure as the youngster moved to the vanity. The bed looked SO inviting, but lessons hard learned over the past months came first. Sighing, she reached out for the first of many cotton balls - and found nothing.
Adrienne's eyes snapped wide open and immediately realized the problem - things weren't where they belonged because Adrian had not had time to rearrange everything, when Tante Marie had bustled in earlier. Nor had Adrienne had time to see to things because by the time the 'temporary' transformation had been completed, it had been time to go down to the wedding.
It was then that she looked in the mirror and caught her breath in surprise. "Not used to seeing a brunette stare back at me from that mirror," she mused. Then she realized that she looked, well, sort of familiar, but it wasn't like a brunette Adrienne - not quite. "Something. . .something about the eyes," she told herself, "And the mouth. . . ."
Then it hit her - "MY GOD, I look like Xhinea!" Marie had done something. . .some THINGS to her to make her brows finer, and to make her eyes nearly Oriental in shape. The lipliner bowed her mouth, making it seem both smaller and somehow fuller. Even the foundation was part of it, imparting an almost golden tone to her skin.
Slowly, the teen stood and went over to the three-sided floor-to-ceiling mirrors that had been so much a part of her life at Seasons House and gave herself a good look, finally pirouetting to take in the full effect of the classic Chinese silk brocade garment. "Well, that explains the cheongsam," she said, now amused. "Lord, but what would Xhi look like in this thing?" she asked, and then answered. "Dumb question, Braithwaite. I think it's fair to say that Aunt Jane and Tante Marie have already answered that one for you. The question is why."
A yawn reminded the teen just how tired she was at that moment, and she returned to the vanity where she pulled off the below shoulder-length wig, setting it on the stand, and removed the clip-on earrings - an act that brought blood rushing back to starved tissue and nearly made her eyes cross. Another yawn had her reaching for the cotton and cold cream.
The last touches of color had barely been transferred from face to cotton when a knock sounded on the door. "Yes?" she called, only afterwards realizing it had been Adrienne's lighter tones that had answered. The door opened to admit Kendra. .. or rather, Kenneth. The tall man was dressed in a plush calf-length robe of white terrycloth.
"Hi kid," he called. "Thought you might need some help."
"Huh?" Adrienne asked, her sleepy mind confused.
"The dress has a rear zip, right?"
"But I can handle. . "
"Yeah, I know. Any Jane student can handle those, but not easily, I suspect, in the kind of corset Tante Marie loves to lace up as tight as she can?"
A quick reach behind proved the truth of Kenneth's assessment. "Guess I could use some help at that. Maybe with the corset, too?"
"Trade you, pal - I undo you, you undo me. Ummm, Tante Marie AND Aunt Jane ganged up on me." Ken reached for the zipper at the very top of the Chinese-style high collar.
"How hard do you think it would be to alter this thing, Ken? Just a bit? Thanks to my schooling here, I'm a pretty dab hand with a needle now."
"Why? Looked like it fit just fine to me."
"Not for me," trenchant disgust rang in every word, until Ken grinned. "Score one for you, big brother. You know who I want it for."
"Momma Jane and Tante Marie must have felt rushed on this one, because it isn't at all subtle. You want to fit it for Xhinea, right?"
"Yeah." It was Adrian who answered.
"Let's talk to Tante Marie, kid. She got you into this, she can help you get Xhinea into it."
"Good plan. How do we do it?"
"We fall back upon a time honored male strategy when dealing with women, m'boy."
"Oh yeah? What's that?"
"We beg."
"It went well?" Jane asked, when her tall son let himself back into her apartment.
"You didn't watch?" he asked teasingly, indicating the dark closed circuit television monitor.
"Of course not!" Jane snorted. "He's no longer my student, and therefore entitled to his privacy."
"Right, and that's why you turned Adrienne into a clone of Xhinea, right?"
Jane sniffed. "He's also family, and it is the duty of the, um, family Matriarch to see to the well being and happiness of each member of the family. Manipulation does have its place in a well ordered household."
"Still, as manipulation goes, that one was rather obvious. Even Adrian caught it."
"I have found, in my years of dealing with the adolescent male, that even the most. . .open-minded of your species often requires, shall we say, substantial direction?" Then the Mistress of Seasons House chuckled. "I didn't want him to miss _that_ point."
"There was another?"
"Of course," Jane retorted. "I had hoped he'd see Kendra and realize that size has nothing to do with either how feminine or masculine a person is or carries oneself. He didn't raise that issue with you at all?"
"Nope. Too interested in how much work it would be to fit that dress you selected for Xhinea. Oh, and one other thing. . "
"Oh?"
"Yeah. Actually, we messed up - just a little."
Jane waited with what she felt was admirable patience for Kenneth to continue, but when he only grinned fatuously at her, she growled out, "Well, tell me, you devious. . . *lawyer*!"
"We forgot to introduce him to Jesse."
"What?"
"Until the Affirmation Ceremony, where Adrienne once again met Jessica . . " Kenneth let his voice trail off.
"Adrian still didn't know that Jessica is actually another cross-dressed male?!?"
"Not until Jessica got into the procession as one of the bride's attendants."
"Oh, my. And what did Adrian say about that revelation?"
"Only that he never would have guessed. Oh, and that Jessica was even smaller than Adrienne."
"I had better warn Jessica, so she won't be surprised if Adrian approaches her."
"New student coming soon?"
"Next week," Jane affirmed. "Jesse decided it would be easier to stay in role. Says that all that changing about disrupts his study schedule."
"You're kidding."
"No indeed. That young man understands the importance of discipline in achieving great things - like someone *else* I could mention just now. Kenneth?"
"Well, we won't discuss that."
"Oh, then how about we discuss that ring you're sporting," Jane ordered snatching at her son's left hand. "Nice rock."
"Don't think I don't know where Bart got it, Mom."
"It was my Grandfather's, and thus your Great-Grandfather's" Jane said simply, "And would have been yours eventually."
"My. . . my Great-Grandfather?" Kenneth asked, his voice suddenly hoarse.
Jane nodded, her smile as loving as he'd ever seen it. "Of course he is, silly. Because of Sheila, I wasn't allowed to legally adopt you as I did Darryl, and as I am doing with Jesse, but that makes you no less my son - so that ring was your Great-Grandfather's, and it is now yours. This was is much better than as a bequest."
Happy tears traced down two sets of cheeks. "Tante Marie DID manage to get some pictures of that little scene, didn't she?"
"No," Jane replied, "but I did."
Adrian found Jessica precisely where he expected that he would - in the back corner of Jane Thompson's library, nose-down in some thick, musty, leather-bound book. She didn't look up as Adrian approached, even though the boy made special effort to noisily announce his arrival in her presence.
In the end, he had to call her name three times before her concentration finally broke. "Oh, hi." the pretty teen said, smiling.
"I'd like to talk to you, if you have time, that is."
Carefully, Jessica marked her place and set the book aside. "For my little sister? Always."
"You're. . . you're really a boy, aren't you?"
Jessica nodded, sending strawberry blond curls bouncing. "Yes, I am. Aunt Jane told me that you hadn't tumbled to that until last night. I'm sorry about that. I just figured that after your talk with Darryl, that my. . .secret identity would have already come out."
"That's okay, it's just that, well, I have a question. You can tell me to take a long walk off of a short pier, but I'd really like to know the answer."
"Ask away."
"Do you, umm, like being a girl?"
Angelic lips turned up into a knowing smile. "Oh, not particularly, but then again, it's no big deal either." Then the smile turned devilish and Jessica's voice dropped very low. "Anymore that is - although, when I first got here I used to dream up the most *inventive* tortures I'd someday inflict on Jane - but now it's just clothes and a role. Neckties are worse for guys. Heels, if you have to spend a long time in them, are worse for girls - even though I like being just a bit taller. I just do whatever works for the situation I'm in."
"You're not wearing heels now."
The laugh that answered that observation was hardly feminine. "No, indeed! I got plenty of that yesterday in my bridesmaid ensemble."
"So, why ARE you still Jessica? Doesn't Jane let you have knocking around clothes?"
"She does, and I wear them when I can, but Jane has a new student coming next week, and it's not worth the trouble to glue on false eyebrows and whatever in the interim. Why the questions?"
"I was just wondering, is all. I mean, you don't have to be a girl anymore - not for my sake, anyway. Why not go back to being a guy - unless you don't like being a guy - you being so small and everything."
"Oh, so that's what's behind this oh-so-careful interrogation," Jessica giggled again before becoming serious, and somehow, Adrian thought, very much like a smaller version of Aunt Jane.
"Better to be a petite girl than a runty guy? Is that what you're asking?" At Adrian's affirmative answer, Jessica nodded somberly. "I'm a man, Adrian. I wear these clothes so that I can help other guys learn what I've learned here with Aunt Jane - what YOU'VE learned with Aunt Jane, okay? I can take these clothes or leave them, as the situation calls for. In a week, when the new student arrives, I'll need to be Jessica for him, so I thought it would be easier all around to stay Jessica."
"But when you. . .leave here, get out on your own?"
"I will be Jesse, little sister," was the gentle, yet sure, reply. "I want to marry a girl, not be the girl."
"But your size?"
"Has nothing to do with it. Big girls can be feminine, small guys can be masculine."
"Kendra was sure pretty last night," Adrian mused aloud.
"And Kenneth is a very masculine guy. I suspect your Xhinea thinks you're quite the guy, too. In the end, that's probably what really matters, right? How the people who are important to us think? How WE think?"
When Adrian didn't respond, Jessica was content to let the silence stand between them, a trick she had learned from Jane Thompson. She knew that her companion would speak when he was ready.
It took almost five minutes, but she was right. "What you said - that's not how the rest of the world sees things. Little guys are always the first ones picked on, and. . ." Adrian hesitated, but realized that he'd crossed the line and only complete honesty was acceptable. "And big girls get made the brunt of jokes."
"So, 'the rest of the world' is always right? Small guys are weak and big girls are ugly?" When Adrian didn't answer immediately, the devil's glint returned to Jessica's dark eyes. "Oh my! Call CNN! Jackie Chan is a wimp because he's not tall. Hold a press conference! Elle McPherson is not feminine because she IS tall. We have GOT to straighten the world out on these critical issues!"
"Jes-si-ca!" Adrian groaned, emphasizing each syllable.
"A-dri-an!" the petite strawberry blonde mimicked. "C'mon, sis, use that brain Jane is so proud of and just look at the FACTS, okay? Does your Xhinea think you're . . . unmanly because you're short?"
"No! At least," and the boy's voice trailed off for a moment, "I don't think so.
"From what I hear, you're right," Jessica affirmed staunchly, "and I'm proud of you, bro. That is one fine foxy lady you've got there. If I were you, I'd concentrate on keepin' the one you got rather than worryin' about the opinion of those you don't got. Or don't want?"
"Xhinea's special."
A smug grin lit the feminine face. "So she is, but then, my friend, so are you. Jane said you were ready to graduate. That means you're already better in difficult situations than 90% of the world. A little work, a little education, a little training, and a lot of determination puts you in the top one percent. You can BE anything you want to be - DO anything YOU want to do."
"Once you've been one of Jane's girls, everything else is easy?"
Jessica smiled. "Just about. So, Adrian, what do you want to be when you grow up?"
The question had been intended to tease, but from the suddenly blank look on the boy's face, Jessica could tell it hadn't been taken that way. "You won't laugh?" Adrian finally asked.
"I'd never laugh at anyone's dream, sis," was the soft reply.
"You know about Xhinea? In China? What. . . what might have happened to her over there?"
"I did help you research that paper for Jane, Adrian," Jessica replied quietly, but there was a cold anger in her eyes, that children could be so easily and callously discarded on such a scale.
"Okay, then. What I want. . .what I'd like to do. . is find ways to help girls like Xhinea - find them homes where they'll be loved all their lives instead of growing up in one of those state-run kid farms in China - or worse. Dumb, huh?"
Jessica felt a lump growing in her throat as she looked into wary yet earnest eyes. "No," she rasped out, fully understanding the goal from her own experiences, "Not dumb at all. In fact, I think it's a grand dream - one well worth working for, and Jane will help, you know. She's got all sorts of contacts in really strange places."
"I'll bet."
"Really. You'll see if you tell her about your dream. Trust her, Adrian, she'll help you like she's helping me with my dream."
"All those dry books on history and political science?"
A wistful look crossed Jessica's face, but only for a moment before she nodded vigorously. "I'm going to go to Yale Law and be one of the top men in my field before I turn thirty. Aunt Jane is making sure I have all the knowledge and education needed to achieve that goal. Think about it, okay?"
"Okay, and Jess? Thanks. I'm gonna go see if I can get Tante Marie to help me with a little project."
"Later, sis."
"I don't care about that, Ken, I'm the one getting married and I want to do it the way I want to do it!"
"But, Skipper. . ."
"Don't Skipper me, mister," the tall blonde retorted. "Look, I saw that three ring circus your family organized last night, and that is NOT what I want."
"You don't have to have anything that. . . ummm. . . adventurous. I mean, you could even be the one to wear the gown."
"Wear the dress, pal, and mine is going to be a lot less dramatic as that thing Michelle wore, okay? I'm just a simple Mid-Western girl with simple Mid-Western tastes, and I'll have the wedding that I've always dreamed about."
Ken was about to argue, was about to press for the big, fancy affair he knew Jane and Marie would want, but something caught at him. "What have you planned?" It might have been a question, but there was no doubt in his mind that she had planned something.
"A small affair, Labor Day Weekend Saturday, in that little church in downtown Kingston. I've already talked to the minister and he's penciled us in."
"That place won't hold more than a hundred or so folks," Ken warned.
"Then it will easily hold the thirty or so I want there," Anne replied firmly. "It's my wedding."
"Can we at least let Momma Jane and Tante Marie plan the reception? Here at Seasons House?"
Momentarily, Anne's shoulders drooped and then she cast a suspicious eye on her fiancé. "It will be huge, won't it?"
"Over the top," he agreed easily. "Might even get to meet the President's mom and dad if you're lucky."
"WHAT?!?!" she yelped, and then gave him a hard look. "You're teasing me, right? Tell me you're teasing me."
"You never know when Jane Thompson is involved."
She thought about it, and sighed. "Okay, but we escape as soon as we possibly can."
"I'll make plane reservations that will ensure we have to leave after no more than a couple of hours."
"An hour and a half!"
"Don't push your luck, dear. And remember, some of that time will include changing out of your wedding finery."
"Oh, well, umm, okay."
Chapter 46: Gifts Given and Received
"And so, mon brave, you are ready?"
Adrian closed his eyes and took a deep breath. "Ready as I'm likely to be, Tante Marie. I just wish. . ."
Marie let that unstated wish stand as long as her soft heart would permit -which wasn't very long. "Wish what, Adrian?"
"I wish I was as certain as I was when I came up with this idea. Suppose she doesn't like it? Suppose it . . . it reminds her of, well, stuff?"
"Pooh," Marie scoffed. "She is female, isn't she? La petite jolie femme? What woman in her right mind wouldn't treasure such a gift? From a man who treasures her? Besides, that style is not something one sees in the People's Republic of China, so it should not have any unfortunate associations for her."
"You're sure? I mean, it's sort of a hand-me-down."
"Adrian," Marie said, her patience slipping. "I, Marie, would NOT have helped you, had I not been sure. Eh bien?" She saw the relief in his eyes and relented, just a bit. "So, are you going in or not? I DO have shopping to do today."
Smiling now, the teen leaned over to plant a kiss on the French Canadian's cheek. "Thanks, I mean, merci, Tante Marie."
"You're welcome, my lad. Now, I'll be back for you in about two hours. Out you go."
It was funny, Adrian mused as he waited for the door to open in answer to his knock, how many memories could flood through your mind in so short a time.
So much had happened since the last time he'd been at this doorstop. Both his sister and her guy were sporting engagement rings for a wedding that would take place just before school started. He'd be living with Darryl and Audrey while the lovebirds went on their honeymoon.
Of course, Aunt Jane had offered to let him stay with her - as Adrienne, actually, since there was now a newly petticoated student in residence at Seasons House.
As much as he'd learned to respect, and yes, love Aunt Jane, that solution was distinctly unappealing. First of all, Ms Thompson the School Mistress was daunting to say the least. She wouldn't let him slack off on ANYthing, and a guy needed to goof off a little bit now and then. Of course, there was NO way he could use that argument, because it was a tossup who'd have him back in Seasons House and skirts faster - Jane or Barbara Anne. So he'd based his case on his other primary objection to being home-schooled - not being able to attend the same school as Xhinea.
And that had carried the day, since it had gotten Marie on his side.
The metal-on-metal clicking of the door lock snapped the teen out of his reveries. Without realizing it, he went ramrod straight and clutched the silver-wrapped packages closer to his chest.
"Hi, Dr. C," he rasped when the woman of the house smiled at him from the doorway. "Umm. . I, uh, brought a gift for Xhinea. May I come in? Please?"
"Did you see the look on his face, when you offered to let Adrienne stay with you while Ken and I are honeymooning in Paris?" Anne giggled.
Jane's answering smile was devilish. "Actually, my dear, what really terrified the poor dear was when I pointed out that would entail home-schooling with me as teacher."
"Are you really such a demanding task-mistress, then?"
"Just so. However, since I have excellent contacts with the local school, I've taken steps to ensure that Adrian's teachers will . . . see that his developing intellect is suitably challenged."
"Well, truth to tell, Jane, I would prefer that he learn to deal with the outside world beyond Seasons House, anyway."
"My goal also, dear, which is precisely why I allowed him to believe he'd won that round. We can always use my little school as incentive to excel at his preferred educational venue, eh?"
"Straight A's or A-line skirts?" Anne giggled.
"Well, one or two B's MIGHT be allowed," Jane intoned, and then grinned. "As long as he does his best, Anne, which I'm sure he will. He's really is a special young man," she added, recalling the boy who'd valued a friend more than he did his secret identity as one of Jane's 'girls'. "Do you know he volunteered to stand in as big sister, if Jesse ever needs to be elsewhere when I have a junior student in residence?"
"He did?!?" Anne was flabbergasted.
Celia Hurst watched as her daughter carefully unwrapped the larger of the two boxes Adrian had brought with him, much to her impatient young swain's distress. He was even more excited than her daughter.
Or perhaps, Celia thought, the correct word was anxious.
"Oh, my. . ." Xhinea breathed reverently as she reached into the opened box. Standing up, Xhinea pulled out a long, shiny red dress that she held to herself. "It's gorgeous!"
"You like it?"
"I love it! I want to try it on right now!" she enthused, gathering up the dress to leave.
"Wait!" Adrian ordered, laughing. "Open the other box, first. They, ah, go together."
This time, Celia noted, her daughter tore into the wrapping with all the enthusiasm a suitor might wish, and withdrew a pair of delicate high heeled sandals, their red straps matching the color of the dress. She was surprised, however, when the teenaged girl suddenly became less certain.
Adrian saw it, too. "What's the matter? Don't you like the shoes? You don't have to wear them. . ."
Xhinea looked up at the young man, her eyes cautious. "No, they're lovely, and. . .and I've wanted shoes like them. It's just that, well, I'll be taller than you."
"Yeah," Adrian growled low in his throat.
"That's okay? With you?"
"I knew it when I chose the shoes for you, Xhi. It's WAY more than okay with me."
The pleasure came back in Xhinea's face. "Okay. . . I'll be right back. Don't go away." she ordered as she dashed from the room.
Pleasure at her daughter's obvious delight suffused Celia, and she smiled at Adrian. "Well, young man, if any other boy gave my daughter such a dress and heels, I'd be concerned. You, however, have a well-trained eye for fashion. She'll look exotic, but very attractive."
"She won't be able to blend into the woodwork in that ensemble," Adrian added in evident satisfaction.
"I find I almost envy her."
"Huh. . I mean, pardon me, Ma'am?"
"It must be nice to have a young man who so well understands what looks good on a woman, and what a woman goes through to look good. You will never take her for granted that way, will you?"
Adrian heard what Dr. C didn't say. Someone had obviously taken her efforts in that line for granted, and it had hurt the gentle doctor.
"No, Dr. C. At least, I promise you I'll try very hard not to do that." Then he added, "I think anyone who has, um, experienced Aunt Jane would never again take a woman for granted. Maybe you should ask her if she, um, knows anyone who could, um, help you with that?"
"I'M READY!" Xhinea's excited voice called from the next room before Celia could find out what Adrian had meant. "HERE I COME!"
Anything else she might have thought flew out of Celia Hurst's head, as a vision in gold-embroidered red silk brocade glided into the room. "Oh my goodness - my little girl is growing up, and I haven't had her near long enough yet!"
"Wow, Xhi, you look great!" Adrian gushed, his eyes wide.
Celia went to the kitchen to give the young people a bit of privacy. "Thank you, Adrian. This is just SO lovely."
"I knew it would look great on you - the moment I realized. . ."
His sudden silence surprised Xhinea and she looked at him closely. "When you realized - what?" she asked.
The boy colored vividly, and Xhinea put that reaction together with what she knew about Adrienne. "You wore this?"
"Adrienne did Aunt Jane a favor, and wore that dress."
"It fit you?"
"Sort of. Tante Marie and I modified it a bit for you - even without a corset, you're more slender in the waist than Adrienne." Adrian stood up and walked over to Xhinea. "See these buttons here and here?" He pointed to two spots in the back of the dress, just above her hips. "Those take about three inches out of the waist. We also raised the hem an inch and a half.
"But you, I mean, Adrienne could still wear it?"
"Well, yeah. . ."
"Good. I like her, too," she said simply. "I would miss her friendship and the little things we'd shared together.
For a moment, Adrian couldn't speak. He hadn't, before that moment, realized that he'd wanted to continue sharing those little things, too. "If it's okay with your Mom."
"Oh, she's cool with it. We've talked about you. . .and Adrienne."
"It doesn't bother you? That I've worn that dress?"
With the shy stiffness of first times, Xhinea moved over and embraced Adrian. "Silly man," she said, kissing his cheek. "That just makes it all the more special to me."
Slowly, Adrian put his own arms around his girl's silk-swathed waist. "Then, you will wear it, won't you? At my sister's wedding? I really want you to come. Your Mom, too."
"I'd love to come, and I think my Mom will want to attend, too."
"She's invited, too. Anne said I could ask you both."
"I bet you're really handsome in a tuxedo," Xhinea said wistfully.
Adrian wasn't sure, but if Xhinea wanted to see him in a monkey suit . . . well, it might not be the most challenging thing she'd ever have him wear.
Chapter 47: Conclusions and other Beginnings.
In the warm darkness of her private apartment, Jane offered a flute of bubbling champagne to Art, a happy smile lighting her face. "I'm so glad you're home."
"For Ken's wedding? Nothing could have kept me away, darling. I must say, however, that I'm surprised you allowed that mere snip of a girl to have her way in the matter of YOUR son's wedding."
"Oh, don't kid yourself, darling," Jane said smugly. "There's still going to be a big wedding."
"Oh? When?"
Jane grinned into her wineglass. "Oh, a year from now, on their first anniversary. She wouldn't have enjoyed that big an event just now, and I firmly believe that a bride should be happy on her wedding night. So I didn't argue."
"But all that will change in a year?"
"Of course. For all she's accepted what I did for Adrian, she is still uncertain about me and my little school. She'll have a year to get used to . . .things, and perhaps, to learn to trust me just a little more."
"And then, - POW -, big wedding - Jane style - right in the kisser, eh?"
"Oh, I wouldn't put it like that," Jane replied, obviously well pleased, "but in any case, Barbara Anne should know by now that I will host the ceremony I think worthy of my son and new daughter's union. Who knows? By then, she might actually look forward to the party."
"Still, I'm very impressed that she was willing to stand up to you to get what she wanted."
"As am I, Art, as am I," Jane said in apparent agreement.
Art grinned at her and said, "Don't give me that sadly-resigned-to-my-fate-look, wife. You know as well as I do that Anne's wedding was charming in a way your big bash could never have matched."
Jane matched his grin and said, "So it was, not that I will ever admit that to Anne. At least, not until after I get my party for her. I suppose I should have realized a girl who has. . .issues with her height as Anne has would want something, shall we say, more delicate than the, ah, 'big bash' I would have arranged. At least for now. Once our Kenneth has had a little time to convince her she has nothing to be shy about, she'll come around."
The serene Mistress of Seasons Manor raised her glass in a toast. "To true love, my love. Another of my boys well matched."
Art touched his glass to hers. "Not the last, I'd say. Did you happen to notice that ring Donald Madden's young lady was sporting?"
"I saw it, but even so, I couldn't help but notice her being joined to him at the hip the entire afternoon, either. I think we can expect a wedding invitation to show up in our mailbox very soon."
The main living area of the honeymoon suite was quiet when Kenneth, belting his dressing robe, stepped out of the groom's dressing room. He'd needed the shower for it had been a long day, and not to put too fine a point on the matter, he'd long since overwhelmed his twenty-four hour deodorant.
"You only get one chance to make a first impression," he reminded himself only a little facetiously as he walked over to the door to the luxurious bedroom that was the suite's centerpiece. He was about to knock when he saw it - a note taped to the doorknob with is name written on the envelope.
With suddenly shaky hands, he tore it open and removed the single sheet of perfumed stationery.
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She rose, and moved to meet him halfway, the shy smile that curled her lips holding all the welcome and promise a man could ever want.
With a laugh of pure unadulterated joy, Ken scooped her up in his arms and carried off HIS Barbie into their future.
End of Tales of the Season - Ken's Barbie © 2002,2013 Tigger
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Seasons of Change
Book 15 Season of Remembrance Jamie's Visit Seasons of Fear Book 3
Copyright © 2002,2013 Ediolon90 (Eido)
All Rights Reserved. |
Reader Caution: Season of Fear, Web of Fear, and Season of Remembrance, written by Eidolon90, represent a different view of the universe of Miss Jane Thompson. It's darker than my own view, but are still compelling, thought-provoking stories. However, readers are cautioned that there is a particularly bloody and violent scene in Season of Fear that requires "Aunt Jane" to react in ways that have not occurred in the other stories. Her reactions are not always consistent with my own view of Jane, but hopefully she'll never face an equivalent level of stress in my stories, either.
The second Seasons Story by this author, Web of Fear, is the source of some of the characters in the Remembrance story. Sadly, the story is lost to a series of hard drive crashes and web-site/BBS-demises. It was a very good story. However, Eidolon90 does have the notes he had written it by, and through Sephrena's efforts, has agreed to possibly rewrite it sometime. ~Tigger.
Admin Note: Eidolon90 has give Tigger permission to host his stories within Tigger's Story Arc of Aunt Jane. His permission was also written to myself pertaining to this and is duly noted. All credit to the three books of "Season Fear Series" by Eidolon90 belong solely to Eidolon90 (Eido).
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989, and further expanded upon with Joel Lawrence's permission by Tigger. ~Tigger.
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Eidolon90, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Eidolon90, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author. ~Sephrena.
The brilliant afternoon sun shone in through the windows of Seasons House, highlighting and glinting off the various things and people that passed through its rays. A homecoming was currently in progress, a not altogether infrequent event at Seasons.
"Where’s Art?" asked a tall, solidly built man.
"He had to go to Boston to consult on some case. He promised to be back tonight though, if you can stick around?" The answer, and question, came from another man; a man somewhat distracted by a wiggling red haired toddler.
"Well, I had planned to go back after dinner, but I missed Art the last three times I was here. Jane’ll start thinking I’m jinxed or something."
"I’m way out of practice, Ken. I need to up my exercise regimen if I plan to keep up with any more grandkids," the smaller man said, much to the amusement of his friend.
"Just take good notes for me. I hope to have the title of Grampa soon myself."
"Then you’ll need a better cardio workout, wimp." A tall woman strode through the doorway. The sunlight danced on her hair, contrasting the few strands of white with the mass of black hair.
"Hey G, this is the real me here. No therapeutic enhancements, and I’ve got the bald spot to prove it," Ken said, pointing at the top of his head as he moved to embrace the dark haired beauty and wife of his best friend.
"Darryl, Mom said to let you know she’d be here in a moment and that you should be prepared to be completely ignored while she lavishes attention on Ruthie here. I imagine that goes for you too, Ken."
Darryl looked around at the small group. His wife of many names smiled down at him. His best friend and brother by various rites of adoption took his attention off the wriggling child.
"What is it, Darryl? I know that look from somewhere."
"I was just wondering why you never bothered getting some hair put back up there."
"You liar," Ken replied with a snort. "I’ll tell you why if you’ll tell me what you were actually thinking." Ken paused. "It seems overly vain to me. Or maybe I don’t mind it. I guess I’m not really sure myself, sometimes."
"You had your eyes fixed, though."
"That’s because I like to see. I didn’t have the color changed while they were fixing them. Now, give it up."
"I was just noticing that we’re all in pretty decent shape, without a lot of medical help, and I was pondering it."
"What’s to ponder? We’ve spent about 25 years trying to keep up with her!" Ken said, pointing at Audrey.
Before Audrey could answer, Jane Thompson swept into the room, "Where is she?" she demanded, ending all other discussion. As Jane lifted the 11 month old girl to her, a tiny dampness showed in her eyes. "I never thought...I mean, when you all had kids of your own....oh, never mind," she finally said, hugging Ruth, who instinctively grabbed a fistful of Jane’s mostly gray hair. Smiling, Jane gently disentangled the girl and set her down on the floor.
"She’s beautiful, you two. I just don’t know what else to say."
"How about ‘I look darn fine for a great-grandmother!’" Audrey suggested.
"Uhm, Mom, I don’t know about letting her roam like that," Darryl said, taking a step toward Ruth.
"Nonsense, Darryl. Marie, Art and I spent the whole day baby-proofing when you called and there’s a box of toys in the closet. Ken, would you mind?"
"Not a problem," he said, heading for one of the hall closets.
"What’s bothering you, son?"
"Geeze, what is it with everyone today? Nothing is bothering me. I’m just a little overwhelmed, that’s all."
Jane smiled, certain that if her son needed to talk to her, he would. "I know travel is not nearly as taxing today as it used to be, but Marie is fixing a small repast. She has to do the work because she got to see Ruth first, " Jane smiled wickedly.
Darryl looked around for his granddaughter as the party moved toward the dining room. "Don’t worry, hon, I’ll get her," his wife told him, smiling indulgently as she remembered how much Darryl had fussed over their own children.
Marie moved only slightly slower than Darryl remembered. That was not unusual for these times. Medical science had not yet broken the twenty and one hundred year lifespan the human body seemed evolved, or designed, for, but it had made it possible to pack a lot of healthy, active living into those allotted years.
Smiling broadly, Marie graciously accepted help from Ken and Audrey as she set enough food out for a party three times their size.
"I’m always hungry after a trip," she told them. "And I have a funny feeling today too," she added, looking surprised she had mentioned it.
"You aren’t the only one," Ken said, poking Darryl.
Conversation ranged over many topics. Work, of course, as each of them had excelled in their chosen field. The comings and goings of children and friends and Jane’s former students held their attention for several hours.
A soft chime sounded, breaking the mood. Marie looked at Jane, "Are we expecting anyone else?" Marie got up to look out a window facing the drive up to the manor house.
"Probably someone got lost. You wouldn’t know it was 2026 from some of the roads out here," Ken speculated.
Marie returned. "It is just one woman, in an older car. I’ll see to her."
"She did say she had a funny feeling today," Audrey reminded them. Moments later, Marie returned, looking somewhat pensive. Behind her came an attractive young woman, maybe in her middle twenties. The woman looked vaguely familiar, but Jane could not put her finger on the resemblance.
"Ms. Jane Thompson?" the woman asked before Marie could introduce her.
"It’s Mrs. Thompson-Phillips now, dear. Have we met?"
"I’m sorry," the woman gushed, coloring slightly. "My name is Jamie O’Connor," she said, extending her hand to Jane. "I’m sorry," she repeated, "I guess that doesn’t really mean anything to you either. My father was James Harris."
Jane’s eyes went wide and she sat down with a small thump. Darryl’s mouth opened, then shut with a snap. Ken looked at Audrey, who shrugged and returned her gaze to the newcomer. Only Marie seemed nonplused.
"Please sit down. You obviously have much to tell us," she said gently.
"But," Jane said, as confused as she had been in some years, "how? Why now?"
"I have so much to tell you," Jamie said. "I don’t know where to start."
"Start at the beginning," Ken said evenly.
"That can wait a few more minutes," Marie said. "It has waited now all these years. Introduce yourselves and let the girl have some tea." Jane’s longtime assistant turned to the woman. "Dear, I’m Marie, and I remember your father well."
"Oh my gosh," Jamie said, clapping her hands to her mouth, "I think I’m named after you! I was born Jamie Marie Harris." Marie smiled at the news, but took the added surprise in stride.
"Darryl Thompson-Phillips," Darryl said, extending his hand. "I also knew your father. This is my wife, Audrey and our granddaughter, Ruth." More handshakes were exchanged.
"Ken Roberts. Pleased to meet you, Jamie."
As the group settled back down, Jamie began her narrative. "My father was in the army when PG3 broke out. He had just made captain. He was in an armored division that did not get to the fighting right away because it took so long for their heavy equipment to get there. I don’t know all the stuff that happened before he died. I’m not even sure how long he was there before it happened. From his citation and from some other veterans I’ve talked to, his unit was pushing east toward Mosul to relieve a position that had been surrounded. He was wounded in one engagement, but pushed on. They relieved the surrounded men, but he was killed in the fighting."
"Jamie," Jane said gently, "I learned of your father’s death not too long after it happened. What I don’t understand is how I never found out about you?"
"Oh, I’m sorry," the woman apologized again. "Mom was pregnant with me when Dad shipped out." Jamie saw the expression on Jane’s face. "I don’t think he had a chance to tell you, before... In fact," she said, pulling a stiff, discolored envelope from her oversized shoulder bag, "I think that is what is in here." She handed the sealed envelope to Jane, who turned it over in her hands. The envelope was addressed to Ms. Jane Thompson, Thompson Academy, but the street and town were missing. "Go ahead, Mrs. Thompson-Phillips, open it."
"You may call me Jane, Jamie," Jane said distractedly as she opened the letter.
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Jamie said, "That letter was in a box of Dad’s stuff I found in the attic. There were other letters and some journals. Dad tried to keep a journal, but he didn’t always stay on top of it. There were letters from you and from Marie," she said. "You knew my father, even if it was so long ago. What can you tell me about him?" By the time she asked her question, Jamie’s voice broke raggedly and tears slipped from her eyes.
"James came to us because he was in trouble," Jane said after a moment. "He was in trouble with the law and with his family. I don’t know how much of this you know, but our school is, was, I’m at least semi-retired now, a last alternative for certain young men and women before they ended up in jail or worse."
Jamie nodded her head. "That’s what I thought. I always heard what a hell raiser he was when he was a teenager and some of the things he wrote mention it. They also talk about this place and you and how you helped him."
Jane stood up. "Perhaps we can walk around while we talk, visit some of the places James had been. Each of us that knew him can take a turn and tell you what we remember." Jane turned to the others. "Make yourselves comfortable. This way, dear," she said to Jamie as they walked out into an adjoining hallway. Darryl picked up the photo from the table where Jamie had left it.
"Do you remember him?" Audrey asked softly. Darryl looked up, surprised that his eyes remained dry despite all the intense emotions flooding around him.
"Yes. I remember him. He was the student here right before the place got shot to hell by my brother’s old gang. Do you remember, Marie? He was the one that grew about two feet while he was here." He looked back at the photo. "You know, if Mom still has that reprint machine, we could copy this picture. We could at least scan it in for her."
"You three go ahead, then," Marie said. "I will handle petit Ruth," she said as she lifted the obviously sleepy toddler from the high chair.
"Thanks, Marie. You’re a champ."
"This isn’t what I expected at all," Jamie said after Jane showed her the conservatory and the library.
"My students never expected it, either," Jane said with a smile. "They had to learn manners and social grace here. We taught them how to act in proper society so they would have to keep their temper and their other baser impulses in check themselves."
"That must have been very trying for you and your staff?"
"We learned to be selective. My methods were not for every unruly teen. For the ones that we felt we could help, we were almost always successful." They walked in silence past Jane’s office and towards the stairs. "I do not mean to pry, Jamie, but I learned of your father’s death within a few months of it happening. I tried to write to your mother, but the letters all came back. Finally, I decided to let it be. Could you shed some light on this?"
Jamie looked embarrassed. "I don’t think Mom liked you. I never knew why. One of Dad’s journal entries is about the arguments they had about naming me. Mom wanted to name me after Dad or her own mother, depending on what sex I turned out to be. Dad’s first choices were to name me Penny Jane or James Thomas.
"I don’t really understand what her problem was, but I think she saw you as a rival for his attention or affection. Mom was funny that way. Don’t get me wrong, she was very loving and a wonderful mother, but she could be possessive too, sometimes."
"You say ‘was’, Jamie. I take it your mother is deceased?"
"Yes, just this past winter. That’s how I started out on this little odyssey. I found a lot of Dad’s stuff that Mom either forgot or never had the heart to throw away."
"What happened after James died?"
"Mom packed me up and moved back to West Virginia where her family lived. She got a job in Wheeling and stayed there until she retired. She’d still be here now if she hadn’t fallen off that stupid ladder trying to change a light bulb. I mean, people can live to be over a hundred now, it’s not fair!"
"You are angry with her, then?" Jane asked softly.
"I seem to remember reading what a good psychologist you are," Jamie said, her anger dissolving. "Yes, I am mad at Mom, but she wouldn’t have been the same person without that stubborn streak that made her do things like fix stuff around the house."
"She never remarried?"
"No. She never did. As far as I know, she never even thought about it," Jamie said as they turned down another hall and back downstairs toward the kitchen. Marie heard them coming and met them at the door. Marie put her finger to her lips and pointed at the sleeping form of Ruth, cuddled with a blanket and pillow on the floor in the dining room.
"Come with me, Jamie," Marie whispered. "Jane, the other children are in your office I think." Marie led Jamie through her own domain, explaining how students had to help clean and serve and sometimes prepare if they had any talent for it.
"That must have been a sight. Didn’t they ever put up a fight?"
"But of course they did! Jane always reminded them that far less pleasant alternatives awaited them on the other side of our door. In the end, they almost all decided that Jane was better than jail, or losing an inheritance or some other loss they would rather not face."
"Your letters almost always talk about music. Was Dad into music?"
"Not anymore than teens usually were, and still are today, I suspect. I am the one ‘into music’ as you say. Sometimes, as a treat for good behavior and when Jane was out of the house, I would turn on a stereo while we worked on cleaning." The pair made their way outside to a small herb garden Marie still kept. "James was more physical, as I recall. He liked to swim and he liked to run. The thing I remember about him is his growth spurt. Did you ever hear about this?"
"No, I don’t think so."
Marie chuckled softly. "I think James must have grown five inches while he was here with us, plus his shoulders grew also. I think that helped him grow up inside as well, though it drove Jane nuts at the time.
"So," Marie said, changing the subject, "you think we are namesakes?"
"I think so," Jamie said. "I can’t prove it, but it’s not a family name on either side and I know Dad picked out a few names that were connected to this school." She shrugged. "That’s all I know."
Marie hugged her. "That is enough for me." Releasing Jamie, Marie said, "Let’s go find the others."
Jane, Darryl, Audrey and Ken had gathered again in the dining room. Audrey had moved Ruth to a crib upstairs. The little radio on the table broadcast the sounds of her rhythmic breathing.
Darryl joined Jamie at the door. "Audrey, feel like a walk? If you don’t mind, Jamie?" Darryl asked.
"That would be nice," Jamie said.
"Great, I’m getting restless," Audrey said with a smile. Together, the three of them walked out onto the grounds.
"I didn’t know James that well, Jamie. I wasn’t a student here when he was."
"You were a student here? I thought you are Jane’s son?"
"I am, of the adopted sort. She adopted me later, after my tenure as a student here."
Jamie fumbled in her bag for something. Darryl watched as she opened a notebook to a yellowed newspaper clipping in a plastic envelope. "Was there really some kind of shootout here?"
Uh-oh, Darryl thought to himself. "Yes, but that happened the summer after James left."
"This clipping calls this place a girls school. I always wondered about that."
"It used to be. Mom never changed the name even after she started taking hard cases. It was one of the little things she did to bug them."
Jamie laughed. "That’s rich. I’ll bet it worked, too."
"Oh, you know it," Darryl said. "Back to James, though. I met him in the weeks before he left. He could be very serious, sometimes. Once he got past the mistakes of his younger days, he set the bar very high for himself."
"Mom used to blame his sense of honor when she got depressed."
"Yes, I think he was already developing a strong sense of honor, even before he got here." Darryl stopped for no apparent reason and looked around, talking to himself under his breath. "Right around here somewhere," he said loudly enough for everyone to hear. "James camped out right around here, somewhere."
"He what?"
"He camped out. When he was ready to graduate and move on, he told Jane he wanted to ‘rough it’ to get ready for some kind of boot camp style training he was going to take when he left here. She didn’t think too much of that notion, but she let him do it. He spent a couple of weeks exploring the grounds and taking the paths," Darryl smiled at Audrey. "He liked to run too, but the scenery wasn’t as nice when he was here."
"Inside joke," Audrey said to Jamie, who looked a little puzzled.
"You look familiar, Audrey," Jamie finally said. "I’ve been trying to figure it out since I first saw you."
Darryl laughed, "It was the cereal commercials, I’ll bet."
"Ignore him. I was in the Olympics way back when. You might have seen me on TV or something."
Jamie nodded, perhaps a little awed. The three made their way back to the manor house. When they got there, they found that Jane had moved the group out of the dining room and into a more proper setting for adult discussion.
"Did you have a nice walk?" Jane asked.
"Yes, very much so. This is such an amazing place. Thank you all so much. You have been very kind."
"You are welcome, Jamie. You are welcome back anytime, as well. Sit with us for a moment, please." Jane paused as Jamie sat. "You are married now, I see," Jane said, gesturing at Jamie’s left hand.
"Oh, yes. Patrick is on Dawn patrol."
"Dawn patrol?" Kenneth and Audrey said in unison.
"Our daughter, Dawn," she said laughing, "I’m so used to people being in on our little jokes. I wanted to do this on my own and Patrick understood, so he stayed home with our little girl. We live in Philadelphia right now. Patrick’s holding down a job and doing a lot of work around the house while I try to finish a degree in chemistry. Except for falling in love and then getting married, we’ve done everything else backwards. When I get done, he may go back to school, he hasn’t decided. There’s so much work for him in the east right now though, he might just keep working."
Jamie bit her lip, looking like she had just made a decision. "I have something I want to leave here with you," she said with a rush. Pulling a black case out of her bag, she passed it to Jane, who opened it, already suspecting what was inside.
"I can’t do that, Jamie," she said, looking at the Silver Star and Purple Heart that rested inside the box.
"Of course you can. You knew him. You helped push him in the right direction. You keep them here and when I want to look at them, I’ll come visit. Next time, we’ll all come visit. Here’s the citation that goes with them." Jamie said, handing a folder to Jane.
"I need to get going now," she said. "I need to absorb all this and I’d like to be alone while I do it. I’ll keep in touch."
"You do that," Jane said. Her sentiments were echoed by Marie as well. Good-byes were hastily made and Jamie left the house, eyes brimming.
An awkward silence fell over the group as they watched the car head back toward the road, sun glinting off its windows.
Ken broke the silence, "Are you still feeling funny about today, Tante Marie?"
"Oui, the day is not done with us yet, I think, but it will be good news, I’m sure."
Later that night, while Jane, Art, Marie and Ken were rehashing old times, Darryl and Audrey walked through the gardens and on the paths of the estate.
"You’re not going to give me down the road about lying to her?" Darryl asked his wife suddenly.
Audrey snorted. "Of course not. She came to find answers and recollections, not questions and uncertainty."
As the couple approached the brightly lit manor, Darryl spoke again, as though the conversation had not paused. "He might have been a little pissed. James hated being lied to."
"I didn’t hear any lies," Audrey answered. "You told the truth. The truth that is at the heart of what you and Mom did here, anyway."
"Yeah, I guess I did," Darryl said as he opened the door for Audrey. As Audrey paused on the threshold, the couple could hear the phone ringing inside.
She smiled, "Let’s go see who that was." Darryl followed her inside, closing the door softly.
It was hard not to elaborate too much on the setting. What will the future hold in another 25 years? In trying to write a short story and still develop a character or two, I had to resist the temptation to wax on about my picture of the future. Of course, some things are just plot devices that I tried to keep consistent with one possible vision of the future. Hence the development of medical science to the point that at or about the age of 80, Jane is still a healthy and lively woman, as is Marie. Of course, someone had to die, and from Season of Fear we know that James planned to be a soldier, so imagining a 2nd and 3rd Persian Gulf War was not that hard, especially the way the world is today. For those of you interested in this kind of detail, I took Jane and Darryl’s given ages from the story where Darryl meets Chastity Audrey GiGi Rocky Rockwell and added about 30 or 32 years, if I recall. I actually did the math on piece of scrap paper that I can’t find at the moment and I’m too lazy to do it again. |
End of Season of Remembrance © 2002,2013 Ediolon90 (Eido)
End of Season of Fear Book 3 of 3 by Ediolon90 (Eido)
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Seasons of Change
Book 16 - Failed Season Tales of the Season
Lora's Story Copyright © 2008,2012 Tigger
All Rights Reserved. |
Author's Note: This story has been 'in the works' for a long time - the oldest files on my oldest surviving hard-drive say '2001'. One of those naggers that sit on the hard drive and go "nyah, nyah, can't finish me, nyah". Even tried to publish it once in 2004, but thought I had a better idea and pulled it back before final posting to the web. I didn't really have a better idea, but you never know until you try. Anyway, I've updated it a bit and am going to put it out.
In previous stories, I have alluded to Aunt Jane admitting to two failures in her long tenure as the Head Mistress of the Jane Thompson Winsome Girls' School for Wayward Boys. One of those was Donald Madden (A Carol Christmas and Ken's Barbie) who seems to have been saved by the love of a good woman (and who keeps nagging me to tell his story so that he can finally settle down into happily wedded bliss. PATIENCE, Donna! The muse is working on it!) This is the story of Jane's other failure, told through the memories of the folks who were there for the grand opening of the Seasons House Academy. ~Tigger.
Legalities: Archiving and reposting of this story *unchanged* is permitted provided that: 1) You must have contacted the author, Tigger, and have asked permission first and received said permission to host this particular work. 2) No fee be charged, either directly or indirectly (this includes so-called "adult checks") or any form of barter or monetary transfers in order to access viewing this work *and* (3) PROVIDED that this disclaimer, all author notes, legalities and attribution to the original author are contained unchanged within the work. 4) The author of this work, Tigger, must be provided free account access at all times the work is hosted in order to modify or remove this work at his sole discretion.
This work is the copyrighted material of the respective author.
Based on the characters and situations presented in "Seasons of Change" by Joel Lawrence, Copyright 1989. ~Tigger
Part 1
"Allo? This is the Thompson-Philips residence. How may I help you?"
Deputy Sheriff (Sheriff-elect) William Beale closed his eyes on hearing the gently-accented voice on the other end of the line. "Tante Marie? This is... this is Willa, I mean, Bill Beale."
"Ah," Marie's tones became warm and welcoming. "Bonjour, mon brave, and how may the ladies of Seasons House serve our soon- to-be Sheriff this lovely winter's day, eh?"
"Is Jane home, Marie?"
The ragged, almost clipped tone of Bill's question set warning bells pealing in the dark-haired French-Canadian's head. "Yes, she is. Bill, dear, what is the matter?" she asked more quietly.
"Is Art home, too?"
"Non, but Diana is here," was the carefully emphasized reply, "We have students en residence, mon cheri."
"Damn! Two students? Or just one?"
"Two. Jessica is here, too, Bill," - acting as big sister Marie didn't have to say, before her voice became stern. "Now, stop dithering and tell me what's bothering you! Tell your Tante Marie what is the matter!"
"Ask Jessica if she can watch the junior student on her own for awhile, Tante Marie, and then go find Diana - tell her.. tell her that I think Jane will need her. Maybe Darryl or Michael, too, if you can reach them. Jane is going to... to," Bill's voice caught and broke, and it was several seconds before he continued. "Oh, hell, Tante Marie, Aunt Jane's going to need her family around her. Word just came in to me that Lawrence Michael Patterson just turned up today in Miami."
"Lawrence?" Marie's voice was shrilly surprised. "OUR Lawrence?!?"
"Our Lora, Tante Marie," the deputy affirmed, his voice clearly ragged with his own emotions. "He's been shot - multiple times. The docs don't think he's going to make it this time."
"Mon Dieu." Marie closed her eyes and gave a silent prayer for... what? She wasn't quite sure. Then she sighed. "It was only a matter of time, mon not-so-petit. I will call Michael and Darryl - gather la famille. You're coming over now, oui? You want to be the one to break the news to her?"
"He was - IS - my little sister, Tante Marie." There was an awful finality in those simple words, and Marie ached as much for him as she did for her long-time friend and partner, Jane Thompson-Philips. "I'm on my way as soon as I call Caro and tell her where I'll be."
With great care, Marie's trembling fingers replaced the ornate telephone receiver back in its scrolled-metal cradle. She'd find Diana, and then call in their boys.
Only then would she tell Jane that Willa... Bill was coming.
Deputy Sheriff Beale was barely halfway up the steps that led to the front door of Seasons House when a wild-eyed, auburn- tressed Valkyrie launched herself at him. "Is it Audrey?!" Jane demanded, her hands clutching at his dress uniform's lapels, "Marie said YOU told her not to tell me what this is all about - TELL ME NOW! Has something happened to Gigi? Or to the baby??!?"
Bill reached up and gently took Jane's icy hands in his own. "So far as I know, Aunt Jane, they are fine. It's Lora - Larry - he's dead, Jane. He was shot and they couldn't save him."
"I... I see," a suddenly still and colorless Jane replied, softly. "When?"
"They found him bleeding out in an alley last night and took him to a trauma center. I got the word that he'd died while I was on my way here."
"How did.. do you know what happened to him?"
The uniformed deputy shook his head. "Not entirely. I've contacts in the DEA - they'd been onto him, and were trying to use him as bait to catch some bigger fish. Best guess is that those fish were sharks, and they turned on him."
For several moments, Jane said nothing - only the barest quivering of lashes on tightly shut eyes giving away her inner emotion.
"Damn." she finally muttered, "After Donald Madden's recent turnaround, I had almost let myself hope that... oh, never mind." Jane shook her head sadly, and then took Bill's arm in hers to lead him inside.
They gathered in the sitting room of Jane's second-floor private apartment - Marie, Diana, Bill and Jane. "Let me turn on the closed circuit monitor, Bill," Jane said. "My junior student, Camille, has been doing very well of late, and has, I believe, made the turn, but I will feel better if Jessica has back-up should she for any reason need it."
They watched as one of the room's three television sets flared to life. Seasons House's combination library and music room filled the glowing screen. As the digital surveillance camera noiselessly scanned, two adolescents came into view - a platinum blonde playing Jane's grand piano, and a strawberry blonde working diligently at the small writing desk. Both were, by all outward appearances, superb examples of young, genteel American womanhood from their perfectly coiffed hair to their shiny and elegant high heeled shoes.
But appearances being deceiving, everyone watching the televised scene knew that these be-skirted figures were not girls, but rather, boys undergoing Jane Thompson's Method of rehabilitation; a demanding variation on Victorian-style petticoat discipline. The strawberry blonde - Jessica/Jesse - was here because he wanted to help the woman who had become his Mother in all ways save the matter of his actual birth, and the Nordic blonde - Camille/Cameron - because her only alternative to Aunt Jane's program was a long stretch in a juvenile detention facility.
"Well, they're quiet and apparently productively occupied," Jane thought aloud before turning back to her visitor, "so, Bill, tell me everything - from the begi... "
Before she could finish her question, the apartment door opened, interrupting them. Jane turned, irritated at the unexpected intrusion, only to find herself engulfed in a double-hug delivered by Michael Nash and his bubbly wife, Janice. "Oh, Mom," Michael breathed, even as he held her, "I'm so sorry."
There were tears in Jane's eyes now, "I knew something like this was probably in the cards," she answered back, her voice thickening with emotion. "I knew...that this was the most likely ending - it's just such a damnable waste."
The phone intercom rang. Jane glanced over at the television screen, but saw that neither student had moved. *As if anything short of World War III would move Jessica from her school books,* the School Mistress of Seasons House thought, fondly, *Or Camille from her piano. If ever music had truly soothed a savage breast.. *
"Yes?" she asked into the receiver.
"Momma-Jane? It's me, Darryl. Audrey and I are in your downstairs office. Could you folks come down here? I really don't want Audrey climbing all those stairs just now."
Jane was about to answer when she heard a very annoyed, "Don't you DARE blame this on me, Darryl Thompson-Philips. I can get up those damned stairs just FINE, thank-you-very-much! YOU'RE the one having knicker- fits!" Audrey, Jane thought with a smile, objecting to anything resembling a feminine gender-specific physical limitation.
Audrey's outburst was followed by a muffled, "Hey, babe, I'm having a 'father-of-the-due-tomorrow-baby' moment here, okay? Give me a break, won't you?"
Deciding her son would suffer - deservedly so - for that crack later when Audrey had him back at home, and not wanting him to worry more than he already was, Jane interceded. "Give us a minute to gather up Marie's tea-trays, darling, and we'll be right down."
"You didn't have to come, dear," Jane told her son, even though the tightness of the embrace they were sharing put lie to that. "And you certainly should not have hauled that pregnant child all the way out here."
"Like I could stop her? She beat me to the car, Mom. Isn't being 8.99 months pregnant supposed to slow a woman down?" he demanded, ruefully.
"It does slow me down, wise guy," Audrey twitted him as she carefully maneuvered her protruding tummy around Jane's middle for her own hug, "but I'm still faster than you! I was just taking it easy on you all those times before."
"Oh, so you finally admit that you really DID want to lose that five mile race for our wedding ceremony?" Darryl asked.
Audrey's only answer was a growl.
"Well, now we can begin," Jane started, only to again be interrupted by yet another door opening - this time, the front door of Seasons House. "What NOW?"
Kenneth and Barbara Anne Roberts came through the door and strode up to Jane. "We came as soon as we could," Skipper said, embracing Jane tightly.
"We'd have been here sooner, but Adrienne insisted she needed extra time to dress properly," Ken put in as he took his turn with his beloved Momma Jane.
That brought Jane up short. "Adri-ENNE?" she asked, pulling back and trying to look around Kenneth.
"Adrienne, Aunt Jane," a petite brunette confirmed with a shy smile. Jane goggled at her former student, decked out in a Laura Ashley frock, white opaque hosiery with matching pumps, standing with self-assured grace in the foyer of Seasons House.
"But...but, Adrienne? Why?"
Adrienne smiled, shyly. "When I heard, well, I mean when Ken explained, I thought you might need another helper for Camille. In case you needed a little time off, you know? I figured Jessica couldn't be on watch all the time, and - oh, shoot, Aunt Jane, I thought Adrienne could help out more than," she hesitated and blushed prettily causing Jane to smile. "Well, you know."
Tears stinging her eyes all over again, Jane swept the petite brunette into her arms. "Thank you, dear. That's just lovely of you. I very much appreciate your generous offer, as will, I'm sure, Jessica. They're in the library. Go introduce yourself."
"Well, I ASSUME, Marie, that everyone is here now?"
"Everyone I could reach," the dark-eyed housekeeper retorted, without any sign of guilt. "But I did leave messages with several others - notably Eric and Sylvia."
"I already have a psychologist on hand," Jane retorted, even as she smiled at her Diana, "Not to mention an-almost done psychiatrist."
"Research psychiatrist, Mom," Michael told her, "I'm the one who asked Tante Marie to call Erica. Partly for you, but also because I didn't know where Camille was in the program. Having you upset might upset her."
"I see," Jane murmured, and then turned back to Bill, "As I was saying before I was so rudely interrupted - MULTIPLE TIMES - what happened, and how did you find out so quickly?"
"So, you used your contacts in other police agencies to keep track of him," Jane said, after Bill had finished his recitation of the facts as he knew them, "even after all these years."
"That's about the size of it," Bill admitted.
"Why were you even bothering to keep tabs on him after all these years?" Diana asked.
"Because Lora was his little sister, of course," Jane answered automatically, and then started at the sudden blush she saw coloring the deputy's face. "Willa?!? Why are you blushing!? What are you trying to hide?
"I started because of our relationship - thought I might be able to help him some time - when he was more amenable to being helped. Just like you said," he finished, clearly hoping Jane would accept that reply as sufficient.
He should have known better. "Continue, please," the School Mistress sternly ordered her reluctant student.
"He came back here - twice that I know of - looking to make trouble. The first time, I just sort of ran into him in town, greeted him like a long-lost friend. We had a couple of beers, and that was it. Then I saw his car while I was out on patrol - hidden off the road near Seasons House. I waited for him and confronted him. He tried to tell me he was getting up the courage to go see you again. It didn't ring true and I told him what I'd do if he caused you any grief. I was, ah, pretty angry."
"Were you pretty or were you angry?" Jane snapped, intentionally trying to put her old student on the defensive in order to ensure she got the full story.
"Angry," Bill answered softly, his eyes staring off at a scene only he could see. "Way beyond just angry, to tell the truth, and Lor..Larry saw that. I was a lot bigger than him at that point, and besides, I was the law. He left before anything else happened. I thought that was the end of it, but I wasn't sure, so I put out feelers on him with some guys I knew in other agencies."
"And?"
"And I was ready when he came back the next time. He was sneakier that time around - didn't show up in town, but I knew he was heading this way and kind of staked out your place as much as I could. I caught him again. From what I saw in his car, I figured he was planning to break into Seasons House and steal from you. Things got... a little rough." A quirk of the famous Thompson brow had Bill rushing on before how little was little became an issue. "When he, ah, well, when he woke up, I let him know I had him under surveillance, and that the next time he showed his face in my town, I'd find some way to lock him up. After that incident, he never came back - at least to my knowledge. And I made sure I knew where he was, and made sure he knew that I knew."
"Oh?" Jane put in, "and just how did you do THAT, Willa?"
The sheriff-elect blushed again, flushing bright red all the way to his military-style hairline. "I - ah - well... "
"Willa!" Teacher ordered sternly, "Organize your thoughts and speak clearly!"
The familiar order and tone had the expected effect. Bill Beale sat up ramrod straight in his seat, took a deep breath and all but shouted. "I sent him little reminders every two or three weeks - letters, postcards, telegrams, even emails - to where ever he was living at the time."
"Just to let him know you knew his current whereabouts," Diana said, admiringly.
"And so he'd realize I'd know the instant he moved in Jane's direction again," Bill finished.
"Thank you," Art Thompson-Philips' voice breathed fervently.
"I would have liked to have seen him one more time," Jane murmured sadly. "Just to see if... "
"He was too far gone, Aunt Jane. This isn't Star Wars and he wasn't ever Anakin Skywalker. The Dark Force hadn't seduced him. He LIVED the Dark Force. He wasn't going to turn himself around because he liked being what he was too much." Bill's voice became quiet, almost reflective. "In some of the letters.. "
"WHAT letters?" Jane pounced.
"Damn!" Bill growled, angry at himself.
"What letters, William?" Jane repeated, saying each syllable with distinct emphasis.
"He answered some of my little love notes, okay? Let's just say that if I could have proven he had really done any of the things in those notes, he'd be a 3-time loser many times over by now. He liked being Jane Thompson's single failure, and the more glaring he could make that failure seem, the better he liked it. Thought it made him special instead of pitiful. That seemed to motivate him to get deeper and deeper into the underworld, always proving just how little your program had done to turn him around."
Jane nodded, and then reached down into her desk. She withdrew a thick notebook-style portfolio, bound in black leather. "My Rogues' Gallery," she said with a sad smile. "Or perhaps, the school yearbook for the Jane Thompson Winsome Girls' School for Wayward Boys."
"Hey," Audrey interjected, "I'm a graduate, and I am not a boy. Aren't I in that thing?"
"Wayward Boys and Tomboys," Jane retorted, her smile a little brighter from the joke. "And you are most DEFINITELY in this - filed right alongside my other particularly hard cases."
"Well, I like that!" the pregnant brunette sniffed in an unconscious mimicry of her teacher.
"Good," Darryl put in, picking up the banter, "Because the shoe definitely fits, love of my life, and quite beautifully, too."
Jane let their loving if transparent attempts at lightening the mood wash over her. This was her family, she thought, even as she thumbed through the many-paged scrapbook.
This was HER family, and they loved her. That was just so, so marvelous - particularly since she'd almost despaired of ever having one, after that damned illness had forever stolen her womb's promise from her more than a quarter of a century ago.
She glanced down at her Rogue's Gallery, and saw the memento preserved on the opened page, and grinned. "Bill?" she said, her voice suddenly sweet and coy, "I think you might remember this."
Bill rose from his seat and went over to Jane's desk, an 'aw shucks' smile on his face. "What is this? You figure to blackmail the local law enforcement officer with my debutante picture, Aunt Jane?"
"Hardly," Jane retorted, her lips curled into the smile that had struck terror in over a hundred cross-dressed males' hearts.
It still worked, too. "Oh my GOD!" Bill yelped, "Where did you get THAT!?! I could have sworn I got that safely into the trash." Incredulity warred with dismay on the deputy sheriff's face.
"Ve haff our vays," Jane mugged, before turning the book up toward the rest of the now-very-curious onlookers.
An eight by ten pencil sketch had been taped to that particular page of Jane's scrapbook. The mood of the piece was eerily surreal, in large part due its perspective and the charcoal- pencil medium. The subject was obviously a much younger Jane Thompson, or at least, her demonic twin sister. Her face filled most of the page, her flashing eyes fixed on the observers', as if she were looming over him or her from the page. The wickedly grinning visage had a vampire's sharp fangs and a devil's horns peaking out from her tightly drawn-back coiffure. In the lower left hand portion of the sketch, she held the corner of a paper between two sharp clawed fingers, a huge underscored 'D-minus' dominating the page.
"You drew that, Bill?" Michael asked wonderingly, "and LIVED?!?"
"It had been a very bad day," Bill said reflectively, his eyes fixed on the book, but clearly seeing something else entirely. "I was the only student here at the time. I'd worked hard on that paper - at least I thought I had. I was even proud of it."
"Aunt Jane DOES 'haff her vays'," Audrey filled in, "especially of the sort that help redefine what 'working hard' means for you. Just one of her great talents."
"You're right about that," Bill smiled at the tall, very pregnant brunette, "but I hadn't learned that lesson yet - all I knew was that I'd done the best I knew how and it hadn't been good enough for her."
"I was also very young - very full of myself at that stage," Jane murmured, seeing that the memory still disturbed Bill, and feeling just a little ashamed because of it. "I probably held a few unfair expectations for my students at that time. After all, you'd been with me less than a week, as I recall."
"Does that mean I should have gotten a better grade?" the peace officer asked, perking up noticeably.
"Oh, a 'D' at least," Jane assured him gravely, and was rewarded with a burst of shared laughter. "Maybe even a 'D+', but you still would have gotten petticoated!" she concluded.
"Good likeness," Ken put in. "I remember meeting that woman a time or two those first couple of days here."
"Amen," Darryl added. "So, Bill, you didn't have a big sister to help you navigate Aunt Jane's little pastel and chintz obstacle course?"
"No, I didn't."
"Willa was my very first Seasons House student, dear," Jane added. "He'd been at Eastmore, but only for the last few weeks of my last spring term as Head Mistress."
"And I was supposed to follow that time up by going immediately to Eastmore's summer school," Bill told the assembly, then grinned sheepishly. "But that didn't happen."
"The school's new board chairperson and I could not reach any accommodation on certain issues - unrelated to students like Willa I might add - so I had no choice but to leave," Jane said, her eyes fixed on images from the past only her mind could see. "Still, once I left, the critical leadership support necessary for the safe continuance of the petticoat discipline project left, too."
"Gee, Mom," Barbara Anne said, "Is that why you came here to Seasons House? So you could continue your work with boys in skirts?"
"Not quite, dear," Jane grinned up into the statuesque blonde's curious eyes. "I was, to put it mildly, a little... annoyed with the whole educational system at that point in my life, and with Eastmore in particular. I had no interest in doing anything that reminded me of that place, and putting unwilling young men into skirts and petticoats definitely reminded me of Eastmore, not to mention that old biddy on the school board."
"So, how did you... ?" Barbara Anne pursued, and then blushed. "I'm sorry. I was prying."
"Oh, it's not a dark family secret, Annie," Jane smiled at her newest daughter. *She's come so far since meeting Kenneth,* she thought, remembering her first meeting with Barbara Anne. *She's so confident in herself now — just look at her — sitting tall and at ease with herself as a woman. Even has her legs crossed proudly when before she'd have tried to hide their length. Ah, what the love of a good man can do for a woman, and my Kenneth is one of the best of that species.*
"I came here intending to live off my money, doing nothing more than loaf, garden, ride my horses. I planned to be, " Jane continued in very pompous tones, "quite the leisurely lady of the grand manor."
"You?!?" Darryl's disbelief was both comical and heartfelt. Her child, Jane mused, knew her so very well. "LOAF?!? For about ten seconds — TOPS!"
"Actually, I managed to hold out for about ten days before I was bored silly, and began to look for something to do. I discovered I liked and was good at playing high finance. That worked for a while - until I got a call from my past..."
Jane stood by, observing the young man watching mournfully as the lights of a car disappeared through the distant entry gates of Seasons House. The boy was perhaps two or three inches taller than he'd been the last time she'd seen him some four months earlier, but otherwise his physique was much the same. If anything, the added inches made him appear skinnier, as his growth spurt had not been accompanied by any increase in musculature.
A fact that boded well for her plans and not so well for young William Beale, she thought, a dark smile curling her lips. Then she reached out to rest her hand on his shoulder, noting the involuntary flinch at her touch. "Come along, William," she ordered briskly, "We have much to accomplish today before dinner."
His, or rather _her_ reflection in the vanity mirror was the picture of misery that even the carefully applied cosmetics couldn't hide. "Well, young Willa, at least you haven't forgotten the basic lessons you were taught at Eastmore while you were evidently ignoring the important ones. Your face is quite acceptable, although your braids require more work. They are altogether ragged, and worse, your part is off center. Please do your hair again, correctly."
"Yes, Ms. Jane," the now-feminized boy replied glumly, knowing a response was required, even as he-she reached up to undo the braids and start again.
"Now that I think on it, your face is almost too acceptable," Jane said thoughtfully. "Been practicing at home this summer, have you? Perhaps with your Mother's cosmetics? While she's at work?"
Willa's eyes went wide as her mouth dropped open before she yelped out, "NO! Never! What kind of boy do you think I AM?!?"
Pleased with her student's shocked reaction, Jane gestured at the face reflected in the mirror's silvered depths. "I certainly don't see any type of boy reflected there, do you?"
"I see me," was the almost defiant response, "and I'm a boy!"
"Are you really?" the tall redhead asked. "Then I just suppose you'll have to prove that to me."
Three hours later her charge was exhausted and Jane had fully reasserted her dominance. Willa had been driven to tears on no fewer than three occasions during the afternoon's fashion and deportment lessons, once when the boy-girl had been doing high- heeled walking lessons across the marble floor of the foyer. She'd lost her balance on the slippery surface and had fallen, twisting her ankle and banging her knee in the process.
Fortunately, neither injury had been serious, for the girl had been back on her feet minutes later, albeit with raccoon-ringed eyes from crying while wearing water-soluble mascara. The schoolmistress had used that as an opportunity to impose yet more stress upon her student, once she'd assured herself that the child's hurts were not serious. She did, however, also make a mental note to move early lessons in heels to rooms with carpeted floors.
"Go get ready for bed, Willa," Jane ordered. "I will be up to check on you shortly."
She watched Willa carefully make her way up the grand stairway to the second floor, and winced. Her student had come to physical harm in her keeping, and on the first day! Jane was quietly furious with herself for not anticipating such a possibility. She was here to HELP this child and not only had Willa been hurt, this injury would set back Jane's plans for the next few days while the sore ankle healed.
"Nothing to do but what can be done now," Jane muttered to herself, and headed into the kitchen to prepare ice-packs for Willa's ankle and knee.
"Man, talk about a bad day. I mean, there I was, fat, dumb and happy — smugly certain that I had dodged the big one when that summer school thing didn't come off - and then, WHAM!" Bill said at the end of Jane's reminiscences. "Petticoat hell in New England! And not ten miles from my home!"
"So, that's how Aunt Jane's Winsome Girls' School for Wayward Boys got launched," Michael observed, his tongue very much poking in his cheek. "Willa must not have been much of a challenge then, if you could handle her all by your little ol' self, Momma Jane, without Tante Marie OR a big sister to back you up."
"_I_," Bill retorted pompously, "was a sweetheart."
"Oh, really?" Jane demanded, holding up the 'demon-Jane' drawing as evidence.
The deputy blushed, and then actually giggled. "Lord, there you go, Aunt Jane, barely an hour here in your house, around you, and I'm Willa all over again."
Jane snorted at that. "At least you learned something in my keeping, young lady, although you still have a sad tendency to... exaggerate. Sweetheart, indeed. Harrumph. Sweet TART, more accurately."
"Compared to Lora, I WAS a sweetheart!" Bill came right back, and then instantly regretted his instinctive self defense as the lights again dimmed in Jane's eyes.
Diana reacted instantly, trying to redirect Jane's thoughts. "Is that why you got Lora? To test winsome Willa here?"
Composing herself with an almost visible effort of will, Jane nodded. "I'd had... success at Eastmore, pairing up returning special students as mentors for the new ones. They not only guided the youngster through the day-to-day rigors of living in skirts in a feminine world, they also helped me setup and then spring more than a few of my little traps. At the same time, they were proving to me that they were ready to move back to trousers."
"And no one was really the wiser? I mean, all those real girls and the boys in skirts? None of them ever broke the masquerade?"
"Maybe one or two of them did," Bill replied, "I certainly screwed up enough to give myself away those first few days. Then again, I never had anyone at school come up to me and ask me to drop my panties, either."
"WILLA!" Jane yelped.
The deputy only grinned mischievously before continuing. "But knowing the Head Mistress as I now do, I suspect that if any of the real girls had caught one of us boy-girls out, they would have been smart enough not to harass the boy in skirts who slipped up. Jane would have had their guts for garters and THEY knew it. Eastmore girls were, first and foremost, SMART! Mostly, we — the real girls and the Jane-girls - just went about our own business and tried to stay out of trouble."
"I recall at least two instances when one or more girls saw through the masquerade. Both times, they came to me about it, and I told them what they needed to know and how to treat the boys, that is, like girls. But the boys, particularly the new ones, weren't able to tell when a girl knew or didn't. They lived in constant terror that they would be caught out, and humiliated for life."
"Amazing you never got called on it by some debutante's outraged parent," Diana mused.
Jane shrugged. "The girls who attended Eastmore excelled at their studies, as did my girl-boys, and the boys learned manners and control. Parents do not tend to argue with success, and besides, the girls who figured it out liked being in on a very special secret."
"So, your Eastmore program really never became an issue," Audrey said, her beautiful eyes wide in awe and disbelief. Another one of her more unusual success stories, Jane mused. Even in the final hours of her less-than-graceful pregnancy term, even with her face puffy and round, Gigi had taken the time to fluff her hair, and to put on lipstick and eyeliner before coming racing to her Mother-in-law's rescue — because she knew the older woman would appreciate both the look and the effort achieving it required. Jane loved the girl for that, and thought privately that she had never seen a more beautiful mother-to-be. "However did you manage giving the boy students a transcript or report card? Wouldn't someone wonder how a boy had credits from a girls' school?
"I can guess the answer that one," Michael put in, grinning. "Even then you had contacts at St. Andrews Academy, right? That's how the Head knew about you when my Mom decided to send me here?"
"Just so," Jane replied. "All of my special girls at Eastmore had a St. Andrews transcript for the period of their attendance at my school. There was, in fact, at least one female who secretly attended St. Andrews, but received a diploma from Eastmore, but that, as they say, is another story entirely." At Michael's pensive look, Jane smilingly shook her head. "Well before you were there, dear, and to my knowledge, she was never caught out."
"Well, that makes you really special, Bill," Darryl said, looking back at Bill, "Willa was the first Seasons House big sister. How did you get your little sister? I assume it was on a court referral, based on what we've been told about Lora?"
"Actually, she wasn't," Jane replied, glancing over at Bill was again flushing bright red.
"It was my fault," he sighed. "Her being here and her being in Aunt Jane's life was all my own damned fault..."
Part 2
"While the technical aspects of your writing have improved — spelling, grammar, word selection - you simply have not adequately supported your arguments with sufficient reference citations, Willa. You have not accumulated nor properly presented the facts necessary to demonstrate your contention in this case."
Willa stood before the massive desk behind which School Mistress Thompson sat, her student's latest paper spread out on the blotter. Grimly, the young teen fought the urge to wince and shuffle her black patent Mary-Janes on the carpet, but darnit, she'd worked so hard on this paper - rummaging through the substantial Seasons House library for any scrap of information related to her assignment. Was it her fault that there wasn't much to be had on the role of women in the development of early 19th Century American commerce?
The eagle eye of Teacher still caught that momentary flash of indignation, and smiled inwardly. The paper wasn't really all THAT bad, Jane admitted to herself privately. Willa had made significant improvement in the past months and this paper was clear evidence of that growth. However, it was the control Willa had just exerted over her temper that pleased Jane the most. A month or two earlier, the child's reaction to her teacher's pointed - and somewhat unfair, she admitted - assessment of her latest work would have been far more emotional and far less controlled. That was excellent progress, and just for the moment, Jane wished she could acknowledge that she was proud of the girl for that.
However, that would defeat the secondary purpose of the assignment. Time to set that lesson in motion. "Well?" Jane prodded, "Do you agree or disagree, Miss?"
A sigh slipped out, and dejectedly, Willa nodded her agreement. "I tried, Miss Thompson, but other than the encyclopedia and one or two of your anti..anti.. old books, there's just not that much material here to work with.. errr. With which to work."
"The word you were looking for, Willa, is antiquarian," Jane sat back, looking over her half-lens reading glasses at the young person before her desk. "but let us return to your problem. You feel that you need a wider breadth of source material to prove your conjecture? Is that what you need to make your arguments more convincing in this matter?"
"Oh, yes, ma'am," Willa jumped at the offering without stopping to think of Lucy, Charlie Brown and proffered footballs.
Only to fall flat on her virtual backside as Jane jerked the football away at the last possible instant. "Then we shall make an excursion to the university library. I'm sure THEY'LL have everything we need for this project. Go fix your face and straighten your hair. I will be with you momentarily. I think we shall take lunch at a little café I know near the campus. Make a day of it, shall we?"
And just like good old Charlie Brown, Willa saw stars, heard the birdies and wondered how the heck she'd fallen for that trick, AGAIN! "Go... go out?" she managed to choke out, and then dropped her hands to her skirts and lifted them slightly. "Like... like this?"
"Well, if you prefer another dress, I suppose I can wait while you pick just the perfect one for our trip. The blue one you purchased at the mail yesterday perhaps?"
'The blue one' had a hemline cut well above the knee and would have every young male in the vicinity trying to look up her skirt. Not a good idea! "Ummm.. n.,.no, thank you, Miss Thompson, this one.. will be fine. I'll just be a minute...fixing my face and hair, that is."
Jane smiled at the rapidly retreating figure. "And don't forget to your purse, child."
That had gone very well, Jane mused. Very well, indeed.
"Boy, did I see that 'Aunt Jane gotcha' coming," Darryl said, grinning. "Just another opportunity for a trip into hell, I mean, to town, eh?"
"Actually," Jane put in, reflectively, "It wasn't. The whole idea came to me when I had first reviewed the paper earlier that morning. The trip was entirely unplanned on my part. It was impulse more than anything else."
"Impulse?" Ken asked, sitting forward on his seat. "You?"
"Are you children TRYING to make me feel old? As I said just a few minutes ago, I was much younger then, grasshopper, and had not yet learned that Murphy was a flaming optimist. That trip went a long way towards correcting that educational shortfall of mine, eh, Willa?" the Mistress of Seasons House grinned.
"Oh god," Bill groaned, "How could I EVER forget?"
"You'll only draw more attention to yourself by trying to hide," Jane observed to her almost cowering charge. "If you'll just behave normally, no one will give you a second look."
"We're too close to my home here, Miss Jane," the slender brunette hissed. "Someone is bound to recognize me."
"Only if you continue to give them cause to become sufficiently curious to take a second look. Now, settle yourself and let's go to lunch."
The trip to the library had been a success, Jane mused, and on several levels. Her charge had evinced a very satisfying enthusiasm for the learning experience and had found some excellent references that related to her topic. Petticoat discipline aside, Jane Thompson was, first and foremost, a teacher, and she'd enjoyed working on the research project with her pupil this morning. Now, if the child would just get through lunch without losing her poise, the day would be just about perfect.
"Hey, you! STOP!"
Willa's shouted order snapped Jane out of her pleasant ruminations, and she spun about in time to see her skirted boy in full flight down the street. A second glance took in a girl sitting akimbo on the sidewalk, staring after the running Willa. A third look revealed the racing boy Willa was chasing.
Jane watched in disbelief as her pupil closed the distance on her prey and then brought him down with a picture perfect ankle tackle, and then she herself was running.
*From now on, when we go out like this, SHE wears heels, TOO!* Jane groaned as she took in the torn and stained white dress when Willa got back to her feet, an unfamiliar black purse held high above her head in triumph. *She's a MESS! I have to get her out of here!*
Unfortunately, the little tableau had caught the attention of a passing patrol car. Jane came to a stop, and watched in growing horror as the Sheriff got out of the car and strode toward the scene of Willa's takedown. *Oh, god, it just can't get any worse.*
Murphy WAS an optimist. A FLAMING optomist.
"My GOD! Willie Beale! Is that really YOU?!?"
*Oh, DAMN!* two minds thought in pained unison as things got VERY worse.
"What were you THINKING, child?!?" Jane demanded as she maneuvered her car away from the scene.
Willa mumbled something in reply, earning a sharp demand to speak up from the highly irate driver. "I thought that he might have hurt her and was getting away with it," the girl-boy muttered, not much louder than before, "And the next thing I knew, I had him down."
"The girl knows you."
"Yes, ma'am," was the weary and resigned reply. "She does."
"Be careful to continue using your Willa-voice, please," Jane automatically corrected, before asking, "How well?"
The half giggle that answered the older woman was almost girlish. "Too well. She's, ah, she's one of the girls I got in trouble for picking on."
"I see. Does she have a name?"
"Carolyn," the teen replied, "Carolyn Cialini." Willa pronounced the last name 'Che-leenie'.
"So, your crimes come home to roost. She has your reputation in her hands. She is...rather pretty."
"She's beautiful!" Willa corrected sharply, and then looked away. "Well, she is."
*So that's the way the wind blows,* Jane thought, amused. *Willie was attracted to Carolyn, and didn't know what to do, so he acted out to get her attention. Went too far, and got in trouble for it. I suppose that seventy-five years ago, he might have dunked the girl's braids in an inkwell.* "Know anything about her family?"
"Her Mom owns a beauty parlor. I think it's the one downtown - in that fashion-court walking mall - near the university. Don't know her dad."
"And the sheriff?" Jane asked, her voice only just barely disguising her concern for her student. Taking the teen downtown, when she'd KNOWN this was William Beale's hometown had been culpably stupid on her part.
The snort of laughter Jane's question elicited from her boy-girl student was not in the least feminine. "Oh, yeah.. I mean, yes, Ma'am. The sheriff and I are, well, I wouldn't call us friends, but we are well acquainted. The last time he brought me home in his patrol car was the straw that broke the camel's back for my Mom. She'd heard about Eastmore from a friend, and the rest is history. I spent the spring term there in skirts, and ended up here when I thought I'd gotten off when you left there."
*So, two people in your hometown broke your masquerade this day, my girl,* Jane thought, disgusted with her own lack of good judgment. *Which is really sad because today's little venture had otherwise been a complete success. Willa's work at the library was exemplary, and her deportment and presentation had easily been good enough to pass - until she'd taken off like a linebacker after that damned purse-snatcher.*
"I'm in trouble, aren't I?" Willa asked, her voice suddenly small and audibly shaky.
"You did NOTHING wrong!" Jane snapped automatically without thinking, and then softened, realizing just how frightened her student really was. "I'll deal with this Carolyn, somehow." *Money does talk,* she thought. *I'll just have to make sure it speaks loudly enough to keep HER from talking.* "As for the Sheriff, if he's a fair man, he won't pose a problem, either." *I hope.* "Now, when we get home, I want you to go change into your dancing clothes and spend the next hour doing your barre exercises before dinner. It will help loosen up any muscles you might have strained making that chase and tackle."
>
"I was more than a little confused, let me tell you!" Bill said when Jane had finished her reminiscence. "I mean, my whole goal in life at that point in time, was to keep as low a profile as possible, and there I go and do something like THAT!"
"Aunt Jane does that to you," Michael commiserated, "You forget what you're wearing in a crisis and just react - usually the way SHE would if she was telling the truth." Everyone laughed when Jane retaliated for that barb by sticking her tongue out at her son.
"Yeah, but that wasn't the whole of it," the deputy replied. "It was how Jane reacted afterwards. She was, well, NICE about it."
"Scared the hell out you, didn't it?" Darryl grinned.
"Amen. Standing at the barre in position one, I almost convinced myself that the whole thing was just another setup — that the guy I took down was in on one of her schemes."
"William!" Jane sputtered. "I never..."
"Thought of it?" Diana finished.
Jane sniffed at that, and then gave a little laugh. "Most likely. Remember, I didn't have any supporting friends back then."
"Yet," Bill agreed. "But that began to change. Later that evening in fact, when Sheriff Todd drove up to Seasons House. If I'd been scared before, I was terrified when I looked out the window to see him climbing up the steps to the main door..."
With as much grace as she could manage, Willa opened the door and curtseyed as she greeted the tall, barrel-chested law officer. "Good evening, Sheriff, please come in. Miss Thompson is in the sitting room."
"Why, thank you...ummm, what do I call you, uh, right now, that is?"
Willa felt the red-heat fire in her cheeks, and only sheer force of will kept her from looking away. "I am Willa here, Sheriff," she said primly, before adding more stoutly, "Willa Beale."
"Greetings, Miss Willa," the man said, his voice devoid of any teasing. "I'd like to talk to your Miss Thompson, please."
Surprised by his respectful address and tone, Willa stood just a little taller, gave a regal nod of her head that was pure Jane Thompson, and then smiled. "Of course, sir, please follow me and I will announce you."
"That was mighty brave of you, today, taking off after that guy the way you did. You did Mrs. Cialini and her girl a big favor, too. Carolyn was going to the bank to get some money changed for her Mother. There was over two hundred dollars in that purse he snatched from her."
"Two hundred dollars?!?" Willa forgot to use 'her' voice, but was so surprised that Will's voice cracked, jumping two octaves.
"Yep. That's a chunk of cash for a small outfit like the Marisha Chalet. Carolyn's feeling pretty grateful to you herself. You, ah, do know Miss Carolyn, doncha Miss Willa?"
A cold chill swept down the spine of the femininely turned out teen as she recalled the flash of recognition in the girl's eye when the purse had been returned to her. Willa swallowed against the lump that threatened to choke her. "yes...I mean, Bill knows her. Umm, here we are, Sheriff." She opened the door and stepped inside. "Miss Jane? Sheriff Todd to see you, Ma'am."
"Willa wasn't the only one frightened. I was certain Bill was going to be unmasked and suffer all the humiliation I had never intended to be more than threats with which to prod him into a more civilized behavior."
"Is that why you no longer accept local kids?" Darryl asked.
"In large part, although most of my contacts ended up being from the Midwest and South."
"So the Sheriff wasn't in on your games?" Barbara Anne asked in surprise. "What if he'd gone all macho-indignation on you? Even if you had permission from Bill's Mom, a Male Chauvinist Pig with a badge could have made things really difficult on you."
"Try impossible for me," Jane agreed, "So after I sent Willa off to prepare some coffee, I asked him, straight out, how he was going to handle this situation and whether he intended to interfere with my program."
The burly sheriff made Jane's antique furniture appear even more fragile as he sat forward on the seat, his hands folded together across his knees. "Well, you have to admit that it looks a mite strange, ma'am — a boy dressed in those frilly, Sunday-go-to- meeting girl clothes, out in public."
"I have sound reasons for what I do," Jane interrupted.
"Lots of folks have had 'sound reasons' for all manner of things," the sheriff said easily, "Doesn't always mean those things are necessarily good things. Now me? I've known Billy Beale for some time now — had him as an overnight guest at the jail a time or two. The thing is, Ms. Thompson, THAT Bill? No way he would have chased after that other kid — too self-centered, if you take my meaning. That tells me something's changed, and for the good, too. So, I did some checking around before I came here — called his Mom, too, and spoke to her."
"Oh?"
"Yes, Ma'am. She set me straight — told me if I thought there was anything, now how did she put it?" Sheriff Todd's smile became a little sheepish as the memory came back to him. "Oh, yeah, 'Anything untoward, unseemly, or unwholesome happening here,' I should think again. Got to admire a lady who can put that much heat into three syllable words."
"So, I do not need to worry about you putting barriers in my way with respect to Willa's...program here?"
"No, Ma'am. Besides, Marisha Cialini would have my head for a hat and my guts for garters if I gave you or that boy any grief. She could have lost her entire weekend receipts if Bill, I mean, if Willa hadn't stopped that Patterson boy from running off with Carolyn's purse."
"I need to speak with her, too, Sheriff. To keep her daughter from.. "
"Figured you might. She wants to talk to you, too, and I've already talked to Marisha about making sure that Caro got the word to keep what she knows to herself. After talking to Mrs. Beale, I figured it couldn't hurt."
"Why.. why, thank you, Sheriff. I'm.. well, rather surprised by your support. What I'm doing here is, well, rather unusual."
"Maddie Beale is good people, Miss Thompson, and while I've given it my best shot, I haven't been able to help her turn that boy around." Jane thought she could hear more than professional interest in the big man's voice. In the woman, or in the boy, she wondered. Perhaps both? "I was afraid he was going to do something really stupid before he wised up — something I couldn't help him keep under the lid. You have helped him, no matter how you've done it. Like I said, the Billy Beale I knew would have stood there watching that punk run off. Your Willa Beale didn't hesitate to 'get involved.' That says it all in my book."
"I.. I see," Jane murmured, still reeling from this man's attitude. "I must apologize, Sheriff, for unfairly prejudging you."
Now, the big man grinned broadly. "Oh, I know I look like the stereotypical TV small town sheriff — sound like one, too, I 'spect. Like most country boys, I grew up liking my beer a bit too much," he added by way of explanation. "Anyway if what you do isn't against the law, and it does some folks good? I'm all for it. All I ask is that you be a little more careful where and when you take your...your girl out into public. Try to keep her out of any more trouble."
A great weight seemed to lift from Jane's shoulders. "Agreed, Sheriff. It's just that part of what I'm trying to do is put my pupil under stress, and that is getting harder and harder to do here at my home where she now feels relatively safe."
"Stress? Why?"
"So she'll learn how to deal with that stress, as well as with the associated darker emotions without losing her temper or exhibiting whatever bad behaviors got her in trouble in the first place. That's the whole point of putting Willa into those skirts and make up. Preserving the secret of his masquerade makes a boy stop and think in those situations because NOT thinking might expose him publicly as a boy in girl's clothing."
Sheriff Todd became thoughtful. "Yeah, I see what you mean. And you say being out in public adds to that stress?" Jane nodded her agreement. "You know, it seems to me that having to be really girly at a really girly place might be really stressful - for a boy, that is."
"Girly?" Jane asked, stifling a chuckle, "I prefer to call it 'feminine', but I take your point. The problem is that another woman is much more likely to see through the masquerade than a man would be, and that is what I'm trying to prevent."
"I understand, Ma'am, but suppose the woman, or better yet, the WOMEN were already in on the game? Maybe they could zing him - I mean, HER - a few times, too. You know, about how he looked and such?"
"That would be perfect, but I don't have anyone here I dare ask for that type of support. They might take it all wrong, or worse, assume I am abusing the boy."
"Oh, I figure Marisha Cialini would be willing to do just about anything you asked, particularly for that boy. A- because he saved her money, and B-because she remembers the Bill Beale he was before. Carolyn and Bill had a few...run-ins before you got hold of him."
"And she runs a beauty salon?" the auburn-haired teacher breathed, almost reverently. "That divine temple of womanly delights and manly terrors?"
"That she does," Todd agreed, pleased with himself. "And she's real anxious to pay you back for Willa's help today."
Jane's eyes went wide and then dreamy as she fully savored the possibilities such an alliance offered her and her student. "A beauty salon," she said again, savoring each syllable as it wafted across her tongue. "Oh, my yes..."
"I never met Caro's Mom," Michael said.
"Your loss, kid," Bill assured the young doctor. "Although, I have to admit, I didn't feel that way the first time she met me as Willa."
"Why, she was delightful, dear," Jane cooed at her former student.
"I suppose, Aunt Jane, that it's all a matter of perspective," Bill allowed as he recalled that first be-skirted meeting.
"Ms. Jane - WAIT!" Willa hissed, catching at Jane's elbow to pull her back from the salon doorway.
Annoyed at being so summarily stopped, Jane's words of reprimand fell unsaid as she saw the look real worry on her student's face. "Whatever is the matter, Willa?" she demanded, her tone brisk but unthreatening.
"They've spilled something in there - some kind of chemical - can't you SMELL it? Anything that stinky might be dangerous! Should we go call for help!? Maybe get Sheriff Todd, or the Department of Health?!!?"
For several moments, words failed the tall schoolmistress. She couldn't decide whether to laugh or to reprimand the girl, but she came back to the fact that Willa's concerned expression was not feigned. She smiled and leaned down so she could whisper into her charge's ear, "Never been in a beauty salon before, dear? Don't worry - that's just the normal, everyday aroma of a working beauty parlor."
"You're kidding me!" Willa retorted, her eyes wide.
"-I- NEVER kid," Jane assured the skirted boy-girl. "Now, get a move on, child, or we'll be late and you KNOW how I feel about such a breach of manners."
Swallowing hard, Willa nodded and replied, "Yes, Ma'am," and headed into that feared chamber of all things feminine. All the same, she thought, she'd try to breathe as little as possible while she was in there. Maybe those fumes were why women thought so differently from men - the chemicals messed with their brains.
Signora Marisha Cialini was a tall, olive-skinned woman whose full mouth, high cheek bones and red hair gave her the look of a mature Sophia Loren, at least facially. Her body was hidden in the long blue smock, but as Willa well remembered, the lady tended towards the voluptuous - something her preferred manner of dress showed off quite proudly.
Bill Beale'd had a crush on this particular older woman since he'd first realized that girls were so nicely different than boys. That was one reason Carolyn had always been his preferred teasing victim. At fourteen, she was already taking after her buxom mother.
Willa frowned at that thought. Why ever had Bill thought that made sense, she wondered? *Pretty dumb, Beale, picking on someone to get their attention? How positively third-grade of you.*
"Signorina Thompson," the owner and proprietor greeted in a musically accented alto voice. "How wonderful to meet you, and who have we here, eh? Our hero...ine?"
"Please, call me Jane, Signora Cialini, and yes, this is Willa, my niece."
Willa was immediately enveloped in a hug and the mixed smells of the shop and Marisha's floral perfume. It took the girl-boy several seconds to react and return the embrace. Being hugged by the tall woman was a total body experience, and embarrassingly, Willa's body reacted to it. Her humiliation increased when the older woman noticed. "Not so much the girl as all that, eh?" she whispered into Willa's ear. "But that is good. Maybe you learn this time."
There was no doubt in Willa's mind what that had meant, and she was still blushing when the older woman stepped back. "I hope so, Mrs. Cialini. I think I have, anyway." Then she felt the need to do more than answer the challenge. "I do know that I regret what I...what was done to Caro, Ma'am. I.. I'm sorry for that. Please accept my apologies on that score."
"It is not to me such apologies are owed," she told the now- dignified young person, "at least, not all of them. For myself, I will give these apologies... due consideration."
Willa was trying to decide how to respond to that when she saw a wicked glint flash in the redhead's green eyes. It was a variation of a look she'd seen in Jane Thompson's violet ones, and something the teen had learned to respect and sometimes fear.
This was, apparently, one of those times when both reactions might be appropriate.
"Well," the beautician said sweetly, "I do owe you a thank you for stopping that thief." Marisha reached out to cup Willa's chin in the palm of her hand, her thumb and fingers reaching up to pinch in on the teen's cheeks, holding her fast.
The almost stereotypically Italian gesture clearly surprised and shocked Willa, while delighting Jane. Here was another woman putting her student to the test, and one who knew the boy-girl from before her time with Jane.
Here was a threat the child HAD to take seriously, and how she responded would tell Jane a great deal about how far her student had truly progressed.
The beautician's grip firmed and twisted, turning Willa's face first to a right profile view, and then back to the left. Marisha's professional eye examined Willa in minute detail, taking in every nuance and facial feature. "You have potential, child," she finally said, her tone musing. "But you are not making the most of it - almost, but not quite. You've had good technical training, but your presentation lacks passion! Drama! Sensuality!"
"Sensuality?!?" Willa's voice cracked as she finally freed herself from Marisha's grasp and tried to step back, only to have her escape blocked by the salon chair.
"Exactly! Well, we'll just fix that for you - RIGHT now, eh?"
"I...I'm sure I'm just fine..." Willa's eyes were huge, and shifting back and forth from Marisha to Jane, appeal evident in every eye- flicker. "I'm...I'm a little... young for that. Don't you think, Aunt Jane?"
Jane crossed her fingers and hoped she'd read the other woman correctly. "Oh, I don't know. Every girl should know how to look her best, and Signora Cialini IS an expert. It's just too bad we didn't think to make an appointment..."
"Pah!" the beautician retorted. "My morning appointments have both canceled out and I have nothing on my calendar until after lunch. Why don't you get into this chair, and I will give you a complete treatment - the works, as we say - by way of saying grazie, eh? And your Zia Jane and I can chat while I work - get to know each other."
"Oh, but that's not necessary," Willa replied, her heart leaping into her throat.
"But I insist, cara, it is the LEAST I can do. Please, Jane, let me do this to...I mean, for the child."
That 'look' now flashed in Jane's eyes, and Willa knew she was doomed. "It's a lovely idea. It will make Signora Cialini happy to do something so nice for you, dear, to show her gratitude. Now, get - in - the - chair!"
"Yes, Ma'am."
"Such lovely hair you have, child," Marisha mused as she ran knowledgeable fingers over Willa's scalp, "and very nice bones, too. It's too bad you are not a blonde. You have the complexion for it. Why, with the right makeup and hair, I could make you a dead ringer for that Cheryl Tiegs - you know, the model all those silly boys are gawking at in that sports magazine."
"Blonde?!?" Willa yelped, her torso snapping up out of the recliner, trying to escape, only to be firmly pushed back into the beautician's chair by the surprisingly powerful Signora Cialini.
"Sedersi, cara! SIT! Let me make you beautiful like every girl dreams of being beautiful!"
"I thought about bleaching her hair," Jane put in, thoroughly pleased with the corner into which she and the other woman had painted her pupil. "But I was concerned about damaging her hair. You really think she could look like that model, eh?"
"HAH! She will look BETTER! Molta bella! And her hair? When I'm done, it will be like baby's breath - fine and lovely - just like your girl, Jane."
"She's a little...underdeveloped for that look, don't you think?" Jane asked, gleefully taking in the array of bottles, tubes, and pots her new friend was gathering to the work shelf near the chair. "She's barely out of her training bras, after all."
"Nonsenso. She just needs a little...help, yes? Most girls her age do, you know, and I have just the thing to fix that - you'll see."
"Wonderful. Perhaps I will purchase that magazine so I can find the perfect bathing suit for her then. And it's just what you want, isn't it, Willa?"
Hearing the steel in that last question-that-was-not-a-question, Willa somehow managed to force her lips into something remotely resembling a smile. "Exactly, Aunt Jane."
"And was it?" Audrey asked, grinning broadly. "EXACTLY what you wanted?"
"Oh, sure," Bill agreed, noting that this interlude was diverting Jane from her bad memories, if only for a little while. "Wearing a combination corset-bustier with a pair of life-like falsies was EXACTLY what I wanted at that moment."
"Life-like, you say?" Darryl chided.
"For the time, they were, but not compared to what's available these days. They lacked... well, jiggle."
This brought a hoot of laughter from everyone. Bill managed to look sheepish, and then pressed on. "Well, this WAS before silicon became so big, but the dam.. darned things even had NIPPLES," the deputy complained. "Big, prominent ones that poked out and showed through to my blouse! Every blasted male over five years old immediately fixated on my chest!"
"And an excellent object lesson it was, too," the Mistress of Seasons House explained before adding reflectively, "Amazing how young males, who grow up going about bare-chested when ever they wish, get so undone by a couple of bits of strategically shaped and placed foam rubber."
"You have to be there, I guess, Aunt Jane," Bill muttered.
"And this was just before you got Lora?" Michael asked?
"Hmmm," Jane thought, "Yes. Just a few days later, in fact. I remember because it began the worst week of my career."
"And you did it alone?" Audrey asked, looking to Marie not quite able to see Jane working a student with the assistance of her long-time partner.
"Well, there I got lucky," Jane said, smiling at her friend. "It was, what, a little over a week after we named Lora, wasn't it, Bill, that you took that call?"
"Yes, Aunt Jane, and I have to tell you, hearing her voice again was almost as scary as when I first saw YOU again..."
"Aunt Jane?" Willa said from the door of the music room. "You have a call. It is Mademoiselle Marie - you remember her - from Eastmore?"
"Ah, yes," Jane replied thoughtfully. "She left shortly after you arrived at school, didn't she?"
"Yes, Ma'am. She was the dorm mother for my wing of the dormitory."
*Where you and all the other special students were housed. I wonder what she wants?* Jane wondered tiredly. *Lord, but I wish I had someone like her with me at Seasons House now - someone I could trust with my students - especially with THIS one! I'm dead on my feet.* "Please watch Lora while I take the call in my office, Willa. Lora? I will be just down the hall. You do not want me to have to end my call prematurely to come back here and deal with your misbehavior. Trust me on this!"
Jane swept into her office and picked up the phone, while she rummaged about her desk drawer looking for an aspirin. Her morning session with Lora had not gone any better than the last week's worth of sessions had gone. In other words, nothing the least bit positive had been accomplished. Finding the aspirin, she choked down two dry tablets before speaking into the phone. "Marie? What a lovely surprise. What can I do for you?"
"Miss Thompson, hello," was the edgy, nervous reply. "Ma'am, I was hoping you would be willing to give me the reference from my time at Eastmore. I am looking for work, but the new Head Mistress - she says she does not know me and so can not help me. I need a job, Ma'am, very badly."
"Why, Marie, whatever happened? I thought you and your young man were getting married and.. "
"He died, Miss Thompson," was the flat response. "A accident while in training, or so the Army tells me. And we had not yet married because his commanding officer wouldn't grant permission until he finished basic training. I'm not even a widow, so there are no - what do they call them - survivor benefits. I have nothing and badly need to work. Can you help me? WILL you help me?"
Jane was not the sort of woman given to belief in Willa had reminded her that Marie had been in on the Eastmore program. In fact, she'd been trusted to protect the special girls outside of class when they were most vulnerable. "Marie, I might have a situation for you, if you're interested. Your duties would be similar to those you did so well at Eastmore, except for only one or two special students at a time."
"Special students?" was the surprised response, "You mean la petite gamins-filles?"
"Precisely. I am doing a similar program for such special students here in my home, but I find that the second student is almost more than I can manage, even with the help of a more senior student. Do you think you're up to helping more of my girls, Marie?"
"Certainment, Madamoiselle. You have need for l'enseignante responsable d'un dortoir de pensionnat for your new school?"
"Actually, I was thinking of having you here as my housekeeper or Major Domo more than a dormitory mistress, Marie. Having that type of live- in help for a house this size would be expected among the locals and would not raise any questions I might not care to answer."
"That sounds parfait, Ma'am. Will I be able to do some cooking, too? I missed that quite badly at Eastmore."
"You cook?" Jane breathed hopefully.
"Mais oui! I am a superb cook and I love doing it."
"Make that housekeeper, major domo and head chef. Your room and board will be part of your benefits, and I will see to all the other usual benefits, too. How does that sound?"
"C'est merveilleux!"
"Excellent! When can you start?"
"As soon as I can get there, Ma'am. There is a train station near where you live, oui? I can leave for there tomorrow."
"Bless you, Marie. Look, I've got to run. My newest student, I should warn you, has not yet been brought around and is something of a problem child just now."
"Pooh," was the quick reply. "We have done the problem children before. Bon jour, Miss Thompson. I will see you soon!"
"I knew you'd lost someone special, Marie," Darryl said, coming over to embrace the little housekeeper. "I am sorry you did, but I have to tell you that I will always be grateful that you were here in my life when I needed you."
Michael, Ken and Audrey crowded around the teary-eyed brunette for their hugs, echoing their 'Jane-sister's' sentiments.
"I miss my cher ami, but you - all of Jane's and my children - have filled in that dark space and made my life rich. If it was not what I dreamed of as a little girl, it was still wonderful and I wouldn't have missed a moment of it."
Jane stood, letting her long-time friend bask in the love of their shared family when Diana came up to put a comforting arm about her waist. "So that's how Marie came to be here, eh?" she asked her wife.
"Yes, and it was just in time, too, because Lora really had me at my wit's end. I have never, in all my life, done more than simply protect myself with a student. Never once have I raised my hand in anger to a child, but God help me, I was THIS CLOSE with Lora when Marie arrived and calmly took charge."
"I shooed her out of the house and told her to go out," Marie's eyes twinkled as she recalled that day. "Told her to go see a movie, have dinner, do SOMETHING for herself and I'd watch over her enfante terrible."
"And she did - so I did," Jane recalled, "Do something for myself, that is... "
Part 3
"You have the very big bags under your eyes, Cara," Marisha chided her client in her lilting Italian accents. "They make you look old, like me."
Jane Thompson sighed, and looked upward at the gently concerned face of the stylist. "As if you'll ever look less than gorgeous, Signora! But as to how I look? That's why I'm here and not home hiding in my bed. I'm afraid I need your magical rejuvenation treatments while Marie is watching the students today, or I will soon be a hag."
"I would say so! I know! I have this lovely face mask that will be just the thing for you, eh?" Then she switched to Italian. ::Is it Willa that troubles you, Cara?::
::No, Signora,:: Jane answered in the same language, ::In fact, our Willa has been all that I could have hoped for. Why, she even volunteered to stay on to help with my new student after I offered to change her back into William and send her home, free and clear.::
::She has done well, then?::
::Very well.::
::It is as a Mother I ask this, you understand,:: Marisha said with a knowing smile, her hands gently massaging the warm green paste into Jane's cheeks and forehead. ::My Caro, I think, is rather intrigued by your sweet boy in his girl's clothing.::
Jane's lips curled upward. ::I'd say the feeling is mutual, Signora, and has been on his part for quite a while. It is just that before his time in my keeping, our young swain didn't know how to plight his troth in a socially acceptable manner. It's a good thing schools no longer have open inkwells on every desk and that your Caro is out of pigtails.::
The zaftig hairdresser laughed agreeably. ::Just as well, then. Ink is so hard to clean from the hair. So, if it isn't our Willa putting such circles under your eyes than what? Tell Mama Cialini. Is it your other student? The one you've yet to bring in to me?::
Weary all over again, Jane nodded. ::He doesn't fear me enough to want to change. The only threat that seems to make any difference is to put him in public as a girl with the possibility of being unmasked. And that only lasts so long as he is out in public.::
::So take him into public,:: Marisha offered with a careless shrug of her shoulders.
::Too dangerous. Because he doesn't fear me, he hasn't put enough effort into learning to present himself as a girl. He's just too likely to make a mistake and really be caught out. That would ruin everything.::
::So bring him here.::
Jane nearly goggled at the seemingly flip reply. "HERE?!?"
::In Italiano, Cara, please. And why not here, I'd like to know? Caro and I already know about your program and we know about him, so we aren't a threat to your secrets. Besides, I would love to deal with that thieving little rat.::
Jane almost accepted out of hand, but hard learned caution intervened. ::That's very dangerous,:: she thought aloud. ::Suppose he broke character in here and one of your customers realized you had a boy in girl's clothing in your chair? Imagine the rumors and gossip - the negative reflection on you and the salon. You could not deny that you knew his true nature and that kind of talk could badly hurt your business.::
::Pooh. We will schedule him for a time when we are almost between customers, some going at the start; some coming near the end, eh? I will put him in the far back chair. He won't know who else is in the shop unless I tell him, and I won't.::
::Lord, but that sounds perfect. When could you do it?::
Marisha disappeared from the cubicle and returned moments later with a large loose-leaf binder that she set on her tool counter. ::Ah! I have the perfect time - Wednesday afternoon at 2:30 PM. It is even better than perfect!::
::Better than perfect? How so?::
::Caro and I host a young ladies club here on Wednesdays after school lets out. That is why things tend to be so quiet. A group of girls from the school come here to learn how to apply the make-up, yes? We could have your naughty girl participate.::
"Oh, no," Jane blurted, again forgetting to speak in Italian, "That's not a good idea. She'd.. "
Marisha placed a coral-nailed finger against Jane's lips to silence her. ::She won't have to be part of the group, Cara. I will keep them apart from her by using her as the display mannequin, eh? My dummy! All she will have to do is sit there, look pretty, be quiet - when I permit her that small mercy - and let me pluck her eyebrows, dab make-up on her and make her preen for the other girls. And then we will arrange her escape before the rest of the girls can corner her. If you were to, perhaps, show up about ten minutes before the end of our little lesson and have to whisk her right away?::
Eyes wide, Jane could only stare at the older woman for several moments and then began to laugh - her first real, full-hearted laugh in the weeks since William had agreed to stay on as Willa. "Perfetto, Primadonna, Perfetto!"
::You know,:: Marisha added thoughtfully, ::I might have another possibility for you. A friend of mine owns the dress shop down the street, and she is looking to expand. If you were to purchase your girls' wardrobes from her, she might be amenable to providing you with another safe public venue for your little darlings.::
::I don't know if I dare ask her, Marisha. It is not in the normal way of dealing with such children. She might decide she needed to do something to rescue the children from me.::
::I will talk to her for you, then,:: Marisha offered, ::And if I think she is receptive, I will introduce the idea to her - purely as, how do they say? Oh yes, as a theoretical exercise.::
::It would be a wonderful addition to the program. Imagine them both, dressed only in their panties, slips and bras, trying on all those lovely clothes and having to pretend to enjoy it while real women roam about nearby.::
"So that's how those Wednesday afternoon make-up classes got started," Darryl asked.
"Just one more contribution Momma Cialini made to Jane's little program of horrors," Bill replied. "Just like she introduced you to Betty Franson, right, Aunt Jane?"
"Yes, indeed," Jane replied, smiling at that memory. "Betty was just starting up her lingerie shop, MiLady's Closet, as an extension of the Style Shoppe. Marisha approached her, using the example of a boy who had recently tried to burgle her dress shop, and got Betty thinking about how appropriate it would be if women were the ones to deal with thieves who stole from women. Betty fell right in with the idea, even after she found out it wasn't really a theoretical exercise. I got another willing helper on my team and in on the ground floor of what turned out to be a very lucrative little investment, all at the same time."
Bill gave a exaggerated shiver. "Never will forget the first time I had to strip down in there and try on all those dresses - almost made me regret offering to help Aunt Jane! Even though I knew Betty was in on the gag, I also knew that the really cute shop girl wasn't! I was terrified that she'd see," the sheriff to be looked pointedly at his own crotch and blushed, "Well, evidence of my true gender while I changed. I was one very polite and civil young customer, let me tell you!"
"Well, I," Janice pronounced, "Find it hard to believe that any mere male could stand up to you, Momma-Jane, especially with Marie at your side."
"I think," Diana replied thoughtfully, "that the reason for Jane's difficulties in that regard should be obvious now, child.
Jane was about to ask her mate what she meant by that remark when Michael, nodding his head in agreement with Diana, piped in, "How did Lora react to the public make-up and dress-up sessions?"
"I would guess," Artemis Thompson-Philips(A.K.A. Diana Thompson- Philips), Ph.D. in Psychology and Counseling put in, "Not as well as your Mother and her friends might have hoped."
"I'll tell the world," Jane breathed.
Marie entered her new employer's office, a crystal glass of water and a large bottle of aspirin carried on an antique silver salver tray. Jane looked up from her desk, saw the offering and smiled gratefully. "Bless you, Marie. How did you know I had a screaming headache?"
"The creases on your forehead gave me the first clue, mademoiselle, but it was you knuckling your temples after the boys - I mean - the girls went up to bed for the night that really gave you away."
Jane popped two of the tablets into her mouth and sipped the water. "God, what a day," she breathed, again knuckling at her temples. "Sit down, Marie and relax for a bit. You've been up and on your feet as long as I have. We need to wind down, too. Would you like something to drink?" the tall redhead asked, indicating the nearby combination sideboard and bar.
"Some wine would be nice. Would you like me to get you something?"
"Not on top of the aspirin, dear. So, are you regretting what you let yourself in for when you accepted my little job offer? You've been here, for what, almost two months now?"
"Two months tomorrow, Madame," the petite brunette answered in her lightly French accented tones. "I'm doing well, I think. It's a lovely house and the kitchen is tres merveilleux. And I am ever so grateful for the job. I needed to work."
Her employer nodded, understanding how work could help one deal with grief from her own experiences. "And are you all right with my, umm, students and their special requirements?" Marie visibly hesitated and Jane could almost see her thinking, trying to choose her words. "Out with it, Marie," she ordered gently.
"Willa is, how do you say? La demoiselle parfait, eh? The perfect young lady, yes? Much better than the best of the students at Eastmore - even the true girls. I really like her, and it is very difficult for me to be strict with her."
"Willa is here voluntarily, Marie, to help us with the other one, much as I used to have the more experienced special students help us with the new ones at Eastmore. I offered to release her before I took on Lora, but she asked to stay on and help. Now, what is it you're trying so hard not to say about Lora?"
Feeling her cheeks flame, Marie looked into the golden wine in her glass. "She frightens me, Miss Jane. Whenever I tell her to do something, she stares at me like some barely trained wild animal deciding whether to obey or to attack. And nothing about the dressing seems to touch her - even when you dressed her in that hideous children's costume. It just didn't matter. I don't know how else to describe it."
"An excellent observation on your part. I know just what you mean. We had an outing today - probably the seeds of this headache - a trip to the beauty salon, a trip to the dress shop, and then attendance at Signora Cialini's make-up class."
"I thought her hair was a bit, umm, overdone tonight at dinner."
Jane gave a short laugh. "God-awful is what you mean. Marisha gave her a 'big hair experience' that would have embarrassed Dolly Parton, except it didn't touch her. Just as you said. Nor did being stripped down to her foundation garments at MiLady's Closet. She just stood there and smiled through it all."
"And the make-up lesson? Isn't that with other children her age? Real girls?"
"Marisha used her as a demonstration model, same as the last couple of times. No reaction."
"Nothing at all?" Marie had worked with teenaged girls and boys for several years at the Eastmore Academy and understood adolescent egos and motivations. "But it HAD to have some effect!"
"Not even when I started taking pictures of her at the end of the session. The only time she's shown the least reaction was that first time a few weeks back, and according to Willa, all she did then was curl her lip for a moment."
"But, Madame, that is so WRONG! How can the things you are making her do leave her so completely unaffected?? How can you help her CHANGE if she doesn't feel the... the wrongness of any of this?"
"I don't know, Marie, and for the life of me, I don't know what to do next. He gives me the same reaction you describe. Do you know? When I took those pictures of him earlier, the little snot POSED for me? Crossed his legs and dangled his high heeled shoe off his toe while pursing his lips in a kissy motion. Like some bloody adolescent pinup girl or a 1930's movie flirt! Lord, I bet he'd react if I put him in stiletto heels, fishnet stockings and dumped him in the middle of Boston's Red-light District at midnight someday!"
"Miss JANE!?!"
"Oh, I wouldn't do it, but I can dream, can't I? And could you PLEASE simply call me Jane? I really would like us to be friends, Marie, not just employer and employee."
Uncertainly, the housekeeper looked up at Jane, and finally nodded. "Okay... if you're sure, Mi...I mean, Jane."
"Better! Oh, and try to lose the 'okay' for now. I take the children to task for it, so it will lessen your authority if you use that particular term around them."
"O - I mean, Yes, Jane." Both women laughed at that, then Marie remembered something she'd wanted to ask. "Jane? Are there any wild animals around here that I should be careful about?"
"Not that I can think of," the other woman replied. "Maybe a feral cat or dog, but nothing that should threaten a human. Why?"
"Oh, I saw a blood sign this morning when I went for a walk about the grounds - near the stables. Looked like a predator had killed something. Quite a bit of blood, actually."
"Hmmm. I better have Tom - that's our grounds keeper, in case you didn't know - have a look about. Maybe some animal has taken up residence on the estate. Oh, look at the time. I think you and I better get to bed. Five A.M. never comes late in my experience."
"Good Night, Jane."
"You, too, Marie."
"No reaction?" Darryl demanded, "none at all?"
"None, cheri," Marie said solemnly. "Oh, as Jane said - the first time for anything new, Lora stepped softly, but in hindsight, it was more caution than fear. I truly think she simply did not care what anyone else thought. They were unimportant to her so if they found out, it didn't matter."
"God, that's really scary," the most experienced big sister of all breathed. "Particularly for someone who was facing jail as an alternative."
"I don't know if Lawrence really perceived juvenile detention to be his alternative," Jane replied. "After all, he wasn't really a court- referred case. Sheriff Todd interceded with the DA and the grandmother to send him to me. The DA assured us he'd prosecute if Lawrence failed my program, but it was not as if his transfer to an institution was assured if he failed to meet my standards."
"I asked her, well, him about it," Bill reminisced, "And all he'd say was that it didn't matter."
Into the silence that followed that pronouncement, Diana finally spoke up. "I'm surprised he didn't, I mean, all the data points to it." The elegant silver-haired woman shook herself and looked Jane in the eye. "I'll just come out and ask. Did you ever catch her - that is, him, in a violent act?"
"How did you know that?" Bill demanded, eyes wide.
"Tell me what happened," the psychologist asked, still holding Jane's gaze.
"It was about three weeks, maybe a month later. Marie and I were having tea together alone in my suite while Willa kept an eye on her little sister. We'd planned on discussing the Lora problem and what options we might still have with her..."
"Jane, I just don't know what else you can possibly do with the child. From what I understand of your method, it is her fear of discovery that should force her into thinking twice before doing something untoward. It's been more than two months since that child has reacted to anything we've done to her."
"I can't just give up on her!" was Jane's pained reply.
"SHE'S given up on you AND herself!" Marie retorted. "It can't be all you. I don't think that boy understands or accepts the difference between right and wrong, or good and evil. All he understands is what he wants and how to get it. Right now, you are in his world and he knows he is unable to change that, but that doesn't mean he will allow you to affect him in his world."
"And if I cannot affect him in his world, I can't help him change it or himself," the tall redhead sighed, resignedly. "So, what do I do? Turn him back over to Sheriff Todd?"
Marie's reply went forever unsaid as a dirt-stained and scraped Willa rushed into the room. "Ms. Jane, Marie, come quick. I had to hit Lora and she's not moving!"
"WHAT? WHERE?!?" Jane snapped, jumping from her seat and spilling her tea on the rug.
"The stables! I lost her - she just disappeared and I had to look for her. Then I saw her going into the stables and ran after her. She had a knife and was going to use it on Garters - on her back leg, near the ankle!"
All three raced out the door and down the path to the horse stables.
The scenario was just as Willa had described it. An unconscious Lora lay upon the rough-hewn floor near the mare's stall, a large butcher's knife still gripped in her hand.
"I closed the stall door before coming for you," Willa explained. "I didn't want Garters getting out or trampling Lora."
"She was going to hamstring my horse," Jane whispered, her voice hoarse and her skin pale.
"She came to shortly after that," Bill told Jane's gathered family. "Tried to convince Jane that I'd been the one who was going after old Stars and Garters."
"As if I'd believe that!" Jane snorted. "Marie and I did a quick breakdown on her, although it wasn't up to our current standards. I am afraid Lawrence was more than a little androgynous when we finished, but we were pressed for time. The sheriff arrived shortly thereafter to cart him off. Afterwards, we found his cache of souvenirs when we cleaned out Lora's room. He'd been Marie's predator, and he'd kept parts of the animals he'd killed in a box beneath his bed."
"Ewwww," Audrey groaned, her hands and arms hugging her bulging tummy. "Sick!"
"Exactly," Diana replied. "Did he go to the juvie or to a treatment institution?"
"Treatment," Bill answered, "Not that it did him any good. He just liked being what he was - a.. "
"William!" Jane's voice rang out sharply. "None of that. It's over and in the past. Leave it there."
"Yes, Aunt Jane. Sorry."
"If he was such a sociopath," Michael asked, "How is it that he never broke the truth about your program and the people who helped you?"
Marie grinned. "That was our Willa's idea, and one that Jane kept up for the all the rest of our students."
All eyes turned to the suddenly blushing law officer. "Well, you see, it's like this. I mean, well,"
"William!" the school mistress called out.
"I blackmailed him. You know those photos Jane took? At the salon and around here? I told him I'd make sure that copies were sent to whatever reform school his butt landed in if there was ever even a HINT about what Jane does here. He didn't fear her or the stuff that went on here, but he knew enough about juvie to be afraid of what the other inmates would do to a nice femmy little sissy in their midst. Guess he thought it would be the same at the hospital where he was committed. Too bad they couldn't have just kept him once he was twenty one and supposedly cured."
"The origin of the Rogue's Gallery, Mom?" Kenneth asked.
"Just so. At first, it seemed like insurance, particularly after I had coerced certain facts out of Willa. Eventually, however, it became more a family album than anything else, and its original purpose thankfully a thing of the past."
"What happens to him, to Lawrence, now?" Jane asked her first Seasons House pupil.
The deputy shrugged. "He has no family anymore. His Grandmother passed away before he got out of the mental hospital so there's no one likely to claim his remains. I guess they'll do whatever the Dade County Police Department procedures specify for unclaimed bodies."
"He's mine," Jane said, her eyes suddenly dark and wet. "Find out what it takes to bring him home, Bill, please. We'll see to him here."
"You're sure?" Diana asked, moving over to settle one the arm of Jane's chair and put an arm about her spouse.
"I couldn't help him, Diana. Maybe now, after this lot, I might have been able to, might have known what to do for him, but back then I did everything I knew how to do and still couldn't reach him."
"It won't make any difference to way you feel, darling, but as a psychologist? From what you and Bill have just told me, I think it is unlikely that anyone could have helped him. Maybe earlier on, but by the time he was snatching purses and killing little animals, it was just too late."
"Perhaps," Jane admitted. "I'll never know, will I?" She was silent for a short moment, letting Diana hold her close. Then she turned her tear-bright eyes back to Bill. "For all that, he's one of my boys...and... and I want him home!"
"I'll see to it, Aunt Jane," Bill promised, taking her hand gently in his.
"Oh DAMN, not NOW!"
"Audrey?!?" Darryl yelped, staring at his wife in surprise.
"Darrrrrllaaahhh???! Honey? It's time!" the pregnant brunette said in a sing-song voice, reminiscent of "I Love Lucy".
"Huh? What did you say, sweetheart?"
Diana saw the almost instantaneous shift from Darryl to Darla. *Amazing,* she mused, *He even LOOKS feminine now, just because his wife called for her best girl friend and he responded to that as Darla.*
"It's... time.. " Audrey gritted out again, this time with her teeth tightly clenched.
"Time? Time for wha... OHMIGOD - THAT time? As in..."
"2 minutes apart at last check, dear," Audrey assured her husband, "And my water just broke, too. Sorry, Jane."
"Mike??!" Darryl called to his brother even as he moved to his wife's side.
"I'll get my bag!" the resident doctor replied, heading for the door.
Then Jane took charge. "Meet us around front, Michael. Ken? Get the estate wagon. Marie? Call the hospital and Audrey's OB. Tell her we're coming in. Diana? Get the Lincoln - we'll need the extra space for this crowd."
"I've got my patrol car," Bill offered, "I'll escort you with the siren."
Barbara was heading for the stairs. "I'll tell Adrienne so she can stay with Camille! But she'll want to see the baby as soon as possible."
"Bring her and Camille - and Jessica," Jane ordered. "Camille's far enough along to appreciate this event and even benefit from it."
Hovering at the door as Michael helped the pregnant mother-to-be outside, Darryl called back to Marie, "Her doctor's name is.."
"Darryl, I KNOW who her doctor is! Who do you think recommended her to Audrey?" Jane retorted, sounding just a bit annoyed, "Go take care of your wife and my granddaughter!"
"Now why am I surprised?" the soon-to-be father muttered as he raced to catch up with his wife.
The informal Irish Wake of mere hours before had adjourned to the waiting room outside the birthing area at the local hospital. Jane stood outside with Barbara Anne and Kenneth, allowing other members to go inside the too-small natural birth room for a turn with the Mother- to-be. "Going to give me one of yours to spoil soon?"
Ken shook his head. "We've decided to wait a while first, Mom, for Adrian's sake. He's been through a lot and grown a great deal since being sent to you, but we wanted to make sure he was certain of his place in our family before we added to it."
"I think a boy whose life ambition is to help orphaned children find loving homes could handle being a big brother without jealousy."
"You're probably right, Mom. Heck, I KNOW you're right, but it won't hurt us to give him a little 'only kid with two parents' time for a while longer."
Just then the birthing room door opened, and a sweating, red- eyed and smiling Darryl beckoned to them. "Mom? Please come back in. We'd like you to meet Jean-Marie Prudence Thompson-Philips. Your granddaughter."
End of Failed Season - Lora's Story © 2008,2012 Tigger
The Rogues Gallery gathers at Seasons House to celebrate the holiday season and family with Aunt Jane. But what else are her boys and girls planning . . .?
Change of Seasons
By Tigger (Copyright 2017)
Author’s Note. Since the original Seasons of Change by Joel Lawrence dates to 1989, and my own most recent posted story of Seasons House was posted almost 11 years ago, the names and faces in this story (especially since many of them have several names) may not be familiar or easily recalled. Given that there are almost twenty fairly long to very long stories in the Seasons Universe, I have come up with two aids to readers.
1. Change of Seasons Addendum: Seasons Universe Recurring Characters. This list includes many of the characters who appear in many of the stories, lists the story the character made his/her debut and a short biography/synopsis of the individual.
2. Change of Seasons Bibliography. This document has a numbered list of the stories that include situations or other characters that are referred or inferred in the body of this story. It includes the name of the story, the author and a URL weblink for the posted file, all but one of which is on Big Closet.
a. Where the story is broken up into multiple files (e.g.., Part 1 of 3), there is an entry for that in the bibliography. For example, A Losing Season Part 2 of 3 is cited as “No. 3b.
b. If a character appears in every file of a multi-part story, the first time that character appears in this story, the reference will just be the number (eg., Barbara Anne (13) ).
c. If a character does not appear in every file, the reference in this story will point to the specific files in which that character makes an appearance (e.g.., Karen (3b,c).
My intent here is that, if you wish, you can go to the bibliography, find the cited link and then do a quick search on the referenced story part for the character and in so doing, get a little background and/or a refresher.
Finally, my sincere thanks and appreciation to my Beta Readers, Dawn, Crazypagangurl (aka Tiffani), QModo, Cesca Marie Walker and Sephrena Lynn Miller. You all had HUGE shoes to fill in this regard and you did. The story is as good as it is thanks to their help, talent and insight. Any mistakes are because I didn't listen close enough.
Thanks, and I hope you enjoy the story.
~-~
Change of Seasons
by Tigger
Jane shivered from the chill of her morning walk as she strolled into the warm, horse-scented air of the Seasons House stables. Keeping it heated was an expense, but she had the money and her remaining horse was family. Jane’s Stars and Garters popped her head over the door to her stall and whinnied an impatient welcome.
Garters’ pet cat, Secret Victoria, jumped up onto the door sill and began grooming while her friend communed with her human. Vicky had surprisingly joined the family after Darryl’s horse, Teddi, had passed away last winter, leaving poor Garters alone and pining for company. The young barn cat had somehow sensed the mare’s distress and had taken upon herself to keep her stablemate company.
Jane came over and gave the cat the expected stroke and chin scratch before offering the cat treat she carried for just this purpose. Fair was fair, after all, as she had a carrot for her horse - and a sugar cube that Marie had pretended not to see her filch on her way out.
Shrugging out of her heavy coat, Jane hung it on a hook inside the stable near the heater. It was December in New England which meant grey skies, blustery winds and frigid chill factors. All part and parcel of a legacy that made New Englanders a historically hearty lot, and made New England tourist agencies despair. Still, Jane loved days like this as they were one of the many reasons she still lived here at Seasons House.
Jane let Garters out into the stable’s indoor arena for a little exercise while she saw to the horse stall’s maintenance. Such a more elegant and refined term than ‘mucking out’, she thought with a mental giggle. That task finished, she set about grooming her long time friend.
“It’s really too cold outside, dear,” she told the horse as she curried her vigorously. “And too slippery to risk you. She looked into the patient dark eyes and rubbed the grayer-than-ever muzzle. It reminded her of the encroaching silver that highlighted her own auburn mane these days. Well, she wasn’t one of those silly women who tried to fight her age artificially. No, she did her aging the old fashioned way. She ignored it, and when she couldn’t ignore it, she just accepted it as her own. Still, Jane Thompson was as fit as most women two decades her junior. There were just some times she wished she had a portrait she could hide in her own attic to get old in place of her.
Leaving Garters to move around as she wished, Jane wandered over to the full length mirror she’d long ago had installed in the stable. This was, after all, Seasons House. Her students needed to ensure they were neat and properly attired at all times. Crooked jodhpurs at a Jane Thompson equestrienne lesson? Simply not done! She examined her own reflection, noting that the mirror’s silver backing was getting corroded and a little worn. Well, it would do for now, anyway. In the future, well, they’d see what would be needed for the future.
Whatever the hell that future was, she thought in an rare moment of melancholia. Grimly, she shook herself, reminding herself she was Jane Thompson, and as the mirror indicated, still a fine figure of a woman. Not five pounds over her weight at college graduation - still trim, strong with the piercing eyes and commanding presence that had cowed her students and her investment colleagues alike. The dark heavy corduroy pants and heavy fisherman’s knit sweater in no way made her look stodgy or old.
“But we are both getting old, aren’t we, old friend?” she murmured as she headed back over to the unmoving Garters. “You’re supposed to be walking,” she chided the horse, and received a complacent snort in response.
Ignoring the equine rebuke, Jane led her horse back to the now-cleaned and refreshed stall. Satisfied she had won their little contretemps, Garters gave her rider a saucy tail flick before walking regally and happily into her place. She then sampled the fresh hay Jane had added to her feed bin, gave her Mistress what could only be a nod of approval and settled herself for her late morning nap.
Laughing at her mount’s haughty dismissal, Jane curtsied and said “I’ll be back after dinner tonight, sweetie. Maybe by then the footing will be a little better and we can go for a short walk before bedtime.” She added another stroke and chin scratch for Vicky, and then donning her coat, gloves and ski-cap, headed back outside. As she opened the door, she saw the cat jump to her favorite resting place on Garters’ blanketed back, and curl up for her own nap. Humans were just so tiring.
Jane checked her watch and decided she had been gone long enough. At least, she thought so. The nerve of Marie, Barbara Anne (13) and Audrey (10), kicking her out of her OWN kitchen. And if she hadn’t been gone long enough for their liking? Tough. She was, after all, Jane Thompson, and this was, by all that’s holy, Seasons House, and her family and friends were gathering for a Winter Holiday Party.
That said it all.
~-~
The three girls surrounded the great kitchen’s island worktop, their eyes huge as they followed each careful swipe of Marie’s cookie spatula. Fragrant, soft sugar cookies were placed with careful precision onto the large cooling rack. Unashamed longing etched in each perfectly made-up face.
“It’s TORTURE, Tante Marie,” Barbara Anne complained.
“Can’t we have just one?” Audrey wheedled, “Pretty please with sugar on it?”
“Non! You will spoil your appetites,” the petite brunette ordered.
“Oh, but Tante Marie,” Xhinea (13) put in, “We could split just one among us, just to taste test. You wouldn’t want a less than perfect cookie being offered for the party?”
“Ah, ma belle Xhinea , I am too crafty to play that game. You won’t tease me out of a cookie by challenging my baking skills like that little old woman with her pancakes. Now, off to your tasks, the lot of you. We still have many treats to finish! Well, get to it! Vite, vite!”
Giving her their very best Oliver Twist pouts, Marie’s helpers went back to their individual tasks while she stood guard over her cookies. Nodding her satisfaction, she tested one of cookies, and having decided it was cool enough to eat, broke it into four pieces and took one to each of her girls. Even to Bella who had looked the most wistful, but had held her peace and let the others do the asking.
Well, Marie thought smugly, Jane would fix that bit of shyness soon enough! The day one of her girls OR boys didn’t feel right asking for a treat? Not in HER kitchen! Well, after their first week here, anyway.
~-~
Jane carefully inspected her presentation in the three sided floor to ceiling mirrors of her private dressing room. She had chosen her attire for the day carefully. Precise and strong for the next little event on her itinerary, but then, after losing the suitcoat, adding a pair of gorgeous shoes, some colorful and sparkly accessories, Jane Thompson would be ready to party!
Her phone rang, and smiling at the identity of the indicated caller, Jane hit answer. “Art, you better not be calling to tell me you can’t make it!” she growled in her best schoolmarm voice.
“No darling, but I will probably be too late for your planned morning festivities. The Dean is determined to change my mind. She just wouldn’t let me go!”
Jane smiled at the frustration in Art’s voice. The Dean at Providence College was trying to get Art to teach ‘just a couple of courses and maybe a graduate seminar next semester,’ instead of retiring as was his stated, written intent. Jane figured it was still 50/50 as to whether her hubby would give into the determined college administrator - again - or whether they’d be taking that Caribbean cruise they had put a deposit on for the late February/March time frame. And the reason that the wealthy but frugal Jane had only put down the deposit on their tickets was because the odds were, at best 50/50. Art truly loved to teach, and he might find a student who ‘really needed him’ - again.
“And what did she offer this time? You are already Professor Emeritus and have a Chair named for you. Maybe a statue of yourself next to Roger Williams?”
An almost female giggle answered her. “You know, I never thought of that. Maybe if I insist that mine be bigger than Roger’s she’ll get the point?”
“Or you’ll get the statue, and be just one more adolescent male playing mine is bigger than yours. Then where would you be? Oh, yes! I know! Still teaching the boys and girls at PC and studiously avoiding being seen anywhere near your statue. Well, let me know what you decide in time so I don’t pay the next installment on ANOTHER cruise we won’t take. When will you be home?”
“Probably in time for the luncheon snack you’ve planned to tide everyone over until dinner. Couple of hours. At least the roads are clear.”
“Well, drive carefully. See you when you get here. Love you, Artemis.”
“Harumph,” he snorted at her favorite jab, “And I love you, even if you do tend to forget my legal name as you approach your dotage.”
“Dotage, my still toned and elegant derriere, husband! Just make sure you eat a good nutritious dinner tonight. You’ll need the energy for what I have planned, old man. If you’re lucky, that is.” And they signed off with smiles on both their faces.
~-~
Jane was just walking down the stairs when the doorbell rang. “I will get it,” she called as she proceeded to the grand foyer. Opening the door, she greeted her two long-time co-conspirators, Carolyn and Sandy. The three women exchanged greetings and hugs, as Sandy stripped off her cold weather gear and shook out her blond-gone-ash mane of hair. “Well, are we still a go?” she asked with her usual glee.
“Yes. I just have to gather her into my lair, give her the news, and then, you can work your evil ways with her.”
“Great! We’ll go get set up and you can send the miscreant to us when you’ve finished with her. Is the outfit you’ve selected for her in the usual place?” At Jane’s assent, the two stylists headed up the stairs while Jane went in search of Bella Howell.
~-~
Jane found her quarry in the kitchen, which was redolent with the warm scents of holiday treats and savory appetizers. She should have known, she mused. Bella, of all her students, loved the kitchen arts the most. Jane had already made preliminary arrangements for her to train as a chef the following school year. The child had a magic touch with pastry and an artist’s eye for presentation. Why, the girl’s desserts were entirely responsible for Jane having to add another fifteen minutes to her daily workouts just to keep her aforementioned derriere properly toned!
“I don’t know, Marie. You let students play in the kitchen but you chase me out! I want to play, too!” Jane said in a quiet aside to her best friend and confidante.
“Oh, pooh on that, Jane. It is my kitchen, and besides all of these girls know how to follow directions.” Marie sniffed more loudly, causing a titter of giggling at the implied slight.
“Very well, then! Bella? I need you in my first floor office please. NOW!” Jane watched her student scurry off to carry out her order. Once the door was shut behind her, the schoolmistress smiled, looked over her shoulder at the remaining cooks and helpers, before adding in her best lady of the manor tones, “I’ll be back!”
Somehow, Lady of the Manor and Terminator didn’t quite work together and she strode out of the kitchen to the happy sounds of female laughter. Well, she’d be back after she’d dealt with her student and then she’d remind those wicked girls just who is the Mistress of Seasons House. And besides, she could so follow directions. Mostly. When she absolutely has to. . .
~-~
Posture erect, face set, Jane marched into her office clearly on a mission. Walking over to take her own seat behind the imposing desk, she indicated for her student to take the lone chair directly opposite of her own. The low winter sun backlit Jane just enough to force Bella to squint, ever so slightly. Perfect, Jane thought.
For the first few moments, Jane simply sat, watching the femininely turned out student with baleful eyes. Pleased that Bella didn’t actually squirm, she nodded. “So, Marie thinks that you have learned to follow directions? Or maybe she merely meant the other girls and gave you the benefit of the holiday?”
One elegantly arched brow rose even higher as Jane waited for Bella to attempt a response or make an excuse. Pleased again with the youngster’s silence, she continued more sternly, “Nothing to say? Well, Miss, let me say that I’m not certain about that! Did you even think for a moment check your appearance before coming in here? Reporting to my office in an apron, and your makeup? Did you try to clean your lipstick off with your teeth because they are colored and not your lips. And Seasons House students use powder on their noses, not flour, and for goodness sake, girl, what IS that on your sleeve? Blood?”
Bella cast a furtive look at her blouse sleeves, saw the red stain on her left cuff and winced. “No, Ma’am.” She took a deep breath to avoid the ‘umm’ that was trying to sneak out, and continued, “It’s frosting. We were frosting cookies and gingerbread men when you came in and I must have slipped with the spatula when you called out. I can go fix it and then come back.”
“No, I don’t have time for this later. Far too much is going on today and I will be very busy. No, we’ll just get this out of the way and then you can go correct your dismal presentation. Actually it is a very good thing Carolyn and Sandra have already arrived. You simply cannot be allowed to attend a Seasons House event in your present condition. I can see I have no other choice.”
Shaking her head sadly, Jane stood and watched her student rise out of her own seat as she had been taught. Jane picked up a folder from the top of her desk and walked around to face the girl directly. “No choice at all, but to congratulate you and graduate you from Seasons House.” Jane opened the folder and presented her student with a Certificate of Completion. “Well done, my Dear. You have learned all we have sought to teach you. And your grandmother will arrive tomorrow to take you home.”
Bewildered, Bella hesitantly accepted the opened folder, glanced at certificate within and then stared back into Jane’s laughing eyes. “Graduate? Me?? Now? Really?”
“Yes, really,” Jane laughed. “Now, are you going to shake the hand I’ve been holding out to you or just make me stand here feeling foolish?”
Bella hadn’t even noticed the proffered hand, so intent had she been on Jane’s face and the diploma she now held in her left hand. She started to bring her right hand up to Jane’s and then yelled, “Heck no, I’m not!” and threw herself into Jane’s arms in a fierce hug that was just as enthusiastically returned. “Thank you, Aunt Jane, honestly. I was really messed up when I came here, and so darned lonely.”
“It was hard for your grandmother, having to raise you after your parents were killed. She wasn’t able to keep up with a teen’s life and so she tried to shelter you. What social skills you learned were aggressive and you didn’t have friends, just hangers-on out for a handout. Even though you’ve learned your new skills presenting as a girl, I think you, as Boyd, are ready to make friends that are friends, not users.”
For several more moments, they held each other until the sound of the door opening ended their interlude. “You ready, Momma Jane?” Darla (4) asked from the entrance. “Caro and Sandy are all set up and ready in the dressing room.”
“Yes, we’re done for now. Go with Darla, child. We’ll talk more later and again when your grandmother arrives. You do need a makeover if you’re going to attend one of MY parties.” and Jane gently wiped away an errant tear from her latest success story’s cheek. Gently kissing that very spot, she turned Bella to face Darla and gave her an encouraging pat on her way.
~-~
Jane stormed back into the kitchen. “It’s my darned kitchen and I get to help! And I do SO know how to follow directions. Most of the time.”
“Well, obviously Bella graduated,” observed a smiling Anne.
“And what does that mean, young lady?”
Darryl’s Audrey laughed and answered before Barbara Anne could, “ Well, you’re in here kibutzing instead being all school mistress-ly with your yardstick stuck up your. .”
“ROCKY (10)! Language!” Jane and Marie both yelped, a long trained Pavlovian response.
“Up your busk,” she finished, pleased with their reactions.
“Minx,” Jane muttered, trying without success to stifle her own grin. “Now, what can I do?”
Marie gave her best imitation of a student trying to look innocent after some act of mischief, “Well, we were holding the bacon wrapped chicken livers just for you as they are your special favorite.”
“YUCK!” was Jane’s heartfelt and wholly satisfying response.
Marie would later apologize to the guests for not offering chicken livers on the appetizer tray. “One of my kitchen assistants just couldn’t follow directions.”
~-~
Darla led her stunned charge up to the second floor dressing room Jane reserved for her students' use (and abuse). Inside, Caro and Sandy rose to greet the two young people. They each took one of Bella’s arms and led the dazed former student over to an elegant antique clothes stand on which hung a beautifully cut men’s suit, complete with a fine linen shirt, a silk tie and coordinating jewelry including cuff links sporting a stylized “SHG” engraving, a fine gold watch, tie pin and a oddly shaped gold lapel pin.
As Bella reverently examined the outfit, Sandy said, “And it will fit you perfectly, darlin’. Your old clothes are back in your room, but this has been hand tailored just for you.” She giggled. “We long ago learned that we can’t just give you your old clothes back and expect you to meet the exacting standards we’ve set for a Seasons House Graduate at a formal Seasons House event. Seems that a few measly months of corset-training, Jane’s sneaky exercise program and Marie’s artistically camouflaged healthy meals and her students typically experience significant figure changes. - even after we peel off the corsets.”
“Tailored?” Bella asked. It’s beautiful, but when? How? I was never fitted for any masculine clothes - at least, not since I first boarded that blasted train so long ago.”
Darla giggled. “Your last two trips to the Style Shoppe, remember? Jane told you she was having you fitted for your upcoming formal debut? Fitted gown, long sleeves, floor length skirt? Think maybe all those careful measurements might be applicable to, oh, I don’t know, a men’s suit or, say, even a tux?”
“And now Caro and Sandy are going to change my face and hair so I don’t look like Gal Gadot in Bruce Wayne’s business suit when I wear that today?”
“Wow,” Carolyn snorted, “Think highly of yourself, much, girlfriend? Gal Gadot? Really? Sandy, do you hear that? Perhaps we need to move to Hollywood. Our art is being stifled in this burg.”
With a head toss that would do the actress proud, Bella struck a hip-shot pose and smirked. “I am a Seasons House Graduate. I have learned to speak only the truth.” She let the laughter die down and then asked, “Well, Gee, Where do we start?”
Becoming very serious, Darla took both of Bella’s hands in her own, and looked directly into the former student’s eyes. “Boyd,” she began, using a name that had rarely been heard by him in recent months, “As Jane just promised, if you give the go ahead, you, Boyd, will be in that suit and tie, with your full masculine bearing and glory restored, by the time the other guests arrive.” Darla paused, letting that sink in. “Or. . .”
Bella/Boyd didn’t say anything. The months of Jane Thompson-guided educational 'opportunities' had taught her the hard way to tread carefully when the footing ahead, literal or verbal, was uncertain. Darla was, however, her Mother’s daughter and had the patience to out-wait her former student. Giving in, Boyd/Bella asked, “Or what, Miss Darla?”
Darla smiled at the oh-so-formal title and continued, “Or, you could help us with something. A little holiday surprise for Aunt Jane.”
“Another visit to the clinic?” Bella had become a well regarded volunteer at the Pediatric Oncology Clinic that was Jane Thompson’s other passion, and loved bringing a little happiness to the kids who had to face so much pain and anxiety day after grueling day.
“No, not this time, but thanks for thinking of that. It is just that we, all the rest of Jane’s former students, would appreciate it if you would join us boys in celebrating with Jane in our best femme finery - just one more time. Sandy and Caro have already set aside tomorrow morning for you at their shop. They will give you the full deluxe girl to boy transformation treatment tomorrow if you’ll agree to help us today. And Boyd the boy will still be here to greet your Grandmother tomorrow afternoon and then be home for Christmas. ”
“Well, shoot, what’s one more d . . . HEY! WAIT, you said ‘US boys’??!?”
“Ladies don’t yell out ‘hey,’ kid,” a wickedly grinning Darla chided before Darryl’s voice answered, “Din’t we larn ya better’n that?”
At the boy/girl’s dumbfounded look, Carolyn laughed and added, “Well, you certainly don’t think you were the first boy to whom Jane, no make that WE did this, do you? I mean, we are just a little too good at bringing the cute girl out of the naughty boy for your experience with us to have been beginner’s luck , wouldn’t you say?”
“No, I don’t think it was any kind of luck. I just thought you were just that darn good at your business and I wasn’t all that macho to begin with so. . .” A cautious look darkened the student’s face. “It won’t upset her?” and it was Bella who asked. “I mean, after graduating me, and setting all this up? She won’t mind if Boyd misses the party and Bella attends?”
“She’ll love it,” the three other women chorused.
Giving herself a little shake, and trying to acclimate to this new understanding, Bella smiled. “Okay, then, umm, sure, I’m in . . .Only. .”
“Only what?” Sandy pounced, in full domme mode to make certain the outcome she had already decided was best, happened to her satisfaction.
“Easy, Sandra,” Caro chided. “Only what, dear.”
Like so many other of Season House students, Bella had been drafted to be an actress at Jane’s little theatre company. She’d learned her lessons very well indeed. Putting on her best diva ‘Marilyn’ look and voice, she cried, “I don’t have a THING to wear!”
“Oh, is that all?” Darla said as she strode over to the still closed armoire. “And if those fittings at Brenda Franson’s could be used to tailor a men’s suit, what ELSE do you think a skilled lady’s couturier can create with them?” And threw open the armoire, earning a very satisfying ‘Omigod’ in response.
As Bella gawked, Darla turned back to the two older women. “Okay Sandy, Bella’s in, so she gets into the debutante gown we snuck in here after Jane had set out that suit she had secretly bought for Boyd’s triumphant debut and return home. Good thing you’ve learned to walk in heels, kid. That pair look amazing, but I think they are also likely lethal to wear for any length of time. Ah well, such is the challenge of beauty. Ready for the ball, Cinder-Bella?”
~-~
Bella shyly strolled around the outer edges of the party crowd that had gathered and was still growing. She had never seen so many people at Seasons House. Oh sure, she’d suffered through Jane’s little soirees from hell, but even those had never involved more than a dozen guests - all probably carefully screened she now thought. There had to be more than a hundred people here, and more, every adult was dolled up and en femme! The only pants she saw were on youngsters and those were short pants. And they all looked, well, really good. Okay, she told herself, most of them looked very good, but none of them out of place at some ritzy party out in the real world.
Moreover, from what Darla had told her earlier, at least half of these women were guys! Lived and worked as guys. It was amazing that they could all be so at ease here in satins, silks make up and sparklies. “Well, what does that say about you, Boyd? You’re more than comfortable in this dress,” he thought as he passed Bella’s reflection in one of Jane’s many mirrors. “Comfortable? Hell, try smug.”
She saw Michelle (1,2,3), another of the regulars she had come to know in her time at Seasons House and went over to say hello. “Hi Dr. Nash, good to see you.”
The blonde turned a huge smile on the younger person. “And you, too, Bella. I want to thank you for staying in the masquerade today. I don’t know if I would have willingly made that choice on the day Momma Jane graduated me.”
“Oh, I think you would have - all of you would have, or you wouldn’t all be here now, dressed as you are now. She’s that special to all of you.” Bella hesitated and then pressed on, “I just have one question though, and it has been bugging me ever since Darla spilled the beans about Jane’s program. . .”
Michelle took a sip from her drink and indicated that Bella should ask her question. “Well, it’s just everyone looks so, ummm, real here, in their party clothes, and I never once clued in that you or Darla or Jessie (12) were boys, so I just have to know. . .”
“Know what, girl? Spit it out?”
“Aunt Jane IS a girl, right?”
From the other side of the room, Jane looked on wondering what had Michelle sputtering with laughter into her wine.
~-~
Sometimes there was just more joy than a person could hold inside at one time. Standing apart from her guests for a moment Jane scanned the crowd while turning through the pages of her memories. As her eyes fell on each guest, she remembered him or her as she had first encountered that student, recalled the special challenges each one had posed.
“I was so much younger then,” she told herself, not sure she could handle such as them anymore. She’d had to get physical with that one, she recalled, and that one had needed 24 hour vigils until we were sure the student was not a danger to herself or to the family.
Smiling, she saw her little Adrienne (13), still preferring Chinese cheongsams when presenting en femme, holding hands with his better half, Xhinea (13b,c,d). Happily married, with five girls. Xhinea had carried their first to term, but her pelvis had proven to be too small for normal birth. Advised by doctors another pregnancy would not be safe, Adrian had followed his passion and had adopted four girls, including three that the agencies had written off as ‘too old.’ His little adoption service was highly regarded and thanks to his Aunt Jane, well funded. All those beautiful little girls needing a family and one of HER boys was making families happen. If she’d been a cat, Jane would have purred.
A flash of deep auburn caught Jane’s eye and she saw Jesse’s statuesque Tatiana (12b) grinning down at her husband. Even in heels, Jessie didn’t quite reach her height, especially when Tatiana wore her own. Jane allowed herself a feeling of happy satisfaction at that successful bit of behind-the-scenes motherly manipulation.
As she’d hoped, Jesse had fallen head over heels with the vivacious redhead who had taken over her mother’s New Haven art business. Then, the three women had neatly maneuvered Jesse into his current role as legal consultant and advisor to nonprofit art foundations and freelance artists. That boy would never have been happy if she’d let him go into plain corporate law. Idly, she wondered if it was finally time to give him back the journal she’d saved from the trash bin all those years ago? She’d ask Diana to investigate that for her.
There was Penny (11b, 12), playing with some of the children. The student who had needed to learn to forgive herself so Benny could live fully had become a special educator. She worked with emotionally troubled kids, helping them find good solutions to their problems. Jane harrumphed. Penny and Benny needed kids of her/his own. Okay, it had worked with Jessie, so hmmmm, who do I find to sit under the apple tree with my Benny?
Oh, and there was Caitlyn (8) with her affianced partner, Tasha (8b), chatting with her beloved Tante Marie. The ballerina had recently retired as an active soloist and was setting up her own studio to teach little ones to love dance of all kinds. It was odd how these things happened, Jane mused. The boy who could not dance in the masquerade because he was really a girl masquerading as a boy, was engaged to her first gal pal, having reconnected when Tasha’s daughter had wanted dance lessons. It was just perfect. Caitlyn teaching her soon-to-be daughter to love dance as her own mother and Tasha had taught her.
There were a few missing, she thought with a bittersweet smile. Life wasn’t quite that perfect and some of her boys just had lives they couldn’t get away from, even for a short time. Bill was still sheriff and currently short handed at the office. Hopefully, he’d put in an appearance later but probably not as Willa (14), darn it!
Charlie (6) had been planning to be here, but his wife decided to go into labor yesterday - two weeks early! - so he was checking in periodically from the birthing center. All Jane could tell was that the poor girl had better deliver soon before either Charlie went bonkers or drove the girl to violence. Or both. Charlie had finally learned to deal more appropriately with most emotional stress under her program as Jane well knew, but she supposed that impending fatherhood was as good a reason for a slight setback as there could be.
As for Charleen’s little sister, Valerie (6) was currently overseas troubleshooting some problem in Debbie’s (6) world-wide cosmetics empire. Eugene’s scatterbrained texts had been filled with frustration and impending doom for some poor soul. Something about a virus attack hitting a Windows server someone installed to handle the corporation’s Black Friday Sale without Valerie’s knowledge. Certainly without her approval. Ah, to be a fly on the wall when Val cornered THAT culprit. . .
The night before, her Wilma, also known as Colonel William Decker USMC (11), Brigadier General selectee, had skyped in since his unit was deployed overseas. Wearing full desert camo-makeup as it is the ‘closest he could come to Aunt Jane makeup over here in this desolate sandbox.’ She had frowned furiously, just for effect, and then ordered him to report to her as soon as he could get back stateside. Wilma, she had decreed, needed emergency refresher training so she could relearn to ‘color within the lines properly.’
All her boys and their ladies, all here, at least electronically.
Well, almost all her boys.
~-~
Sylvia (3b,c) and Erica (3) strolled over to chat with Beth (1,3) who was near the buffet tables. “You look great, Beth!” Sylvia said. At least Beth thought it was Sylvia. Even after all these years, the husband and wife were still hard to tell apart.
“Do you have any idea what it took to squeeze into this overpriced sausage casing?” Beth replied with a half smile, “I made a very expensive, very strict personal trainer/dietitian very happy, let me tell you! Since I just KNEW Aunt Jane and Michelle were going show up looking as fantastic as ever, I busted my butt and my gut getting into this dress. I think next year, I’m just gonna wimp out and show up in a tux. Probably still need a corset, though.”
“Well, it was money well spent,” Sylvia replied, gesturing for Beth to give them a model’s pirouette. “Lord, but my Erica should look so good. Hell, sweetie, I should look so good. Well, I know what New Year’s Resolutions our family’s going to make,” and then giving a sharp wifely look to her curvy spouse. “And KEEP, cutie.”
“Yes, dear,” Erica answered meekly before turning to glare at the chortling Beth. “And Beth, dear? When David comes to town to visit next spring? Make sure he brings his golf clubs and his money! When I’m hungry, and I will be thanks to you, I am a thorough going bitch. Just expect payback, sweetie.”
Beth gave a huge sigh and shrugged. “Guess I’m putting the money I thought I’d be saving after getting into this get-up on golf lessons.”
“So long as you save some to lose, sis!”
~-~
Michelle caught sight of a very tall blonde and stared for a moment. Recognition hit and taking Janice’s (3) hand in his, told her, “Honey, come on. There’s someone I really want you to meet,” and began moving over to where the tall woman stood with a more normal sized partner at her side.
“Karen (3b,c)!” Michelle called out as she and Janice got closer. “I’m so glad you could make it!” and wrapped the bigger woman in a huge hug. “You look great!”
Taken by surprise at the effusive greeting in what she’d expected to be a fairly laid back crowd, Karen goggled, looked over to her partner, then to Janice who was grinning, and then down at the top of the blond head pressing hard between her boobs. “Micha. . . I mean, Michelle?” she squeaked out. “AIR, girl, please!”
Laughing merrily, Michelle released the hug but kept one arm tightly around the lovely guest and reached the other out to snag Janice. “Janice, honey, this is Karen. She’s the, umm, teacher from that, uh, school in Nevada I told you about. You know, the one Momma Jane found for me?”
“School?!?” Karen almost choked laughing. “Is that what you told her it was?”
Janice reached over to pat the other woman on the arm affectionately. “HE, oh, excuse me, I mean SHE told me everything, Karen. About the school and that very special curriculum Jane ordered for Michael, but she wasn’t nearly detailed enough about the faculty. Woman, you are gorgeous, and let me say right now, I thank you EVERY night for your superb instruction and training. I am a very happy woman who benefits regularly from her superior educational experiences both here and in Nevada.”
“Okay, then,” Karen said with a bit of a western drawl creeping in. “Not the usual reaction I get from wives of my, ah, former students. And Michelle, you look great - just as beautiful as when I first met you.”
A sly smile crossed the still gamine face, “Well, as good as I looked after we raided the, umm, basement wardrobe,” hinting at the change of attire to clothes borrowed from the stock of cross dresser supplies in the Mustang Ranch’s dungeon.
“Yeah,” Karen replied giving her smaller escort a smoky look. “That’s how I learned to do my huntin’ in a different field. Ladies, I’d like to introduce my husband, Tiffany.”
The petite but solidly built redhead smiled and shook hands with Janice and Michelle, “Although I go by Timothy when I file my taxes.”
“When I file your taxes, sweetie, but only then,” Karen put in, “At home and at work, she’s Tiffany, and ALL MINE.” The look she gave her partner was hot with love and possession, and Tiffany just snuggled up closer to her lover’s free side. “She headlines at one of the cabarets in Vegas. I’m her business manager. I now have an agency for girls like Tiff and for girls like me who’ve gotten out of the game. We get them training and real jobs. Help them with stuff like doctors and other such things.”
Michelle nodded, but made no comment. She and Kendra were already aware of what Karen did for a living, which was why they had invited her to tomorrow’s get together.
“I’m a graduate, too,” Tiffany offered quietly. “One of Aunt Jane’s early Seasons House students.”
“That’s one of the reasons we came, Michelle, so Tiffany and I can thank Ms Jane and her team for everything she did for a boy who was going bad places because no one knew or would acknowledge what he really needed.”
Tiffany giggled. “And I’m not really sure Jane knew back then, either. I was just another budding juvenile delinquent, but her program taught me who I was, who I could be and a lot of how to achieve that.”
“So, how far have you gone,” and it was Michael the Doctor speaking now.
“As far as I want. I am under a reputable doctor’s care,”
“NOW!” growled Karen with a ferocious scowl.
“Yes, dear. Now, I am under a reputable doctor’s care. I have had augmentation surgeries to fill out some, and I’m on a carefully controlled regimen of hormones. Just enough for some secondary characteristics and not enough to permanently preclude the possibility of children. I am as whole as I want to be and very happy with my life now that tall-stockings here is running it for me.”
“I don’t run . . .” Karen started and stopped at a smirk from her lover. “Okay, I do, but not like the gal who, ah, worked in the basement at my old school.”
“Well, I see Caro, Sandy and Brenda over by the buffet,” Michelle said, “C’mon and I’ll introduce you, Karen and reintroduce Tiffany. Don’t know what Tiff has told you about the Seasons House curriculum, Karen, but those ladies are key members of the faculty. And I just bet they have some stories about your honey’s times here that they’d just LOVE to share with an interested party.”
“Oh, really?” Karen was already moving in their direction, her spouse’s hand firmly clasped in her own.
“Oh, thanks loads, Michelle,” Tiffany grumped as she scrambled on her ice pick heels to keep up with the long-striding blonde.
“Think nothing of it, girlfriend. See you tomorrow if we don’t get back together today.”
~-~
Darla finally spied Victoria (11) momentarily standing off from the crowd and sighed. Taking a deep breath, she made her way over to her Seasons House protegee. “I wanted to make sure I caught you alone so I could thank you - again! - for taking such good care of Teddi. I know you did the very best anyone could for her.”
Visibly relieved at the greeting, the veterinarian who had learned to love caring for horses while Aunt Jane’s student, smiled sadly, “I was sort of afraid you would not want to see me, so I sort of hung back. Thanks for not holding it against me. Usually the owners I work with see their animals as investments, not beloved pets. I know that was really hard for you.”
Darla gave a snort. “Investments? Yeah, like your wife treats hers, Sis? Pull the other one, why don’t you? It was my call, Vicky. And together we made the right one. It was time for her, and I’ve had time to deal with it some. It sucks having to be the grownup, but after all is said and done, and given where she was health wise? She wasn’t happy, and it was the most loving gift we could give her. Miss her, and I haven’t ridden since she got sick, but you gave me the straight, hard truth, and helped me to make the difficult, but best decision. We’re Jane’s girls. Any other decision would have been unworthy of all she’s taught me - hell, taught all of us.”
“Yeah, I hear you, but I’m glad you are okay with my part in it. You matter big time, Miss Darla.”
“So do you, youngster,” answered the prim voice of Miss Darla.
“But I don’t think Aunt Jane is going to let you go too much longer without getting back in the saddle, pal. I have intelligence from a horse breeder in my family who shall otherwise remain nameless that our beloved mentor has opened exploratory negotiations.”
Darla sighed and smiled. “I know and I know her. If not for Christmas then for my Adoption Day/Birthday. You know? She’s getting to the point that she just doesn’t feel the need to even pretend to be subtle anymore.”
“Gotta love her,” Victoria agreed, raising her drink in a toast.
“She wouldn’t have it any other way,” Darla agreed, touching her glass to Victoria’s. “And neither would we.”
~-~
Michelle sidled up to Sandy, offering her a fresh glass of champagne. “How did it go? Is he going to make it?
“If he doesn’t, I will go find his ass and drag him here by his ear! Caro, Brenda and I worked on him for four hours this morning!”
“How did he turn out? Good enough he won’t just bolt? We did have to promise him if he didn’t think he looked good enough to appear before Jane en femme, he could wear guy stuff.”
Sandy kissed her fingertips smugly. “I am a miracle worker. He looked fine, no, scratch that! SHE looked BETTER than fine. SHE looked great.” Lips curled into an impish grin, Sandy lowered her voice to a near whisper, “and I’m not the only one who thought so . . .”
“Oh HO? Surrender the deets, girl!” Michelle ordered.
“Her wife thought she looked great, too. In fact, I had to fix her makeup after she got through with her. TWICE! I gave the wife a cosmetics kit in case they, uh, messed it up again before the party. And I brought an extra kit along with me so I could do some last minute magic when they got here. She’s good with makeup, just not a miracle worker.”
“Like you.”
“As our guest of honor is wont to say, child? Just so.”
“And look who just arrived! Donna? Over here!”
~-~
It was an incredible feeling, Donna Madden (9) thought as she carefully moved about the elegant Victorian home, meeting and chatting with the many party goers. Every one of them, touched and made better by the Jane Thompson experience. By Jane Thompson. “Even me,” she told herself softly, “And I’m the one who thought he’d gotten away. Except I didn’t, and thank God for it. At least I learned enough from her that I knew what to do when I got the chance.”
She didn’t realize she was looking for someone until there she was, or at least, there Donna thought she was. Moving closer, she hailed, “Excuse me, but are you Carol? Carol Morris (9)?”
The tall woman turned and gave Donna a quick up and down look. “Why yes, and you are?” She asked with a smile.
“Donna. Donna Madden. You’ve never met me en femme, before. We met here on Christmas Eve, oh, must be almost fifteen years ago.”
“I remember you!” was the bright and happy reply. “You were here when I needed you. You started my turnaround! I’ve so wanted to see you again so I could thank you!”
Donna found herself swept up in a tight hug, momentarily at a loss for what to do or say. Slowly she pushed away and looked into the other woman’s eyes. “Umm, that’s not quite how I remember our meeting, Carol.”
“Oh, I was a thorough-going bitch and sniped at you until you felt like you had to leave. I was quite proud of that at the time, but you asked a couple of hard questions that I couldn’t NOT think about. Those questions led to hard answers and then harder questions that started my turnaround. How are you doing? You look gorgeous! That’s right! I have never seen you in the masquerade. Do you do it often? Oh, I shouldn’t ask that.”
Laughing at himself as much as the situation, the male beneath the Donna-mask looked up at the taller former student. “Wow, and the surprises just keep coming. Don’t worry about it and to answer your question, today marks the first time I’ve dressed since I walked out of Seasons House as a failed student the last time.”
“Really? Well, you look great. Maybe you should do it more often. It seems to suit you.”
“If my wife has anything to say about it, I suspect I will be doing it more often. Ah, here she comes. “Linda, let me introduce Carol. I’ve told you about her. She was the student who was in residence when I came back to Seasons House; right before I managed to buy your family’s company back. Carol? My wife, Dr Linda Madden.”
“So you’re the one I have to thank for turning my hubby into a human being! You could have knocked me over with a slight breeze when he came and told my family that the company wasn’t going under.”
“I understand he was going to appoint you CEO?” Carol asked as she shook Linda’s hand.
“Oh, he thought about it, but I wasn’t getting roped into that mess. I’m a teacher and have no interest in those silly business power games of his. Nope, I made him CEO and had him teach my little brother how to swim with those sharks. I went back to school and got my school administrator’s license.”
“Oh, cool. So, Donna, what do you do now that Linda’s brother runs the company?”
“I am the CFO of the educational foundation my wife runs. She finds the causes, I find the money and help make the ideas work in the real world. It’s . . . satisfying. . .”
“You’re a team . . .wait, foundation? Are you going to be at that shindig tomorrow? With Jane?”
A smile lit Donna’s face. “In the words of our hostess? Just so. See you there, Carol.”
~-~
There they were. Those little tells that were only someone who knew Jane Thompson as well as her long time lover and spouse would see. “I’ve been expecting this,” Diana whispered softly to herself. Excusing herself from the group she’d been chatting with, Diana slipped away and moved to put an arm around her love. “You okay, sweet?” she whispered in Jane’s ear.
Jane took a deep breath, and nodded shakily, a watery smile on her face. “Look at them, darling. Even the ones who can’t really pull off the masquerade anymore. They’re all here. Or they’ve been calling in and checking in with us. But all that can be here are here. Just Val and Char and Will and .. . and . .” and now the tears did fall.
With skills born of years helping out at Seasons House, Diana spirited her emotional wife into a quiet side room, closed the door and simply held her. “DAMMIT, Diana, I couldn’t SAVE her.”
Jane, Jane, hush. Lora had problems that were not in your power to help. Look at our kids out there. Without exception, they were fundamentally good kids who went down a bad path and didn’t get pulled back in time to prevent consequences. Still, they came to you while, deep down, they were still good kids - just a little lost.
“We always remember the ones we couldn’t save. I do, and I bet that Michael and Erica can name every patient they were unable to help. But sometimes, it’s just not in our power. Maybe if you’d gotten Lora (14) sooner, but her sociopathic issues developed very early. I’ve read her file. And it would have been pretty darn hard to petticoat discipline a four-year-old because that’s when she started abusing animals and hurting other kids. Kinda hard to use the deep-dye cosmetics on a four-year-old and make it seem like a threat.”
Sighing, Jane cuddled in closer. “I know - in my head. My heart says she should be out there on the dance floor, laughing and having fun with the others.”
Diana thought for a moment. “Get our coats. I’m gonna tell Michelle, Kendra (5) and Darla you needed a bit of air so they won’t pull down the walls looking for you.”
~-~
The two lovers linked gloved hands as they stood in the cold, biting wind in front of a small granite monument. “She’s here, love, and I like to think, more at peace than she ever was in her short, violent life.”
Jane stepped over to the headstone and put down the small bouquet of Christmas flowers she’d brought with them. “I pray that’s so, Diana. She was a hard nut, though. I was thinking that she was the first student I had to physically restrain - heh - had to put her down on her little butt hard. Surprised her no end, which was probably the only reason she backed down and pretended to play by my rules for as long as she did.
“I was so young then, Diana, so full of myself and so sure of my wonderful program. Ten years later, hell, even just five I’d have seen that she was only biding her time, waiting for her chance to escape - or worse. I was too inexperienced to recognize the danger she represented above and beyond any other I’d ever encountered. So she’s here, instead of inside with the rest of my kids. Merry Christmas, Lora. Peace be with you.”
The couple stood there a few more moments and then turned back to the path leading to Seasons House. “I was thinking about Bella graduating today and what comes next. One thing I realized, I could not handle a physical attack by a new student as I did with Lora that time. And both Marie and I needed naps this time just to keep up with Bella. NAPS! Darn it, Diana, we’re getting old!”
“Speak for yourself, woman. I’m feeling rather spritely, meself. Someone said I was getting lucky tonight.” They both laughed and huddled together as much for the closeness as to combat the wind. “Have you given any more thought as to what comes next? After our cruise, I mean.” At Jane’s shrewd look, Diana shook her head. “Not teaching. Honest! Free to cruise.”
“We’ll see how long that stands THIS time, lover. Seems to me I’ve heard that song before. By the way, do you know what Michael, Kenneth and Darryl have on their minds? They asked if we could meet with them in town for a surprise tomorrow.”
“If I knew, my love, and then I told you, it would cease to be a surprise. Darla in a snit is almost as scary as you! I mean, you taught her. So, no.”
“No what?” Jane pressed, “No, you don’t know? Or no, you won’t tell me.”
“Just no, my love.” And Diana dodged Jane’s playful punch and reached off the path for a handful of snow. “Of course you realize,” she said in her best Mel Blanc impression, “Dis means WAR!” and pelted her lover in the chest with a big fluffy one.
And took off running for the house as fast as she could in her too-tall heels with Jane right behind her promising righteous retaliation and retribution.
Well, in not quite those words.
~-~
Seasons House was ominously quiet the next day when Jane and Art came down for breakfast. Bella was already at Marisha’s Chalet for her breakdown back to Boyd, and whatever it was that rest of Jane’s family was up to had them out of the house as well. The stately house missed the life and energy the young people brought into it. Why, Seasons House felt stodgy in its silence, almost like, God forbid, Edith White with shutters.
The three adults breakfasted quietly in the sunlit nook just off Marie’s kitchen. They’d all agreed that there was little point in using the formal dining room without students here. It was easier to clean up and more intimate to have it in the nook.
Jane made several attempts to steer the conversation towards the meeting her boys had planned for later than morning, but each was deftly dodged, turned aside or even ignored by her husband and best friend. Oh, they knew, Jane fumed quietly, and they weren’t sharing. Okay, it was a surprise and they wanted to keep it that way, but if she was nothing else, Jane Thompson was a control freak of the first order. She HATED not knowing a secret, especially when she knew it was a secret.
Something like this just had to be a violation of the marriage rules! No male should know a secret and keep it from the female when the female wants to know it. If it wasn’t one of the rules, well, the second rule was that the female should immediately change the rules if she thinks the male knows them. Okay, it would now be a rule. No more secrets from the female.
Except Marie was also helping to keep the secret. Jane thought about digging out the housekeeper’s contract and see if there was a clause about keeping secrets. But they didn’t have a contract, did they? Just a hug and a handshake.
Darn!
~-~
An hour and a half later, an outwardly composed Jane Thompson was escorted by Kenneth into the main conference room of his law practice. Finally, she inwardly fumed, and then came to an abrupt halt as she took in the crowd that waited for her inside. The room was packed! Bill Beale took station at the door they’d just entered, closing and locking it.
A quick scan of the crowd showed her that almost all her boys from yesterday’s party were there, in male attire, along with their wives, partners and significant others. The main table seated Jesse and Donald Madden to the immediate right and left of the head, with Michael, Darryl, Caitlyn, Victor, Adrian, David (1,3), Eric and their wives paired up down the table’s long sides. Kenneth seated Jane, Marie and Art at the foot of the table and then proceeded to take his own seat at the head of the table.
“Those of us who know and love you aren’t fooled for a minute by your calm exterior, Momma Jane. You are as curious as a cat in a fish market and wondering what the heck this is all about. It’s about the future of Seasons House, or at least, some options we’d like to explore with you for the future of Seasons House. As you yourself have admitted, Momma Jane, the last few students have been especially challenging for you and your team. . .”
“KENNETH THOMPSON-ROBERTS, if you dare infer that I am getting old. . !!!”
“I beg your pardon, Ms Thompson,” Ken replied in his best Rumpole of the Bailey tones “but I and my brethren are highly evolved, well trained and civilized modern males. NEVER would such a scurrilous thought or words occur to ANY of us. . .”
“Because we, their wives,” Barbara Anne put in, “Would make their worlds a living hell for even thinking such a thing. . .”
“That’s what I just said,” Ken agreed, smiling at his golden-tressed wife. “However, there are challenges to continuing the Jane Thompson Winsome Girls School for Wayward Boys now that were not issues in the past. For example, turnover of personnel at your support sites, specifically, Milady’s Closet and The Style Shoppe.
“Brenda told me that on at least two occasions recently, she barely stopped a student from giving the masquerade away to a seasonal employee. Combined with the proliferation of camera phones, social media and the blogosphere, it is only a matter of time before your program gets outed, and outed hard into the public arena. Short of eliminating any public excursions for your feminized students, we don’t see anyway to prevent that, and before you say it. We know. The stress of being in public and protecting the masquerade is a critical aspect of the program as it currently exists.”
The fact that Jane held her counsel at this and did not try to contradict her honorary son spoke more loudly than any words of hers.
Nodding, Kenneth continued. “Mom, some of your team are starting to think about retirement plans and second careers - at least stepping back from the day to day operation of their businesses. Judge Ruth retired last year, and your contacts with social services are drying up, too. Heck, Bella, err, Boyd was actually the grandchild of one of your sorority sisters which is how you got that referral. I know you didn’t look for a student because you were hoping for the cruise with Daddy Art to actually happen this time, but it has been getting harder and harder to find the students who would respond to your program already. Did you have even a whiff of one when it was time for Bella to be a big sister?”
Jane took a deep breath and sighed out, “No, Kenneth. And you are right, I didn’t look all that hard, either. Okay, you lot. You’ve got something cooking in those heads of yours. I accept that I can’t get away with my program anymore for many reasons - not that I’m getting old. Tell me what you are thinking of doing with my home.”
“Well, Mom, actually we have two ideas that we’ve sketched out and made preliminary plans for. Donald and Michael are both willing to help front the start up costs and endow either plan, but it is your home, your legacy. You have to be on board. Right now, Jesse, Victor, Michael, Darryl and I, along with our wives are sort of an ad hoc foundation exploration team. We’ll give you the bare bones of our two concepts and you can decide if you want us to proceed with either idea. Adrian?”
The diminutive social worker stood, kissed the top of his wife’s head and went to the screen that was coming down in the front of the room. “Aunt Jane, as you know, my work has been primarily based in getting orphan girls who weren’t being adopted out of the PRC and getting them to families here who want children. I have two challenges. The first is that it is always easier to place younger children than older kids, and the second is that we are starting to get a rash of kids who are, although born male, not welcomed by their families. Some are transgendered, some are intersexed, bisexual, the entire gamut of alternatives with which our society is struggling.
“The problem is that in China, well, it’s the same as it was with girl babies when we started our agency only worse because these kids are at least four years old when their issues start to become evident. We’d like to start a home for those kids here. Get them therapy, counseling, education and hopefully, a family. Oh, I know that’s going to be a challenge, but if we can help them adjust, help society adjust, there’s a chance. More than they have now.”
From one of the back seats, Michael’s Karen stood up. “Ms Thompson, right now my company does some of that for kids we pull in off the streets in Reno and Vegas. We aren’t so much tryin’ to get ‘em adopted, as help them find themselves, get healthy and find a place for themselves. My company’s learned a lot in the years since Tiff and I started, and we would like to be part of this. Maybe if we learn enough, we can sort of franchise this idea and help more kids in more places.”
“And what role do you see for me, Adrian?” Jane asked, her schoolteacher frown evident.
Adrian grinned. “Why, you’d be Grandmother to the house. We’d have professionals doing the day to day counseling, the therapy, the teaching. You are going to be in charge of giving them and all our staff, a family.” He grinned and shot her a sly look. “Granny Jane.”
Jane sniffed audibly at that and then turned back to her tall son. “I see. Kenneth? You said you had two plans?”
Nodding, Kenneth turned to Donald Madden who turned to his wife, “Linda?”
Linda stood, nodded to someone in the crowd and Jane was surprised to see Penny, not Benny, stand and move to the front of the room with Dr. Madden. She had not realized anyone other than Caitlyn was presenting as female.
“Ms Thompson, Aunt Jane,” Linda began, “Penny and I are both special educators. As you are no doubt aware, we work with children who have special needs and challenges, helping them overcome those challenges so that they are able to learn and become productive members of society. Both of us specialize in helping children who have emotional issues that in the worst case, results in the children harming themselves. More specifically, we work with children who have gender identity issues, or who are outside the norms from an orientation perspective.
“Federal, state and local governments are making sporadic attempts to force mainstream institutions into recognizing and helping these children, but the resources are slim and compete with other programs that are just as needy. Finally, the research on how to help these kids is confused and inconsistent. Frankly, even if there were adequate resources, the needed training and support for all the care givers we envision needing just aren’t there yet or haven’t been proven where they are.
“Penny and I would like to open an experimental school - we won’t call it that. Experimental sounds too wishy-washy. Think of it as a Medical Research College. We will take in these children - help them find themselves, find their own way at the same time we’re learning from them what they need and what they can use. They’ll get an approved academic curriculum to be sure, but they’ll also learn life skills that they’ll need to live in society. It might be as simple as makeup and cosmetics, or it could be nutrition and exercise programs to help them achieve a healthy body that is in keeping their self image.”
Karen stood up excitedly, “Boy, howdy! Oops, sorry Ma’am, Ms Jane, but we’d sure like to be a part of and learn from y’all. We just feed the kids what we can scrounge for them and fight to get ‘em to go to school. A place like you’re talkin’ about? It’d be a God-send for some of my kids!”
“Thanks, Karen,” Penny said, “and if this works the way we think it will, the way we hope it will, that idea you had for franchising is something we would want to explore so that we can export what we learn to where more kids could take advantage.”
“And before you ask, Aunt Jane, we were sort of hoping you’d be on our school board and also be in charge of our dorm-mothers, sort of UberMom for all our kids.”
The smile on Jane’s face told Ken all they needed to know. “Okay, Momma Jane. Mike, Donald, Jesse and I will handle the financials and the legalities of what ever we decide to do. Adrian and his team or Linda, Penny and their team will set up the programs, find the kids and take care of the day to day raising and teaching. Darryl, Mike and Eric will take care of the students medical, psychological and emotional needs. . .”
“Hey, don’t forget me!” Art yelped indignantly.
“Darryl, Mike, Eric and Daddy Art, when he isn’t being Dorm Grandpa or First Assistant to the UberMom. We have basic plans and funds to start. So, Mom? What will you have?”
The green eyes gleamed with a wicked light that every former student instantly recognized. Then, Jane composed herself, folding her hands elegantly on the table, and in her best Shirley Temple voice whined,
“Can’t I have both?”
~-~
Christmas Eve, Two Years Later.
Dressed in her bright red Mrs. Santa dress, Jane fussed one last time over the placement of the special family gifts under the small tree in her private quarters. Moving over to the window, she looked out over the snow-blanketed expanse of the Jane Thompson Foundation School at Seasons House where her children played. Not as cool a name as Winsome Girls School for Wayward Boys, but a whole lot easier to say in front of a bunch of stuffed shirts she intended to fleece for contributions. Ah, she still knew where the bodies were buried and those stuffed shirts knew that she still knew, so donations were generous.
There were currently about two hundred children in residence, some from Adrian’s connections, some from Karen’s and others from other sources. Jane’s biggest concern with the plans had not yet posed too great a problem. Yes, many of the children were dealing with any number of emotional and personal issues, but the staff had succeeded in creating Family for them. Linda and Penny were very good at their chosen vocations.
Slowly at first, but gradually the children had learned that they weren’t here to have their corners shaved to make them fit in some ‘normal’round hole. They learned that they were valued here and their hopes and dreams were also valued and supported. Jane worried now that maybe they weren’t taking children who really needed them, that maybe it had been too easy. Well, that was a question for the next board meeting.
Jane was more in love with the New Seasons House than ever before. And she loved, Loved, LOVED her roles as GrannyJane and UberMom! School was attended in uniform and the children always had a choice of three basic sets. A masculine outfit with a shirt, tie and slacks, a feminine version with a blouse, a fitted skirt, hose and a choice of flats or heels, and finally an androgynous choice that could combine elements of the first two, and had an optional kilt in the Thompson plaid. Jane insisted that however the student chose to present on a given day, the uniform be squared away and neat. It WAS, after all, Seasons House and she WAS, after all, Jane Thompson.
The proprieties must be observed, she thought, and then giggled happily.
Casual wear for outside of ‘school hours’ also had to be neat and clean, but was still more relaxed than the ‘old days.’ However, following long Seasons House tradition, Sunday dinner was a formal affair with ‘proper attire’ mandatory. If presenting as male, a coat and tie was required, shoes properly shined. Acceptable feminine wear was a church-worthy dress, hose and heels with suitable cosmetic enhancement required. The first time was hard for many new students as it seemed too good to be real, but the other students usually got them turned around and outfitted for what had become a fun event. Always followed by dancing. Caitlyn (and Jane) insisted.
Outside, Art was leading a group up the trail from where he had been teaching them how to cross country ski. From the look of them, the teacher had spent more time in a snow bank than the students. Out in the corral, Garters dozed in her winter blanket with Secret Victoria curled up on her back. Audrey’s and Darryl’s new mount Satin-Lace, or Lacy for short, was prancing about the snowy enclosure kicking up his heels and sending snow flying about. Anywhere but Seasons House, Jane thought with a laugh, Lacy would have been an odd choice of name for a two-year old colt. Here? It simply worked.
The smell of vanilla and cinnamon and other spices wafted through the house as Marie taught those who were interested more of the art of holiday baking. In the distance she saw the outline of two of the new dormitories that had been built to accommodate the kids and new faculty. Four of them in all, each named for a Season - Winter Hall, Spring Hall, Summer Hall and Autumn Hall dotted the estate along with the school building itself. ‘All Seasons School for All Children’, Jane thought with a smile.
Her boys had given her all this, and then had tried to tell her that it did not even begin to balance what she had given each of them. They were so wrong. This legacy would go on, each of them having a hand in it, each of them working to perpetuate it.
The first of their school’s graduates were even now away at college and several were planning to come back to Seasons House as the future teachers and counselors. Tiffany and Karen were in the final stages of starting up a west coast version of the school at some small town in western Nevada.
“MOM!” a voice bellowed from downstairs accompanied by the tittering of children. “IT’S TIME FOR PRESENTS!!! HURRY UP!”
“Ah, Leather Lung Michael. Never quite broke you of that, did I?” Jane thought. “You weren’t the first, but you were the beginning of all this change. When your Mother sent you to me as a last ditch attempt to salvage you, and I nearly lost you. You marked the beginning of my own personal Season of Change. I became a different, better Jane Thompson after you and Darryl and Kenneth and so many others taught me so much more than I ever taught any of you.”
Overwhelmed by emotion, Jane let a few happy tears fall before hurrying back over to her vanity to fix her face - again. It was almost time for Santa to come and hand out gifts to the children. A weepy Mrs. Santa just would simply not do at such an occasion! Not at all. As always, Jane insisted everything about this party be Just So.
And it was.
The Beginning Continues.
Short bios of recurring characters and when they appeared
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Change of Seasons Bibliography
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